Movies Review.

Valkyrie [Theatrical Release] (2008)

2009-01-31T08:32:00.000-08:00

Unpretentious and dramatically straightforward, Valkyrie is a suspenseful yet ennobling story about the last attempt to assassinate Adolf Hitler prior to the end of World War II. Tom Cruise is effective if a little opaque as hero Colonel Claus von Stauffenberg, who channels his anger at Hitler's atrocities and mismanagement of the war by joining a secret organization bent on killing the Führer. When the outspoken Stauffenberg hits on the idea of linking Hitler's death with an official policy to safeguard Berlin during a government crisis--a contingency plan called "Valkyrie"--the group realizes a post-assassination coup could be covered by rapidly implementing the plan. History tells us the plot failed, of course, and Hitler killed himself months later. But that doesn't stop Cruise or director Bryan Singer from approaching the film as a thinking person's thriller, told from inside the conspirators' camp, where the outcome of their deeds were uncertain for several tense hours.

In the tradition of The Great Escape, Valkyrie is a war movie full of famous faces, including Kenneth Branagh, Terence Stamp, Tom Wilkinson, Bill Nighy and Eddie Izzard. (The lesser-known David Bamber is very good as Hitler, hunched and cracking under pressure.) The film's gravity is offset a bit by the fun of seeing all these actors in a factually-based slice of history, and by a few, interesting stylistic flourishes on Singer's part, including the peculiarly unsettling image of a mosquito sizzled to death in close-up. --Tom Keogh

The Day the Earth Stood Still [Theatrical Release] (2008)

2009-01-31T08:29:00.000-08:00

Impressive special effects are the key selling point for this big-budget remake of Robert Wise's classic 1951 science fiction parable about an alien visitor who delivers a chilling ultimatum to the leaders of the world. Keanu Reeves, who seemed ideal at first blush but ultimately turns into another case of miscasting, steps in for Michael Rennie as intergalactic watchdog Klaatu, who with his robot Gort (now super-sized), promises global destruction unless the powers that be unless drastic measures are undertaken regarding the Earth's environmental issues (or so one assumes). Jennifer Connelly is largely wasted in the Patricia Neal role of scientist/single mom assigned to study Klaatu, who offers a somewhat chilly father figure to her son (a grating Jaden Smith). Connelly isn't the only fine actor in the cast left standing idle while director Scott Derrickson's effects team constructs eye-popping scenes of wholesale mayhem; Mad Men's Jon Hamm, Kathy Bates, John Cleese and Rob Knepper are all adrift in the aimless script by David Scarpa, which never even fully explains why Klaatu is so bent on blowing us to smithereens. That lack of focus, as well as the B-movie quality of the dialogue (say what you will about the effects in the Wise version, but the film was polished from top to bottom), all help to cement what science fiction fans have been muttering about the film since its inception; the original film needed no high-tech updating --Paul Gaita

Milk [Theatrical Release]

2009-01-31T08:16:00.000-08:00

When a famous person, like the nation's first openly gay male city supervisor, inspires an acclaimed book (The Mayor of Castro Street) and Oscar-winning documentary (The Times of Harvey Milk), a biopic can seem superfluous at best. Taking over from Oliver Stone and Bryan Singer, Gus Van Sant, whose previous picture was the more experimental Paranoid Park, directs with such grace, he renders the concern moot. Unlike Randy Shilts' biography, which begins at the beginning, Dustin Lance Black's script starts in 1972, just as Milk (Sean Penn, in a finely-wrought performance) and his boyfriend, Scott (James Franco, equally good), move from New York to San Francisco. Milk opens a camera shop on the Castro that becomes a safe haven for victims of discrimination, convincing him to enter politics. With each race he runs, Harvey's relationship with Scott unravels further. Finally, he wins, and the real battle begins as Milk takes on Proposition 6, which denies equal rights to homosexuals. He does what he can to rally politicians, like George Moscone (Victor Garber) and Dan White (Josh Brolin). While the mayor is willing, the conservative board member has reservations, and after Milk fails to back one of White’s pet projects, the die is cast, leading to the murder of two beloved figures. If Van Sant’s film captures Harvey in all his complexities (he was, for instance, a very funny man), Milk also serves as an enticement to grass-roots activism, showing how one regular guy elevated everyone around him, notably Cleve Jones (Emile Hirsch), the ex-street hustler who created the NAMES Project AIDS Memorial. Released in the wake of Proposition 8, California’s anti-gay marriage amendment, Milk is inspirational in the best way: one person can and did make a difference, but the struggle is far from over. --Kathleen C. Fennessy

