Talking pictures

The rhino story, part 2: Okaukuejo waterhole in Etosha National park, Namibia

2013-05-13T08:30:00.000+01:00

I began wildlife watching as a kid, and I learnt very early is that its a good idea to be inconspicuous. This is relatively easy to achieve in terms of sound and sight, sense we humans understand and use the most. Everyone around that water-hole was cloaked by the bright lights and it was quiet as a concert hall. But it is easy to be too human and forget that all animals do not perceive the world as we do. There are other senses that are much more important to other animals; smell for instance.

Our noses aren't great. Many other animals absolutely rely on them however, and rhinos, with their poor eyesight, do. An apt name then. While the old man's cigarette didn't bother any human even a yard away, the rhino at the water probably did smell it. Then it probably also smelled the sweaty mass of humanity congregated around that waterhole.

As it turned out, the rhino did not react to the cigarette. I cannot recall if it even so much as lifted its head. And then, the couple got bored and left. Not for them this slow unfolding of events where not much happens; an animals bends its head to the water and drinks and then looks up and waits. Most often it hopes nothing will happen. But rhinos, big as they are, are afraid of nothing. In their mind perhaps there is muteness, or the hope another rhino, the right sort, the other sex, will come along.

As it happened, that imputed wish came true. The slow monotony was punctuated by a new arrival. Two tentative shadows appeared at the edge of the darkness. A big weighty ponderous one around which flitted another smaller, impatient form. A mother and her calf had arrived. They made their way down to the water's edge and calmly started drinking.

I cannot, for the life of me, remember what the male was doing when the two arrived. My attention shifted completely and I forgot about the male. All I've managed to piece together comes from my images and a few key moments are missing. I know that he did not stay at the water's edge the whole time but I think he remained within view. In the end, the male and female drank from the water a few meters from each other while the calf comfortably milled around. Both unperturbed by the presence of the other animal.

Incidentally. since I've not mentioned it yet, these are all Black rhinoceroses.

Eventually, perhaps after her belly was full, she looked up and made eye contact with the male. She left the water's edge and silently ambled towards the male. The male did the same thing. They stood snout to snout, and snuffled, not loudly. All this while the baby flitted about, unafraid and completely at ease. In the photograph below, you can see that he has left his mother's side and has gone over behind the male, a sign that he feels entirely secure in this situation. They stood like that, snout to snout, nearly motionless, at least a few minutes.

This was a scene straight out of the first episode of the latest BBC series, Africa. They had filmed rhinos socialising extensively at a waterhole at night, for the first time ever. I had not expected to encounter anything quite like it, yet, here it was. I had imagined it was an extremely rare and unusual occurence which the Africa crew had worked very hard to capture. I had merely turned up at a waterhole in Etosha along with a sea of humanity, no particular effort required. And yet there it was, a mother and calf rhino quietly and unthreateningly interacting with a male.

All the reports I'd read of African safaris said that seeing a rhino was a rare occurence. We got lucky; so far we'd seen not one but three and had even been lucky enough to observe some interesting behaviour. That said right at that moment, we weren't on 'safari'. We were stationary, at a waterhole, waiting and watching. The thing about being on an African safari is that you're on the move too much. You're driven for hours and hours, between place A and place B.Once you're in place B, you're on a schedule. Not on your own schedule, but that of the fastest or slowest person along and of the trip itenarary itself. This is not great for the way I like to photograph, familiarising myself with an area, its animals, returning and working it for the best possible shots.

But the best thing about being on safari is also that you move about a lot. We covered much of Namibia in 10 days. Its a large country, with an extremely varied and beautiful landscape. We drove through Etosha's scrub forest and salt pans, we drove through flat featureless salt-flats as we approached the Skeleton coast, the coast itself, we dipped and rose through the sculptural Damarralands and the Nauklufts and not least of all, through the Sossusvlei in the desert. That sort of broad sweep requires time or if you don't have that, a safari, where someone else does the heavy lifting and you're along for the ride.

The next time I go to Africa, would I do this again? Perhaps, if someone would gaurantee that the night of the rhino's would happen again and I know no one can. So its an odd answer, that says roughly I had an evening that outweighed any misgivings I may have had about a certain mode of exploring a place. You may or may not have that evening but then you may or may not have my misgivings.

