<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-19919350</atom:id><lastBuildDate>Fri, 25 Oct 2024 02:16:30 +0000</lastBuildDate><category>David Lynch</category><category>INLAND EMPIRE</category><category>sul cinema</category><category>Uno sguardo altrove</category><category>Roma</category><category>Venezia</category><category>mulholland blog</category><category>Twin Peaks</category><category>Cannes</category><category>Nanni Moretti</category><category>Frames</category><category>Oscar</category><category>Incontri ravvicinati</category><category>Indiana Jones</category><category>Roma 2008</category><category>i film del mese</category><category>Lars von Trier</category><category>Quentin Tarantino</category><category>Steven Spielberg</category><category>Roma 2007</category><category>Torino</category><category>sciopero sceneggiatori</category><category>Simpson</category><category>Christopher Nolan</category><category>X-Files</category><category>Fuoco cammina con me</category><category>J.J. 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Kapur</category><category>Sicko</category><category>Sidneky Pollack</category><category>Sidney Lumet</category><category>Signs</category><category>Silent Hill</category><category>Silvio Soldini</category><category>Slipstream</category><category>Smosh</category><category>Solaris</category><category>Somewhere</category><category>Sophia Loren</category><category>Stephen Frears</category><category>Stephen King</category><category>Stuart Gordon</category><category>Sundance</category><category>Sydney Pollack</category><category>Tamara Jenkins</category><category>Taormina</category><category>Team America</category><category>Teresa Marchesi</category><category>Terry Gilliam</category><category>The Blues Brothers</category><category>The Dreamers</category><category>The Duchess</category><category>The Hurt Locker</category><category>The King</category><category>The Kingdom</category><category>The Millionaire</category><category>The Mist</category><category>The Prestige</category><category>The Road</category><category>The Sentinel</category><category>The Social Network</category><category>The Strangers</category><category>The Terminal</category><category>The Village</category><category>The Wall</category><category>The Wrestler</category><category>There Will Be Blood</category><category>Timur Bekmambetov</category><category>Tobe Hooper</category><category>Tod Browning</category><category>Todd Haynes</category><category>Tom Holland</category><category>Tomas Alfredson</category><category>Tony Gilroy</category><category>Totò</category><category>Tra le nuvole</category><category>Trailer</category><category>Trailers FilmFest</category><category>Transamerica</category><category>Trey Parker</category><category>Tropic Thunder</category><category>Ubriaco d&#39;amore</category><category>Una storia vera</category><category>Up</category><category>Up in the air</category><category>Videocracy</category><category>Vincent Paronnaud</category><category>Vincenti Schiavelli</category><category>Volver</category><category>WALL-E</category><category>Wanted</category><category>Warren Beatty</category><category>William Malone</category><category>Wim Wnders</category><category>Wonder Boys</category><category>Y tu mamà también</category><category>YouTube</category><category>Zelig</category><category>Zodiac</category><category>blackANDwhite</category><category>ciak</category><category>ingmar bergman</category><category>ipse dixit</category><category>mario monicelli</category><category>michelangelo antonioni</category><category>nastri</category><category>promozioni</category><title>Home</title><description>&quot;Io sparo quando vedo il bianco degli occhi.&quot;</description><link>http://mulhollandblog.blogspot.com/</link><managingEditor>noreply@blogger.com (Massimo Manuel)</managingEditor><generator>Blogger</generator><openSearch:totalResults>872</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-7053521625748639012</guid><pubDate>Mon, 16 Jan 2012 12:03:00 +0000</pubDate><atom:updated>2012-01-16T13:03:57.151+01:00</atom:updated><title></title><atom:summary type="text">Io voglio esserci... perché ho ancora qualcosa da dire. Stay tuned!</atom:summary><link>http://mulhollandblog.blogspot.com/2012/01/io-voglio-esserci.html</link><author>noreply@blogger.com (Massimo Manuel)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-7000145265128928671</guid><pubDate>Sat, 26 Mar 2011 10:55:00 +0000</pubDate><atom:updated>2011-03-26T11:58:05.163+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Darren Aronofsky</category><category domain="http://www.blogger.com/atom/ns#">Il cigno nero</category><title>Il cigno nero</title><atom:summary type="text">Il Cigno Nero di Darren Aronofsky(2010) USA
