PshopTweak

justin bieber tattoo preview

2012-03-07T17:19:00.001-08:00

photoshop top secret

2011-10-09T06:00:00.001-07:00

Breaking Apart

Credit Blocks

Dark Face

Dream Skin

Dvd Cover

Light Beams Poster

Special Effects

Stone Portrait final2

Surrealmist 1

Photoshop CS

2011-10-05T05:24:00.002-07:00

Adobe Photoshop is a graphics editing program developed and published by Adobe Systems Incorporated.
Adobe's 2003 "Creative Suite" rebranding led to Adobe Photoshop 8's renaming to Adobe Photoshop CS. Thus, Adobe Photoshop CS5 is the 12th major release of Adobe Photoshop. The CS rebranding also resulted in Adobe offering numerous software packages containing multiple Adobe programs for a reduced price. Adobe Photoshop is released in two editions: Adobe Photoshop, and Adobe Photoshop Extended, with the Extended having extra 3D image creation, motion graphics editing, and advanced image analysis features. Adobe Photoshop Extended is included in all of Adobe's Creative Suite offerings except Design Standard, which includes the Adobe Photoshop edition.
Alongside Photoshop and Photoshop Extended, Adobe also publishes Photoshop Elements and Photoshop Lightroom, collectively called "The Adobe Photoshop Family". In 2008, Adobe released Adobe Photoshop Express, a free web-based image editing tool to edit photos directly on blogs and social networking sites; in 2011 a version was released for the Android operating system and the iPhone.[citation needed]
Adobe only supports Windows and Macintosh versions of Photoshop, but using Wine Photoshop CS4 can run on Linux.
In 1987, Thomas Knoll, a PhD student at the University of Michigan began writing a program on his Macintosh Plus to display grayscale images on a monochrome display. This program, called Display, caught the attention of his brother John Knoll, an Industrial Light & Magic employee, who recommended Thomas turn it into a fully-fledged image editing program. Thomas took a six month break from his studies in 1988 to collaborate with his brother on the program, which had been renamed ImagePro. Later that year, Thomas renamed his program Photoshop and worked out a short-term deal with scanner manufacturer Barneyscan to distribute copies of the program with a slide scanner; a "total of about 200 copies of Photoshop were shipped" this way.
During this time, John traveled to Silicon Valley and gave a demonstration of the program to engineers at Apple and Russell Brown, art director at Adobe. Both showings were successful, and Adobe decided to purchase the license to distribute in September 1988. While John worked on plug-ins in California, Thomas remained in Ann Arbor writing program code. Photoshop 1.0 was released in 1990 for Macintosh exclusively.

Photoshop Tutorials (Altering Eye Color)

2011-10-05T00:15:00.000-07:00

Altering eye color is simpler than it has ever been, thanks to the Color Replacement tool.

This is grouped with the Brush tool and the Pencil tool in the Photoshop CS4 toolbar

(Photoshop CS grouped it with the Healing Brush and Patch tools). This powerful and easyto-

use tool relieves a lot of the stress suffered by both amateurs and pros alike, who used to

spend a lot of time wishing such a tool existed.

Before I get into the nuts and bolts of this cool feature, let me say that it still has a

drawback: it is destructive to the layer (meaning that it alters the pixels), so it is not a miracle

cure for every recoloring ailment. In the next variation I’ll take you through another process

that allows you to preserve the original layer. But first let’s do some painting!

As with other tools, this one has settings that can be changed on the Options bar.

For this technique, set the blending mode to Hue and ensure that Find Edges is selected for

the Limits setting. Brush Diameter should be 20, Sampling Mode should be Continuous,

Tolerance should be 30%, and Anti-alias should be checked. With the Find Edges setting,

Photoshop will look for boundaries to paint within while the new color is being applied,

thus allowing only the hue of the iris and not the areas outside it to change.

Hue blending mode creates a color based on the luminance and saturation of the base

color and hue/tone of the blend color.

Before you change the color of the eyes, you will want to choose a new color. Open the
Color Picker (click the foreground color) and select a new color (see Figure 2.7). Click OK.
Duplicate the Background layer to keep the
original image unaltered and start painting over the
iris with an appropriately sized brush. I love the Hue
setting, because the color change is subtle yet clearly
evident (see Figure 2.8). The reflections are retained,
the pupil remains black, and the eye color still looks
natural.
For colors that are richer, change the blending
mode of the brush to Saturation. A richer green is
displayed, but the eye clearly looks manipulated and
unnatural (see Figure 2.9).
This can be quickly adjusted by lowering the
Opacity setting of the top layer to 10–20%, giving a
far more natural appearance.
Delete the previously retouched layer and duplicate
the Background layer. Change the blending
mode of the brush to Color. Those of you familiar
with retouching may recognize this mode, because it
was a primary mode for retouching in earlier versions
of Photoshop.
Paint over the iris again. If the color is still too
outlandish, reduce the layer opacity to 30–40%.
When I’m working with eyes and lips, the Color
blending mode is by far my favorite. The eye color
teeters on the edge of natural and unnatural; it could
be real, but it could be enhanced—at least that is
what viewers will think, and I like to keep them
guessing (see Figure 2.10).

