<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7562726143450895332</id><updated>2024-09-02T00:49:44.521-07:00</updated><category term="eczacılık"/><category term="Halil Tekiner"/><category term="eczacılık tarihi"/><category term="history of pharmacy"/><category term="sanat"/><category term="Afife Mat"/><category term="Turkey"/><category term="TETAG"/><category term="eczacı"/><category term="pharmaceutical history"/><category term="ICHP"/><category term="Mert Sandalcı"/><category term="pharmacy history"/><category term="Bergama"/><category term="Dioscorides"/><category term="Haydn"/><category term="Istanbul"/><category term="Karikatür"/><category term="Kayseri"/><category term="pharmacy"/><category term="AIHP"/><category term="Congress"/><category term="Golden Mortar Award"/><category term="H. 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Bayezi Darüşşifası"/><category term="Karagöz"/><category term="Leman Kazuk"/><category term="Materia Medica"/><category term="Operet Sahnesi"/><category term="Osmanlıca"/><category term="Pertev"/><category term="Pharmacists Day"/><category term="Pharmacy Day"/><category term="Pierre Apery"/><category term="Reçete"/><category term="Rıza Rit"/><category term="Schelenz"/><category term="Suleymaniye Manuscripts Library"/><category term="Süt"/><category term="TRT"/><category term="Tekiner"/><category term="Tekiner H"/><category term="Türk Eczacılık Tarihi"/><category term="Türk müziği"/><category term="Türk sanat müziği"/><category term="Türkiye"/><category term="Türkçe"/><category term="Viyana"/><category term="Wisconsin"/><category term="aktar"/><category term="besteci"/><category term="bitkisel ilaçlar"/><category term="bookplate"/><category term="ekslibris"/><category term="exlibris"/><category term="farmakope"/><category term="grafik tasarımı"/><category term="gölge oyunu"/><category term="historical sites"/><category term="klasik Türk müziği"/><category term="klasik müzik"/><category term="kocakarı ilaçları"/><category term="kozmik bahar temizliği"/><category term="lavman"/><category term="linguistik"/><category term="medical humanities"/><category term="mizah"/><category term="museum"/><category term="music"/><category term="müze"/><category term="pharmaceutical congress"/><category term="pharmacists"/><category term="pharmacy congress"/><category term="pul"/><category term="sahte hekimler"/><category term="sanatçı"/><category term="süt bankası"/><category term="süthane"/><category term="tiryak"/><category term="tiyatro"/><category term="turquerie"/><category term="zincir eczane"/><category term="Ömer Seyfettin"/><category term="çikolata"/><category term="öykü"/><category term="özgeçmiş"/><category term="İstanbul Üniversitesi"/><title type='text'>Eczacılık tarihi</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>26</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-1067332519045335846</id><published>2017-01-21T01:30:00.000-08:00</published><updated>2017-01-21T01:33:29.288-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="eczacı"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmaceutical history"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy congress"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy historian"/><category scheme="http://www.blogger.com/atom/ns#" term="TETAG"/><category scheme="http://www.blogger.com/atom/ns#" term="Turkey"/><category scheme="http://www.blogger.com/atom/ns#" term="Türkiye"/><title type='text'>TETAG Annual Report (2016)</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWU8NqGpHNY7NtxBtSu_WBHWh5JdBaJYImXBjyO0e3-oNdXe9jQBpGa89rUwzyP99mqYScbF1PfB-YhS3yFPO8MlpH7URoOxqFsKFHIJN6Cv3NaJuN-6GXKMApkIFACOsWvclYlfPbFnE/s1600/logo+beyaz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;186&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWU8NqGpHNY7NtxBtSu_WBHWh5JdBaJYImXBjyO0e3-oNdXe9jQBpGa89rUwzyP99mqYScbF1PfB-YhS3yFPO8MlpH7URoOxqFsKFHIJN6Cv3NaJuN-6GXKMApkIFACOsWvclYlfPbFnE/s200/logo+beyaz.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;The year 2016 was quite remarkable in terms of the history of Turkish
pharmacy with many publications, conferences, and talks given all around Turkey
as well as abroad. Here is a brief report of some of the major activities from
this year.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;On April 1st, a history of pharmacy exhibition entitled “Pharmacy from
Past to Present,” based on historical objects selected from the Istanbul University History of Pharmacy collection,
was launched at the Istanbul University Turkish Bath Culture Museum under the
guidance of Prof. Afife Mat. The catalogue of this exhibition was also
published in a bilingual book in both Turkish and English (see selected
publications). This exhibition kept its doors open for more than four months
and was viewed by a great number of visitors. On April 27th, Halil Tekiner gave
an invited lecture entitled “Historical Milestones of Turkish Pharmacy” at the
Cumhuriyet University Faculty of Pharmacy in the city of Sivas, addressing
mostly the pharmacy undergraduate students there.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;The highlight of the year, however, was the 12th Biannual National
Conference on the History of Turkish Pharmacy, which was held at the Anadolu
University Faculty of Pharmacy in Eskisehir between June 1st and 3rd &lt;span style=&quot;background: white;&quot;&gt;with an attendance of nearly 90 participants (three
from the US and France)&lt;/span&gt;. In addition to seven invited lectures, a total
of 26 oral and 27 poster communications were presented at this congress. Main
topics included the history of Turkish pharmacy education, pharmaceutical books/pharmacopoeias,
the drug industry, professional societies, and pharmacy in art. With regard to
the last subject, A. Mat and H. Tekiner presented a comedy play entitled “The
Pharmacist (1909),” written by French playwright Max Maurey (1868‒1947). At the
end of this presentation, participants were delighted to be offered a Turkish
translation of this play in print, translated by A. Mat from original French.
The next Conference for the History of Turkish Pharmacy will be held at the
Istanbul University Faculty of Pharmacy between May 17th and 19th, 2018. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;At the 2nd International Congress of Interdisciplinary History of
Health, held between July 13th and 15th at the Coimbra University School of
Pharmacy, H. Tekiner and Ahmet Dogan Ataman presented a poster communication
entitled “A Philatelic History of Portuguese Pharmacy.” At the 22nd National
Meeting of Medical Plants, held on September 1st in Trabzon, A. Mat also
delivered a plenary lecture entitled “Two Pharmacist Scientists: Prof. Turhan
Baytop and Prof. Asuman Baytop,” a well-respected academic couple who had done
a great amount of work for the history of pharmacy and botanic research in
Turkey, besides many of their other contributions to Turkish pharmacy. On
December 24th, A. Mat gave a plenary lecture on the history of pharmacy studies
in Turkey at the 13th National Congress of the Turkish Pharmacists’
Association. A day later, the Golden Mortar Award for the History of Pharmacy
was given to Pharmacist Eyup Talha Kocacik for his recent bibliographical study
of a Turkish pharmaceutical journal issued between 1931 and 1954 (see selected
publications). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;background: white; font-size: 12pt;&quot;&gt;TETAG members are very much looking forward to joining the
upcoming ICHP in Warsaw in September 2017, hopefully with a large number of
delegates. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;background: white; font-size: 12pt;&quot;&gt;&lt;b&gt;Selected
publications:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;text-indent: -18pt;&quot;&gt;Ataman,
Ahmet Dogan., Tekiner, Halil. “The Philatelic History of Pharmacy in Portugal&lt;i&gt;,”
2nd International Congress of Interdisciplinary History of Health (13-15 July
2016, Coimbra).&lt;/i&gt; Coimbra, 2016: 95.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;Karayaman, Mehmet. &lt;i style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;Sihhiye Mudiriyet-i Umumiyesi Eczaci Diploma
Defteri [Pharmacist Diploma Records of the General Health Directory
(1874-1940)]&lt;/i&gt;&lt;span style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;. Kayseri: Tiydem Yayinlari, 2016, ISBN: 978-605-9622-09-7, 407
p.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;Kocacik, Eyup Talha. &lt;i style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;Farmakolog Dergisinin Ozetli Bibliyografya ve Incelemesi
[Annotated Bibliography of the Turkish Pharmacy Journal ‘Farmakolog’]&lt;/i&gt;&lt;span style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;.
Istanbul: Eczacilik Tarihi Arastirma Dernegi, 2016, ISBN: &lt;/span&gt;&lt;span style=&quot;background: white; font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;978-605-6646-72-0, 272 p.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;Mat, Afife., Sen, Burcu. &lt;i style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;Pharmacy from Past to Present - &lt;span style=&quot;background: white;&quot;&gt;Exhibition Catalogue&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;. Istanbul: Istanbul
Universitesi Yayinlari, 2016. ISBN: 978-605-07-0598-0, 156 p.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;Mat, Afife., Tekiner, Halil. (eds) &lt;i style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;XI. National Conference on the
History of Turkish Pharmacy (25-28 May 2014, Kayseri): Proceedings&lt;/i&gt;&lt;span style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;.
Kayseri: Erciyes Universitesi Eczacilik Fakultesi, 2016, 181 p.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;Mat, Afife., Tekiner, Halil., Sen, Burcu. (eds) &lt;i style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;42&lt;sup&gt;nd&lt;/sup&gt;
International Congress for the History of Pharmacy Proceedings: The Exchange of
Pharmaceutical Knowledge between East and West&lt;/i&gt;&lt;span style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;. Istanbul: Eczacılık Tarihi Arastirma
Dernegi, 2016, ISBN: 978-605-664-670-6, 628 p. (This book was sent to the most
of the participants of the 42. ICHP Congress. Please let us know if you are
willing to have a copy in print.)&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;Maurey, Max. &lt;i style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;Eczacı (Bir Perdelik Komedi) [The Pharmacist: One Act
Comedy Play]&lt;/i&gt;&lt;span style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;. Trans. Afife Mat. Istanbul: Eczacilik Tarihi Arastirma Dernegi,
2016, ISBN: 978-605-6646-71-3, 40 p.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;Tekiner, Halil. “Un roman d’Orhan Pamuk&lt;span lang=&quot;FR&quot; style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;,” &lt;i&gt;Revue
d’Histoire de la Pharmacie&lt;/i&gt;, LXIV, N. 391, (2016): 487-488.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;Tekiner, Halil., Kosar, Muberra. “The opium poppy as a symbol of sleep in Bertel
Thorvaldsen’s relief of 1815,” &lt;i style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;Sleep Medicine, &lt;/i&gt;&lt;span style=&quot;font-size: 12pt; text-align: justify; text-indent: -18pt;&quot;&gt;19, (2016): 123-125.&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM5AhEUscb1EVlcS8DF6T-97PDNkZulv9aBjjzpxWnY-jgl2zJ_5fPO4UttbBS1JUmnIoeHFSlycDg48BlVVk1K68HVP0dkxyjONVAFwRFwtHqqZD1fdTyv3XNiP8Dcff6Q5PptnahZRk/s1600/2016-04-27Sivas.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;459&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM5AhEUscb1EVlcS8DF6T-97PDNkZulv9aBjjzpxWnY-jgl2zJ_5fPO4UttbBS1JUmnIoeHFSlycDg48BlVVk1K68HVP0dkxyjONVAFwRFwtHqqZD1fdTyv3XNiP8Dcff6Q5PptnahZRk/s640/2016-04-27Sivas.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;Halil Tekiner gave an invited
lecture entitled “Historical Milestones of Turkish Pharmacy” at the Cumhuriyet
University Faculty of Pharmacy &lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;(27
April 2016, Sivas).&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjCv5rdRpX9DfZmt0fknHhQsF12RzhTTWS58-uzJnczkEVeNvw8lG3o94APNVilZPRSJB_77Aia-v7oIbwHfQN3MJvhWpzsx2H7n7QE3IzguTP4pvIgp-e12dr87TkUIo2T1fI7nnzcs/s1600/2016-07-13Filateli.JPG&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;474&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjCv5rdRpX9DfZmt0fknHhQsF12RzhTTWS58-uzJnczkEVeNvw8lG3o94APNVilZPRSJB_77Aia-v7oIbwHfQN3MJvhWpzsx2H7n7QE3IzguTP4pvIgp-e12dr87TkUIo2T1fI7nnzcs/s640/2016-07-13Filateli.JPG&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.8px;&quot;&gt;Ahmet
Dogan Ataman and Halil Tekiner &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.8px;&quot;&gt;presented a
poster communication entitled “A Philatelic History of Portuguese Pharmacy” &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.8px;&quot;&gt;at the 2nd Portuguese International
Congress of Interdisciplinary History of Health (14 July 2016, Coimbra).&lt;/span&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkqBVxpCZSCPAxYSUZ81RK4-Nmy2kDnywK1wGUGUSE-d1PJohdSorzjTTb3zgnPLaod7YaI0R_aFTcCMRwyT7QnYEA_h-EDd0EL7qtBCXXguc4S8Yo41qvlVNHdd-3Q9qGO0M_JGMsPdQ/s1600/2016MatExhibition.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkqBVxpCZSCPAxYSUZ81RK4-Nmy2kDnywK1wGUGUSE-d1PJohdSorzjTTb3zgnPLaod7YaI0R_aFTcCMRwyT7QnYEA_h-EDd0EL7qtBCXXguc4S8Yo41qvlVNHdd-3Q9qGO0M_JGMsPdQ/s640/2016MatExhibition.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.8px;&quot;&gt;A
photo taken at the history of pharmacy &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.8px;&quot;&gt;exhibition entitled “Pharmacy from Past to Present,” based
on historical objects selected from the Istanbul University History of Pharmacy
collection.&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.8px;&quot;&gt; Prof.
Mat and rector of the Istanbul University visit the exhibition (1 April 2016,
Istanbul).&lt;/span&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm67U-dEP6KA-ljQBtXlRPbdK4N8odC6LMPOke1UKMfnYpCRUyf2C7mIFPYbXsyWMMqMQkLsrYD3loh24F1Le1MVc6Br5Kziq2iHLzzAtW7eXNSI6FCvBbeYmfjisytWAdjpeIf3ilyoo/s1600/2016TETT12Eskisehir.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;382&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm67U-dEP6KA-ljQBtXlRPbdK4N8odC6LMPOke1UKMfnYpCRUyf2C7mIFPYbXsyWMMqMQkLsrYD3loh24F1Le1MVc6Br5Kziq2iHLzzAtW7eXNSI6FCvBbeYmfjisytWAdjpeIf3ilyoo/s640/2016TETT12Eskisehir.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;12th
Biannual National Conference on the History of Turkish Pharmacy was held at the
Anadolu University Faculty of Pharmacy (3 June 2016, Eskisehir).&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;text-align: justify; text-indent: -24px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/1067332519045335846/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2017/01/tetag-annual-report-2016.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/1067332519045335846'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/1067332519045335846'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2017/01/tetag-annual-report-2016.html' title='TETAG Annual Report (2016)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWU8NqGpHNY7NtxBtSu_WBHWh5JdBaJYImXBjyO0e3-oNdXe9jQBpGa89rUwzyP99mqYScbF1PfB-YhS3yFPO8MlpH7URoOxqFsKFHIJN6Cv3NaJuN-6GXKMApkIFACOsWvclYlfPbFnE/s72-c/logo+beyaz.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-5891814629025883033</id><published>2016-02-07T12:44:00.001-08:00</published><updated>2016-02-07T12:49:50.065-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2015"/><category scheme="http://www.blogger.com/atom/ns#" term="Afife Mat"/><category scheme="http://www.blogger.com/atom/ns#" term="AIHP"/><category scheme="http://www.blogger.com/atom/ns#" term="Congress"/><category scheme="http://www.blogger.com/atom/ns#" term="Cyprus"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="Harvard Medical School"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="ICHP"/><category scheme="http://www.blogger.com/atom/ns#" term="ISHP"/><category scheme="http://www.blogger.com/atom/ns#" term="Istanbul"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmaceutical history"/><category scheme="http://www.blogger.com/atom/ns#" term="Turkey"/><title type='text'>TETAG Annual Report (2015)</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVFImuwSV3L4kLNV54ecLfrB7En9XJBKq1Vqe2Lywhm5N2BUajx3N3TktVl-Q0liaKVq16SK2LUwqReTYTOpoIYUadeTHvUcuaDmcwl_mbqb8AHACM4dt5j43pkd4XeZC2bypt6Tx0jVY/s1600/logo+beyaz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;185&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVFImuwSV3L4kLNV54ecLfrB7En9XJBKq1Vqe2Lywhm5N2BUajx3N3TktVl-Q0liaKVq16SK2LUwqReTYTOpoIYUadeTHvUcuaDmcwl_mbqb8AHACM4dt5j43pkd4XeZC2bypt6Tx0jVY/s200/logo+beyaz.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;In
terms of Turkish history of pharmacy, the year 2015 was truly international,
with many scientific visits abroad and an international congress organized in
Turkey.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;During
his summer-term appointment as a visiting assistant professor at Harvard
Medical School in Boston, MA, Dr. Halil Tekiner visited the American Institute
of the History of Pharmacy (AIHP) and the University of Wisconsin-Madison
between July 27&lt;sup&gt;th&lt;/sup&gt; and 31&lt;sup&gt;st&lt;/sup&gt;, 2015, which was supported by
a grant from the Sonnedecker Visiting Scholar Program. On July 29&lt;sup&gt;th&lt;/sup&gt;,
he gave a presentation entitled “One hundred years of the history of pharmacy
studies in Turkey” at the University of Wisconsin School of Pharmacy and discussed
the subject with the faculty.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;TETAG
organized the 42&lt;sup&gt;nd&lt;/sup&gt; International Congress for the His&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;tory of
Pharmacy (ICHP) between September 8&lt;/span&gt;&lt;sup style=&quot;line-height: 107%;&quot;&gt;th&lt;/sup&gt;&lt;span style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt; and 11&lt;/span&gt;&lt;sup style=&quot;line-height: 107%;&quot;&gt;th&lt;/sup&gt;&lt;span style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt; at the
Istanbul University Convention Center. Considering Turkey’s special location
astride Asia and Europe, the main theme of this congress had been decided as
“Pharmaceutical Knowledge Exchange between East and West.” A total of 217
participants from around 30 counties participated in this congress, where 5
plenary lectures, 79 oral presentations and 47 poster presentations were
presented (abstracts are available online at
https://sites.google.com/site/42ichpistanbul/home). 28 participants from Turkey
attended the congress and presented 10 oral and 13 poster presentations. As
part of scientific excursions offered during the congress, participants were
able to visit the Istanbul University Turkish History of Pharmacy Museum, the
Herbarium of the Faculty of Pharmacy of Istanbul University, the Suleymaniye
Manuscripts Library, and the Bayezid II Museum of Turkish Bath Culture.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;On
September 9&lt;sup&gt;th&lt;/sup&gt;, Prof. Dr. Afife Mat became a member of the
International Academy for the History of Pharmacy and was awarded the
Schelenz-Plakette, given by the German Society for the History of Pharmacy. A
day later, H. Tekiner was elected the vice president of the International
Society for the History of Pharmacy (ISHP).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;On
November 5&lt;sup&gt;th&lt;/sup&gt; and 6&lt;sup&gt;th&lt;/sup&gt;, A. Mat gave a lecture entitled “The
history of the serpent figure as a pharmaceutical symbol” at the Faculties of
Pharmacy at the Eastern Mediterranean University in Famagusta and Cyprus
International University in Lefkosa. On November 20&lt;sup&gt;th&lt;/sup&gt;, she also gave
a talk entitled “From the Aztecs to the Present: The Medicinal Importance of
Chocolate” in Ankara.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;On
November 30&lt;sup&gt;th&lt;/sup&gt;, A. Mat received the Golden Mortar Distinguished
Service Award, and H. Tekiner received the Golden Mortar History of Pharmacy
Award in Istanbul. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;The
12&lt;sup&gt;th&lt;/sup&gt; National Conference on the History of Turkish Pharmacy will be
held on June 1&lt;sup&gt;st&lt;/sup&gt; through 3&lt;sup&gt;rd&lt;/sup&gt;, 2016, in Eskisehir
(http://tett2016.anadolu.edu.tr/).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt; line-height: 107%;&quot;&gt;Selected
publications from 2015 were as follows:&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;line-height: 17.12px;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Aktas, Yesim., Yenice, Irem., et al., “Amphiphilic cyclodextrins as enabling
excipients for drug delivery and for decades of scientific collaboration:
Tribute to a distinguished scientist, French representative and friend - A
historical perspective,” &lt;/span&gt;&lt;i style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Journal of Drug Delivery Science and
Technology&lt;/i&gt;&lt;span style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;, 30, (2015):261-265.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Elmali, Ferhat., Staiger, Christiane., Tekiner, Halil. “&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Can pharmaceutical history courses contribute in
building future pharmacy leaders? A preliminary study from Erciyes University,
Turkey,” &lt;i&gt;Pharmazie&lt;/i&gt;, 70(11), (2015): 753-754.&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;&lt;span style=&quot;font-size: 7pt; font-stretch: normal;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Sezer, Melih Ziya. &lt;i&gt;Yeni Moda Eczanesi – Kurulusu: 1902
(The Yeni Moda Pharmacy – Founded in 1902)&lt;/i&gt;. Istanbul: Bilim Ilac, 2015.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;background: white; font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Tekiner, Halil. &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;“&lt;span style=&quot;background: white;&quot;&gt;One hundred years of the history of pharmacy studies
in Turkey,&lt;/span&gt;”&lt;span style=&quot;background: white;&quot;&gt; &lt;i&gt;Pharmazie&lt;/i&gt;, 70(2),
(2015): 139-144.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-size: 10pt;&quot;&gt;Tekiner, Halil. “Tekiner
     reports on his AIHP visit,” &lt;/span&gt;&lt;i style=&quot;font-size: 10pt;&quot;&gt;Pharmacy in History&lt;/i&gt;&lt;span style=&quot;font-size: 10pt;&quot;&gt;, 57(1-2), (2015):
     30-31.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Tekiner, Halil. “&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Turhan
Baytop (1920&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;symbol&amp;quot;; font-size: 10pt; text-indent: -21.25pt;&quot;&gt;-&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;2002): a pioneer historian of pharmacy from Turkey,” &lt;i&gt;Journal of
Medical Biography&lt;/i&gt;, (2015), published online: October 28, 2015.&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; text-indent: -21.25pt;&quot;&gt;Tekiner, Halil., Ulu, Ahmet. “The historical evolution of the
Turkish pharmaceutical legislation from 1852 to the present,” &lt;i&gt;Farmacia&lt;/i&gt;,
63(4), (2015): 619-622.&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/5891814629025883033/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2016/02/tetag-annual-report-2015.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/5891814629025883033'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/5891814629025883033'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2016/02/tetag-annual-report-2015.html' title='TETAG Annual Report (2015)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVFImuwSV3L4kLNV54ecLfrB7En9XJBKq1Vqe2Lywhm5N2BUajx3N3TktVl-Q0liaKVq16SK2LUwqReTYTOpoIYUadeTHvUcuaDmcwl_mbqb8AHACM4dt5j43pkd4XeZC2bypt6Tx0jVY/s72-c/logo+beyaz.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-8760838024329630573</id><published>2016-01-02T03:22:00.003-08:00</published><updated>2016-01-02T03:55:45.071-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Congress"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="ICHP"/><category scheme="http://www.blogger.com/atom/ns#" term="International Congress of the History of Pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="ISHP"/><category scheme="http://www.blogger.com/atom/ns#" term="Istanbul"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmaceutical congress"/><category scheme="http://www.blogger.com/atom/ns#" term="Turkey"/><title type='text'>42nd International Congress for the History of Pharmacy (8-11 September 2015, Istanbul, Turkey)</title><content type='html'>The 42nd International Congress for the History of Pharmacy ( 42. ICHP) was held between 8-11 September 2015 in Istanbul, Turkey. Considering Turkey&#39;s special location astride Asia and Europe, main theme of the congress was &quot;Exchange of Pharmaceutical Knowledge between East and West.&quot; A total of 215 participants from more than 30 countries attended the congress. Below is the scientific programme, and for those interested in reading the abstracts of the communications, abstract booklet can also be downloaded &lt;a href=&quot;https://drive.google.com/file/d/0Byb9ORHhXKhTZmQ2R1g1STcyS1U/view?usp=sharing&quot;&gt;here&lt;/a&gt;.&lt;br /&gt;
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Some of the participants of the 42. ICHP, 11 September 2015, Istanbul&lt;/div&gt;
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Participants visiting the Suleymaniye Library of Manuscripts, 9 September 2015, Istanbul&lt;/div&gt;
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&lt;div style=&quot;text-align: center;&quot;&gt;
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&lt;b&gt;SCIENTIFIC PROGRAMME&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
9 September 2015&lt;br /&gt;
&lt;br /&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;4&quot; cellspacing=&quot;2&quot; style=&quot;background-color: #e7d398; color: black; font-family: Roboto; font-size: 13px; width: 100%px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Bruno Bonnemain&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;15%&quot;&gt;&lt;strong&gt;09.00 - 09.30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;PL1&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Olivier Lafont&amp;nbsp; - &amp;nbsp;The Greek Science at the Center of Dialogue between&amp;nbsp;East and West&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;09.45 - 10.45&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Bruno Bonnemain&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall B&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Halil Tekiner&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall C&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: François Ledermann&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;09.45 - 10.00&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL14&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Nina Aldin Thune&lt;/u&gt;&lt;br /&gt;
Cosmas and Damian, the medical saints from the east&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 26&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Michail Lefas&lt;/u&gt;&lt;br /&gt;
The Use Of Helleborus In Mental And Emotional Disorders From Antiquity Up To Modern Times&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 63&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Jelena Manojlović&lt;/u&gt;, Dušanka Krajnović&lt;br /&gt;
The art of pharmaceutical care. Influence of the Habsburg Monarchy and the Ottoman Empire on the skills and doctrine in countries of South - Eastern Europe in the period from the 16th to the 18th century. A comparative analysis&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;10.00 - 10.15&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 24&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Anita Maria Magowska&lt;/u&gt;&lt;br /&gt;
Hygeia, the patron of pharmacy, in European cityscapes today&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 41&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Dimitrios Kokkinakis&lt;/u&gt;&lt;br /&gt;
Chios mastic(ha) tree pharmaceutical preparations and oral cavity problems. Past and future&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 68&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Natalia Bachour&lt;/u&gt;&lt;br /&gt;
Exchange of Pharmaceutical Knowledge on Antisyphilitica Between East and West in the Sixteenth and Seventeenth Century&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;10.15 - 10.30&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 27&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Maximilian Haars&lt;/u&gt;, Sabine Anagnostou&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;
Did Galen of Pergamum (A.D. 129 – ca. 216) know the Powers of Cardiac - glycoside - based Drugs?&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 59&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Iwona Arabas&lt;/u&gt;, Shoji Asada&lt;br /&gt;
Medicinal and magical plants in Polish studies of the Ainu culture&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 72&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Bożena Płonka Syroka&lt;/u&gt;, Agnieszka Kaźmierczak Humoral Therapy of Selected Diseases in the Concept of Polish Authors at the Turn of 18th and 19th Century – Ludwik Perzyna and Leopold Lafontaine&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;10.30 - 10.45&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 49&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Arman Zargaran&lt;/u&gt;, Afshin Borhani Haghighi, Pouya Faridi, Saeid Daneshamouz, Abdolali Mohagheghzadeh&lt;br /&gt;
From the history to current medicine: Reformulation of historical traditional chamomile oil as pain relief in patients with migraine without aura&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 60&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Célia Cabral,&amp;nbsp;&lt;em&gt;João Rui Pita&amp;nbsp;&lt;/em&gt;&lt;/u&gt;&lt;br /&gt;
The &quot;Simples&quot; of Garcia de Orta in the Historico-Pharmaceutical Heritage of the University of Coimbra (Portugal)&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 62&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
Klaus Koch,&amp;nbsp;&lt;u&gt;Peter W. Gorski&lt;/u&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;
Knowledge Transferal by Field Post between Turkey and Germany During the World War I&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br style=&quot;background-color: #e7d398; font-family: &#39;Roboto Condensed&#39;; font-size: 14px;&quot; /&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;4&quot; cellspacing=&quot;2&quot; style=&quot;background-color: #e7d398; color: black; font-family: Roboto; font-size: 13px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;15%&quot;&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Olivier Lafont&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall B&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Yusuf Öztürk&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall C&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Afife Mat&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;11:15 : 11:30&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 12&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Yohko Natsume&lt;/u&gt;Haritaki in Buddhist Treatise on Ancuent Indian Pharmacy&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 11&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Mary Schaeffer Conroy&lt;/u&gt;The Imperial Russian and Soviet Pharmaceutical Industries: Cross-fertilization West and East, 1850s-1950s&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 67&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Cecilio Venegas Fito&lt;/u&gt;, Rocío Ruiz Altaba, Antonio Ramos Carrillo&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;Le voyage de la Turquie: 1557&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;11:30 - 11:45&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 17&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Stuart Anderson&lt;/u&gt;East to West: The Integration of Indian Medicinal Plants into British Pharmacy Practice 1841-1932&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 40&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Juris Salaks&lt;/u&gt;The results of the ISHP research fellow grant &quot;The operations of F:Hoffmann-La Roche in Russia from 1896 until 1920&quot;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 32&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ivan Ricordel&lt;/u&gt;Les pharmaciens de la Guerre d&#39;Orient 1854-1856&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;11:45 - 12:00&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 01&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Patrick Chiu&lt;/u&gt;The Beginngs of Western Pharmacy in Colonial Hong Kong, 1841-1940&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 46&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ramunas Kondratas&lt;/u&gt;The Beginnings of Modern Biotechnology in Lithuania&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 37&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Michèle Nicolas&lt;/u&gt;Pharmacies et Pharmaciens d&#39;Autrefois à Istanbul&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;12:00 - 12:15&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 54&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;K Hüsnü Can Başer&lt;/u&gt;, Neşe Kırımer&lt;br /&gt;
The History of Lityazol Cemil, A Herbal Remedy for Kidney Stones&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 25&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Bjarne Gudmund Thune&lt;/u&gt;What happened to the protected pharmacy interiors of Norway?&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 04&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Bruno Bonnemain&lt;/u&gt;La Faculté de Pharmacie de Beyrouth: un pont entre l’Orient et l’Occident de 1888 à nos jours&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br style=&quot;background-color: #e7d398; font-family: &#39;Roboto Condensed&#39;; font-size: 14px;&quot; /&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;4&quot; cellspacing=&quot;2&quot; style=&quot;background-color: #e7d398; color: black; font-family: Roboto; font-size: 13px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Axel Helmstaedter&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;15%&quot;&gt;&lt;strong&gt;14:00 - 14:30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;PL2&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