La chiave di lettura del film può essere molto semplice: è la messa in scena del cigno nero &quot;ma stavolta sarà diverso&quot;. Ed effettivamente Aronofsky non fa altro che sfruttare la storia di base del celebre balletto per osare e andare un po&#39; più oltre ed immaginare una protagonista mentalmente instabile, vessata dalla madre e dal difficile ambiente della </atom:summary><link>http://mulhollandblog.blogspot.com/2011/03/il-cigno-nero.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6hBYN_zvP8sRPQA5ab2K3UnEaSjjh1gVwKUN0NQnOM8ssvMoS7_2pQMPWdkXFE1wZn3Ue4-z9YdHgRRKZPJfH13ikggzODUFnXyw_rgOAxnMx7rdOnxdo5NdyZSSL3ypCt31q2w/s72-c/il+cigno+nero.jpg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-7065556915069291264</guid><pubDate>Sat, 05 Mar 2011 10:11:00 +0000</pubDate><atom:updated>2011-03-05T11:11:04.330+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">David Fincher</category><category domain="http://www.blogger.com/atom/ns#">The Social Network</category><title>The Social Network</title><atom:summary type="text">The Social Network di David Fincher
(2010) USA


500 milioni di utenti iscritti nel mondo ma chissà quanti di questi saprebbero dire chi è Mark Zuckerberg e come ha creato il mostro multimediale e sociale del nuovo millennio che corrisponde al nome di Facebook. A fare chiarezza, si fa per dire, ci pensa David Fincher che investe il suo talento in una parabola moderna fatta di genio e abnegazione </atom:summary><link>http://mulhollandblog.blogspot.com/2011/03/social-network.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWLyABWQh-HH1hn50Y3A6oGQnBePVB-fflKTwHvAWSrSbzktGvDNmQP7VWOgvtUywraU6gOKK1QMTTavLCpNO3NC_VW0i8gtv-Iut9CbPMjkyzn7BLPW04AYMKBJ7aAYs0jvbn1A/s72-c/TheSocialNetwork_poster.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-3530057427737181708</guid><pubDate>Wed, 26 Jan 2011 10:46:00 +0000</pubDate><atom:updated>2011-01-26T11:46:17.728+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Baciami ancora</category><category domain="http://www.blogger.com/atom/ns#">Federico Zampaglione</category><category domain="http://www.blogger.com/atom/ns#">Gabriele Muccino</category><category domain="http://www.blogger.com/atom/ns#">L&#39;uomo nell&#39;ombra</category><category domain="http://www.blogger.com/atom/ns#">Roman Polanski</category><category domain="http://www.blogger.com/atom/ns#">Shadow</category><category domain="http://www.blogger.com/atom/ns#">visioniINBREVE</category><title>visioniINBREVE: Baciami ancora - Shadow - L&#39;uomo nell&#39;ombra</title><atom:summary type="text">Baciami ancora di Gabriele Muccino.Raramente si vedono film tanto ben confezionati quanto completamente vuoti di qualsivoglia idea o stimolo. E questo film è clamorosamente privo di qualsiasi intenzione e qualità; la cattiva riuscita della sceneggiatura si riflette perfino sulla regia del buon Muccino che fa dimenticare i fasti del apprezzabile L&#39;ultimo bacio per ridurre tutto a macchietta, tutto</atom:summary><link>http://mulhollandblog.blogspot.com/2011/01/visioniinbreve-baciami-ancora-shadow.html</link><author>noreply@blogger.com (Massimo Manuel)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-1745819493007575813</guid><pubDate>Fri, 21 Jan 2011 14:25:00 +0000</pubDate><atom:updated>2011-01-21T15:25:58.863+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Brotherhood</category><category domain="http://www.blogger.com/atom/ns#">Gabriele Salvatores</category><category domain="http://www.blogger.com/atom/ns#">Happy Family</category><category domain="http://www.blogger.com/atom/ns#">My son my son</category><category domain="http://www.blogger.com/atom/ns#">Nicolo Donato</category><category domain="http://www.blogger.com/atom/ns#">Nightmare on Elm St.</category><category domain="http://www.blogger.com/atom/ns#">Samuel Bayer</category><category domain="http://www.blogger.com/atom/ns#">visioniINBREVE</category><category domain="http://www.blogger.com/atom/ns#">Werner Herzog</category><title>visioniINBREVE</title><atom:summary type="text">My son my son, what have ye done? di Werner Herzog&amp;nbsp;Strillatissima produzione di David Lynch (che sembra il tipo di produttore che ci mette i soldi e basta, poi possono fare quello che gli pare) il film di Werner Herzog è un&#39;opera inconcludente e piuttosto infelice che non va a parare da nessuna parte. Dovrebbe essere la descrizione della discesa nella follia di un giovane attore che uccide </atom:summary><link>http://mulhollandblog.blogspot.com/2011/01/visioniinbreve.html</link><author>noreply@blogger.com (Massimo Manuel)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-1266491591355987768</guid><pubDate>Sat, 18 Dec 2010 16:22:00 +0000</pubDate><atom:updated>2010-12-18T17:28:42.629+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Dexter</category><category domain="http://www.blogger.com/atom/ns#">Uno sguardo altrove</category><title>Dexter 5: vendetta e redenzione</title><atom:summary type="text">QUESTO POST NON CONTIENE SPOILER SULLA QUINTA STAGIONE.

