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Philipsz" /><category term="Marc Aschenbrenner" /><category term="Eros" /><category term="Gary Simmons" /><category term="Kimathi Donkor" /><category term="smba" /><category term="Mika Rottenberg" /><category term="Dylan Graham" /><category term="Sozopol" /><category term="Clemencia Labin" /><category term="Yoeri Guepin" /><category term="Lucia Tkáčová" /><category term="Shilpa Gulpa" /><category term="Brad Downey" /><category term="Leigh Ledare" /><category term="David Lynch" /><category term="Matanicola" /><category term="Jim Delarge" /><category term="Tian Taiquan" /><category term="Monica Bonvicini" /><category term="hard head" /><category term="Serge Onnen" /><category term="Evan Roth" /><category term="Museum Het Domein" /><category term="Yüksel Arslan" /><category term="Utrecht" /><category term="Chanarin" /><category term="The organisation" /><category term="GEM" /><category term="Jannik Giger" /><category term="Adel Abidin" /><category term="Ellen Ter Beek" /><category term="Pippo Delbono" /><category term="seven" /><category term="A.S.I." /><category term="Michael Landy" /><category term="Marc Bijl" /><category term="Mounir Fatmi" /><category term="Mr. Zijlstra" /><category term="Grayson Perry" /><category term="A Fire in My Belly" /><category term="Eric White" /><category term="vredevanutrecht 2013" /><category term="Morag Keil" /><category term="Bulgaria" /><category term="Bruce Nauman" /><category term="Mitra Tabrizian" /><category term="Giorgio Andreotta Caló" /><category term="Emile Zile" /><category term="John Giorno" /><category term="Tamy Ben-Tor" /><category term="Lisa Sanditz" /><category term="Zeeuws Museum" /><category term="paris" /><category term="Keith Arnatt" /><category term="Rashaad Newsome" /><category term="David O'Reilly" /><category term="Soesterberg" /><category term="Marion van Wijk" /><category term="Chrissy Angliker" /><category term="Brent Grayburn" /><category term="Marc Barreda" /><category term="Apopcalypse Now" /><category term="Foam" /><category term="Ant Farm" /><category term="Incubate" /><category term="regen projects" /><category term="Jeremy Blake" /><category term="too little" /><category term="artistic documentary" /><category term="Oscar Tuazon" /><category term="Nigel Rolfe" /><category term="Robert Standish" /><category term="installations" /><category term="Sil Krol" /><category term="NIMK" /><category term="center" /><category term="MU" /><category term="Oded Hirsch" /><category term="Jan Fabre" /><category term="Michelle Browne" /><category term="Bjørn Melhus" /><category term="Jan Smaga" /><category term="saatchi" /><category term="BAK" /><category term="Bart Groenendaal" /><category term="Travess Smalley" /><category term="Tim Roda" /><category term="Jiří Kovanda" /><category term="Zaal 5" /><category term="Patrick Jolley" /><category term="Dick Duyves" /><category term="Aaron Young" /><category term="Sandberg Institute" /><category term="Tris Vonna-Michell" /><category term="Sandberg Instituut" /><category term="Dirk Comello" /><category term="sex" /><category term="Thomas Hirschhorn" /><category term="gabriel rolt" /><category term="Spike Jonze" /><category term="AA Bronson" /><category term="Helen Dowling" /><category term="Tourniquet" /><category term="Lena Hesse" /><category term="SURVIVAL GUIDE FOR [a young] ARTIST" /><category term="Alberto De Michele" /><category term="crime" /><category term="Yves Netzhammer" /><category term="Filip Berte" /><category term="underground" /><category term="Eelco Cornelis de Vries" /><category term="gagosian" /><category term="Steven Jouwersma" /><category term="Maki Umehara" /><category term="Pierre Huyghe" /><category term="Oliver Laric" /><category term="Pierrick Sorin" /><category term="Seth Price" /><category term="Kevin Francis Grey" /><category term="me" /><category term="photocollage" /><category term="TENT" /><category term="Christoph Büchel" /><category term="A.L. Steiner" /><category term="seventeen gallery" /><category term="Jeni Spota" /><category term="Elliott Hundley" /><category term="Tatjana Gerhard" /><category term="ERRORIST INTERNATIONAL" /><category term="Christian Vetter" /><category term="Henry Darger" /><category term="Jordi Colomer" /><category term="photographer" /><category term="Marijke Uittenbroek" /><category term="Roderick Hietbrink" /><category term="Oleg Kulik" /><category term="Katharina Sieverding" /><category term="photojournalism" /><category term="Elke Krystufek" /><category term="Cady Noland" /><category term="Ottmar Hörl" /><category term="personnes" /><category term="Nicola Mascia" /><category term="Jack Goldstein" /><category term="Karsten Födinger" /><category term="Margriet Smulders" /><category term="Lernert" /><category term="Lara Almarcegui" /><category term="moddr_" /><category term="Detroit" /><category term="house arrest" /><category term="Anri Sala" /><category term="Andrea Zittel" /><category term="Rob Moonen" /><category term="Line Gulsett" /><category term="Michelangelo Pistoletto" /><category term="Florian Zeyfang" /><category term="Rebecca Horn" /><category term="WochenKlausur" /><category term="actor" /><category term="Kate Clark" /><category term="Charles Atlas" /><category term="Human Birdwings" /><category term="filmmaker" /><category term="Santiago Sierra" /><category term="Nicoline van Harskamp" /><category term="David Claerbout" /><category term="BACA" /><category term="theatre" /><category term="Ahmet Ögüt" /><category term="Utopia Is No Place: The Art and Politics of Impossible Futures" /><category term="Roe Ethridge" /><category term="Brody Condon" /><category term="Moritz Schleime" /><category term="Stefan Brüggemann" /><category term="Edwin Stolk" /><category term="Dieter Roth" /><category term="Terence Koh" /><category term="Su Tomesen" /><category term="Robert Kuśmirowski" /><category term="Jonas Mekas" /><category term="Scanner" /><category term="Rik van Iersel" /><category term="Cory Arcangel" /><category term="Den Haag" /><category term="video" /><category term="Yin-Ju Chen" /><category term="Stephen Duncombe" /><category term="Cedric Geney" /><category term="Tala Madani" /><category term="A Network of Love" /><category term="lectures" /><category term="Alex Da Corte" /><category term="Marinka Marcelis" /><category term="idfa" /><category term="Pim Blokker" /><category term="Ellert Haitjema" /><category term="Wayne Gonzales" /><category term="John Kørner" /><category term="Hannah Höch" /><category term="Design" /><category term="Nicola Costantino" /><category term="David Panos" /><category term="died" /><category term="solo" /><category term="Shezad Dawood" /><category term="Ryan Gander" /><category term="Burt Barr" /><category term="Schuilen in het Rijks" /><category term="Line Boogaerts" /><category term="Bodytalks" /><category term="Lou Ros" /><category term="Teresa Margolles" /><category term="CBKU" /><category term="Robert Wilson" /><category term="Zimoun" /><category term="Art Cuts" /><category term="Tom Geraedts" /><category term="Ali Taptik" /><category term="Sara Nuytemans" /><category term="Radek Community" /><category term="Peter Funch" /><category term="Rodel Tapaya" /><category term="Olaf Metzel" /><category term="photo sculpture" /><category term="Art Orienté objet" /><category term="Rani Bageria" /><category term="Shady El Noshokaty" /><category term="rietveld" /><category term="Christian Jankowski" /><category term="van abbe museum" /><category term="Elmar Hermann" /><category