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magazine</category><category>peliculas latinas</category><category>latam</category><category>latino art</category><category>partes usadas</category><category>bachelet</category><category>10th havana film festival</category><category>oscar</category><category>moma</category><category>USA</category><category>cara de hereje</category><category>eddie palmieri</category><category>geithner</category><category>vaticano</category><category>COMUNIDAD</category><category>Rick Najera</category><category>fernando trueba</category><category>maria mcfarland sanchez-moreno</category><category>madrid</category><category>jose limon</category><category>gay equality</category><category>internet</category><category>dalai lama</category><category>inmigracion</category><category>rosslyn</category><category>smartphones</category><category>alemania</category><category>repertorio español</category><category>caracas</category><category>buenas noticias</category><category>la vida es sueño</category><category>Middle East</category><category>nypride.org</category><category>49th  new york film festival</category><category>charles darwin</category><category>jew</category><category>familia</category><category>teatro latino</category><category>bastadobbs</category><category>politica exterior</category><category>lawrece downes</category><category>HRC</category><category>meet and greet</category><category>penelope cruz</category><category>el origen de las especies</category><category>latino democrats</category><category>la hora del planeta</category><category>julian casablancas</category><category>Quim Gutierrez.</category><category>rio2016</category><category>inmigrant week</category><category>alex Cuba</category><category>sangre</category><category>bajofondo</category><category>brazil</category><category>ad</category><category>celula madre</category><category>cine latino.</category><category>el huesped vacio</category><category>jindal</category><category>progresistas</category><category>the curious case</category><category>cantante</category><category>drogfas</category><category>la verdad</category><category>charity navigator</category><category>e-moves</category><category>teatro pregones</category><category>TX</category><category>FESTIVALS</category><category>dreamact</category><category>l'amout fou</category><category>sxsw 2012</category><title>LATINOEVENTS</title><description>New York Latino Guide . Guia Latina de Nueva York. Bilingual.</description><link>http://www.latinoevents.me/</link><managingEditor>noreply@blogger.com (ALEX GUERRERO)</managingEditor><generator>Blogger</generator><openSearch:totalResults>642</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/blogspot/raWY" /><feedburner:info uri="blogspot/rawy" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:emailServiceId>blogspot/raWY</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-7950157007325999267</guid><pubDate>Tue, 10 Apr 2012 20:16:00 +0000</pubDate><atom:updated>2012-04-10T16:16:42.457-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">Cuba</category><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">2012</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">habana</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">latinoevents</category><category domain="http://www.blogger.com/atom/ns#">hffny</category><title>13TH HAVANA FILM FESTIVAL NEW YORK &gt; SPONSORED EVENT!</title><description>&lt;span style="font-size: large;"&gt;Este año estamos orgullosos de ser &lt;i&gt;&lt;b&gt;Media Sponsor&lt;/b&gt;&lt;/i&gt; del &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;13th Havana Film Festival New York&lt;/b&gt;
 que se realiza del 12 al 20 de Abril. Hemos visto crecer al festival desde sus comienzos en el 2000 y 
nos complace sobremanera ser parte de la celebración de lo mejor del cine latino en 
Nueva York.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Carol Rosenberg junto con Diana Vargas y su equipo hacen posible uno de los mejores festivales de cine de la ciudad con estrenos como &lt;b&gt;Habanastation&lt;/b&gt;, &lt;b&gt;Juan of the Dead&lt;/b&gt; y &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Arial Bold Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold Italic';"&gt;La hora cero/The Zero Hour&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;&lt;span style="font-size: large;"&gt; entre las producciones presentes.&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;Este
 año se otorga además el 3er Havana Star Prize y 19 películas están en 
competencia. 
Felicitaciones de antemano a todos los ganadores!.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Y por supuesto, les 
traeremos reportes diarios durante el festival. Los detalles:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;* &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;The 13th Havana Film Festival New York&lt;/b&gt;&lt;span style="color: #cc0000;"&gt; &amp;gt; April 12 - 20 &amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.hffny.com/2012/index.php" style="color: #cc0000;"&gt;&lt;span style="font-size: large;"&gt;with special events April 20th at the Bronx Museum of the Arts, and 
April 20-22 at the Museum of the Moving Image in Queens &lt;/span&gt;&amp;gt; &lt;/a&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;a href="http://www.hffny.com/2012/index.php"&gt;HNYFF.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-2gKN69mDhus/T3nxSCfZldI/AAAAAAAAIuM/38YPvcVJe5M/s1600/Juan_de_los_muertos1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-2gKN69mDhus/T3nxSCfZldI/AAAAAAAAIuM/38YPvcVJe5M/s400/Juan_de_los_muertos1.jpg" width="283" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;* &lt;b&gt;Opening Night Film &amp;gt;&amp;nbsp;&lt;span style="font-family: Arial;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Arial Bold Italic; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold Italic';"&gt;Habanastation&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt; La ópera prima de Ian Padrón y éxito de taquilla&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt; en Cuba, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;es
 una divertida e ingeniosa mirada a La Habana de hoy a través de los 
ojos de dos niños provenientes de clases sociales distintas.&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span style="font-family: 'Arial Italic';"&gt;Habanastation&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;también forma parte del programa familiar el 15 de abril, a las 12:30pm, en el Quad Cinema, y en el &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Museum of the Moving Image en Astoria, el &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;21 de a&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;bril, a las 12 pm. &lt;/span&gt;&lt;/span&gt;



&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;* &lt;b&gt;Closing Night Film &amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Arial Bold Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold Italic';"&gt;Juan of the Dead&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;
 (Juan de los Muertos), la primera película sobre “zombies” hecha en 
Cuba y dirigida por Alejandro Brugués. La cinta gira en torno a una 
serie de eventos que comienzan misteriosamente a desarrollarse. En 
principio, Juan cree que es solo otra etapa de la revolución cubana pero
 luego se da cuenta que los culpable no son humanos y que será muy 
difícil matarlos y decide crear la empresa “Matamos a sus seres 
queridos”. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;Juan de los Muertos&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt; es la segunda película de Brugés.&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;El festival rinde tributo a
 la actriz cubana &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;&lt;b&gt;Eslinda Nuñez&lt;/b&gt;. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;Durante
 más de cuarenta años, Eslinda Nuñez ha participado en algunas de las 
películas más importantes hechas en Cuba, incluyendo &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;Lucía&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt; de Humberto Solas, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span style="font-family: 'Arial Italic';"&gt;Memorias del subdesarrollo&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt; de Tomás Gutiérrez Alea. La artista &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;presentará en Nueva York las cintas&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt; Amada&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span style="font-family: 'Arial Italic';"&gt;Amada, Cecilia&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt; (dirigidas por Humberto Solas) y &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span style="font-family: 'Arial Italic';"&gt;Bailando Chá Chá Chá&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt; (Manuel Herrera.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;HFFNY también rinde homenaje a uno de los maestros de la fotografía en el cine latinoamericano:&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt; Raúl Pérez Ureta&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;. Colaborador de directores como Fernando Pérez (&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;Madagascar, La vida es silbar, Suite Habana&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;), Daniel Díaz Torres (&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;Otra mujer&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;Alicia en el pueblo de Maravillas&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;Hacerse el sueco&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;), Gerardo Chijona (&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;Boleto al&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;paraíso&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Italic';"&gt;Perfecto amor equivocado&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;), Pérez Ureta es el jefe del Departamento de Fotografía de la Escuela Internacional
 de Cine y Televisión de San Antonio de los Baños de Cuba. Ha sido 
definido como el creador de “una estética paradójica y opuesta que 
embellece la infelicidad y proyecta sombras por sobre la alegría”. Pérez
 Ureta presentará dos películas ganadoras de premios a la mejor 
fotografía: &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold Italic';"&gt;Martí. El ojo del canario &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;(The Eye of Canary&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold Italic';"&gt;), &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;&amp;nbsp;estreno en Nueva York, y &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold Italic; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold Italic';"&gt;Madrigal&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;. Ambas cintas son dirigidas por Fernando Pérez. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;PREMIOS HAVANA PRIZE STAR.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;Diecinueve películas competirán por el honor de ganar el tercer &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;Havana Star Prize.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt; Las categorías son&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;:&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;Mejor Película, Mejor Director &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;y &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;Mejor Guión.&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;También en contienda está el segundo &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;Havana Star Prize &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;al &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;Mejor Documental, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: Arial;"&gt;a entregarse el 20 de abril durante la Noche de Cierre del festival. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;Las&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt; películas que compiten en la categoría de ficción por el Havana Star Prize &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;son:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;1.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;El páramo - Jaime Osorio, Colombia-Argentina&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;2.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Habanastation - Ian Padrón, Cuba &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;3.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Juntos para siempre - Pablo Solarz, Argentina &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;4.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Los Marziano - Ana Katz, Argentina &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;5.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Martí. El ojo del canario – Fernando Pérez, Cuba &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;6.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Distancia - Sergio Ramírez, Guatemala &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;7.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Hora cero – Diego Velasco, Venezuela &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;8.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Ulíses – Oscar Godoy, Chile &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;9.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Sal – Diego Rougier, Chile-Argentina &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;10.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Trabalhar Cansa – Marco Dutra / Juliana Rojas, Brasil &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;11.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Alguien ha visto a Lupita – Gonzalo Justiniano, México-Chile &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;12.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;La lucha de Ana – Bladimir Abud, República Dominicana – México&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;Las &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span lang="ES-TRAD" style="font-family: 'Arial Bold';"&gt;películas que compiten por el &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;Havana Star Prize en la categoría Documental son:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;1.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Con mi corazón en Yambo - Fernanda Restrepo, Ecuador &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;2.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Nacimos el 31 de diciembre - Priscilla Padilla Farfán, Colombia&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;3.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Caminando Aragón – Tane Martínez, Cuba-EE.UU.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;4.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;El profesor Saharaui – Nicolás Muñoz, Cuba-España&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;5.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Ser un ser humano&amp;nbsp; - Russell Porter / varios directores, EICTV&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;6.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Las carpetas – Maite Rivera. Puerto Rico. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial Bold; font-size: large;"&gt;&lt;span style="font-family: 'Arial Bold';"&gt;7.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;100 sones cubanos – Edesio Alejandro, Cuba-República Dominicana&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;a href="http://draft.blogger.com/goog_834765660"&gt;Para más info, horas, tickets &amp;gt;&amp;gt; Visita &amp;gt; www.hffny.com&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;&lt;a href="http://www.hffny.com/" target="_blank"&gt;&amp;nbsp;&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;&amp;gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;HFFNY features 
more than 50 highly anticipated and influential films from and about 
Latin America, the Caribbean, and Latinos in the U.S. including Cuba, 
Argentina, Brazil, Chile, Colombia, Dominican Republic, Ecuador, 
Guatemala, Mexico, Puerto Rico, Peru, Venezuela and the U.S. They span a
 variety of genres and themes, ranging from comedy, thrillers, action, 
drama and documentaries to children's tales, as well as films from and 
about indigenous peoples from Guatemala, Colombia and Bolivia.&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Opening Night Film:&lt;/b&gt; The Festival opens April 12th at
 the Directors Guild Theatre with the N.Y. Premiere of &lt;b&gt;Habanastation&lt;/b&gt;, 
the latest film by Cuban director Ian Padrón. The film presents the 
story of two young boys who become friends despite their differences; a 
film that speaks of a Havana that reveals two distinct faces from the 
everyday life of these youngsters.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Closing Night Film:&lt;/b&gt; HFFNY closes on April 20th 
at 7 pm at the New York Directors Guild Theatre with the highly 
anticipated N.Y. premiere of Juan of the Dead, Alejandro Brugues' second
 feature film. In this first "zombie movie" made in Cuba, a series of 
strange events start to develop: more and more people become violent, 
attacking each other. At first, Juan believes that it's just another 
stage of the Cuban revolution but then he realizes that the culprits are
 not human and killing them would be very difficult.&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;More info will be published soon. Or visit &amp;gt; &lt;a href="http://draft.blogger.com/goog_834765660"&gt;www.hffny.com&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;&lt;a href="http://www.hffny.com/" target="_blank"&gt;&amp;nbsp;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-7950157007325999267?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/N-1DFyU84LD0ZAoitRu5t3kj5uA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/N-1DFyU84LD0ZAoitRu5t3kj5uA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/N-1DFyU84LD0ZAoitRu5t3kj5uA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/N-1DFyU84LD0ZAoitRu5t3kj5uA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/sKO8EheFmMU" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/sKO8EheFmMU/13th-havana-film-festival-new-york.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-2gKN69mDhus/T3nxSCfZldI/AAAAAAAAIuM/38YPvcVJe5M/s72-c/Juan_de_los_muertos1.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/04/13th-havana-film-festival-new-york.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-5709299122789004214</guid><pubDate>Tue, 03 Apr 2012 01:26:00 +0000</pubDate><atom:updated>2012-04-08T12:43:06.955-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">New York</category><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">MUSIC</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">musica</category><category domain="http://www.blogger.com/atom/ns#">ballet hispanico</category><title>NY ESSENTIALS: MUSICA Y DANZA EN ABRIL</title><description>&lt;span style="font-size: large;"&gt;El maestro Chick Corea se presenta en el 
Highline Ballroom por solo una noche, Rodrigo y Gabriela se presentan en
 el Radio City y Gilberto Santa Rosa en el Lehman Center del Bronx. Y me
 imagino que a casa llena!&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;La compañia Danza Brazil y el Ballet Hispano se 
presentan en el Teatro Joyce de Chelsea y la Compañía Limón Dance se 
presenta en The Americas Society.&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: large;"&gt;Para finalizar, mencionamos a Funk Art, que celebra nuevo CD junto con &lt;/span&gt;&lt;span style="font-size: large;"&gt;el cantante argentino Federico Aubele en Le Poison Rouge! Veamos:&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;
  &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Chick Corea&lt;/b&gt; &amp;gt; Solo Performance &amp;gt; April 5 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://highlineballroom.com/show/2012/04/05/chick-corea/" target="_blank"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt;&lt;b&gt;Highline Ballroom. &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-JzSNRCeUaOs/T1FAqE9rb-I/AAAAAAAAITQ/t_v9PHBl9Uw/s1600/chick-corea.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="223" src="http://3.bp.blogspot.com/-JzSNRCeUaOs/T1FAqE9rb-I/AAAAAAAAITQ/t_v9PHBl9Uw/s400/chick-corea.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;A prolific explorer of jazz and classical music, the 2010 DownBeat 
Artist of the Year, a member of the DownBeat Hall of Fame, a 16-time 
Grammy winner, and an undisputed keyboard virtuoso, Chick Corea has 
attained living legend status after four decades of unparalleled 
creativity and an artistic output that is simply staggering. From 
straight ahead to avant-garde, bebop to fusion, and children's songs to 
chamber music, along with some far-reaching forays into symphonic works,
 Corea has touched an astonishing number of musical bases in his 
illustrious career, all while maintaining a standard of excellence that 
is awe inspiring. A tirelessly creative spirit, Corea continues to forge
 ahead, continually reinventing himself in the process.&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-size: large;"&gt;*&lt;span style="font-family: arial;"&gt;&lt;b&gt; THE FUNK ARK &amp;gt; &lt;span style="font-weight: normal;"&gt;TO CELEBRATE RELEASE OF NEW ALBUM&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;b&gt;&lt;i&gt; HIGH NOON // AT THE NYC ESL MUSIC SHOWCASE &amp;gt; April 5 &amp;gt; Le Poison Rouge &amp;gt; &lt;a href="http://www.lepoisonrougecom/" target="_blank"&gt;Funk&lt;/a&gt;.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-iRPFtD-bCQc/T3pK4VhYubI/AAAAAAAAIvE/uCiVzn29Oi0/s1600/ESLMusic-NYC-Flyer.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-iRPFtD-bCQc/T3pK4VhYubI/AAAAAAAAIvE/uCiVzn29Oi0/s400/ESLMusic-NYC-Flyer.jpg" width="257" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial;"&gt;ESL Music, BYT and 
Eclectic Media present The Funk Ark, Chico Mann, Frederico Aubele and 
Ursula 1000 performing the best in afro-beat, house, funk and tropicalia
 at Le Poisson Rouge. &lt;a href="http://www.thefunkark.com/" target="_blank"&gt;The Funk Ark&lt;/a&gt; is a Washington DC based group that serves up afro-funk in the vein of Fela Kuti or James Brown on a tropical holiday. &lt;a href="http://chicomann.com/" target="_blank"&gt;Chico Mann&lt;/a&gt; brings the hip hop, house tropicalia mix that is getting huge right now, and he does it right–he is a favorite. &lt;a href="http://www.myspace.com/aubele" target="_blank"&gt;Federico Aubele&lt;/a&gt;
 is a Buenos Aires singer&amp;nbsp; who calls on the sounds of Jamaican dub and 
reggae, American ambient and hip-hop, Mexican bolero, and Argentine 
tango. Last but not least, Brooklyn native &lt;a href="http://www.ursula1000.com/" target="_blank"&gt;Ursula 1000&lt;/a&gt; uses heavy sampling to make fun, danceable lounge, breakbeat, glam and cha cha beats.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial;"&gt;* &lt;/span&gt;&lt;b&gt;Pitbull&lt;/b&gt;&lt;b&gt; with Special Guest DJ Alex Sensation&amp;gt; Abril 6 y 7 &amp;gt; Radio City Music Hall &amp;gt; &lt;a href="http://www.radiocity.com/events/2012/pitbull-at-radio-city-music-hall.html" target="_blank"&gt;Pitbull.&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-aEzXk5U5LvE/T3yOD2YN6ZI/AAAAAAAAIxQ/Cq9kS7vDKps/s1600/Pitbull.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="308" src="http://3.bp.blogspot.com/-aEzXk5U5LvE/T3yOD2YN6ZI/AAAAAAAAIxQ/Cq9kS7vDKps/s400/Pitbull.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;International superstar Pitbull hits the stage at Radio City Music Hall 
on Friday, April 6. Pitbull will unleash the power of his fierce rhymes,
 sizzling hooks and live band during his upcoming&amp;nbsp;Planet Pit World Tour 
2012.&lt;br /&gt;

Pitbull is certain to get Radio City rocking with performances from his 
latest critically acclaimed album Planet Pit, including current 
chart-climbing single “International Love” featuring Chris Brown, the 
Latin-infused “Rain Over Me” featuring Marc Anthony and Pitbull’s first 
Billboard Hot 100 #1 smash “Give Me Everything” featuring Ne-Yo. Fans 
can also expect to hear selects from Pitbull’s last album, Starring In… 
Rebelution, which produced such global hits as “I Know You Want Me 
(Calle Ocho)” and club favorite “Hotel Room Service.” &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial;"&gt;* &lt;b&gt;MANA&lt;/b&gt; &amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;Drama y Luz Tour &amp;gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial;"&gt;Abril 10 y 11 &amp;gt; The Garden &amp;gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;a href="http://www.thegarden.com/events/2012/mana-at-madison-square-garden.html" target="_blank"&gt;DRAMA&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;Maná to perform at Madison Square Garden on April 10 during the eagerly-awaited second U.S. leg of their “Drama y Luz Tour.”&lt;br /&gt;
 Maná once again tops the Latin charts with #1 song “El Verdadero Amor 
Perdona”. It Is The Third Consecutive #1 Single From Maná’s 
Multi-Platinum Album “Drama y Luz” And Extended The Group’s Own Record 
(8) For The Most #1 Singles By A Band on Billboard’s “Hot Latin Songs” 
Chart.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Limon Dance Company&lt;/b&gt; &amp;gt; April 10 &amp;gt;&amp;nbsp; Discussion &amp;amp; Performance &amp;gt; Celebrating 65 years &amp;gt; Americas Society &amp;gt;&amp;gt;&amp;nbsp; &lt;a href="http://bit.ly/Hg04mM" target="_blank"&gt;LIMON.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;RODRIGO Y GABRIELA and C.U.B.A &lt;/b&gt;&amp;gt; Abril 20 &amp;gt; Radio City Music Hall &amp;gt; &lt;a href="http://www.radiocity.com/events/2012/rodrigoygabriela.html" target="_blank"&gt;R&amp;amp;G.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-4buENVbNFIg/T1avD6n3VNI/AAAAAAAAIWs/cigWf5QEOsw/s1600/rodrigo-y-gabriela.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="308" src="http://2.bp.blogspot.com/-4buENVbNFIg/T1avD6n3VNI/AAAAAAAAIWs/cigWf5QEOsw/s400/rodrigo-y-gabriela.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;This show is in support of the band’s soon to be released album Area 52 (release date: January 24th).  &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Area
 52 contains nine of Rod and Gab's favorite songs from their own 
catalogue re-arranged and recorded in Havana with legendary producer 
Peter Asher and a 13-piece Cuban orchestra comprised of some of the 
country's finest young players.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;During the 
tour and at Radio City Music Hall, Rodrigo y Gabriela will be performing
 with the band C.U.B.A. in order to showcase the thrilling and dynamic 
hybrid of metal, latin and jazz featured on the album in a live setting.
 It will mark the first time in their careers that Rodrigo y Gabriela 
have toured and performed with a backing band.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Dance Brazil&lt;/b&gt; &amp;gt; Joyce Theater &amp;gt; Hasta Abril 8 &amp;gt; &lt;a href="http://joyce.org/performancestickets/calendar_detail.php?event=427&amp;amp;theater=1" target="_blank"&gt;Brazi&lt;/a&gt;l.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Applauded for its "high-octane, high-flying" (&lt;i&gt;The New York Times&lt;/i&gt;) fusion of African dance forms, modern dance and capoeira, the company performs &lt;i&gt;Dance like a Fight - Fight like a Dance&lt;/i&gt;,
 a sensuous, fast-paced new work by Artistic Director Jelon Vieira that 
draws upon the ongoing dialogue of a capoeira roda, (the circle where 
capoeira lives). Also on the program—the revival of last season's hit &lt;i&gt;Batuke&lt;/i&gt;, a hard-driving piece exploding with the rhythms created by smooth samba steps, capoeira lethal kicks, and the stick dance &lt;i&gt;Maculelé&lt;/i&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="featuring"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Gilberto Santa Rosa &amp;gt;&lt;/b&gt; El Caballero de la Salsa Live in Concert &amp;gt; Abril 14 &amp;gt;&lt;a href="http://lehmancenter.org/shows/43_Gilberto.html" target="_blank"&gt; Lehman Center.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="featuring"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="featuring"&gt;
&lt;span style="font-size: large;"&gt;Gilberto Santa Rosa is known to tropical music fans around the world as 
"El Caballero de La Salsa" (The Gentleman of Salsa).  He gained 
worldwide recognition for a career spanning over 20 years as an 
impressive sonero with his unique style of "soneo" (improvisation) in 
salsa that permitted him to be successful in both the "tropical" and 
"romantic" styles of the music.  His string of hits and artistic record 
of accomplishment reaffirms him as one of the most prolific masters of 
popular Caribbean music.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Ballet Hispánico&lt;/b&gt; &amp;gt; Abril 17 al 29 &amp;gt; Joyce Theater &amp;gt; &lt;a href="http://joyce.org/performancestickets/calendar_detail.php?event=429&amp;amp;theater=1" target="_blank"&gt;Ballet&lt;/a&gt;&lt;/span&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-h4W4iAX1pzU/T3yLzfzh6rI/AAAAAAAAIxI/95LuwZHMZFw/s1600/BH.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="279" src="http://3.bp.blogspot.com/-h4W4iAX1pzU/T3yLzfzh6rI/AAAAAAAAIxI/95LuwZHMZFw/s400/BH.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Ballet Hispánico pays tribute to the richness of its Latino roots—and 
the diverse talents of the company's dancers—with a Joyce season that 
features African and Caribbean influences.  Highlights include the world
 premiere of &lt;i&gt;Espiritu Vivo&lt;/i&gt;, created especially for Ballet 
Hispanico by Ronald K. Brown and set to live music by Afro-Peruvian 
Latin Grammy winner Susana Baca; and the Joyce premiere of &lt;i&gt;Asuka&lt;/i&gt;,
 Artistic Director Eduardo Vilaro's first work for the company, an 
exuberant homage to salsa legend Celia Cruz.  A trio of alternately edgy
 and theatrical works from Annabelle Lopez Ochoa—including the New York 
premiere of &lt;i&gt;Nube Blanco&lt;/i&gt;—captures the emotional range of the company, while the program sees a revival of Pedro Ruiz's &lt;i&gt;Guajira&lt;/i&gt; and the return of repertory gem &lt;i&gt;Tito on Timbales&lt;/i&gt; by William Whitener.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span class="hP" id=":19p"&gt;&lt;b&gt;Angel Corella's Barcelona Ballet&lt;/b&gt;&amp;gt; Del 17 al 20 de &lt;/span&gt;&lt;/span&gt;&lt;span class="hP" id=":19p"&gt;&lt;span style="font-size: large;"&gt;Abril&amp;gt; NY City Center &amp;gt; &lt;a href="http://www.nycitycenter.org/" target="_blank"&gt;Corella&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="hP" id=":19p"&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;

&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;

&lt;span style="font-size: large;"&gt;Spain’s Barcelona Ballet (formerly Corella Ballet) 
returns to New York City Center for a second engagement following 
several successful U.S. tours. Artistic Director Ángel Corella will 
dance with his company in a program featuring Clark Tippet’s &lt;span style="color: #f9a25e; font-style: italic;"&gt;Bruch Violin Concerto&lt;/span&gt;, Christopher Wheeldon’s &lt;span style="color: #f9a25e; font-style: italic;"&gt;For 4&lt;/span&gt;, and the world premiere of &lt;span style="color: #f9a25e; font-style: italic;"&gt;Pálpito&lt;/span&gt;, by Ángel Rojas and Carlos Rodríguez.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt; Lucia Pulido: Journeying&lt;/b&gt; - Por esos caminos CD Release &amp;gt; April 19 &amp;gt; Joe's Pub &amp;gt; &lt;a href="http://www.joespub.com/component/option,com_shows/task,view/Itemid,40/id,6027" target="_blank"&gt;PULIDO.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;With one of the
richest voices on the international Latin musical scene today, &lt;b&gt;Lucia Pulido&lt;/b&gt; has
mined the musical traditions of her native Colombia and ther Latin American
countries in an ongoing search for a distinct, experimental style. &lt;i&gt;&lt;b&gt;The New York
Times&lt;/b&gt;&lt;/i&gt; says that, &lt;i&gt;"Ms. Pulido holds on to the rawness of the original
melodies while giving them a sophisticated new context."&amp;nbsp;&amp;nbsp; &lt;/i&gt;Her
ensemble pays homage to the "chirimía", one of the many types of
Colombian street bands, using traditional genres such as cumbia and bullerengue
from the Atlantic Coast, currulaos from the Pacific Coast as well as joropos of
the Colombian Eastern Plains as the point of departure for creative musical
excursions. Pulido's vocal sophistication is enhanced in genres such as herding
songs (cantos de vaquería), funeral laments (alabaos) and harvest chants
(cantos de zafra) which give the singer the liberty to explore her voice fully.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;* &lt;/span&gt;&lt;b&gt;Gipsy Kings &lt;/b&gt;&amp;gt; Abril 23 &amp;gt; Beacon Theater &amp;gt; &lt;a href="http://www.beacontheatre.com/events/2012/gipsy-kings-at-beacon-theatre.html" target="_blank"&gt;KINGS&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt; &lt;/span&gt;The best-selling French band in history, the Gipsy Kings are among 
the best-known non-English speaking groups in the U.S. (the band’s 
language is the Gypsy dialect of gitane). Since the 1987 release of the 
international hit single “Bamboleo,” the Gipsy Kings have sold more than
 20 million albums worldwide—more than four million in the United States
 alone. The band’s vigorous guitar work and passionate vocals are the 
trademarks of an indigenous musical tradition known as “rumba flamenca.”&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Albums such as the gold-certified Mosaique, Allegria, Este Mundo, Gipsy 
Kings Live, Love &amp;amp; Liberté, Tierra Gitana, Cantos de Amor, and 
Volare! The Very Best of the Gipsy Kings have provided a steady stream 
of hits to Billboard’s world music, Latin, and pop charts. The 
ensemble’s music has been used in numerous motion pictures, including 
Peter Weir’s “Fearless” and Joel and Ethan Coen’s “The Big Lebowski.”&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* &lt;span class="nowrap"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Charly Garcia&lt;/b&gt; &amp;gt; 60 x 60 &amp;gt; Abril 25 &amp;gt; Best Buy Theater &amp;gt; &lt;a href="http://bestbuytheater.com/eventdetail.php?id=35012" target="_blank"&gt;CHARLY.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-46Q7eOFSI0E/T3yRdBIIbSI/AAAAAAAAIxY/SuZXfSfGryo/s1600/CHARLY.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-46Q7eOFSI0E/T3yRdBIIbSI/AAAAAAAAIxY/SuZXfSfGryo/s400/CHARLY.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;En el marco de una gira que lleva el nombre de 60 x 60 y que tiene el 
propósito de celebrar sus 60 años de vida repasando sus 60 mejores 
canciones&lt;/span&gt;&lt;span style="font-size: large;"&gt;.&lt;/span&gt;&lt;span class="nowrap"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;* &lt;b&gt;RODRIGUEZ &lt;/b&gt;&amp;gt; &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;Light In The Attic &amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;April 25 &amp;gt; Joe's Pub &amp;gt;&amp;gt;&amp;nbsp; &lt;br /&gt;
  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;&lt;a href="http://www.joespub.com/component/option,com_shows/task,view/Itemid,40/id,6149" target="_blank"&gt;LIGHT&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-e_ZYQP4Mx0U/T3yKodR90GI/AAAAAAAAIxA/XI73lGZwoVw/s1600/Rodriguez.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="233" src="http://4.bp.blogspot.com/-e_ZYQP4Mx0U/T3yKodR90GI/AAAAAAAAIxA/XI73lGZwoVw/s400/Rodriguez.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;&lt;br /&gt;
  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;It's
 one of the lost classics of the '60s, a psychedelic masterpiece 
drenched in colour and inspired by life, love, poverty, rebellion. The 
album is Cold Fact, and what's more intriguing is that its maker - a 
shadowy figure known as &lt;b&gt;Rodriguez &lt;/b&gt;- was, for many years, lost 
too. A decade ago, he was rediscovered working as a menial day laborer 
in Detroit, Michigan. He was unaware that his defining album had become 
not only a cult classic, but for the people of South Africa, a beacon of
 revolution.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;Now,
 Light In The Attic is set to commit Cold Fact and Coming From Reality 
to CD for an entire new audience, who can finally find out why - halfway
 across the world - Rodriguez is spoken of in the same reverent tones as
 The Doors, Love and Jimi Hendrix.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;span style="font-size: x-large;"&gt;&lt;b&gt;Outside of New York&lt;/b&gt;&lt;/span&gt;:&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* CUBA’S &lt;b&gt;SIERRA MAESTRA&lt;/b&gt; &amp;gt; APRIL 20 &lt;span style="font-family: calibri,arial,helvetica,sans-serif;"&gt;&lt;b&gt;&lt;i&gt;&amp;gt; The core of the original Buena Vista Social Club&amp;nbsp; &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: calibri,arial,helvetica,sans-serif;"&gt;&lt;b&gt;&lt;i&gt;• &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: calibri,arial,helvetica,sans-serif;"&gt;&lt;b&gt;&lt;i&gt;2010 Latin Grammy Nominees &lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;•&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt; 36 Years Together &amp;gt; &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;AT ARTISPHERE&lt;span style="font-family: calibri,arial,helvetica,sans-serif;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp; &amp;gt; &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: calibri,arial,helvetica,sans-serif;"&gt;&lt;b&gt;&lt;i&gt;Arlington, VA &amp;gt; &lt;a href="http://www.artisphere.com./" target="_blank"&gt;Cuba.&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-5709299122789004214?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kNIxmaQprZPKjvZVKShmx7NUYts/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kNIxmaQprZPKjvZVKShmx7NUYts/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kNIxmaQprZPKjvZVKShmx7NUYts/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kNIxmaQprZPKjvZVKShmx7NUYts/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/vLEcAilSaBE" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/vLEcAilSaBE/ny-essentials-musica-y-danza-en-abril.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-JzSNRCeUaOs/T1FAqE9rb-I/AAAAAAAAITQ/t_v9PHBl9Uw/s72-c/chick-corea.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/04/ny-essentials-musica-y-danza-en-abril.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-2316755854361592674</guid><pubDate>Mon, 02 Apr 2012 22:48:00 +0000</pubDate><atom:updated>2012-04-02T19:32:23.826-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">sea</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">THEATER</category><category domain="http://www.blogger.com/atom/ns#">nueva york</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">repertorio espanol</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">cultura latina</category><category domain="http://www.blogger.com/atom/ns#">thalia</category><category domain="http://www.blogger.com/atom/ns#">broadway</category><category domain="http://www.blogger.com/atom/ns#">teatro</category><category domain="http://www.blogger.com/atom/ns#">evita</category><title>NY ESSENTIALS: TEATRO EN ABRIL</title><description>&lt;span style="color: #cc0000; font-size: large;"&gt;Los grandes ligas toman la cartelera teatral este mes. &lt;b&gt;Evita&lt;/b&gt; por un lado y &lt;b&gt;Leap of Faith&lt;/b&gt; por el otro, permiten al talento latino presentarse en Nueva York por la puerta grande: Broadway&lt;/span&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;Ricky
 Martin y Elena Rogers estrenan Evita en el Teatro Marquis y Raúl 
Esparza es la estrella en el nuevo musical Leap of Faith. Se unen así a 
The Book of Mormon, otro musical con talento latino.&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;Ya Off-Broadway, El Repertorio Español continua con &lt;b&gt;En el tiempo de las mariposas&lt;/b&gt; y el exitoso solo show &lt;b&gt;Growing up González &lt;/b&gt;ahora se presenta todos los viernes y sábados. &lt;b&gt;También un poco de Teatro Infantil, &lt;/b&gt;por supuesto!.&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;Veamos:&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;&amp;nbsp; &lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Leap of Faith &lt;/b&gt;&amp;gt; Con Raúl Esparza &amp;gt; Pre-estrenos comienzan el 3 de Abril &amp;gt; Teatro St. James &amp;gt; &lt;a href="http://leapoffaithbroadway.com/" target="_blank"&gt;LEAP.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-OqSsIO0Qx78/T3opZwAw3VI/AAAAAAAAIus/UcJ_0riD3V4/s1600/SM+Leap+of+Faith+photo+shoot+1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-OqSsIO0Qx78/T3opZwAw3VI/AAAAAAAAIus/UcJ_0riD3V4/s400/SM+Leap+of+Faith+photo+shoot+1.jpg" width="230" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;Four-time
 Tony Award® nominee Raúl Esparza (Cabaret, Company) stars as Jonas 
Nightingale, an electrifying performer and rabble rouser who's planning 
to take the whole town for a ride. But when a small-town girl stops him 
in his tracks, this hustler may just discover something to believe in. &lt;/span&gt;&lt;br style="color: #cc0000;" /&gt;
  &lt;span style="color: #cc0000;"&gt;LEAP OF FAITH features a 
roof-raising new score by eight-time Oscar®-winning composer Alan Menken
 (Beauty and the Beast, Little Shop of Horrors).The creative team also 
includes bookwriters Janus Cercone and Tony®-winner Warren Leight (Side 
Man); Grammy®-winning lyricist Glenn Slater (Tangled); choreographer 
Sergio Trujillo (Jersey Boys); and Christopher Ashley, director of the 
Tony®-winning Best Musical Memphis.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;EVITA&lt;/b&gt; &amp;gt;&amp;nbsp; En Pre-estrenos &amp;gt; Teatro Marquis &amp;gt; &lt;a href="http://evitaonbroadway.com/index.html" target="_blank"&gt;EVITA.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-LwIBFRmafYE/T1948zVqsaI/AAAAAAAAIbM/v_eizWyiOyE/s1600/header-001.png" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="281" src="http://1.bp.blogspot.com/-LwIBFRmafYE/T1948zVqsaI/AAAAAAAAIbM/v_eizWyiOyE/s400/header-001.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;big&gt;&lt;b&gt; &lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;El musical de TIM RICE y ANDREW LLOYD WEBBER&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/big&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;, ganador de un premio Tony, vuelve a Broadway con la actuación de &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;RICKY MARTIN&lt;/b&gt;&lt;span style="color: #cc0000;"&gt; (&lt;/span&gt;&lt;i style="color: #cc0000;"&gt;Les Misérables&lt;/i&gt;&lt;span style="color: #cc0000;"&gt;), ganador de un premio Grammy&lt;/span&gt;&lt;sup style="color: #cc0000;"&gt;®&lt;/sup&gt;&lt;span style="color: #cc0000;"&gt;, y &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;ELENA ROGER&lt;/b&gt;&lt;span style="color: #cc0000;"&gt; (&lt;/span&gt;&lt;i style="color: #cc0000;"&gt;Piaf&lt;/i&gt;&lt;span style="color: #cc0000;"&gt;),
 ganadora de un premio Olivier, quien será la primera actriz argentina 
en protagonizar el rol de Evita en Broadway, y replica su representación
 extraordinaria que deslumbró la audiencia y la critica londinense en el
 West End. También con la participación de &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;MICHAEL CERVERIS&lt;/b&gt;&lt;span style="color: #cc0000;"&gt; (&lt;/span&gt;&lt;i style="color: #cc0000;"&gt;Sweeney Todd&lt;/i&gt;&lt;span style="color: #cc0000;"&gt;), ganador de un premio Tony.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;Eva Perón utilizó su inteligencia y carisma para ascender 
rápidamente desde un tugurio de Argentina hasta la residencia 
presidencial como Primera Dama. Adorada por su pueblo como la abanderada
 de los humildes, se convirtió en una de las mujeres más poderosas del 
mundo, mientras que su codicia,  descomunal ambición y frágil salud la 
convirtieron en la más trágica. &lt;i&gt;EVITA&lt;/i&gt; cuenta la apasionada e 
inolvidable historia verídica de Eva, y nos deleita con algunas de las 
canciones más hermosas del teatro, como "Don't Cry for Me Argentina," 
"Another Suitcase in Another Hall" y "High Flying, Adored."&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* &lt;b&gt;En El Tiempo De Las Mariposas&lt;/b&gt; &amp;gt; Abril 2, 4, 5, 7, 13 &amp;gt;&amp;gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://bit.ly/pDrAB"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;En Repertorio Español. &lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s1600/MARIPOSAS.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="220" src="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s400/MARIPOSAS.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="sub"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;En el tiempo de las mariposas.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="sub" style="font-size: x-small;"&gt; Photo Michael Palma.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;“In The Time of the Butterflies” is the story of the courageous Mirabal 
sisters (Patria, Minerva and María Teresa) from the Dominican Republic. 
The sisters inspired resistance cells throughout the country against the
 dictatorial regime of Gen. Rafael Leónidas Trujillo. The ‘butterflies’,
 their secret code name, were brutally murdered by the regime in 1960. &lt;br /&gt;
Based on Julia Álvarez’s popular novel, the martyred butterflies come to
 vibrant life in a warm, brilliant, and dramatic production by the 
talented duo – playwright Caridad Svich and director José Zayas– that 
brought us the critically acclaimed production of Isabel Allende’s “The 
House of the Spirits” in 2009.&lt;/span&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* También en el &lt;b&gt;Repertorio&lt;/b&gt;: &lt;b&gt;Crónica de una muerte anunciada&lt;/b&gt; &amp;gt;&amp;gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://bit.ly/pDrAB"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Repertorio Español&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* &lt;span style="font-size: large;"&gt;&lt;b&gt;Growing Up González&lt;/b&gt;&lt;/span&gt; &amp;gt;&lt;span style="font-size: large;"&gt; One man show by Felix Rojas &amp;gt;&amp;gt;&amp;nbsp; Fridays and Saturdays&amp;nbsp; &amp;gt; The Jan Hus Playhouse&lt;/span&gt; &amp;gt;&amp;gt; &lt;a href="http://www.growingupgonzales.com/" target="_blank"&gt;GROWING.&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VMacM-mapmA/TynLmzp8_OI/AAAAAAAAIEc/0SqgGyf8Jrk/s1600/GROWINGUP.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="261" src="http://2.bp.blogspot.com/-VMacM-mapmA/TynLmzp8_OI/AAAAAAAAIEc/0SqgGyf8Jrk/s320/GROWINGUP.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;FELIZ ROJAS &amp;gt; Photo cortesia del sito web del artista.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;The play is a bittersweet comedy 
of two brothers growing up  in the Puerto Rican section of the Bronx, 
whose coming of age is marked by the untimely death of their father. One
 actor plays both parts. The play is filled with the hearty characters, 
flavors and textures of The Bronx in the 70's and displays a very witty 
understanding of life.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt;BUSTED.&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt; Written by FLORENCIA LOZANO&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt; Directed by FELIX SOLIS&lt;/span&gt;&lt;/b&gt;&amp;nbsp;
&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: verdana,helvetica,sans-serif; font-size: 10pt;"&gt; April 7 &amp;gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt; &lt;b&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt;A SPECIAL BENEFIT &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt;staged reading&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt; &amp;gt; The Hispanic Organization of Latin Actors (HOLA) &amp;gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: verdana,helvetica,sans-serif; font-size: 10pt;"&gt;PUERTO RICAN TRAVELING THEATRE &amp;gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: verdana,helvetica,sans-serif; font-size: 10pt;"&gt;call (212) 253-1015.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt; &lt;br /&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt;When
 four fabulous female friends reunite, the $#@% hits the proverbial fan:
 Gigi is pissed, Lucía is about to let her have it, Jesse has a secret 
she doesn't want her friends to know-- or does she?-- and Melanie's 
announcement is about to change EVERYTHING. A tale in which friends 
cling to each other for dear life and tear each other to shreds in the 
process. An inexplicable hole, a mysterious visitation, a cosmic 
happening... with dance breaks: BUSTED.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #cc0000; font-family: verdana,helvetica,sans-serif; font-size: 10pt;"&gt;Proceeds
 from ticket sales will go toward furthering HOLA's much needed advocacy
 efforts on behalf of the Latino/Hispanic entertainment community.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;* &lt;b&gt;The Book Of Mormon&lt;/b&gt; &amp;gt; by Trey Parker, Robert López y Matt Stone. Teatro Eugene O'Neill &amp;gt;&amp;gt; &lt;a href="http://bit.ly/ghiEjF"&gt;MORMON.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s1600/MORMON.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s400/MORMON.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&amp;nbsp;&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Fuerza Bruta&lt;/b&gt; &amp;gt; Continúa en el Union Square Theater &amp;gt;&amp;gt; &lt;a href="http://www.fuerzabruta.net/"&gt;FUERZA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Mujeres de Par en Par&lt;/b&gt; &amp;gt;&amp;gt; Hasta Junio 2 &amp;gt;&amp;gt; FREE SHOWS &amp;gt; Please visit for more info &amp;gt;&amp;gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;a href="http://www.facebook.com/events/305578406168059/" target="_blank"&gt;&lt;b&gt;Teatro Bar Times Square&lt;/b&gt;&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-b1zH1DHyrsw/TvTbcNvGQiI/AAAAAAAAH0s/vieDujV2Ybc/s1600/IMG_0710.JPG" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-b1zH1DHyrsw/TvTbcNvGQiI/AAAAAAAAH0s/vieDujV2Ybc/s400/IMG_0710.JPG" width="366" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Un espectáculo que mezcla música con pecados capitales, humor y vino, una sacudida teatr&lt;/span&gt;&lt;span class="text_exposed_show"&gt;&lt;span style="font-size: large;"&gt;al
 que ha levantado el aplauso de público y crítica.   Un espectáculo nos 
muestra sin pudor alguno, las intimidades de cinco féminas que 
atraviesan distintas circunstancias en la vida: la soltera ilusionada 
que busca velo y corona, la casada con el marido perfecto, la viuda 
liberada, la contemporánea que sólo quiere sexo, la frívola que sólo se 
preocupa por las líneas de expresión y la ley de gravedad, la envidiosa 
que quiere todo lo que tienen las demás y un hombre que nos cuenta la 
sencillez de la vida.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;b&gt;TEATRO INFANTIL&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt; &lt;/b&gt;&lt;span class="Estilo3"&gt;&lt;span class="BodyText"&gt;&lt;span class="Estilo2"&gt;&lt;span class="Estilo14"&gt;&lt;b&gt;Ricitos and the Three Bears / Ricitos y los 3 Ositos&lt;/b&gt; &lt;/span&gt; &lt;span class="Estilo6"&gt;&amp;gt; April 7, 14 &amp;amp; 21 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &amp;gt;&amp;gt; NEW Teatro SEA &amp;gt;&amp;gt; &lt;a href="http://www.sea-online.info/SEA_ArtsInEducation.html"&gt;TEATRO SEA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-qNaCjTAIu0s/T061LeOngCI/AAAAAAAAIPY/MQJTQD-U0Ms/s1600/JuanBobo.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="133" src="http://1.bp.blogspot.com/-qNaCjTAIu0s/T061LeOngCI/AAAAAAAAIPY/MQJTQD-U0Ms/s200/JuanBobo.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Mi Bebé Es Un Héroe&lt;/b&gt;. Escrita y dirigida por Eduardo Navas&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Un espectáculo bilingüe (inglés y español) &amp;gt;&amp;gt; Abril 7 &amp;gt;&amp;gt; &lt;a href="http://www.repertorio.org/"&gt;REPERTORIO.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-NnRJBZioShM/TMyuGtSkNiI/AAAAAAAAFTM/BzMrvMn_FNg/s1600/scaramouches.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/-NnRJBZioShM/TMyuGtSkNiI/AAAAAAAAFTM/BzMrvMn_FNg/s400/scaramouches.jpg" width="400" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/td&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-family: Tahoma,Verdana,Arial,sans-serif;"&gt;&lt;span style="font-family: sans-serif;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="line-height: 24px;"&gt;El malvado y travieso Cuchiflín intenta llevarse al bebé del Príncipe Azulito y la Princesa Perlita. Con la
 ayuda de
 los niños el bebé impide que Cuchiflín se salga con la suya convirtiendo al bebé y a los niños en héroes.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Tahoma,Verdana,Arial,sans-serif;"&gt;&lt;span style="font-family: sans-serif;"&gt;&lt;span style="line-height: 24px;"&gt;Outside New York:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*  &lt;b&gt;Dreaming Again: Voices of NH Immigrants&lt;/b&gt; &amp;gt; NH Theatre Project &amp;gt; Abril 13 -15 &amp;gt; &lt;a class="twitter-timeline-link" data-display-url="bit.ly/wNH4NH" data-expanded-url="http://bit.ly/wNH4NH" data-ultimate-url="http://nhtheatreproject.wordpress.com/2012/02/22/coming-up-nhtp-dreaming-again" href="http://t.co/5k5Er2ue" rel="nofollow" target="_blank" title="http://bit.ly/wNH4NH"&gt;http://bit.ly/wNH4NH&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma,Verdana,Arial,sans-serif;"&gt;&lt;span style="font-family: sans-serif;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="line-height: 24px;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: x-large;"&gt;&lt;b&gt;COMING UP IN MAYO:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;*&amp;nbsp; &lt;/span&gt;&lt;b&gt;Mariela En El Desierto&lt;/b&gt; &amp;gt; Nueva Producción&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt; &amp;gt;&amp;gt; Mayo 5 &amp;gt;&amp;gt; &lt;/span&gt;&lt;a href="http://bit.ly/pDrAB" style="color: #cc0000;"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span"&gt;Repertorio Español&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #cc0000; font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&lt;span class="Apple-style-span"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-JhTfXIyC6Mk/TynQnU_768I/AAAAAAAAIE0/klUrDLxB-lU/s1600/MARIELA.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="312" src="http://4.bp.blogspot.com/-JhTfXIyC6Mk/TynQnU_768I/AAAAAAAAIE0/klUrDLxB-lU/s320/MARIELA.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="sub" style="font-size: x-small;"&gt;Mariela en el Desierto. Photo Michael Palma.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt;Mariela
 and José were once the golden couple of the Mexican artist 
inner-circle. Together they built a family and an artist colony to host 
friends like Diego Rivera, Frida Kahlo, and Rufino Tamayo. But now their
 daughter has grown and run away, Frida and Diego are too famous to 
call, and artistic inspiration has been strangled by isolation and 
mendacity. Set in an empty artists’ colony in the Mexican desert in 
1950, this mystery play reveals what happens to relationships when a 
long hidden family lie is exposed.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-2316755854361592674?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xU77YkBXY9N6nhJGiG1hytYzOBU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xU77YkBXY9N6nhJGiG1hytYzOBU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/xU77YkBXY9N6nhJGiG1hytYzOBU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xU77YkBXY9N6nhJGiG1hytYzOBU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/JyqjTpPt8UI" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/JyqjTpPt8UI/ny-essentials-teatro-en-abril.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-OqSsIO0Qx78/T3opZwAw3VI/AAAAAAAAIus/UcJ_0riD3V4/s72-c/SM+Leap+of+Faith+photo+shoot+1.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/04/ny-essentials-teatro-en-abril.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-7512488363606643097</guid><pubDate>Mon, 02 Apr 2012 18:56:00 +0000</pubDate><atom:updated>2012-04-08T13:10:26.356-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">tribeca film festival</category><category domain="http://www.blogger.com/atom/ns#">peliculas</category><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">13th havana film festival</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">tff</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">tribeca</category><category domain="http://www.blogger.com/atom/ns#">hffny</category><title>NY ESSENTIALS: CINEMA EN ABRIL</title><description>&lt;span style="font-size: large;"&gt;Este mes estamos orgullosos de ser un &lt;i&gt;&lt;b&gt;Media Sponsor&lt;/b&gt;&lt;/i&gt; del &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;13th Havana Film Festival New York&lt;/b&gt;
 que se realiza del 12 al 20 de Abril. Hemos visto crecer al festival y 
nos complace ser parte de la celebración de lo mejor del cine latino en 
Nueva York. Este año se otorga además el 3er Havana Star Prize!. 
Felicitaciones de antemano a todos los ganadores! &lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Como parte de la muestra de John Chambelain el Guggenheim presenta &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;The Secret Life of Hernando Cortez &lt;span style="font-weight: normal;"&gt;durante Abril y Mayo&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; y en &lt;/span&gt;&lt;span style="font-size: large;"&gt;ANTHOLOGY FILM ARCHIVES tendremos &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;SPANISH CINEMA OF THE EARLY POST-FRANCO ERA &lt;/b&gt;con filmes de Almódovar, Ventura Pons e Iván Zulueta, entre otros. Los dos eventos para los cinéfilos es sin duda el&lt;b&gt; Tribeca Film Festival &lt;/b&gt;y el&lt;b&gt; Havana Film Festival New York&lt;/b&gt; de los cuales tendremos más información en otros artículos.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;El Instituto Cervantes tiene una gran selección este mes: Cortos Dominicanos, Documentales de Cuba y filmes de directores &lt;/span&gt;&lt;span style="font-size: large;"&gt;de origen Totonacan (Mexico)y Maya (Guatemala).&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Los detalles:&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;span style="color: #cc0000;"&gt;* &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;The 13th Havana Film Festival New York&lt;/b&gt;&lt;span style="color: #cc0000;"&gt; &amp;gt; April 12 - 20 &amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.hffny.com/2012/index.php" style="color: #cc0000;"&gt;&lt;span style="font-size: large;"&gt;with special events April 20th at the Bronx Museum of the Arts, and 
April 20-22 at the Museum of the Moving Image in Queens &lt;/span&gt;&amp;gt; &lt;/a&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;a href="http://www.hffny.com/2012/index.php"&gt;HNYFF.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-2gKN69mDhus/T3nxSCfZldI/AAAAAAAAIuM/38YPvcVJe5M/s1600/Juan_de_los_muertos1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-2gKN69mDhus/T3nxSCfZldI/AAAAAAAAIuM/38YPvcVJe5M/s400/Juan_de_los_muertos1.jpg" width="283" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;HFFNY features 
more than 50 highly anticipated and influential films from and about 
Latin America, the Caribbean, and Latinos in the U.S. including Cuba, 
Argentina, Brazil, Chile, Colombia, Dominican Republic, Ecuador, 
Guatemala, Mexico, Puerto Rico, Peru, Venezuela and the U.S. They span a
 variety of genres and themes, ranging from comedy, thrillers, action, 
drama and documentaries to children's tales, as well as films from and 
about indigenous peoples from Guatemala, Colombia and Bolivia.&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Opening Night Film:&lt;/b&gt; The Festival opens April 12th at
 the Directors Guild Theatre with the N.Y. Premiere of &lt;b&gt;Habanastation&lt;/b&gt;, 
the latest film by Cuban director Ian Padrón. The film presents the 
story of two young boys who become friends despite their differences; a 
film that speaks of a Havana that reveals two distinct faces from the 
everyday life of these youngsters.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Closing Night Film:&lt;/b&gt; HFFNY closes on April 20th 
at 7 pm at the New York Directors Guild Theatre with the highly 
anticipated N.Y. premiere of Juan of the Dead, Alejandro Brugues' second
 feature film. In this first "zombie movie" made in Cuba, a series of 
strange events start to develop: more and more people become violent, 
attacking each other. At first, Juan believes that it's just another 
stage of the Cuban revolution but then he realizes that the culprits are
 not human and killing them would be very difficult.&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;More info will be published soon. Or visit &amp;gt; &lt;a href="http://draft.blogger.com/goog_834765660"&gt;www.hffny.com&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;&lt;a href="http://www.hffny.com/" target="_blank"&gt;&amp;nbsp;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp; &lt;b&gt;Paraisos Artificiales &lt;/b&gt;&amp;gt; Directed by Yulene Olaizola, México &amp;gt;&lt;/span&gt; &lt;span style="font-size: large;"&gt;Hasta Abril 5 &amp;gt; reRun Theatrer &amp;gt; Brooklyn &amp;gt; &lt;a href="http://artificialparadises.eventbrite.com/" target="_blank"&gt;Paraisos.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-ZjdmojN17HY/T3owIhyWi5I/AAAAAAAAIu0/FLST7pVE6l0/s1600/Paraisos.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-ZjdmojN17HY/T3owIhyWi5I/AAAAAAAAIu0/FLST7pVE6l0/s400/Paraisos.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;Artifical Paradises&lt;/i&gt;&amp;nbsp;is a "poetic contemplation that balances a 
landscape's serene beauty with the small futile dramas of characters 
whose lives are ruled by intoxication" &lt;i&gt;(Screen International&lt;/i&gt;). 
Acclaimed at Rotterdam and winner of the Best Cinematography Award at 
the 2011 Tribeca Film Festival, Mexican filmmaker Yulene Olaizola's 
elegant drama is a journey into the altered states and unlikely 
friendship of young heroin addict Luisa (Luisa Pardo) and pot-smoking, 
aging caretaker Salomon (Salomón Hernández). Gloriously photographed, 
the film is an evocation of this odd couple's emotions, their attempts 
to escape from everyday life and reach an artificial Eden, as well as 
the storms brought on by their enjoyment of this experience in a 
crumbling Veracruz beach resort.&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;* &lt;b&gt;&lt;i&gt;The Secret Life of Hernando Cortez&lt;/i&gt;, 1968&lt;/b&gt; &amp;gt; Directed by John Chamberlain &amp;gt; Courtesy Ultra Violet &amp;gt; April 6, 20, 27, and May 11 &amp;gt; &lt;a href="http://www.guggenheim.org/new-york/education/adult-and-academic-programs/film" target="_blank"&gt;Guggenheim.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt; &lt;br /&gt;
&lt;div class="row-text"&gt;
&lt;span style="font-size: large;"&gt;A visually inventive experimentation in film, &lt;i&gt;The Secret Life of Hernando Cortez&lt;/i&gt;
 offers a rare opportunity to consider the celluloid manifestation of
Chamberlain's assemblage aesthetic.  Starring Taylor Mead in the role of
 the Spanish conquistador Hernando Cortez and Ultra Violet as his
beloved consort and daughter of the Aztec emperor Montezuma, this
underground classic unfolds as a narrative exploration into the imagined
 private life of its titular character.&lt;/span&gt;&lt;br /&gt;
&lt;i&gt;Please be advised that this film contains nudity.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;SPANISH CINEMA OF THE EARLY POST-FRANCO ERA (1975-83)&lt;/b&gt; &amp;gt; April 6 – April 13&amp;gt; &amp;gt; ANTHOLOGY FILM ARCHIVES &amp;gt; &lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;a href="http://anthologyfilmarchives.org/film_screenings/series/39004" target="_blank"&gt;AFA&lt;/a&gt;&lt;a href="http://./"&gt;.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Anthology,
 in collaboration with film scholar Gerard Dapena and the Cultural 
Department of the Consulate General of Spain, is thrilled to present 
this film series surveying the era in Spanish cinema directly following 
the death, after almost four decades of dictatorial rule, of Francisco 
Franco. The period that followed was one of cultural awakening across 
many different art forms, and this was certainly true of Spanish cinema –
 the eight years covered by this program saw a burst of creativity and 
experimentation, resulting in films like Iván Zulueta’s 
sex-and-drugs-filled underground classic ARREBATO (RAPTURE); Ventura 
Pons’s extraordinary OCAÑA: RETRATO INTERMITENTE, a portrait of a 
homosexual painter; Jaime Chavarri’s DISENCHANTMENT, a documentary 
profiling the widow and children of the official poet of Franco’s 
regime; and Pedro Almodóvar’s flamboyant, unapologetically tasteless 
early films (represented here by PEPI, LUCI, BOM and LABYRINTH OF 
PASSION); among many other unforgettable works that took full advantage 
of Spain’s newfound creative freedom.&lt;br /&gt;Paying homage to this 
extraordinary era in Spanish cinema, this series features ten films, 
most of them rarely screened in the U.S. since their initial release, 
and all of them shown from archival prints. &lt;br /&gt;&lt;br /&gt;* &lt;b&gt;Todos estamos invitados&lt;/b&gt;. Director Manuel Gutiérrez Aragón (con Q&amp;amp;A) &amp;gt; Abril 4 &amp;gt; Instituto Cervantes &amp;gt; &lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha80750_27_2.htm"&gt;Todos&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-c79kbdO2FMQ/T3jcWCYMVbI/AAAAAAAAItk/KVq3cFBXv1U/s1600/24896_I_TodosEstamosInvitados.jpg"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-c79kbdO2FMQ/T3jcWCYMVbI/AAAAAAAAItk/KVq3cFBXv1U/s400/24896_I_TodosEstamosInvitados.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Josu
 Jon has been injured in a hard clash with the Civil Guard and he has 
lost his memory. He is treated in a prison hospital while he is waiting 
to see what the judge and the competent authority decide. He is not very
 sure who he is, so the nuns teach him to pray and be a good Christian. 
However, other inmates from the same organization as him, help him to 
remember that he is, in fact, a brave “gudari”, and that he will soon be
 returning to the struggle as soon as he gets out of prison. In the 
meantime, events follow their course in the Basque Country: a university
 professor, Xabier, is threatened for his opinions of the situation in 
Euskadi (the Basque Country). At the same time, his girlfriend works as a
 psychologist in the same psychiatric center where they are supervising 
Josu Jon’s progress. &lt;br /&gt;&lt;br /&gt;Parte de la serie&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha80167_27_2.htm"&gt; 100 Reflections Out of Sorrow.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 16pt; line-height: 115%;"&gt;ANTONIONI DOCUMENTARIES: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 16pt; line-height: 115%;"&gt;RARE SCREENINGS OF MICHELANGELO ANTONIONI’S FOUR-HOUR FILM ON CHINA AND EARLY SHORTS &amp;gt; Abril 7 y 8 &amp;gt; Museum of the Moving Image &amp;gt; &lt;/span&gt;&lt;a href="http://movingimage.us/" target="_blank"&gt;&lt;b&gt;&lt;span style="font-size: 16pt; line-height: 115%;"&gt;ANTONIONI.&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;Michelangelo Antonioni (1912–2007), the great Italian director of &lt;i&gt;L’Avventura&lt;/i&gt;, &lt;i&gt;Red Desert, &lt;/i&gt;and &lt;i&gt;Blow-Up&lt;/i&gt;,
 began his career making documentaries. Rarely seen outside Italy, these
 films offer a deeper understanding of the aesthetic he would develop in
 later years. On the occasion of the centenary of Antonioni’s birth, 
Museum of the Moving Image will offer a rare opportunity to see 
Antonioni’s documentaries, including a selection of short works and 
screenings of &lt;i&gt;Chung Kuo China.&lt;/i&gt; This legendary but seldom-shown 
four-hour documentary was made at the invitation of Mao Zedong but then 
banned by the Chinese government for years. &lt;/span&gt;&lt;b&gt;&lt;span style="line-height: 115%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="line-height: 115%;"&gt;* POST MORTEM &amp;gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt; DIRECTED BY PABLO LARRAÍN &amp;gt; April 11-24 &amp;gt; Film Forum &amp;gt; &lt;a href="http://www.filmforum.org/movies/more/post_mortem" target="_blank"&gt;POST.&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-d0BenWD3tA8/T3yEnvlTmyI/AAAAAAAAIw0/4VC8vh8lyl8/s1600/PM.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="247" src="http://3.bp.blogspot.com/-d0BenWD3tA8/T3yEnvlTmyI/AAAAAAAAIw0/4VC8vh8lyl8/s400/PM.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-weight: normal;"&gt;A provocative, morbidly comic drama that begins during the onset of the bloody 1973 Chilean coup&lt;/b&gt;&amp;nbsp;that overthrew President Salvador Allende. Alfredo Castro (who played the title character in &lt;i&gt;TONY MANERO&lt;/i&gt;,
 Larraín’s previous critically acclaimed film) is a coroner’s assistant 
who, while obsessively wooing an erotic dancer, is caught in the midst 
of a cataclysmic event — and finds himself with a rapidly expanding game
 plan. Once again, the filmmaker invests his characters with metaphoric 
undertones, suffusing Santiago with a surreal visual texture that evokes
 the nightmarish landscape it was rapidly becoming.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span&gt;&lt;strong&gt;TEMPO REI&lt;/strong&gt;&lt;/span&gt; &amp;gt; Abril 12 &amp;gt; 92 Y Tribeca &amp;gt; CT's Music+Film Series: Janeiro in New York &amp;gt; &lt;a href="http://www.92y.org/Tribeca/Event/Tempo-Rei.aspx" target="_blank"&gt;REI&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;
              (Lula Buarque de Hollanda, Andrucha Waddington and Breno 
Silveira, Brazil, 1996, 90 min. In Portuguese with English subtitles)&lt;/span&gt;&lt;br /&gt;