Marley & Me [Theatrical Release]

2009-01-31T08:13:00.000-08:00

When a dog wriggles his adorable rear end into a human's life, the human will never be the same. And both Marley, the dog, and Marley & Me, the movie, manage to endear themselves deeply despite a few wee flaws. Readers of the John Grogan bestseller already know the raffish charm of the incorrigible yellow lab puppy, Marley, adopted by Grogan and his wife because she's "never seen anything more adorable in my life." But Grogan's simple tale of love, in all its forms, shines on the big screen, thanks to deft comic turns by Jennifer Aniston--in top form here--and Owen Wilson. Their chemistry is utterly natural and believable as Marley's owners, as is their interaction with the very naughty but ultimately irresistible Marley. As Marley grows up, the film follows his escapades--flunking out, spectacularly, from puppy training at the hands of a wickedly funny Kathleen Turner. And as Marley grows up, John and Jenny build their life together and weather some tough emotional blows. Like My Dog Skip, which it resembles in its affection for its subject, Marley & Me is a tear-jerker, but in the sweetest, most lovely way--because it, and its four-legged star, have wriggled into our hearts. Good boy. --A.T. Hurley

Revolutionary Road [Theatrical Release] (2008)

2009-01-31T08:10:00.000-08:00

In Revolutionary Road, Kate Winslet and Leonardo DiCaprio reunite for the first time since their careers exploded with Titanic--and it's almost as if they're playing the same characters, only married and faced with the hollowness of a 1950s suburban existence. Frank and April Wheeler (DiCaprio and Winslet) always thought of themselves as special, but they settled in a conventional Connecticut suburb when they had children. Hungry for a less constricted life, April persuades Frank to move to Paris--but slowly their plans unravel and their marriage unravels along with it. While Revolutionary Road may be a bit too glib about suburban emptiness--the lives Frank and April lead don't seem so stifled--the portrait of a mismatched marriage is vivid and devastating. The ways that Frank and April misinterpret each other, and the subtle yet unbearable dissatisfaction they feel, is rendered with remarkable and unsettling acuteness. Winslet and DiCaprio's natural chemistry tells us what drew these two together, making the way they tear each other apart all the more shocking. The excellent supporting cast includes Kathy Bates (Misery), Dylan Baker (Happiness), and especially Michael Shannon (Bug) as a mentally troubled mathematician who cuts to the quick of the Wheelers' troubles. Mention must be made of the beautiful production design; the costumes and sets are simply gorgeous. --Bret Fetzer

The Reader [Theatrical Release]

2009-01-31T08:07:00.000-08:00

What is the nature of guilt--and how can the human spirit survive when confronted with deep and horrifying truths? The Reader, a hushed and haunting meditation on these knotty questions, is sorrowful and shocking, yet leavened by a deep love story that is its heart. In postwar Germany, young schoolboy Michael (German actor David Cross) meets and begins a tender romance with the older, mysterious Hanna (Kate Winslet, whose performance is a revelation). The two make love hungrily in Hanna's shabby apartment, yet their true intimacy comes as Michael reads aloud to Hanna in bed, from his school assignments, textbooks, even comic books. Hanna delights in the readings, and Michael delights in Hanna.

