Video 48

EFREN REYES SR. IN CARAVANA'S "KAPITAN BERONG" (1952-53): KOMIKS SERIAL & MOVIE ADAPTATION

2009-11-28T09:50:00.001+08:00

"Kapitan Berong" (1953)- Stars Efren Reyes, Rosita Noble, Carol Varga, Oscar Keesee, Amado Cortes/ Directed by Nemesio E. Caravana

"First in Spectacle!...in Thrills!... and in Romance!, says the blurb of the 1953 action-adventure movie, “Kapitan Berong.” It thrilled fans and went on to shatter box-office records when it was shown that year. I have seen the movie countless times in the 60s when it was shown on TV and as a young kid I was impressed and overwhelmed. Set during the Spanish period, the story revolves around a young man named Berong (Efren Reyes) who was born with a saber and a horse who can talk, sing and fly. Based on the novel penned by Nemesio E. Caravana, “Kapitan Berong” was serialized in Liwayway Magasin in 1952. Here's the first three installments of the popular komiks novel drawn by Ben Alcantara---

click images to enlarge

komiks materials courtesy
of Steve Santos of Unang Labas blog

GERRY DE LEON'S " SI EVA AT SI ADAN" (1954)

2009-11-27T08:38:00.002+08:00

"Si Eva at si Adan" (1954)- Stars Edna Luna, Juan 'Johnny' Monteiro, Carol Varga, Vicente Liwanag, Nello Nayo/ Directed by Gerardo de Leon

Popular 50s stars Edna Luna and Juan "Johnny" Monteiro (both starred together in "Paladin") changed sex identities in the 1954 Gerry de Leon's controversial movie, "Si Eva at si Adan." The movie made an uproar when it ran problems and raised a furor with the Board of Censors because of its very hot and sensitive issues on homosexuality. Manong Gerry was way ahead of its time when he tackled such controversial themes and it takes guts on his part to do that. I also can't imagine seeing Johnny Monteiro portraying the role of a gay. Monteiro, known for his breathtaking fencing skills, appeared in countless action and adventure movies pitting him mostly with another popular action star, Efren Reyes.

REMEMBERING JOHNNY DELGADO THROUGH HIS FILMS #3: "SALOME" (1981)

2009-11-26T00:00:00.001+08:00

"Salome" (1981)- Stars Gina Alajar, Johnny Delgado and Dennis Roldan/ Directed by Laurice Guillen

My short tribute to honor the late actor Johnny Delgado, whom I considered as one of the finest actors in the movie industry, ends with Salome. Salome was one of the early successful collaboration efforts of husband-and-wife tandem of actor Johnny Delgado and director Laurice Guillen. It was hailed by critics and fans as one of the best movies of the decade. The movie went on to win the Urian Best Picture for that year including Best Director (Laurice Guillen); Best Actress (Gina Alajar); Best Editing (Efren Jarlego) and Best Screenplay (Ricky Lee). Johnny Delgado was nominated for both in the Famas and Urian Best Actor.

Salome is about the titular barrio girl (played with much versatility by a young Gina Alajar) who is married to a domineering man named Macario (Johnny Delgado). The film starts quite wonderfully with a pleasant montage of an early morning in a rural town, with roosters crowing, the bright sun glaring, and the waves steadily blanketing the glistening beach. Then comes Salome, dressed in white stained with red blood, running and screeching for help, finally saying that he has killed a man. The man (Dennis Roldan) is a mining engineer from Manila who finds himself drawn to Salome. Guillen and her screenwriter Ricardo Lee basically unravels Salome's story through a series of flashbacks of the man's murder. Some have claimed that Salome is a Filipino version of Akira Kurosawa's Rashomon and they are probably right as Guillen and Lee follows the same style. Yet while Kurosawa was interested in the multi-faceted aspect of truth, Guillen is more interested in the powerplay of the genders. (Source: : Oggs Cruz (oggsmoggs@yahoo.com) and visit his site here)

Here's a short film clip of Delgado's riveting and forceful portrayal as the oppressive and dominant husband of Salome.

Courtesy of Bancom Audiovision

REMEMBERING JOHNNY DELGADO THROUGH HIS FILMS #2: "MGA UOD AT ROSAS" (1982)

2009-11-25T00:00:00.005+08:00

"Mga Uod at Rosas" (1982)- Stars Nora Aunor, Lorna Tolentino and Johnny Delgado/ Directed by Romy Suzara

An ambitious painter, Ding (Johnny Delgado), dreams of conquering the art world with his creations. Socorro (Nora Aunor) is a woman whose world is built around Ding--- his needs, his desires and his art. But all his time and attention are for Nina (Lorna Tolentino), a stunning advertising model who loves his money.

Whom must Ding choose: the woman he loves or the woman who loves him?

The movie, from the story and screenplay by Edgardo Reyes, was directed by Romy Suzara

Delgado in another restrained yet powerful performance as seen in this short movie clip---

Courtesy of Ian Films

ACTOR BERNARD "PALOS" BONNIN DIES AT 71

2009-11-24T09:12:00.012+08:00

The local entertainment industry has lost yet another of its veteran actors in Bernard Bonnin who passed away Saturday, Nov. 21. He was 71. Bonnin, whose death came two days after Johnny Delgado’s demise on Nov. 19, died of multiple organ failure due to diabetes. A week prior, Bonnin was confined due to a stroke.Concerns about the health of the former LVN star hit the headlines a few years back when he suffered a stroke that required him to use a wheel chair thereafter.

Bonnin, the half-Spanish father of beauty queen Charlene Gonzales-Muhlach and actor Richard Bonnin, catapulted to fame via the movie “Alyas Palos." The 1961 popular komiks serial of Virgilio and Nestor Redondo was serialized eight times with only Bonnin playing the lead character. ABS-CBN remade “Palos” into a TV series in 2008 starring Jake Cuenca and with Bonnin in a support role.

Dubbed the “Pretty Boy of the 60s,” Bonnin starred in over 170 movies in a career that spanned four decades. Some of these films were Bakas ng Gagamba, Sa Ilalim ng Bandila, Magnum, Pedrong Hunyango, Target: Captain Karate, and his first film, Ay Pepita.

Bonnin has a son with former love team Lourdes Medel, and two more with non-showbiz wife, Digna, whom he was living with at the time of his death. The actor’s remains lie at the Heritage Park in Taguig City.

More on Bernard Bonnin:
See: Bernard "Alyas Palos"Bonnin: Action Star of the 60s
See: Bernard Bonnin: The Original "Palos"
See: Bernard Bonnin As "Gagamba": The First Spiderman
See: Bernard Bonnin as Captain Karate
See: Gagamba at si Scorpio

Left- "Sparring Partner" (1959)- Stars Lou Salvador, Jr., Marita Zobel, Chona Sandoval, Bernard Bonnin, Oscar Obligacion, Lourdes Medel/ Directed by Artemio Marquez

Right- "Unos sa Laot" (1960)- Stars Nestor de Villa, Charito Solis, Bernard Bonnin, Lourdes Medel/ Directed by Susana C. de Guzman

Left- "Walang Pangalan" (1960)- Stars Lilia Dizon, Bernard Bonnin, Lourdes Medel, Hector Reyes, Robert Campos/ Directed by Fred Daluz

Right- "Tanglaw sa Dilim" (1961)- Stars Marita Zobel, Bernard Bonnin, Luz Valdez, Robert Campos/ Directed by Susana C. de Guzman

"Patsamba-tsamba" (1964)- Stars Nida Blanca, Mina Aragon and Bernard Bonnin/ Directed by Nemesio E. Caravana