            
            &lt;div style="background-color: white; color: #222222; font-family: Arial,Helvetica,sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"&gt;
&lt;span style="font-size: large;"&gt;
             Filmed in 1996,&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Tempo Rei&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;celebrates
 30 years of Gilberto Gil's career. In this personal film, Gil looks 
back on his artistic trajectory, sharing memories and personal stories.&lt;em&gt; Tempo Rei&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;was
 filmed in Rio De Janeiro, São Paulo, Salvador and Ituaçu. It includes 
scenes of shows and musical meetings with special guests Filhos de 
Ghandi, Gil's family, Stevie Wonder (who interprets "Desafinado"), 
Caetano Veloso and Carlinhos Brown, among others. It includes the great 
successes of Gilberto Gil, such as "Madalena," "Cores Vivas," "Vamos 
Fugir," "Procissão"&amp;nbsp;and "Expresso 2222."&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="line-height: 115%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;br /&gt;* &lt;b&gt;Dominican Shorts&lt;/b&gt;
 &amp;gt; Screening of four short films (60') participating at the 2011 
Dominican Global Film Festival &amp;gt; Abril 16 &amp;gt; Instituto Cervante 
&amp;gt; &lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha81249_27_2.htm" target="_blank"&gt;SHORTS.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;- &lt;i&gt;One Robbery, Two Friends and Three to Run&lt;/i&gt;:
 The precarious economic situation has given Cornelio the idea of 
robbing a Money Exchanger with an ingenious strategy. For this he has 
the support of his friend, Julio who was asked to be the getaway driver.
 Julio without showing much interest in the plan will try to persuade 
Cornelio to stop his plan and find another way to earn money.&lt;br /&gt;&lt;br /&gt;- &lt;i&gt;Head / Tails&lt;/i&gt;:
 Ana wakes up early everyday to go to work while her boyfriend Allan 
stays at home. Every decision he makes is determined by a flip of a 
coin. One day Ana, tired of the situation, decides that everything must 
change in a radical way.&lt;br /&gt;&lt;br /&gt;- &lt;i&gt;Almost&lt;/i&gt;: The sudden break of a couple ends up giving them the surprise of their lives. &lt;br /&gt;&lt;br /&gt;- &lt;i&gt;Alike&lt;/i&gt;:
 This is the story of a young boy who does not understand why he cannot 
play with his best friend, Luisito. His mother’s racial prejudices don’t
 allow him to interact with other kids. But thanks to a game of 
questions and answers with his best friend, he discovers they are not so
 different after all. &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;Spanish with English subtitles.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt;Documentaries from Havana &amp;gt; &lt;/b&gt;Abril 18 &lt;b&gt;&amp;gt; &lt;/b&gt;Instituto Cervantes &amp;gt; two documentaries:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;div id="texto_actividad"&gt;
&lt;span style="font-size: large;"&gt;- &lt;b&gt;&lt;i&gt;The 100 Cuban 'Sones'&lt;/i&gt;&lt;/b&gt;: Cubans have 
selected a list of the 100 most relevant and authentic Cuban sones in 
order to merge them into the same album that contains the roots of this 
genre. This small expedition travels to far places of the island in 
search of the son’s essence, exalting the main characters behind the 
rhythm. This is a documentary full of humor and authentic Cuban music. 
Director, &lt;b&gt;Edesio Alejandro&lt;/b&gt;, will be present for a Q&amp;amp;A.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;- &lt;i&gt;&lt;b&gt;To Be&amp;nbsp;A Human Being - Love&lt;/b&gt;&lt;/i&gt;: One episode of the six full-length documentaries that are part of &lt;i&gt;To be a Human Being&lt;/i&gt;,
 a series made in eight diverse communities around the world by young 
filmmakers from film schools in seven different countries. It is a 
celebration of humanity, based on a simple premise that emerged from a 
conversation with a woman subsistence farmer in Kenya in 1986 - what we 
have in common is very big, and what is different between us is very 
interesting.&amp;nbsp; The six universal human characteristics identified by the 
Kenyan farmer form the themes for the six Chapters of the series - 
Perseverance, Love, Culture, Faith, Fear and Hope. The series was 
produced and coordinated by the International Film and TV School (EICTV)
 in San&amp;nbsp; Antonio de los Baños, Cuba, with other participating film 
schools from India, New Zealand, Portugal, Jordan, Spain and New York. 
The director of the institution, &lt;b&gt;Rafael Rosal&lt;/b&gt;, will introduce.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;In Spanish with English subtitles. &lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #3d85c6;"&gt;* &lt;/span&gt;&lt;b style="color: #3d85c6;"&gt;THE 2012 TRIBECA FILM FESTIVAL&lt;/b&gt;&lt;span style="color: #3d85c6;"&gt;
 &amp;gt; ABRIL 18 - 29 &amp;gt; The festival will open with the world premiere 
of THE FIVE-YEAR ENGAGEMENT and will close with THE AVENGERS. Plus gran 
cine Latino &amp;gt;&lt;/span&gt;&lt;a href="http://www.tribecafilm.com/" style="color: #3d85c6;"&gt; TFF.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-hmrBWM-U0SE/T3n0L-t9LEI/AAAAAAAAIuU/3wu-2fncZks/s1600/unit_7.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="266" src="http://4.bp.blogspot.com/-hmrBWM-U0SE/T3n0L-t9LEI/AAAAAAAAIuU/3wu-2fncZks/s400/unit_7.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;table border="0" cellpadding="0" cellspacing="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td align="left" style="color: #3b3a26; font-family: verdana; font-size: 10px; font-weight: normal; line-height: 130%; padding-left: 5px;" width="500"&gt;UNIT
 7 : Characters (from left to right): MATEO (JOAQUIN NUÑEZ), ANGEL 
(MARIO CASAS), MIGUEL (JOSE MANUEL POGA). Foto: Julio Vergne.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;- &lt;b&gt;All In (La Suerte En Tus Manos)&lt;/b&gt;, directed by Daniel 
Burman, written by Daniel Burman and Sergio Dubcovsky. (Argentina) – 
International Premiere. Professional poker player Uriel has been on a 
real hot streak—with the ladies—since his marriage fizzled out. But in 
between growing his online gambling business and helping to raise his 
kids, Uriel has rediscovered his old pre-marriage flame, Gloria…. 
Starring the great Valeria Bertuccelli (&lt;i&gt;XXY&lt;/i&gt;) and Oscar®-winning songwriter Jorge Drexler, this romantic comedy from Daniel Burman (&lt;i&gt;Lost Embrace&lt;/i&gt;) unfolds in the acclaimed director’s signature style: poignant, natural, and bitingly funny. &lt;i&gt;In Spanish with subtitles.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;- &lt;/i&gt;&lt;b&gt;The Girl&lt;/b&gt;, directed and written by David Riker. (USA, Mexico) – World Premiere. From the director of &lt;i&gt;La Ciudad &lt;/i&gt;comes
 this moving drama about a single mother (Abbie Cornish) caught in 
emotional quicksand after losing her job and custody of her son. 
Desperate to earn cash for her custody battle, she makes the daring 
choice to help smuggle illegal immigrants over the border. A deep 
connection to a young Mexican girl will take her on a life-changing 
journey and force her to confront her past. &lt;i&gt;In English, Spanish with subtitles&lt;/i&gt;.&amp;nbsp;   &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;- &lt;/b&gt;&lt;b&gt;Una Noche&lt;/b&gt;, directed and written by Lucy Mulloy. (UK, 
Cuba, USA) – North American Premiere. Fed up with catering to the 
privileged tourist class, Cuban teens Raul and Elio are tantalized by 
the promise of a new life in Miami. Accused of assaulting a foreigner, 
Raul has no choice but to flee, but Elio must decide whether his own 
escape is worth abandoning his beloved sister. Brimming with the nervous
 energy of Havana’s restless youth and evocative cinematography of the 
sun-bleached capital, &lt;i&gt;Una Noche&lt;/i&gt; follows one sweltering day, full of hope and fraught with tensions, that burns to a shocking climax. &lt;i&gt;In Spanish with subtitles&lt;/i&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;- &lt;b&gt;Unit 7 (Grupo 7)&lt;/b&gt;, directed by Alberto Rodriguez, 
written by Rafael Cobos and Alberto Rodriguez. (Spain) – International 
Premiere. Unit 7 is a semi-official police detail with a seemingly 
impossible mission: kick Seville’s most vicious drug trafficking ring 
out of town ahead of a major international expo. By any means necessary.
 As they slip outside the bounds of the law in the name of duty, two 
officers fueled by violence, lies, and ambition end up on opposing 
paths. Spanish superstar Mario Casas (&lt;i&gt;Neon Flesh&lt;/i&gt;) stars in this adrenaline-pumping action thriller. &lt;i&gt;In Spanish with subtitles.&lt;/i&gt;&lt;/span&gt; &lt;/div&gt;
&lt;i&gt; &lt;/i&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;More information is coming on the TFF.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;A Night of Different Voices&lt;/b&gt; &amp;gt; Abril 19 &amp;gt; Instituto Cervantes &amp;gt; &lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha81254_27_2.htm" target="_blank"&gt;Voices&lt;/a&gt;. &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Films made by Totonacan (Mexico) and Mayan (Guatemala) filmmakers 
will be shown. Most of these films have never been screened in the 
United States before. Q&amp;amp;A session to follow. &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;br /&gt;* &lt;b&gt;50 Years of the New York Film Festival &lt;/b&gt;on-going
 series &amp;gt;&amp;gt; including breakthrough films by Tarkovsky, Jackie Chan,
 Clint Eastwood, Michael Moore and a tribute to the late Raul Ruiz. A 
special appearance will be made by director Michael Moore at the ROGER 
&amp;amp; ME screening on Tuesday, April 24 &amp;gt; &lt;a href="http://www.filmlinc.com/"&gt;FilmLinc&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;* &lt;b&gt;Family Films series&lt;/b&gt; with a French twist &amp;gt; April &amp;gt; The Film Society of Lincoln Center &amp;gt; &lt;a href="http://www.filmlinc.com/"&gt;FAMILY FILMS.&lt;/a&gt;&lt;br /&gt;To
 coincide with the annual upcoming program Rendez-Vous with French 
Cinema, the series will have a decidedly French point of view for the 
March and April lineup as it moves from winter to spring. With colorful 
films from France as well as some lively American musicals set in Paris 
there will be laughs, music and merriment &amp;gt;&amp;gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;* &lt;b&gt;CASA DE MI PADRE&lt;/b&gt; &amp;gt; Matt Piedmont, USA, 2012, 84 min. In Spanish with English subtitles &amp;gt; EN CARTELERA &amp;gt; &lt;a href="http://www.casademipadremovie.com/"&gt;CASA.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.cinematropical.com/newsletter_images/casa_de_mi_padre_poster_will_ferrell_1.jpg"&gt;&lt;img border="0" src="http://www.cinematropical.com/newsletter_images/casa_de_mi_padre_poster_will_ferrell_1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
 Armando Alvarez (Will Ferrell) has lived and worked on his father's 
ranch in Mexico his entire life. As the ranch faces financial strains, 
Armando's younger brother Raúl (Diego Luna) shows up with his new 
fiancée, Sonia (Genesis Rodríguez) and pledges to settle all his 
father's debt. It seems that Raul's success as an international 
businessman means the ranch's troubles are over, but when Armando falls 
for Sonia, and Raul's business dealings turn out to be less than legit, 
the Alvarez family finds themselves in a full-out war with Mexico's most
 feared drug lord, the mighty Onza (Gael García Bernal).&lt;br /&gt;&lt;b&gt;&lt;br /&gt;*&lt;/b&gt; &lt;b&gt;CHICO &amp;amp; RITA &amp;gt;&lt;/b&gt; De Fernando Trueba &amp;gt; Nominada al Oscar en la categoria de Animación &amp;gt;&amp;gt; En Cartelera &amp;gt; &lt;a href="http://www.angelikafilmcenter.com/angelika_comingsoon.asp?hID=1"&gt;The Angelika.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s1600/chicoandrita560.jpg"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s400/chicoandrita560.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;CHICO
 &amp;amp; RITA is an epic story of love, passion, and heartbreak. Cuba, 
1948. Chico is a young piano player with big dreams. Rita is a beautiful
 singer with an extraordinary voice. Music and desire unite them as they
 chase their dreams and each other from Havana to New York to Paris, 
Hollywood and Las Vegas. With an original soundtrack by legendary Cuban 
pianist and five-timeGrammy®-winning composer Bebo Valdés, CHICO &amp;amp; 
RITA captures a defining moment in the evolution of history and jazz, 
and features the music of (and animated cameos by) Thelonious Monk, 
Charlie Parker, ColePorter, Dizzy Gillespie, Woody Herman, Tito Puente, 
Chano Pozo, and others.&lt;br /&gt;&lt;br /&gt;* &lt;b&gt;The Artist&lt;/b&gt;. De Michel 
Hazanavicius. Con Jean Dujardin y Berenice Bejo &amp;gt; 5 Oscars 2012 &amp;gt; 
En Cartelera &amp;gt;&amp;gt; The Angelika and BAMCinemas.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-AMqQfBxiBZs/Txmls1NTX3I/AAAAAAAAIBI/tatLQnS5kiE/s1600/artist560.jpg"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-AMqQfBxiBZs/Txmls1NTX3I/AAAAAAAAIBI/tatLQnS5kiE/s400/artist560.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hollywood,
 1927: As silent movie star George Valentin wonders if the arrival of 
talking pictures will cause him to fade into oblivion, he sparks with 
Peppy Miller, a young dancer set for a big break. &lt;br /&gt;&lt;br /&gt;* &lt;b&gt;VIDEOTECA DEL SUR&lt;/b&gt; &amp;gt;&amp;gt; Cine Latinoamericano &amp;gt;&amp;gt; &lt;a href="http://videotecadelsur.org/"&gt;Videoteca&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #cc0000; font-size: x-large;"&gt;&lt;b&gt;MAS CINE:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;* &lt;b&gt;FOOTNOTE&lt;/b&gt;
 &amp;gt; Written and Directed by Joseph Cedar. Best Foreign Language Film 
Oscar Nominee. Winner of the Best Screenplay Prize at the 2011 Cannes 
Film Festival &amp;gt; &lt;br /&gt; FOOTNOTE is the story of insane academic 
competition, the dichotomy between admiration and envy for a role model,
 and the very complicated relationship between a father and son. &lt;br /&gt;&lt;br /&gt;*&lt;b&gt; DETACHMENT&lt;/b&gt;. Directed by Tony Kaye (AMERICAN HISTORY X) &amp;gt;&amp;gt; Out March 16 in NYC &amp;gt; March 23 Los Angeles.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-mMTK4NGFfDs/T1EqOtKgsUI/AAAAAAAAISc/1BbHBP4Quew/s1600/detachment.jpg"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-mMTK4NGFfDs/T1EqOtKgsUI/AAAAAAAAISc/1BbHBP4Quew/s400/detachment.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The
 long-awaited film DETACHMENT stars Academy Award® winner Adrien Brody 
as Henry Barthes, a substitute teacher who conveniently avoids any 
emotional connections by never staying anywhere long enough to form a 
bond with either his students or colleagues. A lost soul grappling with a
 troubled past, Henry finds himself at a public school where an 
apathetic student body has created a frustrated, burned-out 
administration. Inadvertently becoming a role model to his students, 
while also bonding with a runaway teen who is just as lost as he is, 
Henry finds that he’s not alone in a life and death struggle to find 
beauty in a seemingly vicious and loveless world. &lt;br /&gt;Kaye has molded a 
contemporary vision of people who become increasingly distant from 
others while still feeling the need to connect. DETACHMENT features a 
stellar ensemble cast, including Academy Award® winner Marcia Gay 
Harden, Christina Hendricks, William Petersen, Bryan Cranston, Tim Blake
 Nelson, Lucy Liu, Blythe Danner, James Caan, and newcomers Sami Gayle 
and Betty Kaye.&lt;br /&gt;&lt;br /&gt;&lt;b style="color: #cc0000;"&gt;OUT OF NYC!&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="color: #cc0000;"&gt;* The 28th Chicago Latino Film Festival &amp;gt; Abril 13-26 &amp;gt; &lt;/b&gt;&lt;span style="color: #cc0000;"&gt;International Latino Cultural Center&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &amp;gt; &lt;a href="http://chicagolatinofilmfestival.org/" target="_blank"&gt;CLFF&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-7512488363606643097?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-Xb1DdBhD9rHv5fOnX2q9S8VgDo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-Xb1DdBhD9rHv5fOnX2q9S8VgDo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-Xb1DdBhD9rHv5fOnX2q9S8VgDo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-Xb1DdBhD9rHv5fOnX2q9S8VgDo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/UIw33Ojokjg" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/UIw33Ojokjg/ny-essentials-cinema-en-abril.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-2gKN69mDhus/T3nxSCfZldI/AAAAAAAAIuM/38YPvcVJe5M/s72-c/Juan_de_los_muertos1.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/04/ny-essentials-cinema-en-abril.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-4750972109674928317</guid><pubDate>Sun, 01 Apr 2012 15:54:00 +0000</pubDate><atom:updated>2012-04-05T18:44:07.883-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">boston</category><category domain="http://www.blogger.com/atom/ns#">arte</category><title>NY ESSENTIALS: ARTE EN ABRIL</title><description>&lt;span style="color: #3d85c6; font-size: large;"&gt;Solo vean la foto de Nueva York abajo 
con Judy Garland y Marlon Brandon en primera plana para que se inspiren!. Aquellos 
tiempos... El Museo de Arte de Queens presenta una serie de fotografías 
de la Nueva York de los años 50 cautivante, del artista &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Frank Oscar Larson. &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: #3d85c6; font-size: large;"&gt;Además&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;b&gt;, Queens International 2012: Three Points Make a Triangle&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="color: #3d85c6;"&gt;&lt;span style="font-size: large;"&gt;, una revista del talento de este condado neoyorquino.&lt;br /&gt;
  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #3d85c6; font-size: large;"&gt;Tienen hasta el 7 de Abril para ver a Alexander Arrechea 
en la Magnan Metz de Chelsea. Diego Rivera, la Bienal del Whitney, Cindy Sherman en 
el Moma todos continúan, asi como &lt;/span&gt;&lt;span style="color: #3d85c6; font-size: large;"&gt; Testimonios y Gran Caribe en &lt;/span&gt;&lt;span style="color: #3d85c6; font-size: large;"&gt;El
 Museo del Barrio. El Instituto Cervantes presenta una serie de 
actividades dedicadas 
al terrorismo &lt;/span&gt;&lt;span style="color: #3d85c6; font-size: large;"&gt;y sus víctimas &lt;/span&gt;&lt;span style="color: #3d85c6; font-size: large;"&gt;que incluye una muestra y diversos paneles.&lt;br /&gt;
  &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #3d85c6; font-size: large;"&gt;Este mes he visitado el 
Museum of Fine Arts de Boston y sus nuevas alas; una, Art of the 
Americas y la otra, Contemporary Art. Dos nuevos espacios que han 
transformado el museo y que apuntan al futuro. Sencillamente 
espectaculares. También visité la muestra MUJERES, en la galería de 
Villa Victoria, el centro de arte Latino del South End. Aqui tienen el 
listado:&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;&lt;i&gt;Frank Oscar Larson: 1950s New York Street Stories &amp;gt; &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;Hasta Mayo 20 &amp;gt; Queens Museum of Art &amp;gt;&amp;gt; &lt;a href="http://www.queensmuseum.org/9160/frank-oscar-larson-1950s-new-york-street-stories" target="_blank"&gt;Larson.&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-zTNZVyBnF1E/T3fWUbvsR9I/AAAAAAAAIro/U8DuNuaFzkY/s1600/larson.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="354" src="http://3.bp.blogspot.com/-zTNZVyBnF1E/T3fWUbvsR9I/AAAAAAAAIro/U8DuNuaFzkY/s400/larson.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Frank Oscar Larson&lt;/b&gt; (1896-1964) was born in Greenpoint, 
Brooklyn, of Swedish immigrant parents and lived in Flushing, Queens 
most of his life. As an adult, Larson spent his days at a branch of the 
Empire Trust Company (now Bank of New York Mellon), working his way up 
through the ranks from auditor to vice-president, and spare time on 
weekends taking photographs of street life throughout New York City. He 
was an accomplished photographer who eloquently documented 1950s 
Chinatown, the Bowery, Hell’s Kitchen, City Island, Times Square, 
Central Park, and much more. This exhibition is compiled from thousands 
of negatives recently discovered stored away in his daughter-in-law’s 
house in Maine in 2009. Soren Larson, his grandson and a television news
 camera man and producer, has been scanning and printing the 55 year old
 images found stored in over 100 envelopes filled with mostly medium 
format, 2-1/4 x 2-1/4″ negatives, and neatly noted by location and date 
in Larson’s own hand.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;* &lt;b&gt;VOCES Y VISIONES: Gran Caribe &amp;gt; &lt;/b&gt;Hasta Diciembre 9 &lt;b&gt;&amp;gt;&amp;nbsp;&lt;/b&gt; El &lt;a href="http://www.elmuseo.org/en/event/voces-y-visiones-gran-caribe" target="_blank"&gt;Museo Del Barrio.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-w5gUh_lOjhY/Tz2VBlw-kxI/AAAAAAAAIGo/CmCRYTaMs10/s1600/grancaribe_main.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-w5gUh_lOjhY/Tz2VBlw-kxI/AAAAAAAAIGo/CmCRYTaMs10/s400/grancaribe_main.jpg" width="298" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Francisco Oller y Cestero (Puerto Rican, 1833-1917) &lt;i&gt;Platanos Amarillos&lt;/i&gt; (detail), ca. 1892-93 Oil on wood panel Gift of Joseph and Carmen Ana Unanue 2009.32&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;This exhibition features works that explore the vast diversity and 
complexity of the Caribbean basin, as an accompaniment to El Museo’s 
upcoming exhibition, &lt;i&gt;Caribbean: Crossroads of the World&lt;/i&gt;, presented in collaboration with Studio Museum in Harlem and Queens Museum of Art.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;i&gt;&lt;b&gt;Queens International 2012: Three Points Make a Triangle&lt;/b&gt; &amp;gt; Hasta Mayo 20 &amp;gt; Queens Museum of Art &amp;gt; &lt;a href="http://queensinternational.org/2012/index.php?/artists/about/" target="_blank"&gt;Three.&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Showcasing artists living or 
working in the borough. The 2012 edition features 31 artists based in 
established and upcoming art hubs in Queens and comprise a 
multi-national and cross-generational group.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;Queens International 2012&lt;/i&gt; presents artists ranging in
 age from their 20s through their 60s, who reflect Queens’ diversity, 
hailing from Taiwan, Israel, Mexico, Russia, Switzerland, Lithuania, 
Japan, Tibet, Uruguay and the US, some new to Queens, and others 
lifelong residents.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;TWISTED HORIZON &lt;/b&gt;&amp;gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Alexander Arrechea&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&amp;nbsp; &lt;/b&gt;&amp;gt; Hasta Abril 7 &amp;gt;&amp;gt; &lt;a href="http://magnanmetz.com/exhibitions/" target="_blank"&gt;Magnan Metz Gallery.&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-70--x34L-Iw/T07LXE1NBnI/AAAAAAAAIQE/_uRhqi5vlJc/s1600/ARRECHEA.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="310" src="http://3.bp.blogspot.com/-70--x34L-Iw/T07LXE1NBnI/AAAAAAAAIQE/_uRhqi5vlJc/s400/ARRECHEA.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;* &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;100 Reflections Out of Sorrow &amp;gt; Fotografía &amp;gt; Del 2 al 14 de Abril &amp;gt; Instituto Cervantes &amp;gt; &lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha80167_27_2.htm" target="_blank"&gt;100&lt;/a&gt;.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-s9ijm2S0nMk/T3eM5gGeG4I/AAAAAAAAIq0/O4sNpwwqO2I/s1600/MiguelAngelBlanco2.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://2.bp.blogspot.com/-s9ijm2S0nMk/T3eM5gGeG4I/AAAAAAAAIq0/O4sNpwwqO2I/s400/MiguelAngelBlanco2.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;b&gt;&lt;i&gt; &lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;100 Reflections Out of Sorrow&lt;/i&gt;&lt;/b&gt; condemns all 
terrorist acts as a crime against humanity and the fanatical and 
totalitarian ideologies sustaining terrorism as enemies of open 
societies and calls for democratic responses to terrorism.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;A series of events are connected to this exhibit &amp;gt;&lt;/span&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha81015_27_2.htm" id="abreNueva0_target"&gt;The Rights of Victims. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha80431_27_2.htm" id="abreNueva1_target"&gt;Now What?. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha80673_27_2.htm" id="abreNueva2_target"&gt;Bullet in the Head. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha80746_27_2.htm" id="abreNueva3_target"&gt;Guantanamo, Secret Prisons and Torture. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha80747_27_2.htm" id="abreNueva4_target"&gt;Terrorism and Literature. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha80750_27_2.htm" id="abreNueva5_target"&gt;Todos estamos invitados. &lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;* &lt;/b&gt;&lt;b&gt;&lt;i&gt; Rafael Barrios on Park Avenue&lt;/i&gt;&lt;/b&gt;.
 Nine monumental sculptures by this Venezuelan artist &amp;gt;&amp;gt; March  1 - June 30.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-xbR5HwCIB7A/T1FOsshxqsI/AAAAAAAAIT8/TjMMT3gf37o/s1600/barrios_lg.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="261" src="http://2.bp.blogspot.com/-xbR5HwCIB7A/T1FOsshxqsI/AAAAAAAAIT8/TjMMT3gf37o/s400/barrios_lg.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Rafael Barrios, Rendering of Acrobática at 53rd Street, courtesy of the artist.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;From&lt;/span&gt;&lt;span style="font-size: large;"&gt; 51st Street to 67th Street, Park Avenue 
Malls, Manhattan. Artist Alexander Arrechea will be also on display during springtime.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Affordable Art Fair&amp;nbsp;&lt;/b&gt; &amp;gt; Del 18 al 22 de Abril &amp;gt; 7W &amp;gt; &lt;a href="http://www.affordableartfair.us/newyorkcity/index.php" target="_blank"&gt;Affordable.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-qLyI7si-m_I/TcCPSIKM1kI/AAAAAAAAFzI/IYyfHwmXa1Y/s1600/affordable.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-qLyI7si-m_I/TcCPSIKM1kI/AAAAAAAAFzI/IYyfHwmXa1Y/s400/affordable.jpg" width="308" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Last year poster. AAF 2011.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;Más de 70 galerías exhibiendo lo último en Arte Contemporanea. Y con precios por debajo de los $10,000.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;* Kandinsky at the Bauhaus, 1922-1933&lt;/b&gt; &amp;gt; Hasta Abril 25 &amp;gt; Guggenheim Museum &amp;gt; &lt;a href="http://www.guggenheim.org/" target="_blank"&gt;Kandinsky&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;In 1922 Vasily Kandinsky accepted a teaching position at the Bauhaus, the state-sponsored
 Weimar school of art and applied design founded in 1919 by architect 
Walter Gropius. &lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;

&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Vfbt62YLA3k/T07TaMkTWTI/AAAAAAAAIQU/Ade8NYS0RRY/s1600/Kandinsky.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="191" src="http://4.bp.blogspot.com/-Vfbt62YLA3k/T07TaMkTWTI/AAAAAAAAIQU/Ade8NYS0RRY/s400/Kandinsky.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Vasily
 Kandinsky, &lt;i&gt;Decisive Rose
(Entscheidendes Rosa)&lt;/i&gt;, March
1932 (detail). Oil on canvas, 81 x 100 cm. Solomon R. Guggenheim Museum, New
York, Solomon R. Guggenheim Founding Collection 49.1178&lt;br /&gt;
&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;The school’s curriculum was based on the principle that 
the crafts were equal to the traditional arts and was organized 
according to a medieval-style guild system of training under the 
tutelage of masters. Kandinsky conducted the Wall Painting Workshop and 
Preliminary Course and taught at all three of the school’s sequential 
locations in Weimar, Dessau, and Berlin until 1933, when the Bauhaus was
 closed due to pressure from the National Socialist (Nazi) government.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;* &lt;b&gt;John Chamberlain: Choices&amp;nbsp; &lt;/b&gt;&amp;gt; Hasta Mayo 13 &amp;gt; Guggenheim Museum &amp;gt; &lt;a href="http://web.guggenheim.org/exhibitions/chamberlain/#peaudesoiemusic" target="_blank"&gt;John.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;With collage—the juxtaposition of heterogeneous
elements—and abstraction—the elimination of figurative imagery—as
guiding principles, Chamberlain articulated
the maxim that permeates his entire
oeuvre: “it’s all in the fit.” Throughout his
career, modulations in scale and medium
provide a vital rhythm to his development.
The sculptures range from the size of a fist
to the girth of a generous hug to the height
of a young, and eventually not so young,
tree. Swelling and shrinking, in coats of
multicolor, monochrome, or black-and-white
paint, the survey of Chamberlain’s
career displays the integrity of the artist’s
gesture in diverse manifestations. Despite
his commitment to abstraction, identifying
anthropomorphic and zoomorphic traits
in the lyrical, twisting forms is irresistible.
Their playful titles are planted like so many
red herrings: &lt;i&gt;Belvo-Violet&lt;/i&gt; (1962), &lt;i&gt;Miss Lucy
Pink&lt;/i&gt; (1962), &lt;i&gt;Rooster Starfoot&lt;/i&gt; (1976), &lt;i&gt;Lord
Suckfist&lt;/i&gt; (1989), and &lt;i&gt;SPHINXGRIN TWO&lt;/i&gt;
(1986/2010).&lt;/span&gt;&lt;br /&gt;
&amp;nbsp;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;* &lt;b&gt;Francesca Woodman &lt;/b&gt;&amp;gt; Una retrospectiva &amp;gt; Hasta Junio 13 &amp;gt; Guggenheim Museum &amp;gt; &lt;a href="http://www.guggenheim.org/new-york/exhibitions/on-view/francesca-woodman" target="_blank"&gt;Woodman&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-vuuD33BZ3JU/T07VdUURGtI/AAAAAAAAIQc/jbVWB3yFQjg/s1600/Francesca.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-vuuD33BZ3JU/T07VdUURGtI/AAAAAAAAIQc/jbVWB3yFQjg/s400/Francesca.jpg" width="382" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-size: 9px;"&gt;Francesca Woodman, &lt;i&gt;Polka Dots&lt;/i&gt;,
 Providence, Rhode Island, 1976. Gelatin  silver print, 13.3 x 13.3 cm. 
Courtesy George and Betty Woodman. © 2012  George and Betty Woodman&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;Francesca Woodman&lt;/i&gt; is the first comprehensive survey
of the artist’s brief but extraordinary career to be seen in
North America. More than thirty years after her death, the
moment is ripe for a historical reconsideration of her work
and its reception. Woodman’s oeuvre represents a remarkably
rich and singular exploration of the human body in
space and of the genre of self-portraiture in particular.
Her interest in female subjectivity, seriality, Conceptualist
practice, and photography’s relationship to both literature
and performance are also hallmarks of the heady moment
in American photography during which she came
of age.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;* &lt;b&gt;Whitney &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Biennial 2012 &lt;/b&gt;&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt; March 1–May 27 &amp;gt; &lt;/span&gt;Sculpture, painting, installations, and photography—as well as dance, theater, music, and film&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;gt; &lt;a href="http://whitney.org/Exhibitions/2012Biennial?utm_content=tespismag%40aol.com&amp;amp;utm_source=VerticalResponse&amp;amp;utm_medium=Email&amp;amp;utm_term=2012%20Whitney%20Biennial&amp;amp;utm_campaign=Whitney%20Biennial%202012%20Tickets%20on%20Sale%20Nowcontent" target="_blank"&gt;Whitney Museum.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-l8WzhythDjo/T3eOirRi22I/AAAAAAAAIq8/ndnjBnkRqeM/s1600/biennial_banner_800_copy_600.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="172" src="http://4.bp.blogspot.com/-l8WzhythDjo/T3eOirRi22I/AAAAAAAAIq8/ndnjBnkRqeM/s400/biennial_banner_800_copy_600.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;With a 
roster of artists at all points in their careers the Biennial provides a
 look at the current state of contemporary art in America. This is the 
seventy-sixth in the ongoing series of Biennials and&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Annuals presented 
by the Whitney since 1932, two years after the Museum was founded.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;div class="gray-type" style="color: #0b5394;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;* &lt;/b&gt;&lt;b&gt;Cindy Sherman&lt;/b&gt;&lt;b&gt; &amp;gt;&lt;/b&gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Hasta Junio 1 &amp;gt;&lt;a href="http://www.moma.org/visit/calendar/exhibitions/1170" target="_blank"&gt; MoMa.&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-rsbvV52YDMM/T1FDT0C4j2I/AAAAAAAAITY/c-uZI2Vq07g/s1600/moma_sherman2012_untitled466.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-rsbvV52YDMM/T1FDT0C4j2I/AAAAAAAAITY/c-uZI2Vq07g/s400/moma_sherman2012_untitled466.jpg" width="263" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Cindy Sherman. Untitled #466. 2008. Chromogenic color print, 8′ 6″ x 70″
 (259.1 x 177.8 cm). The Museum of Modern Art, New York. Acquired 
through the generosity of Robert B. Menschel in honor of Jerry I. 
Speyer. © 2012 Cindy Sherman &lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;The exhibition will explore dominant themes throughout Sherman’s career,
 including artifice and fiction; cinema and performance; horror and the 
grotesque; myth, carnival, and fairy tale; and gender and class 
identity.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Also included are Sherman’s recent photographic murals (2010),
 which will have their American premiere at MoMA.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;h4 style="text-align: left;"&gt;