Years later, the two cross paths again, and Michael (played as an adult by Ralph Fiennes) learns, slowly, horrifyingly, of acts that Hanna may have been involved in during the war. There is a war crimes trial, and the accused at one point asks the panel of prosecutors: "Well, what would you have done?" It is that question--as one German professor says later: "How can the next generation of Germans come to terms with the Holocaust?"--that is both heartbreaking and unanswerable. Winslet plays every shade of gray in her portrayal of Hanna, and Fiennes is riveting as the man who must rewrite history--his own and his country's--as he learns daily, hourly, of deeds that defy categorization, and morality. "No matter how much washing and scrubbing," one character says matter of factly, "some sins don't wash away." The Reader (with nods to similar films like Sophie's Choice and The English Patient dares to present that unnerving premise, without offering an easy solution. --A.T. Hurley

Gran Torino [Theatrical Release]

2009-01-31T08:05:00.000-08:00

Can Clint Eastwood go wrong? After striking gold a few months ago with the brilliant "Changeling," he releases "Gran Torino," another one of the year's best films. What a masterful storyteller Eastwood is, so focused on creating that perfect balance between story and character. He doesn't disappoint with "Gran Torino," a nearly flawless film that gives us characters we believe in and a story so compelling that it's virtually impossible to not be absorbed by it. What we have here is a cross-generational, cross-cultural story about people who can learn so much from each other despite being different. It's about regret, sadness, redemption, and growth, which isn't to say that it's conventional or archetypal; Eastwood plays a contemporary version of a Wise Old Man, someone who draws on life experience to teach an undeveloped youth. What's unique is that, regardless of what life has taught him, this Wise Old Man still has a lot to learn.

The Curious Case of Benjamin Button [Theatrical Release] (2008)

2009-01-31T08:02:00.000-08:00

The technical dazzle of The Curious Case of Benjamin Button is a truly astonishing thing to behold: this story of a man who ages backwards requires Brad Pitt to begin life as a tiny elderly man, then blossom into middle age, and finally, wisely, become young. How director David Fincher--with makeup artists, special-effects wizards, and body doubles--achieves this is one of the main sources of fascination in the early reels of the movie. The premise is loosely borrowed from an F. Scott Fitzgerald story (and bears an even stronger resemblance to Andrew Sean Greer's novel The Confessions of Max Tivoli), with young/old Benjamin growing up in New Orleans, meeting the girl of his dreams (Cate Blanchett), and sharing a few blissful years with her until their different aging agendas send them in opposite directions. The love story takes over the second half of the picture, as Eric Roth's script begins to resemble his work on Forrest Gump. This is too bad, because Benjamin's early life is a wonderfully picaresque journey, especially a set of midnight liaisons with a Russian lady (Tilda Swinton) in an atmospheric hotel. Fincher observes all this with an entomologist's eye, cool and exacting, which keeps the material from getting all gooey. Still, the Hurricane Katrina framing story feels put-on, and the movie lets Benjamin slide offscreen during its later stages--curious indeed. --Robert Horton

The Wrestler [Theatrical Release]

2009-01-31T07:58:00.000-08:00

The mystery of Mickey Rourke's career comes to a grungy apotheosis in The Wrestler the much-battered actor's triumphant return to the top rope. He plays Randy "The Ram" Robinson, a heavily scarred and medicated battler who's twenty years past his best moment in the ring. But he still schleps to every second-rate fight card he can get to, stringing out the paychecks (more likely a fistful of cash) and nursing what's left of his pride. His attempts to adjust to a more normal kind of life form the most absorbing sections in the movie, whether it's flirting with a stripper (Marisa Tomei is in good form, in every sense), establishing a bond with his understandably angry daughter (Evan Rachel Wood), or working behind the deli counter at a nondescript megastore. Rourke is commanding in the role; he obviously spent hours in the gym and the tanning salon, and his ease with the semi-documentary style adopted by director Darren Aronofsky allows him to naturalistically interact with the colorful real-life wrestlers who crowd the movie's ultra-believable locations. All of which helps distract from the film's overall adherence to ancient formula. You might find yourself waiting for the scene where the risk-taking Aronofsky (Requiem for a Dream) pulls the switch and reveals his true motives for pursuing this otherwise sentimental story, but there's no switch. The Wrestler is an old-fashioned hoke machine, given grit by an actor who doesn't seem to be so much performing the role of ravaged survivor as embodying it. --Robert Horton