"Simbangis ng Tigre" (1964)- Stars Amalia Fuentes, Bernard Bonninm Van de Leon, Carol Varga, Chichay, Rodolfo 'Boy' Garcia, Apeng Daldal/ Directed by Tony Cayado

"Pedrong Hunyango" (1965)- Stars Bernard Bonnin, Lourdes Medel, Vic Silayan, Rosalinda, Jose Vergara and Malony Antonio/ Directed by Tony Santos

"Karate sa Karate" (1965)- Stars Bernard Bonnin, Alberto Alonzo, Lyn D'Amour, Bessie Barredo and Vic Silayan/ Directed by George Rowe

"Duwende sa Kampanaryo" (1965)- Stars Amalia Fuentes, Bernard Bonnin, Lauro Delgado, Jose Garcia/ Directed by Nemesio E. Caravana

REMEMBERING JOHNNY DELGADO THROUGH HIS FILMS #1: "MISTERYO SA TUWA" (1984)

2009-11-23T15:59:00.004+08:00

A small plane carrying a large sum of money crashed right in the middle of a poor village. The tragic event resulted into a series of human conflicts as villagers and the authorities were in the hunt for the missing money. Three friends, Ponsoy (Tony Santos Sr.), Mesiong (Johnny Delgado) and Jamin (Ronnie Lazaro) were able to recover the money and decided to hide it until the tension cools off. Their families were all excited of the fortunes they got and at last their dreams and ambitions will soon be realized and fulfilled. But not for long--- greed creeps as Castro (Lito Anzures), a resident who happened to be on the crash site was suspicious of the three. He divulged the information to the corrupt mayor and both devised a wicked plan.

A very memorable and noteworthy performances by the whole cast led by Tony Santos Sr. and Johnny Delgado.

The movie won the Gawad Urian award for Best Cinematography (Rody Lacap) and Best Production Design (Rodell Cruz and Don Escudero).

Read: Ang Misteryo sa Likod ng Tuwa,
a movie review by Jojo DeVera

"Misteryo sa Tuwa" (1984)- Stars Tony Santos Sr., Johnny Delgado, Ronnie Lazaro, Alicia Alonzo, Lito Anzures, Amable Quiambao, Maia Montes/ Directed by Abbo Q. dela Cruz

The three friends were in a very precarious dilemma and tried to discuss their next move--- watch the exciting film clip---

Courtesy of Experimental Cinema of the Philippines (ECP)

DINA BONNEVIE: THE ORIGINAL "KATORSE" (1980)

2009-11-22T18:30:00.001+08:00

Celebrity Magazine/ August 31, 1980
(click images to enlarge)

It was actor Alfie Anido who led Dina Bonnevie into the movies. They met in a pictorial for a magazine which paired them off for a cover story. Alfie was already in the movies the. He was just taking time out from the set of Nympha, a Regal movie which reestablished Alma Moreno’s reign as the country’s top sex symbol, a title which, as per publicity, she is about to lose to Dina. After the pictorial, Alfie invited Dina to the set where Alma was in shooting. “I like Alma because I’ve always found her sexy. I’ve always wanted to see her in person,” Dina explains.

At the set, Alfie introduced Dina to (Director) Joey Gosiengfiao who was directing the movie. And what do you know, the man who is known only for discovering beauty in men (Orestes Ojeda, Al Tantay and Alfie Anido were is “discoveries”) was bowled over by Dina’s pulchritude. He gave her a screen test, showed Lily Monteverde (better known as Mother Lily) the results, and even Mother Lily had probably wished at that time that Dina was her daughter. From then on, Dina became another Joey Gosiengfiao protégée, just like Alfie. (Source: Celebrity Magazine/ August 31, 1980)

Dina (b.1961) was already 18, when she starred as a young and innocent ‘provinciana’ in Katorse in 1980. This was her breakout movie after two successful movie stints in Temptation Island (1980)and Underage (1980).

Courtesy of Regal Films

STILLS FROM GERRY DE LEON'S "EL FILIBUSTERISMO" (1962)

2009-11-21T08:33:00.000+08:00

El Filibusterismo was Rizal's second novel published in Ghent, Belgium in 1891 with the financial help of Valentin Ventura. It is a sequel to his first novel, Noli Me Tangere. It was adapted into the big screen in 1962 with National Artist for Film, Gerardo 'Gerry' de Leon at the helm.

Thirteen years after he left the

Philippines

, Juan Crisostomo Ibarra (the main character from Noli Me Tangere) returned as Simoun (played by Pancho Magalona), a rich jeweler sporting a beard and blue-tinted glasses, and a confidant of the Governor-General of the Philippines Captain-General. Abandoning his idealism, he becomes a cynical saboteur, the titular filibustero, seeking revenge against the Spanish Philippines system responsible for his misfortunes by plotting a revolution. Simoun insinuates himself into Manila high society and influences every decision of the Captain-General to mismanage the country’s affairs so that a revolution will break out. He cynically sides with the upper classes, encouraging them to commit abuses against the masses so that the latter would be encouraged to revolt against the oppressive Spanish colonial regime. This time, he does not attempt to fight the authorities through legal means, but through violent revolution using the masses. Simoun has reasons for instigating a revolution. First is to rescue María Clara from the convent and second, to get rid of ills and evils of Philippine society. His true identity is discovered by a now grown-up Basilio (Robert Arevalo) while visiting the grave of his mother, Sisa, as Simoun was digging near the grave site for his buried treasures. Simoun spares Basilio’s life and asks him to join in his planned revolution against the government, egging him on by bringing up the tragic misfortunes of the latter's family. Basilio declines the offer as he still hopes that the country’s condition will improve.

Basilio (played by Robert Arevalo) visiting the grave of his mother, Sisa.

Basilio, at this point, is a graduating student of medicine at the Ateneo de Manila University Ateneo Municipal de Manila. After the death of his mother, Sisa, and the disappearance of his younger brother, Crispín, Basilio heeded the advice of the dying boatman, Elías, and traveled to Manila to study. Basilio was adopted by Captain Tiago after María Clara entered the convent. With Captain Tiago’s help, Basilio was able to go to Colegio de San Juan de Letrán where, at first, he is frowned upon by his peers and teachers not only because of the color of his skin but also because of his shabby appearance which he also experience at Ateneo. Captain Tiago’s confessor, Father Irene is making Captain Tiago’s health worse by giving him opium even as Basilio tries hard to prevent Captain Tiago from smoking it. He and other students want to establish a Spanish language academy so that they can learn to speak and write Spanish language in the Philippines Spanish despite the opposition from the Dominican Order Dominican friars of the Universidad de Santo Tomas. With the help of a reluctant Father Irene as their mediator and Don Custodio’s decision, the academy is established; however they will only serve as caretakers of the school not as the teachers. Dejected and defeated, they hold a mock celebration at a pancitería while a spy for the friars witnesses the proceedings.

Simoun (played by Pancho Magalona) talking with one of the plotters about the planned uprising.

Simoun, for his part, keeps in close contact with the bandit group of Kabesang Tales, a former cabeza de barangay who suffered misfortunes at the hands of the friars. Once a farmer owning a prosperous sugarcane plantation and a cabeza de barangay (barangay head), he was forced to give everything to the greedy and unscrupulous Spanish friars. His son, Tano, who became a civil guard was captured by bandits; his daughter Julî had to work as a maid to get enough ransom money for his freedom; and his father, Tandang Selo, suffered a stroke and became mute. Before joining the bandits, Tales took Simoun’s revolver while Simoun was staying at his house for the night. As payment, Tales leaves a locket that once belonged to María Clara. To further strengthen the revolution, Simoun has Quiroga, a Chinese man hoping to be appointed consul to the Philippines, smuggle weapons into the country using Quiroga’s bazaar as a front. Simoun wishes to attack during a stage play with all of his enemies in attendance. He, however, abruptly aborts the attack when he learns from Basilio that María Clara had died earlier that day in the convent.

