This is the home of Egypto

egyptian

gentinagentinajo@yahoo.com (Christina Brinkley) — Mon, 10 Aug 2009 13:34:00 -0700

Venturing Out: Kings Rezzable

Ya Ghali - Guitara (Original Arabic Version)

gentinagentinajo@yahoo.com (Christina Brinkley) — Wed, 5 Aug 2009 13:16:00 -0700

the band that sing this song is "guitara"
Guitara - Ya ghaly

Ya ghali Enshaghal baly
Ya Ghali tea'ab haly
Ya Ghali

Ya ghali Enshaghal baly
Ya Ghali taa'ab haly
Ya Ghali

Ya Ghali leesh galbek nesaany
Jefaany .. Zemaany

leesh galbek nesaany
Jefaany .. Zemaany

Ya ghali Enshaghal baly
Ya Ghali taa'ab haly
Ya Ghali

Ya Ghaali .. Ya Ghaaali

Ma Asadeg tegheeb a'anny
W Aa'ani fe Ayaamy .. Ya Ghali

Ma Asadeg tegheeb a'anny
W Aa'ani fe Ayaamy

Ya Ghali .. Wenta tadry hbeebee .. Ya ghali
Magdar a'ala fraagek .. Ya Ghaali

Wenta tadry hbeebee .. Ya ghali
Magdar a'ala fraagek .. Ya Ghaali

Enta maa'na hayaty .. wejoody .. Gharamy

Enta maa'na hayaty .. wejoody .. Gharamy

Ya Ghali enshaghal Baly
Ya Ghali taa'ab haly .. Ya Ghali

Enta ya hana a'omry .. Ya rohy we amaaly
Ya Ghali
Enta ya hana a'omry ..Ya rohy we amaaly

Ya Ghali .. Lesh tensa eleyaly .. Ya ghali
Terhal wala tbaaly .. Ya Ghali

Lesh tensa eleyaly .. Ya ghali
Terhal wala tbaaly .. Ya Ghali

Menho gherek bugaly eb hayaty ya ghali

Menho gherek bugaly eb hayaty ya ghali

Ya Ghali enshaghal Baly
Ya Ghali taa'ab haly .. Ya Ghali

Ya Ghaali .. Ya Ghalii

Ya Ghali .. taa'ab haaly

Ya Ghali enshaghal Baly
Ya Ghali taa'ab haly .. Ya Ghali

Ya Ghaali .. Ya Ghaliiiii

if you need a website for arabic lyrics besides this one go to www.oghnia.com

How the giza pyramid was built

gentinagentinajo@yahoo.com (Christina Brinkley) — Sun, 22 Feb 2009 08:08:00 -0800

how the giza pyramid was built
HoudinBrier.jpgmp got dd tem tchaas and tehuti tem maat for the
accuracy of this book.
so i just finished reading it , and its clear too me that this book
has lots of great info, on how the pyramid was built, and got many of
the technical tools used by the ancient african right.
Butt, brier is a racist and most of the book is about the architect
who found out the technical acheivements of the ancient africans, and
hailing the lives of egyptoligist, at every turn of the page western
egyptologist are given biographies and he (brier) makes statements
that are idiotic;......like it doesnt take higher math to build the
giza pyramid, ancient architects had no way to calculate load bearing
capacities, so they worked by trial an error............................
he says hemienu is bald!!, he cant see he has a afro!!!...( so sad to
be a true racist), he kiss's and kiss's another racist in all his
hidden places, zahi hawass.
he says the arabs are ancestors of the egyptians.
if u wanna know how the pyramid was built , this book has the answer,
butt he brier could have wrote how it was done in 60 or 70 pages and
left his racism out.

The Great Labyrinth of Egypt ( Just Found)!!!!

gentinagentinajo@yahoo.com (Christina Brinkley) — Sun, 22 Feb 2009 08:05:00 -0800

The Great Labyrinth of Egypt - (The 'Lost' Labyrinth).

It has been announced this year that the 'lost labyrinth' of
Egypt at Hawara has been re-discovered by an expedition funded by
NRIAG, Ghent University/Kunst-Zicht & Louis De Cordier, with the
cooperation of the Supreme Council of Antiquities, Horus Foundation &
Isel Foundation.