Le consuete e puntuali riflessioni che Dexter suscita sono arrivate al rispettabile traguardo della quinta serie. Lo schema abbiamo imparato a conoscerlo: si parte da un assunto base e cioè quello di un protagonista serial killer che soddisfa un istinto omicida rispettando un codice d&#39;onore discutibile ma che a suo modo gli permette di </atom:summary><link>http://mulhollandblog.blogspot.com/2010/12/dexter-5-vendetta-e-redenzione.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_-9GsY3AhGLCKO2v8kAl3QgJWFHwyLj1WWvcvxccOUNpwIF_D4liwFUOlmCsTgS-PKptsQXAgOcmKjuuAfenRLVJ-X56YaH8jNNpME0KwqdEMll6JA-5aK8iHIPpQsKkuKeGLVg/s72-c/dexter-506-5.jpg" height="72" width="72"/><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-4034849593980606992</guid><pubDate>Thu, 21 Oct 2010 17:24:00 +0000</pubDate><atom:updated>2010-10-21T19:25:34.785+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Buried</category><category domain="http://www.blogger.com/atom/ns#">Rodrigo Cortés</category><title>Buried</title><atom:summary type="text">Buried di Rodrigo Cortés(2010) Usa\Spa\Fra

Buried è un film politico. Il pretesto della claustrofobica trama thriller cede presto il passo alle connotazioni politiche e le relative conseguenze che questo comporta. Infatti la storia del povero Paul è implausibile ma non è alla coerenza narrativa che il film mira, difatti non avrebbe senso rinchiudere un sequestrato dentro una bara e costringerlo </atom:summary><link>http://mulhollandblog.blogspot.com/2010/10/buried.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4XP7Axj90xALOwVZD1ywROtZAc2DduADVQxamXck6RhvsU2mUXBOd2JtnRlbY11Cv5XA8pLjV9snMcI3FDbGSTHR-8g8vuVyldusl_8VD5CrXnWCXQOIJsTz1g0nxq4olJBZleg/s72-c/buried-nuovo-spot.jpg" height="72" width="72"/><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-5249042178534622281</guid><pubDate>Sun, 03 Oct 2010 21:19:00 +0000</pubDate><atom:updated>2010-10-05T00:20:46.456+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Christopher Nolan</category><category domain="http://www.blogger.com/atom/ns#">Inception</category><title>Inception</title><atom:summary type="text">Inception di Christopher Nolan(2010) Usa\Uk

La lunga e misteriosa attesa è stata alla fine premiata: Inception è ciò che ci si aspetta. Un film ambizioso, coraggiosamente spericolato nelle intenzioni narrative e nella messa in scena: una storia complessa e macchinosa da seguire e l’auto-inflitta limitazione all’uso degli effetti speciali digitali; per questo, stupore e meraviglia per la scena </atom:summary><link>http://mulhollandblog.blogspot.com/2010/10/inception.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV0Nd9aPCrzvnFFCReCGOEo3l4hET2Mk-c9mgaB4aabNarGV0o7jXDdF75-bO3f88AjumHgwk1FC2R7WNDDdtzh06Bo9q0O7B6jq_IDksDZ5lWbndMOXBL4HvFwWnG9us0HMKEWg/s72-c/Inception_Poster.jpg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-1431164387010492522</guid><pubDate>Mon, 27 Sep 2010 19:34:00 +0000</pubDate><atom:updated>2010-09-27T21:34:16.508+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Sofia Coppola</category><category domain="http://www.blogger.com/atom/ns#">Somewhere</category><title>Somewhere</title><atom:summary type="text">Somewhere di Sofia Coppola
(2010) USA