Slumdog Millionaire [Theatrical Release]

2009-01-31T07:55:00.000-08:00

Danny Boyle (Sunshine) directed this wildly energetic, Dickensian drama about the desultory life and times of an Indian boy whose bleak, formative experiences lead to an appearance on his country's version of "Who Wants to Be a Millionaire?" Jamal (played as a young man by Dev Patel) and his brother are orphaned as children, raising themselves in various slums and crime-ridden neighorhoods and falling in, for a while, with a monstrous gang exploiting children as beggars and prostitutes. Driven by his love for Latika (Freida Pinto), Jamal, while a teen, later goes on a journey to rescue her from the gang's clutches, only to lose her again to another oppressive fate as the lover of a notorious gangster.

Running parallel with this dark yet irresistible adventure, told in flashback vignettes, is the almost inexplicable sight of Jamal winning every challenge on "Who Wants to Be a Millionaire?," a strong showing that leads to a vicious police interrogation. As Jamal explains how he knows the answer to every question on the show as the result of harsh events in his knockabout life, the chaos of his existence gains shape, perspective and soulfulness. The film's violence is offset by a mesmerizing exotica shot and edited with a great whoosh of vitality. Boyle successfully sells the story's most unlikely elements with nods to literary and cinematic conventions that touch an audience's heart more than its head. --Tom Keogh

Beverly Hills Chihuahua

2008-10-30T08:50:00.000-07:00

Beverly Hills Chihuahua director Raja Gosnell takes place again on the dog-speaking Beat (following its live action Scooby-Doo and Scooby-Doo 2: Monsters Unleased), this time in an ambitious, tongue-in-comedy played with a fun occupation on the screen and singing actors. Piper Perabo plays Rachel, niece of an eccentric Beverly Hills (Jamie Lee Curtis), who spends much chance of their location Chloe (voiced by Drew Barrymore), a Chihuahua for Pacing in this world with their booty on legs . Chloe is dog-napped while Rachel takes a vacation in Mexico, and finds protection in an outsider German shepherd named Delgado (Andy Garcia), a painful punishment secret of his past. The two and out of the quantity of a abrasions, try always one step ahead of a smart dog (Edward James Olmos), who heads a union melee gambling illegal. Computer to turn the impact of the film a lot about critters four characters able to jump on the train of freight cars and heroin from Indiana Jones-type ancestors of the original breed of Chihuahua. The comedy is crisp and children, the story of Chloe rise out of silliness Canine authenticity, most surprising of the film, ambitious, are all quite winning.

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Max Payne

2008-10-30T08:34:00.000-07:00

Each film is based on a first-person shooter video games should be, as a general rule, be full of epic shootout at a high level of Sergio Leone or the Wachowski brothers, and in this regard, Max Payne is a success. Mark Wahlberg also in the life of the tree of powerful brooding Thursday as the title of hero, a big city detective sadness the murder of his wife and child. Revenge is, of course, the goal of Payne, and with the support of Russia Slinky hitwoman Mila Kunis, he courts, in rooms crowded with expensive gap gymnastics-gun play. Spectators, and who do not receive more than their money's worth John Moore's film adaptation, and probably most impressed by his dark nature of fashion and film management. This research a little more cartilage powder and find derivatives Max Payne quite a half-dozen best films (Christopher Nolan's Batman films, etc.) and violent to the point, Cartoon absurdity. May you find some refuge in supporting turns by aesthetic Donal Logue and Chris "Ludacris" Bridges as diametrically opposed police and Beau Bridges, which offers its usual roguish arm of the former supervisor of Payne.