Location: Hawara, Egypt. Grid Reference: 29.274° N, 30.901° E.

This colossal temple was described in the past by authors such as
Herodotus and Strabo, and was said to contain 3,000 rooms full of
hieroglyphs and paintings. Long thought of as another legend without
foundation, it seems that the building, lost for over 2000 years, has
been recently re-discovered.

The sand of Hawara was scanned Earlier this year (February-March
2008), by a Belgian Egyptian expedition team in an effort to research
the 'quarry theory' suggested by Petrie in 1889, following his finding
of a great artificial stone surface (304m by 244m). Petrie interpreted
the enormous artificial stone plateau he discovered at the depth of
several meters, as the foundation of the labyrinth, concluding that
the building itself was totally demolished, as a stone quarry in the
Ptolemaic period. However, the "foundation" un-penetrated by early
expeditions, never lost the possibility of being the roof of the
Labyrinth, described by Strabo as a great plain of stone. the
following is from the official report of the dig:

Underneath this upper zone, below the artificial stone surface
appears (in spite of the turbid effect of the groundwater) at the
depth of 8 to 12 meters a grid structure of gigantic size made of a
very highly resistant material like granite stone. This states the
presence of a colossal archaeological feature below the labyrinth
"foundation" zone of Petrie, which has to be reconsidered as the roof
of the still existing labyrinth.

A geophysical survey of the area has revealed the presence of
'vertical walls' under the stone surface at the depth of 8 to 12
meters, connecting to form a gigantic grid structure made of granite.
The grid structure of the labyrinth is offset 20° to 25° to the
orientation of the nearby pyramid at Hawara. It was written that an
underground tunnel connected the two structures.

Should this discovery become substantiated as Herodotus famed
'Labyrinth', (and the roof rather than the base), then it will rank
alongside other great discoveries of our times, and will become one of
the architectural jewels in Egypt's crown. Congratulations to Monsieur
de Cordier and all involved.

(Click here for the full Mataha report.)

Historic accounts:

The Egyptian Labyrinth was more than 1,300 years old at the time of
Herodotus' visit

Herodotus, in Book II of his Histories, describes a "labyrinth"
complex in Egypt, "near the place called the City of Crocodiles",
that he considered to surpass the pyramids in its grandeur:

'It has twelve covered courts — six in a row facing north, six
south — the gates of the one range exactly fronting the gates of the
other. Inside, the building is of two storeys and contains three
thousand rooms, of which half are underground, and the other half
directly above them. I was taken through the rooms in the upper
storey, so what I shall say of them is from my own observation, but
the underground ones I can speak of only from report, because the
Egyptians in charge refused to let me see them, as they contain the
tombs of the kings who built the labyrinth, and also the tombs of the
sacred crocodiles. The upper rooms, on the contrary, I did actually
see, and it is hard to believe that they are the work of men; the
baffling and intricate passages from room to room and from court to
court were an endless wonder to me, as we passed from a courtyard into
rooms, from rooms into galleries, from galleries into more rooms and
thence into yet more courtyards. The roof of every chamber, courtyard,
and gallery is, like the walls, of stone. The walls are covered with
carved figures, and each court is exquisitely built of white marble
and surrounded by a colonnade'.(1)

The 1st century BC Greek geographer Strabo is the only other
ancient eyewitness of the Egyptian Labyrinth whose account has survived.

Strabo said of it that it was "a great palace composed of many
palaces" and marvelled at enormity of the stone slabs that made up its
roof and walls. He wrote that it had many great courts, each with its
own entrance, but that "in front of the entrances are crypts, as it
were, which are long and numerous and have winding passages
communicating with one another, so that no stranger can find his way
either into any court or out of it without a guide."

When the British archaeologist Flinders Petrie excavated the site in
1888, he found nothing but a vast field of chipped stone, six feet
deep. He said of it:

"All over an immense area of dozens of acres, I found evidence of
a grand building," he wrote. Petrie could only guess that this
structure once measured an enormous 1,000 by 800 feet, and he summed
up his findings quite succinctly: "From such very scanty remains it is
hard to settle anything."

