<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7411223665699843691</id><updated>2026-11-10T20:50:27.820+00:00</updated><category term="livros"/><title type='text'>Alcyone</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>842</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-6060323209003242157</id><published>2026-11-10T04:37:53.290+00:00</published><updated>2026-11-10T20:50:27.820+00:00</updated><title type='text'>O Relógio e o Conceito de Tempo no Ocidente</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg11O3Jf-5Kr2jS-HoBq5ohfyWHsZidg9gIIBs-GMN9erdnm7ef6evLQEYuXI3AzIjyB0CWmKqTF7bi6NohGVpEmmHHFftcPmtqg2mIcXbphscPEOsMF3Dv2s0QcT3nWXhaFcbd8JT4qYo2nibgslZGkmWkqe5v8YYbLPNf9KqoCF_cF7DW6eDfH7BQ4j8/s1602/IMG_0735.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1602&quot; data-original-width=&quot;1083&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg11O3Jf-5Kr2jS-HoBq5ohfyWHsZidg9gIIBs-GMN9erdnm7ef6evLQEYuXI3AzIjyB0CWmKqTF7bi6NohGVpEmmHHFftcPmtqg2mIcXbphscPEOsMF3Dv2s0QcT3nWXhaFcbd8JT4qYo2nibgslZGkmWkqe5v8YYbLPNf9KqoCF_cF7DW6eDfH7BQ4j8/w432-h640/IMG_0735.jpeg&quot; width=&quot;432&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp; &amp;nbsp; UNIVERSITE DE PARIS VII&lt;/b&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Doctorat de 3ème cycle d&#39; ETHNOLOGIE&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; L&#39;HORLOGE ET LE CONCEPT DE TEMPS EN&amp;nbsp; OCCIDENT&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Maria Clara Rebelo de Carvalho Menères&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;Paris 1983&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Director&amp;nbsp; de&amp;nbsp; Pesquisa&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;M. Serge Moscovici&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Gravura do frontespicio da obra&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;de Thomas REID, &#39;Treatise on clock&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;and watch naking, 1846&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Ao longo do livro muitas gravuras se&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;encontram, sendo impossível o scan,&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;de algumas!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Esta obra oferta&amp;nbsp;&lt;/b&gt;&lt;b&gt;da saudosa amiga&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Clara Menères&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&#39;Após o percurso feito, pode cocluir-se que os relógios são uma produção cultural, que sobretudo tem uma função de representação de ordem social e mítica. A medição do tempo, que se supõe ser feita pelos instrumentos de cronometria, nada mais é que uma aparência. Essa aparência é apenas a &#39;convenção&#39; sobre a qual repousa o&lt;i&gt; consensus&lt;/i&gt; da sociedade, a palavra que justifica o uso e a resposta que põe fim ás questões a fazer.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&#39;Afinal que é o tempo? Nem os filósofos, nem os cientistas estão em posição de apenas dar uma resposta simples e definitiva a esta questão&#39;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Logo toda a mensuração nada mais é que uma correlação entre duas grandezas, entre o que é susceptível de ser avaliado e o padrão que lhe serve de modelo.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Com efeito, o relógio é apenas um instrumento com mais importância para as relações humanas, tal outros artefactos que a nossa cultura produziu como, por exemplo, o telefone, o automóvel ou a televisão. É ela quem favorece a&amp;nbsp; simultaneidade das acções. É ainda ela que permite às pessoas agir em unidade. Em suma, o relógio é o instrumento que criou a sincronização social.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Parece-nos que o tempo e a ordem são dois aspectos de uma mesma realidade. Ordem, é também uma outra maneira de dizer lei. Logo, se a medida do tempo sofreu uma mudança de paradigma, é porque esta modificação se encontra em rela&lt;span&gt;ção com uma outra que a precedeu: a mutação da visão do universo, levada a cabo pela ciância moderna. Se a cronometria condiciona as relações humanas, a sociedade contemporânea está em&amp;nbsp; vias de se regular sobre um modelo vindo das noções cosmológicas modernas, bem como sobre a reprodução materializada daquele modelo, os instrumentos de medida do tempo.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span&gt;Para mergulhar ainda mais profundamente a análise, necessário é separar os dois aspectos contraditórios que constroem o relógio: a pesquisa da exatidão e o modelo mítico que traduz.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span&gt;&#39;E se o universo fosse contraditório? (Lupasco)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span&gt;O principio de antagonismo que ele enuncia é exactamente o mesmo que estrutura toda a produção mítica, a &lt;i&gt;coincidentia oppositorum &lt;/i&gt;de que fala Mircea Eliade.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Mas no presente, é necessário distinguir entre a velha problemática dos contrários e dos contraditórios e o fenómeno que denominamos de coincidêcia dos opostos.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;É necessário saber qual o tipo&amp;nbsp; de oposição se trata.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A primeira e a mais complexa oposição no que respeita à duração, diz-nos que o tempo é a actualização da energia e que esta é a imagem do tempo, pois é a outra face desse espelho que reflecte toda a criação.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O relógio é o local do conflito. Não porque seja mais contraditória na sua essência que muitos outros objectos, antes porque é a reificação de uma duração que se define por coincidências de opostos. Trata-se de um conflito que é o portador de transformação, uma mudança que se manifesta sobre o relógio pela evolução que este instrumento teve.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Logo a energia que desencadeou o bascular de uma polarida a uma outra foi fornecido pela religião e o modelo mítico que veicula. Uma força que levou à mutação e provocou o &#39;fim dos tempos&#39;, quer dizer a passagem a uma outra concepção temporal, à permissão de um espaço concebido independentemente do devir da duração, ao espaço-tempo. Uma ideia que levou dois mil anos para impregnar a sociedade ocidental e consequentemente, o mundo inteiro!&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;ÍNDICE&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Antelóquio&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Introdução&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;PRIMEIRA PARTE - VER O TEMPO PASSAR&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO I&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Ler o tempo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO I I&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;As horas e os livros de Horas&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO I I I&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O Relógio de Sapiência&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO IV&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Os multiplos espaços do tempo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO V&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O cosmos e o microcosmos mecânico&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO VI&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O rosto do tempo: a morte&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO VII&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O reverso do tempo: o amor&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO VIII&amp;nbsp; &amp;nbsp; &amp;nbsp; O olvido do tempo: a sensualidade&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO IX&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A rejeição do tempo: a transgressão&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO X&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Da produção de massa a uma nova&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; estética&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO XI&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A energia e a mediatização do tempo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO XII&amp;nbsp; &amp;nbsp; &amp;nbsp; A homogeneidade temporal e a mutação&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; dos conceitos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;SEGUNDA PARTE - PENSAR O TEMPO VISÍVEL&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;CAPÍTULO I&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Três ideias, um objecto: o relógio&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A precisão&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A evolução&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O progresso&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO II&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A estrutura simbólica do relógio&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O círculo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A espiral&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O cristal&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CAPÍTULO III&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O lugar do conflito: o relógio&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Do espaço ao tempo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Os mitos do tempo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A coincidência dos opostos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;CONCLUSÃO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;BIBLIOGRAFIA&lt;/b&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/6060323209003242157/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/6060323209003242157' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6060323209003242157'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6060323209003242157'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/11/o-relogio-e-o-conceito-de-tempo-no.html' title='O Relógio e o Conceito de Tempo no Ocidente'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg11O3Jf-5Kr2jS-HoBq5ohfyWHsZidg9gIIBs-GMN9erdnm7ef6evLQEYuXI3AzIjyB0CWmKqTF7bi6NohGVpEmmHHFftcPmtqg2mIcXbphscPEOsMF3Dv2s0QcT3nWXhaFcbd8JT4qYo2nibgslZGkmWkqe5v8YYbLPNf9KqoCF_cF7DW6eDfH7BQ4j8/s72-w432-h640-c/IMG_0735.jpeg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-6346035854186604589</id><published>2026-11-08T02:21:28.148+00:00</published><updated>2026-11-09T12:47:42.678+00:00</updated><title type='text'>Colóquio: &#39;A Morte e a Curva da Estrada&#39;</title><content type='html'>&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp;Primeira sessão do Colóquio&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;«A Morte e a Curva da Estrada»&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; Lisboa - Novembro de 1979&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Organizador - Prof. Manuel J. Gandra&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Primeiro tema apresentado:&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&#39;A morte antes da morte -&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; - A vida depois da vida&#39;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Palestrante:&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Alberto Castro Ferreira&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Na primeira fotografia, Manuel J.&amp;nbsp; Gandra apresenta o palestrante,&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;Alberto Castro Ferreira, que desenvolveu o tema por si escolhido:&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&#39; A Morte antes da Morte // A Vida depois da Vida&#39;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Na seguda fotografia, Manuel J. Gandra junto de Alberto Castro Ferreira, cuja prestação é escutada pela assistência, tal como pode ver-se na terceira fotografia!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O tema escolhido pelo orador tem raiz na sua experiência na Guerra travada na antiga Colónia da Guiné, onde esteve em missão de soberania, bem como preso político e com a uma vivência Espirirual ao longo de uma vida longa e&amp;nbsp; radical!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg9dNtEAgxDImumLUq8SVLaWOHfRivMj5cmFeoJail1wBgZWOVyS6Wi4aeSM5TiyMvQGDIn4n4NtWISpNoDKImlqNhs6v4s8ZnnxGseUMfeMStfLn5iU0WSRS7GBZ5w4H66gw35fnrnxOzB0-TGFTtS9jMvpkyh70_f_IMNeBXSMG-6PByDNAMdn2yYwU/s960/53832782_5592872477405039_1129878150365315072_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;720&quot; data-original-width=&quot;960&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg9dNtEAgxDImumLUq8SVLaWOHfRivMj5cmFeoJail1wBgZWOVyS6Wi4aeSM5TiyMvQGDIn4n4NtWISpNoDKImlqNhs6v4s8ZnnxGseUMfeMStfLn5iU0WSRS7GBZ5w4H66gw35fnrnxOzB0-TGFTtS9jMvpkyh70_f_IMNeBXSMG-6PByDNAMdn2yYwU/w400-h300/53832782_5592872477405039_1129878150365315072_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi72XD2KXPtQ4H44JU6IsBVCUSi44QmtYm8V1v4kRWle26WzKFDx2kBwYPEgiIpYT8CJOFa5rohMBD_wWFRolMzNbTHqEr0eDyld6rzAsVWqAwClasUNERLOzQKfeRz0-CypGqBSY8xImndcFzo98M1KHHc6L19H5_qjJmViss8lpoI7IoGjRJhydVMGg0/s960/53836695_5592872464071707_4420355571966803968_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;720&quot; data-original-width=&quot;960&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi72XD2KXPtQ4H44JU6IsBVCUSi44QmtYm8V1v4kRWle26WzKFDx2kBwYPEgiIpYT8CJOFa5rohMBD_wWFRolMzNbTHqEr0eDyld6rzAsVWqAwClasUNERLOzQKfeRz0-CypGqBSY8xImndcFzo98M1KHHc6L19H5_qjJmViss8lpoI7IoGjRJhydVMGg0/w400-h300/53836695_5592872464071707_4420355571966803968_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7_PCAtLmQniGYb0OWxTSCRlIPSoNbQ2mhyphenhyphen17WjV70Vd9Bm312sWvZYF5rQ4JQfa3p-Ask3nLJBh97BqFDc1d_3tHWONibpnzjp7I-V_iV5Q-x1TeAN3ipDlKLK9Nc7NlaP91CSaTkvSvk09y23tPbQoyhxT-bISUG3uYun0hZ2dFeASKnXgMk28QDeP8/s960/54279464_5592872474071706_1203065222017843200_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;960&quot; data-original-width=&quot;720&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7_PCAtLmQniGYb0OWxTSCRlIPSoNbQ2mhyphenhyphen17WjV70Vd9Bm312sWvZYF5rQ4JQfa3p-Ask3nLJBh97BqFDc1d_3tHWONibpnzjp7I-V_iV5Q-x1TeAN3ipDlKLK9Nc7NlaP91CSaTkvSvk09y23tPbQoyhxT-bISUG3uYun0hZ2dFeASKnXgMk28QDeP8/w300-h400/54279464_5592872474071706_1203065222017843200_n.jpg&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Nota: Fotografias gentilmente cedidas pelo Prof. Manuel J. Gandra, amigo pessoal!&lt;/b&gt;&lt;/p&gt;&lt;h1 class=&quot;style-scope ytd-watch-metadata&quot; style=&quot;-webkit-box-orient: vertical; -webkit-line-clamp: 2; background: rgb(255, 255, 255); border: 0px; color: #0f0f0f; display: -webkit-box; font-family: Roboto, Arial, sans-serif; font-size: 2rem; font-variation-settings: &amp;quot;wdth&amp;quot; 100; line-height: 2.8rem; margin: 0px; max-height: 5.6rem; overflow: hidden; padding: 0px; text-overflow: ellipsis; word-break: break-word;&quot;&gt;&lt;yt-formatted-string class=&quot;style-scope ytd-watch-metadata&quot; force-default-style=&quot;&quot; title=&quot;Beethoven, String Quartet 15 In A Minor, Op. 132, &amp;quot;Heiliger Dankgesang&amp;quot; - 3. Molto Adagio&quot;&gt;Beethoven, String Quartet 15 In A Minor, Op. 132, &quot;Heiliger Dankgesang&quot; - 3. Molto Adagio&lt;/yt-formatted-string&gt;&lt;/h1&gt;&lt;div&gt;&lt;yt-formatted-string class=&quot;style-scope ytd-watch-metadata&quot; force-default-style=&quot;&quot; title=&quot;Beethoven, String Quartet 15 In A Minor, Op. 132, &amp;quot;Heiliger Dankgesang&amp;quot; - 3. Molto Adagio&quot;&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=0-jus6AGHzQ&quot;&gt;https://www.youtube.com/watch?v=0-jus6AGHzQ&lt;/a&gt;&lt;/yt-formatted-string&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/6346035854186604589/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/6346035854186604589' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6346035854186604589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6346035854186604589'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/11/coloquio-morte-e-curva-da-estrada.html' title='Colóquio: &#39;A Morte e a Curva da Estrada&#39;'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg9dNtEAgxDImumLUq8SVLaWOHfRivMj5cmFeoJail1wBgZWOVyS6Wi4aeSM5TiyMvQGDIn4n4NtWISpNoDKImlqNhs6v4s8ZnnxGseUMfeMStfLn5iU0WSRS7GBZ5w4H66gw35fnrnxOzB0-TGFTtS9jMvpkyh70_f_IMNeBXSMG-6PByDNAMdn2yYwU/s72-w400-h300-c/53832782_5592872477405039_1129878150365315072_n.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-1293974425946832128</id><published>2026-11-06T03:11:58.767+00:00</published><updated>2026-11-06T03:21:38.208+00:00</updated><title type='text'>LOGOS  E  PRAXIS - FRANÇOIS CHATELET</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnJYmb3h5aW21FzPQlAXRX4hfMCtgyEOUHp0HgiAQAJyiJhQVpGrFfrj7I3TNbDl5euTVUr7GVY7rQif8-Wr5kuX2ERra3iblcX3Wt1i5UV0pfJukN7I5FdrLQB7WDKmTUU2Tbitm05ZhLbR7lN7isgkc_idXeLwRjAjcs9LmkArvRhxFCBFl0KHPYXkw/s2315/IMG_9520.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2315&quot; data-original-width=&quot;1440&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnJYmb3h5aW21FzPQlAXRX4hfMCtgyEOUHp0HgiAQAJyiJhQVpGrFfrj7I3TNbDl5euTVUr7GVY7rQif8-Wr5kuX2ERra3iblcX3Wt1i5UV0pfJukN7I5FdrLQB7WDKmTUU2Tbitm05ZhLbR7lN7isgkc_idXeLwRjAjcs9LmkArvRhxFCBFl0KHPYXkw/w249-h400/IMG_9520.jpg&quot; width=&quot;249&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;&amp;nbsp;LOGOS E PRAXIS&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;FRANÇOIS CHATELET&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Tradução de&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;Roland&amp;nbsp; Corbisier&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Capa: Ragnar Lagerblad&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Série&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b style=&quot;font-size: small;&quot;&gt;RUMOS DA CULTURA MODERNA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Direção Editorial de Moacyr Félix&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Volume 42&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Paz e Terra&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Rio de Janeiro - 1972&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;321 pgs&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Traduzido do original francês&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;LOGOS ET PRAXIS&lt;br /&gt;Société d´´Edition d&#39;Enseignement Supérieue, 1962&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;François Chatelet expõe nesta obra com o rigor intelectual que o destacou entre os melhores professores de França - a distância que existe entre os sucessos do Marxismo e o &#39;domínio da teoria que se costuma denominar filosofia&#39;.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Tendo em vista as exposições &#39;filosóficas&#39; que recebem a caução dos partidos políticos que se alegam herdeiros do pensamento de Marx, Chatelet afirma e demonstra que elas não passam de &#39;um sitema pobre e esquemático, aliando ao dogmatismo de estilo um conteúdo completamente injustiçado e traindo as mais elementares exigências da reflexão filosófica&#39;.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Conhecer o pensamento e a cultura de sua éoca, suas dúvidas e seus erros, seu desdobramento e seus conflitos - essa é a função precípua da acção humana que se quer consciente no quotidiano e na história.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&#39;Logos e Praxis&#39;, uma contribuição a essa necessidade de investigar e de pensar as diversas encruzilhadas do mundo contemporâneo.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span style=&quot;font-size: medium;&quot;&gt;Sumário&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Prefácio&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;I - O MATERIALISMO DIALÉCTICO E A CRÍTICA&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; CONTEMPORÂNEA&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 1. O Materialismo dialéctico&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 2. As objcções do antimaterialismo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 3. A resposta materialista&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 4. Novas objecções&amp;nbsp; antimaterialistas&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 5. O sentido do debate&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;II - O EXERCÍCIO DA FILOSOFIA E DO PROJECTO DO DISCURSO&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;INTEGRALMENTE LEGITIMADO&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 1. O fundo da oposição materialismo-antima-&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; terialismo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 2. O problema do discurso integralmente legi-&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; mado e o nascimento da metafisica&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 3. A solução metafísica e o seu fracasso&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 4. Os caminhos após o fracasso da metafí-&amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; sica&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp;5. A superação da metafísica e o êxito da filo-&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; sofia&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;6. A &#39;ciência&#39;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;III- O ÊXITO DA FILOSOFIA E A EXIGÊNCIA DE SUPERAÇÃO&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; 1. Significado do saber absoluto&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; 2. O êxito da filosofia e o destino empírico do&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; homem a &#39;crítica´do jovem-hegelianis-&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; mo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; 3. Do &#39;fracasso&#39; do saber absoluto à ideia da&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;superação da filosofia&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;IV - O CAMINHO DA SUPERAÇÃO: A APREENSÃO DO HOMEM&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;EM SUA REALIDADE EMPÍRICA&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; 1. Retomada dos resultados adquiridos&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; 2. A solução filosófica do problema do Estado&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; e a exigêcia de superação&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;3. Problemas da definição do homem no seu ser&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;empírico&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;4. Notas sobre a concepção marxista de histo-&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ricidade&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; 5. O estatuto teórico do marxismo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;V -&amp;nbsp; O CAMINHO DA SUPERAÇÃO: AS TAREFAS DO&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; PENSAMENTO ACTUAL&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp;1. O estatuto teórico do marxismo e a decisão&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;filosófica&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp;2. O que significa o materialismo marxista&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp;3. O que significa a ligação da teoria e da prá-&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;tica&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; 4. O que significa a superação da filosofia&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Apêndice&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/1293974425946832128/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/1293974425946832128' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/1293974425946832128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/1293974425946832128'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/11/logos-e-praxis-francois-chatelet.html' title='LOGOS  E  PRAXIS - FRANÇOIS CHATELET'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnJYmb3h5aW21FzPQlAXRX4hfMCtgyEOUHp0HgiAQAJyiJhQVpGrFfrj7I3TNbDl5euTVUr7GVY7rQif8-Wr5kuX2ERra3iblcX3Wt1i5UV0pfJukN7I5FdrLQB7WDKmTUU2Tbitm05ZhLbR7lN7isgkc_idXeLwRjAjcs9LmkArvRhxFCBFl0KHPYXkw/s72-w249-h400-c/IMG_9520.