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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span class=&quot;st&quot;&gt;XXIV International Ecumenical Conference of Orthodox Spirituality &lt;em&gt;MARTYRDOM AND COMMUNION&lt;/em&gt; Bose, 7–10 September 2016&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; in collaboration with the Orthodox Churches&lt;/h3&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGU_1mWD7jKApqgboEvTbscUVhJlibUW5aBDZq3p1o7B9OV1QSWbzStFuCXURvHm5jzBHyO2q8VZgN0nC6ZcmZvMPHwnuQuTFghpEjyWnThSs-R3rrk6gf0iHewTeuBXa41rD0QI3a_Q29/s1600/2016_martirio_comunione_testata_web.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;80&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGU_1mWD7jKApqgboEvTbscUVhJlibUW5aBDZq3p1o7B9OV1QSWbzStFuCXURvHm5jzBHyO2q8VZgN0nC6ZcmZvMPHwnuQuTFghpEjyWnThSs-R3rrk6gf0iHewTeuBXa41rD0QI3a_Q29/s320/2016_martirio_comunione_testata_web.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp;&lt;/h3&gt;
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“Allow me to become food for the wild 
beasts, through whose instrumentality it will be granted me to attain to
 God. I am the wheat of God, and let me be ground by the teeth of the 
wild beasts, &amp;nbsp;that I may be found the pure bread of Christ”. &lt;br /&gt;St Ignatius of Antioch&lt;/h3&gt;
&lt;h3 style=&quot;text-align: right;&quot;&gt;
&amp;nbsp;&lt;/h3&gt;
&lt;strong&gt;WEDNESDAY 7 september 2016&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;9:00 am&lt;/strong&gt;&lt;br /&gt;

&lt;h3&gt;
&lt;strong&gt;Introductory Remarks&lt;/strong&gt; &lt;br /&gt;ENZO BIANCHI, Prior of Bose&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;Blood of Martyrs, Seed of Communion&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10678-john-x-patriach-of-antioch&quot; target=&quot;_self&quot;&gt;✠ YOUHANNA X&lt;/a&gt;, Patriarch of Antioch and all the East&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;The Witness and the Ministry of Communion of the Ecumenical Patriarchate&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10679-job-of-telmessos&quot; target=&quot;_self&quot;&gt;✠ JOB OF TELMESSOS&lt;/a&gt;, Geneva&lt;/h3&gt;
&lt;strong&gt;3:30 pm&lt;/strong&gt;&lt;br /&gt;

&lt;h3&gt;
&lt;strong&gt;The Spirit as Source and Support of the One Christian Witness&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10680-panteleimon-manoussakis&quot; target=&quot;_self&quot;&gt;PANTELEIMON MANOUSSAKIS&lt;/a&gt;, Worcester MA&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;«Blessed are you when people persecute you on my account» (Mt &amp;nbsp;5,11). &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Jesus’ Sayings about Persecution&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10681-ekaterini-tsalampouni&quot; target=&quot;_self&quot;&gt;EKATERINI TSALAMPOUNI&lt;/a&gt;, Thessaloniki&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;“We are All One in Christ”. Martyrdom and the Unity of the Church in St Ambrose and the Latin Fathers in the Fourth Century&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10682-georgij-e-zakharov&quot; target=&quot;_self&quot;&gt;GEORGIY ZAKHAROV&lt;/a&gt;, Moscow&lt;/h3&gt;
&lt;strong&gt;THURSDAY&amp;nbsp;8 september 2016&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;9:00 am&lt;/strong&gt;&lt;br /&gt;

&lt;h3&gt;
&lt;strong&gt;“I am the wheat of God” (St Ignatius of Antioch). Eucharistic and Communional Dimensions of Martyrdom&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10707-athanasios-n-papathanassiou&quot; target=&quot;_self&quot;&gt;ATHANASIOS PAPATHANASSIOU&lt;/a&gt;, Athens&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;The Liturgical Memory of Martyrs&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10701-jeronim-of-jegar&quot; target=&quot;_self&quot;&gt;✠ JERONIM OF JEGAR&lt;/a&gt;, Novi Sad&lt;/h3&gt;
&lt;strong&gt;3:30 pm&lt;/strong&gt;&lt;br /&gt;

&lt;h3&gt;
&lt;strong&gt;Seeking Communion, Confessing the Truth. Maxim the Confessor and Pope Martin I&lt;/strong&gt;&lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10683-andrew-louth&quot; target=&quot;_self&quot;&gt;ANDREW LOUTH&lt;/a&gt;, Durham&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;Martyrs of the Russian Orthodox Church in the Twentieth Century. The Butovo Polygon&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10684-kirill-kaleda&quot; target=&quot;_self&quot;&gt;KIRILL KALEDA&lt;/a&gt;, Moscow&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;Martyrdom and Communion in the 20th century – a Church of England Perspective&lt;/strong&gt;&lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10685-john-stroyan-of-warwick&quot; target=&quot;_self&quot;&gt;✠ JOHN STROYAN OF WARWICK&lt;/a&gt;, Coventry&lt;/h3&gt;
&lt;strong&gt;FRIDAY 9&amp;nbsp;september 2016&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;9:00 am&lt;/strong&gt;&lt;br /&gt;

&lt;h3&gt;
&lt;strong&gt;The Testimony of Love and Mercy of St Elizabeth Feodorovna&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10686-lidya-golovkova&quot; target=&quot;_self&quot;&gt;LIDYA GOLOVKOVA&lt;/a&gt;, Moscow&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;A Community under Persecution. Father Alexander Glagolev (1872-1937)&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10783-konstantin-sigov&quot; target=&quot;_self&quot;&gt;KONSTANTIN SIGOV&lt;/a&gt;, Kiev&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;Twentieth-century Martyrology: the Orthodox Church of Georgia&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10687-tamara-grdzelidze&quot; target=&quot;_self&quot;&gt;TAMARA GRDZELIDZE&lt;/a&gt;, Rome&lt;/h3&gt;
&lt;strong&gt;3:30 pm&lt;/strong&gt;&lt;br /&gt;

&lt;h3&gt;
&lt;strong&gt;Persecution for Christ’s Sake as the bond of Communion. &amp;nbsp;The Monk Nicolae Steinhardt and his Diary of Happiness&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10688-bogdan-tataru-cazaban&quot; target=&quot;_self&quot;&gt;BOGDAN TĂTARU-CAZABAN&lt;/a&gt;, Bucarest&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;Martyrs and Confessors in the Bulgarian Orthodox Church under Communism&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10689-daniela-kalkandjieva&quot; target=&quot;_self&quot;&gt;DANIELA KALKANDJIEVA&lt;/a&gt;, Sofia&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;Martyrs as Witnesses of Communion in the Armenian Church&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10690-shahe-ananyan&quot; target=&quot;_self&quot;&gt;SHAHE ANANYAN&lt;/a&gt;, Etchmiadzin&lt;/h3&gt;
&lt;strong&gt;SATURDAY&amp;nbsp;10 september 2016&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;9:00 am&lt;/strong&gt;&lt;br /&gt;

&lt;h3&gt;
&lt;strong&gt;Common Testimony, Hope of Unity&lt;/strong&gt; &lt;br /&gt;✠ KURT KOCH, Vatican City&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;Christian Martyrs as a Gift for the Mankind&lt;/strong&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 10pt;&quot;&gt;Truth-Telling as Martyrdom for the sake of Communion&lt;/span&gt;&lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10691-aristotle-papanikolaou&quot; target=&quot;_self&quot;&gt;ARISTOTLE PAPANIKOLAOU&lt;/a&gt;, New York&lt;/h3&gt;
&lt;h3&gt;
&lt;strong&gt;Conclusions of the Conference&lt;/strong&gt; &lt;br /&gt;&lt;a href=&quot;http://www.monasterodibose.it/en/hospitality/conferences/orthodox-spirituality/2016-martyrdom-and-communion/1513-press-release-2016-martyrdom/speakers-abstracts-2016/10692-luigi-d-ayala-valva&quot; target=&quot;_self&quot;&gt;LUIGI D’AYALA VALVA&lt;/a&gt;, Bose&lt;/h3&gt;
&lt;h3 style=&quot;text-align: right;&quot;&gt;
&amp;nbsp;&lt;/h3&gt;
&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/4143413242492444322'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/4143413242492444322'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2016/09/xxiv-international-ecumenical.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGU_1mWD7jKApqgboEvTbscUVhJlibUW5aBDZq3p1o7B9OV1QSWbzStFuCXURvHm5jzBHyO2q8VZgN0nC6ZcmZvMPHwnuQuTFghpEjyWnThSs-R3rrk6gf0iHewTeuBXa41rD0QI3a_Q29/s72-c/2016_martirio_comunione_testata_web.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-6897271966795545182</id><published>2016-09-11T12:12:00.001+03:00</published><updated>2016-09-11T12:45:34.029+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Byzantine hagiography"/><category scheme="http://www.blogger.com/atom/ns#" term="Byzantine Studies"/><category scheme="http://www.blogger.com/atom/ns#" term="Byzantium"/><category scheme="http://www.blogger.com/atom/ns#" term="Conferences"/><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography and Byzantine Studies Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="Serbia"/><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span class=&quot;st&quot;&gt;&lt;i&gt;23ο&lt;/i&gt; Διεθνές &lt;i&gt;Συνέδριο Βυζαντινών Σπουδών&lt;/i&gt;. &lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span class=&quot;st&quot;&gt;&lt;i&gt;Βελιγράδι&lt;/i&gt;, Σερβία, 22-27/8/2016.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span class=&quot;st&quot;&gt;&lt;a href=&quot;https://drive.google.com/file/d/0B8aP9RyyeSXHUUI1Wng3b1hLa2M/view?usp=sharing&quot; target=&quot;_blank&quot;&gt;Πρόγραμμα Συνεδρίου- Conference Program&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
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</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/6897271966795545182'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/6897271966795545182'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2016/09/23.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZvmd3IXi0FxjSOGoUx62LfYfivWnCzx1NZwDaVF0I-0Gj7BfRoeu_Tt3IzQpc7FS4hKsfO3WD9OXPVk9WOXhHtYMEnofa0nr8CvuiYHxoZCnNAp5hBEcEcxfEtAkjUBemqQMQVucCz4hq/s72-c/logo-en.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-4917587442560186807</id><published>2016-01-03T22:14:00.002+02:00</published><updated>2016-01-03T22:18:01.458+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Graduate Conference"/><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography and Byzantine Studies Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="Medieval Studies"/><category scheme="http://www.blogger.com/atom/ns#" term="Symposium of Byzantine Studies"/><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;h1&gt;
[CFP] Reminder: Holy Hero(in)es. Literary Constructions of Heroism in Late Antique and Early Medieval Hagiography, 18-20.2.2016&lt;/h1&gt;
&lt;br /&gt;
&lt;div class=&quot;field field--name-body field--type-text-with-summary field--label-hidden&quot;&gt;
&lt;div class=&quot;field__items&quot;&gt;
&lt;div class=&quot;field__item even&quot;&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;br /&gt;
&lt;b&gt;Call for Papers (reminder)&lt;/b&gt;&lt;br /&gt;
&lt;/div&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;span style=&quot;font-size: 18px;&quot;&gt;Holy Hero(in)es. Literary Constructions of Heroism in Late Antique and&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Early Medieval Hagiography&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;i&gt;International conference at Ghent University (Belgium), Thursday 18th to Saturday 20th February&amp;nbsp;&lt;/i&gt;&lt;i&gt;2016&lt;/i&gt;&lt;br /&gt;
&lt;/div&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;b&gt;Confirmed keynote speaker: Prof. dr.&amp;nbsp;Stephanos Efthymiadis (Open University of Cyprus)&lt;/b&gt;&lt;br /&gt;
&lt;/div&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px; text-align: justify;&quot;&gt;
The
 ERC research group Novel Saints (Ghent University) builds on and 
contributes to a recent trend in scholarship of studying late antique 
and early medieval hagiography (4th-12th cent.) as literature. We 
welcome paper proposals for our first, international conference, which 
will deal with literary constructions of characters as hero(in)es in 
different types of late antique and early medieval hagiographical 
narrative (Lives, Martyr Acts, hagiographical romances, etc.). We 
envisage contributions on hagiography from different linguistic 
traditions (Latin, Greek, Syriac, Georgian, Coptic, Armenian, Persian 
and Arabic). The conference aims to explore definitions of and 
aspects/concepts relevant to heroism in Christian narrative. What does 
it mean to be a hero(ine) in these narratives? Are there different types
 of hero(in)es (and of heroism)? To what extent can narratological 
concepts provide useful tools for evaluating hagiographical 
constructions of heroism? The other central question is how saints 
(and/or, possibly, other characters) are characterized, shaped, imagined
 and/or constructed as hero(in)es.&lt;/div&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;br /&gt;
This last, broad question comprises a number of important sub-questions:&lt;/div&gt;
&lt;ul style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;li&gt;&amp;nbsp;Which
 literary and/or rhetorical techniques underlie such constructions? To 
what extent and how do these narratives employ techniques rooted in 
ancient rhetoric (e.g. ecphrasis, syncrisis, ethopoeia, etc.), and to 
what purpose?&lt;/li&gt;
&lt;li&gt;Does the notion of heroism imply specific behavioural patterns and/or speech acts?&lt;/li&gt;
&lt;li&gt;What
 is the relevance of other literary traditions, such as biblical 
narrative, Acts of the Apostles (both canonical and apocryphal), ancient
 biography, historiography and fiction (pagan and/or Jewish novels)? To 
what extent do these traditions offer models of heroism that are 
adopted/adapted in hagiographical narratives? To what extent and how, 
for example, do ancient fictional strands of heroism persist in 
hagiographical constructions of martyrs and saints, as they are well 
known to do, for example, in the Apocryphal Acts of the Apostles (e.g. 
Paul &amp;amp; Thecla) and other early Christian narrative such as the 
Ps.-Clementines and a few pre-Nicean Martyr Acts?&lt;/li&gt;
&lt;li&gt;How do 
hagiographical narratives adopt/rework authentication strategies common 
in biography or historiography in order to construct its hero(in)es?&lt;/li&gt;
&lt;li&gt;To
 what extent and how do constructions of heroism in saints/martyrs in 
different cultures develop over time and cross-fertilize other such 
constructs throughout late antiquity and the middle ages?&lt;/li&gt;
&lt;/ul&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;br /&gt;
In relation to this, the conference also aims to explore issues like the following:&lt;/div&gt;
&lt;ul style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;li&gt;heroism and definitions of sainthood and holiness;&lt;/li&gt;
&lt;li&gt;heroism and explorations of moral/ethical dimensions of character;&lt;/li&gt;
&lt;li&gt;heroism and development (is one a hero(ine) or does one become one?);&lt;/li&gt;
&lt;li&gt;saints,
 self-presentation and performance: constructions of heroism and/or 
reenactments of earlier models by saints themselves (rather than by the 
narrators of their narratives);&lt;/li&gt;
&lt;li&gt;heroism and ego-narration;&lt;/li&gt;
&lt;li&gt;heroic constructions in collective v. individual life-writing;&lt;/li&gt;
&lt;li&gt;impact of depictions of hero(in)es/heroic behaviour on audiences;&lt;/li&gt;
&lt;li&gt;heroism and meta-literary approaches: ?heroic? qualities of both saints and texts;&lt;/li&gt;
&lt;li&gt;types of saints (e.g. desert saints, military saints, converted prostitutes, holy fools, etc.) v. character individuation.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;br /&gt;
Abstracts (in English or French) should contain 300-350 words and should be sent to&amp;nbsp;&lt;u&gt;&lt;a href=&quot;mailto:novelsaints@ugent.be&quot;&gt;novelsaints@ugent.be&lt;/a&gt;&lt;/u&gt;&amp;nbsp;before&amp;nbsp;&lt;b&gt;20 September 2015&lt;/b&gt;.
 Notifications about acceptance (or not) will be sent out by 20 October 
2015. Not only senior scholars but also PhD students are welcome to 
submit abstracts.&lt;/div&gt;
&lt;div style=&quot;font-family: Arial; font-size: 14px;&quot;&gt;
&lt;br /&gt;
For further queries, please contact&amp;nbsp;&lt;u&gt;&lt;a href=&quot;mailto:klazina.staat@ugent.be&quot;&gt;klazina.staat@ugent.be&lt;/a&gt;&lt;/u&gt;&amp;nbsp;or&amp;nbsp;&lt;u&gt;&lt;a href=&quot;mailto:julie.vanpelt@ugent.be&quot;&gt;julie.vanpelt@ugent.be&lt;/a&gt;&lt;/u&gt;.&lt;br /&gt;
&lt;br /&gt;
Prof. dr. Koen De Temmerman&lt;br /&gt;
Klazina Staat&lt;br /&gt;
Julie Van Pelt &lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/4917587442560186807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/4917587442560186807'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2016/01/cfp-reminder-holy-heroines.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRiMbw8SqTSx-jN-Z_a9-HHZ4SU0Zdwbyjjjk3_rAiAtGgywiew4x6AWhVqleSgeL5Ft_G1Bhf_X7MuOPK6s7wYVAo0bLGdXU7tBt6P-H0lw-pogs-k1zVIek6YTcM7H01hyphenhyphenlXaYifUnGK/s72-c/universiteit_gent.gif" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-1187116607285180333</id><published>2016-01-03T21:54:00.000+02:00</published><updated>2016-01-03T22:08:11.804+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Conferences"/><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography and Byzantine Studies Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="Τμήμα Ποιμαντικής και Κοινωνικής Θεολογίας Α.Π.Θ"/><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;h2 class=&quot;tplvar-content-title&quot;&gt;
&lt;span style=&quot;color: red;&quot;&gt;Γ&#39; ΔΙΕΘΝΕΣ ΣΥΝΕΔΡΙΟ ΚΥΠΡΙΑΚΗΣ ΑΓΙΟΛΟΓΙΑΣ 25-27 ΦΕΒΡΟΥΑΡΙΟΥ 2016&lt;/span&gt;&lt;/h2&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Η
 Ιερά Μητρόπολη Κωνσταντίας - Αμμοχώστου και η Πολιτιστική Ακαδημία 
«Άγιος Επιφάνιος» διοργανώνουν το Γ΄ Διεθνές Συνέδριο Κυπριακής 
Αγιολογίας. Το συνέδριο θα πραγματοποιηθεί στο Συνοδικό της Ιεράς 
Μητροπόλεως στο Παραλίμνι, από τις 25 μέχρι τις 27 Φεβρουαρίου 2016.&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Το
 συνέδριο αυτό, όπως και τα προηγούμενα, σκοπό έχει να συμβάλει στη 
μελέτη του βίου, του έργου και της τιμής των Κυπρίων Αγίων. Ως γνωστόν η
 Κυπριακή Αγιολογία είναι ένα πολύ σημαντικό κεφάλαιο της Ιστορίας της 
Κύπρου, αλλά και της Ορθόδοξης Εκκλησίας γενικότερα, το οποίο δεν έχει 
μελετηθεί συστηματικά και επαρκώς μέχρι σήμερα. Η διοργάνωση των 
αγιολογικών συνεδρίων από την Ιερά Μητρόπολη Κωνσταντίας ευελπιστεί να 
καλύψει αυτό το επιστημονικό κενό.&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Το Γ΄ Διεθνές Συνέδριο Κυπριακής Αγιολογίας φέρει τον γενικό τίτλο:&amp;nbsp;&lt;i&gt;«Γ΄ Διεθνές Συνέδριο Κυπριακής Αγιολογίας. Φραγκοκρατία-Ενετοκρατία-Τουρκοκρατία (&lt;/i&gt;&lt;i&gt;1191-1878&lt;/i&gt;&lt;i&gt;)»&lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;και
 σ’ αυτό θα συμμετάσχουν διακεκριμένοι Καθηγητές και ερευνητές από την 
Κύπρο, την Ελλάδα και άλλες ευρωπαϊκές χώρες (Ηνωμένο Βασίλειο, Γερμανία
 και Ιταλία) με θέματα που άπτονται διαφόρων επιστημονικών κλάδων, όπως 
Θεολογία, Φιλολογία, Ιστορία, Αρχαιολογία και Τέχνη, Παλαιογραφία, 
Δίκαιο, Κοινωνιολογία και Λαογραφία.&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Η
 έναρξη του συνεδρίου θα γίνει την Πέμπτη, 25 Φεβρουαρίου 2016, και ώρα 
10:00 π.μ. στο Συνοδικό της Ιεράς Μητροπόλεως Κωνσταντίας στο Παραλίμνι.
 Οι εργασίες του συνεδρίου θα λήξουν το Σάββατο, 27 Φεβρουαρίου και ώρα 
1:00 μ.μ.&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Στο
 πλαίσιο του συνεδρίου θα τελεσθεί Αρχιερατική Θεία Λειτουργία στον ιερό
 ναό Αγίου Γεωργίου Εξορινού στην εντός των τειχών κατεχομένη πόλη της 
Αμμοχώστου, την Κυριακή, 28 Φεβρουαρίου (7:30-10:30). Ακολούθως θα γίνει
 ξενάγηση των συνέδρων στα μνημεία της μεσαιωνικής πόλης της Αμμοχώστου 
και προσκυνηματική επίσκεψη στην Ιερά Μονή Αποστόλου Βαρνάβα, στην 
πρωτοχριστιανική βασιλική του Αγίου Επιφανίου στην κατεχόμενη Σαλαμίνα 
και στη Μονή του Αγίου Αναστασίου στην Περιστερωνοπηγή.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Όσοι επιθυμούν να παρακολουθήσουν τις εργασίες του Συνεδρίου, μπορούν να συμπληρώσουν το &lt;i&gt;Έντυπο Συμμετοχής Συνέδρου&lt;/i&gt; και να το αποστείλουν μέσω τηλεομοιοτύπου (23812456/7) ή ηλεκτρονικού ταχυδρομείου (ekdosis@imconstantias.org.cy).&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Για περισσότερες πληροφορίες: Τηλ. 23812456/7 ή στην ηλεκτρονική διεύθυνση ekdosis@imconstantias.org.cy.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;http://www.imconstantias.org.cy/attachments/download/180/%CE%88%CE%BD%CF%84%CF%85%CF%80%CE%BF%20%CE%A3%CF%85%CE%BC%CE%BC%CE%B5%CF%84%CE%BF%CF%87%CE%AE%CF%82%20%CE%A3%CF%85%CE%BD%CE%AD%CE%B4%CF%81%CE%BF%CF%85.doc&quot;&gt;Έντυπο Συμμετοχής Συνέδρου.doc (114.50 KB)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://www.imconstantias.org.cy/attachments/download/182/%CE%A0%CF%81%CF%8C%CE%B3%CF%81%CE%B1%CE%BC%CE%BC%CE%B1%20%CE%A3%CF%85%CE%BD%CE%B5%CE%B4%CF%81%CE%AF%CE%BF%CF%85.pdf&quot;&gt;Πρόγραμμα Συνεδρίου.pdf (624.51 KB)&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;http://www.imconstantias.org.cy/images/G%20Agiologiko%202016.JPG&quot; height=&quot;707&quot; width=&quot;500&quot; /&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/1187116607285180333'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/1187116607285180333'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2016/01/25-27-2016.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-3324878208991205106</id><published>2015-03-14T19:50:00.001+02:00</published><updated>2015-03-14T19:53:57.364+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography and Byzantine Studies Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography related Articles"/><category scheme="http://www.blogger.com/atom/ns#" term="littérature hagiographique"/><category scheme="http://www.blogger.com/atom/ns#" term="Symeon Paschalidis"/><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;h2 itemprop=&quot;name&quot;&gt;
12-14 mars - Colloque &quot;La Restauration de la Création&quot;         &lt;/h2&gt;
&lt;/div&gt;
&lt;div class=&quot;icons&quot;&gt;
&lt;div class=&quot;btn-group pull-right&quot;&gt;
&lt;a class=&quot;btn dropdown-toggle&quot; data-toggle=&quot;dropdown&quot; href=&quot;http://theocatho.unistra.fr/a-la-une-432/928-12-14-mars-colloque-la-restauration-de-la-creation#&quot;&gt; &lt;span class=&quot;icon-cog&quot;&gt;&lt;/span&gt; &lt;span class=&quot;caret&quot;&gt;&lt;/span&gt; &lt;/a&gt;
        
   &lt;/div&gt;
&lt;/div&gt;
&lt;div itemprop=&quot;articleBody&quot;&gt;
&lt;b&gt;Quelle place pour les animaux ?&lt;/b&gt;Colloque 
international organisé par Isabel IRIBARREN, Michele CUTINO et Françoise
 VINEL, sur le thème du statut des animaux dans la pensée chrétienne 
ancienne et médiévale.&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Du 12 au 14 mars, en salle Tauler au Palais Universitaire.&lt;/b&gt;&lt;/li&gt;
&lt;li&gt;Intervenants et programme &lt;a href=&quot;http://theocatho.unistra.fr/maj/2015/D%C3%A9pliant_colloque_Iribarren_d%C3%A9finitif.pdf&quot; target=&quot;_blank&quot;&gt;(Pdf)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Bulletin d&#39;inscription &lt;a href=&quot;http://theocatho.unistra.fr/maj/2015/Bulletin_dinscription_colloque_Iribarren.pdf&quot; target=&quot;_blank&quot;&gt;ici&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;
&amp;nbsp;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;Vendredi 13 mars 15h10-­‐15h40&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;Symeon Paschalidis (Thessalonique) &lt;/b&gt;&lt;b&gt;:«Saints et animaux, anticipation du royaume dans la littérature byzantine »&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/3324878208991205106'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/3324878208991205106'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2015/03/12-14-mars-colloque-la-restauration-de.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUNk5w2la0YSUUqiagFkQPMee5g8im0z5AI18lcbQkBuINuvyTuMXeUQvP-GK5V3uwHSvVtctaoB_EiKFj86JkdhJoYImLOYClnRjTKnk9g_t6R_jytQql2IWtzZTKnOUNDf-KYg-R2vH1/s72-c/unistra3.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-7425729310883387366</id><published>2014-06-24T11:09:00.003+03:00</published><updated>2014-06-24T11:09:32.897+03:00</updated><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
 &lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;“Ancient 
Christian Literature and Christian Apocrypha” &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
Το Τμήμα Ποιμαντικής και Κοινωνικής Θεολογίας του Α.Π.Θ. διοργανώνει, σε
 συνεργασία με την AELAC (Αssociation pour l’Ιtude de la Littιrature 
Apocryphe Chrιtienne), την Προτεσταντική Θεολογική Σχολή του 
Πανεπιστημίου του Στρασβούργου, τη Θεολογική Σχολή του Πανεπιστημίου της
 Λωζάννης και το Κέντρο Βυζαντινών Ερευνών του Α.Π.Θ., Διεθνές Συμπόσιο 
για την Απόκρυφη Χριστιανική Γραμματεία. Το Συνέδριο, με τίτλο “Ancient 
Christian Literature and Christian Apocrypha” θα πραγματοποιηθεί από την
 Πέμπτη 26 έως την Κυριακή 29 Ιουνίου 2014.&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMhSDp1kYlsOY5Igube_p6qy1Vo91U0ueES-DcdXOMuimGbTs-zHUs4SFo_pahe6Mf79e2RpaBrr_8Nq1r67CLrKOkwi2ZZzve0Au8vffrU3LQjjIzoGOF2-zpVs8L0_9VIBJGPIFXUi-J/s1600/4fb56b47a12759ea15e3f867ea6132a8.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMhSDp1kYlsOY5Igube_p6qy1Vo91U0ueES-DcdXOMuimGbTs-zHUs4SFo_pahe6Mf79e2RpaBrr_8Nq1r67CLrKOkwi2ZZzve0Au8vffrU3LQjjIzoGOF2-zpVs8L0_9VIBJGPIFXUi-J/s1600/4fb56b47a12759ea15e3f867ea6132a8.png&quot; height=&quot;320&quot; width=&quot;217&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/7425729310883387366'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/7425729310883387366'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2014/06/ancient-christian-literature-and.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMhSDp1kYlsOY5Igube_p6qy1Vo91U0ueES-DcdXOMuimGbTs-zHUs4SFo_pahe6Mf79e2RpaBrr_8Nq1r67CLrKOkwi2ZZzve0Au8vffrU3LQjjIzoGOF2-zpVs8L0_9VIBJGPIFXUi-J/s72-c/4fb56b47a12759ea15e3f867ea6132a8.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-8274868845960109197</id><published>2014-06-19T22:13:00.001+03:00</published><updated>2014-06-19T22:34:04.727+03:00</updated><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;h1 class=&quot;item-title&quot; style=&quot;text-align: center;&quot;&gt;
Άγιοι Μανουήλ, Σαβέλ και Ισμαήλ&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&amp;nbsp;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLBog_1Zf_p7gt4_L_XtKVgYpZi0mPA6_RgHu7DaLRwaIja73cQMRq6Yem8sZRVTpCdcz_BEEMyNyb8a4q2oTkb91vPipIApROpRXd6vVvoULfn7Z3eQ-ZX37gJlUzfhO_8xnWm_29W8S6/s1600/ib4321.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLBog_1Zf_p7gt4_L_XtKVgYpZi0mPA6_RgHu7DaLRwaIja73cQMRq6Yem8sZRVTpCdcz_BEEMyNyb8a4q2oTkb91vPipIApROpRXd6vVvoULfn7Z3eQ-ZX37gJlUzfhO_8xnWm_29W8S6/s1600/ib4321.jpg&quot; height=&quot;250&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;Για τους αγίους ρωτούν πολλοί φίλοι&lt;/span&gt;&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;
εδώ δημοσιεύω το πηγαίο υλικό για αυτούς&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;
την ευχή και το ήθος τους νάχουμε!&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;a href=&quot;http://www.scribd.com/doc/230471834/%CE%86%CE%B3%CE%B9%CE%BF%CE%B9-%CE%9C%CE%B1%CE%BD%CE%BF%CF%85%CE%AE%CE%BB-%CE%A3%CE%B1%CE%B2%CE%AD%CE%BB-%CE%9A%CE%B1%CE%B9-%CE%99%CF%83%CE%BC%CE%B1%CE%AE%CE%BB-1023&quot;&gt;BHG 1023 &lt;/a&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;a href=&quot;http://www.scribd.com/doc/230471253/%CE%86%CE%B3%CE%B9%CE%BF%CE%B9-%CE%9C%CE%B1%CE%BD%CE%BF%CF%85%CE%AE%CE%BB-%CE%A3%CE%B1%CE%B2%CE%AD%CE%BB-%CE%9A%CE%B1%CE%B9-%CE%99%CF%83%CE%BC%CE%B1%CE%AE%CE%BB-1024e&quot;&gt;BHG 1024e&lt;/a&gt;&lt;/span&gt;&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&amp;nbsp;&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&lt;/h1&gt;
&lt;h1 class=&quot;item-title&quot;&gt;
&lt;/h1&gt;
&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8274868845960109197'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8274868845960109197'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2014/06/bhg-1023-style-margin-12px-auto-6px.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLBog_1Zf_p7gt4_L_XtKVgYpZi0mPA6_RgHu7DaLRwaIja73cQMRq6Yem8sZRVTpCdcz_BEEMyNyb8a4q2oTkb91vPipIApROpRXd6vVvoULfn7Z3eQ-ZX37gJlUzfhO_8xnWm_29W8S6/s72-c/ib4321.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-3523585090170414828</id><published>2014-06-11T01:21:00.002+03:00</published><updated>2014-06-11T01:30:13.821+03:00</updated><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;b&gt;26-29 Ιουνίου 2014&lt;/b&gt;: Διεθνές Συνέδριο για την Απόκρυφη Χριστιανική Γραμματεία - &lt;a href=&quot;http://www.past.auth.gr/sites/default/files/attachments/Symposium_apocrypha_flyer_greek.pdf#overlay-context=el/conferences&quot;&gt;&quot;Η Αρχαία Χριστιανική Γραμματεία και τα Χριστιανικά Απόκρυφα&quot;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpDmG1605SZwZKYgBOR-hzt4LCE1nmRGlwokOM7GpSzLqw2D6qYnE-WJrSIXj6zRVOZhIQLti1k855YROZZ_8cLTgd7RTGIe7J0EQdO0CwIFrLxrKJpcLWRHSn3dbKanq6VhnK6lUB8Ct4/s1600/index.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpDmG1605SZwZKYgBOR-hzt4LCE1nmRGlwokOM7GpSzLqw2D6qYnE-WJrSIXj6zRVOZhIQLti1k855YROZZ_8cLTgd7RTGIe7J0EQdO0CwIFrLxrKJpcLWRHSn3dbKanq6VhnK6lUB8Ct4/s1600/index.jpeg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
Το &lt;b&gt;&lt;span style=&quot;color: maroon;&quot;&gt;Διεθνές Συνέδριο για την απόκρυφη Χριστιανική γραμματεία (Θεσσαλονίκη, 26-29 Ιουνίου 2014)&lt;/span&gt;&lt;/b&gt;
 θα εστιάσει την προσοχή του στη θέση των απόκρυφων χριστιανικών 
κειμένων μέσα στη μεγάλη δεξαμενή της αρχαίας χριστιανικής γραμματείας 
και θα διερευ­νήσει κρίσιμες πτυχές της σχέσης αυτών των κειμένων με την
 κανο­νι­κή παράδοση της Εκκλησίας τόσο κατά την πρώιμη χριστιανική όσο 
και κατά τη βυζαντινή περίοδο. Το γενικό ζήτημα της αποδοχής και 
εμφανούς ή αφανούς χρήσης των απόκρυφων χριστιανικών κειμένων από τους 
χριστια­νούς συγγραφείς της πατερικής και βυζαντινής περιόδου 
εξακο­λουθεί να κεντρίζει το ενδιαφέρον της θεολογικής έρευνας, 
δεδομένου ότι τα κείμενα αυτά συχνά θεω­ρή­θηκαν συλ­λή­β­δην ως ένα 
ενιαίο σώμα, όχι απλά ενταγμένο&amp;nbsp;στη μη κανο­νική παράδοση της Εκκλησίας,
 αλλά ως το θεωρητικό όχη­μα των χριστια­νικών αιρέσεων. Κύ­ριος στόχος 
επομένως του Συνεδρίου είναι η διαλεύ­κανση αυτών των κρίσιμων ζητημάτων
 και η ανάδειξη της ουσια­στικής σχέσης και προσφοράς των από­κρυφων 
χριστιανικών κειμένων στη διαμόρφωση της εκκλησιαστικής παρά­δο­σης της 
πρώτης χιλιετίας.&lt;/div&gt;
&lt;br /&gt;
&lt;span style=&quot;color: green;&quot;&gt;&lt;b&gt;1. Η χρήση των χριστιανικών απόκρυφων στην πατερική γραμματεία&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Η χρήση των χριστιανικών απόκρυφων από τους Πατέρες της Εκκλησίας και
 τους εκκλησιαστικούς συγγραφείς παραμένει ένα κρίσιμο ερώτημα. Ποια 
στάση τήρησαν οι εκκλησιαστικοί συγγραφείς των πρώτων αιώνων απένα-ντί 
τους και σε ποιο βαθμό και με ποιο τρόπο υιοθετήθηκαν αυτά τα κείμενα 
από τους Πατέρες της Εκκλησίας στην εξηγητική και δογματική της 
παράδοση;&lt;br /&gt;
&lt;span style=&quot;color: green;&quot;&gt;&lt;b&gt;2. Η επίδραση των χριστιανικών απόκρυφων στη χριστιανική Λατρεία και Τέχνη&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Αποτέλεσαν τα απόκρυφα χριστιανικά κείμενα πηγή για την ανάπτυξη της 
χριστιανικής Λατρείας και του εορτο-λογίου της Εκκλησίας; Σε συνάρτηση 
με το ερώτημα αυτό τίθεται κι εκείνο της σχέσης της απόκρυφης 
γραμμα-τείας με τις αφετηρίες και την εξέλιξη της χριστιανικής Τέχνης.&lt;br /&gt;
&lt;span style=&quot;color: green;&quot;&gt;&lt;b&gt;3. Η απόκρυφη γραμματεία και η εκκλησιαστική ιστοριογραφία&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Ποιά είναι η εικόνα των απόκρυφων χριστιανικών κειμένων, όπως αυτή 
αντικατοπτρίζεται στην επίσημη εκ-κλησιαστική ιστοριογραφία των πρώτων 
αιώνων και ποια κριτήρια υιοθετούνται από τους εκκλησιαστικούς 
ιστορικούς όσον αφορά στην αποδοχή αυτών των κειμένων;&lt;br /&gt;
&lt;span style=&quot;color: green;&quot;&gt;&lt;b&gt;4. Η απόκρυφη γραμματεία και η χριστιανική αιρεσιολογία&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Ποιος είναι ο ρόλος των απόκρυφων κειμένων στην εμφάνιση των 
χριστιανικών αιρέσεων και πώς καταγράφεται αυτή η σχέση στην 
αντιαιρετική γραμματεία και στη συνοδική και κανονική παράδοση της 
αρχαίας Εκκλησίας;&lt;br /&gt;
&lt;span style=&quot;color: green;&quot;&gt;&lt;b&gt;5. Η απόκρυφη γραμματεία και η διάδοση της χριστιανικής πίστης&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Πώς συνέβαλε η απόκρυφη γραμματεία στο περιεχόμενο της χριστιανικής 
γραμματείας (κατηχήσεων, πραγματειών, ομιλιών) η οποία με τη σειρά της 
διαδραμάτισε σημαντικό ρόλο στη διαμόρφωση της χριστιανικής πίστης;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #993300;&quot;&gt;&lt;i&gt;Οι προτάσεις για εισηγήσεις&amp;nbsp; 
σε ένα από τα πέντε πεδία μπορούν&amp;nbsp; να αποσταλούν στην Οργανωτική 
Επιτροπή πριν από τις 31 Ιανουαρίου 2014. &lt;/i&gt;&lt;/span&gt;&lt;/b&gt;Οι 
εισηγήσεις μπορούν να εκφωνηθούν στα Αγγλικά, Γαλλικά, Γερμανικά ή 
Ιταλικά και δεν θα πρέπει να υπερβαίνουν τα 25 λεπτά 
(συμπεριλαμβα­νο­μένης της συζήτησης).&lt;i&gt;&amp;nbsp; &lt;/i&gt;&lt;br /&gt;
&lt;span style=&quot;color: green;&quot;&gt;&lt;b&gt;Διαλέξεις&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Το Συνέδριο θα περιλάβει ειδικές διαλέξεις διακεκριμένων ομιλητών σε 
ειδικά θέματα της πρόσφατης έρευνας για τη σχέση των αποκρύφων κειμένων 
με την αρχαία χριστιανική γραμματεία, καθώς και σε επιμέρους ζητήματα.&lt;br /&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;πηγή:&amp;nbsp; http://blogs.auth.gr/spaschal/2013/10/20/%CE%B4%CE%B9%CE%B5%CE%B8%CE%BD%CE%AD%CF%82-%CF%83%CF%85%CE%BD%CE%AD%CE%B4%CF%81%CE%B9%CE%BF-%CE%B7-%CE%B1%CF%81%CF%87%CE%B1%CE%AF%CE%B1-%CF%87%CF%81%CE%B9%CF%83%CF%84%CE%B9%CE%B1%CE%BD%CE%B9/&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/3523585090170414828'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/3523585090170414828'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2014/06/blog-post.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpDmG1605SZwZKYgBOR-hzt4LCE1nmRGlwokOM7GpSzLqw2D6qYnE-WJrSIXj6zRVOZhIQLti1k855YROZZ_8cLTgd7RTGIe7J0EQdO0CwIFrLxrKJpcLWRHSn3dbKanq6VhnK6lUB8Ct4/s72-c/index.jpeg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-3290219912279249870</id><published>2014-05-12T21:43:00.000+03:00</published><updated>2014-05-12T21:43:15.252+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Studies in Orthodox Theology"/><category scheme="http://www.blogger.com/atom/ns#" term="Theology upcoming events"/><category scheme="http://www.blogger.com/atom/ns#" term="Πατερική Θεολογία"/><category scheme="http://www.blogger.com/atom/ns#" term="Τμήμα Ποιμαντικής και Κοινωνικής Θεολογίας Α.Π.Θ"/><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;title&quot;&gt;
&lt;h2 class=&quot;title&quot; id=&quot;page-title&quot;&gt;
14-16 Μαΐου 2014: Διεθνές Συνέδριο «UNDERSTANDING PERSONS - Ancient, Medieval, and Modern Perspectives From the Christian East»&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfUjBDWyV2cGxF9f74AHAR_VqoMPmmg45HkYfKkz58g3Rvx40uvc8O4I48s_NS_zzVmuQFImKZRBl6ykYs3GeXSiP_hLfsSYkuNVyX3R5wv-cUOvevmPRZyRpBQJpQ6OZxBxs1_mpf9tLi/s1600/Understanding_Persons_Thessaloniki_Programme-1_0-1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfUjBDWyV2cGxF9f74AHAR_VqoMPmmg45HkYfKkz58g3Rvx40uvc8O4I48s_NS_zzVmuQFImKZRBl6ykYs3GeXSiP_hLfsSYkuNVyX3R5wv-cUOvevmPRZyRpBQJpQ6OZxBxs1_mpf9tLi/s1600/Understanding_Persons_Thessaloniki_Programme-1_0-1.jpg&quot; height=&quot;320&quot; width=&quot;254&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;h2 class=&quot;title&quot; id=&quot;page-title&quot;&gt;
&amp;nbsp;&lt;/h2&gt;
&lt;/div&gt;
Την ερχόμενη&lt;strong&gt; Τετάρτη, 14 Μαΐου ώς την Παρασκευή, 16 Μαΐου&lt;/strong&gt;,
 θα πραγματοποιηθεί στο πλαίσιο της διετούς μεταδιδακτορικής έρευνας του
 μεταδιδάκτορα του Τμήματoς Ποιμαντικής και Κοινωνικής Θεολογίας του ΑΠΘ Dr Alexis Torrance «Μια κριτική 
αξιολόγηση των Πατερικών προτύπων για τις σύγχρονες θεολογίες του 
Προσώπου», η οποία χρηματοδοτείται από τη ΓΓΕΤ, διεθνές Συνέδριο με 
τίτλο : «&lt;b&gt;UNDERSTANDING&amp;nbsp;&lt;/b&gt;&lt;b&gt;PERSONS -&amp;nbsp;&lt;/b&gt;&lt;b&gt;Ancient, Medieval, and&amp;nbsp;&lt;/b&gt;&lt;b&gt;Modern Perspectives&amp;nbsp;&lt;/b&gt;&lt;b&gt;From the Christian East&lt;/b&gt;».&lt;br /&gt;

