<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-4355174764364906531</atom:id><lastBuildDate>Sun, 22 Mar 2026 18:45:58 +0000</lastBuildDate><category>avant-exp</category><category>post punk</category><category>jazz</category><category>various artists</category><category>psych</category><category>electronic</category><category>alternative</category><category>aus</category><category>world</category><category>indie pop</category><category>songwriter</category><category>garage rock</category><category>NZ</category><category>new wave</category><category>Label - el Records</category><category>cinema music</category><category>Label - Knitting Factory</category><category>Label - No Man&#39;s Land / Review</category><category>greek</category><category>improvisation</category><category>folk</category><category>Label - Made To Measure</category><category>indie</category><category>poetry</category><category>cinema</category><category>literature</category><category>pop</category><category>Label - Materiali Sonori</category><category>industrial</category><category>lo-fi</category><category>neue deutsche welle</category><category>Label - Subterranean Records</category><category>ambient</category><category>blues</category><category>classical</category><category>Label - Label Bleu</category><category>klezmer</category><category>Label - Ambiances Magnetiques</category><category>Label - American Clave</category><category>Label - Ano Kato</category><category>Label - Avant</category><category>Label - Nato</category><category>Label - On-U Sound</category><category>Label - Strange Ways</category><category>Label - Sub Rosa</category><category>art-folk</category><category>dub</category><category>instrumental</category><category>Label  - Les Disques Du Crepuscule</category><category>Label - G3G</category><category>ambient-pop</category><category>art-rock</category><category>brass band</category><category>choreography</category><category>contemporary art</category><category>darkwave</category><category>folk-pop</category><category>obituary</category><category>piano music</category><category>post classical</category><category>post rock</category><category>prog</category><category>reggae</category><category>retro</category><category>tangos</category><category>theatre music</category><category>visual arts</category><category>HUN</category><category>Label - ACT</category><category>Label - Ad Hoc</category><category>Label - Cosmic Sounds</category><category>Label - Dining Out</category><category>Label - Hannibal</category><category>Label - In Poly Sons</category><category>Label - Insane Music</category><category>Label - Red Flame / Ink Records</category><category>Label - September Gurls</category><category>Label - Soul Note</category><category>Label - Three Blind Mice</category><category>Label - Y Records</category><category>South Africa</category><category>accordion music</category><category>acoustic pop</category><category>anarchism</category><category>art</category><category>art-blues-rock</category><category>avant prog</category><category>avant rock</category><category>bluegrass</category><category>chamber music</category><category>dream pop</category><category>events</category><category>french revolution</category><category>funk</category><category>home taping</category><category>kraut rock</category><category>new age</category><category>no wave</category><category>not a single day</category><category>obsessions</category><category>painting</category><category>politics</category><category>punk</category><category>space</category><category>spoken word</category><category>traditional</category><category>vocal music</category><category>worries</category><title>LA FOLIE DU JOUR</title><description></description><link>http://01fragments.blogspot.com/</link><managingEditor>noreply@blogger.com (begemot)</managingEditor><generator>Blogger</generator><openSearch:totalResults>443</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-3143083125673958374</guid><pubDate>Wed, 17 Jul 2013 20:06:00 +0000</pubDate><atom:updated>2013-07-17T23:39:27.606+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">alternative</category><category domain="http://www.blogger.com/atom/ns#">psych</category><title>Repost: MARC JEFFREY &quot;Playtime&quot; (US, 1990)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVKtyZk2ZmFf5LSrXnI3wxgwMLKy7qae9DLL8YpVxVuTGzMqrrIcat8tiOqyIy6aB8NS3wQyqbj3Ydh2ZovhswvWRdkA9IDijyK_01E6v-JdBmHflUv39wjl3tjOCutAedn4dtS8XDiIo/s1600-h/playtime.jpg&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; height=&quot;320&quot; id=&quot;BLOGGER_PHOTO_ID_5207177373600155138&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVKtyZk2ZmFf5LSrXnI3wxgwMLKy7qae9DLL8YpVxVuTGzMqrrIcat8tiOqyIy6aB8NS3wQyqbj3Ydh2ZovhswvWRdkA9IDijyK_01E6v-JdBmHflUv39wjl3tjOCutAedn4dtS8XDiIo/s320/playtime.jpg&quot; style=&quot;display: block; margin: 0px auto 10px; text-align: center;&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;span style=&quot;text-align: left;&quot;&gt;Back in 80`s , &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Marc Jeffrey&lt;/b&gt;&lt;/span&gt;
 was the leader (singer + guitarist) of New York`s BAND OF OUTSIDERS, a 
group that never became well known (even in the underground circuit ) 
and earned some middling only sympathy from ones explored the american 
post punk situation and the psych revivalism of that era .&lt;b&gt; Band Of Outsiders&lt;/b&gt;
 disbanded before the turn of new decade, leaving behind them few LP`s /
 EP`s and a collaboration with CERTAIN GENERAL ( amazing 80`s NY post 
no-wave band). Afterwards Marc released &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;&quot;PLAYTIME&quot;&lt;/b&gt;&lt;/span&gt;, an old fashioned psych-folk-art-pop gem, superior than the previous works, but unfortunately, same fated with them.&lt;/span&gt;&lt;/div&gt;
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&lt;div style=&quot;text-align: justify;&quot;&gt;
Its
 excellent 60`s-influenced songsmithness places &quot;PLAYTIME&quot; near the most
 loving works of psych archetypes like LOVE , SPIRIT, etc. Nevertheless 
the inspiration and the whole artistic atmosphere leave no doubts about 
the originality of this work. As if predating the lo-fi attidute of 90&#39;s
 &quot;PLAYTIME&quot; hides its brilliance under a very modest sound profile... 
and it definitely worths discovering. &lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
I riped it from my (Nate Starkman &amp;amp; Son Greece) vinyl so you prepare for some...hissing. &lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;a href=&quot;http://rapidshare.com/files/2890431268/MARC_JEFFREY_playtime.rar&quot;&gt;Playtime &lt;/a&gt;&amp;nbsp;(80mb)&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;u&gt;Update summer 2013 &lt;/u&gt;:&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
After a long hiatus &lt;b&gt;Marc Jeffrey&lt;/b&gt; and the &lt;b&gt;Band Of Outsiders&lt;/b&gt; are back!!&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
They released the mini-album &lt;b&gt;&quot;Sound&amp;nbsp; Beach Quartet&quot;&lt;/b&gt; in 2012 and a new album is coming out hopefully this summer.&lt;br /&gt;
&lt;br /&gt;
visit: &amp;nbsp; https://bandofoutsiders.bandpage.com/&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;
Thanks Marc Jeffrey for updating info...&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2013/07/repost-marc-jeffrey-playtime-us-1990.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVKtyZk2ZmFf5LSrXnI3wxgwMLKy7qae9DLL8YpVxVuTGzMqrrIcat8tiOqyIy6aB8NS3wQyqbj3Ydh2ZovhswvWRdkA9IDijyK_01E6v-JdBmHflUv39wjl3tjOCutAedn4dtS8XDiIo/s72-c/playtime.jpg" height="72" width="72"/><thr:total>10</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-8158307470266048283</guid><pubDate>Sun, 23 Jun 2013 17:48:00 +0000</pubDate><atom:updated>2013-06-23T20:48:50.036+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">indie pop</category><category domain="http://www.blogger.com/atom/ns#">new wave</category><category domain="http://www.blogger.com/atom/ns#">post punk</category><category domain="http://www.blogger.com/atom/ns#">various artists</category><title>The Room Behind The Clock</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYseaYICjd1ufxU4i63U6uCFps2FGk7ZFNQ8XwJ6IzKtmmXnXcv-VNcGTw-hwY3I4zVPfaGeYs9pF48HbAisBAD6x9sX3BE3cy0SwyP7cNL9gtiHU6gyQ8lX0Oms7sIjgYOIr24iNhcXrP/s1600/GARDEZ+DARKX+Bliss.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;294&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYseaYICjd1ufxU4i63U6uCFps2FGk7ZFNQ8XwJ6IzKtmmXnXcv-VNcGTw-hwY3I4zVPfaGeYs9pF48HbAisBAD6x9sX3BE3cy0SwyP7cNL9gtiHU6gyQ8lX0Oms7sIjgYOIr24iNhcXrP/s320/GARDEZ+DARKX+Bliss.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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One more set of selections out of the bottomless 80&#39;s underground deposit.&lt;br /&gt;
&lt;br /&gt;
01&lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;What To Wear&lt;/b&gt;&lt;/span&gt; The robbery (1980)&lt;br /&gt;
02 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Sub&amp;nbsp; Verse&lt;/b&gt;&lt;/span&gt; Science of fear (1981)&lt;br /&gt;
03 &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Yeah Jazz&lt;/span&gt; &lt;/b&gt;Julie and the sealions (1984)&lt;br /&gt;
04 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Hellfire Club&lt;/b&gt;&lt;/span&gt; phases (1982)&lt;br /&gt;
05 &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Proof Of Utah&lt;/span&gt; &lt;/b&gt;Betty&#39;s pleasure (1984)&lt;br /&gt;
06 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Bamboo Zoo&lt;/b&gt; &lt;/span&gt;Submarine (1981)&lt;br /&gt;
07 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Eton Crop&lt;/b&gt;&lt;/span&gt; He didn&#39;t say anything (1984)&lt;br /&gt;
08&lt;b&gt; &lt;span style=&quot;color: #f1c232;&quot;&gt;Observers&lt;/span&gt; &lt;/b&gt;This age (1980) &lt;br /&gt;
09 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Matthew Young&lt;/b&gt;&lt;/span&gt; Objects in mirror (1986) &lt;br /&gt;
10 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Nick Haeffner&lt;/b&gt;&lt;/span&gt; Breaths (1987)&lt;br /&gt;
11 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Essential Bop&lt;/b&gt;&lt;/span&gt; Cenotaph (1985)&lt;br /&gt;
12 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Brotherhood Of Lizards&lt;/b&gt;&lt;/span&gt; Clockwork train (1989) &lt;br /&gt;
13 &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Protege&lt;/span&gt; &lt;/b&gt;Protection (1980)&lt;br /&gt;
14 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Gardez Darkx&lt;/b&gt;&lt;/span&gt; Bliss (1979)&lt;br /&gt;
15 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Turquoise Swimming Pools&lt;/b&gt;&lt;/span&gt; Burst Balloons (1982)&lt;br /&gt;
16 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;22 Beaches&lt;/b&gt;&lt;/span&gt; Dust (1984)&lt;br /&gt;
17 &lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;41 Degrees&lt;/b&gt;&lt;/span&gt; White flowers (1982) &lt;br /&gt;
18&lt;span style=&quot;color: #f1c232;&quot;&gt; &lt;b&gt;Front Lawn&lt;/b&gt;&lt;/span&gt; I &#39;ll never have anything more (1989)&lt;br /&gt;
&lt;br /&gt;
compiled by &lt;b&gt;LaFolieDuJour&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://rapidshare.com/files/3455723232/V.A.%20Room%20Behind%20The%20Clock%20%5Bby%20LFDJ%5D.rar&quot;&gt;Listen Here&lt;/a&gt;&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2013/06/the-room-behind-clock.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYseaYICjd1ufxU4i63U6uCFps2FGk7ZFNQ8XwJ6IzKtmmXnXcv-VNcGTw-hwY3I4zVPfaGeYs9pF48HbAisBAD6x9sX3BE3cy0SwyP7cNL9gtiHU6gyQ8lX0Oms7sIjgYOIr24iNhcXrP/s72-c/GARDEZ+DARKX+Bliss.jpg" height="72" width="72"/><thr:total>7</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-2067300097876419087</guid><pubDate>Sat, 18 May 2013 22:12:00 +0000</pubDate><atom:updated>2013-05-19T01:12:29.984+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">new wave</category><category domain="http://www.blogger.com/atom/ns#">pop</category><title>STEVE LAKE &quot;Running Away&quot; 12&#39;&#39; single, (UK, 1987)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;b&gt;&quot;Life Of Riley&quot;&lt;/b&gt; is probably the best song he wrote in his solo period after the split of his legendary &lt;b&gt;Zounds.&amp;nbsp;&lt;/b&gt;It&amp;nbsp;passed nearly unnoticed though, as &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Steve Lake&lt;/span&gt;&lt;/b&gt; didn&#39;t included it in any of his two solo albums (&quot;Murder Violence Sex Divorce&quot; and &quot;So Cruel&quot;), like he did with his other single-tracks, but he prefered to hide it on the b-side of this 12&#39;&#39; single. The gems sometimes choose to travel subtly..&lt;br /&gt;