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-4195723275991798476</id><published>2026-11-02T13:33:46.895+00:00</published><updated>2026-11-02T14:17:13.266+00:00</updated><title type='text'>Vida e Morte das Formas</title><content type='html'>&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A tragédia do nosso&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;tempo não é a de todos&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;os tempos.&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 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&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; W. Weidlé&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnjIU2r1bBByWBzlx9WKRM5i6G2XSSCzQbIto7S1S705pGhhyaG5OtW1iSfEb0c4y6WYaCxgSHQIxWn7ge0eU8sEJbKqGNDzIDFUMW3y3UQ5t7_WmtMm7U50-VCkxdlq6SXSqjDtc5MXLdcLOddO4Z1SKWqmqAejvc_AhAeXwQk8lJSCNgS5_ViIaRNuI/s1750/Digitalizar0144.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1750&quot; data-original-width=&quot;1140&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnjIU2r1bBByWBzlx9WKRM5i6G2XSSCzQbIto7S1S705pGhhyaG5OtW1iSfEb0c4y6WYaCxgSHQIxWn7ge0eU8sEJbKqGNDzIDFUMW3y3UQ5t7_WmtMm7U50-VCkxdlq6SXSqjDtc5MXLdcLOddO4Z1SKWqmqAejvc_AhAeXwQk8lJSCNgS5_ViIaRNuI/w260-h400/Digitalizar0144.jpg&quot; width=&quot;260&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VIDA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; E&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;MORTE&amp;nbsp; DAS&amp;nbsp; FORMAS&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;MÁRIO&amp;nbsp; ALVES PEREIRA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;LISBOA - 1962&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Páginas - 125&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Reservados todos os direitos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;do Autor&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Composto e Impresso na&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Gráfica&amp;nbsp; Imperial, Lda&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Rua Feio Terrenas, 31 - A&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Nota:&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;entre a páginas 72 - 73&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;encontra-se uma imagem&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;a preto e branco&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&#39;O fumador&#39; de Picasso!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ÍNDICE&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;I PARTE - A VIDA DAS FORMAS&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; 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&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Unidade interior&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Idealidade emocional - Ideal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Abstracto&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Emocionais&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Representativos&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A inteligência&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Combinação - Construção&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Análise&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A INVERSÃO DOS CONCEITOS&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A&amp;nbsp; Criação&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; INCONSCIENTE - SUBCONSCIENTE&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A CRIAÇÃO NATURAL&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Involução&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O reino mineral&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Forma&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Evolução&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O reino vegetal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Vida&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O reino animal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Instinto&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O Homem&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Consciência&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Pricípio da transcendência&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Esquemas&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A CRIAÇÃO ARTÍSTICA&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Intuição - Inspiração&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; HARMONIA - BELEZA&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A IMPERFEIÇÃO E O&amp;nbsp; FEIO&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O mal natural - o mal moral&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;II PARTE - O DECLÍNIO E MORTE DAS FORMAS&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O artifício&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O MOVIMENTO ROMÂNTICO&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;SIMBOLISMO E IMPRESSIONISMO&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O INTELECTUALISMO - FRAGMENTAÇÃO&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Regresso às formas primitivas&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Na literatura&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A frase&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A poemia&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;b&gt; &lt;span style=&quot;font-size: x-small;&quot;&gt;Nas artes plásticas&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Cubismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Futurismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; EQUIVALÊNCIA DO FALSO E DO VERDADEIRO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A IMAGINAÇÃO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Factor representativo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Factor emocional&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Consciência estética&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;UTILITARISMO - O DECORATIVO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A destruição&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;DO ESPÍRITO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Anti-intelectualismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Instintualismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Dadaísmo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Surrealismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Existencionalismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;DAS FORMAS&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;Escrita automática&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Abstractismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Letrismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Concretismo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A DESUMANIZAÇÃO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O irracional&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;A máquina&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Biblografia&amp;nbsp; - Cerca de três páginas&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/4195723275991798476/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/4195723275991798476' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/4195723275991798476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/4195723275991798476'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/11/vida-e-morte-das-formas.html' title='Vida e Morte das Formas'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnjIU2r1bBByWBzlx9WKRM5i6G2XSSCzQbIto7S1S705pGhhyaG5OtW1iSfEb0c4y6WYaCxgSHQIxWn7ge0eU8sEJbKqGNDzIDFUMW3y3UQ5t7_WmtMm7U50-VCkxdlq6SXSqjDtc5MXLdcLOddO4Z1SKWqmqAejvc_AhAeXwQk8lJSCNgS5_ViIaRNuI/s72-w260-h400-c/Digitalizar0144.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-660614738350556492</id><published>2026-10-30T02:54:33.660+00:00</published><updated>2026-10-31T18:34:00.594+00:00</updated><title type='text'>&#39;Por Um Novo Humanismo&#39; - Ensaios</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-YirkUXmkJ9kY-3d_33KaLNg5JCtDcHnXRXyDEmj3RrLgLDWknlGRQ-YHTQAqpofn-cEKIBM1oGOqKC60TMTDZEyKNxT4N5utF3VcjxaeN4CVcIn32yxzyb4raeKrxM5cll8yyQvldPtgWAY0NcCjX3AUI1RdL6mEtgOQaWZgz48KcsmU4rYSOq9CPOQ/s1786/IMG_0666.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1786&quot; data-original-width=&quot;1061&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-YirkUXmkJ9kY-3d_33KaLNg5JCtDcHnXRXyDEmj3RrLgLDWknlGRQ-YHTQAqpofn-cEKIBM1oGOqKC60TMTDZEyKNxT4N5utF3VcjxaeN4CVcIn32yxzyb4raeKrxM5cll8yyQvldPtgWAY0NcCjX3AUI1RdL6mEtgOQaWZgz48KcsmU4rYSOq9CPOQ/w238-h400/IMG_0666.jpg&quot; width=&quot;238&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp;&amp;nbsp;&lt;b&gt;POR&amp;nbsp; UM&amp;nbsp; NOVO&lt;br /&gt;H U M A N I S M O&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Nova Cultura&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Ensaios&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span&gt;&amp;nbsp; RODRIGO SOARES&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;1917- 1982&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Livraria Portugália&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Porto - 1947&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Imprensa Portuguesa&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Rua Formosa - Porto&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;271 pgs&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Nota:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Esta obra insere-se num conjunto de livros&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; cuja &#39;Direcção Literária&#39;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;foi de&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Alberto Uva e Teixeira da Rocha&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&#39;Do Prefácio&#39;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O mundo moderno fez surgir um novo tipo de humanismo, que representa a única saída para problemas que se apresentam insolúveis e que é a concepçao da vida que pode satisfazer o homem dos nossos dias - desde o trabalhador manual ao trabalhador intelectual, desde o habitante dos países «civilizados» ao nativo dos países coloniais e desde o jovem que deseja concretizar as suas energias ao homem feito que já tem razões de sobra para não acreditar em falsas soluções.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Este novo humanismo é a defesa e realização prática dos interesses rea&lt;span&gt;is, e não abstractos ou imaginários, do homem concreto e humano de todos os pontos da terra. Este humanismo consequente não pode contemporizar com a opressão racial, com o analfabetismo ou com a existência de escolas abandonadas e em ruínas. Condena a separação do pensamento e da acção, porque a «acção» sem a bússola da teoria é cega e a teoria desligada da prática é um aborto.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span&gt;....&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span&gt;Este novo humanismo não é apenas mais uma concepção do homem, mais uma maneira de conceber o humano a juntar a tantas outras. é antes, a teoria e a prática da criação de tantas outras pelos seus próprios meios, da libertação da humanidadeda da «pré-história» do homem humano».&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span&gt;....&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span&gt;A partipação do autor destas linhas na campnha de renovação cultural de 39-40 está, no essencial, reunida neste volume. Mas há no livro outros escritos posteriores, que respondem a circunstâncias por vários motivos diferentes.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span&gt;Reunem-se no presente volume a par de algumas páginas inéditas, críticas, artigos e comentários que o autor publicou em revistas e jornais, anonimamente e com diversos pseudónimos, de 1939 a 1947.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ÍNDICE&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;PREFÁCIO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;I - AS IDEIAS E A VIDA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Narcisismo e humanismo - (Dezembro, 1938.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Conciderações sobre a cultura - (Maio, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A traição dos intelectuais - (Maio, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;«Síntese da História Económicado Brasil» de Afonso&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Arinos de Melo Franco - (Maio, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Tecnocracia e cooperativismo - (Junho, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A cultura e a vida - (Junho, 1939)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Juízo sumário sobre Julien Benda (Outubro, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Um problema de orientação - (Outubro, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Os intelectuais franceses e o novo humanismo (a pro-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;pósito de «L´Homme, Tecnique et la Nature») - (Março- 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Uma iniciativa de divulgação cultural (os dois primei-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;ros cadernos de «Iniciação» de Agostinhio da Silva)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Reflexões sobre o nosso tempo - (Maio, 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Henri de Man e o socialismo personalista - (Julho, 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Significação do novo humanismo - (Novembro, 1940)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;«Experiência directa da vida» e «estreiteza de horizon-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; tes (resposta a Adolfo Casais Monteiro) - (Novembro, 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;O Essencial da Economia» por um economista nazi - (Novembro, 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;As «Cartas à Mocidade» de Jaime Cortesão - (Dezembro, 1941.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Uma cultura que seja do nosso tempo - (Setembro, 1944.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Oliveira Martins (a propósito do centenário do seu&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;nascimento) - (Fevereiro, 1945.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Da necessidade de estudar os problemas concretos&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; nacionais - (Novembro, 1945.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;O problema da cultura popular - (Janeiro, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A filosofia de Leonardo Coimbra (Breve Comentário&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;a propósito de um livro de José Marinho) - (Agosto, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;«Por Tierras de Portugal» - Notas a Unamuno - (Setembro, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Ciência e Filosofia - (Novembro, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Os intelectuais e a imprensa da província - (Novembro, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Um livro de há dez anos que permanece actual («La&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Crise du Progrès» de Georges Friedmann) - (Novembro, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A cultura e o povo - (Dezembro, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; II - LITERATURA E ARTE&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Cinema, arte do presente e do futuro - (Maio, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Um livro de crónicas de Renaud de Jouvenel - (Junho, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Pequena nota sobre Camilo Castelo Branco - (Setembro, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Sobre o neo-realismo (Carta ao pintor Dominguez&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Alvarez) - (Setembro, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A missão dos novos escritores - (Outubro, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;«Sinfonia da Guerra» de António Ramos de Almeida - (Novembro, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;O facto capital da nossa vida literária em 1939 - (Dezembro, 1939.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Em torno do romance histórico - (Abri, 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A literatura deve ficar no seu lugar - (Maio, 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Antero, Eça, Ramalho, Oliveira Martins e as novas&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ideia sobre a arte e a literatura - (Junho, 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;José Régio e a juventude - (Setembro, 1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Biografia de José Agostinho de Macedo por Carlos&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Olavo - (Dezembro,1940.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Perfeição estética e conteúdo humano (a propósito de&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; algumas afirmaçoes de Gregório Marañon) - (Outubro, 1944.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A lição de Walt Whitman - (Outubro, 1944.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A decadência em André Malraux (a propósito do&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;romance «A luta com o Anjo») - (Dezembro, 1944.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Uma escritora actuante: Elsa Triolet - (Setembro, 1945.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Jean de La Bruyére (250 anos depois da sua morte) - (Novembro, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Desespero, pessimismo e decadência - (Dezembro, 1946.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;NOTAS&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; 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- Ensaios'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-YirkUXmkJ9kY-3d_33KaLNg5JCtDcHnXRXyDEmj3RrLgLDWknlGRQ-YHTQAqpofn-cEKIBM1oGOqKC60TMTDZEyKNxT4N5utF3VcjxaeN4CVcIn32yxzyb4raeKrxM5cll8yyQvldPtgWAY0NcCjX3AUI1RdL6mEtgOQaWZgz48KcsmU4rYSOq9CPOQ/s72-w238-h400-c/IMG_0666.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-8376301452406525165</id><published>2026-10-23T21:46:01.193+01:00</published><updated>2026-10-23T22:13:15.916+01:00</updated><title type='text'>AOS MEUS IRMÃOS COMUNISTAS</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_NUUYg3KF9jNOpyVvV8R0pbwkv6E-6HqTB5BoYToOecgbQWQbhCaE413HESe-6ij-7kpZEhSWJpFAMlnOC8pqT0YeZLUk-Ma0Er-5qp6M8qfAEOB9OoeaHmJHyD3vrvyfCMQAgg7maYC6D2Wfm_zj2U88ChwHQnvof21YNudmjE08x1MCC1mUPtTtOuw/s2003/IMG_0625.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2003&quot; data-original-width=&quot;1270&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_NUUYg3KF9jNOpyVvV8R0pbwkv6E-6HqTB5BoYToOecgbQWQbhCaE413HESe-6ij-7kpZEhSWJpFAMlnOC8pqT0YeZLUk-Ma0Er-5qp6M8qfAEOB9OoeaHmJHyD3vrvyfCMQAgg7maYC6D2Wfm_zj2U88ChwHQnvof21YNudmjE08x1MCC1mUPtTtOuw/w254-h400/IMG_0625.jpg&quot; width=&quot;254&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;AOS MEUS IRMÃOS&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; COMUNISTAS&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;FÉLIX BERMUDES&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;LISBOA - 1949&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Distribuidora Bertrand&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;142 pgs&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Composto e impresso na&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;IMPRENSA LIBÃNIO DA SILVA&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Travessa do Fala-Só, 24 Lisboa&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Estou seguro que esta obra, dividida em duas partes, &lt;/b&gt;&lt;b&gt;a primeira parte dedicada à Filosofia Política, teve a preocupação com sua filha Cesina Bermudes, várias vezes presa pela PIDE. Note-se que a data de pulicação coincide com a campanha do Movimento de Unidade Democrática (MUD), para a eleição do General Norton de Matos à Presidência da República!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Todos sabemos que a espinha dorsal do MUD era o Partido Comunista Português (PCP), bem estruturado e com ramificações por todo o país!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Dêmos então a palavra ao autor, que na primeira parte se dedica às questões políticas e na segunda parte ao ocultismo, que irá ser desenvolvida em «O Homem Condenado a&amp;nbsp; Ser Deus»!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;Irmãos comunistas&#39;:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;O título desta obra poderia dar lugar a um erro que me apresso a prevenir: não sou, nunca fui nem quero ser político e se alguma vez o fosse, combateria o comunismo.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b style=&quot;font-size: small;&quot;&gt;Não posso&amp;nbsp;&lt;/b&gt;&lt;b style=&quot;font-size: small;&quot;&gt;portanto&amp;nbsp;&lt;/b&gt;&lt;b style=&quot;font-size: small;&quot;&gt;invocar-vos como «camaradas», mas vou além tratando-vos como «irmãos».&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;É pela Fraternidade Humana e não pela comunhão de ideias políticas que me sinto estreitamente ligado a vós e a todos os que sofrem. O trabalho que vos dedico apenas aspira a difundir a convicção em que estou de que as actividades comunistas, longe de acelerar como pretendem a elevação geral do nível de cultura, de conforto e de liberdade, a estão, pelo contrário, retardando inexoravelmente.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Se tiverdes para comigo a mesma atitude fraternal, se procurardes compreender a minha boa vontade&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;como&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;eu&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;compreendendo as vossas angústias e as vossas revoltas, alguma coisa teremos produzido, vós e eu, em benefício da Humanidade.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Se não posso, porém, conceder-vos o meu acordo, dou-vos contudo uma compensação: não aprovo tão-pouco os governos autoritários que se julgam dispensados de consultar a opinião pública e de escutar o que diz a alma das nações. Mas, ainda nestes casos de governos anormais que tiranizam os povos, é minha opinião imparcial e sincera que a culpa é mais vossa do que a deles. É o «comunismo», ameaçando os povos com a ferocidade da sua ditadura, quem alimenta as outras ditaduras que procuram opor-se-lhe, neutralizando o medo que vós espalhais pelo medo que elas espalham. Como ides ver, o que venho propor a uns e outros é uma simples trégua de boa vontade, única esperança de libertar o mundo das malhas em que se enredou.