Non capisco. Davvero non capisco. Non mi spiego questa improvvisa frenata nella sua bellissima carriera. Non mi spiego la vittoria a Venezia (pur non avendo visto gli altri film). Non mi spiego il perché. Allora una volta tanto voglio essere chiaro e anche puerile e banale se necessario: Somewhere è Lost in translation, ma senza le ambientazioni aliene, </atom:summary><link>http://mulhollandblog.blogspot.com/2010/09/somewhere.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVAcC_cNaKO8pm8ArCtahHnyv91pWuTKitAzhWW1pD3SQ6mDPnjuUN9uk0bvEUu7HHcqgQZQazwI4Yb8WsKzoN3hxgE4IFgD8VUqwpOpmert1HXz3B_7xR9qqfQPdgqd-fLl9Q-Q/s72-c/somewhere-sofia-coppola-311x480.jpg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-4904117123051618612</guid><pubDate>Tue, 22 Jun 2010 19:49:00 +0000</pubDate><atom:updated>2010-06-22T21:49:23.836+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Il profeta</category><category domain="http://www.blogger.com/atom/ns#">Jacques Audiard</category><title>Il profeta</title><atom:summary type="text">Un prophète di Jacques Audiard(2009) Fra\Ita
L&#39;eclettico Audiard possiede la capacità di realizzare un&#39;opera complessa, profondamente diversificata al suo interno e così piena di trama senza perdere nemmeno per un attimo l&#39;attenzione dello spettatore medio e quella dello spettatore più smaliziato. Un profeta (e non Il profeta, come assurdamente tradotto in italiano da qualcuno che non si è </atom:summary><link>http://mulhollandblog.blogspot.com/2010/06/il-profeta.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeNwz1mxr0XseRbMBviUtQgAeKv0ZoPpCioP_BHSTk7QBPiiAdJjA7hFcWz5YIsI72Wozfna57-GZbLrt9EBGo7I1yVCLMAVfIP4SvbvbJLkLYDV6LTB9YrRf_u6Nwa3fnEomi8w/s72-c/locandina-il-profeta.jpg" height="72" width="72"/><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-4525691752085580111</guid><pubDate>Thu, 17 Jun 2010 18:19:00 +0000</pubDate><atom:updated>2010-06-17T22:52:05.549+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">John Hillcoat</category><category domain="http://www.blogger.com/atom/ns#">The Road</category><title>The Road</title><atom:summary type="text">
The Road di John Hillcoat(2009) USA
Difficile immaginare il coraggio dei produttori che hanno voluto questo film: una storia disperata, gelida che si muove fra ambientazioni pregne di morte e che porta con sé un&#39;assoluta mancanza di speranza.&amp;nbsp;
Un film bellissimo. Una storia che usa il pretesto della fine del mondo per raccontare un fortissimo sentimento antico, l&#39;amore di un padre verso un </atom:summary><link>http://mulhollandblog.blogspot.com/2010/06/road.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikS9y4EH8kQT_bcNqzp3af2-oPapH0LE7N-y_Kw6SXPY1gx-mIi94Ph9IrLbaD-lzUvgQdQAMnHFN6Ruqb9p2TZpMEar5NHJDyGe6uZp6PJ-PI6o4f9pa7BA3vVi8Ov8ADLWW5ag/s72-c/the-road-poster.jpg" height="72" width="72"/><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-6084653938801625944</guid><pubDate>Sun, 13 Jun 2010 15:15:00 +0000</pubDate><atom:updated>2010-06-13T17:16:04.443+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Duncan Jones</category><category domain="http://www.blogger.com/atom/ns#">Moon</category><title>Moon</title><atom:summary type="text">Moon di Duncan Jones(2009) Uk
Fulminante esordio al lungometraggio per&amp;nbsp;Duncan Jones,&amp;nbsp;Moon&amp;nbsp;è un film atipico sotto molti aspetti: lo è per essere un film inglese, lo è per essere un film di genere, lo è per essere un film ambientato sulla luna! In tutte queste cose il regista dimostra di avere una lucidissima originalità, fino a partire della storia che comincia in un certo modo per</atom:summary><link>http://mulhollandblog.blogspot.com/2010/06/moon-di-duncan-jones-2009-uk-fulminante.