Sabine Anagnostou&amp;nbsp; -&amp;nbsp; From East to West: Creation, Transmission and Developement of&amp;nbsp; Phytopharmaceutical Knowledge over the Centuries&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Axel Helmstaedter&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall B&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Hüsnü Can Başer&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall C&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Alain Legrand&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;14:45 - 15:00&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 22&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Szabolcs Dobson&lt;/u&gt;, Zsuzsa Molnár&lt;br /&gt;
Experiences with the new website of the Hungarian Society for the History of Pharmacy&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 28&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ingrid Lux&lt;/u&gt;Casanova as Knowledge Vehicle between Constantinople and Venice&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 05&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Bruno Bonnemain&lt;/u&gt;Les publicités pharmaceutiques en France et l’Orient au XXe siècle&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;15:00 - 15:15&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 71&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Yusuf Öztürk&lt;/u&gt;A Virtual Historical Museum: The Case of Historical Sihhat Pharmacy (Tarihi Sihhat Eczanesi) in the Faculty of Pharmacy of Anadolu University&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 30&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Evelien Jan Jozef Michelline Vanden Berghe&lt;/u&gt;&lt;br /&gt;
The ‘Cruydthalle’ in Bruges, a meeting point of herb traders&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 10&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Joëlle&amp;nbsp; Ricordel&lt;/u&gt;La présentation du projet d&#39;équipe d&#39;un «dictionnaire historique de la langue scientifique arabe&quot;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;15:15 - 15:30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 77&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ina Schwarzer&lt;/u&gt;&amp;nbsp;, Michael W Moennich&lt;br /&gt;
The German Pharmaceutical Central Library&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 48&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Vilma Gudiene&lt;/u&gt;Oriental herbs and their prices in Lithuanian pharmacy during the first half of the nineteenth century&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 65&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Giorgio Du Ban&lt;/u&gt;Itineraire Historique-Pharmaceutique-Litteraire dans le Monde du Vin&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;15:30 - 15:45&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 19&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Frederik Vongehr&lt;/u&gt;Pharmacy beyond the Final Frontier: “Star Trek” between Science Fiction, Forecast and Science Fact&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 53&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Maria Luisa De Andrés Turrión&lt;/u&gt;Disinfection and autarky in the Spanish army during the first years of Franco’s dictatorship (1939-1945). Official reports of the Central Military Laboratory of Pharmacy on use of &quot;DDT&quot; and &quot;HCH 666&quot;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;b&gt;10 September 2015&lt;/b&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Stuart Anderson&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;15%&quot;&gt;&lt;strong&gt;09:00 - 09:30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;PL3&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
Gregory Higby -&amp;nbsp; American Pharmacy and the Orient: The Example of Ginseng&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Angelo Beccarelli&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall B&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Sabine Anagnostou&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall C&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Michèle Nicolas&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;11:00 - 11:15&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 47&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Şeref Etker&lt;/u&gt;Dr.pharm. T.C. Ladakis (1876-1947), historian of pharmacy of The Levant&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 52&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Holger Goetzendorff&lt;/u&gt;, Andrea Ludwig&lt;br /&gt;
Stand die Wiege der Waage in Sumer? Kulturgeschichte von Gewichten und Waagen&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 15&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Alain Legrand&lt;/u&gt;La diététique: d&#39;Hippocrate au régime méditerranéen&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;11:15 - 11:30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 31&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Gunvor Solheim&lt;/u&gt;Tycho Brahe as physician and alchemist&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 70&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Fatma Henden&lt;/u&gt;De Materia Medica, Pedanius Dioscorides&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 09&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Yves Lehmann&lt;/u&gt;, Hélène Lehmann&lt;br /&gt;
Dioscoride, passeur de la tradition pharmaceutique gréco-orientale&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;11:30 - 11:45&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 50&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
Eleni Skaltsa,&amp;nbsp;&lt;u&gt;Nikolaos Kolman&lt;/u&gt;“Heybeliada Halk Eczanesi”. The last Greek Pharmacy in Istanbul&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 43&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Elias Valiakos&lt;/u&gt;Das Dynameron des Nikolaos Myrepsos (13. Jh.): Einfluesse und Auswirkungen&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 56&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
Eleni Skaltsa,&amp;nbsp;&lt;u&gt;George Savvits&lt;/u&gt;, Nikolaos&lt;br /&gt;
Kolman&lt;br /&gt;
Une approche pharmacognostique des composants du Saint Chrême (dans l&#39; Église Orthodoxe Orientale)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;11:45 - 12:00&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;br /&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 35&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Barbara Rumpf Lehmann&lt;/u&gt;Kaffee, heiß wie die Hölle, schwarz der Teufel!&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 76&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ilter Uzel&lt;/u&gt;Les Drogues Odonto-stomatologiques dans le Codex lE Vındebonensıs 93: Un Manuscrit Medıcal Illustré du 13ème siècle&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Olivier Lafont&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;15%&quot;&gt;&lt;strong&gt;13:30 - 14:00&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;PL4&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
Angelo Beccarelli -&amp;nbsp; Constantin the African: the Master of East and West&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Christa Kletter&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall B&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Christiane Staiger&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall C&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Eleni Skaltsa&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;14:15 - 14:30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 61&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Wouter Klein&lt;/u&gt;Shifts in the Acculturation of Peruvian Bark in Science and Society: An Innovative Approach for Research on Early Modern Exotic Drugs&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 39&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Christoph Friedrich&lt;/u&gt;Briefe eines Gesandtschaftsarztes in Konstantinopel an einen Erfurter Apotheker&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 75&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Andrzej Syroka&lt;/u&gt;, Łukasz Braun&lt;br /&gt;
The Impact of External Factors on Legal and Economic Aspects of Functioning of Silesian Pharmacies in XVII and XVIII Centuries&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;14:30 - 14:45&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 38&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Hanna Uchino&lt;/u&gt;The Purple Gift from a White Flower Called Murasaki in Japan&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 34&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ilse Denninger&lt;/u&gt;The pharmacy sector in post-war Germany the example of two pharmacies in Baden&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 45&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Kiichiro Tsutani&lt;/u&gt;Upton Sinclair&#39;s influence to Japanese drug regulatory policy change in 1909&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;14:45 - 15:00&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 03&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Liliana Schifter&lt;/u&gt;, Patricia Aceves&lt;br /&gt;
Chemistry and Pharmacology of medicinal plants in XIXth century Mexico&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 18&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Michael W Moennich&lt;/u&gt;Die Auflösung der Pharmazie in Stuttgart und die Gründung eines Pharmazeutischen Instituts in Tübingen 1935 bis 1953&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 21&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
László Szmodits,&amp;nbsp;&lt;u&gt;Szabolcs Dobson&lt;/u&gt;Antisemitic Laws, Holocaust and Pharmacy in Hungary, 1938-1945&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;15:00 - 15:15&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 06&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Mariana Ortiz Reynoso&lt;/u&gt;, Patricia Elena Aceves Pastrana&lt;br /&gt;
Opiates in Mexico: products, uses and American substitutes (1846-1930)&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 64&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Burcu Şen&lt;/u&gt;Deutsch-Türkische Beziehungen in der Pharmazie&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 36&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Sabīne Lauze&lt;/u&gt;, Baiba Mauriņa, Venta Šidlovska&lt;br /&gt;
Latvian pharmacist activities in the Latvian Red Cross organization during exile in Germany (1945-1968)&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;
11 September 2015&lt;br /&gt;
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&lt;div id=&quot;tab-3-icerik&quot;&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;4&quot; cellspacing=&quot;2&quot; style=&quot;font-family: Roboto; font-size: 13px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Alain Legrand&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;17%&quot;&gt;&lt;strong&gt;09:00 - 09:30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;6&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;PL5&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
Afife Mat&amp;nbsp; - Al-Biruni, Un savant qui a Marqué son Siècle&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;29%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Gregory Higby&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;26%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall B&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Christoph Friedrich&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot; width=&quot;28%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall C&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman:&amp;nbsp; Joelle Ricordel&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;09:45 - 10:00&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 78&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Mehrnaz Katouzian-Safadi&lt;/u&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;
Drug therapy and Rhazes (865 – 925): cultural heritage and innovation&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 16&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ahmet Dogan Ataman&lt;/u&gt;, Inci Hot&lt;br /&gt;
Die Bedeutung von Babürnâme in Bezug auf Botanik-Geschichte und Pharmakognosie&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 58&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ana Carată&lt;/u&gt;, Constanţa Rizescu, Mihai Stănescu&lt;br /&gt;
Témoignages sur les relations internationales pharmaceutiques des roumans au fil du temps&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;10:00 - 10:15&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 51&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
Elias Valiakos, Marios Marselos, Nikolaos Sakellaridis, Theophanis Constantinidis,&lt;u&gt;Eleni Skaltsa&lt;/u&gt;On the Medicines of the Element Alpha in the Nikolaos Myrepsos&#39; Dynameron&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 13&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Marina Franziska Bisping&lt;/u&gt;, Sabine Anagnostou&lt;br /&gt;
GETREIDE – EIN UNTERSCHÄTZTES HEILMITTEL? Traditionelle Anwendungen von Feldfrüchten am Beispiel von Dinkel und Weizen sowie ihre heilenden Eigenschaften in unserer Zeit&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 08&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Rengin Dramur&lt;/u&gt;La pratique de la Pharmacie et de la Médecine au 19 ème siecle aux palais de l’Empire Ottoman’&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;10:15 - 10:30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 66&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Klaus Koch&lt;/u&gt;, Peter W. Gorski&lt;br /&gt;
The Spread of Medical Knowledge in Europe with the Cult of Saint Pantaleon Since the 4th Century&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 23&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Inci Hot&lt;/u&gt;, Ahmet Dogan Ataman&lt;br /&gt;
Drogen gegen Syphillis Bekämpfung in der Türkei&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 29&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;P. Ruiz Vega&lt;/u&gt;&amp;lt;&amp;lt; L’opiata de Masdevall &amp;gt;&amp;gt; et &amp;lt;&amp;lt; Le Theriaca Magna &amp;gt;&amp;gt; de Fray Francisco Gutierrez, Professeur de Pharmacie de L’hôpital de San Juan de Dios de Cadix, Conformément à la Documentation de L’acadèmie Royale de Mèdecine et Chirurg&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
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&lt;table border=&quot;0&quot; cellpadding=&quot;4&quot; cellspacing=&quot;2&quot; style=&quot;font-family: Roboto; font-size: 13px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;17%&quot;&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;29%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall A&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Emine Akalın&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;26%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall B&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Feza Günergun&lt;/strong&gt;&lt;/td&gt;&lt;td align=&quot;center&quot; bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot; width=&quot;28%&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #8c2119;&quot;&gt;Hall C&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Chairman: Arman Zargaran&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;11:00 - 11:15&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 69&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Ayşe Mine Gençler Özkan&amp;nbsp;&lt;/u&gt;&lt;br /&gt;
Eleusinian Mysteries: A Pharmaceutical Approach&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 74&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Mateusz Dąsal Dąsal&lt;/u&gt;From Popularization to Penalization. Socio-cultural Factors of Success and Downfall of Psychoactive Substances in the Late Nineteenth and Early Twentieth Century&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 44&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Paulina Oszajca&lt;/u&gt;Prospero Alpino&#39;s Treatise on Egyptian theriac as an example of differences between Eastern and Western theriac preparations&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;11:15 - 11:30&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 07&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Stefanie Boman Degen&lt;/u&gt;, Christoph Friedrich&lt;br /&gt;
Walther Zimmermann (1890–1945) and the scientific analysis of plant archives&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 57&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Jan Babica&lt;/u&gt;, Ladislav Svatos, Ladislava Valaskova&lt;br /&gt;
Coffee - an Oriental Crop as a Drug in Early Modern Europe&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 73&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Aleksandra Szlagowska&lt;/u&gt;Paracelsus Teachings about Signatures and Their Elements in Polish Folk Medicine&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;11:30 - 11:45&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 20&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Axel Helmstaedter&lt;/u&gt;Ethnopharmacological information from&amp;nbsp; the botanical correspondence of Berthold Seemann (1825 - 1871) – a pilot study&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 42&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Maher Memarzadeh, Ph. D.&lt;/u&gt;HOW TOBACCO BECAME A CASH CROP: Exchange of Pharmaceutical Knowledge Between East and West&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 33&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Kerstin Grothusheitkamp&lt;/u&gt;, Sabine Anagnostou, Christoph Friedrich&lt;br /&gt;
Poison Hemlock (&lt;em&gt;Conium maculatum&lt;/em&gt;&amp;nbsp;L.) in the Homeopathic Treatment of Cancer&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;11:45 - 12:00&lt;/strong&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 02&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Nanno Bolt&lt;/u&gt;Apothecary clothing in time of the Burgundian State. Inspired by the East?&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;br /&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#e9d39a&quot; valign=&quot;top&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #936420;&quot;&gt;SL 79&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;u&gt;Halil Tekiner&lt;/u&gt;Pharmacy Ethics in Turkey: A Historical Perspective&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;/div&gt;
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&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;20&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;h1 style=&quot;background: url(&amp;quot;images/h1.png&amp;quot;) no-repeat rgb(231, 211, 152); font-family: &#39;Roboto Condensed&#39;; font-size: 16px; padding: 5px 0px 10px 10px;&quot;&gt;
PLENARY LECTURES&lt;/h1&gt;
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&lt;span style=&quot;font-family: Roboto; font-size: 13px;&quot;&gt;&lt;strong&gt;Sabine Anagnostou: ‘’From East to West: Von Ost nach West: Bildung, Übermittlung und Entwicklung des phytopharmazeutischen Wissens über die Jahrhunderte”&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Since antiquity, the forming of phytopharmaceutical knowledge was intensely influenced by the mutual exchange between East and West, by traveling and trading via the old trade routes like the Silk Road or the Incense Road, and by scientific exploration and exchange. This intense exchange has determined the continuous development of the European Materia medica significantly. The tradition in Europe is built by the antique Greek authors like Dioscurides, followed by Byzantine scholars and medieval Arabian and finally the European scientists. The Arabian scholars played an imminent role in the transmission of phytopharmaceutical knowledge. By receiving, translating and adapting the antique texts, they preserved the scientific heritage and enriched it by their own skilled studies. The works of the Islamic-Arabian authors like Rhazes and Ibn Sina translated into Latin built then an essential column in the recovery and development of the phytopharmaceutical knowledge in the Latin Middle Age after the Barbarian migration and also contributed significantly to the forming of the academic medicine at the medieval universities leading to the development of modern medicine and pharmacy which still nowadays shows traces of the Arabian expertise. This tradition was continued by the famous renaissance herbals, and added in the following centuries by comprehensive works about exotica from East and West, finally leading to the academic discipline of modern Pharmacognosy. At the same time, medicinal plants which were given up by the academic sciences, survived in the folkloric medicine of many regions. This knowledge and experience of generations about the uses of medicinal plants is laid down in an abundance of historical sources which waits to be explored by the history of pharmacy. By the example of the history of frankincense in comparison to modern studies concerning its efficacy, it can be shown that the exchange of knowledge between East and West formed persistent traditions in evidence-based uses of medicinal plants and their products which can be evaluated by the international collaboration of history of pharmacy and the other pharmaceutical sciences for the development of new remedies.&lt;/span&gt;&lt;/div&gt;
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&lt;strong class=&quot;minibaslik&quot; style=&quot;color: #9e0524; font-family: &#39;Roboto Condensed&#39;, Tahoma, Geneva, sans-serif; font-size: 15px;&quot;&gt;Gregory Higby:&amp;nbsp;&amp;nbsp; “American Pharmacy and the Orient:&amp;nbsp; The Example of Ginseng”&lt;/strong&gt;&lt;/div&gt;
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The story of American ginseng and its trade in Asia continues to fascinate us today.&amp;nbsp; First described botanically in 1716 by French missionary J. F. Lafitau in Quebec,&amp;nbsp;&lt;em&gt;Panax quinquefolius&lt;/em&gt;, L., was little used or valued by Native Americans.&amp;nbsp; European colonists and their descendants valued it even less medicinally, leaving it out of pharmacopeias and dispensatories.&amp;nbsp; However, Americans soon found that ginseng possessed great value in Asian markets and they gathered ginseng roots by the millions, nearly extirpating the plant by 1900.&amp;nbsp; This presentation will explore the history of American ginseng with a focus on its collection in the wild, special&amp;nbsp;legal status,&amp;nbsp;eventual cultivation, and trade over three centuries.&amp;nbsp;&amp;nbsp;&lt;/div&gt;
&lt;hr align=&quot;JUSTIFY&quot; style=&quot;background-color: #e7d398; font-family: &#39;Roboto Condensed&#39;; font-size: 14px;&quot; /&gt;
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&lt;strong class=&quot;minibaslik&quot; style=&quot;color: #9e0524; font-family: &#39;Roboto Condensed&#39;, Tahoma, Geneva, sans-serif; font-size: 15px;&quot;&gt;Olivier Lafont: “The Greek Science at the Center of Dialogue between East and West”&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;Greek science in the centre of the Dialogue between Orient and Occident&lt;/strong&gt;.&lt;br /&gt;
Most pre-Socratic Greek philosophers originated from Ionia, in Minor Asia, where Achaeans had been installed since the 11th century B.C. During the Age of Pericles, Empedocles of Agrigento, in Sicily, Leucippus and Democritus from Abdera, Anaxagoras of Clazomenae, active in Athens, and Socrates in Athens also took aver philosophy and science in Continental Greece.&amp;nbsp; Plato, Socrates’ disciple and founder of Academia, and his own disciple Aristotle, founder of the Lyceum, and his pupils, such as Theophrastus of Eresos, followed them. In the area of medicine and pharmacy, Hippocrates of Cos and his disciples and followers redacted between 450 and 300 B.C., what is known as Hippocratic corpus. Then came Galen from Pergamum who completed the theory of Humours, during the second century. Nestorian Christians, considered as heretical in the Byzantine Empire, were accepted in Sassanid Persia and carried Greek culture with them. After Arabic conquest and Baghdad City creation, in 762, they translated Hippocratic corpus in Arabic language so that Hippocratico-Galenic theory could pass in Arabic-Muslim world. It was then developed by Al-Kindi in Baghdad, Ibn Al-Jazzar in Kairouan, Razes or Avicenna, both Persians. The 11th and the 12th centuries were characterised by Latin translations, by Constantine the African in Monte-Cassino, Gerard of Cremona or Mark of Toledo. The School of Salerno created then the conditions for the fusion of Greek, Arabic and Jewish medicines.&lt;br /&gt;
The creation of modern science from Greek philosophy was a consequence of a permanent dialogue between Orient and Occident.&lt;/div&gt;
&lt;hr align=&quot;JUSTIFY&quot; style=&quot;background-color: #e7d398; font-family: &#39;Roboto Condensed&#39;; font-size: 14px;&quot; /&gt;
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&lt;strong class=&quot;minibaslik&quot; style=&quot;color: #9e0524; font-family: &#39;Roboto Condensed&#39;, Tahoma, Geneva, sans-serif; font-size: 15px;&quot;&gt;Angelo Beccarelli:&amp;nbsp; “Constantin the African: The master of East and West”&lt;/strong&gt;&lt;/div&gt;
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Pour toute une série de coincïdences favorables, la pensée scientifique médicale, à l&#39;époque du Moyen-Age, se développa dans une ville comme Salerno, centre stratégique de la Méditerranée de commerces et d&#39;échanges parmi des cultures différentes.&lt;br /&gt;
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Pendant les siècles X et XI des savants bien érudits et polyglottes comme Gherardo da Tolède et Constantin l&#39;Africain à Salerno, contribuèrent au développement des connaissances médicales en traduisant du grec, de l&#39;arabe et de l&#39;hébraïque soit des textes déjà connus comme ceux de Galène et d&#39; Ippocrate, que des textes de savants, surtout arabes, qui, jusqu&#39;alors étaient ignorés dans le monde occidental.&lt;br /&gt;
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L&#39;Ecole de Médecine de Salerno fut le terrain le plus fertile et le plus prompt à accueillir et à englober des traditions, des tendances et des cultures différentes, elle fut en effet un des plus importants centres européens d&#39;échange, de confrontation et de développement des différentes théories scientifiques-médicales-philosophiques occidentales et orientales, du temps passé et du présent.&lt;br /&gt;
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Le personnage le plus représentatif de cette période est surtout Constantin l&#39;Africain, un homme très cultivé à la vie aventureuse et mystérieuse qu&#39;il avait passée en voyageant en Orient, en Egypte, en Perse, aux Indes où il apprit des connaissances énormes. L&#39;histoire et les détails de sa vie et de son oeuvre nous sont donnés soit par la biographie de Pietro Diacono, un moine de Montecassino où il vécut pendant plusieurs années de sa vie, soit par des manuscrits gardés dans le monastère.&lt;br /&gt;
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L&#39;oeuvre de Constantin est fondamentale juste parce qu&#39;il fut le premier à faire connaitre en Europe les grandes o euvres classiques de la médecine arabe dont les indications et les théories furent acceptées sans traumatisme par les intellectuels occidentaux.&lt;br /&gt;
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Sa très importante activité de traducteur contribua à la croissance exponentielle de l&#39;Ecole de Médecine de Salerno qui lui valut l&#39;épithète de Magister orientis et occidentis.&lt;/div&gt;
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&lt;strong class=&quot;minibaslik&quot; style=&quot;color: #9e0524; font-family: &#39;Roboto Condensed&#39;, Tahoma, Geneva, sans-serif; font-size: 15px;&quot;&gt;Afife Mat: Al-Biruni, Un Savant qui a Marqué son Siècle&lt;/strong&gt;&lt;br /&gt;
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Les travaux d’Abu Reyhan al-Biruni, le grand savant de l’Asie Centrale à l’esprit encyclopédique, ont marqué dans l’histoire de la pensée humaine une étape dont l’importance apparaît de plus en plus grande à mesure qu’on les découvre.&lt;br /&gt;
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C’est au 19 ème siècle que l’Europe découvrit al-Biruni. On s’est rendu compte qu’il était très en avance sur son temps. Astronome, mathématicien, physicien, géographe, historien, linguiste, pharmacologue, philosophe et poète, il est le symbole du 11 ème siècle. Al-Biruni s’évertuait non seulement à accumuler ses connaissances, mais aussi à faire partager son savoir. Il exerça une énorme influence sur la science orientale.&lt;br /&gt;
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C’est au déclin de sa vie qu’al-Biruni écrivit sa pharmacopée “Kitab al-saydala fi al-Tibb” qui renferme d’inestimables renseignements sur la médecine et les médicaments dans le monde musulman aux 10 ème et 11 ème siècles. Ce traité de matière médicale inspiré de Dioscoride, répertorie environ trois mille médicaments cités chacun en persan, arabe, grec, syriaque et sanscrit avec mode d’emploi, composition et contre-indications. Le plus ancien et le plus connu manuscrit de cet ouvrage se trouve dans la bibliothèque de “Kurşunlu” à Bursa, en Turquie.&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/8760838024329630573/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2016/01/42nd-international-congress-for-history.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/8760838024329630573'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/8760838024329630573'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2016/01/42nd-international-congress-for-history.html' title='42nd International Congress for the History of Pharmacy (8-11 September 2015, Istanbul, Turkey)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6wg-vXsQpC9dVRUAnGmQD8e3fvnA9pm59Z015mu91tAbavlkaSy6-KLD1FQ-ZBd1aHMd3HbbPl_PB4A3TQOk-b9FlLvdoKyKHz8-UQb9G4xCIZJ9CZk5YScSQgrXpBOXWhi5EeHfINlM/s72-c/2015-09-11-42ICHPIst.JPG" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-269902559972290180</id><published>2015-11-15T05:21:00.001-08:00</published><updated>2015-11-15T05:31:34.768-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="AIHP"/><category scheme="http://www.blogger.com/atom/ns#" term="American Institute of the History of Pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="Glenn Sonndecker"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="medical humanities"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmaceutical history"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacists"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="Tekiner Halil"/><category scheme="http://www.blogger.com/atom/ns#" term="Turkey"/><category scheme="http://www.blogger.com/atom/ns#" term="Wisconsin"/><title type='text'>Dr. Halil Tekiner&#39;s Report on his visit to the American Institute of the History of Pharmacy</title><content type='html'>&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;DR.
HALIL TEKINER’S (TURKEY) REPORT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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HIS VISIT TO THE AMERICAN INSTITUTE OF THE HISTORY OF PHARMACY&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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12&lt;sup&gt;th&lt;/sup&gt;, 2015&lt;/span&gt;&lt;b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;; font-size: 9.0pt; line-height: 115%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjF5SgVuzVfwJB-fWZGi6ZNu5Q0VGGVn6Aa3bFv96s6te9aSz3DFahaZy7m3hvF3Q2wIEmspsprzzqdQOq1PTU5HJU5cO3mR1gbDo6OAfc8Qoyw5jSPTKFlhP-ViestMQPirKy0M4loM/s1600/2015-07-29TekinerAIHP.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjF5SgVuzVfwJB-fWZGi6ZNu5Q0VGGVn6Aa3bFv96s6te9aSz3DFahaZy7m3hvF3Q2wIEmspsprzzqdQOq1PTU5HJU5cO3mR1gbDo6OAfc8Qoyw5jSPTKFlhP-ViestMQPirKy0M4loM/s320/2015-07-29TekinerAIHP.jpg&quot; width=&quot;213&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Dr. Halil Tekiner at the Kremer&#39;s Reference Files Room&lt;br /&gt;
of the American Institute of the History of Pharmacy&lt;br /&gt;
(29 July 2015, Madison WI)&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;During
my summer-term appointment as a visiting assistant professor at Harvard Medical
School, I have had the privilege of visiting the American Institute of the
History of Pharmacy (AIHP) and the University of Wisconsin-Madison between July
27&lt;sup&gt;th&lt;/sup&gt; and 31&lt;sup&gt;st&lt;/sup&gt;, 2015, which was supported from a grant
from the Sonnedecker Visiting Scholar Program. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;My
primary expectation from this visit was to search through the Institute’s collections
in order to figure out the representation of Turkish pharmacy in American pharmaceutical
press apart from collecting historical data about the pharmaceutical trade
between Turkey and the United States, beginning mainly from the first half of
the 19&lt;sup&gt;th&lt;/sup&gt; century. Secondly, I was willing to obtain new reference
materials for my future articles on pharmacy ethics, pharmaceutical humanities,
and contributions of the history of pharmacy undergraduate courses for
developing leadership and professionalism in pharmacy.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;I
can say with candor that I have fulfilled all these expectations with ease and
pleasure, and even have found much more during my historical research utilizing
such facilities as the Kremer’s Reference Files, Memorial Library, and the Library
of the Wisconsin Historical Society. I was lucky to find, within the Kremer’s
Reference Files, a special file devoted to Turkey, which includes some very
interesting records and newspaper/journal clippings on the Turkish history of
pharmacy that appeared in American media. I also benefited from those other,
well-classified files related to pharmacy ethics, which were greatly in use for
my in-press article focusing on the cases of patient confidentiality breaches in
pharmacy practice. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;Furthermore,
I was able to find numerous well-illustrated articles talking about pharmaceutical
practices in Turkey in American and British medico-pharmaceutical periodicals
(e.g., &lt;i&gt;American Journal of Pharmacy&lt;/i&gt;, &lt;i&gt;National Druggist&lt;/i&gt;, &lt;i&gt;The
Pharmaceutical Era&lt;/i&gt;, &lt;i&gt;The Chemist &amp;amp; Druggist, The British Medical
Journal&lt;/i&gt;, and&lt;i&gt; Lancet&lt;/i&gt;) dated from 1828 to the 1930s, registered at the
Library of the Wisconsin University. The most beautiful surprise, however, was
finding among the biographical files, a very rare autographed photo of T.C.