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;É minha aspiraçao fundamental não ofender seja quem seja, respeitar a dignidade de todos e abster-me de qualquer expressão que possa melindrar os meus semelhantes. Se o não consegui é porque falhei lamentavelmente na construção da obra que projectei. Disso me penitencio desde já, pedindo perdão àqueles com quem não tenha sabido conservar-me fraternal e cortês.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;FB&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Nota:&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A segunda parte contém a tradução do poema &#39;If&#39; de Rudyard Kipling. Félix Bermudes dá-nos uma tradução segura e adaptada à língua portuguesa, tal com em «O Homem Condenado a Ser Deus», nos oferece uma excelente tradução adaptada à língua portuguesa de «Os Versos Dourados do Pitagirismo», respeitando o cristianismo ao em vez de Zeus usar a palvra Deus!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;ÍNDICE&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt;I PARTE&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;O DRAMA DA VIDA PRESENTE&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;ENSAIO DE FILOSOFIA POLÌTICA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Advertência&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O grande equívoco&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Entraves à&amp;nbsp; Fraternidade Humana&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Extremismos fatais&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A saída do Labirinto&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Batendo a outra porta&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Fontes do mal&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Um esforço sincero&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Armistício&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;«Credo político»&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;i&gt; II PARTE&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;O POEMA DA VIDA ETERNA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Advertência&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O Governo Interno do Mundo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Os homens não são iguais&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;...mas são irmãos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Os nossos corpos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Matemos a morte!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A Lei da acção&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O Inferno e o Purgatório&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Se...&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A Alma errante&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Bibliografia&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://wwwimitacaodavida.blogspot.com/2011/04/felix-bermudes-e-melhor-traducao-de-de.html&quot;&gt;https://wwwimitacaodavida.blogspot.com/2011/04/felix-bermudes-e-melhor-traducao-de-de.html&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://soscapvert.blogspot.com/2009/01/flor-de-ltus-branco.html&quot;&gt;https://soscapvert.blogspot.com/2009/01/flor-de-ltus-branco.html&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/8376301452406525165/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/8376301452406525165' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/8376301452406525165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/8376301452406525165'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/10/aos-meus-irmaos-comunistas.html' title='AOS MEUS IRMÃOS COMUNISTAS'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_NUUYg3KF9jNOpyVvV8R0pbwkv6E-6HqTB5BoYToOecgbQWQbhCaE413HESe-6ij-7kpZEhSWJpFAMlnOC8pqT0YeZLUk-Ma0Er-5qp6M8qfAEOB9OoeaHmJHyD3vrvyfCMQAgg7maYC6D2Wfm_zj2U88ChwHQnvof21YNudmjE08x1MCC1mUPtTtOuw/s72-w254-h400-c/IMG_0625.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-3051300927145177152</id><published>2026-10-22T02:58:58.913+01:00</published><updated>2026-10-23T15:25:19.143+01:00</updated><title type='text'>A Poesia do Espírito - Félix Bermudes</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkwtkn-4EWq7y7RJTps803udhOnnzg78rXtBEjTb3jRM-0sp2XoDdTaQfncETPOSHqMGzNNvDhCzWaR9nLDcp3dZQk5dE7I14Ra-C_nyeMXvnJv9rnCJA9hPB7vpKSTRICY6QeuxhNxBXxfcA1vp6DB1Qe33FhpHrZ2XidR87g25y6jwJ2Ee5_VAMjgCU/s1213/IMG_0475.JPG&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1213&quot; data-original-width=&quot;864&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkwtkn-4EWq7y7RJTps803udhOnnzg78rXtBEjTb3jRM-0sp2XoDdTaQfncETPOSHqMGzNNvDhCzWaR9nLDcp3dZQk5dE7I14Ra-C_nyeMXvnJv9rnCJA9hPB7vpKSTRICY6QeuxhNxBXxfcA1vp6DB1Qe33FhpHrZ2XidR87g25y6jwJ2Ee5_VAMjgCU/w285-h400/IMG_0475.JPG&quot; width=&quot;285&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;b&gt;A POESIA&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;do ESPÍRITO&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Este livro de&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; «A POESIA DO ESPÍRITO»&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; foi composto e impresso&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; nas Oficinas Gráficas da&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;IMPRENSA PORTUGAL . BRASIL&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Venda Nova&amp;nbsp; - Amadora&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Distribuidores:&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; LIVRARIA&amp;nbsp; BERTRAND&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; LISBOA - 1958&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 71 pgs&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Desta edição fez-se uma tiragem de&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;50 exemplares, numerados de 1 a 50,&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;fora do mercado.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Rubricados pelo Autor&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;INTRODUÇÃO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Justificação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;A Poesia e as Artes representaram em todos os tempos o nível mais alto em que pode exprimir-se o que de divino existe no homem; por isso todas elas serviram sempre para embelezar o culto que a Humanidade presta a Deus. Entretanto, é de notar que o contributo da poesia para o esforço de religar as criaturas ao seu Criador é muito mais escasso do que o da Arquitectura, da Pintura, da Escultura e da Música.&#39;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;F. B.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;OFERENDA&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&#39;Ao seleccionar os trechos englobados no presente volume, não pensei apenas em oferecê-los às pessoas de tendências espirituais, antes foquei mais objectivamente, no pensamento e no coração, aqueles que se refugiam numa atitude de reserva, em face das soluções correntemente apresentadas para os problemas da Alma&#39;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;F. B.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;b&gt;Índice dos textos&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Prece&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;O Natal&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;No Jardim da Vida&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;O Voo para o Divino&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;As Ilusões (tríptico)&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Saudade&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Para Sempre!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;O Amor Eterno&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;L´Éternel Amour&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Conserve o seu sorriso!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Prece do Natal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;A Cruz Vermelha&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Lótus Branco&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Antero&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Veneza&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Se...&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;A Alvorada do Espírito&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Salteador arrependido&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;A Jornada Imortal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;A Mãe do Mundo&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;A Roda dos Expostos&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Os juros duma Vida Santa&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Versos Doirados&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;A Carta dos Deveres do Homem&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;NOTA&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Este exemplar comprado por mim num alfarrabista, além do interesse do conteúdo da obra, traz a referência&amp;nbsp; de quem o possuiu, bem como um excerto de jornal que pretende comemorar os 15 anos do falecimento de Félix Bermudes!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; EX - LIBRIS&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; C. 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;p&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/3051300927145177152/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/3051300927145177152' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/3051300927145177152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/3051300927145177152'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/10/a-poesia-do-espirito-felix-bermudes.html' title='A Poesia do Espírito - Félix Bermudes'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkwtkn-4EWq7y7RJTps803udhOnnzg78rXtBEjTb3jRM-0sp2XoDdTaQfncETPOSHqMGzNNvDhCzWaR9nLDcp3dZQk5dE7I14Ra-C_nyeMXvnJv9rnCJA9hPB7vpKSTRICY6QeuxhNxBXxfcA1vp6DB1Qe33FhpHrZ2XidR87g25y6jwJ2Ee5_VAMjgCU/s72-w285-h400-c/IMG_0475.JPG" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-5943658826646718094</id><published>2026-10-13T03:08:38.793+01:00</published><updated>2026-10-13T04:22:42.855+01:00</updated><title type='text'>Buda Instruindo os Discípulos - Félix Bermudes</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgejG7fkzZBfAMNjFIs1Fyoula1KhHX-xPiE9C3fvXUgEbunG0VEaITUqZ0gif7AlZUfWtnjWSZ5Li18B-QKC3W_sbyte20Wr4UlBdVqRs4H1yeqUxeALkBdZHnmRYBbFTGMblGI9sOypN81TIeTTkt0wR7KP6Rfp1j91pDMfSwnDugZDXKK8XdcT_dYaE/s1228/IMG_0472.JPG&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1228&quot; data-original-width=&quot;848&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgejG7fkzZBfAMNjFIs1Fyoula1KhHX-xPiE9C3fvXUgEbunG0VEaITUqZ0gif7AlZUfWtnjWSZ5Li18B-QKC3W_sbyte20Wr4UlBdVqRs4H1yeqUxeALkBdZHnmRYBbFTGMblGI9sOypN81TIeTTkt0wR7KP6Rfp1j91pDMfSwnDugZDXKK8XdcT_dYaE/w276-h400/IMG_0472.JPG&quot; width=&quot;276&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span style=&quot;font-size: large;&quot;&gt; BUDA&amp;nbsp; INSTRUINDO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;OS&amp;nbsp; DISCÍPULOS&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;ESTUDO DA FILOSOFIA DO SENHOR DA COMPAIXÃO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;LISBOA - 1959&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Ditribuidores&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Livraria Bertrand&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Lisboa&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;88 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Este livro&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; «BUDA&amp;nbsp; INSTRUINDO&amp;nbsp; OS DISCÍPULOS»&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; foi composto e impresso&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; nas Oficinas Gráficas da&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;IMPRENSA&amp;nbsp; PORTUGAL - BRASIL&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Venda&amp;nbsp; Nova - Amadora&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O intuito desta obra é contribuir para a fraternidade religiosa, que os representantes das Grandes Religiões estão criteriosamente promovendo e hão-de alcançar. É urgente que os homens compreendam que as Religiões não foram instituídas para os separar em hordas rivais, mas para a todos os religar a DEUS. Cada uma delas trouxe á Humanidade uma mensagem sempre oportuna, sempre a mais necessária no local e no tempo em que floriu.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A doutrina &#39;pura&#39; que nelas se contém foi difundida por Grandes Instrutores, iluminados por Luz Espiritual que descia do Alto, como uma benção. Acrescentá-la, diminui-la, afeiçoá-la, ao sabor de quasiquer interesses, é uma profanação a que os erros dos homens não pouparam nenhuma. Sem a triste influência desses erros não haveria cismas, não haveria ateus, não de teriam abatido sobre a humanidade as provações tremendas, de que ela não parece ter colhido os salutares ensinamentos que seria mister.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Xâkya-Muni, o principe Siddârta Gautama, o primeiro indivíduo da nossa humanidade que havia de alcançar o grau de BUDDHA a que corresponde a 8ª. Iniciação Cósmica; o Santo-Sábio que trocou o palácio real e o trono que lhe estava destinado pela túnica de monge peregrino; o Auêxa-Auatara que abandonou poderes e riquezas para vir ensinar aos homens a sua lição de piedade e de amor; o Senhor de Sabedoria, Instrutor dos homens e dos anjos, meditava sentado numa esteira, sob o peristilo das leves colunatas da sua baniana favorita, a árvore que ficou para sempre sagrada.&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A legião extasiada dos seus discípulos contempláva-O com enlevo, maravilhada de que tamanha e tão inacessível, tão alto e insondável saber - de que as suas almas nem se atreviam a calcular a imensidão - pudesse baixar até eles, tornar-se acessível ao seu contacto próximo e explicar com palavras tão claras aquelas ideias sublimes! E tão límpidos eram os singelos dizeres que até os ouvintes de menos agudo entendimento compreendiam e sentiam o Mestre!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ÍNDICE&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Buda instruindo os discípulos&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;&amp;nbsp; O guerreiro desiludido da glória&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O drama de um agricultor&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Os remorsos de um mercador&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O sábio que perdeu a fé&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O aventureiro&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O contrutor de sonhos&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O maharajah&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Esclarecimentos:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;Reformadores&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Buddhi e Nirvana&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;O Grande Sermão de Buda&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Uma Nova Mensagem&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;i&gt;A Carta dos Deveres do Homem&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;A Alma Errante&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Vocabulário&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span style=&quot;font-size: medium;&quot;&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp;OBRAS&amp;nbsp; DO&amp;nbsp; AUTOR&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;LITERATURA&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;CINZA E NADA&amp;nbsp; - Novelas.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;AOS MEUS IRMÃOS COMUNISTAS - Ensaio de filosofia&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;política, reprovando os extremismos.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O HOMEM CONDENADO A SER DEUS - Estudo da&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;posição do Homem no Universo. Evolução da matéria;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;evolução da forma; evolução da vida; evolução da cons-&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;ciência.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;À MULHER PORTUGUESA - Colectânea poética.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A POESIA DO ESPÍRITO&amp;nbsp; - Colectânia de poesias místicas.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;LA CONQUÊTE DE L&#39;ÉTERNEL - Adyar - Paris.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;TEATRO&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O CONDE BARÃO - Comédia erm 3 actos.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O AMIGO DE PENICHE - Comédia em 3 actos (também reali-&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;zada em filme).&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O POÇO DO BISPO - Opereta em 3 actos.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A PÉROLA NEGRA - Opereta em 3 actos.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O JOÃO RATÃO - Opereta em 3 actos (também realizada&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;em filme).&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Num total de 105 peças, representadas nos teatros de Portugal&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;e Brasil, das quais só foram inpressas as indicadas.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Estas em co-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;laboração com Ernesto Rodrigues e João Bastos.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/5943658826646718094/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/5943658826646718094' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/5943658826646718094'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/5943658826646718094'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/10/buda-instruindo-os-discipulos-felix.html' title='Buda Instruindo os Discípulos - Félix Bermudes'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgejG7fkzZBfAMNjFIs1Fyoula1KhHX-xPiE9C3fvXUgEbunG0VEaITUqZ0gif7AlZUfWtnjWSZ5Li18B-QKC3W_sbyte20Wr4UlBdVqRs4H1yeqUxeALkBdZHnmRYBbFTGMblGI9sOypN81TIeTTkt0wR7KP6Rfp1j91pDMfSwnDugZDXKK8XdcT_dYaE/s72-w276-h400-c/IMG_0472.JPG" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-8060401042791812152</id><published>2026-09-29T03:13:05.470+01:00</published><updated>2026-10-01T01:30:24.471+01:00</updated><title type='text'>Concepções Helénicas de Felicidade no Além</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8RMZAW1SdmUXf5xObIUxQt3CK8sVx6Ip7bEzDYjWPO6c04HhjfWMX9RQfo6K2gUMX65lNj7DJQVNlPhyzF5vIoJ3ELC39qMipzabXrTjmN_-p1ance_OfaiBWNFYE2ddYP7oyevPJoT11F_HnfcgzWa2Mn6iAzA0LFiUJNQ9W9dgTek6A4F8xVMENF8/s2048/513077394_23873227662297897_7701410108860785547_n%20(2).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1440&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8RMZAW1SdmUXf5xObIUxQt3CK8sVx6Ip7bEzDYjWPO6c04HhjfWMX9RQfo6K2gUMX65lNj7DJQVNlPhyzF5vIoJ3ELC39qMipzabXrTjmN_-p1ance_OfaiBWNFYE2ddYP7oyevPJoT11F_HnfcgzWa2Mn6iAzA0LFiUJNQ9W9dgTek6A4F8xVMENF8/w281-h400/513077394_23873227662297897_7701410108860785547_n%20(2).jpg&quot; width=&quot;281&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp; &amp;nbsp;A MEUS PAIS&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Maria Helena Monteiro da Rocha Pereira&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; CONCEPÇÕES&amp;nbsp; HELÉNICAS&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; DE&amp;nbsp; FELICIDADE&amp;nbsp; NO ALÉM&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;DE HOMERO A PLATÃO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;DISSERTAÇÃO DE DOUTORAMENTO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;EM&amp;nbsp; &amp;nbsp;FILOLOGIA&amp;nbsp; &amp;nbsp;CLÁSSICA&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; NA&amp;nbsp; UNIVERSSIDADE&amp;nbsp; DE COIMBRA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;COIMBRA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;M C M L V&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;240 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Composto e Impresso na&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Empresa Industrial Gráfica do Porto, Limitada&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Edições Marânos, 178&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp;PUBLICAÇÃO SUSIDIADA PELO&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; INSTITUTO DE ALTA CULTURA&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&amp;nbsp;Da Nota Preliminar&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;É sabido que os helenos nunca tiveram um corpo de doutrina estabelecida acerca do destino das almas e do modo da sua sobrevivência. Este mesmo facto fez que diversos mitos se formassem e coexistissem durante séculos, e por vezes o mesmo autor se tornasse intérprete de mais do que uma tradição escatológica.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;........&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Foi sobretudo a literatura que nos preservou os documentos que permitem reconstruir estes mitos. O elemento emocional que entra nestas concepções - o poeta tornava-se arauto da esperança humana - e o aspecto puramente estético de que facilmente se revestia - concretizando-se em visões deleitosas - faziam delas um tema de eleição, que quse todos os escritores aproveitaram. Deste modo, um estudo desta feição da religião grega facilmente se volve em ensaio de estética literária.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Porém a anásise de uma obra de arte deve compreender todos os aspectos, desde o problema das fontes ideológicas às minucias da crítica textual. Só depois de conhecer o fundo comum da tradição, é possível apreciar o aproveitamento que dela fizeram os autores, assim como é necessário estabelecer um texto, sobre o qual se baseie a consideração do seu estilo.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;.........&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Antes de concluir esta breve nota, não quero deixar de agradecer a todas aquelas entidades ou pessoas que tornaram possível este trabalho, em especial às Universidades de Coimbra e de Oxford, a quem devo a minha preparação. através dos seus mestres ilustres, dos quais é justo que saliente, pelo papel que desempenharam na minha formação clássica, o Prof. Doutor Carlos Ventura e o Prof. E. R. Dodds, D. Litt., a cujo vasto saber e nunca desmentida afabilidade não recorri nunca em vão; e ao Instituto de Alta Cultura, que, concedendo-me bolsas de estudo e outras facilidades, por duas vezes me proporcionou longas e proveitosas estadias na mais antiga universidade britânica.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Coimbra, Janeiro de 1955.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp;MARIA HELENA MONTEIRO DA ROCHA PEREIRA.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.e-cultura.pt/artigo/22038&quot;&gt;https://www.e-cultura.pt/artigo/22038&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://imprensanacional.pt/in-memoriam-maria-helena-da-rocha-pereira/&quot;&gt;https://imprensanacional.pt/in-memoriam-maria-helena-da-rocha-pereira/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Maria_Helena_da_Rocha_Pereira&quot;&gt;https://pt.wikipedia.org/wiki/Maria_Helena_da_Rocha_Pereira&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; «A concessão de subsídios por parte do Instituto de Alta Cultura&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;não envolve juízos de valor sobre a doutrina contida nas publicações&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;subsidiadas nem aprovação da forma por que essa doutrina é exposta».