&lt;span style="font-size: large;"&gt;* TESTIMONIOS: 100 Years of Popular Expression &amp;gt; Hasta Mayo 6 &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-weight: normal;"&gt;&amp;gt; &lt;a href="http://www.elmuseo.org/en/event/testimonios-100-years-popular-expression" target="_blank"&gt;El Museo del Barrio.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;h4 style="text-align: left;"&gt;




&lt;span style="font-size: large;"&gt;&lt;span style="font-weight: normal;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-s9oiKinyx9A/T3ewilRsMgI/AAAAAAAAIrM/j-vetwprywA/s1600/testimonios_main.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="298" src="http://1.bp.blogspot.com/-s9oiKinyx9A/T3ewilRsMgI/AAAAAAAAIrM/j-vetwprywA/s400/testimonios_main.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;h2 style="text-align: left;"&gt;





&lt;span style="font-weight: normal;"&gt;Drawing on rarely-seen works from El Museo del Barrio's Permanent 
Collection and select loans from the New York area, Testimonios examines
 potent works by non-traditionally trained makers. This exhibition 
celebrates and witnesses mankind’s myriad artistic manifestations by 
highlighting works that have been born under difficult or collaborative 
circumstances, or for spiritual or communal celebrations.&lt;/span&gt;&lt;/h2&gt;
&lt;h2 style="text-align: left;"&gt;



&lt;span style="font-weight: normal;"&gt;*&lt;/span&gt;American Identities: A New Look &lt;span style="font-weight: normal;"&gt;&amp;gt; Ongoing &amp;gt; Brooklyn Museum&lt;/span&gt; &amp;gt; &lt;a href="http://www.brooklynmuseum.org/exhibitions/american_identities/" target="_blank"&gt;Identities&lt;/a&gt;.&lt;/h2&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-u9AUIx_orb4/T3jP0zbEuyI/AAAAAAAAItc/FlC0by3qTM8/s1600/brooklynmuseum.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="235" src="http://1.bp.blogspot.com/-u9AUIx_orb4/T3jP0zbEuyI/AAAAAAAAItc/FlC0by3qTM8/s320/brooklynmuseum.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Edward Hicks (American, 1780–1849). &lt;span style="font-style: italic;"&gt;The Peaceable Kingdom&lt;/span&gt;, circa 1833–34. Oil on canvas, 17 7/16 x 23 9/16 in. (44.3 x 59.8 cm). Brooklyn Museum, Dick S. Ramsay Fund, 40.340&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;h2 style="font-weight: normal; text-align: left;"&gt;


This major installation of more than three hundred fifty objects from 
the Brooklyn Museum's premier collection of American art integrates a 
vast array of fine and decorative arts (silver, furniture, ceramics, and
 textiles) ranging in date from the colonial period to the present. For 
the first time, major objects from these exceptional collections are 
joined by selections from the Museum's important holdings of Native 
American and Spanish colonial art.&lt;/h2&gt;
&lt;h2 style="text-align: left;"&gt;


&lt;span style="font-weight: normal;"&gt;*&lt;/span&gt;&lt;i&gt;Keith Haring: 1978–1982 &amp;gt; &lt;span style="font-weight: normal;"&gt;Hasta Julio 8 &amp;gt; Brooklyn Museum &amp;gt; &lt;a href="http://www.brooklynmuseum.org/exhibitions/keith_haring/" target="_blank"&gt;KH.&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h2&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-fypJq0xjPFs/T3jKlbuLfZI/AAAAAAAAItQ/Gl9PvB-e2xM/s1600/KH.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/-fypJq0xjPFs/T3jKlbuLfZI/AAAAAAAAItQ/Gl9PvB-e2xM/s400/KH.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Keith Haring (American, 1958–1990). &lt;i&gt;Untitled&lt;/i&gt;, 1980. Sumi ink on Bristol board, 20 x 26 in. (50.8 x 66.0 cm). Collection Keith Haring Foundation. © Keith Haring Foundation&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;h2 style="text-align: left;"&gt;



&lt;i style="font-weight: normal;"&gt;This &lt;/i&gt;&lt;span style="font-weight: normal;"&gt;is the first large-scale exhibition to 
explore the early career of one of the best-known American artists of 
the twentieth century. Tracing the development of Haring’s extraordinary
 visual vocabulary, the exhibition includes 155 works on paper, numerous
 experimental videos, and over 150 archival objects, including rarely 
seen sketchbooks, journals, exhibition flyers, posters, subway drawings,
 and documentary photographs.&lt;/span&gt;&lt;span style="font-weight: normal;"&gt; &lt;/span&gt;&lt;/h2&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;i&gt;&lt;b&gt;Abstract Universe &lt;/b&gt;&amp;gt; &lt;/i&gt;&lt;b&gt;Carol Brown Goldberg &amp;gt; Hasta Mayo 8 &amp;gt; &lt;/b&gt;The Gabarron Foundation - Carriage House Center for the Arts&amp;gt; &lt;a href="http://www.gabarronfoundation.org/" target="_blank"&gt;ABSTRACT&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ZQQ34EqkMqQ/T2TutKa8OuI/AAAAAAAAIdo/WUInNS3gugo/s1600/abstract_universe_interior1.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="215" src="http://3.bp.blogspot.com/-ZQQ34EqkMqQ/T2TutKa8OuI/AAAAAAAAIdo/WUInNS3gugo/s400/abstract_universe_interior1.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Photo credit: Carol Brown Goldberg, "&lt;i&gt;After Valladolid&lt;/i&gt;", 2009. Detail
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;"Abstract Universe"&lt;/i&gt; is an exhibition of large-scale pulverized glass and acrylic paintings by &lt;b&gt;Carol Brown Goldberg&lt;/b&gt;.
 The exhibition is curated by Donald Kuspit, distinguished scholar and 
art critic, who describes this selection of Goldberg's work as "&lt;i&gt;Baroque Color Field painting&lt;/i&gt;"
 that has been inspired by the artist's reflection on the Creation. The 
artist states that "In my art, I create a system, a layering, that 
allows me to get into a flow of timelessness, and the repetition of 
shapes and forms compound the meditative process. I am in awe at the 
alchemy of paint, and how fluid can be harnessed to create images that 
transport us into a realm of mystery."&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Diego Rivera: Murals for The Museum of Modern Art&lt;/b&gt; &amp;gt; Hasta Mayo 14 &amp;gt;&amp;gt; &lt;a href="http://www.moma.org/visit/calendar/exhibitions/1168" target="_blank"&gt;MOMA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-eNK40zEOIyQ/T3esZlecrII/AAAAAAAAIrE/KF0Dh4xZTcY/s1600/DIEGORIVERA2" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-eNK40zEOIyQ/T3esZlecrII/AAAAAAAAIrE/KF0Dh4xZTcY/s400/DIEGORIVERA2" width="315" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Diego Rivera. &lt;br /&gt;
&lt;i&gt;Frozen Assets&lt;/i&gt;. 1931-32. &lt;br /&gt;
Fresco on reinforced cement in a galvanized-steel framework, 94 1/8 x 74 3/16 in (239 x 188.5 cm).&lt;br /&gt;
Museo Dolores Olmedo, Xochimilco, Mexico &lt;br /&gt;
© 2011 Banco de México Diego Rivera &amp;amp; Frida Kahlo Museums Trust, México, D.F./Artists Rights Society (ARS), New York&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;In December 1931, two years after its founding, The Museum of Modern Art
 inaugurated a major exhibition of work by the Mexican artist Diego 
Rivera. Only the second retrospective presented at the young Museum, the
 show was wildly popular, breaking attendance records in its five-week 
run. Rivera’s international celebrity was based on his fame as a 
muralist, but murals—by definition made and fixed on site—were 
impossible to transport. To solve this problem, MoMA brought the artist 
to New York from Mexico six weeks before the opening and provided him 
with makeshift studio space in an empty gallery. Working around the 
clock with three assistants, Rivera produced five “portable 
murals”—freestanding frescoes with bold images commemorating events in 
Mexican history. After the opening, to great publicity, Rivera added 
three more murals, now taking on New York subjects through monumental 
images of the urban working class and the social stratification of the 
city during the Great Depression. All eight were on display for the rest
 of the show’s run.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="bodytext"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;"Think Green","Pensar en verde" &lt;/b&gt;de Mónica Sarmiento Castillo &amp;gt; Art Inspired by Nature &amp;gt; Great Neck Arts Center &amp;gt; Hasta Mayo 31 &amp;gt; &lt;a href="http://www.greatneckarts.org/" target="_blank"&gt;GREEN.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Z03kv6K1kBU/T2TvrAnuyxI/AAAAAAAAIdw/XmLTwCUBoKA/s1600/sarmiento_interior_01.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="216" src="http://3.bp.blogspot.com/-Z03kv6K1kBU/T2TvrAnuyxI/AAAAAAAAIdw/XmLTwCUBoKA/s400/sarmiento_interior_01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Image: Mónica Sarmiento, &lt;i&gt;3 Palmeras y circular&lt;/i&gt;, 2011, 40x40cm, mixta sobre madera
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;Mónica Sarmiento Castillo's distinctive chromatic and constructivist 
structuring works are shown in prestigious exhibitions around the world.
 The focal point of her work is the exploration of nature in painting, 
sculpture, collage, drawing, and glass as viewed through the 
pre-Columbian Civilizations. Forests weave together the essence of 
creation and form the basis of her inspiration, reflecting an arboreal 
theme. &lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;* &lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;&lt;b&gt;Fiction/Nonfiction &lt;/b&gt;&amp;gt; Works by &lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;Rafael 
          Ferrer &amp;gt; Group show &amp;gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt; March 
          16 - April 21 &amp;gt; &lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;Adam Baumgold Gallery &amp;gt; &lt;a href="http://www.adambaumgoldgallery.com/" target="_blank"&gt;FERRER.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;
&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Tibetan Tapestries&lt;/b&gt;: Dream Weaves from the Himalayas &amp;gt; Diseños del colombiano José Sanint &amp;gt; Hasta Abril 18 &lt;a class="  twitter-atreply pretty-link" data-screen-name="TibetHouseUS" href="http://bit.ly/GIy1M0" rel="" target="_blank"&gt;&lt;b&gt;&amp;gt; Tibet House US&lt;/b&gt;&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;One Hundred Paintings &lt;/b&gt;&amp;gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Eduardo Anievas Cortines&lt;/b&gt; &amp;gt; Open Studio Series&amp;nbsp; &amp;gt; LIC &amp;gt;&amp;gt; &lt;a href="http://www.eduardoanievas.com/" target="_blank"&gt;100&lt;/a&gt;.&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-xi3xv6zKa_8/T3exROp5RYI/AAAAAAAAIrU/DtY0f63e77c/s1600/1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="263" src="http://3.bp.blogspot.com/-xi3xv6zKa_8/T3exROp5RYI/AAAAAAAAIrU/DtY0f63e77c/s400/1.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;The artist’s studio converts into a gallery, accommodating 
      the hanging of one hundred of his paintings. The April event will be the seventh in the 
      Series, in collaboration with the LIC Arts Open 
      Festival.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;OUTSIDE OF NYC:&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;* &lt;b&gt;Art of the Americas&lt;/b&gt; &amp;gt; New wing &amp;gt; Ongoing &amp;gt; Museum of Fine Arts &amp;gt; Boston &amp;gt; &lt;a href="http://www.mfa.org/americas-wing/galleries.html" target="_blank"&gt;MFA&lt;/a&gt;.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-s3k0ggd2sZ4/T3htQLt5iaI/AAAAAAAAIsU/uV_ODBCWKhc/s1600/IMG_2423.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="266" src="http://3.bp.blogspot.com/-s3k0ggd2sZ4/T3htQLt5iaI/AAAAAAAAIsU/uV_ODBCWKhc/s400/IMG_2423.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;A view of the 20th-century art through the mid-1970s&lt;span style="font-size: large;"&gt;&lt;span style="font-size: x-small;"&gt; &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;galleries&lt;/span&gt;. &lt;/span&gt;Art of the Americas. MFA Boston.&amp;nbsp; Photo: Alex Guerrero ®2012&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;The new wing takes a global perspective on Art of the Americas, 
showcasing more than 5,000 works of art produced in North, Central, and 
South America over the course of three millennia. Art in all media will 
be arranged chronologically on four floors. The wing's 53 brand-new 
galleries include nine beautiful period rooms and four Behind the Scenes
 galleries to enhance the way visitors experience and interact with the 
collection.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;* &lt;b&gt;Mujeres&lt;/b&gt; &amp;gt; Hasta Abril 21 &amp;gt; &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;Villa Victoria Centers for the Arts&amp;nbsp; &amp;gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&amp;nbsp; South End &amp;gt; Boston &amp;gt;&amp;gt; &lt;a href="http://www.villavictoriaarts.org/lagaleria_onview.html" target="_blank"&gt;Villa.&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-46lkm-b3WWU/T3hyswhWXRI/AAAAAAAAIss/gjj7Ds1tZg8/s1600/IMG_2455.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="231" src="http://3.bp.blogspot.com/-46lkm-b3WWU/T3hyswhWXRI/AAAAAAAAIss/gjj7Ds1tZg8/s400/IMG_2455.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;A group exhibit of six women artists of diverse origins coming together for an 
exceptional show. Each artist demonstrates great mastery of her media 
and work, powerfully presenting women’s issues. Coinciding with Women’s 
History Month in March, we celebrate and explore modern themes with 
contemporary relevance. The artists present works in various media: 
video, painting, textiles, printmaking, and beyond, demonstrating how a 
diversity of media can resonate and amplify meanings. The subject of 
women holds together the works, yet each is distinguished by its 
individual strengths, exploring, questioning, and affirming that the 
personal is political.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="color: #3d85c6;"&gt;&lt;i style="color: #cc0000;"&gt;* &lt;/i&gt;&lt;b style="color: #cc0000;"&gt;The Art of the Ancient Americas&lt;/b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt; &amp;gt; Hasta Mayo 20 &amp;gt; Walters Museum of Baltimore &amp;gt; &lt;/span&gt;&lt;a href="http://thewalters.org/eventscalendar/eventdetails.aspx?e=2208" style="color: #cc0000;" target="_blank"&gt;AMERICAS.&lt;/a&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-fNdI9qTU4RQ/T000EEalw6I/AAAAAAAAINs/Pd5QlSpY2uI/s1600/IMG_1625.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-fNdI9qTU4RQ/T000EEalw6I/AAAAAAAAINs/Pd5QlSpY2uI/s400/IMG_1625.jpg" width="322" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;An exhibition of 135 artworks from cultures that rose and fell in 
Mexico, Central America and Andean South America from 1200 BCE to 1530 CE. 
Drawn from the collection of John Bourne recently gifted to the Walters,
 this exhibition expresses each 
culture’s distinctive aesthetics, worldview and spiritual ideologies.


&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;Exploring Art of the Ancient Americas touches on the performative 
nature of politics and religion—performance being a key mechanism for 
strengthening bonds of community and religious belief. The exhibition 
features the imaginative musical instruments used during these events 
and emotive portrayals of performers—from kings to commoners.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;The New Wing for Contemporary Art at the MFA&lt;/b&gt;, Boston &amp;gt; Ongoing &amp;gt; &lt;a href="http://www.mfa.org/exhibitions/linde-family-wing-contemporary-art" target="_blank"&gt;Contemporary.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #cc0000; margin-left: auto; margin-right: auto; text-align: center;"&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-6dbrXTLDFkg/T3h3BXqgstI/AAAAAAAAIs8/xxxGlfocMBs/s1600/IMG_2428.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-6dbrXTLDFkg/T3h3BXqgstI/AAAAAAAAIs8/xxxGlfocMBs/s400/IMG_2428.jpg" width="300" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: x-small;"&gt;A view&amp;nbsp; of the Wing for Contemporary Art. MFA, Boston. Photo: AlexGuerrero ®2012.&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div class="media_info_content" id="media_info_0" style="color: #cc0000; display: block;"&gt;
&lt;span style="font-size: large;"&gt;The Linde Family Wing for Contemporary Art has seven new galleries to introduce innovative 
approaches to contemporary art and design within the context of the 
MFA's collections. The wing is also a lively social space—a gateway to 
experience contemporary culture, including art, music, performances, 
film, readings, lectures, courses, and artist demonstrations.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;* &lt;b&gt;The Marco Polo Syndrome: Contemporary Cuban Art&lt;/b&gt; &amp;gt; Hasta Abril 15 &amp;gt; Blanton Museum &amp;gt; Austin, Texas &amp;gt; &lt;a href="http://blantonmuseum.org/exhibitions/details/the_marco_polo_syndrome_contemporary_cuban_art/" target="_blank"&gt;Cuba&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-M_N2Oges80Q/T34fv1cR36I/AAAAAAAAIyc/LeHIdjpLlk8/s1600/marco_polo.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="244" src="http://2.bp.blogspot.com/-M_N2Oges80Q/T34fv1cR36I/AAAAAAAAIyc/LeHIdjpLlk8/s320/marco_polo.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;The Marco Polo Syndrome: Contemporary Cuban Art&lt;/em&gt; presents a 
selection of The Blanton’s holding from some of the most important 
contemporary Cuban artists working today. The exhibition examines the 
cultural renaissance of 1980s Cuba that swept the visual arts, cinema, 
literature, and theatre. The work of artists like José Bedia, Ricardo 
Rodríguez Brey, and Flavio Garciandía, on view in the exhibition, became
 pivotal to this artistic evolution, with works that spoke to a 
collective desire to achieve greater creative freedom within the 
conservative and repressive system that defined the everyday life in 
Cuba at the time. The title of the exhibition references Flavio 
Garciandía’s 1986 series, &lt;em&gt;El síndrome de Marco Polo,&lt;/em&gt; which became an emblematic work of the emerging and thriving artistic community. &lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt; &lt;/span&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #3d85c6; margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-4750972109674928317?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/D48k_k5pR_cBBbBD4vgcJpUhP2c/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/D48k_k5pR_cBBbBD4vgcJpUhP2c/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/D48k_k5pR_cBBbBD4vgcJpUhP2c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/D48k_k5pR_cBBbBD4vgcJpUhP2c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/lOhwEbnnUBA" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/lOhwEbnnUBA/ny-essentials-arte-en-abril.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-zTNZVyBnF1E/T3fWUbvsR9I/AAAAAAAAIro/U8DuNuaFzkY/s72-c/larson.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/04/ny-essentials-arte-en-abril.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-366129913986364522</guid><pubDate>Mon, 19 Mar 2012 19:18:00 +0000</pubDate><atom:updated>2012-03-19T15:23:50.748-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">moma</category><category domain="http://www.blogger.com/atom/ns#">lincoln center</category><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">new directors new films festival</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">ndnf</category><category domain="http://www.blogger.com/atom/ns#">museum of modern art</category><title>CINE LATINO EN EL NEW DIRECTORS / NEW FILMS FESTIVAL</title><description>&lt;span style="font-size: large;"&gt;Innovative and emerging voices in film from Brazil, Colombia and Argentina, and a short from Spain will be part of the&lt;/span&gt;&lt;span style="font-size: large;"&gt; 41st edition of &lt;i&gt;New Directors/New Films Festival.
&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;The festival(NDNF) will screen the Rotterdam Film Festival winner &lt;b&gt;&lt;i&gt;Neighboring
Sounds&lt;/i&gt;&lt;/b&gt;; a festival favorite
and first feature by Julia Murat, &lt;b&gt;&lt;i&gt;Found Memories&lt;/i&gt;&lt;/b&gt;; Camera d’Or winner &lt;b&gt;&lt;i&gt;Las
Acacias&lt;/i&gt;&lt;/b&gt; by Pablo Giorgelli; &lt;b style="font-style: italic;"&gt;Porfirio&lt;/b&gt;, Colombian docudrama by
Sundance lab fellow Alejandro Landes; Brazilian short documentary &lt;b&gt;&lt;i&gt;Street Vendor Cinema&lt;/i&gt;&amp;nbsp;&lt;/b&gt;by
Clarissa Knoll; and &lt;/span&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Oh Sorrow (Ay Pena)&lt;/b&gt;&lt;/span&gt;,&lt;/i&gt;&lt;b&gt; &lt;/b&gt;&lt;span style="font-size: large;"&gt;another short, from Spain, directed by Elisa Cepedal.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;"This year's New Directors/New Films cohort of 
filmmakers seems especially promising. I can't recall an edition of the 
series on which I worked that had a greater variation of styles or more 
innovative approaches to creating deeply personal cinema." said &lt;/span&gt;&lt;span style="font-size: large;"&gt;Richard Peña&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;, Film Society of Lincoln Center Program Director. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;New Directors / New Films &amp;gt; March 21 - April 1 &amp;gt; El sitio web &amp;gt; &lt;a href="http://newdirectors.org/" target="_blank"&gt;NDNF&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;LOS DETALLES: &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
  &lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span lang="FR" style="line-height: 115%;"&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="line-height: 115%;"&gt;FOUND
MEMORIES (Historias Que So Existem Quando Lembradas)&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial,sans-serif; line-height: 115%;"&gt; (2011)
98min&lt;/span&gt;&lt;span style="line-height: 115%;"&gt;. Director: Julia Murat. Country: Brazil&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-7ojFku9xWLI/T2d-HcRiXaI/AAAAAAAAIf8/gvxDTXnNV_8/s1600/momafilm_newdirectorsnewfilms2012_murat_foundmemories.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://4.bp.blogspot.com/-7ojFku9xWLI/T2d-HcRiXaI/AAAAAAAAIf8/gvxDTXnNV_8/s400/momafilm_newdirectorsnewfilms2012_murat_foundmemories.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;The
original title, which translates as "stories that only exist when
remembered," beautifully expresses the theme and core sentiment of Julia
Murat's poetic rendering of the fictive town of Jotuomba. A magical confluence
of generations and cultures is occasioned by the visit of Rita, a young
photographer, to this place where time has seemingly stood still and life is
rooted in the fixed roles of tradition soon to be rendered obsolete. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="line-height: 115%;"&gt;LAS
ACACIAS&lt;/span&gt;&lt;/b&gt;&lt;span style="line-height: 115%;"&gt; (2011) 85min. Director: Pablo Giorgelli. Country: Argentina.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-5UyPDvszZ4w/T2d-SQ1YHEI/AAAAAAAAIgE/mu5uawDNgX8/s1600/momafilm_newdirectorsnewfilms2012_giorgelli_lasacacias.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://2.bp.blogspot.com/-5UyPDvszZ4w/T2d-SQ1YHEI/AAAAAAAAIgE/mu5uawDNgX8/s400/momafilm_newdirectorsnewfilms2012_giorgelli_lasacacias.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;One of the discoveries of the
2011 Cannes Critics Week, Pablo Giogelli’s road movie with a difference takes a
900-mile trip from Asunción in Paraguay to Buenos Aires in the company of
Rubén, a gruff, taciturn truck driver and the two illegal immigrants—a young
woman, and her new-born daughter—he is reluctantly transporting. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;&lt;br /&gt;
    &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-size: large;"&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="line-height: 115%;"&gt;NEIGHBORING
SOUNDS (O som ao redor)&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="line-height: 115%;"&gt;
(2012) 124min&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h3 style="margin: 0.1pt 0in;"&gt;

&lt;span style="font-size: large;"&gt;&lt;span class="apple-converted-space"&gt;&lt;span lang="X-NONE" style="line-height: 115%;"&gt;Director: &lt;/span&gt;&lt;/span&gt;&lt;span lang="X-NONE" style="line-height: 115%;"&gt;Kleber Mendonça Filho&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;. Country: Brazil.&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;h3 style="margin: 0.1pt 0in;"&gt;

&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-zHLz27idvrY/T2d-e3HNS0I/AAAAAAAAIgM/DDjUVvL053M/s1600/momafilm_newdirectorsnewfilms2012_filho_neighboringsounds.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://1.bp.blogspot.com/-zHLz27idvrY/T2d-e3HNS0I/AAAAAAAAIgM/DDjUVvL053M/s400/momafilm_newdirectorsnewfilms2012_filho_neighboringsounds.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;h3 style="margin: 0.1pt 0in;"&gt;

&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;A thrilling debut from a
breakout talent, Kleber Mendonça Filho’s NEIGHBORING SOUNDS&lt;span class="apple-converted-space"&gt; &lt;/span&gt;delves into the lives of a group of
prosperous middle-class families residing on a quiet street, close to a
low-income neighborhood. A private security firm hired to police the street
becomes the catalyst for an exploration of the neighbors’ discontents and
anxieties, which are exacerbated by a palpable sense of unease over their
society’s troubled past and present&lt;b&gt; &lt;/b&gt;inequities.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="line-height: 115%;"&gt;PORFIRIO&lt;/span&gt;&lt;/b&gt;&lt;span style="line-height: 115%;"&gt; (2011)
106min. Director: Alejandro Landes. Country: Colombia.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-PUxZQCV1s-0/T2d-ntmO3RI/AAAAAAAAIgU/4AH-BRL5aqQ/s1600/momafilm_newdirectorsnewfilms2012_landes_porfiro.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="262" src="http://4.bp.blogspot.com/-PUxZQCV1s-0/T2d-ntmO3RI/AAAAAAAAIgU/4AH-BRL5aqQ/s400/momafilm_newdirectorsnewfilms2012_landes_porfiro.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;Paralyzed from the waist
down by a stray police bullet, the title character in Alejandro Landes'
remarkable film spends his days selling minutes on his cell phone when not
flirting with his comely neighbor, and secretly plotting his revenge. Landes
worked on the film for five years, creating a tale that joined the most
intimate details of Porfirio's day-to-day life with an astonishing re-creation
of his attempt to hijack an airplane.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span lang="FR" style="line-height: 115%;"&gt;STREET VENDOR CINEMA
(Cine camelô) &lt;/span&gt;&lt;/b&gt;&lt;span lang="FR" style="line-height: 115%;"&gt;(2011) 16min&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;Director: Clarissa Knoll. Country: Brazil.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-40e0J4dsO2k/T2d-8BCLoiI/AAAAAAAAIgk/jArUC-rlZCk/s1600/momafilm_newdirectorsnewfilms2012_knoll_streetvendorcinema_lo.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://1.bp.blogspot.com/-40e0J4dsO2k/T2d-8BCLoiI/AAAAAAAAIgk/jArUC-rlZCk/s400/momafilm_newdirectorsnewfilms2012_knoll_streetvendorcinema_lo.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;When a filmmaker and his
team set up a shop that makes and sells short films on demand, wild fantasies
come to life in the middle of a bustling marketplace.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Oh Sorrow (Ay Pena)&lt;/b&gt;&lt;/span&gt;,&lt;/i&gt;&lt;b&gt; &lt;/b&gt;&lt;span style="font-size: large;"&gt;2011. Spain. 20min. Directed by Elisa Cepedal.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-7uJClny1cBU/T2d_xj82BvI/AAAAAAAAIg0/P7NRDL2VNxA/s1600/momafilm_newdirectorsnewfilms2012_cepedal_ohsorrow.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="268" src="http://2.bp.blogspot.com/-7uJClny1cBU/T2d_xj82BvI/AAAAAAAAIg0/P7NRDL2VNxA/s320/momafilm_newdirectorsnewfilms2012_cepedal_ohsorrow.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;&lt;br /&gt;
When you lose your last connection to the place you once called home, what’s to keep you there?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;i&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;También en el festival:&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;i&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;Where Do We Go Now?&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt;,&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; &lt;/b&gt;2010. France/Lebanon/Italy/Egypt. 100min. Directed by Nadine Labaki&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-rCO8cIx3nyg/T2d_dAiXFaI/AAAAAAAAIgs/nrEdN1KwEEU/s1600/momafilm_newdirectorsnewfilms2012_labaki_wheredowegonow.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-rCO8cIx3nyg/T2d_dAiXFaI/AAAAAAAAIgs/nrEdN1KwEEU/s320/momafilm_newdirectorsnewfilms2012_labaki_wheredowegonow.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="line-height: 115%;"&gt;&lt;br /&gt;
Labaki’s film focuses on a group of women of different religions in a 
remote Lebanese village that band together and invent schemes to prevent
 their men from killing each other in the intractable religious conflict
 that surrounds their community. This entertaining and unlikely 
near-musical tears down stereotypes of women in the Middle East and uses
 humor to explore serious subjects, with one eye toward Aristophanes’ 
Lysistrata and the other toward Bollywood. &lt;br /&gt;
    &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-366129913986364522?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/z1gx2RY1k3Qshx1pe9Rn_SG4M8I/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z1gx2RY1k3Qshx1pe9Rn_SG4M8I/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/z1gx2RY1k3Qshx1pe9Rn_SG4M8I/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z1gx2RY1k3Qshx1pe9Rn_SG4M8I/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/EFU0RqZ5-PQ" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/EFU0RqZ5-PQ/cine-latino-en-el-new-directors-new.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-7ojFku9xWLI/T2d-HcRiXaI/AAAAAAAAIf8/gvxDTXnNV_8/s72-c/momafilm_newdirectorsnewfilms2012_murat_foundmemories.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/03/cine-latino-en-el-new-directors-new.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-6753991848810222445</guid><pubDate>Tue, 13 Mar 2012 18:07:00 +0000</pubDate><atom:updated>2012-03-13T14:07:35.075-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">world music</category><category domain="http://www.blogger.com/atom/ns#">TX</category><category domain="http://www.blogger.com/atom/ns#">latin music</category><category domain="http://www.blogger.com/atom/ns#">sxsw 2012</category><category domain="http://www.blogger.com/atom/ns#">sxsw</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">austin</category><category domain="http://www.blogger.com/atom/ns#">musica</category><category domain="http://www.blogger.com/atom/ns#">musica latina</category><title>MAS MUSICA LATINA EN EL SXSW 2012</title><description>&lt;span style="font-size: large;"&gt;Lo que aún llaman 'world' music nos trae mucha música latina con ofertas que van desde Brooklyn hasta Buenos Aires. Artistas ya consagrados como Lila Downs, Nortec Collective, Cucu Diamantes, Canteca de Macao. Grupos de Nueva York como&amp;nbsp; Chicha Libre llevarán su nueva producción a Austin. Y varios que estoy escuchando por primera vez, buenísimos.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-XFL8jJWEGM4/ScJmx31Oz0I/AAAAAAAADlE/rdGHKO8g03U/s1600/lila_downs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="282" src="http://2.bp.blogspot.com/-XFL8jJWEGM4/ScJmx31Oz0I/AAAAAAAADlE/rdGHKO8g03U/s400/lila_downs.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Los conciertos / showcases del SXSW 2012 se realizarán del 13 al 18 de Marzo. A explorar!&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS15738" id="a_MS15738"&gt;Lila Downs &amp;gt; Oaxaca, México.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS19591" id="a_MS19591"&gt;Nortec Collective: Hiperboreal&lt;/a&gt; &amp;gt; Tijuana, México.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS16193" id="a_MS16193"&gt;Canteca de Macao&lt;/a&gt; &amp;gt; Madrid, España.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS18360" id="a_MS18360"&gt;CuCu Diamantes&lt;/a&gt; &amp;gt; New York, NY.&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS15311" id="a_MS15311"&gt;Chicha Libre&lt;/a&gt; &amp;gt; Brooklyn, NYC.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS15812" id="a_MS15812"&gt;Ancestros&lt;/a&gt; &amp;gt; Cali, Colombia.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS16518" id="a_MS16518"&gt;Canalón de Timbiquí &amp;gt; Cali, Colombia.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17056" id="a_MS17056"&gt;Fim De Feira&lt;/a&gt; &amp;gt; Recife, Brasil.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*     
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS15750" id="a_MS15750"&gt;Gabriel Santiago Quintet&lt;/a&gt; &amp;gt; Rio de Janeiro, Brasil.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS15983" id="a_MS15983"&gt;Grupo Fantasma&lt;/a&gt; &amp;gt; Austin, TX.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS18047" id="a_MS18047"&gt;Jarana Beat&lt;/a&gt; &amp;gt; Brooklyn, NY.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17407" id="a_MS17407"&gt;Las Guitarras de España&lt;/a&gt; &amp;gt;Chicago, IL.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS18503" id="a_MS18503"&gt;Maria Volonte&lt;/a&gt; &amp;gt; Buenos Aires, Argentina.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS18290" id="a_MS18290"&gt;Oro11&lt;/a&gt; &amp;gt; Los Angeles, CA.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS15465" id="a_MS15465"&gt;Roge&lt;/a&gt; &amp;gt;  Rio de Janeiro, Brasil.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS19148" id="a_MS19148"&gt;Sonido San Francisco&lt;/a&gt; &amp;gt; Xonacatlan, México.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS15471" id="a_MS15471"&gt;Sudakaya&lt;/a&gt; &amp;gt; Quito, Ecuador.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS19519" id="a_MS19519"&gt;Suenalo&lt;/a&gt; &amp;gt; Miami, FL.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17053" id="a_MS17053"&gt;Tita Lima&lt;/a&gt; &amp;gt; Sao Paulo, Brasil.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS16694" id="a_MS16694"&gt;Zona Tango&lt;/a&gt; &amp;gt;&amp;nbsp; Buenos Aires, Argentina.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-6753991848810222445?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/RrtcRUcVaEElg69lpd8Vj7fAB90/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RrtcRUcVaEElg69lpd8Vj7fAB90/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/RrtcRUcVaEElg69lpd8Vj7fAB90/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RrtcRUcVaEElg69lpd8Vj7fAB90/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/I4O0geeUE8I" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/I4O0geeUE8I/mas-musica-latina-en-el-sxsw-2012.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-XFL8jJWEGM4/ScJmx31Oz0I/AAAAAAAADlE/rdGHKO8g03U/s72-c/lila_downs.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/03/mas-musica-latina-en-el-sxsw-2012.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-7200017352354259116</guid><pubDate>Tue, 13 Mar 2012 17:54:00 +0000</pubDate><atom:updated>2012-03-13T13:54:43.571-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">her photos</category><category domain="http://www.blogger.com/atom/ns#">mexico</category><category domain="http://www.blogger.com/atom/ns#">fotografias</category><category domain="http://www.blogger.com/atom/ns#">rosslyn</category><category domain="http://www.blogger.com/atom/ns#">artisphere</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">fotos</category><category domain="http://www.blogger.com/atom/ns#">frida kahlo</category><category domain="http://www.blogger.com/atom/ns#">arlington</category><category domain="http://www.blogger.com/atom/ns#">diego rivera</category><category domain="http://www.blogger.com/atom/ns#">virginia</category><category domain="http://www.blogger.com/atom/ns#">arte</category><category domain="http://www.blogger.com/atom/ns#">fotos de frida kahlo</category><category domain="http://www.blogger.com/atom/ns#">sus fotos</category><title>FRIDA KAHLO: SUS FOTOS &gt; EN EL ARTISPHERE</title><description>&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;La
 caja de los recuerdos, y de los secretos, es algo que creo todos 
poseemos. Aquel lugar donde atesoramos lo que nos ha importado&lt;/span&gt; de alguna manera en la vida y que pensamos solo nosotros tenemos acceso. Mientras estamos vivos.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-nx1g4b-uF0Q/T15DqN7iFMI/AAAAAAAAIZU/dHExTLJmbzc/s1600/IMG_1968.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="303" src="http://2.bp.blogspot.com/-nx1g4b-uF0Q/T15DqN7iFMI/AAAAAAAAIZU/dHExTLJmbzc/s400/IMG_1968.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;EN EL HOSPITAL.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Después pasan muchas cosas 
con esa caja. Algunas veces, cuando se trata de personajes o hechos de 
relevancia, la caja de los recuerdos se transforma en un tesoro, 
literalmente. Tesoro de información, de documentación, de aclaraciones y
 de nuevas dudas. Sobre todo, de un entendimiento más completo de la 
persona en cuestión, su entorno y su tiempo. Y nuestra historia.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-LxVYcwxJ-VU/T15DodVd17I/AAAAAAAAIY4/-aLmLUpnYik/s1600/IMG_1963.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="267" src="http://4.bp.blogspot.com/-LxVYcwxJ-VU/T15DodVd17I/AAAAAAAAIY4/-aLmLUpnYik/s400/IMG_1963.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;A Tavés de los años.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Asi llegué a la muestra &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Frida Kahlo: Sus Fotografías&lt;/b&gt;.
 Y tal cual, me encontré con una Frida más completa, la Frida íntima, 
familiar, privada. Me caminé la muestra varias veces como si Frida me 
estuviese dando el recorrido. 'Mira esta foto - me decía Frida - la tomé
 yo cuando era niña....'Y aquí estaba en el hospital en Nueva York... y 
aqui con Diego .. y aqui con Tina Modotti ... y Trotsky... Y aqui mi 
bella madre y el guapo de mi padre....'. En fin, atando cabos de 
momentos personales con momentos ya históricos y plasmados en su obra 
artística.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-ARnyRBD-_-U/T15DozgnuYI/AAAAAAAAIZA/uMfxYgRVt7E/s1600/IMG_1965.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="287" src="http://1.bp.blogspot.com/-ARnyRBD-_-U/T15DozgnuYI/AAAAAAAAIZA/uMfxYgRVt7E/s400/IMG_1965.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Foto tomada por Frida Kahlo&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Frida Kahlo: Sus Fotografías&lt;/b&gt; se realiza en las estupendas instalaciones de &lt;b&gt;Artisphere&lt;/b&gt; (Arlington, Virginia) hasta el 25 de Marzo.&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: large;"&gt;La
 muestra reune copias de 240 fotografías (de más de 6,000) seleccionados
 por el fotográfo y curador mexicano Pablo Ortiz Monasterio&lt;/span&gt;&lt;span style="font-size: large;"&gt;
 de los archivos de Kahlo sellados después de su muerte en 1954 y 
abiertos por primera vez en 2007. Las fotografías originales están 
expuestas en en Museo Frida Kahlo de Coyoacán, México ( según el 
testamento de Diego Rivera ninguna fotografía puede salir de México).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-lE15CTdw2Xg/T15DnlNTmTI/AAAAAAAAIYo/adFxt5cU3Nc/s1600/IMG_1959.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-lE15CTdw2Xg/T15DnlNTmTI/AAAAAAAAIYo/adFxt5cU3Nc/s320/IMG_1959.jpg" width="311" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Frida Kahlo with&amp;nbsp; one of her paintings and with Fulang Chang.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;Esta ventana fotográfica a la vida de 
Frida Kahlo, una de nuestras artistas más icónicas, está dividida en 5 
secciones temáticas: &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Sala 1: Los Orígenes&lt;/b&gt;: Las influencias de su padre, de Diego Rivera pero sobre todo, de su madre. &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Sala 2: Casa Azul&lt;/b&gt;. La casa donde nació, vivió y murio. Una mirada a su vida familiar y social.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;S&lt;b&gt;ala 3: El Cuerpo Roto&lt;/b&gt;. Frida a través de su fragilidad corporal. Su arte y fotografía como expresiones.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Sala 4: Amores&lt;/b&gt;. Su vida más íntima. Nuevas preguntas. Amantes y Diego.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Sala 5: La Fotografía&lt;/b&gt;.
 La influencia de este arte en su obra y el contacto con los mejores 
fotógrafos de su tiempo como Edward Weston, Man Ray, Brassai y Tina 
Modotti.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Si están en Washington llegan fácil via metro (Rosslyn). Vean la galería debajo o visiten la galería en linea &amp;gt;&amp;gt;&lt;a href="https://picasaweb.google.com/116495537112396712488/FRIDAATARTISPHERE?authuser=0&amp;amp;feat=directlink" target="_blank"&gt; FRIDA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;