Juli (played by Charito Solis)- Juliana de Dios, the girlfriend of Basilio, and the youngest daughter of Kabesang Tales.

A few days after the mock celebration by the students, the people are agitated when disturbing posters are found displayed around the city. The authorities accuse the students present at the pancitería of agitation and disturbing peace and has them arrested. Basilio, although not present at the mock celebration, is also arrested. Captain Tiago dies after learning of the incident and as stated in his will—forged by Father Irene, all his possessions are given to the Church, leaving nothing for Basilio. Basilio is left in prison as the other students are released. A high official tries to intervene for the release of Basilio but the Captain-General, bearing grudges against the high official, coerces him to tender his resignation. Julî, Basilio’s girlfriend and the daughter of Kabesang Tales, tries to ask Father Camorra’s help upon the advice of an elder woman. Instead of helping Julî, however, Father Camorra tries to rape her as he has long-hidden desires for Julî. Julî, rather than submit to the will of the friar, jumps over the balcony to her death

Basilio is soon released with the help of Simoun. Basilio, now a changed man, and after hearing about Julî's suicide, finally joins Simoun’s revolution. Simoun then tells Basilio his plan at the wedding of Paulita Gómez and Juanito, Basilio’s hunch-backed classmate. His plan was to conceal an explosive inside a pomegranate-styled Kerosene lamp that Simoun will give to the newlyweds as a gift during the wedding reception. The reception will take place at the former home of the late Captain Tiago, which was now filled with explosives planted by Simoun. According to Simoun, the lamp will stay lighted for only 20 minutes before it flickers; if someone attempts to turn the wick, it will explode and kill everyone—important members of civil society and the Church hierarchy—inside the house. Basilio has a change of heart and attempts to warn the people inside, including Isagani, his friend and the former boyfriend of Paulita. Simoun leaves the reception early as planned and leaves a note behind.

Simoun examining the lamp that will start and ignite the revolution.

Initially thinking that it was simply a bad joke by those left behind, Father Salví recognizes the handwriting and confirms that it was indeed Ibarra’s. As people begin to panic, the lamp flickers. Father Irene tries to turn the wick up when Isagani, due to his undying love for Paulita, bursts in the room and throws the lamp into the river, sabotaging Simoun's plans. He escapes by diving into the river as guards chase after him. He later regrets his impulsive action because he had contradicted his own belief that he loved his nation more than Paulita and that the explosion and revolution could have fulfilled his ideals for Filipino society.

Simoun, now unmasked as the perpetrator of the attempted arson and failed revolution, becomes a fugitive. Wounded and exhausted after he was shot by the pursuing Guardia Civil soldiers, he seeks shelter at the home of Father Florentino, Isagani’s uncle, and comes under the care of Doctor Tiburcio de Espadaña, the husband of Doña Victorina, who was also hiding at the house. Simoun takes poison in order for him not to be captured alive by the authorities. Before he dies, he reveals his real identity to Father Florentino while they exchange thoughts about the failure of his revolution and why God forsook him. Father Florentino opines that God did not forsake him and that his plans were not for the greater good but for personal gain. Simoun, finally accepting Father Florentino’s explanation, squeezes his hand and dies. Father Florentino then takes Simoun’s remaining jewels and throws them into the sea, hoping that they would not be used by the greedy and that when the time came that it would be used for the greater good, when the nation would be finally deserving liberty for themselves, the sea would reveal the treasures. (Source: wikipedia)

ACTOR JOHNNY DELGADO PASSED AWAY, 61/ MOVIE ADS 1968-84

2009-11-20T11:00:00.002+08:00

"One Man Army" (1969)- Stars Johnny Delgado, Pilar Pilapil, Paquito Diaz, Johnny Monteiro, Alvaro Muhlach and Max Alvarado/ Directed by Ben Feleo/ Delgado's first starring role

Veteran actor Johnny Delgado (b.1948) passed away Thursday afternoon, November 19, after a long battle with lymphoma, or cancer of the lymph nodes. He died at his home in Quezon City with his wife, actress-filmmaker Laurice Guillen, daughters Anna and Ina, and his closest friends by his side. Delgado was diagnosed with cancer in 2008. Early this year, Delgado assured that he was responding well to chemotherapy. He underwent eight cycles of chemotherapy.

Delgado, Juan Marasigan Feleo in real life, was a noted actor and writer. He appeared in more than a hundred films starting in 1968 with Bawa't Kanto Basagulo and Ito ang Digmaan and was given his first starring role in One Man Army in 1969. He was best remembered in many memorable and notable movies like Angela Markado (1979), Salome (1981), Mga Uod at Rosas (1982), Misteryo sa Tuwa (1984) and Tanging Yaman (2000). He was nominated several times in different award giving bodies. Among his acting awards were best supporting actor for Ligalig in 2006 and best actor for Tanging Yaman in 2000.

"Bawa't Kanto Basagulo" (1968)- Stars Zaldy Zshornack, Bernard Belleza, Johnny Delgado, Max ALvarado and Liza Lorena/ Directed by Rizaldy

"Ito ang Digmaan" (1968)- Stars Amalia Fuentes, Roberto Gonzales, Magna Gonzales, Roberto Gonzales, Johnny Delgado, Cora Varona/ Directed by Solano Gaudite

"Mali-Mali Meets Batangueno" (1968)- Stars Amalia Fuentes, Zaldy Zshornack, Liza Lorena, Johnny Delgado, Max Alvarado/ Directed by Ben Feleo

"Professional 4 and the Sexy 24" (1969)- Stars Johnny Delgado, Dante Varona, Alvaro Muhlach and Ernie White/ with Verna Gaston, Eva Marie, Gina Stuart, Jessette/ Directed by Ben Feleo

"Pussy Cat" (1969)- Stars Divina Valencia, Bernard Belleza, Johnny Delgado and Max Alvarado/ Directed by Jose Miranda Cruz

"Santa Teresa de Avila" (1970)- Stars Amalia Fuentes, Eddie Gutierrez, Pepito Rodriguez, Johnny Delgado and ALvaro Muhlach/ with Imelda Ilanan, Eva Darren & Tita Munoz/ Directed by Ben Feleo

"The Stripteaser"(1970)- Stars Rosanna Marquez, Johnny Delgado, Mel Francisco, Rico Roman/ Directed by Chito Tapawan

"The Young Idols" (1970)- Stars Vilma Santos, Edgar Mortiz, Reycard Duet, Johnny Delgado, Rosanna Ortiz, Alvaro Muhlach, Ernie White/ Directed by Ben Feleo

Left- "Europe Here We Come" (1971)- Stars Amalia Fuentes, Eddie Gutierrez and Anna-Lissa/ with Dindo Fernando, Johnny Delgado, Alvaro Muhlach

Right- "Portrait of an Angel" (1971)- Stars Amalia Fuentes, Ric Rodrigo and Anna-Lissa/ with Johnny Delgado, Renato Robles & Norma Blancaflor/ Directed by Fely Crisostomo

"Madonna" (1971)- Stars Rosanna Ortiz, Johnny Delgado, Eddie Garcia, Jessica/ Directed by Jose Flores Sibal

Left- "Super Gee" (1973)- Stars Nora Aunor, Celia Rodriguez, Eddie Garcia, Paraluman, Fred Montilla, Bert Leroy, Jr., Johnny Delgado/ Directed by Armando Garces

Right- "Mrs. Teresa Abad...Ako si Bing" (1976)- Stars Charito Solis, Christopher de Leon, Tony Santos Sr., Anita Linda and Johnny Delgado/ Directed by Danilo Cabreira