&lt;div&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;rtejustify&quot;&gt;
	To Συνέδριο συνδιοργανώνεται με το Δίκτυο ΚΕΕΠ και θα συμμετάσχουν σ᾽ 
αυτό ειδικοί επιστήμονες από όλο τον κόσμο. Φιλοδοξία των διοργανωτών είναι να 
λειτουργήσει ως ένα workshop γι᾽ αυτό το τόσο σημαντικό και επίκαιρο και
 στην εποχή μας θεολογικό ζήτημα. Γι᾽ αυτό και στις συνεδρίες της 
Πέμπτης και της Παρασκευής, που θα πραγματοποιηθούν στο αμφιθέατρο της 
ΔΙΑΚΟΝΙΑΣ στην Πυλαία, θα υπάρχει μεταφραστικό σύστημα για την κατανόηση
 των ξενόγλωσσων εισηγήσεων και τη συμμετοχή των συνέδρων στις 
συζητήσεις που θα επακολουθήσουν.&lt;/div&gt;
&lt;div&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;rtejustify&quot;&gt;
	Επισημαίνεται ότι η εναρκτήρια διάλεξη θα πραγματοποιηθεί από τον 
μητροπολίτη και ομότιμο καθηγητή του Πανεπιστημίου της Οξφόρδης Κάλλιστο
 Ware, έναν από τους σημαντικότερους ορθόδοξους θεολόγους της εποχής 
μας, στην αίθουσα συνεδριάσεων της Θεολογικής Σχολής την Τετάρτη 14 Μαΐου.&lt;/div&gt;
&lt;div&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
	Στους μεταπτυχιακούς φοιτητές που θα το παρακολουθήσουν θα χορηγηθούν σχετικές βεβαιώσεις.&lt;/div&gt;
&lt;div&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
	&lt;strong&gt;&lt;a href=&quot;http://www.past.auth.gr/sites/default/files/Understanding_Persons_Thessaloniki_Poster_0.pdf#overlay-context=el/news-events&quot;&gt;Αφίσα &lt;/a&gt;- &lt;a href=&quot;http://www.past.auth.gr/sites/default/files/Understanding_Persons_Thessaloniki_Programme-1_0.pdf#overlay-context=el/news-events&quot;&gt;Πρόγραμμα&lt;/a&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/3290219912279249870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/3290219912279249870'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2014/05/14-16-2014-understanding-persons.html' title=''/><author><name>panos</name><uri>http://www.blogger.com/profile/14501221779410660334</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfUjBDWyV2cGxF9f74AHAR_VqoMPmmg45HkYfKkz58g3Rvx40uvc8O4I48s_NS_zzVmuQFImKZRBl6ykYs3GeXSiP_hLfsSYkuNVyX3R5wv-cUOvevmPRZyRpBQJpQ6OZxBxs1_mpf9tLi/s72-c/Understanding_Persons_Thessaloniki_Programme-1_0-1.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-8795754407498619330</id><published>2013-08-13T05:35:00.000+03:00</published><updated>2013-08-13T05:37:14.804+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Studies in Orthodox Theology"/><category scheme="http://www.blogger.com/atom/ns#" term="SUMMER SCHOOL"/><category scheme="http://www.blogger.com/atom/ns#" term="Theology upcoming events"/><category scheme="http://www.blogger.com/atom/ns#" term="Α.Π.Θ."/><category scheme="http://www.blogger.com/atom/ns#" term="Τμήμα Ποιμαντικής και Κοινωνικής Θεολογίας Α.Π.Θ."/><title type='text'></title><content type='html'>&lt;h2 class=&quot;itemTitle&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;color: blue;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;SUMMER SCHOOL Studies in Orthodox Theology 25–31 August 2013&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicO5C_J918-nonRn4dAyfY4lF4ly1ijR5GGpTyTPIokztu4M8OK9Kb7jB46DCVCsUU6i8_ucscsyH96sNFcO3kbwjtRMMVnmMBb3iP5s-ul6tEQ2Ka3Bc-BYHPTdwLAumv0ZWPnuOGz3g/s1600/08f61c52357dcc6d2503bfea790efe4d_L.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicO5C_J918-nonRn4dAyfY4lF4ly1ijR5GGpTyTPIokztu4M8OK9Kb7jB46DCVCsUU6i8_ucscsyH96sNFcO3kbwjtRMMVnmMBb3iP5s-ul6tEQ2Ka3Bc-BYHPTdwLAumv0ZWPnuOGz3g/s640/08f61c52357dcc6d2503bfea790efe4d_L.jpg&quot; width=&quot;463&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;h2 class=&quot;itemTitle&quot;&gt;
&amp;nbsp;&lt;/h2&gt;
&lt;div align=&quot;center&quot; style=&quot;margin-bottom: 0.0001pt; text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;ARISTOTLE UNIVERSITY OF THESSALONIKI&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; style=&quot;margin-bottom: 0.0001pt; text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;SCHOOL OF PASTORAL AND SOCIAL THEOLOGY&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; style=&quot;margin-bottom: 0.0001pt; text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;LIFELONG LEARNING UNIT&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; style=&quot;margin-bottom: 0.0001pt; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; style=&quot;text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;SUMMER SCHOOL COURSE&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; style=&quot;text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 14pt; line-height: 115%;&quot;&gt;&amp;nbsp;“STUDIES IN ORTHODOX THEOLOGY”&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;The
 School of Pastoral and Social Theology of the Aristotle University of 
Thessaloniki organizes a short and comprehensive programme of one week 
courses at the Macedonian city of Veroia, where St Paul’s podium and a 
multitude of byzantine churches and monasteries.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;The Course has been planned in order to present and promote the educative riches of Orthodox Theology and its cultural treasure.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;LOCATION&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;: Veroia, at the privately owned site of the Aristotle University of Thessaloniki.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;TARGET GROUP:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;
 The Course is addressed to all interested undergraduate and 
post-graduate students currently enrolled in an academic institution, 
both from Greece and abroad, who wish to gain a deeper understanding and
 experience of Orthodox theological writings and spirituality.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;COURSE AIM&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;:
 The purpose of the Course is to offer a series of foundational lessons 
in Orthodox Theology by combining knowledge based understanding and 
direct, personal, cultural interaction with the local tradition. The 
lessons will address the key disciplines of Orthodox Theology: Biblical 
Studies (Old and New Testament), Patrology and Hagiology, Church 
History, Dogmatics and Ecumenical Relations, Liturgics and the Christian
 Arts, Canon Law, Pastoral Care and Christian Sociology, Christian 
Ethics. It is expected that, upon successful completion of the Course, 
the students will have acquired a broad and general overview of the 
major fields of Orthodox Theology, as well as a basic understanding of 
Orthodox Spirituality and the culture that emerges from it.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;STRUCTURE OF THE COURSE&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;: Four hours of instruction will be offered daily (4 &lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;Χ&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;
 7=28 classroom hours). Sessions will begin on Sunday morning with a 
visit to an Orthodox Church, where we will attend the Divine Liturgy. 
The Course will conclude on Saturday afternoon with a Farewell Social. 
The program also includes some excursions to archeological sites and 
museums, as well as a social event with ecclesiastical and other local 
constituents of the city. In addition, it is possible that, during the 
late evening hours, after the scheduled teaching sessions, other 
educational activities may be introduced by the instructors, ones that 
will supplement the teaching sessions.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;The teaching sessions consist of the following units:&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;I) &lt;b&gt;&lt;i&gt;The Exegesis of Holy Scripture (Old and New Testament)&lt;/i&gt;&lt;/b&gt;
 on select biblical texts according to the patristic tradition. 
Detection of forerunner use of later hermeneutical methods by the 
Fathers of the Church and accentuation of the possibility of 
hermeneutical renewal and deeper theological understanding through 
patristic interpretation.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;II) &lt;b&gt;&lt;i&gt;Patrology and Hagiology&lt;/i&gt;&lt;/b&gt;&lt;i&gt; &lt;/i&gt;with
 the study of significant chapters of the Orthodox literary tradition. 
Select presentation of patristic theology and the ways in which it 
responds to contemporary spiritual issues.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;III) &lt;b&gt;&lt;i&gt;Church History &lt;/i&gt;&lt;/b&gt;with highlighting the major historical events of the Byzantine culture and of the Orthodox Hellenism.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;IV) &lt;b&gt;&lt;i&gt;Dogmatics and Ecumenical Relations&lt;/i&gt;&lt;/b&gt;
 with the interpretation of select dogmatic and symbolic texts, 
including a focus on the Orthodox witness in contemporary theological 
dialogues.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;V) &lt;b&gt;&lt;i&gt;Liturgics and the Christian Arts&lt;/i&gt;&lt;/b&gt;
 with a presentation of the Orthodox ecclesiastical tradition from a 
liturgical, worship, aesthetic and architectural perspective, including 
visits to Byzantine monuments. An introduction to the art of chant.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;VI) &lt;b&gt;&lt;i&gt;Canon Law&lt;/i&gt;&lt;/b&gt; with reference to ecclesial institutions and organisms.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;VII) &lt;b&gt;&lt;i&gt;Pastoral Care and the Sociology of Christianity&lt;/i&gt;&lt;/b&gt; with a presentation of the patristic understanding of social issues and pastoral care.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;VIII) &lt;b&gt;&lt;i&gt;Christian Ethics&lt;/i&gt;&lt;/b&gt;&lt;i&gt; &lt;/i&gt;according to the teaching of the Fathers and in reference to the contemporary challenges.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;Emphasis
 will be given on the inter-thematic and multifaceted presentation of 
the topics and its connection with the contemporary orthodox reality and
 the local culture, monumental, customary, and ecclesial. To this end, 
beyond the tours scheduled to take place during the teaching sessions, 
additional (optional) opportunities will be offered for participation in
 first hand experiences, such as the attendance at vespers at the skete 
of St John the Forerunner, where St Gregory Palamas resided, visits to 
archaeological sites etc.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;PERIOD:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt; Sunday 25 – Saturday 31 August 2013&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;STUDY-LOAD AND CREDITS:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt; Attendance and successful completion of the Course awards participants 2 ECTS and a Certificate of Further Education.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;FEE:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt; 250 euro per person&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;OVERSIGHT COMMITEE:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;
 Assoc. Prof. Dr Kyriakoula Papademetriou (academic director of the 
course), Prof. Dr Athanasios Karathanasis (president of the School), and
 Assoc. Prof. Dr Symeon Paschalidis.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;ACCOMODATION:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;
 Electronic addresses, with regard to accommodations and transfers,&amp;nbsp;will
 be posted soon so that students may directly make arrangements for 
their participation.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;APPLICATION DEADLINE:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt; August 20, 2013&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;INFORMATION:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;www.past.auth.gr&lt;/span&gt;, &amp;nbsp;&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt; line-height: 115%;&quot;&gt;www.diaviou.auth.gr&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;color: #c00000; font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;CONTACT:&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt; &lt;/span&gt;
 info@past.auth.gr&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;, &lt;/span&gt;
 kyp@past.auth.gr&lt;span style=&quot;font-family: &#39;Palatino Linotype&#39;, serif; font-size: 12pt; line-height: 115%;&quot;&gt;, &lt;/span&gt;
 dimosthek@yahoo.gr, 
 fgermani@past.auth.gr&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&lt;u&gt;The full courses programm is&lt;/u&gt; &lt;/span&gt;&lt;a href=&quot;http://www.past.auth.gr/index.php/el/component/k2/item/468-summer-school-studies-in-orthodox-theology-25%E2%80%9331-august-2013&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;here&lt;/span&gt; &lt;/a&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8795754407498619330'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8795754407498619330'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2013/08/summer-school-studies-in-orthodox_13.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicO5C_J918-nonRn4dAyfY4lF4ly1ijR5GGpTyTPIokztu4M8OK9Kb7jB46DCVCsUU6i8_ucscsyH96sNFcO3kbwjtRMMVnmMBb3iP5s-ul6tEQ2Ka3Bc-BYHPTdwLAumv0ZWPnuOGz3g/s72-c/08f61c52357dcc6d2503bfea790efe4d_L.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-2696345239406627495</id><published>2013-08-13T05:10:00.003+03:00</published><updated>2013-08-13T05:10:57.069+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="hagiographie"/><category scheme="http://www.blogger.com/atom/ns#" term="Medieval Colloquium"/><category scheme="http://www.blogger.com/atom/ns#" term="Medieval Studies"/><category scheme="http://www.blogger.com/atom/ns#" term="New College Conference on Medieval and Renaissance Studies"/><title type='text'></title><content type='html'>&lt;h1 class=&quot;title&quot;&gt;
Workshop on Medieval Hagiographic Collections in Central Europe took place in Stift Klosterneuburg&lt;/h1&gt;
&lt;div class=&quot;field field-post-date&quot;&gt;
11/06/2013&lt;/div&gt;
A workshop on &lt;strong&gt;Medieval Hagiographic Collections in Central Europe&lt;/strong&gt; &lt;strong&gt;/ Mittelalterliche Hagiographische Sammlungen in Zentraleuropa &lt;/strong&gt;took place in Vienna on 7 June 2013, coorganized by the Project Visions of Community&lt;span class=&quot;ext&quot;&gt;&lt;/span&gt; of the University of Vienna and Institut für Mittelalterforschung of the Austrian Academy of Sciences&lt;span class=&quot;ext&quot;&gt;&lt;/span&gt;.&lt;br /&gt;
The
 aim of the workshop was to present and discuss ongoing research in the 
field of medieval hagiography in Central and Eastern Europe as well as 
future plans for cooperation, bringing together representatives of 
several projects based in Austria.&lt;br /&gt;
&lt;strong&gt;Kateřina Horníčková&lt;/strong&gt;, member of the Austrian team from the Institut für Realienkunde, represented our project with a contribution &lt;strong&gt;Seeing Saints: From Symbolic Communication to Visualising Narratives&lt;/strong&gt;.&lt;br /&gt;
&lt;br /&gt;
The programme of the workshop is available &lt;a class=&quot;ext&quot; href=&quot;http://www.univie.ac.at/viscom/image/2013_Workshop%20Hagiographies%20Program.pdf&quot; title=&quot;Workshop Wien&quot;&gt;here&lt;/a&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
source:http://cultsymbols.net/news/2013-06-11/workshop-on-medieval-hagiographic-collections-in-central-europe-took-place-in-stift-</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/2696345239406627495'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/2696345239406627495'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2013/08/workshop-on-medieval-hagiographic.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-8394197008495092105</id><published>2013-08-13T05:02:00.000+03:00</published><updated>2013-08-13T05:02:12.252+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Conferences"/><category scheme="http://www.blogger.com/atom/ns#" term="hagiographie"/><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="Medieval Colloquium"/><category scheme="http://www.blogger.com/atom/ns#" term="Medieval Studies"/><title type='text'></title><content type='html'>&lt;h2&gt;
&lt;br /&gt;
 &lt;span lang=&quot;EN-US&quot;&gt;Institute 
  for Medieval Studies of the 
  University of Leeds&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;a href=&quot;http://www.leeds.ac.uk/ims/&quot;&gt;&lt;/a&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2&gt;
&lt;span style=&quot;color: #646582;&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2&gt;
&lt;span style=&quot;color: #646582;&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;Visions of Community
 &lt;span style=&quot;font-style: italic; font-weight: 400;&quot;&gt;at the&lt;/span&gt; &lt;br /&gt;
 International Medieval Congress 2013&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;br /&gt;
  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
 

 &lt;span lang=&quot;EN-US&quot;&gt;
   
  &lt;div style=&quot;line-height: normal; margin-bottom: 0; margin-top: 0;&quot;&gt;
  VISCOM Sessions |
  Associated Sessions &lt;/div&gt;
&lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
 

 &lt;/span&gt;
 &lt;blockquote&gt;
  &lt;blockquote&gt;
  &lt;span lang=&quot;EN-US&quot;&gt;
   
  &lt;div style=&quot;line-height: normal;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: normal;&quot;&gt;
In 2013, VISCOM will have a large 
  presence at the 
  International Medieval Congress, which takes place from 1-4 July, 
  and is organized by the Institute 
  for Medieval Studies of the 
  University of Leeds. In the course of this VISCOM 
  Session Strand, on Monday 1 and Tuesday 2 July, the Junior and Senior 
  members of VISCOM, as well as a great number of invited guests, will 
  present papers on a wide variety of topics, showcasing both the 
  diversity and the internal coherence of the Project, as well as its 
  emphasis on comparative approaches to the Middle Ages.&lt;/div&gt;
&lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
 

  &lt;h3 style=&quot;line-height: normal; margin-bottom: 10px; margin-top: 10px;&quot;&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;Sessions:&quot;&gt;&lt;b&gt;Sessions:&lt;/b&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;b&gt;110:
  
  Visions of Community I:&lt;/b&gt; After the End of Ancient Christianity - 
  The Reconfiguration of Late Antique Topographies in Merovingian 
  Historiography and Hagiography&lt;br /&gt;

  &lt;ul&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Helmut Reimitz (Princeton University)&amp;nbsp;  The Merovingian six 
   book-version of Gregory of Tours &lt;i&gt;Histories&lt;/i&gt; and the creation of new
   &lt;i&gt;Spielrδume&lt;/i&gt; for the spiritual topography of Gaul&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Jamie Kreiner (University of Georgia)  A Contest at Brioude: 
   Hagiography after Gregory of Tours&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Gordon Blennemann (DHI Paris/Universitδt Erlangen-Nόrnberg)  
   The Creation of Martyrs in Early Medieval Burgundy: King Sigismund 
   as Archetype?&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;Moderator&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot;&gt;:
  
  Ian Wood (University of Leeds)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
  &lt;span lang=&quot;EN-GB&quot;&gt;As Christendom had consolidated its foothold in the 
  hearts and minds of the peoples in Western Europe, and the political 
  influence of the Roman Empire was gradually fading from view, the new 
  intellectual elite, consisting mainly of ecclesiastical officials who 
  had imposed themselves on the legacy of Rome, went at lengths to 
  reconfigure the spiritual landscape of the lands they had inherited. 
  Chief among these authors, as Helmut Reimitz will argue, was the 
  sixth-century bishop Gregory of Tours, whose Histories perhaps most 
  clearly reflects these shifts and the subsequent search for new 
  boundaries  both real and spiritual. Building on this paper, Jamie 
  Kreiner will then look at the cult of Saint Julian to demonstrate how 
  this process continued in hagiographical narratives produced in the 
  seventh century, which both adopted and challenged Gregory&#39;s 
  topographies. Finally, Gordon Blennemann will show how the two &quot;genres&quot; 
  would essentially overlap by focusing on the Passio Sancti Sigismundi 
  regis, a strikingly dyadic text in which a Burgundian origo gentis is 
  combined with the life of this saintly king. As such, all three papers 
  focus not only on narrative references to the Roman and Biblical past, 
  but also try to situate these within the specific social and political 
  context of the production of these texts, as well as to the longue durιe 
  of hagiographical and historiographical traditions.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
&lt;br /&gt;
 

  &lt;b&gt;210:
  
  Visions of Community II: &lt;/b&gt;Related Narratives, Entangled 
  Communities - Strategies of Identification in Central European 
  Historiography and Hagiography&lt;br /&gt;

  &lt;ul&gt;
&lt;li&gt;
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Christina Lutter (University of Vienna) Narrating 
   Community: Methodological Approaches&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Bernhard Zeller (Austrian Academy of Sciences)  A Community in 
   Search of Itself: Sankt Gallen and the Making of Saint Otmar&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   John Eldevik (Hamilton, NY)  Communities of Violence: Saracens 
   and Saints in Medieval Bavaria&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Martin Haltrich (Klosterneuburg) The Stories of a Community: 
   Zwettl and the Magnum Legendarium Austriacum&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;Moderator&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot;&gt;:
  
  Steffen Patzold (University of Tόbingen&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
  &lt;span lang=&quot;EN-GB&quot;&gt;Whenever a group of people gets together, whenever a 
  community gradually comes into being, its members inevitably start 
  reflecting on their own histories and retelling them in terms of how 
  their lives had become intertwined, and, eventually how their shared 
  feeling of belonging together had developed. In doing so, they would of 
  course also take recourse to the previously existing narratives that 
  inspired them to make their own story one worth relating to, and look to 
  other communities around them for comparison and inspiration  both 
  positive and negative. As such, stories developed into narratives and 
  the people and communities that produced them would develop almost 
  continuously throughout the ages, feeding off one another and becoming 
  increasingly intertwined: a fascinating process, which this session 
  hopes to address more fully. First, Christina Lutter will present an 
  overview of the methodological issues that arise when one considers the 
  functions of narrative sources and their uses in the formation and 
  consolidation of communities. Bernhard Zeller will then focus on a 
  particular case by showing how the formation, use and and Nachleben of 
  Saint Otmar in the Carolingian age helped the monastery of Sankt-Gallen 
  find its own way in history. John Eldevik will then go on to &lt;/span&gt;
  examine the peculiar tradition of the Passio of the crusading archbishop 
  Thiemo of Salzburg. As he argues, the images of violence in this work 
  should not only be seen an example of medieval (mis)perceptions of Islam 
  as a polytheistic cult, but also were also appropriated for negotiating 
  conflicts and identities in other contexts, particularly monastic 
  reform.&lt;span lang=&quot;EN-GB&quot;&gt;&amp;nbsp; Finally, Martin Haltrich will then present 
  the case of the &lt;i&gt;Magnum Legendarium Austriacum&lt;/i&gt;, a huge and ostentatious 
  twelfth-century collection of mostly older, but also some contemporary 
  saints&#39; lives that may only be found in Austrian libraries, addressing 
  the observation that not only the composition, but also the copying of 
  texts could help bring a community together&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
 

  &lt;br /&gt;
  &lt;b&gt;310:
  
  Visions of Community III: &lt;/b&gt;Time and History in the Construction 
  of Authority&lt;br /&gt;
  &lt;ul&gt;
&lt;li&gt;
   
   
   Veronika Wieser (Austrian Academy of Sciences)  The Best 
   Prophets of the Future: Bishops and Kings in Late Antiquity&lt;/li&gt;
&lt;li&gt;
   
   Erik 
   Goosmann (Utrecht University)  From &lt;i&gt;dux Francorum&lt;/i&gt; to &lt;i&gt;custos 
   anserum&lt;/i&gt;: Managing Perceptions in Carolingian Historiography: the 
   Case of Carloman&#39;s Conversion (747)&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   Graeme 
   Ward (University of Cambridge)  (Re)sources of 
   Authority in Frechulf of Lisieux&#39;s Histories &lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
Moderator&lt;span lang=&quot;EN-GB&quot;&gt;:
  
  Helmut Reimitz (Princeton University)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
  This session revolves around the question to what 
  extent time, history and authority interact in the historiographical 
  output of late antiquity and the early middle ages. On the one hand, it 
  was often implied that authority was often found in the past  be it to 
  establish the political power of a dynasty aspiring, or to have the last 
  word on a theological issues. On the other hand, however, the 
  progression of time itself could factor into this equation as well, 
  changing the status of certain historical actors as their presence 
  became increasingly subject to (carefully managed) perceptions. Starting 
  in Late Antiquity, Veronika Wieser will show one curious aspect of this, 
  by showing how images of the future also became ever more authoritative 
  as their age increased. This observation is then taken up by Erik 
  Goosmann, who will demonstrate that not only intellectual phenomena, but 
  also controversial figures such as Carloman could be used by Carolingian 
  historiographers, who can be shown to have been very astute managers of 
  their dynasty&#39;s sometimes turbulent past indeed. Graeme Ward will then 
  turn these questions around, by focusing on the relationship between 
  textual authority and ideas of rulership as seen through the eyes of 
  Frechulf of Lisieux, for whom ancient texts both were invested with 
  special qualities and packed full of examples which aimed at shaping the 
  morals of more contemporary actors.&lt;br /&gt;
&lt;br /&gt;
  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
&lt;br /&gt;
 

  &lt;b&gt;&amp;nbsp;510:
  
  Visions of Community IV: &lt;/b&gt;Urban Communities in Late Medieval 
  Central Europe, 1350-1550  Regions&lt;br /&gt;

  &lt;ul&gt;
&lt;li&gt;
   
   Michaela Malanikovα (Masaryk University Brno)  South Moravian 
   Urban Communities within the &lt;i&gt;Corona regni Bohemiae&lt;/i&gt; in the Late 
   Middle Ages&lt;/li&gt;
&lt;li&gt;
   
   
   Judit Majorossy (CEU Budapest)  Urban Communities and Their 
   Networks in the Western Part of Late Medieval Hungary&lt;/li&gt;
&lt;li&gt;
   
   Niels Petersen 
   (University of Gφttingen)  Salt, Money, Politics: The Sόlfmeister 
   of Lόneburg as a Leading Group in the City and Duchy of Brunswick 
   and Lόneburg&lt;/li&gt;
&lt;li&gt;
   
   
   Christian Opitz (University of Vienna  The Dominican 
   Communities of Konstanz and the Many Faces of Saint John&lt;/li&gt;
&lt;/ul&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;Moderator&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot;&gt;:
  
  Elisabeth Gruber (University of Vienna)&lt;/span&gt;&lt;br /&gt;

  &lt;span lang=&quot;EN-GB&quot;&gt;During the late Middle Ages, a number of cities 
  located in the duchy of Austria, the kingdom of Bohemia including 
  Moravia, as well as the West-Hungarian region represented relevant nodes 
  in terms of infrastructure, knowledge, political influence and 
  administration, and thus played an important role within economic, 
  political and cultural relations in Central Europe. The main issue of 
  this session is to describe the influence exerted by these cities when 
  shaping and structuring the specific regions to obtain a comprehensive 
  picture of the reasons for their importance and, more specifically, of 
  the role of various social groups in an urban context.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
 

  &lt;br /&gt;
  &lt;b&gt;610:
  
  Visions of Community V:&lt;/b&gt; Urban Communities in Late Medieval 
  Central Europe, 1350-1550  Relations&lt;br /&gt;
  &lt;ul&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Elisabeth Gruber (University of Vienna)  Trust is Good  
   Kinship is Better: Kinship Relations among Late-Medieval Urban 
   Elites in the Duchy of Austria&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Karoly Goda (Mόnster University)  A Self-Made Community? 
   Eucharistic Fraternities in Medieval Vienna and Beyond&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Maria Theisen (University of Vienna)  Creating Infrastructure 
   for Crafts and Arts in the City of Prague During the Late 14th 
   Century: the Noble, the Church and the Urban Community&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;Response:
   
   Simon Teuscher (University of Zόrich)&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;Moderator&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot;&gt;:
  
  Christina Lutter (University of Vienna)&lt;/span&gt;&lt;br /&gt;

  &lt;span lang=&quot;EN-GB&quot;&gt;Social relations in late medieval cities are intra- 
  and interurban and manifest themselves in terms of kinship related, 
  legal, institutional and economic aspects. To reconstruct the interplay 
  of these elements and their impact on community building different 
  methodological approaches are required. Analysing urban society as a 
  social network of differently structured groups can be fruitful 
  especially in times of social, political or economic change. We will 
  focus on different social groups, their different forms of interaction 
  and ask for different patterns of representation in terms of social 
  heritage, family, affiliation with confraternities, but also age and 
  gender. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
&lt;br /&gt;
 

  &lt;b&gt;710:
  
  Visions of Community VI:&lt;/b&gt; Conflict and Competition&lt;br /&gt;

  &lt;ul&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Maria Mair (University of Vienna) Negotiating Community: 
   Narratives of Conflict in Late Medieval Vernacular Austrian 
   Historiography&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Fabian Kόmmeler (University of Vienna) Social Conflict in Rural 
   Communities in the Southern Dalmatian Areas of&amp;nbsp; Korčula and Split 
   (1420-1540)&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Daniel Mahoney (Austrian Academy of Sciences/University of 
   Chicago) The Divisive Formation and Contentious Competition of 
   Tribal Groups in the Highlands of South Arabia during the Early 
   Medieval Period&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;Moderator&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot;&gt;:
  
  Christina Lutter (University of Vienna)&lt;/span&gt;&lt;br /&gt;

  &lt;span lang=&quot;EN-GB&quot;&gt;By approaching conflict as a social practice that 
  helps shape communities, the groups involved and their motivations may 
  be interpreted as reflecting a wider picture of political competition in 
  a specific historical context.&amp;nbsp; Using comparative examples from both 
  medieval Europe and Asia, this session will explore the ways social 
  conflict appears explicitly and implicitly in a variety of media such as 
  historiographical narratives, court records, wall paintings, and even 
  geographical descriptions.&amp;nbsp; Additionally, it will demonstrate how these 
  accounts of conflict may be used to indicate the social tensions of both 
  the original context of the conflict itself and the period when it was 
  recorded or retold.&amp;nbsp; &lt;/span&gt;&lt;br /&gt;

  &lt;span lang=&quot;EN-GB&quot;&gt;To that end, Maria Mair will look at how authors of 
  Austrian vernacular verse chronicles in the late 13th century used 
  conflict narratives to establish and reinforce the political position of 
  their own social groups and to discuss concepts of good and bad 
  community. Fabian Kόmmeler will then examine the role of conflicts in 
  the everyday life of rural communities in late medieval Dalmatia on the 
  basis of court records using pastoral nomads acting in confrontation 
  with their urban, patrician, and rural counterparts as an example. 
  Finally, Daniel Mahoney will look at the political competition and 
  conflict within the tribal community of highland South Arabia as 
  manifested in the genealogies, geographies, and anecdotes found in texts 
  of the early medieval period.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
&lt;br /&gt;
 

  &lt;b&gt;810:
  
  Visions of Community VII: &lt;/b&gt;Enclaves of Learning - Religion, 
  Ideologies, and Practices in Europe, Arabia, and Tibet&lt;br /&gt;

  &lt;ul&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Rutger Kramer (Austrian Academy of Sciences/Utrecht University)  
   Monks on the &lt;i&gt;Via Regia&lt;/i&gt;? Smaragdus of Saint-Mihiel between Ideal and 
   Reality&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   
   Eirik Hovden (Austrian Academy of Sciences) Managers of 
   Knowledge: &lt;i&gt;Hijras&lt;/i&gt; and &lt;i&gt;Madrasas&lt;/i&gt; in medieval South Arabia&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;
   
   &lt;span lang=&quot;EN-GB&quot;&gt;
   Mathias 
   Fermer  (Austrian Academy of Sciences) Enlightened Activities 
   of Buddhist Masters: The Religious Establishment(s) of the Sakya 
   School in Southern Central Tibet&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;Moderator&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot;&gt;:
  
  Walter Pohl (Austrian Academy of Sciences/University of Vienna)&lt;/span&gt;&lt;br /&gt;

  &lt;span lang=&quot;EN-GB&quot;&gt;In all major religions, communities may be found that 
  exist for the purpose of safeguarding the knowledge and propagating the 
  practices upon which the culture they operated in were founded  from 
  the monasteries that dotted the religious landscape of the Christian 
  west, to the the Sakya institutions of Tibetan Buddhism, and the hijras 
  and madrasas in South Arabia. These communities all had a central place 
  in their respective societies, but were also kept isolated in order to 
  guard the knowledge they keep against outside contamination. In reality, 
  however, they all also interacted with the world around them, and 
  depended upon its secular wealth as much as the world depended on their 
  spiritual prowess. &lt;/span&gt;&lt;br /&gt;

  &lt;span lang=&quot;EN-GB&quot;&gt;In spite of these apparent similarities in the 
  social, religious and economic functions of such communities, it has 
  proven to be surprisingly difficult to find a definition that fits all 
  of them, due to the fact that there are also major differences between 
  them  differences that only become apparent when they are looked at in 
  a comparative context. This session aims to do just that. First, Rutger 
  Kramer will provide a backdrop by presenting a vision of monastic 
  communities described by the Carolingian abbot Smaragdus, who thus 
  simultaneously fulfilled the roles of participant and observer in the 
  monastic world of the turbulent early ninth century. Eirik Hovden will 
  then showcase a specific type of enclave existing in Yemen, the hijras, 
  and show how they had found a peculiar balance between their religious 
  heritage and the wide array of social and economic responsibilities they 
  also carried. Finally, moving further eastwards, Mathias Fermer will 
  present the way the activities of the spiritual masters of the Sakya 
  sect of Tibetan Buddhism provided a blueprint for monastic life that 
  also is both strikingly similar and surprisingly different from the 
  European situation. In all cases, however, these enclaves of learning 
  were shaped as much by the needs of the community around them as by 
  forces operating from within, and by analysing the interplay between 
  these, surprising observations are brought to light.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
 &lt;/span&gt;&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; noshade=&quot;noshade&quot; size=&quot;1&quot; /&gt;
&lt;br /&gt;
 
  
  &lt;span lang=&quot;EN-US&quot;&gt;
   
  &lt;h4&gt;
&lt;span style=&quot;color: #cf7b36;&quot;&gt;&lt;b&gt;Associated Sessions&lt;/b&gt;&lt;/span&gt;&lt;/h4&gt;
Below, you will find a list of sessions organized by researchers or 
  projects associated with VISCOM.&lt;br /&gt;

  &lt;b&gt;103:
  New Research in Late Antique and Early Medieval Monasticism&lt;br /&gt;203:
  Neglected Texts in Late Antique and Early Medieval Monasticism&lt;/b&gt;&lt;br /&gt;

  &lt;blockquote&gt;
   &lt;div style=&quot;margin-top: 3px;&quot;&gt;
Organization:
   Network for the Study of Late Antique &amp;amp; Early Medieval Monasticism&lt;/div&gt;
&lt;/blockquote&gt;
&lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; size=&quot;1&quot; /&gt;
  &lt;b&gt;824:
  The Growth of Religious Reform Movements in Late Medieval Central and 
  Eastern Europe: Contexts and Comparisons&lt;/b&gt;&lt;br /&gt;

  &lt;blockquote&gt;
   Organization: Kateřina 
   Hornνčkovα, (Universitδt Salzburg)&lt;br /&gt;

  &lt;/blockquote&gt;
&lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; size=&quot;1&quot; /&gt;
  &lt;b&gt;1003:
  Being Roman after Rome I&lt;br /&gt;
  1103:
  Being Roman after Rome II&lt;/b&gt;&lt;br /&gt;

  &lt;blockquote&gt;
   Organization: ERC Advanced 
   Grant: Social Cohesion, Identity &amp;amp; Religion in Europe (SCIRE)&lt;br /&gt;

  &lt;/blockquote&gt;
&lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; size=&quot;1&quot; /&gt;
  &lt;b&gt;1010:
  Texts and Identities I:&lt;/b&gt; Governing the Body - Governing the Soul: 
  Christianity and Society in the Carolingian Period&lt;b&gt;&lt;br /&gt;
  1110:
  Texts and Identities II: &lt;/b&gt;
  Early Medieval Episcopal Self-Fashioning&lt;b&gt;&lt;br /&gt;
  1210:
  Texts and Identities III: &lt;/b&gt;
  Organising Knowledge and Constructing 
  Communities&lt;b&gt;&lt;br /&gt;
  1310:
  Texts and Identities IV: &lt;/b&gt;
  Violence, Legitimacy, and Identity during the 
  Transformation of the Roman World&lt;b&gt;&lt;br /&gt;
  1510:
  Texts and Identities V: &lt;/b&gt;
  The Merovingians and Their Past&lt;b&gt;&lt;br /&gt;
  1610:
  Texts and Identities VI: &lt;/b&gt;
  Barbarians, Arians, and Other Monsters&lt;b&gt;&lt;br /&gt;
  1710:
  
  Texts and Identities VII: &lt;/b&gt;
  
  Defining Community in Early Medieval Kingdoms - Theory and Practice&lt;br /&gt;

  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; size=&quot;1&quot; /&gt;
  &lt;b&gt;1203:
  The Rules of Debate in Late Antiquity and the Early Middle Ages I&lt;br /&gt;
  1303:
  The Rules of Debate in Late Antiquity and the Early Middle Ages II&lt;/b&gt;&lt;br /&gt;

  &lt;hr align=&quot;left&quot; color=&quot;#CF7B36&quot; size=&quot;1&quot; /&gt;
  &lt;b&gt;1503:
  The Reign of Louis the Pious and the Productivity of an Empire I: &lt;/b&gt; 
  High 
  Fidelity &lt;b&gt;&lt;br /&gt;
  1603:
  
  The Reign of Louis the Pious and the Productivity of an Empire II:  &lt;/b&gt; 
  
  The Return of the King &lt;br /&gt;

  &lt;blockquote&gt;
   Organization:
   Rutger Kramer (project: Hludowicus: Die Produktivitδt einer 
   Krise/La Productivitι d&#39;une Crise)&lt;br /&gt;

  &lt;/blockquote&gt;
&lt;/span&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8394197008495092105'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8394197008495092105'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2013/08/institute-for-medieval-studies-of.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-5230473791954209933</id><published>2013-08-13T04:46:00.000+03:00</published><updated>2013-08-13T05:03:09.667+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="humanities"/><category scheme="http://www.blogger.com/atom/ns#" term="littérature hagiographique"/><category scheme="http://www.blogger.com/atom/ns#" term="Medieval Studies"/><category scheme="http://www.blogger.com/atom/ns#" term="University Erlangen-Nuremberg"/><title type='text'></title><content type='html'>&lt;h2&gt;
&amp;nbsp;&lt;/h2&gt;
&lt;h2&gt;
The International Consortium for Research in the Humanities &quot;Fate, 
Freedom and Prognostication&quot; at the University Erlangen-Nuremberg &lt;/h2&gt;
&lt;br /&gt;
&lt;h1&gt;
Conférence conjointe de l&#39;EPHE (Université de Sorbonne-Paris) et de l&#39;IKGF (Université d&#39; Erlangen-Nuremberg)&lt;/h1&gt;
&lt;h2&gt;
&amp;nbsp;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrK-ePRrvfVFH0s-lbg7CHV9Fyw4ujfaK5M9-qis8xyW0nDKOq8ywDI3SJpaDFhCvlkT22uJPFWha575koSHH0DTDylK1YttLGaB5hZJtElOJ1nZpk-xXetUZua2tXgHonEzlfUnWuccc/s1600/gerber10.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrK-ePRrvfVFH0s-lbg7CHV9Fyw4ujfaK5M9-qis8xyW0nDKOq8ywDI3SJpaDFhCvlkT22uJPFWha575koSHH0DTDylK1YttLGaB5hZJtElOJ1nZpk-xXetUZua2tXgHonEzlfUnWuccc/s320/gerber10.jpg&quot; width=&quot;223&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/h2&gt;
&lt;h2&gt;
&amp;nbsp;&lt;/h2&gt;
&lt;h2&gt;
Table ronde international :
Hagiographie et prophétie, de l&#39;Antiquité au XIIIe siècle