term="Awoiska van der Molen" /><category term="Simon Starling" /><category term="docu" /><category term="Matan Zamir" /><category term="Thorsten Schneider" /><category term="Michael MacGarry" /><category term="Han Hoogerbrugge" /><category term="Extra city" /><category term="Biennial Award for Contemporary Art" /><category term="Navid Nuur" /><category term="Joel Kyack" /><category term="unreel" /><category term="Dennis Teunissen" /><category term="Rietveld Graduation Show" /><category term="Sal Randolph" /><category term="Jeremiah Day" /><category term="Gabríela Friðriksdóttir" /><category term="Steven Soderbergh" /><category term="Ai Weiwei" /><category term="Mark Power" /><category term="Dina Danish" /><category term="Aideen Barry" /><category term="Wolf Vostell" /><category term="Krisdy Shindler" /><category term="Rob Voerman" /><category term="Pilvi Takala" /><category term="FoMaa" /><category term="Forced Entertainment" /><category term="crown gallery" /><category term="Vincent Kohler" /><category term="Koma" /><category term="Sue de Beer" /><category term="Thijs Ebbe Fokkens" /><category term="Henry Moore Selder" /><category term="Harmony Korine" /><category term="Man Ray" /><category term="barter" /><category term="Heike Bollig" /><category term="Thomas Helbig" /><category term="Broomberg" /><category term="Banks Violette" /><category term="Paul McCarthy" /><category term="Dalibor Martinis" /><category term="Club Moral" /><category term="drawing" /><category term="Sarah Carlier" /><category term="Peter Coffin" /><category term="Too late" /><category term="John Bock" /><category term="Aurélien Froment" /><category term="Zeeuws Museumcafé" /><category term="HMK" /><category term="Chris Dorland" /><category term="Guillermo Kuitca" /><category term="Marijn de Jong" /><category term="The Recollector" /><category term="Mirko Martin" /><category term="Chris Burden" /><category term="reel" /><category term="Teenage Magazines" /><category term="paintings" /><category term="Sami van Ingen" /><category term="Lari Pittman" /><category term="PLANETART" /><category term="Voodoohop" /><category term="Erik van Lieshout" /><category term="Iratxe Jaio" /><category term="Jarbas Lopes" /><category term="Nancy Buchanan" /><category term="Mark Leckey" /><category term="walk of shame tour" /><category term="Song Dong" /><category term="Cindy Jansen" /><category term="Elspeth Diederix" /><category term="Hiraki Sawa" /><category term="Michael Najjar" /><category term="Anetta Mona Chişa" /><category term="Daniel Knorr" /><category term="Santu Mofokeng" /><category term="Robot" /><category term="Mernet Larsen" /><category term="Sigmar Polke" /><category term="Niklaus Rüegg" /><category term="L.A. Raeven" /><category term="Robert Devriendt" /><category term="Mary Sibande" /><category term="Abattoir Fermé" /><category term="Voina" /><category term="Nina Yuen" /><category term="Danny Devos" /><category term="P.ART" /><category term="General Idea" /><category term="Piotr Uklański" /><category term="Patrik Budenz" /><category term="Szpilman Award 2010" /><category term="Daniel Barroca" /><category term="nest" /><category term="Mark Manders" /><category term="Zenita Komad" /><category term="Woody Vasulka" /><category term="Robin Kolleman" /><category term="Craig Damrauer" /><category term="autodespair" /><category term="Wesley Meuris" /><category term="Florentijn Hofman" /><category term="Sharon Hayes" /><category term="Turner Prize 2010" /><category term="Maaike Schoorel" /><category term="George" /><category term="Renie Spoelstra" /><category term="Erik Van de Belt" /><category term="Lindsay Lohan" /><category term="choreographer" /><category term="Július Koller" /><category term="Tobias Schalken" /><category term="Oliver Ressler" /><category term="Rinus Van de Velde" /><category term="Krzysztof Wodiczko" /><category term="new media" /><category term="CantCopeWontCope" /><category term="Rob Verwer" /><category term="Verbeke Foundation" /><category term="Richard Phillips" /><category term="dance" /><category term="Tracey Moffatt" /><category term="Shuji Terayama" /><category term="Lynette Yiadom Boakye" /><category term="Jeannette Ehlers" /><category term="Ursula Hansbauer" /><category term="Filmhuis Den haag" /><category term="SOMETHING NEVER THOUGHT YOU'D BE PART OF" /><category term="Natalie Bookchin" /><category term="storytelling" /><category term="Roger Hiorns" /><category term="Zwolle" /><category term="Enda O’Donoghue" /><category term="Kathy Rose" /><category term="Alvin Lucier" /><category term="Every Picture Tells A Story" /><category term="Lotje van Lieshout" /><category term="Trevor Guthrie" /><category term="Ian Hokin" /><category term="Ivonne Thein" /><category term="Gelatin" /><category term="Somnio" /><category term="Bart Hess" /><category term="Enschede" /><category term="Shana Moulton" /><category term="Nadia Salom" /><category term="De Servicegarage" /><category term="Zlatan Vehabović" /><category term="Onno Schilstra" /><category term="Felicitas Rohden" /><category term="alexander levy" /><category term="Maja Ratkje" /><category term="IN WHICH THE CACKLING OF ART THEORY ECHOES" /><category term="Stanya Kahn" /><category term="SOSka group" /><category term="Metropolis II" /><category term="Thomas Zipp" /><category term="Doug Aitken" /><category term="Andrea Bowers" /><category term="Elena Ceausescu" /><category term="Anthony Campuzano" /><category term="Felice Grodin" /><category term="Richard Hamilton" /><category term="Bernard Gigounon" /><category term="Abner Preis" /><category term="Joaquín Cociña" /><category term="Timm Ulrichs" /><category term="kunst fort asperen" /><category term="Sao Paulo" /><category term="Pascal Möhlmann" /><category term="Adrien Missika" /><category term="Yorgos Prinos" /><category term="Benjamin Dillenburger" /><category term="nüans" /><category term="Augustin Rebetez" /><category term="Jeroen Jongeleen" /><category term="Manon van Trier" /><category term="non–places" /><category term="Anja Kirschner" /><category term="Claudia Rogge" /><category term="Youngblood Award" /><category term="CODES OF HONOR" /><category term="Muziekgebouw aan ’t IJ" /><category term="Primoz Novak" /><category term="Nathalie Djurberg" /><category term="Tanyth Berkeley" /><category term="Sara Rahbar" /><category term="Agan Harahap" /><category term="Nieuw Brabants Front" /><category term="Nederland Schreeuwt Om Cultuur" /><category term="Steina" /><category term="Merry Alpern" /><category term="Daniel Jensen" /><category term="Maartje Korstanje" /><category term="internet" /><category term="Robbert Weide" /><category term="Mark Jenkins" /><category term="Michail Pirgelis" /><category term="Héctor Zamora" /><category term="Larissa Fassler" /><category term="Cyprien Gaillard" /><category term="Koen Theys" /><category term="Majke husstege" /><category term="Gyz La Riviere" /><category term="Corinna Schnitt" /><category term="Hollis Frampton" /><category term="biennale gelderland" /><category term="1646" /><category term="At One View" /><category term="kinetic sculptor" /><category term="Omar Koubâa" /><category term="Michael Rakowitz" /><category term="Museo Aero Solar" /><category term="Turner Prize" /><category term="Xisco Mensua" /><category term="Nik Christensen" /><category term="Jarno Smeets" /><category term="Victoria Reynolds" /><category term="Jeroen Evertz" /><category term="Carlos Rodriguez Mendez" /><category term="WORM.kino" /><category term="Nicky Nodjoumi" /><category term="Mariko Peters" /><category