Left- "Bergado:Terror ng Cavite" (1976)- Stars Ramon Revilla, Sr., Lotis Key, Marissa Delgado, Johnny Delgado, Max Alvarado, Nick Romano, Charlie Davao/ Directed by Jose Yandoc

Right- "Garrote: Jai-Alai King" (1977)- Stars Christopher de Leon, Dranreb, Marianne dela Riva and Johnny Delgado/ Directed by Manuel Cinco

Left- "Angela Markado" (1979)- Stars Hilda Koronel, Johnny Delgado, Rez Cortez, Ruel Vernal, Tonio Gutierrez, Dave Brodett, Celia Rodriguez & Raul Aragon/ Directed by Lino Brocka

Right- "Brutal" (1980)- Stars Amy Austria, Gina ALjar, Charo Santos, Jay Ilagan, Johnny Delgado, Perla Bautista, Jonee Gamboa, Nello Nayo/ Directed by Marilou Diaz Abaya

"Kakaba-Kaba Ka Ba?" (1980)- Stars Christopher de Leon, Charo Santos, Jay Ilagan, Sandy Andolong, Johnny Delgado, Boboy Garovillo & Armida Siguon-Reyna/ Directed by Mike de Leon

"Mga Uod at Rosas" (1982)- Stars Nora Aunor, Lorna Tolentino and Johnny Delgado/ Directed by Romy Suzara

Left- "Salome" (1981)- Stars Gina Alajar, Johnny Delgado and Dennis Roldan/ Directed by Laurice Guillen

Right- "Misteryo sa Tuwa" (1984)- Stars Tony Santos, Sr., Johnny Delgado, Ronnie Lazaro, Alicia Alonzo, Lito Anzures, Amable Quiambao, Maria Montes/ Directed by Abbo Q. dela Cruz

"Huwag Kang Papatay" (1984)- Stars Ace Vergel, Rio Locsin, Johnny Delgado, Angela Perez/ Directed by Pepe Marcos

"Somewhere" (1984)- Stars Rudy Fernandez and Lorna Tolentino, Johnny Delgado, Armida Siguon-Reyna and Leroy Salvador / Directed by Romy Suzara

APO HIKING SOCIETY IN "BLUE JEANS" (1981)

2009-11-19T10:24:00.001+08:00

The APO Hiking Society, the popular musical group of Danny Javier, Boboy Garovillo and Jim Paredes has made 22 record albums; hosted several television shows including their own noontime Sunday show "Sa Linggo nAPO Sila" and noontime daily show (Monday to Saturday) "'Sang Linggo nAPO Sila"; and launched hugely successful major solo concerts and countless provincial, dinner, and corporate shows. They have performed in over 50 cities in the

United States

, in

Canada

Singapore

Indonesia

Germany

Switzerland

Italy

and

Japan

to bring Original Pilipino Music to Filipinos the world over.

During the span of their career, Apo has been one of the primary adherents to the Original Pilipino Music or OPM music movement and has made several contributions for the said movement.The Apo is also involved in record production, talent management and even organizing artists under the Organisasyon ng Pilipinong Mang-aawit (OPM). The group is also instrumental in establishing careers of new artists in the

Philippines

.(wikipedia)

In 1981, the trio shared top billings with rising teen stars Dina Bonnevie and Alfie Anido in a musical-comedy movie directed by Joey Gosiengfiao titled "Blue Jeans." One rarely seen them in movies.

Watch them in some hilarious comedy scenes and seeing them doing memorable musical hit numbers, including the theme song of the movie is a triple treat. Here's the short clips---

Courtesy of Regal Films

EDDIE ROMERO'S "AGUILA" (1980)

2009-11-17T10:24:00.014+08:00

Philippine Panorama/ February 3, 1980

"At a cost of P5M and a cast of thousands, two years in the making and three hours and a half long, 'Aguila' soars through the private life of a Filipino and the history of his country" says the banner of the Cover Story article of the February 3, 1980 issue of Philippine Panorama on FPJ's 1980 epic movie. The article was written by Chelo R. Banal

"The movie is called "Aguila" and contrary to what is being whispered about by birdwatchers, it isn't about an eagle that preys on parish priests. It took 12 stars, 60 production staff and crewmen, 7,000 extras, 120 different locations, and 100 days to film 204 pages of script about the life of Daniel Aguila which traverses the 1890s to the 1970s."

to continue reading, click images below---

"Aguila" (1980)- Stars Fernando Poe, Jr., Amalia Fuentes, Christopher de Leon, Elizabeth Oropesa, Eddie Garcia, Jay Ilagan, Chanda Romero, Charo Santos, Daria Ramirez, Celia Rodriguez, Orestes Ojeda, Susa Valdez, Sandy Andolong, Johnny Delgado/ Directed by Eddie Romero

The movie, "Aguila" chronicles the passionate saga of the life and times of the Aguila family headed by the elderly Daniel Aguila (Fernando Poe, Jr.). Spanning a period of 80 years, beginning with the 1896 Philippine Revolution up to the 70s, Aguila's family is unraveled through flashbacks and memories. Three movie clips of the movie were uploaded showing Aguila as he aged, in his thirties, as a military officer stationed in Mindanao, during the American occupation---

As a 61 year-old retiree, who was having an affair with a young woman (portrayed by a young and seductive Daria Ramirez).

And at 88, a very, very old man who was frustrated with his life in the city, finally seen peace and serenity among the Aetas in Mindanao. After a long search, he was found by his son, Mari (Christopher de Leon), where the young Aguila was enlightened on the true value and meaning of life. “Huwag mo na linlangin ang sarili mo, anak. Hindi ako ang hinahanap mo sa kabuuan ng iyong paglalakbay. Ang tunay na hinahanap mo ay kahulugan," declares the elder Aguila, Daniel (played by FPJ) as he talks and advises his son (Christopher de Leon) why he decides to stay with the Aeta. This concluding part of the three-and-half hour epic movie can be viewed below---

Courtesy of Bancom Audiovision

PACQUIAO WRITES HISTORY, BEATS COTTO IN 12th

2009-11-16T07:52:00.000+08:00

Boxing icon Manny Pacquiao writes history when he beats Miguel Cotto winning his seventh title in seven weight classes. He fortifies his stature as the best pound-for-pound fighter in the world. The ring gladiator puts up another dominating performance knocking down Cotto twice and turning his face into a bloody mess before finally stopping him at 55 seconds of the 12th round.

Cotto fought gamely, but in the later rounds he was just trying to survive as blood flowed down his face and Pacquiao came after him relentlessly. Joe Santiago, Cotto’s trainer tried to stop the fight after the 11th round, but Cotto went back out to take even more punishment before a final flurry along the ropes prompted referee Kenny Bayless to end it. Cotto's wife and child, who were at ringside, left after the ninth round, unable to watch the beating any longer. They later accompanied him to a local hospital for a post-fight examination."I didn't know from where the punches were coming," Cotto said. "This is the last weight division for me," Pacquiao said. "It's history for me and more importantly a Filipino did it."

PACQUIAO : FIVE-PAGE COVER STORY AT TIME MAGAZINE

2009-11-14T00:27:00.003+08:00

Filipino boxing icon Manny Pacquiao lands on the cover of Time Magazine Asia (November 16, 2009 issue) and has a five page feature story that will be included in the global editions of the magazine. Pacquiao feels humbled by the experience saying, “I absolutely had no idea that when I started my career in boxing, to provide a better life for myself and my family, that I would now be where I am today and on the cover of TIME Magazine,”

Pacquiao will face Puerto Rican Miguel Cotto on November 14 (November 15, Philippine Time) in Las Vegas and will try to be the first boxer to ever record seven world titles in seven different weight classes. Pacquiao has won titles in the junior welterweight, lightweight, super featherweight, featherweight, super bantamweight and flyweight divisions.