&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCIB7pKp16kpltZWaK2YA-Kl-02ESLimqk3WfePO1vfyzIBuVgxZznc6F08lFs2eA3bSIXat1azSdRxfj3Af954BkwHg8iyFMPun_HhyphenhyphenONDpgPpIRQ_Pcplok2BdDTOw1X1rS4xBdRKTtxrd5ygaMHrwcAUUtc8K4sBJkKymhP21q9L0BfHqnExsg1VA0/s1657/513890852_23873227555631241_4634979445528280264_n%20(1).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1542&quot; data-original-width=&quot;1657&quot; height=&quot;298&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCIB7pKp16kpltZWaK2YA-Kl-02ESLimqk3WfePO1vfyzIBuVgxZznc6F08lFs2eA3bSIXat1azSdRxfj3Af954BkwHg8iyFMPun_HhyphenhyphenONDpgPpIRQ_Pcplok2BdDTOw1X1rS4xBdRKTtxrd5ygaMHrwcAUUtc8K4sBJkKymhP21q9L0BfHqnExsg1VA0/s320/513890852_23873227555631241_4634979445528280264_n%20(1).jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/8060401042791812152/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/8060401042791812152' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/8060401042791812152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/8060401042791812152'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/concepcoes-helenicas-de-felicidade-no.html' title='Concepções Helénicas de Felicidade no Além'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8RMZAW1SdmUXf5xObIUxQt3CK8sVx6Ip7bEzDYjWPO6c04HhjfWMX9RQfo6K2gUMX65lNj7DJQVNlPhyzF5vIoJ3ELC39qMipzabXrTjmN_-p1ance_OfaiBWNFYE2ddYP7oyevPJoT11F_HnfcgzWa2Mn6iAzA0LFiUJNQ9W9dgTek6A4F8xVMENF8/s72-w281-h400-c/513077394_23873227662297897_7701410108860785547_n%20(2).jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-2353282256843791332</id><published>2026-09-27T02:40:23.602+01:00</published><updated>2026-09-27T02:48:42.602+01:00</updated><title type='text'>Primeiro Encontro Nacional de Gerontopsiquiatria </title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUiPyOfEVwERVcyduXNDB93EQTERnNU1oO36AOJtkO-yRaf1y7DBK4V5xLLsMUn1mV_sSmbZjL8-vUI5cv8gFIV3cldbyGh8J5Kl27hOFHmwfLcAmy-uoe1hD8JVOPCtX3WrrQrr2xRWdQpks7wwAOXStCtkyJJYOYcgNbFjUcj8BDowPM6pKYQXbS664/s720/825273750_28439405229013428_1143194510672963340_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;519&quot; data-original-width=&quot;720&quot; height=&quot;289&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUiPyOfEVwERVcyduXNDB93EQTERnNU1oO36AOJtkO-yRaf1y7DBK4V5xLLsMUn1mV_sSmbZjL8-vUI5cv8gFIV3cldbyGh8J5Kl27hOFHmwfLcAmy-uoe1hD8JVOPCtX3WrrQrr2xRWdQpks7wwAOXStCtkyJJYOYcgNbFjUcj8BDowPM6pKYQXbS664/w400-h289/825273750_28439405229013428_1143194510672963340_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Primeiro Encontro Nacional&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; de Gerontopsiquiatria&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Organizado pela&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; Merck Sharp &amp;amp; Dhome&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Coordenador:&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;Dr. Paes Sousa&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Hotel Altis&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Lisboa&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 1977&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;O &#39;Encontro&#39;, foi realizado com a finaliadade de homenagear o Senhor Professor Barahona Fernandes no ano em que se jubilou!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;De pé, o saudoso Dr. Paes de Sousa, eminente Psiquiatra e Prof. de Histologia do Sistema Nervoso, na Faculdade de Medicina de Lisboa!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;A presidir, o Senhor Professor Barahona Fernandes, ao centro da mesa! Sua figura mal se vê, dado estar sentado à direita de Paes de Sousa!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Podem ver-se muitos Psiquiatras de alto nível, quer nacional quer internacional!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/2353282256843791332/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/2353282256843791332' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/2353282256843791332'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/2353282256843791332'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/primeiro-encontro-nacional-de.html' title='Primeiro Encontro Nacional de Gerontopsiquiatria '/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUiPyOfEVwERVcyduXNDB93EQTERnNU1oO36AOJtkO-yRaf1y7DBK4V5xLLsMUn1mV_sSmbZjL8-vUI5cv8gFIV3cldbyGh8J5Kl27hOFHmwfLcAmy-uoe1hD8JVOPCtX3WrrQrr2xRWdQpks7wwAOXStCtkyJJYOYcgNbFjUcj8BDowPM6pKYQXbS664/s72-w400-h289-c/825273750_28439405229013428_1143194510672963340_n.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-8264065980855149240</id><published>2026-09-19T03:30:34.151+01:00</published><updated>2026-09-19T20:47:42.769+01:00</updated><title type='text'>Chile - Reformismo ou Revolução?</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbTZL3wOD4aoAW6P0lFaL1qA1zTbRUdOvDkfQ5FaK-Iwb7SnatZl-pl01zWaCRepNTcHq7fg10GfZCaySEuuNz5kr7s4VIkA1FtzsdWW0irdHvMRnwRsfk-0iLrtQyAL-7FukDniP62Txh2C55jaiLo7NotknRVs6QOIZb_gjIVLs6B2FWOIniefU1gTw/s2048/513294214_10095326750514555_2047973056267958346_n%20(2).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1305&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbTZL3wOD4aoAW6P0lFaL1qA1zTbRUdOvDkfQ5FaK-Iwb7SnatZl-pl01zWaCRepNTcHq7fg10GfZCaySEuuNz5kr7s4VIkA1FtzsdWW0irdHvMRnwRsfk-0iLrtQyAL-7FukDniP62Txh2C55jaiLo7NotknRVs6QOIZb_gjIVLs6B2FWOIniefU1gTw/w255-h400/513294214_10095326750514555_2047973056267958346_n%20(2).jpg&quot; width=&quot;255&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Chile&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; Reformismo ou Revolução&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Ficha&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Publicações Dom Quixote&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capa: Feranando Felgueiras&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Fotografia: Associated Press&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;DOCUMENTOS&lt;br /&gt;DOM QUIXOTE -3&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Lisboa - 1970&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;24 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Edição 3 S 158&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Perfil do Chile&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Cronologia&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;A experiência Frei&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Alcance e limites de uma experiêcia&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Novo Caminho&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Para a América Latina?&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Para onde, Allende?&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;As Eleições de 1970&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Glossário&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;As Eleições de 1970&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; O sufrágio directo, para a eleição do Presidente da República do&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Chile, efectuou-se em 4 de Setembro, com os resultados seguintes:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Salvador&amp;nbsp; Allende&amp;nbsp; &lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;1 075 616 votos (36,3 %)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;(candidato da Frente Popular)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Jorge Alessandri&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/span&gt;&amp;nbsp;1 036 278 votos (34,9 %)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;(conservador)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Radomiro Tomic&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/span&gt;824 819 votos (27,8%)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;(democrata- cristão)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Número de eleitores inscritos: 3 539 747.&amp;nbsp; Votantes: 2 962 743&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Como nenhum dos candidatos atingiu a maioria mínima (que era de 50% dos votos mais um), foi necessário, ao abrigo da Constituição, recorrer ao Parlamento. Este devia sancionar a escolha já feita pelo eleitorado ou preferir o segundo candidato com maior númer de votos. Reunido o Paralamento expressamente com esse objectivo, registou-se a votação:&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ALLENDE&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 153&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;ALESSANDRI&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;35&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Votos em branco&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 7&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Ficou assim definitivamente estabelecida a eleição de Salvador Allende como Presidente da República do Chile, tendo sido decisivo o apoio que o candidato da Frente Popular recebeu do Partido Democrata-Cristão.&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Glossário&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Alessandri&lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;, &lt;/span&gt;Jorge - Candidato conservador às eleições presiden&lt;/b&gt;&lt;b&gt;ciais de 1970. Foi Presidente de 1958 a 1964. Tem 74 anos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Allende&lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;,&lt;/span&gt; Salvador - Novo Presidente do Chile. Candidatou-se pela quarta vez. Na sua qualidade de médico, trabalhou para a Assistência Pública, tendo chegado a ministro da saúde, no governo de Frente Popular dirigido por Aguirre Cerda (1938-1942). Foi co-fundador do Partido Socialista e deputado. Era senador desde 1952.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Anaconda -&amp;nbsp;&lt;/span&gt;Anaconda Cooper Mining Corporation. Principal companhia americana proprietária e exploradora de minas de cobre no Chile.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;A. P. I. - &lt;/span&gt;Accion Popular Independente. Pequeno agrupamento político dirigido pelo senador Rafael Tarud. Pertence á Frente Popular.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Chilenização - &lt;/span&gt;Associação do Estado chileno com as principais companhias americanas (Anaconda, Kenncott, etc.), que exploram o cobre do Chile, associação que se manifesta pela criação de uma companhia em que o Estado é o principal accionista. As companhias estrangeiras co-accionistas têm de reinvestir os lucros em percentagem superior à do Estado, que passa a ser o maior beneficiário. Foi um dos princípios em que assentou a política interna de Frei.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Chonchol&lt;/span&gt;, Jaques - Jovem engenheiro agrónomo chileno com prestígio internacional. Pertenceu à F. A. O. Formou-se também em Ciências Políticas pela Universidade de Paris. Esteve três anos em Cuba.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Frei&lt;/span&gt;, Eduardo - tem 59 anos Formou-se em Direito. Depois de dirigir o diário &#39;El Tarapacá&#39;, leccionou Direito do Trabalho e Filosofia do Direito na Universidade Católica de Santiago. Foi um dos fundadores do P. D. C. em 1935. Dez anos depois é ministro das Obras Públicas. Senador em 1949. Delegado do Chile nas Nações Unidas em 1950. Senador em 1957. Presidente do Chile de 1964 a 1970.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Frente Popular&lt;/span&gt;, - Associação de partidos (P.S., P.C. e P.R.) e pequenos agrupamentos políticos (A. P. I. e M. A. P. U.), dirigida por Allende, com o objectivo de assumir o poder.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;M.A.P.U. &lt;/span&gt;- Movimento de Accion Popular Unitária. Dirigido por Jacques Conchol. Faz parte da Frente Popular.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;M.I.R. - &lt;/span&gt;Movimento da Izquierda Revolucionaria. Orientado por Victor Toro, é um agrupamento pró-castrista de guerrilha urbana.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;O.L.A.S. - &lt;/span&gt;Organização Latino-Americana de Solidariedade. Fundada em Cuba, no decurso da Conferência Tricontinental de 1967.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;P.C.C.&lt;/span&gt; - Partido Comunista do Chile. Luis Corbalan é o seu secretário-geral. Faz parte da Frente Popular.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;P.D.C.&lt;/span&gt; - Partido Democrata-Cristão. Presidido pelo senador Benjamim Prado.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;P.R&lt;/span&gt; - Partido Radical. Dirigido pelo deputado Raul Morales. Participa na Frente Popular.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;P.S. &lt;/span&gt;- Partido Socialista. Aniceto Rodriguez é o seu secretário-geral. Faz parte da Frente Popular.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;SCHNEIDER&lt;/span&gt;, general René - Era o comandante das Forças Armadas, desde Outubro de 1969. Vítima de um atentado, acabou por falecer em Outubro de 1970.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;TOMIC&lt;/span&gt;, Radomiro - Dirigente da ala esquersa do P.D.C.. Foi embaixador nos EUA. Candidatou-se à presidência do Chile em 1970.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;UNIDAD POPULAR&lt;/span&gt; - Designação por que é conhecido no Chile a Frente Popular de Allende.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;VIAUX &lt;/span&gt;- Roberto - General reformado. Chefiou uma insurreição em Outubro de 1969. Em 4 de Novembro de 1970, foi-lhe instaurado um processo em tribunal marcial sob a acusação de participar no assassínio do General René Schneider. São conhecidas as suas ligações com a extrema-direita chilena.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSnV-wloxHH5Zn9ca0rN2zPpmKGab6Ej5gIjCHQQ3dlHcA8OWZlTEePsncshAiO_sKENDw3gKNPWUL7EShVdzZkAQfptsz5GCE0nDog1YH0yIjwcKuzH9PDypEoSb-89UOexO-Ole3oxpOWPKtXrBqxSvVqjECRFeg0O7eqTEWVL4lElMuO1kNxbCgGHw/s2048/513270631_10095326810514549_6835490021011641948_n%20(2).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1264&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSnV-wloxHH5Zn9ca0rN2zPpmKGab6Ej5gIjCHQQ3dlHcA8OWZlTEePsncshAiO_sKENDw3gKNPWUL7EShVdzZkAQfptsz5GCE0nDog1YH0yIjwcKuzH9PDypEoSb-89UOexO-Ole3oxpOWPKtXrBqxSvVqjECRFeg0O7eqTEWVL4lElMuO1kNxbCgGHw/w248-h400/513270631_10095326810514549_6835490021011641948_n%20(2).jpg&quot; width=&quot;248&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;b&gt;Eduardo Frei - Presidente Cessante&lt;/b&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2009/09/vida-e-morte-do-chile-popular-alain.html&quot;&gt;https://skocky-alcyone.blogspot.com/2009/09/vida-e-morte-do-chile-popular-alain.html&lt;/a&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/8264065980855149240/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/8264065980855149240' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/8264065980855149240'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/8264065980855149240'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/chile-reformismo-ou-revolucao.html' title='Chile - Reformismo ou Revolução?'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbTZL3wOD4aoAW6P0lFaL1qA1zTbRUdOvDkfQ5FaK-Iwb7SnatZl-pl01zWaCRepNTcHq7fg10GfZCaySEuuNz5kr7s4VIkA1FtzsdWW0irdHvMRnwRsfk-0iLrtQyAL-7FukDniP62Txh2C55jaiLo7NotknRVs6QOIZb_gjIVLs6B2FWOIniefU1gTw/s72-w255-h400-c/513294214_10095326750514555_2047973056267958346_n%20(2).jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-4814282930167107782</id><published>2026-09-17T02:07:29.017+01:00</published><updated>2026-09-17T02:15:37.818+01:00</updated><title type='text'>PORTUGAL SOBRENATURAL - Manuel J. Gandra</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4h8wxLRGSD0cU8fzWzytMRsEFoeyi0EKy0eJiflD5DR09eH9boQTPd3erLQpkNiemlayckOO8HT3a1qWcJKSp8jeATYpENBaOz2hnX7agbIOXiKeNDVLX42D1dMXVKvtP-GBcrA2Lbvbf43L4cBRNLEmYHdBk7tPbZfAo6eZ6R4rPSaquhdxK-1ilZr8/s604/518241133_10163286455113205_6076027661892513448_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;604&quot; data-original-width=&quot;409&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4h8wxLRGSD0cU8fzWzytMRsEFoeyi0EKy0eJiflD5DR09eH9boQTPd3erLQpkNiemlayckOO8HT3a1qWcJKSp8jeATYpENBaOz2hnX7agbIOXiKeNDVLX42D1dMXVKvtP-GBcrA2Lbvbf43L4cBRNLEmYHdBk7tPbZfAo6eZ6R4rPSaquhdxK-1ilZr8/w271-h400/518241133_10163286455113205_6076027661892513448_n.jpg&quot; width=&quot;271&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span style=&quot;font-size: large;&quot;&gt; &amp;nbsp; &lt;b&gt;PORTUGAL&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;SOBRENATURAL&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Deuses, Demónios, Seres Míticos, Heterodoxos,&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Marginados, Operações, Lugares Mágicos e&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Iconografia da Tradição Lusíada&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; VOLUME I&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;(A - Bez)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;Manuel J. Gandra&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Paginação: Patrícia Costa Dias&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Projecto gráfico: Gabinete gráfico Ésquilo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Design da capa: Ana Isabel, com base numa imagem&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; de Luís Albuquerque Castro&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Ésquilo Edições&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Primeira Edição&lt;br /&gt;Lisboa: 2007&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;537 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe9st9FwwGZtNS-oIbjB_32kGxEj7xXYNXQD4Ze6gMXcBhif0cWowTZZRUY8uPPM44-viM9vMK6D4XD4TWFl0j40W8FX9RWBhjK8vm07Hv22YvX9MKBs9W3Nt3Kad88lnPRC75qFfJqk2mvOo_0eM9u09nVXTmAlvHhwO5Muro-MNSKI9rTv4gL6vJnR0/s604/518345296_10163286454918205_7725130578098152728_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;604&quot; data-original-width=&quot;325&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe9st9FwwGZtNS-oIbjB_32kGxEj7xXYNXQD4Ze6gMXcBhif0cWowTZZRUY8uPPM44-viM9vMK6D4XD4TWFl0j40W8FX9RWBhjK8vm07Hv22YvX9MKBs9W3Nt3Kad88lnPRC75qFfJqk2mvOo_0eM9u09nVXTmAlvHhwO5Muro-MNSKI9rTv4gL6vJnR0/w344-h640/518345296_10163286454918205_7725130578098152728_n.jpg&quot; width=&quot;344&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Aos Mistérios Vivos, almas de eleição, que me&lt;/p&gt;&lt;p&gt;concederam o privilégio de com elas partilhar&lt;/p&gt;&lt;p&gt;épocas, períodos ou momentos da minha vida&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Manuel Rodrigues&lt;/p&gt;&lt;p&gt;Maria da Luz e Luís Capela&lt;/p&gt;&lt;p&gt;Domingos Conceição&lt;/p&gt;&lt;p&gt;João Cruz&lt;/p&gt;&lt;p&gt;José Carlos Tiago de Oliveira&lt;/p&gt;&lt;p&gt;P. Manuel Antunes&lt;/p&gt;&lt;p&gt;Carlos Silva&lt;/p&gt;&lt;p&gt;Margarida Vasconcelos&lt;/p&gt;&lt;p&gt;Agoostinho da Silva&lt;/p&gt;&lt;p&gt;Juan G. Atienza&lt;/p&gt;&lt;p&gt;Alberto Castro Ferreira&lt;/p&gt;&lt;p&gt;Maria Beatriz Serpa Branco&lt;/p&gt;&lt;p&gt;António Barahona&lt;/p&gt;&lt;p&gt;Dalila Pereira da Costa&lt;/p&gt;&lt;p&gt;Rafael Monteiro&lt;/p&gt;&lt;p&gt;Vera Leroi&lt;/p&gt;&lt;p&gt;João Roque&amp;nbsp;&lt;/p&gt;&lt;p&gt;Lucília Barata&lt;/p&gt;&lt;p&gt;Lídia Rita&lt;/p&gt;&lt;p&gt;Georges Gusdorf&lt;/p&gt;&lt;p&gt;José Alexandre Pelágio&lt;/p&gt;&lt;p&gt;Maria Santos Pancadares (Mami)&lt;/p&gt;&lt;p&gt;José Carlos Barros&lt;/p&gt;&lt;p&gt;Célia Costa&lt;/p&gt;&lt;p&gt;Estêvão Miranda&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; Nota: Decidi não marcar todos os óbitos,&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; pois já muitos das pessoas cujos nomes&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; são aqui referidos, já não estão entre nós!&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvVPAEjnuZH39Y3eCgI27Go8ac7DPu3a9eRR0rUzmb8mdNJ_8QGNt5y1Nl4P14sy03Sj-b_aI8nCnrIFsSK8zTbanBINbxR3XdlfgWduNtgiSSCNf4Oy3t2e2lyH7YL14CfRaCcnzDBULB0F6ZJXJ7yVuo1f3NX2E7JehJvFVJB0pf4UhxcNLivZ1CbtA/s604/518245208_10163286454643205_5378064454280373901_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;604&quot; data-original-width=&quot;526&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvVPAEjnuZH39Y3eCgI27Go8ac7DPu3a9eRR0rUzmb8mdNJ_8QGNt5y1Nl4P14sy03Sj-b_aI8nCnrIFsSK8zTbanBINbxR3XdlfgWduNtgiSSCNf4Oy3t2e2lyH7YL14CfRaCcnzDBULB0F6ZJXJ7yVuo1f3NX2E7JehJvFVJB0pf4UhxcNLivZ1CbtA/w349-h400/518245208_10163286454643205_5378064454280373901_n.jpg&quot; width=&quot;349&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Este projecto composto por três volumes, constitui o resultado de pesquisas efectuadas ao longo de três décadas por Manuel J. Gandra, investigador pioneiro no estudo da tradição cultural e espiritual do nosso país.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Trata-se de um trabalho sem precedentes que, sob a forma de dicionário, nos dá a conhecer a riqueza impressionante e polifacetada da alma profunda mas, no geral, desconhecida da tradição potuguesa.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/4814282930167107782/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/4814282930167107782' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/4814282930167107782'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/4814282930167107782'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/portugal-sobrenatural-manuel-j-gandra.html' title='PORTUGAL SOBRENATURAL - Manuel J. Gandra'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4h8wxLRGSD0cU8fzWzytMRsEFoeyi0EKy0eJiflD5DR09eH9boQTPd3erLQpkNiemlayckOO8HT3a1qWcJKSp8jeATYpENBaOz2hnX7agbIOXiKeNDVLX42D1dMXVKvtP-GBcrA2Lbvbf43L4cBRNLEmYHdBk7tPbZfAo6eZ6R4rPSaquhdxK-1ilZr8/s72-w271-h400-c/518241133_10163286455113205_6076027661892513448_n.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-827940728824955963</id><published>2026-09-12T03:22:31.048+01:00</published><updated>2026-09-12T03:22:31.049+01:00</updated><title type='text'>Breve Guia Prático de Conscienlização Política</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ_hvwMfG8kE0JUN5oxWNL4H4BnvuUj_OeI3ZW_Gu0eA-Uid4zh_la2AT_Z5QTwqPmnvrVizjblChhuom50E6ZGpowhvewGkiVHMauYdMRhHZXKBvyNb5C-yV4TDuwesW7lSLmcgfl3opeNh4OwO_iyKx5lttioXYaY984iwZ26UZcgzqVTurcteNYwg0/s2048/509355509_10053353471378550_1008816671641357943_n%20(2)%20-%20C%C3%B3pia.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1517&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ_hvwMfG8kE0JUN5oxWNL4H4BnvuUj_OeI3ZW_Gu0eA-Uid4zh_la2AT_Z5QTwqPmnvrVizjblChhuom50E6ZGpowhvewGkiVHMauYdMRhHZXKBvyNb5C-yV4TDuwesW7lSLmcgfl3opeNh4OwO_iyKx5lttioXYaY984iwZ26UZcgzqVTurcteNYwg0/w296-h400/509355509_10053353471378550_1008816671641357943_n%20(2)%20-%20C%C3%B3pia.jpg&quot; width=&quot;296&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&amp;nbsp; &amp;nbsp; BREVE&amp;nbsp; GUIA PRÁTICO&lt;br /&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;DE&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; CONSCIALIZAÇÃO&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; POLÍTICA&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&amp;nbsp; &amp;nbsp;PARA&amp;nbsp; A&amp;nbsp; LIBERDADE&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&amp;nbsp; &amp;nbsp;ACÚRSIO&amp;nbsp; NEVES&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; LISBOA&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;EDIÇÃO DO AUTOR&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 1974&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;Composto e impresso nas oficinas da&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;SOCIEDADE&amp;nbsp; ASTÓRIA, LIMITADA&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;ao Regueirão dos Anjos, 68-70, em&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;Lisboa, durante o mâs de Julho de 1974&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;b style=&quot;text-align: left;&quot;&gt;Esta é uma obrinha que adquiri após a queda do 1º Governo Provisório, em 18 de Julho de 1974.