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqv9xcfew_RS_4ObdjGV603XFP9lBeVwyB0Vlp-Scx7SQBYJvbjrXqDGHVGlfV-JISFSAbkw8Yuwk-MrSLhGvz_C7RmsylprdHrhEeBYhBnNSMWH4mnfINxiZTZucUcmjn8PkXCQ/s72-c/6a00d83451b26169e2011570e7c708970c-400wi.jpg" height="72" width="72"/><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-4082937182499923230</guid><pubDate>Wed, 26 May 2010 14:19:00 +0000</pubDate><atom:updated>2010-05-26T16:41:49.199+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">J.J. Abrams&#39; Lost</category><category domain="http://www.blogger.com/atom/ns#">Uno sguardo altrove</category><title>Lost - L&#39;isola ha finito con voi</title><atom:summary type="text">ATTENZIONE: QUESTO POST CONTIENE SPOILER PER CHI NON HA ANCORA VISTO LA FINE DEL SERIAL &quot;LOST&quot;.

E&#39; molto difficile considerare soddisfacente il finale di Lost, l&#39;ultimo episodio che mette un punto definitivo alle sei gloriose stagioni di questo serial. Su questo blog ho sempre parlato di Lost in termini &quot;tecnici&quot;, se così mi è permesso dire: ne ho sempre sottolineato l&#39;incredibile portata </atom:summary><link>http://mulhollandblog.blogspot.com/2010/05/lost-lisola-ha-finito-con-voi.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdKkJZ48njnb3BB9O78E7Eocu4B-1wcjKpvisDAlpuEnnxxrZp17gEi9YhFrTMPH7YDDSKbeaoalPTl1WV5Y8lGfp8C0K8uBgvR7bpjrMV1o32oAhhlLfda84Y48OQfcOhQDVbgg/s72-c/lost-eye.jpg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-1634312506808257485</guid><pubDate>Sun, 23 May 2010 09:32:00 +0000</pubDate><atom:updated>2010-05-23T11:37:38.525+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">J.J. Abrams&#39; Lost</category><category domain="http://www.blogger.com/atom/ns#">Uno sguardo altrove</category><title>The End</title><atom:summary type="text">Stanotte sarà finita. Dopo 6 anni, Lost metterà la parola fine alla sua storia e la cosa sta scatenando un putiferio in rete e nel mondo. Perché? Perché gli autori hanno mantenuto fede alle promesse e cioè non hanno spiegato granché dei misteri disseminati nell&#39;arco di 100 e più episodi. Certo, rimane ancora l&#39;episodio finale (doppio con aggiunta di 30 minuti, ringraziando la ABC) ma </atom:summary><link>http://mulhollandblog.blogspot.com/2010/05/end.html</link><author>noreply@blogger.com (Massimo Manuel)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-3906390414951290544</guid><pubDate>Thu, 20 May 2010 09:22:00 +0000</pubDate><atom:updated>2010-05-20T11:25:31.804+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Draquila</category><category domain="http://www.blogger.com/atom/ns#">Sabina Guzzanti</category><title>Draquila - L&#39;Italia che trema</title><atom:summary type="text">
Draquila - L&#39;Italia che trema di Sabina Guzzanti(2010) ITA
Presentato a Cannes non senza polemiche (tutte nostrane), il nuovo film di Sabina Guzzanti (attrice satirica che si è data al cinema perché epurata dalla televisione) conferma un percorso di sensibile crescita dell&#39;autrice stessa che nel 2005 si diede al documentario con&amp;nbsp;Viva Zapatero!&amp;nbsp;(sorta di urlo liberatorio contro le </atom:summary><link>http://mulhollandblog.blogspot.com/2010/05/draquila-litalia-che-trema_4859.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihLTnspFyh2vhLhm0FxVgLuVZbO3E9IMFknH0-ZtniW-FurnrAqkfOIzTrdAH053XAHYZa3Hss4mUEhoe2iDkxBNzFjPFNchNiHD2XjKbzzMBG_zS-gtlZqcVfLXsTmZ-6lDYSLw/s72-c/32613_locandina-draquila-l-italia-che-trema.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-2633763716288568648</guid><pubDate>Wed, 05 May 2010 13:42:00 +0000</pubDate><atom:updated>2010-05-05T15:42:40.018+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">David Lynch</category><category domain="http://www.blogger.com/atom/ns#">Mulholland Dr.</category><title>&quot;Se farai il bravo, mi rivedrai una volta. Fai il cattivo e mi rivedrai altre due volte.&quot;</title><atom:summary type="text">