Read the complete article here---

click images to enlarge

"A DANGEROUS LIFE" (1988): THE FALL OF MARCOS

2009-11-12T15:12:00.004+08:00

In 1988, a docu-drama TV-movie was made chronicling the events leading to the 1986 EDSA People’s Power Revolution. It was originally released as a six-hour HBO mini-series in the

United States

. It was later edited to 162-minute television movie. It was released in home video and was made available in the

Philippines

in Laser Disc format. The movie, “A Dangerous Life,” directed by Robert Markowitz, starred a miscast Gary Busey in the role of an American journalist, Tony O’Neil, covering the last years of the Marcos regime. It starts in August 21, 1983 when Senator Benigno Aquino was assassinated and ends in February 25, 1986 when the Marcoses fled the country and installed Corazon Aquino to power. What could have been a relatively good movie turned out to be a disaster in some parts--- a ridiculous and funny retelling of some important and momentous events. Some scenes were filmed in Sri Lanka when then Defense Secretary Juan Ponce Enrile and the government ordered the producers out of the country for taking liberties with the truth. It’s funny seeing Sri Lankans as Filipinos in the EDSA uprising. Another scene with Imelda (played by Tessie Tomas) singing New York New York on the plane to Hawaii? (lol). Watch the clip---

What glued me watching this two-and-a-half movie are the performances of some of our Filipino talents, particularly veteran actor Ruben Rustia as Ferdinand Marcos, Tessie Tomas as Imelda Marcos and Laurice Guillen as Cory Aquino. Other local talents include Dina Bonnevie, Johnny Delgado, Roy Alvarez, Rolando Tinio, Joonee Gamboa, Rez Cortez, Vic Diaz and many more.

There are some good scenes but one of the best parts of the movie worth mentioning was when Ruben Rustia as Marcos, felt betrayed, disappointed and frustrated, being told by the US government to "cut clean and leave." The whole Marcos household was in total disarray and you'll feel the Marcoses'anguish and agony losing grip of the power they held for 20 long years. Here's that short clip---

JAWORSKI AND THE AÑEJO RHUM 65ers : THE 1988 PBA ALL-FILIPINO CHAMPION

2009-11-10T10:44:00.003+08:00

Its experience vs. youth as Añejo and Purefoods clashed in the 1988 PBA All-Filipino championship best of seven series. Ageless and basketball legend Robert ‘Big J’ Jaworski and his bunch of do-or-die Añejo Rhum65ers won the PBA All-Filipino crown beating the young and powerhouse Purefoods Hotdogs led by Alvin Patrimonio and Jerry Codiñera.

Photo: PBA 20 Years in Pictures/ 1994

The Line-ups:
Añejo Rhum: Robert Jaworski (playing coach), Chito Loyzaga, Rudy Distrito, Dondon Ampalayo, Joey Loyzaga, Romulo Mamaril, Leo Isaac, Dante Gonzalgo, Harmon Codiñera

Purefoods Hotdogs: Ramon Fernandez (short stint), Alvin Patrimonio, Jerry Codiñera, Jojo Lastimosa, Glenn Capacio, Padim Israel, Totoy Marquez, Jayvee Yango, Willie Generelao, Jojo Villapando/ Coach- Cris Calilan

Here are the TV clips of Game 5 won by Añejo in overtime. This was one of the best games in the series wherein Añejo, down by 19 points in the third quarter, rallied in the fourth period. After a series of fierce exchanges of baskets and lead changes, Añejo finally downed the gallant Purefoods team in the extra period. Savor the moments--- Jaworski at his fighting best---

Clip 1 of 3/ Courtesy of Philippine Basketball Association (PBA)

Clip 2 of 3/ Courtesy of Philippine Basketball Association (PBA)

Clip 3 of 3/ Courtesy of Philippine Basketball Association (PBA)

EDDIE ROMERO'S "THE DAY OF THE TRUMPET" (1958)

2009-11-07T13:00:00.002+08:00

Original 50-year old lobby card of "The Day of the Trumpet"

"The Day of the Trumpet"(1958)- Stars John Agar, Pancho Magalona, Alicia Vergel, Richard Arlen, Michael Phipps, Myron Healey, Cielito Legaspi, Eddie Infante, Boy Planas, Vic Diaz, Max Alvarado/ Directed by Eddie Romero

Director Eddie Romero made his first English language film for international release in 1958. With Cirio H. Santiago of Premiere-People’s Pictures and long-time collaborator Gerry de Leon, he co-produced and directed The Day of the Trumpet, a period movie on the early days of the American occupation in the

Philippines

. The American cast included John Agar, Richard Arlen, William Phipps and Myron Healey. The Filipino cast had Pancho Magalona, Alicia Vergel, Eddie Infante, Cielito Legaspi, Boy Planas, Vic Diaz and Max Alvarado.

Courtesy of Cirio H. Santiago Film Organization

At the Fifth Asian Film Festival held in Manila in April 1958, Boy Planas, who had a memorable role, as the boy who played Magno Maxalla's (Pancho Magalona) brother in the movie, won the Best Child Actor award.

The movie made its theatrical run in the

United States

in 1963 as Cavalry Command and later released in home video with the same title.

Did you know that Alicia Vergel had a kissing scene with lead star John Agar? Her reaction: “It was my first movie kiss and I certainly hope it was my last. I was so nervous that I didn’t feel anything. Cirio Santiago (the producer) and Eddie Romero (the director) were mad at me when we were shooting scenes in Vigan because I didn’t like to do the kissing scene. It was only when we were back in Manila that I consented to go into the clinch…”

Vergel did the kissing sequence and after viewing the first rushes of the picture, she suddenly realized that the picture would be dull in

America

(the movie was for worldwide release) without the said scene. "Besides, I don’t want it said Filipinos don’t know how to kiss. But I insisted on only one take. Agar commented he liked the kiss so much that he wanted one more take. But I lifted my Maria Clara dress and ran like the dickens, bawling all the while. Later, John teased me, I feel insulted. You are the first leading lady I kissed who cried, he said…” (Jose Quirino)
Source: A Movie Album Quiz Book by Jessie B. Garcia
Here's that scene ---

Courtesy of Cirio H. Santiago Film Organization

PABLO S. GOMEZ' "TANIKALANG APOY" (1958-59): KOMIKS SERIAL AND MOVIE ADAPTATION

2009-11-06T00:00:00.000+08:00

In 1959, Sampaguita Pictures brought together a powerhouse cast of six great actors and actresses, all Famas award winners in one great movie, Tanikalang Apoy. Heading the list were Paraluman (Best Actress, Sino ang Maysala?, 1957), Rita Gomez (Best Actress, 1958), Lolita Rodriguez (Best Actress, Gilda, 1956), Van de Leon (Best Actor, Taga sa Bato, 1957), Eddie Garcia (Best Supporting Actor, Taga sa Bato,1957 and Condenado, 1958) and Etang Discher (Best Supporting Actress, Busabos, 1957).

The first three segments of the novel are posted here and you’ll find out how each segment ends--- Itutuloy, abangan, durugtungan, or subaybayan. Readers are kept hanging in suspense of what’s going to happen next.

Unang Labas
(click images to enlarge)

It tells of an eccentric family with a mysterious background and bizarre secrets. Rodil (Van de Leon), the eldest of the brood of four children, came home with a bride, Ester (Lolita Rodriguez), upon the dismay and frustration of his authoritarian and senseless mother, Donya Roberta (Etang Discher). What would be a blissful, happy married life, turned out to be a living hell for Ester. She had to contend and deal not only with her mother-in-law but with her two sisters-in-law, Rebecca (Paraluman) and Roda (Rita Gomez) and brother-in-law, Rodrigo (Eddie Garcia). Donya Roberta and her four children had their own stories to tell and as the story unfolded, horrendous secrets were revealed. The more Ester unravel the truth, the more her life was in peril. She was drawn closer to her doom.