&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Visiten el sitio para más información &amp;gt; &lt;a href="http://www.artisphere.com/calendar/event-details/Visual-Arts/FRIDA-KAHLO-HER-PHOTOS.aspx" target="_blank"&gt;ARTISPHERE. &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Para complementar la muestra, &lt;b&gt;Artisphere&lt;/b&gt; tiene pautadas varias actividades. Aqui tienen un listado:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href="http://www.artisphere.com/calendar/event-details/Film-New-Media/Alydia-Wever-Muhe-Frida.aspx"&gt;ALYDIA WEVER: MUHE FRIDA: Thurs Feb 24 - Sun Mar 25/Bijou Theatre&lt;/a&gt;&lt;/b&gt;&lt;i&gt;&lt;br /&gt;
An experimental work by Alydia Wever that expresses 7 different alter egos of Mexican artist Frida Kahlo.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href="http://www.artisphere.com/programs/film-and-new-media.aspx"&gt;ROBERT RODRIGUEZ FILM SERIES: Wednesdays in March&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
The work of Mexican-American filmmaker Robert Rodriguez will be showcased in March. Films being screened include &lt;a href="http://www.artisphere.com/calendar/event-details/Film-New-Media/ROBERT-RODRIGUEZ-FILM-SERIES-EL-MARIACHI.aspx"&gt;El Mariachi&lt;/a&gt;, &lt;i&gt;&lt;a href="http://www.artisphere.com/calendar/event-details/Film-New-Media/ROBERT-RODRIGUEZ-FILM-SERIES-DESPERADO.aspx"&gt;Desperado&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href="http://www.artisphere.com/calendar/event-details/Film-New-Media/ROBERT-RODRIGUEZ-FILM-SERIES-ONCE-UPON-A-TIME-IN-MEXICO.aspx"&gt;Once Upon a Time in Mexico&lt;/a&gt;&lt;/i&gt;, and &lt;i&gt;&lt;a href="http://www.artisphere.com/calendar/event-details/Film-New-Media/ROBERT-RODRIGUEZ-FILM-SERIES-FROM-DUSK-TILL-DAWN.aspx"&gt;From Dusk Till Dawn&lt;/a&gt;&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt; &lt;a href="http://www.artisphere.com/calendar/event-details/Music/LA-SHICA-FLAMENCO-FUSION-ARTIST.aspx"&gt;LA SHICA: FLAMENCO FUSION ARTIST: Fri March 15/8 &lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;This event is sold out&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
Sexy, sinuous and beautiful, singer and dancer La Shica twists her own 
version of flamenco by mixing hip-hop, reggae and bossa nova with her 
flamenco dance moves. Her band, an acoustic trio, 
draws from influences as diverse as Brazilian music, funk, la copla and 
jazz. La Shica won the 2011 Spanish Music Award for Best New Act.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href="http://artisphere.com/calendar/event-details/Film-New-Media/JARDIN-EN-EL-MAR-A-GARDEN-IN-THE-SEA.aspx"&gt;JARDIN EN EL MAR (A Garden in the Sea): Thu March 15/7 pm/Free/Dome Theatre&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
This new film is about an underwater installation in the Mexican Sea of 
Cortez created by Spanish artist Cristina Iglesias and commissioned by 
Mexican philanthropist Manuel Arango.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href="http://artisphere.com/calendar/event-details/Music/MEXICAN-INSTITUTE-OF-SOUND.aspx"&gt;MEXICAN INSTITUTE OF SOUND: Sat March 17/8 pm&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
DJ and producer Camilo Lara is the one-man dynamo behind this electronic
 music project. The Indie Music Award-winning group mixes mariachi and 
cumbia with hip-hop, rock, and thunderous beats.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href="http://artisphere.com/calendar/event-details/Dancing/WOMEN-IN-SALSA-SHOW-DANCE-PARTY.aspx"&gt;
WOMEN IN SALSA SHOW + DANCE PARTY: Sat March 24/8 pm&lt;/a&gt;.&lt;/b&gt;&lt;br /&gt;
Eighteen salseras perform, followed by a DJ night featuring DJ Emilly “La Taina” and DJ Nancy Alonso.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href="http://artisphere.com/calendar/event-details/Education/SURREALISM-WORKSHOPS-UNDERSTANDING-FRIDA-S-CREATIVE-CLIMATE-ADULTS.aspx"&gt;SURREALISM WORKSHOPS: UNDERSTANDING FRIDA'S CREATIVE CLIMATE&lt;/a&gt;&lt;br /&gt; &lt;/b&gt;Adult Surrealism Workshop/ Sat March 24/ 5-8 pm/$12 (ages 18+; limited to 24 participants)&lt;br /&gt;
Family Surrealism Workshop/Sun March 25/1-4 pm/Free (ages 5+; space is limited - RSVP to rmayo@arlingtonva.us)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href="http://www.artisphere.com/calendar/event-details/Family/LOS-QUETZALES.aspx"&gt;LOS QUETZALES MEXICAN DANCE ENSEMBLE: Sun March 25/1 pm/Free/All ages/Ballroom&lt;/a&gt;&lt;br /&gt; &lt;/b&gt;Explore Mexican culture and traditions through a thrilling dance performance. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;FOTOS ® ALEX GUERRERO 2012&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-7200017352354259116?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kZd6Bevru3YZwc-VLH-7hKyKlvc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kZd6Bevru3YZwc-VLH-7hKyKlvc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kZd6Bevru3YZwc-VLH-7hKyKlvc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kZd6Bevru3YZwc-VLH-7hKyKlvc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/mE23QnikEqI" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/mE23QnikEqI/frida-kahlo-sus-fotos-en-el-artisphere.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-nx1g4b-uF0Q/T15DqN7iFMI/AAAAAAAAIZU/dHExTLJmbzc/s72-c/IMG_1968.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/03/frida-kahlo-sus-fotos-en-el-artisphere.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-4466172156082679663</guid><pubDate>Sat, 10 Mar 2012 21:47:00 +0000</pubDate><atom:updated>2012-03-10T16:47:48.150-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">kali mutsa</category><category domain="http://www.blogger.com/atom/ns#">latin rock</category><category domain="http://www.blogger.com/atom/ns#">muchachito</category><category domain="http://www.blogger.com/atom/ns#">sol pereyra</category><category domain="http://www.blogger.com/atom/ns#">texas</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">austin</category><category domain="http://www.blogger.com/atom/ns#">javier garcia</category><category domain="http://www.blogger.com/atom/ns#">musica</category><category domain="http://www.blogger.com/atom/ns#">mr pauer</category><category domain="http://www.blogger.com/atom/ns#">sxsw 2012</category><category domain="http://www.blogger.com/atom/ns#">MUSIC</category><category domain="http://www.blogger.com/atom/ns#">rock latino</category><category domain="http://www.blogger.com/atom/ns#">torreblanca</category><category domain="http://www.blogger.com/atom/ns#">sxsw</category><category domain="http://www.blogger.com/atom/ns#">la vida boheme</category><category domain="http://www.blogger.com/atom/ns#">el tule</category><title>ROCK LATINO EN EL #SXSW 2012</title><description>&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;Cada año la presencia del talento nuestro se hace sentir en Austin no sólo en música sino en innovación y en film. En música, como pueden ver en la lista, tenemos bandas tanto domesticas ( TX, FL, CA y LA) como de México, Argentina, Venezuela, Colombia y España! Como que nadie representa a Nueva York este año!. He estado escuchando mucho a La Vida Boheme, Kali Mutsa y Muchachito (que se presentan en el SOB's de NYC pronto), Jotdog, Barbarabanda, Javier García, Mr. Pauer, El Tule, Torreblanca, Sol Pereyra... que les puedo decir... si todos rock parejo!!.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-gyeyNfFaO2c/T1vB3nWpiQI/AAAAAAAAIX8/7jyiid0S7bw/s1600/1754.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="266" src="http://1.bp.blogspot.com/-gyeyNfFaO2c/T1vB3nWpiQI/AAAAAAAAIX8/7jyiid0S7bw/s400/1754.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;LA VIDA BOHEME&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;Estos son los grupos de rock latino que se presentarán del 13 al 17 de Marzo en la capital tejana con los enlaces correspondientes para más información y su música. En el próximo artículo les traigo a los grupos y cantantes latinos bajo la etiqueta "WORLD MUSIC".&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; A explorar pués!&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17889" id="a_MS17889"&gt;*Bambarabanda (Pasto,  Colombia)&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS19518" id="a_MS19518"&gt;Bang Data (Oakland C) &lt;/a&gt;&lt;/span&gt; &lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS16903" id="a_MS16903"&gt;Charanga Cakewalk&lt;/a&gt; (Austin, Texas)&lt;/span&gt; &lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17218" id="a_MS17218"&gt;El Tule&amp;nbsp; (Cedar Park, TX)  &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS16538" id="a_MS16538"&gt;Enjambre&lt;/a&gt;&amp;nbsp; (Zacatecas, Mexico)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS18150" id="a_MS18150"&gt;The Iguanas&lt;/a&gt; (New Orleans, LA) &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17163" id="a_MS17163"&gt; Javier Garcia&lt;/a&gt;&amp;nbsp; (Miami, Florida)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17331" id="a_MS17331"&gt;Jotdog&lt;/a&gt; (Mexico City, Mexico)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS18641" id="a_MS18641"&gt;Juanes&lt;/a&gt; (Medellin, Colombia)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17304" id="a_MS17304"&gt;Kali Mutsa&lt;/a&gt; (Santiago, Chile)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS18311" id="a_MS18311"&gt;La Vida Boheme&lt;/a&gt; (Caracas, Venezuela)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS19387" id="a_MS19387"&gt;Los Po-Boy-Citos&lt;/a&gt; (New Orleans, LA) &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS17167" id="a_MS17167"&gt;Los Skarnales&lt;/a&gt; (Houston, Texas)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS15938" id="a_MS15938"&gt;Maneja Beto&lt;/a&gt; (Austin, Texas)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS19524" id="a_MS19524"&gt;Master Blaster Sound System&lt;/a&gt; (Austin, Texas)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS19624" id="a_MS19624"&gt;Mr. Bleat&lt;/a&gt; (Medellin, Colombia)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS18825" id="a_MS18825"&gt;Mr. Pauer&lt;/a&gt; (Miami, Florida)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;    
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS16169" id="a_MS16169"&gt;Muchachito Bombo Infierno&amp;nbsp; ( Barcelona, Spain)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS16670" id="a_MS16670"&gt;Sol Pereyra&lt;/a&gt; ( Cordoba, Argentina)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS16404" id="a_MS16404"&gt;Torreblanca&lt;/a&gt;&amp;nbsp; (Mexico City, Mexico)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;*&amp;nbsp;   
       &lt;a class="link_itemMusic link_item" href="http://schedule.sxsw.com/2012/events/event_MS19493" id="a_MS19493"&gt;Torreblanca &amp;amp; Amigas (Ximena Sariñana, Natalia Lafourcade, Javiera Mena, Andrea Balency Trio)&lt;/a&gt; (Mexico City, Mexico)&lt;/span&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-4466172156082679663?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-iNpwFAOrawGQagEux-uQWPcCOA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-iNpwFAOrawGQagEux-uQWPcCOA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-iNpwFAOrawGQagEux-uQWPcCOA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-iNpwFAOrawGQagEux-uQWPcCOA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/dXktYb64Dqg" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/dXktYb64Dqg/rock-latino-en-el-sxsw-2012.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-gyeyNfFaO2c/T1vB3nWpiQI/AAAAAAAAIX8/7jyiid0S7bw/s72-c/1754.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/03/rock-latino-en-el-sxsw-2012.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-9109320672441086218</guid><pubDate>Fri, 09 Mar 2012 23:23:00 +0000</pubDate><atom:updated>2012-03-13T13:12:01.235-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">walters museum</category><category domain="http://www.blogger.com/atom/ns#">mexico</category><category domain="http://www.blogger.com/atom/ns#">maryland</category><category domain="http://www.blogger.com/atom/ns#">art of the ancient americas</category><category domain="http://www.blogger.com/atom/ns#">peru</category><category domain="http://www.blogger.com/atom/ns#">art of the americas</category><category domain="http://www.blogger.com/atom/ns#">John bourne</category><category domain="http://www.blogger.com/atom/ns#">baltimore</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">pre-colombian</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">arte</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>ARTE DE LA AMERICA ANTIGUA EN EL WALTERS MUSEUM</title><description>&lt;div style="color: #3d85c6;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-eQPOrY3xPEQ/T000FO642-I/AAAAAAAAIN8/XcpfKlYil0g/s1600/IMG_1632.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="355" src="http://2.bp.blogspot.com/-eQPOrY3xPEQ/T000FO642-I/AAAAAAAAIN8/XcpfKlYil0g/s400/IMG_1632.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Prepárense para maravillarse ante las exquisitas piezas de arte de &lt;b&gt;Exploring Art of the Ancient Americas&lt;/b&gt; : &lt;b&gt;la Colección Bourne&lt;/b&gt;, la muestra que abrió recientemente en el &lt;b&gt;Museo de Arte Walters&lt;/b&gt; de &lt;b&gt;Baltimore&lt;/b&gt; y que cataloga más de 2,500 años de creación artística en el continente.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-fNdI9qTU4RQ/T000EEalw6I/AAAAAAAAINs/Pd5QlSpY2uI/s1600/IMG_1625.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-fNdI9qTU4RQ/T000EEalw6I/AAAAAAAAINs/Pd5QlSpY2uI/s400/IMG_1625.jpg" width="322" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;El
 observador casual podría pensar que el arte usualmente llamado 
pre-colombino no pasa de vasijas y estatuas de cerámica, piezas de oro, o
 grandes monumentos de piedra de gestos frios y lineas fuertes.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-BI8XEO1Kd4c/T000CEZn_FI/AAAAAAAAINU/eoWRgaA05p0/s1600/IMG_1615.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-BI8XEO1Kd4c/T000CEZn_FI/AAAAAAAAINU/eoWRgaA05p0/s400/IMG_1615.jpg" width="352" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Pero viendo las 135 piezas de arte que forman parte de la &lt;b&gt;Colección Bourne&lt;/b&gt;
 y que fueron donadas recientemente al Museo Walters, cualquier duda es 
rápidamente disipada. Como pueden apreciar en estas fotos - que tomé 
durante la apertura para miembros a la que fui generosamente invitado 
por el museo - &lt;b&gt;Exploring Art of the Ancient Americas&lt;/b&gt; rompe ese 
molde con estátuas y piezas de singular belleza y delicadeza, además de&amp;nbsp;
 instrumentos musicales, parejas de músicos, o parejas que parecieran 
estar mostrándose afecto (no es el caso). &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-xXL5rdOmIm8/T000CyOfbCI/AAAAAAAAINk/9iS9-Uq7Ojw/s1600/IMG_1623.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-xXL5rdOmIm8/T000CyOfbCI/AAAAAAAAINk/9iS9-Uq7Ojw/s400/IMG_1623.jpg" width="290" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/-eQPOrY3xPEQ/T000FO642-I/AAAAAAAAIN8/XcpfKlYil0g/s1600/IMG_1632.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Pocas
 veces se ven piezas de esta calidad que nos permiten un conocimiento 
más profundo y realístico de la cultura de nuestros antepasados. Esto a 
lo mejor se deba a que John Bourne fue uno de los primeros exploradores 
del mundo perdido Maya y esa conección temprana le permitió traer a la 
luz piezas de singular belleza a lo largo del continente. Para los que 
hemos tenido la fortuna de visitar México, Perú o museos en otras partes
 del mundo sabemos que el nivel de refinamiento - craftmanship - es 
elevado. Ahora, viendo la muestra &lt;b&gt;Exploring Art of the Ancient Americas&lt;/b&gt; el abanico se expande desde México a Chile. Saldrán inspirados.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-4KQmcaxNtfw/T000Cv3PKFI/AAAAAAAAINc/n5e-SLQEXKg/s1600/IMG_1617.JPG" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="335" src="http://4.bp.blogspot.com/-4KQmcaxNtfw/T000Cv3PKFI/AAAAAAAAINc/n5e-SLQEXKg/s400/IMG_1617.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Exploring Art of the Ancient Americas: La Collección Bourne&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: large;"&gt;
 estará abierta al público hasta el 20 de mayo de 2012. El Museo Walters
 se ve comprometido en establecer una fuerte relación con la comunidad 
latina y ofrece información en Inglés y en Español. Además tiene 
planeado una &lt;b&gt;serie de actividades &lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;bilingües&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: large;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;y gratuitas (incluyendo acceso a la muestra) los jueves 15 de marzo, 19 de
abril y 17 de mayo&lt;/b&gt;. &lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: large;"&gt;Visiten el sitio para más información &amp;gt;&amp;gt; &lt;/span&gt;&lt;a href="http://thewalters.org/eventscalendar/eventdetails.aspx?e=2208" target="_blank"&gt;&lt;span style="font-family: Times New Roman; font-size: large;"&gt;Walters Museum.&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-RRYvQDW87VY/T00z_q0yCrI/AAAAAAAAINE/D8luykmHmeg/s1600/IMG_1609.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-RRYvQDW87VY/T00z_q0yCrI/AAAAAAAAINE/D8luykmHmeg/s400/IMG_1609.jpg" width="323" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-family: Times New Roman; font-size: large;"&gt;La exposición viajará&amp;nbsp;
al &lt;b&gt;Museo de Arte &amp;amp; Historia de Albuquerque&lt;/b&gt; en Nuevo México el 10 
de Junio –&amp;nbsp;26 de Agosto de 2012.&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;Esperamos que visite otras ciudades del país.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Vean el slideshow debajo o sigan el enlace para ver la galería &amp;gt; &lt;a href="https://picasaweb.google.com/116495537112396712488/ARTOFANCIENTAMERICASATTHEWALTERSMUSEUM?authuser=0&amp;amp;authkey=Gv1sRgCLyznomfzrivdQ&amp;amp;feat=directlink%20" target="_blank"&gt;ANCIENTAMERICAS&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;embed flashvars="host=picasaweb.google.com&amp;amp;hl=en_US&amp;amp;feat=flashalbum&amp;amp;RGB=0x000000&amp;amp;feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2F116495537112396712488%2Falbumid%2F5714280637078239409%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCLyznomfzrivdQ%26hl%3Den_US" height="267" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="400"&gt;&lt;/embed&gt;

&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Photos by Alex Guerrero ®2012.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Más detalles acerca de la muestra:&lt;/b&gt; &lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times New Roman;"&gt;Son&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: large;"&gt; 135 obras de arte de culturas que florecieron 
y murieron en México, Centro-América y la parte Andina de Sud América 
de 1200 A.C. – 1530 D.C.&amp;nbsp; Las obras&amp;nbsp; pertenecen a la que 
fue la colección de John Bourne, quien la donó recientemente al Museo 
Walters y que expresa las estéticas, 
visión del mundo e ideología espiritual distintiva de cada cultura.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Times New Roman; font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;
&lt;/div&gt;
&lt;span style="font-family: Times New Roman; font-size: large;"&gt;Los 
historiadores modernos agrupan las variadas sociedades antiguas al Sur 
de Estados Unidos en tres grandes tradiciones basadas en la geo-política 
y diseños antiguos de rasgos culturales compartidos: Mesoamérica, 
Centro América y la parte Andina de Sud América.&amp;nbsp; La exposición 
pone de&amp;nbsp; relieve las obras de arte como ilustraciones de los principios 
fundamentales de las sociedades tales como el chamanismo como basamento 
del  Gobierno en Mesoamérica, Costa Rica y Panamá, así como los principios 
cósmicos plasmados en oro y plata en Colombia, Ecuador y Perú.&amp;nbsp; 
Los artistas expresaron los aspectos que hacían que&amp;nbsp; cada sociedad 
sea  única de manera novedosa en figuras humanas monumentales y portátiles, 
seres y deidades espirituales, y compañeros de la vida cotidiana&amp;nbsp; 
como perros hechos de piedra, arcilla, metales preciosos y textiles.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: large;"&gt;La 
exposición&amp;nbsp;&lt;i&gt;Explorando el Arte de las 
Américas Antiguas&lt;/i&gt; habla acerca de la naturaleza representativa 
de la  política&amp;nbsp; y la religión – puesto que la actuación es 
el mecanismo clave para&amp;nbsp; reforzar los vínculos comunitarios y 
creencias religiosas.&amp;nbsp; La exposición da un lugar protagónico 
a los instrumentos musicales imaginativos que se usaban durante estos 
eventos así como la representación emotiva de los intérpretes – 
desde Reyes a gente común.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: large;"&gt;“Mucho 
antes de los medios de comunicación masivos como la televisión, el 
internet o los &lt;i&gt;smartphones, &lt;/i&gt;
los espectáculos eran un mecanismo público vital  para la comunicación 
en tiempo real de las creencias sociales, políticas e ideológicas 
de las culturas”, escribió el Curador Consultor de Arte de las Américas 
Antiguas, Dorie Reents-Budet. “En las Américas antiguas, como en 
cualquier otro lugar en la historia  mundial, la actuación transmitía 
la identidad del grupo y reforzaba las jerarquías sociales del poder 
político y otras características claves de una sociedad.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Times New Roman; font-size: large;"&gt;Esta 
exposición muestra una selección del coleccionista John Bourne, el 
cual fue unos de los primeros exploradores en sondear a profundidad  
las junglas montañosas del Sur de México.&amp;nbsp; Viajando con el Explorador 
Carlos Frey (Herman Charles) y el Fotógrafo Giles Healy, fueron entre 
los primeros exploradores occidentales en visitar Bonampak, el ahora 
famoso yacimiento Maya  célebre por su edificio real de tres cuartos 
cuyas paredes interiores estaban cubiertas de murales, las que registraban 
una batalla y rituales públicos acerca de la historia política de 
la realeza&amp;nbsp; en el yacimiento durante  el siglo octavo. Bourne se 
enamoró de la expresividad creativa de los Mayas – y de todos los 
pueblos de las Américas – percibiendo  que sus obras se igualaban 
a cualquier tradición artística del mundo.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-9109320672441086218?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/bb5MqYVhQ299zUtY7RwfLZa5bg8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bb5MqYVhQ299zUtY7RwfLZa5bg8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/bb5MqYVhQ299zUtY7RwfLZa5bg8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bb5MqYVhQ299zUtY7RwfLZa5bg8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/l6LKgAgYZts" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/l6LKgAgYZts/stunning-art-de-la-america-antigua-en.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-eQPOrY3xPEQ/T000FO642-I/AAAAAAAAIN8/XcpfKlYil0g/s72-c/IMG_1632.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/03/stunning-art-de-la-america-antigua-en.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-4806750535769689924</guid><pubDate>Wed, 07 Mar 2012 19:15:00 +0000</pubDate><atom:updated>2012-03-07T14:26:36.426-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Miami film festival</category><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">miami</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">fl</category><category domain="http://www.blogger.com/atom/ns#">MIFF12</category><category domain="http://www.blogger.com/atom/ns#">cine iberoamericano</category><title>CINE LATINO EN EL 29TH FESTIVAL DE CINE DE MIAMI</title><description>&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;El &lt;b&gt;Miami International Film Festival&lt;/b&gt; es uno de los festivales más importantes del país y es, además, uno de los principales exponentes del cine iberoamericano &amp;gt; Este año, aparte de la &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Competencia Knight de Cine Iberoamericano&lt;/b&gt;, el festival ha creado el &lt;b&gt;Concurso Lexus de Opera Prima Iberoamericana&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;El line-up del festival es fuerte y variado. Podemos reconocer varias películas que ya se han presentado en NYC pero muchas más que tendrán su estreno mundial o su estreno en los Estados Unidos en Miami. Esperamos que algunas nos lleguen a NYC muy pronto. El festival se realiza del&lt;/span&gt;&lt;span style="font-size: large;"&gt; 2 al 11 de Marzo &amp;gt; &lt;a href="http://www.miamifilmfestival.com/default.aspx" target="_blank"&gt;MIFF.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-VbSxrAT44MY/T1evR3hN0AI/AAAAAAAAIXM/dTv7WaGz2-g/s1600/6726809489_9cbf8f56af.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="170" src="http://3.bp.blogspot.com/-VbSxrAT44MY/T1evR3hN0AI/AAAAAAAAIXM/dTv7WaGz2-g/s400/6726809489_9cbf8f56af.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;CHINESE TAKE-AWAY &lt;img alt="Copyright" height="15" src="http://l.yimg.com/g/images/icon_all_rights.png" width="15" /&gt; All rights reserved by &lt;a href="http://www.flickr.com/photos/miamifilmfestival/"&gt;MiamiFilmFestival&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6; margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;Algunas de las películas participantes de origen latino:&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Chinese Take-Away&lt;/b&gt; (Un cuento chino) (Argentina/Spain)&lt;br /&gt;* &lt;b&gt;Distance&lt;/b&gt; (Distancia) (Guatemala)&lt;br /&gt;*&lt;b&gt;The Fifth Commandment&lt;/b&gt; (El quinto mandamiento) (Mexico)&lt;br /&gt;* &lt;b&gt;Heleno&lt;/b&gt; (Brazil)&lt;br /&gt;* &lt;b&gt;The Sleeping Voice&lt;/b&gt; (La voz dormida) (Spain)&lt;br /&gt;* &lt;b&gt;Porfirio&lt;/b&gt; (Colombia/Spain/Uruguay/Argentina/France) &lt;br /&gt;* &lt;b&gt;The Strawberry Tree&lt;/b&gt; (El arbol de las fresas) (Canada)&lt;br /&gt;* &lt;b&gt;Vaquero &lt;/b&gt;(Argentina)&lt;br /&gt;* &lt;b&gt;Annalisa&lt;/b&gt; (Il Paese Delle Spose Infelici) (Italy)&lt;br /&gt;* &lt;b&gt;Someday This Pain Will Be Useful To You&lt;/b&gt; (Un Giorno Questo Dolore Ti Sará Utile) (Italy/USA)&lt;br /&gt;*&amp;nbsp; &lt;b&gt;Cell Phone Zombies &lt;/b&gt;(Cel zombies) (Ecuador)&lt;br /&gt;* &lt;b&gt;La Casa Del Ritmo,&lt;/b&gt; A Film About Los Amigos Invisibles (USA/Ecuador)&lt;br /&gt;* &lt;b&gt;The Diary of Preston Plummer&lt;/b&gt; (USA)&lt;br /&gt;* &lt;b&gt;Hombre y Tierra&lt;/b&gt; (USA)&lt;br /&gt;* &lt;b&gt;Mariachi Gringo &lt;/b&gt;(Mexico/USA)&lt;br /&gt;*&amp;nbsp;&lt;b&gt;180 Seconds&lt;/b&gt; (180 segundos)(Colombia)&lt;br /&gt;* &lt;b&gt;Baracoa: Where Cuba Began&lt;/b&gt; (Baracoa: 500 Años Despues) (Spain)&lt;br /&gt;* &lt;b&gt;Speechless&lt;/b&gt; (Sin palabras) (Colombia)&lt;br /&gt;* &lt;b&gt;Torrente 4: Lethal Crisis&lt;/b&gt; (in 3D) (Spain, directed by Santiago Segura)&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Estas son las 10 películas que participan en la Competencia Knight de Cine Iberoamericano: &lt;br /&gt;&lt;br /&gt; * &lt;b&gt;Mejor no hablar de ciertas cosas&lt;/b&gt; (Ecuador, dirigida por Javier Andrade): en el sorprendente debut de Javier Andrade, dos hermanos roban un caballo de porcelana perteneciente a sus padres para comprar drogas, lo cual provoca una lucha que perseguirá a la familia por el resto de sus vidas. Estreno norteamericano. &lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt; * &lt;b&gt;I’d Receive the Worst News From Your Beautiful Lips&lt;/b&gt; (Eu Receberia As Piores Notícias De Seus Lindos Lábios) (Brasil, dirigida por Beto Brant y Renato Ciasca): con el caluroso paisaje amazónico como fondo, este sensual melodrama narra la historia de una hermosa mujer atrapada en una situación inestable entre dos hombres. Estreno norteamericano &lt;/span&gt;   &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt; * &lt;b&gt;Blood of My Blood&lt;/b&gt; (Sangue do Meu Sangue) (Portugal, dirigida por João Canijo): dos hermanas adultas luchan ferozmente por mantener la unidad familiar en el mundo rudo de un barrio marginal de Lisboa, creando una situación de bomba de tiempo a punto de estallar. Estreno en la Costa Este. &lt;/span&gt;   &lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6; margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;/div&gt;
&lt;div style="color: #3d85c6; margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Pescador&lt;/b&gt; (Ecuador/Colombia, dirigida por Sebastián Cordero): despuésque un cargamento de droga aparece milagrosamente en una playa, Blanquito (Andrés Crespo) tiene la oportunidad de salir de su pequeña aldea de pescadores para irse a la gran ciudad, Pescador marca una importante y nueva dirección estetica del aclamado realizador Cordero. Estreno norteamericano. &lt;/span&gt;   &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt; * &lt;b&gt;Bonsái &lt;/b&gt;(Chile/Argentina/Portugal/Francia, dirigida por Cristián Jiménez): inspirada en la novela seminal del autor Alejandro Zambra. Julio, un escritor en crisis, decide crear un libro manuscrito acerca de su primera experiencia amorosa, para ser consecuente en una mentira contada a su vecina y amante. Bonsái es la segunda obra fílmica del director Cristián Jiménez que participa en el Concurso de Cine Iberoamericano del MIFF.  Estreno en la Florida. &lt;/span&gt;   &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt;* &lt;b&gt;Zoológico&lt;/b&gt; (Chile, dirigida por Rodrigo Marín): este comentario social acerca de la juventud actual que transcurre en un afluente suburbio de Santiago, narra la historia de tres adolescentes (Alicia Rodríguez, Luis Balmaceda y Santiago de Aguirre) consumidos en costumbres americanizadas: centros comerciales, la Internet, pornografía, patinetas y ansiedad. Estreno norteamericano. &lt;/span&gt;   &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt; * &lt;b&gt;El gato desaparece&lt;/b&gt; (Argentina, dirigida por Carlos Sorín): cuando Beatriz (Beatriz Spelzini) va a buscar a su esposo Luis (Luis Luque) a quien han dado de alta de un sanatorio, ella no cree demasiado en la afirmación del psiquiatra de que su esposo se ha curado. La desaparición del gato de la familia, pone en tela de juicio su propia salud mental así como la de su esposo en este inquietante misterio psicológico de Sorín. Estreno estadounidense. &lt;/span&gt;   &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt; &lt;b&gt;* Madrid, 1987&lt;/b&gt; (España, dirigida por David Trueba): el equilibrio entre el poder y el deseo se altera durante el encuentro de un viejo periodista (José Sacristán) y una joven estudiante (María Valverde) en esta meditación de alba al crepúsculo hermosamente escrita acerca de la juventud, la vejez y la música de las esferas. Estreno en la Costa Este. &lt;/span&gt;   &lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6; margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt; &lt;b&gt;* Violeta se fue a los cielos&lt;/b&gt; (Chile, dirigida por Andrés Wood): retrato de la afamada cantante, folclorista y artista multifacética Violeta Parra (Francisca Gavilán) nos brinda selecciones de su obra musical, sus recuerdos, sus amores y esperanzas. Estreno en la Costa Este. &lt;/span&gt;   &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt; &lt;b&gt;* La voz dormida&lt;/b&gt; (España, dirigida por Benito Zambrano): en este retrato de Benito Zambrano donde se reflejan los días oscuros que siguieron a la Guerra Civil, dos hermanas (María León e Inma Cuesta) se encuentran atrapadas en la aterradora política de un país dividido. Estreno en los Estados Unidos.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6; margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;/div&gt;
&lt;div style="color: #3d85c6; margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;div style="margin-bottom: 0; margin-left: 0; margin-right: 0; margin-top: 0; padding: 0; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;Y aqui las participantes en el Concurso Lexus de Opera Prima Iberoamericana:&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;
 &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Las acacias &lt;/i&gt;&lt;/b&gt;(&lt;b&gt;Argentina/España&lt;/b&gt;, dirigida por &lt;b&gt;Pablo Giorgelli&lt;/b&gt;):
 ganadora de un premio este año en el Festival de Cine de Cannes (Cámara
 de Oro a la Mejor Opera Prima) y del premio Horizontes Hispanos del 
Festival de Cine de San Sebastián, este filme de carretera tiene como 
escenario la autopista que une Asunción y Buenos Aires, la cual el 
camionero Rubén está acostumbrado a recorrer solo. Sin embargo, esta vez
 tiene una pasajera, Jacinta, y un camino pleno de revelaciones en el 
horizonte. &lt;i&gt;&amp;nbsp;Estreno en la Costa Este&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;
 &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Fecha de caducidad&lt;/i&gt;&lt;/b&gt; (&lt;b&gt;México&lt;/b&gt;, dirigida por &lt;b&gt;Kenya Márquez&lt;/b&gt;):
 después de la trágica pérdida de su hijo, Ramona (Ana Ofelia Murguía) 
está convencida de que el factótum Genaro (Damián Alcázar) es el 
responsable de su muerte. Cada vez más obsesiva y paranoica, solicita la
 ayuda de un vecino para ejecutar su plan de venganza.&amp;nbsp; &lt;i&gt;Estreno en la Costa Este&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;
 &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Vaquero &lt;/i&gt;&lt;/b&gt;(&lt;b&gt;Argentina&lt;/b&gt;, dirigida por &lt;b&gt;Juan Minujín&lt;/b&gt;&lt;i&gt;)&lt;b&gt;:&lt;/b&gt;&lt;/i&gt;
 el filme profundamente revelador de Minujín, actor convertido en 
cineasta, narra la historia del actor de segunda Julián Lamaz en su 
búsqueda oscuramente cómica de un papel protagónico en una película de 
Hollywood. Pero el actor debe soportar los interminables consejos 
arrogantes de otros actores, agentes de selección de elenco e incluso de
 su familia. La experiencia en la comunidad cinematográfica y teatral de
 Buenos Aires que distingue a Minujín, le otorga a la narrativa 
múltiples niveles de resonancia autorreferencial. &lt;i&gt;Estreno en los Estados Unidos&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;
 &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;El estudiante &lt;/i&gt;&lt;/b&gt;&lt;b&gt;(Argentina&lt;/b&gt;, dirigida por &lt;b&gt;Santiago Mitre&lt;/b&gt;):
 Roque (Esteban Lamothe) descubre un nuevo mundo de poder y política a 
penas llega a la universidad de Buenos Aires.&amp;nbsp; Su ambición lo llevará a 
tomar decisiones que afectaran no solo su vida estudiantil sino también 
sus relaciones amorosas y su estatus colegial.&amp;nbsp; &lt;i&gt;Estreno de la Florida&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;
 &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Sin palabras &lt;/i&gt;&lt;/b&gt;(&lt;b&gt;Colombia&lt;/b&gt;, dirigida por &lt;b&gt;Ana Sofía Osorio Ruiz&lt;/b&gt; y &lt;b&gt;Diego Bustamante&lt;/b&gt;):
 después de ayudar a que una desorientada inmigrante china encuentre su 
camino, Raúl (Javier Ortíz) no puede evitar enamorarse poco a poco de su
 exótica belleza. Osorio Ruiz y Bustamante demuestran que el idioma del 
corazón es el más universal de todos en este emotivo romance. &lt;i&gt;Estreno Internacional &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;
 &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Distancia &lt;/i&gt;&lt;/b&gt;(&lt;b&gt;Guatemala&lt;/b&gt;, dirigida por &lt;b&gt;Sergio&lt;/b&gt; &lt;b&gt;Ramírez&lt;/b&gt;):
 Tomás Choc recorre 150 kilómetros para reunirse con su única hija, 
secuestrada veinte años atrás en la guerra civil de Guatemala. Para 
mantener vivos sus recuerdos de la hija, Tomás ha llevado un diario de 
sus luchas cotidianas que proyecta entregarle en este emocionante drama 
de Ramírez. &lt;i&gt;Estreno en los Estados Unidos&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;   &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-4806750535769689924?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lmUIJIQnogtouf9r_elAXJturdI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lmUIJIQnogtouf9r_elAXJturdI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lmUIJIQnogtouf9r_elAXJturdI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lmUIJIQnogtouf9r_elAXJturdI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/mO4htUtFYU4" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/mO4htUtFYU4/cine-latino-en-el-29th-festival-de-cine.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-VbSxrAT44MY/T1evR3hN0AI/AAAAAAAAIXM/dTv7WaGz2-g/s72-c/6726809489_9cbf8f56af.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/03/cine-latino-en-el-29th-festival-de-cine.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-8667749896838196175</guid><pubDate>Thu, 01 Mar 2012 01:55:00 +0000</pubDate><atom:updated>2012-03-23T12:43:51.999-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">muestras</category><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">el roto</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">soto</category><category domain="http://www.blogger.com/atom/ns#">arte</category><category domain="http://www.blogger.com/atom/ns#">sorolla</category><category domain="http://www.blogger.com/atom/ns#">rivera</category><title>NY ESSENTIALS : ARTE EN MARZO</title><description>&lt;span style="color: #3d85c6; font-size: large;"&gt;El Instituto Cervantes presenta el 
fotoperiodista español Jordi Socias mientras que el escultor venezolano 
Rafaél Barrios estará en la Park Avenue. Alexander Arrechea se presenta 
en la Magnan Metz de Chelsea y Sorolla termina en el Reina Sofía. El 
influyente 
artista venezolano Jesús Soto y el mexicano Diego Rivera continúan y se 
añaden, la Bienal del Whitney y la esperada muestra de Cindy Sherman en 
el Moma. El Museo del Barrio continúa con Testimonios y Gran Caribe. Y 
hay más:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;* &lt;/span&gt;MAREMAGNUM &amp;gt;&lt;/b&gt; By Jordi Socias &amp;gt; One of the key names in the evolution of photojournalism in Spain &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt; Hasta Marzo 23 &amp;gt;&amp;gt; &lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha77687_27_2.htm" target="_blank"&gt;Instituto Cervantes.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-yKF_uqqMDCk/Tz2dHboyluI/AAAAAAAAIGw/F_qIlf09e-Q/s1600/24358_I_almodovar_central_baja.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-yKF_uqqMDCk/Tz2dHboyluI/AAAAAAAAIGw/F_qIlf09e-Q/s400/24358_I_almodovar_central_baja.jpg" width="272" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Autor/es: (c) Jordi Socías&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;* &lt;/b&gt;&lt;b&gt;&lt;i&gt; Rafael Barrios on Park Avenue&lt;/i&gt;&lt;/b&gt;.
 Nine monumental sculptures by this Venezuelan artist &amp;gt;&amp;gt; March  1 - June 30.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-xbR5HwCIB7A/T1FOsshxqsI/AAAAAAAAIT8/TjMMT3gf37o/s1600/barrios_lg.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="261" src="http://2.bp.blogspot.com/-xbR5HwCIB7A/T1FOsshxqsI/AAAAAAAAIT8/TjMMT3gf37o/s400/barrios_lg.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Rafael Barrios, Rendering of Acrobática at 53rd Street, courtesy of the artist.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;From&lt;/span&gt;&lt;span style="font-size: large;"&gt; 51st Street to 67th Street, Park Avenue 
Malls, Manhattan. Artist Alexander Arrechea will be also on display during springtime.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Ferias de Arte en Nueva York&lt;/b&gt; &amp;gt; Marzo 8 al 11 &amp;gt; The Armory Show, Volta NY y Scope NY &amp;gt;&amp;nbsp; &lt;a href="http://goo.gl/fb/HJoh5" target="_blank"&gt;ART FAIRS&lt;/a&gt;.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;* Kandinsky at the Bauhaus, 1922-1933&lt;/b&gt; &amp;gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;In 1922 Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, 
France) accepted a teaching position at the Bauhaus, the state-sponsored
 Weimar school of art and applied design founded in 1919 by architect 
Walter Gropius. &lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Vfbt62YLA3k/T07TaMkTWTI/AAAAAAAAIQU/Ade8NYS0RRY/s1600/Kandinsky.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="191" src="http://4.bp.blogspot.com/-Vfbt62YLA3k/T07TaMkTWTI/AAAAAAAAIQU/Ade8NYS0RRY/s400/Kandinsky.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Vasily
 Kandinsky, &lt;i&gt;Decisive Rose
(Entscheidendes Rosa)&lt;/i&gt;, March
1932 (detail). Oil on canvas, 81 x 100 cm. Solomon R. Guggenheim Museum, New
York, Solomon R. Guggenheim Founding Collection 49.1178&lt;br /&gt;
&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;The school’s curriculum was based on the principle that 
the crafts were equal to the traditional arts and was organized 
according to a medieval-style guild system of training under the 
tutelage of masters. Kandinsky conducted the Wall Painting Workshop and 
Preliminary Course and taught at all three of the school’s sequential 
locations in Weimar, Dessau, and Berlin until 1933, when the Bauhaus was
 closed due to pressure from the National Socialist (Nazi) government.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;* Also at the Guggenheim: John Chamberlain: Choices and Francesca Woodman.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-vuuD33BZ3JU/T07VdUURGtI/AAAAAAAAIQc/jbVWB3yFQjg/s1600/Francesca.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-vuuD33BZ3JU/T07VdUURGtI/AAAAAAAAIQc/jbVWB3yFQjg/s400/Francesca.jpg" width="382" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-size: 9px;"&gt;Francesca Woodman, &lt;i&gt;Polka Dots&lt;/i&gt;,
 Providence, Rhode Island, 1976. Gelatin  silver print, 13.3 x 13.3 cm. 
Courtesy George and Betty Woodman. © 2012  George and Betty Woodman&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;* &lt;b&gt;Whitney &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Biennial 2012 &lt;/b&gt;&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt; March 1–May 27 &amp;gt; &lt;/span&gt;Sculpture, painting, installations, and photography—as well as dance, theater, music, and film&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;gt; &lt;a href="http://whitney.org/Exhibitions/2012Biennial?utm_content=tespismag%40aol.com&amp;amp;utm_source=VerticalResponse&amp;amp;utm_medium=Email&amp;amp;utm_term=2012%20Whitney%20Biennial&amp;amp;utm_campaign=Whitney%20Biennial%202012%20Tickets%20on%20Sale%20Nowcontent" target="_blank"&gt;Whitney Museum.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class="gray-type" style="color: #0b5394;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;* &lt;/b&gt;&lt;b&gt;Cindy Sherman&lt;/b&gt;&lt;b&gt; &amp;gt;&lt;/b&gt; The exhibition will explore dominant themes throughout Sherman’s career,
 including artifice and fiction; cinema and performance; horror and the 
grotesque; myth, carnival, and fairy tale; and gender and class 
identity.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-rsbvV52YDMM/T1FDT0C4j2I/AAAAAAAAITY/c-uZI2Vq07g/s1600/moma_sherman2012_untitled466.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-rsbvV52YDMM/T1FDT0C4j2I/AAAAAAAAITY/c-uZI2Vq07g/s400/moma_sherman2012_untitled466.jpg" width="263" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Cindy Sherman. Untitled #466. 2008. Chromogenic color print, 8′ 6″ x 70″
 (259.1 x 177.8 cm). The Museum of Modern Art, New York. Acquired 
through the generosity of Robert B. Menschel in honor of Jerry I. 
Speyer. © 2012 Cindy Sherman &lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Also included are Sherman’s recent photographic murals (2010),
 which will have their American premiere at MoMA.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; February 26–June 1 &amp;gt;&lt;a href="http://www.moma.org/visit/calendar/exhibitions/1170" target="_blank"&gt; MoMa.&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;* &lt;/b&gt;&lt;b&gt;Supports / ALUMINIUMS &lt;/b&gt;&amp;gt; David Rodríguez Caballero &amp;gt; Ends March 24 &amp;gt; Marlborough&amp;nbsp;Chelsea &amp;gt; &lt;a href="http://www.marlboroughgallery.com/" target="_blank"&gt;SUPPORTS.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-TVwMJlnJbU4/T2TtpqCJfZI/AAAAAAAAIdg/baEQGiIMQ04/s1600/aluminums_interior.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="216" src="http://2.bp.blogspot.com/-TVwMJlnJbU4/T2TtpqCJfZI/AAAAAAAAIdg/baEQGiIMQ04/s400/aluminums_interior.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;i&gt;Image: David Rodríguez Caballero. 12. enero. 2010 | Aluminio | 117x440x90&amp;nbsp;cm&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;The exhibit spotlights new artworks in 
aluminum and vynil of this Spanish artist. David Rodríguez Caballero 
(whose work is framed within the Geometric Abstraction) has lately 
achieved great success in the international fairs Armory Show and Art 
Basel Miami. In parallel to the Chelsea show, The Würth Museum in Spain 
is celebrating his most comprenhensive exhibition until today. Supports 
explores the essence and performance of the mentioned materials and how 
light interacts with them. Marlborough Chelsea will provide the chance 
to see (in a &amp;nbsp;privileged environment) the most recent artworks of this 
solid artist.&amp;nbsp;
&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #0b5394;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-family: Verdana,Helvetica,Arial; font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;Night Falls&lt;/i&gt; &amp;gt; The collaborative work of &lt;b&gt;Walter Martin &amp;amp; Paloma Muñoz&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &amp;gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; Ends March 10 &amp;gt;&lt;a href="http://draft.blogger.com/goog_2139173079"&gt; &lt;/a&gt;&lt;/b&gt;&lt;a href="http://www.ppowgallery.com/" target="_blank"&gt;PPOW.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Zh2PHMBbFoE/Tz2fah2U99I/AAAAAAAAIHA/-hrJeHVCU-Y/s1600/ppowgallery.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-Zh2PHMBbFoE/Tz2fah2U99I/AAAAAAAAIHA/-hrJeHVCU-Y/s400/ppowgallery.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;
&lt;div class="caption"&gt;
&lt;u&gt;In the Doldrums&lt;/u&gt; 2010-11, C-Print on Fujicolor Crystal Archival Paper, 48 x 60 inches, edition of 6&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;Martin &amp;amp; Muñoz are an art team best known for their "&lt;i&gt;Travelers&lt;/i&gt;"
 series of snow globes and photographs. In the world that they have 
developed, blizzard transformed landscapes often serve as backdrops for 
enigmatic narratives.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span class="style2"&gt;&lt;b&gt;Soto: Paris and Beyond. 1950 – 1970&lt;/b&gt;&amp;nbsp; &amp;gt; Enero 10 - Marzo 31 &amp;gt;&amp;gt; Grey Art Gallery, NYU &amp;gt;&amp;gt; &lt;a href="http://www.nyu.edu/greyart/" target="_blank"&gt;SOTO.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
  &lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/--8fLZ30HDsc/TyhtTzQun-I/AAAAAAAAIDs/QazOOQ488Pc/s1600/soto.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/--8fLZ30HDsc/TyhtTzQun-I/AAAAAAAAIDs/QazOOQ488Pc/s400/soto.jpg" width="226" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="sponsorital"&gt;&lt;span class="sponsor"&gt;Jesús Soto at solo exhibition, Galerie Edouard Loeb, Paris, 1962 (detail). Photograph by Carlos Cruz-Diez &lt;br /&gt;
            Images © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span class="fff"&gt;Comprised of some 50 works, &lt;i&gt;Soto: Paris and Beyond, 1950–1970&lt;/i&gt; is the first largescale
exhibition dedicated to this major Venezuelan artist to be held at a New York
institution in more than 35 years. Featuring works produced after Jesús Rafael Soto's
move to Paris, the show highlights his visionary investigations into notions of
movement, displacement, and instability. Drawing inspiration from optics, color theory,
and phenomenology, Soto (1923–2005) developed a radically new relationship
between the artwork and the viewer. The exhibition also explores reciprocal influences
between Soto and other members of the Parisian avant-garde—such as Yves Klein
and Jean Tinguely.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Joaquín Sorolla and the Glory of Spanish Dress &amp;gt;&lt;/b&gt; Hasta Marzo 10 &amp;gt;&amp;gt;&lt;b&gt; &lt;/b&gt;&lt;a href="http://spanishinstitute.org/exhibitions-programming/exhibitions/joaquin-sorolla-and-the-glory-of-spanish-dress?currency=upcoming" target="_blank"&gt;Queen Sofía Spanish Institute&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;


&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-CajMFbElSz8/TxHXDDdPviI/AAAAAAAAH-g/d6TKxLTv8wg/s1600/SOR0LLA.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-CajMFbElSz8/TxHXDDdPviI/AAAAAAAAH-g/d6TKxLTv8wg/s640/SOR0LLA.jpg" width="307" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;h4&gt;






























Joaquín Sorolla. FLAMENCO DANCER, 1914. Cortesía Museo Sorolla, Madrid&lt;/h4&gt;
&lt;h4 style="text-align: left;"&gt;





















































&lt;/h4&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;h4 style="font-weight: normal; text-align: left;"&gt;







&lt;span style="font-size: large;"&gt;A seminal exhibition analyzing the rich history of Spain’s regional 
clothing styles through the monumental paintings of Valencian artist 
Joaquín Sorolla y Bastida (1863–1923). For the first time, Sorolla’s 
vivid depictions of Spanish life will be shown side by side with the 
types of costumes they portray.&lt;/span&gt;&lt;/h4&gt;
&lt;h4 style="font-weight: normal; text-align: left;"&gt;







&lt;br /&gt;
&lt;/h4&gt;
&lt;h4 style="text-align: left;"&gt;







