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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:georss="http://www.georss.org/georss" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0"><id>tag:blogger.com,1999:blog-152739546627618180</id><updated>2009-10-13T14:22:44.943+07:00</updated><title type="text">Literature</title><subtitle type="html">This blog contains something related to Literature such as drama, novel, literary research, film</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://kotagede-literature.blogspot.com/" /><link rel="hub" href="http://pubsubhubbub.appspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default?start-index=26&amp;max-results=25" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>102</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><link rel="self" href="http://feeds.feedburner.com/blogspot/uowX" type="application/atom+xml" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-7400969768265441428</id><published>2009-07-06T10:33:00.001+07:00</published><updated>2009-07-06T10:34:58.270+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Legend" /><title type="text">Legend (Drenai Tales, Book 1)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0345379063/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Legend (Drenai Tales, Book 1)" src="http://ecx.images-amazon.com/images/I/51TCCTQS0YL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA240_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;This tells a compelling and inspirational story of heroism in the days of high adventure - in the Drenai Empire, the legendary captain of the Axe, Druss, awaits his old enemy, Death, in the mountains. &lt;/span&gt;If, like me, you have a teenage son who is addicted to computer games and regards books with horror, give him Legend. I can &lt;span class="fullpost"&gt;almost guarantee that he'll read it from cover to cover and then ask for more - and that his appetite for books in general will be hugely stimulated as was mine when I first read it. Gemmell's stories crack along at a hair-raising pace and his characters - far from being caricatures - are subtle, ambiguous and engaging. Review by Graham Hancock, whose books include 'Heaven's Mirror: Quest for the Lost Civiliztion' (Kirkus UK) --This text refers to an out of print or unavailable edition of this title.&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-7400969768265441428?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/nM4llnimj_Q" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/7400969768265441428/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=7400969768265441428" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7400969768265441428" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7400969768265441428" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/nM4llnimj_Q/legend-drenai-tales-book-1.html" title="Legend (Drenai Tales, Book 1)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/07/legend-drenai-tales-book-1.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-4303062327165330966</id><published>2009-07-06T10:18:00.002+07:00</published><updated>2009-07-06T10:32:50.591+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Legend" /><title type="text">Legend (1986)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/B0007PLLQ0/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Legend (1986)" src="http://g-ecx.images-amazon.com/images/G/01/ciu/87/9b/2cd0eb6709a04072502a0110.L.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;A YOUNG MAN MUST STOP THE LORD OF DARKNESS FROM BOTH DESTROYING DAYLIGHT AND MARRYING THE WOMAN HE LOVES. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Review By Brett D. Cullum (Houston, TX United States) &lt;br /&gt;This review is from: Legend (Ultimate Edition) (DVD)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;LEGEND&lt;/span&gt; never really found an audience in&lt;span style="font-weight: bold;"&gt; theatres&lt;/span&gt; despite Ridley Scott and Universal's constant tinkering with the final cut. Seems many movies of this era were victims of audience test screenings, and the desire to give people a commercial product that went down easy -- see BRAZIL for a prime example of how studios think &lt;span class="fullpost"&gt;(the "love conquers all" version). So LEGEND was severely edited and rescored with a hasty (but often effective score by TANGERINE DREAM). It was short on plot and long on art direction, but sumptuous visuals and an all-out acting job by Tim Curry and make-up artist Rick Bottin made the movie an easy favorite of many fantasy fans. The movie looks stunning, and the story is a universal plunge into archetypes. Nothing wrong with that, it certainly worked for STAR WARS!&lt;br /&gt;&lt;br /&gt;This DVD collection gives you two versions of LEGEND -- the original director's cut with over twenty minutes of added footage and the original Goldsmith score; and in addition, you get the original US release. In essence you get two different movies! The moods vary, the characters seem a little different, with whole new speeches and images to enjoy. If you are a fan of the movie or Ridley Scott it's a MUST-HAVE! This is what DVD dreams are made of. While many bemoan the fact BLADE RUNNER does not come with its 2 versions -- the fact is other than the narration and the happy ending, there is not MUCH different. But here we have a case where you can see what happens to a movie as it goes through development HELL. Fascinating stuff, and it comes LOADED with extras.&lt;br /&gt;&lt;br /&gt;The only downside is the director's cut gets the royal treatment of a 5.1 sound mix while the other version gets a 2 channel Dolby mix, and even the video quality seems different with again the director's cut looking better than the theatrical release. But at last we can see a widescreen version of either cut, and we get a lot of extras that explain some of why the movie is the way it ended up. Beautiful images, two good soundtracks (I like both though the mood changes), and basically strong performances. LEGEND is a waking dream!&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-4303062327165330966?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/wQGan_KS2fc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/4303062327165330966/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=4303062327165330966" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/4303062327165330966" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/4303062327165330966" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/wQGan_KS2fc/legend-1986.html" title="Legend (1986)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/07/legend-1986.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-1737623920941106848</id><published>2009-06-06T06:35:00.001+07:00</published><updated>2009-06-06T06:36:57.913+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">The Works: William Shakespeare</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/B000FC2KQA/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="The Works: William Shakespeare " src="http://ecx.images-amazon.com/images/I/41%2BXgFlrV2L._SL500_AA246_PIkin2,BottomRight,-13,34_AA280_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Includes a Huge Collection of the Comedies, History, Poems, Romances, Tragedies, and works of William Shakespeare&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Includes easy-to-use search and navigation. Includes tap-and-go Table of Contents.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Includes:&lt;/span&gt;&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;A LOVER'S COMPLAINT&lt;br /&gt;A MIDSUMMER NIGHT'S DREAM&lt;br /&gt;ALL'S WELL THAT ENDS WELL&lt;br /&gt;ANTONY AND CLEOPATRA&lt;br /&gt;AS YOU LIKE IT&lt;br /&gt;COMEDY OF ERRORS&lt;br /&gt;CYMBELINE&lt;br /&gt;HAMLET, PRINCE OF DENMARK&lt;br /&gt;HISTORY OF KING HENRY THE SIXTH, SECOND PART&lt;br /&gt;HISTORY OF KING HENRY THE SIXTH, THIRD PART&lt;br /&gt;HISTORY OF KING HENRY THE SIXTH, THIRD PART&lt;br /&gt;HISTORY OF TROILUS AND CRESSIDA&lt;br /&gt;JULIUS CAESAR&lt;br /&gt;KING HENRY IV, SECOND PART&lt;br /&gt;KING HENRY IV, THE FIRST PART&lt;br /&gt;KING HENRY VI, FIRST PART&lt;br /&gt;KING JOHN&lt;br /&gt;LIFE OF HENRY THE EIGHTH&lt;br /&gt;LIFE OF KING HENRY V&lt;br /&gt;LIFE OF TIMON OF ATHENS&lt;br /&gt;LOVE'S LABOUR'S LOST&lt;br /&gt;MACBETH&lt;br /&gt;MEASURE FOR MEASURE&lt;br /&gt;MERCHANT OF VENICE&lt;br /&gt;MERRY WIVES OF WINDSOR&lt;br /&gt;MUCH ADO ABOUT NOTHING&lt;br /&gt;OTHELLO, THE MOOR OF VENICE&lt;br /&gt;PERICLES PRINCE OF TYRE&lt;br /&gt;PHOENIX AND THE TURTLE&lt;br /&gt;RAPE OF LUCRECE&lt;br /&gt;ROMEO AND JULIET&lt;br /&gt;SONNETS, THE&lt;br /&gt;TAMING OF THE SHREW&lt;br /&gt;TEMPEST, THE&lt;br /&gt;TRAGEDY OF CORIOLANUS&lt;br /&gt;TRAGEDY OF KING LEAR&lt;br /&gt;TRAGEDY OF KING RICHARD THE SECOND&lt;br /&gt;TRAGEDY OF TITUS ANDRONICUS&lt;br /&gt;TWELFTH NIGHT; OR, WHAT YOU WILL&lt;br /&gt;TWO GENTLEMEN OF VERONA&lt;br /&gt;VENUS AND ADONIS&lt;br /&gt;WINTER'S TALE&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-1737623920941106848?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/CdC7Kia0ibQ" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/1737623920941106848/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=1737623920941106848" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/1737623920941106848" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/1737623920941106848" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/CdC7Kia0ibQ/works-william-shakespeare.html" title="The Works: William Shakespeare" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/06/works-william-shakespeare.