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&lt;a href=&quot;http://rapidshare.com/files/3977929536/STEVE%20LAKE%20Running%20Away.rar&quot;&gt;Running Away 12&#39;&#39;&lt;/a&gt;&lt;br /&gt;
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&amp;nbsp;&amp;nbsp;&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2013/05/steve-lake-running-away-12-single-uk.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7PHoC5sGCIJJIQEFV1McBGgMqSTlLUKwVaKwldFlC5zGewGLbnjAQzZIFIiTWK9ZC7j16mDmT-Z0AjcMpQTw5ucl3qtcVMFm0uxogaf9njS0Uy_srN9SzKZeywz4endo2eRFPSo9XMPZS/s72-c/steve+lake+running+away.jpeg" height="72" width="72"/><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-2708142692190217797</guid><pubDate>Fri, 05 Apr 2013 20:54:00 +0000</pubDate><atom:updated>2013-04-05T23:57:22.389+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">post punk</category><title>DATBLYGU &quot;Hwgr-Grawth-Og&quot;, 7&#39;&#39; (UK, 1986)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6zjP1JHPKunWqVDBDoGdptOkCAgkGhBYXy5Q-5GCnO4AfZSawyleQWJCA61F_1xUMnsmAd_N8YnG-JtTGfVDeTjaOeth73seWBaUk7zqTfkJiiRIjX4g-ycFgChcXa3KJ39V0NSnxZxX4/s1600/HWGR-GRAWTH-OG.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;315&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6zjP1JHPKunWqVDBDoGdptOkCAgkGhBYXy5Q-5GCnO4AfZSawyleQWJCA61F_1xUMnsmAd_N8YnG-JtTGfVDeTjaOeth73seWBaUk7zqTfkJiiRIjX4g-ycFgChcXa3KJ39V0NSnxZxX4/s320/HWGR-GRAWTH-OG.jpeg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Datblygu&lt;/span&gt;&lt;/b&gt; [datˈbləɡi &amp;nbsp;= develop] is considered one of the first and most emblematic welsh-spoken bands grown up in postpunk era - perhaps the most important.Vehicle of talented welsh musician and poet&amp;nbsp;&lt;b&gt;Dave R. Edwards, Datblygu&lt;/b&gt;&amp;nbsp;were&amp;nbsp;formed in Cardigan,&amp;nbsp;Wales in 1982 with&amp;nbsp;&lt;b&gt;T. Wyn Davies&amp;nbsp;&lt;/b&gt;in the initial line-up. The third core member, instrumentalist&amp;nbsp;&lt;b&gt;Patricia Morgan&lt;/b&gt;,&amp;nbsp;joined in 1984, while Davies left in 1990.&lt;/div&gt;
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Between 1982-1985 &lt;b&gt;Datblygu&lt;/b&gt; released four cassettes. Their vinyl debut, the 4-track 7&#39;&#39; single &quot;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Hwgr-Grawth-Og&lt;/span&gt;&lt;/b&gt;&quot; ( Anrhefn, 1986) attracted the attention of John Peel and was followed by several peel sessions &amp;nbsp;and three full albums, the last of which released in 1993.&lt;/div&gt;
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&lt;b&gt;Datblygu&lt;/b&gt;&#39;s music is influenced by post-punk, synth-pop, indie and experimental rock but the idiosyncratic songwriting of Dave Edwards coupled with the use of weird welsh language, gives it a unique character.&lt;/div&gt;
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After a long inactive period &lt;b&gt;Datblygu&lt;/b&gt; seem to show some action again. Recent works of theirs are two 7&#39;&#39; singles, released in 2008 and 2012.&lt;/div&gt;
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Listen to &lt;a href=&quot;http://rapidshare.com/files/3680570300/DATBLYGU_Hwgr-Grawth-Og.rar&quot;&gt;&quot;Hwgr-Grawth-Og&quot;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;object classid=&quot;clsid:d27cdb6e-ae6d-11cf-96b8-444553540000&quot; codebase=&quot;http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0&quot; height=&quot;28&quot; id=&quot;divplaylist&quot; width=&quot;335&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.divshare.com/flash/playlist?myId=23961718-e15&quot; /&gt;&lt;embed src=&quot;http://www.divshare.com/flash/playlist?myId=23961718-e15&quot; width=&quot;335&quot; height=&quot;28&quot; name=&quot;divplaylist&quot; type=&quot;application/x-shockwave-flash&quot; pluginspage=&quot;http://www.macromedia.com/go/getflashplayer&quot;&gt;&lt;/embed&gt;&lt;/object&gt;
&lt;br /&gt;
&lt;b&gt;Datblygu&lt;/b&gt; -&amp;nbsp;dymuniadau da (from &quot;Pyst&quot;, 1990)&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;More &lt;b&gt;Datblygu&lt;/b&gt;:&lt;/u&gt;&lt;br /&gt;
&lt;b&gt;&quot;1985-1995&quot;&lt;/b&gt;, (CD, Ankstmusik, 1999 -singles, compilation tracks, rarities etc.)&lt;br /&gt;
&lt;b&gt;&quot;Wyau / Pyst / Libertino&quot;&lt;/b&gt; (2xCD, Ankstmusik, 2004 -the three albums)&lt;br /&gt;
&lt;b&gt;&quot;Peel Sessions 1987-93&quot;&lt;/b&gt; (CD, Ankstmusik, 2008 -the five BBC recordings)&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2013/04/datblygu-hwgr-grawth-og-7-uk-1986.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6zjP1JHPKunWqVDBDoGdptOkCAgkGhBYXy5Q-5GCnO4AfZSawyleQWJCA61F_1xUMnsmAd_N8YnG-JtTGfVDeTjaOeth73seWBaUk7zqTfkJiiRIjX4g-ycFgChcXa3KJ39V0NSnxZxX4/s72-c/HWGR-GRAWTH-OG.jpeg" height="72" width="72"/><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-8667338720252594484</guid><pubDate>Sat, 02 Mar 2013 22:07:00 +0000</pubDate><atom:updated>2013-03-03T00:07:07.223+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">avant-exp</category><title>RAEO &quot;Words Are Worms&quot;, single, (1997)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRNNZM7EzlQUD7r4j2rmWzUOdDp9wY72xSvEMHXTDg_EGzDJuf_N_ICfk6IJRDoM0AwdK3Kd2i5Mv47s_LeVsv7N4fRJRzAdhlz2vDjuksjCtoaAdckU6TcXGBFhyphenhyphenFOv4XTkk-NioXqLqW/s1600/raeo+single.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRNNZM7EzlQUD7r4j2rmWzUOdDp9wY72xSvEMHXTDg_EGzDJuf_N_ICfk6IJRDoM0AwdK3Kd2i5Mv47s_LeVsv7N4fRJRzAdhlz2vDjuksjCtoaAdckU6TcXGBFhyphenhyphenFOv4XTkk-NioXqLqW/s1600/raeo+single.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;RAEO&lt;/span&gt; &lt;/b&gt;is the collaboration of ex no-wave man&amp;nbsp;&lt;b&gt;Mark Cunningham&amp;nbsp;&lt;/b&gt;(Mars, Don King, a.o..)&lt;b&gt;&amp;nbsp;&lt;/b&gt;with Catalan underground musician &lt;b&gt;Gat,&amp;nbsp;&lt;/b&gt;(also co-founder of&amp;nbsp;&lt;b&gt;G3G Records&lt;/b&gt;). The two late &#39;70s - early &#39;80s veterans formed this outfit in 1990 in search of&amp;nbsp;new musical directions. The duo, based in Barcelona, spread its action thoughout 90&#39;s making two singles, &amp;nbsp;the cd albums&amp;nbsp;&lt;b&gt;&quot;Adios Jupiter&quot;&lt;/b&gt;&amp;nbsp;(G3G, 1994) and &amp;nbsp;&lt;b&gt;&quot;Body Loops&quot;&lt;/b&gt;&amp;nbsp;(G3G/Amanita, &amp;nbsp;1999), giving also concerts and live audio-visual shows... Their 2-track 7&#39;&#39; single &lt;span style=&quot;color: #f1c232;&quot;&gt;&quot;&lt;b&gt;Words Are Worms&lt;/b&gt;&quot;&lt;/span&gt; was out on french label &lt;b&gt;Amanita&lt;/b&gt; in 1997.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;Raeo&lt;/b&gt;&#39;s explorations lie on a fusional jazz-post dance-ambient-world area, where each artist&#39;s prehistory is present, updated though and enriched with new references and perspectives. Basslines, electronic rhythms, prog guitars, samples, effects and (&lt;b&gt;Cunningham&lt;/b&gt;&#39;s) brass create the diverse and yet cohesive soundscapes of &amp;nbsp;RAEO. A lyrical, abstract, structured and improvised invasion.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;http://rapidshare.com/files/1467213941/RAEO%20words%20are%20worms%207&#39;&#39;.rar&quot;&gt;RAEO&lt;/a&gt;&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2013/03/raeo-words-are-worms-single-1997.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRNNZM7EzlQUD7r4j2rmWzUOdDp9wY72xSvEMHXTDg_EGzDJuf_N_ICfk6IJRDoM0AwdK3Kd2i5Mv47s_LeVsv7N4fRJRzAdhlz2vDjuksjCtoaAdckU6TcXGBFhyphenhyphenFOv4XTkk-NioXqLqW/s72-c/raeo+single.jpg" height="72" width="72"/><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-582305098291242819</guid><pubDate>Tue, 15 Jan 2013 21:53:00 +0000</pubDate><atom:updated>2013-03-28T22:37:05.584+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">avant-exp</category><category domain="http://www.blogger.com/atom/ns#">jazz</category><category domain="http://www.blogger.com/atom/ns#">Label - Avant</category><category domain="http://www.blogger.com/atom/ns#">various artists</category><title>V.A. In His Own Sweet Way, A tribute to Dave Brubeck (Japan, 2000) </title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_YhoG2u_Rikb4TORyuUQUNeOIjp5d9rw13DUyrkuVUKJtS8wQBuDvtFVi6oBxwyy5b87Yo9sh8wt-vJEQm71mHLx02QFPqTJCn0tfmTjsbXBOBDdE3aZbTt1tWsQiXDsvbdzsqcu6Hhwt/s1600/InHisOwnSweetWay.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_YhoG2u_Rikb4TORyuUQUNeOIjp5d9rw13DUyrkuVUKJtS8wQBuDvtFVi6oBxwyy5b87Yo9sh8wt-vJEQm71mHLx02QFPqTJCn0tfmTjsbXBOBDdE3aZbTt1tWsQiXDsvbdzsqcu6Hhwt/s1600/InHisOwnSweetWay.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Fourteen Downtown (or Downtown-related) avantgardists celebrate the work of the famous jazzman, pianist, composer &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Dave Brubeck&lt;/span&gt;&lt;/b&gt; (who passed away just recently -December 2012). The artists not only leave the clear mark of their own idiosyncracy on the compositions but in many occasions their imaginative approach creates a surprisingly big distance from the originals. Nevertheless this &quot;unfaithfulness&quot; seems to work fine! The music is amusing and very eclectic; the overall result gives true honours to the innovative side of the legendary artist,&amp;nbsp;revealing as well the deep influence of &lt;b&gt;Brubeck&lt;/b&gt;&#39;s spirit in some of the most forward-acting musicians of the recent times. Released on John Zorn&#39;s &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Avant&lt;/span&gt;&lt;/b&gt; label in 2000.&lt;/div&gt;
&lt;br /&gt;
01&amp;nbsp;&lt;b&gt;Dave Slusser&lt;/b&gt; Blue Shadows In The Street&lt;br /&gt;
02 &lt;b&gt;Uri Caine&lt;/b&gt; Far More Blues&lt;br /&gt;
03 &lt;b&gt;Pachora&lt;/b&gt; &amp;nbsp;In Your Own Sweet Way&lt;br /&gt;
04 &lt;b&gt;Bill Frisel&lt;/b&gt; Summer Song&lt;br /&gt;
05 &lt;b&gt;Ruins&lt;/b&gt; Blue Rondo A La Turk&lt;br /&gt;
06 &lt;b&gt;Medeski, Martin &amp;amp;Wood &lt;/b&gt;Tokyo Traffic&lt;br /&gt;
07 &lt;b&gt;Antony Coleman &lt;/b&gt;The Duke&lt;br /&gt;
08 &lt;b&gt;Eyvind Kang&lt;/b&gt; Calcutta Blues&lt;br /&gt;
09 &lt;b&gt;Slowpoke&lt;/b&gt; Sixth Sense&lt;br /&gt;
10&lt;b&gt; Erik Friedlander&lt;/b&gt; Winter Ballad&lt;br /&gt;
11 &lt;b&gt;Sex Mob&lt;/b&gt; Jumping&lt;br /&gt;
12 &lt;b&gt;Dave Douglas &lt;/b&gt;Nomad&lt;br /&gt;
13 &lt;b&gt;Joey Baron&lt;/b&gt; Three To Get Ready&lt;br /&gt;
14 &lt;b&gt;David Krakauer&lt;/b&gt; Golden Horn&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www31.zippyshare.com/v/8319411/file.html&quot;&gt;In His Own Sweet Way&lt;/a&gt;&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2013/01/va-in-his-own-sweet-way-tribute-to-dave.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_YhoG2u_Rikb4TORyuUQUNeOIjp5d9rw13DUyrkuVUKJtS8wQBuDvtFVi6oBxwyy5b87Yo9sh8wt-vJEQm71mHLx02QFPqTJCn0tfmTjsbXBOBDdE3aZbTt1tWsQiXDsvbdzsqcu6Hhwt/s72-c/InHisOwnSweetWay.jpg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-4044776460962749892</guid><pubDate>Tue, 13 Nov 2012 09:11:00 +0000</pubDate><atom:updated>2013-04-03T21:41:12.583+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">garage rock</category><category domain="http://www.blogger.com/atom/ns#">psych</category><category domain="http://www.blogger.com/atom/ns#">various artists</category><title>Spun Out Of Time: 80s-90s Italian Psych  </title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglBBaLHt1icBxipfNFAmN9j183POzCCwIps0vq3jB0vKYCgETpKvhg8FsrN9i8prnMBn5mV0aajZg8qyzwFnukZPrBKeR4-piUxdj5AAjtId4w_QY9KfJnO-BGm1dxswoG9CoDBcl3xKbl/s1600/PS&amp;amp;HP.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;255&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglBBaLHt1icBxipfNFAmN9j183POzCCwIps0vq3jB0vKYCgETpKvhg8FsrN9i8prnMBn5mV0aajZg8qyzwFnukZPrBKeR4-piUxdj5AAjtId4w_QY9KfJnO-BGm1dxswoG9CoDBcl3xKbl/s400/PS&amp;amp;HP.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