David Lynch sta preparando il sequel di Mulholland Drive? Questa è la notizia che da qualche settimana circola pazzamente in rete.&amp;nbsp;Cosa c&#39;è di vero? C&#39;è di vero che Laura Harring, protagonista del film nel 2001, in un&#39;intervista alla NBC ha detto che si sta muovendo qualcosa in quella direzione, che l&#39;avvio del progetto è imminente e che non poteva proprio dire come faceva a sapere una cosa</atom:summary><link>http://mulhollandblog.blogspot.com/2010/05/se-farai-il-bravo-mi-rivedrai-una-volta.html</link><author>noreply@blogger.com (Massimo Manuel)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-3428125658431485393</guid><pubDate>Sun, 28 Mar 2010 14:59:00 +0000</pubDate><atom:updated>2010-03-28T16:59:54.187+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Ferzan Ozpetek</category><category domain="http://www.blogger.com/atom/ns#">Mine vaganti</category><title>Mine vaganti</title><atom:summary type="text">
Mine vaganti di Ferzan Ozpetek
(2010) ITA
Dopo il bellissimo Saturno contro e il meno fortunato&amp;nbsp;Un giorno perfetto, è evidente che Ferzan Ozpetek ha voluto una ventata di commedia e leggerezza per il suo nuovo film, senza però rinunciare a quei momenti a suo modo poetici e profondi che sono un po&#39; la sua cifra stilistica. Questo Mine vaganti rappresenta lo slancio del regista verso un film </atom:summary><link>http://mulhollandblog.blogspot.com/2010/03/mine-vaganti.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNjDgybOoa8bWEHxgXPVWSCW_W4MSbRrY5RqFIRzK-ebLyiXEpwYYOPVlire1rLFBFIDDzs0Jka_LMT16E0Oybx4hSTzPVYpF4aR72OOTt4JKx2urjqh__soYOuGJRKFHXDjt0ag/s72-c/Mine-vaganti-Poster-ITA_mid.jpg" height="72" width="72"/><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-570584318793717784</guid><pubDate>Tue, 09 Mar 2010 14:13:00 +0000</pubDate><atom:updated>2010-03-09T15:16:00.445+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">J.J. Abrams&#39; Lost</category><category domain="http://www.blogger.com/atom/ns#">Uno sguardo altrove</category><title>Meglio tardi che mai</title><atom:summary type="text">A chi ha un minimo di buon senso e di cervello è sempre sembrato che la pirateria non è un cancro da estirpare ma una forma di diffusione multimediale da analizzare e che dovrebbe far riflettere. Se centinaia di migliaia di persone preferiscono scaricare dalla rete l&#39;ultimo episodio di Lost in lingua originale e sottotitolato in italiano da solerti volontari che non ci guadagnano nulla se non la </atom:summary><link>http://mulhollandblog.blogspot.com/2010/03/meglio-tardi-che-mai.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijSlEQvqrXaYNsR5RdTcuSe0gnwcoCKXL4yidvLBlKHUiWDHQ1wVsuelaSubUU9KxREP0b4yj28TXSt8Xaa1QSqgdPcAUBET6g0WAcht1mMQEkJdgI6JPvpdnTXGagxMtdJNQO3g/s72-c/Lost-6.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-88659389388046186</guid><pubDate>Sun, 07 Mar 2010 15:14:00 +0000</pubDate><atom:updated>2010-03-07T16:15:25.225+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oscar</category><title>Oscar 2010</title><atom:summary type="text">Mancano poche ore agli Oscar 2010. In attesa del verdetto e delle conseguenti riflessioni, ecco qui sotto i dieci titoli che concorrono come miglior film. Quelli cliccabili sono quelli che ho visto, potete leggere quello che ne ho scritto.&amp;nbsp;Suggerite i vostri pronostici o fate i vostri commenti.Bastardi senza gloria di Quentin Tarantino