Ladakis (1876-1947), a well-respected Ottoman-Greek professor of pharmacy who
received his PhD degree from the Philadelphia College of Pharmacy with
distinction in May 1908, with his thesis on “Pharmacy in Turkey.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;The
scientific outcomes of my visit to the AIHP were not limited with obtaining
historical resources. As a Sonnedecker grant recipient, I have also had a
unique and unforgettable opportunity of meeting Prof. Glenn Sonnedecker in
person. I am so honored and inspired to meet one of the most respected paragons
in the field of history of pharmacy and to benefit from his valuable thoughts
and recommendations for my future studies. Moreover, visiting the AIHP’s memorial
room devoted to Prof. George Urdang was another experience for me to
commemorate one of the founding fathers of our discipline worldwide. I was so impressed
to see the personal objects and documents that once belonged to Prof. Urdang
and that are exhibited at this room, in addition to a wonderful collection of
books either written by pharmacists such as O. Henry, T. Fontane, and H. Ibsen,
or other literary works talking about pharmacy-related subjects. Thanks to a short
leaflet giving a full list of books within this collection, I have already
begun using some of the literary works exhibited herein during my “Pharmacy in Literature”
selective course for my pharmacy undergraduate class at Erciyes University in
Kayseri, Turkey. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH5iIV7Li5xLou5yqVEaB5wvCDYp5mIrE1ddn5kXiP4hZH8vcPfoX9KwPScGpwamj_qV0IxwGB0KzAKhHMJ1fAtS5RbNvLd9MPUdrC_yqLfBZqpI-XHqhAKW0ThRxrDVR2q3s6wwBcsok/s1600/2015-07-31Sonnedecker4.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;483&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH5iIV7Li5xLou5yqVEaB5wvCDYp5mIrE1ddn5kXiP4hZH8vcPfoX9KwPScGpwamj_qV0IxwGB0KzAKhHMJ1fAtS5RbNvLd9MPUdrC_yqLfBZqpI-XHqhAKW0ThRxrDVR2q3s6wwBcsok/s640/2015-07-31Sonnedecker4.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;span style=&quot;font-family: inherit; font-size: xx-small;&quot;&gt;&lt;span style=&quot;background-color: white; font-size: x-small; line-height: 19.5px; text-align: start;&quot;&gt;Dr. Halil Tekiner was able to meet with Dr. Sonnedecker (left, above) as well. He described this visit with Glenn Sonnedecker as, &quot;a unique and unforgettable opportunity . . . to meet one of the most respected paragons in the field of history of pharmacy and to benefit from his valuable thoughts and recommendations for my future studies.&quot;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;Last
but not least, on July 29&lt;sup&gt;th&lt;/sup&gt;, 2015, I had the opportunity to give a presentation
entitled “One hundred years of the history of pharmacy studies in Turkey,” at
the University of Wisconsin School of Pharmacy, and to discuss the subject with
the faculty. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;In
short, I spent a hectic but very fruitful week at the AIHP, and therefore I would
like to express my deepest gratitude to Prof. Greg Higby, the executive
director of the Institute, who kindly helped and guided me during all my
research activities. I also thank Marian, Beth, Elaine, Joseph, and Greg for
welcoming me at both the AIHP and in Madison. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;As
a Turkish historian of pharmacy, and a member of the British, French, and
German societies for the history of pharmacy, I have personally witnessed AIHP’s
incredibly significant role and success in preserving the history of our
profession for the use of our future generations. Therefore, I warmly recommend
that all my international colleagues seeking to gain a novel perspective for
their research in the history of pharmacy to visit AIHP at least once in their
lifetimes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;Yours
sincerely,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;Halil
Tekiner, PhD&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;Head,
Department of the History of Pharmacy an Ethics&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;Erciyes
University School of Pharmacy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;Melikgazi
38039 Kayseri, Turkey &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;www.haliltekiner.com&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;









&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;serif&amp;quot;;&quot;&gt;htekiner@erciyes.edu.tr&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/269902559972290180/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2015/11/dr.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/269902559972290180'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/269902559972290180'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2015/11/dr.html' title='Dr. Halil Tekiner&#39;s Report on his visit to the American Institute of the History of Pharmacy'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjF5SgVuzVfwJB-fWZGi6ZNu5Q0VGGVn6Aa3bFv96s6te9aSz3DFahaZy7m3hvF3Q2wIEmspsprzzqdQOq1PTU5HJU5cO3mR1gbDo6OAfc8Qoyw5jSPTKFlhP-ViestMQPirKy0M4loM/s72-c/2015-07-29TekinerAIHP.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-3098508203892709420</id><published>2015-09-17T04:03:00.002-07:00</published><updated>2015-09-17T04:08:59.373-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Afife Mat"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="H. Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="International Congress of the History of Pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmaceutical history"/><category scheme="http://www.blogger.com/atom/ns#" term="Schelenz"/><category scheme="http://www.blogger.com/atom/ns#" term="İstanbul Üniversitesi"/><title type='text'>42. Uluslararası Eczacılık Tarihi Kongresi İstanbul’da düzenlendi</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Uluslararası Eczacılık Tarihi Birliği’nin (International
Society for the History of Pharmacy, ISHP) iki yıl arayla düzenlenen
kongrelerinin kırk ikincisi 8-11 Eylül 2015 tarihleri arasında İstanbul
Üniversitesi Eczacılık Fakültesi’nin ev sahipliğinde İstanbul Üniversitesi
Kongre ve Kültür Merkezi’nde düzenlendi.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;Türkiye’nin ilk kez ev sahipliği yaptığı bu kongreye 30’u
aşkın ülkeden 215 kişi katıldı. Ana konusu “Doğu ile Batı Arasında Eczacılık Alanındaki
Bilgi Alışverişi” olarak belirlenen kongrenin açılış töreninde Prof. Dr. İlber
Ortaylı katılımcılara “Bir Mesleğin Tarihi Neden Bilinmeli?” başlıklı İngilizce
bir konuşma yaptı. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;Davetli konuşmacılar arasında Uluslararası Eczacılık Tarihi Akademisi
Eski Başkanı Prof. Dr. Olivier Lafont “Doğu ile Batı Arasındaki Diyaloğun
Merkezinde Yunan Bilimi” başlıklı, Alman Eczacılık Tarihi Birliği Başkanı Prof.
Dr. Sabine Anagnostou “Doğudan Batıya: Yüzyıllar Boyunca Fitofarmasötik
Bilgilerin Gelişimi ve Aktarımı” başlıklı, Amerikan Eczacılık Tarihi Enstitüsü
direktörü Prof. Dr. Greg Higby “Amerikan Eczacılığı ve Doğu: Amerikan
Ginsenginin Hikâyesi” başlıklı, İtalyan Eczacılık Tarihi Birliği Başkanı Prof.
Dr. Angelo Beccarelli “Afrikalı Konstantin: Doğu ve Batının Üstadı” başlıklı ve
Türk Eczacılık Tarihi Araştırma Derneği Başkanı Prof. Dr. Afife Mat ise “Biruni:
Çağına Yön Veren Âlim” başlıklı konferanslar verdiler. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;Toplam 79 sözlü bildiri ve 47 poster bildirinin sunulduğu
kongrede katılımcılar bilimsel program dışında İstanbul Üniversitesi Türk
Eczacılık Tarihi Müzesi, İstanbul Üniversitesi Eczacılık Fakültesi Herbaryumu,
Süleymaniye Yazma Eserler Kütüphanesi ve İstanbul Üniversitesi Hamam Kültürü
Müzesi’ni ziyaret etme fırsatı buldular. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8DhsFeS2JhPX6yxGnoi_uwyefmILMWuBXTWN-ZFV0I0yvEkZWynp8-icgu7OTnElwpHyfbWJ_Nfd-RmpXKS9490WJp6lAQmPx6sCPPgWNgfQDGSUNJgyfOYLAz1UjiX073yucX4sNZDE/s1600/2015-09-11-42ICHPIst.JPG&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;173&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8DhsFeS2JhPX6yxGnoi_uwyefmILMWuBXTWN-ZFV0I0yvEkZWynp8-icgu7OTnElwpHyfbWJ_Nfd-RmpXKS9490WJp6lAQmPx6sCPPgWNgfQDGSUNJgyfOYLAz1UjiX073yucX4sNZDE/s400/2015-09-11-42ICHPIst.JPG&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;42. Uluslararası Eczacılık Tarihi Kongresi katılımcıları (Eylül 2015, İstanbul)&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0iitdg9x1VVpKKNlDvouG5Jz2P2sqV_wDutod0e5wcuLD7gXxTqfTwf-R0iaKD848hw3P0_gBL2NOMdp3N8TLXazxRlm0KMF02LRy_106cMa1b7Kj1bDOcmzJbznKfcgLb6jfbhGW7i8/s1600/2015-09-09AMatSchelenz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0iitdg9x1VVpKKNlDvouG5Jz2P2sqV_wDutod0e5wcuLD7gXxTqfTwf-R0iaKD848hw3P0_gBL2NOMdp3N8TLXazxRlm0KMF02LRy_106cMa1b7Kj1bDOcmzJbznKfcgLb6jfbhGW7i8/s400/2015-09-09AMatSchelenz.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;MsoCaption&quot; style=&quot;text-align: justify;&quot;&gt;
Prof. Dr. Afife Mat (sağda) eczacılık
tarihi alanındaki uluslararası katkıları nedeniyle&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;MsoCaption&quot; style=&quot;text-align: justify;&quot;&gt;
Schelenz Madalyası ile
ödüllendirildi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4d3WObYEKnehYie5TSap314bcB_2oP98TvWqwp_LYWs4iKN1cqFT1CX6wdppcIqpSbjbpYbfdhj2Z-XuzTu7Cm6Q5McVWw5GcZ9VKbYUB30eRksZQmLSnzxdrX-7tjGjLOukpWuD0SJY/s1600/2015-09-09SuleymaniyeManuscr.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4d3WObYEKnehYie5TSap314bcB_2oP98TvWqwp_LYWs4iKN1cqFT1CX6wdppcIqpSbjbpYbfdhj2Z-XuzTu7Cm6Q5McVWw5GcZ9VKbYUB30eRksZQmLSnzxdrX-7tjGjLOukpWuD0SJY/s400/2015-09-09SuleymaniyeManuscr.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;span style=&quot;font-size: 12.8px;&quot;&gt;Katılımcılar Süleymaniye Yazma Eserler Kütüphanesi&#39;ni ziyaret ettiler.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;span style=&quot;font-size: 12.8px;&quot;&gt;(9 Eylül 2015, İstanbul)&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;Kongre düzenleme komitesi başkanı Prof. Dr. Afife Mat
Uluslararası Eczacılık Tarihi Akademisi’ne (International Academy for the
History of Pharmacy) üye seçildi ve Alman Eczacılık Tarihi Birliği’nin seçkin ödülü
Schelenz Madalyası ile ödüllendirildi. Kongre sekreteri Yrd. Doç. Dr. Halil
Tekiner ise Uluslararası Eczacılık Tarihi Birliği Yönetim Kurulu Başkan
Yardımcılığına seçildi. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;Uluslararası Eczacılık Tarihi Kongrelerinin kırk üçüncüsü Eylül
2017’de Polonya’da düzenlenecek.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/3098508203892709420/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2015/09/42-uluslararas-eczaclk-tarihi-kongresi.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/3098508203892709420'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/3098508203892709420'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2015/09/42-uluslararas-eczaclk-tarihi-kongresi.html' title='42. Uluslararası Eczacılık Tarihi Kongresi İstanbul’da düzenlendi'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8DhsFeS2JhPX6yxGnoi_uwyefmILMWuBXTWN-ZFV0I0yvEkZWynp8-icgu7OTnElwpHyfbWJ_Nfd-RmpXKS9490WJp6lAQmPx6sCPPgWNgfQDGSUNJgyfOYLAz1UjiX073yucX4sNZDE/s72-c/2015-09-11-42ICHPIst.JPG" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-8262940057105322881</id><published>2015-02-18T01:18:00.003-08:00</published><updated>2016-03-28T06:25:12.612-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="eczacı"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="H. Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="Kayseri"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmaceutical history"/><category scheme="http://www.blogger.com/atom/ns#" term="Tekiner H"/><category scheme="http://www.blogger.com/atom/ns#" term="Tekiner Halil"/><category scheme="http://www.blogger.com/atom/ns#" term="özgeçmiş"/><title type='text'>Halil Tekiner - Özgeçmiş (2016)</title><content type='html'>&lt;div style=&quot;font-size: 14px; line-height: 1.4em; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: #767676;&quot;&gt;&lt;strong&gt;HALİL TEKİNER&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: #767676;&quot;&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: #767676;&quot;&gt;&lt;strong&gt;Özgeçmişi&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: #767676;&quot;&gt;1983 yılında&amp;nbsp;Kayseri&#39;de doğdu. Kayseri Fen Lisesi (2000) ve Ankara Üniversitesi Eczacılık Fakültesi&#39;nden (2004)&amp;nbsp;mezun oldu. Aynı üniversitenin&amp;nbsp;Eczacılık İşletmeciliği ve Tarihi Anabilim Dalı&#39;nda yüksek lisans (2006) ve doktora (2011)&amp;nbsp;eğitimini tamamladı. Marburg Philipps (Almanya), Semmelweis (Macaristan) ve North Carolina (ABD) Üniversitelerinde ziyaretçi araştırmacı, Harvard (ABD) ve Helsinki (Finlandiya) Üniversitelerinde misafir öğretim üyesi olarak çalışmalarda bulundu. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;font-size: 14px; line-height: 1.4em; text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjldGyWa61BirA5_0BR3uFwRpGVKsAGeQ_v-9BL2M-IvSXE4l0Ldf7dhj5J3VefM9gXMa4v8xILXeV8XTFtUbISsyfr_SjxEGuxAI5mETCN-k7Tk8OJNTzfGE3KGliavvf1MTyGsz-3LtI/s1600/Tknr2014Kutup1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;256&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjldGyWa61BirA5_0BR3uFwRpGVKsAGeQ_v-9BL2M-IvSXE4l0Ldf7dhj5J3VefM9gXMa4v8xILXeV8XTFtUbISsyfr_SjxEGuxAI5mETCN-k7Tk8OJNTzfGE3KGliavvf1MTyGsz-3LtI/s1600/Tknr2014Kutup1.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: #767676;&quot;&gt;Tıp, eczacılık, müzik, edebiyat ve kültür tarihi konularında yayımlanmış 12 kitabı, 50&#39;nin üzerinde makalesi ve 1999-2003 yılları arasında piyano için yaptığı bestelerden oluşan bir CD&#39;si bulunmaktadır. Eczacılık Teşvik Ödülü (Birincilik) (2004), Türk Eczacıları Birliği Eczacılık Akademisi Jüri Özel Ödülü (2006), Dünya Eczacılık Federasyonu Yılın Muhabiri Ödülü (2006), Ecz. Hamdi Bey Eczacılık Tarihi Ödülü (2010), Altı Nokta Körler Derneği Hizmet Ödülü (2010) ve Altın Havan Ödülü (2015)&amp;nbsp;sahibidir. Uluslararası Tıp Tarihi Birliği&#39;nden başka &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: #767676;&quot;&gt;Alman, Amerikan, Fransız ve İngiliz Eczacılık Tarihi Birliklerinin üyesi ve Türk Eczacılık Tarihi Araştırma Grubu&#39;nun (TETAG) kurucu üyesidir. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-size: 14px; line-height: 1.4em; text-align: justify;&quot;&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;font-size: 14px; line-height: 1.4em; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;2004-2013 yılları arasında Kayseri&#39;de Yoğunburç Eczanesi&#39;nin sahip ve mesul müdürlüğüne ek olarak İrem Ecza Deposu Tic. ve&amp;nbsp;San. A.Ş. Yönetim Kurulu Başkanlığı görevini yürüttü.&amp;nbsp;2011-2014 yılları arasında&amp;nbsp;Andante klasik müzik dergisinde ünlü bestecilerin hastalıkları hakkında köşe yazıları yazdı. &lt;br /&gt;
&lt;br /&gt;
Halil Tekiner şu an Erciyes Üniversitesi (ERÜ) Eczacılık Fakültesi Eczacılık Tarihi ve Etik Anabilim Dalı&#39;nda öğretim üyesi, ERÜ Gevher Nesibe Tıp Tarihi Enstitüsü müdür yardımcısı ve Uluslararası Eczacılık Tarihi Birliği&amp;nbsp; (ISHP) başkan yardımcısıdır. &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Eczacılık Tarihi Koleksiyonu&lt;/strong&gt;&lt;br /&gt;
T&lt;/span&gt;&lt;span style=&quot;color: #767676;&quot;&gt;utkulu bir bibliyofil olan Halil Tekiner&#39;in kişisel&amp;nbsp;kütüphanesinde&amp;nbsp;15000&#39;i aşkın kitap bulunmaktadır. 2001 yılında oluşturmaya başladığı&amp;nbsp;&quot;Tıp ve Eczacılık Temalı Kitaplar Koleksiyonu&quot;nda 19. yüzyıl&amp;nbsp;ile 20. yüzyılın ilk çeyreği arasında Paris ve&amp;nbsp;İstanbul&#39;da basılmış tıp ve eczacılık kitapları başta olmak üzere;&amp;nbsp;yazma eser, tıbbi dergi, gazete, mektup, şehadetname, sertifika, reçete, rapor, ilan, reklam, fatura, zarf, antetli kağıt, fotoğraf, ilaç şişesi, ilaç kutusu ve laboratuar malzemelerinin&amp;nbsp;oluşturduğu 1500&#39;ü aşkın parça yer almaktadır. &lt;br /&gt;
&lt;br /&gt;
Koleksiyondaki en eski parça&amp;nbsp;Sienalı ünlü hekim ve botanikçi Pietro Andrea&amp;nbsp;Mattioli&#39;nin (1501-1577)&amp;nbsp;Venedik&#39;te basılmış İtalyanca bir&amp;nbsp;Materia Medica Şerhi&#39;ne ait 1568 tarihli orijinal folyodur. Hekimbaşı (Efendizade) Abdülhak Hayrullah Efendi tarafından Fransızca aslından Türkçeye çevrilen&amp;nbsp;Makalat-ı Tıbbiye (1844) koleksiyonda yer alan Türkçe olarak basılmış ilk tıp eseridir. Koleksiyonun önemli bir&amp;nbsp;bölümünü&amp;nbsp;Osmanlıca&amp;nbsp;tıp ve eczacılık kitapları oluşturmakta; bunu Fransızca, Latince, Rumca, Ermenice, Farsça, Arapça,&amp;nbsp;Almanca, İtalyanca, İspanyolca, İsveççe, Fince, Danca, Karamanlıca&amp;nbsp;ve diğer dillerde yazılmış çeşitli kitap ve efemera takip etmektedir. Koleksiyonda yer alan 100 kadar tıp ve eczacılık tarihi&amp;nbsp;kitabı merhum tıp tarihçisi Prof. Dr. Ali Haydar Bayat&#39;ın (1941-2006) kişisel kütüphanesinden&amp;nbsp;intikal etmiştir.&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn5wU73YckEmaaNgSu91GR-P4SWOpynUhdRDh1WOukH9bXMAFRUQ4E-tjhEVCg7L89SJoQlhIa-KfZA_Z2xl6gLY-Ak7uLGxIJnM0bhMERyQu_4buMrTpzN2ulLnaAURN-aojm4CJrWTU/s1600/TekinerKoleksiyon1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn5wU73YckEmaaNgSu91GR-P4SWOpynUhdRDh1WOukH9bXMAFRUQ4E-tjhEVCg7L89SJoQlhIa-KfZA_Z2xl6gLY-Ak7uLGxIJnM0bhMERyQu_4buMrTpzN2ulLnaAURN-aojm4CJrWTU/s1600/TekinerKoleksiyon1.jpg&quot; width=&quot;343&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;color: #767676;&quot;&gt;Koleksiyonda imzalı kitabı yer alan tıp ve eczacılık tarihi araştırmacıları arasında&amp;nbsp;şu isimler&amp;nbsp;yer almaktadır:&amp;nbsp;Prof. Afife Mat, Prof. Ali Haydar Bayat, Bengt Mattila, Bruno Bonnemain, Prof. Christoph Friedrich, Prof. Emre&amp;nbsp;Dölen,&amp;nbsp;Prof. Esin Kahya, Prof. İlter Uzel, Mert Sandalcı, Prof. Nuran Yıldırım, Prof. Olivier Lafont, Prof. Süheyl Ünver ve Prof. Turhan Baytop.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;font_8&quot;&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;&lt;strong&gt;Eczacılık Tarihine Katkıları&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;font_8&quot;&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;1. 25 Eylül Dünya Eczacılar Günü&#39;nün fikir babasıdır. İngiliz &quot;Pharmaceutical Historian&quot; dergisinde yazdığı bir makale ile 25 Eylül&#39;ün &quot;Dünya Eczacılar Günü&quot; olarak kutlanmasını önermiş ve Dünya Eczacılık Federasyonu&#39;nun bu öneriyi kabul etmesiyle 25 Eylül Dünya Eczacılar günü olarak kutlanmaya başlamıştır. &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;font_8&quot;&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;2. Eczacılık tarihi araştırmacısı olarak birçok orijinal bilgi ve belgeyi kayıt altına almış ve yayınlamıştır. Eczacılık tarihi konusunda&amp;nbsp;İngilizce, Türkçe ve Fransızca birçok makale ve kitap yayımlamış, ulusal ve uluslararası bilimsel toplantılarda 40&#39;ı aşkın bildiri sunmuştur. &lt;em&gt;Kayseri Eczacılık Tarihi&lt;/em&gt; (2005) kitabı ile daha önce İstanbul&#39;la sınırlı kalmış olan şehir eczacılık tarihi araştırmalarının ilk örneğini vermiştir. Prof. Gülbin Özçelikay ile birlikte &quot;Türk Eczacılık Tarihi Bibliyografyası&quot;&amp;nbsp;adlı bir eser kalem almış ve burada Türkiye&#39;de yayımlanan eczacılık tarihi makale ve kitaplarını tematik olarak incelemiştir.&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;
&lt;/span&gt;&lt;div class=&quot;font_8&quot;&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg40W4efIyMeYkaTXn-FuIq5nd2dz7jsMKyfvsp6CfJ-S_YT51IYJbPRc7OOLQty492qS8kAkFF93Psnqz2YoFsY3b_150CLxjsUBKsQY49EEGUEqLpM9C7TkxAzoCySjSQTrZXWwJ93m4/s1600/2005KayseriEcz1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg40W4efIyMeYkaTXn-FuIq5nd2dz7jsMKyfvsp6CfJ-S_YT51IYJbPRc7OOLQty492qS8kAkFF93Psnqz2YoFsY3b_150CLxjsUBKsQY49EEGUEqLpM9C7TkxAzoCySjSQTrZXWwJ93m4/s1600/2005KayseriEcz1.jpg&quot; width=&quot;236&quot; /&gt;&lt;/a&gt;3. Eczacılık tarihinin Türkiye&#39;de bilimsel bir&amp;nbsp;disiplin olarak&amp;nbsp;&amp;nbsp;kurumsallaşması için çalışmıştır:&amp;nbsp; Prof. Afife Mat ile birlikte Türk Eczacılık Tarihi Araştırma Grubu&#39;nu (TETAG) kurmuş ve bu sayede Türkiye&#39;nin Uluslararası Eczacılık Tarihi Birliği&#39;nde (ISHP) temsil hakkı kazanmasını ve 2015 Uluslararası Eczacılık Tarihi Kongresi&#39;nin (42. ICHP, &lt;a href=&quot;http://www.42ichp.org/&quot;&gt;www.42ichp.org&lt;/a&gt;) İstanbul&#39;da düzenlenmesini sağlamıştır.&amp;nbsp;2013 yılında Kayseri&#39;de düzenlenen 11. Türk Eczacılık Tarihi Toplantısı&#39;nı (TETT) sekreterliğini yürütmüştür. Aynı yıl &amp;nbsp;Erciyes Üniversitesi bünyesinde Eczacılık Tarihi ve Etik Anabilim Dalı&#39;nın kurulmasına öncülük etmiş ve bu anabilim dalının başkanlığını yürütmüştür. &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;
&lt;div class=&quot;font_8&quot;&gt;
4. Sanat ve edebiyatın eczacılık eğitiminde yararlı ve bu nedenle de gerekli&amp;nbsp;olduğu görüşünü benimseyen Tekiner&amp;nbsp;bu konuda birçok makale yazmış, ayrıca Erciyes Üniversitesi&#39;nde &quot;edebiyatta eczacılık&quot;, &quot;eczacılık ve sanat&quot;&amp;nbsp;başlıklı iki seçmeli ders vermiştir. Haydn&#39;ın Lo Speziale (Eczacı) Operası&#39;nın Türkiye&#39;de ilk gösteriminin yapılmasını sağlamış ve bu opera hakkında&amp;nbsp;bir makale yazmıştır. &lt;br /&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;font_8&quot;&gt;
5. Tıp ve eczacılık tarihini ilgilendiren birçok Osmanlıca eseri günümüz Türkçesine aktarmış ve ulusal/uluslararası yayınlarla geniş kitlelerle paylaşmıştır. &lt;br /&gt;
&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;&lt;span style=&quot;color: #767676;&quot;&gt;Detaylı özgeçmişi için bkz: &lt;a href=&quot;http://www.haliltekiner.com/&quot;&gt;www.haliltekiner.com&lt;/a&gt; &lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;font-size: 14px; line-height: 1.4em; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #767676;&quot;&gt;18 Şubat 2016&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/8262940057105322881/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2015/02/halil-tekiner-ozgecmis-2015.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/8262940057105322881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/8262940057105322881'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2015/02/halil-tekiner-ozgecmis-2015.html' title='Halil Tekiner - Özgeçmiş (2016)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjldGyWa61BirA5_0BR3uFwRpGVKsAGeQ_v-9BL2M-IvSXE4l0Ldf7dhj5J3VefM9gXMa4v8xILXeV8XTFtUbISsyfr_SjxEGuxAI5mETCN-k7Tk8OJNTzfGE3KGliavvf1MTyGsz-3LtI/s72-c/Tknr2014Kutup1.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-441381358197390983</id><published>2015-01-12T14:54:00.002-08:00</published><updated>2015-01-13T01:17:48.482-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2014"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacı"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="Finlandiya"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="Helsinki"/><category scheme="http://www.blogger.com/atom/ns#" term="ICHP"/><category scheme="http://www.blogger.com/atom/ns#" term="Kayseri"/><category scheme="http://www.blogger.com/atom/ns#" term="kongre"/><category scheme="http://www.blogger.com/atom/ns#" term="museum"/><category scheme="http://www.blogger.com/atom/ns#" term="müze"/><category scheme="http://www.blogger.com/atom/ns#" term="Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="tiryak"/><category scheme="http://www.blogger.com/atom/ns#" term="Turhan Baytop"/><category scheme="http://www.blogger.com/atom/ns#" term="çikolata"/><title type='text'>TETAG Annual Report (2014)</title><content type='html'>&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;TURKEY - TURKISH PHARMACY HISTORY RESEARCH GROUP (TETAG)&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Ti5-uVbnD-kph9EtX5Euxs2O5CX8UA3in1Fk4-9k-t5h-3d8p3pYjdNTNeVPGd6TS4rHzzjb8M2isjduIRQaf9rcSnEnIQUMpXDVYiMon83v69Vqbs_zeYQpgBlpiFtwey4adkTFPBk/s1600/logo+beyaz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Ti5-uVbnD-kph9EtX5Euxs2O5CX8UA3in1Fk4-9k-t5h-3d8p3pYjdNTNeVPGd6TS4rHzzjb8M2isjduIRQaf9rcSnEnIQUMpXDVYiMon83v69Vqbs_zeYQpgBlpiFtwey4adkTFPBk/s1600/logo+beyaz.jpg&quot; height=&quot;186&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;The
year 2014 was quite fruitful for TETAG members. Several conferences and
meetings were organized that, surprisingly, a great number of pharmacy students
also attended. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;In
February, Dr. Halil Tekiner visited the Helsinki University Faculty of Pharmacy
(Finland), where he gave a talk on the history of pharmacy in Turkey.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigPXRJerR2yjd9qAiSR3G5N-29VbCJXBenWGzjrB-yF6yjInKzYi-I5iJNWiwW1KV16VcbAkqGxeSR7mlx9JVa5er9A1-d6TTsO6oVME88Y2k7tYyPEYthopz30aBkY21LPqNhIX9ybak/s1600/2014TETTkapak3-.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigPXRJerR2yjd9qAiSR3G5N-29VbCJXBenWGzjrB-yF6yjInKzYi-I5iJNWiwW1KV16VcbAkqGxeSR7mlx9JVa5er9A1-d6TTsO6oVME88Y2k7tYyPEYthopz30aBkY21LPqNhIX9ybak/s1600/2014TETTkapak3-.jpg&quot; height=&quot;320&quot; width=&quot;214&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;11th National Conference on the History &lt;br /&gt;
of Turkish Pharmacy was held in Kayseri&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;The
11th national conference on the history of pharmacy in Turkey was held 25-28
May 2014 at Erciyes University in Kayseri with an attendance of 127
participants, including pharmacy historians from abroad: three members from the
SHP (France) and one member from DGGP (Germany). The main theme of this
conference was the history of complementary therapies in Turkish pharmacy. A
total of 58 communications were presented during this conference, where Prof.
Afife Mat was also awarded with the Pharmacist Hamdi Bey Award, which has been
given since 2002 and is named after the first Turkish community pharmacist of
the Ottoman Empire. The next national conference will be held in May 2016 at
Anadolu University in Eskisehir. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;In
June 2014, Turkey’s first association for the history of pharmacy was
officially founded, and Prof. Mat was elected as the president of the association.
In September, Prof. Mat also attended the annual conference of the Italian
Academy for the History of Pharmacy, held in Ferrara, where she delivered a
talk on the first museum of the history of pharmacy in Turkey. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;Another
piece of good news is that October 2014 observed the foundation of the second
department of the history of pharmacy in Turkey at Erciyes University in
Kayseri. Dr. Halil Tekiner was attained as the founder-head of the department.
Furthermore, a street located at the same university was named after Turhan
Baytop (1920-2002), professor of pharmacognosy and renowned pharmaceutical
historian, with a vivid inauguration ceremony on December 22, 2014. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;TETAG
is going to organize the 42&lt;sup&gt;nd&lt;/sup&gt; ICHP to be held 8-11 September 2015 in
Istanbul. Further information can be found online at &lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;a href=&quot;http://www.42ichp.org/&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;span style=&quot;color: blue;&quot;&gt;www.42ichp.org&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
﻿﻿﻿﻿&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnURCviGAIXXMoluv6_ZoZk8aBafgiLEP3td0KvcHrGbUpCGChc_QZek724v-5YYlSaUtDIlPPKPV0nwhlYwfqLzwBphexAvk7tr6qjuVUr35r9UUDGYWviaNuq_wkPVj2A4gTq0JqUKs/s1600/TurhanBaytopSokakAfis.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnURCviGAIXXMoluv6_ZoZk8aBafgiLEP3td0KvcHrGbUpCGChc_QZek724v-5YYlSaUtDIlPPKPV0nwhlYwfqLzwBphexAvk7tr6qjuVUr35r9UUDGYWviaNuq_wkPVj2A4gTq0JqUKs/s1600/TurhanBaytopSokakAfis.jpg&quot; height=&quot;320&quot; width=&quot;224&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEAvRKMqGY3HX9JuR19UOMq8dRadM3LknWBsiqs-5wGn2Az86-ZG6Zl5eylQh3oorEl_vQknXag3HCQak1IExDxHJ1qN8-uN8TRFBPneJxkFi1bW2nE5H_KwDu9BBNDwPdUdM6ZOl70W8/s1600/2014TBaytopSok1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEAvRKMqGY3HX9JuR19UOMq8dRadM3LknWBsiqs-5wGn2Az86-ZG6Zl5eylQh3oorEl_vQknXag3HCQak1IExDxHJ1qN8-uN8TRFBPneJxkFi1bW2nE5H_KwDu9BBNDwPdUdM6ZOl70W8/s1600/2014TBaytopSok1.jpg&quot; height=&quot;265&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;A&amp;nbsp;street located at Erciyes University&lt;br /&gt;
was named after Turhan Baytop (1920-2002), &lt;br /&gt;
professor of pharmacognosy and&amp;nbsp; pharmaceutical historian&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;Here
are some books and articles that appeared on the Turkish history of pharmacy in
2014:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
﻿﻿&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;﻿﻿&lt;br /&gt;
&lt;div class=&quot;MsoListParagraphCxSpFirst&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Symbol; font-size: 10pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;Mat
A. &lt;i&gt;Tüm Dertlerin İlacı Çikolata [Chocolate as a panacea]&lt;/i&gt;. Istanbul:
Farmavizyon, 2014. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;&quot;&gt;
﻿﻿﻿﻿﻿﻿&lt;!--[if !supportLists]--&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Symbol; font-size: 10pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;IT&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: IT; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;Mat A&lt;/span&gt;&lt;span lang=&quot;IT&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: IT; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;, &lt;/span&gt;&lt;span lang=&quot;IT&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: IT; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;Tekiner&lt;/span&gt;&lt;span lang=&quot;IT&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: IT; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt; H. (ed.)