&lt;/h2&gt;
&lt;i&gt;Vendredi 11 et samedi 12 octobre 2013 &lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Organisation: Klaus Herbers (Université d′Erlangen) et Patrick Henriet (Paris, École Pratique des hautes Études)&lt;/b&gt;&lt;br /&gt;
S′ils ne se confondent pas, le personnage du saint et celui du 
prophète se croisent et se confondent fréquemment depuis qu′il existe 
des textes hagiographiques. Saint Antoine, saint Martin de Tours, saint 
Benoît, sont parfois prophètes, même si, comme l′écrit Athanase à propos
 d′Antoine, « il ne faut pas prier pour prévoir l′avenir, ni désirer 
cela comme récompense de l′ascèse » (&lt;i&gt;Vita Antonii&lt;/i&gt;, II, 34). La 
prévision des événements à venir n′est cependant qu′un aspect du 
prophétisme, généralement conçu, dans la lignée d′Augustin et de 
Grégoire le Grand, comme « la capacité de mettre en lumière ce qui est 
caché ». &lt;br /&gt;
La séparation très nette du passé, du présent et du futur est à bien
 des égards moderne et ne correspond que partiellement à la façon dont 
le temps était appréhendé au Moyen Âge. Dans un schéma de pensée 
typologique profondément marqué par la méditation de la Bible, tout 
événement n′est que l′accomplissement de ce qui a déjà été annoncé. De 
même que les faits rapportés dans le Nouveau Testament sont une 
confirmation de ce qu′annonçait l′Ancien Testament, de même, les faits 
contemporains ne sont que l′actualisation passagère d′un discours 
supra-historique exposé par le texte sacré. Selon les miracles opérés, 
saint Benoît peut donc être un nouveau Moïse, un nouvel Élisée, un 
nouveau Pierre, un nouvel Élie ou un nouveau David, alors que sept 
siècles plus tard, Saint François d′Assise est un « nouvel évangéliste 
». Le don de prophétie est aussi un moyen pour les ascètes de faire face
 aux puissants, ce qui met la connaissance de l′avenir au service d′une 
bonne gestion du présent, dans des sociétés où le politique et le 
religieux relèvent très largement de la même sphère.&lt;br /&gt;
A partir du XIIe siècle, parallèlement à la multiplication des 
expériences prophétiques aux marges de l&#39;Église, les saints prophètes 
(et plus encore les saintes prophétesses) qui tiennent un discours 
explicite et parfois systématique sur le futur se font de plus en plus 
nombreux. Or au même moment, l&#39;étude du sens littéral de la Bible se 
renforce et l&#39;attention portée à l&#39;Histoire humaine par le biais des 
chroniques fait l&#39;objet d&#39;un fort investissement. Comment faut-il 
interpréter ces évolutions en apparence contradictoires ? Peut-on 
envisager le discours sur le futur comme un aspect parmi d&#39;autres d&#39;une 
vaste évolution qui pourrait être caractérisée comme une sorte de 
réappropriation humaine du temps, comme une historicisation du monde 
qui, toujours pensée de concert avec l&#39;accomplissement du plan divin, 
resterait essentiellement différente de celle des sociétés modernes ? La
 multiplication des textes hagiographiques consacrés à des saints 
réformateurs endossant volontiers l&#39;habit du prophète (ainsi Grégoire 
VII caractérisé par Paul Bernried comme un nouvel Élie) invite à étudier
 de pair l&#39;intérêt pour l&#39;Église &lt;i&gt;hic et nunc&lt;/i&gt; et l&#39;arrière-plan eschatologique qui l&#39;accompagne, voire le soutient.&lt;br /&gt;
Ces quelques rappels, ces quelques questions, n&#39;ont d&#39;autre but que 
d&#39;aider à penser, tout en l&#39;historicisant, le rapport complexe et 
mouvant qui a toujours uni prophétie et sainteté. Il conviendra de 
diversifier les approches et les points de vue en parcourant un long 
Moyen Âge, en en reliant lorsque ce sera possible les usages du temps 
avec les discours sur l&#39;espace, sur l&#39;Église et sur la société 
chrétienne, en posant la question du rapport entre prophétie et pouvoirs
 (terrestre et céleste), en traquant enfin, les évolutions et les 
ruptures.&lt;br /&gt;
&lt;div style=&quot;font-size: 10px;&quot;&gt;
[Pour imparfaites qu&#39;elles soient, les lignes
 qui précèdent doivent beaucoup à deux importantes mises au point : M. 
Van Uytfanghe, « Modèles bibliques dans l&#39;hagiographie », dans P. Riché 
et G. Lobrichon, &lt;i&gt;Le Moyen Âge et la Bible,&lt;/i&gt; Paris, 1984, p. 449-487, et A. Vauchez, &lt;i&gt;Le prophétisme médiéval d&#39;Hildegarde de Bingen à Savonarole,&lt;/i&gt; Budapest, 1999 (Public Lecture Series, 20)]. &lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;h3&gt;
Vendredi 11 octobre&lt;/h3&gt;
&lt;table summary=&quot;Workshop Schedule 1&quot;&gt;
    &lt;tbody style=&quot;vertical-align: top;&quot;&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;9h 00&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Discours de bienvenue&lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Klaus Herbers et Patrick Henriet&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;9h 15&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Introduction&lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Patrick Henriet &lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;9h 45&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Espaces d&#39;expérience narratifs des dernières choses :
 l&#39;imagination eschatologique dans la martyrologie de l&#39;Antiquité 
tardive et du haut Moyen Âge &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Gordon Blennemann (Université d’Erlangen)&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td&gt;10h 30&lt;/td&gt;
       &lt;td&gt;&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Pause&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;11h&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Images, prédictions et présages à Byzance et dans l&#39;Occident médiéval &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;J.M. Sansterre (Université Libre de Bruxelles)&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;11h 45&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Prophétie dans la Vie de saint Columba par Adamnan &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Edina Bozoky (Université de Poitiers) &lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td&gt;12h 30&lt;/td&gt;
       &lt;td&gt;&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Repas&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;14h 15&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;L&#39;espace ou le temps ? Les visions cosmiques des saints&lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Patrick Henriet (Ecole Pratique des Hautes Etudes)&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;15h 00&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Daniel/Jérémie : les modèles prophétiques des saints carolingiens &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Sumi Shimahara (Université de Paris IV-Sorbonne) &lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;14h 45&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Vision, rapport à l&#39;au-delà et action politique à l&#39;époque carolingienne&lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Philippe Depreux (Université de Limoges) &lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td&gt;16h 30&lt;/td&gt;
       &lt;td&gt;&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Pause&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;17h 00&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Hagiographie, historiographie et prophétie au IXe 
siècle franc : connaître le passé ou connaître l&#39;avenir ? Une histoire 
de la Providence &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Marie-Céline Isaïa (Université de Lyon 3) &lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;17h 45&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Entre historiographie et hagiographie: Les messages prophétiques de l&#39;Evêque Henri dans la chronique d&#39;Arnold de Lübeck &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Hans-Christian Lehner (Université d’Erlangen-Nürnberg) &lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td&gt;18h 30&lt;/td&gt;
       &lt;td&gt;&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Fin&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;/tbody&gt;
   &lt;/table&gt;
&lt;h3&gt;
Samedi 12 octobre&lt;/h3&gt;
&lt;table summary=&quot;Workshop Schedule 1&quot;&gt;
    &lt;tbody style=&quot;vertical-align: top;&quot;&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;9h 00&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;L&#39;histoire sans fin. L&#39;ordre des temps dans l&#39;oeuvre des visionnaires rhénans (XIIe-XIIIe siècle) &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Uta Kleine (Université à distance d’Hagen)&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;9h 45&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Vitae, Visions et prophétie. L&#39;hagiographie et l&#39;au-delà dans les textes des XIIe et XIIIe siècles &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Prof. Dr Klaus Herbers (Université d&#39;Erlangen-Nürnberg)&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td&gt;10h 30&lt;/td&gt;
       &lt;td&gt;&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Pause&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;10h 45&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Aspects de la mémoire d&#39;une prophétesse : Hildegarde &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Laurence Moulinier (Université de Lyon II) &lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;11h 30&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Comparaisons avec le monde chinois, avec la participation de Stéphane Feuillas (Université de Paris 7) &lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Table ronde&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td width=&quot;93px&quot;&gt;12h 00&lt;/td&gt;
       &lt;td&gt;&lt;b&gt;Conclusions&lt;/b&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Klaus Herbers &lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;tr&gt;
       &lt;td&gt;12h 30&lt;/td&gt;
       &lt;td&gt;&lt;span style=&quot;color: black; line-height: normal;&quot;&gt;Repas&lt;/span&gt;&lt;/td&gt;
      &lt;/tr&gt;
&lt;/tbody&gt;
   &lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;h2&gt;
Hagiography and Prophecy from Ancient Times to the 13th Century&lt;/h2&gt;
&lt;i&gt;October 11-12, 2013&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Convenors: Klaus Herbers (Université d&#39;Erlangen), Patrick Henriet (Paris, École Pratique des hautes Études)&lt;/b&gt;&lt;br /&gt;
In hagiographical texts, the character of the saint is often 
merged with that of the prophet. Thus St. Anthony, St. Martin of Tours, 
and St. Benedict are sometimes also referred to as prophets. Athanasius,
 for example, writes about Anthony: &quot;We neither ought to pray to know 
the future, nor to ask for it as the reward of our discipline&quot; (Vita 
Antonii, 34).&lt;br /&gt;
The prediction of future events is only one aspect of prophecy, 
however. When regarded in the sense of Augustine and Gregory the Great, 
it is rather generally &quot;the ability to bring to light what is hidden.&quot;&lt;br /&gt;
The clear distinction between past, present and future is modern and 
does not reflect the way in which time and its passage were understood 
in the Middle Ages. According to a typological mode of thinking, which 
is characterized by contemplation of the Bible, every event is the 
fulfillment of something that has already been signified. Just as the 
events reported in the New Testament are a confirmation of those 
incidents foretold in the Old Testament, contemporary events are the 
temporary actualization of a trans- or metahistorical discourse 
presented by a sacred text. Due to miracles, St. Benedict can be a new 
Moses, Elisha, Peter, Elijah or David, while, seven centuries later, St.
 Francis of Assisi is able to appear as a &quot;new evangelist.&quot; The gift of 
prophecy also acts as a means for ascetics to defy the powers that be to
 the extent that knowledge about the future is provided to positively 
influence the present, particularly in societies where political and 
religious concerns are largely part of the same realm.&lt;br /&gt;
From the 12th century onward, prophets (also female prophets) who 
conducted a unique and sometimes systematic discourse on the future 
became more numerous, while the number of prophetic experiences within 
the Church simultaneous increased. During the same period, however, the 
literal interpretation of the Bible gained strength and the Chronicles 
became an important medium for making sense of history.&lt;br /&gt;
How should the evolution of these contradictory developments be 
interpreted? Is it possible to view the debate about the future as one 
aspect among many of a more comprehensive development - a development 
which can be characterized as a type of human reappropriation of time, 
of historicizing the world, and which, beyond the fulfillment of a 
divine plan, is fundamentally distinct from the conceptions of modern 
societies? The proliferation of hagiographic texts about reformist 
saints who willingly took on the role of prophet (just as Gregory VII, 
for example, has been characterized by Paul von Bernried as a new 
Elijah) is an invitation to study in greater detail both the Church &lt;i&gt;hic et nunc&lt;/i&gt; and its associated or supporting eschatological background.&lt;br /&gt;
The aim of these questions is to provide further intellectual 
stimulus, for prophecy and holiness in historical appraisals were always
 characterized by a complex and changing relationship. The conference 
will examine the multiplicity of approaches and views on the course of 
the Middle Ages and aim to make them more concrete. Where possible, the 
use of time will be linked to the discourse on space, the Church and 
Christian society. The focus will be on the relationship between 
prophecy and (earthly and heavenly) rule for the purpose of ultimately 
identifying developments and ruptures.&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;font-size: 10px;&quot;&gt;
[For more on these questions, see: M. Van Uytfanghe, &quot;Modèles bibliques dans l&#39;hagiographie,&quot; in: P. Riché/G. Lobrichon, &lt;i&gt;Le Moyen Âge et la Bible&lt;/i&gt;, Paris, 1984, pp. 449-487; A. Vauchez , &lt;i&gt;Le prophétisme médiéval d&#39;Hildegarde de Bingen à Savonarole,&lt;/i&gt; Budapest, 1999 (Public Lecture Series, 20)] . &lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;h2&gt;
Hagiographie und Prophetie von der Antike bis zum 13. Jahrhundert&lt;/h2&gt;
&lt;i&gt;11.–12. Oktober 2013&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Veranstalter: Klaus Herbers (Université d&#39;Erlangen), Patrick Henriet (Paris, École Pratique des hautes Études)&lt;/b&gt;&lt;br /&gt;
In hagiographischen Texten verbindet sich häufig die Persönlichkeit 
des Heiligen und die des Propheten. Der heilige Antonius, der heilige 
Martin von Tours, der heilige Benedikt sind manchmal auch Propheten, wie
 Athanasius über Antonius schreibt: &quot;Man darf nicht beten, um die 
Zukunft vorherzusehen, noch dies als Lohn der Askese verlangen&quot; (&lt;i&gt;Vita Antonii&lt;/i&gt;, 34).&lt;br /&gt;
Die Vorhersage kommender Ereignisse ist jedoch nur ein Aspekt der 
Prophetie, allgemein betrachtet im Sinne von Augustinus und Gregor dem 
Großen, es ist vielmehr &quot;die Fähigkeit das ans Licht zu bringen, was 
versteckt ist&quot;.&lt;br /&gt;
Die deutliche Trennung von Vergangenheit, Gegenwart und Zukunft ist 
modern und entspricht nicht der Art und Weise, wie Zeit und Zeitverlauf 
im Mittelalter verstanden wurde. Innerhalb eines typologischen Denkens, 
das sich durch die Besinnung auf die Bibel auszeichnet, ist jedes 
Ereignis die Erfüllung eines bereits angezeigten. So wie die im Neuen 
Testament berichteten Ereignisse eine Bestätigung der im Alten Testament
 angekündigten Vorkommnisse sind, so sind die zeitgenössischen 
Ereignisse die vorübergehende Aktualisierung eines über- oder 
metageschichtlichen Diskurses, den ein sakraler Text vorgestellt hat. 
Aufgrund der  Wunder kann der Heilige Benedikt ein neuer Moses, Elisa, 
Petrus, Elia oder David sein, während sieben Jahrhunderte später der 
Heilige Franziskus von Assisi als &quot;neuer Evangelist&quot; erscheint. Die Gabe
 der Prophetie fungiert auch als Mittel für Asketen, den Machthabern die
 Stirn zu bieten, indem das Wissen um die Zukunft in den Dienst einer 
guten Gestaltung der Gegenwart gestellt wird, vor allem in 
Gesellschaften, in denen politische und religiöse Belange weitestgehend 
dem gleichen Bereich angehören.&lt;br /&gt;
Ab dem 12. Jahrhundert werden die Propheten (und Prophetinnen), die 
einen eindeutigen und manchmal systematischen Diskurs über die Zukunft 
führen, immer zahlreicher, gleichzeitig nimmt die Anzahl prophetischer 
Erfahrungen im Umkreis der Kirche zu. Zur gleichen Zeit erstarkt aber 
auch die wörtliche Bibelauslegung und die Chroniken werden zu einem 
wichtigen Medium für die Auseinandersetzung mit der Geschichte.&lt;br /&gt;
Wie lässt sich nun diese Entwicklung widersprüchlicher Erscheinungen 
interpretieren? Kann man den Diskurs über die Zukunft als einen Aspekt 
unter vielen einer umfangreichen Entwicklung betrachten, einer 
Entwicklung, die als eine Art menschlicher Wiederaneignung der Zeit, als
 Historisierung der Welt charakterisiert werden kann und die sich im 
Wesentlichen, auch in Hinblick auf die Erfüllung eines göttlichen 
Planes, von Entwürfen moderner Gesellschaften unterscheidet? Die Zunahme
 von hagiographischen Texten reformerischer Heiliger, die bereitwillig 
die Rolle des Propheten aufgriffen (so wurde beispielsweise Gregor VII. 
von Paul von Bernried als neuer Elia charakterisiert) lädt dazu ein, 
sowohl die Kirche &lt;i&gt;hic et nunc &lt;/i&gt;als auch den sie begleitenden oder unterstützenden eschatologischen Hintergrund genauer zu studieren.&lt;br /&gt;
Ziel dieser Fragen ist es, Denkanstöße zu liefern, denn in der 
geschichtlichen Betrachtung waren Prophetie und Heiligkeit immer durch 
ein komplexes und sich veränderndes Verhältnis zueinander 
charakterisiert. Im Zuge der Tagung wird es darauf ankommen, die Ansätze
 und Ansichten für den Verlauf des Mittelalters in ihrer 
Unterschiedlichkeit zu studieren und sie greifbarer zu machen; wo es 
möglich ist, wird die Verwendung der Zeit mit dem Diskurs über den Raum,
 die Kirche und die christliche Gesellschaft verknüpft, es wird die 
Frage zu stellen sein nach dem Verhältnis zwischen Prophetie und 
(irdischer und himmlischer) Herrschaft, um abschließend die 
Entwicklungen und Brüche benennen zu können.&lt;br /&gt;
&lt;div style=&quot;font-size: 10px;&quot;&gt;
[Vgl. zu diesen Fragen: M. Van Uytfanghe, « Modèles bibliques dans l′hagiographie », in: P. Riché/G. Lobrichon,&lt;i&gt; Le Moyen Âge et la Bible,&lt;/i&gt; Paris, 1984, S. 449-487; A. Vauchez, &lt;i&gt;Le prophétisme mèdièval d&#39;Hildegarde de Bingen à Savonarole&lt;/i&gt;, Budapest, 1999 (Public Lecture Series, 20)]. &lt;/div&gt;
&lt;h2 class=&quot;clear&quot;&gt;
Location&lt;/h2&gt;
Sorbonne, 54, rue Saint-Jacques &lt;br /&gt;
75005 Paris &lt;br /&gt;
Galerie Claude Bernard, escalier U, 4e étage, salle H 637 
&lt;br /&gt;
&lt;h2&gt;
Registration&lt;/h2&gt;
Please register via mail to &lt;a href=&quot;mailto:hagiographieetprophetie@gmail.com&quot;&gt;hagiographieetprophetie@gmail.com &lt;/a&gt; &lt;b&gt; &amp;nbsp;until October 1, 2013&lt;/b&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/5230473791954209933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/5230473791954209933'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2013/08/the-international-consortium-for.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrK-ePRrvfVFH0s-lbg7CHV9Fyw4ujfaK5M9-qis8xyW0nDKOq8ywDI3SJpaDFhCvlkT22uJPFWha575koSHH0DTDylK1YttLGaB5hZJtElOJ1nZpk-xXetUZua2tXgHonEzlfUnWuccc/s72-c/gerber10.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-5347458653693215645</id><published>2013-05-13T23:43:00.001+03:00</published><updated>2013-05-13T23:48:33.732+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Byzantine hagiography"/><category scheme="http://www.blogger.com/atom/ns#" term="medieval Slavic literature"/><category scheme="http://www.blogger.com/atom/ns#" term="Old Serbian biography"/><category scheme="http://www.blogger.com/atom/ns#" term="Slavic saints"/><title type='text'></title><content type='html'>&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;b&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;A&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;spects 
of the Balkans. &lt;/span&gt;&lt;/span&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;C&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;ontinuity 
and change&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;H. B&lt;/span&gt;&lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;irnbaum&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt; 
and S&lt;/span&gt;&lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;.&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt; 
V&lt;/span&gt;&lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;ryonis (eds.)&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype; font-weight: 700;&quot;&gt;
  &lt;span style=&quot;font-size: small;&quot;&gt;HENRIK&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt; BIRNBAUM&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  BYZANTINE TRADITION TRANSFORMED: THE OLD SERBIAN &lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;VITA&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;It 
  goes without saying that only a few of the many intriguing facets of the 
  particular literary form of biography or life-writing as pursued with 
  remarkable zeal and success in medieval Serbia, can be discussed within the 
  limits of a conference paper. In particular, after a few preliminary remarks 
  concerning the historical background of Old Serbian biography, its general 
  literary and stylistic characteristics, and the shifting appreciation it has 
  met among historians and literary scholars, I would like to focus on the 
  relationship of this genre (if indeed it can be defined as constituting an 
  autonomous literary genre) to its nearest Byzantine models and counterparts 
  which fall largely within the well-established, traditional kinds of 
  hagiography and historiography. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#1&quot;&gt;[1]&lt;/a&gt; Furthermore, I will 
  endeavor&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;1&quot;&gt;1&lt;/a&gt;&lt;/b&gt;. Generally on Byzantine hagiography (including certain 
  kinds of religious panegyric) and historiography, see K. Krumbacher, &lt;i&gt;
  Geschichte der byzantinischen Litteratur&lt;/i&gt;, 2nd ed., vol. I (Munich, 1897), 
  160-205 and 219-408. Specifically on Byzantine hagiography, cf. also H.-G. 
  Beck, &lt;i&gt;Kirche und theologische Literatur im byzantinischen Reich&lt;/i&gt; 
  (Munich, 1959), 267-275, 402-413, 459-467, 506-514, 557-582, 638-642, 697-701, 
  and 793-796. See further, for example, Xr. Loparev, &quot;Vizantijskija Žitija 
  Svjatyx VIII-IX věkov&quot;, &lt;i&gt;Viz. Vrěm&lt;/i&gt;. XVII (1910 [1911]), 1-224. On Slavic 
  saints in Byzantine hagiography, cf. esp. I. Dujčev, &quot;Slawische Heilige in der 
  byzantinischen Hagiographie&quot;, &lt;i&gt;Südost-Forschungen&lt;/i&gt; XIX (1960), 71-86; see 
  further &lt;i&gt;id&lt;/i&gt;., &quot;Les rapports hagiographiques entre Byzance et les 
  Slaves&quot;, &lt;i&gt;Proceedings of the XIIIth International Congress of Byzantine 
  Studies&lt;/i&gt; (Oxford, 1966), (London, 1967), 363-370. On historical data in 
  Byzantine hagiography, see recently F. Halkin, &quot;L&#39;hagiographie byzantine au 
  service de l&#39;histoire&quot;, &lt;i&gt;ibid&lt;/i&gt;., 345-354; and on Byzantine-West European 
  hagiographic relations, E. Follieri, &quot;I rapporti fra Bisanzio e l&#39;Occidente 
  nel campo dell&#39;agiografia&quot;, &lt;i&gt;ibid&lt;/i&gt;., 355-362. For a discussion of the 
  independent genre of secular (or &#39;historical&#39;) biography, not recognized as 
  such by K. Krumbacher, but, in fact, revived in Byzantium in the 10th century 
  (with the Life of Emperor Basilius I, written by his grandson Constantine VII 
  Porphyrogenitus, a work paralleling such Western secular biographies as those 
  of Charlemagne by Einhart or of King Alfred by Asser) and emerging from 
  &#39;semi-secular&#39; hagiography and biography (including panegyric), see P. J. 
  Alexander, &quot;Secular Biography at Byzantium&quot;, &lt;i&gt;Speculum&lt;/i&gt; XV (1940), 
  194-209.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;244&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;to 
  comment briefly on the parallels and interrelations obtaining between the Old 
  Serbian variety of life-writing and its other Slavic (that is to say, Church 
  Slavic) predecessors and contemporaries which include, in addition to the Old 
  Church Slavic prototypes, its Old Russian and, to a lesser extent, Old Czech 
  equivalents or near-equivalents. These, too, were ultimately patterned on 
  Byzantine examples. By comparing, quantitatively and qualitatively, the Old 
  Serbian Lives (&lt;i&gt;žitija&lt;/i&gt;) of rulers and princes of the Church to what can 
  be thought of as their closest Slavic correspondences, and by making reference 
  to recent discussions as to the possibility (or impossibility) of assuming an 
  independent genre, as elsewhere in medieval Slavic writing, of secular 
  biography (having its roots in hagiography, but in some respects essentially 
  different from it), &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#2&quot;&gt;[2]&lt;/a&gt; I will attempt to set forth some of 
  the particular characteristics of the Old Serbian &lt;i&gt;Vita&lt;/i&gt;. (Outside the 
  Byzantine-Slavic sphere the Latin biographies of St. Stephen of Hungary in 
  particular seem to have had some impact on medieval Serbian life-writing.)
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#3&quot;&gt;[3]&lt;/a&gt; Throughout my presentation the texts under discussion 
  will be viewed primarily as works of literature, i.e., in terms of their 
  artistic qualities, rather than as — more or less reliable — historical 
  documents, designed largely for the purpose of legitimating the twinned 
  dynastic and ecclesiastic claims of the Serbian rulers and archbishops of the 
  Middle Ages. This is not to say, however, that a reappraisal of the Old 
  Serbian Lives as testimonies of by-gone events and long-deceased personalities 
  (which in modern times have provided a rich source of inspiration for the 
  upsurge of Serbian national consciousness) could not also be arrived at if we 
  were to adopt an approach different from the one suggested here.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;I&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;There 
  can be no doubt that the emerging Old Serbian literature of the 12th and early 
  13th centuries was largely patterned on Byzantine models in terms of thematic 
  range and conceptual framework, as well as in respect&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;2&quot;&gt;2&lt;/a&gt;&lt;/b&gt;. Cf. most recently N. W. Ingham, &quot;The Limits of Secular 
  Biography in Medieval Slavic Literature, Particularly Old Russian&quot;, &lt;i&gt;
  American Contributions to the Sixth International Congress of Slavists&lt;/i&gt; 
  (Prague, 1968), vol. II: &lt;i&gt;Literary Contributions&lt;/i&gt; (The Hague and Paris, 
  1968), 181-199.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;3&quot;&gt;3&lt;/a&gt;&lt;/b&gt;. On the two &lt;i&gt;Vitae&lt;/i&gt; of St. Stephen, written in the 
  late 11th century and subsequently combined into one &#39;legend&#39; by bishop 
  Hartwig (Hartvic) early in the 12th century, see J. L. Csóka, A latin nyelvü 
  történeti irodalom kialakulása Magyarországon a XI-XIV. században (Budapest, 
  1967), esp. 105-199 and 623-646.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;to 
  the various forms of specific literary genres as realized by the use of their 
  particular sets of stylistic devices. In this sense, then, medieval Serbian 
  writing formed part of the literary output produced by what has been referred 
  to as the Slavic Orthodox community of the Middle Ages. This community, at 
  certain levels of education and literacy, may be viewed as an integrated whole 
  (if only an extension of Byzantine civilization), sharing, among other things, 
  a common literary language with only minor local variations — Church Slavic.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#4&quot;&gt;[4]&lt;/a&gt; More immediately, at the peak of the Middle Ages, the 
  literary activity of the Slavs (including the Serbs) can be regarded as a 
  continuation of the work of the Slavic &#39;apostles&#39; or, rather, &#39;teachers&#39;, 
  Constantine and Methodius, and their disciples. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#5&quot;&gt;[5]&lt;/a&gt; As is 
  well known, after Methodius&#39; death in 885 and the subsequent suppression of 
  the Slavic liturgy in Moravia and Pannonia, several followers of the 
  Thessalonian brothers found refuge in Bulgaria where Old Church Slavic writing 
  could continue to develop and flourish, first in its western, Macedonian 
  region (in and around Ohrid) and soon thereafter also in the new capital of 
  Preslav. The other Orthodox Slavs, namely, the Eastern Slavs of Kievan Russia 
  and the Serbs (after some hesitancy between Byzantium and Rome) could thus 
  draw on the foundations provided by Old Bulgarian writing when creating their 
  own national varieties of literature. It has long been established that, as a 
  result of the political and cultural setting of Bulgaria in the 10th-12th 
  centuries (Bulgaria forming a part of the Byzantine Empire from 972 and 1018, 
  respectively, to 1185-1186 when the Second Bulgarian Empire came into being), 
  Byzantine elements thoroughly permeated this early Bulgarian literature on all 
  levels.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;It is 
  in the development of the specific kind of biography, unmatched elsewhere in 
  Slavic writing, that Serbia made its unique contribution to&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;4&quot;&gt;4&lt;/a&gt;&lt;/b&gt;. For the concept of the &lt;i&gt;Slavia orthodoxa&lt;/i&gt; as a 
  unified cultural-linguistic whole, see esp. R. Picchio, &quot;Die 
  historisch-philologische Bedeutung der kirchenslavischen Tradition&quot;, &lt;i&gt;WdSl&lt;/i&gt; 
  VII (1962), 1-26; &lt;i&gt;id&lt;/i&gt;., &quot;O cerkiewnosłowiańskiej wspólnocie 
  kulturalno-językowej&quot;, &lt;i&gt;Sprawozd. z posiedzeń Kom., Lipiec-Grudzień&lt;/i&gt; 1962 
  (&lt;i&gt;PAN, Oddział w Krakowie&lt;/i&gt;, 1963), 449-454; &lt;i&gt;id&lt;/i&gt;., &quot;A proposito 
  della Salvia ortodossa e délia communità linguistica slava ecclesiastica&quot;, &lt;i&gt;
  Ricerche Slavistiche&lt;/i&gt; XI (1963), 105-127. For an overall view of Church 
  Slavic literature, cf. R. Jakobson, &lt;i&gt;Harvard Slavic Studies&lt;/i&gt; I (1953), 
  37-55 (&quot;The Common Slavic Written Tradition&quot;, in: &quot;The Kernel of Comparative 
  Slavic Literature&quot;); H. Birnbaum, &quot;Grundkonzept und Aufgabenkreis einer 
  vergleichenden kirchenslavischen Literaturforschung&quot;, &lt;i&gt;Das heidnische und 
  christliche Slaventum&lt;/i&gt;, 2 (Wiesbaden, 1970), 127-147.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;5&quot;&gt;5&lt;/a&gt;&lt;/b&gt;. For a comprehensive treatment of the life and work of 
  Constantine and Methodius and their literary legacy, see F. Grivec, &lt;i&gt;
  Konstantin und Method, Lehrer der Slaven&lt;/i&gt; (Wiesbaden, 1960) (commenting on 
  the preference for the term &quot;teachers&quot; over &quot;apostles&quot;, 66-67).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;246&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  medieval Slavic literature. While based on traditional genres and styles, Old 
  Serbian life-writing combined these with some new, original ingredients. Even 
  F. Dölger, an ardent advocate of the superiority of Byzantine civilization 
  over its neighboring Balkan sub-cultures had to single out some of the Old 
  Serbian biographies as literary works which, in his words, &quot;zum erstenmal von 
  der byzantinischen Schablone loskommen und einen frischeren und lebendigeren 
  Zug aufweisen&quot;. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#6&quot;&gt;[6]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Old 
  Serbian life-writing, along with the monuments of monasterial architecture, 
  the most impressive achievement of medieval Serbian culture, follows a rather 
  consistent line of development. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#7&quot;&gt;[7]&lt;/a&gt; Starting with hagiography 
  (both in its popular-narrative as well as in its rhetorical-learned varieties) 
  Serbian biography opens with the two &lt;i&gt;Vitae&lt;/i&gt; of Stephan Nemanja (d. 
  1200), the first independent ruler of a united Serbia, written by his sons, 
  Rastko (St. Sava, d. 1235), the first archbishop of Serbia and&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;6&quot;&gt;6&lt;/a&gt;&lt;/b&gt;. Cf. F. Dölger, &lt;i&gt;Byzanz und die europäische 
  Staatenwelt&lt;/i&gt; (Ettal, 1953), 276 (in: &quot;Die mittelalterliche Kultur auf dem 
  Balkan als byzantinisches Erbe&quot;, 261-281, where also a gradation of the 
  Byzantine influence on the Balkans is suggested); see further &lt;i&gt;id&lt;/i&gt;., &quot;Byzanz 
  und Südosteuropa&quot;, in: &lt;i&gt;Völker und Kulturen Südosteuropas. Kulturhistorische 
  Beiträge &lt;/i&gt;(Munich, 1959), 57-67 and 270-271 (references). For some negative 
  aspects of the Byzantine impact (and partly contradicting Dölger), see J. Matl,
  &lt;i&gt;Die Kultur der Südslawen&lt;/i&gt; (Frankfurt a/M, 1966), 25-26. Cf. further also 
  several papers by I. Dujčev, among them, &quot;Les Slaves et Byzance&quot;, &lt;i&gt;Études 
  historiques à l&#39;occasion du XIe Congrès international des sciences historiques&lt;/i&gt; 
  (Stockholm, 1960) (Sofia, 1960), 31-77; &lt;i&gt;id&lt;/i&gt;., &quot;Les rapports littéraires 
  byzantino-slaves&quot;, &lt;i&gt;Actes du XIIe Congrès international d&#39;études byzantines&lt;/i&gt; 
  (Ohrid, 1961), I (Belgrade, 1963), 411-429; &lt;i&gt;id&lt;/i&gt;., &quot;Bisanzio e il mondo 
  slavo&quot;, in: I. Dujčev, &lt;i&gt;medioevo bizantino-stavo&lt;/i&gt;, I (Rome, 1965), 3-22. 
  On Byzantine-South Slavic literary relations, see &lt;i&gt;id&lt;/i&gt;., &quot;La littérature 
  des Slaves méridionaux au XIIIe siècle et ses rapports avec la littérature 
  byzantine&quot;, in : &lt;i&gt;L&#39;art byzantin du XIIIe siècle &lt;/i&gt;(Symposium de Sopoćani, 
  1965), (Belgrade, 1967), 103-115. On Byzantine-Serbian relations, particularly 
  in the 14th century, see, for example, G. Ostrogorsky, &quot;Problèmes des 
  relations byzantino-serbes au XIVe siècle&quot;, &lt;i&gt;Proceedings of the XIIIth 
  International Congress of Byzantine Studies&lt;/i&gt;, 41-55; with a supplementary 
  contribution by G. C. Soulis, &lt;i&gt;ibid&lt;/i&gt;., 57-61.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;7&quot;&gt;7&lt;/a&gt;&lt;/b&gt;. Cf. J. Matl, &lt;i&gt;Die Kultur der Südslawen&lt;/i&gt;, 15 ; see 
  also &lt;i&gt;id&lt;/i&gt;., Südslawische Studien (Munich, 1965), 15-16. For a general 
  survey of Old Serbian biography in its cultural and literary context, see, for 
  example, A. Schmaus, &quot;Zur Frage der Kulturonentierung der Serben im 
  Mittelalter&quot;, &lt;i&gt;Südost-Forschungen &lt;/i&gt;XV (1956), 179-201, esp. 195-201; S. 
  Hafner, &lt;i&gt;Serbisches Mittelalter: Altserbische Herrscherbiographien&lt;/i&gt;, vol. 
  I: &lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Stefan Nemanja nach den Viten des hl. &lt;/span&gt;&lt;/i&gt;
  &lt;/span&gt;&lt;i&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;
  &lt;span style=&quot;font-size: x-small;&quot;&gt;Sava&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; und Stefans des Erstgekrönten, 
  übersetzt, eingeleitet und erklärt&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; 
  (Graz-Vienna-Cologne, 1962), 13-18; DJ. Sp. Radojičić, &lt;i&gt;Razvojni luk stare 
  srpske književnosti: Tekstovi i komentari&lt;/i&gt; (Novi Sad, 1962), esp. 21-39 
  (the introductory essay first appeared in &lt;i&gt;Letopis Matice srpske&lt;/i&gt;, knj. 
  385, sv. 3/4, 1960, 189-205, 328-346, and was again reprinted in &lt;i&gt;Stara 
  književnost&lt;/i&gt;, Dj. Trifunović, ed., [Belgrade, 1965], 15-52). See also the 
  older, to be sure, strongly biased presentation by V. Jagić, &lt;i&gt;AfslPh&lt;/i&gt; II 
  (1876), 31-47 (in his study &quot;Ein Beitrag zur serbischen Annalistik mit 
  literaturgeschichtlicher Einleitung&quot;), and M. Murko, &lt;i&gt;Geschichte der älteren 
  südslawischen Literaturen&lt;/i&gt; (Leipzig, 1908), 155-164.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;head 
  of its newly established &lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;autocephalic&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt; 
  Church, and King Stephan the First-Crowned (Stefan Prvovenčani, d. 1227 or 
  1228). &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#8&quot;&gt;[8]&lt;/a&gt; To be sure, in addition to their purely 
  hagiographic origins, supplemented by elements of annalistic historiography 
  (chronicle-writing), a significant tie can be shown to exist between these 
  biographies, particularly the less secular though stylistically more popular
  &lt;i&gt;Vita&lt;/i&gt; of Stephan Nemanja by St. Sava, and the two Charters (&lt;i&gt;chrysobulla&lt;/i&gt;) 
  for the Serbian monastery of Hilandar on Mt. Athos, issued by Stephan Nemanja 
  (aided by St. Sava, in 1198-1199) and Stephan the First-Crowned (in 
  1200-1201), respectively. These Charters were patterned on corresponding 
  Byzantine imperial documents. As was convincingly and in great detail 
  demonstrated in a recent study by S. Hafner, a self-contained ideology, 
  unequivocally making reference to the Nemanja dynasty and characterized by an 
  all-pervasive religious motivation as well as by political realism, is already 
  evident in the first of the two Charters for the Hilandar Monastery. This 
  ideology, with some further literary embellishment, was then incorporated by 
  Stephan the First-Crowned into his, the second Charter and subsequently by St. 
  Sava (probably the co-author of the original Charter of 1198-1199) into his 
  Life of Stephan Nemanja. The fusion by St. Sava of large portions of a charter 
  text (&lt;i&gt;prooemium&lt;/i&gt; and &lt;i&gt;narratio&lt;/i&gt;) with components of a different 
  nature and origin (monastic legend, &lt;i&gt;laudatio&lt;/i&gt;, &lt;i&gt;translatio&lt;/i&gt;, i.e., 
  account of the transfer of the remains of a saint or a holy man not yet 
  canonized — here of Stephan Nemanja from the Athonite monastery of Hilandar to 
  the Studenica Monastery in Serbia — historical family or clan tradition, etc.) 
  into an integrated whole was an achievement unprecedented in Slavic writing.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#9&quot;&gt;[9]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;8&quot;&gt;8&lt;/a&gt;&lt;/b&gt;. On Stephan Nemanja and St. Sava, see most recently I. 
  Dujčev, &lt;i&gt;Bibliotheca Sanctorum&lt;/i&gt;, XI (Rome, 1968 [1969]), coll. 522-529 
  and 1163-1165 (&lt;i&gt;s. vv&lt;/i&gt;. SABA and SIMEONE STEFANO NEMANJA, with 
  bibliographical references).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;9&quot;&gt;9&lt;/a&gt;&lt;/b&gt;. See S. Hafner, &lt;i&gt;Studien zur altserbischen 
  dynastischen Historiographie&lt;/i&gt; (Munich, 1964), 54-77 (&quot;Herrscherurkunden als 
  Ausgangspunkt und ideeller Kern der altserbischen Herrscherbiographien&quot;); cf. 
  also &lt;i&gt;id., Serbisches Mittelalter&lt;/i&gt;, 16 and 31-32. On St. Sava&#39;s role in 
  church and cultural history, see, for example, J. Matl, &quot;Der heilige Sawa als 
  Begründer der serbischen Nationalkirche. Seine Leistung und Bedeutung für den 
  Kulturaufbau Europas&quot;, in: &lt;i&gt;Südslawische Studien&lt;/i&gt;, 32-44. On the artistic 
  motif of Paradise as represented in the Hilandar Charter of Stephan the 
  First-Crowned, St. Sava&#39;s Life of Stephan Nemanja, and medieval Serbian 