&lt;span style="font-size: large;"&gt;* TESTIMONIOS: 100 Years of Popular Expression &amp;gt; Hasta Mayo 6 &amp;gt; &lt;span style="font-weight: normal;"&gt;Testimonios examines potent works by non-traditionally trained makers. &amp;gt; &lt;a href="http://www.elmuseo.org/en/event/testimonios-100-years-popular-expression" target="_blank"&gt;El Museo del Barrio.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-56w_OtQKuzw/Tz2TnWbm1wI/AAAAAAAAIGg/Uyh7YkPVWyo/s1600/testimonios_main.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="298" src="http://1.bp.blogspot.com/-56w_OtQKuzw/Tz2TnWbm1wI/AAAAAAAAIGg/Uyh7YkPVWyo/s400/testimonios_main.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Ejlat Feuer, &lt;i&gt;Street Scene&lt;/i&gt; (detail), color photograph, 1990s Collection El Museo del Barrio, NY&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;VOCES Y VISIONES: Gran Caribe &amp;gt; &lt;/b&gt;Hasta Diciembre 9 &lt;b&gt;&amp;gt;&amp;nbsp;&lt;/b&gt; El &lt;a href="http://www.elmuseo.org/en/event/voces-y-visiones-gran-caribe" target="_blank"&gt;Museo Del Barrio.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-w5gUh_lOjhY/Tz2VBlw-kxI/AAAAAAAAIGo/CmCRYTaMs10/s1600/grancaribe_main.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-w5gUh_lOjhY/Tz2VBlw-kxI/AAAAAAAAIGo/CmCRYTaMs10/s400/grancaribe_main.jpg" width="298" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Francisco Oller y Cestero (Puerto Rican, 1833-1917) &lt;i&gt;Platanos Amarillos&lt;/i&gt; (detail), ca. 1892-93 Oil on wood panel Gift of Joseph and Carmen Ana Unanue 2009.32&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;This exhibition features works that explore the vast diversity and 
complexity of the Caribbean basin, as an accompaniment to El Museo’s 
upcoming exhibition, &lt;i&gt;Caribbean: Crossroads of the World&lt;/i&gt;, presented in collaboration with Studio Museum in Harlem and Queens Museum of Art.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;i&gt;&lt;b&gt;Abstract Universe &lt;/b&gt;&amp;gt; &lt;/i&gt;&lt;b&gt;Carol Brown Goldberg &amp;gt; Hasta Mayo 8 &amp;gt; &lt;/b&gt;The Gabarron Foundation - Carriage House Center for the Arts&amp;gt; &lt;a href="http://www.gabarronfoundation.org/" target="_blank"&gt;ABSTRACT&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ZQQ34EqkMqQ/T2TutKa8OuI/AAAAAAAAIdo/WUInNS3gugo/s1600/abstract_universe_interior1.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="215" src="http://3.bp.blogspot.com/-ZQQ34EqkMqQ/T2TutKa8OuI/AAAAAAAAIdo/WUInNS3gugo/s400/abstract_universe_interior1.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Photo credit: Carol Brown Goldberg, "&lt;i&gt;After Valladolid&lt;/i&gt;", 2009. Detail
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;/i&gt;&lt;i&gt;"Abstract Universe"&lt;/i&gt; is an exhibition of large-scale pulverized glass and acrylic paintings by &lt;b&gt;Carol Brown Goldberg&lt;/b&gt;.
 The exhibition is curated by Donald Kuspit, distinguished scholar and 
art critic, who describes this selection of Goldberg's work as "&lt;i&gt;Baroque Color Field painting&lt;/i&gt;"
 that has been inspired by the artist's reflection on the Creation. The 
artist states that "In my art, I create a system, a layering, that 
allows me to get into a flow of timelessness, and the repetition of 
shapes and forms compound the meditative process. I am in awe at the 
alchemy of paint, and how fluid can be harnessed to create images that 
transport us into a realm of mystery."&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;&lt;i&gt;Alexander Arrechea&lt;/i&gt;&lt;/b&gt;&lt;i&gt; &amp;gt;&amp;gt;&lt;/i&gt;&lt;b&gt; TWISTED HORIZON &lt;/b&gt;&amp;gt;&amp;gt; Marzo 1 - Abril 7 &amp;gt;&amp;gt; &lt;a href="http://magnanmetz.com/exhibitions/" target="_blank"&gt;Magnan Metz Gallery.&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-70--x34L-Iw/T07LXE1NBnI/AAAAAAAAIQE/_uRhqi5vlJc/s1600/ARRECHEA.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="310" src="http://3.bp.blogspot.com/-70--x34L-Iw/T07LXE1NBnI/AAAAAAAAIQE/_uRhqi5vlJc/s400/ARRECHEA.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Diego Rivera: Murals for The Museum of Modern Art&lt;/b&gt; &amp;gt; Hasta Mayo 14 &amp;gt;&amp;gt; &lt;a href="http://www.moma.org/visit/calendar/exhibitions/1168" target="_blank"&gt;MOMA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-A4R4OClXyBE/T1FDls4gvqI/AAAAAAAAITg/mCj7eWg30X4/s1600/indianwarriordiegorivera.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="315" src="http://3.bp.blogspot.com/-A4R4OClXyBE/T1FDls4gvqI/AAAAAAAAITg/mCj7eWg30X4/s400/indianwarriordiegorivera.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Diego Rivera.&lt;i&gt; Indian Warrior&lt;/i&gt;. 1931.&amp;nbsp;Fresco on reinforced cement
 in a metal framework, 41 x 52 ½” (104.14 x 133.35 cm).&amp;nbsp;Smith College 
Museum of Art, Northampton, Massachusetts. Purchased with the Winthrop 
Hillyer Fund SC 1934:8-1.&amp;nbsp;© 2011 Banco de México Diego Rivera &amp;amp; 
Frida Kahlo Museums Trust, México, D.F./Artists Rights Society (ARS), 
New York&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;In December 1931, two years after its founding, The Museum of Modern Art
 inaugurated a major exhibition of work by the Mexican artist Diego 
Rivera. Only the second retrospective presented at the young Museum, the
 show was wildly popular, breaking attendance records in its five-week 
run. Rivera’s international celebrity was based on his fame as a 
muralist, but murals—by definition made and fixed on site—were 
impossible to transport. To solve this problem, MoMA brought the artist 
to New York from Mexico six weeks before the opening and provided him 
with makeshift studio space in an empty gallery. Working around the 
clock with three assistants, Rivera produced five “portable 
murals”—freestanding frescoes with bold images commemorating events in 
Mexican history. After the opening, to great publicity, Rivera added 
three more murals, now taking on New York subjects through monumental 
images of the urban working class and the social stratification of the 
city during the Great Depression. All eight were on display for the rest
 of the show’s run.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Félix Candela 1910 - 2010&lt;/b&gt; &amp;gt; Hasta Marzo 31 &amp;gt; Wallach Art Gallery Columbia University &amp;gt; &lt;a href="http://www.columbia.edu/cu/wallach/exhibitions/Felix-Candela.html" target="_blank"&gt;CANDELA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class="bodytext"&gt;
&lt;span style="font-size: large;"&gt;Félix Candela is regarded as one the greatest 
Spanish architects of the 20th century. He is celebrated for his feats 
of architectural engineering that transform concrete into visual poetry 
with his structural design based on hyperbolic paraboloid geometric 
form. His work with thin-shell concrete roof structures broke barriers 
between architecture and engineering that opened the way for other 
architects such as Santiago Calatrava.
  &lt;/span&gt;&lt;/div&gt;
&lt;div class="bodytext"&gt;
&lt;span style="font-size: large;"&gt;His works are located in Mexico, the United Status, 
Spain, Venezuela, Colombia, Peru, Guatemala, Puerto Rico, Ecuador, Great
 Britain and Norway. His commitment to making economic, long-lasting, 
beautiful works made him the precursor of sustainable architecture.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="bodytext"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;"Think Green","Pensar en verde" &lt;/b&gt;de Mónica Sarmiento Castillo &amp;gt; Art Inspired by Nature &amp;gt; Great Neck Arts Center &amp;gt; Hasta Mayo 31 &amp;gt; &lt;a href="http://www.greatneckarts.org/" target="_blank"&gt;GREEN.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Z03kv6K1kBU/T2TvrAnuyxI/AAAAAAAAIdw/XmLTwCUBoKA/s1600/sarmiento_interior_01.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="216" src="http://3.bp.blogspot.com/-Z03kv6K1kBU/T2TvrAnuyxI/AAAAAAAAIdw/XmLTwCUBoKA/s400/sarmiento_interior_01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Image: Mónica Sarmiento, &lt;i&gt;3 Palmeras y circular&lt;/i&gt;, 2011, 40x40cm, mixta sobre madera
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;Mónica Sarmiento Castillo's distinctive chromatic and constructivist 
structuring works are shown in prestigious exhibitions around the world.
 The focal point of her work is the exploration of nature in painting, 
sculpture, collage, drawing, and glass as viewed through the 
pre-Columbian Civilizations. Forests weave together the essence of 
creation and form the basis of her inspiration, reflecting an arboreal 
theme. &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-family: Verdana,Helvetica,Arial; font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Pedro Terán: Works from the 70's / Eduardo Costa: Volumetric Paintings&lt;/b&gt; &amp;gt; Febrero 2 - Marzo 17 &amp;gt; Henrique Faria Fine Art &amp;gt; &lt;a href="http://www.henriquefaria.com/" target="_blank"&gt;TERAN/COSTA&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-L9kUx1-r4uk/TynaCzsSgVI/AAAAAAAAIFE/aYqrF-nTrUI/s1600/henrique-faria-fine-art-costa-teran-.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://2.bp.blogspot.com/-L9kUx1-r4uk/TynaCzsSgVI/AAAAAAAAIFE/aYqrF-nTrUI/s400/henrique-faria-fine-art-costa-teran-.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Of Dreams and Hurricanes: &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: Verdana,Helvetica,Arial;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Maria Berrio and Frances Gallardo &lt;/b&gt;&amp;gt;&amp;gt; febrero 9 - Marzo 17 &amp;gt;&amp;gt; &lt;a href="http://www.praxis-art.com/index.php?lang=es" target="_blank"&gt;Praxis Art.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-djdKfeYnaLw/Tym0vMajEaI/AAAAAAAAIEM/fmcfHirt1DU/s1600/praxis.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="395" src="http://2.bp.blogspot.com/-djdKfeYnaLw/Tym0vMajEaI/AAAAAAAAIEM/fmcfHirt1DU/s400/praxis.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;* PS3* Pedro Sanchez3 : &lt;b&gt;On the Outer Edge&lt;/b&gt; &amp;gt; Hasta Marzo 17 &amp;gt; Abrons Arts Center &amp;gt; &lt;a href="http://support.henrystreet.org/site/PageServer?pagename=AAC_EXH_on_the_outer_edge" target="_blank"&gt;PS3.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #3d85c6; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-K_omTAMj3b4/T1FESAsgCKI/AAAAAAAAITo/rQKKVcGFncc/s1600/PS3.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-K_omTAMj3b4/T1FESAsgCKI/AAAAAAAAITo/rQKKVcGFncc/s320/PS3.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
* &lt;span style="font-size: x-large;"&gt;&lt;b&gt;content&lt;/b&gt;&lt;/span&gt; &amp;gt;&lt;span style="font-size: large;"&gt; Solo&amp;nbsp;Exhibition:&amp;nbsp;&lt;b&gt;Andrés Michelena &lt;/b&gt;&amp;gt;&amp;nbsp;February 23 - March 15 &amp;gt;&amp;gt; &lt;a href="http://www.oneartspace.com/" target="_blank"&gt;One Art Space&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-04DtI8G6tKo/Tz2hNVep3qI/AAAAAAAAIHI/4M3fIxiC-qw/s1600/OneArt.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-04DtI8G6tKo/Tz2hNVep3qI/AAAAAAAAIHI/4M3fIxiC-qw/s400/OneArt.jpg" width="350" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;span style="color: #3d85c6;"&gt;&lt;i&gt;A metalinguistic proposal that explores the possible limits of perception 
and the assimilation of the artistic fact through what could be defined 
as visual haikus, or even visual koans.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;* &lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;&lt;b&gt;Fiction/Nonfiction &lt;/b&gt;&amp;gt; Works by &lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;Rafael 
          Ferrer &amp;gt; Group show &amp;gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt; March 
          16 - April 21 &amp;gt; &lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;Adam Baumgold Gallery &amp;gt; &lt;a href="http://www.adambaumgoldgallery.com/" target="_blank"&gt;FERRER.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Tibetan Tapestries&lt;/b&gt;: Dream Weaves from the Himalayas &amp;gt; Diseños del colombiano José Sanint &amp;gt; Hasta Abril 18 &lt;a class="  twitter-atreply pretty-link" data-screen-name="TibetHouseUS" href="http://bit.ly/GIy1M0" rel="" target="_blank"&gt;&lt;b&gt;&amp;gt; Tibet House US&lt;/b&gt;&lt;/a&gt;.&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt; 
&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;&amp;nbsp; &lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;* &lt;b&gt;Luis Burgos&lt;/b&gt; &amp;gt; Back to NY &amp;gt; Ends March 26 &amp;gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;Spanish Center -  "LA NACIONAL" &amp;gt; &lt;a href="http://www.alegrias.com/home.html" target="_blank"&gt;BURGOS&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;This is a solo show by this Spanish painter from La Rioja well known for
 his figures. It is their gaze, where he concentrates all the 
expressions of his feelings, establishing one unavoidable dialogue with 
those who contemplate his work. That connection is so strong that, 
sometimes, the spectator is surprised by its depth, as the figures end 
up undressing their feelings.
&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: #3d85c6; font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #3d85c6;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="color: #3d85c6;"&gt;&lt;i&gt;OUTSIDE OF NYC:&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="color: #3d85c6;"&gt;&lt;i&gt;* &lt;/i&gt;&lt;b&gt;The Art of the Ancient Americas&lt;/b&gt;&lt;i&gt; &amp;gt; Hasta Mayo 20 &amp;gt; Walters Museum of Baltimore &amp;gt; &lt;a href="http://thewalters.org/eventscalendar/eventdetails.aspx?e=2208" target="_blank"&gt;AMERICAS.&lt;/a&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-fNdI9qTU4RQ/T000EEalw6I/AAAAAAAAINs/Pd5QlSpY2uI/s1600/IMG_1625.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-fNdI9qTU4RQ/T000EEalw6I/AAAAAAAAINs/Pd5QlSpY2uI/s400/IMG_1625.jpg" width="322" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;An exhibition of 135 artworks from cultures that rose and fell in 
Mexico, Central America and Andean South America from 1200 BCE–1530 CE. 
Drawn from the collection of John Bourne recently gifted to the Walters,
 this exhibition, on view February 12–May 20, 2012, expresses each 
culture’s distinctive aesthetics, worldview and spiritual ideologies.


&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Exploring Art of the Ancient Americas touches on the performative 
nature of politics and religion—performance being a key mechanism for 
strengthening bonds of community and religious belief. The exhibition 
features the imaginative musical instruments used during these events 
and emotive portrayals of performers—from kings to commoners.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="gray-type"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;FRIDA KALHO: HER PHOTOS &lt;/b&gt;&amp;gt; HASTA MARZO 25 &amp;gt; Artisphere &amp;gt; Rosslyn &amp;gt; Arlington, Virginia &amp;gt; &lt;a href="http://www.artisphere.com/calendar/event-details/Visual-Arts/FRIDA-KAHLO-HER-PHOTOS.aspx" target="_blank"&gt;FRIDA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-T44MI-cvJ7Q/T1FHR2vM4gI/AAAAAAAAITw/EX-RZJQBxMA/s1600/IMG_1959.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-T44MI-cvJ7Q/T1FHR2vM4gI/AAAAAAAAITw/EX-RZJQBxMA/s400/IMG_1959.jpg" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Mexican artist Frida Kahlo (1907-1954)’s extraordinary life and iconic 
biographical paintings have earned her international renown in the world
 of modern art. Upon Kahlo’s death in 1954, more than 6,500 personal 
photographs and items belonging to her and husband/artist Diego Rivera 
were sealed and put in storage.&amp;nbsp; For more than half a century this great
 collection of personal memorabilia remained hidden from the public.&amp;nbsp; In
 2007 this collection was opened and Mexican photographer and curator 
Pablo Ortiz Monasterio inventoried and catalogued 240 images to create 
the &lt;i&gt;Frida Kahlo: Her Photos &lt;/i&gt;exhibition.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt; &lt;/span&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #3d85c6; margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-8667749896838196175?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Bb95WUtxhSrAE4YS9Lwonlgp68U/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Bb95WUtxhSrAE4YS9Lwonlgp68U/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Bb95WUtxhSrAE4YS9Lwonlgp68U/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Bb95WUtxhSrAE4YS9Lwonlgp68U/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/Zjn69r1D7Fc" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/Zjn69r1D7Fc/ny-essentials-arte-en-marzo.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-yKF_uqqMDCk/Tz2dHboyluI/AAAAAAAAIGw/F_qIlf09e-Q/s72-c/24358_I_almodovar_central_baja.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/ny-essentials-arte-en-marzo.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-300404538642018343</guid><pubDate>Thu, 01 Mar 2012 00:55:00 +0000</pubDate><atom:updated>2012-04-02T20:28:51.033-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">New York</category><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">MUSIC</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">musica</category><title>NY ESSENTIALS : MUSICA / PERFORMANCE EN MARZO</title><description>&lt;span style="font-size: large;"&gt;&lt;b&gt;Marzo&lt;/b&gt; comienza con mucho &lt;b&gt;Flamenco&lt;/b&gt; tanto en el &lt;b&gt;Instituto Cervantes&lt;/b&gt; como en el &lt;b&gt;City Center&lt;/b&gt; . El &lt;b&gt;Teatro Thalia&lt;/b&gt; nos ofrece 
Tango y The Armory Show nos trae a &lt;b&gt;Neon Indian&lt;/b&gt;!. &lt;b&gt;Henry Cole, Kali Mutsa, Quique González, Vetusta Morla, Alexis Cuadrado,&amp;nbsp; Gato Loco&lt;/b&gt; y más.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Flamenco Festival New York 2012&lt;/b&gt; series of 
concerts &amp;gt; Since its creation in 2001, Flamenco Festival USA has 
become the most important showcase for Spanish culture outside Spain and
 a vital point of encounter between the American public and Spanish 
artists. Flamenco Festival will be presented at the most important 
venues of USA: NC City Center in New York; Adrienne Arsh Center in Miami
 and the Lisner Auditorium in Washington DC.&lt;/span&gt;&lt;br /&gt;
&lt;div class="datos"&gt;
&lt;h3&gt;















&lt;span style="font-size: large;"&gt;Eventos en el Instituto Cervantes &amp;gt;&amp;gt; Febrero 24 a Marzo 11 &amp;gt;&lt;br /&gt;
  &lt;/span&gt;&lt;/h3&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s1600/flam12.gif" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s400/flam12.gif" width="243" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79584_27_2.htm" id="abreNueva0_target"&gt;José María Gallardo del Rey. Classical &amp;amp; Jondo. &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79616_27_2.htm" id="abreNueva1_target"&gt;Guitar masterclass with José María Gallardo del Rey. &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79585_27_2.htm" id="abreNueva2_target"&gt;Ricardo Moreno. A gipsy in New York. &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79587_27_2.htm" id="abreNueva3_target"&gt;Flamenco Dialogues. &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79586_27_2.htm" id="abreNueva4_target"&gt;Rosa Torres-Pardo. SpanishSuite &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;gt;&amp;gt;&lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha79014_27_2.htm" target="_blank"&gt; Instituto Cervantes&lt;/a&gt;&lt;/span&gt;&lt;a href="http://./"&gt;.&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Flamenco Festival 2012 &lt;/b&gt;&amp;gt; City Center Main 
Stage &amp;gt; Marzo 1 al 4 &amp;gt; Celebrating the tradition of great female 
flamenco choreographers, will showcase four of today’s best: &lt;b&gt;Rafaela Carrasco&lt;/b&gt;, &lt;b&gt;Manuela Carrasco&lt;/b&gt;, &lt;b&gt;Carmen Cortés&lt;/b&gt; and &lt;b&gt;Olga Pericet&lt;/b&gt;, each presenting new works in her own unique style and outlook &amp;gt;&amp;gt;
&lt;/span&gt;&lt;a href="http://www.nycitycenter.org/tickets/productionNew.aspx?performanceNumber=6264" target="_blank"&gt; &lt;span style="font-size: large;"&gt;Flamenco.&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s1600/flam12.gif" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s400/flam12.gif" width="243" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;
&lt;h2 class="ev-title"&gt;














* The Armory Party 2012&lt;b&gt; &amp;gt;&lt;span style="font-weight: normal;"&gt; Con&lt;/span&gt; Neon Indian&lt;/b&gt; &amp;gt;&lt;span style="font-weight: normal;"&gt; March 7 &amp;gt; &lt;a href="http://www.moma.org/visit/calendar/events/13680" target="_blank"&gt;MOMA.&lt;/a&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-t8h-c4kjNqc/Tz2QO9OCkjI/AAAAAAAAIGY/qBKY-8wM9sQ/s1600/NeonIndian.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="303" src="http://4.bp.blogspot.com/-t8h-c4kjNqc/Tz2QO9OCkjI/AAAAAAAAIGY/qBKY-8wM9sQ/s400/NeonIndian.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt; Federico Aubele&lt;/b&gt; &amp;gt;&amp;nbsp; Marzo 8 &amp;gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://draft.blogger.com/blogger.g?blogID=5882769625987397248"&gt;Joe's Pub.&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-QQS_Qrae0FU/T1E-NBEBscI/AAAAAAAAIS4/GVmExD-OWqQ/s1600/Federico.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-QQS_Qrae0FU/T1E-NBEBscI/AAAAAAAAIS4/GVmExD-OWqQ/s320/Federico.jpg" width="213" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Federico Aubele&lt;/b&gt; returns to a smoky realm of acoustic
guitar licks, heavy rhythms and sinister dub atmospherics for his fourth studio
album, &lt;i&gt;Berlin 13&lt;/i&gt;. The record pulls from the personal transformation Aubele
experienced in his time living in Berlin and the vibe of a city strongly
associated with electronic music.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;* LOS AMIGOS INVISIBLES&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;gt; &lt;/span&gt;The Black Cat&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;Washington, DC&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;/i&gt; Marzo 8&amp;nbsp; &amp;gt; &lt;a href="http://www.blackcatdc.com/" target="_blank"&gt;AMIGOS.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;gt; Music Hall of Williamsburg &amp;gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;Brooklyn, NY &amp;gt; Marzo 9 &amp;gt; &lt;a href="http://www.musichallofwilliamsburg.com/event/80941" target="_blank"&gt;AMIGOS.&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-YpMAq5BKHho/T1aqfsStnfI/AAAAAAAAIWU/LO0VmCMZu7U/s1600/los-amigos-invisibles1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://4.bp.blogspot.com/-YpMAq5BKHho/T1aqfsStnfI/AAAAAAAAIWU/LO0VmCMZu7U/s400/los-amigos-invisibles1.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Ya son 1 Latin Grammy + 2 nominaciones al Latin Grammy, 2 nominaciones a los Grammys Americanos, más de 60 paises visitados, 6 discos de estudio, 1 DVD+CD en vivo, 1 álbum de&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;remixes y 1 casa disquera propia en 19 años de trayectoria con muchos planes en el horizonte.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;La Gozadera venezolana sigue dando y dando.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
* &lt;span style="font-size: large;"&gt;JUAN LUIS GUERRA Y 440 &amp;gt; Marzo 10 &amp;gt; Radio City Music Hall &amp;gt; &lt;a href="http://www.radiocity.com/events/2012/Juan-Luis-Guerra.html" target="_blank"&gt;GUERRA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-zjhjPugfQSk/T1atbdNayRI/AAAAAAAAIWc/3SKLYrK_bPA/s1600/Juan-Luis-Guerra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="248" src="http://1.bp.blogspot.com/-zjhjPugfQSk/T1atbdNayRI/AAAAAAAAIWc/3SKLYrK_bPA/s320/Juan-Luis-Guerra.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;b&gt;Muchachito Bombo Infierno &amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;gt;&amp;gt; March 10 &amp;gt; &lt;a href="http://draft.blogger.com/goog_1853169794"&gt;SOB's.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-8IVT5dX0rnQ/T07G7EcrXiI/AAAAAAAAIP0/if7Cd6PbiZM/s1600/muchachito_0.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="234" src="http://4.bp.blogspot.com/-8IVT5dX0rnQ/T07G7EcrXiI/AAAAAAAAIP0/if7Cd6PbiZM/s320/muchachito_0.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;After 37 years without acting in New York. Muchachito, a Catalan artist originally from Santa Coloma, outskirts of 
Barcelona is a composer and performer and will show us his particular show to 
the purest one man band. Muchachito plays guitar,  drums and bass box 
while sings   their self-published three albums and some older covers of
 their favorit.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span style="font-family: colibri;"&gt;&lt;b&gt;VESTUSTA MORLA &amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt;&lt;b&gt;Marzo 13 &amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://highlineballroom.com/show/2012/03/13/vetusta-morla/" target="_blank"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt;&lt;b&gt;Highline Ballroom. &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-CiOBLEfjk54/T1E74Eu-ClI/AAAAAAAAISw/JCYj-utztfY/s1600/vetustamorla_02_rgb.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://2.bp.blogspot.com/-CiOBLEfjk54/T1E74Eu-ClI/AAAAAAAAISw/JCYj-utztfY/s320/vetustamorla_02_rgb.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-family: colibri; font-size: 17px;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt;&lt;b&gt;VESTUSTA MORLA&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: colibri;"&gt;es&amp;nbsp;un sexteto de
rock originado a finales de los 90 que trata de ir más allá de los estereotipos
del género. Primeramente en un sentido estético, añadiendo timbres y patrones rítmicos
ajenos a la tradición del rock, integrándose en él sin pretender la fusión ni
el mestizaje. Su intenso directo y unas letras que prefieren la sugerencia de
imágenes al mensaje unívoco e invitan a la participación activa del oyente, son
los otros dos anclajes artísticos de su música. Ambas características contribuyen
a una sensación de pertenencia (totalmente real, por otro lado) que nace en
quien les escucha &amp;gt; &lt;a href="http://highlineballroom.com/show/2012/03/13/vetusta-morla/" target="_blank"&gt;VETUSTA.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt;* &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Quique González&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt; &amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt; Marzo 13 &amp;gt;&lt;a href="http://draft.blogger.com/goog_472475092"&gt; &lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.joespub.com/component/option,com_shows/Itemid,40/" target="_blank"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Joe's Pub. &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-qKkao4rNzpE/T1E_NuFiIxI/AAAAAAAAITA/wkHXIkN-IjI/s1600/Quique+Gonzalez.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-qKkao4rNzpE/T1E_NuFiIxI/AAAAAAAAITA/wkHXIkN-IjI/s320/Quique+Gonzalez.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;
  &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Quique González&lt;/b&gt; premiers this new project with all the
songs that could not have their own space at the ‘Daiquiri Blues’ tour.This
show will be presented&amp;nbsp;in a minimalist
format &amp;nbsp;for reduced venues and based on a repertoire of b sides, versions,
rarities, his last album songs and mostly non edited songs. It is a good
opportunity to enjoy songs scarcely performed in the artist’s last tours &amp;gt; &lt;a href="http://www.joespub.com/component/option,com_shows/task,view/Itemid,40/id,6036" target="_blank"&gt;Quique.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;*&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;b&gt;Cristina Morrison, I Love &lt;/b&gt;&amp;gt; Marzo 13 &amp;gt; &lt;a href="http://metropolitanroom.com/show.cfm?id=73199" target="_blank"&gt;Metropolitan Room.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-d0r4VmmaPNg/T1ZydACqb7I/AAAAAAAAIWM/f_LoPz7JzwU/s1600/Morrison.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-d0r4VmmaPNg/T1ZydACqb7I/AAAAAAAAIWM/f_LoPz7JzwU/s400/Morrison.jpg" width="258" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;The debut solo jazz effort from singer/songwriter &lt;b&gt;Cristina Morrison, I Love&lt;/b&gt;,
 introduces one of the most distinctively original vocal artists on the 
scene today. An accomplished actress, a graduate of the prestigious 
American Academy of Dramatic Arts, Ms. Morison’s talent has been hailed 
as “chameleonic and versatile ” and she brings these same qualities to 
her music on an album that melds jazz, blues, folk and pop sensibilities
 of the U.S. with samba, bossa nova and other South American influences,
 in a unique mélange that is all her own.  Born of mixed American and 
Ecuadorian parentage in Miami, Morrison has resided in Rome, Quito, the 
Galapagos Islands, Los Angeles and now New York City, resulting in a 
multicultural world view that&amp;nbsp;is reflected in her music, which is 
informed by her myriad life experiences and keen observations into the 
nature of the human character.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif; font-size: large;"&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial; font-weight: bold;"&gt;REVOLUTIONARY SNAKE ENSEMBLE / GATO
LOCO&amp;nbsp; &amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif; font-size: large;"&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;Mar 17 &amp;gt; &lt;a href="http://www.92y.org/Tribeca/index.aspx" target="_blank"&gt;92Y Tribeca.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-7dkUzmMoNIY/T1UztDwhYLI/AAAAAAAAIV0/JFJombKxEv4/s1600/gatoloco.jpeg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="272" src="http://4.bp.blogspot.com/-7dkUzmMoNIY/T1UztDwhYLI/AAAAAAAAIV0/JFJombKxEv4/s320/gatoloco.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif; font-size: large;"&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif; font-size: large;"&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;&lt;span style="font-weight: bold;"&gt;The Revolutionary Snake Ensemble&lt;/span&gt;&lt;/b&gt; is a
costumed funk/street beat improvisational brass band performing a unique blend
of original and traditional music.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif; font-size: large;"&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;&lt;span style="font-weight: bold;"&gt;Gato Loco&lt;/span&gt;&lt;/b&gt;’s live shows deliver an
instant party, filled with celebration and joy; like a decadent Latin mambo
ballroom, thrown in the midst of a 21st century rock show. Formed in 2008 by
NYC native Stefan Zeniuk, the group takes its cues from scratchy pre-war Cuban
records and vintage betty boop cartoons, while freely incorporating a modern schizoid
mentality. Incorporating equal parts Latin, rock, and jazz, Gato Loco is not
genre music.&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif; font-size: large;"&gt;&lt;span style="color: forestgreen; font-family: Times New Roman,Times,serif;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;TANGO 5 SENTIDOS &amp;gt;&amp;nbsp;&lt;/b&gt; Ends March 18 &amp;gt;&amp;gt;
 &lt;a href="http://www.thaliatheatre.org/pages/home.cfm" target="_blank"&gt;Thalia Theatre.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-8CXq9YLF9Ig/Tz2eEa8kp-I/AAAAAAAAIG4/RHepAb80PuQ/s1600/tango5sensesflyerweb.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-8CXq9YLF9Ig/Tz2eEa8kp-I/AAAAAAAAIG4/RHepAb80PuQ/s400/tango5sensesflyerweb.jpg" width="270" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;A World 
Premiere musical exploring the five SENSES with NEW MUSIC composed and 
arranged by Latin Grammy winner RAUL JAURENA.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Henry Cole&lt;/b&gt;
 and his Afro-Beat Collective &amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;Marzo 20 &amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;&lt;a href="http://draft.blogger.com/goog_472475092"&gt; &lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.joespub.com/component/option,com_shows/Itemid,40/" target="_blank"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Joe's Pub.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-6V-f4KOiix8/T1FAKWEbLwI/AAAAAAAAITI/tJASYC1Hc7Q/s1600/HenryCole12_Afro_Beat_1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://4.bp.blogspot.com/-6V-f4KOiix8/T1FAKWEbLwI/AAAAAAAAITI/tJASYC1Hc7Q/s400/HenryCole12_Afro_Beat_1.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;Established on the jazz scene but breaking out his own compositions for the first time, quicksilver Puerto Rican drummer &lt;b&gt;Henry Cole&lt;/b&gt;
 and his Afro-Beat Collective are celebrating the release of Cole's 
debut album, Roots Before Branches. The ensemble shows how Fela Kuti's 
legacy can unite the diverse Caribbean sounds of Cole's island home, and
 how jazz can revel in the rootsy sounds of bomba and plena &amp;gt;&lt;a href="http://www.joespub.com/component/option,com_shows/task,view/Itemid,40/id,6043" target="_blank"&gt; Cole. &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt; Williamsburg Salsa Orchestra&lt;/b&gt; with Special guest &lt;b&gt;Kali Mutsa&lt;/b&gt; &amp;gt; Marzo 23 &amp;gt; &lt;a href="http://sobs.com/events/urban-rb-hip-hop/williamsburg-salsa-orchestra-wspecial-guest-kali-mutsa" target="_blank"&gt;SOB's.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-GC3F_PMMA00/T07IsS1r_KI/AAAAAAAAIP8/558kheGMKxs/s1600/wsalsa.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="322" src="http://4.bp.blogspot.com/-GC3F_PMMA00/T07IsS1r_KI/AAAAAAAAIP8/558kheGMKxs/s400/wsalsa.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: x-small;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: medium;"&gt;&lt;b&gt;Altered States of the Altiplano: Kali Mutsa’s Electro Gypsy Cumbia Bumps Bolder than Bollywood &amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;Whispering
 in your ear in Romany, dancing to glitchy electronics and booming 
tubas, Kali turns a hundred years of Chilean history into 
dancefloor-riffling songs with a sensual twist that make other pop divas
 pale in comparison. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;table border="0" cellpadding="0" cellspacing="0"&gt;
                    &lt;tbody&gt;
&lt;tr&gt;
                      &lt;td class="CENTERCOPY"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Arturo O'Farrill &amp;amp; The Afro Latin Jazz Orchestra &amp;gt;&lt;/b&gt;&amp;nbsp; Marzo 11, 18 y 25 &amp;gt;&amp;gt; &lt;a href="http://www.birdlandjazz.com/event/81839/" target="_blank"&gt;Birdland.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* FRANCO DE VITA &amp;gt; Marzo 24 &amp;gt; Radio City Music Hall &amp;gt; &lt;a href="http://www.radiocity.com/events/2012/franco-de-vita-at-radio-city-music-hall.html" target="_blank"&gt;Vita.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-0jqW36AsHAs/T1at7CL7FOI/AAAAAAAAIWk/OHjxRg-pIn4/s1600/Franco-De-Vita.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="247" src="http://3.bp.blogspot.com/-0jqW36AsHAs/T1at7CL7FOI/AAAAAAAAIWk/OHjxRg-pIn4/s320/Franco-De-Vita.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="featuring"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;SONORA PONCEÑA&lt;/b&gt; and OCHO Y MASA &amp;gt; Marzo 24 &amp;gt; &lt;a href="http://lehmancenter.org/shows/42_Sonora.html" target="_blank"&gt;Lehman Center.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;La Sonora Ponceña&lt;/b&gt;, entertaining audiences for over five decades and featuring the piano virtuosity of &lt;b&gt;Papo Lucca&lt;/b&gt;, will turn up the heat on Lehman's stage for an unforgettable night of old school salsa.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;The Checkout: Live From 92YTribeca&lt;/b&gt; - featuring Alexis Cuadrado: A Lorca Soundscape / Manuel Valera &amp;amp; The New Cuban Express &amp;gt; Marzo 28 &amp;gt; &lt;a href="http://www.92ytribeca.org/" target="_blank"&gt;92Y.&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-Q6jpz2C6kV8/T1U1Qzjfe7I/AAAAAAAAIV8/jcynv_m5u-g/s1600/Cuadrado_LG.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-Q6jpz2C6kV8/T1U1Qzjfe7I/AAAAAAAAIV8/jcynv_m5u-g/s400/Cuadrado_LG.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Commissioned
 by Chamber Music America, “A Lorca Soundscape” reflects on Federico 
Garcia Lorca's 1930 book Poeta en Nueva York with a series of jazz 
pieces that use the poetry as lyrics. Lorca lived in NYC for a few 
months in 1929-30 and he wrote a heartfelt set of poems that reflect on 
the cultural shock and loneliness that he experienced at the time. The 
book is a raw social commentary that connects with themes that are still
 an important part of the American reality today including economic 
inequalities, racial-social discrimination and the brutality of the 
urban landscape. Poeta en Nueva York connects deeply with the current 
socioeconomic climate, the "Occupy" movement, and the general population
 discontent about how our system is working and Cuadrado's music, in 
turn, is a contemporary reflection on Lorca's themes and cityscape. &lt;/span&gt; &lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;br /&gt;
&lt;span style="font-size: large;"&gt;COMING IN APRIL:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Chick Corea&lt;/b&gt; &amp;gt; Solo Performance &amp;gt; April 5 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://highlineballroom.com/show/2012/03/13/vetusta-morla/" target="_blank"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: colibri;"&gt;&lt;b&gt;Highline Ballroom. &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-JzSNRCeUaOs/T1FAqE9rb-I/AAAAAAAAITQ/t_v9PHBl9Uw/s1600/chick-corea.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="223" src="http://3.bp.blogspot.com/-JzSNRCeUaOs/T1FAqE9rb-I/AAAAAAAAITQ/t_v9PHBl9Uw/s400/chick-corea.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;RODRIGO Y GABRIELA and C.U.B.A &lt;/b&gt;&amp;gt; Abril 20 &amp;gt; Radio City Music Hall &amp;gt; &lt;a href="http://www.radiocity.com/events/2012/rodrigoygabriela.html" target="_blank"&gt;R&amp;amp;G.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-4buENVbNFIg/T1avD6n3VNI/AAAAAAAAIWs/cigWf5QEOsw/s1600/rodrigo-y-gabriela.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="308" src="http://2.bp.blogspot.com/-4buENVbNFIg/T1avD6n3VNI/AAAAAAAAIWs/cigWf5QEOsw/s400/rodrigo-y-gabriela.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;This show is in support of the band’s soon to be released album Area 52 (release date: January 24th).  &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Area 52 contains nine of Rod and Gab's favorite songs from their own catalogue re-arranged and recorded in Havana with legendary producer Peter Asher and a 13-piece Cuban orchestra comprised of some of the country's finest young players.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;During the tour and at Radio City Music Hall, Rodrigo y Gabriela will be performing with the band C.U.B.A. in order to showcase the thrilling and dynamic hybrid of metal, latin and jazz featured on the album in a live setting. It will mark the first time in their careers that Rodrigo y Gabriela have toured and performed with a backing band.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="featuring"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Gilberto Santa Rosa &amp;gt;&lt;/b&gt; El Caballero de la Salsa Live in Concert &amp;gt; Abril 14 &amp;gt;&lt;a href="http://lehmancenter.org/shows/43_Gilberto.html" target="_blank"&gt; Lehman Center.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="featuring"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="featuring"&gt;
&lt;span style="font-size: large;"&gt;Gilberto Santa Rosa is known to tropical music fans around the world as 
"El Caballero de La Salsa" (The Gentleman of Salsa).  He gained 
worldwide recognition for a career spanning over 20 years as an 
impressive sonero with his unique style of "soneo" (improvisation) in 
salsa that permitted him to be successful in both the "tropical" and 
"romantic" styles of the music.  His string of hits and artistic record 
of accomplishment reaffirms him as one of the most prolific masters of 
popular Caribbean music.&amp;nbsp;
&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-300404538642018343?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/dmzUqFxclU0e7A4l4-YE8QOrvZ8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dmzUqFxclU0e7A4l4-YE8QOrvZ8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/dmzUqFxclU0e7A4l4-YE8QOrvZ8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dmzUqFxclU0e7A4l4-YE8QOrvZ8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/jjV7NX_veMg" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/jjV7NX_veMg/ny-essentials-musica-performance-en.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s72-c/flam12.gif" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/ny-essentials-musica-performance-en.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-2052339144790542635</guid><pubDate>Thu, 01 Mar 2012 00:16:00 +0000</pubDate><atom:updated>2012-03-17T16:25:11.756-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">peliculas</category><category domain="http://www.blogger.com/atom/ns#">peliculas latinas</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">nueva york</category><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">chico y rita</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">nyff</category><category domain="http://www.blogger.com/atom/ns#">the artist</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">raquel welch</category><category domain="http://www.blogger.com/atom/ns#">miss bala</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">nyu</category><title>NY ESSENTIALS: CINEMA EN MARZO</title><description>&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt; &lt;b&gt;The Artist &lt;/b&gt;continua en cartelera, ahora con 5 Oscars® incluyendo Me&lt;/span&gt;&lt;span style="font-size: large;"&gt;jor Película, Mejor Actor y Major Director.&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; Miss Bala&lt;/b&gt;,
 un retrato de la realidad vivida a diario por miles de mexicanos y 
latinoamericanos sigue en cartelera asi como la fantástica película animada &lt;b&gt;Chico &amp;amp; Rita&lt;/b&gt;
 del español Fernando Trueba (Belle Epoque) que no ganó el Oscar® pero que bien vale una ida al cine!. &lt;b&gt;Neón Flesh&lt;/b&gt;, del español Paco Cabezas, una de las mejores producciones que ví en el pasado &lt;b&gt;Tribeca Film Festival&lt;/b&gt; tambíen está en teatros.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* &lt;span style="font-size: large; font-weight: normal;"&gt;&lt;span style="color: #6aa84f;"&gt;&lt;b&gt;Queens World Film Festival&lt;/b&gt; &amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;QWFF celebrates the independent filmmaking spirit by encouraging the 
novice and the student filmmaker, featuring filmmakers who take chances 
to bring us challenging stories and by providing screening opportunities
 for that overlooked, yet gem of a film &amp;gt; &lt;/span&gt;&lt;span style="font-size: large; font-weight: normal;"&gt;&lt;span style="color: #6aa84f;"&gt;Marzo 1 - 4&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &amp;gt; &lt;a href="http://queensworldfilmfestival.com/" target="_blank"&gt;Queens.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.cinematropical.com/newsletter_images/QWFF_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.cinematropical.com/newsletter_images/QWFF_1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;With latino films like: &lt;/span&gt;&lt;br /&gt;
&lt;div&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;1- THE ART OF REMEMBRANCE/ EL ARTE DE RECORDAR&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="float: right; height: auto; width: auto;"&gt;
&lt;/div&gt;
&lt;span style="font-size: large;"&gt;
            (Raúl Paz Pastrana, 11 min.)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;2- &lt;/b&gt;&lt;b&gt;A TORTURED LIFE&lt;/b&gt; ("DC" Coles, &amp;nbsp;29 min.)&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;3- &lt;b&gt;I AM JULIA&lt;/b&gt; (David Capurso, 15 min.)&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;4- &lt;/i&gt;&lt;b&gt;WRITER'S BLOCK&lt;/b&gt; (Ana Cuadra, 13min.)&lt;span class="Apple-style-span"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span class="Apple-style-span"&gt;5- &lt;/span&gt;&lt;b&gt;SUBWAY FILM SERIES&lt;/b&gt; (Heather Spilkin, Richard Shpuntoff, Don Catp, Jack Feldstein, Peter Haas, Gabriel Rodriguez, 37 min.)&lt;span class="Apple-style-span"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span class="Apple-style-span"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #6aa84f;"&gt;
* &lt;b&gt;&lt;span style="font-size: large;"&gt;RENDEZ-VOUS WITH FRENCH CINEMA 2012&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;i&gt; &amp;gt; MARCH 1-11 &amp;gt; &lt;a href="http://www.filmlinc.com/" target="_blank"&gt;LINCOLN CENTER.&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-5IPabjy1QsQ/T06_mzsYR6I/AAAAAAAAIPo/Z8q_gk5tPiM/s1600/38Temoins_photo8+Kris+Dewitte.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="267" src="http://2.bp.blogspot.com/-5IPabjy1QsQ/T06_mzsYR6I/AAAAAAAAIPo/Z8q_gk5tPiM/s400/38Temoins_photo8+Kris+Dewitte.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;a href="http://2.bp.blogspot.com/-rBH4v0T1C8M/T06_TfBzUVI/AAAAAAAAIPg/yLzsnKbJ_Gc/s1600/porfirio-polaroids-08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;
EXPANDED LINEUP TO INCLUDE DOCUMENTARIES&lt;b&gt; &lt;/b&gt;AND RARELY SEEN CLASSICS FOR NEW SIDEBAR,&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;i&gt; RENDEZ-VOUS +.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;* &lt;b&gt;Fitzcarraldo &lt;/b&gt;&amp;gt; Directed by Werner Herzog. With Klaus Kinski, Claudia Cardinale (1982). Part of the &lt;/span&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;a href="http://www.bam.org/view.aspx?pid=40"&gt;BAMcinématek&lt;/a&gt;&lt;/b&gt; series &lt;b&gt;Ode &lt;a href="http://www.bam.org/view.aspx?pid=4029"&gt;to the Dawn of Man: Film and Music &amp;gt;&amp;gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;March 2 &amp;gt; &lt;/span&gt;&lt;b style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;a href="http://www.bam.org/view.aspx?pid=40"&gt;BAMcinématek&lt;/a&gt;.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;* &lt;/b&gt;&lt;b&gt;Internationalist Cinema for Today&lt;/b&gt; &amp;gt; March 1-11 &amp;gt; ANTOLOGY FILM ARCHIVES &amp;gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://anthologyfilmarchives.org/film_screenings/series/38740" target="_blank"&gt;AFA&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;This series pays tribute to a handful of still-undervalued 
internationalist filmmakers (René Vautier, Bruno Muel, Sarah Maldoror, 
Raymundo Gleyzer, Margaret Dickinson, Yolande du Luart, Masao Adachi via
 Philippe Grandrieux, Peter Whitehead) whose courage and generosity 
saved the honor of cinema in times of colonialism and the struggles for 
independence. It is also meant to honor some of the cinema’s present-day
 combatants (Frank Pineda, Florence Jaugey, John Gianvito, Laura 
Waddington, Florent Marcie, Edouard Beau, Olivier Dury, Paul Cronin…) 
who are renewing these ideals in different political contexts. “Within 
oneself, there are also the others” (Jean-Luc Godard, 1997).&lt;br /&gt;–Nicole Brenez.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="movieBlockDate"&gt;&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-style: italic;"&gt;&lt;b&gt;Spaniards in Hollywood&lt;/b&gt;&lt;/span&gt; &amp;gt; A&lt;/b&gt;
 series of films selected by film historian Román Gubern
 that show the influence of Spanish filmmakers in the mecca of 
cinema. &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-52fGIChoTG4/TzQZwOAun5I/AAAAAAAAIFk/XHxHDdGX8aY/s1600/24166_I_lupita_dracula.bmp" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/-52fGIChoTG4/TzQZwOAun5I/AAAAAAAAIFk/XHxHDdGX8aY/s400/24166_I_lupita_dracula.bmp" width="400" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;The films are a historic journey through a century (with 
particular focus on the twenties and thirties). They bring to life the 
work of some of its most famous actors and actresses (Antonio Moreno, 
Raquel Meller, Catalina Bárcena), as well as the&amp;nbsp;novelists who inspired 
the Hollywood scripts (Blasco Ibáñez, Jardiel Poncela)&amp;gt; Hasta Marzo 
7.&lt;b&gt; &lt;/b&gt;&lt;/span&gt;Films include: &lt;br /&gt;
&lt;ul style="color: #6aa84f;"&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha78830_27_2.htm" id="abreNueva0_target"&gt;Luis Buñuel: The Red Years. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79669_27_2.htm" id="abreNueva1_target"&gt;Dracula. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79663_27_2.htm" id="abreNueva2_target"&gt;Mamá. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79396_27_2.htm" id="abreNueva3_target"&gt;The White Gipsy. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79671_27_2.htm" id="abreNueva4_target"&gt;The Temptress.&lt;/a&gt; &lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79666_27_2.htm" id="abreNueva5_target"&gt;Angelina o el honor de un brigadier.&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&amp;nbsp;&lt;/li&gt;
&lt;li&gt;&amp;nbsp;&lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha79397_27_2.htm" style="color: #6aa84f;" target="_blank"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;gt;&amp;gt; Instituto Cervantes.&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/span&gt; &lt;/li&gt;
&lt;/ul&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt; &lt;i&gt;Samba Beats&lt;/i&gt; &lt;/b&gt;(&lt;i&gt;As batidas do samba&lt;/i&gt;) &amp;gt; &lt;i&gt;Directed by&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt; &lt;span style="font-size: large;"&gt;Bebeto Abrantes&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: large;"&gt; &amp;gt;&amp;gt; CT's Music + Film Series: Janeiro in New York &amp;gt; 92Y Tribeca &amp;gt;&amp;gt; Marzo 8 &amp;gt;&lt;a href="http://www.92y.org/Tribeca/Event/Samba-Beats%28As-BatidasdoSamba%29.aspx" target="_blank"&gt; SAMBA&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-QFj9S0KEYc4/T1Eztu_cDFI/AAAAAAAAISk/n4EI0g2yTY0/s1600/TRI_FILM_030812_SambaBeats_LG.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-QFj9S0KEYc4/T1Eztu_cDFI/AAAAAAAAISk/n4EI0g2yTY0/s400/TRI_FILM_030812_SambaBeats_LG.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;The documentary &lt;i&gt;Samba Beats&lt;/i&gt; (&lt;i&gt;As batidas do samba&lt;/i&gt;) 
explores the evolution of the Rio samba beat since the beginning of the 
20th century. The film chronicles the introduction and transformation of
 percussive instruments, which lead to the distinctive samba rhythm of 
Rio de Janeiro.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;50 Years of the &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;New York Film Festival on-going series &lt;/span&gt;&amp;gt;&amp;gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;including 
breakthrough films by Tarkovsky, Jackie Chan, Clint Eastwood, Michael 
Moore and a tribute to the late Raul Ruiz. A special appearance will be 
made by director Michael Moore at the &lt;i&gt;ROGER &amp;amp; ME&lt;/i&gt; screening on Tuesday, April 24 &amp;gt; &lt;a href="http://www.filmlinc.com/" target="_blank"&gt;FilmLinc&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-family: arial,helvetica,sans-serif; font-size: large;"&gt;&lt;b&gt;&lt;i&gt;*&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt; Family Films series with a French twist&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt; &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt; March and April &amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;The Film Society of Lincoln Center.&amp;nbsp;&amp;nbsp;&lt;/span&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;To coincide with the annual upcoming program &lt;i&gt;Rendez-Vous with French Cinema&lt;/i&gt;,
 the series will have a decidedly French point of view for the March and
 April lineup as it moves from winter to spring. With colorful films 
from France as well as some lively American musicals set in Paris there 
will be laughs, music and merriment &amp;gt;&amp;gt; &lt;a href="http://www.filmlinc.com/" target="_blank"&gt;FAMILY FILMS.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;DIGIMOVIES &lt;/b&gt;&amp;gt; Vanguard Latin American Cinema &amp;gt; Co-presented by Cinema Tropical &amp;gt; &lt;a href="http://www.exitart.org/" target="_blank"&gt;Exit Art.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-glQ4wVmldf4/TX5tAXT5plI/AAAAAAAAFk0/i1ckZL6h_qA/s1600/NostalgiaLightposter.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-glQ4wVmldf4/TX5tAXT5plI/AAAAAAAAFk0/i1ckZL6h_qA/s1600/NostalgiaLightposter.jpeg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;1 &amp;gt; Nostalgia for the Light &amp;gt; Wednesday, March 14.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;2 &amp;gt; 108 Cuchillo de Palo &amp;gt; Wednesday, March 21.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;3 &amp;gt; I Travel Because I Have to, I Come Back Because I Love You &amp;gt; Wednesday, March 28.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span&gt;&lt;strong&gt;CASA DE MI PADRE &amp;gt; &lt;/strong&gt;&lt;/span&gt;Matt Piedmont, USA, 2012, 84 min. In Spanish with English subtitles &amp;gt; EN CARTELERA &amp;gt; &lt;a href="http://www.casademipadremovie.com/" target="_blank"&gt;CASA.&lt;/a&gt;&lt;/span&gt;
           &lt;br /&gt;
&lt;div style="font-size: 10px;"&gt;