&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;X. Türk Eczacılık Tarihi Toplantısı
(İstanbul, 6-8 Haziran 2012) Bildiriler&lt;/i&gt;&lt;/span&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span lang=&quot;IT&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: IT; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt; [Proceedings of the 10&lt;sup&gt;th&lt;/sup&gt;
&lt;/span&gt;&lt;/i&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;National Conference on the History of Turkish Pharmacy]&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;.&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt; &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;İstanbul: &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;Istanbul Universitesi Yayinlari, 2014.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: Symbol; font-size: 10pt; mso-ansi-language: FR; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;Tekiner&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt; H&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;, Mat A&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;. “Les
thériaques dans la littérature turque,” &lt;i&gt;Turkish Studies&lt;/i&gt;, 9(7), (2014):
517-524. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: Symbol; font-size: 10pt; mso-ansi-language: FR; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;Mat A&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;,&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt; Tekiner&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt; H. “&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;background: white; color: black; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi;&quot;&gt;Türkiye’deki eczacılık tarihi müzeleri&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;background: white; color: black; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt; [Museums of the
history of pharmacy in Turkey]&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;background: white; color: black; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi;&quot;&gt;,&lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi; mso-no-proof: yes;&quot;&gt;”&lt;/span&gt;&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;background: white; color: black; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span lang=&quot;FR&quot; style=&quot;background: white; color: black; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi;&quot;&gt;Osmanlı Bilimi Araştırmaları, &lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;FR&quot; style=&quot;background: white; color: black; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ansi-language: FR; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi;&quot;&gt;15(2), (2014): 1-20.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Symbol; font-size: 10pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi;&quot;&gt;Tekiner H, Sandalcı M, Mat A. “A rare book
shedding light on the history of pharmacy in Turkey: ‘Turkish Pharmaceutical
Preparations’ (1929),” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Lokman Hekim
Journal of History of Medicine and Folk Medicine&lt;/i&gt;, 4(1), (2014): 43-48.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpLast&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Symbol; font-size: 10pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt;Tekiner
H&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi;&quot;&gt;. “Stockholm eczacılık tarihi gezi
rehberi&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-hansi-theme-font: major-bidi;&quot;&gt; [The pharmacy historian’s guide to Stockholm]&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10pt; mso-ascii-theme-font: major-bidi; mso-bidi-theme-font: major-bidi; mso-fareast-font-family: Calibri; mso-hansi-theme-font: major-bidi;&quot;&gt;,” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Doz&lt;/i&gt;, 1(5), (2014): 36-40.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;margin: 0cm 0cm 0pt 36pt; mso-list: l0 level1 lfo1; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Symbol; font-size: 10pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-ascii-theme-font: major-bidi; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-theme-font: major-bidi; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-theme-font: major-bidi;&quot;&gt;Başer
KHC, Tekiner H. “Alkaloitlerin Türk Edebiyatındaki Yansımaları [Reflections of
alkaloids in Turkish literature],” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;mso-no-proof: yes;&quot;&gt;X. Türk Eczacılık Tarihi Toplantısı (İstanbul, 6-8
Haziran 2012) Bildiriler&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;mso-no-proof: yes;&quot;&gt;. Ed.: A.
Mat, H. Tekiner. İstanbul: İstanbul Üniversitesi Yayınları, 2014: 217-223.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-ascii-theme-font: major-bidi; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-theme-font: major-bidi; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 10pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-ascii-theme-font: major-bidi; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-theme-font: major-bidi; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-theme-font: major-bidi;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/441381358197390983/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2015/01/tetag-annual-report-2014.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/441381358197390983'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/441381358197390983'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2015/01/tetag-annual-report-2014.html' title='TETAG Annual Report (2014)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Ti5-uVbnD-kph9EtX5Euxs2O5CX8UA3in1Fk4-9k-t5h-3d8p3pYjdNTNeVPGd6TS4rHzzjb8M2isjduIRQaf9rcSnEnIQUMpXDVYiMon83v69Vqbs_zeYQpgBlpiFtwey4adkTFPBk/s72-c/logo+beyaz.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-49316720760736825</id><published>2013-12-24T07:51:00.001-08:00</published><updated>2013-12-24T23:39:52.466-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Afife Mat"/><category scheme="http://www.blogger.com/atom/ns#" term="Golden Mortar Award"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="Haydn"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="Kayseri"/><category scheme="http://www.blogger.com/atom/ns#" term="Mert Sandalcı"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy history"/><category scheme="http://www.blogger.com/atom/ns#" term="Pharmacy Museum"/><category scheme="http://www.blogger.com/atom/ns#" term="TETAG"/><category scheme="http://www.blogger.com/atom/ns#" term="Türk Eczacılık Tarihi"/><title type='text'>TETAG Annual Report (2013)</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;TURKEY
- TURKISH PHARMACY HISTORY RESEARCH GROUP (TETAG) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;clear: both; text-align: left;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWPM2p5StTEHvyQ3W3LLcNzLn6QHM5paimgOS_D3IERuOpb_EPWvzJcJRGrtI-AOtJ-O7d0RWqisCYSkXCOXbxUBiFkcAL0-cunEJkeBV7YkZAPsHG78CFOlu7hxQiAlRtDSZ_6kUUB8/s1600/logo+beyaz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;186&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWPM2p5StTEHvyQ3W3LLcNzLn6QHM5paimgOS_D3IERuOpb_EPWvzJcJRGrtI-AOtJ-O7d0RWqisCYSkXCOXbxUBiFkcAL0-cunEJkeBV7YkZAPsHG78CFOlu7hxQiAlRtDSZ_6kUUB8/s200/logo+beyaz.jpg&quot; width=&quot;200&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;T&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;he year 2013 was
an &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;annus mirabilis&lt;/i&gt; for the field of
Turkish history of pharmacy with the following acquisitions and promising news:
The first separate department for the history of pharmacy in Turkey has been
founded by Professor Afife Mat at the Istanbul University Faculty of Pharmacy.
This department is expected to promote and encourage history of pharmacy
research at an academic level; previously, many Turkish pharmacy historians
were required to affiliate with related departments such as pharmacy management,
pharmacognosy, and pharmacology. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Furthermore,
Professor Zuhal Ozaydin has published a detailed account on the Turkish history
of medicine, pharmacy, dentistry, veterinary medicine, nursery and midwifery
bibliographies. This 1275-page book was published by the Istanbul University
Faculty of Medicine and is currently the most detailed and up-to-date
bibliographic reference that a pharmacy historian may consult in Turkish.
Another book that has recently appeared on the bookstores’ shelves is a
facsimile of Pedanius Dioscorides’ well-illustrated Arabic translation of &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;De Materia Medica&lt;/i&gt; dating back to the
13th century. The original manuscript is entitled &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Kitab’ul Hashaish fi’t-Tib&lt;/i&gt; and registered to the Ayasofya
Collection of Suleymaniye Manuscripts Library in Istanbul. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;In terms of
pharmacy history and art, thanks to Dr. Halil Tekiner’s personal initiatives,
the Turkish State Opera artists performed the première of Haydn’s opera buffa
named &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Lo Speziale&lt;/i&gt; (&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Apothecary&lt;/i&gt;) on 9 April 2013 in Ankara.
This opera was attended by a large number of pharmacists and pharmacy students
and was received with real interest. In addition, Tekiner has also succeeded in
inserting two new elective courses related to the history of pharmacy and
humanities into the Turkish pharmacy curriculum. These are Pharmacy in
Literature (PL) and Pharmacy in Art (PA), which were offered for the first time
at the Erciyes University Faculty of Pharmacy in Kayseri in fall 2013. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;A dozen of Turkish
pharmacy historians attended the 41&lt;span style=&quot;font-size: small;&quot;&gt;&lt;sup&gt;st&lt;/sup&gt; International Congress for the
History of Pharmacy (ICHP) in September 2013 in Paris and presented a total of
14 oral and poster presentations in French and English. A month later, Mr. Mert
Sandalci and six of his undergraduate students at Anadolu University Faculty of
Pharmacy published a book entitled &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;History
of Pharmacy in Eskisehir&lt;/i&gt;, which brought a nationwide acclaim as well as the
Golden Mortar Award 2013 to the driver of the project, the Eskisehir Chamber of
Pharmacists. Moreover, a new pharmacy history and pharmaceutical technology
museum was launched at the Ankara University Faculty of Pharmacy on 17 December
2013. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;TETAG’s future
events include the 11&lt;span style=&quot;font-size: small;&quot;&gt;&lt;sup&gt;th&lt;/sup&gt; National Gathering for the History of Pharmacy,
to be held on 25–28 May 2014 in Kayseri. The main theme of the gathering is
complementary therapies in the history of pharmacy. While only one session is
planned to be in English, at least 15 international participants, mainly from
France and Switzerland, are expected to join and then to visit Cappadocia.
Further information can be found at &lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;http://www.tett2014.org/&quot;&gt;&lt;span style=&quot;color: #0563c1; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;www.tett2014.org&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;TETAG is also
very looking forward to hosting the 42&lt;span style=&quot;font-size: small;&quot;&gt;&lt;sup&gt;nd&lt;/sup&gt; ICHP on 8–11 September 2015
in Istanbul. The Congress venue will be the Istanbul University Convention
Center, which is located on the European side of the city and is also close to
the Faculty of Pharmacy, the Suleymaniye Manuscripts Library, the Topkapi
Palace, and the Spice Bazaar.&lt;/span&gt;&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Times New Roman;&quot;&gt;

&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/49316720760736825/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2013/12/tetags-annual-report-2013.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/49316720760736825'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/49316720760736825'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2013/12/tetags-annual-report-2013.html' title='TETAG Annual Report (2013)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWPM2p5StTEHvyQ3W3LLcNzLn6QHM5paimgOS_D3IERuOpb_EPWvzJcJRGrtI-AOtJ-O7d0RWqisCYSkXCOXbxUBiFkcAL0-cunEJkeBV7YkZAPsHG78CFOlu7hxQiAlRtDSZ_6kUUB8/s72-c/logo+beyaz.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-7434933472956339314</id><published>2013-04-12T09:14:00.000-07:00</published><updated>2013-04-12T09:16:06.631-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Eczacı Operası"/><category scheme="http://www.blogger.com/atom/ns#" term="Haydn"/><category scheme="http://www.blogger.com/atom/ns#" term="Lo Speziale"/><category scheme="http://www.blogger.com/atom/ns#" term="music"/><category scheme="http://www.blogger.com/atom/ns#" term="opera"/><category scheme="http://www.blogger.com/atom/ns#" term="Operet Sahnesi"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy"/><title type='text'>Lo Speziale (Eczacı) Operası Türkiye&#39;de!..</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
Ünlü besteci Joseph Haydn’ın 1768 yılında bestelediği
&lt;b&gt;Lo Speziale (Eczacı)&lt;/b&gt; operasının Türkiye prömiyeri 9 Nisan 2013 akşamı
Ankara Devlet Resim ve Heykel Müzesi - Operet Sahnesi’nde yapıldı.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
Vesayeti altında bulunan güzeller güzeli Griletta
ile evlenerek onun mal varlığı sayesinde refah içinde bir yaşamın hayallerini kuran
yaşlı eczacı Sempronio ile Griletta’nın diğer talipleri (yoksul eczacı kalfası
Mengone ve zengin müşteri Volpino) arasındaki komik mücadelenin konu alındığı
eser ilaç şişeleri ve şifalı otlarla süslü bir 18. yüzyıl eczanesi dekoru
içinde geçiyor. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
Mustafa Erdoğan’ın orkestra şefliği, Zeynep Çelen
Tamer’in rejisi ve Edip Akman’ın çevirisiyle Türkçe olarak sahneye konan &lt;b&gt;Eczacı
Operası&lt;/b&gt;, aralarında çok sayıda eczacı ve eczacılık fakültesi öğrencisinin
de bulunduğu izleyicilerden büyük alkış aldı. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
Eserin bir sonraki gösterimi 14 Nisan 2003 Pazar
günü saat 14:00’te Ankara Operet Sahnesi’nde yapılacak.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(Dr. Halil Tekiner, Ankara, 10 Nisan 2013)&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqjLNIF0yl3Ep7hNUcn74bj8uEdvblp2F5r3RcZcPbdrM6YiN7NxWKhsq7-HIRRjZ846Ye8x-1HRtuP6-M7Tzl_fLySajasyFh_JuXKj98G0WW_tubiHcoHPLSDWd4pmjhrG2L9vGdEDI/s1600/Ec8.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;425&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqjLNIF0yl3Ep7hNUcn74bj8uEdvblp2F5r3RcZcPbdrM6YiN7NxWKhsq7-HIRRjZ846Ye8x-1HRtuP6-M7Tzl_fLySajasyFh_JuXKj98G0WW_tubiHcoHPLSDWd4pmjhrG2L9vGdEDI/s640/Ec8.jpeg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div align=&quot;center&quot; class=&quot;MsoCaption&quot;&gt;
&lt;span style=&quot;color: #1f1f1f;&quot;&gt;Ankara Devlet Opera ve Balesi tarafından sahnelenen
Eczacı Operası’ndan bir sahne (Fotoğraf: Arda Aktar)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/7434933472956339314/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2013/04/lo-speziale-eczac-operas-turkiyede.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/7434933472956339314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/7434933472956339314'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2013/04/lo-speziale-eczac-operas-turkiyede.html' title='Lo Speziale (Eczacı) Operası Türkiye&#39;de!..'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqjLNIF0yl3Ep7hNUcn74bj8uEdvblp2F5r3RcZcPbdrM6YiN7NxWKhsq7-HIRRjZ846Ye8x-1HRtuP6-M7Tzl_fLySajasyFh_JuXKj98G0WW_tubiHcoHPLSDWd4pmjhrG2L9vGdEDI/s72-c/Ec8.jpeg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-6831767409083187253</id><published>2013-03-14T08:42:00.003-07:00</published><updated>2013-03-14T08:50:43.023-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="Osmanlıca"/><category scheme="http://www.blogger.com/atom/ns#" term="Süt"/><category scheme="http://www.blogger.com/atom/ns#" term="süt bankası"/><category scheme="http://www.blogger.com/atom/ns#" term="süthane"/><title type='text'>Çocuk Süthânesinden Anne Sütü Bankasına!..</title><content type='html'>&lt;span style=&quot;text-align: justify;&quot;&gt;Geçtiğimiz
yıllarda ilköğretim öğrencilerine ücretsiz süt dağıtımı uygulamasının ardından
başlayan tartışmalar, Sağlık Bakanlığı’nın İzmir’de bir anne sütü bankası kurmayı
planladığı haberiyle şimdilerde yeniden alevlendi. Anne sütünün yetersiz
kaldığı hallerde bebeklerin süt ihtiyacını karşılayacak olan bu bankanın
işlevini Cumhuriyet öncesinde ise sütanneler veya süthâneler yerine
getiriyordu. İşte size 1920’li yıllara ait bir çocuk süthânesi ilânı…&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #002060; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-theme-font: major-bidi;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #002060; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-theme-font: major-bidi;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPGAYNlht0Dr1Abe_QcDW8WkMguYs-k-HfJq4geDRXI_TOMkl6LAHNYpkgzOXtEQfAVsZocTA8qWCUMMGfp9vt0oT7d-on8DRKZWt4SR3S65j6HWjjEr9fVQ0ON8qKLdb7mnn6xqucjD4/s1600/CocukSuthanesi.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPGAYNlht0Dr1Abe_QcDW8WkMguYs-k-HfJq4geDRXI_TOMkl6LAHNYpkgzOXtEQfAVsZocTA8qWCUMMGfp9vt0oT7d-on8DRKZWt4SR3S65j6HWjjEr9fVQ0ON8qKLdb7mnn6xqucjD4/s400/CocukSuthanesi.jpg&quot; width=&quot;260&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt;Fennî ve Sıhhî&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt;ÇOCUK SÜTHÂNESİ&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
Târih-i tesisi [Kuruluş
tarihi] 1337 (m.1921)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
Mustafa Hayri&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
Çenberlitaş Tavuk Pazarı&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
12-14 numerolu imâlâthânesi&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
Resmî istatistiklerle de sâbit
olduğu vech üzere memleketimizde çocuklar arasındaki vefeyât [ölümler] müdhiş
bir yekûna bâliğ oluyor [toplama erişiyor]. Bunun esbâbı miyânında [nedenleri
arasında] çocuklara verilen süt en mühimini teşkîl ediyor. Çünkü memleketimizde
saf süt bulmak pek müşküldür [güçtür]. Sütlere umûmiyyetle [genellikle] su
katıldığı gibi bir de manda sütünden kaymak yapıldığından veya tereyağı
çıkarıldıktan sonra bakıyye [geri] kalan ve “kaymakaltı” denilen süt inek
sütlerine su yerine katılmaktadır. İşte bu sütleri çocuklar hazmedemediklerinden
sû-i hâzm [hazımsızlık], ishal ve sâire baş gösteriyor. Sütlerin sâfiyetinden
başka bir de ineklerin tam’üs-sıhha [sağlıklı] olmaları lâzımdır. Veremli bir
inekten alınan sütte mebzûlen [çokça] verem mikropları bulunur. Süt her ne
kadar kaynatılsa da sütün sathında teşkîl eden zarda mikroplar ber-hayât [hayatta]
kalırlar. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;Kaynak:&lt;/b&gt; &lt;i&gt;Etıbbâ ve
Eczacılar Rehberi - Birinci sene, Birinci Defter&lt;/i&gt;. Yıl belirtilmemiş, s. 14.
(Özege: 5237)&amp;nbsp;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/6831767409083187253/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2013/03/cocuksuth-nesindenanne-sutu-bankasina.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/6831767409083187253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/6831767409083187253'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2013/03/cocuksuth-nesindenanne-sutu-bankasina.html' title='Çocuk Süthânesinden Anne Sütü Bankasına!..'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPGAYNlht0Dr1Abe_QcDW8WkMguYs-k-HfJq4geDRXI_TOMkl6LAHNYpkgzOXtEQfAVsZocTA8qWCUMMGfp9vt0oT7d-on8DRKZWt4SR3S65j6HWjjEr9fVQ0ON8qKLdb7mnn6xqucjD4/s72-c/CocukSuthanesi.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-5869693063004610827</id><published>2012-12-16T13:10:00.001-08:00</published><updated>2012-12-16T13:14:49.658-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Afife Mat"/><category scheme="http://www.blogger.com/atom/ns#" term="Asklepion"/><category scheme="http://www.blogger.com/atom/ns#" term="Bergama"/><category scheme="http://www.blogger.com/atom/ns#" term="Emre Dölen"/><category scheme="http://www.blogger.com/atom/ns#" term="Gevher Nesibe"/><category scheme="http://www.blogger.com/atom/ns#" term="Golden Mortar Award"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="Istanbul"/><category scheme="http://www.blogger.com/atom/ns#" term="Leman Kazuk"/><category scheme="http://www.blogger.com/atom/ns#" term="Mert Sandalcı"/><category scheme="http://www.blogger.com/atom/ns#" term="Pergame"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy history"/><category scheme="http://www.blogger.com/atom/ns#" term="Pharmacy Museum"/><category scheme="http://www.blogger.com/atom/ns#" term="TETAG"/><category scheme="http://www.blogger.com/atom/ns#" term="Turkey"/><title type='text'>TETAG Annual Report (2012)</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Ti5-uVbnD-kph9EtX5Euxs2O5CX8UA3in1Fk4-9k-t5h-3d8p3pYjdNTNeVPGd6TS4rHzzjb8M2isjduIRQaf9rcSnEnIQUMpXDVYiMon83v69Vqbs_zeYQpgBlpiFtwey4adkTFPBk/s1600/logo+beyaz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;186&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Ti5-uVbnD-kph9EtX5Euxs2O5CX8UA3in1Fk4-9k-t5h-3d8p3pYjdNTNeVPGd6TS4rHzzjb8M2isjduIRQaf9rcSnEnIQUMpXDVYiMon83v69Vqbs_zeYQpgBlpiFtwey4adkTFPBk/s200/logo+beyaz.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;&quot;&gt;2012 was quite positive for Turkish pharmacy
historians. As in the year before, TETAG organized history of pharmacy
excursions to different places in Turkey under the guidance of Mr. Mert
Sandalci from Anadolu University (Eskişehir). Three destinations were chosen
from different periods of the history of pharmacy: the &lt;i&gt;Gevher Nesibe Dar&#39;us-sifasi&lt;/i&gt; (Kayseri), a hospital and medical
school complex from the early 13&lt;sup&gt;th&lt;/sup&gt; century, was visited on March 10,
the &lt;i&gt;Asklepion of Pergame&lt;/i&gt; (Izmir) from
the 4&lt;sup&gt;th&lt;/sup&gt; Century B.C., on April 28, and the &lt;i&gt;Bajazet II Dar&#39;us-sifasi&lt;/i&gt; (Edirne) from the late 15&lt;sup&gt;th&lt;/sup&gt;
century, on November 26.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;&quot;&gt;The highlight of the year, however, was spectacular
opening ceremony of the re-organized Turkish History of Pharmacy Museum on June
5 at Istanbul University. This was followed by the 10&lt;sup&gt;th&lt;/sup&gt; National
Gathering for the History of Pharmacy, held betw&lt;a href=&quot;http://www.blogger.com/blogger.g?blogID=7562726143450895332&quot; name=&quot;_GoBack&quot;&gt;&lt;/a&gt;een 6−8
June at the same venue. The main theme of the gathering was the &lt;i&gt;History of Turkish Drug Industry and Its
Pioneers&lt;/i&gt;, and also included other historical subjects (i.e., pharmacy museums,
pharmacy legislations, pharmaceutical books and periodicals, and pharmacy in
literature). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;&quot;&gt;Compared with the previous Gatherings, this event was
not only more crowded—a total of seventy-two participants attended—but also had
a rather hectic agenda, with four plenary lectures, thirty-four oral and eleven
poster presentations, as well as a panel for discussion. Prof. Alain Legrand
and Dr. Michèle Nicolas, members of the &lt;i&gt;Société
d&#39;Histoire de la Pharmacie&lt;/i&gt; (France), were the international speakers of the
meeting. It is, however, with much regret that one of the first female pharmacist-entrepreneurs
of the country and the honorary guest of the gathering, whose life and
professional achievements were presented, Mrs. Leman Kazuk (1918–2012), passed
away a month later.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;&quot;&gt;In addition to conferences given by Prof. Afife Mat,
Dr. Christiane Staiger and Dr. Halil Tekiner at different universities, a
commemorative meeting was also held in honor of Prof. Sarim H. Celebioglu
(1897–1982), founder of the first pharmacognosy institute in Turkey, on
December 11 with the attendance of his family, colleagues, and students at
Istanbul University Faculty of Pharmacy. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;&quot;&gt;Due to his longtime contributions in teaching history
of pharmacy, Prof. Emre Dolen (1945) was awarded the Eczacı Hamdi Bey Prize,
which has been given since 2002 and is named after the first Turkish community
pharmacist of the Ottoman Empire, Hamdi Bey. The Golden Mortar Award, another
prestigious prize given annually for pharmacy history-related endeavors, was
issued to the mayor of &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Bergama&lt;/st1:place&gt;&lt;/st1:city&gt;
(Pergame), Mr. Mehmet Gonenc, for having commissioned the first and only statue
of Galenos of Pergame, now located at the old town square. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;&quot;&gt;TETAG will organize the next National Gathering at the
Erciyes University (Kayseri) in May 2014 as well as the 42. International
Congress for the History of Pharmacy in September 2015 in Istanbul; if it turns
out those Mayan prophecies do not come true.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;&quot;&gt;Dr. Halil Tekiner&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/5869693063004610827/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2012/12/tetag-annual-report-2012.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/5869693063004610827'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/5869693063004610827'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2012/12/tetag-annual-report-2012.html' title='TETAG Annual Report (2012)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Ti5-uVbnD-kph9EtX5Euxs2O5CX8UA3in1Fk4-9k-t5h-3d8p3pYjdNTNeVPGd6TS4rHzzjb8M2isjduIRQaf9rcSnEnIQUMpXDVYiMon83v69Vqbs_zeYQpgBlpiFtwey4adkTFPBk/s72-c/logo+beyaz.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-1443654410409522643</id><published>2012-09-24T22:16:00.001-07:00</published><updated>2015-09-25T02:46:09.888-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="25 September"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="Pharmacists Day"/><category scheme="http://www.blogger.com/atom/ns#" term="Pharmacy Day"/><title type='text'>When Shall We Celebrate an International Pharmacy Day?</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
&amp;nbsp; &amp;nbsp; Note: A year after the publication of this article, International Pharmaceutical Federation approved 25 September as World Pharmacists&#39; Day.&amp;nbsp;&lt;/div&gt;