Back at the waterhole, the two rhino's were done interacting. The male broke off first and went back to the water's edge. The calf richochetted between mum and her friend merrily. They don't gambol, rhinos, bit this certainly was a bucolic scence.

This scene changed suddenly, as suddenly as rhino's can change. With the inertia of something like an air-craft carrier the until now comfortable mother left the waters edge. The calf followed, this once sticking to her side. Whatever had scared her, would startle the bejesus out of us as well.

More soon.

Copyright © Natasha Mhatre If you're reading this without attribution to me anywhere other than at my blog Talking Pictures, its probably being plagiarized.

PS: I had very specific reasons for doing this safari and I enjoyed it and do not mean to slag them off. They are perfect for some needs, but I do think they bear thinking about, especially since so many of them are so expensive and in the end so insular. More on that too...

The rhino story, part 1: Okaukuejo waterhole in Etosha National park, Namibia

2013-05-04T12:14:00.002+01:00

The Okaukuejo waterhole is a huge floodlit water-hole surrounded by a camp and luxury houses in Etosha. When we arrived at the waterhole, most of the seats around the periphery were already occupied. There were people lined up with their binoculars, cameras on tripods, video cameras , some with more than one camera, most with more than one lens, all kitted out to the nines. But then there were the others, in nothing but their shorts and a can of beer or coke depending on their taste and age. This was not wildlife watching as I had ever known it. A crowd perhaps 300 strong. At this point I wondered if I'd see anything at all, but I'd also learnt that Africa was a bit different. I had learnt not to sneer.

The rains were late this year in Namibia as I'd heard from every Namibian I'd spoken to. Admittedly not many, but they were all praying for it to arrive and watching the skies. Today those skies were a bit cloudy, and only a little light was still left in them. The birds nontheless were still active. The drongos and communal weaver birds were still flying sorties in the four powerful floodlight beams mounted high in the trees. They were hunting, successfully, for the many insects flying about it in the light. Apart from their calls, there was an eerie hush around the wall. This, at least, was familiar. As much as they might enjoy their wildlife watching easy style, everyone here seemed to have signed up on a common pact of doing the best they could to ensure we saw something.

We found an unoccupied bench at the far left corner of the perimeter. I set up my tripod and lenses and started fiddling with settings. The light had nearly gone out of the sky and you could see the near shore, the water-hole and then about another 100 meters after which it was now pitch dark. An eagle-owl landed on the near shore and started hunting for food in the rocks. It was a lucky break, I managed to find and optimise the settings I was going to use over the rest of the night. Of course, at this point I didn't know what that night was going to be like.

Not too long after, a hulking shadow appeared at the far corner of my vision. My eyes were inadequate for the job, I swung my lens around and clicked. There in the centre of my preview screen, there was the first rhino I'd ever set eyes on. His skin, for he was a he in my mind already, was wet below a neatly etched line that ran through all four legs and pendulous belly. The whispers running around the waterhole were true then, there had been a rhino there before now.

He stepped out of the shadowy edges of the water-hole. Unperturbed by the powerful head-lamps that shone in his miniscule eyes he ambled down to the waters edge, and started drinking. I imagine all he could see was a wall of light from beyond which came a few murmurs, soft as the wind in the bush. His ribs stood out in high relief against his enormous...what? Where did his chest end and belly begin? Were his lungs that massive? By the end of the evening we would know something of how much power they could produce.

Abiude, one of our tour guides had joined us at some point in the evening. He laughed at my excitement and perhaps was a little relieved we had finally seen a rhino. Its all about the sightings in their trade. Ensuring the client 'sees' the big four or five if they're lucky. I'd come on this safari knowing that this was not ideal to my temperament. I don't want to see things, or rather that is never going to be enough for me. I want to spend time with things. This evening was probably going to be the closest I came to my ideal wildlife watching.

But again I didn't know that yet, all I could see right then, was that there was a great big hulking beast at the water, drinking unperturbed. Looking up occasionally when someone broke the silence with a cough or gasp, sometimes for no reason at all. I kept shooting, hoping to get a few good images from it. Rhinos are incredibly slow animals, steady on their feet. Only really moving their heads, if that, while their feet stay planted. It made for great photographs. I was taking a risk, but I shot at low ISO to reduce the noise in the image and counted on the tripod to be good for long exposures. I silently blessed myself for hauling my beast of a tripod all the way there. I had had my doubts, but it was the waterhole on the itenarary that had finally swung me.