  miniature painting, see, by way of example, S. Radojčić, &quot;Hilandarska povelja 
  Stefana Prvovenčanog i motiv raja u srpskom minijaturnom slikarstvu&quot;, &lt;i&gt;
  Hilandarski zbornik&lt;/i&gt;, 1, G. Ostrogorsky, ed. (Belgrade, 1966), 41-50 (with 
  French résumé). On Sava and his Life of Simeon (Nemanja), see further &lt;i&gt;Stara 
  književnost&lt;/i&gt;, 271-305 (articles by P. Popović, M. Panić-Surep, B. Kovačević, 
  and M. Crnjanski, published previously elsewhere). Cf. also D. Pavlović, &lt;i&gt;Iz 
  naše starije književnosti&lt;/i&gt; (Sarajevo, 1964), 17-42 (&quot;Sava Nemanjić [Sv. 
  Sava I&quot;).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;The 
  Life of Prince Vladimir of the Zeta region (by and large corresponding to 
  present-day Montenegro) has until quite recently also been mentioned among the 
  sources of Old Serbian life-writing. This biography is contained in the Latin 
  version of the so-called Chronicle of the Priest of Dioclitia (or Dioclia, 
  Serbian Duklja, an earlier name for Zeta), &lt;i&gt;Letopis popa Dukljanina&lt;/i&gt; 
  (also known as &lt;i&gt;Barski rodoslov&lt;/i&gt;), which was hitherto believed to 
  represent a translation of a Slavic original written in the 12th century; the 
  part containing the Life of Vladimir allegedly dated even further back, to the 
  11th century. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#10&quot;&gt;[10]&lt;/a&gt; However, the newest edition of this text 
  by S. Mijušković suggests that we have to do here with a purely fictional 
  literary product rather than with an historical account, that its historical 
  trustworthiness therefore is virtually nil, and that this belletristic piece 
  actually belongs to the late 14th or early 15th, rather than to the 12th 
  century. It is further believed to be the work of only one and not two (or 
  even more) authors as was previously assumed. (Usually one distinguished at 
  least two authors, both referred to as Dukljanin iz Bara : one, supposedly 
  living in the 11th century, also called Zećanin, and the author of the 
  original Life of Prince Vladimir; and a later one, the 12th century writer of 
  the &lt;i&gt;Letopis&lt;/i&gt;.) The author of the original Chronicle of the Priest of 
  Dioclitia was, according to Mijušković, definitely a Serb and not a speaker of 
  a Romance dialect writing in Latin. The preserved Latin version must therefore 
  indeed be considered a translation. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#11&quot;&gt;[11]&lt;/a&gt; Thus, if this 
  reversal in chronology and the reassessment of the &lt;i&gt;Letopis popa Dukljanina&lt;/i&gt; 
  as an historical document and a work of literature turn out to be correct, it 
  should be eliminated from among the texts considered for the prehistory of Old 
  Serbian biography and rather be viewed as paralleling, in some respects, 
  certain of the late medieval representatives of this genre. The preserved text 
  not being in the vernacular and its origin highly controversial to say the 
  least, it will here be excluded from any further consideration.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;10&quot;&gt;10&lt;/a&gt;&lt;/b&gt;. For a discussion of the &lt;i&gt;Letopis&lt;/i&gt; as a possible 
  source for Old Serbian life-writing and of the more advanced culture of 
  littoral Zeta (Diocletia, Duklja) as compared to that of less developed inland 
  Rascia (Raška), see S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 19-20,40-53, and 58. See 
  further also Dj. Sp. Radojičić,&lt;i&gt; Südost-Forschungen&lt;/i&gt; XIX (1960), 87-89 
  and 91-92 (in the paper &quot;Die politischen Bestrebungen in der serbischen 
  mittelalterlichen Geschichtsschreibung&quot;, Serbo-Croatian version in &lt;i&gt;
  Književnost&lt;/i&gt; XXXII, 1961,150-161, reprinted in the volume of the author&#39;s 
  essays, &lt;i&gt;Tvorci i delà stare srpske književnosti&lt;/i&gt; [Titograd, 1963], 
  317-335).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;11&quot;&gt;11&lt;/a&gt;&lt;/b&gt;. Cf. &lt;i&gt;Letopis popa Dukljanina&lt;/i&gt;. Uvod, prevod i 
  komentar: S. Mijušković (Titograd, 1967), esp. 7-120. For the two authors 
  referred to as Dukljanin iz Bara, see further, e.g.&lt;i&gt; Stara književnost&lt;/i&gt;,&amp;nbsp; 
  557.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;St. 
  Sava&#39;s &lt;i&gt;Žitije&lt;/i&gt; of Stephan Nemanja (who assumed the monastic name Simeon, 
  hence also &lt;i&gt;Vita Simeonis&lt;/i&gt;), designed to preface the &lt;i&gt;Typicon&lt;/i&gt; (&lt;i&gt;tipik&lt;/i&gt;) 
  of the Serbian monastery of Studenica, can perhaps still be considered to fall 
  largely within, or at least be closely related to, the genre of hagiography in 
  its popular-narrative variety, in spite of its heterogeneous constituents, its 
  implied dynastic claim, and the fact that Nemanja here — contrary to what is 
  the case in King Stephan&#39;s Life of his father — is never referred to as a 
  saint (thus suggesting a pre-canonization date for its recording). By 
  contrast, his older brother&#39;s biography of their father, though framed in a 
  heavy, ornate hagiographic-rhetorical style, served primarily a secular 
  purpose, focusing on Stephan Nemanja&#39;s worldly rather than on his monastic 
  life. Hagiographic elements and literary devices, among them frequent 
  quotations from the Scriptures and, though more rarely, from the Apocrypha, 
  are abundantly present in the far more elaborate Life of Nemanja by Stephan 
  the First-Crowned and, indeed, play a more prominent role here than in St. 
  Sava&#39;s stylistically somewhat more unassuming account of his father&#39;s life 
  (cf. also, for example, the enumeration of miracles, partly patterned on those 
  ascribed to St. Demetrius, the patron saint of Thessalonica, and an 
  established hagiographic device). Nonetheless, the first Serbian king&#39;s 
  biography of his parental predecessor, with its close-to-life realism and 
  deliberate political historicism very much in the foreground and only 
  superficially veiled by the abstract spiritual wording of hagiography, can, 
  generally speaking, be said to mark the introduction of a more pronounced 
  secular note into Old Serbian biography. Though King Stephan&#39;s &lt;i&gt;Vita&lt;/i&gt; was 
  probably written a few years later than St. Sava&#39;s parallel work, little 
  direct influence of Sava&#39;s &lt;i&gt;Vita Simeonis&lt;/i&gt; on Stephan&#39;s biography could, 
  strange as it may seem, be ascertained. Where such influence exists, it is 
  limited primarily to common elements from the Hilandar Charters, to some 
  shared &lt;i&gt;loci communes&lt;/i&gt;, etc. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#12&quot;&gt;[12]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;
  &lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;b&gt;&lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;12&quot;&gt;12&lt;/a&gt;&lt;/b&gt;.
  &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;St. Sava&#39;s 
  Life of Simeon is believed to have been written, along with the &lt;i&gt;Typicon&lt;/i&gt; 
  of the Studenica Monastery, sometime between 1208 and 1217; King Stephan&#39;s 
  biography of his father is known to have been completed no later than by June, 
  1216. On the relationship between the two earlier &lt;i&gt;Vitae&lt;/i&gt; of Stephan 
  Nemanja (a third one was subsequently authored by Domentijan, cf. below), see 
  V. Ćorović, &quot;Medjusobni odnošaj biografija Stevana Nemanje&quot;, in &lt;i&gt;Svetosavski 
  zbornik&lt;/i&gt;, 1 (Belgrade, 1936), 1-40, esp. 8-13. On Stephan the First-Crowned 
  and his Life of Nemanja, see also &lt;i&gt;Stara književnost&lt;/i&gt;, 309-315 (reprintings 
  of articles by M. Savković and D. Kostić). For some historical and literary 
  commentaries to Sava&#39;s and Stephan&#39;s Lives of Nemanja (Simeon), cf. further S. 
  Hafner, &lt;i&gt;Serbisches Mittelalter&lt;/i&gt;, 31-34, 68-71, and 131-170.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;II&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Subsequently, a third Life of Stephan Nemanja was written by the Hilandar monk 
  Domentijan (completed ca. 1264). In terms of actual biographical data, 
  Domentijan&#39;s Life of St. Simeon does not go beyond the &lt;i&gt;Žitije svetoga 
  Simeona&lt;/i&gt; by Stephan the First-Crowned, his primary source. However, 
  Domentijan&#39;s &lt;i&gt;Vita&lt;/i&gt; of the founder of the Nemanja dynasty is considerably 
  longer. The reason for this is that, while King Stephan&#39;s biography of his 
  father was also characterized by an ornate style (thus contrasting with Sava&#39;s
  &lt;i&gt;Vita Simeonis&lt;/i&gt;), Domentijan&#39;s Life of Stephan Nemanja is not only 
  distinguished by the same heavy, ornamental style as its model, but in 
  addition is abounding in a vast number of inserted panegyrical-rhetorical, 
  allegorical, and lyrical passages and amplifications, not to mention the 
  numerous, often lengthy quotations from the Bible. While no doubt having a 
  well-defined stylistic function within medieval learned hagiography (of which 
  this work must essentially be considered a specimen, cf. below), they 
  nevertheless distract the reader (or listener) from the main narrative. Among 
  the biographically irrelevant theological amplifications is the long passage 
  which Domentijan had taken verbatim from the 11th century Kievan Metropolitan 
  Ilarion&#39;s famous &lt;i&gt;Slovo o zakoně i blagodati&lt;/i&gt;, a panegyrical oration 
  (sermon) in commemoration of St. Vladimir of Kiev. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#13&quot;&gt;[13]&lt;/a&gt; The 
  judgment of the literary qualities of Domentijan&#39;s work has, therefore, varied 
  among scholars, ranging from severely critical, so particularly in earlier 
  times, to fairly appreciative, mostly in recent years when the aesthetic as 
  well as theological role of these seemingly extraneous elements of 
  Domentijan&#39;s &lt;i&gt;Vita Simeonis&lt;/i&gt; has become better understood in the light of 
  their historical context.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;More 
  controversial is another biography by Domentijan, a &lt;i&gt;Vita&lt;/i&gt; of St. Sava, 
  his teacher (written in 1242-1243 or possibly in 1253-1254; even the dating is 
  uncertain). The learned, ornate style (with many digressions) of this Life is 
  largely the same as in his later &lt;i&gt;Vita Simeonis&lt;/i&gt;. In addition to 
  Domentijan&#39;s Life of Sava there exists a second biography of the Serbian 
  archbishop by another Hilandar monk, Teodosije, of whom virtually nothing is 
  known. Teodosije&#39;s &lt;i&gt;Vita&lt;/i&gt; of St. Sava is stylistically quite different 
  from Domentijan&#39;s. It is simple and straightforward, without much elaborate 
  amplification and as such continues in Old Serbian biography the other — 
  popular-narrative — vein of Byzantine hagiography, more akin to St. Sava&#39;s own 
  Life of his father, Stephan&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;13&quot;&gt;13&lt;/a&gt;&lt;/b&gt;. Cf. L. Müller, &lt;i&gt;Des Metropoliten llarion Lobrede 
  auf Vladimir den Heiligen und Glaubensbekenntnis&lt;/i&gt; (Wiesbaden, 1962), 39, 
  49-50, and 104.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;251&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Nemanja&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;. While Domentijan&#39;s Life of St. Sava, designed, 
  one may surmise, for reading in the sophisticated milieu of the Serbian court, 
  does not seem to have been widely read in subsequent years and centuries, 
  Teodosije&#39;s more realistic and naïve account of the chief Serbian saint&#39;s life 
  came to enjoy great popularity. In spite of the vastly different styles (and, 
  presumably, underlying theological and political concepts) in the two Lives of 
  St. Sava, a certain number of common features as regards factual information 
  and interpretation can nonetheless be ascertained so that, contrary to what 
  was the case with the two Lives of Stephan Nemanja by St. Sava and Stephan the 
  First-Crowned, it has been assumed that one of the Lives of St. Sava must have 
  served as a model for the other one. Thus the question of priority arose. 
  Against the generally held view that Domentijan&#39;s Life predates Teodosije&#39;s, 
  objections were raised, for example, by M. Murko as early as in 1908.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#14&quot;&gt;[14]&lt;/a&gt; In recent years a reversal in chronology was suggested 
  by N. Radojčić, and A. Schmaus, too, seemed at one point inclined toward the 
  arguments advocated by Radojčić. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#15&quot;&gt;[15]&lt;/a&gt; However, Dj. Sp. 
  Radojičić and M. Dinić have vigorously argued for the traditional order of 
  priority and Schmaus now seems convinced by their reasoning. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#16&quot;&gt;
  [16]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;III&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Old 
  Serbian biography enters a new — historiographic, or even chronographic — 
  phase with the appearance of the Lives of Serbian Kings and Archbishops (known 
  also as &lt;i&gt;Carostavnik&lt;/i&gt; or &lt;i&gt;Rodoslov&lt;/i&gt;, as they were mislabeled in 
  later copies) by Archbishop Danilo II (formerly Abbot of the Hilandar 
  Monastery on Mt. Athos, d. 1337) and his successors. Foremost among these were 
  the anonymous so-called Disciple of Danilo&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;14&quot;&gt;14&lt;/a&gt;&lt;/b&gt;. Cf. M. Murko, &lt;i&gt;op. cit&lt;/i&gt;., 159.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;15&quot;&gt;15&lt;/a&gt;&lt;/b&gt;. Cf. N. Radojčić, &quot;Dva Teodosija Hilandarca&quot;, &lt;i&gt;Glas 
  SAN&lt;/i&gt; CCXVIII (1956), 1-27; A. Schmaus, &lt;i&gt;Südost-Forschungen&lt;/i&gt; XV (1956), 
  196.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;16&quot;&gt;16&lt;/a&gt;&lt;/b&gt;. Cf. Dj. Sp. Radojičić, &quot;O starom srpskom književniku 
  Teodosiju&quot;, &lt;i&gt;Istor. časopis&lt;/i&gt; (&lt;i&gt;SAN&lt;/i&gt;), knj. IV (1952-1953), 13-42; M. 
  J. Dinić, &quot;Domentijan i Teodosije&quot;, &lt;i&gt;Prilozi za književnost&lt;/i&gt; XXV (1959), 
  5-12; A. Schmaus, &quot;Die literaturhistorische Problematik von Domentijans Sava-Vita&quot;,
  &lt;i&gt;Opera Slavica&lt;/i&gt; IV (&lt;i&gt;Vorträge auf dem V. Internationalen 
  Slawistenkongress&lt;/i&gt;, Sofia, 1963), (Göttingen, 1963), 121-142, esp. 123. On 
  Domentijan and Teodosije, see further also &lt;i&gt;Stara književnost&lt;/i&gt;, 319-380 
  (articles, partly reprinted, by V. Corović, Dj. Trifunović, G. Subotić; M. 
  Savković, S. Vulović, G. Subotić, D. Kostić). On some parallels between 
  Domentijan&#39;s literary style and certain features of medieval Serbian murals, 
  see further also G. Subotić, &quot;Aperçus sur certains traits stylistiques de 
  l&#39;œuvre de Domentijan et de la peinture monumentale du XIIIe siècle&quot;, in:&lt;i&gt; 
  L&#39;art byzantin du XIIIe siècle&lt;/i&gt;, 125-130.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;252&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  (author of some additional &lt;i&gt;Vitae&lt;/i&gt;, including Danilo&#39;s, and compiler of 
  the first &lt;i&gt;Zbornik žitija kraljeva i arhiepiskopa srpskih&lt;/i&gt;) and Patriarch 
  Danilo III (also called Danilo the Younger, d. between 1396 and 1399). The 
  literary attitudes of the individual authors of this collection of Lives show 
  considerable variation. Thus, for example, Archbishop Danilo&#39;s style, 
  resembling Teodosije&#39;s in many respects, generally displays a clear poetic, 
  not to say, lyrical, talent (brought to fruition in his religious poetry) ; 
  the strength of artistic concept and style of his Disciple, on the other hand, 
  lies rather in an ability to render dramatic scenes and in the employment of 
  an even, chronicle-like narrative style. As a whole these Lives of Serbian 
  Kings and Archbishops have been analyzed and discussed most notably by N. 
  Radojčić in the foreword to his 1935 edition of this gallery of Old Serbian 
  portraits. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#17&quot;&gt;[17]&lt;/a&gt; Radojčić has suggested — and his idea has 
  been taken up again by A. Schmaus &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#18&quot;&gt;[18]&lt;/a&gt; — that the Lives of 
  Serbian Kings and Archbishops were originally conceived as a consistent whole, 
  that is to say, that they were not combined into a larger unit only at some 
  later date. According to Radojčić, Danilo&#39;s &lt;i&gt;Vitae&lt;/i&gt; are patterned on an 
  established, largely inflexible design: a theological introduction, followed 
  by the main body, or exposition, containing the historical presentation with 
  some further theological and rhetorical insertions (amplifications), and, 
  finally, a rhetorical conclusion, usually with an account of the miracles 
  ascribed to the protagonist. However, a rigorous definition, in literary 
  terms, of the stylistic and compositional elements making up this specific 
  sub-type of the Old Serbian &lt;i&gt;vita&lt;/i&gt; genre has not yet been formulated. 
  Radojćić argues that, while containing components of each : hagiography, 
  historiography, and panegyrical rhetoric (the last perhaps the most stressed, 
  but actually the relatively least important one), the Lives of Danilo and his 
  school cannot reasonably be assigned to any of these three kinds of 
  literature. Though Danilo (for reasons not quite clear) did not include among 
  his Lives those of the founder of the dynasty, Stephan Nemanja, or his sons, 
  it appears that the last Serbian archbishop in writing his series of 
  portrayals of Serbian lay and church&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;17&quot;&gt;17&lt;/a&gt;&lt;/b&gt;. Cf. N. Radojčić, &quot;O arhiepiskopu Danilu II i njegovim 
  nastavljačima&quot;, foreword to: Arhiepiskop Danilo, &lt;i&gt;Životi kraljeva i 
  arhiepiskopa srpskih&lt;/i&gt; (transl. L. Mirković), (Belgrade, 1935), V-XXVIII 
  (reprinted as &quot;Životopisački rad arhiepiskopa Danila II i njegovih nastavljača&quot;, 
  in: &lt;i&gt;Stara književnost&lt;/i&gt;, 383-401). See further Dj. Sp. Radqjičić, &quot;Arhiepiskop 
  srpski Danilo II&quot; and &quot;Danilov učenik i Danilo Mladji&quot;, in : &lt;i&gt;Tvorci i delà 
  stare srpske književnosti&lt;/i&gt;, 113-122 (the original versions appeared in &lt;i&gt;
  Braničevo&lt;/i&gt; VI, 1960, 1-7, and &lt;i&gt;Prilozi za književnost jezik, istoriju I 
  folklor&lt;/i&gt; XXV, 1959, 80-81, respectively).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;18&quot;&gt;18&lt;/a&gt;&lt;/b&gt;. Cf. N. Radojčić, op. cit., XX-XXII; A. Schmaus, &lt;i&gt;
  Südost-Forschungen&lt;/i&gt; XV (1956), 196-197.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;253&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  rulers attempted to resume the biographical-dynastic tradition initiated by 
  St. Sava and Stephan the First-Crowned — a tradition from which Domentijan&#39;s 
  and even Teodosije&#39;s life-writing must be considered a slight deviation 
  (designed as their work was for more purely theological and edificatory 
  purposes). &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#19&quot;&gt;[19]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;If 
  Radojčić&#39;s interpretation is correct (and it stands to reason that it is), 
  Danilo&#39;s and his successors&#39; Lives would mark a gradual withdrawing from 
  hagiography proper and a moving toward secular biography. The overall 
  historiographic-chronological alignment of Serbian princes of State and Church 
  — a duality paralleled in Byzantium by its Emperor-Patriarch relationship 
  subordinated to the concept of &#39;Caesaropapism&#39; &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#20&quot;&gt;[20]&lt;/a&gt; — must 
  have been alien to the essence of hagiography in view of this genre&#39;s 
  preference for typification rather than individualization of characters.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;IV&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In 
  the Lives of Serbian Kings and Archbishops by Danilo II and his successors, 
  Old Serbian biography had reached a point in its development where this 
  medieval Slavic genre, being, as it were, at a crossroads, could turn in one 
  of two directions: either back to its origins (i.e., to hagiography, the 
  paraphernalia of which it had been carrying along, to a large extent, through 
  its gradual secularization) or into wholly secular life-writing serving purely 
  political and historical, but no longer any truly religious purposes. The next 
  major representatives of Old Serbian biography to appear in Serbian literature 
  after a temporary pause were Grigorije (Grigorij) Camblak and Constantine of 
  Kostenec (Konstantin Kostenecki or Kostenečki, also known as &quot;the 
  Philosopher&quot;). Both foreigners to Serbia, victims of the Turkish inundation of 
  the Balkan Slavs (having far-reaching ramifications also in Russia and causing 
  there&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;19&quot;&gt;19&lt;/a&gt;&lt;/b&gt;. Generally on the genealogy of the Nemanja dynasty, 
  see, for example, J. Matl, &lt;i&gt;Südslawische Studien&lt;/i&gt;, 46-57 (&quot;Genealogie und 
  geschichtliche Leistung des serbischen Königshauses der Nemanjiden&quot;). On the 
  political tendencies in medieval Serbian historiography, see also the above 
  (note 10) quoted article by Dj. Sp. Radojičić, &quot;Die politischen Bestrebungen 
  in der serbischen mittelalterlichen Geschichtsschreibung&quot; and, in particular, 
  the previously mentioned monograph by S. Hafner, &lt;i&gt;Studien zur altserbischen 
  dynastischen Historiographie&lt;/i&gt; (cf. note 9).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;20&quot;&gt;20&lt;/a&gt;&lt;/b&gt;. This duality had, with some qualifications, its 
  counterpart also in the West with its shifting balance of power and authority 
  between the Emperor and the Pope within the Holy Roman Empire; cf., in this 
  context, the Catalogus brevispontificum Romanorum et imperatorum, written by 
  the Dominican Bernardus Guidonus, a contemporary of the Serbian Archbishop 
  Danilo II.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;254&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;a 
  cultural revival known as the Second South Slavic Influence), they mark the 
  turning of medieval Serbian life-writing in precisely the two aforementioned 
  directions: Camblak returned to hagiography, now cast in the spirit of 
  Hesychasm, and Constantine the Philosopher turned toward secular biography 
  (while retaining some of the outward, purely stylistic apparatus of 
  hagiography). &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#21&quot;&gt;[21]&lt;/a&gt; Whereas Camblak, however, must be 
  considered an isolated phenomenon without any immediate followers in the 
  biographical genre (at least in his time and in Serbia), &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#22&quot;&gt;[22]&lt;/a&gt; 
  Constantine&#39;s &lt;i&gt;Vita&lt;/i&gt; represents at once the peak and a temporary closing 
  of the fairly consistent line of development (from panegyrical hagiography 
  toward historical, secularized biography) of Old Serbian life-writing. (Subse-&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;21&quot;&gt;21&lt;/a&gt;&lt;/b&gt;. On the Second South Slavic Influence in Russia, see, 
  in particular, D. S. Lixačev, &quot;Nekotorye zadači izučenija vtorogo 
  južnoslavjanskogo vlijanija v Rossii&quot;, &lt;i&gt;Issledovanija po slavjanskomu 
  literaturovedeniju i fol&#39;kloristike&lt;/i&gt; (Moscow, 1960), 95-151; &lt;i&gt;id&lt;/i&gt;., &lt;i&gt;
  Kul&#39;tura Rusi vremeni Andreja Rubleva i Epifanija Premudrogo&lt;/i&gt; (Moscow and 
  Leningrad, 1962). Both Camblak and Constantine were spiritual offspring of the 
  neo-Byzantine so-called Trnovo School, headed by the last Bulgarian Patriarch 
  Evtimij (Euthymius, d. ca. 1401-1402). The religious-literary-linguistic 
  doctrine propagated by the Trnovo School made a great impact not only in 
  Bulgaria, but also in Serbia, Walachia-Moldavia, and Russia. It is in this 
  supranational Church-Slavic context that one has to view the hagiographic and 
  homiletic writings of men such as Camblak (Dzamblak, Camvlach), probably a 
  Bulgarized Walachian, active in Bulgaria, Serbia, Russia (where he for a short 
  time became Metropolitan of Kiev and as such attended the Council of 
  Constance!), and Moldavia-Walachia, of Constantine of Kostenec, a Bulgarian 
  who had fled to Serbia, of Kiprian (Kiprijan, Cyprianus), a Bulgarian, 
  Serbianized during an extended stay at Mt. Athos, and a relative of Camblak 
  who had come to Russia (where he, too, became Metropolitan of Kiev), of 
  Paxomij Logofet (Pachomius Logothetes, also called &quot;the Serb&quot;), a Serbian 
  working and writing in Russia. Cf. on some of these writers&#39; role in Old 
  Russian — of, rather, Russian Church-Slavic — literature, for example, D. 
  Čiževskij, &lt;i&gt;History of Russian Literature: From the Eleventh Century to the 
  End of the Baroque&lt;/i&gt; (The Hague, 1960), 162-165 and 180-185; A. Stender-Petersen,
  &lt;i&gt;Geschichte der russischen Literatur&lt;/i&gt;, I (Munich, 1957), 172-174 and 
  179-184. On the residual hagiographic characteristics in Constantine&#39;s 
  biography, see K. M. Kujew (Kuev), &lt;i&gt;Konstantyn Kostenecki w literaturze 
  bułgarskiej i serbskiej&lt;/i&gt; (Cracow, 1950), 107-109. For an assessment of 
  Kuev&#39;s work, see I. Dujčev, &lt;i&gt;Byzsl&lt;/i&gt; XIII (1952-1953), 328-334, esp. 
  332-333 (on the Biography of Stephan Lazarević). Generally on Athonite 
  Hesychasm and its theological (dogmatic) foundation (primarily by Gregory 
  Palamas), cf., for example, S. Vryonis, &lt;i&gt;Byzantium and Europe&lt;/i&gt; (London, 
  1967), 170; for details (with further references), see H.-G. Beck, &lt;i&gt;op. cit&lt;/i&gt;. 
  322-332, 364-368 and 712-798. See Addendum on p. 284.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;22&quot;&gt;22&lt;/a&gt;&lt;/b&gt;. Hagiography being vigorously revived in Russia, 
  Camblak soon had many followers there, foremost among them Epifanij Premudryj 
  (Epiphanius &quot;the Wise&quot;), the author of two masterly Lives of Saints; cf. D. 
  Ciževskij, &lt;i&gt;History&lt;/i&gt;, 167-180; A. Stender- Petersen, &lt;i&gt;op. cit.&lt;/i&gt;, 
  174-179. In Serbia, Camblak&#39;s delayed influence can be traced in hagiography 
  and iconography of subsequent centuries, so, for example, in the work of 
  Zograf Longin (Zographus Longinus, 16th c.) who, inspired by Camblak&#39;s &lt;i&gt;Vita&lt;/i&gt;, 
  painted a famous icon with scenes from the life of Stephan Dečanski; cf. M. 
  Šakota, &quot;Zograf Longin, slikar i književnik XVI veka&quot;, &lt;i&gt;Stara književnost&lt;/i&gt;, 
  533-540.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;255&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;quent&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;, 
  post-medieval &lt;i&gt;žitija&lt;/i&gt; — with the possible exception of the works by the 
  17th century Patriarch Pajsije Janjevac, especially his &lt;i&gt;Žitije cara Uroša&lt;/i&gt;
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#23&quot;&gt;[23]&lt;/a&gt; — being less significant both as historical documents 
  and in terms of literary quality, will not be discussed in this paper.) Though 
  differently oriented, worldly rulers appear as heroes both in Camblak&#39;s 
  contribution to medieval Serbian life-writing, the &lt;i&gt;Vita&lt;/i&gt; of Stephan 
  Dečanski (the father of the famed Serbian king and subsequent &#39;tsar&#39; Stephan 
  Dušan — never himself the subject of any complete panegyrical biography),
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#24&quot;&gt;[24]&lt;/a&gt; and in Constantine&#39;s Life of the &#39;despot&#39; Stephan 
  Lazarević, a ruler of one of the semi-independent Serbian petty states which 
  resulted from the defeat of the Serbs in the battle of Kosovo and a great 
  Maecenas and outstanding man of letters in his own right.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Camblak&#39;s&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt; &lt;i&gt;Vita&lt;/i&gt; of King Stephan Uroš III Dečanski 
  does not rank high as an historical document in comparison with other Old 
  Serbian biographies. The information provided by Camblak, especially 
  concerning the spiritual strife in Constantinople, is not only biased but also 
  inaccurate. On the other hand, his biography is characterized by outstanding 
  literary qualities. It is marked by an almost intimate lyricism&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;23&quot;&gt;23&lt;/a&gt;&lt;/b&gt;. On the biographical writing of Pajsije Janjevac, 
  showing an admixture of popular elements, see, for example, &lt;i&gt;Stara 
  književnost&lt;/i&gt;, 543-554 (articles by P. Popović and N. Radojčić, previously 
  published elsewhere).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;24&quot;&gt;24&lt;/a&gt;&lt;/b&gt;. There exists only a very incomplete &lt;i&gt;Žitije kralja 
  Dušana&lt;/i&gt; by his contemporary, Danilo&#39;s anonymous Disciple (incorporated, 
  sometime between 1337 and 1340, in his &lt;i&gt;Zbornik žitija kraljeva i 
  arhiepiskopa srpskih&lt;/i&gt;) which covers merely the first few years of Dušan&#39;s 
  rule. The fact that no full-length biography of Stephan Dušan was subsequently 
  written can be partly explained by his elevating, in 1346, the Serbian 
  archbishop to the rank of patriarch and proclaiming himself &quot;Tsar (i.e., 
  emperor) of the Serbs and &#39;Romaians&#39; (&lt;i&gt;Romaioi&lt;/i&gt;, i.e., Greeks), of 
  Bulgars and Albanians&quot;. Both of these clearly anti-Byzantine acts were 
  resented by the pro-Byzantine Athonite monks, including those of the Serbian 
  Hilandar Monastery, who were located in the sphere of influence of Byzantium 
  and subordinated directly to the Patriarch of Constantinople. Thus, while the 
  political goals and aspirations of the Serbian kings and archbishops from St. 
  Sava to Danilo II had largely coincided with those of the monastic community 
  of the Holy Mountain and the Hilandar Monastery in particular, the latter for 
  all practical purposes being the mouthpiece of the Serbian court in its 
  dynastic and other claims or at least serving in an advisory capacity to the 
  court, this situation suddenly changed when Stephan Dušan challenged Byzantium 
  and prepared to turn against it. As a result, and for some additional, less 
  transparent reasons, the greatest ruler of medieval Serbia has been left 
  without a full-scale panegyrical elaboration of his biography. It should be 
  noted, in this context, that most of the Old Serbian biographers were, at 
  least at some stage of their life, monks at Hilandar (St. Sava, Domentijan, 
  Teodosije, Danilo II). The two last important representatives of this genre, 
  Camblak and Constantine, both foreigners, also spent some time on Mt. Athos. 
  On a beginning theological-political polarization between the Serbian court 
  and the Athonite monks, as possibly reflected in Domentijan&#39;s and Teodosije&#39;s 
  writings, see below.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;256&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;and 
  religious feeling rarely encountered in other works of medieval Serbian 
  literature. Moreover, its overall structure and composition testify to its 
  author&#39;s thorough literary, indeed, artistic schooling acquired in the 
  Hesychast circles of Trnovo and its new form of Church Slavic literature, now 
  heavily ornate. Camblak&#39;s &lt;i&gt;Vita&lt;/i&gt; is full of panegyrical rhetoric in the 
  Byzantine vein for his hero, the founder of the Decani Monastery, while it 
  shows rancor toward his son, Stephan Dušan. Here the author&#39;s mood seems to 
  reveal his sympathy with the Athonite monks and their superior, the Patriarch 
  of Constantinople (cf. note 24). In addition, it may reflect his attitude 
  toward Dušan&#39;s role in the dethroning and later assassination of his father. 
  The &lt;i&gt;Vita&lt;/i&gt; also contains a picturesque description of the Decani region 
  and of the construction of the local church, one of the pearls of medieval 
  Serbian architecture. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#25&quot;&gt;[25]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In 
  contrast, the Life of Stephan Lazarević by Constantine of Kostenec must be 
  considered an historical source of primary importance. These were the times 
  when — after the battle of Kosovo — the Ottoman Turks swamped the Balkans and 
  Constantine&#39;s work, therefore, focuses on the history of the Turkish expansion 
  (and on Turkish history in general) while only mentioning in passing Stephan&#39;s 
  dealings with his western and northern neighbors, especially Hungary. Since 
  Byzantine history between 1360 and 1420 is rather obscure, the information 
  contained in Constantine&#39;s &lt;i&gt;Vita&lt;/i&gt; is of particular interest. By and 
  large, Constantine&#39;s account is reliable while showing a certain bias for his 
  hero who, as previously mentioned, was not only a skillful political and 
  military leader, successfully maneuvering to achieve a certain degree of 
  independence from his Turkish overlord, but also a personality of great 
  culture and education. As opposed to many previous Serbian rulers, however, he 
  was never canonized, and Constantine&#39;s attempts to trace his genealogy back to 
  Emperor Constantine the Great are among the few fantastic, historically 
  unfounded passages in his Life.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Whereas we meet a true dogmatic in Constantine&#39;s other major work, his 
  treatise on orthography (&lt;i&gt;Skazanie&lt;/i&gt;) interpreting Patriarch Evtimij&#39;s 
  teaching in a narrow, formalistic, almost fanatic fashion and urging the&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;25&quot;&gt;25&lt;/a&gt;&lt;/b&gt;. For some discussion of the Serbian phase of Camblak&#39;s 
  life and work, see, for example, Dj. Sp. Radojičić, &quot;O Grigoriju Camblaku&lt;i&gt;&quot;, 
  Glasnik Srp. akad. nauka&lt;/i&gt; I (1949), 172-175 (reprinted in his volume &lt;i&gt;
  Tvorci i dela&lt;/i&gt;, 175-182); P. Popović, &#39;&quot;Žitije Stefana Dečanskog&#39; Grigorija 
  Camblaka&quot;, a section of the Introduction to: &lt;i&gt;Stare srpske biografije XV i 
  XVII veka. Camblak, Konstantin i Pajsije&lt;/i&gt; (transi. L. Mirković), (Belgrade, 
  1936), XII-XXXVI; and Dj. Trifunović, &quot;Emocionalni mehanizam Camblakovih 
  ličnosti&quot;, &lt;i&gt;Delo&lt;/i&gt;, knj. VII, sv. 10 (1961), 1214-1222 (both reprinted in:
  &lt;i&gt;Stara Književnost&lt;/i&gt;, 423-446).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;257&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  fighting of moral decay and heresy by a slavish imitation of Byzantine models, 
  Constantine&#39;s Life of Stephan Lazarević shows a mature, balanced and generous 
  man at work. This difference in approach may be only partially explained by 
  the different subject matter and, accordingly, the choice of literary genre. 
  More important, it seems, is the fact that Constantine wrote his orthographic 
  treatise as a young man, while the biography of his patron is the 
  accomplishment of a mature man, experienced in court life and accustomed to 
  associating with political leaders. Thus, as pointed out by Schmaus,
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#26&quot;&gt;[26]&lt;/a&gt; we can distinguish two components in Constantine&#39;s 
  writings (disregarding in this context his short travel account from the Holy 
  Land): a Bulgarian one, following and reinterpreting the tradition of the 
  Trnovo School, ultimately inspired by Hesychasm, and pleading (in a humanistic 
  spirit, as it were) for a return to the sources of Orthodox Christianity, its 
  Greek originals and the earliest Slavic (Old Church Slavic) texts; and, a 
  Serbian one, a product of his mature political thinking and historical realism 
  for which he could not draw on any examples in the Hesychast, world-renouncing 
  literature of Bulgaria. Though he may have been influenced in this respect by 
  Byzantine secular historiography — a possibility quite plausible in view of 
  Constantine&#39;s Greek erudition — his main source of inspiration for the 
  biography of Stephan Lazarević came from his new Serbian milieu: the tradition 
  of Old Serbian life-writing which culminated in his own &lt;i&gt;Vita&lt;/i&gt;. Some 
  aspects of Constantine&#39;s style and literary technique will be briefly 
  discussed below (see section VIII). &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#27&quot;&gt;[27]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;26&quot;&gt;26&lt;/a&gt;&lt;/b&gt;. Cf. &lt;i&gt;Südost-Forschungen&lt;/i&gt; XV (1956), 200-201.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;27&quot;&gt;27&lt;/a&gt;&lt;/b&gt;. On Constantine the Philosopher&#39;s life and work 
  (including his treatise on orthography, a narrowly conceived continuation of 
  the linguistic endeavors of the Trnovo School giving rise to its Serbian 
  offshoot, the so-called Resava School), see in particular K. M. Kujew (Kuev),
  &lt;i&gt;op. cit&lt;/i&gt;.; on the Life of Stephan Lazarević, cf. esp. 86-112. Of 
  references listed by Kuev (122-126), see in particular St. Stanojević, &quot;Die 
  Biographie Stefan Lazarević&#39;s von Konstantin dem Philosophen als 
  Geschichtsquelle&quot;, &lt;i&gt;AfslPh&lt;/i&gt; XVIII (1896), 409-472, and Ju. Trifonov, &quot;Život 
  i dejnost na Konstantina Kostenecki&quot;, &lt;i&gt;Spisanie BAN&lt;/i&gt; LXVI (Sofia, 1943), 
  223-285. Constantine&#39;s &lt;i&gt;Vita&lt;/i&gt; is also available in an abridged bilingual 
  (Old Serbian-German) edition: M. Braun, &lt;i&gt;Lebensbeschreibung des Despoten 
  Stefan Lazarević von Konstantin dem Philosophen im Auszug herausgegeben und 
  übersetzt&lt;/i&gt; (The Hague and Wiesbaden, 1956). The best modern translation of 
  the Life of Stephan Lazarević is still the one into contemporary Serbocroatian 
  by L. Mirković, in &lt;i&gt;Stare srpske biografije XV i XVII veka&lt;/i&gt; (Belgrade, 
  1936), 43-125, including many new, well-founded interpretations of difficult 
  passages. See further also &lt;i&gt;Stara književnost&lt;/i&gt;, 449-479 (articles by P. 
  Popović, Dj. Trifunović, O Nedeljković, I. Grickat-Radulović, published 
  previously elsewhere). On the use of acrostics by Constantine, see Dj. Sp. 
  Radojičić, &lt;i&gt;Südost-Forschungen&lt;/i&gt; XVII (1958), 145-146 (in his study &quot;Das 
  Akrostichon in der altserbischen Literatur&quot;, Serbian version: &quot;Akrostih u 
  staroj srpskoj književnosti&quot;, in &lt;i&gt;Tvorci i dela&lt;/i&gt;, 95-101, esp. 96-97); 
  and &lt;i&gt;id&lt;/i&gt;., &quot;Završni akrostih kod Konstantina Filozofa, &#39;prevodnika&#39; i &#39;učitelja 
  srpskog&#39; &quot;, &lt;i&gt;Letopis Matice srpske&lt;/i&gt; 388, 1961, 479-485 (reprinted in: &lt;i&gt;
  Tvorci i dela&lt;/i&gt;, 239-245).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;258&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;V&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Reference has already been made here to the varying attitudes which historians 
  and literary scholars have held regarding the works of Old Serbian biography. 
  The founder of modern scholarship in the field of South Slavic literature, the 
  Slovak Slavist P. J. Šafarik, was fairly appreciative of St. Sava&#39;s and 
  Domentijan&#39;s &lt;i&gt;Vitae&lt;/i&gt;. On the other hand, he found little literary or 
  historical merit in the biographical portraits by Danilo II and his 
  successors. The general appraisal of medieval Serbian life-writing soon 
  dropped to an all-time low in the estimation of the Russian Slavophiles of the 