History Brush. When finished, your model should have a new set of peepers, or at least colored
contact lenses (see Figure 2.11).

Figure 2.11 Creating eyes of green

Color blending mode creates a color based on the luminance of the base color, hue, and
saturation of the blend color.

Photoshop Tutorials (Enhancing Eye Color)

2011-10-04T23:21:00.002-07:00

What I’ll show you first is one way to enhance the existing eye character in a photo.

Take a look at Figure 2.1. This is the image eye.jpg from this book’s source files; it should

be open in Photoshop as you begin. The enhancement you’ll add here is to make this mixed

color richer and brighter. To do that, you’ll use duplicated layers, layer masks, and a couple

of blending modes. Duplicate the Background layer and change the blending mode of the new layer to Overlay. Note that the entire image becomes a bit darker as the new layer blends with the background. This does help enhance the color of the eye, but the skin around the eye

becomes darker also. A mask will alleviate this problem quite nicely.

At the bottom of the Layers panel, click the Add Layer Mask icon. By default the mask is filled with white, allowing the contents of the entire layer to be seen. You do not want all of the pixels to be seen, however; just those of the iris and pupil. With the layer mask selected, choose Edit → Fill and fill the mask with black set to 100% opacity and Blending Mode set to Normal. Figure 2.2 shows the Layers panel at this point in the process. Set white as the foreground color. Select the Brush tool, and with a softedged round brush, paint over the iris and pupil. Adjust the brush size accordingly so that you are painting only within the diameter of the iris. Although it’s not necessary to have a steady hand, you may want to create a selection of the area. In this instance the Elliptical Marquee tool will work just fine, because the area being enhanced is round. As you paint, the pixels on this layer will be revealed. The layer is still set to Overlay, so the color of the blended layers

comes through (see Figure 2.3).

To brighten the eye a bit (the goal is to brighten the colors without darkening the eye),create a new layer above the Background Copy layer and set the blending mode to Soft Light. With the foreground color still set to white, paint over the iris in this layer also. The change is subtle yet effective. Figures 2.4 and 2.5 show before and after shots. See the difference?

Photoshop top secret Shattered Type

2011-09-29T19:11:00.001-07:00

Photoshop top secret Elegant Header

2011-09-29T19:06:00.001-07:00

Photoshop top secret Applying Tattoos

2011-09-29T18:57:00.001-07:00

Photoshop top secret Masking Fur

2011-09-29T18:30:00.001-07:00

Photoshop top secret Dream Skin

2011-09-28T23:54:00.001-07:00

I did this for the sake of those people

who are into editing...Here's a FREE source file

just for you!

Photoshop top secret Dark Faces

2011-09-28T23:18:00.002-07:00

Photoshop top secret Movie Poster

2011-09-28T22:40:00.001-07:00

Photoshop top secret Breaking apart

2011-09-28T22:32:00.002-07:00

Photo Manipulation I Photoshop Tricks

2011-09-12T02:38:00.000-07:00

Removing Objects from Their Background

2011-09-08T22:50:00.000-07:00

Let’s pull the apple off the background and give it a new home. Duplicate the
Background layer. Create a new layer between the two apple layers and fill it with white.
Rename the Background Copy Extract

Select the Pen tool in the Toolbar. On the Options bar click the Paths icon; it is the second
icon from the left at the top of the screen (see Figure 1.11). Click the mouse anywhere
along the edge of the subject (in this case, the apple) to serve as a starting point. Move along
the edge of the object a short distance in either direction and click to add another point. If
the path between the two points rests on a curve on the object’s edge, hold down the mouse
when you create the second point and drag it further along the edge a short distance. This
will cause the straight path to slowly conform to the curve of the apple’s edge.

