tag:blogger.com,1999:blog-45090895112041333392012-01-30T21:04:25.057+01:00a f a s i aafasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.comBlogger3548125blogspot/pVIvhttp://feedburner.google.comSubscribe with My Yahoo!Subscribe with NewsGatorSubscribe with My AOLSubscribe with BloglinesSubscribe with NetvibesSubscribe with GoogleSubscribe with PageflakesSubscribe with PlusmoSubscribe with The Free DictionarySubscribe with Bitty BrowserSubscribe with NewsAlloySubscribe with Live.comSubscribe with Excite MIXSubscribe with Attensa for OutlookSubscribe with WebwagSubscribe with Podcast ReadySubscribe with FlurrySubscribe with WikioSubscribe with Daily Rotationtag:blogger.com,1999:blog-4509089511204133339.post-1908455266077364962012-01-30T21:04:00.000+01:002012-01-30T21:04:25.183+01:002012-01-30T21:04:25.183+01:00Langarita-Navarro Arquitectos<div><span style="color: #999999; font-size: 95%; font-weight: bold; text-align: left; text-transform: lowercase;">Red Bull Music Academy . Nave 15 Matadero . Madrid</span><br>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://1.bp.blogspot.com/-kBeC_Qv60EQ/Tyb26srJBtI/AAAAAAAABMs/7dLa4mIWnmQ/s1600/Langarita-Navarro+Arquitectos+.+Red+Bull+Music+Academy+.+Nave+15+Matadero+.+Madrid.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="268" src="http://1.bp.blogspot.com/-kBeC_Qv60EQ/Tyb26srJBtI/AAAAAAAABMs/7dLa4mIWnmQ/s640/Langarita-Navarro+Arquitectos+.+Red+Bull+Music+Academy+.+Nave+15+Matadero+.+Madrid.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">gracias a <a href="http://www.langarita-navarro.com/">Langarita - Navarro</a> . fotos: LNA . <a href="http://www.imagensubliminal.com/">Miguel de Guzmán</a> . G. Tripodo RBMA . <a href="http://www.luisdiazdiaz.com/">Luis Diaz Diaz</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">E</span>n </span>muchos sentidos este es un proyecto que comparte la lógica de una matrioska. No solo en el sentido físico más literal, en el que uno queda incorporado en otro, sino también en un sentido temporal, en el que uno se da dentro de otro. Las condiciones de partida configuraban un escenario propicio para esta condición:<br>
Un proyecto de emergencia. La Red Bull Music Academy Madrid 2011:<br>
La Red Bull Music Academy (RBMA) es un evento musical anual y nómada. Desde hace 14, cada año una ciudad del mundo acoge a los 60 participantes internacionales seleccionados y los rodea de músicos, productores y dj's para experimentar e intercambiar conocimientos en torno a la música. Debido al terremoto y al posterior desastre de Fukushima, la que debía haber sido la RBMA de Tokyo 2011 tuvo que cambiar de sede y buscar una nueva ubicación con menos de 5 meses para su desarrollo. La ciudad de Madrid tomó el relevo y aprovechó el espacio de creación de Matadero Madrid, ubicado en un antiguo conjunto industrial de principios del S. XX, como nueva sede del evento.<br>
Un proyecto a medio plazo, La Nave de la Música en Matadero Madrid<br>
Con la RBMA se inicia la programación de la Nave de la Música dedicada específicamente a la creación e investigación sonora. A partir de la instalación creada, y dado su carácter experimental, lo construido se plantea como una estructura temporal basada en criterios de adaptabilidad y reversibilidad que faciliten reconfiguraciones totales o parciales del espacio en el tiempo.<br>
Bajo estas premisas, el encargo pasaba por crear, en condiciones de urgencia, una infraestructura que fuese capaz, además de responder a necesidades técnicas y acústicas precisas, acelerar, favorecer y enriquecer una serie de relaciones artísticas muy intensas que se iban a dar entre los músicos participantes y a su vez añadir una envolvente o un escenario donde todo esto iba a ser registrado y archivado. </span></div><a href="http://afasiaarq.blogspot.com/2012/01/langarita-navarro-arquitectos_30.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-190845526607736496?l=afasiaarq.blogspot.com' alt='' /></div>
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<iframe width="650" height="395" src="http://www.youtube.com/embed/nsMnrtITci0" frameborder="0" allowfullscreen></iframe><br />
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<span style="font-size: 78%; color: #999999;text-align: left;text-transform: lowercase;">Director del documental: Rax Rinnekangas . Autor del libreto: Fernando Marzá . + <a href="http://fundacion.arquia.es/es/documentales/Colecciones/DetalleDocumental/26">Fundación Caja de Arquitectos</a> </span> <span style="font-size: 78%; color: #999999;"> </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-7640091130954486357?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://4.bp.blogspot.com/-0caWBe1aB2g/TySaTUFNejI/AAAAAAAAMjs/Y5nGyEQ8_Eo/s1600/Dufour+.+Saintonge+.+Europan+11+.++Norrk%C3%B6ping.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="215" src="http://4.bp.blogspot.com/-0caWBe1aB2g/TySaTUFNejI/AAAAAAAAMjs/Y5nGyEQ8_Eo/s640/Dufour+.+Saintonge+.+Europan+11+.++Norrk%C3%B6ping.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">courtesy of Pierre Dufour & Emma Saintonge <br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">T</span>he </span>first feeling when looking at the project site is a sense of sudden break due to the presence of Gamla Övagen Road which acts in fact as a strong physical and mental barrier between the Vilbergen district and Reserve Vrinnevi.<br>