Artifacts from the 80s and 90s italian garage revival &amp;amp; psychedelic scene. A LFDJ compilation including -as usual- some rare or obscure stuff.&lt;br /&gt;
&lt;br /&gt;
01 &lt;span style=&quot;color: #f1c232;&quot;&gt;Acid Flowers&lt;/span&gt; Sancho Panza&lt;br /&gt;
(from &quot;Lucifer&#39;s Friends&quot;, v/a, 1987)&lt;br /&gt;
02 &lt;span style=&quot;color: #f1c232;&quot;&gt;Peter Sellers &amp;amp; The Hollywood Party&lt;/span&gt; apples &amp;amp; oranges&lt;br /&gt;
(&quot;Peter Sellers &amp;amp; The Hollywood Party&quot;, 1987)&lt;br /&gt;
03 &lt;span style=&quot;color: #f1c232;&quot;&gt;Effervescent Elephants&lt;/span&gt; something to say&lt;br /&gt;
(&quot;Something To Say&quot;, 1987)&lt;br /&gt;
04 &lt;span style=&quot;color: #f1c232;&quot;&gt;Birdmen Of Alkatraz&lt;/span&gt; dreamin&#39; demon&lt;br /&gt;
(&quot;Glidin&#39; Off&quot;, 1987)&lt;br /&gt;
05 &lt;span style=&quot;color: #f1c232;&quot;&gt;Head &amp;amp; The Hares&lt;/span&gt; i think i&#39;m going insane&lt;br /&gt;
(&quot;Head &amp;amp; The Hares&quot;, 1993)&lt;br /&gt;
06 &lt;span style=&quot;color: #f1c232;&quot;&gt;King Holiday &amp;amp; The Shadowmen&lt;/span&gt; the king is back&lt;br /&gt;
(&quot;Lucifer&#39;s Friends&quot;, v/a, 1987)&lt;br /&gt;
07 &lt;span style=&quot;color: #f1c232;&quot;&gt;The Backwards&lt;/span&gt; portrait (of an unbalanced mind)&lt;br /&gt;
(&quot;Eerie Thoughts Collection&quot;, 1990)&lt;br /&gt;
08 &lt;span style=&quot;color: #f1c232;&quot;&gt;Not Moving&lt;/span&gt; baron samedi&lt;br /&gt;
(&quot;Strange dolls&quot;, 7&#39;&#39;, 1982)&lt;br /&gt;
09&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;Birdmen Of Alkatraz&lt;/span&gt;&amp;nbsp;sea of shadows&lt;br /&gt;
(&quot;From The Birdcage&quot;, 1989)&lt;br /&gt;
10&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;Peter Sellers &amp;amp; The Hollywood Party&amp;nbsp;&lt;/span&gt;too much time&lt;br /&gt;
(&quot;To Make A Romance Out Of Swiftness&quot;, 1989)&lt;br /&gt;
11&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;Head &amp;amp; The Hares&lt;/span&gt;&amp;nbsp;one against the world&lt;br /&gt;
(&quot;Autumn Songbook&quot;, 1998)&lt;br /&gt;
12&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;The Backwards&lt;/span&gt;&amp;nbsp;she stared at her own feet&lt;br /&gt;
(&quot;Eerie Thoughts Collection&quot;, 1990)&lt;br /&gt;
13&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;Kim Squad &amp;amp; Dinah Shore Zeekapers&lt;/span&gt; macaibo&lt;br /&gt;
(&quot;Young Bastards&quot;, 1987)&lt;br /&gt;
14&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;No Strange&lt;/span&gt; scopro le carte&lt;br /&gt;
(&quot;L&#39;Universo&quot;, 1987)&lt;br /&gt;
15&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;Gli Avvoltoi&lt;/span&gt; giardino dei fiori&lt;br /&gt;
(&quot;Il Nostro E Solo Un Mondo Beat&quot;, 1988)&lt;br /&gt;
16&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;Steeplejack&lt;/span&gt; and you walked away&lt;br /&gt;
(&quot;Pow Wow&quot;, 1988)&lt;br /&gt;
17&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;Peter Sellers &amp;amp; The Hollywood Party&amp;nbsp;&lt;/span&gt;peter sellers&lt;br /&gt;
(&quot;Swiftness EP&quot;, 1989 )&lt;br /&gt;
&lt;br /&gt;
compiled by LaFolieDuJour&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://rapidshare.com/files/4150006312/V.A.%20Psych%20Italy%20%5BLFDJ%5D.rar&quot;&gt;Listen here&lt;/a&gt;&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2012/11/spun-out-of-time-80s-90s-italian-psych.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglBBaLHt1icBxipfNFAmN9j183POzCCwIps0vq3jB0vKYCgETpKvhg8FsrN9i8prnMBn5mV0aajZg8qyzwFnukZPrBKeR4-piUxdj5AAjtId4w_QY9KfJnO-BGm1dxswoG9CoDBcl3xKbl/s72-c/PS&amp;HP.jpg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-8651108172007354243</guid><pubDate>Tue, 06 Nov 2012 10:30:00 +0000</pubDate><atom:updated>2012-11-13T11:09:28.911+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">new wave</category><category domain="http://www.blogger.com/atom/ns#">post punk</category><title>Repost: NYAM NYAM &quot;Hope of Heaven&quot; (UK, 1984) </title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNk6_JxhTsrAre5LHgtTGFcOkXObduawBYxwT24vGtM1XIAkyOVkMuPJ7YqYV6HFcVZ7bmQEFIGfEJNiSQgAv-UPUOJ4iVCxc4CNMVUGvxkzhHvTk53wfJMB82rYr0sBseJGQNsXG3Pk/s1600-h/nyam+nyam+hope+of+heaven.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5272313267537289090&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNk6_JxhTsrAre5LHgtTGFcOkXObduawBYxwT24vGtM1XIAkyOVkMuPJ7YqYV6HFcVZ7bmQEFIGfEJNiSQgAv-UPUOJ4iVCxc4CNMVUGvxkzhHvTk53wfJMB82rYr0sBseJGQNsXG3Pk/s400/nyam+nyam+hope+of+heaven.jpg&quot; style=&quot;cursor: pointer; display: block; height: 350px; margin: 0px auto 10px; text-align: center; width: 364px;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: georgia;&quot;&gt;Perhaps they are mostly remembered nowadays for the single &quot;&lt;/span&gt;&lt;span style=&quot;font-family: georgia; font-style: italic; font-weight: bold;&quot;&gt;Fate/Hate&lt;/span&gt;&lt;span style=&quot;font-family: georgia;&quot;&gt;&quot; they cut for the famous Factory (Benelux) label in 1984, Nyam Nyam`s  though best argument against oblivion is the great LP &quot;&lt;/span&gt;&lt;span style=&quot;font-family: georgia; font-style: italic; font-weight: bold;&quot;&gt;Hope of heaven&lt;/span&gt;&lt;span style=&quot;font-family: georgia;&quot;&gt;&quot; they released in same year on Beggars Banquet indie branch &lt;/span&gt;&lt;span style=&quot;font-family: georgia; font-weight: bold;&quot;&gt;Situation Two&lt;/span&gt;&lt;span style=&quot;font-family: georgia;&quot;&gt;. &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: georgia; font-style: italic; font-weight: bold;&quot;&gt;Nyam Nyam`&lt;/span&gt;&lt;span style=&quot;font-family: georgia;&quot;&gt;s melodic post punk knows here some fine piano driven acoustic moments, others tracks though have an experimental approach, especially the closing song &quot;&lt;/span&gt;&lt;span style=&quot;font-family: georgia; font-style: italic; font-weight: bold;&quot;&gt;The Resolution&quot;&lt;/span&gt;&lt;span style=&quot;font-family: georgia;&quot;&gt; which moves, unexpectedly, their new wave romantism toward a haunted folkish land.               &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-family: georgia;&quot;&gt;Nyam Nyam had one more &lt;span style=&quot;font-weight: bold;&quot;&gt;Situation Two&lt;/span&gt; release: the EP &quot;&lt;/span&gt;&lt;span style=&quot;font-family: georgia; font-style: italic; font-weight: bold;&quot;&gt;The Architect &lt;/span&gt;&lt;span style=&quot;font-family: georgia;&quot;&gt;&quot;(1985). After that they probably disappeared.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: georgia;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: georgia;&quot;&gt;&lt;u style=&quot;font-weight: bold;&quot;&gt;Update 2012&lt;/u&gt;&lt;b&gt;: &lt;/b&gt;&quot;Hope Of Heaven&quot; (+ singles) has been reissued!&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2012/11/repost-nyam-nyam-hope-of-heaven-uk-1984.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDNk6_JxhTsrAre5LHgtTGFcOkXObduawBYxwT24vGtM1XIAkyOVkMuPJ7YqYV6HFcVZ7bmQEFIGfEJNiSQgAv-UPUOJ4iVCxc4CNMVUGvxkzhHvTk53wfJMB82rYr0sBseJGQNsXG3Pk/s72-c/nyam+nyam+hope+of+heaven.jpg" height="72" width="72"/><thr:total>9</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-3429474636218712485</guid><pubDate>Sun, 02 Sep 2012 10:37:00 +0000</pubDate><atom:updated>2012-09-21T10:09:24.979+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">alternative</category><category domain="http://www.blogger.com/atom/ns#">avant-exp</category><title>Nico&#39;s Last Concert - Fata Morgana (1988)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1i_CGQEQv8LaDt7TZdxbLuNO5vgPV51m1bMmdPYdp2IOnecZVVtms-5ygUY9-Thy3Uh0BBL0W8RpDqD_gUQQreYl5dLUV8-49jfCgP0Bp_xvcJZsB-ynzIzjxbejWc_Lt7ly7a0pH6iEh/s1600/fata+morgana.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1i_CGQEQv8LaDt7TZdxbLuNO5vgPV51m1bMmdPYdp2IOnecZVVtms-5ygUY9-Thy3Uh0BBL0W8RpDqD_gUQQreYl5dLUV8-49jfCgP0Bp_xvcJZsB-ynzIzjxbejWc_Lt7ly7a0pH6iEh/s320/fata+morgana.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div&gt;
&lt;b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/b&gt;&lt;/div&gt;
&lt;b&gt;
Fata Morgana - Desert Sounds In The Planetarium&lt;/b&gt;&lt;br /&gt;
&lt;div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;&quot;Fata Morgana&quot;&lt;/span&gt;&lt;/b&gt;&amp;nbsp;is, as fate wanted, &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Nico&lt;/span&gt;&lt;/b&gt;&#39;s final work. A live performance, or rather an audio-visual show at&amp;nbsp;planetarium&amp;nbsp;&lt;b&gt;Wilhelm-Foerster-Sternwatre &lt;/b&gt;that happened, as part of the festival activities for &quot;Berlin - Cultural European Capital&quot;, in early summer of 1988, just few weeks only before &lt;b&gt;Nico&lt;/b&gt;&#39;s sudden passing away.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
The theme of &lt;b&gt;&quot;Fata Morgana&quot; &lt;/b&gt;is the moon deserts. &lt;b&gt;Nico&lt;/b&gt; sings and plays (indian) organ, the rest instruments played by the band &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Faction&lt;/span&gt;&lt;/b&gt; (see also &lt;b&gt;Nico/Faction&lt;/b&gt; collaboration on 1985 &quot;Camera Obscura&quot; album).&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
All compositions are written specifically for the needs of this event, apart from the ending &lt;b&gt;&quot;You Forget To&lt;/b&gt; &lt;b&gt;Answer&quot;&lt;/b&gt; which bridges the past with the berlin sky of that night absolutely shiveringly.&lt;/div&gt;
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&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;Nico&#39;s Last Concert&lt;/b&gt;&amp;nbsp;was released initially on cd in 1994 and reissued recently (2011).&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Lutz Ulbrich&lt;/span&gt;&lt;/b&gt;, organisator and producer of that performance writes about &quot;Fata Morgana&quot;:&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&quot;In 1987 Martina Marx and i had the idea to organize &#39;fata morgana - desert sounds in the planetarium&#39; for the festival year &#39;berlin - kulturstadt europas 1988&#39;.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
We at once thought of nico, who i had known for years since we had worked and lived together in the 70s. She had often told me how impressed she had been by the Death Valley, where she hung out with Jim Morisson and where she had been working on the film &#39;la cicatrice interieure&#39; by Philippe Garrel, which they filmed at locations like Death Valley, Iceland and the Sahara, a picture of which you can see on the cover of &#39;Desertshore&#39;. When i called her in Manchester to ask her to compose &quot;music for a desert&quot;, she spontaneously proposed the stone desert of the moon as a theme. It was obvious, that her magical aura would enable her to turn the whole planetarium into a moon desert and become the highlight of the festival.&lt;/div&gt;
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Nico arrived on the 4th of June together with her musicians the Faction and during the two days of rehearsal every listener became enthusiastic about the creative, dynamic and intense way in which Nico &amp;amp; the Faction were working.&lt;/div&gt;
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Dr. Werner Celnic, director of the planetarium, who operated the optical effects and who completed the music with wonderful pictures and films of the moon, seemed to be in his element. To add to this we had installed 360° sound system which treated a unique sound event.&lt;/div&gt;