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NOT: 25 Eylül&#39;ün Dünya Eczacılık Günü olarak kutlanması teklifini ilk kez 2009 başında Uluslararası Eczacılık Federasyonu&#39;nun (FIP) web sitesinde yayınlanan yazımda yapmış (&amp;nbsp;&lt;a href=&quot;http://www.fip.org/www/index.php?page=news_publications&amp;amp;news=newsitem&amp;amp;newsitem=66&quot;&gt;http://www.fip.org/www/index.php?page=news_publications&amp;amp;news=newsitem&amp;amp;newsitem=66&lt;/a&gt; ) ve bu yazıyı hazırlarken FIP Genel Sekreteri Ton Hoek&#39;ün yardımlarıyla FIP Arşivindeki orijinal kuruluş kayıtlarını incelemiştim. (Bu yazı o tarihten beri FIP sitesinde yayında). Aynı fikri daha sonra İngiliz Pharmaceutical Historian dergisinde yayımlanan &quot;When Shall We Celebrate an International Pharmacy Day?&quot; başlıklı yazımda da dile getirmiştim. Diğer taraftan 25 Eylül&#39;ün Dünya Eczacılık Günü olarak kutlanması için resmi başvuruyu ise 2009 Eylül&#39;ünde Türk Eczacıları Birliği yaptı ve başarılı oldu. Resmi başvuruyu yapan ve süreci yürüten Türk Eczacıları Birliği olduğu için esas tebrik ve teşekkürü hak edenlerin dönemin TEB delegeleri olduğunu düşünüyorum.&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPPtuQjEqkPZMQ8d8H8G8Pc534GjDsQlaYGw4DiNXbgkzcQ2RPFr0gjVqCPJXZNYT_Lw16WfJknVgk_4iXLFnM6cgstUvSbIM7sq-885uZcqPPerwngA-Mp8DTiTZ5C3AIFRHz32zXPIk/s1600/TekinerBSHPArtic09-09a.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPPtuQjEqkPZMQ8d8H8G8Pc534GjDsQlaYGw4DiNXbgkzcQ2RPFr0gjVqCPJXZNYT_Lw16WfJknVgk_4iXLFnM6cgstUvSbIM7sq-885uZcqPPerwngA-Mp8DTiTZ5C3AIFRHz32zXPIk/s1600/TekinerBSHPArtic09-09a.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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Tekiner, Halil. “When Shall We Celebrate an International Pharmacy Day?”&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
Pharmaceutical Historian, vol. 39 no. 3 (2009): 50.&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/1443654410409522643/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2012/09/when-shall-we-celebrate-international.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/1443654410409522643'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/1443654410409522643'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2012/09/when-shall-we-celebrate-international.html' title='When Shall We Celebrate an International Pharmacy Day?'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPPtuQjEqkPZMQ8d8H8G8Pc534GjDsQlaYGw4DiNXbgkzcQ2RPFr0gjVqCPJXZNYT_Lw16WfJknVgk_4iXLFnM6cgstUvSbIM7sq-885uZcqPPerwngA-Mp8DTiTZ5C3AIFRHz32zXPIk/s72-c/TekinerBSHPArtic09-09a.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-3227157988776891783</id><published>2011-12-27T14:59:00.000-08:00</published><updated>2011-12-27T14:59:49.306-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Afife Mat"/><category scheme="http://www.blogger.com/atom/ns#" term="Halil Tekiner"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="Mert Sandalcı"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy history"/><category scheme="http://www.blogger.com/atom/ns#" term="TETAG"/><title type='text'>TETAG Annual Report (2011)</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 16.0pt; font-variant: small-caps; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-font-size: 12.0pt; mso-bidi-theme-font: minor-latin;&quot;&gt;Turkish Pharmacy
History Research Group (TETAG)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 16.0pt; font-variant: small-caps; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-font-size: 12.0pt; mso-bidi-theme-font: minor-latin;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcX6rS-vDs7b43ZUetH8TC8S8-aQuXnULcR1vJvrDbcp-Y1T-Hz7N5jJFJW193ZdBKkuAlzwPTXWvykyL2tWliNwA2sYhyphenhyphenrfovVzYXED8FmK22Jdz8Rq5q-yLB1dVEy61BMtvCDp_SfAs/s1600/logo+beyaz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;185&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcX6rS-vDs7b43ZUetH8TC8S8-aQuXnULcR1vJvrDbcp-Y1T-Hz7N5jJFJW193ZdBKkuAlzwPTXWvykyL2tWliNwA2sYhyphenhyphenrfovVzYXED8FmK22Jdz8Rq5q-yLB1dVEy61BMtvCDp_SfAs/s200/logo+beyaz.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;2011 was a prolific year in terms of pharmacy history
in Turkey. Our national group, TETAG (Turk Eczacilik Tarihi Arastirma Grubu),
was founded this year through the initiatives of Prof. Afife Mat, Mr. Mert
Sandalci and Dr. Halil Tekiner. Around the country, nearly 50 members are
enrolled so far. We also organized the second French-Turkish joint meeting on
history of pharmacy, held on 2 May 2011 at Istanbul University, with the
participation of 40 pharmacy historians. Besides the scientific session in
Istanbul, participants had a unique &amp;nbsp;opportunity to travel to more than 10 ancient
cites around Turkey (including Aphrodisias, Ephesus, and Pergame), as well as
to visit Turkey&#39;s first History of Pharmacy Museum (Istanbul) and the Library
of Suleymaniye, where some highly precious &lt;i&gt;Materia Medica&lt;/i&gt; manuscripts
are preserved. In addition, on 12 May, H. Tekiner opened a &lt;i&gt;Pharmacy in
Turkish Caricatures (1875-2010)&lt;/i&gt; exhibition at Erciyes University (Kayseri).&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;TETAG
was represented by a total of 6 presentations at the 40. &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span lang=&quot;DE&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: DE; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;ICHP in September, in Berlin. &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;A month later, a group of pharmacy students from
Anadolu University (Eskisehir) visited the birthplace of Dioscorides: Anazarbus
Ancient City (near Adana), where pharmacy historians M. Sandalci and H. Tekiner
gave short lectures. The next excursion is planned to Pergame (near Izmir),
where Galenos was born. Further, in 2012, our group will organize the 10. National
Gathering for History of Pharmacy on 6–8 June at Istanbul University.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;Apart
from several articles that appeared mostly in Turkish pharmacy journals, a new
book about the history of pharmacy—&lt;i&gt;From Plants to Medicine: They Have Their
Own Stories&lt;/i&gt;, by A. Mat—was published. Furthermore,&amp;nbsp;two issues of the
12&lt;sup&gt;th&lt;/sup&gt; volume of the &lt;i&gt;Journal of
Studies in Ottoman Science&lt;/i&gt; were devoted to the history of pharmacy. Full
texts of a total 25 articles are available online at &lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #1155cc; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;&lt;a href=&quot;http://www.iudergi.com/tr/index.php/oba/issue/view/767&quot; target=&quot;_blank&quot;&gt;http://www.iudergi.com/tr/index.php/oba/issue/view/767&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;apple-style-span&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;We are additionally
happy to announce that Prof. A. Mat received the Golden Mortar Award in
November 2011, due to her contributions to reorganizing the first History of Pharmacy
Museum in Istanbul.&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: #222222; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/3227157988776891783/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/12/tetag-annual-report-2011.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/3227157988776891783'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/3227157988776891783'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/12/tetag-annual-report-2011.html' title='TETAG Annual Report (2011)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcX6rS-vDs7b43ZUetH8TC8S8-aQuXnULcR1vJvrDbcp-Y1T-Hz7N5jJFJW193ZdBKkuAlzwPTXWvykyL2tWliNwA2sYhyphenhyphenrfovVzYXED8FmK22Jdz8Rq5q-yLB1dVEy61BMtvCDp_SfAs/s72-c/logo+beyaz.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-4380899033335200292</id><published>2011-11-16T05:43:00.001-08:00</published><updated>2011-11-16T05:59:25.201-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Amca Bey"/><category scheme="http://www.blogger.com/atom/ns#" term="Amcabey"/><category scheme="http://www.blogger.com/atom/ns#" term="Cemal Nadir"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="Karikatür"/><category scheme="http://www.blogger.com/atom/ns#" term="Pertev"/><category scheme="http://www.blogger.com/atom/ns#" term="sanat"/><title type='text'>Cemal Nadir Karikatürlerinde Eczacılık</title><content type='html'>&lt;br /&gt;
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&lt;b&gt;Cemal Nadir&lt;/b&gt; &lt;b&gt;Güler&lt;/b&gt;
(1902−1947) Türkiye’de karikatür sanatının sevilip yaygınlaşmasında emeği geçen
en önemli isimlerden biri. 45 yıllık kısa ömrüne sığdırdığı binlerce karikatür sadece
Türkiye’de değil, yabancı ülkelerde de büyük ilgi gördü ve kendisine Viyana
Uluslararası Karikatür Yarışması’nda birincilik ödülünü kazandırdı.&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE_xeIhWESuvT0nt5DqCXnhWaOFXRw1hDoKrzkMNp9_35LhpEvr5dvXff4bxUYY6rf3ch5s4iCDxeIsYvHU1GYKgivLU7K6z7MeyMdY8PSjtYSdoQLIV2OZo1UPPVRj9MJw0e5x7Dpbcw/s1600/CemalNadir1957-Kapak.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE_xeIhWESuvT0nt5DqCXnhWaOFXRw1hDoKrzkMNp9_35LhpEvr5dvXff4bxUYY6rf3ch5s4iCDxeIsYvHU1GYKgivLU7K6z7MeyMdY8PSjtYSdoQLIV2OZo1UPPVRj9MJw0e5x7Dpbcw/s320/CemalNadir1957-Kapak.jpg&quot; width=&quot;220&quot; /&gt;&lt;/a&gt;Bulgaristan
göçmeni bir ailenin oğlu olarak Bursa’da doğan Cemal Nadir, ilkokulu bu şehirde,
ortaokulu ise Bilecik’te okudu. Ailesinin maddi durumu iyi olmadığı için
çocukluk yıllarından itibaren makinistlik, kasnakçılık, tabelacılık ve gezici resim
öğretmenliği gibi işlerde çalıştı. İlk karikatürleri 1920 yılında &lt;i style=&quot;text-align: justify;&quot;&gt;Diken&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt; adlı mizah dergisinde yayınlandı. 1928’den
1943’e kadar &lt;/span&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;Akşam Gazetesi&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;’nde,
1943’ten sonra da &lt;/span&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;Cumhuriyet Gazetesi&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;’nde
günlük karikatürler çizdi. 1941’de Vedat Günyol’la birlikte çocuklara yönelik &lt;/span&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;Arkadaş&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;dergisini yayınladı.&lt;/span&gt;&lt;sup style=&quot;text-align: justify;&quot;&gt;(1)&lt;/sup&gt;&lt;br /&gt;
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&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Cemal
Nadir, karikatürü toplumsal eleştiri için bir araç olarak görüyordu. Kendisiyle
yapılan bir söyleşiden alınan şu sözler karikatüre bakış açısını yansıtması
yönüyle dikkate değer: “&lt;i&gt;Her şeyin gülünecek, tuhaf tarafı vardır. Fakat olay
kalabalığı arasında bunları seçebilmek için dürbün gibi büyütüp yaklaştıran bir
yardımcı gerekmektedir. Karikatürlerimle size bu yardımı yapabilirsem ne mutlu!&lt;/i&gt;”&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
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Sayıları
çok olmamakla birlikte, konusunu eczacılık ya da ilaçlardan alan Cemal Nadir
karikatürlerini iki grup altında sınıflandırmak mümkün: İlki genellikle
toplumsal eleştiri amacıyla çizdiği, ilaç ve eczacılık konusunda yaşanan güncel
sorunların işlendiği karikatürler, ikincisi ise ilaç firmaları tarafından
sipariş edilen karikatür serisi şeklindeki ilaç reklamları.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: #002060;&quot;&gt;Eczacı Amca Bey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: right; margin-left: 1em; text-align: right;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIWkk1L0SY6kZhWQ5O74X59bwf-WhECXMmp4g90f4ivDcAAw_sspENU4-qs3PyOfqhCB4GzWSWyeXfRswiN1oEo9UDLgJ4xhL0Zj7ViTM2qKaxAgfHix6iTXStgDJvjs1n2g57_uS5S8Y/s1600/CemalNadirAmcabey.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;185&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIWkk1L0SY6kZhWQ5O74X59bwf-WhECXMmp4g90f4ivDcAAw_sspENU4-qs3PyOfqhCB4GzWSWyeXfRswiN1oEo9UDLgJ4xhL0Zj7ViTM2qKaxAgfHix6iTXStgDJvjs1n2g57_uS5S8Y/s200/CemalNadirAmcabey.JPG&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Cemal Nadir&#39;in meşhur Amca Bey tiplemesi&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Cemal
Nadir’in yarattığı yerli karikatür tipleri arasında Dalkavuk, Salamon, Akla
Kara, Yeni Zengin halkın büyük beğenisini topladı ama hiçbirisi Cemal Nadir’in
1930’larda yarattığı Amca Bey tiplemesinin kazandığı popülariteye erişemedi. Toplumdaki
çarpıklıkları, iki yüzlülükleri ve çıkar ilişkilerini alaya alan Amca Bey kısa
sürede halktan öylesine büyük ilgi gördü ki bu isim Cemal Nadir’le adeta özdeşleşti,
yakınları bile ona bu isimle hitap etmeye başladı.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Eczacılık
tarihi araştırmacısı ve koleksiyoncu Mert Sandalcı, &lt;i&gt;Belgelerle Türk
Eczacılığı&lt;/i&gt; başlıklı dev eserinde Cemal Nadir karikatürlerindeki &lt;b&gt;Amca Bey&lt;/b&gt;
tiplemesinin aslında yazar ve ressam Fikret Otyam’ın (1926−) babası eczacı
mülazımı evvel (üsteğmen) Vasıf İbrahim Bey olduğunu söylüyor.&lt;sup&gt;(2)&lt;/sup&gt; (Vasıf
Bey uzun yıllar Aksaray’da Halk Eczanesi’ni işletmiş, oğlu Nusret Kemal Otyam
(1922−) da babasının mesleğini tercih ederek İstanbul Üniversitesi Eczacılık
Okulu’ndan 1946’da mezun olmuştu.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHz4BK4kkRlcxdLguV_XqZbtB0ugr_rp9pRPCq65nTnc2aXloFqRPQYAICeXw_nHp5qqugCWgx6z3xa-SgMC-7Gb_8OR_Snsmlc8gSOxuEMTgJgPasun5Kv1gj4DtCnx2DI7UhxdbyPbU/s1600/1944CNadir.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;248&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHz4BK4kkRlcxdLguV_XqZbtB0ugr_rp9pRPCq65nTnc2aXloFqRPQYAICeXw_nHp5qqugCWgx6z3xa-SgMC-7Gb_8OR_Snsmlc8gSOxuEMTgJgPasun5Kv1gj4DtCnx2DI7UhxdbyPbU/s640/1944CNadir.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;Gelecek
yıl 110. doğum yıldönümünü kutlayacağımız Cemal Nadir’i bu sayıda karikatürlerinden
seçtiğimiz iki örnekle anıyoruz. İlk örneğimizde Amca Bey, kilo alamamaktan şikâyetçi
bir hastaya Türkiye’nin en eski yerli müstahzaratından Pertev Şurubu’nu
kullanmasını salık veriyor. 1945 yılında çizilen ikinci karikatür ise o dönemde
yaşanan “ilaç karaborsası” hastalığının vurucu bir eleştirisi…&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Wpicn9LQTQw9_kKYgRyDv9dbKYtdzO_N-6Pw_deoWSuUf0W6QjO_g6-P7GWAZ9rhOzk2Cjl2LNx3vUwGgv9Zzp6rDyxSBFQqYbnc_lj8pxjFHOuNh2aPQMHOsMrf34JVk9EmlfJlgDo/s1600/CemalNadirMS.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;467&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Wpicn9LQTQw9_kKYgRyDv9dbKYtdzO_N-6Pw_deoWSuUf0W6QjO_g6-P7GWAZ9rhOzk2Cjl2LNx3vUwGgv9Zzp6rDyxSBFQqYbnc_lj8pxjFHOuNh2aPQMHOsMrf34JVk9EmlfJlgDo/s640/CemalNadirMS.JPG&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-2bg3Gfwii-SA1eWC0Os3vGj-0M_Pd7H0Ga62afpAIkaTiRuttn9UgMI5LDNQ75iRR5bDHzHxmgX5ul_EYcxdzr1ez2wqQn3zhKxTy8RPBEMzCviTSo8svlogxYcx_hnuRJtO3-CHcrU/s1600/CemalNadirKarikat%25C3%25BCr1945.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;507&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-2bg3Gfwii-SA1eWC0Os3vGj-0M_Pd7H0Ga62afpAIkaTiRuttn9UgMI5LDNQ75iRR5bDHzHxmgX5ul_EYcxdzr1ez2wqQn3zhKxTy8RPBEMzCviTSo8svlogxYcx_hnuRJtO3-CHcrU/s640/CemalNadirKarikat%25C3%25BCr1945.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: 9pt;&quot;&gt;Kaynaklar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 9pt;&quot;&gt;(1)
Yücebaş, Hilmi. &lt;i&gt;Cemal Nadir – Hayatı,
Karikatürleri, Hâtıraları&lt;/i&gt;. İstanbul: Dizerkonca Matbaası, 1957. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 9pt;&quot;&gt;(2) Sandalcı, Mert. &lt;i&gt;Belgelerle Türk Eczacılığı (1840-1948) cilt 1&lt;/i&gt;. İstanbul: Dr. Nejat
Eczacıbaşı Vakfı Yayınları, 1997.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/4380899033335200292/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/11/cemal-nadir-karikaturlerinde-eczaclk.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/4380899033335200292'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/4380899033335200292'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/11/cemal-nadir-karikaturlerinde-eczaclk.html' title='Cemal Nadir Karikatürlerinde Eczacılık'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE_xeIhWESuvT0nt5DqCXnhWaOFXRw1hDoKrzkMNp9_35LhpEvr5dvXff4bxUYY6rf3ch5s4iCDxeIsYvHU1GYKgivLU7K6z7MeyMdY8PSjtYSdoQLIV2OZo1UPPVRj9MJw0e5x7Dpbcw/s72-c/CemalNadir1957-Kapak.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-6849461915211013822</id><published>2011-10-29T12:50:00.000-07:00</published><updated>2011-11-17T14:35:44.491-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Abdi Ibrahim"/><category scheme="http://www.blogger.com/atom/ns#" term="Bergama"/><category scheme="http://www.blogger.com/atom/ns#" term="Dioscorides"/><category scheme="http://www.blogger.com/atom/ns#" term="Edirne"/><category scheme="http://www.blogger.com/atom/ns#" term="Galen"/><category scheme="http://www.blogger.com/atom/ns#" term="Galenos"/><category scheme="http://www.blogger.com/atom/ns#" term="historical sites"/><category scheme="http://www.blogger.com/atom/ns#" term="history of pharmacy"/><category scheme="http://www.blogger.com/atom/ns#" term="II. Bayezi Darüşşifası"/><category scheme="http://www.blogger.com/atom/ns#" term="Pergame"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy historian"/><category scheme="http://www.blogger.com/atom/ns#" term="pharmacy history"/><category scheme="http://www.blogger.com/atom/ns#" term="Suleymaniye Manuscripts Library"/><category scheme="http://www.blogger.com/atom/ns#" term="Turkey"/><title type='text'>“History of Pharmacy” Map of Turkey</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 6.0pt; text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2IZpIPYstLagYM6DEtlKJrM4gf9MiaD00PZLC5thyxYM7iTwmsSBBeS1DGttuu3UD-z7NqeovszlPvdRVCTG75kqrlELHSDt8lX0IBO68Yrg9Pj8YusHZ_j-gbQgB5ywW9o8LwAm3lzI/s1600/turkey_map.gif&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;br /&gt;&lt;img border=&quot;0&quot; height=&quot;164&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2IZpIPYstLagYM6DEtlKJrM4gf9MiaD00PZLC5thyxYM7iTwmsSBBeS1DGttuu3UD-z7NqeovszlPvdRVCTG75kqrlELHSDt8lX0IBO68Yrg9Pj8YusHZ_j-gbQgB5ywW9o8LwAm3lzI/s320/turkey_map.gif&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: inherit;&quot;&gt;Because it sits at the
crossroads of various civilizations throughout history, Turkey houses a rich
blend of medico-pharmaceutical heritage from the Assyrian, Greco-Roman, Arab-Islamic
and the European origins. Bearing this in mind, Turkish pharmacy historians
began working on an annotated map of pharmacy history-related sites of
Turkey, which is expected to be published next year.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 6.0pt; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;In this context, Anavarza
Ancient City (birthplace of Pedanius Dioscorides, 1&lt;sup&gt;st&lt;/sup&gt;&amp;nbsp;Century) near &lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #351c75;&quot;&gt;Adana&lt;/span&gt;&lt;/b&gt;,
Bergama Ancient City (birthplace of Galen, 2&lt;sup&gt;nd&lt;/sup&gt; Century) near &lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;background-color: white; color: #351c75;&quot;&gt;Izmir&lt;/span&gt;&lt;/b&gt;
and the old pharmacy of the II. Bayezid Darussifasi (15&lt;sup&gt;th&lt;/sup&gt; Century)
in&lt;span class=&quot;Apple-style-span&quot; style=&quot;background-color: white;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #351c75;&quot;&gt; &lt;b&gt;Edirne&lt;/b&gt;&lt;/span&gt;&lt;/span&gt; are worth mentioning. A great majority of the sites, however, is
located in &lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #351c75;&quot;&gt;Istanbul&lt;/span&gt;&lt;/b&gt;, including
the Turkish History of Pharmacy Museum (Turkey’s first and largest museum for
the history of pharmacy), the Suleymaniye Manuscripts Library (contains a large
number of pharmaceutical manuscripts dating from the 13&lt;sup&gt;th&lt;/sup&gt; century)
and the Abdi Ibrahim Archive for the Turkish History of Pharmacy form the
highlights.&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: small;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;/div&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMUjWsxGLiOhYlAiKljbomE2b32TxUOKKi5CM0wfEK2m7EF7s3i975yoGUIM0TfP_1BFFPyPDnhfyv_q9T_oZzLUoPsbmfiDUYnKfynr-4_Re5onRKZynPWv5XAR0hOKhkdVa3uzpHFv4/s1600/anavarza2011b.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMUjWsxGLiOhYlAiKljbomE2b32TxUOKKi5CM0wfEK2m7EF7s3i975yoGUIM0TfP_1BFFPyPDnhfyv_q9T_oZzLUoPsbmfiDUYnKfynr-4_Re5onRKZynPWv5XAR0hOKhkdVa3uzpHFv4/s400/anavarza2011b.JPG&quot; width=&quot;400&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit; font-size: small;&quot;&gt;Pharmacy students visit the birthplace of&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: small;&quot;&gt;Pedanius Dioscorides&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: small;&quot;&gt;(Anavarza Ancient City, Adana, 2011)&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 6.0pt; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/6849461915211013822/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/10/turkish-pharmacy-historians-develop.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/6849461915211013822'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/6849461915211013822'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/10/turkish-pharmacy-historians-develop.html' title='“History of Pharmacy” Map of Turkey'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2IZpIPYstLagYM6DEtlKJrM4gf9MiaD00PZLC5thyxYM7iTwmsSBBeS1DGttuu3UD-z7NqeovszlPvdRVCTG75kqrlELHSDt8lX0IBO68Yrg9Pj8YusHZ_j-gbQgB5ywW9o8LwAm3lzI/s72-c/turkey_map.gif" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-4060835905974128435</id><published>2011-10-25T10:27:00.000-07:00</published><updated>2011-10-25T10:33:55.829-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="aktar"/><category scheme="http://www.blogger.com/atom/ns#" term="bitkisel ilaçlar"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacı"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="Karikatür"/><category scheme="http://www.blogger.com/atom/ns#" term="kocakarı ilaçları"/><category scheme="http://www.blogger.com/atom/ns#" term="kozmik bahar temizliği"/><category scheme="http://www.blogger.com/atom/ns#" term="lavman"/><category scheme="http://www.blogger.com/atom/ns#" term="mizah"/><category scheme="http://www.blogger.com/atom/ns#" term="sahte hekimler"/><title type='text'>Karikatürkiye&#39;nin Eczacı (!) Aktarları</title><content type='html'>&lt;b&gt;Türkiye karikatürcüler için bulunmaz cennet.&lt;/b&gt; Konu
sıkıntısı yok. Malzeme bol. Çiz çizebildiğin, yaz yazabildiğin kadar… Eczanede
yaşadıklarımız da gözden kaçacak değil ya! İlacından reçetesine, hastasından
eczacısına kadar akla gelen ne varsa karikatüre malzeme. Onların çizgiyle
yaptıklarını kelimelerle anlatmamı mazur göreceğinizi bilsem şöyle bir
karikatürü de ben çizerdim:&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Raflarında tek tük ilaç kalmış
bir eczane. Duvarda eczacının portresi, diploması ve sadece üzerindeki “Mart”
yazısı okunabilen bir takvim. Vitrinde tersten, büyük harflerle ECZANE yazısı. Sol
yanındaki kırmızı renkli “E“ harfi gecenin karanlığını aydınlatıyor. Bankonun
önünde, itiş kakış kendine yer bulmaya çalışan bilim-kurgu filmlerinden çıkma
hastalar. Eczacının elindeki son lavman setini almak için kıyasıya yarışıyorlar.
Eczacı, gözleri fal taşı gibi açılmış, kendi kendine hayıflanıyor: “Hay aksi
şeytan! Bugünün kozmik beden temizliği günü olduğunu nasıl da unutmuşum!”&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Karikatürümün alt yazısı ise şöyle olacak:&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“Esas
mesleği tütün uzmanlığı olan, bir süre endüstri mühendisliği okuyup İktisat
Fakültesinde doktora yapan, Azerbaycan’da ekonomi profesörlüğüne yükseltilip
yurduna dönen meşhur bir tıp (!) âliminin hastalarına sunduğu kozmik beden temizliği reçetesi: Turp, kırmızılâhana, marul, hıyar ve turşu suyundan oluşan kozmik
karışım mevsim değişiminin yaşandığı ilk dolunaylı gecenin seherinden başlanarak
bir hafta boyunca her gün lavman yapılacak.”&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Konusunu hayatın içinden alan bu karikatürümü sevdiniz değil
mi?&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Eczacı olmadıkları halde kendilerince ilaç yapma sevdasına
tutulanların tarihinin ne kadar eski olduğunu geçenlerde değerli tıp tarihçimiz
&lt;b&gt;Prof. Dr. Nuran Yıldırım&lt;/b&gt;’ın bir makalesinden* öğrendim. Osmanlı
Devleti’nin eczacılıkla ilgili ilk yasal düzenlemesinden (1852) bahseden bu
makalede Başbakanlık Osmanlı Arşivi belgelerinin ışığında geçmişteki sahte eczacılık
uygulamalarından örnekler veriliyordu. Bakın kimler heveslenmiş eczacılığa?&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Doktoru,
dişçisi,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Aktarı,
berberi,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Sabuncusu,
macuncusu,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Kasıkçısı,
çıkıkçısı,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Tütüncüsü,
şerbetçisi,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;(Biraz
da ben ilave edeyim)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Okumuşu,
cahili,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Yoksulu,
zengini,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Yaşlısı,
yaşsızı,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Feslisi,
fessizi,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Dertlisi,
dertsizi,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align=&quot;left&quot; class=&quot;MsoNormal&quot; style=&quot;margin-left: 35.4pt; text-align: left;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;...&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Anlayacağınız bir Allah’ın kulu da çıkıp “yahu, ben bu işten
anlamam” dememiş. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Hoş, bu saydığımız mesleklerden bazıları tarih içinde ya
tamamen kayboldu ya da mensupları kendi uzmanlık alanlarının dışına çıkmamaları
gerektiğini fark ederek sözde eczacılık yapmaktan vazgeçtiler. Biri hariç: &lt;b&gt;Aktarlar.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlcqKxy94BoR9PYzxpkvGLh0D4Yk5ttyejk-Z9CZGpD2eGdH9e96VNjHFTYRPNrzxfRKnBJQTVOljfxqlXv9DZM3EDvlZLx_272Cq33hRL4d9BpAkyhFvqF6OoGlSw3deS7HRYWsCbvSQ/s1600/Alperen+Koseoglu.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlcqKxy94BoR9PYzxpkvGLh0D4Yk5ttyejk-Z9CZGpD2eGdH9e96VNjHFTYRPNrzxfRKnBJQTVOljfxqlXv9DZM3EDvlZLx_272Cq33hRL4d9BpAkyhFvqF6OoGlSw3deS7HRYWsCbvSQ/s400/Alperen+Koseoglu.jpg&quot; width=&quot;310&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Aslında
eskiden beri severim aktar dükkânlarını. Sıra sıra dizilmiş cam kavanozlardaki rengârenk
baharatları, kenarı kutnu kumaşı kaplı torbaları dolduran kuru yaprak
yığınlarıyla tabiat ananın küçük bir şubesi gibi gelir bana. Birkaç ayı geçmez,
ne yapar eder bir aktar dükkânına uğrar; lavanta, adaçayı, oğulotu, kuşburnu,
artık hangi bitki lazımsa alırım. Bir yandan da aktarların müşterilerine anlattıklarını
can kulağıyla dinlemeyi, sattıklarını göz ucuyla takip etmeyi ihmal etmem tabii.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Tecrübelerim bana aktarların dükkânları teftiş
olmadığı sürece kendilerini baharatçı olarak değil, bitkilerin gizli dünyasına
vâkıf şifa dağıtıcılar olarak gördüklerini söylüyor. Bilgilerinin yegâne
kaynağı ya kendileri gibi aktar olan babaları ya da çoğu zaman eczacı ve doktor
dışında her türlü meslekten olan kişilerin yazdığı derleme kitaplar. Yanlış
zamanda, yanlış şekilde, yanlış yerden toplanmış, yanlış şekilde muhafaza
edilmiş ve hatta yanlış isimler altında satılan bitkileri görmek için uzaklarda
değil, çevrenizde kısa bir gezinti yapmanız kâfi. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;Dioskorides’ten bugüne çok sular aktı köprünün altından&lt;/b&gt;.
Geniş spektrumlu antibiyotikler, kontrollü salınım tabletleri, insülin
preparatları, enterik kaplı tabletler, mikropellet kapsüller, inhalerler, aerosollerin
hüküm sürdüğü bir çağda modern bilim ve teknolojinin nimetlerini görmezden
gelmek olsa olsa cehaletiyle övünen safdillere vergi. Yine de bir çuval dolusu kuru
yaprak yığınına bakarak her soruya cevap, her derde deva bulan aktarları görünce
şaşırmamalı. Boşuna mı dedik: &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“Türkiye karikatürcüler için bulunmaz cennet. Çiz çizebildiğin,
yaz yazabildiğin kadar…” &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
* * *&amp;nbsp;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;* &lt;/b&gt;Yıldırım, Nuran.