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-7991280063493109398</id><published>2009-06-06T06:32:00.000+07:00</published><updated>2009-06-06T06:34:37.039+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">A Midsummer Night's Dream</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/B000FC1CGO/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="A Midsummer Night's Dream" src="http://ecx.images-amazon.com/images/I/51wH4F2WP6L._SL500_AA246_PIkin2,BottomRight,-18,34_AA280.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Each edition includes:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;• Freshly edited text based on the best early printed version of the play&lt;br /&gt;&lt;br /&gt;• Full explanatory notes conveniently placed on pages facing the text of the play&lt;br /&gt;&lt;br /&gt;• Scene-by-scene plot summaries&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;• A key to famous lines and phrases&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;• An introduction to reading Shakespeare's language&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;• An essay by an outstanding scholar providing a modern perspective on the play&lt;br /&gt;&lt;br /&gt;• Illustrations from the Folger Shakespeare Library's vast holdings of rare books&lt;br /&gt;&lt;br /&gt;Essay by Catherine Belsey&lt;br /&gt;&lt;br /&gt;The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.&lt;br /&gt;&lt;br /&gt;About the Author&lt;br /&gt;The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.&lt;br /&gt;&lt;br /&gt;Barbara A. Mowat is Director of Academic Programs at the Folger Shakespeare Library, Editor of Shakespeare Quarterly, Chair of the Folger Institute, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and on the editing of the plays.&lt;br /&gt;&lt;br /&gt;Paul Werstine is Professor of English at King's College and the Graduate School of the University of Western Ontario, Canada. He is the author of many papers and articles on the printing and editing of Shakespeare's plays and was Associate Editor of the annual Medieval and Renaissance Drama in England from 1980 to 1989.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-7991280063493109398?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/j0Sn5XFvg-k" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/7991280063493109398/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=7991280063493109398" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7991280063493109398" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7991280063493109398" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/j0Sn5XFvg-k/midsummer-nights-dream.html" title="A Midsummer Night's Dream" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/06/midsummer-nights-dream.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-7415613200704042463</id><published>2009-06-06T06:28:00.001+07:00</published><updated>2009-06-06T06:30:57.216+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">Julius Caesar : by William Shakespeare (Author)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/B001NQGN9M/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Julius Caesar" src="http://ecx.images-amazon.com/images/I/41D677ZFZPL._SL500_AA246_PIkin2,BottomRight,-17,34_AA280_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Grade 5-8-One of the marks of&lt;span style="font-weight: bold;"&gt; Shakespeare's greatness&lt;/span&gt; is the continued interest in adapting his enduring works. This recording of &lt;span style="font-weight: bold;"&gt;Julius Caesar&lt;/span&gt; is one in a series drawn from &lt;span style="font-weight: bold;"&gt;Leon Garfield's Shakespeare Stories. &lt;/span&gt;Liberally sprinkled with lines from the original play, the recording presents a condensation of all five acts in a little more than an hour. Beginning with a brief biography of the Bard, the&lt;br /&gt;&lt;span class="fullpost"&gt;recording then offers a thorough but not lengthy overview of the play. All this sets the stage for Simon Russell Beale's well paced narration. This Royal Shakespeare Company veteran moves so skillfully between story text and dialogue that at times it seems as though there are several actors reading. Classic lines such as "Et tu. Brute" and "Friends, Romans, Countrymen " are rendered with fresh vigor. At the conclusion of the play, an article on "Shakespeare Today" offers suggestions to help youngsters have fun with Shakespeare. Short selections of period music make a nice transition between sections of the recording. Though aimed at a middle school audience, both teens and adults will find this presentation a good way to learn about one of the earliest plays performed at the Globe Theatre.&lt;br /&gt;Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT&lt;br /&gt;Copyright 1999 Reed Business Information, Inc.&lt;br /&gt;&lt;br /&gt;Review&lt;br /&gt;'Daniell's edition is a hefty piece of serious scholarship that makes a genuine contribution.' -- Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey&lt;br /&gt;&lt;br /&gt;'This is a stimulating new look at a play which is too often exhibited in a critical museum.' -- Paul Dean, English Studies 81,1,&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-7415613200704042463?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/ZIMBgTMplwk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/7415613200704042463/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=7415613200704042463" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7415613200704042463" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7415613200704042463" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/ZIMBgTMplwk/julius-caesar-by-william-shakespeare.html" title="Julius Caesar : by William Shakespeare (Author)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/06/julius-caesar-by-william-shakespeare.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-3731174888600522518</id><published>2009-06-06T06:13:00.001+07:00</published><updated>2009-06-06T06:22:38.601+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">The Tempest</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/B000MAH8HQ/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="The Tempest" src="http://ecx.images-amazon.com/images/I/210M3PJA06L._SL500_AA146_PIkin2,BottomRight,-1,34_AA180_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Each edition includes:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;• Freshly edited text based on the best early printed version of the play&lt;br /&gt;&lt;br /&gt;• Full explanatory notes conveniently placed on pages facing the text of the play&lt;br /&gt;&lt;br /&gt;• Scene-by-scene plot summaries&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;• A key to famous lines and phrases&lt;br /&gt;&lt;br /&gt;• An introduction to reading Shakespeare's language&lt;br /&gt;&lt;br /&gt;• An essay by an outstanding scholar providing a modern perspective on the play&lt;br /&gt;&lt;br /&gt;• Illustrations from the Folger Shakespeare Library's vast holdings of rare books&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Essay by Barbara A. Mowat&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.&lt;br /&gt;&lt;br /&gt;About the Author&lt;br /&gt;The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.&lt;br /&gt;&lt;br /&gt;Barbara A. Mowat is Director of Academic Programs at the Folger Shakespeare Library, Editor of Shakespeare Quarterly, Chair of the Folger Institute, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and on the editing of the plays.&lt;br /&gt;&lt;br /&gt;Paul Werstine is Professor of English at King's College and the Graduate School of the University of Western Ontario, Canada. He is the author of many papers and articles on the printing and editing of Shakespeare's plays and was Associate Editor of the annual Medieval and Renaissance Drama in England from 1980 to 1989.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-3731174888600522518?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/qiiphk1H560" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/3731174888600522518/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=3731174888600522518" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/3731174888600522518" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/3731174888600522518" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/qiiphk1H560/tempest.html" title="The Tempest" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/06/tempest.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-3874782530561835176</id><published>2009-05-19T22:04:00.000+07:00</published><updated>2009-05-19T22:06:29.270+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Classic  Literature" /><title type="text">Robinson Crusoe (Dover Thrift Editions)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0486404277/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img style="width: 334px; height: 334px;" alt="Robinson Crusoe (Dover Thrift Editions)" src="http://ecx.images-amazon.com/images/I/51P2RXX4GML._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA240_SH20.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From School Library Journal&lt;/span&gt;&lt;br /&gt;Grade 7 Up-&lt;span style="font-weight: bold;"&gt;Defoe's classic novel&lt;/span&gt; of shipwreck and survival, now nearly 300 years old, is abridged competently in this recording. The flavor of the 18th century language is retained, but the plot moves along at a pace more appealing to 21st&lt;span class="fullpost"&gt; century ears. The reader, Martin Shaw, has a pleasant voice, but unfortunately tends to trail off at the ends of sentences, losing whole words. As with all abridgements, large sections of the story and entire characters are omitted, but since most of the book tells of Crusoe's solitary sojourn on the island, this is not a major problem. This version is no substitute for the original, but it would be a supplemental purchase in libraries where abridgements are popular.