term="When Faith Moves Mountains" /><category term="Béla Pablo Janssen" /><category term="artist collective" /><category term="Anna Boghiguian" /><category term="IN SEARCH OF NEW ALLIANCES" /><category term="John Smith" /><category term="Quayola" /><category term="Dennis Oppenheim" /><category term="Harald den Breejen" /><category term="P.art of your life" /><category term="The Hague" /><category term="Sterling Crispin" /><category term="Egle Budvytyte" /><category term="Theaster Gates" /><category term="artsit" /><category term="Fred Tomaselli" /><category term="Jennifer West" /><category term="Regina José Galindo" /><category term="Cornelia Sollfrank" /><category term="Greta Alfaro" /><category term="Arthur Ganson" /><category term="Heinrich Lüber" /><category term="Köken Ergun" /><title>#strangemessenger</title><subtitle type="html" /><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Edwin Stolk</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>889</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/blogspot/yvzGh" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="blogspot/yvzgh" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:emailServiceId xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">blogspot/yvzGh</feedburner:emailServiceId><feedburner:feedburnerHostname xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">http://feedburner.google.com</feedburner:feedburnerHostname><entry gd:etag="W/&quot;A0YNQ3k-eCp7ImA9WhBaEk4.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-1903222006448326591</id><published>2013-05-22T18:13:00.002+02:00</published><updated>2013-05-22T18:13:12.750+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-22T18:13:12.750+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Pedro Reyes" /><title>Pedro Reyes</title><content type="html">&lt;a href="http://www.pedroreyes.net/" target="_blank"&gt;&lt;img alt="Work by Pedro Reyes" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/4a103b0b-6f85-4743-a6fa-ae984be29373_zpse313c33e.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;


&lt;iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/51739272?title=0&amp;amp;byline=0&amp;amp;portrait=0" webkitallowfullscreen="" width="500"&gt;&lt;/iframe&gt;&lt;br /&gt;
Sculptor Pedro Reyes has&lt;span style="color: #71767a; font-family: sans-serif;"&gt;&lt;span style="line-height: 21px;"&gt; &lt;/span&gt;&lt;/span&gt;taken hundreds of guns and transformed them into artistic musical instruments.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.pedroreyes.net/" target="_blank"&gt;http://www.pedroreyes.net/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/1903222006448326591/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/pedro-reyes.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1903222006448326591?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1903222006448326591?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/pedro-reyes.html" title="Pedro Reyes" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CEAGQHs8cCp7ImA9WhBaEEs.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-6378059347859179259</id><published>2013-05-20T17:12:00.000+02:00</published><updated>2013-05-20T17:12:01.578+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-20T17:12:01.578+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Igor Grubić" /><title>Igor Grubić</title><content type="html">&lt;a href="http://www.artvehicle.com/feature/23" target="_blank"&gt;&lt;img alt="Igor Grubić, East Side Story 2006-08" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/2c7c6872-ef98-4293-abe6-19134f1aee3d_zps587317c2.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Igor Grubić, East Side Story 2006-08
&lt;iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/64892049?title=0&amp;amp;byline=0&amp;amp;portrait=0" webkitallowfullscreen="" width="500"&gt;&lt;/iframe&gt;&lt;br /&gt;
Interview with the artist here:&lt;br /&gt;
&lt;a href="http://www.domusweb.it/en/video/2011/11/10/igor-grubic-acting-art.html" target="_blank"&gt;http://www.domusweb.it/en/video/2011/11/10/igor-grubic-acting-art.html&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Link&lt;br /&gt;
&lt;a href="http://www.artvehicle.com/feature/23"&gt;http://www.artvehicle.com/feature/23&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/6378059347859179259/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/igor-grubic.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/6378059347859179259?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/6378059347859179259?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/igor-grubic.html" title="Igor Grubić" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;C0cFSXw9fip7ImA9WhBbGEo.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-2696294941841240805</id><published>2013-05-18T11:56:00.004+02:00</published><updated>2013-05-18T11:56:58.266+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-18T11:56:58.266+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Hisk" /><category scheme="http://www.blogger.com/atom/ns#" term="Birde Vanheerswynghels" /><title>Birde Vanheerswynghels</title><content type="html">&lt;a href="http://birdevanheerswynghels.blogspot.nl/" target="_blank"&gt;&lt;img alt="Birde Vanheerswynghels - untitled, 2011" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/fb85383c-59da-4ef4-825f-906fd8bba9b5_zps37c17740.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Birde Vanheerswynghels, untitled, 2011, charcoal on paper, 84x118 cm&lt;br /&gt;
&lt;br /&gt;
More info on Birde Vanheerswynghels work will be available here:&lt;br /&gt;
&lt;a href="http://wiki.hisk.edu/w/Open_Studios_2013" target="_blank"&gt;http://wiki.hisk.edu/w/Open_Studios_2013&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://birdevanheerswynghels.blogspot.nl/" target="_blank"&gt;http://birdevanheerswynghels.blogspot.nl/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/2696294941841240805/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/birde-vanheerswynghels.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/2696294941841240805?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/2696294941841240805?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/birde-vanheerswynghels.html" title="Birde Vanheerswynghels" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CEQGQ308cSp7ImA9WhBbEk0.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-5548238333957473091</id><published>2013-05-10T18:12:00.000+02:00</published><updated>2013-05-10T18:12:02.379+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-10T18:12:02.379+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Tim Roda" /><title>Tim Roda</title><content type="html">&lt;a href="http://www.timrodaart.com/" target="_blank"&gt;&lt;img alt="Tim Roda, Untitled #146, 2007" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/0489d844-d4c7-4379-b33b-982a41773665_zps032f10cc.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Tim Roda, Untitled #146, 2007, black &amp;amp; white photograph on fiber matte, 84 cm × 97 cm.&lt;br /&gt;
&lt;br /&gt;