The movie won for Eddie Garcia the Famas Best Supporting Actor (his third and three in a row) and two nominations for Best Supporting Actress (Etang Discher) and Best Musical Score (Danny Holmsen).

Ika- 2- na labas
(click images to enlarge)

Ika- 3- na labas
(click images to enlarge)

THE FILMS OF PEQUE GALLAGA

2009-11-04T00:00:00.005+08:00

Peque Gallaga's signed photo
(thru the kindness of Ronald Rios)

PEQUE Gallaga was recently awarded The Natatanging Gawad for Lifetime Achievement for Filmmaking from the Manunuri ng Pelikulang Pilipino during the 32nd Gawad Urian last September 19 at the Cultural Center of the

Philippines

.

National Artist Bienvenido Lumbera, founding member of the Manunuri, the society of respected film critics, says Gallaga is “the epitome of the compleat Filipino cinema artist,” and that it is only fitting that Gallaga be honored by all those who love Filipino cinema “before the sun completely sets on the film industry.”

The waxing and waning of the fortunes of mainstream cinema seems reflected in the person of Gallaga, a serious filmmaker with a track record of box-office hits and successful remaking of commercial genres, particularly of horror and fantasy movies. As mainstream commercial cinema struggles, independent and out-of-studio films have shown vibrancy and resilience, even catapulting Filipino movie to new global renown. Part of these stirrings of hope can be gleaned from the emergent regional cinema, whose mentorship and encouragement owes to Gallaga’s selfless tutelage.

Gallaga has won several Urian awards: Best Director for “Oro Plata Mata” in 1982; Best Production Design for “Ganito Kami Noon, Paano Kayo Ngayon?” (together with Laida Lim Perez) in 1976, and for “Manila By Night: City After Dark” in 1980. Gallaga entered into prominence with “Ganito Kami Noon...” directed by Eddie Romero. This important historical movie was shown on the same year as Brocka’s “Insiang,” Ishmael Bernal’s “Nunal sa Tubig,” Lupita Concio’s “Minsa’y Isang Gamu-Gamo,” Gerry de Leon’s “Banawe,” Mike de Leon’s “Itim,” Mario O’ Hara’s “Tatlong Taong Walang Diyos,” and Gil Portes’ debut movie, “Tiket Mama, Tiket Ale, Sa Linggo ang Bola” – making 1976 the peak of the second golden age of Philippine cinema.

Gallaga’s early career illustrates the truism that great filmmakers do not necessarily influence each other; more practically, they work with each other, often in an unwitting sort of apprenticeship. Brocka had worked with Romero as scriptwriter; Mike de Leon had worked with Brocka and later, Romero, as cinematographer. Gallaga, who finished Commerce and Liberal Arts at De la Salle University but had enrolled briefly in the architecture school of the University of Santo Tomas, had worked with Romero and Bernal (notably in “Manila By Night”) as production designer. Also an actor, Gallaga played a part in “Tatlong Taong Walang Diyos,” and Brocka’s “Gumising Ka, Maruja” (1978).

Gallaga would become a full-fledged filmmaker with his second directorial effort, “Oro Plata Mata” (1982), and later, “Scorpio Nights” (1985), arguably his two best movies. In both movies, Gallaga shows directorial breadth of vision and art director’s capaciousness, and it is hard to tell which is which. Since he’s also the writer of “Oro,” Gallaga may have demolished the classic auteur theory or embodied it in its fullest sense: he is author and creator in one.

He would exhibit the same bravura in “Virgin Forest” (1985), “Unfaithful Wife” (1986), and in his recasting of the horror genre, the very successful “Shake, Rattle and Roll” series. His “Once Upon a Time” (1988) is another brilliant recasting, this one of Filipino folklore, with Dolphy playing the mythical role of the Filipino netherworld’s tikbalang. And his “Gangland” (1998) may have set off the gritty urban street drama of today, as manifested in such provocative movies as Brillante Mendoza’s “Tirador” and Jim Libiran’s “Tribu.”

Gallaga continues to make movies while based in his hometown of Bacolod, where he is artist-in-residence, and where he teaches theater and film at the University of St. La Salle. He has mentored future filmmakers and media artists, including Jay Abella, Manny Montelibano, Vicente Groyon and Richard Somes. A multi-variegated artist of intrepid vision and incredible stamina, Gallaga has become one of our few elder statesmen of the cinema arts.

By Lito Zulueta
Philippine Daily Inquirer
September 2009

***Peque Gallaga Pop Art photo (above)- Part of Gallery 7's Pinoy Icons Exhibit held last January 2009

The young Peque Gallaga (standing, far right), then working as a copywriter at Ace-Compton Advertising with friends and office mates during the company's Christmas party sometime in 1968 or 69. Also in the photo are Butch Perez (standing, second from left) which he soon collaborated to do their initial movie, "Binhi" in 1973, Cid Reyes (standing, third from left), now an established art critic and Rod Samonte (standing, third from right), a well-respected printmaker and artist, now based in the United States. (photo courtesy of Rod Samonte)

Source: Focus on Filipino Films: A Sampling 1951-1982
(Thanks to James dela Rosa of Pelikula atbp blog for the book)
---click image to enlarge---

"Binhi" (1973)- Stars Rosemarie, Dindo Fernando, Ronaldo Valdez and Divina Valencia/ with Cristina Reyes, Van de Leon, Dondon Nakar, Virginia Montes/ Directed by Peque Gallaga and Antonio Perez

"Oro Plata Mata" (1982)- Stars Cherie Gil, Sandy Andolong, Liza Lorena, Fides Cuyuga-Asensio, Manny Ojeda, Maya Valdes, Lorli Villanueva, Ronnie Lazaro/ Special Participation of Kuh Ledesma' Introducing: Joel Torre/ Directed by Peque Gallaga

"Shake, Rattle, Roll!" (1984)- Three Episodes/ Directed by Emmanuel Borlaza, Ishmael Bernal and Peque Gallaga/Episode 3:"Manananggal- Stars Irma Alegre, Peewee Quiajano, Mary Walter and Herbert Bautista

"Scorpio Nights" (1985)- Stars Orestes Ojeda, Daniel Fernando and Anna Marie Gutierrez/ Directed by Peque Gallaga

"Virgin Forest" (1985)- Stars Miguel Rodriguez, Abel Jurado and Sarsi Emmanuel/ Directed by Peque Gallaga

Left- "Unfaithful Wife" (1986)- Stars Michael de Mesa, Joel Torre, Lala Montelibano and Anna Marie Gutierrez/ Directed by Peque Gallaga

Right- "Kid...Huwag Kang Susuko!" (1987)- Stars Richard Gomez, Nida Blanca, Mark Gil, Jang Hwang Kim and Rachel Anne-Wolfe/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Once Upon A Time" (1987)- Stars Dolphy, Gloria Romero, Janice de Belen, Joel Torre, Lani Mercado, Chichay, Tessie Tomas and Richard Gomez & Snooky Serna/ Directed by Peque Gallaga & Lorenzo Reyes

Right- "Tiyanak" (1988)- Stars Janice de Belen, Lotlot de Leon, Ramon Christopher, Chuckie Dreyfuss, Carmina Villaroel, Rudolph Yaptinchay, Smokey Manaloto/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Hiwaga sa Balete Drive" (1988)- Stars Charito Solis, Gina Alajar, Joel Torre, Zsa Zsa Padilla, Jestoni Alarcon, Rita Avila, Michael Locsin, Harlene Bautista, Joe Ed Serrano and Ian Veneracion/ Directed by Peque Gallaga & Lorenzo Reyes