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The &amp;nbsp;6th of June 1988 Nico gave a magnificent double concert in a sold out planetarium, from which this is the mix: Nico&#39;s last concert.&quot;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2012/09/nicos-last-concert-fata-morgana-1988.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1i_CGQEQv8LaDt7TZdxbLuNO5vgPV51m1bMmdPYdp2IOnecZVVtms-5ygUY9-Thy3Uh0BBL0W8RpDqD_gUQQreYl5dLUV8-49jfCgP0Bp_xvcJZsB-ynzIzjxbejWc_Lt7ly7a0pH6iEh/s72-c/fata+morgana.jpg" height="72" width="72"/><thr:total>5</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-2439148261897966795</guid><pubDate>Wed, 15 Aug 2012 21:42:00 +0000</pubDate><atom:updated>2012-08-16T00:42:25.704+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">garage rock</category><category domain="http://www.blogger.com/atom/ns#">psych</category><title>The Cheepskates &quot;Remember&quot; (1987)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRwYmFXg4pFjJzPpXngDTdHtelh1ST8wAShJvdXJoASCCExrrsZGa9gCNxJVaPiiK0pBYc5snahESEU4nli0RocJo0ZOp5dZdgQXDqH3YZqf9kOXdxMS5qHyw1EkuwsC1o6RHwA4_zLU9b/s1600/cheepskates+remember.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRwYmFXg4pFjJzPpXngDTdHtelh1ST8wAShJvdXJoASCCExrrsZGa9gCNxJVaPiiK0pBYc5snahESEU4nli0RocJo0ZOp5dZdgQXDqH3YZqf9kOXdxMS5qHyw1EkuwsC1o6RHwA4_zLU9b/s320/cheepskates+remember.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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For New Jersey&#39;s &quot;backward boys&quot; &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;The Cheepskates&lt;/span&gt;&lt;/b&gt;, it was this third album which made things much clearer. A&amp;nbsp;band, melodically gifted, with a great sense of true, unforced fast-short songcrafting, was ready now to lead its very own path from the faded summers of the previous decades towards the 80&#39;s garage-revival lands. And as their east/west-coast breezes perfumed the psych gardens again, refreshing shadows creeped on the power-pop earth.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
The started here cooperation with euro-psych label&amp;nbsp;&lt;b&gt;Music Maniac&lt;/b&gt;&amp;nbsp;spred them perhaps a little further, &amp;nbsp;&lt;b&gt;The&amp;nbsp;Cheepskates&lt;/b&gt; though, after all, they didn&#39;t get the attention they deserved.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Few relatively ears witnessed and much less appreciated. But then... that&#39;s why, i guess, you have to &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Remember.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&amp;nbsp; &amp;nbsp; &lt;br /&gt;
&quot;Remember&quot; line up:&lt;br /&gt;
&lt;b&gt;Shane Faubert &lt;/b&gt;vocals, guitars, keyboards, composition&lt;br /&gt;
&lt;b&gt;Jeremy Lee &lt;/b&gt;drums, percussion, background vocals, composition&lt;br /&gt;
&lt;b&gt;Tony Low&lt;/b&gt; bass, guitar, backing vocals, composition&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://rapidshare.com/files/2322815135/CHEEPSKATES%20remember.rar&quot;&gt;Remember (vinyl rip)&lt;/a&gt;&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2012/08/the-cheepskates-remember-1987.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRwYmFXg4pFjJzPpXngDTdHtelh1ST8wAShJvdXJoASCCExrrsZGa9gCNxJVaPiiK0pBYc5snahESEU4nli0RocJo0ZOp5dZdgQXDqH3YZqf9kOXdxMS5qHyw1EkuwsC1o6RHwA4_zLU9b/s72-c/cheepskates+remember.jpg" height="72" width="72"/><thr:total>8</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-8924489335404049454</guid><pubDate>Fri, 06 Jul 2012 19:44:00 +0000</pubDate><atom:updated>2013-03-31T20:02:30.577+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">avant-exp</category><category domain="http://www.blogger.com/atom/ns#">jazz</category><title>GIANLUIGI TROVESI &quot;Les Boites A Musique&quot; (1988)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp9p4NgcbYbpJqhggAW7yitavWMI4nfy7Qd_BXpMZdq9SH7Alf66WyOv504bU8ZbP4kw7jJURdsIuzB0acoeEohfpPuHCWZz0n8dPKx58GjEzUFyvlAwnijkl4IiBkwaRrLxPLAv_gb6EI/s1600/trovesi+les+boites+a+musique.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp9p4NgcbYbpJqhggAW7yitavWMI4nfy7Qd_BXpMZdq9SH7Alf66WyOv504bU8ZbP4kw7jJURdsIuzB0acoeEohfpPuHCWZz0n8dPKx58GjEzUFyvlAwnijkl4IiBkwaRrLxPLAv_gb6EI/s320/trovesi+les+boites+a+musique.jpeg&quot; width=&quot;314&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;&quot;Les Boites A Musique&quot;&lt;/span&gt;&lt;/b&gt; is the discographic document of the homonymous &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Gianluigi&lt;/span&gt;&lt;/b&gt;&amp;nbsp;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Trovesi&#39;s&lt;/span&gt;&lt;/b&gt; solo project from a period when the top italian saxophonist, clarinetist and composer, performing live over pre-recorded material and computer processings, extends his jazz explorations towards italian folk and renaissance music, avant-garde, electronics...&lt;br /&gt;
This really unique album was created with the help of &lt;b&gt;Tiziano Tononi &lt;/b&gt;on percussions&amp;nbsp;and &lt;b&gt;Luciano Mirto&lt;/b&gt; on computer operation. &lt;b&gt;Trovesi&lt;/b&gt; played soprano &amp;amp; alto saxes, baritone clarinet and piccolo flute. Recorded at Milano in March 28-30, 1988, and released on legendary italian jazz label &lt;b&gt;Splasc(h) Records&lt;/b&gt;.&lt;br /&gt;
&lt;div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://rapidshare.com/files/1627980158/GIANLUIGI%20TROVESI%20Les%20Boites%20A%20Musique.rar&quot;&gt;Les Boites A Musique&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2012/07/gianluigi-trovesi-les-boites-musique.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp9p4NgcbYbpJqhggAW7yitavWMI4nfy7Qd_BXpMZdq9SH7Alf66WyOv504bU8ZbP4kw7jJURdsIuzB0acoeEohfpPuHCWZz0n8dPKx58GjEzUFyvlAwnijkl4IiBkwaRrLxPLAv_gb6EI/s72-c/trovesi+les+boites+a+musique.jpeg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-5764422505880995791</guid><pubDate>Wed, 23 May 2012 21:38:00 +0000</pubDate><atom:updated>2013-03-23T20:24:40.508+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Label - Red Flame / Ink Records</category><category domain="http://www.blogger.com/atom/ns#">new wave</category><category domain="http://www.blogger.com/atom/ns#">post punk</category><category domain="http://www.blogger.com/atom/ns#">various artists</category><title>Red Flame - Ink Records</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUYPvQ2aUyveSatTDQgv8JzfavCkOAWp5Opw8uctzq9a6Pl6BtaztLhKF1o49X3X2y33BdcNYl5WmtNSqQkqietyyiNvD05sfx89xFPafNfHdUeXtOk5OGEWhvU3qLcjVy-Q6wjUUntP4_/s1600/C+CAT+TRANCE.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;260&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUYPvQ2aUyveSatTDQgv8JzfavCkOAWp5Opw8uctzq9a6Pl6BtaztLhKF1o49X3X2y33BdcNYl5WmtNSqQkqietyyiNvD05sfx89xFPafNfHdUeXtOk5OGEWhvU3qLcjVy-Q6wjUUntP4_/s320/C+CAT+TRANCE.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
Activated quite ambitiously in the field of 80&#39;s indie music,&amp;nbsp;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Red Flame&lt;/span&gt;&lt;/b&gt;&amp;nbsp;and&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;&amp;nbsp;Ink&lt;/span&gt;&amp;nbsp;&lt;span style=&quot;color: #f1c232;&quot;&gt;Records,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;the two associated London based labels, presented an eclectic gamut of works (ranging from new wave and synth pop to post punk, industrial, experimental...) created mainly by british and australian artists. A sampler with representative selections from &lt;b&gt;Red Flame&lt;/b&gt; /&lt;b&gt; Ink Records&lt;/b&gt; catalogues you can listen here:&lt;br /&gt;
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&lt;/div&gt;
&lt;br /&gt;
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&lt;/div&gt;
&lt;u&gt;&lt;b&gt;Red Flame&lt;/b&gt;&amp;nbsp;-&amp;nbsp;&lt;b&gt;Ink Records&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
01 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Dif Juz &lt;/span&gt;roy&#39;s tray&lt;br /&gt;
(from &quot;Who Says So?&quot;, ep, RFM24, 1983)&lt;br /&gt;
02 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Shiny Two Shiny &lt;/span&gt;grey&lt;br /&gt;
(&quot;Halfway Across The Rainbow&quot;, lp, RFM16, 1982)&lt;br /&gt;
03 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Artery &lt;/span&gt;afterwards&lt;br /&gt;
(&quot;Oceans&quot;, ep, RFM4, 1982)&lt;br /&gt;
04 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Decorators &lt;/span&gt;absent friends&lt;br /&gt;
(&quot;Tablets&quot;, lp, RF1, 1982)&lt;br /&gt;
05 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Blurt &lt;/span&gt;arthur&lt;br /&gt;
(&quot;Blurt&quot;, lp, RF6, 1982)&lt;br /&gt;
06 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;The Nightingales &lt;/span&gt;insurance&lt;br /&gt;
(&quot;Hysterics&quot;, lp, INK001, 1983)&lt;br /&gt;
07&lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt; Philip Boa &lt;/span&gt;don&#39;t pull my whole life away&lt;br /&gt;
(&quot;Aristocracie&quot;, lp, RF52, 1986)&lt;br /&gt;
08 &lt;b style=&quot;color: #f1c232;&quot;&gt;Camberwell Now &lt;/b&gt;green lantern&lt;br /&gt;
(&quot;The Ghost Trade&quot;, lp, INK19, 1986)&lt;br /&gt;
09 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Moodists &lt;/span&gt;she cackles&lt;br /&gt;
(&quot;The Disciples Know&quot;, single, RF721, 1983)&lt;br /&gt;
10 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Tactics &lt;/span&gt;hard hat nine iron&lt;br /&gt;
(&quot;Blue &amp;amp;White Future Whale&quot;, lp, RF58, 1988)&lt;br /&gt;
11 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;The Room &lt;/span&gt;Naive&lt;br /&gt;
(&quot;Jackpot Jack E.P.&quot;, ep, RF1242, 1985)&lt;br /&gt;
12 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Severed Heads &lt;/span&gt;army&lt;br /&gt;
(&quot;Come Visit The Big Bigot&quot;, lp, INK22, 1986)&lt;br /&gt;
13 &lt;b style=&quot;color: #f1c232;&quot;&gt;Pinkie Maclure &lt;/b&gt;different world&lt;br /&gt;
(&quot;Unman&quot;, lp, MINK21, 1986)&lt;br /&gt;
14 &lt;b style=&quot;color: #f1c232;&quot;&gt;Patrik Fitzgerald &lt;/b&gt;domestication&lt;br /&gt;
(&quot;Drifting Towards Violence&quot;, lp, 1983)&lt;br /&gt;
15 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Ruby Blue &lt;/span&gt;wintery day&lt;br /&gt;
(&quot;Glances Askances&quot;, lp, RF53, 1987)&lt;br /&gt;
16 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;Carmel &lt;/span&gt;track of my tears&lt;br /&gt;
(&quot;Carmel&quot;, mlp, RFM9, 1982)&lt;br /&gt;
17 &lt;span style=&quot;color: #f1c232; font-weight: bold;&quot;&gt;C Cat Trance&lt;/span&gt;&amp;nbsp;miss manners&lt;br /&gt;
(&quot;Khamu&quot;, lp, INK006, 1985)&lt;br /&gt;
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compiled by &lt;b&gt;LaFolieDuJour&lt;/b&gt;&lt;br /&gt;
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&lt;a href=&quot;http://rapidshare.com/files/3809415623/Red%20Flame%20-%20Ink%20Records.rar&quot;&gt;link&amp;nbsp;&lt;/a&gt; &amp;nbsp;&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2012/05/red-flame-ink-records.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUYPvQ2aUyveSatTDQgv8JzfavCkOAWp5Opw8uctzq9a6Pl6BtaztLhKF1o49X3X2y33BdcNYl5WmtNSqQkqietyyiNvD05sfx89xFPafNfHdUeXtOk5OGEWhvU3qLcjVy-Q6wjUUntP4_/s72-c/C+CAT+TRANCE.jpg" height="72" width="72"/><thr:total>9</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-1987581403179618466</guid><pubDate>Sat, 07 Apr 2012 11:03:00 +0000</pubDate><atom:updated>2013-03-27T13:19:01.732+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">aus</category><category domain="http://www.blogger.com/atom/ns#">blues</category><title>Louis Tillett &amp; Charlie Owen &quot;The Ugly Truth&quot; (1993)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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A CD release on the german&amp;nbsp;limited-edition series&amp;nbsp;&lt;b&gt;Return To Sender,&amp;nbsp;&lt;/b&gt;(sub-label of Normal Records and distributed via mail only), &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;&quot;The Ugly Truth&quot;&lt;/span&gt;&lt;/b&gt;&amp;nbsp;can work, for&amp;nbsp;newcomers, as a very good and finely performed&amp;nbsp;introduction to the lyrical, bluesy world of &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Louis Tillett&lt;/span&gt;&lt;/b&gt;. Oldcomers though, or ones who have missed some earlier episodes&amp;nbsp;will find here interesting new material along with refreshing alternate versions of&amp;nbsp;tracks from his first works.&lt;/div&gt;