  second half of the last century. Their view reflected their own romantic 
  thinking about the Slavic Middle Ages rather than any attempt to gain a deeper 
  understanding of medieval Serbia in the framework of its historical, 
  Byzantine-Balkan context. Typical of this attitude were, for example, the 
  statements of A. F. Gil&#39;ferding, a well-known Slavist and folklorist, who as 
  Russian consul in Sarajevo had an opportunity to study medieval Serbian 
  writings at first hand. Using his own moral standards, Gil&#39;ferding condemned 
  as hypocritical the religious zeal of the Old Serbian biographers when they 
  praised as saints many a cold-blooded criminal whose frightful deeds they did 
  not hesitate to describe, stunning their readers (and listeners) with 
  information such as the following: &quot;And after this pious King Uroš [viz., 
  Stephan Uroš II Milutin] had blinded his beloved son Stephan...&quot; or &quot;This 
  pious King Uroš [viz., Stephan Uroš III Dečanski] felt hatred for his beloved 
  son and instead of surrounding him with great love he began to hate him unto 
  death&quot;, etc.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;A 
  change of attitude toward a more positive appraisal of the Old Serbian vitae 
  can first be found in the History of Serbian Literature &lt;i&gt;(Istorija sprske 
  književnosti&lt;/i&gt;, 1871) by St. Novaković. Approaching medieval historical 
  consciousness from the position of European Late Romanticism, this scholar 
  recognized in Old Serbian biography a rare (for the Middle Ages) instance of 
  individualized historiography. It is worth noting here that the great Serbian 
  philologist Dj. Daničić, the first to publish a number of medieval Serbian 
  texts in scholarly editions of highest quality by contemporary standards, 
  refrained — following the example of his teacher F. Miklosich — from any 
  lengthy comments regarding the overall level of Old Serbian literature. Still, 
  it is known&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;that 
  Daničić was of the opinion that the quality of Old Serbian writing (and, for 
  that matter, of the moral fiber of the Nemanja state) declined as the power of 
  medieval Serbia increased and its territory expanded.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;By 
  and large a rather reserved, if not negative, view of Old Serbian biography 
  was taken by another of Miklosich&#39;s students, the internationally renowned 
  Croatian Slavist V. Jagić. While initially favoring St. Sava&#39;s simple, 
  unassuming language as compared to the ornate style of subsequent biographers, 
  he later preferred the Life of Simeon (Nemanja) by Stephan the First-Crowned 
  to Sava&#39;s because of the longer biography&#39;s greater wealth of data and its 
  relatively lucid presentation. Jagić considered Domentijan&#39;s &lt;i&gt;Vitae&lt;/i&gt; 
  vastly overrated by Šafarik but saw at least some historical merit in Danilo&#39;s 
  and his Disciple&#39;s work, and recognized Camblak&#39;s style as more vivid and 
  flowery. He showed little appreciation for Constantine of Kostenec, finding 
  his Life of Stephan Lazarević overly stilted and burdened with learning. In 
  general, Jagić felt that Old Serbian literature was much too heavily dependent 
  on Byzantine models and that, in this respect, it compared poorly with Old 
  Russian writing, especially with the kind of historiography found in the 
  so-called Nestor Chronicle.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In 
  the beginning of this century, yet another of Miklosich&#39;s former students, the 
  Slovene M. Murko, in his History of Early South Slavic Literature (&lt;i&gt;Geschichte 
  der älteren südslawischen Litteraturen&lt;/i&gt;, 1908) went a step further in 
  depreciating the value and significance of the &quot;original religious and secular 
  literature&quot; of medieval Serbia, echoing and, indeed, quoting the pertinent 
  views of Russian Slavophiles (Golubinskij, Gil&#39;ferding). In addition to 
  reproaching the Old Serbian panegyrical writers for their monastic 
  exclusiveness, their lack of historicism, and their verbosity — all closely 
  following Byzantine patterns — Murko, like Gil&#39;ferding before him, decried 
  their hypocrisy as one of the worst outgrowths of Byzantinism among the Slavs.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;The 
  definite turning point, marking a new and more just assessment of Old Serbian 
  biography, came in 1910 when the outstanding Serbian literary historian P. 
  Popović, taking up some of Novaković&#39;s earlier ideas, first published his 
  Survey of Old Serbian Literature (&lt;i&gt;Pregled stare srpske književnosti&lt;/i&gt;, 
  with many subsequent editions). In this work the hagiographic-historiographic 
  vitae — along with their companions, the panegyrical &lt;i&gt;encomia&lt;/i&gt; (Serbian
  &lt;i&gt;pohvale&lt;/i&gt;) — were singled out as occupying a special place in Old Serbian 
  writing and their particular literary merits as well as their importance as 
  historical documents were emphasized. Only now, inspired by Popović&#39;s work and 
  the writings of K. Jireček in the field of Serbian history, did one begin to 
  fully realize the necessity&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;260&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;for a 
  close philological and literary scrutiny of the Old Serbian texts based on new 
  critical editions. The numerous studies of Old Serbian biography by scholars 
  such as V. Corović, N. Radojčić, V. Mošin, Dj. Sp. Radojičić, D. Pavlović, I. 
  Dujčev, and others, supplemented in more recent years by some important 
  contributions from West European, particularly Austrian and German, 
  specialists such as A. Schmaus, D. Tschižewskij, J. Matl, and S. Hafner, have 
  shed new light and brought about a better understanding not only of many of 
  the intricate details of Old Serbian life-writing, but also of its overall 
  significance and place in early Serbian history and civilization as these 
  relate both to Byzantium and the rest of the Slavic world. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#28&quot;&gt;[28]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Of 
  literature published after 1960, Hafner&#39;s two books, his dissertation &lt;i&gt;
  Studien&lt;/i&gt; and his annotated translation &lt;i&gt;Serbisches Mittelalter&lt;/i&gt; (both 
  quoted above), are of considerable significance. In particular, focusing on 
  St. Sava, Stephan the First-Crowned, and Danilo II and his successors while 
  paying less attention to Domentijan and Teodosije and virtually ignoring 
  Camblak and Constantine of Kostenec, his dissertation seeks to elucidate the 
  intellectual and historical background of the genesis of the Old Serbian 
  Lives. It traces their ideological core to the Charters issued by the Serbian 
  rulers for the foundation of various monasteries (Hilandar, Studenica, Decani, 
  etc.), and elaborates subsequently on the stereotyped themes (&lt;i&gt;topoi&lt;/i&gt;) 
  and motifs of the investigated texts. Important also among more recent studies 
  is an article by M. I. Mulić, examining primarily the style of Domentijan, 
  Teodosije, and Danilo and his school. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#29&quot;&gt;[29]&lt;/a&gt; Mulić&#39;s attempt 
  to explain, at least in part, the abundant use of quotations from the 
  Scriptures in Domentijan as an expression of the medieval Serbian monk&#39;s 
  presumed wish to influence the Serbian King Uroš I toward closer ties with 
  Byzantium and the Patriarch of Constantinple rather than with Hungary, Venice, 
  and the Pope may seem less con-&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;28&quot;&gt;28&lt;/a&gt;&lt;/b&gt;. For a detailed account, with bibliographical 
  documentation, of the appraisal of Old Serbian biography by modern scholarship 
  (beginning with Šafarik and until ca. 1960), see S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 
  1-9, on which the preceding brief survey is based. Cf. now also the integrated 
  treatment of South Slavic literature of the Late Middle Ages by D. 
  Tschižewskij (Čiževskij), &lt;i&gt;Vergleichende Geschichte der slavischen 
  Literaturen&lt;/i&gt;, I (Berlin, 1968), 62, 66-69, 81-85 (with, unfortunately, some 
  factual errors: listing Paxomij under Bulgaria, 62; giving incorrect death 
  dates for Sava and Stephan the First-Crowned, 67; and attributing the passage 
  from Ilarion to the Life of Nemanja by Stephan the First-Crowned instead of to 
  the one by Domentijan, 69). Of other work on Old Serbian life-writing by 
  scholars mentioned here, cf. above.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;29&quot;&gt;29&lt;/a&gt;&lt;/b&gt;. See M. I. Mulič (Mulić), &quot;Serbskie agiografy X1II-XIV 
  vv. i osobennosti ix stilja&quot;, in: &lt;i&gt;Literaturnye svjazi drevnix slavjan&lt;/i&gt; 
  (Leningrad, 1968) (= &lt;i&gt;TODRL&lt;/i&gt; XX111), 127-142.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;261&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  vincing&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#30&quot;&gt;[30]&lt;/a&gt; Similar reservations 
  could be voiced against his emphasis on a political-ideological motivation for 
  Teodosije&#39;s writings, among them his &lt;i&gt;Vita&lt;/i&gt; of &lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Sava&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;. 
  In the bulk of his paper, however, Mulić persuasively argues the reasons for 
  choosing a seemingly stilted style (including the frequent recourse to 
  biblical parallels and associations), suggestive of symbolical and equivocal 
  interpretations and raising the level of discourse from the concrete and 
  earth-bound to the abstract, general, and eternal — a characteristic of 
  medieval literature (and folklore) previously pointed out in respect to the 
  Byzantine-Slavic domain, for example, by V. P. Adrianova-Peretc. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#31&quot;&gt;
  [31]&lt;/a&gt; Moreover, Mulić sees the biographers&#39; use of panegyrical devices when 
  describing their largely &quot;negative heroes&quot;, as a means of overcoming or at 
  least mollifying — by the formal beauty and loftiness of presentation — the 
  shocking impact their frequently criminal acts would otherwise have on the 
  reader (or listener). The obscure language of these biographies, full of 
  allegories, implied similes, and circumlocutions (not unlike the &lt;i&gt;kenningar&lt;/i&gt; 
  of Icelandic literature, but, naturally, having their immediate models in 
  Byzantine rhetoric as seen also in the many direct loan translations, 
  particularly of complex notions and terms), added to the emotional-religious 
  charge intended by their authors. Perhaps the most important result of Mulić&#39;s 
  study, however, is the realization that the much-discussed stylistic device of 
  so-called word-weaving (&lt;i&gt;pletenie sloves&lt;/i&gt;), extremely popular in Russia 
  during the Second South Slavic Influence (cf., for example its sophisticated 
  utilization by Epifanij Premudryj) and generally believed to have originated, 
  on Slavic soil, in Bulgaria — specifically, in the Hesychast Trnovo School of 
  Patriarch Evtimij — actually can be found in full bloom already some hundred 
  years earlier in Serbia where, of course, it had developed by imitation of 
  Byzantine examples. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#32&quot;&gt;[32]&lt;/a&gt; In this connection, one should not&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;30&quot;&gt;30&lt;/a&gt;&lt;/b&gt;. Mulić has counted a total of 482 such quotations in 
  Domentijan, whereof 268 instances in the Life of Sava, as compared to 
  Teodosije&#39;s 139 and a total of 463 in the Zbornik by Danilo II et al. All 
  these figures are unmatched in the preceding as well as following course of 
  Old Serbian biography. For further details on biblical quotations in Old 
  Serbian literature, see St. Stanojević and D. Glumac, &lt;i&gt;Sv. Pismo u našim 
  starim spomenicima&lt;/i&gt; (Belgrade, 1932).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;31&quot;&gt;31&lt;/a&gt;&lt;/b&gt;. See V. P. Adrianova-Peretc, &lt;i&gt;Očerki poetičeskogo 
  stilja drevnej Rusi&lt;/i&gt; (Moscow, 1947), 9 and 11. Cf., for West and Central 
  European literature, also E. R. Curtius, &lt;i&gt;Europäische Literatur und 
  lateinisches Mittelalter&lt;/i&gt;. 3rd ed. (Bern, 1961), 469-470 (&quot;Dichtung als 
  Verewigung&quot;).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;32&quot;&gt;32&lt;/a&gt;&lt;/b&gt;. On the direct influence of Serbian hagiography 
  (biography) on Old Russian literature, cf. also A. V. Solov&#39;ev, &lt;i&gt;TODRL&lt;/i&gt; 
  XVII (1961), 94-95, where the &lt;i&gt;Slovo o žitii i prestavlenii velikago knjazja 
  Dimitrija Ivanoviča, carja rusьskago&lt;/i&gt; is ascribed to Epifanij Premudryj and 
  considered to be patterned on the &lt;i&gt;Vita&lt;/i&gt; of Simeon (Nemanja) by Stephan 
  the First-Crowned. On the Old Russian work, sec also D. Čiževskij, &lt;i&gt;History&lt;/i&gt;, 
  191-192, and, in particular, A. Stender-Petersen, &lt;i&gt;op. cit&lt;/i&gt;., 160, 
  177-179, and 191, where, too, Epifanij is conjectured to be the author of the 
  biography of Dmitrij Donskoj.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;262&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  underestimate the influence in Russia of the Serbian component of the Athonite 
  monastic community (that is, primarily of the Hilandar Monastery), in addition 
  to the influence coming from Serbia directly. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#33&quot;&gt;[33]&lt;/a&gt; It ought 
  to be added that a similar re-evaluation of Domentijan&#39;s style as that offered 
  by Mulić was also suggested somewhat earlier by A. Schmaus. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#34&quot;&gt;[34]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;VI&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;While 
  it is easy to point to Byzantine models in general as sources for the 
  language, style, structure, and compositional makeup of the Old Serbian 
  biographies (not to speak of their underlying dynastic-dogmatic ideology), it 
  is difficult, if not impossible, to single out any particular works of 
  Byzantine hagiography or historiography which have been directly imitated in, 
  or can be considered more closely related to, individual &lt;i&gt;vitae&lt;/i&gt;, written 
  in medieval Serbia or at the Hilandar Monastery. This should not surprise us, 
  however, if we recall that, while continuing the literary traditions of 
  Byzantine hagiography and historiography (the latter especially in its smaller 
  formats), the Old Serbian Lives of rulers and princes of the Church are not 
  merely reworked Byzantine literary patterns but ORIGINAL works of art. (The 
  meaning of &#39;original&#39; in its medieval context, as we have seen, was less 
  rigidly interpreted than it is in its modern sense and cannot be equated with 
  &#39;fully independent&#39;.) &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#35&quot;&gt;[35]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;33&quot;&gt;33&lt;/a&gt;&lt;/b&gt;. Notice the fact that of the South Slavs winding up in 
  Russia some, like Paxomij Logofet, were Serbians while others, being 
  Bulgarians (or, in the case of Camblak, probably a Bulgarized Walachian), had 
  been exposed to strong Serbian influences (so, for example, Kiprian). On the 
  role of Mt. Athos among the Orthodox Slavs, see, in particular, I. Dujčev, &quot;Le 
  Mont Athos et les Slaves au Moyen âge&quot;, in: &lt;i&gt;Le millénaire du Mont Athos 
  (963-1962). Études et mélanges&lt;/i&gt;, II (Venice-Chevetogne, 1964), 121-144 
  (reprinted in: &lt;i&gt;Medioevo bizantino-slavo&lt;/i&gt;, I, 487-510); &lt;i&gt;id&lt;/i&gt;., &quot;Centry 
  vizantijsko-slavjanskogo obščenija i sotrudničestva&quot;, in : &lt;i&gt;Russkaja 
  literatura XI-XVII vekov sredi slavjanskix literatur&lt;/i&gt; (Moscow-Leningrad, 
  1963) (= &lt;i&gt;TODRL&lt;/i&gt; XIX), 107-129, esp. 121-126. For the early relations 
  between Mt. Athos, Kievan Russia, and Serbia, see also V. Mošin, &quot;Russkie na 
  Afone i russko-vizantijskie otnošenija v XI-XII vv.&quot;, &lt;i&gt;Byzsl&lt;/i&gt; IX (1947), 
  55-85; XI (1950), 32-60; &lt;i&gt;id&lt;/i&gt;., &quot;O periodizacii russko-južnoslavjanskix 
  literaturnyx svjazej X-XV vv.&quot;, in: &lt;i&gt;Russkaja literatura... &lt;/i&gt;(= &lt;i&gt;TODRL&lt;/i&gt; 
  XIX), 28-106, esp. 62-63 and 73-74 (Serbo-Croatian version in &lt;i&gt;Slovo&lt;/i&gt; 
  11/12, 1962, 13-130).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;34&quot;&gt;34&lt;/a&gt;&lt;/b&gt;. Cf. A. Schmaus, &quot;Die literaturhistorische Problematik...&quot;,
  &lt;i&gt;loc. cit&lt;/i&gt;., esp. 129-138 (for full reference, see note 16).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;35&quot;&gt;35&lt;/a&gt;&lt;/b&gt;. On the common use of &#39;borrowing&#39; and &#39;echoing&#39; in 
  medieval Slavic hagiography, cf., for example, D. Čyževskyj (Čiževskij), &quot;Anklänge 
  an die Gumpoldlegcnde des hl. Vaclav in der altrussischen Legende des hl. 
  Feodosij und das Problem der &#39;Originalität&#39; der slavischen mittelalterlichen 
  Werke&quot;, &lt;i&gt;WslJb&lt;/i&gt; 1 (1950), 71-86, esp. 75-76 and 80.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;263&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Also, 
  the further Old Serbian biography moves away from typified hagiography toward 
  individualized secular biography (while subliming the individual traits of its 
  heroes) the more remote were the possibilities of simply taking over — mostly 
  from Byzantine literature — stereotyped themes and motifs (&lt;i&gt;topoi&lt;/i&gt;, &lt;i&gt;
  loci communes&lt;/i&gt;). Since, however, a certain amount of hagiographic 
  paraphernalia followed Old Serbian life-writing throughout its development, 
  there was always an opportunity of resorting to some such clichés in the same 
  way as the medieval author would usually amplify his &lt;i&gt;vita&lt;/i&gt; with 
  quotations from the Holy Writ, particularly the Psalter. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#36&quot;&gt;[36]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Perhaps most apparent is the connection between the early phase of Old Serbian 
  biography and certain kinds of Byzantine literature. Thus, as was mentioned 
  above, St. Sava&#39;s &lt;i&gt;Vita Simeonis&lt;/i&gt;, written as an introduction to the &lt;i&gt;
  Typicon&lt;/i&gt; of the Studenica Monastery, in its ideological core and stylistic 
  wording can be traced back to the first Charter of the Hilandar Monastery, 
  co-authored by Sava. With some qualifications this can also be said to apply 
  to the Nemanja biography by Stephan the First-Crowned. The first Hilandar 
  Charter (as well as its revision, the second Charter of 1200-1201, issued by 
  Stephan the First-Crowned), while generally referring to the particulars of 
  the Serbian monastic foundation on Mt. Athos, is patterned on the Byzantine 
  imperial documents (&lt;i&gt;chrysobulla&lt;/i&gt;) serving the same purpose.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#37&quot;&gt;[37]&lt;/a&gt; Notice, incidentally, that the &lt;i&gt;Typica&lt;/i&gt; for 
  Hilandar and Studenica also followed a Byzantine model, namely the &lt;i&gt;Typicon&lt;/i&gt; 
  of the Euergetis (Benefactress) Monastery in Constantinople. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#38&quot;&gt;
  [38]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In a 
  stimulating study, I. P. Eremin has argued that the Byzantine impact on Early 
  Bulgarian (9th-11th c.) and Old Russian (11th-12th c.) literature was largely 
  limited to the writings of Early Christian Byzantine authors, primarily to the 
  patristic literature of the 2nd through 6th centuries, and at any rate to the 
  pre-Metaphrastic period in Byzantine hagio-&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;36&quot;&gt;36&lt;/a&gt;&lt;/b&gt;. Cf. V. Mošin, &lt;i&gt;Russkaja literatura&lt;/i&gt;... (= &lt;i&gt;
  TODRL&lt;/i&gt; XIX), 87-91 (in his study &quot;O periodizacii russko-južnoslavjanskix 
  literaturnyx svjazej X-XV vv.&quot;); M. I. Mulić, &lt;i&gt;op. cit&lt;/i&gt;., 136-137 (with 
  references).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;37&quot;&gt;37&lt;/a&gt;&lt;/b&gt;. Cf. A. Solovjev, &lt;i&gt;Hilandarska povelja velikog 
  župana Stefana (Prvovenčanog) iz godine 1200-1202&lt;/i&gt;, in: &lt;i&gt;Prilozi za knjiž., 
  jez., ist. i folkl&lt;/i&gt;. 5 (1925), 62-89; V. Mošin and A. Solovjev, &lt;i&gt;Grčke 
  povelje srpskih vladara&lt;/i&gt; (Belgrade, 1936). See further S. Hafner, &lt;i&gt;
  Studien&lt;/i&gt;, 54-77.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;38&quot;&gt;38&lt;/a&gt;&lt;/b&gt;. See S. Hafner, &lt;i&gt;op. cit&lt;/i&gt;., 65 (with note 73). On 
  the Byzantine &lt;i&gt;Typica&lt;/i&gt;, cf. K. Krumbacher, op. cit., 314-319. See further 
  in particular also A. Dmitrievskij, Opisanie liturgičeskix rukopisej, 
  xranjaščixsja v bibliotekah pravoslavnago Vostoka. T. I : Τυπικά. Č. 1-ja 
  (Kiev, 1895); T. III (1-ja polovina): Τυπικά, Č. II. (Petrograd, 1917) (photomechanic 
  reprint: Hildesheim, 1965).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  graphy&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#39&quot;&gt;[39]&lt;/a&gt; While not necessarily 
  true for all genres of Old Russian literature, Eremin&#39;s contention seems, in 
  fact, to be accurate as regards hagiography. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#40&quot;&gt;[40]&lt;/a&gt; It applies 
  also to Early Bulgarian, i.e., to Old Church Slavic, writing of the 9th-11th 
  centuries. Byzantine hagiography of the Metaphrastic and post-Metaphrastic 
  kind seems to have flourished in Bulgaria only in the Second Bulgarian Empire, 
  in other words from the end of the 12th century, after a period of intensive 
  Byzantinization. In Russia the new hagiography of Byzantium made headway only 
  during the Second South Slavic Influence, primarily through Bulgarian and 
  Serbian &lt;i&gt;literati&lt;/i&gt; and their Russian followers (cf. notes 21 and 22, 
  above).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Compared to this, medieval Serbian biography of the 13th-15th centuries, with 
  its roots in hagiography and largely retaining the characteristics of this 
  genre, was, no doubt, influenced by earlier, pre-Metaphrastic as well as 
  recent (11th-12th c.) and contemporary (13th-15th a), post-Metaphrastic 
  Byzantine hagiography. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#41&quot;&gt;[41]&lt;/a&gt; Moreover, the historiographic 
  component of Old Serbian life-writing could draw on the chronographic 
  tradition of Byzantine literature. Thus, many of the much-read Byzantine 
  chronicles, both older ones (such as those by John Malalas, 6th c., 
  representing the popular monastic chronicle genre; Georgius Monachus, called &quot;Hamartolus&quot;, 
  9th c. ; Symeon Magistrus and Logothetes, most probably identical with 
  Metaphrastes, 10th c.) or more recent ones (e.g., the chronicles by 
  Constantine Manasses or John Zonaras, both 12th c.) were or soon became 
  available in Church Slavic translations and adaptations, some of which are 
  also preserved in Serbian recensions (Hamartolus, Zonaras). &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#42&quot;&gt;[42]&lt;/a&gt; 
  It can be shown that parallels for&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;39&quot;&gt;39&lt;/a&gt;&lt;/b&gt;. Cf. &quot;O vizantijskom vlijanii v bolgarskoj i 
  drevnerusskoj literaturax IX-XII w.&quot; (1963), reprinted in: I. P. Eremin, &lt;i&gt;
  Literatura drevnej Rusi (Étjudy i xarakteristiki)&lt;/i&gt; (Moscow-Leningrad, 
  1966), 9-17. For some criticism of Eremin&#39;s views, see esp. D. S. Lixačev, &lt;i&gt;
  Oxford Slavonic Papers&lt;/i&gt;, XIII (1967), 21-23 (in his paper &quot;The Type and 
  Character of the Byzantine Influence on Old Russian Literature&quot;, &lt;i&gt;loc. cit.&lt;/i&gt;, 
  14-32, containing many other important observations and considerations as 
  well). On Symeon Metaphrastes, (active, as we now know, in the 10th century) 
  and his reform of hagiography, see K. Krumbacher, &lt;i&gt;op. cit.&lt;/i&gt;, 200-203; 
  H.-G. Beck, &lt;i&gt;op. cit.&lt;/i&gt;, 570-575.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;40&quot;&gt;&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;4&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;0&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;.
  &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;Echoes of 
  Symeon Metaphrastes can be found, for example, as early as in the homiletic 
  writings of the 12th century Russian preacher and poet Cyril of Turov (Kiril 
  Turovskij); see A. Stender-Petersen, &lt;i&gt;op. cit.&lt;/i&gt;, 56. On Early Old Russian 
  hagiography, not yet influenced by Metaphrastes, see &lt;i&gt;ibid&lt;/i&gt;., 65-67.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;41&quot;&gt;41&lt;/a&gt;&lt;/b&gt;. For some exemplification of Metaphrastes&#39; influence 
  on medieval Serbian life- writing, see M. I. Mulić, &lt;i&gt;op. cit.&lt;/i&gt;, 135-136.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;42&quot;&gt;42&lt;/a&gt;&lt;/b&gt;. For a discussion of the Byzantine chroniclers and 
  their works, see K. Krumbacher, &lt;i&gt;op. cit.&lt;/i&gt;, 319-408. Generally, on the 
  Church Slavic versions of Byzantine chronicles, see M. Weingart, &lt;i&gt;Byzanské 
  kroniky v literatuře církevneslovanské&lt;/i&gt;, I-II (Bratislava, 1922-1923). Cf. 
  also Ju. Trifonov, &quot;Vizantijskite xroniki v cărkovnoslavjanskata knižnina&quot;, &lt;i&gt;
  Izv. na Istor. druž. v Sofija&lt;/i&gt;, VI (1924), 163-181.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;265&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;some 
  semantic nuances, encountered in Old Serbian biographies and reflecting an 
  historical-political differentiation of concepts, exist in such Church Slavic 
  versions of Byzantine chronicles. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#43&quot;&gt;[43]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In 
  addition to chronicle-writing, another kind of Byzantine historiography can 
  also be assumed to have influenced Old Serbian biography. The genre of secular 
  biography was resumed in Byzantium in the 10th century after a long eclipse 
  suffered in the beginning of the medieval period when the Christian saint 
  became the only hero deserving of a panegyrical treatment. As was mentioned 
  above (see note 1), Constantine VII Porphyrogenitus with the biography of his 
  grandfather, Emperor Basilius I, revived and set the pattern for a genre which 
  in the West had been reintroduced — resuming the tradition of Suetonius&#39; 
  biographies of Roman emperors — more than a century earlier by Einhart&#39;s &lt;i&gt;
  Vita Karoli Magni&lt;/i&gt;. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#44&quot;&gt;[44]&lt;/a&gt; The Byzantine Lives of Emperors, 
  full, to be sure, of Christian connotations and mostly integrated into larger 
  historiographic works (and therefore not identified by Krumbacher as a 
  separate genre), were bound to have considerable impact also on the 
  development of historical-biographical writing in medieval Serbia (including 
  Hilandar). Among such works should be mentioned, for example, the biographical 
  accounts found in the History of Byzantine Emperors known as &lt;i&gt;Theophanes 
  Continuatus&lt;/i&gt; (or &lt;i&gt;Scriptores post Theophanem&lt;/i&gt;) covering the period 813 
  to 961-963, where the literary characteristics of life-writing, however, are 
  not particularly prominent. More clearly biographical features can be 
  ascertained in Anna Comnena&#39;s work &lt;i&gt;Alexias&lt;/i&gt;, the life story of her 
  father, Emperor Alexius Comnenus (d. 1118), supplementing her husband&#39;s, 
  Nicephorus Bryennius&#39;, &quot;historical material&quot; (ὕλη ἱστορίας) on largely the 
  same subject matter (accounting for the time up to 1079). &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#45&quot;&gt;[45]&lt;/a&gt; 
  A&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;43&quot;&gt;43&lt;/a&gt;&lt;/b&gt;. Cf., for example, the stereotyped &quot;peace and quiet&quot; 
  theme in Sava&#39;s Life of Nemanja: &lt;i&gt;mirь i tišinu vъsprïem&#39;šu vl[a]d[i]čistvu 
  ego&lt;/i&gt; (similarly already in the two Hilandar Charters, with &lt;i&gt;tixost&lt;/i&gt; 
  instead of &lt;i&gt;tišina&lt;/i&gt; in the earlier Charter), corresponding to the same 
  formula in Hamartolus: &lt;i&gt;vъ mirě i tixosti&lt;/i&gt; = ἐν εἰρήνῃ καὶ γαλήνῃ; see S. 
  Hafner, &lt;i&gt;Studien&lt;/i&gt;, 89-93.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;44&quot;&gt;44&lt;/a&gt;&lt;/b&gt;. On Constantine&#39;s Life of Basilius, see K. Krumbacher,
  &lt;i&gt;op. cit&lt;/i&gt;., 253, and, in particular, P. J. Alexander, &lt;i&gt;op. cit&lt;/i&gt;. See 
  further Gy. Moravcsik, &lt;i&gt;Byzantinoturcica&lt;/i&gt;, I, 2nd ed. (Berlin, 1958), 
  380. In general on the revival of secular biography, see also N. W. Ingham, &lt;i&gt;
  op. cit&lt;/i&gt;., 181-182 (with references to further literature). For information 
  on Einhart and his Life of Charlemagne, cf., for example, K. Langosch, &lt;i&gt;Die 
  deutsche Literatur des lateinischen Mittelalters in ihrer geschichtlichen 
  Entwicklung&lt;/i&gt; (Berlin, 1964), 16-17.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;45&quot;&gt;45&lt;/a&gt;&lt;/b&gt;. On &lt;i&gt;Theophanes Continuatus&lt;/i&gt;, see K. Krumbacher,
  &lt;i&gt;op. cit&lt;/i&gt;., 347-349 ; cf. further also, e.g., Gy. Moravcsik, &lt;i&gt;op. cit&lt;/i&gt;., 
  540-544 (with references). On the models of this historiographic work, see R. 
  J. H. Jenkins, &quot;The Classical Background of the Scriptores post Theophanem&quot;,
  &lt;i&gt;Dumbarton Oaks Papers&lt;/i&gt;, 8 (1954), 11-30. On Nicephorus Bryennius&#39; and 
  Anna Comnena&#39;s writings, cf. K. Krumbacher, &lt;i&gt;op. cit&lt;/i&gt;., 271-279.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;266&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  detailed study of these Byzantine-Serbian influences is, however, yet to be 
  undertaken.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Finally, when discussing Byzantine influences on Old Serbian biography, it 
  should also be stressed that this literary genre be viewed in the framework of 
  its specific Balkan cultural setting which, in turn, was largely determined by 
  a Byzantine popular tradition as regards the worship of saints. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#46&quot;&gt;
  [46]&lt;/a&gt; As opposed to the Serbs and to some other Slavic peoples (Czechs, 
  Russians) as well as to the nearby Hungarians, the Bulgarians — the most 
  Byzantinized of all the Slavs — did not have a tradition of worshiping any of 
  their rulers (or members of the ruling house) as Christian saints. 
  Consequently, medieval Bulgarian literature does not have any dynastic 
  hagiographies or legends. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#47&quot;&gt;[47]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;VII&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Byzantine literature was not the only source to provide Old Serbian 
  life-writing with patterns, thematic as well as stylistic, to be translated 
  and embodied or imitated by the Serbian biographers. The Bible and, though to 
  a lesser degree, the Apocrypha of the Eastern Church have already been 
  mentioned as widely used reservoirs of quotations and metaphors. No less 
  important as a model for the Old Serbian Lives was the tradition of the &lt;i&gt;
  vita&lt;/i&gt; genre as it already existed in Slavic literature at the time of the 
  beginnings of Serbian biography. In this context, it must&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;46&quot;&gt;46&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 27-40. Among elements 
  of such a Balkan-Byzantine popular tradition connected with the worship of 
  saints (and its literary expression in hagiography) Hafner mentions in 
  particular the so-called &lt;i&gt;translatio&lt;/i&gt; (i.e., transfer of the remains of a 
  saint, usually preceded by the &lt;i&gt;elevatio&lt;/i&gt;; cf. the transfer of Nemanja&#39;s 
  remains from Hilandar to Studenica) and the specification of important saints 
  as being so-called &#39;oil saints&#39;. Examples of these are St. Demetrius of 
  Thessalonica, Stephan Nemanja (cf. the account of the first miracle after his 
  death in the &lt;i&gt;Vita&lt;/i&gt; by Stephan the First-Crowned), St. John (Ivan) of 
  Rila, and also St. Stephen of Hungary. To be sure, many of these religious 
  patterns, while occurring in the Balkans and in Byzantium, were not limited to 
  this particular area or only to the Eastern Church.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;47&quot;&gt;47&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 26; N. K. Gudzij, &lt;i&gt;
  Issledovanija po slavjanskomu literaturovedeniju i fol’kloristike&lt;/i&gt;, 30-31 
  (in his 1958 Moscow Congress paper &quot;Literature Kievskoj Rusi i drevnejšie 
  inoslavjanskie literatury&quot;). That the Bulgarian tsar Peter (d. 969) was not 
  made the subject of a panegyrical &lt;i&gt;vita&lt;/i&gt; in spite of his canonization may 
  have to do with his poor political-military performance and the approaching 
  end of the First Bulgarian Empire. Addendum : I am indebted to Prof. I. Dujčev 
  for drawing my attention to some traces in Early Bulgarian writing of a cult 
  of Tsar Peter which could suggest the existence of a &lt;i&gt;vita&lt;/i&gt;, now lost, of 
  this canonized ruler. Likewise, there may perhaps have existed a vita of St. 
  David, the martyred brother of the West Bulgarian (Macedonian) tsar Samuil (d. 
  1014). Cf. I. Dujčev, &lt;i&gt;Medioevo bizantino-slavo&lt;/i&gt;, II (Rome, 1968), 
  207-223 ( = &lt;i&gt;Südost-Forschungen&lt;/i&gt; XIX 119601, 71-86), esp. 217-218.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;267&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;again 
  be emphasized that in the Middle Ages the literary — or, rather, literate — 
  segment of the Slavs, to the extent it was oriented toward religion and its 
  institutions, was unified, as it were, in one large, supranational community, 
  using Church Slavic in only slightly varying adaptations. And when the local 
  recensions of Church Slavic threatened to grow apart too much, as a result of 
  increasing adaptation to the various Slavic vernaculars, the linguistic reform 
  of Patriarch Evtimij&#39;s Trnovo School (carried to its extreme, in Serbia, by 
  Constantine the Philosopher&#39;s Resava School) was designed to &#39;purify&#39; and, in 
  fact, reunify and standardize the literary vehicle of all the Orthodox Slavs.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#47a&quot;&gt;[47a]&lt;/a&gt; Thus, it is not by accident that Church Slavic 
  writers such as Kiprian, Camblak, Constantine of Kostenec, or Paxomij Logofet 
  were able to continue their literary activities virtually unhampered by any 
  linguistic barrier when moving from one Slavic country to another. (Cf. the 
  similar international role of Latin literature in the Roman Catholic part of 
  medieval Europe). As pointed out by R. Jakobson, Constantine of Kostenec 
  &quot;grasped perfectly the international nature of his tongue which could not be 
  identified with either the Bulgarian or Serbian vernaculars&quot;. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#48&quot;&gt;
  [48]&lt;/a&gt; Under such circumstances, it was only natural if medieval Serbian 
  biographers would turn for models to the body of existing Church Slavic &lt;i&gt;
  vitae&lt;/i&gt;, themselves largely patterned on Byzantine writing.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Highest among the Church Slavic &lt;i&gt;vitae&lt;/i&gt; rank, no doubt, the so-called 
  Pannonian legends of Constantine and Methodius. While earlier held to be 
  translations of Greek originals, they are today considered by most scholars 
  (including the present writer) original works of early Slavic literature.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#49&quot;&gt;[49]&lt;/a&gt; Although the two &lt;i&gt;Vitae&lt;/i&gt; technically can be 
  classified as hagiographic works (since both brothers were canonized), they 
  are more correctly labeled semi-secular biographies. For while praising the 
  Thessalonian brothers in the panegyric vein and siding with them in relating 
  cases of controversy (cf. Constantine&#39;s disputations and Methodius&#39; conflict 
  with the German clergy), they contain a wealth of factual, historical 
  information without any attempt at typification. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#50&quot;&gt;[50]&lt;/a&gt; A 
  sizable amount of research has already gone into analyzing the Lives of 
  Constantine and Methodius, in particular regarding their literary and 
  stylistic&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;47a&quot;&gt;47a&lt;/a&gt;&lt;/b&gt;. Cf., however, the recent reassessment of Evtimij&#39;s 
  reform referred to in the Addendum to note 21, below.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;48&quot;&gt;48&lt;/a&gt;&lt;/b&gt;. Cf. &lt;i&gt;Harvard Slavic Studies&lt;/i&gt; I (1953), 49.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;49&quot;&gt;49&lt;/a&gt;&lt;/b&gt;. Cf. F. Grivec, &lt;i&gt;op. cit&lt;/i&gt;., 246-251; H. Birnbaum,
  &lt;i&gt;Cyrillo-Methodiana. Zur Frühgeschichte des Christentums hei den Slaven&lt;/i&gt;, 
  863-1963, M. Hellmann et al., ed. (Cologne- Graz, 1964), 331-332 (in: &quot;Zur 
  Sprache der Methodvita&quot;, 329-361).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;50&quot;&gt;50&lt;/a&gt;&lt;/b&gt;. Cf. H. Birnbaum, &lt;i&gt;op. cit&lt;/i&gt;., 333 (with note 7).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;268&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  quality as well as their historical background. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#51&quot;&gt;[51]&lt;/a&gt; Of the 
  two, the &lt;i&gt;Vita Constantini&lt;/i&gt;, ascribed by some to Methodius (earlier also 
  to Clement of Ohrid), is the longer — in spite of the much shorter life span 
  of Constantine compared to that of his brother — and contains a great number 
  of amplifications, and stylistically and theologically, but not 
  biographically, motivated digressions. While there is every indication that 
  the anonymous author of the &lt;i&gt;Vita Methodii&lt;/i&gt; knew the &lt;i&gt;Vita Constantini&lt;/i&gt; 
  and utilized it for his own account of the older brother&#39;s accomplishments, 
  the Life of Methodius is marked by greater terseness, thus bringing it one 
  step closer to secular biography. Some scholars, R. Picchio for example, have 
  been disturbed by the heavy hagiographic apparatus of the &lt;i&gt;Vita Constantini&lt;/i&gt; 
  and therefore, from a literary viewpoint, placed the shorter of the two 
  Pannonian legends above the longer one. However, there can be no doubt that 
  the more learned and complex &lt;i&gt;Vita Constantini&lt;/i&gt;, too, has great artistic 
  merit and deserves to be ranked among the most precious pieces of early Slavic 
  literature.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;It is 
  not merely a theoretical assumption but can indeed by substantiated that the 
  Old Church Slavic prototypes of the &lt;i&gt;vita&lt;/i&gt; genre have actually influenced 
  Old Serbian biography. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#52&quot;&gt;[52]&lt;/a&gt; Thus, to give just one example, 
  God&#39;s plan of salvation for mankind, mentioned at the beginning of the &lt;i&gt;Vita 
  Constantini&lt;/i&gt; (ch. 1) and also early in the &lt;i&gt;Vita Methodii&lt;/i&gt; (ch. 2), is 
  paraphrased in the introduction to St. Sava&#39;s &lt;i&gt;Vita Simeonis&lt;/i&gt;, as is 