“Nizamname-i Eczacıyan der Memalik-i Osmaniye – Osmanlı Devleti’nde Eczacılar
Nizamnamesi, 1852.” &lt;i&gt;IV. Türk Eczacılık
Tarihi Toplantısı Bildirileri. &lt;/i&gt;İstanbul: Marmara Üniversitesi Yayınları,
2000: 43-104.&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;Kaynak:&lt;/b&gt; Tekiner, Halil. &quot;Türkiye&#39;nin Eczacı (!) Aktarları,&quot; &lt;i&gt;TEB Haberler Dergisi&lt;/i&gt;, Mart-Nisan sayısı (02), (2011): 34-35.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/4060835905974128435/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/10/karikaturkiyenin-eczac-aktarlar.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/4060835905974128435'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/4060835905974128435'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/10/karikaturkiyenin-eczac-aktarlar.html' title='Karikatürkiye&#39;nin Eczacı (!) Aktarları'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlcqKxy94BoR9PYzxpkvGLh0D4Yk5ttyejk-Z9CZGpD2eGdH9e96VNjHFTYRPNrzxfRKnBJQTVOljfxqlXv9DZM3EDvlZLx_272Cq33hRL4d9BpAkyhFvqF6OoGlSw3deS7HRYWsCbvSQ/s72-c/Alperen+Koseoglu.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-6729575940506597631</id><published>2011-09-29T01:24:00.000-07:00</published><updated>2011-10-27T14:40:36.042-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Afife Mat"/><category scheme="http://www.blogger.com/atom/ns#" term="Aspirin"/><category scheme="http://www.blogger.com/atom/ns#" term="Bergama"/><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Dioscorides"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="edebiyat"/><category scheme="http://www.blogger.com/atom/ns#" term="farmakope"/><category scheme="http://www.blogger.com/atom/ns#" term="filateli"/><category scheme="http://www.blogger.com/atom/ns#" term="kitap"/><category scheme="http://www.blogger.com/atom/ns#" term="Materia Medica"/><category scheme="http://www.blogger.com/atom/ns#" term="Mert Sandalcı"/><category scheme="http://www.blogger.com/atom/ns#" term="Pierre Apery"/><category scheme="http://www.blogger.com/atom/ns#" term="TETAG"/><category scheme="http://www.blogger.com/atom/ns#" term="Turhan Baytop"/><title type='text'>40. Uluslararası Eczacılık Tarihi Kongresi Berlin’de Düzenlendi</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitp4Ky8KBXuKMKFYC3APJnazAcE1vhT9gjOlW50-9062pNcBj0aRM3oMzcm-LJQbdWFNkrRTa40WnYF3uqaCiP-uzs1RH6EF5B2wGqEgQ6GDnT180iU1rPbxsuUbB1YsQB2czPGCFisH0/s1600/40ICHPkapak.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;clear: left; float: left; font-family: inherit; margin-bottom: 1em; margin-right: 1em; text-align: justify;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitp4Ky8KBXuKMKFYC3APJnazAcE1vhT9gjOlW50-9062pNcBj0aRM3oMzcm-LJQbdWFNkrRTa40WnYF3uqaCiP-uzs1RH6EF5B2wGqEgQ6GDnT180iU1rPbxsuUbB1YsQB2czPGCFisH0/s320/40ICHPkapak.jpg&quot; width=&quot;227&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Uluslararası eczacılık tarihi kongrelerinin kırkıncısı &lt;b&gt;14-17 Eylül 2011&lt;/b&gt; tarihleri arasında Almanya’nın başkenti &lt;b&gt;Berlin&lt;/b&gt;’deki Brandenburg Bilimler Akademisi’nde düzenlendi. 32 ülkeden 400’e yakın kişinin katıldığı bu kongrenin ana teması ise hayli ilginçti: “&lt;b&gt;Eczacılık ve Kitaplar&lt;/b&gt;”. Eczacılık tarihçilerine geniş bir alanda araştırma yapma imkânı veren bu konu kapsamında, meslekte bilimsel ilerlemenin itici gücünü oluşturmuş farmakope, formüler, eczacılık ders kitabı, herbal, sözlük vb. kitaplar ele alındı.&amp;nbsp;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Alman Eczacılık Tarihi Birliği Başkanı Prof. Dr. Christoph Friedrich “Kitap Yazarı Olarak Eczacılar” başlıklı açılış konuşmasında, yazdığı kitaplarla 15. yüzyıldan günümüze dek eczacılık mesleğine yön vermiş çok sayıda eczacıyı tanıttı. Davetli konuşmacıların sunumları da en az açılış konuşması kadar ilgi çekiciydi: Doç. Dr. Sabine Anagnostou’nun “Farmakobotanik Yazını: Bitkilerle Tedavi Bilgilerinin Geçmişten Günümüze Aktarımı”, Prof. Dr. François Ledermann’ın “Şehir Farmakopelerinden Avrupa Farmakopesi’ne”, Prof. Dr. Wolf-Dieter Müller-Jahncke’nin sekiz farklı dilden örneklerle süslediği “Şiirlerde Eczacı ve Eczacılık”, Doç. Dr. Axel Helmstädter’ın “Eczacılık Eğitiminde Ders Kitapları” ve Dr. Ulrich Meyer’in “İlaç Endüstrisinin Yayınları” başlıklı konuşmaları hepimiz için ufuk açıcı oldu.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;br /&gt;
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&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: right; margin-left: 1em; text-align: right;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8C16ng3y0LLLeYikxh6yxGLcNq8avmH3i1NoU_E_CA8ZN-1N8G2dMN88GHN10kJYbhovUa6Ih64rw0lcY2FBpH14kM2PkM5Q8ywDQrjrGb2tZFFGoIfv5PqWFuzhuMMb_oDcGwVTA7hw/s1600/40ICHPa.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: justify;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8C16ng3y0LLLeYikxh6yxGLcNq8avmH3i1NoU_E_CA8ZN-1N8G2dMN88GHN10kJYbhovUa6Ih64rw0lcY2FBpH14kM2PkM5Q8ywDQrjrGb2tZFFGoIfv5PqWFuzhuMMb_oDcGwVTA7hw/s320/40ICHPa.JPG&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Kongre katılımcıları açılış konuşmasını dinliyor&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Bildirilerde üzerinde en çok durulan konulardan biri de M.S. 1. yüzyılda Adana yakınlarında (Anazarba) doğan&lt;/span&gt;&lt;b style=&quot;font-family: inherit;&quot;&gt; Dioscorides &lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;ve ünlü eseri &lt;/span&gt;&lt;b style=&quot;font-family: inherit;&quot;&gt;Materia Medica&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt; idi. Norveçli eczacılık tarihçisi Bjarne Thune, yaklaşık iki bin yıl önce yazılmış bu eserde bahsi geçen tıbbi bitkilerin bugün de benzer amaçlarla kullanıldığını güncel bilimsel verilere dayanarak gösterdi. Eşi Nina Thune ise 6. yüzyılda İstanbul’da Bizans Prensesi adına yazılmış Materia Medica’daki resimleri sanat tarihi açısından değerlendirdi. Ayrıca Türk katılımcılardan Dr. Ahmet Doğan Ataman da “Filatelide Dioscorides” başlıklı poster bildirisiyle Dioscorides’in filatelideki uluslararası popülaritesine dikkat çekti.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Katılımcıların sunduğu 93 sözlü ve 54 poster bildiri eczacılık tarihi alanında yapılan çalışmaların ne denli yenilikçi ve özgün olabileceğinin birer kanıtıydı. İşte birkaç örnek: “Barcelona Üniversitesi’ndeki Eczacılık Tarihi Kitaplarının Dijitalizasyonu”, “Geçmişten Günümüze Eczacılıkta Piktogramlar”, “Eczacı Bir Yazar: Tadeusz Pankiewicz”, vb.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRlOBEtd0fg2Rq_L2xKF9DlwGT7Asw7PSb0BpUM_mvf-4uAMU8eI4Q05LYBum4CH2E3YxbesLXArJ5_2iOZpkDJ8G-5byNMnFysFyhDqglLU5Y_34xg6PXtYyXcu-f4Ya4UsiBmdZP1Ng/s1600/Mat2011a.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRlOBEtd0fg2Rq_L2xKF9DlwGT7Asw7PSb0BpUM_mvf-4uAMU8eI4Q05LYBum4CH2E3YxbesLXArJ5_2iOZpkDJ8G-5byNMnFysFyhDqglLU5Y_34xg6PXtYyXcu-f4Ya4UsiBmdZP1Ng/s320/Mat2011a.JPG&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Prof. Dr. Afife Mat ile birlikte&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Biz ise geçtiğimiz Ağustos ayında Prof. Dr. Afife Mat ve eczacılık tarihi araştırmacısı Mert Sandalcı’yla birlikte kurduğumuz &lt;/span&gt;&lt;b style=&quot;font-family: inherit;&quot;&gt;Türk Eczacılık Tarihi Araştırma Grubu (TETAG)&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt; adına şu bildirileri sunduk: “Prof. Dr. Turhan Baytop’un Kitaplarının Türk Eczacılığına Katkıları”, “İstanbul Üniversitesi Eczacılık Tarihi Müzesi’ne Kayıtlı Kitaplar Üzerine İstatistiksel Bir Değerlendirme”, “Türk Eczacılık Tarihine Işık Tutan Nadir Bir Eser: Türk Tıbbi Müstahzaratı (1929)”, “Osmanlı Eczacısı Pierre Apéry’nin Doğu Tıp ve Eczacı Yıllığı (1892)”, “Türk Edebiyatında Aspirin’in Yansımaları” ve “Yüzyıllar Boyunca Eczacı Kıyafetlerinin Evrimi”. Bu bildirilerin yabancı katılımcılardan gördüğü ilgi ve aldığı olumlu eleştiriler bizleri sevindirdi.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi6yUGLUM9qcVZJC9X-w71EBxU8iOroGgfpwZ6PEXMSO0XQOEswQpZTp5BLIUoLfE1PM_csB3gwvVfnumxcq_EvMFnjA42UKJF7xtEguOIIn9Yl0Yijv7w06_Q6lbhNkMwl9jde3I3SNY/s1600/berlin.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;297&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi6yUGLUM9qcVZJC9X-w71EBxU8iOroGgfpwZ6PEXMSO0XQOEswQpZTp5BLIUoLfE1PM_csB3gwvVfnumxcq_EvMFnjA42UKJF7xtEguOIIn9Yl0Yijv7w06_Q6lbhNkMwl9jde3I3SNY/s320/berlin.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Berlin Brandenburg Kapısı&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Kongre sosyal programı oldukça zengindi; ancak bilimsel programla çakışması nedeniyle Botanik Müzesi, Mısır Müzesi, Kraliyet Porselen Fabrikası, Tıp Tarihi Müzesi, Berlin Milli Kütüphanesi ve Charlottenburg Kalesi gezilerine katılma imkânımız olmadı. Yine de Brandenburg Kapısı, Reichstag (Parlamento Binası), Soykırım Anıtı, Ihlamurlar Altı Caddesi ve Berlin Duvarı’nın yıkılmadan kalan kısımları gibi Berlin’in olmazsa olmaz yerlerini otobüsün içinden de olsa görebildik. Kongre programında yer almadığı halde &lt;/span&gt;&lt;b style=&quot;font-family: inherit;&quot;&gt;&lt;a href=&quot;http://www.berlin.de/orte/museum/pergamonmuseum/index.en.php&quot;&gt;Pergamonmuseum&lt;/a&gt;&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;’u (Bergama Müzesi) ziyaret etmeyi unutmadık tabii. 20. yüzyıl başlarında Türkiye’den demiryoluyla Almanya’ya taşınmış yüzlerce tarihi eserin sergilendiği bu öz be öz “Anadolu” müzesini gezerken hüzünlenmemek elde değil. Tarihine sahip çıkmayı lüks sayan idareciler için tarihin verdiği ne hazin bir ders…&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Bir sonraki Uluslararası Eczacılık Tarihi Kongresi, Fransız Eczacılık Tarihi Birliği’nin yüzüncü kuruluş yıldönümü anısına &lt;/span&gt;&lt;b style=&quot;font-family: inherit;&quot;&gt;11-14 Eylül 2013&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt; tarihleri arasında &lt;/span&gt;&lt;b style=&quot;font-family: inherit;&quot;&gt;Paris&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;’te düzenlenecek. İlgilenenler bu kongre hakkında detaylı bilgilere gelecekte &lt;/span&gt;&lt;a href=&quot;http://www.41ichp.org/&quot; style=&quot;font-family: inherit;&quot;&gt;www.41ichp.org&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt; adresinden ulaşabilirler. 2015 yılındaki kongrenin Türkiye’de düzenlenmesi için Uluslararası Eczacılık Tarihi Birliği yönetimiyle görüşmelerimiz sürüyor. &lt;/span&gt;&lt;b style=&quot;font-family: inherit;&quot;&gt;5-6 Haziran 2012&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt; tarihlerinde İstanbul Üniversitesi Eczacılık Fakültesi’nin ev sahipliğinde düzenlenecek &lt;/span&gt;&lt;b style=&quot;font-family: inherit;&quot;&gt;10. Türk Eczacılık Tarihi Toplantısı&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;’nın bu büyük kongre için de bir ön hazırlık olacağını ümit ediyoruz.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/6729575940506597631/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/40-uluslararas-eczaclk-tarihi-kongresi_29.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/6729575940506597631'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/6729575940506597631'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/40-uluslararas-eczaclk-tarihi-kongresi_29.html' title='40. Uluslararası Eczacılık Tarihi Kongresi Berlin’de Düzenlendi'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitp4Ky8KBXuKMKFYC3APJnazAcE1vhT9gjOlW50-9062pNcBj0aRM3oMzcm-LJQbdWFNkrRTa40WnYF3uqaCiP-uzs1RH6EF5B2wGqEgQ6GDnT180iU1rPbxsuUbB1YsQB2czPGCFisH0/s72-c/40ICHPkapak.jpg" height="72" width="72"/><thr:total>0</thr:total><georss:featurename>Berlin, Almanya</georss:featurename><georss:point>52.5234051 13.4113999</georss:point><georss:box>52.2142546 12.779685899999999 52.8325556 14.0431139</georss:box></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-3245013381932238254</id><published>2011-09-20T02:49:00.000-07:00</published><updated>2011-09-20T02:58:41.581-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="edebiyat"/><category scheme="http://www.blogger.com/atom/ns#" term="linguistik"/><category scheme="http://www.blogger.com/atom/ns#" term="Reçete"/><category scheme="http://www.blogger.com/atom/ns#" term="sanat"/><category scheme="http://www.blogger.com/atom/ns#" term="Türkçe"/><category scheme="http://www.blogger.com/atom/ns#" term="Ömer Seyfettin"/><category scheme="http://www.blogger.com/atom/ns#" term="öykü"/><title type='text'>Ömer Seyfettin ve &quot;Türkçe Reçete&quot; Başlıklı Öyküsü</title><content type='html'>&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiESEE-etA7iKcHDci7Xy9612OzuHosroFO6z45uEeIXP-cNHe-Eyutd2OdRci7HvNx-BOfLdp6D5BXL8CsnLhp5N_Rsg0ZUJciRkSDXVDXciAJYE64eoqELYc6JEKB2KIqxb_e_4iZ5_s/s1600/omerseyfettin.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiESEE-etA7iKcHDci7Xy9612OzuHosroFO6z45uEeIXP-cNHe-Eyutd2OdRci7HvNx-BOfLdp6D5BXL8CsnLhp5N_Rsg0ZUJciRkSDXVDXciAJYE64eoqELYc6JEKB2KIqxb_e_4iZ5_s/s200/omerseyfettin.jpg&quot; width=&quot;148&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Bu satırların yazarından başka kim bilir kaç kuşağın çocukluğu daha
iki Türk yazarının tuhaf, hüzünlü ve yer yer korkutucu kitaplarını okuyarak
geçti? İlki &lt;i&gt;Küçük Besleme&lt;/i&gt;, &lt;i&gt;Öksüz Murat&lt;/i&gt;, &lt;i&gt;Karanlıkta Bir Çocuk&lt;/i&gt;, &lt;i&gt;Annesizler&lt;/i&gt;,
&lt;i&gt;Babasızlar&lt;/i&gt;, &lt;i&gt;Sakat Çocuk&lt;/i&gt;, &lt;i&gt;Kolsuz Bebek&lt;/i&gt;
gibi adı bile ürkütücü kitapların yazarı &lt;b&gt;Kemalettin
Tuğcu &lt;/b&gt;(1902−1996), ikincisi ise özellikle tarihi konuları ele aldığı
öykülerinde ne yapıp edip kanlı bir sahne yaratmaktaki ustalığıyla; gövdesi, kesik
başını almak için ayağa kalkıp var gücüyle savaşan, kocasının kesik başının sarılı
olduğu kılıfı bomba zanneden ya da diyetini ödemek için satırla kendi kolunu
kesen kahramanların yaratıcısı &lt;b&gt;Ömer
Seyfettin&lt;/b&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt; (1884−1920).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Tuğcu’yu bilmem
ama Ömer Seyfettin’in Türk öykü sanatımızdaki eşsiz yeri ve dilde sadeleşme
için gösterdiği olağanüstü çabalarıyla gelecek kuşaklar tarafından da hatırlanacağından
eminim.&lt;br /&gt;
&lt;br /&gt;
Birkaç ay
oluyor, Ömer Seyfettin’in tüm öykülerini bir de yetişkin gözüyle okumaya karar
verdim. Öyle ya, çocuk aklımla okuyup anladıklarım şimdikinden çok farklı
olmalıydı. Üç, dört derken farkına bile varamadan tam on yedi kitabını okuyuvermişim.
Geçen onca yıla rağmen pek çok öyküyü hâlâ hatırladığımı fark ettim. Çocukluk
günlerimde değil ama şimdi &lt;b&gt;eczacı gözüyle &lt;/b&gt;son derece ilginç bulduğum bir
öyküyü keşfettim üstelik:&lt;b&gt; &lt;i&gt;Türkçe
Reçete&lt;/i&gt;&lt;/b&gt;.&lt;br /&gt;
&lt;br /&gt;
Kaynaklara göre ilk kez 30 Aralık
1918’de yayımlanan bu öykü, Fransızcanın dönemin hekim ve eczacıları arasındaki
yaygın kullanımına tanıklık ediyor olması nedeniyle eczacılık tarihimiz
açısından da oldukça önemli. Öykünün konusu ise kısaca şöyle:&lt;br /&gt;
&lt;br /&gt;
Duyduğu şiddetli baş ağrısı, kalp çarpıntısı ve sinirlilik hâli
nedenleriyle öleceği kuruntusuna kapılan Belkıs Hanım, hizmetçisi Eleni’den
ünlü kadın hastalıkları uzmanı Doktor Şerif’i çağırmasını ister. Eve gelen doktor,
hastasını önce uzun uzun, şairane sözlerle över; ardından son günlerin
dedikodularından ve kadın haklarından söz açar. Bu konuşmalar sırasında bütün
sıkıntılarını unutan Belkıs Hanım doktordan yine de kendisine etkili bir ilâç
yazmasını ister. Bu isteği kabul etmek zorunda kalan doktorun reçeteyi Türkçe
yazdığını görünce ilkin çok şaşırır; fakat reçetesinde, kadın dergilerinde
gördüğü son moda tayyörlerin terziye diktirilmesi, her gün bir otomobille iki
saat gezdirilmesi gibi tavsiyelerin yazılı olduğunu okuyunca da çok keyiflenir.
Doktor Şerif’e kendisini tüm hasta arkadaşlarına tavsiye edeceğini söyler.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; text-align: justify; text-indent: 0cm;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Aşağıda, “Türkçe reçete olur mu?” sorusunun geçtiği bölümden kısa
bir pasajı aktarıyorum.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 0.0001pt; text-align: center; text-indent: 35.4pt;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;* * *&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEzRsnTRqYx5rK_U_3oQrZPmkg76lJzw-i8YexTPWY-O3HISa9pxHMe1EN0EyBetcRQ8JVWzJ04RZ5IfyzBXNpVDiLpsEoagB5irDZK_M-Q0FQUEjyA6sqdKXdh514nG4qQp1tZ0bf2gU/s1600/OmerSeyfKitap.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEzRsnTRqYx5rK_U_3oQrZPmkg76lJzw-i8YexTPWY-O3HISa9pxHMe1EN0EyBetcRQ8JVWzJ04RZ5IfyzBXNpVDiLpsEoagB5irDZK_M-Q0FQUEjyA6sqdKXdh514nG4qQp1tZ0bf2gU/s200/OmerSeyfKitap.jpg&quot; width=&quot;135&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Doktor Şerif
gülümsedi. Yazmaya başladı. Belkıs yan gözle yazdığına bakıyordu:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“A!.. Doktor,
Türkçe mi yazıyorsunuz?” dedi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0cm;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“Evet.”&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;b&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“Türkçe reçete
olur mu hiç?”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0cm;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“Niçin olmasın?”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“O halde demek
siz de mutaassıp [bağnaz] Türkçülerdensiniz!”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0cm;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“Hayır.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0cm;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“Eey, niçin
Türkçe yazıyorsunuz?”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0cm;&quot;&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;“Yapacak eczacı
belki Fransızca el yazısı okuyamaz.” diye…&amp;nbsp;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Yavaş yavaş,
düşüne düşüne yazıyordu. Belkıs uzaktan bakıyor fakat okuyamıyordu. Gram filan
miktarını gösteren rakama benzer bir şey gözüne ilişmedi. Uzun uzun satırlardı.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0cm;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;(&lt;b&gt;Kaynak:&lt;/b&gt; Ömer Seyfettin.
&lt;i&gt;Türkçe Reçete&lt;/i&gt;. haz. M. Sabri Koz.
İstanbul: Yapı Kredi Yayınları, 2010, s. 70-75)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; text-align: center; text-indent: 0cm;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;* * *&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; mso-margin-bottom-alt: auto; text-indent: 0cm;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix7zhJQH-2rVpXcGodDOGolgm_BDr36jsjc_epBbxVtMuaR92DzhSBROr7g9aUAjrWcL1y-psLNBunWkHMGuzukWDB1NDDwEY3IAhcHJq72P8AjP7SYz2WcRRGFlNWyO8a-fZ048kj0iA/s1600/1937Recete.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;clear: right; float: right; font-family: inherit; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix7zhJQH-2rVpXcGodDOGolgm_BDr36jsjc_epBbxVtMuaR92DzhSBROr7g9aUAjrWcL1y-psLNBunWkHMGuzukWDB1NDDwEY3IAhcHJq72P8AjP7SYz2WcRRGFlNWyO8a-fZ048kj0iA/s320/1937Recete.jpg&quot; width=&quot;243&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Bu öyküyü okuduktan sonra Türk eczacılığının neredeyse 20. yüzyıla kadar
hep Türkçeden başka dillerin etkisinde kaldığını hatırladım. Aklıma bir soru
takıldı sonra: Acaba hangi kelimeleri hangi dillerden almıştık? Kısa bir
araştırmayla bu dillerin sayısının sandığımdan da fazla olduğunu anladım.
Sözgelimi &lt;b&gt;eczacı&lt;/b&gt;, Arapça “eczâ” kelimesinden türetilmiş. Eczacıya
eskiden &lt;b&gt;ispençiyar&lt;/b&gt; denirdi ya, işte o da İtalyanca “speziale” (&lt;i&gt;okunuşu:
spetsiyale&lt;/i&gt;) kelimesinden geliyormuş. &lt;b&gt;Eczane&lt;/b&gt; ise Arapça-Farsça
kırması, Arapça “eczâ” ve Farsça “hâne” kelimelerinin evliliğinden doğan sevimli
bir melez. &lt;b&gt;Farmakope&lt;/b&gt; Eski Yunancadan, &lt;b&gt;reçete&lt;/b&gt; İtalyancadan, &lt;b&gt;tablet&lt;/b&gt;
Fransızcadan, &lt;b&gt;OTC&lt;/b&gt; İngilizceden... &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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Daha
sayayım mı?&amp;nbsp;Artık bir başka yazıya borcum olsun…&lt;br /&gt;
&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;Kaynak: Tekiner, Halil. &quot;Ömer Seyfettin ve &#39;Türkçe Reçete&#39; Başlıklı Öyküsü,&quot; &lt;i&gt;Ankara Eczacı Odası&lt;/i&gt;&amp;nbsp;&lt;i&gt;Bizim Gazete sayı 31&lt;/i&gt;&amp;nbsp;(2011): 6.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/3245013381932238254/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/omer-seyfettin-ve-turkce-recete-baslkl.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/3245013381932238254'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/3245013381932238254'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/omer-seyfettin-ve-turkce-recete-baslkl.html' title='Ömer Seyfettin ve &quot;Türkçe Reçete&quot; Başlıklı Öyküsü'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiESEE-etA7iKcHDci7Xy9612OzuHosroFO6z45uEeIXP-cNHe-Eyutd2OdRci7HvNx-BOfLdp6D5BXL8CsnLhp5N_Rsg0ZUJciRkSDXVDXciAJYE64eoqELYc6JEKB2KIqxb_e_4iZ5_s/s72-c/omerseyfettin.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-704088996297692064</id><published>2011-09-09T08:35:00.000-07:00</published><updated>2011-09-09T08:47:07.687-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="eczane"/><category scheme="http://www.blogger.com/atom/ns#" term="Karikatür"/><category scheme="http://www.blogger.com/atom/ns#" term="sanat"/><title type='text'>Karikatürün &quot;Gör&quot; Dediği...</title><content type='html'>&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;Hayata mizahla bakmak…&lt;/b&gt;&amp;nbsp;Felsefe kitaplarında yazar mı bilmem ama yarın ne olacağını kestiremediğimiz bir dünyada yapacağımız en aklı başında işin bu olduğunu düşünmüşümdür hep. Üstelik Nasrettin Hoca’sı, Karagöz’ü, Komik-i Şehir Naşid’i, Neyzen Tevfik’i, Aziz Nesin’iyle koskoca bir mizah kültürünün mirasçısı olan bir ülkede pek de zor olmasa gerek hayata mizahla bakmak, mizahla yaşamak.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwgFkp_Smmmut9EhMxjcbXq8-HhX4APZObemF8YbVyVK6nWiP9PUmzzRJcuugg6cIK1X56ta9ntkUUaQZdT7Q70_MxuNLGfnLeoCiw3y0wWQB8vVOu8FY70uqY9hKghS-jUNvGcEoEpf8/s1600/TEB5-12-2009.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; display: inline !important; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwgFkp_Smmmut9EhMxjcbXq8-HhX4APZObemF8YbVyVK6nWiP9PUmzzRJcuugg6cIK1X56ta9ntkUUaQZdT7Q70_MxuNLGfnLeoCiw3y0wWQB8vVOu8FY70uqY9hKghS-jUNvGcEoEpf8/s320/TEB5-12-2009.jpg&quot; width=&quot;227&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Geçenlerde okudum; bir çocuk günde ortalama 400 kez gülerken yetişkinlerde bu sayı 15’miş. Aradaki 385’in nereye gittiğini anlamak güç. Peki, ne oluyor bize de her geçen yıl yüzleri daha asık ve kaşları daha çatık yetişkinler oluyoruz? Yoksa şu son yıllarda yaşadığımız sıkıntılar mı bizi mizah duygusundan yoksun bırakıyor? Televizyon komedilerinin,&amp;nbsp;&lt;i&gt;stand-up show&lt;/i&gt;ların dışında da fıkradan hicve, ortaoyunundan müzikli güldürüye kadar ne çok türü var oysa mizahın. Ve tabii ki&amp;nbsp;&lt;b&gt;karikatür&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Karikatür san&lt;/span&gt;atına duyduğum merak eskilere, çocukluk yıllarımda okuduğum bir kitabın (&lt;i&gt;Hababam Sınıfı&lt;/i&gt;) sayfa aralarını süsleyen Turhan Selçuk karikatürlerine hayran hayran baktığım günlere uzanıyor. O yıllarda Selçuk’un&amp;nbsp;&lt;i&gt;Abdülcanbaz&amp;nbsp;&lt;/i&gt;karikatürlerinden&lt;i&gt;&amp;nbsp;&lt;/i&gt;başka sakız paketlerinden çıkan sivri burunlu&amp;nbsp;&lt;i&gt;Tipitip&lt;/i&gt;&amp;nbsp;karikatürlerini de bir defterde toplamayı huy edinmiştim. (Kaybolan çocukluk anılarım arasında bir yerlerde saklı kalan bu deftere ne olduğunu hala bilmiyorum.) Bu çocuksu merakımı alıp başlı başına bir ilgi alanı haline getirense bir başka karikatürcü, kendisiyle hiç tanışmadığım halde adını söylerken hep “Semih Bey” deme ihtiyacı hissettiğim Semih Balcıoğlu oldu. Ardından eskiler; meşhur Cem, Ramiz,&amp;nbsp;&lt;i&gt;Amcabey&lt;/i&gt;&amp;nbsp;karakterinin yaratıcısı Cemal Nadir ve diğerleri.&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiACATD_qicYmt5quh7kMzZb_8WLa4T-VQnAopvT6t_4WixehJRx8R1bFH8O-nwumX2rxSM9VAFzUDgA6kkdi0QBqxC9ANI7ZpHkjK4hhC0lehHMr-izC9Ryg-tiHfkUK3ImR-NYPloULs/s1600/TEBCagdasEcz1978.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;194&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiACATD_qicYmt5quh7kMzZb_8WLa4T-VQnAopvT6t_4WixehJRx8R1bFH8O-nwumX2rxSM9VAFzUDgA6kkdi0QBqxC9ANI7ZpHkjK4hhC0lehHMr-izC9Ryg-tiHfkUK3ImR-NYPloULs/s200/TEBCagdasEcz1978.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;2009 yılında Almanya&amp;nbsp;&lt;i&gt;Philipps Üniversitesi&lt;/i&gt;’nde verdiğim “Türk Sanatında Eczacılık” konulu konferansım için hazırlık yaparken karikatür merakımla mesleğimi buluşturan, ülkemizde bakir kalmış bir alanı keşfettim:&amp;nbsp;&lt;b&gt;Karikatürlerde eczacılık&lt;/b&gt;. O tarihten beri de gittiğim her ülkede ilk iş karikatür müzelerini bulur, karikatür sergilerini gezer, arşivleri inceler, eczacılıkla ilgili bulabildiğim tüm karikatürleri titizlikle toplarım. Basel ve Frankfurt’takiler gibi olmasa da bizde de İstanbul ve Eskişehir’deki Karikatür Müzelerinin varlığı beni mutlu ediyor. Bir yenisini de ünlü karikatürcümüz Mahmut Karatoprak’la birlikte Kayseri’de açmak niyetindeyiz. Ya nasip!..&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYGRW-4rVtEAzuEQFFxOEt44nEiewMHtUBr3Cpnef0BWDINWD3sov9v6F_2B5E0_0IeMxwH9EkYWnqyFKmhNUXnIThNvMsy6SuiKpDMnM1aWSybeErnWXQW28SyQET_UT0Di1rDwrkDm8/s1600/TEBMY%25C4%25B1lmaz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;267&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYGRW-4rVtEAzuEQFFxOEt44nEiewMHtUBr3Cpnef0BWDINWD3sov9v6F_2B5E0_0IeMxwH9EkYWnqyFKmhNUXnIThNvMsy6SuiKpDMnM1aWSybeErnWXQW28SyQET_UT0Di1rDwrkDm8/s400/TEBMY%25C4%25B1lmaz.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;Karikatür bizde Tanzimat sonrasında gelişen, nispeten yeni bir sanat.&lt;/b&gt;&amp;nbsp;Ülkemizde basılı ilk karikatür 1870 yılında Teodor Kasap’ın yayınladığı&amp;nbsp;&lt;i&gt;Diyojen&lt;/i&gt;&amp;nbsp;isimli mizah dergisinde imzasız olarak yer alıyor.&lt;sup&gt;(1)&lt;/sup&gt;&amp;nbsp;Nedeninin şark müzehhip ya da hattatlarına has alçakgönüllülük değil siyasi baskılardan kaçınmak olduğunu söylemeye bilmem gerek var mı? Karikatürün tanıtılmasında elbette başkalarının; Opçanadassis, Nişan Berberyan, Ali Fuad Bey (ilk Türk karikatürcü), Rıza ve Benetsanos gibi isimlerin de rolü oldu.&lt;sup&gt;(1,2)&amp;nbsp;&lt;/sup&gt;İlerleyen dönemlerde bazı engellemelere rağmen kısa sürede halk tarafından benimsendi. Cumhuriyet devriyle birlikte yeni bir ivme kazandı, genç kuşak karikatürcülerimizin elinde kimliğini buldu.&lt;/span&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;i&gt;Karagöz&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Kalem&lt;/i&gt;&amp;nbsp;ya da&amp;nbsp;&lt;i&gt;Akbaba&lt;/i&gt;&amp;nbsp;gibi bundan 70-80 yıl öncesinin karikatür ve mizah dergilerinin bugün bile büyük keyifle okunacağından eminim. Çünkü karikatür, genellikle konusunu doğrudan yaşamın içinden; gerçek kişilerden, olaylardan, eylemlerden alan bir sanat. Bir yönüyle güncel, diğer yönüyle de ebedi. İşte son seksen yılın her daim güncel karikatürlerinin ortak konularından birisi:&amp;nbsp;&lt;b&gt;Eczanede işler kesat!&lt;/b&gt;&amp;nbsp;Tıpkı bugünkü gibi.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Karikatür aynasındaki suretimize bakmak… Karikatürün o uyarıcı, eleştirel gücünü fark etmek…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: #002060; font-size: 12pt;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;İşte, karikatürün “gör” dediği…&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;color: #002060; font-size: 12pt;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit; font-size: x-small;&quot;&gt;Kaynaklar&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;(1)&amp;nbsp;&lt;/span&gt;Koloğlu, Orhan.&amp;nbsp;&lt;i&gt;Türkiye Karikatür Tarihi&lt;/i&gt;. İstanbul: Bileşim Yayınevi, 2005.&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;(2)&amp;nbsp;Balcıoğlu, Semih.&amp;nbsp;&lt;i&gt;Türk Karikatürü&lt;/i&gt;. 2. Baskı. Ankara: Türkiye İş Bankası Kültür Yayınları, 1987.&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: #002060; font-size: 12pt;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/704088996297692064/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/karikaturun-gor-dedigi.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/704088996297692064'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/704088996297692064'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/karikaturun-gor-dedigi.html' title='Karikatürün &quot;Gör&quot; Dediği...'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwgFkp_Smmmut9EhMxjcbXq8-HhX4APZObemF8YbVyVK6nWiP9PUmzzRJcuugg6cIK1X56ta9ntkUUaQZdT7Q70_MxuNLGfnLeoCiw3y0wWQB8vVOu8FY70uqY9hKghS-jUNvGcEoEpf8/s72-c/TEB5-12-2009.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-8555645836218060553</id><published>2011-09-08T06:46:00.000-07:00</published><updated>2011-10-28T23:11:48.140-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="klasik Türk müziği"/><category scheme="http://www.blogger.com/atom/ns#" term="Müzik"/><category scheme="http://www.blogger.com/atom/ns#" term="Rıza Rit"/><category scheme="http://www.blogger.com/atom/ns#" term="sanat"/><category scheme="http://www.blogger.com/atom/ns#" term="sanatçı"/><category scheme="http://www.blogger.com/atom/ns#" term="TRT"/><category scheme="http://www.blogger.com/atom/ns#" term="Türk müziği"/><category scheme="http://www.blogger.com/atom/ns#" term="Türk sanat müziği"/><title type='text'>Klasik Türk Müziğinde Bir Ekol: Ecz. Rıza Rit</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzYXI1rXOE45KDNfUJ6_VeRsgbn5kyONcZIswnl9jUKiBn5FO9WVSkkUsY1ygNfKOr9rrknlG_8IzrqEoMxrnb8CP3p_9TWRWohuQVJVX5HFshuTWMzFWyX8qU4p3ZP5vtbcbcYtXNMq0/s1600/RizaRit2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;176&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzYXI1rXOE45KDNfUJ6_VeRsgbn5kyONcZIswnl9jUKiBn5FO9WVSkkUsY1ygNfKOr9rrknlG_8IzrqEoMxrnb8CP3p_9TWRWohuQVJVX5HFshuTWMzFWyX8qU4p3ZP5vtbcbcYtXNMq0/s200/RizaRit2.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;Genç
kuşakların klasik Türk müziğine olan ilgisi azalıyor mu?&lt;/b&gt; Korkarım evet. Hem
de sanıldığı gibi son 15-20 yıldan beri değil, çok daha uzun süredir... Çevremdekilere
sordum; kimisi şarkıların sözlerini anlayamamaktan şikâyetçi, kimisi ritmin
ağırlığından, kimisi de müzik zevkine hitap etmediği ya da aradığını
bulamadığından… Öyle ya, &lt;i&gt;hay&lt;/i&gt;&lt;span class=&quot;apple-style-span&quot;&gt;&lt;i&gt;&lt;span style=&quot;color: black;&quot;&gt;â&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;i&gt;li dü
çeşminden [iki gözünden] gitmeyen&lt;/i&gt;, &lt;i&gt;zülfünün esiri olunacak mah [ay] yüzlü
&lt;/i&gt;sevgililer yerini &lt;i&gt;öp öp öp öp doyulamayan bal dudaklı&lt;/i&gt;,&amp;nbsp; &lt;i&gt;önce huyunun suyunun ve sonra da teninin
uyumunun (!)&lt;/i&gt; &lt;i&gt;bilinmesi gereken&lt;/i&gt; sevgililere bırakalı, eh, bir hayli
oluyor… Fakat hep merak etmişimdir: Ne oluyor da 20’li yaşlarda pek ciddiye
almadığımız bu müziğin 30’lu yaşlarda azar azar, 40’lı yaşlarda epey ve
50’lerde büsbütün müptelası oluyoruz? &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmbeAqw_fMSjLzFTjOYABgi5ELQ_GUVD3h5RFAVb8oMIVNgQs7tbRAikqvRn3EfG9bxCpuQ60jtZAC3_LF-6I7Wuiqi-S_YBmK_lzWw5NjjUsS10cKB02Jf_6lVB64Ze0yySEQjMWUeyo/s1600/RitCD.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;318&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmbeAqw_fMSjLzFTjOYABgi5ELQ_GUVD3h5RFAVb8oMIVNgQs7tbRAikqvRn3EfG9bxCpuQ60jtZAC3_LF-6I7Wuiqi-S_YBmK_lzWw5NjjUsS10cKB02Jf_6lVB64Ze0yySEQjMWUeyo/s320/RitCD.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;İşte,
İstiklal Caddesi’ni boydan boya arşınladığım bir akşamüstü aklımdan tam bu soru
geçiyordu ki gözüme bir müzik mağazasının vitrinini süsleyen, sepya renkli kapağı
film şeridi şeklinde tasarlanmış bir CD ilişti: &lt;i&gt;Musıkimizde İz Bırakanlar: Rıza
Rit.&lt;/i&gt; Bu isim kulağıma bir yerlerden çalınıyordu ama nereden? Hemen
satın aldım, ambalajını sabırsızlıkla açıp CD kitapçığını okudum. Evet, hislerimde
yanılmamıştım; bir meslektaşımıza aitti bu kayıt, üstelik Türk müziği ses sistemindeki
perdeleri en doğru şekilde icra etmesi nedeniyle kendisine Tanburi Necdet Yaşar
tarafından &lt;b&gt;&lt;i&gt;Perdeci&lt;/i&gt;&lt;/b&gt; lakabı verilmiş bir TRT sanatçısına. Eve dönüp
CD’yi dinlediğimde ise adeta büyülendim. Münir Nurettin ekolünü takip eden
sağlam bir üslup ve son derece açık, anlaşılır telaffuzun kat be kat
güzelleştirdiği, billur gibi bir ses… Hemen, kendisi de uzun yıllar İstanbul
Klasik Türk Müziği Korosu’nda korist olarak yer alan ve bu nedenle müzik
kulağına güvendiğim annem Ecz. Emel Tekiner’e dinlettim. Onun da benimle aynı
fikri paylaştığını görünce Rıza Bey hakkında ufak bir araştırmaya giriştim. İşte
bulduklarım: &lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjwLIRggj5XUeN9lyJVt8-y5agxvr9Ra7ObleW6E150HcdSMv4_rleGoPw8N78sd6Zxkta_iteLC1Lr0gol1DnokrtcDux0V2oXFh_PwYy0uwaMNaEz4933BLcglBz0JgXRq3-dMjLEf8/s1600/RizaRit.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjwLIRggj5XUeN9lyJVt8-y5agxvr9Ra7ObleW6E150HcdSMv4_rleGoPw8N78sd6Zxkta_iteLC1Lr0gol1DnokrtcDux0V2oXFh_PwYy0uwaMNaEz4933BLcglBz0JgXRq3-dMjLEf8/s200/RizaRit.jpg&quot; width=&quot;147&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;22 Eylül 1925 tarihinde
İstanbul’da doğdu. Çocukluğunda dinlediği Münir Nurettin Selçuk plakları ve radyo
fasıllarından etkilenerek küçük yaşlardan itibaren Türk müziğine ilgi duydu. Lise
yıllarında besteci Şerif İçli ile tanışarak eserlerinden ve nota arşivinden
yararlandı. 1944’te &lt;b&gt;İstanbul
Üniversitesi Eczacı Okulu&lt;/b&gt;’na girdi. Üniversite’de okuduğu yıllarda Mesut
Cemil ve Cevdet Kozanoğlu’nun teşvikleriyle müziğe olan ilgisi derinleşti.