Besides, the site seems disconnected from the city because of a lack of public transport on the one hand and to the low attractiveness of this area for the city on the other hand. Apart from the hospital on the Vrinnevi side, there is in fact only one local network on the project site.<br>
Finally, the southern entrance to the town is not built, the transition from rural to urban is not really clear. The road and the landscape around it must symbolyse Norrkoping from this entrance.</span></div><a href="http://afasiaarq.blogspot.com/2012/01/dufour-saintonge.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-5273180584549949897?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://2.bp.blogspot.com/-F0N22XQ4Zw0/TyKQu7cuQTI/AAAAAAAAMhw/_NwbxwTzsow/s1600/S%C3%A1+.+Vergueiro+.+Castro+.+Tanat%C3%B3rio+Agramonte+.+Porto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="190" src="http://2.bp.blogspot.com/-F0N22XQ4Zw0/TyKQu7cuQTI/AAAAAAAAMhw/_NwbxwTzsow/s640/S%C3%A1+.+Vergueiro+.+Castro+.+Tanat%C3%B3rio+Agramonte+.+Porto.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">courtesy of <a href="http://cargocollective.com/tiagosa">Tiago Sá</a> . <a href="http://cargocollective.com/andrevergueiro">André Vergueiro</a> . <a href="http://cargocollective.com/carolina_castro">Carolina Castro</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">T</span>his </span>competition was a 48hours architecture marathon, where we were supposed to design a mortuary home.<br>
The shape raises from the ground to define the street in an attempt to control the permeability to the introspective forest-like area that links with the existing graveyard space annex.<br>
Thus a new block is given to the city with a space for reflection not exposed directly to the public.<br>
Fundamental to the design of this dome was the creation of an internal logic path for funeral ritual.<br>
The course is divided into two approaches, first a moment of mourning and introspection. Here there is a way into the main chapel, that distributes to the three ceremony chapels.<br>
The building becomes the hinge between this dark moment and the next "breathing" moment, appears connected with the garden and the program of a social character.</span></div><a href="http://afasiaarq.blogspot.com/2012/01/sa-vergueiro-castro.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-8777062279434865486?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://4.bp.blogspot.com/-Qxopmt--wdI/TyKT9XBE2CI/AAAAAAAAMiQ/SZg4vP11GaY/s1600/Anna+&+Eugeni+Bach,+arquitectes+.+Playhouse+-+La+Casita.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-Qxopmt--wdI/TyKT9XBE2CI/AAAAAAAAMiQ/SZg4vP11GaY/s1600/Anna+&+Eugeni+Bach,+arquitectes+.+Playhouse+-+La+Casita.jpg"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">gracias a <a href="http://www.bacharquitectes.com/en/news/view/48">Anna & Eugeni Bach</a> . fotos: <a href="http://tiiaettala.com/main/index.php">Tiia Ettala</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">C</span>uando </span>una pareja de arquitectos tiene hijos pequeños, siempre llega el día en que éstos preguntan:<br>
- Papá, mamá,... ¿Vosotros sois arquitectos, verdad?<br>
- Sí...<br>
- ¿Y hacéis casas a la gente?<br>
- Si, claro...<br>
Y entonces viene la pregunta trampa:<br>
-¿Y por qué no nos hacéis una casita a nosotros?</span></div><a href="http://afasiaarq.blogspot.com/2012/01/anna-eugeni-bach-arquitectes.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-7767886355932904500?l=afasiaarq.blogspot.com' alt='' /></div>
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<span style="font-size: 78%; color: #999999;text-align: left;text-transform: lowercase;"><a href="http://archleague.org/2012/01/francine-houben-2/">The Architectural League of New York</a></span> <span style="font-size: 78%; color: #999999;"> </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-1406555038849797544?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://1.bp.blogspot.com/-CndU5JG0hkQ/Txlx6SvpANI/AAAAAAAAMeQ/DGYtlYk4tfY/s1600/del+Val+.+Guti%25C3%25A9rrez+.+Europan+11+.+Dubrovnik.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="553" src="http://1.bp.blogspot.com/-CndU5JG0hkQ/Txlx6SvpANI/AAAAAAAAMeQ/DGYtlYk4tfY/s640/del+Val+.+Guti%25C3%25A9rrez+.+Europan+11+.+Dubrovnik.