“I strive to produce a sensation that makes people both familiar and uneasy about the&amp;nbsp;in-congruence&amp;nbsp;of life’s experiences.”&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.timrodaart.com/"&gt;http://www.timrodaart.com/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/5548238333957473091/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/tim-roda.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/5548238333957473091?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/5548238333957473091?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/tim-roda.html" title="Tim Roda" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0QMRHkzcSp7ImA9WhBbEEQ.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-9180642168280570527</id><published>2013-05-09T12:29:00.001+02:00</published><updated>2013-05-09T12:29:45.789+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-09T12:29:45.789+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="My Barbarian" /><title>My Barbarian</title><content type="html">&lt;a href="http://www.mybarbarian.com/Broke-People-s-Baroque-Peoples-Theater" target="_blank"&gt;&lt;img alt="My Barbarian, Shakuntala DuBois, video still, 2012" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/e0e4f26a-dda3-47e5-9f49-35e3f44da6d4_zpse7c01081.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
“Shakuntala DuBois,” video still, 2012

&lt;iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/63514699?title=0&amp;amp;byline=0&amp;amp;portrait=0" webkitallowfullscreen="" width="500"&gt;&lt;/iframe&gt;&lt;br /&gt;
My Barbarian is a collective consisting of Malik Gaines, Jade Gordon and Alexandro Segade, founded in Los Angeles in 2000. My Barbarian's interdisciplinary performance, video, music and installation projects use fantasy, humor, camp and clashing aesthetic sensibilities to playfully reenact artistic, political, social and historical situations.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.mybarbarian.com/About"&gt;http://www.mybarbarian.com/About&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/9180642168280570527/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/my-barbarian.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/9180642168280570527?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/9180642168280570527?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/my-barbarian.html" title="My Barbarian" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CUAGQXo9eyp7ImA9WhBUGU8.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-1643898656960937044</id><published>2013-05-07T12:48:00.004+02:00</published><updated>2013-05-07T12:48:40.463+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-07T12:48:40.463+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Mernet Larsen" /><title>Mernet Larsen</title><content type="html">&lt;a href="http://www.mernetlarsen.com/" target="_blank"&gt;&lt;img alt="Mernet Larsen - Gunfighters, 2001, acrylic, tracing paper on canvas" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/c369cf3f-cf15-4382-8155-7b50c40288ba_zps9ceb9b3a.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Mernet Larsen - Gunfighters, 2001, acrylic, tracing paper on canvas, 43.5" x 68"&lt;br /&gt;
&lt;br /&gt;
At first glance, the surreal situations and almost cartoonish figurations seem wholly humorous. In time however, a pervasive sense of longing and contemplation arises. Larsen's desire is "to evoke a sense of permanence, solidity, weight; time stopped, essences of ordinary events made tangible."&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.mernetlarsen.com/" target="_blank"&gt;http://www.mernetlarsen.com/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/1643898656960937044/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/mernet-larsen.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1643898656960937044?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1643898656960937044?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/mernet-larsen.html" title="Mernet Larsen" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkUDRHc-fip7ImA9WhBUGE4.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-1274803433032445694</id><published>2013-05-06T11:57:00.003+02:00</published><updated>2013-05-06T11:57:55.956+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-06T11:57:55.956+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Potential Estate" /><title>Potential Estate</title><content type="html">&lt;object height="375" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/r_QgPUPymLs?version=3&amp;amp;hl=en_GB&amp;amp;rel=0"&gt;&lt;/param&gt;
&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;
&lt;embed src="http://www.youtube.com/v/r_QgPUPymLs?version=3&amp;amp;hl=en_GB&amp;amp;rel=0" type="application/x-shockwave-flash" width="500" height="375" allowscriptaccess="always" allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
Full video on show &lt;a href="http://www.stroom.nl/activiteiten/tentoonstelling.php?t_id=4256084" target="_blank"&gt;here&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Potential Estate is a temporary alliance that designs residential spaces and narratives. It operates along models of self-organization and mutual inclusion.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.potentialestate.org/" target="_blank"&gt;http://www.potentialestate.org/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/1274803433032445694/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/potential-estate.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1274803433032445694?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1274803433032445694?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/potential-estate.html" title="Potential Estate" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0cBSH44fCp7ImA9WhBUFUo.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-6446833762315068490</id><published>2013-05-03T13:04:00.000+02:00</published><updated>2013-05-03T13:04:19.034+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-03T13:04:19.034+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Michiel Alberts" /><title>Michiel Alberts</title><content type="html">&lt;a href="http://www.michielalberts.com/" target="_blank"&gt;&lt;img alt="Michiel Alberts, video still,
 ROOF, 2013" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/39155027-b5f3-43cf-bec8-7d5c3ff04845_zps40fed3d5.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Michiel Alberts, video still,
 ROOF, 2013, watch the video &lt;a href="https://vimeo.com/64546039"&gt;here&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Michiel Alberts creates performances of long duration that could be described as 'physical drawings in space'. Through his physical presence the artist relates to the given space and to emptiness revealed. In his work he wants to undo dualistic constructions such as subject/object, space/time, me/the other, in order to create a process.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.michielalberts.com/" target="_blank"&gt;http://www.michielalberts.com/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/6446833762315068490/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/michiel-alberts.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/6446833762315068490?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/6446833762315068490?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/michiel-alberts.html" title="Michiel Alberts" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DUADRX05eSp7ImA9WhBUFEQ.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-548882474637111588</id><published>2013-05-02T14:29:00.001+02:00</published><updated>2013-05-02T14:29:34.321+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-02T14:29:34.321+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Liquid Cat" /><title>Liquid Cat</title><content type="html">&lt;a href="http://www.liquidcat.org/" title="Missing trolley, Florence italy (8) by liquidcat"&gt;&lt;img alt="Missing trolley, Florence italy (8)" height="375" src="http://farm2.staticflickr.com/1260/787881560_8d9920d821.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