1946’da Ankara Radyosu’nda ilk solo icrasını gerçekleştirdi.
1948’de Eczacı Okulu’ndan mezun oldu. 1950’de bir yıl süreyle Ankara’da &lt;b&gt;Yenişehir Eczanesi&lt;/b&gt;’nin mesul müdürlüğünü
yaptı. Ertesi yıl İstanbul’a gelerek iki yıl süresince ailesine ait Rit Çikolata
ve Rit Sabun Fabrikalarında görev aldı. (Rit Çikolataları’nın tersine piyasada
büyük başarı kazanan, kendine özgü kokulu Rit Güzellik Sabunlarını o devirleri
yaşamış eczacılarımız mutlaka hatırlayacaklardır.) Aynı yıl İstanbul
Radyosu’nda solist ve korist olarak göreve başladı ve Dr. Nevzad Atlığ’ın
teşvikiyle İstanbul Belediye Konservatuarı Türk Müziği İcra Heyeti’ne girdi. 1955-60
yılları arasında &lt;b&gt;Öziş Ecza Deposu&lt;/b&gt;’nun
mesul müdürlüğünü yürüttü.
Ardından Şişli’de &lt;b&gt;Rıza Rit Eczanesi&lt;/b&gt;’ni açarak 1972 yılına kadar eczane
eczacılığı yaptı. 1972’den sonra sanatçı, şef ve &lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;â&lt;/span&gt;&lt;/span&gt;yinhan [Mevlevi &lt;span class=&quot;apple-style-span&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;âyinleri
okuyucusu]&lt;/span&gt;&lt;/span&gt; olarak tüm mesaisini Türk müziğine verdi. 1978-84
yılları arasında iki dönem TRT Yönetim Kurulu Üyeliği görevini yürüttü. 1990’da
yaş haddi nedeniyle TRT’den emekli oldu. Bu tarihten sonra da uzun yıllar &lt;b&gt;İstanbul Eczacı Odası Klasik Türk Müziği
Korosu&lt;/b&gt;’nu yönetti. Seslendirdiği eserlerin bir kısmı CD’ye aktarılarak &lt;i&gt;Musıkimizde
İz Bırakanlar: Rıza Rit&lt;/i&gt; (Çınar Müzik, 2007) ve &lt;i&gt;Rıza Rit’ten Seçmeler&lt;/i&gt;
(TRT Arşiv Serisi, 2010) adlarıyla yayınlandı. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;* * *&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;iframe allowfullscreen=&#39;allowfullscreen&#39; webkitallowfullscreen=&#39;webkitallowfullscreen&#39; mozallowfullscreen=&#39;mozallowfullscreen&#39; width=&#39;320&#39; height=&#39;266&#39; src=&#39;https://www.youtube.com/embed/ro29nNKDqsU?feature=player_embedded&#39; frameborder=&#39;0&#39;&gt;&lt;/iframe&gt;Hem kendisini tebrik etmek hem de
bu yazıyla ilgili bilgi eksiklerimi gidermek için geçtiğimiz Mart ayında Rıza Bey’le telefonda görüştüm. Önümde
&lt;i&gt;1948 Eczacı Yıllığı&lt;/i&gt;’ndan kendisiyle ilgili bölüm, Rit Güzellik Sabunu
reklamları, hakkında daha önce yazılmış makaleler, CD’leri ve kişisel notlarım…
Belki yarım saati buldu konuşmamız. Eczacı Okulu’ndan Rit Sabunlarına, Münir
Nurettin’den TRT’nin son dönem müzik programlarına kadar pek çok konudan
konuştuk. Klasik Türk müziğine duyduğu engin sevgi ve hayranlığın birer kanıtı
olan sözlerinden ben de kendi payıma çok şey öğrendim. Ve istedim ki böyle bir
meslek büyüğünü tanımış olmanın verdiği gururu sizlerle de paylaşabileyim…&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;Teşekkür:&lt;/b&gt;&amp;nbsp; Ecz. Rıza Rit hakkında temin ettiği bilgi ve
belgelerden ötürü değerli büyüğüm, sanat dostu, şair &lt;b&gt;Ecz. Melih Ziya Sezer&lt;/b&gt;’e
teşekkür ederim.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;Kaynak:&amp;nbsp;&lt;/b&gt;Tekiner, Halil. “Klasik Türk Müziğinde Bir
Ekol: Ecz. Rıza Rit.” &lt;i&gt;Ankara Eczacı Odası&lt;/i&gt; &lt;i&gt;Bizim Gazete sayı 30&lt;/i&gt;.
(2011): 6.&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;margin-left: 18.15pt; mso-list: l0 level1 lfo1; tab-stops: list 18.15pt; text-indent: -18.0pt;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Book Antiqua&#39;, serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/8555645836218060553/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/klasik-turk-muziginde-bir-ekol-ecz-rza.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/8555645836218060553'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/8555645836218060553'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/klasik-turk-muziginde-bir-ekol-ecz-rza.html' title='Klasik Türk Müziğinde Bir Ekol: Ecz. Rıza Rit'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzYXI1rXOE45KDNfUJ6_VeRsgbn5kyONcZIswnl9jUKiBn5FO9WVSkkUsY1ygNfKOr9rrknlG_8IzrqEoMxrnb8CP3p_9TWRWohuQVJVX5HFshuTWMzFWyX8qU4p3ZP5vtbcbcYtXNMq0/s72-c/RizaRit2.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-3168585209725225410</id><published>2011-09-08T06:32:00.000-07:00</published><updated>2016-01-06T03:57:55.118-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="bookplate"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="ekslibris"/><category scheme="http://www.blogger.com/atom/ns#" term="exlibris"/><category scheme="http://www.blogger.com/atom/ns#" term="kitap"/><category scheme="http://www.blogger.com/atom/ns#" term="sanat"/><title type='text'>Ekslibris (Kitap Etiketi) ve Eczacılık</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Times, &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3wuXvm6OjEsrL3KwjHyw8zUVNfI3LhI7zBdwiWaZvHo0cFCXhZy8aFjMZgAx89o8oSeA3FOCR8QgDlOER25wL-9GHLLq53Rpb2Z8k8Awd0anHjvmsSITOSYYShdBfm8_04h_hJGLApH4/s1600/M.L.Adama.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3wuXvm6OjEsrL3KwjHyw8zUVNfI3LhI7zBdwiWaZvHo0cFCXhZy8aFjMZgAx89o8oSeA3FOCR8QgDlOER25wL-9GHLLq53Rpb2Z8k8Awd0anHjvmsSITOSYYShdBfm8_04h_hJGLApH4/s320/M.L.Adama.jpg&quot; width=&quot;232&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Yazar &lt;b&gt;Anatole France&lt;/b&gt;&#39;ın meşhur bir sözü var: “&lt;b&gt;Kitaplarınızı
başkalarına vermeyiniz; zira ben kitaplığımı başkalarından aldığım kitaplarla
kurdum&lt;/b&gt;.”&lt;/span&gt; &lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Tecrübeyle sabittir ki bazı talihli dostlarımızın kitaplıkları,
ödünç aldıkları kitaplarla zenginleşiyor. Kitabın gerçek sahibi için ne büyük
bir üzüntü kaynağıdır; onca emekle arayıp bulduğu, satın aldığı, ufacık bir
çizgi ya da kırışıktan gözü gibi sakınarak satır satır okuduğu ve bir gün
yeniden lazım olacağı umuduyla ilk günkü haliyle korumak için türlü sıkıntılar
çektiği kitaplarını kıramayacağı bir dostunun ebediyen ödünç alması. Evet,
yazar doğru söylemiş: Kitaplarınızı başkalarına vermeyiniz, giden gelmiyor.
Hoş, ekslibris yani kitap etiketleri sayesinde artık bu işin de bir hal çaresi var.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Times, &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #3d85c6;&quot;&gt;EKSLİBRİS &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Times, &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Ekslibris,
kitapseverlerin kitaplarının iç kapağına yapıştırdıkları ve üzerlerinde kendi adlarının
ve değişik konularda resim, sembol ya da özlü sözlerin yer aldığı küçük boyutlu
özgün sanat yapıtlarına, bir başka ifadeyle de kitabın kime ait olduğunu
gösteren kitap etiketlerine verilen isim. “Ex” ve “libris” kelimelerinden
oluşan bu Latince deyiş Türkçede “…’nın kitabı”, “…’nın kitaplığından” ya da “…’nın
kütüphanesine ait” anlamına geliyor. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitsW0Ua2oHtFx2kq8oGpsBvK1jUKQysRwiV4ffJHaMHwpglFk53sm7lb8N8f9HLJ8GND6lLjsDp4BN1zrOiGChzvp_3A4IWZrL3wLKJHtCRArvoZ5v_YdKFznp-krWW8RkVlGP2VOSMzI/s1600/exlibriTekiner.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitsW0Ua2oHtFx2kq8oGpsBvK1jUKQysRwiV4ffJHaMHwpglFk53sm7lb8N8f9HLJ8GND6lLjsDp4BN1zrOiGChzvp_3A4IWZrL3wLKJHtCRArvoZ5v_YdKFznp-krWW8RkVlGP2VOSMzI/s320/exlibriTekiner.jpg&quot; width=&quot;250&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Ekslibris ilk kez 15. yüzyılda Güney Almanya’da kullanılmaya
başlanmış. 18. yüzyıl sonlarına dek daha çok soyluların arması olarak rağbet
gördüyse de 19. yüzyılla birlikte tümüyle sanatsal değeri olan bir nesne haline
gelmiş. Günümüzde ise işlevsel niteliğinden çok estetik yönüyle öne çıkan bir
koleksiyon malzemesi.&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjn5qCy7PWSIF3NHb18sObYoUPHK_xvXiARKLn-RmClTpwcHCxQiL4045Qawr4zOFyxs9K8D8LvUjYmLs1QCHrvfMV1xOVDTdTXbBT_T8PF_b5xQBuaE_4DQCIbO6_32UcydsOa8qijYE/s1600/AltherExlibris.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjn5qCy7PWSIF3NHb18sObYoUPHK_xvXiARKLn-RmClTpwcHCxQiL4045Qawr4zOFyxs9K8D8LvUjYmLs1QCHrvfMV1xOVDTdTXbBT_T8PF_b5xQBuaE_4DQCIbO6_32UcydsOa8qijYE/s200/AltherExlibris.jpg&quot; width=&quot;102&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Türkiye’deki tarihi çok eski sayılmaz. Her ne
kadar Osmanlı döneminden kalma el yazması ve basılmış kitaplarda görülen
mühürler de özgün kaligrafik yapılarıyla ait oldukları kişilerin arması veya
logotaypının yer aldığı birer mülkiyet işareti (eski tabirle temellük kaydı) olarak
kabul edilebilirse de gerçek anlamda bir ekslibris sayılmaz. Bizde bu sanatın
gelişimi özellikle 1990’lı yıllarda değerli ekslibris sanatçımız &lt;b&gt;Prof. Dr.
Hasip Pektaş&lt;/b&gt; ve öğrencileri sayesinde ivme kazandı. Artık bizim de uluslararası
camiada tanınmış ekslibris sanatçılarımız var. (Eserlerini geçtiğimiz yıllarda İstanbul’da
açılan &lt;b&gt;IMOGA Ekslibris Müzesi&lt;/b&gt;’nde görmek mümkün.) Ben de bu sayıda eczacılıkla
ilgili bazı ekslibris örneklerini sizlerle paylaşmak ve bu sanatın tanıtımına “karınca
kararınca” katkıda bulunmak istedim.&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEsMMpuTMyw1GA2yCRP5Yp2hgxL2g3e6Xmy9lR_8pPVEaxmaDBdxL0_7s2gIE81ocAHR6UuaRyZ2IsX_yWR88t4yWn675Otf6Ipzt3NtFMY_WWQaU1RYlmSVXnwu0zpY9x9fxOWBcWXWQ/s1600/2016ExlibrisTekiner.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEsMMpuTMyw1GA2yCRP5Yp2hgxL2g3e6Xmy9lR_8pPVEaxmaDBdxL0_7s2gIE81ocAHR6UuaRyZ2IsX_yWR88t4yWn675Otf6Ipzt3NtFMY_WWQaU1RYlmSVXnwu0zpY9x9fxOWBcWXWQ/s400/2016ExlibrisTekiner.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit; line-height: 115%;&quot;&gt;(Ekslibris hakkında daha detaylı bilgi edinmek isteyen
meslektaşlarıma şu kitabı okumalarını özellikle tavsiye ederim: Pektaş, H.&lt;i&gt; Exlibris&lt;/i&gt;. İkinci Baskı. Ankara:
Ankara Exlibris Derneği, 2003.)&lt;b style=&quot;font-style: italic;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: inherit; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt;&lt;b&gt;Kaynak:&lt;/b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;Tekiner, Halil. “Ekslibris (Kitap Etiketi)
ve Eczacılık.” &lt;i&gt;Ankara Eczacı Odası&lt;/i&gt; &lt;i&gt;Bizim Gazete sayı 29&lt;/i&gt;. (2011):
6.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;margin-left: 18.15pt; mso-list: l0 level1 lfo1; tab-stops: list 18.15pt; text-indent: -18.0pt;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Book Antiqua&#39;, serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/3168585209725225410/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/ekslibris-kitap-etiketi-ve-eczaclk.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/3168585209725225410'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/3168585209725225410'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/ekslibris-kitap-etiketi-ve-eczaclk.html' title='Ekslibris (Kitap Etiketi) ve Eczacılık'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3wuXvm6OjEsrL3KwjHyw8zUVNfI3LhI7zBdwiWaZvHo0cFCXhZy8aFjMZgAx89o8oSeA3FOCR8QgDlOER25wL-9GHLLq53Rpb2Z8k8Awd0anHjvmsSITOSYYShdBfm8_04h_hJGLApH4/s72-c/M.L.Adama.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-1085134884146513145</id><published>2011-09-08T06:23:00.000-07:00</published><updated>2011-09-08T06:52:17.105-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="gölge oyunu"/><category scheme="http://www.blogger.com/atom/ns#" term="Karagöz"/><category scheme="http://www.blogger.com/atom/ns#" term="sanat"/><title type='text'>Karagöz ve Eczacılık</title><content type='html'>&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnwHtEc4pqLSWoM_0PdqQtkQgNS3m5pRW8sxnCLrbRz6kZesJTx6TgioPR1lhkx94W9HyK22IZ30L9qePnFapp4VH3k6CNL1n8XyCErAxxGyOeQRHxVUeLGCHcyhRJBH9ri9J0Idar6xM/s1600/KaragozHacivatGoktas.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; display: inline !important; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnwHtEc4pqLSWoM_0PdqQtkQgNS3m5pRW8sxnCLrbRz6kZesJTx6TgioPR1lhkx94W9HyK22IZ30L9qePnFapp4VH3k6CNL1n8XyCErAxxGyOeQRHxVUeLGCHcyhRJBH9ri9J0Idar6xM/s320/KaragozHacivatGoktas.jpg&quot; width=&quot;268&quot; /&gt;&lt;/a&gt;&lt;b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Yar bana bir eğlence medet!&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt; Yaklaşık altı yüzyıldır bu sözleri söyleyerek
perdeye çağırıyor Hacivat Karagöz’ü. Kim bilir kaç çocuk sabırsızlıkla bekledi
bu iki gölgenin perdede görünmesini ya da kaçı avundu Karagöz oyununa
götürüleceği sözleriyle. Yazar &lt;b&gt;Prof. Sabri Esat Siyavuşgil&lt;/b&gt; 1910’lu
yıllara ait çocukluk anılarında uzun uzun bahsediyor İstanbul’da babasının
refakatinde gittiği kahvehanelerde izlediği, o dönemin çocukları için en büyük
eğlence kaynağı olan Karagöz oyunlarından. Aslında, ne benim kuşağım ne de
benden önceki kuşak izleyebildi gerçek Karagöz’ü… Bunu şimdilerde anlıyorum. Taş
Devri, Şirinler gibi çizgi filmleri izleyerek büyüdük biz; önceki kuşak ise
Tommiks-Teksas çizgi romanları ya da Doğan Kardeş dergileriyle. Şanslı bir
azınlık erişebildi aralarında belki &lt;b&gt;Hayalî Küçük Ali&lt;/b&gt;’nin (Muhittin
Sevilen) radyoda yayınlanan Karagöz oyunlarına. &lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Geçtiğimiz yıl Bursa’da tanıştığım son
hayalîlerden birinin oyununu izleyene dek açıkçası Karagöz oyunlarını sevmez,
basit ve sıkıcı bulurdum. Meğer ne kadar yanılmışım! Sahne arkası, müziği,
tekniği, hele bir de usta ellerdeyse, koskoca bir “hayal” dünyasıymış. Bu
oyunun felsefî yönden ne denli derin; yarı aydın burjuva tipiyle cahil-saf halk
tipini temsil eden iki karakter arasındaki karşıt düşünce ve yanlış anlamalar
üzerine kurulu nüktedan üslubuyla da ne denli canlı olduğunu yazık ki geç
keşfettim. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl2-ooyx1-kkn8MXQr35zK-RMM4sZttbmjT3OehkbMCaay1RQA24W7WV2_un49VpMapoeY5iL2f_DkbwjGKlIb0WLCZjGdTkfsJreE9ZCXlPOaW6o_cD_Z5vqGUisGoyT5lStI_YjqgY4/s1600/EczaneKaragoz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;145&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl2-ooyx1-kkn8MXQr35zK-RMM4sZttbmjT3OehkbMCaay1RQA24W7WV2_un49VpMapoeY5iL2f_DkbwjGKlIb0WLCZjGdTkfsJreE9ZCXlPOaW6o_cD_Z5vqGUisGoyT5lStI_YjqgY4/s200/EczaneKaragoz.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Karagöz tarihini araştırırken karşıma çıkan bir oyun, sanırım
sizleri de çok şaşırtacak: &lt;b&gt;Eczacı Yahut Karagöz’ün Doktorluğu.&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;On dokuzuncu yüzyılın ikinci yarısında eczane işleten bir
sahte hekimin (Karagöz) başından geçen komik olayların anlatıldığı eser, o
dönemde hekimlerin eczanede hasta muayene etmesi, alafranga frak giymeleri, “fenn-i
tıp” yani tıp bilimi tahsillerini Fransızca yapmaları ve hastalarla
“anlaşılmayan” bir dille konuşmalarını hicvediyor. Burada eserin özetini verip
tam metni okumak isteyen meslektaşlarımın hevesini kırmak yerine eserden kısa bir
pasajı almakla yetiniyorum:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-left: 35.45pt; text-align: justify;&quot;&gt;
&lt;b&gt;Hacivat&lt;/b&gt; – Öyleyse zevzekliği bertaraf et de beni iyi dinle!
Evvelce dediğim veçhile fenn-i tıpta (tıp biliminde) oldukça mahâretim
(ustalığım) vardır. Hususiyetle, bir dükkânım olduğu gibi, senin gibi bir adama
da eşedd-i (aşırı) ihtiyacım var. Bazı muâlecâtı (ilaçları) mümkün mertebe sana
tarif edeyim. Irz-ü edebinle (namus ve edebinle) dükkânda oturur, sâye-i
veli-ni’mette (padişahı kastediyor) refâh-i hâl ile geçinip gideriz. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-left: 35.45pt; text-align: justify;&quot;&gt;
&lt;b&gt;Karagöz&lt;/b&gt; – Eksik olma, adam, ömrüne bereket.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-left: 35.45pt; text-align: justify;&quot;&gt;
&lt;b&gt;Hacivat&lt;/b&gt; – Mesela ben bazan öteye beriye viziteye giderim, sen
dükkânda yalnız kalırsın. Gelen müşteriye hüsn-i muâmele (iyi davranış) etmeli.
“ - Efendim, bir yere gitti, şimdi gelir,” gibi oyalarsın, değil mi?&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-left: 35.45pt; text-align: justify;&quot;&gt;
&lt;b&gt;Karagöz&lt;/b&gt; – Kuzum Hacivat, viziteye beni de götür de sayende
ameliyatı güzelce tahsil edeyim. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-left: 35.45pt; text-align: justify;&quot;&gt;
&lt;b&gt;Hacivat&lt;/b&gt; – Yoo! Birdenbire olmaz! Kalfa olmadan ustalığa seğirtme.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; text-align: justify; text-indent: 35.4pt;&quot;&gt;
(Kaynak: Kudret, C. &lt;b&gt;&lt;i&gt;Karagöz – 1.
Cilt&lt;/i&gt;&lt;/b&gt;. İstanbul: Yapı Kredi Yayınları, 2005)&lt;/div&gt;
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&lt;div style=&quot;text-align: -webkit-auto;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
“Karagöz”
sadece Türk gölge oyununun değil; bir dönemin popüler mizah gazetelerinden
birinin de adıydı. Yanda İstanbul Karikatür ve Mizah Müzesi Kütüphanesi’nde
tespit ettiğim, 1909 yılında yayımlanmış bir Karagöz karikatürü yer alıyor.