            &amp;nbsp;&lt;/div&gt;
&lt;br /&gt;&lt;div style="font-size: 10px;"&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.cinematropical.com/newsletter_images/casa_de_mi_padre_poster_will_ferrell_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.cinematropical.com/newsletter_images/casa_de_mi_padre_poster_will_ferrell_1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;span style="font-size: large;"&gt;
            Armando Alvarez (Will Ferrell) has lived and worked on his 
father's ranch in Mexico his entire life. As the ranch faces financial 
strains, Armando's younger brother Raúl (Diego Luna) shows up with his 
new fiancée, Sonia (Genesis Rodríguez) and pledges to settle all his 
father's debt. It seems that Raul's success as an international 
businessman means the ranch's troubles are over, but when Armando falls 
for Sonia, and Raul's business dealings turn out to be less than legit, 
the Alvarez family finds themselves in a full-out war with Mexico's most
 feared drug lord, the mighty Onza (Gael García Bernal).&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-size: 10px;"&gt;

            &lt;span style="font-size: 12px;"&gt;&lt;strong&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;i&gt;* &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;41&lt;sup&gt;st&lt;/sup&gt; Annual New Directors/New Films &lt;/span&gt;&amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;Dedicated to the 
discovery of new works by emerging and dynamic filmmaking talent, the 
film festival will screen 29 feature films (24 narrative, 5 documentary)
 and 12 short films representing 28 countries. &amp;gt;&lt;/span&gt; &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;March 21–April 1 &amp;gt;&amp;gt; &lt;a href="http://newdirectors.org/" target="_blank"&gt;NDNF&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-rBH4v0T1C8M/T06_TfBzUVI/AAAAAAAAIPg/yLzsnKbJ_Gc/s1600/porfirio-polaroids-08.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://2.bp.blogspot.com/-rBH4v0T1C8M/T06_TfBzUVI/AAAAAAAAIPg/yLzsnKbJ_Gc/s400/porfirio-polaroids-08.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* &amp;nbsp;
          &lt;b&gt;&lt;span class="movieBlockHeader"&gt;CHICO &amp;amp; RITA&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;
&lt;/b&gt;              
                &lt;span style="font-size: large;"&gt;&lt;span class="movieBlockDate"&gt; &amp;gt; De&amp;nbsp; &lt;/span&gt;Fernando Trueba&lt;/span&gt;&lt;span class="movieBlockDate"&gt;&lt;span style="font-size: large;"&gt; &amp;gt; Nominada al Oscar en la categoria de Animación &amp;gt;&amp;gt; En Cartelera &amp;gt; &lt;a href="http://www.angelikafilmcenter.com/angelika_comingsoon.asp?hID=1" target="_blank"&gt;The Angelika.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s1600/chicoandrita560.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="221" src="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s400/chicoandrita560.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;CHICO
&amp;amp; RITA&lt;/i&gt;&lt;/b&gt; is an epic story of love, passion, and heartbreak.&amp;nbsp;
Cuba, 1948. Chico is a young piano player with big dreams. Rita is a beautiful
singer with an extraordinary voice. Music and desire unite them as they chase
their dreams and each other from Havana to New York to Paris, Hollywood and Las
Vegas. With an original soundtrack by legendary Cuban pianist and five-timeGrammy&lt;sup&gt;®&lt;/sup&gt;-winning composer Bebo Valdés, &lt;b&gt;&lt;i&gt;CHICO &amp;amp; RITA&lt;/i&gt;&lt;/b&gt;
captures a defining moment in the evolution of history and jazz, and 
features
the music of (and animated cameos by) Thelonious Monk, Charlie Parker, 
ColePorter, Dizzy Gillespie, Woody Herman, Tito Puente, Chano Pozo, and 
others.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp; &lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt; Miss Bala&lt;/b&gt;. De Gerardo Naranjo. México &amp;gt;&amp;gt; En Cartelera&amp;nbsp; &amp;gt; &lt;a href="http://www.angelikafilmcenter.com/angelika_index.asp?hID=1" target="_blank"&gt;The Angelika&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-krJK25A1KZM/Tod_Gr-HqHI/AAAAAAAAHKM/a8VkIrMIbH8/s1600/MISS+BALA1+-+Stephanie+Sigman+as+Laura++in+the+Canana+and+Fox+International+Productions+film+MISS+BALA+Photo+Credit+Eniak+Martinez.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://4.bp.blogspot.com/-krJK25A1KZM/Tod_Gr-HqHI/AAAAAAAAHKM/a8VkIrMIbH8/s400/MISS+BALA1+-+Stephanie+Sigman+as+Laura++in+the+Canana+and+Fox+International+Productions+film+MISS+BALA+Photo+Credit+Eniak+Martinez.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;Esta no es una película con una visión 
romántica de México ni mucho menos una oda al narcoterrorismo. Al 
contrario, como lo expresa Gerardo Naranjo en el video que pueden ver 
debajo, MISS BALA busca presentar de manera más fidedigna lo que está 
sucediendo en en país vecino en donde la violencia desatada sobre 
ciudadanos indefensos aumenta cada día, ante la incapacidad&amp;nbsp; (o 
complicidad) del Estado para protegerlos.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;Con largas tomas y sólidas actuaciones, 
MISS BALA nos introduce a este mundo sórdido desde el punto de vista de 
una jóven, Stephanie Sigman, con sueños de reina de belleza.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;/div&gt;
&lt;span style="color: #333333; font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* T&lt;b&gt;he Artist. &lt;/b&gt;De&lt;b&gt; &lt;/b&gt;&lt;span class="gphoto-photocaption-caption"&gt;Michel Hazanavici&lt;wbr&gt;&lt;/wbr&gt;us&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;.
 Con Jean Dujardin y Berenice Bejo &amp;gt; 5 Oscars 2012 &amp;gt; En Cartelera &amp;gt;&amp;gt; The Angelika and BAMCinemas.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-AMqQfBxiBZs/Txmls1NTX3I/AAAAAAAAIBI/tatLQnS5kiE/s1600/artist560.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="221" src="http://4.bp.blogspot.com/-AMqQfBxiBZs/Txmls1NTX3I/AAAAAAAAIBI/tatLQnS5kiE/s400/artist560.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Hollywood, 1927: As silent movie star George Valentin wonders if the 
arrival of talking pictures will cause him to fade into oblivion, he 
sparks with Peppy Miller, a young dancer set for a big break.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;NEON FLESH.&lt;/b&gt; De Pablo Cabezas. España &amp;gt; En Cartelera. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-0iGEO2G5mvE/TbL2DeJFsJI/AAAAAAAAFww/HGsvK3T1Az4/s1600/NEON_FLESH_STILL+2.jpg_rgb.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="375" src="http://2.bp.blogspot.com/-0iGEO2G5mvE/TbL2DeJFsJI/AAAAAAAAFww/HGsvK3T1Az4/s400/NEON_FLESH_STILL+2.jpg_rgb.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Full
 of style and wild humor, NEON FLESH is a high-energy crime thriller 
centered around Ricky and the underground world that he lives in. His 
prostitute mother, Pura, abandoned him when he was 12. Now a young man, 
he wants to honor her by opening up a brothel when she is released from 
prison. For help he enlists a pimp, his junkie girlfriend, and a 
transsexual who believes that she's royalty, but when he finally picks 
Mom up from the hospital, he's disappointed to learn that she's 
underwhelmed with his gift. Worse, the location Ricky chose for the 
brothel encroaches on ruthless thug El Chino's domain.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;* &lt;b&gt;VIDEOTECA DEL SUR&lt;/b&gt; &amp;gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;Cine Latinoamericano&lt;/span&gt; &amp;gt;&amp;gt; &lt;a href="http://videotecadelsur.org/"&gt;Videoteca&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;MAS ESTRENOS:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;&lt;span style="font-family: Arial;"&gt;FOOTNOTE &amp;gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial;"&gt; &lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt;&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;Written
and Directed by Joseph Cedar&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: Arial;"&gt;. Best Foreign Language Film Oscar
Nominee&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Verdana;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial;"&gt;. Winner of the Best Screenplay Prize at
the 2011 Cannes Film Festival &amp;gt; &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Verdana;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial;"&gt;Opens
March 9 &lt;i&gt;.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: Arial;"&gt;FOOTNOTE
is the story of insane academic competition, the dichotomy between admiration
and envy for a role model, and the very complicated relationship between a
father and son. &amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt;* &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt;BLACK BUTTERFLIES. &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt;Directed by &lt;/span&gt;&lt;span lang="NO-BOK" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Paula Van Der Oest &amp;gt; Opens March 2 in NYC.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-uvC3NqrezbI/T1EqDt-8bLI/AAAAAAAAISU/1hMqKRnPKxY/s1600/blackB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="263" src="http://3.bp.blogspot.com/-uvC3NqrezbI/T1EqDt-8bLI/AAAAAAAAISU/1hMqKRnPKxY/s400/blackB.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;span lang="NO-BOK" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Poetry,
 politics, madness and desire collide in the story of the woman hailed 
as South Africa's Sylvia Plath. In 1960s Cape Town, as Apartheid steals 
the expressive rights of blacks and whites alike, young Ingrid Jonker 
(Carice van Houten, “A Game of Thrones”) finds her freedom scrawling 
verse while frittering through a series of stormy affairs. Amid 
escalating quarrels with her lovers and her rigid father, a parliament 
censorship minister (Rutger Hauer), the poet witnesses an unconscionable
 event that will alter the course of both her artistic and personal 
lives.&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt; &lt;/span&gt;&lt;/b&gt;&lt;i&gt;&lt;span style="font-family: 'Century Schoolbook';"&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;b&gt;DETACHMENT&lt;/b&gt;. &lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Directed by
 Tony Kaye (AMERICAN HISTORY X) &amp;gt;&amp;gt; Out March 16 in NYC &amp;gt; March 23 Los Angeles.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-mMTK4NGFfDs/T1EqOtKgsUI/AAAAAAAAISc/1BbHBP4Quew/s1600/detachment.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="267" src="http://1.bp.blogspot.com/-mMTK4NGFfDs/T1EqOtKgsUI/AAAAAAAAISc/1BbHBP4Quew/s400/detachment.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;The long-awaited film DETACHMENT stars 
Academy Award® winner Adrien Brody as Henry Barthes, a substitute 
teacher who conveniently avoids any emotional connections by never 
staying anywhere long enough to form a bond with either his students or 
colleagues.&amp;nbsp; A lost soul grappling with a troubled past, Henry finds 
himself at a public school where an apathetic student body has created a
 frustrated, burned-out administration.&amp;nbsp; Inadvertently becoming a role 
model to his students, while also bonding with a runaway teen who is 
just as lost as he is, Henry finds that he’s not alone in a life and 
death struggle to find beauty in a seemingly vicious and loveless 
world.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;/span&gt;&lt;/span&gt;Kaye
 has molded a contemporary vision of people who become increasingly 
distant from others while still feeling the need to connect. DETACHMENT 
features a stellar ensemble cast, including Academy Award® winner Marcia
 Gay Harden, Christina Hendricks, William Petersen, Bryan Cranston, Tim 
Blake Nelson, Lucy Liu, Blythe Danner, James Caan, and newcomers Sami 
Gayle and Betty Kaye.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;OUT OF NYC:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* 29th &lt;b&gt;Miami International Film Festival&lt;/b&gt; &amp;gt; March 2-11 &amp;gt; Considered the preeminent Ibero-American film festival in the U.S. &amp;gt; &lt;a href="http://www.miamifilmfestival.com/default.aspx" target="_blank"&gt;MIFF.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="margin-bottom: 0; margin-left: 0; margin-right: 0; margin-top: 0; padding: 0; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;Estas son algunas de las películas iberoamericanas en el festival:&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;* Mejor no hablar de ciertas cosas&lt;/i&gt;&lt;/b&gt; (&lt;b&gt;Ecuador, &lt;/b&gt;dirigida por &lt;b&gt;Javier Andrade&lt;/b&gt;)&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;* I’d Receive the Worst News From Your Beautiful Lips&lt;/i&gt;&lt;/b&gt; &lt;i&gt;(Eu Receberia As Piores Notícias De Seus Lindos Lábios)&lt;/i&gt; (&lt;b&gt;Brasil&lt;/b&gt;, dirigida por &lt;b&gt;Beto Brant&lt;/b&gt; y &lt;b&gt;Renato Ciasca&lt;/b&gt;)&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;* Blood of My Blood &lt;/i&gt;&lt;/b&gt;(&lt;i&gt;Sangue do Meu Sangue&lt;/i&gt;) (&lt;b&gt;Portugal&lt;/b&gt;, dirigida por &lt;b&gt;Jo&lt;/b&gt;&lt;b&gt;ã&lt;/b&gt;&lt;b&gt;o Canijo&lt;/b&gt;)&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;* Pescador &lt;/i&gt;&lt;/b&gt;(&lt;b&gt;Ecuador/Colombia&lt;/b&gt;, dirigida por &lt;b&gt;Sebastián Cordero&lt;/b&gt;)&lt;i&gt;&lt;/i&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;* Bonsái&lt;/i&gt;&lt;/b&gt; (&lt;b&gt;Chile/Argentina/Portugal/Francia&lt;/b&gt;, dirigida por &lt;b&gt;Cristián Jiménez&lt;/b&gt;&lt;i&gt;&lt;/i&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;b&gt;* Zoológico&lt;/b&gt;&lt;/i&gt; (&lt;b&gt;Chile&lt;/b&gt;, dirigida por &lt;b&gt;Rodrigo Marín&lt;/b&gt;)&lt;i&gt;&lt;/i&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;*El gato desaparece&lt;/i&gt;&lt;/b&gt; (&lt;b&gt;Argentina&lt;/b&gt;, dirigida por &lt;b&gt;Carlos Sorín&lt;/b&gt;)&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;* Madrid, 1987&lt;/i&gt;&lt;/b&gt; (&lt;b&gt;España&lt;/b&gt;, dirigida por &lt;b&gt;David Trueba&lt;/b&gt;)&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;b&gt;* Violeta se fue a los cielos&lt;/b&gt;&lt;/i&gt; (&lt;b&gt;Chile&lt;/b&gt;, dirigida por Andrés Wood)&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0pt; padding: 0pt; text-align: justify;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;&lt;i&gt;La voz dormida&lt;/i&gt;&lt;/b&gt; (&lt;b&gt;España&lt;/b&gt;, dirigida por &lt;b&gt;Benito Zambrano&lt;/b&gt;)&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt; &lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;COMING UP IN APRIL:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* El 13th Havana Film Festival New York &amp;gt; April 12 - 20 &amp;gt; &lt;a href="http://www.hffny.com/2012/index.php" target="_blank"&gt;HNYFF.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="line-height: 110%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="line-height: 110%; margin: 0in 0in 0.0001pt; text-align: left;"&gt;
* THE &lt;b&gt;2012 TRIBECA FILM FESTIVAL &amp;gt; ABRIL 18 - 29 &amp;gt; &lt;/b&gt;&lt;b&gt;TO OPEN WITH THE WORLD PREMIERE&lt;/b&gt;&lt;b&gt; OF UNIVERSAL PICTURES’ &lt;i&gt;THE FIVE-YEAR ENGAGEMENT &amp;gt;&lt;a href="http://www.tribecafilm.com/" target="_blank"&gt; TFF.&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-2052339144790542635?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/wL3-VJV1xkEABbI5FRhx8KVcGa8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wL3-VJV1xkEABbI5FRhx8KVcGa8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/wL3-VJV1xkEABbI5FRhx8KVcGa8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wL3-VJV1xkEABbI5FRhx8KVcGa8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/vtLkCK-mZUQ" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/vtLkCK-mZUQ/ny-essentials-cinema-en-marzo.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-5IPabjy1QsQ/T06_mzsYR6I/AAAAAAAAIPo/Z8q_gk5tPiM/s72-c/38Temoins_photo8+Kris+Dewitte.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/ny-essentials-cinema-en-marzo.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-3376601499821866794</guid><pubDate>Wed, 29 Feb 2012 23:46:00 +0000</pubDate><atom:updated>2012-04-02T18:48:53.674-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">sea</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">THEATER</category><category domain="http://www.blogger.com/atom/ns#">nueva york</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">repertorio espanol</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">cultura latina</category><category domain="http://www.blogger.com/atom/ns#">thalia</category><category domain="http://www.blogger.com/atom/ns#">broadway</category><category domain="http://www.blogger.com/atom/ns#">teatro</category><category domain="http://www.blogger.com/atom/ns#">evita</category><title>NY ESSENTIALS : TEATRO EN MARZO</title><description>&lt;span style="color: #cc0000; font-size: large;"&gt;El teatro Pregones vuelve con su exitosa serie &lt;/span&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Verdana; font-style: italic;"&gt;March Is Music&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Verdana;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;el Repertorio Español continúa con &lt;b&gt;Mariela en el Desierto y &lt;/b&gt;El Teatro Sea presente el musical &lt;b&gt;&lt;i&gt;DC-7, The Roberto Clemente Story&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;b style="color: #cc0000;"&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;en el Puerto Rican Traveling Theater. &lt;/span&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;b&gt;Asi que pasen cinco años &lt;/b&gt;vuelve al escenario &lt;/span&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;y&lt;/span&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;b&gt; Growing Up González&lt;/b&gt; sigue recibiendo buena crítica. &lt;/span&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;La Micro Theater presenta&lt;b&gt; Nocturnal Creatures &lt;/b&gt;y el &lt;b&gt;Teatro Bar Times Square &lt;/b&gt;sigue en su misión de hacernos reír de lo lindo. &lt;b&gt;Teatro Infantil? &lt;/b&gt;Por supuesto!. &lt;/span&gt;&lt;span style="color: #cc0000; font-size: large;"&gt;Veamos:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;EVITA&lt;/b&gt; &amp;gt;&amp;nbsp; En Pre-estrenos &amp;gt; Teatro Marquis &amp;gt; &lt;a href="http://evitaonbroadway.com/index.html" target="_blank"&gt;EVITA.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-LwIBFRmafYE/T1948zVqsaI/AAAAAAAAIbM/v_eizWyiOyE/s1600/header-001.png" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="281" src="http://1.bp.blogspot.com/-LwIBFRmafYE/T1948zVqsaI/AAAAAAAAIbM/v_eizWyiOyE/s400/header-001.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;big&gt;&lt;b&gt; &lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;El musical de TIM RICE y ANDREW LLOYD WEBBER&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/big&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;, ganador de un premio Tony, vuelve a Broadway con la actuación de &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;RICKY MARTIN&lt;/b&gt;&lt;span style="color: #cc0000;"&gt; (&lt;/span&gt;&lt;i style="color: #cc0000;"&gt;Les Misérables&lt;/i&gt;&lt;span style="color: #cc0000;"&gt;), ganador de un premio Grammy&lt;/span&gt;&lt;sup style="color: #cc0000;"&gt;®&lt;/sup&gt;&lt;span style="color: #cc0000;"&gt;, y &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;ELENA ROGER&lt;/b&gt;&lt;span style="color: #cc0000;"&gt; (&lt;/span&gt;&lt;i style="color: #cc0000;"&gt;Piaf&lt;/i&gt;&lt;span style="color: #cc0000;"&gt;),
 ganadora de un premio Olivier, quien será la primera actriz argentina 
en protagonizar el rol de Evita en Broadway, y replica su representación
 extraordinaria que deslumbró la audiencia y la critica londinense en el
 West End. También con la participación de &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;MICHAEL CERVERIS&lt;/b&gt;&lt;span style="color: #cc0000;"&gt; (&lt;/span&gt;&lt;i style="color: #cc0000;"&gt;Sweeney Todd&lt;/i&gt;&lt;span style="color: #cc0000;"&gt;), ganador de un premio Tony.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;Eva Perón utilizó su inteligencia y carisma para ascender 
rápidamente desde un tugurio de Argentina hasta la residencia 
presidencial como Primera Dama. Adorada por su pueblo como la abanderada
 de los humildes, se convirtió en una de las mujeres más poderosas del 
mundo, mientras que su codicia,  descomunal ambición y frágil salud la 
convirtieron en la más trágica. &lt;i&gt;EVITA&lt;/i&gt; cuenta la apasionada e 
inolvidable historia verídica de Eva, y nos deleita con algunas de las 
canciones más hermosas del teatro, como "Don't Cry for Me Argentina," 
"Another Suitcase in Another Hall" y "High Flying, Adored."&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Verdana; font-style: italic;"&gt;March Is Music&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Verdana;"&gt;&lt;b&gt; series&lt;/b&gt; &lt;/span&gt;&lt;span style="font-family: Verdana;"&gt;&amp;gt;&amp;gt; This year’s headliners are world-class exponents of contemporary percussion—&lt;/span&gt;&lt;span style="font-family: Verdana; text-transform: uppercase;"&gt;Line C3&lt;/span&gt;&lt;span style="font-family: Verdana;"&gt;, jazz fusion—&lt;/span&gt;&lt;span style="font-family: Verdana; text-transform: uppercase;"&gt;Sabrina Lastman&lt;/span&gt;&lt;span style="font-family: Verdana;"&gt;, Latin jazz—&lt;/span&gt;&lt;span style="font-family: Verdana; text-transform: uppercase;"&gt;Bobby Sanabria&lt;/span&gt;&lt;span style="font-family: Verdana;"&gt;, and Afro-Latino musicality—BAILE CANGREJERO, an original ensemble play by Pregones &amp;gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Verdana;"&gt;March 7&lt;/span&gt;&lt;span style="font-family: Verdana;"&gt; - 31 &amp;gt;&amp;gt; &lt;a href="http://pregones.org/Seasons/12/MIM2012.html" target="_blank"&gt;Pregones.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-EwZ5auuvwbU/Tt_lpZATcOI/AAAAAAAAHdI/UmBMqkiorng/s1600/cangrejerol.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-EwZ5auuvwbU/Tt_lpZATcOI/AAAAAAAAHdI/UmBMqkiorng/s400/cangrejerol.jpg" width="365" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Asi que pasen cinco años&lt;/b&gt; &amp;gt; De Federico García Lorca &amp;gt; Marzo 15 - 23 &amp;gt; &lt;a href="http://bit.ly/pDrAB"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span"&gt;En Repertorio Español.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-I0MTCgvuhRc/T1Um5yDDIcI/AAAAAAAAIVs/w0SnU0KbeMo/s1600/LORCAs.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="290" src="http://1.bp.blogspot.com/-I0MTCgvuhRc/T1Um5yDDIcI/AAAAAAAAIVs/w0SnU0KbeMo/s400/LORCAs.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;PHOTO by M. Palma.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;This is one of García Lorca’s most elaborate, challenging and least 
produced plays. It invites the audience to reflect on themes of 
emotions, pride, sex and gender, as relevant today as when García Lorca 
wrote the play in 1931, precisely five years before his death.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;*&amp;nbsp; &lt;/span&gt;&lt;b&gt;Mariela En El Desierto&lt;/b&gt; &amp;gt; Nueva Producción&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt; &amp;gt;&amp;gt; Marzo 2, 4, 11, 18 y 24 &amp;gt;&amp;gt; &lt;/span&gt;&lt;a href="http://bit.ly/pDrAB" style="color: #cc0000;"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span"&gt;Repertorio Español&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #cc0000; font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&lt;span class="Apple-style-span"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-JhTfXIyC6Mk/TynQnU_768I/AAAAAAAAIE0/klUrDLxB-lU/s1600/MARIELA.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="312" src="http://4.bp.blogspot.com/-JhTfXIyC6Mk/TynQnU_768I/AAAAAAAAIE0/klUrDLxB-lU/s320/MARIELA.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="sub" style="font-size: x-small;"&gt;Mariela en el Desierto. Photo Michael Palma.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: verdana,helvetica,sans-serif;"&gt;Mariela
 and José were once the golden couple of the Mexican artist 
inner-circle. Together they built a family and an artist colony to host 
friends like Diego Rivera, Frida Kahlo, and Rufino Tamayo. But now their
 daughter has grown and run away, Frida and Diego are too famous to 
call, and artistic inspiration has been strangled by isolation and 
mendacity. Set in an empty artists’ colony in the Mexican desert in 
1950, this mystery play reveals what happens to relationships when a 
long hidden family lie is exposed.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;* &lt;b&gt;En El Tiempo De Las Mariposas&lt;/b&gt; &amp;gt; Marzo 3 al 6, 10 &amp;gt;&amp;gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://bit.ly/pDrAB"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;En Repertorio Español. &lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s1600/MARIPOSAS.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="220" src="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s400/MARIPOSAS.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="sub"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;En el tiempo de las mariposas.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="sub" style="font-size: x-small;"&gt; Photo Michael Palma.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;“In The Time of the Butterflies” is the story of the courageous Mirabal 
sisters (Patria, Minerva and María Teresa) from the Dominican Republic. 
The sisters inspired resistance cells throughout the country against the
 dictatorial regime of Gen. Rafael Leónidas Trujillo. The ‘butterflies’,
 their secret code name, were brutally murdered by the regime in 1960. &lt;br /&gt;
Based on Julia Álvarez’s popular novel, the martyred butterflies come to
 vibrant life in a warm, brilliant, and dramatic production by the 
talented duo – playwright Caridad Svich and director José Zayas– that 
brought us the critically acclaimed production of Isabel Allende’s “The 
House of the Spirits” in 2009.&lt;/span&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* También en el &lt;b&gt;Repertorio&lt;/b&gt;: &lt;b&gt;Crónica de una muerte anunciada&lt;/b&gt; &amp;gt;&amp;gt; Marzo 3, 15, 23 y 31 &amp;gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://bit.ly/pDrAB"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;En Repertorio Español&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&lt;span class="Apple-style-span"&gt;* &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;DC-7, The Roberto Clemente Story &amp;gt; &lt;/i&gt;&lt;/b&gt;El Teatro Sea y el Puerto Rican Traveling Theater &amp;gt;&amp;gt; En Cartelera &amp;gt;&amp;gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;a href="http://www.sea-online.info/SEA_ArtsInEducation.html"&gt;TEATRO SEA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-8_89YOK_xfw/TymvYx_cT8I/AAAAAAAAIEE/TI6tqyuK12c/s1600/DC7.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="223" src="http://4.bp.blogspot.com/-8_89YOK_xfw/TymvYx_cT8I/AAAAAAAAIEE/TI6tqyuK12c/s400/DC7.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;DC-7. &lt;i&gt;&lt;span style="font-size: 10pt;"&gt;PHOTO by Devin Delano&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;ROBERTO CLEMENTE ganó honores y gloria para el pueblo puertorriqueño y el mundo hispano. Su inesperada y trágica muerte en un accidente de aviación mientras se dirigía en una misión humanitaria a Nicaragua, fue un golpe emocional inconsolable para el pueblo hispano. La obra fue escrita y dirigida por LUIS CABALLERO, cuyos créditos en el teatro incluyen: LA LUPE, LA GRINGA, EL OLOR DE LA GUAYABA. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
* &lt;span style="font-size: large;"&gt;&lt;b&gt;Growing Up González&lt;/b&gt;&lt;/span&gt; &amp;gt;&lt;span style="font-size: large;"&gt; One man show by Felix Rojas &amp;gt;&amp;gt; Ends March 31&amp;nbsp; &amp;gt; The Jan Hus Playhouse&lt;/span&gt; &amp;gt;&amp;gt; &lt;a href="http://www.growingupgonzales.com/" target="_blank"&gt;GROWING.&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VMacM-mapmA/TynLmzp8_OI/AAAAAAAAIEc/0SqgGyf8Jrk/s1600/GROWINGUP.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="261" src="http://2.bp.blogspot.com/-VMacM-mapmA/TynLmzp8_OI/AAAAAAAAIEc/0SqgGyf8Jrk/s320/GROWINGUP.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;FELIZ ROJAS &amp;gt; Photo cortesia del sito web del artista.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;The play is a bittersweet comedy of two brothers growing up  in the Puerto Rican section of the Bronx, whose coming of age is marked by the untimely death of their father. One actor plays both parts. The play is filled with the hearty characters, flavors and textures of The Bronx in the 70's and displays a very witty understanding of life.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;TERESA’S ECSTASY&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &amp;gt; By&amp;nbsp;&lt;b&gt;Begonya Plaza &lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;gt; Cherry Lane Theater &amp;gt; Ends April 1 &amp;gt; &lt;a href="http://teresasecstasy.com/" target="_blank"&gt;TERESA&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-cWAb0TY783E/T2TlhpAdhYI/AAAAAAAAIdY/xJrMhcPqLeM/s1600/teresa_ecstasy_interior_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="132" src="http://1.bp.blogspot.com/-cWAb0TY783E/T2TlhpAdhYI/AAAAAAAAIdY/xJrMhcPqLeM/s400/teresa_ecstasy_interior_01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;TERESA’S ECSTASY will challenge beliefs in politics, religion, sexuality
 and what it means to be alive in this multi-cultural world in which we 
live. It is funny, thought-provoking and deeply moving.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;TANGO 5 SENTIDOS &amp;gt; &lt;/b&gt;A World 
Premiere musical exploring the five SENSES with NEW MUSIC composed and 
arranged by Latin Grammy winner RAUL JAURENA &amp;gt; Ends March 18 &amp;gt;&amp;gt;
 &lt;a href="http://www.thaliatheatre.org/pages/home.cfm" target="_blank"&gt;Thalia Theatre.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-8CXq9YLF9Ig/Tz2eEa8kp-I/AAAAAAAAIG4/RHepAb80PuQ/s1600/tango5sensesflyerweb.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-8CXq9YLF9Ig/Tz2eEa8kp-I/AAAAAAAAIG4/RHepAb80PuQ/s400/tango5sensesflyerweb.jpg" width="270" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;b&gt; &lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;div style="color: #cc0000;"&gt;
* &lt;span style="font-size: large;"&gt;&lt;b&gt;Nocturnal Creatures&lt;/b&gt;. By Juan Mayorga &amp;gt;  March 9, 10, 11, 16 and 17 &amp;gt; &lt;a href="http://www.lamicrotheater.org/" target="_blank"&gt;La Micro Theater.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-AGZ5N30o-ms/T1Vg7c8SXzI/AAAAAAAAIWE/bJLuAWllps4/s1600/nocturnal_postcard.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-AGZ5N30o-ms/T1Vg7c8SXzI/AAAAAAAAIWE/bJLuAWllps4/s400/nocturnal_postcard.jpg" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-size: large;"&gt;When you're alone in a big city, how far would 
you go to make a new friend?&amp;nbsp; Two neighbors. One works by night, the 
other by day. One enjoys literature, the other enjoys model trains and 
tinkering with broken objects. They seem to have little in common, until
 they run into each other in a local café. Only this is no coincidence: 
one of them has been planning this moment for a very, very, very long 
time. This encounter leads them into a game of power that changes their 
relationship forever. &lt;br /&gt;
Brimming with dark humor, Nocturnal Creatures depicts a world of 
profound loneliness and alienation. The international press has raved 
about the play, and Dave Jordan from WHAT’S ON STAGE (London) described 
it as “Pinter meets Ionesco in this absorbing, disturbing, darkly comic 
tale of fear, anxiety and manipulation."&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;*&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,Palatino; font-size: 18pt;"&gt;&lt;i&gt;&lt;b&gt;Deadline&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;b&gt; &amp;gt; &lt;span style="font-size: large;"&gt;A READING &amp;gt; Written and Directed by Sabina Berman&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt; &amp;gt; Presented in partnership with &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;CUNY &amp;gt; &lt;/i&gt;&lt;/b&gt;&lt;b&gt;March 26 &amp;gt; &lt;/b&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;b&gt;Graduate Center.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" style="color: black; font-family: Arial,Helvetica,sans-serif; font-size: 12pt; text-align: left;"&gt;
&lt;/div&gt;
&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;* &lt;b&gt;The Book Of Mormon&lt;/b&gt; &amp;gt; by Trey Parker, Robert López y Matt Stone. Teatro Eugene O'Neill &amp;gt;&amp;gt; &lt;a href="http://bit.ly/ghiEjF"&gt;MORMON.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s1600/MORMON.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s400/MORMON.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&amp;nbsp;&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Fuerza Bruta&lt;/b&gt; &amp;gt; Continúa en el Union Square Theater &amp;gt;&amp;gt; &lt;a href="http://www.fuerzabruta.net/"&gt;FUERZA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Mujeres de Par en Par&lt;/b&gt; &amp;gt;&amp;gt; Marzo 2, 3, 31 / Abril 14, 20, 21 &amp;gt;&amp;gt; FREE SHOWS &amp;gt; Please visit for more info &amp;gt;&amp;gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;a href="http://www.facebook.com/events/305578406168059/" target="_blank"&gt;&lt;b&gt;Teatro Bar Times Square&lt;/b&gt;&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-b1zH1DHyrsw/TvTbcNvGQiI/AAAAAAAAH0s/vieDujV2Ybc/s1600/IMG_0710.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-b1zH1DHyrsw/TvTbcNvGQiI/AAAAAAAAH0s/vieDujV2Ybc/s400/IMG_0710.JPG" width="366" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Un espectáculo que mezcla música con pecados capitales, humor y vino, una sacudida teatr&lt;/span&gt;&lt;span class="text_exposed_show"&gt;&lt;span style="font-size: large;"&gt;al
 que ha levantado el aplauso de público y crítica.   Un espectáculo nos 
muestra sin pudor alguno, las intimidades de cinco féminas que 
atraviesan distintas circunstancias en la vida: la soltera ilusionada 
que busca velo y corona, la casada con el marido perfecto, la viuda 
liberada, la contemporánea que sólo quiere sexo, la frívola que sólo se 
preocupa por las líneas de expresión y la ley de gravedad, la envidiosa 
que quiere todo lo que tienen las demás y un hombre que nos cuenta la 
sencillez de la vida.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="text_exposed_show"&gt;&lt;br /&gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span class="text_exposed_show"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;JEWRICAN COCKTAIL&lt;/b&gt; &amp;gt;&amp;nbsp; March 9th, 10th, 16th and 
17th &amp;gt;  FREE 
ADMISSION &amp;gt; &lt;a href="http://jewricancocktail.weebly.com/" target="_blank"&gt;JEWRICAN.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-YX6w6ZDOLNk/T1e9sBwyQzI/AAAAAAAAIXU/RLuNksyDQPA/s1600/jewrican.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-YX6w6ZDOLNk/T1e9sBwyQzI/AAAAAAAAIXU/RLuNksyDQPA/s320/jewrican.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Gaby Dunn and Suni Reyes, two funny gals (not funny looking but really hilarious), from very different backgrounds (one of th&lt;span class="text_exposed_show"&gt;em
 is "Jew" and the other is "Rican", come and figure out who is who), 
will not only be doing STAND UP for your entertainment, but also give 
you a chance to win a BRAND NEW BOTTLE OF BOOZE for all you party 
people!!. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;b&gt;TEATRO INFANTIL&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt; El Encuen&lt;/b&gt;&lt;span class="Estilo3"&gt;&lt;span class="BodyText"&gt;&lt;span class="Estilo2"&gt;&lt;span class="Estilo13"&gt;&lt;span class="Estilo14"&gt;&lt;b&gt;tro de Juan Bobo y Pedro Animal&lt;/b&gt; (The Encounter) &lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
      March 3 &amp;amp; 10, 2012 &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &amp;gt;&amp;gt; NEW Teatro SEA &amp;gt;&amp;gt; &lt;a href="http://www.sea-online.info/SEA_ArtsInEducation.html"&gt;TEATRO SEA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-qNaCjTAIu0s/T061LeOngCI/AAAAAAAAIPY/MQJTQD-U0Ms/s1600/JuanBobo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="133" src="http://1.bp.blogspot.com/-qNaCjTAIu0s/T061LeOngCI/AAAAAAAAIPY/MQJTQD-U0Ms/s200/JuanBobo.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Mi Bebé Es Un Héroe&lt;/b&gt;. Escrita y dirigida por Eduardo Navas&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Un espectáculo bilingüe (inglés y español) &amp;gt;&amp;gt; 3 de Marzo &amp;gt;&amp;gt; &lt;a href="http://www.repertorio.org/"&gt;REPERTORIO.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-NnRJBZioShM/TMyuGtSkNiI/AAAAAAAAFTM/BzMrvMn_FNg/s1600/scaramouches.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/-NnRJBZioShM/TMyuGtSkNiI/AAAAAAAAFTM/BzMrvMn_FNg/s400/scaramouches.jpg" width="400" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/td&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-family: Tahoma,Verdana,Arial,sans-serif;"&gt;&lt;span style="font-family: sans-serif;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="line-height: 24px;"&gt;El malvado y travieso Cuchiflín intenta llevarse al bebé del Príncipe Azulito y la Princesa Perlita. Con la
 ayuda de
 los niños el bebé impide que Cuchiflín se salga con la suya convirtiendo al bebé y a los niños en héroes.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Tahoma,Verdana,Arial,sans-serif;"&gt;&lt;span style="font-family: sans-serif;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="line-height: 24px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: x-large;"&gt;&lt;b&gt;COMING UP IN APRIL:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Leap of Faith &lt;/b&gt;&amp;gt; Con Raúl Esparza &amp;gt; Pre-estrenos comienzan el 3 de Abril &amp;gt; Teatro St. James &amp;gt; &lt;a href="http://leapoffaithbroadway.com/" target="_blank"&gt;LEAP.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*  &lt;b&gt;Dreaming Again: Voices of NH Immigrants&lt;/b&gt; &amp;gt; NH Theatre Project &amp;gt; Abril 13 -15 &amp;gt; &lt;a class="twitter-timeline-link" data-display-url="bit.ly/wNH4NH" data-expanded-url="http://bit.ly/wNH4NH" data-ultimate-url="http://nhtheatreproject.wordpress.com/2012/02/22/coming-up-nhtp-dreaming-again" href="http://t.co/5k5Er2ue" rel="nofollow" target="_blank" title="http://bit.ly/wNH4NH"&gt;http://bit.ly/wNH4NH&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-3376601499821866794?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/ftUvUEo1SYh87aOhP10XrIMjMPI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ftUvUEo1SYh87aOhP10XrIMjMPI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/Z2vI3aam4so" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/Z2vI3aam4so/ny-essentials-teatro-en-marzo.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-LwIBFRmafYE/T1948zVqsaI/AAAAAAAAIbM/v_eizWyiOyE/s72-c/header-001.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/ny-essentials-teatro-en-marzo.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-1675552328645981821</guid><pubDate>Wed, 22 Feb 2012 19:55:00 +0000</pubDate><atom:updated>2012-02-23T15:56:15.496-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">Cuba</category><category domain="http://www.blogger.com/atom/ns#">chico y rita</category><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">jazz</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">javier mariscal</category><category domain="http://www.blogger.com/atom/ns#">fernando trueba</category><category domain="http://www.blogger.com/atom/ns#">musica</category><category domain="http://www.blogger.com/atom/ns#">la habana</category><category domain="http://www.blogger.com/atom/ns#">nueva york</category><title>CHICO &amp; RITA:  MUSICA, DE LA HABANA A NUEVA YORK</title><description>&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-t-HWyW-RP-Q/T0U6GZsEPjI/AAAAAAAAILk/jSjSMK_PIZM/s1600/chico_thumb2.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="212" src="http://1.bp.blogspot.com/-t-HWyW-RP-Q/T0U6GZsEPjI/AAAAAAAAILk/jSjSMK_PIZM/s400/chico_thumb2.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; font-size: large;"&gt;&lt;span style="color: #3d85c6;"&gt;Aparte de ser un documento histórico, Fernando Trueba (Oscar® por Belle Epoque) y Javier Mariscal tienen en Chico &amp;amp; Rita una joya cinematográfica. Ganadora de un Goya, Chico &amp;amp; Rita está también nominada al Oscar® en la categoría Animación y se presenta ahora en varias salas del país.&lt;/span&gt;&lt;br style="color: #3d85c6;" /&gt;&lt;span style="color: #3d85c6;"&gt;La riqueza musical de Cuba y su influencia, el encuentro cultural a través del jazz en particular, el 'love affair' de La Habana y Nueva York, el momento histórico - la trama comienza en 1948, Estados Unidos ahogado en sus contradicciones y camino a los 60 y una Cuba que se encallaría, finalmente, en el Castrismo - son el telón de fondo de una historia de amor entre Chico, un talentoso pianista, y Rita, una talentosa y bella cantante. El guión es basado, en parte, en la vida de Bebo Valdés.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://3.bp.blogspot.com/-qk1AYT_pP6I/T0U13mn0f6I/AAAAAAAAILM/0supBm-rL7E/s1600/chico_thumb6.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://4.bp.blogspot.com/-Qr9_W0e9PV4/T0U4qy4Z0CI/AAAAAAAAILU/3O3oXsw6JzM/s400/chico_thumb5.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #3d85c6; font-size: large;"&gt;Con una direccion de arte impecable, una reproducción fidedigna de La Habana y la Nueva York de entonces en la fantástica obra de Javier Mariscal que les hará soñar y un 'survey' de gran música, hoy considerada seminal, que disfrutarán inmensamente, Chico &amp;amp; Rita es una de esas películas que dejan huella. El amor a la música que pica y se extiende. Y el amor a Nueva York y a La Habana también, por lo que representan.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://3.bp.blogspot.com/-qk1AYT_pP6I/T0U13mn0f6I/AAAAAAAAILM/0supBm-rL7E/s1600/chico_thumb6.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://3.bp.blogspot.com/-qk1AYT_pP6I/T0U13mn0f6I/AAAAAAAAILM/0supBm-rL7E/s400/chico_thumb6.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="color: #3d85c6;"&gt;El soundtrack, original de Bebo Valdés, ganador de 5 Grammy®, tiene además grandes números de Thelonious Monk, Charlie Parker, Cole Porter, Dizzy Gillespie, Woody Herman, Tito Puente y Chano Pozo. Arte - ya sea música, voz, animación, dirección o proceso creativo - es la protagonista de Chico &amp;amp; Rita. Es magnífica. Saldrán inspirados. Ahora en cartelera. Aqui tienen el trailer. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/4sVWVYfxnlrfIl1LpBEYWbsLh6Q/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4sVWVYfxnlrfIl1LpBEYWbsLh6Q/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/QcId7RiPQbo" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/QcId7RiPQbo/chico-rita-oda-la-musica-la-habana-y.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-t-HWyW-RP-Q/T0U6GZsEPjI/AAAAAAAAILk/jSjSMK_PIZM/s72-c/chico_thumb2.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/chico-rita-oda-la-musica-la-habana-y.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-7131552538008825697</guid><pubDate>Wed, 22 Feb 2012 01:20:00 +0000</pubDate><atom:updated>2012-02-22T12:37:14.994-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">vision of spain</category><category domain="http://www.blogger.com/atom/ns#">spain</category><category domain="http://www.blogger.com/atom/ns#">fashion</category><category domain="http://www.blogger.com/atom/ns#">moda</category><category domain="http://www.blogger.com/atom/ns#">park avenue</category><category domain="http://www.blogger.com/atom/ns#">sorolla</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">JOAQUIN SOROLLA</category><category domain="http://www.blogger.com/atom/ns#">Oscar de la Renta</category><category domain="http://www.blogger.com/atom/ns#">THE GLORY OF SPANISH DRESS</category><category domain="http://www.blogger.com/atom/ns#">The Hispanic Society of America</category><category domain="http://www.blogger.com/atom/ns#">spanish institute</category><category domain="http://www.blogger.com/atom/ns#">queen sofia</category><category domain="http://www.blogger.com/atom/ns#">arte</category><title>JOAQUIN SOROLLA &amp; THE GLORY OF SPANISH DRESS</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-P6eUJyAY_W4/T0Qbce76VMI/AAAAAAAAIKY/9RPC2iZu2GE/s1600/Sorolla-Press8-RidingEnsemble-McDean.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-P6eUJyAY_W4/T0Qbce76VMI/AAAAAAAAIKY/9RPC2iZu2GE/s400/Sorolla-Press8-RidingEnsemble-McDean.jpg" width="298" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;Hace ya un siglo, en 1911, &lt;b&gt;The Hispanic Society of America&lt;/b&gt; de Nueva York le comisionó al valenciano &lt;b&gt;Joaquin Sorolla&lt;/b&gt;, uno de los más reconocidos artistas de la época, una serie de pinturas de gran tamaño llamada &lt;b&gt;Vision of Spain&lt;/b&gt;, un retrato en lienzo de la España de entonces. Los 14 lienzos 
resultantes reflejan esa vida cotidiana, las fiestas, los atuendos 
tradicionales, los ornamentos y la joyería usada en 11 regiones de la península. El 
comisión fue terminada en 1919 e instalada en Nueva York en 
1926. Recientemente, &lt;b&gt;Vision of Spain&lt;/b&gt; fue sometida a 
una restauración y después a una gira por España.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-3MEPCwwI57Q/T0QQwjkJusI/AAAAAAAAIJ4/3eGnHTSNXJA/s1600/SOROLLA2.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://3.bp.blogspot.com/-3MEPCwwI57Q/T0QQwjkJusI/AAAAAAAAIJ4/3eGnHTSNXJA/s640/SOROLLA2.jpg" width="384" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;De aqui parte la muestra &lt;b&gt;JOAQUIN SOROLLA &amp;amp; THE GLORY OF SPANISH DRESS &lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;b&gt;en el Queen Sofia Spanish Institute&lt;/b&gt; de la Park Avenue&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;b&gt;. &lt;/b&gt;La muestra&lt;b&gt; &lt;/b&gt;analiza