&lt;br /&gt;Sarah Flowers, Santa Clara County Library, Morgan Hill, CA&lt;br /&gt;Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Review&lt;/span&gt;&lt;br /&gt;(in full The Life and Strange Surprizing Adventures of Robinson Crusoe, of York, Mariner: Who Lived Eight and Twenty Years, All Alone in an Un-inhabited Island on the Coast of America, Near the Mouth of the Great River of Oroonoque; Having Been Cast on Shore by Shipwreck, Wherein All the Men Perished but Himself. With an Account how he was at last as Strangely Deliver'd by Pyrates. Written by Himself.) Novel by Daniel Defoe, published in 1719. The book is a unique fictional blending of the traditions of Puritan spiritual autobiography with an insistent scrutiny of the nature of men and women as social creatures, and it reveals an extraordinary ability to invent a sustaining modern myth. The title character leaves his comfortable middle-class home in England to go to sea. Surviving shipwreck, he lives on an island for 28 years, alone for most of the time until he saves the life of a savage, whom he names Friday. The two men eventually leave the island for England. Defoe probably based part of Crusoe's tale on the real-life experiences of Alexander Selkirk, a Scottish sailor who at his own request was put ashore on an uninhabited island in 1704 after a quarrel with his captain. He stayed there until 1709. The book was an immediate success in England and on the European continent, and Defoe wrote a sequel (The Farther Adventures of Robinson Crusoe) that was also published in 1719. Many stage and film adaptations have been made of Robinson Crusoe's life, and the book has spawned many imitations, including Johann Wyss's Swiss Family Robinson. -- The Merriam-Webster Encyclopedia of Literature --This text refers to an out of print or unavailable edition of this title.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-3874782530561835176?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/fckx0T-dmwg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/3874782530561835176/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=3874782530561835176" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/3874782530561835176" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/3874782530561835176" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/fckx0T-dmwg/robinson-crusoe-dover-thrift-editions.html" title="Robinson Crusoe (Dover Thrift Editions)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/robinson-crusoe-dover-thrift-editions.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-2230109377187306583</id><published>2009-05-19T22:01:00.001+07:00</published><updated>2009-05-19T22:03:48.707+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Classic  Literature" /><title type="text">Treasure Island (Enriched Classics Series)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/1416500294/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Treasure Island (Enriched Classics Series) " src="http://ecx.images-amazon.com/images/I/51c8ChLDcOL._SL500_AA240_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Product Description&lt;/span&gt;&lt;br /&gt;The epic tale of a young man's quest to capture a &lt;span style="font-weight: bold;"&gt;hidden treasure&lt;/span&gt; on the open seas -- one of the best-loved adventure stories of all time.&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;EACH ENRICHED CLASSIC EDITION INCLUDES:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;• A concise introduction that gives readers important background information&lt;br /&gt;&lt;br /&gt;• A chronology of the author's life and work&lt;br /&gt;&lt;br /&gt;• A timeline of significant events that provides the book's historical context&lt;br /&gt;&lt;br /&gt;• An outline of key themes and plot points to help readers form their own interpretations&lt;br /&gt;&lt;br /&gt;• Detailed explanatory notes&lt;br /&gt;&lt;br /&gt;• Critical analysis, including contemporary and modern perspectives on the work&lt;br /&gt;&lt;br /&gt;• Discussion questions to promote lively classroom and book group interaction&lt;br /&gt;&lt;br /&gt;• A list of recommended related books and films to broaden the reader's experience&lt;br /&gt;&lt;br /&gt;Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the Author&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Robert Louis Stevenson&lt;/span&gt; (1850-1894) was a &lt;span style="font-weight: bold;"&gt;novelist, poet, short-story writer, and essayist&lt;/span&gt;. In 1883, while bedridden with tuberculosis, he wrote what would become one of the best known and most beloved collections of children's poetry in the English language, A Child's Garden of Verses. Block City is taken from that collection. Stevenson is also the author of such classics as Treasure Island, Kidnapped, and The Strange Case of Dr. Jekyll and Mr. Hyde.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-2230109377187306583?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/aPgsPe7_h_U" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/2230109377187306583/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=2230109377187306583" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/2230109377187306583" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/2230109377187306583" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/aPgsPe7_h_U/treasure-island-enriched-classics.html" title="Treasure Island (Enriched Classics Series)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/treasure-island-enriched-classics.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-5755164621985809075</id><published>2009-05-19T21:58:00.001+07:00</published><updated>2009-05-19T22:01:02.425+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Classic  Literature" /><title type="text">Kidnapped (Scribner Storybook Classics)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0689865422/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Kidnapped (Scribner Storybook Classics) " src="http://ecx.images-amazon.com/images/I/51VTW48MHVL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA240_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Grade 3-7 - The language in this adaptation is truer to the original, and thus, more sophisticated than that of Deborah Kestel's "Great Illustrated Classics" version (Playmore, 1992). After his father's death, David Balfour leaves his simple life in the Scottish Lowlands and sets out to find an uncle whom he has never met. Unaware &lt;span class="fullpost"&gt;of the bad blood between his father and uncle, he arrives at Ebeneezer's home, only to find that the cruel man has no intention of granting the lad his rightful inheritance. In fact, he has the boy kidnapped aboard a ship to be sold as a slave in North Carolina. David's tenacious spirit and his friendship with the rebellious Jacobite Alan Breck eventually bring him to safety. Told in 11 brief chapters, this abridgement introduces the basics of the story while maintaining a feel for the Scottish dialect. Some of the old-fashioned words and phrases may be a bit of a stretch for readers, but can be understood in context. Though obviously lacking in some of the details of the original, the narrative is easy to follow. Readers are able to gain insight into the hearts of David and Alan, although Ebeneezer and Captain Hoseason remain rather flat. Wyeth's oils (which appeared in the full-length version) add a sense of realism and capture interesting historical details. Meis's retelling retains the flavor of Stevenson's rollicking tale and might inspire readers to search out the full-length epic. - Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI&lt;br /&gt;Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Product Description&lt;/span&gt;&lt;br /&gt;David Balfour has never had an adventure. He has never spent a night camping in the Scottish Highlands. He has never sailed the high seas. He has never fought in a battle. In fact David Balfour has never even left home. All he knows is a quiet country life.&lt;br /&gt;&lt;br /&gt;All this changes after the death of his parents. He suddenly learns that he, David Balfour, is a man of wealth and standing, and that he is not destined for a simple life after all. All he needs to do to assume this new station in life is to travel to the town of Cramond, Scotland, to collect his inheritance from his father's younger brother, an uncle he had not even known existed. But David soon discovers that this is not as simple as it sounds, as he struggles to survive and outwit his treacherous uncle in this classic adventure story.&lt;br /&gt;&lt;br /&gt;Original oil paintings by N. C. Wyeth capture the vitality of Robert Louis Stevenson's timeless tale of fortune, camaraderie, betrayal, and independence.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-5755164621985809075?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/LXaY9M5dFko" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/5755164621985809075/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=5755164621985809075" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/5755164621985809075" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/5755164621985809075" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/LXaY9M5dFko/kidnapped-scribner-storybook-classics_19.html" title="Kidnapped (Scribner Storybook Classics)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/kidnapped-scribner-storybook-classics_19.