&lt;/b&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Logo reparei neste trabalho, escrito por autor que desconheço! Vê-se porém que estava preocupado com a inabilidade de orientação política da maioria do Povo Português e estava consciente da força de pequenos grupos políticos bem orgabizados, nomeadamente o Partido Comunista Português que tinha expressão em todo o país!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Era urgente ajudar os cidadãos a orientar-se para a construção de uma sociedade livre e democrática, com eleiçoes e representatividade destes!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Introdução&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Instaurado no País um sistema de livre discussão de ideias e de livre opção entre vários caminhos propostos ao Povo Português para a sua orientação política futura, pareceu indispensável e urgente compendiar num breve guia, simples e objectivo, os conhecimentos básicos que permitam às pessoas menos preparadas determinar-se em consciência&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;É o que se tenta a seguir - esperamos que com utilidade para todos.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; Sumário&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;1. Poder&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;2. Actividade política&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;3. Imparcialidade e objectividade&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;4. Padrõs de avaliação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;5. O social e o económico&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;6. Esquerdas, centro e direitas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;7. Principais sistemas políticos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;8. Para quê escolher?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;9. Como escolher&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;1. Poder&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Como se caracteriza&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Legitimidade e legalidade; Constituições&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Organização do Estado&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;2. Actividade política&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Ideologias políticas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Teorias políticas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Doutrinas políticas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Alguns elementos da actividade política&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;3. Imparcialidade e objectividade&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Envolvimentos passionais&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Realismo e abstracção&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Oportunismo e adequação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;4. Padrões de avaliação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Permanência e acidente&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Essencial e acessório&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Universal e particular&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Eficácia e utilidade&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;5. O social e o económico&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Sociedade organizada&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Valores sociais&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;e apetrechamento cultural&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Nível social e nível económico&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Liberdade económica e dirigismo&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Oligopólios e monopólios&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Monopólios económicos de pressão;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;plutocracia&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Sociedade de consumo&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Necessidade de defesa&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;contra as pressões sociais e económicas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Os valores transcendentes&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Capital, técnica, trabalho; capitalismo&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Classes sociais&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;e estratos sócio-culturais&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Gestão participada&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Organização profissional: sindicalismo&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;6. Esquerdas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; centro e direitas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Esquemas bipolares&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Esquemas múltiplos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Soluções de compromisso&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;e de superação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Caracterização de correntes e atitudes&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Sociedade tecnológica e tecnocracia&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Experiência e experimentação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;7. Principais&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; sistemas políticos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Critérios para classificação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;dos sistemas políticos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Formas de conferir o poder&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Formas de estruturar o poder&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Formas de exercer o poder&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Regimes e sistemas políticos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Regimes monocráticos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Regimes democráticos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Regimes oligocráticos&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Sistemas totalitários&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Sistemas libertários&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Sistemas de compromisso&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;ou de superação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Valores universais a ter em conta&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Valores particulares a ter em conta&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;no caso potuguês&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;8. Para quê escolher?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Envolvimento e alienação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Significado e reflexo do sufrágio&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A capacidade&amp;nbsp;&lt;/b&gt;&lt;b&gt;de escolha consciente&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;como sinal de liberdade&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Poderes constituintes&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;9. Como escolher&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Informação suficiente;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;manipulação da opinião pública&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Confusões a evitar&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Determinação dos padrões de avaliação&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Exercício e aplicação do direito de voto&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Bibliografia muito elementar:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Gaetano Mosca, História das doutrinas políticas, Rio de Janeiro, Zahar Editores, 1968&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;McKenzie, A ciência política, Lisboa, Livraria Bertrand, 1970&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Max Weber, O político e o cientista, Lisboa, Edições Presença, 1973 (2ª edição)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;XX, Constituição Política da República Portuguesa, Lisboa, Imprensa Nacional, 1971&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;XX, Lei Constitucional nº 3/74, Lisboa, Imprensa Nacional, 1974&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Gaetano_Mosca&quot;&gt;https://pt.wikipedia.org/wiki/Gaetano_Mosca&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/William_Mackay_Mackenzie&quot;&gt;https://en.wikipedia.org/wiki/William_Mackay_Mackenzie&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Max_Weber&quot;&gt;https://pt.wikipedia.org/wiki/Max_Weber&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/I_Governo_Provis%C3%B3rio_de_Portugal&quot;&gt;https://pt.wikipedia.org/wiki/I_Governo_Provis%C3%B3rio_de_Portugal&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/827940728824955963/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/827940728824955963' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/827940728824955963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/827940728824955963'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/breve-guia-pratico-de-conscienlizacao.html' title='Breve Guia Prático de Conscienlização Política'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ_hvwMfG8kE0JUN5oxWNL4H4BnvuUj_OeI3ZW_Gu0eA-Uid4zh_la2AT_Z5QTwqPmnvrVizjblChhuom50E6ZGpowhvewGkiVHMauYdMRhHZXKBvyNb5C-yV4TDuwesW7lSLmcgfl3opeNh4OwO_iyKx5lttioXYaY984iwZ26UZcgzqVTurcteNYwg0/s72-w296-h400-c/509355509_10053353471378550_1008816671641357943_n%20(2)%20-%20C%C3%B3pia.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-742209435774543340</id><published>2026-09-10T20:07:20.454+01:00</published><updated>2026-09-13T21:19:42.045+01:00</updated><title type='text'>Dicionário da Arte e dos Artistas - Herbert Read</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj23fnJSkPfq02ze6OVl6l7vHVTjbo2UDYExv0jB7L_MovE1iBiK30v0wb6imJyJBz41bNqKPhU7zRPg1nEni_H86Bj-mmUZSV1HUR1s2voGX5F_9ZL4mK_lwENqQUQUrnpWIpP80n1ZReI9nkK11GuhBSNNMGHq74t21eYK0ric1eUxq3VxLTZdGvBy6Q/s2216/IMG_0246.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2216&quot; data-original-width=&quot;1490&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj23fnJSkPfq02ze6OVl6l7vHVTjbo2UDYExv0jB7L_MovE1iBiK30v0wb6imJyJBz41bNqKPhU7zRPg1nEni_H86Bj-mmUZSV1HUR1s2voGX5F_9ZL4mK_lwENqQUQUrnpWIpP80n1ZReI9nkK11GuhBSNNMGHq74t21eYK0ric1eUxq3VxLTZdGvBy6Q/w269-h400/IMG_0246.jpg&quot; width=&quot;269&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;DICIONÁRIO DA ARTE&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp;E DOS ARTISTAS&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Organizado por:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp;Herbert Read&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;e revisto por:&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Nikos Stangos&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Tradução de Teresa Louro Pérez&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Revisão da tradução de Graça Margarido&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Revisão Tipográfica de Álvaro Antunes&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Capa do Departamento Gráfico de Edições 70&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;sobre fragmento de «O Estúdio do Artista» de&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Vermeer&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Edições 70, Lda&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Lisboa&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Agosto - 1990&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;492 pgs&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Depósito legal nº 36441/90&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Direitos para todos os países de língua portuguesa&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;por Edições 70, Lda&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Título original:&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Dictionary of Arts and Artists&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Publicado por acordo com Thames and Hudson&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Londres, 1969 e 1984&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp; &amp;nbsp; &lt;i&gt;NOTA À EDIÇÂO PORTUGUESA&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;i&gt;O presente dicionário pretende cobrir extensamente as belas-artes com rubricas sobre pintura, escultura, desenho e gravura e sobre os artistas que os produziram no mundo inteiro. Fruto da actualização e desenvolvimento da&lt;/i&gt; Encyclopedia of the Arts &lt;i&gt;publicada sob a direcção de Herbert Read, contém vasta informação sobre arte e artistas contemporâneos que, juntamente com um estudo completo dos artistas do passado, o transformaram numa obra de referência sem par.&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;i&gt;Mas o amplo projecto de Herbert Read e Nikos Stangos inclui também referência a técnicas e materiais, estilos e movimentos históricos, bem como a grandes escritores cujas ideias influenciaram o curso da arte e o trabalho dos artistas.&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;i&gt;As culturas exteriores ao mundo ocidental, em que o anonimato do artista é comum, são alvo de rubricas de carácter mais geral, ressalvando-se porém a inclusão de nomes individuais quando são conhecidos devido à sua maior difusão.&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;i&gt;A edição portuguesa foi, além disso, completada com entradas referentes a artistas portugueses e brasileiros seguindo o critério e o método de exposição da edição original: nomes marcantes da arte do passado e uma atmosfera representativa das tendências hodiernas. Pelas inevitáveis omissões, pedimos desculpa aos artistas mas, dado que se trata de uma obra em permanente actualização, tentaremos eliminá-las em futura edição.&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;i&gt;As mais de 2500 rubricas e as centenas de ilustrações documentam os traços identificativos dos estilos e obras dos artistas mencionados. As remissões, assinaladas com asteriscos (*) possibilitam ao leitor aperceber-se de todo o contexto em que um determinado artista trabalhou.&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Herbert_Read&quot;&gt;https://pt.wikipedia.org/wiki/Herbert_Read&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://www.encyclopedia.com/arts/educational-magazines/stangos-nicolas-1936-2004&quot;&gt;https://www.encyclopedia.com/arts/educational-magazines/stangos-nicolas-1936-2004&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://www.historiadasartes.com/o-estudio-do-artista-johanes-vermeer/&quot;&gt;https://www.historiadasartes.com/o-estudio-do-artista-johanes-vermeer/&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://spotlight.leeds.ac.uk/herbert-read/&quot;&gt;https://spotlight.leeds.ac.uk/herbert-read/&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/742209435774543340/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/742209435774543340' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/742209435774543340'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/742209435774543340'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/dicionario-da-arte-e-dos-artistas.html' title='Dicionário da Arte e dos Artistas - Herbert Read'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj23fnJSkPfq02ze6OVl6l7vHVTjbo2UDYExv0jB7L_MovE1iBiK30v0wb6imJyJBz41bNqKPhU7zRPg1nEni_H86Bj-mmUZSV1HUR1s2voGX5F_9ZL4mK_lwENqQUQUrnpWIpP80n1ZReI9nkK11GuhBSNNMGHq74t21eYK0ric1eUxq3VxLTZdGvBy6Q/s72-w269-h400-c/IMG_0246.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-6760600416244424682</id><published>2026-09-08T02:33:59.338+01:00</published><updated>2026-09-13T03:30:12.612+01:00</updated><title type='text'>Filosofia e Política no Destino de Portugal</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJffSV4wl8G3dKvNJH4e1CMAqmuBixr1FmfrGnn8NL08ZyBO3EAA6c8uNGdUt8Orq11wgHAou1X6IYc_XeGbeuFokxXErFRRoaFYZd8tTD5gD6nNzfrpRna1JEkmEfZv-82QL2qcexMwRDeg3LqFpMxVLZd53wKUs_JIfGhQbSFgwp6R-r8HtSeOsnfZA/s2048/514377802_23887505550870108_6040643378801866314_n%20(5).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1502&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJffSV4wl8G3dKvNJH4e1CMAqmuBixr1FmfrGnn8NL08ZyBO3EAA6c8uNGdUt8Orq11wgHAou1X6IYc_XeGbeuFokxXErFRRoaFYZd8tTD5gD6nNzfrpRna1JEkmEfZv-82QL2qcexMwRDeg3LqFpMxVLZd53wKUs_JIfGhQbSFgwp6R-r8HtSeOsnfZA/s320/514377802_23887505550870108_6040643378801866314_n%20(5).jpg&quot; width=&quot;235&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;FILOSOFIA&amp;nbsp; E&amp;nbsp; POLÍTICA&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;NO DESTINO&amp;nbsp; DE PORTUGAL&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;FERNANDO SYLVAN&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Sociedade de Expansão Cultural&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Depositários: Gráfica Santelmo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Lisboa - 1963&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;181 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;ÁLVARO RIBEIRO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Pelo que a sua pessoa é,&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Pelo que nós, portugueses, havemos de ser.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; Este livro contém a minha voz.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;E a de meus Pais. E a de meus&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Filhos.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;FERNANDO SYLVAN&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Nome verdadeiro de Fernando Sylvan&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;( Abílio Leopoldo Motta-Ferreira&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp; Dili, 26 de Agosto de 1917 -&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&amp;nbsp;-Cascais, 25 de Dezembro de 1999)&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A rematar a obra:&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;...Não foi por ter criado o Brasil que Portugal afirmou a sua vida futurante, mas por a sua vida conter a do Brasil antes de manisfestada. Igualmente as outras que ainda se não manifestaram estão contidas, e isso por si só afirma já a realidade.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A Comunidade Portuguesa, como razão pátria, é, pois, indiscutível, uma vez que está já afirmada a possibilidade de todos os portugueses a perceptarem entendendo o português como o arquétipo resultante das coordenadas filosóficas comuns de todos os grupos étnicos portugueses, como ensinei no meu livro «Comunidade Pluri-Racial». O Português é o ideal comum das ideias de todos, e pátria a morada actual futurante.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;...Nem mesmo a independêcia do Brasil o poderá autorizar ou explicar, porquanto o Brasil não foi jamais Pátria Portuguesa ou Povo Português. Não pode desconhecer-se a acção dos que no Ultramar eliminaram, abafaram ou desprezaram tudo o que nos autóctenes poderia ter criado mais sinais de comunhão, mas é possível ainda um acção contra-revolucionária ampla para que os portugueses todos afimem plena consciência do seu destino.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Só a filosofia, propondo e equacionando a problemática nacional, a pedagogia, exercitando-a, e a política, consentindo um movimento social amplo, poderão propocionar que se mantenha o nome do português o inevitável que os portugueses intuíram como trânsito do homem.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;....&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Cascais, Agosto-Setembro de 1962&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Fernando Sylvan veio de Timor para a então&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Metrópole ainda na infância. Aqui em Portugal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b style=&quot;font-size: small;&quot;&gt;desenvolveu uma actividade notável na cultura.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Quer na Poesia, quer no ensaio político-filosófico!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Oposicionista do Estado Novo, sofreu represálias&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;que o afectaram até monetáriamente.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Pertenceu ao movimento da Revista 57.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;que caracterizou o inicio e afirmação da Filosofia&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Portuguesa, constituida na sua base por discípulos&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;de Leonardo Coimbra na Faculdade de Filosofia do&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Porto. Esse núcleo iria fazer prosélitos, apesar da opo-&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;sição da Filosofia Académica!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Muito importante foi a sua estadia no Brasil!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Por um lado aproxima-se de Gilberto Freyre,&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;discordando porém do modo de interpretação&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;do&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;b style=&quot;font-size: small;&quot;&gt;&#39;Luso Tropicalismo&#39;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Dispomos hoje de notáveis estudos que&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;permitem uma consulta sólida!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Nos links abaixo poderão os interessados aprofundar&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;a obra e a pessoa de Fernando Sylvan!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;Peço desculpa pelo scan da capa ser um pouco&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;escuro!