Right- "Isang Araw Walang Diyos" (1989)- Stars Richard Gomez, Edu Manzano, Janice de Belen, Alice Dixson, Eric Quizon and Joey Marquez/ with Manilyn Reynes, Carmina Villaroel, Aiko Melendez, Isabel Granada, Chuckie Dreyfuss, Smokey Manaloto, Ronnie Quizon/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Abandonada" (1989)- Stars Alma Moreno, Gabby Concepcion, Janice de Belen, Joey Marquez, Fe delos Reyes, Melissa Mendez/ Directed by Peque Gallaga & Lorenzo Reyes

Right- "Shake, Rattle & Roll II" (1990)- Three Episodes- All Star Cast/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Shake, Rattle & Roll III" (1991)- Three Episodes- All Star Cast/ Directed by Peque Gallaga & Lorenzo Reyes

Right- "Shake, Rattle & Roll IV" (1992)- Three Episodes- All Star Cast/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Aswang" (1992)- Stars Alma Moreno, Manilyn Reynes, Aiza Seguerra, Joey Marquez, Janice de Belen, Aijon Jimenez, John Estrada, Orestes Ojeda, Berting Labra/ Directed by Peque Gallaga & Lorenzo Reyes

Right- "Dugo ng Panday" (1993)- Stars Ramon 'Bong' Revilla, Jr., Edu Manzano, Aiko Melendez, Jaime Fabregas, Leo Martinez, Max Laurel, IC Mendoza/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Darna Ang Pagbabalik" (1994)- Stars Anjanette Abayari, Edu Manzano, Rustom Padilla, Pilita Corrales, Bong ALvarez and Cherie Gil/ Directed by Peque Gallaga & Lorenzo Reyes

Right- "Baby Love" (1995)- Stars Jason Salcedo, Anna Larrucea and Edu Manzano/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Batang X" (1995)- Stars Janus Del Prado, John Prats, Anna Larrucea, J.C. Tizon, John Ace Zabarte and Aiko Melendez/ with Michael de Mesa, Chuck Perez, Al Tantay, Jaime Fabregas/ Directed by Peque Gallaga & Lorenzo Reyes

Right- "Magic Temple" (1996)- Stars Jason Salcedo, Junell Hernando, JunUrbano, Anna Larrucea, Gina Pareno, Aljon Jimenez and Jackie Lou Blanco/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Magic Kingdom or Mortal Kombat: Ang Alamat ng Damortis" (1996)- Stars Jason Salcedo, Junell Hernando, Janus Del Prado and Jun Urbano/ with Mark Gil, William Martinez, Ramon Christopher, Maricel Laxa/ Introducing Anne Curtis / Directed by Peque Gallaga & Lorenzo Reyes

Right- "Halik ng Vampira" (1997)- Stars Anjanette Abayari, Raymond Bagatsing, Beth Tamayo, Parick Guzman, Jaime Fabregas, Jason Salcedo, Mark Solis and Michael V./ Directed by Peque Gallaga & Lorenzo Reyes

"Gangland" (1998)- Stars Jason Salcedo, Junell Hernando, Ryan Eigenmann, Blakdyak, Jesus Simoy/ Directed by Peque Gallaga & Lorenzo Reyes

Left- "Sa Piling ng Aswang" (1999)- Stars Maricel Soriano, Gina Alajar, Gardo Verzosa and Manilyn Reynes/ Directed by Peque Gallaga & Lorenzo Reyes

Right- "Unfaithful Wife 2: Sana'y Huwag Kang Maligaw" (1999)- Stars Ian Veneracion, Ryan Eigenmann and Patricia Javier/ Directed by Peque Gallaga & Lorenzo Reyes

"Ang Kabit ni Mrs. Montero" (1999)- Stars Edu Manzano, Sunshine Cruz, Gardo Verzosa and Introducing Patricia Javier/ Directed by Peque Gallaga & Lorenzo Reyes

FILMOGRAPHY:
Agaton & Mindy (2009)
Puso 3 (2006)
Pinoy Blonde (2005)
Sa Piling ng mga Aswang (1999)
Unfaithful Wife 2: Sana'y Huwag Kang Maligaw (1999)
Kabit ni Mrs. Montero, Ang (1999)
Puso ng Pasko (1998)
Gangland (1998)
Diliryo (1997)
Halik ng Vampira (1997)
Magic Kingdom aka. Mortal Kombat (Alamat ng Damortis) (1997)
Magic Temple (1996)
Baby Love (1995)
Batang X (1995)
Darna: Ang Pagbabalik (1994)
Dugo ng Panday (1993)
Shake, Rattle and Roll IV (1992) (segment "Ang Guro")
Aswang (1992)
Shake, Rattle and Roll III (1991)
Ang

Leon

at ang Kuting (1991)
Shake, Rattle & Roll 2 (1990)
Trese (1990)
Abandonada (1989)
Isang Araw Walang Diyos (1989)
Impaktita (1989)
Tiyanak (1988)
Hiwaga sa Balete Drive (1988)
Kid, Huwag Kang Susuko (1987)
Once Upon a Time (1986)
Unfaithful Wife (1986)
Scorpio Nights (1985)
Virgin Forest (1985)
Shake, Rattle & Roll (1984) (segment "Manananggal")
Bad Bananas sa Puting Tabing (1983)
Oro, Plata, Mata (1982)
Binhi (1973)

Source: Focus on Filipino Films: A Sampling 1951-1982
(click image to enlarge)

Here’s one horrifying and tense scene from the 1982 movie, “Oro Plata Mata,” ---a family leaving their ancestral home and fleeing to the hills when the invading Japanese forces were closing in ---a very horrible and scary scenario of how war decided the fate of a family as their fortunes gradually went down the drain. Peque at his best!

Courtesy of Experimental Cinema of the Philippines (ECP)

"SAN MIGUEL BEER" ADS Circa 1958

2009-11-03T07:07:00.001+08:00

That's screen legends, Paraluman (left) and Ric Rodrigo (right) in San Miguel Beer Ads Circa 1958

MANUEL CONDE AS THE DEVIL IN "SATUR" (1951): KOMIKS SERIAL AND MOVIE ADAPTATION

2009-10-31T10:46:00.002+08:00

Satur, created by Francisco V. Coching, appeared on the pages of Pilipino Komiks in 1950. It was adapted for the screen by LVN Pictures in 1951 under Lamberto V. Avellana direction. Manuel Conde played the title role of Satur, the devil incarnate and masquerading as a handsome, dapper young man in cape.

Satur/ Katha't Guhit ni Francisco V. Coching/
Pilipino Komiks/ 1950
(click images to enlarge)

click images to enlarge

(Source: Steve Santos' Unang Labas Blog)

Satur (1951)- Stars Jaime de la Rosa, Delia Razon and Manuel Conde/ with Alfonso Carvajal, Rosa Aguirre, Jose de Cordova/ Directed by Lamberto Avellana

Satur (played by Manuel Conde) was a handsome, wealthy, mysterious, young man who will give anything to the woman he loved. It was Cristina (Delia Razon), a pretty barrio lass, whom Satur wanted for his wife, but the young woman was already committed to Sendong (Jaime dela Rosa), a farmer. When Cristina’s mother fell ill and no cure can be found, Cristina went to Satur for help. A written contract or pact was signed and consummated between Satur and the family, wherein Cristina will be forever indebted to Satur. The mother got well. Later, Satur left town and entrusted all his wealth--- the mansion and everything to Cristina and her family. When the family learned that Satur died, they thought that the deal they entered to was already void with his death. Cristina went to Sendong to tell the good news. But Satur was not any ordinary human being; he was the devil incarnate disguising as a man. A deal is a deal--- and Satur insisted that Cristina was his forever. When the contract was not met, a curse was hurled on Cristina turning her into an old woman. Sendong will try anything to save Cristina, even at the expense of his life. The duel to the end with Satur was his only chance. An incredible and impossible task to do! Can he make it?