 la rica historia de la 'moda', del 'vestido' español a través de la 
obra de Sorolla - representada en la muestra por varios de los 
bocetos o estudios que el artista realizó para hacer sus grandes 
lienzos de Vision of Spain - junto con vestimenta original de la época 
traídos
 por primera vez a los Estados Unidos. Se le añade otra 
dimensión a la muestra al presentar la influencia
 española en la moda internacional contemporanea a través de los diseños
 de Cristóbal Balenciaga, Yves Saint Laurent, Stefano Pilati, 
Christian Lacroix, Karl Lagerfeld, Alexander McQueen y Marquesa.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-WC9enwOkoWc/T0QQ6mDbCjI/AAAAAAAAIKA/Vin2KY4EOrc/s1600/Sorolla-Press6-Shawl-McDean.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-WC9enwOkoWc/T0QQ6mDbCjI/AAAAAAAAIKA/Vin2KY4EOrc/s400/Sorolla-Press6-Shawl-McDean.jpg" width="297" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;JOAQUIN SOROLLA &amp;amp; THE GLORY OF SPANISH DRESS presenta en toda su gloria la riqueza y la variedad de la moda y 
las costumbres ibéricas captadas entre 1911 y 1919. La exquisita confección, la joyería y
 ornamentos usados crean trajes ricos en texturas y 'layers' de gran belleza.&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-8lDSFD3v-gM/T0QRCWjX4cI/AAAAAAAAIKI/mxER7IbtVYM/s1600/Sorolla-Press7-Bullfighter-McDean.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-8lDSFD3v-gM/T0QRCWjX4cI/AAAAAAAAIKI/mxER7IbtVYM/s400/Sorolla-Press7-Bullfighter-McDean.jpg" width="297" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;Me llamó la atención ver estilos que uno pensaría variaron muy poco
 a través de los siglos y destellos de modernidad como el &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;b&gt;Mantón de Manila&lt;/b&gt; de la foto 3 (arriba), o el boceto de Sorolla &lt;b&gt;Flamenco Dancer&lt;/b&gt; de la foto 5 (debajo). Verán a Cayetana, la Duquesa de Alba, en sus años mozos, a caballo y luciendo el despampanante&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;b&gt;Traje corto&lt;/b&gt; &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;de la foto 1- o traje similar. &lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-CajMFbElSz8/TxHXDDdPviI/AAAAAAAAH-g/d6TKxLTv8wg/s1600/SOR0LLA.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-CajMFbElSz8/TxHXDDdPviI/AAAAAAAAH-g/d6TKxLTv8wg/s640/SOR0LLA.jpg" width="307" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;b&gt;JOAQUIN SOROLLA &amp;amp; THE GLORY OF SPANISH DRESS &lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;de puso a pensar en varias cosas. Una fue la continua 'cross pollination', por decirlo de alguna manera, Intra culturas y entre culturas. Otra, la magnífica confección - craftmanship - en estas piezas. Otra, &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;y que es harina de otro costal, &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;que solo fué en los años 60 que nos liberamos de la tirania del 'fashion police'; en ese entonces, basicamente todo el mundo. Por último, la mirada a tiempos idos es siempre poderosa.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-4wOMuPaDEFw/T0QPe7rCS5I/AAAAAAAAIJw/ksDu_qLizc0/s1600/SOROLLA.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="387" src="http://3.bp.blogspot.com/-4wOMuPaDEFw/T0QPe7rCS5I/AAAAAAAAIJw/ksDu_qLizc0/s400/SOROLLA.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;La muestra, ideada por &lt;b&gt;Oscar de la Renta&lt;/b&gt; y curada por &lt;b&gt;André Leon Talley&lt;/b&gt;, está abierta al público hasta el 10 de Marzo.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;Visiten el sitio del Spanish Institute para más información &amp;gt;&amp;gt; &lt;/span&gt;&lt;a href="http://spanishinstitute.org/exhibitions-programming/exhibitions/joaquin-sorolla-and-the-glory-of-spanish-dress?currency=upcoming" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;b&gt;JOAQUIN SOROLLA.&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;Foto credits. Top to bottom:&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;1- &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;Traje corto (riding ensemble), c. 1961&lt;br /&gt;Collection of the Duchess of Alba&lt;br /&gt;© Craig McDean / Courtesy of Art + Commerce.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;2- Joaquín Sorolla. Couple from Salamanca, 1912&lt;br /&gt;Courtesy of Museo Sorolla, Madrid.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;3- Mantón de Manila (shawl), 19th century&lt;br /&gt;Collection of Naty Abascal. © Craig McDean / Courtesy of Art + Commerce.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;4- Traje de luces (bullfighter’s suit) by Fermín, 1950s-1960s&lt;br /&gt;Worn by Antonio Ordóñez&lt;br /&gt;Capote de paseo (bullfighter’s ceremonial cape), 1940s&lt;br /&gt;Worn by Carlos Arruza&lt;br /&gt;Collection of Bohórquez Domecq, S.L.&lt;br /&gt;© Craig McDean / Courtesy of Art + Commerce&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;5- Joaquín Sorolla&lt;br /&gt;Flamenco Dancer, 1914&lt;br /&gt;Courtesy of Museo Sorolla, Madrid&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;6- &lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;Joaquín Sorolla. Characters from Lagartera or Lagartera Bride, 1912. Courtesy of Museo Sorolla, Madrid.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #3d85c6; font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-7131552538008825697?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lb6ctxNexCPsEAqi4VQPtscGrMA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lb6ctxNexCPsEAqi4VQPtscGrMA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lb6ctxNexCPsEAqi4VQPtscGrMA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lb6ctxNexCPsEAqi4VQPtscGrMA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/kfiABYe_cOo" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/kfiABYe_cOo/joaquin-sorolla-glory-of-spanish-dress.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-P6eUJyAY_W4/T0Qbce76VMI/AAAAAAAAIKY/9RPC2iZu2GE/s72-c/Sorolla-Press8-RidingEnsemble-McDean.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/joaquin-sorolla-glory-of-spanish-dress.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-8686223653827702491</guid><pubDate>Wed, 01 Feb 2012 21:47:00 +0000</pubDate><atom:updated>2012-02-29T18:47:05.811-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">sea</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">THEATER</category><category domain="http://www.blogger.com/atom/ns#">nueva york</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">repertorio espanol</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">cultura latina</category><category domain="http://www.blogger.com/atom/ns#">thalia</category><category domain="http://www.blogger.com/atom/ns#">broadway</category><category domain="http://www.blogger.com/atom/ns#">teatro</category><title>NY ESSENTIALS: TEATRO / FEBRERO</title><description>&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;El Repertorio Español nos trae el estreno de &lt;/span&gt;&lt;b style="color: #cc0000;"&gt;Mariela en el Desierto y &lt;/b&gt;&lt;span style="color: #cc0000;"&gt;El Teatro Sea se une al Puerto Rican Traveling Theater para reponer el musical &lt;b&gt;&lt;i&gt;DC-7, The Roberto Clemente Story&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;Y más teatro:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Maria Montez "LIVE" (The Exclusive Interview) &lt;/b&gt;&amp;gt;
 This February be part of The Queen of Technicolor's first LIVE 
interview since her controversial departure from 1940s Hollywood. Hosted
 by a Special Guest and Featuring....more Special Guests!&amp;gt; February 
18 - 26 &amp;gt; &lt;b&gt;Teatro Bar Times Square&lt;/b&gt; (300 West 43th Street / 1-646-642-1286)&lt;/span&gt;&lt;span style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-sdl3voQsTQ0/TzQQHKPSXsI/AAAAAAAAIFU/IzVkHyF7oiU/s1600/Maria-Montez.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-sdl3voQsTQ0/TzQQHKPSXsI/AAAAAAAAIFU/IzVkHyF7oiU/s400/Maria-Montez.jpg" width="262" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #cc0000; font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt;*&amp;nbsp; &lt;/span&gt;&lt;b&gt;Mariela En El Desierto&lt;/b&gt; &amp;gt; Nueva Producción&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: #cc0000;"&gt; &amp;gt;&amp;gt; Febrero 3 al 6, 10, 12, 18 y 19 &amp;gt;&amp;gt; &lt;/span&gt;&lt;a href="http://bit.ly/pDrAB" style="color: #cc0000;"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span"&gt;Repertorio Español&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #cc0000; font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&lt;span class="Apple-style-span"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-JhTfXIyC6Mk/TynQnU_768I/AAAAAAAAIE0/klUrDLxB-lU/s1600/MARIELA.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="312" src="http://4.bp.blogspot.com/-JhTfXIyC6Mk/TynQnU_768I/AAAAAAAAIE0/klUrDLxB-lU/s320/MARIELA.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="sub" style="font-size: x-small;"&gt;Mariela en el Desierto. Photo Michael Palma.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;* &lt;b&gt;En El Tiempo De Las Mariposas&lt;/b&gt; &amp;gt; Febrero 5, 9, 11, 16 y 17 &amp;gt;&amp;gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://bit.ly/pDrAB"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;En Repertorio Español. &lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s1600/MARIPOSAS.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="220" src="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s400/MARIPOSAS.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="sub"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;En el tiempo de las mariposas.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="sub" style="font-size: x-small;"&gt; Photo Michael Palma.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* También en el &lt;b&gt;Repertorio&lt;/b&gt;: Locuras de Wichita, La Gringa, El Quijote, Crónica de una muerte anunciada &amp;gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://bit.ly/pDrAB"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;En Repertorio Español&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&lt;span class="Apple-style-span"&gt;* &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;i&gt;DC-7, The Roberto Clemente Story &amp;gt; &lt;/i&gt;&lt;/b&gt;El Teatro Sea y el Puerto Rican Traveling Theater &amp;gt;&amp;gt; Comienza el 14 de Febrero &amp;gt;&amp;gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;a href="http://www.sea-online.info/SEA_ArtsInEducation.html"&gt;TEATRO SEA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-8_89YOK_xfw/TymvYx_cT8I/AAAAAAAAIEE/TI6tqyuK12c/s1600/DC7.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="223" src="http://4.bp.blogspot.com/-8_89YOK_xfw/TymvYx_cT8I/AAAAAAAAIEE/TI6tqyuK12c/s400/DC7.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;DC-7. &lt;i&gt;&lt;span style="font-size: 10pt;"&gt;PHOTO by Devin Delano&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
* &lt;span style="font-size: large;"&gt;&lt;b&gt;Growing Up González&lt;/b&gt;&lt;/span&gt; &amp;gt;&lt;span style="font-size: large;"&gt; One man show by Felix Rojas &amp;gt;&amp;gt; Hasta Febrero 25 &amp;gt; The Jan Hus Playhouse&lt;/span&gt; &amp;gt;&amp;gt; &lt;a href="http://www.growingupgonzales.com/" target="_blank"&gt;GROWING&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VMacM-mapmA/TynLmzp8_OI/AAAAAAAAIEc/0SqgGyf8Jrk/s1600/GROWINGUP.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-VMacM-mapmA/TynLmzp8_OI/AAAAAAAAIEc/0SqgGyf8Jrk/s1600/GROWINGUP.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;FELIZ ROJAS &amp;gt; Photo cortesia del sito web del artista.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;b&gt; &lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;* &lt;b&gt;The Book Of Mormon&lt;/b&gt; &amp;gt; by Trey Parker, Robert López y Matt Stone. Teatro Eugene O'Neill &amp;gt;&amp;gt; &lt;a href="http://bit.ly/ghiEjF"&gt;MORMON.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s1600/MORMON.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s400/MORMON.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&amp;nbsp;&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Fuerza Bruta&lt;/b&gt; &amp;gt; Continúa en el Union Square Theater &amp;gt;&amp;gt; &lt;a href="http://www.fuerzabruta.net/"&gt;FUERZA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;b&gt;TEATRO INFANTIL&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Cenicienta / Cinderella&lt;/b&gt;. A bilingual Musical &amp;gt;&amp;gt; NEW Teatro SEA &amp;gt;&amp;gt; Febrero 4, 11, 18 y 25 &amp;gt;&amp;gt; &lt;a href="http://www.sea-online.info/SEA_ArtsInEducation.html"&gt;TEATRO SEA.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-7I8uqLMWXvg/TynP9ED724I/AAAAAAAAIEs/b79mW-wohlA/s1600/Cinderella.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="132" src="http://3.bp.blogspot.com/-7I8uqLMWXvg/TynP9ED724I/AAAAAAAAIEs/b79mW-wohlA/s200/Cinderella.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Mi Bebé Es Un Héroe&lt;/b&gt;. Escrita y dirigida por Eduardo Navas&lt;br /&gt;Un espectáculo bilingüe (inglés y español) &amp;gt;&amp;gt; 4 de Febrero y 3 de Marzo &amp;gt;&amp;gt; &lt;a href="http://www.repertorio.org/"&gt;REPERTORIO.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #cc0000;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-NnRJBZioShM/TMyuGtSkNiI/AAAAAAAAFTM/BzMrvMn_FNg/s1600/scaramouches.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/-NnRJBZioShM/TMyuGtSkNiI/AAAAAAAAFTM/BzMrvMn_FNg/s400/scaramouches.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-8686223653827702491?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vTHGMFnfrsYt6iclJoqpx1NuLh4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vTHGMFnfrsYt6iclJoqpx1NuLh4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vTHGMFnfrsYt6iclJoqpx1NuLh4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vTHGMFnfrsYt6iclJoqpx1NuLh4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/tkCPm7g2v4Y" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/tkCPm7g2v4Y/ny-essentials-teatro-febrero.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-sdl3voQsTQ0/TzQQHKPSXsI/AAAAAAAAIFU/IzVkHyF7oiU/s72-c/Maria-Montez.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/ny-essentials-teatro-febrero.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-7341840374490399425</guid><pubDate>Wed, 01 Feb 2012 21:17:00 +0000</pubDate><atom:updated>2012-02-16T19:24:27.720-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">New York</category><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">MUSIC</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">musica</category><title>NY ESSENTIALS: MUSICA / FEBRERO</title><description>&lt;span style="font-size: large;"&gt;El listado de eventos musicales luce corto - lo seguiremos ampliando - pero los cantantes que se presentan este mes son de talla mundial. Tendremos en Nueva York:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;TANGO 5 SENTIDOS &amp;gt; &lt;/b&gt;A World Premiere musical exploring the five SENSES with NEW MUSIC composed and arranged by Latin Grammy winner RAUL JAURENA &amp;gt; Ends March 18 &amp;gt;&amp;gt; &lt;a href="http://www.thaliatheatre.org/pages/home.cfm" target="_blank"&gt;Thalia Theatre.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-8CXq9YLF9Ig/Tz2eEa8kp-I/AAAAAAAAIG4/RHepAb80PuQ/s1600/tango5sensesflyerweb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-8CXq9YLF9Ig/Tz2eEa8kp-I/AAAAAAAAIG4/RHepAb80PuQ/s400/tango5sensesflyerweb.jpg" width="270" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Arturo O'Farrill &amp;amp; The Afro Latin Jazz Orchestra &amp;gt;&lt;/b&gt; Febrero 5, 12, 19, 26 &amp;gt;&amp;gt; &lt;a href="http://www.birdlandjazz.com/event/81839/" target="_blank"&gt;Birdland.&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;table border="0" cellpadding="0" cellspacing="0"&gt;
                    &lt;tbody&gt;
&lt;tr&gt;
                      &lt;td class="CENTERCOPY"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
*&lt;span style="font-size: large;"&gt; &lt;b&gt;HAVANA TO BROOKLYN&lt;/b&gt; with Pedrito Martinez @ Roulette, BK. Santería, Salsa &amp;amp; more + afterparty with DJ! &amp;gt; Feb 11 &amp;gt; 8pm &amp;gt;&amp;gt; World Music Institute &amp;gt;&amp;gt; &lt;a href="http://www.worldmusicinstitute.org/event.php?id=1218" target="_blank"&gt;PEDRITO.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-Efwg5vkFslA/TSeEu1RAF6I/AAAAAAAAFdE/TBwTMhxSMcc/s1600/gF11_Pedrito2-RussTitelmanJillNelson.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="327" src="http://1.bp.blogspot.com/-Efwg5vkFslA/TSeEu1RAF6I/AAAAAAAAFdE/TBwTMhxSMcc/s400/gF11_Pedrito2-RussTitelmanJillNelson.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Romeo Santos&lt;/b&gt; &amp;gt; Febrero 11, 23 y 24 &amp;gt;&amp;gt; Madison Square Garden&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-dNIfqqrTyV0/TkIK4moXckI/AAAAAAAAGFY/L9qY98AplUE/s1600/Herny+Santos+Jeter3+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-dNIfqqrTyV0/TkIK4moXckI/AAAAAAAAGFY/L9qY98AplUE/s400/Herny+Santos+Jeter3+.jpg" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Mónica Naranjo&lt;/b&gt;. Feb 24. Grand Ballroom, Manhattan Center &amp;gt;&amp;gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;TicketMaster.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Ricardo Arjona &lt;/b&gt;&amp;gt; Febrero 26 &amp;gt;&amp;gt; Madison Square Garden.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Flamenco Festival New York 2012&lt;/b&gt; series of 
concerts &amp;gt; Since its creation in 2001, Flamenco Festival USA has 
become the most important showcase for Spanish culture outside Spain and
 a vital point of encounter between the American public and Spanish 
artists. Flamenco Festival will be presented at the most important 
venues of USA: NC City Center in New York; Adrienne Arsh Center in Miami
 and the Lisner Auditorium in Washington DC.&lt;/span&gt;&lt;br /&gt;
&lt;div class="datos"&gt;
&lt;h3&gt;


&lt;span style="font-size: large;"&gt;Eventos en el Instituto Cervantes &amp;gt;&amp;gt; Febrero 24 a Marzo 11 &amp;gt;&lt;br /&gt;
  &lt;/span&gt;&lt;/h3&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s1600/flam12.gif" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s400/flam12.gif" width="243" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79584_27_2.htm" id="abreNueva0_target"&gt;José María Gallardo del Rey. Classical &amp;amp; Jondo. &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79616_27_2.htm" id="abreNueva1_target"&gt;Guitar masterclass with José María Gallardo del Rey. &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79585_27_2.htm" id="abreNueva2_target"&gt;Ricardo Moreno. A gipsy in New York. &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79587_27_2.htm" id="abreNueva3_target"&gt;Flamenco Dialogues. &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79586_27_2.htm" id="abreNueva4_target"&gt;Rosa Torres-Pardo. SpanishSuite &lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;gt;&amp;gt;&lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha79014_27_2.htm" target="_blank"&gt; Instituto Cervantes&lt;/a&gt;&lt;/span&gt;&lt;a href="http://./"&gt;.&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;En Marzo:&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Flamenco Festival 2012 &lt;/b&gt;&amp;gt; City Center Main 
Stage &amp;gt; Marzo 1 al 4 &amp;gt; Celebrating the tradition of great female 
flamenco choreographers, will showcase four of today’s best: &lt;b&gt;Rafaela Carrasco&lt;/b&gt;, &lt;b&gt;Manuela Carrasco&lt;/b&gt;, &lt;b&gt;Carmen Cortés&lt;/b&gt; and &lt;b&gt;Olga Pericet&lt;/b&gt;, each presenting new works in her own unique style and outlook &amp;gt;&amp;gt;
&lt;/span&gt;&lt;br /&gt;
&lt;a href="http://www.nycitycenter.org/tickets/productionNew.aspx?performanceNumber=6264" target="_blank"&gt; &lt;span style="font-size: large;"&gt;Flamenco.&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s1600/flam12.gif" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-dxbgrpKSo6o/TzQXpmzeDxI/AAAAAAAAIFc/pOJxcWE_ksg/s400/flam12.gif" width="243" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 class="ev-title"&gt;

* The Armory Party 2012&lt;b&gt; &amp;gt;&lt;span style="font-weight: normal;"&gt; Con&lt;/span&gt; Neon Indian&lt;/b&gt; &amp;gt;&lt;span style="font-weight: normal;"&gt; March 7 &amp;gt; &lt;a href="http://www.moma.org/visit/calendar/events/13680" target="_blank"&gt;MOMA.&lt;/a&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-t8h-c4kjNqc/Tz2QO9OCkjI/AAAAAAAAIGY/qBKY-8wM9sQ/s1600/NeonIndian.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="303" src="http://4.bp.blogspot.com/-t8h-c4kjNqc/Tz2QO9OCkjI/AAAAAAAAIGY/qBKY-8wM9sQ/s400/NeonIndian.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-7341840374490399425?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-wiCz6NwRzE2IH6lGdVpd5ikYZ0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-wiCz6NwRzE2IH6lGdVpd5ikYZ0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-wiCz6NwRzE2IH6lGdVpd5ikYZ0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-wiCz6NwRzE2IH6lGdVpd5ikYZ0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/l6_mZMQOrqg" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/l6_mZMQOrqg/ny-essentials-musica-febrero.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-8CXq9YLF9Ig/Tz2eEa8kp-I/AAAAAAAAIG4/RHepAb80PuQ/s72-c/tango5sensesflyerweb.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/ny-essentials-musica-febrero.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-82980719698393092</guid><pubDate>Wed, 01 Feb 2012 21:09:00 +0000</pubDate><atom:updated>2012-02-29T19:17:21.066-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">peliculas</category><category domain="http://www.blogger.com/atom/ns#">peliculas latinas</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">nueva york</category><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">chico y rita</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">nyff</category><category domain="http://www.blogger.com/atom/ns#">the artist</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">raquel welch</category><category domain="http://www.blogger.com/atom/ns#">miss bala</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">nyu</category><title>NY ESSENTIALS: CINEMA / FEBRERO</title><description>&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;La cartelera cinematográfica nos trae a &lt;b&gt;Miss Bala&lt;/b&gt;, un retrato de la realidad vivida a diario por miles de mexicanos y latinoamericanos. También nos trae la fantástica película animada &lt;b&gt;Chico &amp;amp; Rita&lt;/b&gt; del español Fernando Trueba (Belle Epoque) que compite en la categoria de Animación en los Oscar 2012. Además tendremos la oportunidad de ver a &lt;b&gt;Raquel Welch&lt;/b&gt;, en la retrospectiva que le dedica la Film Society del Lincoln Center. Allí mismo se estrenará &lt;b&gt;The Turin Horse &lt;/b&gt;una de las mejores cintas que he visto en años recientes,&lt;b&gt; &lt;/b&gt;como parte de otra retrospectiva dedicada al cineasta húngaro Béla Tarr. Otra gran cinta que viene a Nueva York es &lt;b&gt;Neón Flesh&lt;/b&gt;, del español Paco Cabezas, una de las mejores producciones que ví en el pasado &lt;b&gt;Tribeca Film Festival&lt;/b&gt;. Y por supuesto, &lt;b&gt;The Artist &lt;/b&gt;continua en cartelera y sigue cosechando éxitos además de 10 nominaciones al Oscar. No se pierdan &lt;a href="http://www.tespismagazine.com/2011/12/entrevista-berenice-bejo-star-of-artist.html" target="_blank"&gt;la entrevista que le hice a Berenice Bejo&lt;/a&gt;, nominada al Oscar como mejor Actríz de Reparto.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Los detalles:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* &amp;nbsp;
          &lt;b&gt;&lt;span class="movieBlockHeader"&gt;CHICO &amp;amp; RITA&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;
&lt;/b&gt;              
                &lt;span style="font-size: large;"&gt;&lt;span class="movieBlockDate"&gt; &amp;gt; De&amp;nbsp; &lt;/span&gt;Fernando Trueba&lt;/span&gt;&lt;span class="movieBlockDate"&gt;&lt;span style="font-size: large;"&gt; &amp;gt; Nominada al Oscar en la categoria de Animación &amp;gt;&amp;gt; En Cartelera Febrero 10 &amp;gt; &lt;a href="http://www.angelikafilmcenter.com/angelika_comingsoon.asp?hID=1" target="_blank"&gt;The Angelika.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s1600/chicoandrita560.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="221" src="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s400/chicoandrita560.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp; &lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* Miss Bala. De Gerardo Naranjo &amp;gt;&amp;gt; En Cartelera&amp;nbsp; &amp;gt; &lt;a href="http://www.angelikafilmcenter.com/angelika_index.asp?hID=1" target="_blank"&gt;The Angelika&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-krJK25A1KZM/Tod_Gr-HqHI/AAAAAAAAHKM/a8VkIrMIbH8/s1600/MISS+BALA1+-+Stephanie+Sigman+as+Laura++in+the+Canana+and+Fox+International+Productions+film+MISS+BALA+Photo+Credit+Eniak+Martinez.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://4.bp.blogspot.com/-krJK25A1KZM/Tod_Gr-HqHI/AAAAAAAAHKM/a8VkIrMIbH8/s400/MISS+BALA1+-+Stephanie+Sigman+as+Laura++in+the+Canana+and+Fox+International+Productions+film+MISS+BALA+Photo+Credit+Eniak+Martinez.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;The Last Modernist&lt;/b&gt;: The Complete Works of &lt;b&gt;Béla Tarr&lt;/b&gt; 
from February 3-8, 2012. In advance of the U.S. Theatrical Premiere of his latest &lt;/span&gt;&lt;span style="font-size: large;"&gt;great&lt;/span&gt;&lt;span style="font-size: large;"&gt; film&lt;b&gt; The Turin Horse&lt;/b&gt; on February 10th &amp;gt;&amp;gt; &lt;a href="http://www.filmlinc.com/" target="_blank"&gt;FILMLINC.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-XLh131aPojM/ToeGYZVyD3I/AAAAAAAAHK8/qwsax56yGMg/s1600/THE+TURIN+HORSE+%25232.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-XLh131aPojM/ToeGYZVyD3I/AAAAAAAAHK8/qwsax56yGMg/s400/THE+TURIN+HORSE+%25232.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span class="movieBlockDate"&gt;&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-style: italic;"&gt;&lt;b&gt;Spaniards in Hollywood&lt;/b&gt;&lt;/span&gt; &amp;gt; A&lt;/b&gt; series of films selected by film historian Román Gubern
 that show the influence of Spanish filmmakers in the mecca of 
cinema.&amp;nbsp;The films are a historic journey through a century (with 
particular focus on the twenties and thirties). They bring to life the 
work of some of its most famous actors and actresses (Antonio Moreno, Raquel Meller, Catalina Bárcena), as well as the&amp;nbsp;novelists who inspired the Hollywood scripts (Blasco Ibáñez, Jardiel Poncela)&amp;gt; Hasta Marzo 7.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;Films included:&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-52fGIChoTG4/TzQZwOAun5I/AAAAAAAAIFk/XHxHDdGX8aY/s1600/24166_I_lupita_dracula.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/-52fGIChoTG4/TzQZwOAun5I/AAAAAAAAIFk/XHxHDdGX8aY/s400/24166_I_lupita_dracula.bmp" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;ul style="color: #6aa84f;"&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha78830_27_2.htm" id="abreNueva0_target"&gt;Luis Buñuel: The Red Years. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79669_27_2.htm" id="abreNueva1_target"&gt;Dracula. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79663_27_2.htm" id="abreNueva2_target"&gt;Mamá. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79396_27_2.htm" id="abreNueva3_target"&gt;The White Gipsy. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79671_27_2.htm" id="abreNueva4_target"&gt;The Temptress. &lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://nuevayork.cervantes.es/FichasCultura/Ficha79666_27_2.htm" id="abreNueva5_target"&gt;Angelina o el honor de un brigadier.&amp;nbsp;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha79397_27_2.htm" style="color: #6aa84f;" target="_blank"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;gt;&amp;gt; Instituto Cervantes .&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;/ul&gt;
&lt;span style="color: #333333; font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Cinematic Goddess: American Sex Symbol, The Films of Raquel Welch&lt;span style="font-weight: normal;"&gt; &amp;gt;&amp;gt; February 10-14 &amp;gt;&amp;gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://www.filmlinc.com/" target="_blank"&gt;FILMLINC.&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt;Documentary Fortnight 2012&lt;/b&gt;: MoMA's International Festival of Nonfiction Film and Media &amp;gt; February 16-28 &amp;gt; With Latino films such as:&lt;/span&gt;&lt;br /&gt;
&lt;b&gt;. &lt;/b&gt;&lt;span style="font-size: 12px;"&gt;&lt;b&gt;EL LUGAR MÁS PEQUEÑO / THE TINIEST PLACE&lt;/b&gt;&lt;/span&gt; (Tatiana Huezo Sanchez, Mexico, 2011)&lt;br /&gt;
. &lt;span style="font-size: 12px;"&gt;&lt;b&gt;ARGENTINIAN LESSON&lt;/b&gt;&lt;/span&gt; (Wojciech Staron, Poland/ Argentina, 2011, 56 min.)&lt;br /&gt;
. &lt;span style="font-size: 12px;"&gt;&lt;b&gt;POLVO/ DUST&lt;/b&gt;&lt;/span&gt; (Angela Reginato, Mexico, 2011, 27 min.)&lt;br /&gt;
. &lt;span style="font-size: 12px;"&gt;&lt;b&gt;EL FIELD&lt;/b&gt;&lt;/span&gt; (Daniel Rosas, Mexico/USA, 2011, 84 min.) &lt;br /&gt;
. &lt;span style="font-size: 12px;"&gt;&lt;b&gt;¡VIVAN LAS ANTIPODAS!&lt;/b&gt;&lt;/span&gt; (Victor Kossakovsky, Germany/ Argentina/ Netherlands/ Chile, 2011, 108 min.)&lt;br /&gt;
. Ivan &amp;amp; Ivana. 2011. 
USA. 
Directed by Jeff Silva.&lt;br /&gt;
&lt;br /&gt;
&amp;gt;&amp;gt;&lt;a href="http://www.moma.org/visit/calendar/films/1246#related_screenings" target="_blank"&gt; MOMA &lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* T&lt;b&gt;he Artist. &lt;/b&gt;De&lt;b&gt; &lt;/b&gt;&lt;span class="gphoto-photocaption-caption"&gt;Michel Hazanavici&lt;wbr&gt;&lt;/wbr&gt;us&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;. Con Jean Dujardin y Berenice Bejo &amp;gt;&amp;gt; Nominada al Oscar en 10 categorias &amp;gt; En Cartelera &amp;gt;&amp;gt; The Angelika and BAMCinemas.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-AMqQfBxiBZs/Txmls1NTX3I/AAAAAAAAIBI/tatLQnS5kiE/s1600/artist560.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="221" src="http://4.bp.blogspot.com/-AMqQfBxiBZs/Txmls1NTX3I/AAAAAAAAIBI/tatLQnS5kiE/s400/artist560.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;NEON FLESH.&lt;/b&gt; De Pablo Cabezas &amp;gt; En Cartelera Febrero 24.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-0iGEO2G5mvE/TbL2DeJFsJI/AAAAAAAAFww/HGsvK3T1Az4/s1600/NEON_FLESH_STILL+2.jpg_rgb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="375" src="http://2.bp.blogspot.com/-0iGEO2G5mvE/TbL2DeJFsJI/AAAAAAAAFww/HGsvK3T1Az4/s400/NEON_FLESH_STILL+2.jpg_rgb.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;* &lt;b&gt;VIDEOTECA DEL SUR&lt;/b&gt; &amp;gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;Cine Latinoamericano&lt;/span&gt; &amp;gt;&amp;gt; &lt;a href="http://videotecadelsur.org/"&gt;Videoteca&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;
COMING UP IN MARCH&lt;br /&gt;
&lt;br /&gt;
* &lt;b&gt;&lt;span style="font-size: large;"&gt;RENDEZ-VOUS WITH FRENCH CINEMA 2012 &lt;/span&gt;&amp;gt; &lt;/b&gt;EXPANDED LINEUP TO INCLUDE DOCUMENTARIES&lt;b&gt; &lt;/b&gt;AND RARELY SEEN CLASSICS FOR NEW SIDEBAR,&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;i&gt; RENDEZ-VOUS + &amp;gt; MARCH 1-11 &amp;gt; &lt;a href="http://www.filmlinc.com/" target="_blank"&gt;LINCOLN CENTER.&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;i&gt;* &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;41&lt;sup&gt;st&lt;/sup&gt; Annual New Directors/New Films &amp;gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;Dedicated to the 
discovery of new works by emerging and dynamic filmmaking talent, the 
film festival will screen 29 feature films (24 narrative, 5 documentary)
 and 12 short films representing 28 countries. &amp;gt;&lt;/span&gt; &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;March 21–April 1 &amp;gt;&amp;gt; &lt;a href="http://newdirectors.org/" target="_blank"&gt;NDNF&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;b&gt;&lt;i&gt; &lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-82980719698393092?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ud9PmJlT6wvrWW9g9rFG3NjF35Q/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ud9PmJlT6wvrWW9g9rFG3NjF35Q/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ud9PmJlT6wvrWW9g9rFG3NjF35Q/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ud9PmJlT6wvrWW9g9rFG3NjF35Q/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/6Gn-s5TgW0E" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/6Gn-s5TgW0E/ny-essentials-cinema-febrero.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s72-c/chicoandrita560.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/02/ny-essentials-cinema-febrero.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-4569444053845619432</guid><pubDate>Tue, 31 Jan 2012 22:43:00 +0000</pubDate><atom:updated>2012-02-29T20:56:02.402-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">muestras</category><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">el roto</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">soto</category><category domain="http://www.blogger.com/atom/ns#">arte</category><category domain="http://www.blogger.com/atom/ns#">sorolla</category><category domain="http://www.blogger.com/atom/ns#">rivera</category><title>NY ESSENTIALS: ARTE / FEBRERO</title><description>&lt;span style="color: #3d85c6; font-size: large;"&gt;Aqui tiene el primer listado con las muestras de artistas latinos para este mes de Febrero. El influyente artista venezolano Jesús Soto, el mexicano Diego Rivera, el satirista español El Roto y más. Solo en Nueva York.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-family: Verdana,Helvetica,Arial; font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;Night Falls&lt;/i&gt; &amp;gt; The collaborative work of &lt;b&gt;Walter Martin &amp;amp; Paloma Muñoz &amp;gt;&lt;/b&gt;&lt;/span&gt; &lt;span style="font-size: large;"&gt;Martin &amp;amp; Muñoz are an art team best known for their "&lt;i&gt;Travelers&lt;/i&gt;"
 series of snow globes and photographs. In the world that they have 
developed, blizzard transformed landscapes often serve as backdrops for 
enigmatic narratives &amp;gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; Ends March 10 &amp;gt;&lt;a href="http://draft.blogger.com/goog_2139173079"&gt; &lt;/a&gt;&lt;/b&gt;&lt;a href="http://www.ppowgallery.com/" target="_blank"&gt;PPOW.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Zh2PHMBbFoE/Tz2fah2U99I/AAAAAAAAIHA/-hrJeHVCU-Y/s1600/ppowgallery.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="256" src="http://2.bp.blogspot.com/-Zh2PHMBbFoE/Tz2fah2U99I/AAAAAAAAIHA/-hrJeHVCU-Y/s320/ppowgallery.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;
&lt;div class="caption"&gt;
&lt;u&gt;In the Doldrums&lt;/u&gt; 2010-11, C-Print on Fujicolor Crystal Archival Paper, 48 x 60 inches, edition of 6&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span class="style2"&gt;&lt;b&gt;Soto: Paris and Beyond. 1950 – 1970&lt;/b&gt;&amp;nbsp; &amp;gt; Enero 10 - Marzo 31 &amp;gt;&amp;gt; Grey Art Gallery, NYU &amp;gt;&amp;gt; &lt;a href="http://www.nyu.edu/greyart/" target="_blank"&gt;SOTO.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;
  &lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/--8fLZ30HDsc/TyhtTzQun-I/AAAAAAAAIDs/QazOOQ488Pc/s1600/soto.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/--8fLZ30HDsc/TyhtTzQun-I/AAAAAAAAIDs/QazOOQ488Pc/s400/soto.jpg" width="226" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="sponsorital"&gt;&lt;span class="sponsor"&gt;Jesús Soto at solo exhibition, Galerie Edouard Loeb, Paris, 1962 (detail). Photograph by Carlos Cruz-Diez &lt;br /&gt;
            Images © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Joaquín Sorolla and the Glory of Spanish Dress &amp;gt;&lt;/b&gt; Hasta Marzo 10 &amp;gt;&amp;gt;&lt;b&gt; &lt;/b&gt;&lt;a href="http://spanishinstitute.org/exhibitions-programming/exhibitions/joaquin-sorolla-and-the-glory-of-spanish-dress?currency=upcoming" target="_blank"&gt;Queen Sofía Spanish Institute&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;

&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-CajMFbElSz8/TxHXDDdPviI/AAAAAAAAH-g/d6TKxLTv8wg/s1600/SOR0LLA.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-CajMFbElSz8/TxHXDDdPviI/AAAAAAAAH-g/d6TKxLTv8wg/s640/SOR0LLA.jpg" width="307" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;h4&gt;



















Joaquín Sorolla. FLAMENCO DANCER, 1914. Cortesía Museo Sorolla, Madrid&lt;/h4&gt;
&lt;h4 style="text-align: left;"&gt;










&lt;/h4&gt;
&lt;h4&gt;










 &lt;/h4&gt;
&lt;h4&gt;



















&lt;/h4&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;h4 style="text-align: left;"&gt;










&lt;span style="font-size: large;"&gt;* TESTIMONIOS: 100 Years of Popular Expression &amp;gt; Hasta Mayo 6 &amp;gt; &lt;span style="font-weight: normal;"&gt;Testimonios examines potent works by non-traditionally trained makers. &amp;gt; &lt;a href="http://www.elmuseo.org/en/event/testimonios-100-years-popular-expression" target="_blank"&gt;El Museo del Barrio.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-56w_OtQKuzw/Tz2TnWbm1wI/AAAAAAAAIGg/Uyh7YkPVWyo/s1600/testimonios_main.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="298" src="http://1.bp.blogspot.com/-56w_OtQKuzw/Tz2TnWbm1wI/AAAAAAAAIGg/Uyh7YkPVWyo/s400/testimonios_main.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Ejlat Feuer, &lt;i&gt;Street Scene&lt;/i&gt; (detail), color photograph, 1990s Collection El Museo del Barrio, NY&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;VOCES Y VISIONES: Gran Caribe &amp;gt; &lt;/b&gt;Hasta Diciembre 9 &lt;b&gt;&amp;gt; &lt;/b&gt;This exhibition features works that explore the vast diversity and 
complexity of the Caribbean basin, as an accompaniment to El Museo’s 
upcoming exhibition, &lt;i&gt;Caribbean: Crossroads of the World&lt;/i&gt;, presented in collaboration with Studio Museum in Harlem and Queens Museum of Art &amp;gt;&amp;nbsp; El &lt;a href="http://www.elmuseo.org/en/event/voces-y-visiones-gran-caribe" target="_blank"&gt;Museo Del Barrio.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-w5gUh_lOjhY/Tz2VBlw-kxI/AAAAAAAAIGo/CmCRYTaMs10/s1600/grancaribe_main.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-w5gUh_lOjhY/Tz2VBlw-kxI/AAAAAAAAIGo/CmCRYTaMs10/s400/grancaribe_main.jpg" width="298" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Francisco Oller y Cestero (Puerto Rican, 1833-1917) &lt;i&gt;Platanos Amarillos&lt;/i&gt; (detail), ca. 1892-93 Oil on wood panel Gift of Joseph and Carmen Ana Unanue 2009.32&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Glenda Leon&lt;/b&gt;&lt;i&gt;&lt;b&gt; : Listening To Silence&lt;/b&gt; &amp;gt;&lt;/i&gt; Enero 12 - Febrero 18 &amp;gt;&amp;gt; &lt;a href="http://magnanmetz.com/exhibitions/" target="_blank"&gt;Magnan Metz Gallery.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Ari14ugoZI4/Tym1v8bAmEI/AAAAAAAAIEU/eCYO-MW1yqo/s1600/glendaleon.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="266" src="http://3.bp.blogspot.com/-Ari14ugoZI4/Tym1v8bAmEI/AAAAAAAAIEU/eCYO-MW1yqo/s400/glendaleon.gif" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;i&gt;Magical Found Object #5&lt;/i&gt;,  2005-2011. Artificial flowers, piano. 69 x 68 1/2 x 69 inches&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Draw What You Think. Social and Political Satire in Cartoons
&lt;/b&gt;&amp;gt; A collection of twenty-four drawings, the work of the 
cartoonist Andrés Rábago, also known as&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;b&gt; El Roto&lt;/b&gt; &amp;gt; Enero 13 - Febrero 15 &amp;gt;&amp;gt; &lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha78086_27_2.htm" target="_blank"&gt;Instituto Cervantes.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #3d85c6; margin-left: auto; margin-right: auto; text-align: center;"&gt;