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-5693198557918769375</id><published>2009-05-19T21:58:00.000+07:00</published><updated>2009-05-19T22:00:58.479+07:00</updated><title type="text">Kidnapped (Scribner Storybook Classics)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0689865422/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Kidnapped (Scribner Storybook Classics) " src="http://ecx.images-amazon.com/images/I/51VTW48MHVL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA240_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Grade 3-7 - The language in this adaptation is truer to the original, and thus, more sophisticated than that of Deborah Kestel's "Great Illustrated Classics" version (Playmore, 1992). After his father's death, David Balfour leaves his simple life in the Scottish Lowlands and sets out to find an uncle whom he has never met. Unaware &lt;span class="fullpost"&gt;of the bad blood between his father and uncle, he arrives at Ebeneezer's home, only to find that the cruel man has no intention of granting the lad his rightful inheritance. In fact, he has the boy kidnapped aboard a ship to be sold as a slave in North Carolina. David's tenacious spirit and his friendship with the rebellious Jacobite Alan Breck eventually bring him to safety. Told in 11 brief chapters, this abridgement introduces the basics of the story while maintaining a feel for the Scottish dialect. Some of the old-fashioned words and phrases may be a bit of a stretch for readers, but can be understood in context. Though obviously lacking in some of the details of the original, the narrative is easy to follow. Readers are able to gain insight into the hearts of David and Alan, although Ebeneezer and Captain Hoseason remain rather flat. Wyeth's oils (which appeared in the full-length version) add a sense of realism and capture interesting historical details. Meis's retelling retains the flavor of Stevenson's rollicking tale and might inspire readers to search out the full-length epic. - Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI&lt;br /&gt;Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Product Description&lt;/span&gt;&lt;br /&gt;David Balfour has never had an adventure. He has never spent a night camping in the Scottish Highlands. He has never sailed the high seas. He has never fought in a battle. In fact David Balfour has never even left home. All he knows is a quiet country life.&lt;br /&gt;&lt;br /&gt;All this changes after the death of his parents. He suddenly learns that he, David Balfour, is a man of wealth and standing, and that he is not destined for a simple life after all. All he needs to do to assume this new station in life is to travel to the town of Cramond, Scotland, to collect his inheritance from his father's younger brother, an uncle he had not even known existed. But David soon discovers that this is not as simple as it sounds, as he struggles to survive and outwit his treacherous uncle in this classic adventure story.&lt;br /&gt;&lt;br /&gt;Original oil paintings by N. C. Wyeth capture the vitality of Robert Louis Stevenson's timeless tale of fortune, camaraderie, betrayal, and independence.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-5693198557918769375?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/vUctRSIE3rc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/5693198557918769375/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=5693198557918769375" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/5693198557918769375" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/5693198557918769375" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/vUctRSIE3rc/kidnapped-scribner-storybook-classics.html" title="Kidnapped (Scribner Storybook Classics)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/kidnapped-scribner-storybook-classics.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-3448836940550338573</id><published>2009-05-19T21:45:00.001+07:00</published><updated>2009-05-19T21:50:37.610+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Classic  Literature" /><title type="text">Treasure Island and Kidnapped (Cliffs Notes)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0822013061/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Treasure Island and Kidnapped (Cliffs Notes)" src="http://ecx.images-amazon.com/images/I/51MSEAY2H0L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA240_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Product Description&lt;/span&gt;&lt;br /&gt;These novels of pirates on the high seas and intrigue in the Scottish highlands were written on a challenge by Stevenson's teenage stepson to "write something really interesting." The results are these fast-moving and adventurous books, simple and entertaining.&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the Back Cover&lt;/span&gt;&lt;br /&gt;Cliffs Test Preparation Guides help students prepare for and improve their performance on standardized tests ACT Preparation Guide CBEST Preparation Guide CLAST Preparation Guide ELM Review GMAT Preparation Guide GRE Preparation Guide LSAT Preparation Guide MAT Preparation Guide MATH Review for Standardized Tests MSAT Preparation Guide Memory Power for Exams Police Officer Examination Preparation Guide Police Sergeant Examination Preparation Guide Police Management Examinations Preparation Guide Postal Examinations Preparation Guide Praxis I: PPST Preparation Guide Praxis II: NTE Core Battery Preparation Guide SAT Preparation Guide SAT II Writing Preparation Guide TASP Preparation Guide TOEFL Preparation Guide with 2 cassettes Advanced Practice for the TOEFL with 2 cassettes Verbal Review for Standardized Tests Writing Proficiency Examinations You Can Pass the GED Cliffs Quick Reviews help students in introductory college courses or Advanced Placement classes Algebra I Algebra II Anatomy &amp;amp; Physiology Basic Math and Pre-Algebra Biology Calculus Chemistry Differential Equations Economics Geometry Linear Algebra Microbiology Physics Statistics Trigonometry Cliffs Advanced Placement Preparation Guides help high school students taking Advanced Placement courses to earn college credit AP Biology AP Calculus AB AP Chemistry AP English Language &amp;amp; Composition AP English Literature &amp;amp; Composition AP United States History Cliffs Complete Study Editions are comprehensive study guides with complete text, running commentary and glossary Chaucer's Prologue Chaucer's Wife of Bath Hamlet Julius Caesar King Henry IV, Part I King Lear Macbeth The Merchant of Venice Othello Romeo and Juliet The Tempest Twelfth Night See inside back cover for listing of Cliffs Notes titles Registered trademarks include: GRE, MSAT, the Praxis Series, and TOEFL (Educational Testing Service): AP, Advanced Placement Program, and SAT (College Entrance Examination Board); GMAT (Graduate Management Admission Council); and LSAT (Law School Admission Council.) Treasure Island &amp;amp; Kidnapped&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-3448836940550338573?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/XDodLQrhmzs" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/3448836940550338573/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=3448836940550338573" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/3448836940550338573" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/3448836940550338573" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/XDodLQrhmzs/treasure-island-and-kidnapped-cliffs.html" title="Treasure Island and Kidnapped (Cliffs Notes)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/treasure-island-and-kidnapped-cliffs.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-8501926126519540653</id><published>2009-05-19T21:36:00.001+07:00</published><updated>2009-05-19T21:40:32.950+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Classic  Literature" /><title type="text">Kidnapped (Tor Classics)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0812504739/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img style="width: 351px; height: 351px;" alt="Kidnapped (Tor Classics)" src="http://ecx.images-amazon.com/images/I/51CSDPKZEKL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA240.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From School Library Journal&lt;/span&gt;&lt;br /&gt;Grade 6 Up-&lt;span style="font-weight: bold;"&gt;Kidnapped&lt;/span&gt; by Robert Louis Stevenson remains one of the&lt;span style="font-weight: bold;"&gt; classic&lt;/span&gt; coming-of-age stories for children and young adults today. After the death of his father, David Balfour sets out to meet his uncle and claim his inheritance. This adventure takes him through the highlands of Scotland where he embarks upon a long journey &lt;span class="fullpost"&gt;back from treachery and deceit. The reading by David Rintoul, whose voice is easily recognizable from his roles in several PBS productions such as Pride and Prejudice, translates the written word into an auditory landscape of Scotland. He interprets each character using several voices. As the story progresses, listeners can hear David changing from an uncertain and hesitant youth, to the assured and forthright young man he becomes at the conclusion. Without any special effects, the fight among the crew of the Coventry in the RoundhouseAchairs pushed over, the sounds of the sea hitting against the great shipAbecomes easily visualized. the reader's skill setting the stage and showing the growth of the character is phenomenal. While this is an abridgement, the story flows easily and gives a full picture from beginning to end. This audiobook is a wonderful way to introduce this style of literature to young readers who may feel inhibited by reading the language of Stevenson. Whether read for enjoyment or to enrich the learning experience, this is a must for every serious library collection of the classics.