Tra le nuvole di Jason Reitman
A serious man di Ethan e </atom:summary><link>http://mulhollandblog.blogspot.com/2010/03/oscar-2010.html</link><author>noreply@blogger.com (Massimo Manuel)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-4223234695449427566</guid><pubDate>Sat, 06 Mar 2010 14:42:00 +0000</pubDate><atom:updated>2010-03-06T15:48:45.070+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">District 9</category><category domain="http://www.blogger.com/atom/ns#">Neill Blomkamp</category><title>District 9</title><atom:summary type="text">District 9 di Neill Blomkamp(2009) Usa\New Zeland
Eccolo qua il vero outsider degli Oscar 2010, in una certa maniera molto più anomalo di Bastardi senza gloria. E&#39; District 9 la vera nemesi di Avatar, nel senso che entrambi narrano in un certo modo la stessa cosa ma con risultati decisamente diversi. Mentre Avatar è banalotto e scontato ma si salva per essere un progetto d&#39;intrattenimento che </atom:summary><link>http://mulhollandblog.blogspot.com/2010/03/district-9.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVGQl6gMRRSFxzeItJNf259DFDI5P_g_kS1ITXh9gXf82sU6duV0DeQXlim-mqS55GlM4RskFYb-PkRVt9zTKDm4OvLlGX2CsBuDkryToPn9WU0pXSIEx4Wimi28Mt1L6-kuxskw/s72-c/district_9_new_onesheet.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-6401566132780888482</guid><pubDate>Sat, 06 Mar 2010 12:03:00 +0000</pubDate><atom:updated>2010-03-06T13:03:58.991+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Kathryn Bigelow</category><category domain="http://www.blogger.com/atom/ns#">The Hurt Locker</category><title>The Hurt Locker</title><atom:summary type="text">
The Hurt Locker di Kathryn Bigelow(2008) USA
Il problema di The Hurt Locker è politico. Si può realizzare un film di guerra senza dargli un contesto ben preciso? In The Hurt Locker vediamo le truppe americane in azione, in un territorio ostile e popolato da facce arabe che potrebbero nascondere continue minacce. Il film non si pone minimamente il problema di contestualizzare tutto ciò: perché </atom:summary><link>http://mulhollandblog.blogspot.com/2010/03/hurt-locker.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuj_wWJMvnolPpa-N4CckByqwo3FKUzXhKX5e0i74dvj3-O1CTWjabGCTTrmkgKBvdrlu1wPJkPr9zeJGs2Z8DPlJVp2a9ueBZhw5wXW9smyE2I6zUnMHEhxa5uUF54wb0JKQZ4A/s72-c/the-hurt-locker-locandina.jpg" height="72" width="72"/><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-6020993148409402720</guid><pubDate>Sat, 06 Mar 2010 11:48:00 +0000</pubDate><atom:updated>2010-03-06T12:48:59.431+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Bob Peterson</category><category domain="http://www.blogger.com/atom/ns#">Pete Doctor</category><category domain="http://www.blogger.com/atom/ns#">Up</category><title>Up</title><atom:summary type="text">
Up di P. Doctor, B. Peterson(2009) USA
Pensavo che WALL-E fosse la cima delle idee Pixar ed invece Up è un altro passo avanti verso la sperimentazione e l&#39;innovazione, i veri marchi di fabbrica del colosso cinematografico. Sono due film diversi, a ben guardare: WALL-E era forse più rivoluzionario in termini di regia e l&#39;iper-realismo che il suo digitale raggiungeva voleva ottenere il massimo </atom:summary><link>http://mulhollandblog.blogspot.com/2010/03/up.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkxH9Hy6dl4dUlH1rEsZhhcONbGZs7gbqUKMW75mCKWag_9q6rNsB_dV92SNQ_OnRgPK8vdIhyphenhyphens2zwLQOA251J3oN8jhxcDK6eAAHrxlbifUxJqTNhoTa8CdXnXpRQIfKjTDhWvw/s72-c/up_1.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-2029245041313609299</guid><pubDate>Wed, 24 Feb 2010 19:08:00 +0000</pubDate><atom:updated>2010-02-24T20:08:14.478+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Amabili resti</category><category domain="http://www.blogger.com/atom/ns#">Peter Jackson</category><title>Amabili resti</title><atom:summary type="text">