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High School Musical 3

2008-10-30T08:21:00.000-07:00

I am amazed at what point has been HSM3. The story was very good, the music was fantastic and the players have a great work! HSM3, which is by far the best of 3 films, although I am much like all of them! Kenny Ortega has been a major producer of the series, and actors, good; it could not been better for this film. It costs a good sum of money for films in cinemas day now, but it is certainly a value for payment. Great job Disney!

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Pineapple Express

2008-10-30T08:07:00.000-07:00

The latest bro-team performance Apatow (the guy who brought us Superbad, Knocked Up and The 40-Year-Old Virgin), Pineapple Express is the history of the valley Denton (Seth Rogan) and Saul Silver (James Franco), a pothead and its distributors, taken at random from the drug in a war between two gangs with some corrupt police officers, high school girls and little time henchmen threw for a good deed. In its core, Pineapple Express is a comedy Stoner - a tale of two semi-laughing nervously slowly and good idiots in the way of their heads - a formula for some amusing comedy, over the years, Cheech and Chong's Up in Smoke and Dave Chappelle's Half Baked are two of the best examples. What Pineapple Express addition to these classic stupid, however, is the consistency of Music, the perfect chemistry between Rogan and Franco giddily ridiculous and the action sequences (and the fact that even mild poisoning are not required, enjoy the ambience). The film retains the sweet taste, is that in most movies Apatow, the "bad decisions and ultra-violent actions anyway to justify, or at least immediately. Gags The website, pop - culture references and perfectly departure time not only to improve sequitur of serenity. filmmaker David Gordon Green, known especially for Understatement reflective films and George Washington and all the Real Girls, seemed like a strange choice for such a rough and Over-the-top comedy, but it is, the Green Stamp, everything is in this film (as his cameraman long, Tim Orr), to manage jointly, to Pineapple Express, much more than the sum of its parts.

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Twilight

2008-10-30T07:48:00.000-07:00

I waited long for this movie for a year. No matter what people say about the film, I already know I will not regret it. The actors all seem perfectly and I'm loving the look of the trailer.

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The Incredible Hulk

2008-08-19T08:11:00.000-07:00

A more accessible and less heavy-handed movie than Ang Lee's 2003 Hulk, Louis Leterrier's The Incredible Hulk is a purely popcorn love affair with Marvel's raging, green superhero, as well as the old television series starring Bill Bixby as Dr. David Banner and Lou Ferrigno as the beast within him. Edward Norton takes up where Eric Bana left off in Lee's version, playing Bruce (that's the character's original name) Banner, a haunted scientist always on the move. Trying to eliminate the effects of a military experiment that turns him into the Hulk whenever his emotions get the better of him, Banner is hiding out in Brazil at the film's beginning. Working in a bottling plant and communicating via email with an unidentified professor who thinks he can help, Banner goes postal when General Thaddeus "Thunderbolt" Ross and a small army turn up to grab him. Intent on developing whatever causes Banner's metamorphoses into a weapon, Ross brings along a quietly deranged soldier named Emil Blonsky (Tim Roth), who wants Ross to turn him into a supersoldier who can take on the Hulk. The adventure spreads to the U.S., where Banner hooks up with his old lover (and Ross' daughter), Betty (Liv Tyler), and where the Hulk takes on several armed assaults, including one in a pretty unusual location: a college campus. The film's action is impressive, though the computer-generated creature is disappointingly cartoonish, and a second monster turning up late in the movie looks even cheesier. Norton is largely wasted in the film--he's essentially a bridge between sequences where he disappears and the Hulk rampages around. As good an actor as he is, Norton doesn't have the charisma here to carry those scenes in which one waits impatiently for the real show to begin. --Tom Keogh