&lt;br /&gt;Tina Hudak, Takoma Park Maryland Library, MD&lt;br /&gt;Copyright 2000 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From Library Journal&lt;/span&gt;&lt;br /&gt;Editor Menikoff insists that Stevenson's novel has been unfairly relegated to young adult fiction. To remedy that, he restored the text to its original form, reinstating deleted passages and Stevenson's original punctuation. The text is buttressed with 19th-century drawings from the book's serializations and an introduction that explains the book's nexus and puts it into its Scottish cultural context. (Classic Returns, LJ 5/15/99)&lt;br /&gt;Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-8501926126519540653?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/GBH6ZCsZh8U" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/8501926126519540653/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=8501926126519540653" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/8501926126519540653" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/8501926126519540653" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/GBH6ZCsZh8U/kidnapped-tor-classics.html" title="Kidnapped (Tor Classics)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/kidnapped-tor-classics.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-2615382332299779995</id><published>2009-05-19T21:31:00.004+07:00</published><updated>2009-05-19T21:36:04.021+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Classic  Literature" /><title type="text">Classical and Medieval Literature Criticism</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/1414433115/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Classical and Medieval Literature Criticism" src="http://ecx.images-amazon.com/images/I/41uwqwWsrML._SL500_AA240_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Here is the best classic literature that you must know. If you want to know the criticism of literature in Medieval era, which belongs to classic, you must read this book. Buy this book soon!&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/1414433115/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Classical and Medieval Literature Criticism" src="http://ecx.images-amazon.com/images/I/41uwqwWsrML._SL500_AA240_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-2615382332299779995?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/Rx5PQg7jGGA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/2615382332299779995/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=2615382332299779995" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/2615382332299779995" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/2615382332299779995" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/Rx5PQg7jGGA/classical-and-medieval-literature.html" title="Classical and Medieval Literature Criticism" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/classical-and-medieval-literature.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-8176047076175878430</id><published>2009-05-19T21:28:00.001+07:00</published><updated>2009-05-19T21:31:16.183+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Classic  Literature" /><title type="text">In the Shadow of Empire: Austrian Experiences of Modernity in the Writings of Musil, Roth, and Bachmann (Studies in German Literature Linguistics and</title><content type="html">In the Shadow of Empire: Austrian Experiences of Modernity in the Writings of Musil, Roth, and Bachmann (Studies in German Literature Linguistics and Culture)&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/1571133879/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="In the Shadow of Empire: Austrian Experiences of Modernity in the Writings of Musil, Roth, and Bachmann (Studies in German Literature Linguistics and Culture)" src="http://ecx.images-amazon.com/images/I/4189RHORThL._SL500_AA240_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Product Description&lt;/span&gt;&lt;br /&gt;Austria was not the only European country whose old order disintegrated in the early twentieth century, giving way to the crisis of modernity, nor the only country whose literature bears the marks of this crisis. But modernity's onset was experienced &lt;span class="fullpost"&gt;&lt;br /&gt;differently in Austria: in the words of Karl Kraus, it served as "laboratory for the fall of world civilization." This book examines the crisis as reflected in fiction written by Robert Musil, Joseph Roth, and Ingeborg Bachmann between 1920 and 1970. After examining the elusive concept of modernity, Malcolm Spencer looks at the responses of the three authors to the central themes of modernity: fragmentation, nationalism, the end of empire, and ambivalence. Chapters on Musil examine his understanding of the ancien rÃ©gime in Austria and his analysis of the ideological stage of modernity. Spencer then considers Roth's more negative reaction, showing the post-imperial novel Radetzkymarsch to be a nostalgic response to the collapse of Habsburg Austria and the rise of fascism. The final chapter looks again at the end of empire, not in the work of writers who lived through it, but through that of one who experienced it as a historical and cultural legacy: Ingeborg Bachmann.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the Author&lt;/span&gt;&lt;br /&gt;Malcolm Spencer is an Honorary Research Fellow at the University of Birmingham. He teaches German and French at Walton High School, Stafford, UK&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-8176047076175878430?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/Lpr-WACTtvk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/8176047076175878430/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=8176047076175878430" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/8176047076175878430" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/8176047076175878430" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/Lpr-WACTtvk/in-shadow-of-empire-austrian.html" title="In the Shadow of Empire: Austrian Experiences of Modernity in the Writings of Musil, Roth, and Bachmann (Studies in German Literature Linguistics and" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/in-shadow-of-empire-austrian.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-4567368001862170261</id><published>2009-05-19T18:51:00.000+07:00</published><updated>2009-05-19T21:27:45.604+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Science Fiction" /><title type="text">Science Fiction for Young Readers: (Contributions to the Study of Science Fiction and Fantasy)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0313272891/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Science Fiction for Young Readers: (Contributions to the Study of Science Fiction and Fantasy)" src="http://ecx.images-amazon.com/images/I/511DCFDZ59L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA240_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Description&lt;/span&gt;&lt;br /&gt;In this collection of essays, authorities on a wide range of topics related to science fiction discuss themes and works of special interest to young readers. The first section includes chapters on the origins of science fiction as a genre for &lt;span class="fullpost"&gt;young people, and containes essays on Victor Appleton's "Tom Swift" series and the contributions of Isaac Asimov, Robert A. Heinlein, and Madeleine L'Engle. The second section looks beyond the origins of science fiction to particular works and authors. The chapters in this section approach authors and their works from particular thematic perspectives and thus show how particular themes bind together and define the body of an author's writings. The third section, on science fiction as a vehicle for ideas, looks beyond the literary features of the genre. Chapters in this section discuss science fiction as a means for conveying religious, philosophical, and social messages.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the Author&lt;/span&gt;&lt;br /&gt;C. W. SULLIVAN III is Professor of English and Director of Graduate Studies in English at East Carolina University.&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-4567368001862170261?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/_2SCWxVUCyw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/4567368001862170261/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=4567368001862170261" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/4567368001862170261" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/4567368001862170261" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/_2SCWxVUCyw/science-fiction-for-young-readers.html" title="Science Fiction for Young Readers: (Contributions to the Study of Science Fiction and Fantasy)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/science-fiction-for-young-readers.