Lovely bones di Peter Jackson(2009) Usa\Uk\New Zeland
Atteso al varco dopo il mezzo flop di King Kong che seguiva il successo universale della trilogia tolkeniana, Peter Jackson abbandona l&#39;Australia e torna in terra americana per il difficile adattamento di Amabili resti, romanzo cult che affronta la storia di un assassinio dal punto di vista della vittima dopo la morte.&amp;nbsp;Il film segue due </atom:summary><link>http://mulhollandblog.blogspot.com/2010/02/amabili-resti.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUdquhWGJwbqxhwhccQ1qc9b729_AtRvOumGzB3ibl6rHNV2m4fpdWvODBgkAaA-hr8OJV_QVYsY6Grhu2SZXBE7OeZKbi3X2sLOjJ25_XipDYM8Xp0Dz7nc_AzyP0ip0ZBxaj3w/s72-c/Amabili-Resti-Poster-Italia_mid.jpg" height="72" width="72"/><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-6050086653038258754</guid><pubDate>Thu, 18 Feb 2010 16:17:00 +0000</pubDate><atom:updated>2010-02-18T17:17:49.190+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oren Peli</category><category domain="http://www.blogger.com/atom/ns#">Paranormal Activity</category><title>Paranormal Activity</title><atom:summary type="text">Paranormal Acitivity di Oren Peli(2007) USA
Un film costato quindicimila dollari e che ne incassa duecento milioni ha già vinto a metà. Che questo film, poi, sia una boiata è tutt&#39;altro discorso. Il problema è che buona parte dei cinefili che lo vanno a guardare si mangiano le mani perché pensano che una cosa del genere la potevano fare anche loro e che anche loro potevano impressionare Spielberg</atom:summary><link>http://mulhollandblog.blogspot.com/2010/02/paranormal-activity.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeg6BhedcxH1sa3MYHsLwVtAgAAKZkVUNCofuzWfM66OzjTomOKUOUzGG69sTbjnYmesrs9xiUtH78EUzA0c_Q5bL2TWJEhvihqDvV6Ri-Ndo02TAX6HdtYSXhvjxbRfxd4wHaHg/s72-c/ParanormalActivity.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-19919350.post-6357492105712944151</guid><pubDate>Tue, 16 Feb 2010 19:12:00 +0000</pubDate><atom:updated>2010-02-27T15:44:29.008+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">An Education</category><category domain="http://www.blogger.com/atom/ns#">Lone Scherfig</category><title>An Education</title><atom:summary type="text">An Education di Lone Scherfig(2009) UK
La leggerezza con la quale si snoda il racconto è probabilmente il più grande pregio di questa pellicola candidata all&#39;Oscar. Sulla carta rischiava di rimanere una melensa storia di formazione condita da episodi scandalosi inerenti il rapporto tra la protagonista adolescente e il suo più maturo seduttore. La storia fra i due, invece, non scade mai nel banale</atom:summary><link>http://mulhollandblog.blogspot.com/2010/02/education.html</link><author>noreply@blogger.com (Massimo Manuel)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGzQ-D24o5RuyXeOr6aD8uxW7XPK-dB9zkZABSl2BO8rY9f7PFGRgvLM2ij0PBJsYSjKp8cGfujitinn6TVgJ_oNX_snXhIz8J0s-olGSEjM2qbSN9v9HQu7sssnzaRzTMHY-_0g/s72-c/AN_EDUCATION-460x650.jpg" height="72" width="72"/><thr:total>0</thr:total></item></channel></rss>