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The album was recorded in Australia in 1993 with &lt;b&gt;Louis&lt;/b&gt; on piano, hammond, voice, percussion and &lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Charlie &amp;nbsp;Owen&lt;/span&gt;&lt;/b&gt;&amp;nbsp;(guitarist in&lt;b&gt; Beasts Of Burbon,&lt;/b&gt; &lt;b&gt;New Christs&lt;/b&gt; and others) on production, guitar and percussion. &lt;b&gt;Tillett is&amp;nbsp;&lt;/b&gt;a little known, perhaps, in Greece, Germany&amp;nbsp;and, i guess, Australia, but the ugly truth is he generally remains an unjustly neglected &amp;nbsp;artist.&lt;/div&gt;
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&lt;a href=&quot;http://rapidshare.com/files/3049646697/LOUIS%20TILLETT%20Ugly%20truth.rar&quot;&gt;The Ugly Truth&lt;/a&gt;&lt;br /&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Louis Tillett - An Ancient Song (live, 1999)&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;(from &quot;Live @ The Basement&quot;, Return To Sender, 2001)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2012/04/louis-tillett-charlie-owen-ugly-truth.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlrZCr7FYEY4PmjHi_dFxvAIT45rpALt7ADco6090cMWi4vR9nsI5uiLebCHAGZJl-bVSJ9AiOEKRNkV9GBH0O14b7Pv4wgCRptAZ1kQnBK4zepxrtUGdnMOO39PAL_Zjgkq9_goHvjaA2/s72-c/ugly+truth.jpeg" height="72" width="72"/><thr:total>7</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-5403783746917937617</guid><pubDate>Sat, 24 Mar 2012 21:58:00 +0000</pubDate><atom:updated>2012-03-24T23:58:24.414+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">jazz</category><category domain="http://www.blogger.com/atom/ns#">various artists</category><category domain="http://www.blogger.com/atom/ns#">world</category><title>The Geography Of Sound</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0bFbwlpVJqAzFduDOkWF3d6feLvPNN6dQ-G4vPhy3WvHEG_ub9jIAb73rQ1kwFDLbNaWJG1Q2obmuKdN_AMgJCys5bbepoOnyZR0DClijt2wcdAfeK6TfWoD4fnFQxNwSEkcr-H7d3c_w/s1600/ZELWER.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;272&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0bFbwlpVJqAzFduDOkWF3d6feLvPNN6dQ-G4vPhy3WvHEG_ub9jIAb73rQ1kwFDLbNaWJG1Q2obmuKdN_AMgJCys5bbepoOnyZR0DClijt2wcdAfeK6TfWoD4fnFQxNwSEkcr-H7d3c_w/s400/ZELWER.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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A musical journey through the paths of Ethno-Jazz and World music.&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;BADAWI&lt;/span&gt; a voice from six corners&amp;nbsp;(from &quot;The Heretic Of Ether&quot;, 1999, U.S.A.)&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;YASUAKI SHIMIZU&lt;/span&gt; &amp;nbsp;Utukushiki tennen (&quot;Kakashi&quot;, 1982, Japan)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;LOWZYL/TIMANSKI/ KLEBBA/CHANDRAN&lt;/span&gt;&amp;nbsp;afrodyzjak (&quot;Nisani&quot;, 1999, Poland)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;RENAUD GARCIA-FONS&lt;/span&gt; Fui piedra (&quot;Navigatore&quot;, 2001, France)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;CARLO ACTIS DATO QUARTET&lt;/span&gt; Bossa di mafia (&quot;Fes Montuno&quot;, 2000, Italy)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;UNE ANCHE PASSE&lt;/span&gt; Chanson du feu follet (&quot;Serpent d&#39; Etoiles&quot;, 1997, France)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;FREY/TIEPOLD/THIERFELDER&lt;/span&gt; Tabasheer (&quot;Ziyada&quot;, 1979, Germany)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;FLORIDIS/SKOPELITIS/TEMIZ&lt;/span&gt; pitch (&quot;Our Trip So Far&quot;, 2001, Greece)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;MARCO ZURZOLO&lt;/span&gt; Chi e...n&#39; aggie capito... chi e (&quot;Pulcinella&quot;, 2002, Italy)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;LA KUMPANIA ZELWER&lt;/span&gt; C&#39;est pas tous les jours shabbat (&quot;Daissa&quot;, 2003, France)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;ALFREDO RODRIGUEZ&lt;/span&gt; Cuando vuelvo a tu lado (&quot;Cuba Linda&quot;, 1996, Cuba)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;MIRTHA POZZI &lt;/span&gt;ceci-cela (&quot;Acadacoual&quot;, 1996, Uruguay)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;MEGADRUMS&lt;/span&gt; &lt;span style=&quot;color: #f1c232;&quot;&gt;(&lt;/span&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;REINHARD FLATISCHLER)&lt;/span&gt; Mahakal (&quot;Layers Of Time&quot;, 1996, Austria)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;FODAY MUSA SUSO&lt;/span&gt; spring waterfall (&quot;Jali Kunda: Griots Of West Africa..&quot;, 1996)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;MALHERBE/ELHRICH&lt;/span&gt; &amp;nbsp;Caspienne blues (&quot;Hadouk&quot;, 1999, France)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;compiled by &lt;/span&gt;&lt;b style=&quot;font-size: small;&quot;&gt;LaFolieDuJour&lt;/b&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: small;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.sendspace.com/file/jr0g9n&quot;&gt;Listen&lt;/a&gt; (approx. 68 min.)&lt;/div&gt;
&lt;/div&gt;</description><link>http://01fragments.blogspot.com/2012/03/geography-of-sound.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0bFbwlpVJqAzFduDOkWF3d6feLvPNN6dQ-G4vPhy3WvHEG_ub9jIAb73rQ1kwFDLbNaWJG1Q2obmuKdN_AMgJCys5bbepoOnyZR0DClijt2wcdAfeK6TfWoD4fnFQxNwSEkcr-H7d3c_w/s72-c/ZELWER.jpg" height="72" width="72"/><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-7991333109001783492</guid><pubDate>Sun, 12 Feb 2012 19:59:00 +0000</pubDate><atom:updated>2012-03-28T19:09:57.536+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">avant-exp</category><title>EVIL TWIN &quot;The Black Spot&quot; (UK, 1993)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixmusiAxpMeHg2jagzb_hleY5KZ635pLeVPSnK9cFpZBzUfVPy5SzLS6y8HhyVmmr-KwlD35EFWAqlenC6wham0NhN62C5n49UlLCj5QLYttniQDJyHMNoFlfUY821w4l-ABMSb-TcKogj/s1600/blackspot.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;316&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixmusiAxpMeHg2jagzb_hleY5KZ635pLeVPSnK9cFpZBzUfVPy5SzLS6y8HhyVmmr-KwlD35EFWAqlenC6wham0NhN62C5n49UlLCj5QLYttniQDJyHMNoFlfUY821w4l-ABMSb-TcKogj/s320/blackspot.jpeg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;text-align: justify;&quot;&gt;One of the masterworks in Karl Blake&#39;s catalog,&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;&quot;The Black Spot&quot;&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; was created between 1987 and 1991, when Blake&#39;s main band&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;Shock Headed Peters&lt;/b&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;was on hiatus. Blake cooperated here with&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;David Mellor&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;-an old collaborator from the&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;Lemon Kittens&lt;/b&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;days, and the amazing vocalist&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Amy Rodenburg&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;. Practically existing as a project for the making of this sole album,&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Evil Twin&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;stayed out of action... until 2006, when suddenly appeared -with original lineup plus assisting musicians- in a Paris Festival for one only performance.&lt;/span&gt;&lt;br /&gt;
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&quot;The Black Spot&quot; CD came out&amp;nbsp;(on&amp;nbsp;&lt;b&gt;World Seprent&lt;/b&gt;&amp;nbsp;distribution) in 1993. A french reissue is scheduled for2012 &lt;br /&gt;
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Evil Twin - Approximately Empty&lt;/div&gt;</description><link>http://01fragments.blogspot.com/2012/02/evil-twin-black-spot-uk-1993.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixmusiAxpMeHg2jagzb_hleY5KZ635pLeVPSnK9cFpZBzUfVPy5SzLS6y8HhyVmmr-KwlD35EFWAqlenC6wham0NhN62C5n49UlLCj5QLYttniQDJyHMNoFlfUY821w4l-ABMSb-TcKogj/s72-c/blackspot.jpeg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-2383275342536108586</guid><pubDate>Fri, 20 Jan 2012 22:14:00 +0000</pubDate><atom:updated>2012-03-03T20:47:25.486+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">aus</category><category domain="http://www.blogger.com/atom/ns#">various artists</category><title>Australian Compilations Vol.5</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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The fifth part of LaFolieDuJour tribute to australian acts.&lt;br /&gt;
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&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Severed Heads&lt;/span&gt;&lt;/b&gt;&amp;nbsp;in flesh&amp;nbsp;(v.a. Live At The Wireless, ep, 1983)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Birds Of Tin&lt;/span&gt;&lt;/b&gt;&amp;nbsp;Slothy tank&amp;nbsp;(ep, 1981)&lt;br /&gt;
&lt;span style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Wreckery&lt;/b&gt;&amp;nbsp;&lt;/span&gt;bending the bars (&quot;Laying Down Law&quot;, 1988)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;The Moodists&lt;/span&gt;&lt;/b&gt;&amp;nbsp;chatter shapes (&quot;Engine Shudder&quot;, 1983)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Naked Lunch&lt;/span&gt;&lt;/b&gt;&amp;nbsp;teenage blues (&quot;Little Too Late&quot;, single, 1986)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Crystal Set&lt;/span&gt;&lt;/b&gt;&amp;nbsp;drop in the ocean (single, 1985)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Bo-Weevils&lt;/span&gt;&lt;/b&gt;&amp;nbsp;illusions (&quot;Where Particular People Congregate&quot;,1989)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Pray TV&lt;/span&gt;&amp;nbsp;&lt;/b&gt;where do i get off (&quot;Swingers Paradise&quot;, 1994)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Celibate Rifles&lt;/span&gt;&lt;/b&gt;&amp;nbsp;back on the corner (&quot;On The Quiet&quot;, 1996)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Kim Salmon &amp;amp; The Surrealists&lt;/span&gt;&amp;nbsp;&lt;/b&gt;sea anemone (&quot;Essence&quot;, 1991)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Tendrils&lt;/span&gt;&lt;/b&gt;&amp;nbsp;Hands are tied (&quot;Soaking Red&quot;, 1998)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;My Friend The Chocolate Cake&lt;/span&gt;&amp;nbsp;&lt;/b&gt;algeria (&quot;Good Luck&quot;, 1996)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Jackson Code&lt;/span&gt;&lt;/b&gt;&amp;nbsp;do you feel the pull (&quot;Things you need&quot;, 1995)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Steve Kilbey&lt;/span&gt;&lt;/b&gt;&amp;nbsp;shell (&quot;This Asphalt Eden&quot;, single, 1985)&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Not Drowning, Waving&lt;/span&gt;&amp;nbsp;&lt;/b&gt;another pond (&quot;Another Pond&quot;, 1984)&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.sendspace.com/file/ah69po&quot;&gt;Volume 5&lt;/a&gt;&lt;br /&gt;
&lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;/div&gt;</description><link>http://01fragments.blogspot.com/2012/01/australian-compilations-vol5.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRlZWgX7su85bbnB6XFfSkuhYho4HQtQX5G2ZlZ3CISvhuy7RIuxh_fTF6jqiIgaMWLbnOUKRxXjtUGY0XuzTg2RGJJ-3HvmCziCDzYy5TpZMJImQZBZor9pDToGCnHJLO-c3k4P4JmUFF/s72-c/WRECKERY.jpg" height="72" width="72"/><thr:total>6</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-2305301773041457789</guid><pubDate>Sat, 31 Dec 2011 20:24:00 +0000</pubDate><atom:updated>2013-03-27T13:28:13.013+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">avant-exp</category><title>LEFT HAND RIGHT HAND &quot;Legs Akimbo&quot; (1992) / &quot;In Mufti&quot; (1995)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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Οι&amp;nbsp;&lt;b&gt;&lt;span style=&quot;color: #f1c232;&quot;&gt;Left Hand Right Hand&lt;/span&gt;&lt;/b&gt;&amp;nbsp;σχηματίζονται προς τα τέλη της δεκαετίας του &#39;80 από τη σύμπραξη των αδερφών&amp;nbsp;&lt;b&gt;Andrew&lt;/b&gt;&amp;nbsp;και&amp;nbsp;&lt;b&gt;Tony Brown&lt;/b&gt;&amp;nbsp;με τον&amp;nbsp;&lt;b&gt;Paul Ackerley&lt;/b&gt;&amp;nbsp;από το μουσικό σχήμα&amp;nbsp;&lt;b&gt;Zahgurim&lt;/b&gt;. Οι αυτοσχεδιαστικές -στα κρουστά- &amp;nbsp;αναζητήσεις των πρώτων και οι ηλεκτρο-ιντάστριαλ κατευθύνσεις των δεύτερων καθορίζουν τον ήχο τους, ο οποίος, και με την προσθήκη πνευστών, επιδιώκει τη δημιουργία ενός διευρυμένου σκηνικού όπου συνυφαίνονται το ροκ, τα ηλεκτρονικά, οι εθνοφόλκ απόηχοι, ο tribal εξωτισμός... η βιομηχανική τζαζ.&lt;br /&gt;