Hancock

2008-08-19T08:08:00.000-07:00

Hancock turns the standard superhero movie inside-out: The title character (Will Smith) can fly, has superstrength, and is invulnerable, but he's also a sloppy, alcoholic jerk who causes millions of dollars in property damage whenever he bothers to fight crime. When he saves the life of a public-relations agent named Ray (Jason Bateman, Arrested Development), Ray decides to improve Hancock's image--starting by having Hancock surrender himself to the authorities and go to prison for his lawless behavior. The idea is that once he's in prison, the crime rate will go up, and people will start to realize Hancock might be of value after all. This is only the first act of Hancock--from there, the movie takes several clever turns that shouldn't be revealed. Hancock isn't a great movie (among other things, director Peter Berg overuses close-ups with a hand-held camera to a degree that may cause motion sickness), but it is an extremely entertaining one. The script, which holds together far better than most superhero movies, has a propulsive plot, good dialogue, some compassion for its characters, and even an actual idea or two. The spectacular action at least gestures towards obeying the laws of physics, which actually makes the special effects more vivid. The three leads (Smith, Bateman, and Charlize Theron as Ray's wife, Mary) deftly balance the movie's mixture of comedy, action, and drama. All in all, a smart subversive twist on a genre that all too often takes itself all too seriously. --Bret Fetzer

Kung Fu Panda

2008-08-19T07:51:00.000-07:00

What's a panda to do when his dreams of kung-fu awesomeness awake to the cold reality of noodle-making? Clumsy, overweight Po (Jack Black) dreams of becoming a kung fu master like China's revered "furious five," but instead seems destined to follow in the footsteps of his father and grandfather in the restaurant business. When great leader Oogway has a vision that the imprisoned kung fu warrior Tai Lung (Ian McShane) will soon escape, he declares it time to choose China's dragon warrior--one kung fu master deemed worthy of possessing the dragon's scroll and its secret to limitless power. Po and all the townspeople rush to the Jade Palace atop the highest mountain to witness the contest between Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Seth Rogan), Crane (David Cross) and Viper (Lucy Liu), but Po is locked outside the palace. After a miracle of sorts, Po lands inside the palace gates, where he is chosen as the dragon warrior and placed under the tutelage of the decidedly non-plussed master Shifu (Dustin Hoffman). An unconventional student to say the least, hilarity reigns as Shifu tries desperately to make Po into some semblance of a kung fu warrior. Can Po possibly fulfill his destiny as dragon warrior, or was Oogway's final decision a critical mistake? A film rich with hilarious moments, superior animation, and an important message about believing in oneself and the power that comes from within, Kung Fu Panda is great entertainment that will have the whole family laughing and begging for more. (Ages 3 and older) --Tami Horiuchi

Wanted

2008-08-19T07:45:00.000-07:00

As the impresario behind gravity-defying Russian blockbuster Night Watch, it's inevitable that Hollywood would come calling for Timur Bekmambetov. With a studio budget and an international cast, including two Oscar winners, Timur cooks up a Hong Kong-styled actioner bursting with fast cars and big guns. Our unlikely hero is mild-mannered Chicago accountant Wesley Gibson (Atonement's James McAvoy), whose father died when he was a tot. Wesley never learned to stand up for himself, and his girlfriend, boss, and best buddy all take advantage until the seductive Fox (Angelina Jolie) rescues him from a sharpshooter named Cross (The Pianist’s Thomas Kretschmann). After which, she whisks him away to a mansion on the edge of town to meet the other members of the Fraternity, where leader Sloan (Morgan Freeman) informs Wesley that Cross, a rogue agent, executed his father. Sloan believes Wesley has the goods to take him out, so he undergoes the Fraternity's brutal training regimen (Marc Warren and Common dish up some of the abuse). When he's ready, Sloan sends him out to fulfill his duty, but matters become complicated when Wesley finds out someone isn't telling the truth, leading our former milquetoast to exact an elaborate revenge. For those who've been following McAvoy's career to date, Wanted will surely come as a surprise. In adapting Mark Millar's comic series, Timur offers buckets of blood and a smidgen of depth, but fans of The Matrix and Mr. and Mrs. Smith will want to give this one a look. --Kathleen C. Fennessy

Mamma Mia!