Liquid Cat – part of project missing trolleys&amp;nbsp;
&lt;br /&gt;
&lt;br /&gt;
Liquid Cat, relevant is their desire to break free from the social-democratic stagnation of their country.  As they state on their website: “Born in a city that&amp;nbsp;hasn't&amp;nbsp;produced culture for five hundred years, Liquid Cat’s intent is to use the weapons of deflection, irony and anti-omologation. Liquid Cat steals, quotes (often improperly) and if necessary terminates with extreme prejudice.”&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.liquidcat.org/" target="_blank"&gt;http://www.liquidcat.org/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/548882474637111588/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/liquid-cat.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/548882474637111588?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/548882474637111588?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/05/liquid-cat.html" title="Liquid Cat" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;C0QGSHszeip7ImA9WhBUEk4.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-907642980255406407</id><published>2013-04-29T12:27:00.000+02:00</published><updated>2013-04-29T12:28:49.582+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-29T12:28:49.582+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Claire Healy" /><category scheme="http://www.blogger.com/atom/ns#" term="Sean Cordeiro" /><title>Claire Healy and Sean Cordeiro</title><content type="html">&lt;a href="http://www.claireandsean.com/" target="_blank"&gt;&lt;img alt="Claire Healy and Sean Cordeiro, Future Furnishings" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/830b46e4-9d71-4c13-b815-594ce0c2b6b4_zps783672f6.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Claire Healy and Sean Cordeiro -"Future Furnishings"

&lt;iframe allowfullscreen="" frameborder="0" height="281" src="http://www.youtube.com/embed/EaqHnOXxdnY?rel=0" width="500"&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;
Claire Healy and Sean Cordeiro are interrogating ideas of home, aspiration, mobility and the acquisition of material goods, their work is&amp;nbsp;characterized&amp;nbsp;by a playful reinvention of prefabricated structures and the assemblage of everyday objects into extraordinary sculptures and installations.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.claireandsean.com/"&gt;http://www.claireandsean.com/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/907642980255406407/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/claire-healy-and-sean-cordeiro.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/907642980255406407?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/907642980255406407?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/claire-healy-and-sean-cordeiro.html" title="Claire Healy and Sean Cordeiro" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/EaqHnOXxdnY/default.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0EFSXszcSp7ImA9WhBVGUo.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-932355079947825892</id><published>2013-04-26T14:33:00.003+02:00</published><updated>2013-04-26T14:33:38.589+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-26T14:33:38.589+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Philippe Parreno" /><title>Philippe Parreno</title><content type="html">&lt;a href="http://www.airdeparis.com/parreno.htm" target="_blank"&gt;&lt;img alt="Untitled by Philippe Parreno" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/2dca24cf-f20b-4440-bc04-09e1bb65c5f9_zpsb1aece94.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Untitled (What do you believe your eyes or my words?) by Philippe Parreno&lt;br /&gt;
&lt;br /&gt;
Philippe Parreno has been described as “permanently moving”, and certainly his work, whether made on his own or in his frequent collaborations with fellow artists, evades easy definition in its constant exploration of how art can and should be experienced.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.airdeparis.com/parreno.htm" target="_blank"&gt;http://www.airdeparis.com/parreno.htm&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/932355079947825892/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/philippe-parreno.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/932355079947825892?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/932355079947825892?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/philippe-parreno.html" title="Philippe Parreno" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;AkEBSH06cSp7ImA9WhBVF08.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-6846064545162948295</id><published>2013-04-23T16:50:00.004+02:00</published><updated>2013-04-23T16:50:59.319+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-23T16:50:59.319+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Lynette Yiadom Boakye" /><title>Lynette Yiadom Boakye</title><content type="html">&lt;a href="http://www.saatchi-gallery.co.uk/artists/lynette_yiadom_boakye.htm" target="_blank"&gt;&lt;img alt="Lynette Yiadom Boakye, Politics, 2005" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/9678bb8a-4f99-4777-8957-09863ec27946_zps0ee7f64e.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Lynette Yiadom Boakye, Politics, 2005, oil on canvas, 183 x 168 cm&lt;br /&gt;
&lt;br /&gt;
Lynette Yiadom-Boakye’s figurative paintings are drawn from her own fictitious set of characters and allude to traditions of European portraiture. Her paintings suggest a narrative but the people and places depicted are carefully ambiguous ciphers of the imagination.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.frieze.com/issue/article/a-life-in-a-day/" target="_blank"&gt;http://www.frieze.com/issue/article/a-life-in-a-day/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/6846064545162948295/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/lynette-yiadom-boakye.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/6846064545162948295?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/6846064545162948295?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/lynette-yiadom-boakye.html" title="Lynette Yiadom Boakye" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CEMDQH86cCp7ImA9WhBVE0w.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-3988970767157411451</id><published>2013-04-18T21:14:00.002+02:00</published><updated>2013-04-18T21:14:31.118+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-18T21:14:31.118+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Suzanne Treister" /><title>Suzanne Treister</title><content type="html">&lt;a href="http://ensemble.va.com.au/Treister/HEXEN2/Diagrams/Diagrams-Anarchy.html" target="_blank"&gt;&lt;img alt="HEXEN 2.0/Historical Diagrams/From Diogenes of Sinope to Anarcho-Primitivism and the Unabomber via Science-Fiction" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/3c4620ed-3ea4-4237-a23f-5560ff0b0beb_zps512da0ab.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
HEXEN 2.0/Historical Diagrams/From Diogenes of Sinope to Anarcho-Primitivism and the Unabomber via Science-Fiction&lt;br /&gt;
&lt;br /&gt;