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-3205011973106499130</id><published>2009-05-09T16:00:00.000+07:00</published><updated>2009-05-09T16:02:15.036+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Literary Book" /><title type="text">Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Interactive Edition (11th Edition)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0205686117/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Interactive Edition (11th Edition)" src="http://ecx.images-amazon.com/images/I/41Kxrs7vrUL._SL500_AA240_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;The most popular introductory anthology of its kind, Kennedy/Gioia’s Literature continues to inspire people with engaging insights on reading and writing about stories, poems, and plays.  Literature, Interactive Edition, 11/e comes automatically with a specialized version of MyLiteratureLab, Longman's multimedia website designed specifically for Kennedy/Gioia users.  MyLiteratureLab icons are found in the margins of the text along with a list of media assets at the front of the anthology. &lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;Poets in their own right, editors X. J. Kennedy and Dana Gioia bring personal warmth and a human perspective to this comprehensive anthology.  Literature, Interactive Edition, 11/e, presents readable discussions of the literary devices, illustrated by engaging works, supported by useful writing tips, and followed by seven chapters devoted to writing that have been thoroughly updated to reflect MLA’s latest guidelines.  Conversations with Amy Tan, Kay Ryan (the 2008 poet laureate), and David Ives, conducted by Dana Gioia, offer readers an insider’s look into the importance of reading to three contemporary writers.  A Latin American Writers casebook is new to Fiction and collects some of the finest authors from the region including Octavia Paz, Gabriel Garcia Marquez, and Ines Arendondo.  A casebook on Nathaniel Hawthorne’s “Young Goodman Brown” is now featured as part of the Three Stories In-depth chapter.  Many new writers have been added including Naguib Mahfouz, Virginia Woolf, Sherman Alexie, Mary Oliver, Bettie Sellers, and Anne Deavere Smith&lt;br /&gt;&lt;br /&gt;                                                            &lt;br /&gt;For anyone who enjoys literature presented with personal warmth and a human perspective.&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-3205011973106499130?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/FbRAERfOJik" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/3205011973106499130/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=3205011973106499130" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/3205011973106499130" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/3205011973106499130" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/FbRAERfOJik/literature-introduction-to-fiction.html" title="Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Interactive Edition (11th Edition)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/literature-introduction-to-fiction.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-5609029107094124002</id><published>2009-05-09T15:58:00.001+07:00</published><updated>2009-05-09T16:00:24.413+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Literary Book" /><title type="text">Literature: Approaches with ARIEL (Book + CD-ROM)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0073252123/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Literature: Approaches with ARIEL (Book + CD-ROM)" src="http://ecx.images-amazon.com/images/I/41dX9xruNYL._SL500_AA240_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Product Description&lt;/span&gt;&lt;br /&gt;Like its larger counterpart, the compact Literature: Approaches to Fiction, Poetry, and Drama by Robert DiYanni features student-centered approaches to literature--from experience to interpretation to evaluation--and an emphasis on making connections between texts and thinking critically about literature. .&lt;br /&gt;&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;. Known for its clear presentation of the formal elements of literature and literary analysis, this compact anthology effectively balances classic, modern, and contemporary works across the three major genres, blending well-known writers with a diverse gathering of newer, international figures. This literary breadth is supplemented by extensive coverage of writing about literature, making this book an excellent text for introduction to literature courses as well as literature-based composition courses..&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the Author&lt;/span&gt;&lt;br /&gt;Robert DiYanni is Professor of English at Pace University, Pleasantville, New York, where he teaches courses in literature, writing, and humanities. He has also taught at Queens College of the City University of New York, at New York University in the Graduate Rhetoric Program, and most recently in the Expository Writing Program at Harvard University. He received his B.A. from Rutgers University (1968) and his Ph.D. from the City University of New York (1976).. . Robert DiYanni has written articles and reviews on various aspects of literature, composition, and pedagogy. His books include Literature: Reading, Fiction, Poetry, Drama and the Essay; The McGraw-Hill Book of Poetry; Women�s Voices; Like Season�d Timber: New Essays on George Herbert; and Modern American Poets: Their Voices and Visions (a text to accompany the Annenberg-funded telecourse, Voices and Visions). With Kraft Rompf, he edited The McGraw-Hill Book of Poetry, (1993) and The McGraw-Hill Book of Fiction (1995). With Pat Hoy, he edited Encounters: Readings for Inquiry and Argument (1997).. . .&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-5609029107094124002?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/TXkahPTjnuY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/5609029107094124002/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=5609029107094124002" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/5609029107094124002" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/5609029107094124002" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/TXkahPTjnuY/literature-approaches-with-ariel-book.html" title="Literature: Approaches with ARIEL (Book + CD-ROM)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/literature-approaches-with-ariel-book.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-7069138345249531139</id><published>2009-05-09T15:56:00.000+07:00</published><updated>2009-05-09T15:58:11.974+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">The Norton Anthology of Western Literature, Volume 1</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0393925722/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="The Norton Anthology of Western Literature, Volume 1" src="http://ecx.images-amazon.com/images/I/51RDMKARQML._SL500_AA240_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Product Description&lt;/span&gt;&lt;br /&gt;A library of Western literature in two volumes, this new edition offers more than 40 works in their entirety—from Homer's Odyssey to Chinua Achebe's Things Fall Apart—as well as dozens of excerpted works and over 200 lyric poems.&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the Author&lt;/span&gt;&lt;br /&gt;Heather James, Ph.D. Berkeley, is Associate Professor of English at the University of Southern California. She is the author of Shakespeare’s Troy: Drama, Politics, and the Translation of Empire.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sarah Lawall, Ph.D. Yale, is Professor of Comparative Literature at the University of Massachusetts, Amherst. Her publications include Critics of Consciousness: The Existential Structures of Literature and Reading World Literature: Theory, History, Practice.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Lee Patterson, Ph.D. Yale, is F. W. Hilles Professor of English at Yale University. He is the author of Chaucer and the Subject of History; Literary Practice and Social Change in Britain, 1380–1530; and Negotiating the Past: The Historical Understanding of Medieval Literature.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Patricia Meyer Spacks, Ph.D. Berkeley, is Edgar F. Shannon Professor of English at the University of Virginia. Her publications include An Argument of Images: The Poetry of Alexander Pope; The Female Imagination; The Adolescent Idea: Myths of Youth and the Adult Imagination; Desire and Truth: Functions of Plot in Eighteenth-Century English Novels; and Boredom: The Literary History of a State of Mind.&lt;br /&gt;&lt;br /&gt;William G. Thalmann, Ph.D. Yale, is Professor of Classics at the University of Southern California. His publications include The Swineherd and the Bow: Representations of Class in the Odyssey.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-7069138345249531139?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/tjotdtkYXTM" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/7069138345249531139/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=7069138345249531139" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7069138345249531139" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7069138345249531139" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/tjotdtkYXTM/norton-anthology-of-western-literature.html" title="The Norton Anthology of Western Literature, Volume 1" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/norton-anthology-of-western-literature.