2008-08-19T07:40:00.000-07:00

The delirious sight of Meryl Streep leading a river of multigenerational women singing "Dancing Queen" is one of the high points of Mamma Mia!, the musical built around the songs of the hugely popular pop group ABBA. The plot sets in motion when Sophie (Amanda Seyfried, Mean Girls), daughter of Donna (Streep), sends a letter to three men, inviting them to her wedding--because after reading her mother's diary, she suspects that one of them is her father. When all three arrive at the Greek island where Donna runs a hotel, Donna flips out and finds that passions she thought she'd laid aside are coming back to life. But let's face it, the plot is not the point--it's a ridiculous contrivance that provides an excuse for the characters to sing the massive hits of ABBA. Regrettably, first-time film director Phyllida Lloyd (who directed the original stage production) has drawn over-the-top performances from everyone involved, even Streep; every production number hammers its exuberance into your eyeballs. Which is too bad, because Mamma Mia! is a rarity: A middle-aged love story. The kids start things off, but the story is really about Streep and the three guys (former James Bond Pierce Brosnan, former Mr. Darcy Colin Firth, and Swedish star Stellan Skarsgard), as well as Donna's best friends (Christine Baranski, best known from the TV show Cybill, and Julie Walters, Calendar Girls). It's a romantic comedy aimed at the people who were around when all these songs were new, and that's an age group Hollywood largely ignores. For that alone, Mamma Mia! deserves to find an audience. --Bret Fetzer

Chronicles of Narnia: Prince Caspian

2008-08-19T07:36:00.001-07:00

More exciting than The Lion, the Witch, and the Wardrobe, The Chronicles of Narnia: Prince Caspian continues the movie franchise based on C.S. Lewis' classic fantasy books. The movie picks up where the first left off... sort of. It's been a year since the Pevensie children--Peter (William Moseley), Susan (Anna Popplewell), Edmund (Skandar Keynes), and Lucy (Georgie Henley)--returned to England from Narnia, and they've just about resigned themselves to living their ordinary lives. But just like that, they're once again transported to a fantastical land, but one with a long-abandoned castle. It turns out that they are in Narnia again--and they themselves lived in that castle, but hundreds of years ago in Narnia time. They've been summoned back to help Prince Caspian (Stardust's Ben Barnes, resembling a young, cultured Keanu Reeves), the rightful heir to the throne who's become the target of his power-hungry uncle, King Mraz (Sergio Castellitto). And he's not the only one threatened: Mraz's people, the Telmarines, have pushed all the Narnians--the talking animals, the centaurs and other beasts, the walking trees--to the brink of extinction. Despite some alpha-male bickering, Peter and Caspian agree to fight Mraz alongside the remaining Narnians, including the dwarf Trumpkin (Peter Dinklage) and the swashbuckling mouse Reepicheep (voiced by Eddie Izzard). (Also appearing is Warwick Davis, who was in Willow and the 1989 BBC Prince Caspian.) But of course they most of all miss the noble lion, Aslan, who would have never let this happen to Narnia if he hadn't disappeared.

Prince Caspian is epic, evoking memories of Peter Jackson's Lord of the Rings films. (Some of the battle elements may seem too familiar, but they were in Lewis's book.) And it's appropriate for kids (Reepicheep could have come out of a Shrek movie), though the tone is dark and there is a lot of death, albeit bloodless. After two successful films, Disney and Walden Media's franchise has proved successful enough that many of the characters are scheduled to return in The Voyage of the Dawn Treader. --David Horiuchi

Wall-E [Theatrical Release]