Αρωγοί στο ενδιαφέρον εγχείρημα των&amp;nbsp;&lt;b&gt;Left Hand Right Hand&lt;/b&gt;&amp;nbsp;διάφοροι προσκεκλημένοι σε κρουστά, φωνητικά και πνευστά οπως ο&amp;nbsp;βαρύτονος σαξοφωνίστας&amp;nbsp;&lt;b&gt;George Haslam&lt;/b&gt;,&amp;nbsp;o σημαντικός&amp;nbsp;τζαζ&amp;nbsp;αυτοσχεδιαστής&amp;nbsp;&lt;b&gt;Lol Coxhill&amp;nbsp;&lt;/b&gt;(σοπράνο σαξόφωνο), ο πρώην Clock DVA&amp;nbsp;&lt;b&gt;Charlie Collins&lt;/b&gt;&amp;nbsp;(πνευστά και ηλεκτρονικά), αλλά και ο&amp;nbsp;ιθύνων νους των Shock Headed Peters,&amp;nbsp;&lt;b&gt;Karl Blake&lt;/b&gt;,&lt;b&gt;&amp;nbsp;&lt;/b&gt;(μπάσο, κιθάρες...), παράγοντας καταλυτικός της γοητευτικής αινιγματικότητας των ήχων.&lt;br /&gt;
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Αν και οι λάιβ δραστηριότητες των&amp;nbsp;&lt;b&gt;Left Hand Right Hand&amp;nbsp;&lt;/b&gt;απλώνονται σε βάθος χρόνου σε Αγγλία, Ευρώπη, Αμερική χαρίζοντας τους μια μικρή φήμη στους σχετικούς αβάν/ιντάστριαλ κύκλους, η &amp;nbsp; δισκογραφική τους παρουσία περιορίζεται στο διάστημα 1990-95 περιλαμβάνοντας κατά κύριο λόγο, (μετά το εισαγωγικό&amp;nbsp;EP &quot;Hum Drum&quot;), τα άλμπουμ&amp;nbsp;&lt;b&gt;&quot;Legs Akimbo&quot;&amp;nbsp;&lt;/b&gt;(1992, διανομή World Seprent)&amp;nbsp;και&amp;nbsp;&lt;b&gt;&quot;In Mufti&quot;&amp;nbsp;&lt;/b&gt;(1995, Musica Maxima Magnetica), τα οποία μπορείτε να ακούσετε μέσω των κάτωθι σύνδεσμων:&lt;br /&gt;
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&lt;a href=&quot;http://rapidshare.com/files/948968666/LEFT%20HAND%20RIGHT%20HAND%20legs%20akimbo.rar&quot;&gt;Legs Akimbo&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://rapidshare.com/files/1413897609/LEFT_HAND_RIGHT_HAND_in_mufti.rar&quot;&gt;In Mufti&lt;/a&gt;&lt;/div&gt;
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&lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;/div&gt;
&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2011/12/left-hand-right-hand-legs-akimbo-1992.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbPudKnYPJWdGIu05Fd7WgznYr_u0jmMDNDZy08MmZHY2NmbFSHgeQKqTHc9QbD1LFviin-KdMI3tb1ULTxERvVsHEVLapB_gSIv6tucxQdykP52GI5pu92IcdR8Yr6mcxw4A5OUUpYnfo/s72-c/legs+akimbo.jpg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-4837208627173964808</guid><pubDate>Tue, 13 Dec 2011 22:56:00 +0000</pubDate><atom:updated>2012-04-17T09:30:01.917+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">avant-exp</category><category domain="http://www.blogger.com/atom/ns#">theatre music</category><title>MAESTRO SUBGUM &amp; THE WHOLE: Sounds From A Fringe Theatre</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;Maestro Subgum And The Whole&lt;/span&gt;&lt;/b&gt; was formed in late 80&#39;s in Chicago. As an ensemble connected mostly with the musico-theatrical activities of the &lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;Curious Theatre Branch&lt;/span&gt;&lt;/b&gt; -which was founded in 1988 by multi-talented band members &lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;Beau O&#39;Reilly&lt;/span&gt;&lt;/b&gt; and &lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;Jenny Magnus&lt;/span&gt;&lt;/b&gt;- Maestro developed an avant, weirdly performed style based on&amp;nbsp;showtunes, cabaret jazz and eclectically incorporated elements from blues, pop, folk, funk-rock, alternative...&lt;br /&gt;
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Band&#39;s sound was mainly built around&amp;nbsp;voices, horns (trumpet, flute, trombone...), piano/organ and percussions,&amp;nbsp;their&amp;nbsp;line up hosted many musicians though, as well members of the theater company. Beside its unique live performances, Maestro created several very significant recordings, most of them self-released and now hard to find.&lt;/div&gt;
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Maestro went defunct circa middle-nineties, when &amp;nbsp;pianist and co-composer&amp;nbsp;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;Michael Greenberg&lt;/span&gt;&lt;/b&gt;&amp;nbsp;quit. Since then&amp;nbsp;Greenberg&lt;b&gt;&amp;nbsp;&lt;/b&gt;has been making music with new bands&amp;nbsp;and releasing solo works, while&amp;nbsp;Beau O&#39;Reilly&amp;nbsp;and&amp;nbsp;Jenny Magnus&lt;b&gt;&amp;nbsp;&lt;/b&gt;continue writing, directing and performing their plays..&lt;br /&gt;
Maestro&#39;s&amp;nbsp;latest appearance was an one-night reunion show in March 2009.&amp;nbsp;O&#39;Reilly&#39;s&amp;nbsp;&lt;b&gt;Crooked Mouth String Band&lt;/b&gt;&amp;nbsp;is now the band within the long-lasting&amp;nbsp;&lt;b&gt;Curious Theatre Branch&lt;/b&gt;.&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBTBigcV5tGHREQCP36QrDQc2w2xAy-rWtcMdrtI9LCBIRnHq9NyUUzRA18BgD5creD7Wct_fpI7vUPoV96Y2S1tAXJ7oTPnlOVJHnFNWhRfmff8lFdOXp_ka6oa7XLnCRn8KdfYxLwkd2/s1600/maestro+subgum+and+the+whole.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBTBigcV5tGHREQCP36QrDQc2w2xAy-rWtcMdrtI9LCBIRnHq9NyUUzRA18BgD5creD7Wct_fpI7vUPoV96Y2S1tAXJ7oTPnlOVJHnFNWhRfmff8lFdOXp_ka6oa7XLnCRn8KdfYxLwkd2/s320/maestro+subgum+and+the+whole.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;Maestro Subgum &amp;amp; The (nearly) Whole at reunion show (2009)&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;Maestro&lt;/b&gt;&#39;s crew:&lt;/div&gt;
&lt;/div&gt;
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&lt;div&gt;
&lt;b&gt;Beau O&#39;Reilly&lt;/b&gt;&amp;nbsp;(a.k.a. Lefty Fizzle),&amp;nbsp;&lt;b&gt;Jenny Magnus&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Miki Greenberg&lt;/b&gt;&amp;nbsp;(Miki the Lip),&amp;nbsp;&lt;b&gt;Bob Jacobson&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Kate O&#39;Reilly&lt;/b&gt;&amp;nbsp;(Sister Kate),&amp;nbsp;&lt;b&gt;Colm O&#39;Reilly&lt;/b&gt;&amp;nbsp;(Clem of the Bogs),&amp;nbsp;&lt;b&gt;Blair Thomas&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Ned Folkerth&lt;/b&gt;&amp;nbsp;(Red Ned the flame-haired messenger of love),&amp;nbsp;&lt;b&gt;Mark Messing,&lt;/b&gt;&amp;nbsp;&lt;b&gt;Mark Hollman&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Spencer Sundell&amp;nbsp;&lt;/b&gt;and others...&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&quot;lost lost lost&quot;, 1991&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcONJayzIJe9MTc2px18ScTHnmOH5alOrB_Wllo8Ol-XTRujyfC75gNLmhPtjgJFasAtv9ZKhgCe_X-AvpIR3cAlZkTwZcycvYH2JJCGicHjZPeJgJZguqfM2gYTUCQR6b_tqY4z4lLsp7/s1600/maestro+-+jiggle.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcONJayzIJe9MTc2px18ScTHnmOH5alOrB_Wllo8Ol-XTRujyfC75gNLmhPtjgJFasAtv9ZKhgCe_X-AvpIR3cAlZkTwZcycvYH2JJCGicHjZPeJgJZguqfM2gYTUCQR6b_tqY4z4lLsp7/s200/maestro+-+jiggle.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&quot;Jiggle The Constable&quot;, 1992&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1isnXT1cY2-3BU7CaAQLHnQ8vh1YPEpzv88F7dJylXIdSfWwI712QpeVDYEYoeQZqNr0mZVHGgF2V8G81Vh08S80PAjxmYUEmrM2dVExXETD01v3Y4NQNKAZ1aSBxdO7Dmhbu7n0AJGse/s1600/JENNYMAGNUS.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1isnXT1cY2-3BU7CaAQLHnQ8vh1YPEpzv88F7dJylXIdSfWwI712QpeVDYEYoeQZqNr0mZVHGgF2V8G81Vh08S80PAjxmYUEmrM2dVExXETD01v3Y4NQNKAZ1aSBxdO7Dmhbu7n0AJGse/s1600/JENNYMAGNUS.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&quot;Whoopsadaisy&quot;, 1997&lt;/span&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;u style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;u&gt;The&lt;b&gt; LaFolieDuJour &lt;/b&gt;intro to &lt;b&gt;Maestro Subgum &amp;amp; The Whole&lt;/b&gt;&amp;nbsp;&lt;/u&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;(sorry!! due to complaints the link to our anthology has been removed)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;object classid=&quot;clsid:d27cdb6e-ae6d-11cf-96b8-444553540000&quot; codebase=&quot;http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0&quot; height=&quot;28&quot; id=&quot;divplaylist&quot; width=&quot;335&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.divshare.com/flash/playlist?myId=17413596-0c2&quot; /&gt;

&lt;embed src=&quot;http://www.divshare.com/flash/playlist?myId=17413596-0c2&quot; width=&quot;335&quot; height=&quot;28&quot; name=&quot;divplaylist&quot; type=&quot;application/x-shockwave-flash&quot; pluginspage=&quot;http://www.macromedia.com/go/getflashplayer&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;b&gt;Bamboo Guru &lt;/b&gt;( from &quot;lost lost lost&quot;, 1991)&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;</description><link>http://01fragments.blogspot.com/2011/12/maestro-subgum-whole-sounds-from-fringe.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0_2q9b2S76r_JhfBZiw1lU4C5dcsQ8uTNZT1Aunp19lZWN7IWIeSBH9N7E8enichu92ROCb3fyILDebbpSN4lpnnuPe_Qslfb1fw9-G5Fw2t16y3hOl1IJIrZQYc_IdDAouoay7tiXODO/s72-c/MaestroLogo.jpg" height="72" width="72"/><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-4404930035792849528</guid><pubDate>Fri, 25 Nov 2011 22:21:00 +0000</pubDate><atom:updated>2013-03-21T00:32:23.940+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">alternative</category><category domain="http://www.blogger.com/atom/ns#">indie</category><category domain="http://www.blogger.com/atom/ns#">post punk</category><category domain="http://www.blogger.com/atom/ns#">various artists</category><title>A Sudden Stroll</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibBNZ_5V7FEZq7hbW_x1HTIz89SvbHykrWZJVWc3awB_0tqym0gLX4eIAnpzvZjFsASO5xtNyziMJ8rOB5zBrbL_CJ2o-K0mBFD16WhApZlXL_DVfchRZF43UtdaK8eKRQlFziGXNnx4f-/s1600/Lines.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;213&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibBNZ_5V7FEZq7hbW_x1HTIz89SvbHykrWZJVWc3awB_0tqym0gLX4eIAnpzvZjFsASO5xtNyziMJ8rOB5zBrbL_CJ2o-K0mBFD16WhApZlXL_DVfchRZF43UtdaK8eKRQlFziGXNnx4f-/s320/Lines.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
One hour in the company of the &quot;small heroes&quot; of 80&#39;s...&lt;br /&gt;
&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;ALGEBRA SUICIDE&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;horizon&lt;br /&gt;
(&quot;Big Skin&quot;, cassette, 1986)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;POLISH AUGUST&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;ten tips for beautiful nails&lt;br /&gt;
(&quot;No Platform For Heels&quot;, V.A., LP, 1982)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;PERFORMING FERRET BAND&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;bar room&lt;br /&gt;
(&quot;Performing Ferret Band&quot;, LP, 1981)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;FACTION&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;tired of love&lt;br /&gt;
(&quot;Faction&quot;, LP, 1981)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;METHODISHCA TUNE&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;orchestras&lt;br /&gt;
(&quot;Orchestras&quot;, 7&#39;&#39;, 1981)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;THE PLUGS&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;bat brain moon man boiler boy&lt;br /&gt;
(&quot;Rupert Preaching At A Picnic&quot;, V.A., LP, 1981)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;SCREEN 3&lt;/span&gt;&amp;nbsp;the dividing line&lt;br /&gt;
(&quot;Come Into My Jungle&quot;, 7&#39;&#39;, 1983)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;CAS CARNABY 5&lt;/span&gt;&amp;nbsp;death of a 1000 public houses&lt;br /&gt;
(&quot;Mr Morris&#39; Funeral&quot;, LP, 1988)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;INCA BABIES&lt;/span&gt;&amp;nbsp;ramblin&#39; man&lt;br /&gt;
(&quot;Opium Den&quot;, mLP, 1987)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;THE LEGEND!&lt;/span&gt;&amp;nbsp;talk open&lt;br /&gt;