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">autores: <a href="http://www.gonzalodelval.com/">Gonzalo del Val</a> . <a href="http://www.gonzaloga.com/">Gonzalo Gutiérrez</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">E</span>l </span>fuerte carácter turístico de Dubrovnik y su infraestructura económica dirigida a los visitantes deterioran la vida cotidiana de la ciudad. Los habitantes locales se ven afectados por los altos precios, los servicios turísticos sin ambición urbana y la desequilibrada demografía estacional. Propiciando un éxodo de los residentes del centro hacia otras áreas más económicas y menos explotadas. </span></div><a href="http://afasiaarq.blogspot.com/2012/01/del-val-gutierrez.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-6708428176497029286?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://2.bp.blogspot.com/-VqHrgoQb2_w/TwI2bXLS3sI/AAAAAAAAMTQ/Q2gkGNbJgxs/s1600/01+Christodoulos+Panayiotou+.+Never+Land+.+2008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="http://2.bp.blogspot.com/-VqHrgoQb2_w/TwI2bXLS3sI/AAAAAAAAMTQ/Q2gkGNbJgxs/s640/01+Christodoulos+Panayiotou+.+Never+Land+.+2008.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://www.christodoulospanayiotou.com/">Christodoulos Panayiotou</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">C</span>hristodoulos </span>Panayiotou has emerged as one of the most significant young European artists working today. Through numerous forms, his work addresses a range of issues and concerns from the legacy of theater, to the construction of national identity and history. Panayiotou frequently takes the phenomena of public functions and spectacles as a point of departure from which to explore the structures and customs that inform social experience. His process also incorporates the archives of the press as well as the regional and national agencies of his home nation of Cyprus. What results is what the artist has described as an “excavation” of Cyprus’ visual history that brings to light the “‘cults’ and ‘obsessions’ of … [this] emerging state and reveals the wider mechanisms of modern constructions of national narratives.” Despite the vast difference between the United States and Cyprus, Panayiotou’s work prompts greater recognition of how different interpretations of a collective sense of identity are dependent on the manner in which images and information are arranged and presented to us. For his presentation at CAM St. Louis — the artist’s first solo museum exhibition in the United States — Panayiotou will present new and preexisting works that demonstrate both the range of techniques and the socio-political concerns that define his practice. New works being created for the exhibition include a multi-part series of appropriated photographs from official Cyprus archives depicting examples of civic processions, displays, and events, to evoke various ways in which people are collectively assembled and addressed in various situations, and a site-specific mural based on a theatrical backdrop from a popular music concert resembling an abstract action-painting that suggests the frequent intersections of avant-garde and popular culture in the public sphere.<br>
<a href="http://camstl.org/exhibitions/main-gallery/christodoulos-panayiotou/">CAM St. Louis</a></span></div><a href="http://afasiaarq.blogspot.com/2012/01/christodoulos-panayiotou.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-9083135085358580334?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://4.bp.blogspot.com/-NVo3voklYJQ/TyHqCEHQhtI/AAAAAAAAMhQ/QdeXfY30DNQ/s1600/Llin%C3%A0s+.+Arrokabe+.+Instituto+de+ciencias+del+patrimonio+del+CSIC+.+Santiago+de+Compostela.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="234" src="http://4.bp.blogspot.com/-NVo3voklYJQ/TyHqCEHQhtI/AAAAAAAAMhQ/QdeXfY30DNQ/s640/Llin%C3%A0s+.+Arrokabe+.+Instituto+de+ciencias+del+patrimonio+del+CSIC+.+Santiago+de+Compostela.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">gracias a <a href="http://www.arrokabe.com/">Arrokabe </a>. Autores: Josep Llinàs . Óscar Andrés, Iván Andrés (Arrokabe) <br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">L</span>a </span>funcionalidad de un espacio como las Brañas del Sar, en el que se encuentra la parcela, tiene que ver tanto con su vocación productiva como con su posición en relación a la ciudad de Santiago. Su futura configuración como zona verde debería tener en cuenta ambas cuestiones. En este sentido la construcción de un edificio dentro de este tradicional espacio productivo no deja de ser una incursión extraña y, en principio, ajena a los procesos que regían su funcionamiento. Por todo ello hemos intentado comprender estas claves, de forma que la nueva construcción suponga el mínimo impacto sobre el medio. <br>
La parcela está situada en una zona de tierras de labor en la parte baja de la ladera del monte Gaiás. Su forma es triangular como consecuencia del trazado de dos viales, uno existente y otro previsto en el Plan General. Cuenta con una pendiente bastante uniforme y una diferencia de cota máxima de unos 10m. La intención de quedar inmersos en el espacio de Brañas, nos ha llevado a situarnos en la parte inferior de la parcela, impidiendo que el volumen sobrepase en ningún punto la cota superior de la misma.</span></div><a href="http://afasiaarq.blogspot.com/2012/01/llinas-arrokabe.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-1078541030056829640?l=afasiaarq.blogspot.com' alt='' /></div>