2008-08-19T07:31:00.000-07:00

Pixar genius reigns in this funny romantic comedy, which stars a robot who says absolutely nothing for a full 25 minutes yet somehow completely transfixes and endears himself to the audience within the first few minutes of the film. As the last robot left on earth, Wall-E (voiced by Ben Burtt) is one small robot--with a big, big heart--who holds the future of earth and mankind squarely in the palm of his metal hand. He's outlasted all the "Waste Allocation Load Lifter Earth-Class" robots that were assigned some 700 years ago to clean up the environmental mess that man made of earth while man vacationed aboard the luxury spaceship Axiom. Wall-E has dutifully gone about his job compacting trash, the extreme solitude broken only by his pet cockroach, but he's developed some oddly human habits and ideas. When the Axiom sends its regularly scheduled robotic EVE probe (Elissa Knight) to earth, Wall-E is instantly smitten and proceeds to try to impress EVE with his collection of human memorabilia. EVE's directive compels her to bring Wall-E's newly collected plant sprout to the captain of the Axiom and Wall-E follows in hot pursuit. Suddenly, the human world is turned upside down and the Captain (Jeff Garlin) joins forces with Wall-E and a cast of other misfit robots to lead the now lethargic people back home to earth. Wall-E is a great family film with the most impressive aspect being the depth of emotion conveyed by a simple robot--a machine typically considered devoid of emotion, but made so absolutely touching by the magic of Pixar animation. Also well-worth admiring are the sweeping views from space, the creative yet disturbing vision of what strange luxuries a future space vacation might offer, and the innovative use of trash in a future cityscape. Underneath the slapstick comedy and touching love story is a poignant message about the folly of human greed and its potential effects on earth and the entire human race. Wall-E is preceded in theaters by the comical short Presto in which a magician's rabbit, unfed one too many times takes his revenge against the egotistical magician. (Ages 3 and older) --Tami Horiuchi>

The Dark Knight [Theatrical Release] (2008)

2008-08-18T08:17:00.000-07:00

The Dark Knight arrives with tremendous hype (best superhero movie ever? posthumous Oscar for Heath Ledger?), and incredibly, it lives up to all of it. But calling it the best superhero movie ever seems like faint praise, since part of what makes the movie great--in addition to pitch-perfect casting, outstanding writing, and a compelling vision--is that it bypasses the normal fantasy element of the superhero genre and makes it all terrifyingly real. Harvey Dent (Aaron Eckhart) is Gotham City's new district attorney, charged with cleaning up the crime rings that have paralyzed the city. He enters an uneasy alliance with the young police lieutenant, Jim Gordon (Gary Oldman), and Batman (Christian Bale), the caped vigilante who seems to trust only Gordon--and whom only Gordon seems to trust. They make progress until a psychotic and deadly new player enters the game: the Joker (Heath Ledger), who offers the crime bosses a solution--kill the Batman. Further complicating matters is that Dent is now dating Rachel Dawes (Maggie Gyllenhaal, after Katie Holmes turned down the chance to reprise her role), the longtime love of Batman's alter ego, Bruce Wayne.

In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages. --David Horiuchi

Heroes: Season 2.

2008-07-14T00:27:00.000-07:00

Rejoin the epic and suspenseful phenomenon as Heroes: Season 2 arrives on DVD! Experience all the new and exciting twists of the astonishing series in this 4-disc set that includes every gripping Season 2 episode. Plus, see what could have been with exclusive bonus features that reveal the untold stories that never aired and an alternate ending to the season finale, where the fate of humanity takes an ominous turn when Peter fails to catch the vial containing the deadly virus.

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The Spiderwick Chronicles (Widescreen Edition)

2008-07-06T01:32:00.000-07:00

From the beloved best-selling series of books comes an extraordinary fantasy adventure revealing the unseen world that exists all around us. From the moment the Grace family moves into a secluded old house peculiar things start to happen. Unable to explain the accidents and strange disappearances the Grace children Jared Simon and Mallory start to investigate and find the unbelievable truth of the Spiderwick Estate and the amazing creatures that inhabit it.System Requirements:Running Time: 101 minutesFormat: DVD MOVIE

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