&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; SUMÁRIO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Primeira Parte&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; DESTINO&amp;nbsp; DA&amp;nbsp; HUMANIDADE&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;1 - Criação da eternidade e do homem. A não-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; -Revolução&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;2 - Trânsito das Humanidades planetárias. A não-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp;-Religião&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;3 - Realização na obediência a Deus. A não-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;- Saudade&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;4 -Pedagogia na realização do social. A não-Cul-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;- tura&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;5 - Movimento no encontro do desencontro. A não&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;- sexualidade&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Segunda Parte&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;COMPORTAMENTO DO HOMEM&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;1 - Exercício das relações humanas. O não-Amor&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;2 - Iniciaçãio familiar e iniciação religiosa. O não&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;-Futuro&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;3 - Moisés em marcha milenária. O não-Regresso&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;4 - Mistérios religiosos e mistérios escolares. O&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; não-Segredo&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;5 - Conhecimento recíproco dos povos. O não-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; Isolamento&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt; Terceira Parte&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; PROMOÇÃO DO PORTUGUÊS&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;1 - Compreensão portuguesa do mundo. A Vontade&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;2 - Apetência e inapetência colonizadora. A Am-&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; bição&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;3 - O Brasil o deslumbramento pelo amor. A&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; Sedução&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;4 - Navegadores da revolução. A Recusa&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;5 - Ultramar e Contra-Mar na cultura. A Expansão&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;OBRAS DO AUTOR&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;I- EM PORTUGAL&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;POESIA&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Os Poemas de Fernando Sylvan - Edição Marânus - Porto, 1945&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;ENSAIO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Da pedagogia portuguesa e do desvalor dos exames - Seprata&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;da «Revista de Portugal» - Lisboa, 1959&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Arte de amar Portugal - Separata da revista «Ocidente»- Lisboa, 1960&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O ensino de «Língua e História Pátria» Aquém e Além-Mar&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;- Separata da «Revista de Portugal» - Lisboa, 1960&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Comunidade Pluri-Racial - Colecção Ideia Nova -&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;Guimarães Editores - Lisboa, 1962&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A Língua e a Filosofia na estrutura da Comunidade - Separata&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;da «Revista Portugal» - Lisboa, 1962&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O ideal português no Mundo - Incluído em «O que é o Ideal&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;português - Edições Tempo - Lisboa, 1962&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O espaço cultural luso-brasileiro - Separata da «Revista de&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;Portugal» - Lisboa, 1963 - 2ª edição, revista, destinada&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;ao Brasil - Lisboa, 1963&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O Brasil e a teoria de Colónias portuguesas - Separata da&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;revista «Ocidente» - Lisboa, 1963&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Filosofia e Política no destino de Portugal - Colecção En-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; saístas Portugueses - Sociedade de Expansão Cultural -&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;Lisboa, 1963&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Goan Contribution to the World - Sairá nas edições do Mo-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; vimento Pró-Goa, Damão e Dio - Lisboa, 1963&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A Arte Popular em Timor - sairá incluido em «A Arte Po-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;pular em Portugal - Editorial Verbo - Lisboa&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; II - NO BRASIL&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;ENSAIO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Comunidade Pluri-Racial - Rio de Janeiro, 1963&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Nota: esta bibliografia consta da obra actual!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://www.antonio-telmo-vida-e-obra.pt/news/voz-passiva-12/&quot;&gt;https://www.antonio-telmo-vida-e-obra.pt/news/voz-passiva-12/&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://sites.google.com/site/ciberlusofonia/Asia/Lit-Timorense/Fernando-Sylvan&quot;&gt;https://sites.google.com/site/ciberlusofonia/Asia/Lit-Timorense/Fernando-Sylvan&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Fernando_Sylvan&quot;&gt;https://pt.wikipedia.org/wiki/Fernando_Sylvan&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Movimento_57&quot;&gt;https://pt.wikipedia.org/wiki/Movimento_57&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/6760600416244424682/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/6760600416244424682' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6760600416244424682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6760600416244424682'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/filosofia-e-politica-no-destino-de.html' title='Filosofia e Política no Destino de Portugal'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJffSV4wl8G3dKvNJH4e1CMAqmuBixr1FmfrGnn8NL08ZyBO3EAA6c8uNGdUt8Orq11wgHAou1X6IYc_XeGbeuFokxXErFRRoaFYZd8tTD5gD6nNzfrpRna1JEkmEfZv-82QL2qcexMwRDeg3LqFpMxVLZd53wKUs_JIfGhQbSFgwp6R-r8HtSeOsnfZA/s72-c/514377802_23887505550870108_6040643378801866314_n%20(5).jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-3171633088786767368</id><published>2026-09-02T20:01:57.390+01:00</published><updated>2026-09-02T20:03:42.581+01:00</updated><title type='text'>IGREJA DE CRISTO-REI DA PORTELA - FOTOS 2</title><content type='html'>&lt;p&gt;&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;Fotos: Jornalista Nuno Castro Ferreira (1967-2007)&lt;/b&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOnZBuHNwjbZ7RJIJh1a4QtLxxQmFworcoNmG6KMkI0nzawASojdGmv_iQH5u2DAvOuwPZScYvN_vAGL8ZZhNwmraQ2AMZ3ZQkJNtjo_AM0C2GHG_GrNYyNghU_JA8tTXofvAPkcvse2YTqsL1WD7oFfTjVTR_xn4cRiXNyx-yymW8glw54t8FYGuCybY/s2592/vasco%20da%20gama%20066.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1944&quot; data-original-width=&quot;2592&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOnZBuHNwjbZ7RJIJh1a4QtLxxQmFworcoNmG6KMkI0nzawASojdGmv_iQH5u2DAvOuwPZScYvN_vAGL8ZZhNwmraQ2AMZ3ZQkJNtjo_AM0C2GHG_GrNYyNghU_JA8tTXofvAPkcvse2YTqsL1WD7oFfTjVTR_xn4cRiXNyx-yymW8glw54t8FYGuCybY/s320/vasco%20da%20gama%20066.jpg&quot; 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style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1944&quot; data-original-width=&quot;2592&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0f0FJBId5gxdeGuURDtIIYQLmxiegr74muSDvGy3p6e93nG8jSt4IaBRjPlSk4kug4I1Fglwek_arYixllS43glhXuHAyFiUukk-NAavrUBe4yYMU9opaFzLSPol77ujOAhrSIhTtuVrXqyTmjUpjMdkmO97MryH_hD5VsPB1zRiRXj6-4kbAshVmk48/s320/vasco%20da%20gama%20085.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/3171633088786767368/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/3171633088786767368' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/3171633088786767368'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/3171633088786767368'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/igreja-de-cristo-rei-da-portela-fotos-2.html' title='IGREJA DE CRISTO-REI DA PORTELA - FOTOS 2'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOnZBuHNwjbZ7RJIJh1a4QtLxxQmFworcoNmG6KMkI0nzawASojdGmv_iQH5u2DAvOuwPZScYvN_vAGL8ZZhNwmraQ2AMZ3ZQkJNtjo_AM0C2GHG_GrNYyNghU_JA8tTXofvAPkcvse2YTqsL1WD7oFfTjVTR_xn4cRiXNyx-yymW8glw54t8FYGuCybY/s72-c/vasco%20da%20gama%20066.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-3134372159691900861</id><published>2026-09-02T19:49:07.972+01:00</published><updated>2026-09-02T19:49:07.973+01:00</updated><title type='text'>IGREJA DE CRISTO-REI DA PORTELA - FOTOS</title><content type='html'>&lt;p&gt;&lt;b&gt;Fotos do exterior da Igreja de Cristo-Rei da Portela&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Feitas pelo Jornalista Nuno Castro Ferreira (1967-200&lt;/b&gt;7)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; 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imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2592&quot; data-original-width=&quot;1944&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirYX6tZmwcDLJle9n7Xo4MP3Echbxiyjmwx_vzx1n7UmrlCTUg7WnZFF_uX88O9ThJtL_5q2zBGCUrN_lnk7-azSV8wIPD9J-btE0hneiUNt6kvGmlkC2C2yiXI3IpG2TKFkMSaBUCZKjys8dSLvPxJeVtQBtTlJoce6GDJE7__tFfZIIFkG50ol3B5bg/s320/vasco%20da%20gama%20068.jpg&quot; width=&quot;240&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidLKJbrFAO3ss6xQ1drJCvmfMA5W0V0ZNhf1-JRakRoVwfjaW2939w2NEU4QPHN7cQcRUPuVX93T5Xj2OZRrQ0xeRNmxyd0NZAm71BaG4nnxrmEHiExYgwfT_HIo_70BMm2XdvWC8AcI8tZKw-Fv1JjAqIoMMJN0jHPbN9AwJUDH2usRpiHxJ4WwH9Frc/s2592/vasco%20da%20gama%20065.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2592&quot; data-original-width=&quot;1944&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidLKJbrFAO3ss6xQ1drJCvmfMA5W0V0ZNhf1-JRakRoVwfjaW2939w2NEU4QPHN7cQcRUPuVX93T5Xj2OZRrQ0xeRNmxyd0NZAm71BaG4nnxrmEHiExYgwfT_HIo_70BMm2XdvWC8AcI8tZKw-Fv1JjAqIoMMJN0jHPbN9AwJUDH2usRpiHxJ4WwH9Frc/s320/vasco%20da%20gama%20065.jpg&quot; width=&quot;240&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/3134372159691900861/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/3134372159691900861' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/3134372159691900861'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/3134372159691900861'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/09/igreja-de-cristo-rei-da-portela-fotos.html' title='IGREJA DE CRISTO-REI DA PORTELA - FOTOS'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmGIPQEZWXE9X4a1klrUcz-kZBh0VHCiQYnVDLVAE6HxqBHwH66nITmxPZ59jjyibLL_lsc0zM4YnYETzUzMb92ZiS9A-NbXCSuducZzVnHpvRtqgcllihi9mv3VAX4XVxyUgFQHiNYKlCT7vo3CgDkTLSQh1hupcz54Vvw3_hoYpyK1g2CUU3sacHquM/s72-c/vasco%20da%20gama%20057.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-8489621823893192348</id><published>2026-08-27T02:24:11.052+01:00</published><updated>2026-08-27T02:31:18.553+01:00</updated><title type='text'>A Igreja Triumphante No Concílio Do Vaticano</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvastFZKYS6eWXyR-7zXs1aOo5kjGJwT2FOYRv0SA9Cuojv2JCHDcAaxbjMXfwfC2LmuIFFiyaDGK5pJ4_zkff15MIQZwFtTNWCmKcUBHeikwdCcQ_dR-rMpDcEHajG0dHNAep3D9L78XmtpCit_TMnoyfHrd2yjNsdEmXESeIj6M3qz9PCT1TgPYXaUk/s2461/IMG_9941.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2461&quot; data-original-width=&quot;1551&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvastFZKYS6eWXyR-7zXs1aOo5kjGJwT2FOYRv0SA9Cuojv2JCHDcAaxbjMXfwfC2LmuIFFiyaDGK5pJ4_zkff15MIQZwFtTNWCmKcUBHeikwdCcQ_dR-rMpDcEHajG0dHNAep3D9L78XmtpCit_TMnoyfHrd2yjNsdEmXESeIj6M3qz9PCT1TgPYXaUk/w405-h640/IMG_9941.jpg&quot; width=&quot;405&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt; A EGREJA TRIUMPHANTE&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; DO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; CONCILIO DO VATICANO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;Explicação dogmatica, philosophica e historica dos decretos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; do Concilio ecumenico de Vaticano&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp; Cartas e instrucções pastoraes&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; dos senhores Luiz Filippi, bispo d&#39;Aquila,&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; e Bartholomeu d&#39;Avanzo, bispo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; de Calvi e Teano&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;VERSÃO PORTUGUEZA FEITA SOBRE A VERSÃO FRANCESA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; DO DOCTOR MAUPIED&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;POR&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;D. Miguel Sotto-Maior&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; EDITORA&amp;nbsp; - LIVRARIA PORTUENSE&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;DE&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; MANUEL MALHEIRO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 121 - Rua do Almada - 123&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; PORTO - 1875&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;pgs 301&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; &amp;nbsp;Índice&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Pastoral do Senhor Bispo D&#39;Aquila&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Exposição da Constituição de Fide&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Proemio da mesma Constituição&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capitulo I - De Deus, creador de todas as cousas&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capitulo II - Da Revelação&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capitulo III - Da Fé&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capitulo IV - Da Fé e da Razão&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Curta exposição das razões, que fizeram com que o Conci-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; lio passase a occupar-se da outra Constituição primeira&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; de &lt;i&gt;Ecclesia Christi&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Exposição da Constituição &lt;i&gt;Pastor Aeternus&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capitulo I - Da instituição do Primado Apostolico&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capitulo II - Da perpetuidade do Primado de S. Pedro&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; nos Pontifices Romanos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capítulo III - Da natureza e caracter do Primado do Pon-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;tifice Romano&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capitulo IV - Do magisterio infallivel do Pontifice Ro-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;mano&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Post Scriptum sobre a oposição de Doellinger e de outros&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;ao dogma da infalibilidade do Papa&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Doellinger e a sua declaração a respeito do Concilio ecu-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;menico do Vaticano, por Monsenhor d&#39;Avanzo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O Papa Honorio e a infabilidade pontificia, por Monse-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; d&#39;Avanzo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Plano de defeza abreviada do Papa Honorio&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Nota importante sobre o mesmo assumpto, extrahida da&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; obra de Mr. Darras&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Appendice I, ácerca do «Liber Diurnus»&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Appendice II, sobre a doctrina da infabillibidade ponti-&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; cia em Portugal&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp;Nota: procurou manter-se, quanto possível,&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;a ortografia original.&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyqrKsVnULh5_ywtLi4Wy7Pj9HH-_wS1nho6fui7AVLPoF_yoLyYES39c5XZIUFEXsTd7fP9-hxr8hBPZQHbwt1socAFEYsQr6uMtRpef5NssSlddTO7XjMtOIUVcqXJmb2zZ1O_FFMIEsTAAkApjmua8rrC3eT2cQFy44HHctbAGgYEpwyCWeDkW2pOc/s2395/IMG_9943.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2395&quot; data-original-width=&quot;1406&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyqrKsVnULh5_ywtLi4Wy7Pj9HH-_wS1nho6fui7AVLPoF_yoLyYES39c5XZIUFEXsTd7fP9-hxr8hBPZQHbwt1socAFEYsQr6uMtRpef5NssSlddTO7XjMtOIUVcqXJmb2zZ1O_FFMIEsTAAkApjmua8rrC3eT2cQFy44HHctbAGgYEpwyCWeDkW2pOc/w376-h640/IMG_9943.jpg&quot; width=&quot;376&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/8489621823893192348/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/8489621823893192348' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/8489621823893192348'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/8489621823893192348'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/08/a-igreja-triumphante-no-concilio-do.html' title='A Igreja Triumphante No Concílio Do Vaticano'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvastFZKYS6eWXyR-7zXs1aOo5kjGJwT2FOYRv0SA9Cuojv2JCHDcAaxbjMXfwfC2LmuIFFiyaDGK5pJ4_zkff15MIQZwFtTNWCmKcUBHeikwdCcQ_dR-rMpDcEHajG0dHNAep3D9L78XmtpCit_TMnoyfHrd2yjNsdEmXESeIj6M3qz9PCT1TgPYXaUk/s72-w405-h640-c/IMG_9941.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-608114111343206929</id><published>2026-08-22T03:42:12.663+01:00</published><updated>2026-08-22T19:40:42.635+01:00</updated><title type='text'>Marcuse e a Teoria da Revolução - Vital Moreira</title><content type='html'>&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb9qlFYeLQq5Zo6ZyTO9I7TfQtZFciBUImRAajlJ26bslFLf82Mo_IteI7tHO4kYi_eYAverYsMT-Lnend1UYGN5znj4X5TpQfzPovGVFR17VN3r7r_MVeDXGimiy9r3vB6bBzryYj0L_A-Tj9nq7FexX4NaSLNiSNeaf4j1TXRP4HsgXh6BfpS8nGCAU/s2338/IMG_9745.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2338&quot; data-original-width=&quot;1734&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb9qlFYeLQq5Zo6ZyTO9I7TfQtZFciBUImRAajlJ26bslFLf82Mo_IteI7tHO4kYi_eYAverYsMT-Lnend1UYGN5znj4X5TpQfzPovGVFR17VN3r7r_MVeDXGimiy9r3vB6bBzryYj0L_A-Tj9nq7FexX4NaSLNiSNeaf4j1TXRP4HsgXh6BfpS8nGCAU/w296-h400/IMG_9745.jpg&quot; width=&quot;296&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span style=&quot;font-size: large;&quot;&gt; &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;span&gt;Marcuse&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;&lt;span&gt;&amp;nbsp; e a Teoria da Revol&lt;/span&gt;ução&amp;nbsp; &lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Vital&amp;nbsp; Moreira&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt; &amp;nbsp; &lt;/b&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Publicado em&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Separata do&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Boletim de Ciências Económicas&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Vol. XVI&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;COIMBRA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; 1973&amp;nbsp; &amp;nbsp; &lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;46 pgs&amp;nbsp; &lt;/b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Composto e impresso na&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Gráfica de Coimbra&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;(Fevereiro de 1973)&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;«A sorte de Herbert Marcuse e as polémica que à volta da sua obra se desencadearam são conaturais a uma certa ambiguidade objectiva de seus textos. Facto que não é novo na história das ideias: essa mesmo equivocidade e &#39;plurilocalidade&#39; contribuiu para a glória de um Sorel e também de um Max Weber. O projecto do presente texto - a teoria da revolução em Marcuse - é um exemplo elucidativo dessa polissemia e in-definição dos conceitos-base da sua teoria.»&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Vital Moreira&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;I - A TEORIA CRÍTICA&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; E&amp;nbsp; A&amp;nbsp; SOCIEDADE UNIDIMENCIONAL&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;1. Um específico itinerário intelectual&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;2. A filosofia negativa e a teoria crítica&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;3. A sociedade unidimencional&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; II - UMA&amp;nbsp; NOVA&amp;nbsp; TEORIA DA REVOLUÇÃO&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;1.&amp;nbsp;&lt;/b&gt;&lt;b&gt;Revolução: uma (quase) impossibilidade&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;2. O conceito marxista de revolução: um conceito a rever&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;3. Os termos da revisão&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;III - AS DIFICULDADES DE UMA NOVA TEORIA&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; DA&amp;nbsp; REVOLUÇÃO&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;1. Capitalismo ou sociedade industrial?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;2. Revolução sem agente revolucionário?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;3. Socialismo ou um «novo mundo amoroso»?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;4. A lógica da revolução: história ou filosofia?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; IV - UMA&amp;nbsp; REVISÃO ILEGÍTIMA&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;1. A teoria marxista em questão&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;2. Limites da revisão marxista do marxismo&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;3. Socialismo ou barbárie: um imperativo ético&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;4. O cálculo revolucinário&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;5. Fim da utopia ou regresso à utopia?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;6. Uma nova teoria da sociedade&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;7. Uma teoria da não-revolução?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; V - O SIGNIFICADO&amp;nbsp; DE&amp;nbsp; UMA REVISÃO&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;1. As dificuldades do conceito tracicional de revolução&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;2. Uma visão acrítica das sociedades industriais avan-&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;çadas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;3. A revolução como facto intelectual&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Coimbra, Novembro, 1972&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Não é de espantar que um comunista/bolchevista se indigne e sinta a obrigação de refutar as ideias de um heterodoxo, tal Marcuse! Se este introduz ideias diferentes e mesmo opostas à visão do marxismo ortodoxo (entenda-se, &#39;bolchevimo&#39;), torna-se imperioso que um ortodoxo, tal Vital Moreira venha a terreiro para defender a sua dama!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Compete a quem dá a conhecer esta problemática conseguir encontrar o necessário equilíbrio! De aí a utilização da imensa quantidade de referências que se encontrarão nos &#39;links&#39; abaixo!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Aconselho a quem deseje uma perpectiva interessante desta obra. a consulta de Google AI. Aí encontrará um resumo muito aceitável desta obra. Basta introduzir o nome da obra e verá que valeu a pena!