Work your way around the entire apple, including the stem. You may have to exercise
a little guesswork in the areas of extreme highlight or shadow, so work the path to make the
shape appear natural. When you have reached the starting point, click on the first point to
close the path (see Figure 1.12).
After you have outlined the entire apple, open the
Paths panel. You will see a new Work Path resident in the
shape of your apple (see Figure 1.13). The next step is to
convert the path into a selection, which you do by clicking
the Load Path As A Selection icon at the bottom of
the Paths panel (the third icon from the left) or by opening
the Paths panel menu and selecting Make Selection
from the list (see Figure 1.14).
Once the “marching ants” appear around the
apple, you can copy the apple and paste it into a new document
for later use. To copy the apple, press F/Ctrl+C or
select Edit → Copy. Create a new document (File → New
or F/Ctrl+N), which will be the size of the apple by
default. Ensure the Background is set to Transparent to
avoid having to extract the apple again in the future in
case you save it in a nonlayered format

Paste the apple into the new document (F/Ctrl+V; see Figure 1.16). If you would like
to save this image for later use, I recommend saving it as a PNG file. This format will retain
the transparent background so you can easily drag and drop the object into any photo environment
you choose as well as resize it to fit your needs.

Choose Edit → Transform → Scale and resize the apple to better conform to the size of
the eight ball without leaving any of the ball showing (see Figure 1.19). Once it's in place,
accept the transformation.
You may want to use the Burn tool to darken the lower edge of the apple as well as the
ground beneath it to better conform it to the image. You may also add a shadow to the grass
with the Burn tool to achieve a bit more realism

Let’s do one more little trick before we move on. As the apple
leaves a shadow on the grass, the grass in turn should leave a reflection
on the apple. We can simulate this by generating a feathered
selection on the right side of the apple with the Lasso tool, then creating
a Hue/Saturation adjustment layer and forcing a green tonal
change to that area.
To see what I mean, select the Lasso tool. On the Options bar
change the Feather radius to 20px. Draw a selection along the
lower-right region of the apple’s edge, as seen in Figure 1.21. You
can move the selection into place with the arrow keys so the selection
roughly follows along the edge of the object.
At the bottom of the Layers panel, click the Create New Fill
Or Adjustment Layer icon. Choose Hue/Saturation from the menu.
Any adjustments will be focused on the selected area thanks to the
adjustment layer’s mask (see Figure 1.22).
New in Photoshop CS4 are the Adjustments and
Masks panels, which give you more control over the adjustments
made and the areas of the layer affected.
With the adjustment layer in place,
double-click it in the Layers panel to open
the Adjustments panel. Move the Hue slider
until you get a subtle green reflection (see
Figure 1.23). Once the adjustment is made,
you should have replaced the eight ball with
the apple, complete with enhanced shadows
and colored reflection

Granted, the final image is a bit “far out,” but the extraction itself worked like a
charm. The Path tool does take a bit of practice, but there is nothing like it for giving you
crisp, clear edges for your extracted objects.

Ten Steps to Photoshop Mastery

2011-08-05T18:21:00.000-07:00

1. Practice Makes Perfect. Learning Photoshop is a lot like learning a musical instrument. No
matter how many books or videos you buy, gaining proficiency requires spending some
quality time with the application. Set aside just 15 minutes a day to working in Photoshop
applying the lessons in this Total Training series and youʼll be a impressing your friends,
colleagues, and yourself in no time.
2. Save Early and Often. Thereʼs nothing more frustrating than losing hours worth of
painstaking work due to a computer malfunction. Get in the habit of saving open documents
at least every five minutes and youʼll never be too far from setting things back to normal.
3. Shortcuts to Success. Keyboard shortcuts are incredible timesavers. Youʼll be amazed at
how much more responsive Photoshop feels when you eliminate trips to the Tools panel,
menu bar, and use the Return/Enter keys to invoke Save and OK commands.
4. Buy More Memory. Ignore the minimum requirements listed on the Photoshop box. The
more memory you have installed, the more efficiently the program runs, and the less time
youʼll spend watching progress bars. Iʼd recommend 4GB of RAM as a starting point. Add
more if you plan to work with digital camera files, create documents with multiple image
layers or make extensive use of filters.
5. Recycle. Many of the tools in Photoshopʼs Adjustments Panel offer a Save Presets and Load
Presets option. If you come up with a particularly good adjustment, save it to your hard drive
and you can always call it up in the future should the need arise. This is a great way to
quickly apply identical edits to a series of images. And if youʼre feeling generous, by all
means share your presets with others.
6. Learn from the Pros. Whether your goal is to earn a living with Photoshop or simply make
your own images look better, youʼll benefit from seeing examples of the work of
professionals. Open any magazine and youʼre guaranteed to be looking at images that have
been through Photoshop. Take a close look at the cover images in particular. Pay attention to
skin texture on portraits. Notice the shadows on headline type. Examine how seamlessly the
cover model is silhouetted over the title logo. Try your hand at duplicating these results.
7. Two Monitors Are Better than One. If youʼre going to be working on large image files,
consider adding a second monitor. It doesnʼt have to be expensive or even as large as your
current display. Youʼll use it to store Photoshopʼs numerous panels, freeing up space on your
main screen for an uncluttered view of your image.
8. Create Projects. Nothing gets your skills up to speed like solving problems. Assign yourself
small projects to work on, like improving a bad photograph, designing a flyer or retouching
wrinkles and blemishes. If youʼre out of project ideas, ask your friends; theyʼll jump at the
offer of free Photoshop work.
9. Each One Teach One. Thereʼs no better way to make sure you understand a topic than by
explaining it to someone else. When you learn a new technique, share it with a friend or
colleague. Communicating this information to someone else forces you to think very clearly
about each individual step in the process; this analysis can often lead you to refine the
technique.
10. Have Fun. Ask any Photoshop whiz how they got so good and theyʼll reply, “by playing”.
Using Photoshop should never feel like a chore. Youʼve entered a world of fantastic
possibilities with hidden nooks and crannies just waiting to be explored. Ever wondered what
a particular tool does? Try it. Curious about a checkbox, slider or filter? Go for it. Never be
afraid to press the Red button. Experimentation is the best way to learn new techniques and
improve on old ones