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<embed flashvars="audioUrl=http://mediamogul.seas.upenn.edu/pennsound/authors/Bergvall/Bergvall-Caroline-Via-2004.mp3" height="27" quality="best" src="http://www.google.com/reader/ui/3523697345-audio-player.swf" type="application/x-shockwave-flash" width="500"></embed><br />
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<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://carolinebergvall.com/">Caroline Bergvall</a> . + <a href="http://www.fundaciotapies.org/site/spip.php?rubrique1070">fundació tàpies</a><br />
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">V</span>IA </span>(48 Dante Variations) is a compiled list of translations into English of Dante's opening lines. As archived in the British Library up until May 2000. 700 years after the date set for the start of the journey into Hell. The Journey was timed to start and end in 1300. And Dante's 35th year or so-called point of mid-life. Recorded and composed with Ciáran Maher (Summer 2000). The full text has been featured in CHAIN's "Transluccinacion" issue (Autumn 2003) </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-2796957759656047984?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://1.bp.blogspot.com/-KwfHmH5ygkY/TxlwcapDPbI/AAAAAAAAMeA/VvoGaWInqfA/s1600/John+Pawson+Architects+.+Sackler+Crossing+.+Royal+Botanic+Gardens+.+Kew.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="http://1.bp.blogspot.com/-KwfHmH5ygkY/TxlwcapDPbI/AAAAAAAAMeA/VvoGaWInqfA/s640/John+Pawson+Architects+.+Sackler+Crossing+.+Royal+Botanic+Gardens+.+Kew.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://www.johnpawson.com/architecture/lakecrossing/location">John Pawson Architects</a> . photos: RBG Kew . + <a href="http://www.e-architect.co.uk/london/sackler_crossing_kew_gardens.htm">e-architect</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">T</span>he </span>120-hectare expanse of Kew’s Royal Botanic Gardens lies southwest of London. Set in a curve of the River Thames, its tranquillity untouched by the incongruous proximity of planes making their final descent into Heathrow, this is a rich palimpsest of landscape and iconic structures shaped by the work of the leading designers of their day, including Capability Brown and Decimus Burton.</span></div><a href="http://afasiaarq.blogspot.com/2012/01/john-pawson-architects.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-7075510379439606954?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://4.bp.blogspot.com/-U1PLCRguwDo/Txh3dIdDiLI/AAAAAAAAMdA/zOgl5LDYV0w/s1600/Arquiatemas+33+.+Miralles+1972-2000.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="http://4.bp.blogspot.com/-U1PLCRguwDo/Txh3dIdDiLI/AAAAAAAAMdA/zOgl5LDYV0w/s640/Arquiatemas+33+.+Miralles+1972-2000.jpg" width="640" /></a></div><br />
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">+ <a href="http://fundacion.arquia.es/es/publicaciones/Noticias/Detalle/62">arquia </a></span> <span style="color: #999999; font-size: 78%;"> </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-6093691954514296268?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://4.bp.blogspot.com/-vEP9wo-9Lpg/TyLoqdQ0ADI/AAAAAAAAAoo/gb-cJvSN4lM/s1600/no.555+.+MYZ+_+NEST+.+single+family+house+.+Nagano.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://4.bp.blogspot.com/-vEP9wo-9Lpg/TyLoqdQ0ADI/AAAAAAAAAoo/gb-cJvSN4lM/s640/no.555+.+MYZ+_+NEST+.+single+family+house+.+Nagano.jpg" width="426"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">courtesy of <a href="http://www.number555.com/">no.555</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="font-size: large;"><span style="color: #666666;">I</span></span> aimed to assimilate,because the quiet surroundings .<br>
The building filled with soil, and low proportions.<br>
Levels in each room is a little lower, the animals like to enter in "nest".<br>
Also the concrete wall is like a bird nest of woven grass.<br>
I aimed " the quiet architecture " idyllic landscape.<br>