Lecture on the 'Lost Labyrinth of Egypt':

University of Gent, Brussels. (28th Oct. 2008)

The idea that such a discovery derived from artistic creativity
rather than academic or scientific research was warmly embraced at the
lecture at Gent university. The refreshing sight of scientists,
artists, scholars, academics and philosophers coming together
temporarily bridged a gap that is sadly lacking in the modern times,
but that is exactly what Louis de Cordier has done. In a triumph of
artistic instinct he has led the way to one of the great Egyptian
discoveries of our age.

The 'Labyrinth' plays a special role in human history, believed by
many to contain the wisdom of the ages, we can see the same theme
repeated around the ancient world. When Diodorus made his claim that
the Minoan labyrinth was a scale model of the Egyptian one, he had not
had the luxury of visiting it as had Herodotus before him. We are now
close to sharing that privilege in the near future thanks to Louis and
everyone else involved in the Hawara project.

Results: (Read by Dr. Abbas Mohamed Abbas). - The results of
several sub-surface surveys GEM, VLF, TEM, GDR, ERT, MAG), have
supported each other in the conclusion that a structure (structures),
exist beneath the 304x24m stone surface already identified by the
south face of the pyramid of Amenenhat III of the twelfth dynasty.
Beneath this slab, a limestone foundation is suspected with
symmetrical features orientated in a NW-SE direction. This is contrary
to historical records by around 20°. Vertical walls and several
granite objects have also been identified but further results have
been hampered by the influence of the ground-water-table, which is one
of the major problems faced by the restoration team who will have to
find a way of draining the soil of the saline water which is currently
destroying the remains through chemical reaction.

The Future: Dr. Ghamrawy has been charged with the responsibility
of saving the Labyrinth, the pyramid of Amenenhat III, and in fact,
the whole complex. The site has already suffered the indignation of
having a canal (The Whabi canal), built through the middle of it,
electric pylons and the general effects of having the sprawling
metropolis of Hawara on your doorstep. Dr Ghamrawy projects himself as
more than capably equipped for the task ahead and we wish him good luck.

A joint Polish/Egyptian team is preparing for further analysis of
underground anomalies round the north, south and east faces of the
pyramid. Discoveries are at present on display in the 'open-air'
museum at the site.

*

Short You-tube film on the discovery:
(http://www.youtube.com/watch?v=EqmpT6T_2tU)

(More on this important subject soon)

(Other Egyptian Sites)

(Return to Top)

☼

The 'Rough Guide' to ancient sites from around the world.

Index of Ancient and Sacred sites

References:

1). Herodotus, The Histories, Translated by Aubrey de Selincourt, Book
II, pp. 160-61.

gentinagentinajo@yahoo.com (Christina Brinkley) — Thu, 28 Aug 2008 18:55:00 -0700

Chrissy's Egypto Shop : Egyptian Advertising

Capsis Palace Hotel

Feinklen Diment

gentinagentinajo@yahoo.com (Christina Brinkley) — Sun, 13 Jul 2008 15:05:00 -0700

Feinklen Diment

golden hair softly glows,
surrounds pinkish curvy arms,
her waist narrows below
before enticing lusty eyes,
with flare of Rubeneska thighs.

perky, bubbly I am – she attests with humilitus
and artistic as flourishing eucalyptus,
before impressing your braino
with wisdom of ancient Egyptian Pharaoh ,
as she lays mummy in big sarcophagus.

be it loyalty of a dove
infatuation or true love,
you cannot help craving those dips
in the nest that comfortably befits,
for that heavenly zest of her lips.

Windsor Hotel Alexandra

Continental Savoy Cairo Egypt

gentinagentinajo@yahoo.com (Christina Brinkley) — Wed, 12 Mar 2008 09:07:00 -0700

Here is your passport to Egypt! This is my new online store! Thanks to CafePress.com, I am now selling a number of products with unique graphics on them. This is the home of Egypto all images are old Images or designed by Christina Brinkley! Images by Christina are Copyrighted. All Images © Copyright 2007 By The U.S. Copyright Office

http://www.cafepress.com/egypto

Mena House Hotel Cairo

Louxor Hotel 1950's AD

Guezireh Palace Hotel Cairo

Nile Hilton Egypt

To Egypt By Sabena

Cleopatra

make custom gifts at Zazzle

gentinagentinajo@yahoo.com (Christina Brinkley) — Wed, 12 Mar 2008 08:50:00 -0700

The Body to the Soul

Said the body to the soul,

You are Master, you control;

Viewless, coming from afar,

Mystery to yourself you are.