(&quot;Some Of Us Still Burn&quot;, EP, 1985)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;YEAH YEAH NOH&lt;/span&gt;&amp;nbsp;prick up your ears [peel session]&lt;br /&gt;
(&quot;Fun On The Lawn Lawn Lawn&quot;, LP, 1986)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;4000000 TELEPHONES&lt;/span&gt;&amp;nbsp;we&#39; re not coming out&lt;br /&gt;
(&quot;4000000 Telephones&quot;, LP, 1985)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;IN EMBRACE&lt;/span&gt;&amp;nbsp;to friends (an open letter)&lt;br /&gt;
(&quot;Passionfruit Pastels&quot;, LP, 1982)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;THE LINES&lt;/span&gt;&amp;nbsp;blow a kiss&lt;br /&gt;
(&quot;Therapy&quot;, LP, 1981)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;JESUS COULDN&#39;T DRUM&lt;/span&gt;&amp;nbsp;frosty&lt;br /&gt;
(&quot;Ruttling Orange Peel &amp;amp; Blind Lemon Pie&quot;, LP, 1988)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;SCATTERBRAINS&lt;/span&gt;&amp;nbsp;lopen&lt;br /&gt;
(&quot;Musical Marriage&quot;, LP, 1983)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;ZRU VOGUE&lt;/span&gt;&amp;nbsp;do the zru&lt;br /&gt;
(&quot;Zru Vogue&quot;, LP, 1982)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;D.J. LEBOWITZ&lt;/span&gt;&amp;nbsp;holiday in cambodia&lt;br /&gt;
(&quot;Beautiful Hapiness&quot;, V.A., LP, 1988)&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;HAIGINSHA&lt;/span&gt; lusefeea&lt;br /&gt;
(&quot;Obscure Independent Classics vol.4&quot;, V.A., 1987)&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://rapidshare.com/files/2264290323/V.A.%20%20a%20sudden%20stroll%20%5Blfdj%20comp.%5D.rar&quot;&gt;A Sudden Stroll &lt;/a&gt;(19track comp. -by &lt;b&gt;LaFolieDuJour&lt;/b&gt; )&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2011/11/a-sudden-stroll.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibBNZ_5V7FEZq7hbW_x1HTIz89SvbHykrWZJVWc3awB_0tqym0gLX4eIAnpzvZjFsASO5xtNyziMJ8rOB5zBrbL_CJ2o-K0mBFD16WhApZlXL_DVfchRZF43UtdaK8eKRQlFziGXNnx4f-/s72-c/Lines.jpg" height="72" width="72"/><thr:total>8</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-2979763162803990193</guid><pubDate>Fri, 28 Oct 2011 20:39:00 +0000</pubDate><atom:updated>2011-10-28T23:39:40.923+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">jazz</category><category domain="http://www.blogger.com/atom/ns#">world</category><title>The Female Energy Of THE TIPTONS</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHoaT6su9CWBNy4hvJu6if0DD2ezAhNW_-m7TF24qpfOtNShhDYmGHoKl3FyW6vAYbhZbayAHdm5Mw6J0NU0gGNzl0KDKwG1e2-vHNXnx5V598K3IpjG3y4YtDEg-CdIUG90GpVMeWoSmJ/s1600/tiptons1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;248&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHoaT6su9CWBNy4hvJu6if0DD2ezAhNW_-m7TF24qpfOtNShhDYmGHoKl3FyW6vAYbhZbayAHdm5Mw6J0NU0gGNzl0KDKwG1e2-vHNXnx5V598K3IpjG3y4YtDEg-CdIUG90GpVMeWoSmJ/s320/tiptons1.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;b style=&quot;text-align: justify;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b style=&quot;text-align: justify;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;The Tiptons&lt;/span&gt;&lt;/b&gt;&amp;nbsp;is an all-women sax quartet which features &lt;b style=&quot;text-align: justify;&quot;&gt;Jessica Lurie&amp;nbsp;&lt;/b&gt;(alto, tenor, vocals),&amp;nbsp;&lt;b style=&quot;text-align: justify;&quot;&gt;Tina Richerson&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;(baritone, vocals),&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;Sue Orfield&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;(tenor, vocals) and&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;Amy Denio&amp;nbsp;&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;(alto, vocals),&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;with the latter&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;-&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;member of so many avant, rio, impro and world jazz oufits- to be the most well known name here.&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;The line up is completed by&lt;/span&gt;&lt;b style=&quot;text-align: justify;&quot;&gt; &lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;guests percussions.&lt;/span&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
The band, active since 1988, was formerly known as&amp;nbsp;&lt;b&gt;Billy Tipton Memorial Saxophone Quartet.&lt;/b&gt;&amp;nbsp;Original members &lt;b&gt;Lurie&lt;/b&gt; and &lt;b&gt;Denio&lt;/b&gt;&amp;nbsp;are the main composers. &lt;b&gt;The Tiptons&lt;/b&gt; have released 10 cd&#39;s so far, the most recent one is &quot;Strange Flower&quot;, (2010).&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;div style=&quot;text-align: justify;&quot;&gt;
The quartet describes its music as:&amp;nbsp;“... a high energy blend of ‘twisted folk’ with world music, second line, funk, jazz, and Eastern European influences thrown into the mix of mainly original material.”&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXWsjfJfo86ZymRWcSQ9f5fKI2LSlDPoAEq8ocPickDR101ghisHcgFaNHSeo4XevyGl7wPIsCftdT8APO8OmgLocaqeXDl2dov6E2dU0bQlRUKue-r1w1DNanoz80INhdC42f0fEracVi/s1600/Tiptons_Tsunami.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXWsjfJfo86ZymRWcSQ9f5fKI2LSlDPoAEq8ocPickDR101ghisHcgFaNHSeo4XevyGl7wPIsCftdT8APO8OmgLocaqeXDl2dov6E2dU0bQlRUKue-r1w1DNanoz80INhdC42f0fEracVi/s1600/Tiptons_Tsunami.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
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&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;a href=&quot;http://www.mediafire.com/?najjojl72um16z5&quot;&gt;Selections (2004 - 2008)&amp;nbsp;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
1. Darling, please don&#39;t wake me (&quot;Tsunami&quot;, 2004)&lt;br /&gt;
2. Zemrude (&quot;Drive, 2005)&lt;br /&gt;
3. Hands down (&quot;Drive&quot;, 2005)&lt;br /&gt;
4. Shop of wild dreams (&quot;Laws Of Motion&quot;, 2008)&lt;br /&gt;
5. Sleepytown (&quot;Tsunami&quot;, 2004)&lt;br /&gt;
6. Alma (&quot;Drive&quot;, 2005)&lt;br /&gt;
7. After before (&quot;Tsunami&quot;, 2004)&lt;br /&gt;
8. Anthem (&quot;Laws Of Motion&quot;, 2008)&lt;br /&gt;
9. Mi yo mei (&quot;Laws Of Motion&quot;, 2008)&lt;br /&gt;
&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;compiled by &lt;b&gt;LaFolieDuJour&lt;/b&gt;&lt;/span&gt; &amp;nbsp;&lt;/div&gt;</description><link>http://01fragments.blogspot.com/2011/10/female-energy-of-tiptons.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHoaT6su9CWBNy4hvJu6if0DD2ezAhNW_-m7TF24qpfOtNShhDYmGHoKl3FyW6vAYbhZbayAHdm5Mw6J0NU0gGNzl0KDKwG1e2-vHNXnx5V598K3IpjG3y4YtDEg-CdIUG90GpVMeWoSmJ/s72-c/tiptons1.jpg" height="72" width="72"/><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-5115582060000107973</guid><pubDate>Wed, 26 Oct 2011 12:14:00 +0000</pubDate><atom:updated>2013-03-22T09:34:39.485+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">indie pop</category><category domain="http://www.blogger.com/atom/ns#">post punk</category><title>TINY TOWN  Singles</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge6qLO4yrA_h5XL6x4QOVc-WfDcrkTYbKKI44cY7vFvPmVkXWSrJyzFj327VJoouB3N0zJWR_hAW1yTfIXpf0FisC2w9o2omuS-FhOJFODP2DMuQT8gO47Fh-Acr-UwRc3CkGJScYcLm9q/s1600/tiny+town+drop++by+drop.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge6qLO4yrA_h5XL6x4QOVc-WfDcrkTYbKKI44cY7vFvPmVkXWSrJyzFj327VJoouB3N0zJWR_hAW1yTfIXpf0FisC2w9o2omuS-FhOJFODP2DMuQT8gO47Fh-Acr-UwRc3CkGJScYcLm9q/s1600/tiny+town+drop++by+drop.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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Tiny Town was born in Brisbane; their former ego was the&lt;b&gt; Supports&lt;/b&gt;. In early eighties they were transplanted to London where they made (from 1983 to 1986) four singles and the album &lt;b&gt;&quot;Little Tin God&quot;&lt;/b&gt;. &lt;b&gt;Messthetics&lt;/b&gt;&amp;nbsp;diy anthology have picked two &lt;b&gt;Tiny Town&lt;/b&gt; tracks (&#39;&lt;b&gt;Know Better&lt;/b&gt;&#39;, &#39;&lt;b&gt;Back To The Bow&lt;/b&gt;&#39;) for its prominent retrospective compilation series.&lt;/div&gt;
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Tiny Town sound, velvety, tight, includes&amp;nbsp;male-female vocals, keyboards, violin... and in spite of the obvious Go Betweens influence appears to keep its own corner in the garden of the endlessly fresh aussie essences.&lt;/div&gt;
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&lt;u&gt;members:&lt;/u&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;Peter Loveday&lt;/b&gt; (vocals, guitar), &lt;b&gt;Geoffrey Titley&lt;/b&gt; (drums), &lt;b&gt;Leigh Bradshaw&lt;/b&gt; (vocals, keyboards), &lt;b&gt;Caroline&lt;/b&gt; &lt;b&gt;Bush&lt;/b&gt; (vocals, violin), &lt;b&gt;Cameron Allan&lt;/b&gt; (bass)...&lt;/div&gt;
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&lt;u&gt;discography:&lt;/u&gt;&lt;/div&gt;
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Back To The Bow / Big Fish, flexi, 1983&lt;/div&gt;
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Drop By Drop / Know Better, 7&#39;&#39;, 1984&lt;/div&gt;
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Living Out Of Living / Queue Up, 7&#39;&#39;, 1984&lt;/div&gt;
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Little Tin God, lp, 1984&lt;/div&gt;
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No Place Like Rome, 12&#39;&#39;, 1985&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp;&lt;a href=&quot;http://rapidshare.com/files/3923912866/TINY%20TOWN.rar&quot;&gt;New Link (4 singles + lp)&lt;/a&gt; - updated March 2013&lt;/div&gt;
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</description><link>http://01fragments.blogspot.com/2011/10/tiny-town-singles.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge6qLO4yrA_h5XL6x4QOVc-WfDcrkTYbKKI44cY7vFvPmVkXWSrJyzFj327VJoouB3N0zJWR_hAW1yTfIXpf0FisC2w9o2omuS-FhOJFODP2DMuQT8gO47Fh-Acr-UwRc3CkGJScYcLm9q/s72-c/tiny+town+drop++by+drop.jpg" height="72" width="72"/><thr:total>6</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-2709808121229216482</guid><pubDate>Mon, 10 Oct 2011 16:54:00 +0000</pubDate><atom:updated>2012-01-21T17:47:34.532+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">post punk</category><title>THE MEMBRANES Early tracks</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis1-E0XZ5vhyphenhyphen5j1Xh4xD_uksuUKQDHlk-AfnV8YyJ5vwSzK065gmwHalNIM2Ix79ll4ztCCJuIb2Y-mg6zM9C2OfUWGQNqlZfjexR8JAE-uZSEWsETEfcAE3WkAcGhCZs97uedLDJY6YNy/s1600/Membranes-Muscles.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis1-E0XZ5vhyphenhyphen5j1Xh4xD_uksuUKQDHlk-AfnV8YyJ5vwSzK065gmwHalNIM2Ix79ll4ztCCJuIb2Y-mg6zM9C2OfUWGQNqlZfjexR8JAE-uZSEWsETEfcAE3WkAcGhCZs97uedLDJY6YNy/s200/Membranes-Muscles.jpg&quot; width=&quot;190&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQfIs_Fhz3fUuPs91kDRPt59VFUFB6-AjF7hcCOAmVx3OncT0V1nw-gKJxdQurCpBsa3UPjDdNbDtua6dmCDNH3RRyiw5DH5YJ9DF2SKonS8JeXgMqpbP5NOIZiHZa2ZmZ3UTP65FAY1v6/s1600/memb01.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQfIs_Fhz3fUuPs91kDRPt59VFUFB6-AjF7hcCOAmVx3OncT0V1nw-gKJxdQurCpBsa3UPjDdNbDtua6dmCDNH3RRyiw5DH5YJ9DF2SKonS8JeXgMqpbP5NOIZiHZa2ZmZ3UTP65FAY1v6/s200/memb01.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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First singles &amp;amp; ep&#39;s from &lt;b&gt;&amp;nbsp;John Robb&lt;/b&gt;&#39;s subversive gang,&amp;nbsp;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;The Membranes&lt;/span&gt;&lt;/b&gt;&lt;b&gt;.&amp;nbsp;&lt;/b&gt;The early, less noisy, less known -necessary though for a complete picture- phase of a band that opposed to trad rock... offering us exciting ugly songs of love and fury.&lt;/div&gt;
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&lt;u&gt;&lt;b&gt;Fashionable Junkies&amp;nbsp;&lt;/b&gt;&lt;/u&gt;(7&#39;&#39; flexi, Vinyl Drip Records, 1980)&lt;br /&gt;
a1. fashinable junkies&lt;br /&gt;
a2. almost china&lt;br /&gt;
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&lt;u&gt;&lt;b&gt;Muscles&amp;nbsp;&lt;/b&gt;&lt;/u&gt;(7&#39;&#39; / 12&#39;&#39;, Vinyl Drip / Rondolet Music, 1982)&lt;br /&gt;