As my shutter clicked away, I heard another familiar but unwelcome click over at the next bench. An American couple sat there (I say this but I don't really know). The were old, what the British would called pensioners. He was in shorts and boat shoes, she had sunglasses propped on her head and wore too much make-up. He also had a whisky highball in his hands and the click was the sound of his Zippo lighting a cigarrette.

More to follow.

The business end: Walvis bay, Namibia

2013-05-01T09:10:00.001+01:00

I don't know if I like this image, do you?

Quiver tree: Namibia,

2013-04-29T08:48:00.002+01:00

The quiver tree is an aloe, a succulent growing in a desert. Indigenous to southern Africa, their branches are hollowed out and ostensibly used to make quivers for arrows. Hence the name. This one along with two companions stood in the middle of a very desolate landscape as we drove towards the coast.

Copyright © Natasha Mhatre If you're reading this without attribution to me anywhere other than at my blog Talking Pictures, its probably being plagiarized.

Twyfelfontein, Namibia

2013-04-28T09:00:00.000+01:00

Dussy rat

Look Ma, no hands: Walvis bay, Namibia

2013-04-26T09:19:00.000+01:00

A bad hair day: Etosha Namibia

2013-04-25T08:30:00.000+01:00

Some days you roll out of bed and you're just a messed up furball on two legs. Like cousin Itt but less cool.

Populist pandering

2013-04-24T08:30:00.000+01:00

If I look at what people click in to see, I notice that you like the beasties and the landscapes. Birds, not so much. So I'm going to start with a landscape so you'll love it and then slip in some birds on the sly.

Of course, you might be getting bored anyway. So if I fail to garner any interest at all, I can probably go back to not posting anything at all...It is soon going to come to that, seeing how I can see the bottom of the Namibia barrel already. Well, thanks for being an audience to share things with!

Tawny eagle, Etosha National park

2013-04-23T08:30:00.000+01:00

A purple dawn: Sossusvlei, Namibia

2013-04-22T08:30:00.000+01:00

The beautiful killers

2013-04-22T08:00:00.000+01:00

They look beautiful, don't they? But there are a few of you that know who they are. And why this post is the only appropriate one to write after the previous one. These are growths of fungus on one of the front elements of my 'long' lens. When I first came to Bristol, I didn't bring that lens with me. Instead I chose to leave it in a bag. A bag that simply sat somewhere in a cupboard in Bangalore while I was away for a few months. Somewhere in that time I think the lens caught fungus. Once it's started, its an inexorable march forward.

If the front element makes you want to weep, have a look at what one of the inner ones looks like. Not pretty eh? This lens is done. Its lived out its life. It made me a book and thats pretty good value, I think for what it was. But now it's done.

But, I had to take a long lens when I went to Africa. There was no way I could go without one. So I had to think about whether to take this lens or buy or rent another one. Somehow between being lazy, stingy and generally uncertain. I packed this lens as was and went. You've seen some of the pictures.

Of those, this lens made this image of a Jackal, this seal image, the rhino images, the drinking bull elephant and then some. (But it also made the ostrich image, which is at a distance and quite soft).

In the end, I think it was a good idea to take it because the image above shows what I did to it. It was attached to my camera in my backpack, which was sitting on the front seat of our vehicle. I had unzipped the bag and forgotten that I had. At one of our rest-stops, I lifted the bag up and hoisted it to my shoulder and swung around to walk away from the vehicle. The flap flapped open, predictably, and the lens and camera went flying out and landed on the ground with a thud. Maybe three-four feet away. My heart skipped a beat.

Suffice to say, in the end, I discovered this 'dent' was the only outcome of my little disaster. The camera survived and so did the lens. They both still work. As imperfectly or perfectly as before. 'How?', you ask. I don't know. They're built like tanks and I am grateful for it. I would've been very disappointed if I'd lost either at that stage in the trip. And as grateful that I hadn't done it to another more expensive lens, whether bought or rented.