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-5125732109039978839</id><published>2009-05-09T15:45:00.000+07:00</published><updated>2009-05-09T15:55:54.322+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">The Complete Works of William Shakespeare (43 Works &amp; 154 Sonnets) With Active Table of Contents ATOC</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/B001U891HE/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="The Complete Works of William Shakespeare (43 Works &amp;amp; 154 Sonnets) With Active Table of Contents ATOC" src="http://ecx.images-amazon.com/images/I/51lTdzHV%2BeL._SL500_AA246_PIkin2,BottomRight,14,34_AA280_SH20.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;This is The Complete Works of William Shakespeare All 43 Works &amp;amp; 154 Sonnets.&lt;br /&gt;&lt;br /&gt;This eBook has an Active Table of Contents &amp;amp; is easily Searchable.&lt;br /&gt;&lt;br /&gt;All's Well That Ends Well&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;Antony and Cleopatra&lt;br /&gt;&lt;br /&gt;As You Like It&lt;br /&gt;&lt;br /&gt;The Comedy of Errors&lt;br /&gt;&lt;br /&gt;The Tragedy of Coriolanus&lt;br /&gt;&lt;br /&gt;Cymbeline&lt;br /&gt;&lt;br /&gt;The Tragedy of Hamlet, Prince of Denmark&lt;br /&gt;&lt;br /&gt;The First part of King Henry the Fourth&lt;br /&gt;&lt;br /&gt;The Second part of King Henry the Fourth&lt;br /&gt;&lt;br /&gt;The Life of King Henry the Fifth&lt;br /&gt;&lt;br /&gt;The First part of King Henry the Sixth&lt;br /&gt;&lt;br /&gt;The Second part of King Henry the Sixth&lt;br /&gt;&lt;br /&gt;The Third part of King Henry the Sixth&lt;br /&gt;&lt;br /&gt;The Life of King Henry the Eighth&lt;br /&gt;&lt;br /&gt;The Life and Death of Julies Caesar&lt;br /&gt;&lt;br /&gt;The Life and Death of King John&lt;br /&gt;&lt;br /&gt;King Lear&lt;br /&gt;&lt;br /&gt;Loves Labours Lost&lt;br /&gt;&lt;br /&gt;The Tragedy of Macbeth&lt;br /&gt;&lt;br /&gt;Measure for Measure&lt;br /&gt;&lt;br /&gt;The Merry Wives of Windsor&lt;br /&gt;&lt;br /&gt;The Merchant of Venice&lt;br /&gt;&lt;br /&gt;A Midsummer Night's Dream&lt;br /&gt;&lt;br /&gt;Much Ado About Nothing&lt;br /&gt;&lt;br /&gt;Othello, the Moore of Venice&lt;br /&gt;&lt;br /&gt;Pericles, Prince of Tyre&lt;br /&gt;&lt;br /&gt;The Life and Death of Richard the Second&lt;br /&gt;&lt;br /&gt;The Life and Death of Richard the Third&lt;br /&gt;&lt;br /&gt;Romeo and Juliet&lt;br /&gt;&lt;br /&gt;The Taming of the Shrew&lt;br /&gt;&lt;br /&gt;The Tempest&lt;br /&gt;&lt;br /&gt;Timon of Athens&lt;br /&gt;&lt;br /&gt;Titus Andronicus&lt;br /&gt;&lt;br /&gt;Troilus and Cressida&lt;br /&gt;&lt;br /&gt;Twelfth Night&lt;br /&gt;&lt;br /&gt;Two Gentlemen of Verona&lt;br /&gt;&lt;br /&gt;Winter's Tale&lt;br /&gt;&lt;br /&gt;A Lover's Complaint&lt;br /&gt;&lt;br /&gt;The Passionate Pilgrim&lt;br /&gt;&lt;br /&gt;The Phoenix &amp;amp; The Turtle&lt;br /&gt;&lt;br /&gt;The Rape of Lucrece&lt;br /&gt;&lt;br /&gt;The Argument&lt;br /&gt;&lt;br /&gt;The Sonnets (154)&lt;br /&gt;&lt;br /&gt;Venus &amp;amp; Adonis&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Please, Enjoy.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-5125732109039978839?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/eZ0WP3dTzjM" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/5125732109039978839/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=5125732109039978839" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/5125732109039978839" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/5125732109039978839" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/eZ0WP3dTzjM/complete-works-of-william-shakespeare.html" title="The Complete Works of William Shakespeare (43 Works &amp; 154 Sonnets) With Active Table of Contents ATOC" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2009/05/complete-works-of-william-shakespeare.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-9056351800367202734</id><published>2008-11-15T16:37:00.002+07:00</published><updated>2008-11-15T16:39:43.673+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><category scheme="http://www.blogger.com/atom/ns#" term="Drama" /><title type="text">Shakespeare's  masterpiece Work: "Hamlet Act III, Scene I (clip):"</title><content type="html">&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;&lt;object width="425" height="350"&gt;&lt;param value="http://youtube.com/v/MwbwzMe1Uss" name="movie"&gt;&lt;embed type="application/x-shockwave-flash" src="http://youtube.com/v/MwbwzMe1Uss" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Hamlet is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601. The play, set in Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has murdered Hamlet's father, the King, and then taken the throne and married Hamlet's mother. The play vividly charts the course of real and feigned madness—from overwhelming grief to seething rage—and explores themes of treachery, revenge, incest, and moral corruption.&lt;br /&gt;&lt;br /&gt;From the "Great Scenes from Shakespeare" series, this "Hamlet" video portrays one of the most famous scenes in all Shakespearean tragedy and, indeed, in all literature. It's Hamlet: Act III, Scene ... &lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-9056351800367202734?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/8plzGOTEtco" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/9056351800367202734/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=9056351800367202734" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/9056351800367202734" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/9056351800367202734" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/8plzGOTEtco/shakespeare-masterpiece-work-act-iii.html" title="Shakespeare&amp;#39;s  masterpiece Work: &amp;quot;Hamlet Act III, Scene I (clip):&amp;quot;" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2008/11/shakespeare-masterpiece-work-act-iii.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-7807715104682349116</id><published>2008-11-15T16:34:00.002+07:00</published><updated>2008-11-15T16:43:04.705+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">Julius Caesar: Introduction to Shakespeare (clip)</title><content type="html">&lt;div xmlns='http://www.w3.org/1999/xhtml'&gt;&lt;p&gt;&lt;object height='350' width='425'&gt;&lt;param value='http://youtube.com/v/gql6ZeIZYgE' name='movie'/&gt;&lt;embed height='350' width='425' type='application/x-shockwave-flash' src='http://youtube.com/v/gql6ZeIZYgE'/&gt;&lt;/object&gt;&lt;/p&gt;&lt;p&gt;This is the drama entitled Julius caesar by Shakespeare. "Julius Caesar: An Introduction" lends a glint of understanding to this Shakespeare tragedy, famed for such lines as "Friends, Romans, countrymen, lend me your ears" and "Beware the Ides of March."... &lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-7807715104682349116?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/iKrhUzkziQ0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/7807715104682349116/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=7807715104682349116" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7807715104682349116" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7807715104682349116" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/iKrhUzkziQ0/julius-caesar-introduction-to.html" title="Julius Caesar: Introduction to Shakespeare (clip)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2008/11/julius-caesar-introduction-to.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-4522370197315216726</id><published>2008-11-15T16:32:00.002+07:00</published><updated>2008-11-15T16:46:59.571+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">The Tragedy : "King Lear: An Introduction (clip)",  Shakespearees  Work</title><content type="html">&lt;div xmlns='http://www.w3.org/1999/xhtml'&gt;&lt;p&gt;&lt;object height='350' width='425'&gt;&lt;param value='http://youtube.com/v/w33l_mzoWL4' name='movie'/&gt;&lt;embed height='350' width='425' type='application/x-shockwave-flash' src='http://youtube.com/v/w33l_mzoWL4'/&gt;&lt;/object&gt;&lt;/p&gt;&lt;p&gt;This is the drama of King lear. &lt;/p&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606, and is considered one of his greatest works. The play is based on the legend of King Leir of Britain. It has been widely adapted for stage and screen, with the part of Lear being played by many of the world's most accomplished actors.
&lt;br /&gt;
&lt;br /&gt;There are two distinct versions of the play: The True Chronicle of the History of the Life and Death of King Lear and His Three Daughters, which appeared in quarto in 1608, and The Tragedy of King Lear, which appeared in the First Folio in 1623, a more theatrical version. The two texts are commonly printed in a conflated version, although many modern editors have argued that each version has its individual integrity.
&lt;br /&gt;