  already the case in the second Hilandar Charter by Stephan the First-Crowned. 
  Further, the &lt;i&gt;translatio&lt;/i&gt; account in the so-called Chersonese legend,&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;51&quot;&gt;51&lt;/a&gt;&lt;/b&gt;. Cf., in addition to previous references and adducing 
  only a selection of some of the more important contributions, N. v. Wijk, &quot;Zur 
  sprachlichen und stilistischen Würdigung der altkirchenslavischen Vita 
  Constantini&quot;, &lt;i&gt;Südost-Forschungen&lt;/i&gt; VI (1941), 74-102; &lt;i&gt;id&lt;/i&gt;., &quot;Zur 
  Rekonstruktion des Urtextes der altkirchenslavischen Vita Constantini&quot;, &lt;i&gt;
  ZfslPh&lt;/i&gt; XVII (1941), 268-284; I. Dujčev, &quot;Zur literarischen Tätigkeit 
  Konstantins des Philosophen&quot;, &lt;i&gt;BZ&lt;/i&gt; XLIV (1951, Dölger Festschrift), 
  105-110; R. Picchio, &quot;Compilazione e trama narrativa nelle &#39;Vite&#39; di 
  Costantino e Metodio&quot;, &lt;i&gt;Ricerche Slavistiche&lt;/i&gt; VIII (1960), 61-95; P. 
  Lytwyn, &lt;i&gt;Die literarische Gattung der Vita Methodii. Eine Untersuchung zur 
  altchristlichen Literaturgeschichte&lt;/i&gt; (Vienna, 1961); V. Vavřinek, &quot;Staroslověnské 
  životy Konstantina a Metoděje a panegyriky Rehoře z Nazianzu&quot;, &lt;i&gt;LF&lt;/i&gt; LXXXV 
  (1962), 96-122; &lt;i&gt;id&lt;/i&gt;., &lt;i&gt;Staroslověnské životy Konstantina a Metoděje&lt;/i&gt; 
  (Prague, 1963) (with a detailed analysis of the relationship of the two &lt;i&gt;
  Vitae&lt;/i&gt; to Byzantine hagiography, 15-29); B. Panzer, &quot;Die Disputationen in 
  der aksl. Vita Constantini&quot;, &lt;i&gt;ZfslPh&lt;/i&gt; XXXIV (1968), 66-88 (with a 
  discussion of its hagiographic background, 67-70); G. Wytrzens, &quot;Zum Stil der 
  Vita Constantini&quot;, &lt;i&gt;Cyrillo-Methodianische Fragen, Slavische Philologie und 
  Altertumskunde&lt;/i&gt;, F. Zagiba, ed. (Wiesbaden, 1968), 43-50. Cf. also the new 
  edition by F. Grivec and F. Tomšič, &lt;i&gt;Constantinus et Methodius. Fontes&lt;/i&gt; 
  (Zagreb, 1960).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;52&quot;&gt;52&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Serbisches Mittelalter&lt;/i&gt;, 132, n. 
  9; &lt;i&gt;id&lt;/i&gt;., Studien, 29, n. 58, 58-59 (with note 31), 79.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;269&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  written by St. Constantino in Greek, but soon rendered into Old Church Slavic
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#53&quot;&gt;[53]&lt;/a&gt; and reflected in the account of the transfer of the 
  remains of St. Clement in the &lt;i&gt;Vita Constantini&lt;/i&gt;, seems to have 
  influenced the &lt;i&gt;Vitae&lt;/i&gt; of Stephan Nemanja by St. Sava and Stephan the 
  First-Crowned. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#54&quot;&gt;[54]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;The 
  Old Church Slavic literary tradition, originally centered in the Slavic West 
  (Moravia, Pannonia), was carried on in Bulgarian Macedonia, with its focal 
  point in Ohrid from where, in all probability, it radiated into the nearby 
  Serbian territories (Zeta, Rascia). Some residue of it existed perhaps also in 
  Serbia proper; cf. the vestiges of linguistic Serbisms in some &#39;classical&#39; Old 
  Church Slavic texts (&lt;i&gt;Glagolita Clozianus, Codex Marianus&lt;/i&gt;), conceivably 
  suggesting that these manuscripts were copied somewhere in the 
  Macedonian-Serbian border area. An early offshoot of this tradition, not 
  without significance for Serbian Church Slavic writing, can also be found in 
  littoral Croatia (Dalmatia) where it subsequently rallied in what has become 
  known as Croatian Glagolitism. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#55&quot;&gt;[55]&lt;/a&gt; Also in Bohemia, Church 
  Slavic liturgy and letters seem to have survived until the closing of the 
  Sázava Monastery in 1097, possibly without any interruption of the 
  Cyrillo-Methodian tradition. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#56&quot;&gt;[56]&lt;/a&gt; Having been firmly rooted 
  in the Ohrid Center, Church Slavic writing was soon introduced also in the 
  eastern part of Bulgaria, primarily in Preslav. From Bulgaria, as well as from 
  Bohemia-Moravia, Church Slavic literature spread to Kievan Russia where the 
  Cave Monastery (Kievo-Pečerskaja Lavra) became its first stronghold.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;53&quot;&gt;53&lt;/a&gt;&lt;/b&gt;. The two extant Slavic copies are late, dating from 
  the 16th c.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;54&quot;&gt;54&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 31-34. On the 
  &quot;Chersonese legend&quot;, see F. Grivec, &lt;i&gt;op. cit.&lt;/i&gt;, 223 and 253. The relevant 
  information of the &quot;Chersonese legend&quot; was incorporated also in the Latin 
  account of St. Constantine&#39;s life, the so-called Italic legend (&lt;i&gt;Vita cum 
  translatione S. Clementis&lt;/i&gt;); on this source, see F. Grivec, &lt;i&gt;op. cit.&lt;/i&gt;, 
  254-255. In addition to drawing on the &quot;Chersonese legend&quot;, the &lt;i&gt;translatio&lt;/i&gt; 
  account of the Nemanja &lt;i&gt;Vitae&lt;/i&gt; has also introduced material from a 
  similar Balkan Slavic account, that of John of Rila (Ivan Rilski), extant in 
  several variants.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;55&quot;&gt;55&lt;/a&gt;&lt;/b&gt;. Cf., of recent treatments, for example, J. Hamm, &quot;Vom 
  kroatischen Typus des Kirchenslavischen&quot;, &lt;i&gt;WsUb&lt;/i&gt;, &lt;i&gt;Österr. Beitr. z. V. 
  Internat. Slavistenkongr.&lt;/i&gt; (&lt;i&gt;Sofia&lt;/i&gt;, 1963) (Graz-Cologne, 1963), 
  11-39; S. Graciotti, &quot;Un episodio dell&#39;incontro tra Oriente e Occidente: la 
  letteratura e il rito glagolitico croato&quot;, &lt;i&gt;Gesch. d. Ost- u Westkirche in 
  ihren wechselseit. Beziehungen&lt;/i&gt;, F. Zagiba, ed. (Wiesbaden, 1967), 67-79.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;56&quot;&gt;56&lt;/a&gt;&lt;/b&gt;. Cf. M. Weingart, &lt;i&gt;Československý typ cirkevnej 
  slovančiny&lt;/i&gt; (Bratislava, 1949); F. Grivec, &lt;i&gt;op. cit.&lt;/i&gt;, 185-191; D. 
  Tschižewskij, &quot;Kirchenslavische Literatur bei den Westslaven&quot;, &lt;i&gt;
  Cyrillo-Methodianische Fragen&lt;/i&gt;..., 13-28; J. Kadlec, &quot;Das Vermächtnis der 
  Slavenapostel Cyrill und Method im böhmischen Mittelalter&quot;, &lt;i&gt;ibid&lt;/i&gt;., 
  103-137. Against the supposition of an uninterrupted Cyrillo-Methodian 
  tradition in Bohemia and favoring, rather, an assumption of close ties between 
  the Sázava Monastery and Kievan Russia, see I. Boba, &quot;The Monastery of Sázava: 
  The Problem of Methodian Continuity in Bohemia&quot; (chapter in a forthcoming 
  book). Cf. now also &lt;i&gt;id&lt;/i&gt;., Moravia&#39;s History Reconsidered: A 
  Reinterpretation of Medieval Sources (The Hague, 1971), 152-153.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;270&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Hagiography was practiced, though probably not very intensely, in Macedonia 
  and East Bulgaria. There exists a Slavic Life of St. Naum (in several textual 
  variants) and we can also assume that a &lt;i&gt;Vita&lt;/i&gt; of St. Clement of Ohrid 
  was originally written in Slavic, though only a Greek version of his Life 
  (known as the &quot;Bulgarian legend&quot;) has been preserved. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#57&quot;&gt;[57]&lt;/a&gt; 
  However, the Bulgarian type of Lives of Saints seems in general not to have 
  set the pattern for Old Serbian life-writing, presumably because, as was 
  already mentioned, we know of no early Bulgarian &lt;i&gt;vitae&lt;/i&gt; combining the 
  purely hagiographic aspect with a dynastic-political (and hence, secular) 
  message. Still, as we have seen, individual, stereotyped features may have 
  been borrowed, for example, from the Life of St. John (Ivan) of Rila by the 
  Serbian biographers of Stephan Nemanja (cf. the &lt;i&gt;translatio&lt;/i&gt; account or 
  the &#39;oil saint&#39; motif); or it is conceivable that such popular elements, while 
  found also in Bulgarian hagiography, but being commonly encountered throughout 
  the Byzantine-Balkan area (and, in fact, not limited to that particular region 
  of Christianity), may have found their way into medieval Serbian life-writing. 
  For examples of a fusion of hagiographic (or homiletic) and dynastic-political 
  components, however, the authors of the Serbian &lt;i&gt;vitae&lt;/i&gt; had to turn, 
  within the Slavic domain, to works of Old Czech and, in particular, Old 
  Russian literature, written in the respective recensions of Church Slavic.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In 
  Bohemia of the 10th-11th centuries, hagiography seems to have been flourishing 
  both in Latin and in the Czech recension of Church Slavic. Of particular 
  interest for us are the Lives of Prince Wenceslaus (Václav, martyred 929). Two 
  Slavic versions of the &lt;i&gt;Vita&lt;/i&gt; of this saint, the Czech national patron, 
  are known. The older and shorter one (&quot;First Old Slavic Legend of St. Václav&quot;) 
  was written in the 10th century; the second, more elaborate one (&quot;Second Old 
  Slavic Legend of St. Václav&quot;), composed in the early 11th century, is a 
  reworking of a Latin &lt;i&gt;Vita&lt;/i&gt; by Bishop Gumpold of Mantua (ca. 975-980). In 
  addition, there existed a host of Latin legends of the same saint (&lt;i&gt;Crescente 
  fide&lt;/i&gt;, Christian&#39;s legend, 10th c.; &lt;i&gt;Oriente iam sole&lt;/i&gt;, 13th c., 
  etc.). &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#58&quot;&gt;[58]&lt;/a&gt; Whereas much research has been&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;57&quot;&gt;57&lt;/a&gt;&lt;/b&gt;. The Greek &lt;i&gt;Vita Clementis&lt;/i&gt; was written by the 
  Bulgarian Archbishop Theophylactus at the end of the 11th or the beginning of 
  the 12th c., presumably on the basis of a Slavic original, now lost. In 
  addition to this longer Life of St. Clement there exists also a shorter Greek 
  version of his Life (&lt;i&gt;Legenda Ochridica&lt;/i&gt;) by Demetrius Chomatianus (early 
  13th c.) of which a Church Slavic translation (13th c.) is known. Cf. H.-G. 
  Beck, &lt;i&gt;op. cit&lt;/i&gt;., 649-651 and 708-710; F. Grivec&lt;i&gt;, op. cit&lt;/i&gt;., 
  253-254; for details see also the articles by A. Milev, I. Dujčev, and I. 
  Snegarov in the volume &lt;i&gt;Kliment Oxridski&lt;/i&gt; (Sofia, 1966), 143-219.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;58&quot;&gt;58&lt;/a&gt;&lt;/b&gt;. Cf. F. Grivec, &lt;i&gt;op. cit&lt;/i&gt;., 186-187; J. Vajs 
  (ed.), &lt;i&gt;Sbornik staroslovanských literárnich památek o sv. Václavu a sv. 
  Lidmile&lt;/i&gt; (Prague, 1929); &lt;i&gt;Svatováclavský sbornik&lt;/i&gt;, I-II: 1-3 (Prague, 
  1934-1937); M. Weingart, &lt;i&gt;op. cit.&lt;/i&gt;, 47-60; J. Hrabák et al., &lt;i&gt;Dějiny 
  české literatury&lt;/i&gt;, I, &lt;i&gt;Starší česká literatura&lt;/i&gt; (Prague, 1959), 51-54; 
  R. Večerka, &lt;i&gt;Slovanské počátky české knižní vzdělanosti&lt;/i&gt; (Prague, 1963), 
  45-48.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;271&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;done, 
  particularly in recent years, on the relationship between these Bohemian 
  (Church Slavic as well as Latin) legends of St. Wenceslaus and Old Russian 
  hagiography, revealing some striking connections, &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#59&quot;&gt;[59]&lt;/a&gt; the 
  conceivable influence that the Church Slavic &lt;i&gt;Vita&lt;/i&gt; of St. Wenceslaus may 
  have had on Old Serbian life-writing — possibly via Russia — is as yet largely 
  unexplored. Only the general fact that we have to do here with another 
  instance of the dynastic legend genre, as represented also by such works as 
  the Life of St. Stephen of Hungary, the Lives of the first Russian martyrs 
  Boris and Gleb, or the semi-legendary Life of Vladimir of Zeta (contained in 
  the &lt;i&gt;Letopis popa Dukljanina&lt;/i&gt; whose significance as a source for Old 
  Serbian life-writing, however, now is in doubt, cf. above), has been 
  acknowledged. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#60&quot;&gt;[60]&lt;/a&gt; But other possibly suggestive 
  circumstances also deserve attention. Thus, the fact that the older of the two 
  Czech Church Slavic &lt;i&gt;Vitae&lt;/i&gt; of St. Wenceslaus, a semi-secular work of 
  less stylistic sophistication than the Lives of Constantine and Methodius 
  (whose tradition it continues), &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#61&quot;&gt;[61]&lt;/a&gt; is best preserved in 
  four Croatian-Glagolitic breviaries, i.e., in manuscripts from a region not 
  far from Dioclitia (Zeta), may be of some significance. (Cf., in this context, 
  also the title &quot;rex Dalmatiae et Diocliae&quot;, held, among others, by Vukan, the 
  oldest son of Stephan Nemanja.) As regards the contents, it should be noted 
  that the Life of St. Wenceslaus contains an account of the &lt;i&gt;translatio&lt;/i&gt; 
  of the remains of the saint to Prague, a theme popular in hagiographic (and 
  semi-hagiographic) writing and encountered also in the Old Serbian &lt;i&gt;Vitae&lt;/i&gt; 
  of Stephan Nemanja. Finally, it should be remembered that while medieval 
  Serbia, though generally oriented toward Byzantium, held, to some extent, an 
  intermediary position between East and West, Christianity as practiced in 10th 
  century Bohemia, on the other hand, retained some ties with the Eastern Church 
  as shown by the liturgy (&lt;i&gt;služba&lt;/i&gt;) for St. Wenceslaus, following the 
  Byzantine rite. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#62&quot;&gt;[62]&lt;/a&gt; Geographic, thematic,&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;59&quot;&gt;59&lt;/a&gt;&lt;/b&gt;. See F. Grivec, &lt;i&gt;op. cit.&lt;/i&gt;, 187; D. Čyževśkyj, &quot;Anklänge 
  an die Gumpoldslegende des hl. Václav in der altrussischen Legende des hl. 
  Feodosij...&quot;; N. W. Ingham, &quot;Czech Hagiography in Kiev: The Prisoner Miracles 
  of Boris and Gleb&quot;, &lt;i&gt;WdSl&lt;/i&gt; X (1965), 166-182. See further also R. 
  Jakobson, &lt;i&gt;Harvard Slavic Studies&lt;/i&gt; I (1953), 41-48.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;60&quot;&gt;60&lt;/a&gt;&lt;/b&gt;. See S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 16, 40, 44, and 59.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;61&quot;&gt;61&lt;/a&gt;&lt;/b&gt;. Cf., in addition to literature quoted in note 58, 
  also B. Havránek, &lt;i&gt;Cyrillo-Methodianische Fragen&lt;/i&gt;..., 9 (in his paper 
  &quot;Die Bedeutung Konstantins und Methods für die Anfänge der geschriebenen 
  Literatur in Grossmähren&quot;).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;62&quot;&gt;62&lt;/a&gt;&lt;/b&gt;. Serbia&#39;s vacillating political stand between East and 
  West is perhaps best illustrated&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Palatino Linotype;&quot;&gt;
  &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;by some of 
  the policies of Stephan the First-Crowned. Married to a daughter of the 
  Byzantine Emperor Alexius III, he divorced her shortly before the fall of 
  Constantinople in 1203 and later married a granddaughter of the Venetian Doge 
  Dandolo. In 1217 he was crowned by a legate of Pope Honorius III, only to 
  secure, in 1219, by mediation of his brother Sava, autocephaly for the Serbian 
  Orthodox Church from the Patriarch of Constantinople (then residing in Nicaea). 
  On medieval Serbia&#39;s middle position between East (Byzantium) and West (Rome), 
  see, for example: A. Schmaus, &lt;i&gt;Südost-Forschungen&lt;/i&gt; XV (1956), 182-190; B. 
  Krekić, &quot;La Serbie entre Byzance et l&#39;Occident au XIVe Siècle&quot;, &lt;i&gt;Proceedings 
  of the XIIIth International Congress of Byzantine Studies&lt;/i&gt;..., 62-65. See 
  also S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 20 and 50, on some political and cultural 
  aspects of this intermediate position of medieval Serbia, spanning, as it 
  were, a bridge between Byzantium and Rome, a role which Serbia had inherited 
  from one of its constituent parts, Zeta (Diocletia) where in 1077 Prince 
  Michael was granted the title of king by Pope Gregory VII. On some presumed 
  Greek Orthodox reactions to political moves on the part of Serbian kings 
  (aimed at closer relations with the West — Hungary, Venice, the Pope) as 
  expressed in Old Serbian biography, cf. M. I. Mulić, &lt;i&gt;op. cit.&lt;/i&gt;, 128-130. 
  On the Greek Orthodox liturgy for St. Wenceslaus, see F. Grivec, &lt;i&gt;op. cit.&lt;/i&gt;, 
  184 and 186.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;272&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;and 
  religious-ideological considerations make it therefore quite conceivable that 
  the Life of St. Wenceslaus could have played a role as a model not only in 
  medieval Russian hagiography but also in Serbian biography. Whether the latter 
  actually was the case, only a close comparative scrutiny of the pertinent Old 
  Czech and Old Serbian texts can reveal.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;While 
  it is possible, but not proven, that dynastic hagiography of the Old Czech 
  brand served as an example for Old Serbian life-writing, it is positively 
  evident that Old Russian hagiography and homiletic literature with a 
  political-dynastic content has made an impact on the Old Serbian vita and 
  related genres just as medieval Serbian biography subsequently exerted 
  considerable influence on Russian hagiography and semi-secular biography of 
  the Mongolian and early post-Mongolian period. Thus, the long passage from 
  Metropolitan Ilarion&#39;s Sermon on Law and Grace, found in Domentijan&#39;s Life of 
  Stephan Nemanja (cf. above), is not an altogether isolated instance of the 
  liberal and quite customary borrowing (by medieval standards) of insertable 
  material that would find its way from medieval Russia to Serbia. Often the 
  place of such literary contact would be Constantinople or the Slavic 
  monasteries on Mt. Athos where close ties seem to have existed between the 
  Russian Monastery of Panteleimon and the Serbian Hilandar Monastery. It has 
  been assumed that not only Ilarion&#39;s work but also, for example, the elegant 
  sermons of Bishop Cyril of Turov were known and read by Serbian monks on Mt. 
  Athos, among them Domentijan. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#63&quot;&gt;[63]&lt;/a&gt; St. Sava, prior to 
  Domentijan, had&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;63&quot;&gt;63&lt;/a&gt;&lt;/b&gt;. On these sermons and their style, cf., inter alia, D. 
  Čiževskij, &lt;i&gt;History&lt;/i&gt;, 86-88; A. Stender-Petersen, &lt;i&gt;op. cit.&lt;/i&gt;, 53-63 
  (there also on Cyril&#39;s religious poetry); and, in particular, I. P. Eremin, &quot;Oratorskoe 
  iskusstvo Kirilla Turovskogo&quot;, &lt;i&gt;TODRL&lt;/i&gt; XVIII (1962), 50-58 (reprinted in 
  the same author&#39;s &lt;i&gt;Literatura drevnej Rusi&lt;/i&gt;, 132-143). On Ilarion, see 
  esp. L. Müller, &lt;i&gt;op. cit.&lt;/i&gt; (with references).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;spent 
  some time in the Russian Panteleimon Monastery. Not only are Kievan dynastic 
  historiography and hagiography (including religious-historical rhetoric such 
  as Ilarion&#39;s &lt;i&gt;Slovo&lt;/i&gt;) reflected in the political ideology of Sava&#39;s and 
  his brother&#39;s Lives of Stephan Nemanja, but also Russian influence has been 
  ascertained on Sava&#39;s orthography, reinforced some two hundred years later by 
  Constantine of Kostenec. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#64&quot;&gt;[64]&lt;/a&gt; The many complexities of the 
  intricate literary and other cultural interrelations between Russia and the 
  Balkan Slavs in the Middle Ages have in recent years received renewed 
  attention. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#65&quot;&gt;[65]&lt;/a&gt; Here we can only briefly digress to give a 
  summary account of Old Russian hagio-biographical literature, as this 
  literature relates to Old Serbian life-writing or as it points up theoretical 
  problems of definition and classification encountered, &lt;i&gt;mutatis mutandis&lt;/i&gt;, 
  also in its Serbian counterpart.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Of 
  all medieval Slavic literatures, that of Kievan Russia, and the principalities 
  succeeding it, is perhaps the one most thoroughly studied. In this context, 
  much interest has focused, particularly in the last two decades, on the 
  problem of the Old Russian literary genres and the specific stylistic devices 
  utilized in each of them. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#66&quot;&gt;[66]&lt;/a&gt; A central place among the 
  various kinds of Old Russian literature was held by the Lives of&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;64&quot;&gt;64&lt;/a&gt;&lt;/b&gt;. Cf. A. Belić, &quot;Učešće sv. Save i njegove škole u 
  stvaranju nove redakcije srpskih ćirilskih spomenika&quot;, &lt;i&gt;Svetosavski zbornik&lt;/i&gt;, 
  1, 211-276, esp. 236-237. Constantine of Kostenec, in his fantastic linguistic 
  theories (contained in his treatise on orthography), stresses the importance 
  of Russian as the alleged main component of the &quot;mixed&quot; language of Cyril and 
  Methodius; cf. K. M. Kujew (Kuev), &lt;i&gt;op. cit&lt;/i&gt;., 48; see also R. Jakobson,
  &lt;i&gt;Harvard Slavic Studies&lt;/i&gt;, I (1953), 49.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;65&quot;&gt;65&lt;/a&gt;&lt;/b&gt;. Cf., in addition to the important studies by D. S. 
  Lixačev, I. Dujčev, and V. Mošin quoted in notes 21 and 33, V. P. 
  Adrianova-Peretc, &quot;Drevnerusskie literaturnye pamjatniki v jugoslavjanskoj 
  pis&#39;mennosti&quot;, in: &lt;i&gt;Russkaja literatura...&lt;/i&gt; (= &lt;i&gt;TODRL&lt;/i&gt; XIX), 5-27. 
  See further also Dj. Sp. Radojičić, &lt;i&gt;Juinoslovensko-ruske kulturne veze do 
  početka XVIII veka&lt;/i&gt; (Kruševac, 1967), esp. 33-71 ; and S. Hafner, &lt;i&gt;
  Studien&lt;/i&gt;, 24-26.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;66&quot;&gt;66&lt;/a&gt;&lt;/b&gt;. An overall view of medieval Russian writing, largely 
  based on formal (structural) considerations of genre and style, can be found 
  in such Western reference works of Old Russian literature as those quoted 
  above — D. Čiževskij and A. Stender-Petersen, or R. Picchio&#39;s &lt;i&gt;Storia delta 
  letteratura russa antica&lt;/i&gt;, 2nd ed. (Florence-Milan, 1968). Of specialized 
  work on the Old Russian literary genres, see in particular D. Ciževsky, &quot;On 
  the Question of Genres in Old Russian Literature&quot;, &lt;i&gt;Harvard Slavic Studies&lt;/i&gt; 
  II (1954), 105-115; R. Jagoditsch, &quot;Zum Begriff der &#39;Gattungen&#39; in der 
  altrussischen Literatur&quot;, &lt;i&gt;WslJb&lt;/i&gt; VI (1957-1958), 113137; and several 
  studies by D. S. Lixačev, esp. &quot;Sistema literaturnyx žanrov drevnej Rusi&quot;, in 
  : &lt;i&gt;Slavjanskie literatury. V Meždunar. s&#39;ezd slavistov&lt;/i&gt; &lt;i&gt;(Sofia, 1963).&lt;/i&gt;
  &lt;i&gt;Dokl. sov. deleg.&lt;/i&gt; (Moscow, 1963), 47-70; in revised form, also as a 
  chapter (&quot;Otnošenija literaturnyx žanrov meždu soboj&quot;) in his book &lt;/span&gt;&lt;i&gt;
  &lt;span style=&quot;font-size: x-small;&quot;&gt;Poe&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial Unicode MS;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;̊&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;tika&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; 
  drevnerusskoj literatury&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; 
  (Leningrad, 1967), 40-66. For some general information on the genres in 
  medieval Slavic literature, see also his &quot;Drevneslavjanskie lteratury kak 
  sistema&quot;, in: &lt;i&gt;Slavjanskie literatury. VI Meždunar. s&#39;ezd&lt;/i&gt; &lt;i&gt;slavistov 
  (Prague, 1968). Dokl. sov. deleg.&lt;/i&gt; (Moscow, 1968), 5-48, esp. 28-34 (&quot;Žanry 
  i vidy drevneslavjanskix literatur&quot;).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Saints, as was the case in Byzantine literature on which medieval Russian 
  letters was largely patterned. The gradual, though only partial secularization 
  of this genre, noticeable in the branching off from it of a new kind of 
  literature, often referred to as &quot;Princely Lives&quot; (&lt;i&gt;knjažeskie žitija&lt;/i&gt;), 
  has been the subject of much discussion centering around the issue whether, at 
  a certain point in the development of this integrated literature (mixing 
  elements of hagiography, panegyrical oration, historiography, and military 
  tale), these Lives can be established as having achieved the status of an 
  autonomous, self-contained genre of secular biography.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In 
  its earliest, not yet fully developed phase of semi-hagiographic literature 
  (to use a descriptive term), the beginnings of secular biography manifested 
  itself in Russia, according to A. Stender-Petersen, in two basic variants: the 
  apostolic and the martyrological sub-genres. While the former can be said to 
  be closely related to, or even derived from, the obituary and cognate 
  encomiastic genres (&lt;i&gt;poxvala&lt;/i&gt; or &lt;i&gt;pamjat&#39; i poxvala&lt;/i&gt;) first 
  encountered on Russian soil in Ilarion&#39;s panegyrical sermon but rooted also in 
  the Old Church Slavic tradition of the Lives of Constantine and Methodius, the 
  latter has its first Russian representatives in the various versions of the 
  Lives of the martyred brothers Boris and Gleb, echoing in more than one 
  respect the Czech Church Slavic &lt;i&gt;Vita&lt;/i&gt; of St. Wenceslaus. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#67&quot;&gt;
  [67]&lt;/a&gt; Both Ilarion&#39;s &lt;i&gt;Slovo&lt;/i&gt; and the legends of Boris and Gleb 
  express, in addition to true religious fervor, the political interests of the 
  ruling Rurik dynasty of which all three of the subsequently canonized princes 
  were members. No doubt, the combination of religious and political (dynastic) 
  motivation underlying these works of early Russian literature bears a striking 
  resemblance to the ideological background against which Old Serbian biography 
  made its appearance.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Whereas another work of Old Russian hagiography, Nestor&#39;s Life of Feodosij, 
  was to set the pattern for all purely hagiographic writing in Russia, 
  culminating in Epifanij&#39;s Lives of Stephan of Perm&#39; and Sergij of Radonež, the 
  legends of Boris and Gleb became the model for the semi-secularized, 
  dynastic-historical biography, framed, to be sure, in the traditional form of 
  hagiography. This is true of many of the 13th-14th century Lives of Russian 
  princes and, in particular, of the Life of Prince Alexander Nevskij who was 
  later canonized by the Church and&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;67&quot;&gt;67&lt;/a&gt;&lt;/b&gt;. Cf. A. Stender-Petersen, &lt;i&gt;op. cit.&lt;/i&gt;, 76-84. On 
  the various versions of the Boris and Gleb theme (anonymous Tale, Nestor&#39;s 
  Lection, Chronicle entry, liturgical poetry, etc.), see L. Müller, &lt;i&gt;Die 
  altrussischen hagiographischen Erzählungen und liturgischen Dichtungen über 
  die Heiligen Boris und Gleb&lt;/i&gt; (Munich, 1967) (with references, XXIII-XXIV); 
  cf. further N. N. Il&#39;in, &lt;i&gt;Letopisnaja stat’ja 6523 goda i ee istočnik (Opyt 
  analiza)&lt;/i&gt; (Moscow, 1957), and the article by N. W. Ingham, &lt;i&gt;WdSl&lt;/i&gt; X 
  (1965), 166-182 (cf. note 59).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;275&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;in 
  whose &lt;i&gt;Vita&lt;/i&gt; some experts have believed to find reminiscences of a 
  presumed biography of the Galician 13th century Prince Daniil Romanovič, 
  reworked into the cohesive historiographic narrative contained in the 
  Galician-Volynian Chronicle. Here, further worldly, even chivalrous, elements 
  were introduced. Whereas some literary scholars have assumed Western 
  influences in certain of these new traits of Old Russian biography, others 
  have pointed to parallels with the doubtless non-Orthodox setting of the 
  controversial Igor Tale. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#68&quot;&gt;[68]&lt;/a&gt; It is worth noting, in this 
  context, that the particular situation of Prince Daniil&#39;s Galicia, attempting 
  to balance between the Tatars of the Golden Horde in the East and Poles and 
  Hungarians in the West bears some resemblance to the temporarily more 
  fortunate Serbian state, maneuvering between East and West, of the 
  contemporary rulers of the Nemanja dynasty. Symptomatically, Daniil&#39;s 
  coronation, too, was approved by the Pope. A double production of pure 
  hagiography and of hagiographically interpreted and accordingly embellished 
  biography of a secular ruler (to whom, however, no posthumous miracles were 
  attributed) may possibly be found in the work of Epifanij Premudryj. This 
  would be so if, as there might at least be some reason to believe, Epifanij 
  were the author not only of the two previously mentioned Lives of Saints, but 
  also of the Life of Dmitrij Ivanovič (&quot;Donskoj&quot;), by far the most ornate of 
  the several works of Old Russian literature relevant to the battle of Kulikovo.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#69&quot;&gt;[69]&lt;/a&gt; Epifanij&#39;s dependence on stylistic devices brought to 
  Russia from the Slavic South, particularly Serbia, was already mentioned. It 
  must be remembered, though, that regardless of any parallelism on the 
  stylistic and ideological&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;68&quot;&gt;68&lt;/a&gt;&lt;/b&gt;. Cf. A. Stender-Petersen, &lt;i&gt;op. cit.&lt;/i&gt;, 146-150. 
  See also D. Čiževskij, &lt;i&gt;History&lt;/i&gt;, 104-107 and 138-142. N. W. Ingham 
  argues strongly against the assumption of an underlying biography of Daniil 
  Romanovič in the Galician-Volynian Chronicle. As he points out, the section on 
  the reign of Daniil has, at best, the cohesion of historiography; see &lt;i&gt;
  American Contributions&lt;/i&gt;..., 186 and 188-189. Cf., however, also D. S. 
  Lixačev, &quot;Galickaja literaturnaja tradicija v žitii Aleksandra Nevskogo&quot;, &lt;i&gt;
  TODRL&lt;/i&gt; V (1947), 36-56. Ingham&#39;s argumentation against the largely 
  biographical character of the ORIGINAL historical narrative, analistically 
  reworked in the Chronicle, does not seem cogent. That the literary 
  characteristics of life-writing could be obscured by the very nature of the 
  larger work into which they were integrated can be exemplified also by some of 
  the Lives contained in Archbishop Danilo&#39;s and his Disciple&#39;s &lt;i&gt;Zbornik&lt;/i&gt;; 
  cf. also the Life of Vladimir in the (probably, to be sure, pseudo-historiographic)
  &lt;i&gt;Letopis popa Dukljanina&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;69&quot;&gt;69&lt;/a&gt;&lt;/b&gt;. Cf. A. Stender-Petersen, &lt;i&gt;op. cit.&lt;/i&gt;, 160, 
  176-179, and 191; D. Čiževskij, &lt;i&gt;History&lt;/i&gt;, 191-192. See further also, V. 
  P. Adrianova-Peretc, &quot;Slovo o žitii i o prestavlenii velikogo knjazja Dmitrija 
  Ivanoviča, carja Rusьskago&quot;, &lt;i&gt;TODRL&lt;/i&gt; V (1947), 73-96. However, Professor 
  John Fennell, Oxford, now informs me that his comparative stylistic analysis 
  does not corroborate the view that Epifanij was the author also of the Life of 
  Dmitrij Donskoj.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  levels between Old Russian and Old Serbian life-writing of the time, the 
  political outlook at the close of the 14th and the beginning of the 15th 
  century was vastly different in the two countries: Serbia, defeated at Kosovo 
  (1389), was about to be overrun by the Turks, and the trend in biography, with 
  the notable exception of Camblak, was toward secularization; emerging 
  Muscovite Russia, after the victory at Kulikovo (1380), on the other hand, was 
  gradually embarking on the road to achieving complete freedom. Here, the trend 
  in biography (or what can be subsumed thereunder) was now toward a reassertion 
  of Orthodox Christianity — that is to say, toward &#39;purified&#39; hagiography. 
  Thus, while in Serbia we can observe a largely consistent development toward 
  increased secularization of life-writing, in Russia only a temporary and 
  partial deviation (reaching its peak in the Life of Alexander Nevskij and 
  possibly in an unpreserved biography of Daniil of Galič) from the 
  fundamentally hagiographic course of the Old Russian &lt;i&gt;žitie&lt;/i&gt; can be 
  noted.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;It is 
  therefore perhaps an overschematization of the actual development of Old 
  Russian biographical writing (although in line with the general tendency) when 
  D. Čiževskij, in discussing &quot;the Age of Ornamental Style&quot; (12th-13th c.) and 
  &quot;the Period of Spiritual Struggle&quot; (14th-15th c.) in Russian literature, 
  devotes special sections to &quot;Secular Biography&quot;, along with others on 
  &quot;Hagiographic Literature&quot; and &quot;Lives of Saints&quot;. For &quot;the Period of Stylistic 
  Simplicity&quot; (11th c.) and &quot;Muscovite Literature&quot; (16th a), however, he 
  acknowledges the existence of &quot;Hagiographic Literature&quot; but not of any 
  &quot;Secular Biography&quot;. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#70&quot;&gt;[70]&lt;/a&gt; Rather, N. W. Ingham&#39;s view 
  appears to be well-founded when he, on the basis of a scrupulous (if 
  selective) and insightful analysis of some &lt;i&gt;vitae&lt;/i&gt; and comparable pieces 
  in Old Russian literature, concludes &quot;that not one of the Old Russian works 
  ... can meaningfully be called a secular biography. They neither correspond to 
  the international genre nor show enough internal uniformity for an indigenous 
  literary kind... The majority of the works in fact defy definition as 
  life-writing in the first place; and the few which may fit it are still bound 
  too closely to the practices of hagiography. At the most, transitional forms 
  occur, as in the &lt;i&gt;Life of Aleksandr Nevski&lt;/i&gt;.&quot; And Ingham goes on to say 
  that &quot;even if a somewhat broader definition of secular or historical biography 
  were applied, there would still not be enough examples of it in Old Russian 
  literature to constitute a genre&quot;. But he also suggests that &quot;this situation 
  is probably not typical of the Slavic literatures generally. New dimensions&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;70&quot;&gt;70&lt;/a&gt;&lt;/b&gt;. Cf. D. Čiževskij, &lt;i&gt;History&lt;/i&gt;, 40-47, 94-100, 
  165-184 and 184-192, and 238-250.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;to 
  early Slavic lilc-wi iting are added by such works as the earliest &lt;i&gt;žitie&lt;/i&gt; 
  of the Czech Prince Wenceslaus (Václav) and the lives of Bulgarian and Serbian 
  rulers.&quot; While it is not clear (at least to the present writer) what precisely 
  ingham had in mind when referring to Lives of Bulgarian rulers, his surmise is 
  certainly borne out by the &lt;i&gt;Vita&lt;/i&gt; of St. Wenceslaus and, even more so, by 
  the Old Serbian biographies. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#71&quot;&gt;[71]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;VIII&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Before summing up the preceding considerations in some tentative conclusions, 
  a few observations regarding the composition and style, the choice of motifs 
  and stereotyped formulae (&lt;i&gt;topoi&lt;/i&gt;) characteristic of Old Serbian 
  life-writing may be appropriate. Needless to say, this is not the place for 
  any thorough analysis of these and other literary devices of medieval Serbian 
  biography; nor can a recapitulation of previous — significant, but by no means 
  exhaustive — research on style and themes of Old Serbian life-writing be 
  offered here. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#72&quot;&gt;[72]&lt;/a&gt; Rather, only a handful of illustrative 
  examples will be adduced and briefly commented upon. They are taken from two
  &lt;i&gt;Vitae&lt;/i&gt; which in many ways represent diametric opposites : St. Sava&#39;s 
  Life of Simeon (Stephan Nemanja) and the Life of Stephan Lazarević by 
  Constantine of Kostenec. The first one opens the series of medieval Serbian 
  biographies ; the second one marks the perfection of the genre, while 
  transgressing in some respects its established limits. One is basically an 
  hagiography although it never refers to Nemanja as a saint (as opposed to the 
  Nemanja &lt;i&gt;Vita&lt;/i&gt; by Stephan the First-Crowned) and is couched in a 
  relatively simple, unassuming language; the other, perhaps farthest removed 
  from hagiography (in contents as well as intent of its author), is nonetheless 
  characterized by an ornate, frequently obscure style and is, to some extent, 
  disguised in&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;71&quot;&gt;71&lt;/a&gt;&lt;/b&gt;. Cf. N. W. Ingham, &lt;i&gt;American Contributions&lt;/i&gt;..., 
  197-198 (in the conclusion of his paper &quot;The Limits of Secular Biography in 
  Medieval Slavic Literature, Particularly Old Russian&quot;; cf. note 2).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;72&quot;&gt;72&lt;/a&gt;&lt;/b&gt;. Of important relevant work cf., in addition to the 
  article by M. I. Mulić already quoted (note 29), for example also the section 
  on &quot;Topos und Gedankengefüge in den altserbischen Herrscherbiographien&quot; in S. 
  Hafner&#39;s &lt;i&gt;Studien&lt;/i&gt;, 78-123. See further some of the papers, partly 
  republished, in the volume &lt;i&gt;Stara književnost&lt;/i&gt;, esp. Dj. Trifunović, &quot;Pripovedanje 
  i simboli srednjovekovne naše umetničke proze&quot; (142-180); V. Mošin, &quot;Stil 
  stare srpske proze&quot; (181-196); M. Mulić, &quot;Stil srpskih srednjovekovnih 
  životo-pisaca XIII i XIV veka&quot; (197-204, abridged version of his longer paper 
  in Russian). Cf. on Constantino of Kostenec also K. M. Kujew (Kuev), &lt;i&gt;op. 
  cit&lt;/i&gt;., 101-112; and the sties, quoted in note 27.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;278&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;the 
  superficial appearance of a &lt;i&gt;vita&lt;/i&gt; of hagiographic kind (despite the fact 
  that its hero was never canonized). Thus, being maximally polarized, these two
  &lt;i&gt;žitija&lt;/i&gt; span, as it were, the whole stylistic range of Old Serbian 
  life-writing, while lacking only in the mutual reinforcement by approach and 
  style, content and form, found, say, in Domentijan&#39;s Life of St. Sava.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;The 
  theme of divine right by which Stephan Nemanja is said to rule his land, found 
  already in the Hilandar Charters, comes up also in the &lt;i&gt;prooemium&lt;/i&gt; of the
  &lt;i&gt;Vita Simeonis&lt;/i&gt; and is subsequently once more referred to in Nemanja&#39;s 
  abdication speech. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#73&quot;&gt;[73]&lt;/a&gt; The same or a slightly modified 
  motif is later often found in medieval Serbian biography and is attested also 
  in Constantine&#39;s Life of Stephan Lazarević. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#74&quot;&gt;[74]&lt;/a&gt; The mention 
  of the many monastic foundations at the outset of Sava&#39;s &lt;i&gt;Vita&lt;/i&gt;, while 
  presumably reflecting historical reality, was to become a fixed ingredient of 
  most biographies of Serbian princes, usually in connection with the 
  stereotyped eulogy of the ruler (combining a liturgical-hagiographic &lt;i&gt;