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2025/08/reflexoes-sobre-o-pcp-vital-moreira.html&quot;&gt;https://skocky-alcyone.blogspot.com/2025/08/reflexoes-sobre-o-pcp-vital-moreira.html&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2009/08/vital-moreira-de-intransigente-critico.html&quot;&gt;https://skocky-alcyone.blogspot.com/2009/08/vital-moreira-de-intransigente-critico.html&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://www.filosofiaclinicaflorianopolis.com/razao-e-revolucao-herbert-marcuse/&quot;&gt;https://www.filosofiaclinicaflorianopolis.com/razao-e-revolucao-herbert-marcuse/&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2010/09/critica-da-tolerancia-pura-r-p-wolff-b.html&quot;&gt;https://skocky-alcyone.blogspot.com/2010/09/critica-da-tolerancia-pura-r-p-wolff-b.html&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2023/05/maio-e-crise-da-civilizacao-burguesa.html&quot;&gt;https://skocky-alcyone.blogspot.com/2023/05/maio-e-crise-da-civilizacao-burguesa.html&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2023/06/textos-polemicos.html&quot;&gt;https://skocky-alcyone.blogspot.com/2023/06/textos-polemicos.html&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2023/06/sobre-o-antimarxismo-contestatario.html&quot;&gt;https://skocky-alcyone.blogspot.com/2023/06/sobre-o-antimarxismo-contestatario.html&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://revistas.uece.br/index.php/kalagatos/article/view/5859&quot;&gt;https://revistas.uece.br/index.php/kalagatos/article/view/5859&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://periodicos.sbu.unicamp.br/ojs/index.php/ideias/article/view/8649773&quot;&gt;https://periodicos.sbu.unicamp.br/ojs/index.php/ideias/article/view/8649773&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://www.persee.fr/doc/homso_0018-4306_1968_num_8_1_3123&quot;&gt;https://www.persee.fr/doc/homso_0018-4306_1968_num_8_1_3123&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Vital_Moreira&quot;&gt;https://pt.wikipedia.org/wiki/Vital_Moreira&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Herbert_Marcuse&quot;&gt;https://pt.wikipedia.org/wiki/Herbert_Marcuse&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/608114111343206929/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/608114111343206929' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/608114111343206929'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/608114111343206929'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/08/marcuse-e-teoria-da-revolucao-vital.html' title='Marcuse e a Teoria da Revolução - Vital Moreira'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb9qlFYeLQq5Zo6ZyTO9I7TfQtZFciBUImRAajlJ26bslFLf82Mo_IteI7tHO4kYi_eYAverYsMT-Lnend1UYGN5znj4X5TpQfzPovGVFR17VN3r7r_MVeDXGimiy9r3vB6bBzryYj0L_A-Tj9nq7FexX4NaSLNiSNeaf4j1TXRP4HsgXh6BfpS8nGCAU/s72-w296-h400-c/IMG_9745.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-5011243202690915584</id><published>2026-08-20T23:51:59.003+01:00</published><updated>2026-08-21T01:53:41.802+01:00</updated><title type='text'>Questões espirituais da hora presente.</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxcwB1CTJmExWOvIDJeUvy32xCph4KOz5M1sqp4IKW26-3Fw1dp2vhJ4h2YnRrBUvsUwHkDyHC6wCfTBka2uJ8MLNFBHIDbX7iryXDFW6BGmfoESZst1utWxgIJTYnV3_4LsCyG_fNp81Bmv0xRttYTxT90Y3QiJEMa8E1tR7c8vyfBagD28rVYBgyKFc/s1767/IMG_9858.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1767&quot; data-original-width=&quot;1283&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxcwB1CTJmExWOvIDJeUvy32xCph4KOz5M1sqp4IKW26-3Fw1dp2vhJ4h2YnRrBUvsUwHkDyHC6wCfTBka2uJ8MLNFBHIDbX7iryXDFW6BGmfoESZst1utWxgIJTYnV3_4LsCyG_fNp81Bmv0xRttYTxT90Y3QiJEMa8E1tR7c8vyfBagD28rVYBgyKFc/w290-h400/IMG_9858.jpg&quot; width=&quot;290&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Questões espirituais da hora presente&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Um novo humanismo?&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Não.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Um humanismo cristão da Idade- Média&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;O Humanismo Mistíco&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;&lt;span&gt;de Santa Tereza&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt;de Avila&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;e de Ernesto Psichari, o&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;&lt;span&gt;neto&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt;de Renan&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Professor José Cerqueira de Vasconcelos&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Diplomado pela Facudade de Letras da&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Universidade de Paris&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Edição do Autor&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Depositária:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Livraria Simões Lopes&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Porto - 1942&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;74 pgs&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Composto e Impresso na&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;TIPOGRAFIA&amp;nbsp; CIVILIZAÇÃO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;de A.&amp;nbsp; SOUSA&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Trav. de Cedofeita, 56 - Porto&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O Dr. Hubert Beuve-Mery, realizou no&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Centro Académico da Democracia Cristã&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;C.&amp;nbsp; A.&amp;nbsp; D.&amp;nbsp; C. em Coimbra, uma conferêcia&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;intitulada:&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;«Para um novo Humanismo»&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;(Das &#39;Novidades&#39;,, de Março).&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Baseado na obra ´Présences&#39; - Daniel Rops.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Toda a obra se baseia na figura extraordinária de Ernest Pscharti, neto de Ernesto Renan. A finalidade é eminentemente apologética. De facto à época pretendia-se mostrar que o Catolicismo estava vivo e em renascimento devido à conversão da jovem geração de intelectuais!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Já no século XIX, tinha acontecido uma renascença, no rescaldo da perseguição à Igreja Católica pelo chamado livre pensamento e o laicismo! As figuras de Montalembert e Lacordaire são icónicas!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Em «As Grandes Amizades» de Raïssa Maritain pode encontrar-se uma pleiade de jovens católicos, convertidos ao Catolicismo, já adultos e de nível cultural elevado. Enesto Psichari foi escolhido como modelo de católico e patriota!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Esta obra, após uns fracos traços da Idade-Média, desenvolve-se ao longo de sete capítulos onde abundam muitas referências, quer a personagens, quer a obras de referência!&lt;/b&gt;&lt;b&gt;&amp;nbsp;Nada dedicado a Santa Tereza de Avila, como se poderia esperar pelo que se pode ver na capa!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A obra é muito rara, estando ligada à doutrinação da Mocidade Portuguesa!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Francamente, a referência ao envolvimento do famoso Director do Jornal &#39;Le Monde&#39;, Hubert Beuve-Mery, incluindo a sua vinda a Coimbra deixou-me estupefacto!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Nota: Para perceber toda a ligação entre si de figuras impotantes, que ajudarão a penetrar o desidério do autor, deixo imensos links que permitirão o entendimento da trama de ligações, de influências, de amizadesdos dos católicos franceses da primeira metade do século XX!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://meaderingthroughtheprologue.com/roissignol-psichari/&quot;&gt;https://meaderingthroughtheprologue.com/roissignol-psichari/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://religionline.blogspot.com/2014/12/o-inclassificavel-peguy-e-os-seus.html&quot;&gt;https://religionline.blogspot.com/2014/12/o-inclassificavel-peguy-e-os-seus.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://fr.wikipedia.org/wiki/Adrien_Mithouard&quot;&gt;https://fr.wikipedia.org/wiki/Adrien_Mithouard&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Le_Correspondant&quot;&gt;https://en.wikipedia.org/wiki/Le_Correspondant&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Parque_Montsouris&quot;&gt;https://pt.wikipedia.org/wiki/Parque_Montsouris&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a href=&quot;https://gw.geneanet.org/wikifrat?lang=pt&amp;amp;n=peguy&amp;amp;p=charles&quot;&gt;https://gw.geneanet.org/wikifrat?lang=pt&amp;amp;n=peguy&amp;amp;p=charles&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://gw.geneanet.org/wikifrat?lang=pt&amp;amp;n=peguy&amp;amp;p=charles&quot;&gt;https://gw.geneanet.org/wikifrat?lang=pt&amp;amp;n=peguy&amp;amp;p=charles&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/L%C3%A9on_Bloy&quot;&gt;https://pt.wikipedia.org/wiki/L%C3%A9on_Bloy&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://videeditorial.com.br/index.php?route=product/author&amp;amp;author_id=1495&quot;&gt;https://videeditorial.com.br/index.php?route=product/author&amp;amp;author_id=1495&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Jacques_Maritain&quot;&gt;https://pt.wikipedia.org/wiki/Jacques_Maritain&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.jstor.org/stable/48589298&quot;&gt;https://www.jstor.org/stable/48589298&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.fabula.org/actualites/76055/leon-bloy-dans-l-histoire.html&quot;&gt;https://www.fabula.org/actualites/76055/leon-bloy-dans-l-histoire.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.france-catholique.fr/les-heritiers-de-leon-bloy.html&quot;&gt;https://www.france-catholique.fr/les-heritiers-de-leon-bloy.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Ernest_Renan&quot;&gt;https://pt.wikipedia.org/wiki/Ernest_Renan&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJbLpbhMlSVbf_JZ13SG6KZTBkk0ehMmHCQ_885x7Hnn0IJ4stRfVQDUzeGxzR1PEL1kf_2TNZSYJDiJRQDcxX1D_7VN2FWQAIp3qYP2X2zprF8-gvITm4J1OWFxHLrzDBcTVpmbT2m0iYlXBwn01nG3P6kjRDe_yGH9nSZeLsXGhNCgdTQV8Ffeany48/s1929/IMG_9859.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1929&quot; data-original-width=&quot;1291&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJbLpbhMlSVbf_JZ13SG6KZTBkk0ehMmHCQ_885x7Hnn0IJ4stRfVQDUzeGxzR1PEL1kf_2TNZSYJDiJRQDcxX1D_7VN2FWQAIp3qYP2X2zprF8-gvITm4J1OWFxHLrzDBcTVpmbT2m0iYlXBwn01nG3P6kjRDe_yGH9nSZeLsXGhNCgdTQV8Ffeany48/w429-h640/IMG_9859.jpg&quot; width=&quot;429&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Do mesmo autor:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;- A Pátria e a Epopeia Lusa.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;- Estudos de Literatura Comparada.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;- «Le Réveil du Sentiment National en France à&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; L´époque de la Renaissance. La formation du&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Nationalisme Littéraire,,. (Thése universitaire).&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;- As Cartas da Religiosa Portuguesa e o Dogma-&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; tismo crítico dos anti-romanticos&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;- Monstro ou Homem? Ou a vida Prodigiosa de&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Bonaparte&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/5011243202690915584/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/5011243202690915584' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/5011243202690915584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/5011243202690915584'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/08/questoes-espirituais-da-hora-presente.html' title='Questões espirituais da hora presente.'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxcwB1CTJmExWOvIDJeUvy32xCph4KOz5M1sqp4IKW26-3Fw1dp2vhJ4h2YnRrBUvsUwHkDyHC6wCfTBka2uJ8MLNFBHIDbX7iryXDFW6BGmfoESZst1utWxgIJTYnV3_4LsCyG_fNp81Bmv0xRttYTxT90Y3QiJEMa8E1tR7c8vyfBagD28rVYBgyKFc/s72-w290-h400-c/IMG_9858.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-6918858358344925009</id><published>2026-08-20T02:07:28.382+01:00</published><updated>2026-08-20T02:17:50.684+01:00</updated><title type='text'>O Mediterrâneo - Os Homens e a Herança</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;O que é o Mediterrâneo? Mil e uma coisas ao mesmo tempo.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Não uma paisagem, mas inúmeras paisagens.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Não um mar, mas uma série de mares.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Não uma civilização, mas várias civilizações.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHJH6Pq6Ik78P49k62w4-DXLRMhGZ41_4ow7fHPhDtC-bLoYVDQQojPHXXYXUtfwic4WfIbtge2ukYv1nIeYhyF0vIpdS1fPgE2PLStQL58mH3Nab9H_mELsecBCUgcLo1rff3xV9P-7fNGKow8vfEILXhxRiIK4EdAouDKC88jvMwSmg5zjawj9DO7EQ/s2152/IMG_6996.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2152&quot; data-original-width=&quot;1422&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHJH6Pq6Ik78P49k62w4-DXLRMhGZ41_4ow7fHPhDtC-bLoYVDQQojPHXXYXUtfwic4WfIbtge2ukYv1nIeYhyF0vIpdS1fPgE2PLStQL58mH3Nab9H_mELsecBCUgcLo1rff3xV9P-7fNGKow8vfEILXhxRiIK4EdAouDKC88jvMwSmg5zjawj9DO7EQ/s320/IMG_6996.jpg&quot; width=&quot;211&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &lt;b&gt;&amp;nbsp; &amp;nbsp;O MEDITERRÂNEO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;OS HOMENS E A HERANÇA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Tadução:&amp;nbsp;&lt;/b&gt;&lt;b&gt;Teresa Meneses&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Capa: Renato Cruz&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; Direcção de&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Fernand Braudel&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Colecção Teoremas - 5&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Teorema&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Lisboa - 1987&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;155 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Título original:&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;La Méditerranée - les Hommes et l´Héritage&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Edição original: Art et Métiers Graphique&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;(Paris, 1977 - Edição ilustrada&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Flamarion (só texto)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Paris - 1986&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;ÍNDICE&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;UM SÓ DEUS&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; (Roger Arnaldez)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O caminho para o deus único&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A revelação do deus único&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A&amp;nbsp; diáspora e o mundo grego&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A revelação cristã&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O Islão&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O MILAGRE ROMANO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; (Jean Gaudemet)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;I - Capítulo sem indicação assuntos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A FAMÍLIA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;(Piergiorgio Solinas)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;I - sem título&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;b&gt;II&lt;/b&gt;&lt;b&gt;&amp;nbsp;- Sem título&lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;III - Sem título&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;IV - Sem ttulo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; V - Sem título&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;MIGRAÇÕES&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;(Maurice Aymard)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;I Capítulo sem indicação de assuntos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;VENEZA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; (Fernand Braudel)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;No coração de Veneza&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Fora do tempo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Grandeza e decadência&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A festa ou a segunda glória de Veneza&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Entre duas glórias&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A HERANÇA&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; (Georges Duby)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; 1 Capítulo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2010/09/dinamica-do-capitalismo-fernand-braudel.html&quot;&gt;https://skocky-alcyone.blogspot.com/2010/09/dinamica-do-capitalismo-fernand-braudel.html&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2011/06/cultura-do-capitalismo-alan-macfarlane.html&quot;&gt;https://skocky-alcyone.blogspot.com/2011/06/cultura-do-capitalismo-alan-macfarlane.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2026/08/fernand-braudel-e-historia.html&quot;&gt;https://skocky-alcyone.blogspot.com/2026/08/fernand-braudel-e-historia.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2026/08/o-mediterraneo-o-espaco-e-historia.html&quot;&gt;https://skocky-alcyone.blogspot.com/2026/08/o-mediterraneo-o-espaco-e-historia.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://richardabreu.com.br/historia-e-educacao/blog/fernand-braudel-e-seu-impacto-na-historiografia&quot;&gt;https://richardabreu.com.br/historia-e-educacao/blog/fernand-braudel-e-seu-impacto-na-historiografia&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2010/09/o-mediterraneo-e-o-mundo-mediterranico.html&quot;&gt;https://skocky-alcyone.blogspot.com/2010/09/o-mediterraneo-e-o-mundo-mediterranico.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Roger_Arnaldez&quot;&gt;https://en.wikipedia.org/wiki/Roger_Arnaldez&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://fr.wikipedia.org/wiki/Jean_Gaudemet&quot;&gt;https://fr.wikipedia.org/wiki/Jean_Gaudemet&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Georges_Duby&quot;&gt;https://pt.wikipedia.org/wiki/Georges_Duby&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://fr.wikipedia.org/wiki/Piergiorgio_Solinas&quot;&gt;https://fr.wikipedia.org/wiki/Piergiorgio_Solinas&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Maurice_Aymard&quot;&gt;https://pt.wikipedia.org/wiki/Maurice_Aymard&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/6918858358344925009/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/6918858358344925009' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6918858358344925009'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6918858358344925009'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/08/o-mediterraneo-os-homens-e-heranca.html' title='O Mediterrâneo - Os Homens e a Herança'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHJH6Pq6Ik78P49k62w4-DXLRMhGZ41_4ow7fHPhDtC-bLoYVDQQojPHXXYXUtfwic4WfIbtge2ukYv1nIeYhyF0vIpdS1fPgE2PLStQL58mH3Nab9H_mELsecBCUgcLo1rff3xV9P-7fNGKow8vfEILXhxRiIK4EdAouDKC88jvMwSmg5zjawj9DO7EQ/s72-c/IMG_6996.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-1048907837328995693</id><published>2026-08-19T02:10:42.030+01:00</published><updated>2026-08-19T02:15:19.152+01:00</updated><title type='text'>O Mediterrâneo - O Espaço e a História </title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;O que é o Mediterrâneo? Mil e uma coisas ao mesmo tempo.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Não uma paisagem, mas inúmeras paisagens.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Não um mar, mas uma série de mares.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Não uma civilização, mas várias civilizações.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7IDIPSY7HLaZN_xK2PmSQvVCAjyddbJgRpaj8A7HLjF1sitHg1-A_IvitmM7twzM-Jy0PLzduVXjjbgueT44KUXvJssk_Awrlk-wTduTDGta18ffzJpmMZsPPs0fK-X-Lm77nH0g1nU2ywZPYb1sjvhNXyOJw8vucAviOKbhro8rWO8TaV-sUVGUYLYM/s2727/IMG_6998.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2727&quot; data-original-width=&quot;1882&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7IDIPSY7HLaZN_xK2PmSQvVCAjyddbJgRpaj8A7HLjF1sitHg1-A_IvitmM7twzM-Jy0PLzduVXjjbgueT44KUXvJssk_Awrlk-wTduTDGta18ffzJpmMZsPPs0fK-X-Lm77nH0g1nU2ywZPYb1sjvhNXyOJw8vucAviOKbhro8rWO8TaV-sUVGUYLYM/w276-h400/IMG_6998.jpg&quot; width=&quot;276&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;&amp;nbsp;O Mediterrâneo&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;O Espaço e a História&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp;direcção de&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Fernand Braudel&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Tradução de Manuela Torres&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Capa: Renato Cruz&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Colecção Teorema - 4&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Teorema&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Lisboa - 1987&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Depósito legal nº. 15 390/87&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;159 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Título original:&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;La Méditerranée - l&#39;espace et l&#39;histoire&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Edição original: Arts et Métiers Graphiques&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;(Paris, 1977 - edição ilustrada e&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Flammarion - Paris, 1985 - só texto)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ÍNDICE&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;b&gt;APRESENTAÇÃO&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Neste livro a intenção foi a de produzir um encontro constante do passado e do presente, a repetida passagem de um ao outro, um recital sem fim conduzido a duas vozes nítidas.&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A história não é mais que uma constante interrogação sobre o tempo passado em nome de dos problemas e curiosidades - e até das inquietações e angústias - do tempo presente que nos rodeia e nos perturba.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Mais do que qualquer universo humano, o Mediterrâneo é a prova disso; não pára de se relatar a si próprio e de reviver as diversas fases da sua existência. Por prazer, sem dúvida, mas tanbém por necessidade. Ter sido é uma condição para ser.