Treister deals with notions of identity, history, power and the hallucinatory. Her practice engages with eccentric narratives and unconventional bodies of research, such as alchemy, extrasensory perception and 'conspiracy theory', to reveal the structures that bind power, identity and knowledge.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.suzannetreister.net/" target="_blank"&gt;http://www.suzannetreister.net/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/3988970767157411451/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/suzanne-treister.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/3988970767157411451?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/3988970767157411451?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/suzanne-treister.html" title="Suzanne Treister" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkcNSXc7fip7ImA9WhBVEkw.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-1668286722172904525</id><published>2013-04-17T17:52:00.000+02:00</published><updated>2013-04-17T17:54:58.906+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-17T17:54:58.906+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Aleksandra Mir" /><title>Aleksandra Mir</title><content type="html">&lt;a href="http://www.aleksandramir.info/" target="_blank"&gt;&lt;img alt="Aleksandra Mir - “Triumph” 2009" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/tumblr_m8fv9n539W1rws5yho1_500_zpsa0e9b474.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Aleksandra Mir - “Triumph” (2009)&lt;br /&gt;
&lt;br /&gt;
In much of her work, Mir solicits the participation of friends, acquaintances, and passersby in playful upheavals of social norms.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
‘Triumph’ is an archive of popular culture and part of a
contemporary history that appears to be as fleeting as the sheen of the lauded
metal cup. The thousands of trophies recall the ‘echo of hands clapping and the
image of vigorous young bodies’, as Mir says, mirroring the transitoriness of victory
and youth, which can be neither halted nor kept.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.aleksandramir.info/" target="_blank"&gt;http://www.aleksandramir.info/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/1668286722172904525/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/aleksandra-mir.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1668286722172904525?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1668286722172904525?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/aleksandra-mir.html" title="Aleksandra Mir" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DEMARH89eyp7ImA9WhBVEE8.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-9169157598246990403</id><published>2013-04-15T13:47:00.002+02:00</published><updated>2013-04-15T13:47:25.163+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-15T13:47:25.163+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Patrick Jolley" /><title>Patrick Jolley</title><content type="html">&lt;a href="http://patrickjolleyestate.com/" target="_blank"&gt;&lt;img alt="Photo from the serie: SATELLITE by Patrick Jolley" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/0cce6738-c569-4453-8d8c-746088852731_zps191c86ab.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Photo from the serie: SATELLITE by Patrick Jolley&lt;br /&gt;
Series of 22 overpainted black and white photographs. 20”x24”. 1995.&lt;br /&gt;
&lt;br /&gt;
The root of the Irish artist Patrick Jolley’s films and photographs lies in the subjective experience of the passage of time. He expands on sensations of inertia, solidification or dislocation through physical displacements and rearrangements.&lt;br /&gt;
&lt;br /&gt;
Watch the video: Fall, &lt;a href="https://vimeo.com/35516469" target="_blank"&gt;here&lt;/a&gt; and Snakes,&amp;nbsp;&lt;a href="https://vimeo.com/35886158" target="_blank"&gt;here&lt;/a&gt;.
&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://patrickjolleyestate.com/" target="_blank"&gt;http://patrickjolleyestate.com/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/9169157598246990403/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/patrick-jolley.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/9169157598246990403?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/9169157598246990403?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/patrick-jolley.html" title="Patrick Jolley" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D04ASXszfCp7ImA9WhBWFko.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-3514819784428455760</id><published>2013-04-11T12:25:00.005+02:00</published><updated>2013-04-11T12:25:48.584+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-11T12:25:48.584+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Enda O’Donoghue" /><title>Enda O’Donoghue</title><content type="html">&lt;a href="http://www.endaodonoghue.com/" target="_blank"&gt;&lt;img alt="Enda O’Donoghue - Ellipsis 2012" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/e6f20151-744b-4ab6-b9df-3532cf97a3fc_zps67e0b0bc.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Enda O’Donoghue - Ellipsis ( 2012 ) Oil &amp;amp; Acrylic on Canvas , 180 x 240 cm&lt;br /&gt;
&lt;br /&gt;
The imagery comes almost exclusively from found photographs sourced from the Internet, where O'Donoghue plays with random throw-away moments of everyday life.&lt;br /&gt;
&lt;br /&gt;
Work by Enda O’Donoghue will be part of the group exhibition: NEITHER HERE NOR THERE on show till 5 May 2013 here:&lt;br /&gt;
&lt;a href="http://www.grimmuseum.com/" target="_blank"&gt;http://www.grimmuseum.com/&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.endaodonoghue.com/" target="_blank"&gt;http://www.endaodonoghue.com&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/3514819784428455760/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/enda-odonoghue.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/3514819784428455760?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/3514819784428455760?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/enda-odonoghue.html" title="Enda O’Donoghue" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0YDQHw5eyp7ImA9WhBXGUw.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-738016870691510723</id><published>2013-04-02T17:06:00.000+02:00</published><updated>2013-04-02T17:06:11.223+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-02T17:06:11.223+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Woody Vasulka" /><category scheme="http://www.blogger.com/atom/ns#" term="Steina" /><title>Steina and Woody Vasulka</title><content type="html">&lt;a href="http://www.vasulka.org/" target="_blank"&gt;&lt;img alt="Noisefields, 1974, Steina and Woody Vasulka" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/Steina_and_Woody_Vasulka-575x431_zps67953d06.png" /&gt;&lt;/a&gt;&lt;br /&gt;
Noisefields, 1974, Steina and Woody Vasulka

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The Vasulkas work focused on developing a vocabulary specific to electronic media. They worked closely with engineers and other visual artists to develop tools to produce electronic imagery.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.vasulka.org/" target="_blank"&gt;http://www.vasulka.org/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/738016870691510723/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/steina-and-woody-vasulka.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/738016870691510723?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/738016870691510723?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/steina-and-woody-vasulka.html" title="Steina and Woody Vasulka" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;AkEMRno6fyp7ImA9WhBXGEw.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-7781509809907599164</id><published>2013-04-01T13:53:00.001+02:00</published><updated>2013-04-01T14:18:07.417+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-01T14:18:07.417+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Christian Jankowski" /><title>Christian Jankowski </title><content type="html">&lt;a href="http://cgi.klosterfelde.de/user-cgi-bin/artists/?s1=Christian+Jankowski#6" target="_blank"&gt;&lt;img alt="The Finest Art on Water by Christian Jankowski" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/185f4dfe-928e-4b6d-82bc-d36f7a5adc71_zpsc09f408c.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