That lens is an old Sigma 170-500 mm f/5-6.3. It was never the best or even close to the best lenses on the market. It's AF has always been slow, still is. Its only f5 at its brightest and thats not bright at all. Its bokeh is far from great and it has always been a bit rubbish at far away subjects. But it was cheap, suited my grad student pocket and was light enough for the lightweight that I am to hand-hold. It served me well, my book wouldn't have been possible without it. There were many situations, I'd even say enough situations where it was more than adequate for the job. If you don't believe me, I hope you will be convinced by the photo at the end. It was taken at the flood lit water hole at Okaukuejo waterhole with the other rhino photos at night.

I'm struggling with what now though: whether I want another one, whether I shoot enough to even warrant buying one. And if I do, which one? They are all so expensive and so heavy! Damn, this is a hard decision...Buying the Sigma in the first place was so much of an easier decision!

Feel free to chime in if you have an opinion. Or even just to send me your commiserations. You see I had the best holiday ever and I'm still moaning. There's no hope for me!

Smudges: gear care and why you should do it.

2013-04-18T08:30:00.000+01:00

I'm not precious about my gear. I treat it like a tool; a tool I use, I throw around and am easy with. I throw my camera in a bag, a bag without padding! I have no UV filters on most of my lenses. Despite this...despite this. I would love for my camera to be a part of my arm and be about as careful with it as I am my arm. Careful but take it everywhere :)

I have it on good authority that some people have some really good gear, in mint condition, in a box. But that gear might as well be dust in that box (or merde d'artista) for all it does. Mine has some dust in it, (and my technique too), but at least it gets used.

Occasionally, I rue my methods though. The thing is its ok to treat your gear like a tool. But I shouldn't have lapsed on the care and maintenance of my tools as I obviously did. See that smudge on the far right of the next image? I did that by being careless and I have paid for it in a lot of images. You can't fix everything in post. In fact, the things that count can never be fixed in post.

Sometimes, I'm just stupid, I know I'm being stupid and I'll pay the cost gladly. Like when I shot the next image through the windshield I knew there would be that reflection from inside the vehicle. I knew that, mentally to me, that was a 'record' shot. So, I was ok to write it off. But the smudges, they hurt. They make me angry. And I don't know when I'll ever be back in Namibia again

So, my advice is clean your gear.

(PS: Don't take record shots, make them all count! Digital is not an excuse for being sloppy and you never know when something lovely will happen and you'll miss it if you aren't prepared).

Copyright © Natasha Mhatre If you're reading this without attribution to me anywhere other than at my blog Talking Pictures, its probably being plagiarized.

NeNer NeNer NeNer, all mine: Jackal, Etosha, Namibia

2013-04-16T05:30:00.000+01:00

I wish the road ahead was always this clear: Namibia, Africa

2013-04-14T19:24:00.002+01:00


Damarraland

Skeleton coast

Nokoluft mountains

Etosha National park

Sand, wind, flow and gravity, thats what dunes are made of: Sossuvlei, Namibia

2013-04-12T08:30:00.000+01:00

Ostrich palette: Etosha National park, Namibia

2013-04-10T08:40:00.002+01:00

Plain colours

The cold Atlantic meets the hot African Namib: Cape fur seals at Cape Cross, Namibia

2013-04-09T08:47:00.000+01:00


It makes for a very very large seal colony where the water boils with pups and the shore is lined with dead ones.

If the road is dull, drive fast: Skeleton coast, Namibia

2013-04-07T09:51:00.000+01:00

Other times you don't give a p**s: Namutoni, Etosha National park, Namibia

2013-04-06T12:11:00.002+01:00

Life is scary sometimes: Okaukuejo waterhole in Etosha National park, Namibia

2013-04-05T08:30:00.000+01:00

Four headed ostrich: Twyfelfontein, Nambia

2013-04-04T08:47:00.002+01:00

There were people here 6000 years ago

PS: Did you spot the ostrich? Look in the middle.

Hunting

2013-04-03T08:30:00.000+01:00

Same cat as before

Everyone looks good in pink: Walvis bay, Namibia

2013-04-02T08:30:00.000+01:00

Grootberg pass, Damarraland commons, Namibia

2013-04-01T17:21:00.002+01:00

Click to view it bigger

And the mountains win again

Personal space: Cape Cross, Namibia

2013-03-30T15:06:00.000Z