I, of earthly atoms made,

Stand erect, am not afraid;

Must forever, as I run,

Cast a shadow in the sun.

All the worlds are turning round,

We are strangers, outward bound,

Down the roads we do not know,

With our orders sealed we go.

You are awful in your might,

Swift and strong, you feel delight

In the movement of the years,

In the splendor of the spheres.

Strange companionship is ours,

Separate lives and mingled powers;

You will conquer time and death,

In my nostrils is my breath.

Can you tell me when we met?

Know you where our bounds are set?

Can you see the certain line,

Where we whisper “mine” and “thine” ?

I, your comrade made of clay,

Uncomplaining go or stay;

Kiss your sceptre, fear your frown,

Own your right to wear the crown.

I have fled at your command

O’er the burning wastes of sand:

Heard the icebergs grind and groan

In the lonesome Arctic Zone;

Plunged for you beneath the waves;

Faced the wild beasts in their caves;

Fought your causes on the fields

Where the foeman never yields.

I have wasted `neath the strain

Of your unacknowledged pain;

If dishonor touched your name,

Cheek and forehead flushed with shame.

When you conquered grief or wrong,

I have sung the victor’s song;

In your shining, love-lit hours

I have wreathed myself with flowers.

Now more swiftly drop the sands

Through the hour-glass in my hands,

And more oft I hear you say

I am but the hindering clay.

I arraign you, Sovereign Soul;

I, the slave whom you control,

Face you boldly; you have done

Scarce your part beneath the sun.

He who made you made me too;

In my face His breath He blew;

In to my veins, with art divine,

Mixed the blood as red as wine.

Since His hands have fashioned me,

I must unforgotten be;

If you cause me needless pain,

He will hear His dust complain.

Restless, wayward as the wind

You have suffered, you have sinned,

Urged me onward in your pride,

Beauty fleeing, rest denied.

Oft my lips are parched with thirst,

While you give me drink accurst;

oft I starve for bread to eat,

While you burn the fields of wheat.

Through his throne-room, may the king

Send his soldiers rioting?

While the workmen humbly toil,

Should the priest the temple spoil?

Sovereign Spirit, back I thow

Blame and failure; I shall go

Unaffrighted to my place,

Undishonored by my race.

You are lonesome, homesick, tost;

You have learned what life can cost;

Leaping upward like a flame,

You will vanish whence you came.

Through my fibres I shall feel

New sensations, I shall reel,

Drooping earthward, be a part

Of old Nature’s peaceful heart.

Soul of mine, if e’er you pass

Lake of heaven, as smooth as glass,

Bend above it, you may see

Some transfigured type of me!

Cleopatra

patricia

Anubis

Ancient Egyptians

gentinagentinajo@yahoo.com (Christina Brinkley) — Mon, 3 Mar 2008 15:19:00 -0800

At first glance, the ancient Egyptians and their gods appear formal and distant from everyday life as we know it. The impressive remains of vast temples, massive pyramids, rows of carvings in relief, stylized images, and rigid postures, along with their amazing paraphernalia of wealth, is evidence of ancient Egyptians pomp and power. Yet the details within these colossal remains-the methodical paintings depicting daily life, the meticulous care with which the dead were attended to-attest to a highly complex religious life. The extensive number of Egyptian gods and goddesses, the complex combinations of their names, the overlapping of their roles, and the multiplicity of local variations on their myths weave a complex web that is as confusing as it is fascinating.

King Farouk & Khedive Ismail Pasha

King Farouk

King Faud Queen Nefertiti

Post Day Giza Pyramids

Pharaonic Dresses

Ancient Minarets

Wood Statue, Princess Nefert., Prince Ra-Hotep