Fire Hand Photo Manipulation

2011-06-28T00:57:00.001-07:00

Lighting a Giant Elephant

2011-06-16T00:10:00.000-07:00

A technique for matching the lighting between a subject and its background.
Matching the Light
If you're like me, every now and then you find yourself needing to insert a subject image into a background
where the lighting between the two doesn't quite match. Your subject image may be flatly lit, while your
background contains crisp shadows and highlights -- and if you don't correct the problem you run the risk
of getting a load of critical comments.
Often times the wisest thing to do is to keep hunting for source images where the lighting does match. But
sometimes you can effectively fix lighting problems and an example of how do to this can be seen in the
giant elephant image named One Way Street.
Here, seemingly, the lighting matches pretty well. But it didn't start out that way...

Photoshop Top Secret

2011-06-15T22:57:00.002-07:00

Contents

Full Features and Download

Lighting a Giant Elephant

The Making of a Robotic Frog
The Making Of Lust
The making of AVALON
How I Chocolatized a Skull
Creating Honey Covered Objects
How I made a cloud in the shape of a girl
How To Make A Photoshop Brush
Making Bubbles with your own Custom Brush
Make a Dotted Line in Photoshopt
The Annoying Phantom Brush
Photography Illustrated
Build a custom studio shooting table for under $80.00
Saving Photographs for Contests
Food Photography and Styling 101
Glossy Reflections
How to Chrome Plate your Cherries
Devils Eye
Busted!
Bringing a Stone Statue to Life
How to turn Tom Cruise into an alien
Kristin Kreuk as a real Manga Gal
How I draw hair in Photoshop
How I created a cyborgenic leopard
How I made Morning Drink
Using Layer Blending Modes in Colorizing Gingham
3D Water Scapes from Scratch

katy perry tattoo?

2011-05-27T19:54:00.001-07:00

adobe photoshop CS5 manual missing

2011-05-26T23:42:00.001-07:00

HDR effect in photoshop

2011-05-09T01:30:00.001-07:00

high dynamic range imaging (HDRI or just HDR) is a set of techniques that allow a greater dynamic range of luminance between the lightest and darkest areas of an image than current standard digital imaging techniques or photographic methods. This wide dynamic range allows HDR images to more accurately represent the range of intensity levels found in real scenes, ranging from direct sunlight to faint starlight.

tattoo design preview in photoshop

2011-05-07T01:08:00.000-07:00

tshirt Design preview in photoshop

2011-04-15T22:45:00.000-07:00

http://howtodoit101.blogspot.com/

Puzzle effects in photoshop

2011-03-24T02:45:00.000-07:00


1. open your image,duplicate,then go to filter tab> texture> texturizer then Enter

2. Click load texture on Drive C> program file>adobe> photoshop> preset> Textures> Puzzle texture..

Drive C> program file>adobe> photoshop> preset> Textures> Puzzle texture..


3. Choose your own setting by moving the sliding bar..then click OK!

Use this setting on your palette.

4. Use pen tool to trace the pattern.


5. After you select the pattern, right click choose make selection with 2 feather radius then OK!

6. Hold ctrl x then ctrl v..

7. then go to layer tab> layer style> drop shadow..Use the setting above!