The Finest Art on Water by  Christian Jankowski (2011) 

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Jankowski's work gently disarms his audience, subverting expectations and entertaining at the same time.&amp;nbsp;
&lt;br /&gt;
&lt;br /&gt;
Link&lt;br /&gt;
&lt;a href="http://www.berlinartlink.com/2012/01/15/christian-jankowski/"&gt;http://www.berlinartlink.com/2012/01/15/christian-jankowski/&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://cgi.klosterfelde.de/user-cgi-bin/artists/?s1=Christian+Jankowski#6" target="_blank"&gt;http://cgi.klosterfelde.de/user-cgi-bin/artists/?s1=Christian+Jankowski#6&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/7781509809907599164/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/christian-jankowski.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/7781509809907599164?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/7781509809907599164?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/04/christian-jankowski.html" title="Christian Jankowski " /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0cESX46cCp7ImA9WhBXFkg.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-1948928335974050438</id><published>2013-03-30T16:56:00.004+01:00</published><updated>2013-03-30T16:56:48.018+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-30T16:56:48.018+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Fabien Giraud" /><category scheme="http://www.blogger.com/atom/ns#" term="Raphaël Siboni" /><title>Fabien Giraud and Raphaël Siboni</title><content type="html">&lt;a href="http://www.fabiengiraudraphaelsiboni.com/" target="_blank"&gt;&lt;img alt="Last Manoeuvres in the Dark " border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/dsc02813_zps8fa76903.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
 

&lt;a href="http://www.fabiengiraudraphaelsiboni.com/" target="_blank"&gt;&lt;img alt="Last Manoeuvres in the Dark" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/giraudsiboni5_zps14b15702.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Last Manoeuvres in the Dark by Fabien Giraud and Raphaël Siboni.&lt;br /&gt;
&lt;br /&gt;
This set of terracotta Darth Vader masks is each endowed with a microprocessor “brain” connected to a central computer. Working together, the Vader army creates a sampling of sounds from the dark side.&lt;br /&gt;
&lt;br /&gt;
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Mixing airsoft, tuning, punk, hard-core, and the Guinness Book of World Records, the work of Fabien Giraud and Raphaël Siboni has lay at the boundary between art, pop culture, and entertainment. Linking vernacular with mass consumption and folk with pop, their practice tends to produce complex, often spectacular objects and events that question the possibility of contemporary subjectivity.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.fabiengiraudraphaelsiboni.com/" target="_blank"&gt;http://www.fabiengiraudraphaelsiboni.com/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/1948928335974050438/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/fabien-giraud-and-raphael-siboni.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1948928335974050438?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1948928335974050438?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/fabien-giraud-and-raphael-siboni.html" title="Fabien Giraud and Raphaël Siboni" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CU8ERn07cSp7ImA9WhBXEkk.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-606228611846022186</id><published>2013-03-25T21:35:00.001+01:00</published><updated>2013-03-25T21:36:47.309+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-25T21:36:47.309+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Haim Steinbach" /><title>Haim Steinbach</title><content type="html">&lt;a href="http://haimsteinbach.net/" target="_blank"&gt;&lt;img alt="Work by Haim Steinbach" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/26f0f3db-b50a-4f59-82eb-5fc5a32f780f_zps85f1e8e4.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
‘The surface of walls and objects is a cultural material – it’s a language that speaks of who we are and how we think.’&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://haimsteinbach.net/" target="_blank"&gt;http://haimsteinbach.net/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/606228611846022186/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/haim-steinbach.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/606228611846022186?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/606228611846022186?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/haim-steinbach.html" title="Haim Steinbach" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0MAR3k6cCp7ImA9WhBQGUk.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-4303985566629490528</id><published>2013-03-22T11:50:00.000+01:00</published><updated>2013-03-22T11:50:46.718+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-22T11:50:46.718+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Marjetica Potrc" /><category scheme="http://www.blogger.com/atom/ns#" term="The Commons" /><category scheme="http://www.blogger.com/atom/ns#" term="Ooze" /><title>The Commons</title><content type="html">&lt;a href="http://www.potrc.org/" target="_blank"&gt;&lt;img alt="Sketch for The Commons by Marjetica Potrc Marjetica Potrc" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/5cbbe918-7fc7-49f4-8574-6e74741f3dad_zpsdb29c2f5.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Sketch for The Commons by Marjetica Potrc&lt;br /&gt;
&lt;a href="http://www.potrc.org/"&gt;http://www.potrc.org/&lt;/a&gt;&lt;br /&gt;
&amp;nbsp;

&lt;a href="http://www.ooze.eu.com/" target="_blank"&gt;&lt;img alt="Sketch for The Commons by Eva Pfannes,Ooze" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/4182759e-0ea8-4ce1-8f40-957d3bc9b058_zpsd1fc09bd.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Sketch for The Commons by Eva Pfannes/Ooze&lt;br /&gt;
&lt;a href="http://www.ooze.eu.com/"&gt;http://www.ooze.eu.com/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
The Commons, or in old Dutch “meent” or “mient“, were traditionally defined as the elements – forests, atmosphere, rivers, fisheries or grazing land –  of the environment used and enjoyed by all. This form of joint ownership hardly exists anymore today and was transformed into private ownership on one hand or state ownership on the other hand. The research project The Commons, refreshes the idea of the commons and explores how common property and its use can be organized.&amp;nbsp;
&lt;br /&gt;
&lt;br /&gt;
The Commons project is part of:&lt;br /&gt;