Takuya Tsuchida</span></div><a href="http://afasiaarq.blogspot.com/2012/01/no555.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-2725607545702175713?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://3.bp.blogspot.com/-iKlrmVqP2jQ/TyLlYdPC3dI/AAAAAAAAAog/_eP-xAX7JBc/s1600/Schweger+&+Partner+Architekten+.+ThyssenKrupp+Haus+.+Berlin.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="274" src="http://3.bp.blogspot.com/-iKlrmVqP2jQ/TyLlYdPC3dI/AAAAAAAAAog/_eP-xAX7JBc/s640/Schweger+&+Partner+Architekten+.+ThyssenKrupp+Haus+.+Berlin.jpeg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://www.schweger-architects.com/">Schweger & Partner Architekten</a> . + <a href="http://www.baunetz.de/meldungen/Meldungen-Schweger_gewinnt_am_Berliner_Schlossplatz_2442173.html">baunetz</a></span> <span style="color: #999999; font-size: 78%;"></span></div><a href="http://afasiaarq.blogspot.com/2012/01/schweger-partner-architekten.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-526743262418297168?l=afasiaarq.blogspot.com' alt='' /></div>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://1.bp.blogspot.com/-58vBG7Ek0jk/TxnFiGY0-QI/AAAAAAAAMew/7-rOCKT-LxE/s1600/OFFICE+Kersten+Geers+David+Van+Severen+.+CENTRO+CULTURAL+LAFQUECHE+.+Pabell%25C3%25B3n+Meta+.+Tir%25C3%25BAa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="http://1.bp.blogspot.com/-58vBG7Ek0jk/TxnFiGY0-QI/AAAAAAAAMew/7-rOCKT-LxE/s640/OFFICE+Kersten+Geers+David+Van+Severen+.+CENTRO+CULTURAL+LAFQUECHE+.+Pabell%25C3%25B3n+Meta+.+Tir%25C3%25BAa.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://www.meta-chile.cl/proyectos/">Meta </a>. <a href="http://www.officekgdvs.com/">OFFICE Kersten Geers David Van Severen</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">E</span>l </span>pabellón es un Arca, una caja simple con un contenido sorprendente. Como edificio en el parque inundado, se presenta como una estructura simple, una cúpula de concreto que provee una habitación para la cultura y un refugio para múltiples actividades. La estructura es cruda y esencial: el domo se presenta como una caja. La cúpula en la caja se entiende como un hito cultural para la población mapuche. En las intersecciones con forma de arco entre la cúpula y la caja, se ha diseñado una serie de portones gigantes de madera que actúan como una doble piel. Estos portones se desplazan verticalmente, a modo de guillotina por fuera de los muros del Arca; de esta manera, abren completamente el refugio a la vez que ofrecen una variedad de puertas dentro de puertas, que funcionan como pasos o postigos para permitir conexiones más sutiles hacia el exterior. Este es un mecanismo que permite controlar tanto eventos colectivos como el clima extremo; es una pieza móvil que modifica el carácter desnudo del pabellón. En tres de sus lados los portones están pintados con los colores de la bandera mapuche: celeste, verde y rojo. En el cuarto lado de la caja se ubica una construcción de madera independiente, pintada totalmente en amarillo (el cuarto color de la bandera), que contiene las funciones de apoyo al pabellón. El edificio de madera es autónomo y es, en varios sentidos, la contraparte del domo de hormigón: una especie de armario de madera, elegante y preciso, fabricado con maderas de finas terminaciones. En la base del pabellón, los suelos naturales y construidos se unen en una textura pareja y continua de hormigón. Sobre el domo hay un jardín oculto, solo accesible por una escalera desde el edificio de madera. La parte alta del domo ofrece vistas sobre las dunas, hacia el mar. Este jardín es un espacio secreto con una vista inesperada. (KGDVS)</span><br>
</div><a href="http://afasiaarq.blogspot.com/2012/01/office-kersten-geers-david-van-severen.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-1833452065439728961?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/Pgwdg2IBpuI9afyX8vVuePwXj5E/1/da"><img src="http://feedads.g.doubleclick.net/~a/Pgwdg2IBpuI9afyX8vVuePwXj5E/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/TXGyOH9rIuk" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/office-kersten-geers-david-van-severen.htmltag:blogger.com,1999:blog-4509089511204133339.post-13557109288050999422012-01-27T14:15:00.000+01:002012-01-27T14:15:00.899+01:002012-01-27T14:15:00.899+01:00Stan Allen<div><span style="color: #999999; font-size: 95%; font-weight: bold; text-align: left; text-transform: lowercase;">Landform Building . Date: 01.11.2011 </span><br />
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<div class="separator" style="clear: both; text-align: left;"><a href="http://www.aaschool.ac.uk//VIDEO/lecture.php?ID=1626" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="357" src="http://2.bp.blogspot.com/-wj5uAoPDcHg/TxhrjrAo9bI/AAAAAAAAMcQ/kFsteq83tjk/s640/Stan+Allen+.+Landform+Building+.+Date+01.11.2011.JPG" width="640" /></a></div><br />
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">+ <a href="http://www.aaschool.ac.uk//VIDEO/lecture.php?ID=1626">AA</a></span> <span style="color: #999999; font-size: 78%;"> </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-1355710928805099942?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/QDlJfV6HPG_wUL07pMGA33b-jpQ/1/da"><img src="http://feedads.g.doubleclick.net/~a/QDlJfV6HPG_wUL07pMGA33b-jpQ/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/QZlLG_XZyFc" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/stan-allen.htmltag:blogger.com,1999:blog-4509089511204133339.post-16541597948511225082012-01-27T12:09:00.000+01:002012-01-27T12:09:25.587+01:002012-01-27T12:09:25.587+01:00Mateo Arquitectura<div><span style="color: #999999; font-size: 95%; font-weight: bold; text-align: left; text-transform: lowercase;">housing blocks . Toulouse</span><br />