&lt;br /&gt;After the Restoration the play was often modified by theatre practitioners who disliked its nihilistic flavour[citation needed], but since World War II it has come to be regarded as one of Shakespeare's supreme achievements. The tragedy is particularly noted for its probing observations on the nature of human suffering and kinship.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-4522370197315216726?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/m8HMRDXhuUs" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/4522370197315216726/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=4522370197315216726" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/4522370197315216726" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/4522370197315216726" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/m8HMRDXhuUs/king-lear-introduction-clip.html" title="The Tragedy : &quot;King Lear: An Introduction (clip)&quot;,  Shakespearees  Work" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2008/11/king-lear-introduction-clip.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-8768025765298507030</id><published>2008-10-20T13:31:00.001+07:00</published><updated>2008-10-20T13:33:34.086+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">Complete Works of William Shakespeare (Wordsworth Special Editions) (Wordsworth Royals Series)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/185326895X/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Complete Works of William Shakespeare (Wordsworth Special Editions) (Wordsworth Royals Series)" src="http://ecx.images-amazon.com/images/I/51mROKksmXL._SL500_BO2,204,203,200_AA219_PIsitb-sticker-dp-arrow,TopRight,-24,-23_SH20_OU01_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;William Shakespeare&lt;/span&gt; (1564-1616) is acknowledged as t&lt;span style="font-weight: bold;"&gt;he greatest dramatist&lt;/span&gt; of all time. He excels in&lt;span style="font-weight: bold;"&gt; plot&lt;/span&gt;, poetry and wit, and his talent encompasses &lt;span style="font-weight: bold;"&gt;the great tragedies of Hamlet&lt;/span&gt;, King Lear, Othello and Macbeth as well as the moving history plays and the comedies such as A Midsummer Night's Dream, The Taming of the Shrew and As You Like It with their magical combination of humour, ribaldry and tenderness. This volume is a reprint of the Shakespeare Head Press edition, and it presents all the plays in chronological order in which they were written. It also includes Shakespeare's Sonnets, as well as his longer poems Venus and Adonis and The Rape of Lucrece.&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;This complete and unabridged edition contains every word that Shakespeare wrote — all 37 tragedies, comedies, and histories, plus the sonnets. You'll find such classics as The Tempest, Much Ado About Nothing and The Taming of the Shrew. This Library of Literary Classics edition is bound in padded leather with luxurious gold-stamping on the front and spine, satin ribbon marker and gilded edges. Other titles in this series include: Charlotte &amp;amp; Emily Bronte: The Complete Novels; Edgar Allan Poe: Selected Works; Mark Twain: Selected Works; Charles Dickens: Four Complete Novels; Lewis Carroll: The Complete, Fully Illustrated Works; and Jane Austen: The Complete Novels.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-8768025765298507030?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/IYnCJGQq8bg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/8768025765298507030/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=8768025765298507030" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/8768025765298507030" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/8768025765298507030" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/IYnCJGQq8bg/complete-works-of-william-shakespeare.html" title="Complete Works of William Shakespeare (Wordsworth Special Editions) (Wordsworth Royals Series)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2008/10/complete-works-of-william-shakespeare.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-6237577382934940898</id><published>2008-10-20T13:28:00.001+07:00</published><updated>2008-10-20T13:30:54.444+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">William Shakespeare Complete Works (Modern Library)</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0679642951/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="William Shakespeare Complete Works (Modern Library)" src="http://ecx.images-amazon.com/images/I/21jY2JCZV0L._SL500_AA180_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;FROM THE WORLD FAMOUS ROYAL SHAKESPEARE COMPANY, THE FIRST AUTHORITATIVE, MODERNIZED, AND CORRECTED EDITION OF SHAKESPEARE’S FIRST FOLIO IN THREE CENTURIES.&lt;br /&gt;&lt;br /&gt;Skillfully assembled by Shakespeare’s fellow actors in 1623, the First Folio was the original Complete Works. It is arguably the most important literary work in the English language. But starting with Nicholas Rowe in 1709 and continuing to the present day, Shakespeare editors have mixed Folio and Quarto texts, gradually corrupting the original Complete Works with errors and conflated textual variations.&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;Now Jonathan Bate and Eric Rasmussen, two of today’s most accomplished Shakespearean scholars, have edited the First Folio as a complete book, resulting in a definitive Complete Works for the twenty-first century.&lt;br /&gt;Combining innovative scholarship with brilliant commentary and textual analysis that emphasizes performance history and values, this landmark edition will be indispensable to students, theater professionals, and general readers alike.&lt;br /&gt;&lt;br /&gt;For more information on this Modern Library edition, visit www.therscshakespeare.com&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-6237577382934940898?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/3H7DN2KwTB4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/6237577382934940898/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=6237577382934940898" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/6237577382934940898" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/6237577382934940898" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/3H7DN2KwTB4/william-shakespeare-complete-works.html" title="William Shakespeare Complete Works (Modern Library)" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2008/10/william-shakespeare-complete-works.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-152739546627618180.post-7605900514993809777</id><published>2008-10-20T13:25:00.000+07:00</published><updated>2008-10-20T13:27:12.308+07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="William Shakespeare" /><title type="text">Asimov's Guide to Shakespeare: A Guide to Understanding and Enjoying the Works of Shakespeare</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;a href="http://www.amazon.com/gp/product/0517268256/?tag=songs0c-20" target="_blank" rel="nofollow"&gt;&lt;img alt="Asimov's Guide to Shakespeare: A Guide to Understanding and Enjoying the Works of Shakespeare" src="http://ecx.images-amazon.com/images/I/51YEW1RMZBL._SL500_AA240_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Shakespeare's genius is marked by his rare ability to appeal to theatergoers of all types and all levels of education. But for most modern folks, the Greek and Roman mythology and history, let alone the history of England and the geography of sixteenth-century Europe that his works are laden with, are hardly within our grasp. Isaac Asimov comes to making obscure issues clear to the layperson, selects key passages from 38 of the great bard's plays plus two of his narrative poems and, with the help of beautifully rendered maps an figures, illuminates us about their historical and mythological background.&lt;br /&gt;&lt;span class="fullpost"&gt;&lt;br /&gt;While watching or reading one of Shakespeare's plays, it's interesting to read the notes of some of the different critics. Peter Levi does a wonderful job following the poetry and language of Shakespeare as it develops over his lifetime, in the context of the other writers of his era. Harold Bloom, of course, finds in Shakespeare both a mirror and an impulse for a leap forward in literature and therefore in society. Bloom has fallen in love with certain of Shakespeare's characters (Falstaff, Hamlet, etc.) and uses them as a yardstick for all others.&lt;br /&gt;&lt;br /&gt;Asimov takes a more historical view. He has done impressive research into the characters and times. His "Guide to Shakespeare" is useful for its insights into all of the plays, but I found it most useful for the English histories. In the eight plays of the Wars of the Roses --from Richard II, through the Henrys, and culminating in Richard III-- Asimov tracks the family trees and politics of the nobility, spots anachronisms, and does a wonderful job of simplifying the sometimes bewildering array of characters and historical references. Of course, even uneducated audiences in Shakespeare's day would have understood some of these arcane references without a guidebook, much as a modern US audience would easily understand references to Thomas Jefferson or Abraham Lincoln. With his research and clear writing, Asimov brings the history plays --and indeed all of the plays-- back to life.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/152739546627618180-7605900514993809777?l=kotagede-literature.blogspot.com'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/uowX/~4/9BysmGmZ75A" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://kotagede-literature.blogspot.com/feeds/7605900514993809777/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=152739546627618180&amp;postID=7605900514993809777" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7605900514993809777" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/152739546627618180/posts/default/7605900514993809777" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/uowX/~3/9BysmGmZ75A/asimovs-guide-to-shakespeare-guide-to.html" title="Asimov's Guide to Shakespeare: A Guide to Understanding and Enjoying the Works of Shakespeare" /><author><name>Admin</name><uri>http://www.blogger.com/profile/08457751184237421695</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="15791008137435700988" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://kotagede-literature.blogspot.com/2008/10/asimovs-guide-to-shakespeare-guide-to.html</feedburner:origLink></entry></feed>