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Fernand Braudel&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;APRESENTAÇÂO (Fernand Braudel)&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A TERRA (Fernand Braudel)&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O MAR (Fernand Braudel)&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A AURORA (Fernand Braudel)&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;ROMA (Filippo Coarelli)&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A HISTÓRIA (Fernand Braudel)&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;ESPAÇOS (Maurice Aymard)&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Longa_dura%C3%A7%C3%A3o&quot;&gt;https://pt.wikipedia.org/wiki/Longa_dura%C3%A7%C3%A3o&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://axonjournal.com.au/issues/c-3/spectral-spaces-eternal-cities/&quot;&gt;https://axonjournal.com.au/issues/c-3/spectral-spaces-eternal-cities/&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Filippo_Coarelli&quot;&gt;https://pt.wikipedia.org/wiki/Filippo_Coarelli&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://pt.wikipedia.org/wiki/Maurice_Aymard&quot;&gt;https://pt.wikipedia.org/wiki/Maurice_Aymard&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://richardabreu.com.br/historia-e-educacao/blog/fernand-braudel-e-seu-impacto-na-historiografia&quot;&gt;https://richardabreu.com.br/historia-e-educacao/blog/fernand-braudel-e-seu-impacto-na-historiografia&lt;/a&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/1048907837328995693/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/1048907837328995693' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/1048907837328995693'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/1048907837328995693'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/08/o-mediterraneo-o-espaco-e-historia.html' title='O Mediterrâneo - O Espaço e a História '/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7IDIPSY7HLaZN_xK2PmSQvVCAjyddbJgRpaj8A7HLjF1sitHg1-A_IvitmM7twzM-Jy0PLzduVXjjbgueT44KUXvJssk_Awrlk-wTduTDGta18ffzJpmMZsPPs0fK-X-Lm77nH0g1nU2ywZPYb1sjvhNXyOJw8vucAviOKbhro8rWO8TaV-sUVGUYLYM/s72-w276-h400-c/IMG_6998.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-534895553893562862</id><published>2026-08-17T03:12:46.364+01:00</published><updated>2026-08-17T03:32:34.183+01:00</updated><title type='text'>REALIZAÇÃO - JOSEF GOLDBRUNNER</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4tm3U7iU3m9Yj5SjsaouyUefdiE1ez2b7xye39KVb3X7Xnj2RgmBbyUp061lzmxQEmllfW-_LoSBfJnRIToNzOGQbD_41UCjk9-kq_EjNNFwb_jCgzxzWuk7-eBAOV6SNbzQwBfkZmiX7qa0Suz8UUUeI5lbwlHylzhOlqEQSdcI23U9b1CeSyLpdS8/s1607/IMG_9288.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1607&quot; data-original-width=&quot;1089&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4tm3U7iU3m9Yj5SjsaouyUefdiE1ez2b7xye39KVb3X7Xnj2RgmBbyUp061lzmxQEmllfW-_LoSBfJnRIToNzOGQbD_41UCjk9-kq_EjNNFwb_jCgzxzWuk7-eBAOV6SNbzQwBfkZmiX7qa0Suz8UUUeI5lbwlHylzhOlqEQSdcI23U9b1CeSyLpdS8/w217-h320/IMG_9288.jpg&quot; width=&quot;217&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;REALIZAÇÃO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Antropologia na Pastoral e na Educação&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Jozef&amp;nbsp; Golbrunner&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Tradução de Raimundo Moura, C. SS. R.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Editora Herder&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;São Paulo - 1968&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;231 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Tradução&amp;nbsp;&lt;/b&gt;&lt;b&gt;da edição alemã,&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Realisation, Anthropologie&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;in Seelsorge und Erziehung&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Verlag Herder KG.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Freiburg im Brieisgau - 1966&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Entendemos realização como efetivação da Fé. A maneira pela qual a Fé opera e se concretiza no homem. E isso acontece, quando a Palavra de Deus se concretiza na natureza humana. Quando a Pessoa divina e a pessoa humana se encontram.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Quando a teologia confina com a antropologia, colocamos o acento sobre a antropologia, para imprimir maior ênfase à preocupação e à angústia dos pastores de almas, aos quais cabe não apenas semear a Palavra, mas preparar o terreno para recebê-la.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Ora, a natureza do campo concreto é sempre fonte de maiores preocupações. No interior destas páginas encontra-se, por isso, uma doutrina de vida da pessoa humana, que representa o fruto de prolongado esforço no sentido de aproximar a ciência da prática pastoral.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A teoria desse livro deve servir a esse desejo e contribuir, destarte, para o estabelecimento do equilíbrio na problemática da teologia pastoral do nossos dias.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Esta obra fundamental de Josef Goldbrunner, balizada pela aturada pesquisa realizada na obra de referência - &#39;Individuação&#39; - já referida anteriormente neste espaço!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Josef Goldbrunner fez questão em só avançar para a Pastoral, após o aprofundamento da doutrina da Psicologia Profunda de C. G. Jung, pois aí encontrou elementos para encontrar a alma humana, tal como Jung a definiu na famosa obra &#39;O Homem à Descoberta da sua Alma&#39;, também já referida neste espaço, se bem necessite ser explicada em futura nota ersclarecedora!&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ÍNDICE&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A.&amp;nbsp; CONCEITOS BÁSICOS&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;1. A missão pastoral&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; 2.&amp;nbsp; As estruturas da imagem do mundo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; 3. A encarnação como linha estrutural da&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;imagem cristã do mundo&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; 4. A área da pessoa&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; 5. Realização&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;6. A situação histórico-salvífica da Realização&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;B. DESENVOLVIMENTO&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; 7. A individualidade e seu direito de existência&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;perante Deus&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;8. A capacidade de encontro e de diálogo&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; com Deus&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;9. A solidariedade e a necessidade de Redenção&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;10. A conversão e a Fé&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;C. VARIAÇÕES&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;11. As etapas de idade e a Fé&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;12. O pecador&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;13. Os &#39;fortes e os fracos&#39;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Nota: O scan da capa ficou muito deficiente&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; devido a avaria da câmara. Será&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; emendado e substituida brevemente!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2026/08/individuacao-psicologia-de-profundidade.html&quot;&gt;https://skocky-alcyone.blogspot.com/2026/08/individuacao-psicologia-de-profundidade.html&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2009/12/instancias-da-psique-segundo-jung.html&quot;&gt;https://skocky-alcyone.blogspot.com/2009/12/instancias-da-psique-segundo-jung.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://ijbsb.blogspot.com/2018/05/individuacao-o-individuo-e-o-mundo.html&quot;&gt;https://ijbsb.blogspot.com/2018/05/individuacao-o-individuo-e-o-mundo.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2010/06/arquetipos-em-jung.html&quot;&gt;https://skocky-alcyone.blogspot.com/2010/06/arquetipos-em-jung.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2011/02/dios-y-el-inconsciente-god-and.html&quot;&gt;https://skocky-alcyone.blogspot.com/2011/02/dios-y-el-inconsciente-god-and.html&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2011/01/&quot;&gt;https://skocky-alcyone.blogspot.com/2011/01/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2010/12/marc-oraison-medico-e-padre-catolico-um.html&quot;&gt;https://skocky-alcyone.blogspot.com/2010/12/marc-oraison-medico-e-padre-catolico-um.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.wikidata.org/wiki/Q59528034&quot;&gt;https://www.wikidata.org/wiki/Q59528034&lt;/a&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/534895553893562862/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/534895553893562862' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/534895553893562862'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/534895553893562862'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/08/realizacao-josef-goldbrunner.html' title='REALIZAÇÃO - JOSEF GOLDBRUNNER'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4tm3U7iU3m9Yj5SjsaouyUefdiE1ez2b7xye39KVb3X7Xnj2RgmBbyUp061lzmxQEmllfW-_LoSBfJnRIToNzOGQbD_41UCjk9-kq_EjNNFwb_jCgzxzWuk7-eBAOV6SNbzQwBfkZmiX7qa0Suz8UUUeI5lbwlHylzhOlqEQSdcI23U9b1CeSyLpdS8/s72-w217-h320-c/IMG_9288.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-5793363889146459431</id><published>2026-08-16T18:35:01.341+01:00</published><updated>2026-08-16T18:38:24.543+01:00</updated><title type='text'>Fernand Braudel e a História</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitLbleDr23xXkh9YKxXSULL_JJZ6XUC9whxRJOMWjf_C0Hlo4c-ynItSQKNXWWR7Mchu-Jdw0A3Jngmo6lZ_GhYYqLOadpixfkweW5vOS6Q1RpzmiqBLLPyIxqAbyENHEJM10lliFTv-Z_nTzaXRhl33udjkKNfYM_7gBSCsqgJJh4m0BRZ0Bak8OxPMg/s2563/IMG_6997.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2563&quot; data-original-width=&quot;1751&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitLbleDr23xXkh9YKxXSULL_JJZ6XUC9whxRJOMWjf_C0Hlo4c-ynItSQKNXWWR7Mchu-Jdw0A3Jngmo6lZ_GhYYqLOadpixfkweW5vOS6Q1RpzmiqBLLPyIxqAbyENHEJM10lliFTv-Z_nTzaXRhl33udjkKNfYM_7gBSCsqgJJh4m0BRZ0Bak8OxPMg/w274-h400/IMG_6997.jpg&quot; width=&quot;274&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Fernand Braudel&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp; &amp;nbsp;e a História&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Châteauvallon / Outubro 1985&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp;Jornadas Fernand Braudel&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;18,&amp;nbsp; 19&amp;nbsp; e&amp;nbsp; 20 de Outubro de 1985&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Tradução: Pedro Jordão&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Colecção Teorema -3&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Teorema&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;223 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Título original:&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Une Leçon d&#39;Histoire de Fernand Braudel&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Edição original: Arthaud-Flammarion&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Paris - 1986&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Em Outubro de 1986, o Centro Cultural de Châteuvallon consagrou a Fernand Braudel e à sua obra - o Mediterrâneo, o capitalismo, a França - um colóquio de três dias animado por historiadores, economistas e personalidades de renome internacional, assim como por jornalistas conceituados.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Fernand Braudel conduziu os debates com vivacidade e rigor, malícia e gentileza. No decurso de alguns &#39;duelos intelectuais&#39;, o grande historiador - que faleceu um mês depois - demonstrou uma vez mais, o seu sentido prodigioso de síntese imediata.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Participantes no Colóquio&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Helène Ahrweiler&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Maurice Aymard&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;K. N. Chaudhuri&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Barun De&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Alain Denis&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Albert du Roy&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Paul Fabra&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Marc Ferro&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Celso Furtado&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Vitorino Magalhães-Godinho&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Mirko Drazen Grmek&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Jean Guilaine&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Alain Guillerm&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Gérard Jorland&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Étienne Juillard&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Hervé Le Bras&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Emmanuel le Roy Ladurie&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Laszlo Makkai&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Robert Mantran&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;André Nouschi&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Chritine Ockrent&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Claude Raffestin&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Alberto Tenenti&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Emmanuel Todd&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Immanuel Wallerstein&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Karl Ferdinand Werner&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Theodore Zeldin&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; ÍNDICE&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O MEDITERRÂNEO&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A formação das culturas mediterrânicas&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O homem biológico do Mediterrâneo&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O tempo bizantino no mundo mediterrâneo&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O&amp;nbsp; Mediterrâneo muçulmano&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O Mediterrâneo, o Atlântico e a Europa&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O Mediterrâneo no horizonte dos Europeus&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A galé, rainha do Mediterrâneo, de Salamina&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;a Lepanto&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O Mediterrâneo das tensões&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Discussão&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O CAPITALISMO&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Economia política e história económica&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Capitalismo, jogo viciado?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O capitalismo: continuidade ou mudança?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Capitalismo comercial e produção industrial na Ásia&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Elementos endógenos do capitalismo&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Capitalismo brasileiro: crescimento ou&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;desenvolvimento?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Técnica, ciência e sociedade&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O capitalismo, inimigo do mercado?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Discussão&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A FRANÇA&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Fernand Braudel e a Hitória da França&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Os primeiros camponeses de França&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Das regiões à nação francesa&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Para uma teoria ecológica das localizações&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A árvore dos Estados e Ofícios de França&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Compreender Fernand Braudel&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Discussão&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2011/06/cultura-do-capitalismo-alan-macfarlane.html&quot;&gt;https://skocky-alcyone.blogspot.com/2011/06/cultura-do-capitalismo-alan-macfarlane.html&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2010/09/dinamica-do-capitalismo-fernand-braudel.html&quot;&gt;https://skocky-alcyone.blogspot.com/2010/09/dinamica-do-capitalismo-fernand-braudel.html&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://skocky-alcyone.blogspot.com/2010/09/o-mediterraneo-e-o-mundo-mediterranico.html&quot;&gt;https://skocky-alcyone.blogspot.com/2010/09/o-mediterraneo-e-o-mundo-mediterranico.html&lt;/a&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/5793363889146459431/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/5793363889146459431' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/5793363889146459431'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/5793363889146459431'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/08/fernand-braudel-e-historia.html' title='Fernand Braudel e a História'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitLbleDr23xXkh9YKxXSULL_JJZ6XUC9whxRJOMWjf_C0Hlo4c-ynItSQKNXWWR7Mchu-Jdw0A3Jngmo6lZ_GhYYqLOadpixfkweW5vOS6Q1RpzmiqBLLPyIxqAbyENHEJM10lliFTv-Z_nTzaXRhl33udjkKNfYM_7gBSCsqgJJh4m0BRZ0Bak8OxPMg/s72-w274-h400-c/IMG_6997.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7411223665699843691.post-6659056059499508954</id><published>2026-08-15T03:31:34.033+01:00</published><updated>2026-08-15T03:40:38.605+01:00</updated><title type='text'>O QUE É A IDADE MÉDIA? - Manuel Luiz Martins</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFfqyZDwt9xitXiRd5MFpGjAfmfPM6HCh6cdxwIV4BJ82F10WCUICJWYdX1E4ujF8Z6hCa1Uq88GAfnywktwG5suBrL6drowwh980rdyB_5M27xcUiN5Kj86DjeUeTUxxX9v49R1D-bTGryZfES5TMBoKK53QDpQvwxkq82fxfKSTLl4UJ1BOMG3FomdM/s544/IMG_9758.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;544&quot; data-original-width=&quot;352&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFfqyZDwt9xitXiRd5MFpGjAfmfPM6HCh6cdxwIV4BJ82F10WCUICJWYdX1E4ujF8Z6hCa1Uq88GAfnywktwG5suBrL6drowwh980rdyB_5M27xcUiN5Kj86DjeUeTUxxX9v49R1D-bTGryZfES5TMBoKK53QDpQvwxkq82fxfKSTLl4UJ1BOMG3FomdM/w259-h400/IMG_9758.jpg&quot; width=&quot;259&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;b&gt;Capa Original&lt;/b&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;QUE É&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; A IDADE MÉDIA&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;Dissertação segundo a sábia orientação&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;do Ex.mo Professor, Sr. Dr. Gonçalves Cerejeira&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;No Ano Lectivo de 1916-1917&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;COIMBRA&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;IMPRENSA ACADÉMICA&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;1918&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Acabou de Imprimir-se&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;esta obra na&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Imprensa Académica&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;de Coimbra, no Mês de&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Abril de mil novecentos&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;e Dezoito&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;159 pgs&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Sem índice.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;A temática narrada em&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;capítulos, encontra&lt;span&gt;&amp;nbsp;-se&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span&gt;ao ler a obra!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Nota: A obra muito rara&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;está muito danificada,&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;a cor é de um cinzento&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;amarelado.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Dedicatória:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;À memória de minha querida mãe que a morte me roubou&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;no dia 8 de Setembro de 1901, no trigésimo ano da sua existência&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;DIFICULDADES NA EMPRÊSA&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;É a primeira vez que cometo a grande imprudência de subscrever ao público qualquer instrumento dos seus passatempos. - e se ao menos eu isso conseguisse!...&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Reconheço bem a precipitação do meu arrojo e a grandeza da minha ousadia..&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;..............&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Coimbra, 25 de Março de 1918.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Anunciação de nossa Senhora.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Manuel Luiz de Martins&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;PRÓLOGO&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;É difícil a missão do historiador quando ele se preocupa com fazer história, e não como contar &lt;i&gt;histórias&lt;/i&gt;; quando procurava a verdade, investigando e não a oculta, imaginando; quando fala instruindo, e não inventa corrompendo; quando busca a realidade através o revolver criterioso das fontes, e não romantiza a seu arbítrio; quano analisa os factos à luz da crítica imparcial e não os afere pelo contador falaz dos seus interesses e paixões, dando-lhes uma vida toda artificial, toda fantaziada.&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Capítulo I&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;O que é a Idade Média?&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;CAPÍTULO II&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Lendas da IdadeMédia&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;CAPÍTULO III&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;A Idade Mádia, uma época orgânica&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;CAPÍTULO IV&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;b&gt;Conquistas da Idade Média&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Nota:&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;O scan da capa ficou claro&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;e até aparenta ser de obra&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;recente!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b style=&quot;text-align: justify;&quot;&gt;Esta obra foi-me oferida há muitas décadas pelo grande poeta António Barahona da Fonseca, estava ele ainda casado com a actriz Eunice Muñoz, quando viviam em Oeiras. Aí foi tirada a fotografia dos surrealistas que consta deste blog!&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://skocky-alcyone.blogspot.com/feeds/6659056059499508954/comments/default' title='Enviar feedback'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/7411223665699843691/6659056059499508954' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6659056059499508954'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7411223665699843691/posts/default/6659056059499508954'/><link rel='alternate' type='text/html' href='http://skocky-alcyone.blogspot.com/2026/08/o-que-e-edade-media-manuel-luiz-martins.html' title='O QUE É A IDADE MÉDIA? - Manuel Luiz Martins'/><author><name>skocky</name><uri>http://www.blogger.com/profile/10345266090167409974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFfqyZDwt9xitXiRd5MFpGjAfmfPM6HCh6cdxwIV4BJ82F10WCUICJWYdX1E4ujF8Z6hCa1Uq88GAfnywktwG5suBrL6drowwh980rdyB_5M27xcUiN5Kj86DjeUeTUxxX9v49R1D-bTGryZfES5TMBoKK53QDpQvwxkq82fxfKSTLl4UJ1BOMG3FomdM/s72-w259-h400-c/IMG_9758.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>