&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;a href="http://o.aolcdn.com/cdn.webmail.aol.com/35412/images/common/space.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://o.aolcdn.com/cdn.webmail.aol.com/35412/images/common/space.gif" style="background: url(&amp;quot;http://o.aolcdn.com/cdn.webmail.aol.com/35412/images/prime/main8.png&amp;quot;) repeat scroll -45px -30px transparent; border: 0px solid rgb(133, 129, 124); height: 32px; position: absolute; width: 32px;" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-jA0IrmYAUTY/Tyhts7hSojI/AAAAAAAAID0/NF3nqKeA-CQ/s1600/IMG_1275.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-jA0IrmYAUTY/Tyhts7hSojI/AAAAAAAAID0/NF3nqKeA-CQ/s400/IMG_1275.jpg" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Diego Rivera: Murals for The Museum of Modern Art&lt;/b&gt; &amp;gt; November 13 - May 14, 2012 &amp;gt;&amp;gt; &lt;a href="http://www.moma.org/visit/calendar/exhibitions/1168" target="_blank"&gt;MOMA&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-g3XH_Uuq8TY/Trw1uOdbnrI/AAAAAAAAHAw/XEhXfTDBIf4/s1600/Zapata1.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-g3XH_Uuq8TY/Trw1uOdbnrI/AAAAAAAAHAw/XEhXfTDBIf4/s640/Zapata1.jpg" width="456" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;Diego Rivera.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;i style="background-color: white; font-family: arial, verdana, sans-serif; font-size: 10px; line-height: 14px; text-align: -webkit-auto;"&gt;Agrarian Leader Zapata&lt;/i&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;, 1931.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;Fresco on reinforced cement in a galvanized-steel framework, 93 ¾ x 74” (238.1 x 188 cm).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;© 2011 Banco de México Diego Rivera &amp;amp; Frida Kahlo Museums Trust, México, D.F./Artists Rights Society (ARS), New York&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-family: Verdana,Helvetica,Arial; font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Pedro Terán: Works from the 70's / Eduardo Costa: Volumetric Paintings&lt;/b&gt; &amp;gt; Febrero 2 - Marzo 17 &amp;gt; Henrique Faria Fine Art &amp;gt; &lt;a href="http://www.henriquefaria.com/" target="_blank"&gt;TERAN/COSTA&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-L9kUx1-r4uk/TynaCzsSgVI/AAAAAAAAIFE/aYqrF-nTrUI/s1600/henrique-faria-fine-art-costa-teran-.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="317" src="http://2.bp.blogspot.com/-L9kUx1-r4uk/TynaCzsSgVI/AAAAAAAAIFE/aYqrF-nTrUI/s400/henrique-faria-fine-art-costa-teran-.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span class="gD"&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Verdana,Helvetica,Arial;"&gt;* &lt;/span&gt;&lt;b&gt;Big Picture: John Boone&lt;/b&gt; &amp;gt; February 2 - 18 &amp;gt; ONE ART SPACE Gallery &amp;gt; &lt;a href="http://www.oneartspace.com/" target="_blank"&gt;BIG.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-QENWvO5Y5iw/TynT1CZK1KI/AAAAAAAAIE8/d804QDYUp-E/s1600/ONEART.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="322" src="http://2.bp.blogspot.com/-QENWvO5Y5iw/TynT1CZK1KI/AAAAAAAAIE8/d804QDYUp-E/s400/ONEART.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Of Dreams and Hurricanes: &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: Verdana,Helvetica,Arial;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Maria Berrio and Frances Gallardo &lt;/b&gt;&amp;gt;&amp;gt; febrero 9 - Marzo 17 &amp;gt;&amp;gt; &lt;a href="http://www.praxis-art.com/index.php?lang=es" target="_blank"&gt;Praxis Art.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-djdKfeYnaLw/Tym0vMajEaI/AAAAAAAAIEM/fmcfHirt1DU/s1600/praxis.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="395" src="http://2.bp.blogspot.com/-djdKfeYnaLw/Tym0vMajEaI/AAAAAAAAIEM/fmcfHirt1DU/s400/praxis.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;* PS3* Pedro Sanchez3 : &lt;b&gt;On the Outer Edge&lt;/b&gt; &amp;gt; Hasta Marzo 17 &amp;gt; Abrons Arts Center &amp;gt; &lt;a href="http://support.henrystreet.org/site/PageServer?pagename=AAC_EXH_on_the_outer_edge" target="_blank"&gt;PS3.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;* &lt;/span&gt;MAREMAGNUM. By Jordi Socias &amp;gt; One of the key names in the evolution of photojournalism in Spain &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt; Febrero 23-Marzo 23 &amp;gt;&amp;gt; &lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha77687_27_2.htm" target="_blank"&gt;Instituto Cervantes.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-yKF_uqqMDCk/Tz2dHboyluI/AAAAAAAAIGw/F_qIlf09e-Q/s1600/24358_I_almodovar_central_baja.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-yKF_uqqMDCk/Tz2dHboyluI/AAAAAAAAIGw/F_qIlf09e-Q/s400/24358_I_almodovar_central_baja.jpg" width="272" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Autor/es: (c) Jordi Socías&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
* &lt;span style="font-size: x-large;"&gt;&lt;b&gt;content&lt;/b&gt;&lt;/span&gt; &amp;gt;&lt;span style="font-size: large;"&gt; Solo&amp;nbsp;Exhibition:&amp;nbsp;&lt;b&gt;Andres Michelena &lt;/b&gt;&amp;gt;&amp;nbsp; &lt;span style="color: #3d85c6;"&gt;&lt;i&gt;a 
metalinguistic proposal that explores the possible limits of perception 
and the assimilation of the artistic fact through what could be defined 
as visual haikus, or even visual koans &amp;gt;&amp;gt; &lt;/i&gt;&lt;/span&gt;February 23 - March 15 &amp;gt;&amp;gt; &lt;a href="http://www.oneartspace.com/" target="_blank"&gt;One Art Space&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-04DtI8G6tKo/Tz2hNVep3qI/AAAAAAAAIHI/4M3fIxiC-qw/s1600/OneArt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-04DtI8G6tKo/Tz2hNVep3qI/AAAAAAAAIHI/4M3fIxiC-qw/s400/OneArt.jpg" width="350" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align="center" style="font-size: 10pt; text-align: center;"&gt;
&lt;span style="font-size: 19px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;Giuseppe Mastromatteo&lt;/b&gt; : &lt;b style="font-style: normal; font-weight: bold;"&gt;Indepensense&lt;/b&gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;gt;&amp;gt; Enero 5 - Febrero 11&lt;/span&gt;&lt;span style="font-size: large;"&gt; &amp;gt;&amp;gt; At the new Chelsea location&amp;nbsp; &amp;gt;&amp;gt; &lt;a href="http://www.emmanuelfremingallery.com/exhibitions/blinding" target="_blank"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;Emmanuel Fremin Gallery.&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="gray-type"&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;* &lt;/b&gt;&lt;b&gt;Cindy Sherman&lt;/b&gt;&lt;b&gt; &amp;gt;&lt;/b&gt; The exhibition will explore dominant themes throughout Sherman’s career,
 including artifice and fiction; cinema and performance; horror and the 
grotesque; myth, carnival, and fairy tale; and gender and class 
identity. Also included are Sherman’s recent photographic murals (2010),
 which will have their American premiere at MoMA.&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; February 26–June 1 &amp;gt;&lt;a href="http://www.moma.org/visit/calendar/exhibitions/1170" target="_blank"&gt; MoMa&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;COMING UP IN MARCH:&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;* &lt;/b&gt;&lt;b&gt;&lt;i&gt; Rafael Barrios on Park Avenue&lt;/i&gt;&lt;/b&gt;. Nine monumental sculptures by this Venezuelan artist &amp;gt;&amp;gt; March  1, 2012 to June 30, 2012 &amp;gt; 51st Street to 67th Street&lt;br /&gt;Park Avenue Malls, Manhattan.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;* &lt;b&gt;Whitney &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Biennial 2012 &lt;/b&gt;&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt; March 1–May 27 &amp;gt; &lt;/span&gt;Sculpture, painting, installations, and photography—as well as dance, theater, music, and film&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&amp;gt; &lt;a href="http://whitney.org/Exhibitions/2012Biennial?utm_content=tespismag%40aol.com&amp;amp;utm_source=VerticalResponse&amp;amp;utm_medium=Email&amp;amp;utm_term=2012%20Whitney%20Biennial&amp;amp;utm_campaign=Whitney%20Biennial%202012%20Tickets%20on%20Sale%20Nowcontent" target="_blank"&gt;Whitney Museum.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #3d85c6; margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
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&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/oB4HWS73IHE6LqHeOvXPzLC5Ixo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oB4HWS73IHE6LqHeOvXPzLC5Ixo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/oB4HWS73IHE6LqHeOvXPzLC5Ixo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oB4HWS73IHE6LqHeOvXPzLC5Ixo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/eVC5hWTDtDY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/eVC5hWTDtDY/ny-essentials-arte-febrero.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-Zh2PHMBbFoE/Tz2fah2U99I/AAAAAAAAIHA/-hrJeHVCU-Y/s72-c/ppowgallery.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/01/ny-essentials-arte-febrero.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-5045997801771557798</guid><pubDate>Sun, 22 Jan 2012 20:09:00 +0000</pubDate><atom:updated>2012-01-22T15:09:05.095-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">sundance film festival</category><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">utah</category><category domain="http://www.blogger.com/atom/ns#">sundance</category><category domain="http://www.blogger.com/atom/ns#">latino film</category><category domain="http://www.blogger.com/atom/ns#">peliculas latinas</category><category domain="http://www.blogger.com/atom/ns#">latam</category><title>CINE LATINO AT THE SUNDANCE FILM FESTIVAL</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-qWT8IC3ox4c/TxxrpqJStII/AAAAAAAAIDg/WDecuPp584U/s1600/film-events.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="131" src="http://2.bp.blogspot.com/-qWT8IC3ox4c/TxxrpqJStII/AAAAAAAAIDg/WDecuPp584U/s400/film-events.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;There are several films from Latino filmmakers participating at the Sundance Film Festival. With several films in competition, Latinos keep showing the growing importance of Latino talent in the US, Latin America and Europe. Here is a list. Keep it handy for when these films show up at a theater near you!&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;PREMIERES:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
 &lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt; 1- &lt;strong&gt;&lt;em&gt;Red Lights&lt;/em&gt;&lt;/strong&gt; / U.S.A., Spain (Director and 
screenwriter: Rodrigo Cortés) — Psychologist Margaret Matheson and her 
assistant study paranormal activity, which leads         them to 
investigate a world-renowned psychic. &lt;em&gt;Cast: Cillian Murphy, Sigourney Weaver, Robert De Niro, Elizabeth Olsen, Toby Jones.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;2- &lt;/em&gt;&lt;strong&gt;&lt;em&gt;2 Days in New York&lt;/em&gt;&lt;/strong&gt; / France (Director: 
Julie Delpy, Screenwriters: Julie Delpy, Alexia Landeau) — Marion has 
broken up with Jack and now lives in New York with their         child. A
 visit from her family, the different cultural background of her new 
boyfriend, an ex-boyfriend who her sister is now dating, and her 
upcoming         photo exhibition make for an explosive mix. &lt;em&gt;Cast: Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau, Alex Nahon. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;IN COMPETITION: &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;1- &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Father's Chair (A Cadeira do Pai)&lt;/strong&gt;&lt;/em&gt; / Brazil 
(Director: Luciano Moura, Screenwriters: Elena Soarez, Luciano Moura) — 
Following the trail of his runaway teen son, Theo confronts his own 
identity as a son, a father and a man along the way. &lt;em&gt;Cast: &lt;/em&gt;&lt;em&gt;Wagner Moura, Mariana Lima, Lima Duarte, &lt;/em&gt;&lt;em&gt;Br&lt;/em&gt;&lt;em&gt;á&lt;/em&gt;&lt;em&gt;s &lt;/em&gt;&lt;em&gt;Antunes&lt;/em&gt;&lt;em&gt;. World Premiere.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;2- &lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Young &amp;amp; Wild&lt;/strong&gt;&lt;/em&gt; / Chile (Director: Marialy
 Rivas, Screenwriters: Marialy Rivas, Camila Gutiérrez, Pedro Peirano) —
 17-year-old Daniela, raised in the bosom of a strict Evangelical family
 and recently unmasked as a fornicator by her shocked parents, struggles
 to find her own path to spiritual harmony.        &lt;em&gt;Cast: Alicia &lt;/em&gt;&lt;em&gt;Rodríguez&lt;/em&gt;&lt;em&gt;, Aline Kuppenheim, &lt;/em&gt;&lt;em&gt;María&lt;/em&gt;&lt;em&gt; Gracia Omegna, Felipe Pinto. World Premiere.&lt;/em&gt;&lt;/span&gt; &lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;3- &lt;strong&gt;The Last Elvis (El Ultimo Elvis)&lt;/strong&gt;&lt;/em&gt; / 
Argentina (Director: Armando Bo, Screenwriters: Nicolás Giacobone and 
Armando Bo) — A Buenos Aires Elvis impersonator who believes that he is 
the reincarnation of the King struggles to shake free from reality and 
live his musical dream.        &lt;em&gt;Cast: John McInerny, Griselda Siciliani, Margarita Lopez. World Premiere.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="color: #3d85c6; font-size: large;"&gt;
&lt;/span&gt;&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;4- Madrid, 1987&lt;/strong&gt;&lt;/em&gt; / Spain (Director and 
screenwriter: David Trueba) — The balance of power and desire constantly
 shifts during the meeting of an older journalist and a young student, 
of two generations completely foreign to one another. &lt;em&gt;Cast:&lt;/em&gt;&lt;em&gt; José Sacristán, María Valverde, Ramon Fontserè&lt;/em&gt; &lt;em&gt;. International Premiere.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;5- &lt;strong&gt;Violeta Went to Heaven (Violeta se Fue a Los Cielos)&lt;/strong&gt;&lt;/em&gt;
 / Chile, Argentina, Brazil, Spain (Director: Andrés Wood, 
Screenwriters: Eliseo Altunaga, Rodrigo Bazaes, Guillermo Calderón, 
Andrés Wood) — A portrait of famed Chilean singer and folklorist Violeta
 Parra filled with her musical work, her memories, her loves and her 
hopes. &lt;em&gt;Cast:&lt;/em&gt; &lt;em&gt; Francisca Gavilán, Thomas Durand, Luis Machín, Gabriela Aguilera, Roberto Farías&lt;/em&gt;&lt;em&gt;. International Premiere.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;6- &lt;strong&gt;WRONG&lt;/strong&gt;&lt;/em&gt; / France, U.S.A. (Director and 
screenwriter: Quentin Dupieux) — Dolph searches for his lost dog, but 
through encounters with a nympho pizza-delivery girl, a jogging neighbor
 seeking the absolute, and a mysterious righter of wrongs, he may 
eventually lose his mind... and his identity.        &lt;em&gt;Cast: Jack Plotnick, Eric Judor, Alexis Dziena, Steve Little, William Fichtner. World Premiere&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: #3d85c6; font-size: large;"&gt;
&lt;/span&gt;&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;7- &lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;em&gt;&lt;strong&gt;Simon Killer&lt;/strong&gt;&lt;/em&gt; / France, U.S.A. (Director and
 screenwriter: Antonio Campos) — After a bad breakup, Simon escapes to 
Paris where he falls in love with a young         prostitute, and their 
fateful journey begins. &lt;em&gt;Cast: Brady Corbet, Mati Diop, Constance Rousseau, Michael Abiteboul, Solo.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;em&gt;OTHER PROGRAMS:&lt;/em&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;1- &lt;/em&gt;&lt;strong&gt;&lt;em&gt;Mosquita y Mari&lt;/em&gt;&lt;/strong&gt; / U.S.A. (Director and 
screenwriter: Aurora Guerrero) — A friendship between two 15-year-old 
Latinas becomes complex as they struggle to recognize the         sexual
 undercurrent in their relationship. &lt;em&gt;Cast: Fenessa Pineda, Venecia Troncoso, Joaquín Garrido, Laura Patalano, Dulce Maria Solis. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;2- &lt;/em&gt;&lt;strong&gt;&lt;em&gt;Corpo Celeste&lt;/em&gt;&lt;/strong&gt; / Italy (Director and 
screenwriter: Alice Rohrwacher) — After moving back to southern Italy 
with her mother and older sister, 13-year-old Marta struggles to find 
her place, restlessly testing the boundaries of an unfamiliar city and 
the catechism of the Catholic church.        &lt;em&gt;Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: #3d85c6; font-size: large;"&gt;
&lt;/span&gt;&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;strong&gt;&lt;em&gt;3- Declaration Of War&lt;/em&gt;&lt;/strong&gt; / France (Director: 
Valérie Donzelli, Screenwriters: Jérémie Elkaïm, Valérie Donzelli) — A 
young couple embark upon a painful, enlightening journey         when 
they discover that their newborn child is very ill. &lt;em&gt;Cast: Valérie Donzelli, Jérémie Elkaïm, César Desseix. North American Premiere&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt;&amp;nbsp;4- &lt;/em&gt;&lt;strong&gt;&lt;em&gt;Monsieur Lazhar&lt;/em&gt;&lt;/strong&gt; / Canada (Director and 
screenwriter: Philippe Falardeau) — An elegant reflection on loss and 
death focused on an Algerian immigrant teacher who brings emotional 
stability to a Montreal middle school class shaken by the suicide of 
their well-liked teacher.        &lt;em&gt; Cast: Fellag, Sophie Nélisse, Émilien Néron, Danielle Proulx, Brigitte Poupart&lt;/em&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-5045997801771557798?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/fIEO06k5ftKtOc2dwmsOvxAJ2yU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fIEO06k5ftKtOc2dwmsOvxAJ2yU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/fIEO06k5ftKtOc2dwmsOvxAJ2yU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fIEO06k5ftKtOc2dwmsOvxAJ2yU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/3ik_n9ojo2o" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/3ik_n9ojo2o/cine-latino-at-sundance-film-festival.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-qWT8IC3ox4c/TxxrpqJStII/AAAAAAAAIDg/WDecuPp584U/s72-c/film-events.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/01/cine-latino-at-sundance-film-festival.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-2827355598391776522</guid><pubDate>Thu, 19 Jan 2012 23:17:00 +0000</pubDate><atom:updated>2012-01-20T14:04:38.073-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">latin music apps</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">latino events</category><category domain="http://www.blogger.com/atom/ns#">latino apps</category><category domain="http://www.blogger.com/atom/ns#">latin film apps</category><category domain="http://www.blogger.com/atom/ns#">latin culture apps</category><category domain="http://www.blogger.com/atom/ns#">apps</category><category domain="http://www.blogger.com/atom/ns#">guide</category><category domain="http://www.blogger.com/atom/ns#">alex guerrero</category><category domain="http://www.blogger.com/atom/ns#">LATINO EVENTS APP</category><title>THE LATINO EVENTS APP GOT A NEW LOOK! GET IT NOW!</title><description>&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-ZucdHUCP6rw/TxicG08bR-I/AAAAAAAAIAY/mNUAwUQRsuE/s1600/Home2.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-ZucdHUCP6rw/TxicG08bR-I/AAAAAAAAIAY/mNUAwUQRsuE/s400/Home2.jpg" width="251" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="color: #3d85c6; font-size: large;"&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Todo
 esto de aprender a desarrollar aplicaciones ha sido retador para este 
servidor que no tiene experticia en estas lides. Atando cabos, a pesar 
del jargon y las incertidumbres, he podido abrirme paso. Por supuesto, 
las cosas se hacen mucho más fáciles cuando usas un servicio como &lt;a href="http://www.apps-builder.com/en/home" target="_blank"&gt;&lt;b&gt;APPS Builder&lt;/b&gt;&lt;/a&gt;
 que lo hace todo muy fácil, solo pidiéndote paciencia y sentido común. 
El reto se presenta cuando el guión no se da como se esperaba. Cuando 
malamente lees code, las limitaciones son amplias cuando te enfrentas a 
los foros que generosamente te ayudan tanto, pero que te toman un rato 
para enterarte...&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #6fa8dc;"&gt;
&lt;span style="font-size: large;"&gt;El
 uso de las APPS ya cambió el panorama de cómo nos comunicamos y nos 
informamos. Una APP para cada cosa que te puedas imaginar. Hace pocos 
días escuché a un cantante famoso hablar del lanzamiento de su próxima 
producción en una APP.&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Así, buscando &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;vías creadoras de ingresos&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;, &lt;/span&gt;me di a la tarea de desarrollar la aplicación Latino Events.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;La aplicación está dividida en 4 secciones:&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;1- &lt;b&gt;The Latest&lt;/b&gt;: Información al día de los mejores eventos y actividaes culturales seleccionadas por Latino Events.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;2- &lt;b&gt;Social&lt;/b&gt;: Aqui encontrarán todos los enlaces a nuestras cuentas en social media, a saber, twitter y Facebook.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;3- &lt;b&gt;Multimedia&lt;/b&gt;:&amp;nbsp;
 a- Videos: Acceso directo a nuestros videos originales con entrevistas,
 música y arte; b- Photography: Acceso a nuestras galerías de fotos: 
celebridades, eventos, arte y NYC.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;4- &lt;b&gt;More&lt;/b&gt;:
 Aqui encontrarán los enlaces a nuestro contenido original de Tespis 
Magazine y promociones especiales. Además, tendrán acceso a los websites
 digitales de Tespis y de LatinoEvents.&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;
&lt;div style="color: #6fa8dc;"&gt;
&lt;span style="font-size: large;"&gt;Les invito a colaborar con nuestro proyecto comprando nuestra primera APP. &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;La APP Latino Events &lt;/b&gt;cuesta $0.99.&lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;Más
 que una compra les invito a tomarlo como una inversion en este 
proyecto: Tespis Magazine, Latino Events, TespisTV, L4SG, Vzla22 y 
Travesías siguen creciendo y ahora aún más gracias a Ustedes.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6fa8dc;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6fa8dc;"&gt;
&lt;span style="font-size: large;"&gt;Para comprar la APP Latino Events&amp;gt;&amp;gt; Visita el &lt;a href="https://market.android.com/details?id=com.appsbuilder52893&amp;amp;feature=search_result&amp;amp;pli=1" target="_blank"&gt;Android Market&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6fa8dc;"&gt;
&lt;span style="font-size: large;"&gt;Apple coming soon!&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6fa8dc;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6fa8dc;"&gt;
&lt;span style="font-size: large;"&gt;Mil Gracias de antemano! Alex Guerrero.&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;Aqui tienen fotos del nuevo diseño. Que les parece?&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://4.bp.blogspot.com/-kjBX0p1Wo3M/TxidftQ22NI/AAAAAAAAIAw/4O9itGS0Ggs/s1600/VIDEOS1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-kjBX0p1Wo3M/TxidftQ22NI/AAAAAAAAIAw/4O9itGS0Ggs/s400/VIDEOS1.jpg" width="266" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-tvXD7hpk50E/TxidQD-td6I/AAAAAAAAIAg/06RMfZ6ARDU/s1600/TESPIS1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-tvXD7hpk50E/TxidQD-td6I/AAAAAAAAIAg/06RMfZ6ARDU/s400/TESPIS1.jpg" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-LEoNYvv3CsI/Txids69BkhI/AAAAAAAAIBA/58MzGWzTFBw/s1600/Home1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-LEoNYvv3CsI/Txids69BkhI/AAAAAAAAIBA/58MzGWzTFBw/s400/Home1" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-2827355598391776522?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-0uwhKfSXSCXW8sJ_sB9VrXBYU8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-0uwhKfSXSCXW8sJ_sB9VrXBYU8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-0uwhKfSXSCXW8sJ_sB9VrXBYU8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-0uwhKfSXSCXW8sJ_sB9VrXBYU8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/LL9BdR-qg5k" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/LL9BdR-qg5k/latino-events-app-got-new-look-get-it.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-ZucdHUCP6rw/TxicG08bR-I/AAAAAAAAIAY/mNUAwUQRsuE/s72-c/Home2.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/01/latino-events-app-got-new-look-get-it.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-7961194086971769583</guid><pubDate>Wed, 18 Jan 2012 20:30:00 +0000</pubDate><atom:updated>2012-02-01T16:11:10.331-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">peliculas</category><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">blackthorne</category><category domain="http://www.blogger.com/atom/ns#">mateo gil</category><category domain="http://www.blogger.com/atom/ns#">corto circuito</category><category domain="http://www.blogger.com/atom/ns#">peliculas latinas</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">cine peru. peru</category><category domain="http://www.blogger.com/atom/ns#">nueva york</category><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">nyff</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">nyu</category><category domain="http://www.blogger.com/atom/ns#">almodovar</category><title>NY ESSENTIALS: CINEMA. UPDATED!</title><description>&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;This is the updated listing of the best cinema in town for the months of January and February.&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;* &lt;b&gt;&lt;i&gt;Lula, Son of Brazil&lt;/i&gt;&lt;/b&gt;, a Film by Fábio Barreto &amp;gt;&amp;gt; Opens on January 13 at the Lincoln Plaza Cinemas and at Quad Cinema.&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;* &lt;span style="font-size: x-large;"&gt;&lt;b&gt;Global Lens, 2012&lt;/b&gt;&lt;/span&gt;&lt;b&gt; &lt;/b&gt;&amp;gt; Enero 12–28 &amp;gt; MoMA &amp;gt; With the following pictures from Latin America:&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;- Riscado&amp;nbsp;(Craft) 2010. 
Brazil. 
Directed by Gustavo Pizzi.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;- &lt;/b&gt;El Dedo&amp;nbsp;(The Finger) 2011. 
Argentina. 
Directed by Sergio Teubal.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;- El Premio&amp;nbsp;(The Prize) 2011. 
Argentina/Mexico. 
Written and directed by Paula Markovitch.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;- Gordo, Calvo y Bajito&amp;nbsp;(Fat, Bald, Short Man) 2011. 
Colombia. 
Directed by Carlos Osuna.&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&amp;gt;&amp;gt;&lt;a href="http://www.moma.org/visit/calendar/films/1234" target="_blank"&gt; MoMA&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;* Miss Bala. De Gerardo Naranjo &amp;gt; Entrada de México a los Oscar 2012 &amp;gt; En Cartelera Enero 20 &amp;gt; &lt;a href="http://www.angelikafilmcenter.com/angelika_index.asp?hID=1" target="_blank"&gt;The Angelika&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://4.bp.blogspot.com/-krJK25A1KZM/Tod_Gr-HqHI/AAAAAAAAHKM/a8VkIrMIbH8/s1600/MISS+BALA1+-+Stephanie+Sigman+as+Laura++in+the+Canana+and+Fox+International+Productions+film+MISS+BALA+Photo+Credit+Eniak+Martinez.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://4.bp.blogspot.com/-krJK25A1KZM/Tod_Gr-HqHI/AAAAAAAAHKM/a8VkIrMIbH8/s400/MISS+BALA1+-+Stephanie+Sigman+as+Laura++in+the+Canana+and+Fox+International+Productions+film+MISS+BALA+Photo+Credit+Eniak+Martinez.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;* &lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial; font-weight: bold;"&gt;THE CINEMA TROPICAL FESTIVAL &amp;gt; Enero 21 y 22.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;

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&lt;span style="font-family: Arial; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;a href="http://cinematropical.com/" target="_blank"&gt;Cinema Tropical&lt;/a&gt; in partnership with
92YTribeca is proud to launch a new annual festival celebrating the
year’s best Latin American film productions. The festival
features the winners of the Cinema Tropical AWARDS, which were announced at a
ceremony at The New York Times’ headquarters on December 1 &amp;gt;&lt;i&gt;&lt;span style="font-style: italic;"&gt; Octubre&lt;/span&gt;&lt;/i&gt;,
&lt;i&gt;&lt;span style="font-style: italic;"&gt;Leap Year (Año Bisiesto), Nostalgia For The
Light, &lt;/span&gt;&lt;/i&gt;and &lt;i&gt;&lt;span style="font-style: italic;"&gt;The Tiniest Place (El Lugar Más Pequeño)&lt;/span&gt;&lt;/i&gt; &amp;gt;&amp;gt; &lt;a href="http://www.92y.org/Tribeca/index" target="_blank"&gt;92 Y Tribeca.&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt;"&gt;Sat, Jan 21 &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic; font-weight: bold;"&gt;OCTUBRE&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-weight: bold;"&gt; – WINNER: BEST FEATURE FILM&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-0HUOSNzzHzQ/TYUAKhMF2EI/AAAAAAAAFlQ/fmbJrIRUsb8/s1600/octubre.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/-0HUOSNzzHzQ/TYUAKhMF2EI/AAAAAAAAFlQ/fmbJrIRUsb8/s400/octubre.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt;"&gt;Clemente,
 a moneylender of few
words, is a new hope for Sofía, his single neighbor devoted to the 
October
worship of Our Lord of the Miracles. They're
brought together over a new-born baby, the fruit of Clemente's 
relationship with a prostitute who's nowhere to be found. While Clemente
 is looking
for the child’s mother, Sofía cares for the baby and looks after the
moneylender's house. With the
arrival of these beings in his life, Clemente has the opportunity to 
reconsider
his emotional relations with people. &lt;i&gt;&lt;span style="font-style: italic;"&gt;Octubre&lt;/span&gt;&lt;/i&gt;,
the first feature film from Peruvian brothers Daniel and Diego Vega, is a
deadpan dark comedy incorporating influences ranging from Jim Jarmush and Aki
Kaurismaki to Robert Bresson, and winner of the Jury Prize at Cannes Film
Festival-Un Certain Regard. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Director: &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Daniela and Diego Vega&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;. 83 min.
2010. 35mm.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Peru&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;. In Spanish with English subtitles.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt;"&gt;Sat, Jan 21&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic; font-weight: bold;"&gt;LEAP
YEAR (AÑO BISIESTO)&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-weight: bold;"&gt; – WINNER:
BEST DIRECTOR, FEATURE FILM&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt;"&gt;Michael Rowe’s debut feature
film, winner of the Camera d’Or at the Cannes Film Festival, tells the
story of Laura, a young journalist living an isolated life in a cramped Mexico City flat who is
not lucky in love. The banality of her daily life stands in stark contrast to
her nightly pursuit of sex and love. These short-lived affairs barely take the
edge off her isolation, but then she meets the brooding, would-be actor Arturo.
Their chemistry ignites feelings in Laura that leave her deeply troubled. The
two embark on an increasingly dangerous sadomasochistic relationship in which
pleasure, pain and love merge. Their physical relationship seems headed for a
very dark place as her secret past resurfaces, pushing Arturo to the limit in
this intense, powerful and at times deeply unsettling movie.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Director: &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="ES" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Michael Rowe&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;. 94 min.
2010. 35mm.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="ES" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Mexico. &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;In Spanish with English subtitles.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt;"&gt;&amp;nbsp;Sun, Jan 22. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic; font-weight: bold;"&gt;NOSTALGIA FOR THE LIGHT&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-weight: bold;"&gt; – WINNER: BEST DOCUMENTARY&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-glQ4wVmldf4/TX5tAXT5plI/AAAAAAAAFk0/i1ckZL6h_qA/s1600/NostalgiaLightposter.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-glQ4wVmldf4/TX5tAXT5plI/AAAAAAAAFk0/i1ckZL6h_qA/s400/NostalgiaLightposter.jpeg" width="270" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt;"&gt;Patricio Guzmán’s latest film
is a meditation on memory, history and eternity. Chile’s
remote Atacama Desert, 10,000 feet above sea
level, provides stunningly clear views of the heavens. But it also holds
secrets from the past—preserved corpses, from pre-Columbian mummies to
recent explorers, miners and disappeared political prisoners. In this
otherworldly place, earthly and celestial quests meld: archaeologists dig for
ancient civilizations, women search for their dead and astronomers scan the
skies for new galaxies.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Director: &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Patricio Guzmán&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;. 90 min.
2010. 35mm.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;France/Germany/Chile.
In Spanish with English subtitles.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt;"&gt;&amp;nbsp;Sun, Jan 22. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic; font-weight: bold;"&gt;THE TINIEST PLACE (EL LUGAR MÁS PEQUEÑO) &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-weight: bold;"&gt;– WINNER: BEST FIRST FILM AND BEST DIRECTOR,
DOCUMENTARY FILM &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt;"&gt;Hailed as “one of the most
impressive debuts by a Mexican filmmaker” by Robert Koehler (&lt;i&gt;&lt;span style="font-style: italic;"&gt;Variety&lt;/span&gt;&lt;/i&gt;), Huezo’s remarkable film
tells the story of Cinquera, a tiny place nestled in the mountains&amp;nbsp;amidst
the humid jungle that was ravaged by the bloody civil war that swept El
Salvador between 1980 and 1992. The powerful and hypnotic documentary depicts a
community that has learned to live with its sorrow, an annihilated town that
re-emerges through the strength and deep love of its inhabitants for the land
and people. With a lyrical eye, Huezo interweaves the simplicity of the
town’s present life with tragic testimonies of the past. &lt;i&gt;&lt;span style="font-style: italic;"&gt;The Tiniest Place &lt;/span&gt;&lt;/i&gt;is ultimately a story of
resilience, hope and the ability of the human being to reinvent himself after
surviving a tragedy.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Director: &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Tatiana Huezo&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;. 104 min.
2010. 35mm.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: #6aa84f; margin-left: 1in;"&gt;
&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;Mexico&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;. In Spanish with English subtitles.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="FI" style="font-family: Arial; font-size: 11pt; font-style: italic;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
*&amp;nbsp;&lt;span style="font-size: large;"&gt; &lt;b&gt;EL PRIMER EUROPEO&lt;/b&gt; &amp;gt; 24 de Enero &amp;gt; Premiere Americana&amp;nbsp;&amp;gt;&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://draft.blogger.com/goog_298666351"&gt; &lt;/a&gt;&lt;/span&gt;&lt;a href="http://nyork.cervantes.es/en/default.shtm" target="_blank"&gt;&lt;span style="font-size: large;"&gt;Instituto Cervantes.&lt;/span&gt;&lt;/a&gt; &lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* T&lt;b&gt;he Artist. &lt;/b&gt;De&lt;b&gt; &lt;/b&gt;&lt;span class="gphoto-photocaption-caption"&gt;Michel Hazanavici&lt;wbr&gt;&lt;/wbr&gt;us&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;. Con Jean Dujardin y Berenice Bejo. A B&amp;amp;W silent movie. En Cartelera &amp;gt; The Angelika and BAMCinemas.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-AMqQfBxiBZs/Txmls1NTX3I/AAAAAAAAIBI/tatLQnS5kiE/s1600/artist560.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="221" src="http://4.bp.blogspot.com/-AMqQfBxiBZs/Txmls1NTX3I/AAAAAAAAIBI/tatLQnS5kiE/s400/artist560.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; color: #6aa84f; text-align: center;"&gt;
&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;* LA PIEL QUE HABITO&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;. De Pedro Almodovar. En Cartelera &amp;gt; Quad Cinema.&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-gAnDmUhb-pQ/ToeHiuC-QMI/AAAAAAAAHLM/fSEsFNf_9yQ/s1600/THE+SKIN+I+LIVE+IN1+%2528Banderas%252C+Anaya%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-gAnDmUhb-pQ/ToeHiuC-QMI/AAAAAAAAHLM/fSEsFNf_9yQ/s400/THE+SKIN+I+LIVE+IN1+%2528Banderas%252C+Anaya%2529.jpg" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Margin Call. &lt;/b&gt;With Zachary Quinto&lt;/span&gt;&lt;span style="font-size: large;"&gt;, who acts and produces. En Cartelera.&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-uUcqLJwCXOE/TYus825UMRI/AAAAAAAAFmA/hCzPtn3ap04/s1600/MARGIN+CALL+%25231+Zachary+Quinto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://1.bp.blogspot.com/-uUcqLJwCXOE/TYus825UMRI/AAAAAAAAFmA/hCzPtn3ap04/s400/MARGIN+CALL+%25231+Zachary+Quinto.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;* 40&lt;sup&gt;th&lt;/sup&gt; edition of &lt;b&gt;Dance on Camera&lt;/b&gt; &amp;gt;&amp;gt; January 27-31 &amp;gt; Film Society of Lincoln Center &amp;gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://www.filmlinc.com/" target="_blank"&gt;FILMLINC.&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;The Contenders 2011&lt;/b&gt; &amp;gt;&amp;gt; Hasta Enero 30 &amp;gt;&amp;gt; MoMA &amp;gt;&amp;gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;- Pariah 2011. USA. Directed by Dee Rees. Jan. 4&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&amp;gt;&amp;gt; &lt;a href="http://www.moma.org/visit/calendar/exhibitions/1218" target="_blank"&gt;MoMA&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;* &lt;b&gt;VIDEOTECA DEL SUR&lt;/b&gt; &amp;gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Times,'Times New Roman',serif;"&gt;Cine Latinoamericano&lt;/span&gt; &amp;gt;&amp;gt; &lt;a href="http://videotecadelsur.org/"&gt;Videoteca&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&amp;gt;&lt;br /&gt;
&amp;gt;&lt;br /&gt;
&amp;gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;The Last Modernist&lt;/b&gt;: The Complete Works of &lt;b&gt;Béla Tarr&lt;/b&gt; 
from February 3-8, 2012. In advance of the U.S. Theatrical Premiere of his latest &lt;/span&gt;&lt;span style="font-size: large;"&gt;great&lt;/span&gt;&lt;span style="font-size: large;"&gt; film&lt;b&gt; The Turin Horse&lt;/b&gt; on February 10th &amp;gt;&amp;gt; &lt;a href="http://www.filmlinc.com/" target="_blank"&gt;FILMLINC.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-XLh131aPojM/ToeGYZVyD3I/AAAAAAAAHK8/qwsax56yGMg/s1600/THE+TURIN+HORSE+%25232.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-XLh131aPojM/ToeGYZVyD3I/AAAAAAAAHK8/qwsax56yGMg/s400/THE+TURIN+HORSE+%25232.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #6aa84f;"&gt;
&lt;span style="font-size: large;"&gt;* &amp;nbsp;
          &lt;b&gt;&lt;span class="movieBlockHeader"&gt;CHICO &amp;amp; RITA&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;
&lt;/b&gt;              
                &lt;span style="font-size: large;"&gt;&lt;span class="movieBlockDate"&gt; &amp;gt; De&amp;nbsp; &lt;/span&gt;Fernando Trueba&lt;/span&gt;&lt;span class="movieBlockDate"&gt;&lt;span style="font-size: large;"&gt; &amp;gt; En Cartelera Febrero 10 &amp;gt; &lt;a href="http://www.angelikafilmcenter.com/angelika_comingsoon.asp?hID=1" target="_blank"&gt;The Angelika.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s1600/chicoandrita560.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="221" src="http://1.bp.blogspot.com/-Pz4Xz1mTohE/TxmlulJtQkI/AAAAAAAAIBQ/xDNLCSZxsoo/s400/chicoandrita560.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="movieBlockDate"&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span style="font-family: arial,helvetica,sans-serif;"&gt;&lt;b&gt;Cinematic Goddess: American Sex Symbol, The Films of Raquel Welch&lt;br style="font-weight: normal;" /&gt;&lt;span style="font-weight: normal;"&gt;
  February 10-14 &amp;gt;&amp;gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://www.filmlinc.com/" target="_blank"&gt;FILMLINC.&lt;/a&gt;&lt;/span&gt; 



&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5882769625987397248-7961194086971769583?l=www.latinoevents.me' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Otgz7bivvWzsGStw1Dc5F2dQMBM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Otgz7bivvWzsGStw1Dc5F2dQMBM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Otgz7bivvWzsGStw1Dc5F2dQMBM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Otgz7bivvWzsGStw1Dc5F2dQMBM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/raWY/~4/bDTTLKdqCZo" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/blogspot/raWY/~3/bDTTLKdqCZo/ny-essentials-cinema-updated.html</link><author>noreply@blogger.com (ALEX GUERRERO)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-krJK25A1KZM/Tod_Gr-HqHI/AAAAAAAAHKM/a8VkIrMIbH8/s72-c/MISS+BALA1+-+Stephanie+Sigman+as+Laura++in+the+Canana+and+Fox+International+Productions+film+MISS+BALA+Photo+Credit+Eniak+Martinez.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.latinoevents.me/2012/01/ny-essentials-cinema-updated.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5882769625987397248.post-3446143265551663170</guid><pubDate>Wed, 18 Jan 2012 20:28:00 +0000</pubDate><atom:updated>2012-02-29T19:56:11.466-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">muestras</category><category domain="http://www.blogger.com/atom/ns#">artistas latinos</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">exhibitions</category><category domain="http://www.blogger.com/atom/ns#">escultura</category><category domain="http://www.blogger.com/atom/ns#">fotografia</category><category domain="http://www.blogger.com/atom/ns#">pintura</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">arte</category><title>NY ESSENTIALS: ARTE &gt; UPDATED!</title><description>&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;La fantástica muestra de Roberto Matta continua hasta fines de mes 
en la Galería Pace de Chelsea y Maurizio Cattelan aún domina la Rotunda del 
Guggenheim.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;Y hay más:&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Joaquín Sorolla and the Glory of Spanish Dress &amp;gt; Hasta Marzo 10 &amp;gt;&amp;gt; &lt;/b&gt;&lt;a href="http://spanishinstitute.org/exhibitions-programming/exhibitions/joaquin-sorolla-and-the-glory-of-spanish-dress?currency=upcoming" target="_blank"&gt;Queen Sofía Spanish Institute&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-CajMFbElSz8/TxHXDDdPviI/AAAAAAAAH-g/d6TKxLTv8wg/s1600/SOR0LLA.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-CajMFbElSz8/TxHXDDdPviI/AAAAAAAAH-g/d6TKxLTv8wg/s640/SOR0LLA.jpg" width="307" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;h4&gt;



Joaquín Sorolla. FLAMENCO DANCER, 1914. Cortesía Museo Sorolla, Madrid.&lt;/h4&gt;
&lt;h4&gt;



&lt;/h4&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Maurizio Cattelan: All&lt;/b&gt; &amp;gt; Nearly 130 works suspended in the Guggenheim rotunda &amp;gt; Hasta Enero 22 &amp;gt;&amp;gt; Museo Guggenheim &amp;gt;&amp;gt;&lt;a href="http://ow.ly/7ehqg" rel="nofollow"&gt; CATTELAN&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-tXvrHd6cIf0/TwI_XKt8uaI/AAAAAAAAH5k/E6oZV_k8Ha8/s1600/IMG_1461.JPG" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="640" src="http://3.bp.blogspot.com/-tXvrHd6cIf0/TwI_XKt8uaI/AAAAAAAAH5k/E6oZV_k8Ha8/s640/IMG_1461.JPG" width="425" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Maurizio Cattelan at the Guggenheim. Photo: Alex Guerrero ® 2011&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span class="detailTitle" id="Exhibition_title"&gt;&lt;b&gt;Roberto Matta: A Centennial Celebration&lt;/b&gt; &amp;gt;14 pinturas de grandes dimensiones realizadas en los últimos años de su vida&lt;/span&gt; &amp;gt;&amp;gt;&amp;nbsp; Nov 7 - Jan 28 &amp;gt;&amp;gt; &lt;a href="http://thepacegallery.com/#/q_title=Now%20Searching:%20Home&amp;amp;q_searches=6&amp;amp;q_id=1&amp;amp;q_q_1=homepage&amp;amp;q_c_2=Artist&amp;amp;q_q_2=Artist_isPaceArtist:true&amp;amp;q_c_3=Catalog&amp;amp;q_q_3=Catalog_yearPublished:2011&amp;amp;q_c_4=Catalog&amp;amp;q_q_4=Catalog_yearPublished:2009&amp;amp;q_c_5=Catalog&amp;amp;q_q_5=Catalog_yearPublished:2010&amp;amp;q_t_6=Museums%20Exhibitions%20Search&amp;amp;q_c_6=MuseumExhibition&amp;amp;q_q_6=Exhibition_category:current&amp;amp;r_referrer=Exhibition&amp;amp;r_type=detail&amp;amp;r_details=x_x_x_x_3_x_x_x_x_x_&amp;amp;r_page=x_x_x_x_x_x_x_x_x_x_&amp;amp;r_search=0%7Eq_title=Now%20Searching:%20Home&amp;amp;q_searches=6&amp;amp;q_id=1&amp;amp;q_q_1=homepage&amp;amp;q_c_2=Artist&amp;amp;q_q_2=Artist_isPaceArtist:true&amp;amp;q_c_3=Catalog&amp;amp;q_q_3=Catalog_yearPublished:2011&amp;amp;q_c_4=Catalog&amp;amp;q_q_4=Catalog_yearPublished:2009&amp;amp;q_c_5=Catalog&amp;amp;q_q_5=Catalog_yearPublished:2010&amp;amp;q_t_6=Museums%20Exhibitions%20Search&amp;amp;q_c_6=MuseumExhibition&amp;amp;q_q_6=Exhibition_category:current&amp;amp;r_referrer=nav%7C0%7C0%7C0%7C0%7C0%7C0%7C0%7C0%7C0%7C" target="_blank"&gt;PACE GALLERY.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Bjtt_xbJ6IA/Tt_-rcULJNI/AAAAAAAAHdg/Tbd5gFnDI-A/s1600/53646_MATTA.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="315" src="http://4.bp.blogspot.com/-Bjtt_xbJ6IA/Tt_-rcULJNI/AAAAAAAAHdg/Tbd5gFnDI-A/s400/53646_MATTA.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Roberto Matta&lt;span id="ArtWork_title" style="font-weight: bold;"&gt; Untitled&lt;/span&gt;, 1996&lt;br /&gt;
oil on canvas&lt;br /&gt;
65" x 83-7/8" (165.1 cm x 213 cm) &lt;br /&gt;
&lt;span style="color: #959595; font-size: 9px;"&gt;Cortesía Pace Gallery Website &amp;gt; Pace-5364&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;span class="style2"&gt;&lt;b&gt;SOTO: PARIS AND BEYOND 1950–1970&lt;/b&gt;&amp;nbsp; &amp;gt; Enero 10 - Marzo 31 &amp;gt;&amp;gt; Grey Art Gallery, NYU &amp;gt;&amp;gt; &lt;a href="http://www.nyu.edu/greyart/" target="_blank"&gt;SOTO.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Glenda Leon&lt;/b&gt;&lt;i&gt;&lt;b&gt; : Listening To Silence&lt;/b&gt; &amp;gt;&lt;/i&gt; Enero 12 - Febrero 18 &amp;gt;&amp;gt; &lt;a href="http://magnanmetz.com/exhibitions/" target="_blank"&gt;Magnan Metz Gallery.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;* &lt;b&gt;Draw What You Think. Social and Political Satire in Cartoons
&lt;/b&gt;&amp;gt; A collection of twenty-four drawings, the work of the 
cartoonist Andrés Rábago, also known as&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;b&gt; El Roto&lt;/b&gt; &amp;gt; Enero 13 - Febrero 15 &amp;gt;&amp;gt; &lt;a href="http://nyork.cervantes.es/FichasCultura/Ficha78086_27_2.htm" target="_blank"&gt;Instituto Cervantes.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #3d85c6; margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Diego Rivera: Murals for The Museum of Modern Art&lt;/b&gt; &amp;gt; November 13 - May 14, 2012 &amp;gt;&amp;gt; &lt;a href="http://www.moma.org/visit/calendar/exhibitions/1168" target="_blank"&gt;MOMA&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-g3XH_Uuq8TY/Trw1uOdbnrI/AAAAAAAAHAw/XEhXfTDBIf4/s1600/Zapata1.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-g3XH_Uuq8TY/Trw1uOdbnrI/AAAAAAAAHAw/XEhXfTDBIf4/s640/Zapata1.jpg" width="456" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;Diego Rivera.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;i style="background-color: white; font-family: arial, verdana, sans-serif; font-size: 10px; line-height: 14px; text-align: -webkit-auto;"&gt;Agrarian Leader Zapata&lt;/i&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;, 1931.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;Fresco on reinforced cement in a galvanized-steel framework, 93 ¾ x 74” (238.1 x 188 cm).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: white; font-family: arial,verdana,sans-serif; font-size: 10px; line-height: 14px;"&gt;© 2011 Banco de México Diego Rivera &amp;amp; Frida Kahlo Museums Trust, México, D.F./Artists Rights Society (ARS), New York&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;* JULIO BITTENCOURT: &lt;b&gt;RAMOS.&lt;/b&gt; Photography. Septiembre 21 - Enero 28 &amp;gt;&amp;gt;&amp;nbsp;&lt;a href="http://www.1500gallery.com/"&gt;1500 GALLERY.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;* &lt;b&gt;Darlene Charneco&lt;/b&gt; &amp;gt;&amp;gt; Selected Works on view through January - viewings by appointment &amp;gt;&amp;gt; &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;EN EAST HAMPTON&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt; &amp;gt;&amp;gt; &lt;a href="http://www.artsolar.com%20/" target="_blank"&gt;SOLAR.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;* &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;Giuseppe Mastromatteo&lt;/b&gt; : &lt;b style="font-style: normal; font-weight: bold;"&gt;Indepensense&lt;/b&gt; &lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;gt;&amp;gt; Enero 5 - Febrero 11&lt;/span&gt;&lt;span style="font-size: large;"&gt; &amp;gt;&amp;gt; At the new Chelsea location&amp;nbsp; &amp;gt;&amp;gt; &lt;a href="http://www.emmanuelfremingallery.com/exhibitions/blinding" target="_blank"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;Emmanuel Fremin Gallery.&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b style="font-style: normal; font-weight: bold;"&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;* Ambiguous Situation.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style="font-size: large;"&gt;     De Hisae Ikenaga &amp;gt;&amp;gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: #3d85c6;"&gt;
&lt;/span&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;December 8 – January 28 &amp;gt;&amp;gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Times,'Times New Roman',serif; font-size: large;"&gt;GALERIA&amp;nbsp;&lt;a href="http://www.praxis-art.com/"&gt;PRAXIS&lt;/a&gt;. &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Chelsea.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: #3d85c6; font-size: x-large;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-OxrpQdD5ERA/Ttf9RnvyihI/AAAAAAAAHac/n4p4tPgqHSc/s1600/Ambiguous+Situations+December+8+%25E2%2580%2593+January+14.jpg" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="267" src="http://3.bp.blogspot.com/-OxrpQdD5ERA/Ttf9RnvyihI/AAAAAAAAHac/n4p4tPgqHSc/s400/Ambiguous+Situations+December+8+%25E2%2580%2593+January+14.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;Ambiguous Situation.&lt;/b&gt;&lt;/span&gt;
&lt;/span&gt;&lt;span style="font-size: small;"&gt;     De Hisae Ikenaga. Cortesía Praxis Gallery.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style="font-size: 12px;"&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/div&gt;
&lt;div style="color: #3d85c6;"&gt;
&lt;div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: #3d85c6; margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
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