  laudatio&lt;/i&gt; with the classic βασιλικὸς λόγος). &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#75&quot;&gt;[75]&lt;/a&gt; The 
  system of virtues ascribed to the ruler or other protagonist played an 
  important role in medieval Europe. We find it in its chivalrous-religious form 
  in the West, but it is also well represented in the literature of the 
  Byzantine sphere of civilization, including Kievan Russia. In Sava&#39;s &lt;i&gt;Vita&lt;/i&gt;, 
  the emphasis is on charity and asceticism — in other words, the virtue system 
  has been given its purest Christian interpretation, coupled with the ideal of 
  monastic life. It also includes the motif of veneration and formidableness of 
  the monarch. This forbidding aspect of the ruler is eloquently described in 
  the biography of Stephan Lazarević by Constantine as well. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#76&quot;&gt;[76]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Two
  &lt;i&gt;topoi&lt;/i&gt; frequently encountered in medieval literature, particularly in 
  panegyrical writing, are the related stylistic devices of &#39;unspeakableness&#39; (Curtius&#39;
  &lt;i&gt;Unsagbarkeitstopos&lt;/i&gt;), of which the brevity formula &lt;i&gt;pauca e multis&lt;/i&gt; 
  represents a sub-type, and that of &#39;surpassing&#39; or &#39;outcomparing&#39;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;73&quot;&gt;73&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 70-80; id&lt;i&gt;.,&lt;/i&gt; 
  Serbisches Mittelalter, 132 and 137 (n. 11 and n.64).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;74&quot;&gt;74&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 81-82.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;75&quot;&gt;75&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 100-101 and 113-118. 
  On ancient origins and West European parallels, see E. R. Curtius, &lt;i&gt;op. cit&lt;/i&gt;., 
  184-186.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;76&quot;&gt;76&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 93-109, esp. 97-99 (on 
  Sava&#39;s two eulogies of his father, introduced by the common &lt;i&gt;dubitatio&lt;/i&gt; 
  formula), 103-104 (on filial obedience), and 108-109 (on veneration and 
  formidableness of the ruler, as expressed in Sava&#39;s and Constantine&#39;s Lives);
  &lt;i&gt;id&lt;/i&gt;., &lt;i&gt;Serbisches Mittelalter&lt;/i&gt;, 134-135 (n. 33, with reference to 
  the virtue system in Old Russian literature). An expression of the medieval 
  notion of the ruler&#39;s inapproachable standing among his people can be found 
  also, for example, in the epithet given the Russian 16th century ruler Ivan IV 
  – Groznyj, best rendered, perhaps, as &quot;the Awesome&quot; (rather than the 
  traditional &quot;the Terrible&quot;). On the system of &quot;chivalrous virtues&quot; in the 
  West, see E. R. Curtius, &lt;i&gt;op. cit&lt;/i&gt;., 506-521.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;279&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;(ὑπεροχή), 
  Curtius&#39; &lt;i&gt;Überbietungstopos&lt;/i&gt;) where one can distinguish, among others, 
  between what has been referred to as the &lt;i&gt;cedat&lt;/i&gt; and &lt;i&gt;taceat&lt;/i&gt; 
  formulae, respectively. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#77&quot;&gt;[77]&lt;/a&gt; Both these common types of 
  topoi are represented in Sava&#39;s Life of Nemanja and, by the example of his 
  work, became a regular feature of subsequent Old Serbian biographies.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#78&quot;&gt;[78]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Part 
  of medieval, Latin as well as Byzantine, imagery was the &#39;ideal landscape&#39;, 
  particularly when narrowed down to the &lt;i&gt;locus amoenus&lt;/i&gt; and interpreted 
  allegorically as referring to monastic life. In Sava&#39;s &lt;i&gt;Vita Simeonis&lt;/i&gt; 
  there is a fairly long passage describing the Hilandar Monastery, just founded 
  by Nemanja, as the pleasure-grounds or &#39;meadow&#39; (corresponding to the specific 
  Christian-Byzantine connotation of λειμών) to which St. Simeon was retiring in 
  his old age. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#79&quot;&gt;[79]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;The 
  use of pleonasms, hendiadys phrases, and repetitions was not uncommon in 
  medieval rhetoric. The use of these devices can also be found in &lt;/span&gt;
  &lt;span style=&quot;font-size: small;&quot;&gt;Sava&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&#39;s Life. Thus, in the &lt;i&gt;translatio&lt;/i&gt; 
  account following the biography proper (praxeis), Sava resorts to repeated 
  rhetorical pleonasms to underscore the gratification felt by the brothers 
  Stephan (the First-Crowned) and Vukan as well as the assembled clergy upon 
  receiving the news that Sava had safely reached the Hvostno region (i.e., 
  present-day Metohija) with the remains of Stephan Nemanja. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#80&quot;&gt;[80]&lt;/a&gt; 
  Sometimes, however, what at first sight may seem a pleonasm turns out to be a 
  meaningful differentiation, charged with political, often contrasting 
  implications. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#81&quot;&gt;[81]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;The 
  common motif of death by falling from a horse (believed to be a sign from 
  heaven) occurs a few times in Old Serbian biographies. At least two such 
  episodes are found in Danilo&#39;s and his successors&#39; work. The same motif occurs 
  also in Constantine&#39;s Life of Stephan Lazarević&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;77&quot;&gt;77&lt;/a&gt;&lt;/b&gt;. Cf. E. R. Curtius, &lt;i&gt;op. cit.&lt;/i&gt;, 168-174.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;78&quot;&gt;78&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 113, 114-115; &lt;i&gt;id&lt;/i&gt;.,
  &lt;i&gt;Serbisches Mittelalter&lt;/i&gt;, 135 (n. 35), 136 (n. 55 and n. 57, &lt;i&gt;pauca e 
  multis formula&lt;/i&gt;), 138 (n. 96, &quot;unspeakableness&quot;; n. 97, panegyrical &lt;i&gt;loci 
  communes&lt;/i&gt;), 141 (n. 122, &quot;unspeakableness&quot;; n. 123 &quot;surpassing&quot;), 143 (n. 
  148, &quot;surpassing&quot;).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;79&quot;&gt;79&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Serbisches Mittelalter&lt;/i&gt;, 141-142 
  (nn. 129, 131, 132). On the &quot;ideal landscape&quot; and, particularly, the &lt;i&gt;locus 
  amoenus&lt;/i&gt; in ancient and medieval literature, see E. R. Curtius, op. cit., 
  191-209, esp. 202-206. See further also O. Schissel, &lt;i&gt;Der byzantinische 
  Garten&lt;/i&gt; (Vienna, 1942).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;80&quot;&gt;80&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Serbisches Mittelalter&lt;/i&gt;, 144 (nn. 
  166 and 168).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;81&quot;&gt;81&lt;/a&gt;&lt;/b&gt;. This applies, for example, to the &quot;peace and quiet&quot; 
  theme discussed above (note 43). Apparently, &lt;i&gt;mirь&lt;/i&gt; refers to inner peace 
  (including spiritual harmony) while &lt;i&gt;tišina&lt;/i&gt; rather implies &quot;quiet at the 
  borders&quot; but perhaps also within the state (at the political level). See S. 
  Hafner, &lt;i&gt;Studien&lt;/i&gt;, 89-93. Cf. also the differentiated use of such near- 
  synonyms as &lt;i&gt;ozьlobiti&lt;/i&gt; and &lt;i&gt;oskrьbiti&lt;/i&gt; in some of the Old Serbian 
  biographies; see &lt;i&gt;ibid&lt;/i&gt;., 118-121.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;280&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;who 
  died during a hunting party. Possibly, this belief had older, 
  biblical-folkloristic sources. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#82&quot;&gt;[82]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Sava&#39;s&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt; Life of Stephan Nemanja is largely designed as an 
  hagiographic &lt;i&gt;vita&lt;/i&gt; (&lt;i&gt;prooemium, praxeis, translatio, curriculum vitae, 
  admonitio&lt;/i&gt;), lacking only the traditional &lt;i&gt;miracula&lt;/i&gt; owing to the fact 
  that Nemanja had not yet been canonized at the time this &lt;i&gt;Vita&lt;/i&gt; was 
  written; cf., on the other hand, his &lt;i&gt;Vita&lt;/i&gt; by Stephan the First-Crowned 
  where he is repeatedly referred to as a saint and where a number of miracle 
  accounts are appended. In contradistinction, the compositional makeup of 
  Constantine&#39;s biography of the &#39;despot&#39; Stephan Lazarević follows another 
  pattern. It opens with a relatively short section eulogizing Stephan by 
  comparing him with the great men of biblical and Christian history. Next 
  follows a description of Serbia and, in particular, its monks, including St. 
  Simeon (Nemanja) and St. Sava. A short, fantastic, and largely incorrect 
  genealogy of the Nemanja dynasty precedes the tale about Prince Lazar, 
  Stephan&#39;s father and the tragic hero of Kosovo, and a statement of the 
  situation in Serbia after the defeat is given before the author turns to a 
  brief characterization of his hero and his early years. Only then begins a 
  detailed account of the historical events, political and military, in which 
  Stephan participates as one (but not the sole) protagonist. (Other important 
  personalities are the Turkish sultans with whom Stephan concludes treaties or 
  against whom he wages war.) Inserted in this account is, among other things, a 
  famous description of the city of Belgrade which is compared in beauty and 
  importance to Jerusalem. Another city, Resava, is duly praised as well. In a 
  following chapter, Constantine talks about Stephan&#39;s generosity and sees all 
  the manifold characteristics of Serbia represented in his hero&#39;s personality 
  and noble qualities. In the section reporting Stephan&#39;s death, the author not 
  only speaks of the grief of the Serbian people, but also mentions the disaster 
  which befell Serbia after his death. He goes on to describe miraculous 
  happenings occasioned by his passing away (obviously meant as a substitute of 
  sorts for the obligatory miracles ascribed to a saint after his death). 
  Constantine&#39;s biography ends on a very personal note, telling of how Stephan 
  after his death had appeared before&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;82&quot;&gt;82&lt;/a&gt;&lt;/b&gt;. See S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 121-123. The 
  death-by-one&#39;s-horse theme is known, in a somewhat different variant, also in 
  Old Russian literature, with a parallel in an Old Norse anecdote (the ultimate 
  source of both probably being Byzantine); cf. the tale about Prince Oleg&#39;s 
  death from his horse (entered in the Nestor Chronicle &lt;i&gt;sub anno&lt;/i&gt; 912). 
  For details, see D. Čiževskij, &lt;i&gt;History&lt;/i&gt;, 14 and 17-18; A. Stender-Petersen,
  &lt;i&gt;op. cit&lt;/i&gt;., 101; and now also F. Sielicki, ed., &lt;i&gt;Powieść minionych lat&lt;/i&gt; 
  (Wroclaw-Warsaw-Cracow, 1968), 112-113.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;281&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;the 
  author urging him to write (or complete) the &lt;i&gt;Vita&lt;/i&gt;. A last eulogy of 
  Stephan concludes Constantine&#39;s work.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Already this short summary of the contents of Constantine&#39;s Life reveals some 
  basic differences between this biography and all preceding Old Serbian &lt;i&gt;
  vitae&lt;/i&gt;. Here we encounter a memoir-like account by an observant 
  contemporary with a deep involvement in the events he is relating. What we 
  have before us is a piece of personal interpretation of history in its broader 
  context, focusing, understandably, on the Ottoman Empire and its rapidly 
  expanding power. While subjectively colored, most of Constantine&#39;s information 
  has proven accurate. In addition, however, a personal, almost intimtae tone 
  used by someone close to the chief protagonist comes through. Despite all 
  attempts at subliming Stephan&#39;s individual features to the abstract level of 
  hagiography, the reader — once he overcomes the ornate style and many 
  biographically irrelevant amplifications — preceives a live personality drawn 
  against the backdrop of Serbia, its nature and its cities. Also in these 
  descriptions of the Serbian scenery, especially of Belgrade, there is a note 
  of personal, one might say, individual, experience. No doubt, there is an 
  affinity between the style of Constantine of Kostenec and that of his emigrant 
  contemporary, Camblak, even though the purpose of writing their respective 
  biographies was different. Only Constantine, the naturalized Serbian, was an 
  ardent patriot. As was mentioned before, Constantine&#39;s language, frequently 
  obscure (and, in some instances, actually resisting definitive interpretation) 
  and not without some studied mannerism (cf. also his use of symbolic 
  acrostics) and hagiographic accessories, especially the many biblical quotes 
  and references, is not apt to further the appreciation which this work no 
  doubt deserves, in terms of its ideology and understanding of history.
  &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#83&quot;&gt;[83]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;b&gt;
  &lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;IX&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  Summing up, then, some of the points made in this paper and adding a few 
  considerations not discussed here for lack of space, a number of conclusions 
  can be tentatively formulated :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;83&quot;&gt;83&lt;/a&gt;&lt;/b&gt;. For an appraisal of Constantine&#39;s Life of Stephan 
  Lazarević, see, in particular, K. M. Kujew (Kuev), &lt;i&gt;op. cit&lt;/i&gt;., 86-112, 
  esp. 101-112; and the relevant section in P. Popović&#39;s Introduction to &lt;i&gt;
  Stare srpske biografije XV i XVII veka&lt;/i&gt;, XLIV-LIII. On the acrostics, see 
  Dj. Sp. Radojičić&#39;s previously (note 27) mentioned studies. Generally on 
  Stephan Lazarević, see now also N. D. Pavlović, &lt;i&gt;Despot Stefan Lazarević&lt;/i&gt; 
  (Subotica &amp;amp; Belgrade, 1968). Cf. further also Dj. Trifunović, &lt;i&gt;Srpski 
  srednjovekovni spisi o knezu Lazaru i Kosovskom boju&lt;/i&gt; (Kruševac, 1968), and 
  I. Dujčev, &quot;La conquête turque et la prise de Constantinople dans la 
  littérature slave contemporaine&quot;, &lt;i&gt;Byzsl&lt;/i&gt; XIV (1953), 14-54, esp. 38-42 
  (on Constantine&#39;s Life of Stephan Lazarević).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;282&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;1) 
  Accepting the current medievalist view of the High Middle Ages (11th-12th c.) 
  as a period of great intellectual vigor and creativity in Central Europe, this 
  interpretation can be extended to include medieval Serbia of the 13th through 
  early 15th centuries, given the well-understood factor of &quot;cultural 
  retardation&quot; in this area. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#84&quot;&gt;[84]&lt;/a&gt; The literary genre of 
  biography, developed to a level of high sophistication, can be considered 
  perhaps the most eloquent expression of medieval Serbian civilization.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;2) 
  Three different, though interrelated traditions merge in Old Serbian 
  life-writing: (a) the predominantly learned Byzantine tradition of hagiography 
  and historiography; (b) the solidly learned Church Slavic tradition of 
  hagiography (including semi-hagiography) and panegyrical homiletics, 
  themselves representing a modification of Byzantine prototypes ; and (c) a set 
  of pre- and sub-literary, orally transmitted themes, motifs, and legends 
  encountered in the Balkans and largely characteristic of a popular Christian 
  tradition, particularly in its Eastern variety. More specifically, it is 
  possible to make a distinction in the Byzantine hagiographic tradition between 
  several chronological layers (primarily, pre-Metaphrastic versus post-Metaphrastic) 
  and between two major components — the elaborate and ornate, learned tradition 
  and a more popular vein in Byzantine hagiography whose nucleus was the simple 
  narrative relating the life-story of a monk (or hermit). In Byzantine 
  historiography two separate kinds can be identified: chronicle-writing (chronography) 
  and secular biography (primarily the Lives of Emperors), with the latter genre 
  largely submerged in the broader framework of non-annalistic historiography. 
  In its rudimentary form, the Old Serbian &lt;i&gt;vita&lt;/i&gt; (in its earliest phase, 
  represented by Sava and Stephan the First-Crowned) is prefigured in the 
  Charter texts of the Hilandar Monastery.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;3) Of 
  dynastic historiography and Orthodox hagiography, the two basic components 
  combined in Old Serbian biography, the first is more closely bound up with 
  Serbia proper, embodied in the person of the Serbian ruler and his court, and 
  the second with the Serbian monastic community, in particular, its 
  extraterritorial focal point at Mt. Athos&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;84&quot;&gt;84&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner &lt;i&gt;Studien&lt;/i&gt;, VII. On some aspects of 
  the phenomenon of &quot;cultural retardation&quot; in another peripheral part of 
  medieval Europe, see E. R. Curtius, &lt;i&gt;op. cit&lt;/i&gt;., 524-526 (&quot;Spaniens 
  kulturelle &#39;Verspätung&#39; &quot;). Notice further that just as Serbia was culturally 
  gravitating in the Middle Ages in two directions — toward Orthodox Byzantium 
  and (if to a lesser extent) toward Catholic Europe (Rome, Venice, Hungary) — 
  Spain, too, during the Reconquista lay at the intersection of two cultures : 
  European (Latin as well as Spanish national) Catholicism and Arabic Islam. In 
  neither case, medieval Serbia or Spain, is the term &quot;cultural retardation&quot; to 
  be understood in the derogatory sense of backwardness.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;283&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;(Hilandar). 
  While the religious-political interests and goals of these two institutions 
  usually coincided (cf. &lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Sava&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;, 
  Stephan the First-Crowned, Danilo), this was not always the case, particularly 
  not in times when Serbia&#39;s political stand was vacillating between East and 
  West. In such situations, the monastic community would take a pro-Byzantine 
  position as reflected in literary and ideological expressions found in some &lt;i&gt;
  vitae&lt;/i&gt; (particularly those by the Athonite monks Domentijan and Teodosije; 
  also, e.g., by Camblak). Eventually, in the face of the Turkish peril, the 
  Byzantine and Serbian national interests were again in full agreement 
  (Constantine of Kostenec).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;4) In 
  spite of a certain typological amplitude and chronological development within 
  it, biography can be said to constitute a separate, unified genre in Old 
  Serbian literature. This genre is marked by a number of fundamental 
  characteristics compared to which the shift in emphasis from hagiography to 
  secular biography is of secondary import. It should also be noted that, while 
  the overall tendency in Old Serbian life-writing was away from pure 
  hagiography and toward secular biography, this tendency is by no means without 
  exception as shown by the work of Camblak, marking, in this respect, a reverse 
  trend. On the stylistic side, many of the hagiographic accessories are 
  retained throughout the entire development of this literary genre, i.e., also 
  in those biographies with a more pronounced secular content (cf. Stephan the 
  First-Crowned and Constantine of Kostenec). In terms of ideology, most of Old 
  Serbian life-writing is characterized by a combination of religious (Orthodox) 
  and political (dynastic) objects in view. In depicting their heroes — largely 
  secular rulers — the Old Serbian &lt;i&gt;vitae&lt;/i&gt; achieve a high degree of 
  individ-ualization rather than typification (characteristic of hagiography 
  proper as well as of its pictorial counterpart — iconography). This 
  individuali-zation, however, is to be understood as aiming at sublimation, 
  abstracting, as it were, from the individual features and characteristics of 
  the protagonists for the purpose of immortalization and religious &quot;eternalization&quot;. 
  Little evidence can be found in the medieval Serbian Lives that would suggest 
  an ability for, or interest in, concretization and psychological 
  objectivization. &lt;a href=&quot;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm#85&quot;&gt;[85]&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;5) 
  The Old Serbian vita genre was firmly grounded in the Byzantine tradition of 
  Lives of Saints and, to a lesser degree, in other forms of Byzantine 
  literature (&lt;i&gt;chrysobulla, typica&lt;/i&gt;, chronicles, Lives of Emperors), while 
  forming an integral part of a supranational literature, modifying&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;
  &lt;a href=&quot;http://www.blogger.com/null&quot; name=&quot;85&quot;&gt;85&lt;/a&gt;&lt;/b&gt;. Cf. S. Hafner, &lt;i&gt;Studien&lt;/i&gt;, 75 and 96.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;img border=&quot;0&quot; height=&quot;18&quot; src=&quot;http://www.kroraina.com/knigi/en/hb_sv/line_down.gif&quot; width=&quot;596&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot; dir=&quot;ltr&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;284&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;these 
  Byzantine models throughout the Slavic Orthodox community of the Middle Ages. 
  By further developing and in an original manner refining the literary art of 
  life-writing, the Old Serbian biographers can be credited with having indeed 
  transformed this Byzantine tradition into a new and unique genre of its own.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Thus, 
  assessing Old Serbian life-writing in terms of its sources and parallels, the 
  following observations can be made: In Byzantine literature, hagiography, with 
  its rich tradition, and historical secular biography, re-emerging in the 10th 
  century, cannot be considered merely varieties of one unified biographic 
  genre. Similarly, in Old Russian literature, we can hardly speak of a truly 
  autonomous genre of secular biography, independent of hagiography (or other 
  related kinds of literature). Also in medieval Bohemia, life-writing was 
  practiced far too short a time in the Czech recension of Church Slavic to 
  yield (by blending hagiographic and historiographic elements) a new genre of 
  biography. The elaboration of this integrated literary genre was accomplished 
  only in Serbia whose many extant &lt;i&gt;vitae&lt;/i&gt; must therefore be assigned a 
  particularly prominent place in the overall near-millennial course of Church 
  Slavic literature.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Palatino Linotype;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;
  Addendum to note 21: An important reassessment of the Second South Slavic 
  Influence de-emphasizing the role of Patriarch Euthymius (Evtimij) as a 
  literary-linguistic reformer and contending that the Turkish invasion and 
  domination of the Balkans neither brought the Christian Slavic literary 
  activities to a halt nor caused any mass immigration of South Slavic &lt;i&gt;
  literati&lt;/i&gt; to late-medieval Russia can be found in the well-documented 
  unpublished doctoral dissertation of I. Talev, &lt;i&gt;The Impact of Middle 
  Bulgarian on the Russian Literary Language (post-Kievan period)&lt;/i&gt;, UCLA, 
  J972.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;br /&gt;
&amp;nbsp;http://www.kroraina.com/knigi/en/hb_sv/hb_sv_hbirnbaum.htm</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/5347458653693215645'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/5347458653693215645'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2013/05/a-spects-of-balkans.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-7116877321341790566</id><published>2013-05-11T00:44:00.001+03:00</published><updated>2013-05-11T00:51:00.680+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ελύτης"/><title type='text'>Κι όμως Ανέστη ! Ναι, Ναι αληθώς Ανέστη !</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;ΧΡΙΣΤΟΣ ΑΝΕΣΤΗ !&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHrAMR9M4URPDKlmAQDrwWEZQ9SLZneFmf86sm6-sWvpcSYqkzA47bVgZ5kW-YXngIngUx4U15-6V1yNbErANYL2h8V-dJkmW75IXMsCW9a3DFqfDyK9ffYeOeIAYg4mcd9a8cbU4Tjj4/s1600/anastasis.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;243&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHrAMR9M4URPDKlmAQDrwWEZQ9SLZneFmf86sm6-sWvpcSYqkzA47bVgZ5kW-YXngIngUx4U15-6V1yNbErANYL2h8V-dJkmW75IXMsCW9a3DFqfDyK9ffYeOeIAYg4mcd9a8cbU4Tjj4/s320/anastasis.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;Πολλά δε θέλει ο άνθρωπος&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; να &#39;ν&#39; ήμερος να &#39;ναι άκακος&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
λίγο φαΐ λίγο κρασί&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; Χριστούγεννα κι Ανάσταση&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
κι όπου φωλιάσει και σταθεί&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; κανείς να μην του φτάνει εκεί&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
Μα &#39;ρθαν αλλιώς τα πράματα&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; τονε ξυπνάν χαράματα&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
τον παν τον φέρνουν πίσω μπρος&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; του τρώνε και το λίγο βίος&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
κι από το στόμα την μπουκιά&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; πάνω στην ώρα τη γλυκιά&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
του τηνε παίρνουνε κι αυτή&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; Χαρά στους που &#39;ναι οι Δυνατοί!&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
Χαρά στους που &#39;ναι οι Δυνατοί
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; γι&#39; αυτούς δεν έχει «εγώ» κι «εσύ»&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
Χαρά στους που &#39;ναι οι Δυνατοί&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; γι&#39; αυτούς δεν έχει χόρταση.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: right;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: large;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span class=&quot;st&quot;&gt;Οδυσσέας Ελύτης&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: right;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
&lt;i&gt;Ο ΗΛΙΟΣ Ο ΗΛΙΑΤΟΡΑΣ
&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0px; margin-top: 0px; text-align: right;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman; font-size: small;&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;i&gt;&amp;nbsp; (1971)
&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/7116877321341790566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/7116877321341790566'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2013/05/blog-post.html' title='Κι όμως Ανέστη ! Ναι, Ναι αληθώς Ανέστη !'/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHrAMR9M4URPDKlmAQDrwWEZQ9SLZneFmf86sm6-sWvpcSYqkzA47bVgZ5kW-YXngIngUx4U15-6V1yNbErANYL2h8V-dJkmW75IXMsCW9a3DFqfDyK9ffYeOeIAYg4mcd9a8cbU4Tjj4/s72-c/anastasis.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-5885626812663593858</id><published>2012-04-07T22:37:00.004+03:00</published><updated>2012-04-07T22:44:39.842+03:00</updated><title type='text'></title><content type='html'>&lt;span class=&quot;watch-video-date&quot; id=&quot;eow-date&quot;&gt;&lt;/span&gt;               &lt;br /&gt;
&lt;div id=&quot;watch-description-text&quot;&gt;&lt;div id=&quot;eow-description&quot; style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div id=&quot;eow-description&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Μ. Εβδομάδα 2012&lt;/span&gt;&lt;/div&gt;&lt;div id=&quot;eow-description&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div id=&quot;eow-description&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Έναν χρόνο μετά ...&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;Συν Θεώ συνέχεια... &lt;/span&gt;&lt;/div&gt;&lt;div id=&quot;eow-description&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div id=&quot;eow-description&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div id=&quot;eow-description&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;«Τήν ψυχωφελῆ πληρώσαντες Τεσσαρακοστήν,  τήν ἁγίαν ἑβδομάδα τοῦ πάθους σου αἰτοῦμεν κατιδεῖν, Φιλάνθρωπε, τοῦ  δοξᾶσαι ἐν αὐτῇ τά μεγαλεῖα σου καί τήν ἄφατον δι ἡμᾶς οἰκονομίαν σου»&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-19bjLXGVsqmYzxQQATWMOLzrxZFkgv8T0TOLbf6LAT_RpEshtgI7SJ-7PU-2yrTffuegtVjKQMf4OX29cMk0qV19an7EHvFXlD0ka0dduV-LX_gH9EngldEdkoBSmmka0MLdCHZ5d2E/s1600/cveti.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;210&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-19bjLXGVsqmYzxQQATWMOLzrxZFkgv8T0TOLbf6LAT_RpEshtgI7SJ-7PU-2yrTffuegtVjKQMf4OX29cMk0qV19an7EHvFXlD0ka0dduV-LX_gH9EngldEdkoBSmmka0MLdCHZ5d2E/s320/cveti.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div id=&quot;eow-description&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/5885626812663593858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/5885626812663593858'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2012/04/blog-post.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-19bjLXGVsqmYzxQQATWMOLzrxZFkgv8T0TOLbf6LAT_RpEshtgI7SJ-7PU-2yrTffuegtVjKQMf4OX29cMk0qV19an7EHvFXlD0ka0dduV-LX_gH9EngldEdkoBSmmka0MLdCHZ5d2E/s72-c/cveti.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-8753092552387950465</id><published>2011-04-21T00:03:00.003+03:00</published><updated>2011-04-21T00:16:57.199+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ΑΓΙΑ ΚΑΙ ΜΕΓΑΛΗ ΕΒΔΟΜΑΔΑ"/><category scheme="http://www.blogger.com/atom/ns#" term="ΜΕΓΑΛΗ ΤΕΤΑΡΤΗ ΕΣΠΕΡΑΣ"/><category scheme="http://www.blogger.com/atom/ns#" term="ΜΥΣΤΙΚΟΣ ΔΕΙΠΝΟΣ"/><title type='text'></title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ΑΓΙΑ ΚΑΙ ΜΕΓΑΛΗ ΕΒΔΟΜΑΔΑ - ΠΟΡΕΙΑ ΠΡΟΣ ΤΗΝ ΑΝΑΣΤΑΣΗ&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;background-color: white; color: purple; text-align: center;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;background-color: white; color: purple;&quot;&gt;Ο ΜΥΣΤΙΚΟΣ ΔΕΙΠΝΟΣ&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;ΜΕΓΑΛΗ&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; ΤΕΤΑΡΤΗ ΕΣΠΕΡΑΣ&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaswPe5kCN1M2g1hx15iwkhPQTM1Cjn27GuVya65pURrk-xfxIrIn5kqSW_EC_L-PYzIBdvnasGT_cdyuLsNlBbbSQK6vYawiA-IAsGdwCx53NVTsMAS4ezMlR4e7_d1bcoJ7VIFAyWqQ/s1600/mystikos+deipnos.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;294&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaswPe5kCN1M2g1hx15iwkhPQTM1Cjn27GuVya65pURrk-xfxIrIn5kqSW_EC_L-PYzIBdvnasGT_cdyuLsNlBbbSQK6vYawiA-IAsGdwCx53NVTsMAS4ezMlR4e7_d1bcoJ7VIFAyWqQ/s400/mystikos+deipnos.jpg&quot; width=&quot;400&quot; /&gt;&lt;span style=&quot;font-family: Arial Unicode MS;&quot;&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;Ὃν ἐκήρυξεν  Ἀμνὸν Ἡσαΐας, ἔρχεται ἐπὶ σφαγὴν ἑκούσιον, καὶ τὸν νῶτον δίδωσιν εἰς μάστιγας,  τὰς σιαγόνας εἰς ῥαπίσματα, τὸ δὲ πρόσωπον οὐκ ἀπεστράφη, ἀπὸ αἰσχύνης  ἐμπτυσμάτων, θανάτῳ δὲ ἀσχήμονι καταδικάζεται, πάντα ὁ ἀναμάρτητος ἑκουσίως  καταδέχεται, ἵνα πᾶσι δωρήσηται τὴν ἐκ νεκρῶν ἀνάστασιν.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;Μυσταγωγῶν σου  Κύριε τοὺς Μαθητάς, ἐδίδασκες λέγων. Ὦ φίλοι, ὁρᾶτε, μηδεῖς ὑμᾶς χωρίσει μου  φόβος· εἰ γὰρ πάσχω, ἀλλ&#39; ὑπὲρ τοῦ Κόσμου· μὴ οὖν σκανδαλίζεσθε ἐν ἐμοί· οὐ γὰρ  ἦλθον διακονηθῆναι, ἀλλὰ διακονῆσαι, καὶ δοῦναι τὴν ψυχήν μου, λύτρον ὑπὲρ τοῦ  Κόσμου. Εἰ οὖν ὑμεῖς φίλοι μού ἐστε, ἐμὲ μιμεῖσθε· ὁ θέλων πρῶτος εἶναι, ἔστω  ἔσχατος, ὁ δεσπότης, ὡς ὁ διάκονος· μείνατε ἐν ἐμοί, ἵνα βότρυν φέρητε· ἐγὼ γάρ  εἰμι τῆς ζωῆς ἡ ἄμπελος.&lt;/span&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; &lt;/span&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8753092552387950465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8753092552387950465'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2011/04/blog-post_21.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaswPe5kCN1M2g1hx15iwkhPQTM1Cjn27GuVya65pURrk-xfxIrIn5kqSW_EC_L-PYzIBdvnasGT_cdyuLsNlBbbSQK6vYawiA-IAsGdwCx53NVTsMAS4ezMlR4e7_d1bcoJ7VIFAyWqQ/s72-c/mystikos+deipnos.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-4308710019999583933</id><published>2011-04-20T04:23:00.002+03:00</published><updated>2011-04-20T04:28:52.395+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ΑΓΙΑ ΚΑΙ ΜΕΓΑΛΗ ΕΒΔΟΜΑΔΑ"/><category scheme="http://www.blogger.com/atom/ns#" term="ΜΕΓΑΛΗ ΤΡΙΤΗ ΕΣΠΕΡΑΣ"/><category scheme="http://www.blogger.com/atom/ns#" term="ΤΡΟΠΑΡΙΟ ΚΑΣΣΙΑΝΗΣ"/><title type='text'></title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ΑΓΙΑ ΚΑΙ ΜΕΓΑΛΗ ΕΒΔΟΜΑΔΑ - ΠΟΡΕΙΑ ΠΡΟΣ ΤΗΝ ΑΝΑΣΤΑΣΗ&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Ο ΝΥΜΦΙΟΣ&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: black; text-align: center;&quot;&gt;&lt;/div&gt;&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;span style=&quot;color: black; font-size: small;&quot;&gt;ΜΕΓΑΛΗ&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; ΤΡΙΤΗ ΕΣΠΕΡΑΣ&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;/div&gt;&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYvWk4lHZ6y_Z8wTDx594eUyyWrETkWf2Jkmf1L17xBHuLOXNIyN6mNHAIGc_5NZf_uhhwVT8nm7uatc62KMASKYg9akXstNVLwUlYJT1nXpZD5H8YMRnO2NHVgDhqyVB_3XldOQ78OtQ/s1600/%25CE%259D%25CE%25A5%25CE%259C%25CE%25A6%25CE%2599%25CE%259F%25CE%25A3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYvWk4lHZ6y_Z8wTDx594eUyyWrETkWf2Jkmf1L17xBHuLOXNIyN6mNHAIGc_5NZf_uhhwVT8nm7uatc62KMASKYg9akXstNVLwUlYJT1nXpZD5H8YMRnO2NHVgDhqyVB_3XldOQ78OtQ/s320/%25CE%259D%25CE%25A5%25CE%259C%25CE%25A6%25CE%2599%25CE%259F%25CE%25A3.jpg&quot; width=&quot;232&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj02yH1Aw43uJOQHwNvO1Makp9e6CX8FAKZdmoT25BP9CN3PNsCIcFYsE_QRix8MXz-jxsAHMjYC0W1nZ-MLGM7rre9jvlJJH5Qi4NmqpGC-XTXnMVt_yu-XfN0vx5nQeZy0rqMsdOf4R8/s1600/%25CE%2597+%25CE%2591%25CE%259B%25CE%2595%25CE%2599%25CE%25A8%25CE%2591%25CE%25A3%25CE%2591+%25CE%25A4%25CE%259F+%25CE%259C%25CE%25A5%25CE%25A1%25CE%259F.....jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj02yH1Aw43uJOQHwNvO1Makp9e6CX8FAKZdmoT25BP9CN3PNsCIcFYsE_QRix8MXz-jxsAHMjYC0W1nZ-MLGM7rre9jvlJJH5Qi4NmqpGC-XTXnMVt_yu-XfN0vx5nQeZy0rqMsdOf4R8/s320/%25CE%2597+%25CE%2591%25CE%259B%25CE%2595%25CE%2599%25CE%25A8%25CE%2591%25CE%25A3%25CE%2591+%25CE%25A4%25CE%259F+%25CE%259C%25CE%25A5%25CE%25A1%25CE%259F.....jpg&quot; width=&quot;301&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;Ὢ μακαρίων  χειρῶν, ὢ τριχῶν καὶ χειλέων, τῶν τῆς σώφρονος Πόρνης! αἷς ἐπέχεε Σωτήρ, τὸ  μύρον πρὸς σοὺς πόδας, ἐκμασσομένη αὐτούς, πυκνῶς καταφιλοῦσα, ανακειμένῳ.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; Χεῖρες ἐμοὶ  ῥυπαραί, χείλη πόρνης ἐν ἐμοί, ἄναγνός μου ὁ βίος, ἐφθαρμένα τὰ μέλη, ἀλλ&#39; ἄνες  μοι καὶ ἄφες, βοᾷ Πόρνη τῷ Χριστῷ.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; Ἐπιστᾶσα ἡ Γυνὴ  πρὸς τοὺς πόδας σου Σωτήρ, ἐπέχεε τὸ μύρον, εὐωδίας πληροῦσα καὶ μύρου  πληρουμένη, τοῦ τῶν ἔργων ἱλασμοῦ.&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; Ἀρωμάτων  εὐπορῶ, ἀρετῶν δὲ ἀπορῶ, ἃ ἔχω σοι προσάγω, δὸς αὐτὸς ἅπερ ἔχεις καὶ ἄνες μοι  καὶ ἄφες, βοᾷ Πόρνη τῷ Χριστῷ.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;&lt;span style=&quot;color: red;&quot;&gt;Ἰδιόμελον&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoPlainText&quot; style=&quot;text-align: center;&quot;&gt; &lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; &lt;span style=&quot;color: red;&quot;&gt; Ἦχος πλ. δ&#39;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;center&quot; class=&quot;MsoPlainText&quot; style=&quot;text-align: center;&quot;&gt; &lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; &lt;span style=&quot;color: red;&quot;&gt; Ποίημα Κασσιανὴς Μοναχῆς&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;&lt;span&gt;Κύριε, ἡ ἐν  πολλαῖς ἁμαρτίαις περιπεσοῦσα Γυνή, τὴν σὴν αἰσθομένη Θεότητα, μυροφόρου  ἀναλαβοῦσα τάξιν, ὀδυρομένη μύρα σοι, πρὸ τοῦ ἐνταφιασμοῦ κομίζει. Οἴμοι!  λέγουσα, ὅτι νύξ μοι, ὑπάρχει, οἶστρος ἀκολασίας, ζοφώδης τε καὶ ἀσέληνος, ἔρως  τῆς ἁμαρτίας. Δέξαι μου τὰς πηγὰς τῶν δακρύων, ὁ νεφέλαις διεξάγων τῆς θαλάσσης  τὸ ὕδωρ· κάμφθητί μοι πρὸς τοὺς στεναγμοὺς τῆς καρδίας, ὁ κλίνας τοὺς οὐρανούς,  τῇ ἀφάτῳ σου κενώσει· καταφιλήσω τοὺς ἀχράντους σου πόδας, ἀποσμήξω τούτους δὲ  πάλιν, τοῖς τῆς κεφαλῆς μου βοστρύχοις, ὧν ἐν τῷ Παραδείσῳ Εὔα τὸ δειλινόν,  κρότον τοῖς ὠσὶν ἠχηθεῖσα, τῷ φόβῳ ἐκρύβη. Ἁμαρτιῶν μου τὰ πλήθη καὶ κριμάτων  σου ἀβύσσους, τίς ἐξιχνιάσει ψυχοσῶστα Σωτήρ μου; Μή με τὴν σὴν δούλην παρίδῃς,  ὁ ἀμέτρητον ἔχων τὸ ἔλεος.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/4308710019999583933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/4308710019999583933'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2011/04/blog-post_20.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYvWk4lHZ6y_Z8wTDx594eUyyWrETkWf2Jkmf1L17xBHuLOXNIyN6mNHAIGc_5NZf_uhhwVT8nm7uatc62KMASKYg9akXstNVLwUlYJT1nXpZD5H8YMRnO2NHVgDhqyVB_3XldOQ78OtQ/s72-c/%25CE%259D%25CE%25A5%25CE%259C%25CE%25A6%25CE%2599%25CE%259F%25CE%25A3.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-8570989832949491819</id><published>2011-04-19T03:54:00.000+03:00</published><updated>2011-04-19T03:54:37.746+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ΑΓΙΑ ΚΑΙ ΜΕΓΑΛΗ ΕΒΔΟΜΑΔΑ"/><category scheme="http://www.blogger.com/atom/ns#" term="ΜΕΓΑΛΗ ΔΕΥΤΕΡΑ ΕΣΠΕΡΑΣ"/><category scheme="http://www.blogger.com/atom/ns#" term="ΝΥΜΦΙΟΣ"/><title type='text'></title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;ΑΓΙΑ ΚΑΙ ΜΕΓΑΛΗ ΕΒΔΟΜΑΔΑ - ΠΟΡΕΙΑ ΠΡΟΣ ΤΗΝ ΑΝΑΣΤΑΣΗ&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Ο ΝΥΜΦΙΟΣ&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: black; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;span style=&quot;color: black; font-size: medium;&quot;&gt;ΜΕΓΑΛΗ&lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; ΔΕΥΤΕΡΑ ΕΣΠΕΡΑΣ&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYj6h15VJ3VoYnSJi5Zn95hgHG4tiZKysz2lGoAmBM0ADqhOILwGJ10uAnSNx4hVaMaWVfwejoPdsfcPfx7OsvTzOZs5EPE0282wz0AymO8zUyCWTeyla0UNQDrAFLmVbeotc7UL32sa8/s1600/%25CE%259D%25CE%25A5%25CE%259C%25CE%25A6%25CE%2599%25CE%259F%25CE%25A3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYj6h15VJ3VoYnSJi5Zn95hgHG4tiZKysz2lGoAmBM0ADqhOILwGJ10uAnSNx4hVaMaWVfwejoPdsfcPfx7OsvTzOZs5EPE0282wz0AymO8zUyCWTeyla0UNQDrAFLmVbeotc7UL32sa8/s400/%25CE%259D%25CE%25A5%25CE%259C%25CE%25A6%25CE%2599%25CE%259F%25CE%25A3.jpg&quot; width=&quot;290&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieiaVh94_U-J9BD2OBIT5AL9KrbujhKODY6incm1FcwNqBy8WkRDuEbPD-EtrNS41Ybb1V0B98yvDfrdy4OBwuXMmSA-AuoJCzeTW6tLLQa6pH9WuRoeQq31s3aJufXVMjNueglD1L8Pg/s1600/%25CE%259F%25CE%2599+%25CE%2594%25CE%2595%25CE%259A%25CE%2591+%25CE%25A0%25CE%2591%25CE%25A1%25CE%2598%25CE%2595%25CE%259D%25CE%2595%25CE%25A3.JPG&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieiaVh94_U-J9BD2OBIT5AL9KrbujhKODY6incm1FcwNqBy8WkRDuEbPD-EtrNS41Ybb1V0B98yvDfrdy4OBwuXMmSA-AuoJCzeTW6tLLQa6pH9WuRoeQq31s3aJufXVMjNueglD1L8Pg/s400/%25CE%259F%25CE%2599+%25CE%2594%25CE%2595%25CE%259A%25CE%2591+%25CE%25A0%25CE%2591%25CE%25A1%25CE%2598%25CE%2595%25CE%259D%25CE%2595%25CE%25A3.JPG&quot; width=&quot;330&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;color: purple; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: black; text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;&lt;span&gt;Τὶ ῥαθυμεῖς  ἀθλία ψυχή μου; τί φαντάζῃ ἀκαίρως μερίμνας ἀφελεῖς; τί ἀσχολεῖς πρὸς τὰ ῥέοντα;  ἐσχάτη ὥρα ἐστὶν ἀπ΄ ἄρτι, καὶ χωρίζεσθαι μέλλομεν τῶν ἐνταῦθα, ἕως καιρὸν  κεκτημένη, ἀνάνηψον κράζουσα· Ἡμάρτηκά σοι Σωτήρ μου, μὴ ἐκκόψῃς με, ὥσπερ τὴν  ἄκαρπον συκῆν, ἀλλ&#39; ὡς εὔσπλαγχνος Χριστέ, κατοικτείρησον, φόβῳ κραυγάζουσαν· Μὴ  μείνωμεν ἔξω τοῦ νυμφῶνος Χριστοῦ.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: black; text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: black; text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;&lt;span&gt;Τὸν Νυμφίον  ἀδελφοὶ ἀγαπήσωμεν, τὰς λαμπάδας ἑαυτῶν εὐτρεπίσωμεν, ἐν ἀρεταῖς ἐκλάμποντες καὶ  πίστει ὀρθῇ, ἵνα ὡς αἱ φρόνιμοι, τοῦ Κυρίου παρθένοι, ἕτοιμοι εἰσέλθωμεν, σὺν  αὐτῷ εἰς τοὺς γάμους· ὁ γὰρ Νυμφίος δῶρον ὡς Θεός, πᾶσι παρέχει τὸν ἄφθαρτον  στέφανον.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8570989832949491819'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8570989832949491819'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2011/04/blog-post_19.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYj6h15VJ3VoYnSJi5Zn95hgHG4tiZKysz2lGoAmBM0ADqhOILwGJ10uAnSNx4hVaMaWVfwejoPdsfcPfx7OsvTzOZs5EPE0282wz0AymO8zUyCWTeyla0UNQDrAFLmVbeotc7UL32sa8/s72-c/%25CE%259D%25CE%25A5%25CE%259C%25CE%25A6%25CE%2599%25CE%259F%25CE%25A3.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-8563407177764899217</id><published>2011-04-18T03:52:00.004+03:00</published><updated>2011-04-18T05:03:09.116+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ΑΓΙΑ ΚΑΙ ΜΕΓΑΛΗ ΕΒΔΟΜΑΔΑ"/><category scheme="http://www.blogger.com/atom/ns#" term="ΚΥΡΙΑΚΗ ΤΩΝ ΒΑΙΩΝ"/><category scheme="http://www.blogger.com/atom/ns#" term="ΝΥΜΦΙΟΣ"/><category scheme="http://www.blogger.com/atom/ns#" term="Τὰ Πάθη"/><title type='text'></title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;ΑΓΙΑ ΚΑΙ ΜΕΓΑΛΗ ΕΒΔΟΜΑΔΑ - ΠΟΡΕΙΑ ΠΡΟΣ ΤΗΝ ΑΝΑΣΤΑΣΗ&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;