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<div class="separator" style="clear: both; text-align: left;"><a href="http://2.bp.blogspot.com/-MUW8uW0S-3I/TyKFyLDukYI/AAAAAAAAMhY/eNFUjJiCrf8/s1600/Mateo+Arquitectura+.+housing+blocks+.+Toulouse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="http://2.bp.blogspot.com/-MUW8uW0S-3I/TyKFyLDukYI/AAAAAAAAMhY/eNFUjJiCrf8/s640/Mateo+Arquitectura+.+housing+blocks+.+Toulouse.jpg" width="640" /></a></div><br />
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://www.mateo-arquitectura.com/">Mateo Arquitectura</a> . + <a href="http://www.bustler.net/index.php/article/mateo_arquitectura_starts_construction_of_andromede_housing_blocks_in_toulo/">bustler</a></span> <span style="color: #999999; font-size: 78%;"> </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-1654159794851122508?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/WzbbuHLIJgcrTf0uKY4eRsDusMk/1/da"><img src="http://feedads.g.doubleclick.net/~a/WzbbuHLIJgcrTf0uKY4eRsDusMk/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/HMhbalxe7OY" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/mateo-arquitectura.htmltag:blogger.com,1999:blog-4509089511204133339.post-2661670177878560592012-01-27T09:45:00.000+01:002012-01-27T14:06:14.961+01:002012-01-27T14:06:14.961+01:00Anonymous.d . design contest<div><span style="font-size: 95%; font-weight: bold;color: #999999; text-align: left;text-transform: lowercase;">under the High Line . NYC</span><br>
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<iframe src="http://player.vimeo.com/video/34769629?title=0&byline=0&portrait=0" width="650" height="425" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe><br>
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<span style="font-size: 78%; color: #999999;text-align: left;text-transform: lowercase;"><a href="http://www.anonymousd.com/index.php">Anonymous.d</a> . + <a href="http://www.facebook.com/media/set/?set=a.329884433700695.75719.166168636738943&type=1">Voting </a></span> <span style="font-size: 78%; color: #999999;"></span></div><a href="http://afasiaarq.blogspot.com/2012/01/anonymousd-design-contest.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-266167017787856059?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/D-eGh57WYdp7QA5UTf3UwKZKeNQ/1/da"><img src="http://feedads.g.doubleclick.net/~a/D-eGh57WYdp7QA5UTf3UwKZKeNQ/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/RTW6vuGrQoA" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/anonymousd-design-contest.htmltag:blogger.com,1999:blog-4509089511204133339.post-76924086040515595602012-01-27T08:49:00.000+01:002012-01-27T08:49:00.100+01:002012-01-27T08:49:00.100+01:00Juhani Pallasmaa<div><span style="color: #999999; font-size: 95%; font-weight: bold; text-align: left; text-transform: lowercase;">La mano que piensa . Sabiduría existencial y corporal en la arquitectura</span><br />
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<div class="separator" style="clear: both; text-align: left;"><a href="http://1.bp.blogspot.com/-by_bgHVbAcE/TxhzraSFWXI/AAAAAAAAMcw/ffhJC3OhXgk/s1600/Juhani+Pallasmaa+.+La+mano+que+piensa+.+Sabidur%25C3%25ADa+existencial+y+corporal+en+la+arquitectura.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-by_bgHVbAcE/TxhzraSFWXI/AAAAAAAAMcw/ffhJC3OhXgk/s640/Juhani+Pallasmaa+.+La+mano+que+piensa+.+Sabidur%25C3%25ADa+existencial+y+corporal+en+la+arquitectura.jpg" width="512" /></a></div><br />
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">+ <a href="http://ggili.com/es/tienda/productos/la-mano-que-piensa">GG</a></span> <span style="color: #999999; font-size: 78%;"> </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-7692408604051559560?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/5B3vwfYrQaNT7ke4zn5Xc9xHjS4/1/da"><img src="http://feedads.g.doubleclick.net/~a/5B3vwfYrQaNT7ke4zn5Xc9xHjS4/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/wr_PJAGTRFs" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/juhani-pallasmaa.htmltag:blogger.com,1999:blog-4509089511204133339.post-23049311772173334112012-01-27T08:02:00.000+01:002012-01-27T08:02:00.457+01:002012-01-27T08:02:00.457+01:00Alberto Campo Baeza . Dosmasuno Arquitectos<div><span style="color: #999999; font-size: 95%; font-weight: bold; text-align: left; text-transform: lowercase;">Metodi. Dialogo tra generazioni</span><br />
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<div class="separator" style="clear: both; text-align: left;"><a href="http://1.bp.blogspot.com/-MLngXCV33QE/Tx25Ea-GAVI/AAAAAAAAMfY/ny_STK-O4QA/s1600/Alberto+Campo+Baeza+.+Dosmasuno+Arquitectos+.+Metodi.+Dialogo+tra+generazioni.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-MLngXCV33QE/Tx25Ea-GAVI/AAAAAAAAMfY/ny_STK-O4QA/s640/Alberto+Campo+Baeza+.+Dosmasuno+Arquitectos+.+Metodi.+Dialogo+tra+generazioni.jpg" width="450" /></a></div><br />