a1. Muscles&lt;br /&gt;
a2. Great mistakes&lt;br /&gt;
b1. All roads lead to Norway&lt;br /&gt;
b2. Entertaining Friends&lt;br /&gt;
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&lt;b&gt;&lt;u&gt;Pin Stripe Hype E.P&lt;/u&gt;&lt;/b&gt;. (7&#39;&#39;, 12&#39;&#39;, Rondolet Music, 1982)&lt;br /&gt;
a1. High St Yanks&lt;br /&gt;
a2. Funny Old World&lt;br /&gt;
b1. The Hitch&lt;br /&gt;
b2. Man From Moscow&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijjoihO2fyJ1YCpyLLDkeeRLl9_r-mDnW2L8yrKKQBOxnpe5w3Lw9IcJADIfM0SHMEWWV1FCIeZCawUljasW2aNkGjcUHG6luFSe3hJ3NovbVW3IK13lAfXJY7JhgZls7rgCpc5CEWjReR/s1600/membranes.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijjoihO2fyJ1YCpyLLDkeeRLl9_r-mDnW2L8yrKKQBOxnpe5w3Lw9IcJADIfM0SHMEWWV1FCIeZCawUljasW2aNkGjcUHG6luFSe3hJ3NovbVW3IK13lAfXJY7JhgZls7rgCpc5CEWjReR/s320/membranes.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;The Membranes&amp;nbsp;&lt;/b&gt;existed up to 1990. Apart from mainman &lt;b&gt;John Robb, Membranes &lt;/b&gt;for sometime were:&amp;nbsp;&lt;b&gt;Coofy Sid&lt;/b&gt;, &lt;b&gt;Mark Tilton,&lt;/b&gt;&amp;nbsp;&lt;b&gt;Wallis Tadpole&lt;/b&gt;, &lt;b&gt;Keith&lt;/b&gt; &lt;b&gt;Curtis, Nick Brown, Mark Standing&lt;/b&gt; and others...&lt;/div&gt;
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Artwork by &lt;b&gt;Simon Clegg&amp;nbsp;&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;[pity never seen (?) work of his elsewhere)]&lt;/span&gt;&lt;/div&gt;
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Listen to &lt;a href=&quot;https://rapidshare.com/files/1583766893/MEMBRANES.rar&quot;&gt;Membranes&lt;/a&gt;&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;</description><link>http://01fragments.blogspot.com/2011/10/membranes-early-tracks.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB7HJkcXjBHZUxBjuLxdFalabRw4ocAEM6V1qhgSVLUg0FpXqG1Hjyj3ai_DYxHIo4M4FsxU0DLJE7pkDezZ5ypkH9ahfJSCJNJZnPDStzObvejUPDgGSJN5hnK8frF9oxi4FUu_sun-gx/s72-c/pin+stripe+hype.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-5720395771537704807</guid><pubDate>Tue, 20 Sep 2011 18:07:00 +0000</pubDate><atom:updated>2012-02-04T14:05:30.354+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">avant-exp</category><category domain="http://www.blogger.com/atom/ns#">world</category><title>NED SUBLETTE: Adventures In Black &amp; White</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Ned Sublette&lt;/b&gt;&lt;/span&gt;&amp;nbsp;is a texan multi-talented artist, musician, photographer, producer, labelman, musicologist... Since 70s he&#39;s been living in New York, where he has collaborated with many important avant artists (Glenn Branca, Rhys Chatham, John Cage, Love Of Life Orchestra, Lenny Pickett a.o.) and also has written books about the history of american and the latin-american music.&lt;/div&gt;
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As a performer and composer he is mainly interested to create forms where his &quot;white&quot; country-western roots style encounters the pulse of latin music (cuban, carribean etc.) and the voices of &quot;black&quot; America.&lt;br /&gt;
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Two of his most significant works are the albums&amp;nbsp;&lt;b&gt;&quot;Ships At Sea, Sailors And Shoes&quot;&lt;/b&gt;&amp;nbsp;(Triple Earth, 1993) and&amp;nbsp;&lt;b&gt;&quot;Monsters From The Deep&quot;&lt;/b&gt;&amp;nbsp;(Triple Earth, 1997), both collaborations with lyricist&amp;nbsp;&lt;b&gt;Lawrence Weiner&lt;/b&gt;&amp;nbsp;and the soul-vocal group of&amp;nbsp;&lt;b&gt;The Persuasions.&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
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&lt;b&gt;&lt;b&gt;&lt;a href=&quot;https://rapidshare.com/files/434864856/NED_SUBLETTE__LAWRENCE_WEINER_ships_at_sea_sailors___shoes.rar&quot;&gt;&quot;Ships At Sea, Sailors &amp;amp; Shoes&quot;&amp;nbsp;(1993)&lt;/a&gt;&lt;/b&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;b&gt;&lt;a href=&quot;https://rapidshare.com/files/3527758737/NED_SUBLETTE__LAWRENCE_WEINER_monsters_from_the_deep.rar&quot;&gt;&quot;Monsters From The Deep&quot;&amp;nbsp;(1997)&lt;/a&gt;&lt;/b&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;/div&gt;</description><link>http://01fragments.blogspot.com/2011/09/ned-sublette-adventures-in-black-white.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqccPI7_RIUOcq4XHNQ5VpeJc2ItOP-4gesWoy7T9ANbJ2C1HqylLH5tbaiVjeEWR0anKqmBtd_FrOEmk_rEiR-DZ8UYtahWYEEpbfOLPJRi2CEmHQeAHqVNzz9cfHWbgU2XxVE_ra56AN/s72-c/sublette+10.jpg" height="72" width="72"/><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-4271179901364081648</guid><pubDate>Sat, 13 Aug 2011 10:25:00 +0000</pubDate><atom:updated>2012-04-07T18:54:30.732+03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">new wave</category><title>&quot;Realisations&quot;, The Discreet Pop Signals of Mark Beer</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilWXDhsVX2_I8FoBOETSMcdX3P32Jv3EfeEc_8g3pFRe_uIRalCRXDRRHJuz3J9uT4T1i7QYgtE43gxSuifveXaGOPD8tDtn6YsHCAUpJ9x7K909c-ARmG1SebxrXsT0BSoP3uVUxZPbkZ/s1600/mark+beer.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilWXDhsVX2_I8FoBOETSMcdX3P32Jv3EfeEc_8g3pFRe_uIRalCRXDRRHJuz3J9uT4T1i7QYgtE43gxSuifveXaGOPD8tDtn6YsHCAUpJ9x7K909c-ARmG1SebxrXsT0BSoP3uVUxZPbkZ/s1600/mark+beer.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;div closure_uid_mbpm04=&quot;231&quot;&gt;
Released on Belgium&#39;s &lt;b&gt;Double Dose&lt;/b&gt;&amp;nbsp;label in late 1980 and related to the starting days of the famous&amp;nbsp;belgian&amp;nbsp;&lt;b&gt;Les Disques Du&amp;nbsp;Crepuscule,&lt;/b&gt;&amp;nbsp;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;&lt;b&gt;Mark&lt;/b&gt;&amp;nbsp;&lt;b&gt;Beer&lt;/b&gt;&lt;/span&gt;&#39;s single&amp;nbsp;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;&quot;Realisations&quot;&lt;/span&gt;&lt;/b&gt; offers a couple of tracks made of just the necessaries: a voice, a vanished guitar, an erased bass, a laconic synth... &amp;nbsp;These quiet, ultra-minimal pop signals rather than songs compete in&amp;nbsp;tranquil simplicity the compositions of the contemporaries &lt;b&gt;Young Marble Giants, &lt;/b&gt;and&lt;b&gt;&amp;nbsp;&lt;/b&gt;express&lt;b&gt;&amp;nbsp;&lt;/b&gt;the best way&lt;b&gt;&amp;nbsp;&lt;/b&gt;the short&amp;nbsp;and &amp;nbsp;discreet passage of their own creator from music. &lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;
a. &lt;u&gt;Love Dances Warm &lt;/u&gt;&lt;br /&gt;
Jean-Marc Lederman, electronique invisible&lt;br /&gt;
Frank Corneli, vanished guitar&lt;br /&gt;
Clive Pierce, percussion&lt;br /&gt;
Mark Beer, voice, erased bass&lt;br /&gt;
&lt;br /&gt;
b. &lt;u&gt;The Small Death&lt;/u&gt;&lt;br /&gt;
Thomas Dolbi, polyphonic synth&lt;br /&gt;
Jean-Marc Lederman, electronique&lt;br /&gt;
Mark Beer, funeral drum, vocals&lt;br /&gt;
&lt;br /&gt;
cover by B. Hennebert (the great cover designer of Disques Crepuscule)&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://rapidshare.com/files/920814858/MARK_BEER_realisations_7__.rar&quot;&gt;Realisations&lt;/a&gt;&lt;/div&gt;</description><link>http://01fragments.blogspot.com/2011/08/realisations-discreet-pop-signals-of.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilWXDhsVX2_I8FoBOETSMcdX3P32Jv3EfeEc_8g3pFRe_uIRalCRXDRRHJuz3J9uT4T1i7QYgtE43gxSuifveXaGOPD8tDtn6YsHCAUpJ9x7K909c-ARmG1SebxrXsT0BSoP3uVUxZPbkZ/s72-c/mark+beer.jpg" height="72" width="72"/><thr:total>8</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4355174764364906531.post-82393244883037871</guid><pubDate>Thu, 28 Jul 2011 10:55:00 +0000</pubDate><atom:updated>2013-03-24T22:16:12.253+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Label - Y Records</category><category domain="http://www.blogger.com/atom/ns#">post punk</category><category domain="http://www.blogger.com/atom/ns#">various artists</category><title>Y RECORDS: Adventures In Rhythm</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj8zYn9iwjExvMb4tzkYwjo3M_vdxQ6X9naZG3CTxp2u8HeNTLMVOmsBA4xdRLKSGgPcW-eS64epkP064WjQCmqyprtJSVDtHLUkwOyM0EFAgiA21K4OOtcSeGLt5s7YwsLwk04hfrmxpC/s1600/Y+rec.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj8zYn9iwjExvMb4tzkYwjo3M_vdxQ6X9naZG3CTxp2u8HeNTLMVOmsBA4xdRLKSGgPcW-eS64epkP064WjQCmqyprtJSVDtHLUkwOyM0EFAgiA21K4OOtcSeGLt5s7YwsLwk04hfrmxpC/s200/Y+rec.jpeg&quot; width=&quot;181&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;Y Records&lt;/span&gt; &lt;/b&gt;was one of the&amp;nbsp;&lt;b&gt;Rough Trade&amp;nbsp;&lt;/b&gt;associated independent record companies, and one which paved the way for the evolution of &amp;nbsp;funk-dub-ska-jazz influences in post-punk/new wave era.&amp;nbsp;The label was created in 1980&amp;nbsp;by music producer-manager&amp;nbsp;&lt;b&gt;Dick O&#39;Dell&amp;nbsp;&lt;/b&gt;and hosted several bands, specially ones derived from Bristol&#39;s indie scene:&amp;nbsp;&lt;b&gt;The Pop Group&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Glaxo Babies&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Pigbag&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Mouth&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Maximum Joy&lt;/b&gt;...&lt;br /&gt;
&lt;b&gt;Y&lt;/b&gt; lasted up to mid-80s; then became part of bigger music companies.&lt;br /&gt;
Most well known artists:&amp;nbsp;&lt;b&gt;Pigbag&amp;nbsp;&lt;/b&gt;and (early)&amp;nbsp;&lt;b&gt;Shriekback.&amp;nbsp;&lt;/b&gt;A remarkable &lt;b&gt;Y&lt;/b&gt; release:&amp;nbsp;&lt;b&gt;Sun Ra&lt;/b&gt;&#39;s legendary single &quot;Nuclear War&quot; (1982).&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;b&gt;The Y Collection&amp;nbsp;&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
01 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;MOUTH&lt;/span&gt; take your coat off (1982)&lt;br /&gt;
02 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;MAXIMUM JOY&lt;/span&gt; building bridges (1982)&lt;br /&gt;
03&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt; PULSALLAMA&lt;/span&gt; devil lives in my husband&#39;s boby (1982)&lt;br /&gt;
04 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;POP GROUP&lt;/span&gt; colour blind (1980)&lt;br /&gt;
05 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;SHRIEKBACK&lt;/span&gt; my spine (is the bassline) (1982)&lt;br /&gt;
06 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;CHRIS REEVES&lt;/span&gt; after the romance (1982)&lt;br /&gt;
07&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt; PIGBAG&lt;/span&gt; six of one... (1982)&lt;br /&gt;
08 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;TESCO BOMBERS&lt;/span&gt; hernando&#39;s hideaway (1982)&lt;br /&gt;
09 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;MAXIMUM JOY&lt;/span&gt; man of tribes (1982)&lt;br /&gt;
10 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;THE VINCENT UNITS&lt;/span&gt; carnival song (1981)&lt;br /&gt;
11 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;SHRIEKBACK&lt;/span&gt; despite dense weed (1982)&lt;br /&gt;
12 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;PIGBAG&lt;/span&gt; dozo don (1982)&lt;br /&gt;
13 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;DISCONNECTION&lt;/span&gt; bali ha&#39;i (1982)&lt;br /&gt;
14 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;SHRIEKBACK&lt;/span&gt; mothloop (1982)&lt;br /&gt;
15&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt; GLAXO BABIES&lt;/span&gt; dahij (1980)&lt;br /&gt;
16 &lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #f1c232;&quot;&gt;SUN RA&lt;/span&gt; nuclear war (1982)&lt;br /&gt;
&lt;br /&gt;
compiled by &lt;b&gt;LaFolieDuJour&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.divshare.com/download/23915743-1e2&quot;&gt;Y Records &lt;/a&gt;&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
</description><link>http://01fragments.blogspot.com/2011/07/y-records-adventures-in-rhythm.html</link><author>noreply@blogger.com (paramo)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj8zYn9iwjExvMb4tzkYwjo3M_vdxQ6X9naZG3CTxp2u8HeNTLMVOmsBA4xdRLKSGgPcW-eS64epkP064WjQCmqyprtJSVDtHLUkwOyM0EFAgiA21K4OOtcSeGLt5s7YwsLwk04hfrmxpC/s72-c/Y+rec.jpeg" height="72" width="72"/><thr:total>9</thr:total></item></channel></rss>