&lt;div style=&quot;color: purple;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Ο ΝΥΜΦΙΟΣ&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;ΚΥΡΙΑΚΗ ΤΩΝ ΒΑΙΩΝ&lt;/span&gt;&lt;br /&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; Τὰ Πάθη τὰ  σεπτά, ἡ παροῦσα ἡμέρα, ὡς φῶτα σωστικά, ἀνατέλλει τῷ Κόσμῳ·  Χριστὸς γὰρ ἐπείγεται, τοῦ παθεῖν ἀγαθότητι, ὁ τὰ σύμπαντα, ἐν τῇ δρακὶ  περιέχων, καταδέχεται, ἀναρτηθῆναι ἐν ξύλῳ, τοῦ σῶσαι τὸν ἄνθρωπον.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;color: #990000; text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; Ἑτοίμαζε  Ἰουδαία τοὺς Ἱερεῖς σου, εὐτρέπιζε τὰς χεῖρας πρὸς θεοκτονίαν. Ἰδοὺ γὰρ ἦλθε  πραΰς, καὶ ἥσυχος ἐπὶ τὸ Πάθος, ἀμνὸς ὑπάρχων καὶ ποιμὴν ἡμῶν, Χριστός ὁ  Βασιλεὺς Ἰσραήλ.&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: #990000;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;color: #990000; text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: #990000; text-align: center;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;color: #990000; text-align: center;&quot;&gt;&lt;span style=&quot;font-family: Arial Unicode MS; font-size: large;&quot;&gt; Ὑπόδεξαι  Ἰουδαία τὸν Βασιλέα· ἰδοὺ γὰρ πρὸς τὸ Πάθος, ἔρχεται ἑκουσίως, ἵνα πάθῃ καὶ  σώσῃ, τοὺς κράζοντας ἀκαταπαύστως· Εὐλογημένος ὁ ἐρχόμενος, Σταυρῷ σῶσαι τὰ  σύμπαντα.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;MsoPlainText&quot; style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8563407177764899217'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8563407177764899217'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2011/04/blog-post.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQpS6kYd1LaP3vhsEglgAVullDP5yIuAGy24pAfTQtaMmBbGdzCXyk4Ea8iVGbx-DECqSuz8hS2otQcNjf4FWt3COjfE6F7Z9RoERuhfiDn7rCbX1As3WjkuT1DX6sTIu4yyL_l4LVCQs/s72-c/%25CE%259D%25CE%25A5%25CE%259C%25CE%25A6%25CE%2599%25CE%259F%25CE%25A3.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-6684565127642868890</id><published>2011-04-18T03:39:00.001+03:00</published><updated>2011-04-18T03:44:37.285+03:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Conferences"/><category scheme="http://www.blogger.com/atom/ns#" term="Theology upcoming events"/><category scheme="http://www.blogger.com/atom/ns#" term="volos"/><category scheme="http://www.blogger.com/atom/ns#" term="Ακαδημία Θεολογικών Σπουδών"/><category scheme="http://www.blogger.com/atom/ns#" term="Βόλος"/><title type='text'></title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi01umKfIlEJ4sUorGC9N8l3U94rsEA9FS0Yj0RylEEclqn9ccnE2s3ejRRrC0tbNQK7LL-tTJguW3BloSQSfg0Kd4HA451cc3T8gttmFMIy9y4-PXONgqI-bx0v64CrtDkjNOB1H8TEsI/s1600/afisa_leimonarion.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi01umKfIlEJ4sUorGC9N8l3U94rsEA9FS0Yj0RylEEclqn9ccnE2s3ejRRrC0tbNQK7LL-tTJguW3BloSQSfg0Kd4HA451cc3T8gttmFMIy9y4-PXONgqI-bx0v64CrtDkjNOB1H8TEsI/s400/afisa_leimonarion.jpg&quot; width=&quot;281&quot; /&gt;&lt;/a&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIRkHBJSy_MDlPzRmLgjnNy3qdzFAYb96GH_r5zXq2j2hp7kCfFdmnQLT1UaZZRLnIfbfKKorTRqxL4xtNp3mxlpXvQVrs4-J40hClsDE5t0KdQuxGeQZPJVGaD1HE2fEpRRmFZhWrMss/s1600/omilites2.JPG&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIRkHBJSy_MDlPzRmLgjnNy3qdzFAYb96GH_r5zXq2j2hp7kCfFdmnQLT1UaZZRLnIfbfKKorTRqxL4xtNp3mxlpXvQVrs4-J40hClsDE5t0KdQuxGeQZPJVGaD1HE2fEpRRmFZhWrMss/s320/omilites2.JPG&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
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&lt;tr&gt;&lt;td class=&quot;contentheading&quot; width=&quot;100%&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Θεολογία Διαλεγόμενη - Εκδήλωση στην Κοζάνη         &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;        &lt;td align=&quot;right&quot; class=&quot;buttonheading&quot; width=&quot;100%&quot;&gt;&lt;a href=&quot;http://www.acadimia.gr/index2.php?option=com_content&amp;amp;do_pdf=1&amp;amp;id=350&quot; target=&quot;_blank&quot; title=&quot;PDF&quot;&gt;      &lt;img align=&quot;middle&quot; alt=&quot;PDF&quot; border=&quot;0&quot; name=&quot;PDF&quot; src=&quot;http://www.acadimia.gr/templates/ed_education_portal/images/pdf_button.png&quot; /&gt;&lt;/a&gt;    &lt;/td&gt;        &lt;td align=&quot;right&quot; class=&quot;buttonheading&quot; width=&quot;100%&quot;&gt;&lt;a href=&quot;http://www.acadimia.gr/index2.php?option=com_content&amp;amp;task=view&amp;amp;id=350&amp;amp;pop=1&amp;amp;page=0&amp;amp;Itemid=1&quot; target=&quot;_blank&quot; title=&quot;Εκτύπωση&quot;&gt;       &lt;img align=&quot;middle&quot; alt=&quot;Εκτύπωση&quot; border=&quot;0&quot; name=&quot;Εκτύπωση&quot; src=&quot;http://www.acadimia.gr/templates/ed_education_portal/images/printButton.png&quot; /&gt;&lt;/a&gt;     &lt;/td&gt;        &lt;td align=&quot;right&quot; class=&quot;buttonheading&quot; width=&quot;100%&quot;&gt;&lt;a href=&quot;http://www.acadimia.gr/index2.php?option=com_content&amp;amp;task=emailform&amp;amp;id=350&amp;amp;itemid=1&quot; target=&quot;_blank&quot; title=&quot;E-mail&quot;&gt;      &lt;img align=&quot;middle&quot; alt=&quot;E-mail&quot; border=&quot;0&quot; name=&quot;E-mail&quot; src=&quot;http://www.acadimia.gr/templates/ed_education_portal/images/emailButton.png&quot; /&gt;&lt;/a&gt;    &lt;/td&gt;       &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div align=&quot;justify&quot;&gt;&lt;img alt=&quot;panel2.jpg&quot; height=&quot;218&quot; src=&quot;http://www.acadimia.gr/images/stories/2011/panel2.jpg&quot; style=&quot;float: left; height: 218px; margin: 10px; width: 250px;&quot; title=&quot;panel2.jpg&quot; width=&quot;250&quot; /&gt;Τη&amp;nbsp;  Δευτέρα 4 Απριλίου 2011 το περιοδικό ΛΕΙΜΩΝΑΡΙΟΝ, της Ιερ.Μητροπόλεως  Σερβίων και Κοζάνης, σε συνεργασία με την ΑΚΑΔΗΜΙΑ ΘΕΟΛΟΓΙΚΩΝ ΣΠΟΥΔΩΝ,  της Ιεράς Μητροπόλεως Δημητριάδος, διοργάνωσε ημερίδα με θέμα: Θεολογία  διαλεγόμενη - Το έργο και οι εκδόσεις της Ακαδημίας Θεολογικών Σπουδών. &lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;Τις εργασίες της ημερίδας χαιρέτισαν ο Σεβ. Μητροπολίτης Σερβίων και  Κοζάνης κ.Παύλος και ο συντονιστής της Ακαδημίας κ. Παντελής  Καλαϊτζίδης.&lt;img alt=&quot;sevkozdim_close.jpg&quot; height=&quot;188&quot; src=&quot;http://www.acadimia.gr/images/stories/2011/sevkozdim_close.jpg&quot; style=&quot;float: right; height: 188px; margin: 10px; width: 250px;&quot; title=&quot;sevkozdim_close.jpg&quot; width=&quot;250&quot; /&gt; &lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; Ο Σεβασμιότατος στο χαιρετισμό του αναφέρθηκε στην αγωνία τόσο της  Ακαδημίας όσο και του περιοδικού «Λειμωνάριον» να αφουγκράζεται το  σύγχρονο θεολογικό&amp;nbsp; προβληματισμό και να δίνει τη δυνατότητα μιας  σοβαρής θεολογικής σπουδής στο εκκλησιαστικό σώμα.&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp; Ο κ. Καλαϊτζίδης στο χαιρετισμό του τόνισε πως η Ακαδημία Θεολογικών  Σπουδών λειτουργεί, εδώ και 10 χρόνια, ως ένα ανοιχτό εργαστήρι σκέψης  και διαλόγου της Εκκλησίας με τη διανόηση και την κοινωνία, οργανώνοντας  με τη μορφή του ανοιχτού πανεπιστημίου ετήσιους θεματικούς κύκλους  σπουδών, σεμινάρια, διεθνή συνέδρια και εκδόσεις. Ο κ. Καλαϊτζίδης  αναφέρθηκε στα θέματα τα οποία μελέτησε η Ακαδημία τα παρελθόντα έτη και  ιδιαίτερα στο πρόγραμμα της φετινής χρονιάς. Στο πλαίσιο των  συγκαιρινών προκλήσεων οικονομικών- κοινωνικών&amp;nbsp; διερευνάται&amp;nbsp; ποιός ο  ρόλος της Εκκλησίας στην εδραίωση της παγκόσμιας ειρήνης και της  κοινωνικής δικαιοσύνης. &lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/div&gt;&lt;img alt=&quot;sevkozdim.jpg&quot; height=&quot;188&quot; src=&quot;http://www.acadimia.gr/images/stories/2011/sevkozdim.jpg&quot; style=&quot;float: left; height: 188px; margin: 10px; width: 250px;&quot; title=&quot;sevkozdim.jpg&quot; width=&quot;250&quot; /&gt;Στην ημερίδα εισηγήθηκαν οι: &lt;br /&gt;
α. Ο κ. Μιλτιάδης Κωνσταντίνου, καθηγητής της Θεολογικής Σχολής Α.Π.Θ.&lt;br /&gt;
β. Ο κ.Παναγιώτης Βολάκης, εκπαιδευτικός θεολόγος υπ. Διδ.Αγιολογίας και&lt;br /&gt;
γ. Ο κ.Θεόφιλος Αμπατζίδης, εκπαιδευτικός θεολόγος υπ. Διδ.Θεολογίας.&lt;br /&gt;
&lt;br /&gt;
&lt;div align=&quot;justify&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ο κ.Κωνσταντίνου στην εισήγησή του έκανε μια ιστορική αναδρομή του  διαλόγου της εκκλησίας με το θεολογικό χώρο ξεκινώντας απότη γνωστή  εγκύκλιο του Οικουμενικού Πατριαρχείου το 1920 μέχρι το συνέδριο της  Ακαδημίας Θεολογικών Σπουδών με θέμα: «Αναταράξεις στη μεταπολεμική  θεολογία. Η Θεολογία του ‘60».&lt;img alt=&quot;panel_konstantinou.jpg&quot; height=&quot;188&quot; src=&quot;http://www.acadimia.gr/images/stories/2011/panel_konstantinou.jpg&quot; style=&quot;float: right; height: 188px; margin: 10px; width: 250px;&quot; title=&quot;panel_konstantinou.jpg&quot; width=&quot;250&quot; /&gt; &lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ο κ. Βολάκης τόνισε πως η ίδρυση και η λειτουργία της Ακαδημίας  Θεολογικών Σπουδών μεταξύ άλλων και την ανάγκη κοινωνίας και  ανατροφοδότησης των Θεολόγων και παρουσίασε τα πρακτικά των προγραμμάτων δύο ακαδημαϊκών ετών. Του 2000-2001 με θέμα εκκλησία και εσχατολογία,  και του 2003-2004 με θέμα «Φύλο και Θρησκεία- Η θέση της γυναίκας στην  Εκκλησία». &lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;Ο κ.Βολάκης τόνισε τη σημασία της ενασχόλησης της Ακαδημίας με πρώτο θέμα την εσχατολογική κατανόηση της εκκλησίας και το καίριο ερώτημα για την ταυτότητά της και την παράδοξη και&amp;nbsp; αντινομική θέση των χριστιανών  μέσα στον κόσμο και την Ιστορία. Η διάκριση του φύλου στην Εκκλησία, το  δεύτερο θέμα, που παρουσίασε ο κ.Βολάκης επαναπροσδιορίζεται μέσα από  την εσχατολογική δυναμική της Εκκλησίας. Η ‘εν Χριστώ’ ενότητα νοείται  ως συμμετοχή όλων στη ζωή της κοινότητας με βάση τα ιδιαίτερα  χαρακτηριστικά και χαρίσματά τους.&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;img alt=&quot;sev_omilon.jpg&quot; height=&quot;221&quot; src=&quot;http://www.acadimia.gr/images/stories/2011/sev_omilon.jpg&quot; style=&quot;float: left; height: 221px; margin: 10px; width: 250px;&quot; title=&quot;sev_omilon.jpg&quot; width=&quot;250&quot; /&gt;  Ο κ.Αμπατζίδης παρουσίασε τα θέματα «Ορθοδοξία και Νεωτερικότητα»  και «Ισλάμ και φονταμενταλισμός- ορθοδοξία και παγκοσμιοποίηση». Ο  κ.Αμπατζίδης τόνισε ότι τα θέματα αυτά είναι συνέχεια της εσχατολογικής  προβληματικής της Ακαδημίας και οτι ο διάλογος ορθοδοξίας και  νεωτερικότητας παραμένει ουσιαστικά ζητούμενο και ένα καίριο ζήτημα  σήμερα είναι ο ρόλος της ορθόδοξης χριστιανικής Εκκλησίας στη  νεωτερικότητα. Η προσπάθεια της Ακαδημίας για το διάλογο θεολόγων και  κοσμικών διανοουμένων και το άνοιγμα της τοπικής Εκκλησίας της  Δημητριάδος στη θύραθεν διανόηση αποτελεί μία από τις ελάχιστες  προσπάθειες υπέρβασης της αμοιβαίας άγνοιας&amp;nbsp; και καχυποψίας προκειμένου  να διερευνηθεί, αν υπάρχει ριζική ασυμβατότητα των δύο μεγεθών  (ορθοδοξίας και νεωτερικότητας) ή αν αντίθετα ιστορικές συγκυρίες  στάθηκαν εμπόδιο στο διάλογο και τη συνάντησή τους.&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Την εκδήλωση έκλεισε με παρέμβασή του ο Μητροπολίτης Δημητριάδος κ. Ιγνάτιος, ο οποίος ευχαρίστησε το Μητροπολίτη Σερβίων και Κοζάνης  κ.Παύλο για τη συνεργασία αυτή, και υπογράμμισε το χρέος όλων μας για  την πορεία της θεολογίας, η οποία καλείται, σε κάθε εποχή και ιδιαίτερα  σε περιόδους κρίσης, να λειτουργήσει ως η προφητική φωνή για την  επανεύρεση της αυτοσυνειδησίας της Εκκλησίας.&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
Η Συντονιστική Επιτροπή του «Λειμωναρίου» και &lt;br /&gt;
η Ακαδημία Θεολογικών Σπουδών</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/6684565127642868890'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/6684565127642868890'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2011/04/4-2011.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi01umKfIlEJ4sUorGC9N8l3U94rsEA9FS0Yj0RylEEclqn9ccnE2s3ejRRrC0tbNQK7LL-tTJguW3BloSQSfg0Kd4HA451cc3T8gttmFMIy9y4-PXONgqI-bx0v64CrtDkjNOB1H8TEsI/s72-c/afisa_leimonarion.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-6770452051418245409</id><published>2010-12-31T20:53:00.000+02:00</published><updated>2010-12-31T20:53:17.295+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Μέγας Βασίλειος"/><category scheme="http://www.blogger.com/atom/ns#" term="Συναξαριστής Αγίου Νικοδήμου"/><title type='text'></title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTB6T3aD-lpE6pYnGIXkkSghdOApUA1d-Kh3CnpfjramhzT18u0AwBVJH8DjAvLiftrmBnuPSpn-bhuC7vYqfiETyNOAXyXPut24t175gwWanwq1n3ERNnhI0j3U3uz34pOyRmD1SMUQY/s1600/07_12_19.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTB6T3aD-lpE6pYnGIXkkSghdOApUA1d-Kh3CnpfjramhzT18u0AwBVJH8DjAvLiftrmBnuPSpn-bhuC7vYqfiETyNOAXyXPut24t175gwWanwq1n3ERNnhI0j3U3uz34pOyRmD1SMUQY/s320/07_12_19.jpg&quot; width=&quot;235&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;table id=&quot;list&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;white-space: nowrap;&quot;&gt;&lt;b title=&quot;2&quot;&gt;01/01&lt;/b&gt;&amp;nbsp;-&lt;/td&gt;   &lt;td valign=&quot;top&quot; width=&quot;100%&quot;&gt;Βασιλείου του Μεγάλου.&lt;/td&gt;   &lt;/tr&gt;
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&lt;tr&gt;    &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td width=&quot;100%&quot;&gt;&lt;b&gt;Τη αυτή ημέρα μνήμη του εν Aγίοις Πατρός ημών Βασιλείου Aρχιεπισκόπου Καισαρείας Καππαδοκίας του Μεγάλου&lt;sup&gt;1&lt;/sup&gt;.&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;
Ζη Βασίλειος και θανών εν Κυρίω.&lt;br /&gt;
Ζη και παρ’ ημίν ως λαλών εκ των βίβλων.&lt;br /&gt;
Ιαννουαρίοιο θάνες Βασίλειε πρώτη.&lt;br /&gt;
&lt;br /&gt;
Oύτος ο εν Aγίοις Πατήρ ημών Βασίλειος, ήκμασε κατά τους χρόνους του  βασιλέως Ουάλεντος εν έτει τξδ΄ [364], προς τον οποίον Ουάλεντα  επαρρησιάσθη διά την Ορθόδοξον πίστιν, και ήλεγξεν αυτόν. Eπειδή και  έπεσεν εις την κακοδοξίαν των Aρειανών, και με άγριον και θηριώδη τρόπον  εκακοποίει και επολέμει τας Eκκλησίας των Ορθοδόξων. Ούτος λοιπόν από  μεν τον πατέρα, ήτον Μαυροθαλασσίτης. Aπό δε την μητέρα, ήτον  Καππαδόκης, ήτοι εκατάγετο από την λεγομένην Καραμανίαν. Κατά δε τους  λόγους και την παιδείαν, υπερέβαλεν, όχι μόνον τους ελλογίμους του  καιρού του, αλλά ακόμη και τους παλαιούς φιλοσόφους. Περάσας γαρ κάθε  είδος παιδείας, εις κάθε μίαν από αυτάς το κράτος και την νίκην  απόκτησεν. Ου μόνον δε ταύτα, αλλά και την διά πράξεως ήσκησε  φιλοσοφίαν. Και διά της πράξεως ανέβη και εις την θεωρίαν των όντων. Eκ  τούτων δε, ανέβη και εις τον θρόνον της Aρχιερωσύνης.&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Όταν δε έγινεν Aρχιερεύς, πολλούς αγώνας εποίησεν ο μακάριος διά  την Ορθόδοξον πίστιν. Με την σταθερότητα γαρ και γενναιότητα του  φρονήματός του, κατέπληξε τον έπαρχον Μόδεστον. Με τους Oρθοδόξους δε  λόγους οπού συνέγραψε, των κακοδόξων τα φρονήματα κατεβρόντησε. Και προς  τούτοις, την των ηθών κατάστασιν ερρύθμισε. Την ασκητικήν φιλοσοφίαν  εδίδαξε, την των όντων γνώσιν εσαφήνισε. Και διά να ειπώ συντόμως, ούτος  ο Άγιος οδηγήσας εις σωτηρίαν την λογικήν του Χριστού ποίμνην διά μέσου  κάθε αρετής, προς Κύριον εξεδήμησεν. Ήτον δε ο Μέγας Βασίλειος κατά τον  χαρακτήρα του σώματος, πολλά μακρύς. Ξηρός και ολιγόσαρκος, μελανός εις  το πρόσωπον κατά το χρώμα, πλην είχεν αυτό σύμμικτον και με κιτρινάδα.  Ήτον μακρομύτης. Είχε τα οφρύδια στρογγυλά, το δε δέρμα το επάνω των  οφρυδίων, το είχε συμμαζωμένον. Eφαίνετο όμοιος με έναν οπού  συλλογίζεται και προσέχει εις τον εαυτόν του. Είχε το πρόσωπον ζαρωμένον  με ολίγας χαραγάς. Τα μάγουλα είχε μακρά. Τους μήνιγγας, δασείς από  τρίχας συνεστραμμένας κυκλοειδώς. Eφαίνετο κατά την επιφάνειαν, πως  είχεν ολίγον κουρευμένας τας τρίχας. Το γένειον είχε μακρόν αρκετά και  τας τρίχας είχε μεμιγμένας, ήτοι μαύρας ομού με άσπρας. Τελείται δε η  αυτού Σύναξις, εν τη Aγιωτάτη Μεγάλη Eκκλησία. (Τον κατά πλάτος Βίον  αυτού όρα εις τον Νέον Θησαυρόν.)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ΣΗΜΕΙΩΣΗ&lt;br /&gt;
1. Εις τον Μέγαν Βασίλειον εγκώμια έπλεξαν Γρηγόριος ο Θεολόγος, ου η  αρχή· «Έμελλεν άρα». Ο αυτάδελφός του Γρηγόριος ο Νύσσης, ου η αρχή·  «Καλήν επέθηκεν». Εφραίμ ο Σύρος, ου η αρχή· «Κλίνατέ μοι τας ακοάς  αδελφοί» (σώζονται εν τοις εκδεδομένοις)· και ο Αμφιλόχιος Ικονίου, ου η  αρχή· «Αγαπητοί, ουκ ην απεικός» (σώζεται εν τη Λαύρα και εν τη των  Ιβήρων). &lt;a class=&quot;textlink&quot; href=&quot;http://www.snhell.gr/references/synaxaristis/search.asp?id=107&quot;&gt;Όρα και το θαύμα οπού εποίησεν ούτος, ανοίξας τας πύλας του Ναού&lt;/a&gt;, κατά την δεκάτην ενάτην του παρόντος.&lt;br /&gt;
&lt;/td&gt;    &lt;/tr&gt;
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&lt;tr&gt;    &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td width=&quot;100%&quot;&gt;(από το βιβλίο: &lt;i&gt;Αγίου Νικοδήμου Αγιορείτου Συναξαριστής των δώδεκα μηνών του ενιαυτού&lt;/i&gt;. Τόμος Β´. Εκδόσεις Δόμος, 2005)&lt;/td&gt;    &lt;/tr&gt;
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&lt;/tbody&gt;&lt;/table&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/6770452051418245409'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/6770452051418245409'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2010/12/0101_31.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTB6T3aD-lpE6pYnGIXkkSghdOApUA1d-Kh3CnpfjramhzT18u0AwBVJH8DjAvLiftrmBnuPSpn-bhuC7vYqfiETyNOAXyXPut24t175gwWanwq1n3ERNnhI0j3U3uz34pOyRmD1SMUQY/s72-c/07_12_19.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-5191561129303338818</id><published>2010-12-31T20:48:00.001+02:00</published><updated>2010-12-31T20:49:02.170+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Περιτομή του Κυρίου"/><category scheme="http://www.blogger.com/atom/ns#" term="Συναξαριστής Αγίου Νικοδήμου"/><title type='text'></title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhanhBMDvzfxHc2j5dT4yHxCf8Q3Kz4ybJPL6WAamMr5KBUIoFRd1uQp3bcGkPkHqqEB6_UMAixEimVxEqO0neS_1CDYzFiNA4yGT2Qn0tm0DwApeik58FSeBGOTguCWnF9iZ2_UrANNpo/s1600/0101_Peritomi.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhanhBMDvzfxHc2j5dT4yHxCf8Q3Kz4ybJPL6WAamMr5KBUIoFRd1uQp3bcGkPkHqqEB6_UMAixEimVxEqO0neS_1CDYzFiNA4yGT2Qn0tm0DwApeik58FSeBGOTguCWnF9iZ2_UrANNpo/s400/0101_Peritomi.jpg&quot; width=&quot;286&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;table id=&quot;list&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;white-space: nowrap;&quot;&gt;&lt;b title=&quot;1&quot;&gt;01/01&lt;/b&gt;&amp;nbsp;-&lt;/td&gt;   &lt;td valign=&quot;top&quot; width=&quot;100%&quot;&gt;Η Περιτομή του Κυρίου.&lt;/td&gt;   &lt;/tr&gt;
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&lt;/td&gt;&lt;td width=&quot;100%&quot;&gt;&lt;b&gt;Εις την Α΄, εορτάζομεν την κατά σάρκα Περιτομήν του Κυρίου και Θεού και Σωτήρος ημών Ιησού Χριστού.&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Χριστού περιτμηθέντος, ετμήθη νόμος.&lt;br /&gt;
Και του νόμου τμηθέντος, εισήχθη χάρις.&lt;br /&gt;
&lt;br /&gt;
+ Tην κατά σάρκα Περιτομήν του Κυρίου ημών Ιησού Χριστού, την οποίαν  κατεδέχθη να λάβη φιλανθρώπως κατά την προσταγήν του παλαιού νόμου&lt;sup&gt;1&lt;/sup&gt;,  ίνα αντί της χειροποιήτου και σαρκικής περιτομής, αντεισάξη εις ημάς  την αχειροποίητον και πνευματικήν περιτομήν, ήτοι το Άγιον Βάπτισμα.  Ταύτην λέγω την του Κυρίου Περιτομήν, παρελάβομεν ημείς οι Χριστιανοί  υπό των Aγίων Πατέρων, να πανηγυρίζωμεν κατ’ έτος: καθώς και την  πανηγυρίζομεν, λογιζόμενοι ταύτην, μίαν από τας Δεσποτικάς εορτάς διά  τον ημάς τιμήσαντα Κύριον, διά μέσου αυτής. Καθώς γαρ ο Κύριος κατεδέχθη  διά λόγου μας την ένσαρκον αυτού Γέννησιν, και όλα τα άλλα ιδιώματα της  ανθρωπίνης φύσεως έλαβεν, όσα ήτον παντελώς αδιάβλητα και ακατηγόρητα,  τοιουτοτρόπως δεν επαισχύνθη ο Πανάγαθος να λάβη και την περιτομήν, διά  δύω αίτια. Πρώτον μεν, διατί ηθέλησε να εμφράξη τα στόματα των  αιρετικών, οίτινες ετόλμησαν να ειπούν, ότι δεν ανέλαβεν ο Κύριος σάρκα  αληθινήν, αλλά κατά φαντασίαν. Οποίοι ήτον ο θεομάχος Μάνης, και οι  τούτου οπαδοί Μανιχαίοι. Διότι πώς ήθελε περιτμηθή, ανίσως δεν έλαβε  σάρκα αληθινήν; Και δεύτερον δε, διά να επιστομίση τους Ιουδαίους,  οίτινες εκατηγόρουν τον Κύριον, πως δεν φυλάττει το Σάββατον. Και πως  παραβαίνει τον νόμον, ψευδώς συκοφαντούντες αυτόν. Αυτός γαρ εφύλαττε  τον νόμον έως και εις αυτήν την περιτομήν&lt;sup&gt;2&lt;/sup&gt;.&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Διά τούτο λοιπόν ύστερα από οκτώ ημέρας της εκ Παρθένου γεννήσεώς  του, ευδόκησεν ο Κύριος να φερθή από την Μητέρα του και από τον Ιωσήφ,  εις τον διωρισμένον τόπον εκείνον, όπου ήτον συνήθεια να περιτέμνωνται  τα βρέφη, και εκεί επεριτμήθη, και έλαβε το γλυκύτατον όνομα Ιησούς. Το  οποίον εκάλεσεν ο Aρχάγγελος Γαβριήλ, όταν ευηγγέλισε την Θεοτόκον, προ  του να συλληφθή ο Κύριος εν τη κοιλία της Παρθένου, ως γράφει ο  Ευαγγελιστής Λουκάς&lt;sup&gt;3&lt;/sup&gt;. Μετά δε την περιτομήν, ήτον μαζί με  τους γονείς του ο Κύριος, και έζη ανθρωπίνως, προκόπτων και αυξάνων,  τόσον κατά την ηλικίαν του σώματος, όσον και κατά την σοφίαν και χάριν,  εις σωτηρίαν ημών. «Ιησούς γαρ, φησί, προέκοπτε σοφία και ηλικία και  χάριτι παρά Θεώ και ανθρώποις» (Λουκ. β΄, 52). (Όρα περί της εορτής  ταύτης εις τον Νέον Θησαυρόν.)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ΣΗΜΕΙΩΣΕΙΣ&lt;br /&gt;
1. Σημειούμεν ενταύθα, ότι αγκαλά και Εφραίμ ο Σύρος παρά τω Μελετίω  Αθηνών (τόμω α΄ της Εκκλησιαστικής Ιστορίας) λέγη, ότι ο Κύριος  περιετμήθη από τον Ιωσήφ, τον νομιζόμενον αυτού πατέρα. Και ότι  περιετμήθη εν τω σπηλαίω, ως λέγει ο Επιφάνιος παρά τω αυτώ Μελετίω. Οι  θείοι όμως Ευαγγελισταί περί τούτων ουδέν έγραψαν. Αλλ’ ούτε ήτον χρεία  και ανάγκη να γράψουν. Καθότι ουδέ όφελος είναι εις την σωτηρίαν ημών το  να ηξεύρωμεν τα τοιαύτα. Τινές δε απορούσι, τι άρα γε έγινε μετά ταύτα  το περιτμηθέν εκείνο μέρος της θεανδρικής σαρκός του Κυρίου, ήτοι η  ακροβυστία;&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Και ο μεν Αναστάσιος ο Σιναΐτης, και άλλοι Ανατολικοί, εδόξαζον,  ότι το μέρος εκείνο εφύλαξεν η Παρθένος μετά την περιτομήν, ως ιερόν  κειμήλιον, διαφθοράς απάσης ον ανώτερον, έως ου ο Κύριος αναστάς,  προσέλαβε πάλιν αυτό. Και ο Θεοφύλακτος δε Βουλγαρίας εν τη ερμηνεία του  Ευαγγελίου λέγει, ότι το τμήμα εκείνο προσέλαβεν ο Κύριος εν τη  Αναστάσει.&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Μερικοί δε Δυτικοί εδόξαζον ματαίως, ότι η ακροβυστία του Κυρίου  εσώζετο εις την Καβίλλινον πόλιν της κάτω Βουργουνδίας εν μιά Εκκλησία.  Αλλ’ ο ταύτης Επίσκοπος Γκάστος ονόματι, ανοίξας εν έτει 1707, Απριλλίου  19, το κιβώτιον εκείνο, εν ω ενομίζετο ότι περιέχεται η θεία  ακροβυστία, δεν ευρήκεν άλλο εις αυτό, ειμή ολίγην άμμον λεπτήν, και ένα  μικρόν χαλίκιον. Όθεν έπαυσε την δεισιδαιμονίαν, οπού εκυρίευε την  πόλιν εκείνην, προ χρόνων ήδη τετρακοσίων (όρα την νεοτύπωτον  Εκατονταετηρίδα). Εκ τούτου λοιπόν συνάγομεν, ότι είναι ψευδές και  απίστευτον και εκείνο το άλλο, οπού λέγουσιν οι αυτοί Δυτικοί, ήγουν ότι  η του Κυρίου ακροβυστία σώζεται μέχρι του νυν εις την Ρώμην εν τω Ναώ  του Αγίου Ιωάννου του Λατερανού, ως σημειοί ο Καλμέτης εν τω υπομνήματι  εις τον Λουκάν, κεφαλ. β΄.&lt;br /&gt;
&lt;br /&gt;
2. Ο δε σοφός Ευθύμιος ο Ζυγαδηνός, προσθέττει και τρίτον αίτιον, διά το  οποίον επεριτμήθη ο Κύριος. Ήγουν διατί, αν δεν επεριτέμνετο, ουκ αν  όλως παρεδέχθη διδάσκων, αλλ’ απεπέμφθη αν ως αλλόφυλος. Ουδ’ αν  επίστευσέ τις, ότι αυτός εστιν ο προσδοκώμενος Χριστός εκ σπέρματος  Αβραάμ. Οι γαρ εξ Αβραάμ άπαντες, σφραγίδα και σημείον την περιτομήν  είχον, διαστέλλουσαν αυτούς από των άλλων εθνών (ερμηνεία εις το δ΄  κεφάλ. του κατά Λουκάν). Έπαυσε δε ο Κύριος την περιτομήν, και πάνυ  ευλόγως, κατά τον αυτόν Ευθύμιον. Η γαρ περιτομή των Εβραίων, το  Βάπτισμα των Χριστιανών ετύπου και προεσήμαινεν. Ώσπερ γαρ εκείνη τους  εξ Αβραάμ εσφράγιζε, και διέστελλεν από παντός έθνους, ούτω και τούτο  (το Βάπτισμα δηλαδή) τους Χριστιανούς. Και καθάπερ εκείνη περιττόν  αποτέμνει του σώματος μέρος, ούτω και το Βάπτισμα την αμαρτίαν αποτέμνει  περιττήν υπάρχουσαν. Έδει δε παυθήναι τον τύπον, ελθόντος του  πρωτοτύπου. Και σιγήσαι το μηνύον, επιστάντος του μηνυομένου. Το γαρ  εαυτού πεπλήρωκε, και περιττόν εστι του λοιπού (αυτόθι). Σημείωσαι, ότι  λόγος ευρίσκεται εν τη Μονή του Διονυσίου εις την περιτομήν, ου η αρχή·  «Σκιάν μεν των μελλόντων αγαθών». Ο αυτός ευρίσκεται και εν τη του  Βατοπαιδίου.&lt;br /&gt;
&lt;br /&gt;
3. Τι δηλοί το όνομα Ιησούς, όρα εις τα Πνευματικά γυμνάσματα, την μελέτην εις την Περιτομήν του Κυρίου.&lt;/td&gt;    &lt;/tr&gt;
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&lt;/td&gt;&lt;td width=&quot;100%&quot;&gt;(από το βιβλίο: &lt;i&gt;Αγίου Νικοδήμου Αγιορείτου Συναξαριστής των δώδεκα μηνών του ενιαυτού&lt;/i&gt;. Τόμος Β´. Εκδόσεις Δόμος, 2005)&lt;/td&gt;    &lt;/tr&gt;
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&lt;/tbody&gt;&lt;/table&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/5191561129303338818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/5191561129303338818'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2010/12/0101.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhanhBMDvzfxHc2j5dT4yHxCf8Q3Kz4ybJPL6WAamMr5KBUIoFRd1uQp3bcGkPkHqqEB6_UMAixEimVxEqO0neS_1CDYzFiNA4yGT2Qn0tm0DwApeik58FSeBGOTguCWnF9iZ2_UrANNpo/s72-c/0101_Peritomi.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-8121591409908684122</id><published>2010-12-31T20:18:00.000+02:00</published><updated>2010-12-31T20:18:45.338+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hagiography and Byzantine Studies Upcoming Events"/><category scheme="http://www.blogger.com/atom/ns#" term="Holy Relics"/><category scheme="http://www.blogger.com/atom/ns#" term="icons"/><category scheme="http://www.blogger.com/atom/ns#" term="Medieval Studies"/><category scheme="http://www.blogger.com/atom/ns#" term="Middle Ages"/><title type='text'></title><content type='html'>&lt;div class=&quot;ds-region-middle no-sidebars&quot;&gt;&lt;div class=&quot;ds-region-inner&quot;&gt;&lt;div class=&quot;field field-event-date&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-event-date&quot;&gt;&lt;div class=&quot;field-label-inline-first&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;/div&gt;&lt;h1 class=&quot;title&quot;&gt;&amp;nbsp;&lt;/h1&gt;&lt;h3&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;CEU Department of Medieval Studies&lt;/span&gt;&lt;/h3&gt;&lt;h1 class=&quot;title&quot;&gt;&amp;nbsp;&lt;/h1&gt;&lt;h1 class=&quot;title&quot;&gt;Robert Bartlett: Saint-Making in the Middle Ages&lt;/h1&gt;&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-label-inline-first&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg113KIeQq5pUK-kwbVy9ONLqLH4Hc7cnmm-gg0sn3Myv3iwarthT_ehVKGXoEc2MnXssU17QNluFnPOQg9F7CcAgWJ9xBUc8TqhFVViGUIvYmgsWTPy_brPLJ-HQL34rZJ6BTUS-Rrwmc/s1600/bart_x180.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg113KIeQq5pUK-kwbVy9ONLqLH4Hc7cnmm-gg0sn3Myv3iwarthT_ehVKGXoEc2MnXssU17QNluFnPOQg9F7CcAgWJ9xBUc8TqhFVViGUIvYmgsWTPy_brPLJ-HQL34rZJ6BTUS-Rrwmc/s1600/bart_x180.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-label-inline-first&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-label-inline-first&quot;&gt;Date:&amp;nbsp;&lt;/div&gt;&lt;span class=&quot;date-display-single&quot;&gt;January 12, 2011 - &lt;span class=&quot;date-display-start&quot;&gt;15:30&lt;/span&gt;&lt;span class=&quot;date-display-separator&quot;&gt; - &lt;/span&gt;&lt;span class=&quot;date-display-end&quot;&gt;17:10&lt;/span&gt;&lt;/span&gt;  &lt;/div&gt;&lt;div class=&quot;field field-profile-building&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Building:&amp;nbsp;&lt;/div&gt;Nador u. 9, Faculty Tower  &lt;/div&gt;&lt;div class=&quot;field field-profile-room&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Room:&amp;nbsp;&lt;/div&gt;409  &lt;/div&gt;&lt;div class=&quot;field field-event-type&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Event type:&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/taxonomy/term/586&quot; rel=&quot;tag&quot; title=&quot;&quot;&gt;lecture&lt;/a&gt;  &lt;/div&gt;&lt;div class=&quot;field field-event-audience&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Event audience:&amp;nbsp;&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/taxonomy/term/563&quot; rel=&quot;tag&quot; title=&quot;&quot;&gt;Public to outside CEU&lt;/a&gt;  &lt;/div&gt;&lt;div class=&quot;field field-event-presenters&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;External presenters:&amp;nbsp;&lt;/div&gt;Robert Bartlett  &lt;/div&gt;&lt;div class=&quot;field field-unit&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;CEU host unit(s):&amp;nbsp;&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/node/1591&quot;&gt;Department of Medieval Studies&lt;/a&gt;  &lt;/div&gt;&lt;div class=&quot;field field-event-ceu-contact&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;CEU contact person:&amp;nbsp;&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/profiles/staff/annabella_pal&quot;&gt;Annabella Pál&lt;/a&gt;  &lt;/div&gt;&lt;div class=&quot;field field-full-description&quot;&gt;             &lt;strong&gt;Robert Bartlett&lt;/strong&gt; is Bishop Wardlaw Professor of Mediaeval History at the University of &lt;br /&gt;
St Andrews in Scotland and a Fellow of the British Academy. He received  his university education at Cambridge, Oxford and Princeton, taught  earlier at the universities of Edinburgh and Chicago and has held  fellowships at the universities of Michigan, Princeton, Göttingen and  Tel Aviv, and at the Institute for Advanced Study, Princeton. His books  are: Gerald of Wales, 1146-1223 (Oxford, 1982, reissued Stroud 2006),  Trial by Fire and Water: The Medieval Judicial Ordeal (Oxford, 1986),  The Making of Europe: Conquest, Colonization and Cultural Change  950-1350 (London and Princeton, 1993), England under the Norman and  Angevin Kings 1075-1225 (Oxford, 2000), The Hanged Man: A Story of  Miracle, Memory and Colonialism in the Middle Ages (Princeton, 2004) and  The Natural and the Supernatural in the Middle Ages (Cambridge, 2008).  The Making of Europe won the Wolfson Literary Prize for History and has  been translated into German, Estonian, Polish, Japanese, Spanish, and  Russian.&lt;br /&gt;
&lt;br /&gt;
&lt;h1 class=&quot;title&quot;&gt;Galina Tirnanić: Suffering Iconoclasm: icons, martyrs, and relics in Constantinople&lt;/h1&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFiS-BDmBGGCPwhGB3bXtojzqq89pFvtiOkf1uSuQ1rHbJML8Uw2HG1I_z4tF82CbuBzxc68Xzt6GHnmKpiyCLb7VPKnYc4xlmXXqXtqseM9Dgv4Lq6vqJ28k-9b7ncnpljVXZF_wrvh4/s1600/Iconoclasm+scan.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;263&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFiS-BDmBGGCPwhGB3bXtojzqq89pFvtiOkf1uSuQ1rHbJML8Uw2HG1I_z4tF82CbuBzxc68Xzt6GHnmKpiyCLb7VPKnYc4xlmXXqXtqseM9Dgv4Lq6vqJ28k-9b7ncnpljVXZF_wrvh4/s320/Iconoclasm+scan.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h1 class=&quot;title&quot;&gt;&amp;nbsp;&lt;/h1&gt;&lt;div class=&quot;ds-region-middle no-sidebars&quot;&gt;&lt;div class=&quot;ds-region-inner&quot;&gt;&lt;div class=&quot;field field-event-date&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Date:&amp;nbsp;&lt;/div&gt;&lt;span class=&quot;date-display-single&quot;&gt;January 20, 2011 - &lt;span class=&quot;date-display-start&quot;&gt;17:30&lt;/span&gt;&lt;span class=&quot;date-display-separator&quot;&gt; - &lt;/span&gt;&lt;span class=&quot;date-display-end&quot;&gt;19:30&lt;/span&gt;&lt;/span&gt;  &lt;/div&gt;&lt;div class=&quot;field field-profile-building&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Building:&amp;nbsp;&lt;/div&gt;Nador u. 9, Monument Building  &lt;/div&gt;&lt;div class=&quot;field field-profile-room&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Room:&amp;nbsp;&lt;/div&gt;Popper   &lt;/div&gt;&lt;div class=&quot;field field-event-type&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Event type:&amp;nbsp;&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/taxonomy/term/586&quot; rel=&quot;tag&quot; title=&quot;&quot;&gt;lecture&lt;/a&gt;  &lt;/div&gt;&lt;div class=&quot;field field-event-audience&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;Event audience:&amp;nbsp;&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/taxonomy/term/563&quot; rel=&quot;tag&quot; title=&quot;&quot;&gt;Public to outside CEU&lt;/a&gt;  &lt;/div&gt;&lt;div class=&quot;field field-event-ceu-organizers&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;CEU organizer(s):&amp;nbsp;&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/profiles/faculty/tijana_krstic&quot;&gt;Tijana Krstić &lt;/a&gt;  &lt;/div&gt;&lt;div class=&quot;field field-unit&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;CEU host unit(s):&amp;nbsp;&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/node/1586&quot;&gt;Center for Eastern Mediterranean Studies (CEMS)&lt;/a&gt;  &lt;/div&gt;&lt;div class=&quot;field field-event-ceu-contact&quot;&gt;               &lt;div class=&quot;field-label-inline-first&quot;&gt;CEU contact person:&amp;nbsp;&lt;/div&gt;&lt;a href=&quot;http://medievalstudies.ceu.hu/node/16751&quot;&gt;Cristian Daniel&lt;/a&gt;  &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;h1 class=&quot;title&quot;&gt;&amp;nbsp;&lt;/h1&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8121591409908684122'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/8121591409908684122'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2010/12/ceu-department-of-medieval-studies.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg113KIeQq5pUK-kwbVy9ONLqLH4Hc7cnmm-gg0sn3Myv3iwarthT_ehVKGXoEc2MnXssU17QNluFnPOQg9F7CcAgWJ9xBUc8TqhFVViGUIvYmgsWTPy_brPLJ-HQL34rZJ6BTUS-Rrwmc/s72-c/bart_x180.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-9024447582487122203.post-406410906097857522</id><published>2010-12-29T09:44:00.001+02:00</published><updated>2010-12-29T09:45:12.286+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Byzantine Society"/><category scheme="http://www.blogger.com/atom/ns#" term="Call for Papers"/><category scheme="http://www.blogger.com/atom/ns#" term="Constantine"/><category scheme="http://www.blogger.com/atom/ns#" term="University of Oxford"/><title type='text'></title><content type='html'>&lt;h3 class=&quot;post-title entry-title&quot;&gt;CFP:  Between Constantines: Representations and Manifestations of an Empire,  The History Faculty, University of Oxford, 4 - 5 March 2011 &lt;/h3&gt;&lt;div class=&quot;post-header&quot;&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYzT15CzJFc5GCctRVpwOBimjRP4h6x0YhBPqADeU9w9Vu31xf79h0kk5c03sfRqsJpFk3fzi30ogO2oMtgBlX2dsE06b-NDAt3fQW7mJd-8Hjv7FVjOs0VSi7GbnvvV2IR1553P0Rtsc/s1600/oxford.JPG&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYzT15CzJFc5GCctRVpwOBimjRP4h6x0YhBPqADeU9w9Vu31xf79h0kk5c03sfRqsJpFk3fzi30ogO2oMtgBlX2dsE06b-NDAt3fQW7mJd-8Hjv7FVjOs0VSi7GbnvvV2IR1553P0Rtsc/s400/oxford.JPG&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;Source: The Oxford Byzantine Society.&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;The Oxford Byzantine Society  is pleased to announce that its annual graduate conference will be held  in March 2011. The society is now accepting abstracts for papers to be  presented at this event.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;This year&#39;s conference - entitled &lt;i&gt;Between Constantines: representations and manifestations of an empire&lt;/i&gt;  - seeks to explore the different ages of Byzantium. What were the  political, social, cultural and economic strategies that defined  different periods in the existence of the empire? How do we interpret  the narratives, materials and structures of the momentous and the  everyday in the empire&#39;s long history?&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;In order to approach the subject  from as many angles as possible, we welcome papers from graduate  students in all fields related to Byzantium, including, but not limited  to: History, Archaeology, Language and Literature, Theology and Art  History.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;Possible themes for papers might include:&amp;nbsp;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;Diplomacy and foreign relations&lt;/li&gt;
&lt;li&gt;Religious and cultural exchange&lt;/li&gt;
&lt;li&gt;The Byzantine thought world&lt;/li&gt;
&lt;li&gt;Art and architecture&lt;/li&gt;
&lt;li&gt;Trade and travel&lt;/li&gt;
&lt;li&gt;Language and literature&lt;/li&gt;
&lt;li&gt;War and defence&lt;/li&gt;
&lt;li&gt;The urban and rural existences&lt;/li&gt;
&lt;li&gt;Nomads&lt;/li&gt;
&lt;li&gt;Geography and topography&lt;/li&gt;
&lt;/ul&gt;&lt;div&gt;As the title suggests, the temporal scope of the conference is  envisaged to stretch from the rise of Constantine to the fall of  Constantinople. Within this rough time frame, we encourage papers  dealing with the Byzantine world as well as those surrounding regions  which had direct interactions with it, including the Near and Middle  East, the Mediterranean, the Balkans and Eastern Europe, the Eurasian  Steppe and Transcaucasia.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div&gt;Final papers will be 20 minutes in length, followed by 10  minutes of discussion. This year we will be accepting papers in English  and French, however, given the likely composition of the audience,  presentations in English are strongly recommended.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div&gt;Abstracts of no more than 250 words should be submitted to  byzantine.society@gmail.com by 5pm on Monday 18 January 2011. Please  include a few lines about your research interests. Successful applicants  will be notified by Monday 24 January 2011.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div&gt;Subject to funding, the OBS hopes to offer subsidised  accommodation for visiting speakers, as it did last year. More  information will be available in early 2011. We regret that we are  unable to cover travel expenses to and from Oxford, but we encourage all  participants to apply to their home institutions for travel grants.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div&gt;Abstracts are due on Monday 18 January 2011&lt;/div&gt;&lt;div&gt;For more information, please e-mail &amp;nbsp;: byzantine.society@gmail.com&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/406410906097857522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9024447582487122203/posts/default/406410906097857522'/><link rel='alternate' type='text/html' href='http://saintslives.blogspot.com/2010/12/between-constantines-representations.html' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/blank.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYzT15CzJFc5GCctRVpwOBimjRP4h6x0YhBPqADeU9w9Vu31xf79h0kk5c03sfRqsJpFk3fzi30ogO2oMtgBlX2dsE06b-NDAt3fQW7mJd-8Hjv7FVjOs0VSi7GbnvvV2IR1553P0Rtsc/s72-c/oxford.JPG" height="72" width="72"/></entry></feed>