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">+ <a href="http://www.iuav.it/Ateneo1/chi-siamo/news-e-ini/attivita/2012/Alberto-Ca/index.htm">iuav</a></span> <span style="color: #999999; font-size: 78%;"> </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-2304931177217333411?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/douG5dBuS4TdYE723VjPc80k39E/1/da"><img src="http://feedads.g.doubleclick.net/~a/douG5dBuS4TdYE723VjPc80k39E/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/S0x20y_-7YQ" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/alberto-campo-baeza-dosmasuno.htmltag:blogger.com,1999:blog-4509089511204133339.post-48428620489965482382012-01-26T19:45:00.000+01:002012-01-27T19:09:18.217+01:002012-01-27T19:09:18.217+01:00MAKS I Marieke Kums<div><span style="color: #999999; font-size: 95%; font-weight: bold; text-align: left; text-transform: lowercase;">Europan 11 . Deventer</span><br>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://1.bp.blogspot.com/-I6Qw6yRmIu0/Tx7-_Ha2yWI/AAAAAAAAMgA/Jtcgbcg6_iU/s1600/MAKS+I+Marieke+Kums+.+Europan+11+.+Deventer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="363" src="http://1.bp.blogspot.com/-I6Qw6yRmIu0/Tx7-_Ha2yWI/AAAAAAAAMgA/Jtcgbcg6_iU/s640/MAKS+I+Marieke+Kums+.+Europan+11+.+Deventer.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;">courtesy of <a href="http://www.m-a-k-s.nl/">MAKS | Marieke Kums</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">T</span>he </span>City of Deventer is in search of ideas for the regeneration of the old harbor area: how to update the outdated industrial parts of a city?<br>
Before proposing new interventions we began with a careful study of the dynamics of the existing situation. We organized spaces, places and activities not by age or type, but by the way people use them today. We identified and mapped all areas and investigated the potential of un(der)used spaces. After that we started a study of a possible distribution of the varied program and activities; (traditional)work spaces, student housing, a cafe, car parks, spaces for artists, a waiting area for boats, a public toiltet, outdoor cinema area, etc.<br>
To accomodate these programmes the addition of a single volume, as proposed in the original master plan, seemed to make it difficult to interweave and integrate within the existing context. Strangely, we felt that to connect, we needed to disconnect, to fragment. Our proposal thus became a closely knit collection of single volumes. The ensemble allows various identities to co-exist naturally and for existing elements to be easily incorporated. It allows users to move on site in multiple directions and activities to take place simultaneously. It need not to be planned at build all at once; it can grow over time and mutate parallel to the needs and wishes of its users.<br>
The surrounding old silo’s will maintain their historical dominant appreance and position, but will be re-programmed to better connect to the new conditions on site.</span><br>
</div><a href="http://afasiaarq.blogspot.com/2012/01/maks-i-marieke-kums.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-4842862048996548238?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/9QuSGe-AQ3JTrpoOrDuB4lWH0VU/1/da"><img src="http://feedads.g.doubleclick.net/~a/9QuSGe-AQ3JTrpoOrDuB4lWH0VU/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/95MMYAWdOcE" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/maks-i-marieke-kums.htmltag:blogger.com,1999:blog-4509089511204133339.post-73813474016355021182012-01-26T18:53:00.000+01:002012-01-27T14:01:08.874+01:002012-01-27T14:01:08.874+01:00Fruehauf Henry & Viladoms<div><span style="font-size: 95%; font-weight: bold;color: #999999; text-align: left;text-transform: lowercase;">Théâtre . Carouge</span><br>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://2.bp.blogspot.com/-6DsvIVVzccE/TyGRAn8o-cI/AAAAAAAAnic/JkOQfCJ1eNE/s1600/Fruehauf+Henry+&+Viladoms+.+Th%C3%A9%C3%A2tre+.++Carouge.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="http://2.bp.blogspot.com/-6DsvIVVzccE/TyGRAn8o-cI/AAAAAAAAnic/JkOQfCJ1eNE/s640/Fruehauf+Henry+&+Viladoms+.+Th%C3%A9%C3%A2tre+.++Carouge.jpg" width="640"></a></div><br>