Duvarda yazan yazıdan anlaşıldığı kadarıyla Matbuat (şimdiki dille Basın)
Eczahanesi’nin sahibi olan Karagöz’ün verdiği ilaç tarifi bana kalırsa
geçerliliğini hâlâ koruyor…&amp;nbsp;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE3tUwzFtUV1nPeEpSznOytzcOeLebnadQ2yyQKZayV9qR1C_jXvmi05wXanm9lfgtvZ3U-ly4Ry7c482zcd9JK-r3jSxwaD6SX4EpDUlmj6rpuL27iVz9A_BI10RnUYS-YNesyuxBJuo/s1600/Karag%25C3%25B6zEcza1325-3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;353&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE3tUwzFtUV1nPeEpSznOytzcOeLebnadQ2yyQKZayV9qR1C_jXvmi05wXanm9lfgtvZ3U-ly4Ry7c482zcd9JK-r3jSxwaD6SX4EpDUlmj6rpuL27iVz9A_BI10RnUYS-YNesyuxBJuo/s400/Karag%25C3%25B6zEcza1325-3.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt;Karagöz&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt; &amp;nbsp;– Muazzez [aziz] vatanımıza şefkat ve
muhabbeti olanlara&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 115%;&quot;&gt;insaf ve merhamet ve itidal [aşırıya kaçmama] ve metanet
lazım…&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;line-height: 115%;&quot;&gt;Başka ilaç veremem… &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;line-height: 115%;&quot;&gt;(&lt;i&gt;Karagöz
Eğlence Gazetesi numero 78,&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;line-height: 115%;&quot;&gt;&lt;i&gt;&amp;nbsp;2 Rebiulahir 1327/22 Nisan 1909&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Times, &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt;&lt;b&gt;Kaynak:&lt;/b&gt;&amp;nbsp;&lt;/span&gt;Tekiner, Halil. “Karagöz ve Eczacılık,” &lt;i&gt;Ankara
Eczacı Odası&lt;/i&gt; &lt;i&gt;Bizim Gazete sayı 26&lt;/i&gt; (2010): 6.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Book Antiqua&#39;, serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/1085134884146513145/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/karagoz-ve-eczaclk.html#comment-form' title='0 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/1085134884146513145'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/1085134884146513145'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/karagoz-ve-eczaclk.html' title='Karagöz ve Eczacılık'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnwHtEc4pqLSWoM_0PdqQtkQgNS3m5pRW8sxnCLrbRz6kZesJTx6TgioPR1lhkx94W9HyK22IZ30L9qePnFapp4VH3k6CNL1n8XyCErAxxGyOeQRHxVUeLGCHcyhRJBH9ri9J0Idar6xM/s72-c/KaragozHacivatGoktas.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-2029869302989046075</id><published>2011-09-08T06:08:00.000-07:00</published><updated>2011-09-08T06:52:44.596-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="filateli"/><category scheme="http://www.blogger.com/atom/ns#" term="grafik tasarımı"/><category scheme="http://www.blogger.com/atom/ns#" term="pul"/><title type='text'>Filateli ve Eczacılık</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTUZmSjmyY6zh1-74VqIuqmSRC7W28wwdgscDplT_hesLgcPWywIuFAEC-d2DDf0PMsVHVg4l05rarzBT4QFpng_ecX-abwLRURq3pKHjJWqkRrbz0Ij6dm2I3ObAOXagWnjl7KD__uYI/s1600/1992Pul.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;170&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTUZmSjmyY6zh1-74VqIuqmSRC7W28wwdgscDplT_hesLgcPWywIuFAEC-d2DDf0PMsVHVg4l05rarzBT4QFpng_ecX-abwLRURq3pKHjJWqkRrbz0Ij6dm2I3ObAOXagWnjl7KD__uYI/s200/1992Pul.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2B-GasTcDkVcH2HalmLvwY0p-R_u07SZmpQ1E04kr8Uf5V9af9o0f5oaL9lFk65z7Kf_NNlm9gUKinLZVLLyDnpCkjb4_m48M9ewfKpCRhhkIn4G2iuGqWZbDgPOnpiXe76bBEI4jiuo/s1600/PulPortugal.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2B-GasTcDkVcH2HalmLvwY0p-R_u07SZmpQ1E04kr8Uf5V9af9o0f5oaL9lFk65z7Kf_NNlm9gUKinLZVLLyDnpCkjb4_m48M9ewfKpCRhhkIn4G2iuGqWZbDgPOnpiXe76bBEI4jiuo/s200/PulPortugal.jpg&quot; width=&quot;177&quot; /&gt;&lt;/a&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-JA6hCFkpqax5EnVFgrRPum9VseHZV917A3Jbn-u1c5sCa8bnEINVrEzx60LlKlMONK_kdnGRZno5y5AuWTcgUkhZ2j6G0YxdnkIK6PucRhxYFJwo1M-UW_WsUSSUdAHC4M7PIBDjMZ4/s1600/PulCanada.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-JA6hCFkpqax5EnVFgrRPum9VseHZV917A3Jbn-u1c5sCa8bnEINVrEzx60LlKlMONK_kdnGRZno5y5AuWTcgUkhZ2j6G0YxdnkIK6PucRhxYFJwo1M-UW_WsUSSUdAHC4M7PIBDjMZ4/s200/PulCanada.jpg&quot; width=&quot;126&quot; /&gt;&lt;/a&gt;&lt;b&gt;Filateli&lt;/b&gt;
(Fr. philatélie), posta pullarını konu edinen uğraş alanına verilen isimdir ve
posta pullarıyla ilgili ilk gün zarfı (FDC), özel gün damgası, antiye, vb. ile
de ilgilenir. Posta pulları, posta gönderim ücreti karşılığı olarak ilk kez 6
Mayıs 1840’ta İngiltere’de kullanılmaya başlandı. Kısa süre sonra İsviçre
(1843), Brezilya (1843), Amerika Birleşik Devletleri (1847), Hindistan (1850)
gibi ülkeler de kendi pullarını basarak bu uygulamayı takip ettiler. Osmanlı
İmparatorluğu’nda basılan ilk posta pulu ise 1862 tarihlidir. Koyu mavi ve
pembe üzeri siyah tuğra baskılı, dantelsiz bu pullar İstanbul’da Darphâne-i
Âmire’de basılmış ve 1863 yılında ikinci baskısı yapılmıştır. Osmanlı dönemi,
Anadolu Hükümeti dönemi ve Türkiye Cumhuriyeti dönemi başlıkları altında incelenebilecek
Türk filateli tarihinde eczacılıkla ilgili posta pulları sadece Cumhuriyet
döneminde basılmıştır. &lt;i&gt;İSFİLA Türk Pulları ve Antiyeler Kataloğu&lt;/i&gt;’na göre 2009
yılı itibariyle toplam 32 adet olduğu tespit edilen bu pullar konularına göre
şöyle sınıflandırılabilir: &lt;b&gt;Tıbbi bitkiler, ilaçlar ve ilaç şekilleri, meşhur
eczacılar, darüşşifalar, eczacılık toplantı ve kongreleri.&lt;/b&gt; Burada kişisel
koleksiyonumda yer alan ve grafik tasarımlarıyla sanatsal değere sahip bulduğum,
tarihleri 1896 ile 2009 arasında değişen yerli ve yabancı bazı eczacılık
pullarını sizlerle paylaşmak istiyorum.&lt;span style=&quot;font-size: 10pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;b&gt;Kaynak:&lt;/b&gt;&amp;nbsp;&lt;span style=&quot;font-family: &#39;Book Antiqua&#39;, serif;&quot;&gt;Tekiner, Halil. “Filateli ve Eczacılık,” &lt;i&gt;Ankara
Eczacı Odası&lt;/i&gt; &lt;i&gt;Bizim Gazete sayı 27&lt;/i&gt; (2010): 6.&lt;/span&gt;&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Book Antiqua&#39;, serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/2029869302989046075/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/filateli-ve-eczaclk.html#comment-form' title='1 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/2029869302989046075'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/2029869302989046075'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/filateli-ve-eczaclk.html' title='Filateli ve Eczacılık'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTUZmSjmyY6zh1-74VqIuqmSRC7W28wwdgscDplT_hesLgcPWywIuFAEC-d2DDf0PMsVHVg4l05rarzBT4QFpng_ecX-abwLRURq3pKHjJWqkRrbz0Ij6dm2I3ObAOXagWnjl7KD__uYI/s72-c/1992Pul.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-4244713938585596022</id><published>2011-09-08T05:47:00.000-07:00</published><updated>2011-09-08T06:53:14.662-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczane"/><category scheme="http://www.blogger.com/atom/ns#" term="Haldun Taner"/><category scheme="http://www.blogger.com/atom/ns#" term="sanat"/><category scheme="http://www.blogger.com/atom/ns#" term="tiyatro"/><title type='text'>Haldun Taner’in Unutulmayacak Eseri: Fazilet Eczanesi</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzhiaZX_2gd6uIyD7h4uHXjYGnPU5bVOl0vPmCxeQvXkZ7YyLUn9Ww4IoocloXK39C3o7WBTTee75pgsqJwuiukx6nS_p9XOYdlGvb9UzEKflHd2uGAXmO9tevpD-JbFscV4WEfoKxpiI/s1600/FaziletEcz.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;br /&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzhiaZX_2gd6uIyD7h4uHXjYGnPU5bVOl0vPmCxeQvXkZ7YyLUn9Ww4IoocloXK39C3o7WBTTee75pgsqJwuiukx6nS_p9XOYdlGvb9UzEKflHd2uGAXmO9tevpD-JbFscV4WEfoKxpiI/s400/FaziletEcz.jpg&quot; width=&quot;227&quot; /&gt;&lt;/a&gt;Bir tiyatro düşünün:
Dekorda raflar dolusu ilâç kutusu, önde bir banko, köşede bir terazi ve havan, duvarda
eczacının fotoğrafı… Sahnede ise çırağı, kalfası ve hastalarıyla yaşlı bir
eczacı... Tiyatroda eczane olur mu demeyin. Bal gibi olur!.. Hele bir de usta
bir kalemin elinden çıkmışsa oyun ve yalnız seyirciler değil, oynayanlar da
eczacıysa değmeyin keyfine… &lt;b&gt;Ankara Eczacı Odası&lt;/b&gt;’nın kulağa çok hoş gelen
bu etkinliği önümüzdeki Ekim ayında gerçekleştireceğini duyduğumda nasıl
heyecanlandım anlatamam. Birkaç yıl önce Viyana’daki bir toplantıda bildiri
olarak sunduğum bu oyunun kitap sayfalarından kurtulup yeniden sahneye konacak
olması beni çok mutlu etti. Eczacı Odası yönetim kurulu ve bu etkinliğe emek
veren tüm meslektaşlarımı yürekten kutluyor, etkinliğe ben de bu eseri tanıtan bir
yazıyla katkıda bulunmak istiyorum. &lt;/div&gt;
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Ülkemizde epik tiyatro
türünün öncüsü ve Türk edebiyatının önde gelen öykü yazarlarından &lt;b&gt;Haldun
Taner&lt;/b&gt;’in (1915–1986) erken yazarlık dönemindeki tiyatro oyunları arasında &lt;b&gt;Fazilet Eczanesi&lt;/b&gt;&amp;nbsp;önemli bir yere sahip. Eser 1950’li yılların İstanbul’unda, Boğaziçi
Eczanesi’nin sahibi Eczacı Sadettin Dertsavar’ın çevresinde yaşananları konu
alıyor. Dönemin eczacılık anlayışı, eczacı-hasta ilişkileri, eczanede
kullanılan majistral ve müstahzarlara ilişkin detaylı gözlemleri yansıtması
yönüyle de oldukça ilginç.&lt;/div&gt;
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Eserin
başkahramanı &lt;b&gt;Eczacı Sadettin Bey&lt;/b&gt;, kendini çevresinde yaşanan maddi ve
manevi değişimden uzak tutmaya çalışan, hazır ilâç yerine havan eczacılığını
savunan, çıkarcı dünya görüşünü kabul etmeyen, yeni düzene ayak uydurmak yerine
kendi değerlerine daha sıkı sarılmış, mesleğine gönül vermiş biri. &lt;b&gt;Fazilet
Eczanesi&lt;/b&gt; ise sahibinin her derde çare ilâçlar ürettiği, kalfasıyla
usta-çırak ilişkisi kurduğu bir yer olmanın dışında başka önemli işlevlere de
sahip: Tanışıkların karşılaşıp sohbet ettikleri, yoruldukça soluk alınan,
sıkıldıkça dost bulunan, sevinç ya da üzüntü paylaşılan, insanların birbirine
zaman ayırdığı bir buluşma merkezi… &lt;/div&gt;
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Haldun
Taner’in eşi, meslektaşımız Sayın Demet Taner’in verdiği bilgiye göre, yazar
eserin hazırlanış sürecinde İstanbul Erenköy’deki &lt;b&gt;Afiyet Eczanesi&lt;/b&gt;’nden
esinlenmiş ve bu eczanedeki gözlemlerinden yararlanmış.&lt;i&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
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Devlet Tiyatroları Belgelik Birimi’nin
kayıtlarına göre piyes 1976–77 ve 1982–83 dönemlerinde Devlet Tiyatrolarında da
sergilenmiş; ama nedendir bilinmez, değerli pek çok tiyatro eserinin akıbeti bu
oyunu da bulmuş, arşivin tozlu raflarına kaldırılmış. Ne mutlu bize ki &lt;b&gt;Fazilet
Eczanesi&lt;/b&gt; şimdilerde değerini en iyi bilecek kişilerin, eczacıların elinde
yeniden diriliyor.&lt;/div&gt;
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*
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&lt;b&gt;&lt;span style=&quot;color: #1f497d; font-size: 14pt;&quot;&gt;Eserden bir bölüm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;SADETTİN – &lt;/b&gt;Şu havanı görüyor musun
Leman Hanım, şu havanı? (&lt;i&gt;Onu kolundan tutar laboratuarın açık kapısından
görünen teraziyi göstererek&lt;/i&gt;) Bir de şu teraziyi. Eczacılığın anası evladı,
olmuşu olacağı, namusu haysiyeti budur işte. Yoksa selefon ambalajlı cicili
bicili kutularla vitrin avcılığı değil. Değil mi öyle Recai Bey? Değil mi
tapucu?&lt;/div&gt;
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&lt;b&gt;RECAİ – &lt;/b&gt;Ona ne şüphe?&lt;/div&gt;
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&lt;b&gt;SADETTİN – &lt;/b&gt;(&lt;i&gt;Havan ezerek&lt;/i&gt;) Ne
anladım ben dozaj makinası ile yapılan ilâçtan. Sade toz ezmez bu havan. El
ayasının sıcaklığı ile insan sevgisi de karışır ilâcın terkibine. &lt;/div&gt;
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&lt;b&gt;RECAİ – &lt;/b&gt;Çok doğru.&lt;/div&gt;
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&lt;b&gt;SADETTİN – &lt;/b&gt;Her nabza ayrı şerbet. Her
bünyeye ayrı ilâç. Böyle feyz aldık biz Mehmet Ref’i Bey hocamızdan. &lt;/div&gt;
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&lt;b&gt;REFET – &lt;/b&gt;Nur içinde yatsın.&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: #1f497d; font-size: 14pt;&quot;&gt;Haldun Taner (1915–1986) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2GsQxCdxlReCs42z2XRILuAihXBGeQ2MJnCk2KDwNNXwjAMi8CF_KfwHYVzD_gcUhOsL1XzVliKPQYCYYDuPxABHfwD730lziC5GH-InpmD8a8rT-uYwY6cngDxBWfpNNdvREovxLQIQ/s1600/TanerKutuphane.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2GsQxCdxlReCs42z2XRILuAihXBGeQ2MJnCk2KDwNNXwjAMi8CF_KfwHYVzD_gcUhOsL1XzVliKPQYCYYDuPxABHfwD730lziC5GH-InpmD8a8rT-uYwY6cngDxBWfpNNdvREovxLQIQ/s320/TanerKutuphane.jpg&quot; width=&quot;246&quot; /&gt;&lt;/a&gt;İstanbul Çemberlitaş’ta doğdu. 1935 yılında Galatasaray Lisesi’nden mezun oldu.
1935–38 arasında &lt;i&gt;Heidelberg Üniversitesi
Siyasal Bilimler Fakültesi&lt;/i&gt;’nde ekonomi ve politika okudu. Ağır bir
hastalığın ardından yurda döndü. 1950 yılında &lt;i&gt;İstanbul Üniversitesi Alman Dili ve Edebiyatı Bölümü&lt;/i&gt;’nü bitirdi.
1955–57 arasında &lt;i&gt;Viyana Üniversitesi&lt;/i&gt;’nde
Prof. Heinz Kindermann’ın yanında felsefe ve tiyatro bilimi okudu. Türkiye’de kabare
tiyatrosunun temelini atarak “Haldun Taner Tiyatrosu” ekolünü oluşturdu.
1967’de Zeki Alasya, Metin Akpınar ve Ahmet Gülhan’la birlikte Türkiye’nin ilk
kabare tiyatrosu olan &lt;i&gt;Devekuşu Kabare
Tiyatrosu&lt;/i&gt;’nu, 1969’da ise Münir Özkul ile birlikte &lt;i&gt;Bizim Tiyatro&lt;/i&gt;’yu kurdu. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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New York
Herald Tribune adına düzenlenen hikâye yarışması birincilik ödülü (1954), Sait
Faik Hikâye Ödülü (1955), Türk Dil Kurumu Tiyatro Ödülü’nün (1972) de
aralarında bulunduğu çok sayıda ödülün sahibi olan Taner 7 Mayıs 1986 tarihinde
İstanbul’da hayatını kaybetti. &amp;nbsp;1987
yılından itibaren &lt;b&gt;Haldun Taner&lt;/b&gt; adına bir hikâye yarışması
düzenlenmektedir. 1988 yılında ise Kadıköy
Şehir Tiyatrosu’na “Haldun
Taner Sahnesi” adı verilmiştir.&lt;/div&gt;
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&lt;i&gt;&lt;span style=&quot;color: #1f497d; font-size: 18pt;&quot;&gt;“Sade
toz ezmez bu havan. El ayasının sıcaklığı ile insan sevgisi de karışır ilâcın
terkibine.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Times, &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;b&gt;Kaynak:&amp;nbsp;&lt;/b&gt;Tekiner, Halil. “Haldun Taner’in
Unutulmayacak Eseri: Fazilet Eczanesi,”&amp;nbsp;&lt;i&gt;Ankara Eczacı Odası Bizim Gazete
sayı 28&lt;/i&gt;. (2010): 6.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Book Antiqua&#39;, serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://eczaciliktarihi.blogspot.com/feeds/4244713938585596022/comments/default' title='Kayıt Yorumları'/><link rel='replies' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/haldun-tanerin-unutulmayacak-eseri.html#comment-form' title='1 Yorum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/4244713938585596022'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7562726143450895332/posts/default/4244713938585596022'/><link rel='alternate' type='text/html' href='http://eczaciliktarihi.blogspot.com/2011/09/haldun-tanerin-unutulmayacak-eseri.html' title='Haldun Taner’in Unutulmayacak Eseri: Fazilet Eczanesi'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/07076353399707780871</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzhiaZX_2gd6uIyD7h4uHXjYGnPU5bVOl0vPmCxeQvXkZ7YyLUn9Ww4IoocloXK39C3o7WBTTee75pgsqJwuiukx6nS_p9XOYdlGvb9UzEKflHd2uGAXmO9tevpD-JbFscV4WEfoKxpiI/s72-c/FaziletEcz.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7562726143450895332.post-1781028634016824403</id><published>2011-09-08T05:36:00.000-07:00</published><updated>2011-09-09T07:53:59.196-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Dioscorides"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık"/><category scheme="http://www.blogger.com/atom/ns#" term="eczacılık tarihi"/><category scheme="http://www.blogger.com/atom/ns#" term="ICHP"/><category scheme="http://www.blogger.com/atom/ns#" term="kongre"/><category scheme="http://www.blogger.com/atom/ns#" term="Viyana"/><category scheme="http://www.blogger.com/atom/ns#" term="zincir eczane"/><title type='text'>39. Uluslararası Eczacılık Tarihi Kongresinden İzlenimler ve Zincir Eczacılık Konulu Bildiri</title><content type='html'>İki yılda bir düzenlenen Uluslararası Eczacılık Tarihi Kongrelerinin 39.&#39;su bu yıl 16-19 Eylül tarihlerinde Avusturya Eczacılık Tarihi Birliği’nin ev sahipliğinde Viyana Üniversitesi’nde düzenlendi.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHyNv4rbggREwRbInrPF_j7W5JrmQA78MR7AuibZNYbmdWjvD1IdCKRP74sK5jYJwqzq_97E1wD8Oe43icHuKJqSHQ1zwgh7J-LnqZOKFMPH0zdDkJ_pVcbbBxNaVPYufpdoECalN9xjs/s1600/39ICHPposter.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320px&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHyNv4rbggREwRbInrPF_j7W5JrmQA78MR7AuibZNYbmdWjvD1IdCKRP74sK5jYJwqzq_97E1wD8Oe43icHuKJqSHQ1zwgh7J-LnqZOKFMPH0zdDkJ_pVcbbBxNaVPYufpdoECalN9xjs/s320/39ICHPposter.jpg&quot; width=&quot;224px&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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Toplantıda sunulan 120’ye yakın bildiri arasında oldukça ilginç konular vardı: Apollo Uzay Mekiklerinde Kullanılan İlaçlar, Japonya Eczacılık Tarihi, İlaç Dozaj Formlarının 19. Yüzyıl Avrupa’sındaki Gelişimi, Bir Kültürel Fenomen Olarak Eczacılık, Daumier’den Günümüze Sanatçıların Gözüyle Tıp, ya da Pietro Longhi’nin meşhur “Eczacı” tablosu bunlardan sadece bazıları. Türk katılımcıların sunduğu bildiler ise şunlardı: Osmanlı İmparatorluğu’nda Afyonun Tarihi, Dr. Bernard’ın Askeri Farmakopesi, 1919’dan 2009’a İstanbul Eczanesi, Geç Osmanlı Döneminden Şehremini Merkez Eczanesi, Kayhan Eczanesi – İki Şehirde Kırk Yıl, Türkiye’deki Materia Medica Yazma Eserleri, Haldun Taner ve Bir Dönemin Eczacılığına Işık Tutan Tiyatro Eseri: Fazilet Eczanesi. (Bana “En İyi 2. Poster” ödülünü kazandıran bu son bildiriden gelecek sayılardan birinde daha detaylı bahsetmek istiyorum.)&lt;/div&gt;
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Kongrede en çok ilgi çeken bildirilerden birisi de şüphesiz, Norveçli Eczacı Bjarne G. Thune’nin, eczanesi bir &lt;b&gt;ZİNCİR ECZANE&lt;/b&gt; grubuna dâhil olduktan sonra yaşadığı sıkıntılar ve sonunda bu sıkıntılara dayanamayıp emekli olmasının hüzünlü hikâyesiydi. Pek çoğumuz bu hikâyeyi zaman zaman gözlerimiz dolarak ve kendi payımıza ders alarak dinledik. Thune’nin bu bildirisinden bazı bölümlere bu yazımın sonunda ayrı bir başlık altında yer veriyorum. (Dileyenler bu bildirinin İngilizce tam metnini benden temin edebilirler.)&lt;/div&gt;
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&lt;b&gt;Dioscorides’in İstanbul Kodeksi&lt;/b&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivET8apt6vwULC9s9nWqR7UMZgaXaqloTXRdFDAa5InJbth5q0WJYt6uTDR77vLSDEZlrCOChHFEWexyT18f3Z0hevi8pNpOVhJgNj7bV5d18VGYc1TJ4U1t-yVDlVNwR8s7X70NCDbBI/s1600/WienerDioscorides100r.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200px&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivET8apt6vwULC9s9nWqR7UMZgaXaqloTXRdFDAa5InJbth5q0WJYt6uTDR77vLSDEZlrCOChHFEWexyT18f3Z0hevi8pNpOVhJgNj7bV5d18VGYc1TJ4U1t-yVDlVNwR8s7X70NCDbBI/s200/WienerDioscorides100r.jpg&quot; width=&quot;168px&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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Katılımcılar bilimsel programın dışında kalan zamanlarında Viyana’nın en eski eczaneleri, Avusturya Milli Kütüphanesi Yazma Eserler Bölümü ve Viyana Üniversitesi Farmakognozi Departmanı Koleksiyonunu da ziyaret etme imkânı buldular. Bu ziyaretlerde bizleri Türk eczacılık tarihi açısından özellikle ilgilendiren Milli Kütüphane’deki Grekçe bir yazma eserdi. Dioscorides’in bazı kaynaklarda &lt;i&gt;Constantinopolitan Codex&lt;/i&gt; &lt;i&gt;(İstanbul Kodeksi)&lt;/i&gt;, bazılarında ise &lt;i&gt;Codex Vindobonensis (Viyana Kodeksi)&lt;/i&gt; adıyla geçen meşhur &lt;i&gt;Materia Medica&lt;/i&gt;’sından bahsediyorum. Bugün Avusturya Milli Kütüphanesi’nin en değerli yazma eseri kabul edilen bu &lt;b&gt;Materia Medica&lt;/b&gt;, M.S. 512 yılında İstanbul’da Bizans prensesi Juliana Anicia için yazılmış ve 16. yüzyılda Avusturya İmparatoru Ferdinand’ın Kanuni Sultan Süleyman nezdindeki sefiri O. G. Busbecq’in mektubu üzerine 100 düka altını karşılığında Kanuni’nin başhekimi Musa bin Hamon’un oğlundan satın alınarak İtalya üzerinden Avusturya’ya getirilmişti. Ne var ki güvenlik gerekçesiyle özel bir kasada muhafaza edilen bu eserin aslını değilse de tıpkıbasımını görmekle yetindik. &lt;/div&gt;
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Not: Bir sonraki Uluslararası Eczacılık Tarihi Kongresi &lt;b&gt;14-17 Eylül 2011&lt;/b&gt; tarihinde &lt;b&gt;Berlin&lt;/b&gt;’de düzenlenecek. İlgilenenler detaylı bilgilere http://www.40ichp.org/ sitesinden ulaşabilirler. &lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: #0070c0;&quot;&gt;Eczacı B. Thune’nin Zincir Eczacılık Konulu Bildirisinden Bölümler&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9lJ5umhzGOaW1uwE8l2wUA_-HRzE4RQhQ5idXsOV1Mh1OdQdn8JSPkDV_Xh_zvT4MjjGl2PZtZtyqo-bqA7q7ibHZZ7dmL6pr5NuiCNrRnNAPHK-Kq9crz_jRaFDnAx_-Yns8KZ6Livs/s1600/ThuneFoto.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200px&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9lJ5umhzGOaW1uwE8l2wUA_-HRzE4RQhQ5idXsOV1Mh1OdQdn8JSPkDV_Xh_zvT4MjjGl2PZtZtyqo-bqA7q7ibHZZ7dmL6pr5NuiCNrRnNAPHK-Kq9crz_jRaFDnAx_-Yns8KZ6Livs/s200/ThuneFoto.jpg&quot; width=&quot;133px&quot; /&gt;&lt;/a&gt;“&lt;i&gt;1 Mart 2001 tarihinde Norveç’te, eczane mülkiyet hakkını düzenleyen yeni bir yasa kabul edildi. Yasa yürürlüğe girdikten çok kısa bir süre sonra uluslararası ortaklı üç zincir eczacılık şirketi pazara hâkim oldu. Eczacılar endişeliydi. Pek çoğumuzun aklına aynı soru geliyordu: Acaba sistemin dışında kalır mıyız? Bir taraftan ne olacağını kestiremediğimiz bu süreç bizi korkutuyor; diğer taraftan da zincir eczacılık şirketlerinin sunduğu cazip teklifler, şirket temsilcilerinin zincir eczanelerine dâhil olmamızı telkin ettikleri onlarca ziyaret ve sayısız telefon görüşmesi ve bu süreçte eczacı meslektaşlarımızın eczanelerini hızla zincir eczane gruplarına satışı aklımızı çeliyordu. &lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;Sonunda ben de &lt;b&gt;eczanemi zincir grubuna satmaya karar verdim&lt;/b&gt;. Bu kararımda kendimi haklı buluyordum; çünkü çalışanlarımın hiçbiri işten çıkarılmayacaktı, zincir eczane grubunun üst düzey yöneticilerinin birçoğu eczacıydı ve uygulamada tüm etik kurallara riayet edileceği anlaşılıyordu, eczacılık hizmeti satış odaklı değil, tıpkı eski güzel günlerdeki gibi devam edecekti. Üstelik bana da çok cazip ücretler teklif edilmiş ve zincire dâhil olduğumda da yine eczanemin yöneticisi olarak devam etmem istenmişti. Evet, kararımda haklı olmalıydım… &lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;Kısa bir süre sonra OTC ürünlerinin eczane dışında satışına imkân veren yeni bir düzenleme yürürlüğe girdi ve OTC satışlarımız % 15-20 azaldı. Bu değişiklik karşısında zincir eczane bizden “daha yaratıcı(!)” olmamızı, bize ek gelir getirecek yeni yollar bulmamızı istiyordu. Artık eczanemizde sadece ilaç, bitkisel ve kozmetik ürünler değil; güneş gözlükleri, spor kıyafet ve ayakkabıları, hatta oyun topları bile satar hale gelmiştik… &lt;b&gt;Eczanemden utanır olmuştum&lt;/b&gt;! Geçmişte herkesin aradığını kolayca bulduğu eczanem şimdi tam bir kargaşa içinde, hastalarımın zikzaklar çizerek yürümek zorunda kaldıkları bir labirent halini almış; bebek arabalı ya da tekerlekli sandalyeli hastalar daracık, dolambaçlı yollardan geçemez hale gelmişti. &lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;Üstelik zincir bizden daha fazlasını, çok daha fazlasını bekliyordu. Çalışma saatlerimiz 12 saate çıkarıldı ama çalışan sayımız aynı kalmalıydı. Derken yeni prosedürler: doldurmam gereken akıl almaz formlar, yazmam gereken yığınla rapor ve her ayın ilk günü bir önceki aya ait tüm verilerin saat 15.30’dan önce eksiksiz hazırlanıp zincir yönetimine fakslanması, kendi hazırladığım bütçeyi bir sonraki dönemde tutturma mecburiyetim bunlardan sadece bazıları... Bütçeyi tutturmakta güçlük çektiğimizde önerdikleri reçete ise basitti: Daha yaratıcı olmak ve belki de birkaç çalışanı işten çıkarmak! Zaman zaman &lt;b&gt;müşteri kılığında eczaneme gelip beni denetleyen müfettişler&lt;/b&gt; ve birkaç hafta sonra elime ulaşan değerlendirme raporları ve bu raporlarda yer alan; hasta başına daha az vakit ayırırken daha çok ve pahalı ürünler satmam gerektiği tavsiyeleri karşısında şaşırıyordum.&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;Yılda bir düzenlenen zincir eczaneler toplantısı adeta Oscar töreni havasında geçiyordu. Çalışan başına en yüksek satış, hasta başına en yüksek satış, en yüksek jenerik ilaç satışı kategorilerinde verilen ödüllerin &lt;b&gt;başarı kriteri tek ve açıktı: Satış!&lt;/b&gt; &lt;b&gt;Daha çok satış!&lt;/b&gt; &lt;b&gt;İnsan sağlığı değil&lt;/b&gt;… Oslo’nun en lüks otelinde, meşhur sanatçıların sahne aldığı, en lezzetli yemeklerin, en kaliteli şarapların sunulduğu bu geceler ağzımda buruk bir tat bırakmıştı. &lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;6 yıllık mücadelenin sonunda 30 yıllık meslek yaşantıma son noktayı koydum: Ayrıldım… Benden sonra ise çalışanlarımın önce ikisi, sonra da dördü işten çıkarıldı.” &lt;/i&gt;&lt;/div&gt;
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İşte böyle!.. Bugün Norveç’teki toplam 646 eczanenin 591’i zincire bağlı, 32’si ise hastane eczanesi. Bilmem anlatabildim mi?&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Times, &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;b&gt;Kaynak:&amp;nbsp;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&lt;/span&gt;Tekiner, Halil. “39. Uluslararası Eczacılık Tarihi Kongresinden İzlenimler ve Zincir Eczacılık Konulu Bildiri,” &lt;i&gt;Ankara Eczacı Odası&lt;/i&gt; &lt;i&gt;Bizim Gazete sayı 24&lt;/i&gt; (2010): 6.&lt;/span&gt;&lt;/div&gt;
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