Here's the duel--- a rare film footage of the movie's final scene---

Courtesy of LVN Pictures

"JUAN DE LA CRUZ" (1976): GERRY DE LEON'S UNFINISHED MOVIE

2009-10-30T08:14:00.001+08:00

A special screening of "Juan de la Cruz" was held in 1990 at CCP (Cultural Center of the Philippines) and hope FPJ Productions would again screen this unfinished masterpiece.

Toward the end of his life, filmmaking became an excruciating job for Gerardo ‘Gerry’ de Leon (or Manong to his friends and co-workers). He was suffering from emphysema and was often bringing an oxygen tank to his set. He was not able to complete Juan de la Cruz, which he intended as a summation of all his knowledge about filmmaking.

Ever since childhood, Manong dreamt of adapting Noli Me Tangere and El Filibusterismo, the two novels of Jose Rizal, the

Philippines

’ national hero, whose execution in 1896 signaled the end of the Spanish rule. The two novels span two generations and employ a cast of contrasting characters whose raw emotions are fused with the writer’s political aims. The works written in a Dickensian mold make for an incisive study of the oppressiveness of the Spanish colonial times.

According to Eddie Romero, Manong’s longtime collaborator, he imbibed this nationalist spirit from his father, who had written zarzuelas with anti-imperialist themes. Manong’s plan was to come out with a series of movies based on the novel’s important characters. He was able to realize only three: Sisa, Noli Me Tangere and El Filibusterismo with a fourth, Juan de la Cruz, left unfinished. He had a fifth, Elias, on the planning stage at the time of his death. Manong meticulously read the two novels, looking for clues that would lead to an understanding of the popular characters’ ancestry. For Juan de la Cruz, he enlarged a few passages on the parentage of Crisostomo Ibarra and Elias into a fully developed saga spanning three generations that was to serve as the prelude to Noli and Fili. Manong never invented wildly but kept the plot with dramatic incidents and baroque passions within the confines of Rizal’s objectives. (Source: The Life and Art of Gerardo de Leon by Agustin Sotto)

FPJ could have hired and tapped another director to finish the project or he could have continued directing it, but he opted not to touch it to preserve the original work of the great master. The movie starred Gloria Romero, Susan Roces, Van de Leon, Johnny Delgado, Dranreb, Tony Carreon.

"GERON BUSABOS: ANG BATANG QUIAPO" (1964)

2009-10-28T15:46:00.007+08:00

"Geron Busabos: Ang Batang Quiapo" (1964)- Stars Joseph Estrada, Imelda Ilanan, Oscar Roncal, Vic Andaya,Angel Buenaventura, Avel Morado, Bebong Osorio, Angel Confiado and Boy Alvarez/ Directed by Cesar Gallardo

Joseph Estrada earned his second Famas Best Actor award in 1964 playing the title role of Geron Busabos (Ang Batang Quiapo), protector and defender of the poor and the oppressed. As champion of Quiapo street folks, Geron is well-loved as he helps and protects them from all sorts of harassments from gang and tong syndicates. The movie also won three more awards: Best Picture, Best Child Actor (Boy Alvarez) and Best Story (Augusto Buenaventura).

Here’s a short clip of one of the movie’s highlights with Joseph Estrada and child star Boy Alvarez (where is he now?) in a touching and moving scene ---

Courtesy of Emar Pictures

Actors Fernando Poe, Jr. and Bob Soler made a brief surprise appearances in the movie ---

Courtesy of Emar Pictures

CHIQUITO IN A BRIEF HILARIOUS ROLE IN "PEPENG AGIMAT" (1973)

2009-10-27T11:49:00.001+08:00

Top comedian and comic icon Chiquito had a brief but unforgettable appearance, as an unwilling victim of a 'mangkukulam' or witch, in Ramon Revilla's "Pepeng Agimat." I still remember that scene when I first saw the movie in 1973 and I still had a big laugh when I saw it again at local cableTV some months back. I terribly miss this guy! Here's that scene---

Courtesy of Imus Productions

YOUNG RENE REQUIESTAS IN ISHMAEL BERNAL'S "SALAWAHAN" (1981)

2009-10-26T11:39:00.003+08:00

"Salawahan" (1981)- Stars Miss Rita Gomez, Jay Ilagan, Mat Ranillo III, Andrea Andolong, Mark Gil and Rio Locsin/ Directed by Ishmael Bernal

Funnyman Rene Requiestas first started his movie career as an extra in some of Ishmael Bernal flicks, before making it big in the 90s as Chee-ta-eh and in Pido Dida series. One of the early movies he did was the 1981 movie, Salawahan, where he played the role of a gay helper in a fashion store. You’ll find him here very funny (clip uploaded) and such incredible talent was only realized after 8 long years when he teamed up with Joey de Leon in Starzan in 1989. Here's the clip below---

Courtesy of Regal Films

MANUEL SILOS' "BIYAYA NG LUPA" (1959): MY ALL-TIME FAVORITE TAGALOG MOVIE

2009-10-25T07:23:00.003+08:00

BIYAYA NG LUPA (1959, Manuel Silos) – Winner of Famas Best Picture, the movie captures the authentic values, the hopes, the joys, the dreams and the sorrows of a Filipino family rooted in the land. It’s an uplifting movie of how a family overcomes the hardships and cruelties in life and how they survive and succeed in the end. This LVN Pictures' prized gem is my all-time favorite Tagalog movie.

It tells of a young couple, Jose and wife, Maria (Tony Santos and Rosa Rosal) who begin their married life by tending a lanzones orchard. They live the good life, taking care of their fruit orchard and raising their four children. All is well until Jose becomes the target of Bruno’s (Joseph de Cordova) envy and acrimony. Bruno is rumored to have killed his wife and his questionable reputation and mean streak terrify the village women so much that it is almost impossible for Bruno to find another wife.

Bruno decides to court Choleng, Jose’s goddaughter. In an attempt to evade Bruno’s advances, Choleng falls off a cliff and dies. Bruno flees to the mountains where he forms a group of bandits. Believing the villagers to be the cause of his misfortune, he plans to exact revenge on them, especially on Jose. Bruno rapes Jose’s daughter (Marita Zobel). Jose comes after him, only to meet his death at the hands of Bruno and his men. The infuriated townsfolk organize themselves to hunt Bruno down.

Besides Bruno to contend with, there's also rift within the family, especially the feud between the two sons, the deaf-mute Miguel and Arturo (Leroy Salvador and Carlos Padilla, Jr.). The ambitious Arturo decides to try his luck in the city against the wishes of the family.

On the other hand, Bruno and his gang flee to another town where they are hired by a greedy landowner to sabotage Jose’s lanzones blooms. But the people readily repulse their evil plans. With Bruno gone and Arturo back, peace once again reigns and once more, people reap the blessings of their land.

Movie Review: Thoughtless Thoughts On Manuel Silos' Biyaya ng Lupa (1959) by Richard Bolisay

Rich in Filipino values and traditions, the movie starts with a beautiful opening scene of a simple barrio wedding of newlywed couple, Jose and Maria, riding in a very attractive carriage accompanied by a big band and folks singing and dancing. This celebration is just the beginning of what could be the start of the many sacrifices and nightmares the family will be encountering. Here's that scene---

Courtesy of LVN Pictures