<span style="font-size: 78%; color: #999999;text-align: left;text-transform: lowercase;"><a href="http://fhvarchitectes.ch/">Fruehauf Henry & Viladoms</a> . IMAGES <a href="http://nightnurse.ch/">NIGHTNURSE </a></span> <span style="font-size: 78%; color: #999999;"></span></div><a href="http://afasiaarq.blogspot.com/2012/01/fruehauf-henry-viladoms.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-7381347401635502118?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/fACJ7uUKAgX0KH1xA-xgB3aLV4k/1/da"><img src="http://feedads.g.doubleclick.net/~a/fACJ7uUKAgX0KH1xA-xgB3aLV4k/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/6D2BzcHFpSE" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/fruehauf-henry-viladoms.htmltag:blogger.com,1999:blog-4509089511204133339.post-38641434704343377032012-01-26T15:51:00.000+01:002012-01-27T14:05:20.771+01:002012-01-27T14:05:20.771+01:00BIG . TRANSSOLAR . BASE . TRANSITEC . TESS<div><span style="color: #999999; font-size: 95%; font-weight: bold; text-align: left; text-transform: lowercase;">Europa City . Paris </span><br>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://1.bp.blogspot.com/-pS7PPeOWHYA/TyBdDOv0wvI/AAAAAAAAMg4/xQRgsTzvFCw/s1600/BIG+.+TRANSSOLAR+.+BASE+.+TRANSITEC+.+TESS+.+Europa+City+.+Paris+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="354" src="http://1.bp.blogspot.com/-pS7PPeOWHYA/TyBdDOv0wvI/AAAAAAAAMg4/xQRgsTzvFCw/s640/BIG+.+TRANSSOLAR+.+BASE+.+TRANSITEC+.+TESS+.+Europa+City+.+Paris+.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://www.big.dk/">BIG </a>. + <a href="http://www.lemoniteur.fr/155-projets/article/actualite/871904-les-projets-du-futur-complexe-europa-city-presentes-au-public">le moniteur</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">T</span>eam </span>BIG+TRANSSOLAR+BASE+TRANSITEC+TESS vision for Europe’s largest cultural and commercial destination just outside Paris is to integrate the future Europa City as the natural centre of the new business district and the surrounding neighborhoods while combining the dense city with an open landscape, exploring the urban and green potentials of the site. The commercial, recreational and cultural programs of Europa City will breathe public life into the center of the business district and attract visitors locally, regionally and globally. </span></div><a href="http://afasiaarq.blogspot.com/2012/01/big-transsolar-base-transitec-tess.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-3864143470434337703?l=afasiaarq.blogspot.com' alt='' /></div>
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<a href="http://feedads.g.doubleclick.net/~a/cma6yt30FCo8okWo3uG4HS7zaZo/1/da"><img src="http://feedads.g.doubleclick.net/~a/cma6yt30FCo8okWo3uG4HS7zaZo/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/blogspot/pVIv/~4/Qmg4pkL0Ftw" height="1" width="1"/>afasiahttp://www.blogger.com/profile/17292185982848195774noreply@blogger.com0http://afasiaarq.blogspot.com/2012/01/big-transsolar-base-transitec-tess.htmltag:blogger.com,1999:blog-4509089511204133339.post-47027008660866641342012-01-26T08:47:00.000+01:002012-01-26T08:47:00.187+01:002012-01-26T08:47:00.187+01:00AMO . Prada . Francesco Vezzoli<div><span style="color: #999999; font-size: 95%; font-weight: bold; text-align: left; text-transform: lowercase;">24-hour Museum opening . Paris </span><br>
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<div class="separator" style="clear: both; text-align: left;"><a href="http://2.bp.blogspot.com/-2gAsoxW5rpE/Tx2rEfpdGUI/AAAAAAAAMfI/1s_RrspGjnY/s1600/AMO+.+Prada+.+Francesco+Vezzoli+.+24-hour+Museum+opening+.+Paris.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="http://2.bp.blogspot.com/-2gAsoxW5rpE/Tx2rEfpdGUI/AAAAAAAAMfI/1s_RrspGjnY/s640/AMO+.+Prada+.+Francesco+Vezzoli+.+24-hour+Museum+opening+.+Paris.jpg" width="640"></a></div><br>
<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://oma.eu/">OMA</a> . + <a href="http://domusweb.it/en/art/24-hours-museum-vezzoli-vs-koolhaas/">domusweb </a>. <a href="http://www.facebook.com/media/set/?set=a.288220304569190.66908.251097781614776&type=3">24 Hours Museum</a><br>
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</span> <span style="color: #999999; font-size: 78%;"><span style="color: #666666;"><span style="font-size: large;">F</span>or </span>the 24-Hour Museum AMO reflects on the idea of the museum as a social laboratory, investigating different kinds of exhibition spaces and the rituals they frame: from classic 18th century museums to "propaganda machines" such as Hitler's Haus der Kunst in Munich; from informal art storages to pristine white cubes; and, finally, to the commercialization of public museums.<br>
Instead of one single type of exhibition space for the monumental modernist Palais d'Iena, AMO proposes three different moments: experimental, classic, informal.</span></div><a href="http://afasiaarq.blogspot.com/2012/01/amo-prada-francesco-vezzoli.html#more">read more . expandir</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-4702700866086664134?l=afasiaarq.blogspot.com' alt='' /></div>
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<span style="color: #999999; font-size: 78%; text-align: left; text-transform: lowercase;"><a href="http://www.mlrp.dk/">MLRP </a>. Photo: <a href="http://www.stamerskontor.dk/">Laura Stamer</a> . <a href="http://www.archdaily.com/200735/mirror-house-mlrp/">archdaily</a></span> <span style="color: #999999; font-size: 78%;"> </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4509089511204133339-7282946242153816804?l=afasiaarq.blogspot.com' alt='' /></div>
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