&lt;a href="http://ja-natuurlijk.com/language/en/" target="_blank"&gt;http://ja-natuurlijk.com/language/en/&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://taak.me/?nk_project=opbouw-van-the-commons-bij-ja-natuurlijk&amp;amp;lang=en"&gt;http://taak.me/?nk_project=opbouw-van-the-commons-bij-ja-natuurlijk&amp;amp;lang=en&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/4303985566629490528/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/the-commons.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/4303985566629490528?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/4303985566629490528?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/the-commons.html" title="The Commons" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkcGR3Y6fip7ImA9WhBQGEU.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-6573583594187224336</id><published>2013-03-21T16:33:00.005+01:00</published><updated>2013-03-21T16:33:46.816+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-21T16:33:46.816+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Simon Starling" /><title>Simon Starling</title><content type="html">&lt;a href="http://caseykaplangallery.com/cat/artists/starling/" target="_blank"&gt;&lt;img alt="Simon Starling Island for Weeds 2003" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/bd3f73a9-da55-4472-971e-c1af5ef00bd6_zps03dacfef.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Simon Starling Island for Weeds 2003 Courtesy of the Modern Institute Glasgow

&lt;object height="281" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Wk9_wE-9mPA?hl=en_GB&amp;amp;version=3&amp;amp;rel=0"&gt;&lt;/param&gt;
&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;
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Simon Starling is best known for works such as Shedboatshed 2005, among other projects that explore hidden histories behind objects and architectural spaces.&lt;br /&gt;
&lt;br /&gt;
On show here:&lt;br /&gt;
&lt;a href="http://www.tate.org.uk/whats-on/tate-britain/exhibition/simon-starling" target="_blank"&gt;http://www.tate.org.uk/whats-on/tate-britain/exhibition/simon-starling&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://caseykaplangallery.com/cat/artists/starling/"&gt;http://caseykaplangallery.com/cat/artists/starling/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/6573583594187224336/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/simon-starling.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/6573583594187224336?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/6573583594187224336?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/simon-starling.html" title="Simon Starling" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkcNSH8ycSp7ImA9WhBQFkk.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-7373352897889315128</id><published>2013-03-18T23:01:00.002+01:00</published><updated>2013-03-18T23:01:39.199+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-18T23:01:39.199+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Iñigo Manglano-Ovalle" /><title>Iñigo Manglano-Ovalle</title><content type="html">&lt;a href="http://inigomanglano-ovalle.com/" target="_blank"&gt;&lt;img alt="Phantom Truck by Iñigo Manglano-Ovalle" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/artwork_images_112692_761648_inigo-manglano-ovalle_zps66d3fec7.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Phantom Truck by Iñigo Manglano-Ovalle

&lt;iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/18011890?title=0&amp;amp;byline=0&amp;amp;portrait=0" webkitallowfullscreen="" width="500"&gt;&lt;/iframe&gt; &lt;br /&gt;
&lt;br /&gt;
In film, sculpture, photography and installation, Iñigo Manglano-Ovalle investigates technology, climate change, immigration and the global impact of social, political, environmental, and scientific systems.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://inigomanglano-ovalle.com/"&gt;http://inigomanglano-ovalle.com/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/7373352897889315128/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/inigo-manglano-ovalle.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/7373352897889315128?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/7373352897889315128?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/inigo-manglano-ovalle.html" title="Iñigo Manglano-Ovalle" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkIHRn08fyp7ImA9WhBQFEs.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-2165794713707738413</id><published>2013-03-16T20:02:00.000+01:00</published><updated>2013-03-16T20:02:17.377+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-16T20:02:17.377+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Hanne Darboven" /><title>Hanne Darboven</title><content type="html">&lt;a href="http://www.hanne-darboven-stiftung.org/" target="_blank"&gt;&lt;img alt="Darboven (Hannah),Ohne Titel (Bögen),Hauswedell &amp;amp; Nolte,Hamburg" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/335f3c14-5d13-4be0-afbf-b7a2e59206b6_zpsa8c679cd.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Darboven (Hannah),Ohne Titel (Bögen),Hauswedell &amp;amp; Nolte,Hamburg

&lt;a href="http://www.hanne-darboven-stiftung.org/" target="_blank"&gt;&lt;img alt="Darboven, Senza titolo, 1968" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/a0ab496c-1ab3-49a0-b51a-44b8258ad8d4_zps486ad864.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Darboven, Senza titolo, 1968&lt;br /&gt;
&lt;br /&gt;
Hanne Darboven (1941-2009)

“I have a clear conscience; I have written my thousand pages. In the sense of this responsibility—work, conscience, fulfillment of duty—I am no worse a worker than someone who has built a road.”&lt;br /&gt;
&lt;br /&gt;
Source: Petra Stegman, “Hanne Darboven: Discipline and Obsession,” Artist Portrait: Culturebase.net.&lt;br /&gt;
&lt;br /&gt;
Link:&lt;br /&gt;
&lt;a href="http://www.hanne-darboven-stiftung.org/" target="_blank"&gt;http://www.hanne-darboven-stiftung.org/&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/2165794713707738413/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/hanne-darboven.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/2165794713707738413?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/2165794713707738413?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/hanne-darboven.html" title="Hanne Darboven" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DUMMSH89cCp7ImA9WhBRGU4.&quot;"><id>tag:blogger.com,1999:blog-7206738538636122110.post-1059413710926644142</id><published>2013-03-10T18:44:00.007+01:00</published><updated>2013-03-10T18:44:49.168+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-10T18:44:49.168+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Hariton Pushwagner" /><title>Hariton Pushwagner</title><content type="html">&lt;a href="http://www.boijmans.nl/en/7/kalender/calendaritem/1169/pushwagner-soft-city" target="_blank"&gt;&lt;img alt="Hariton Pushwagner, Jobkill. From Apokalypse. Image courtesy and copyright the artist" border="0" src="http://i10.photobucket.com/albums/a106/Edjuh123/00e2f40a-443f-4468-b8c9-5cc595a5c630_zpsd3dcc396.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
Hariton Pushwagner, Jobkill. From Apokalypse.&lt;iframe allowfullscreen="" frameborder="0" height="400" mozallowfullscreen="" src="http://player.vimeo.com/video/47163687?title=0&amp;amp;byline=0&amp;amp;portrait=0" webkitallowfullscreen="" width="500"&gt;&lt;/iframe&gt;&lt;br /&gt;
The artist is famous for his multifaceted satirical commentary on power and greed in twentieth century society.&lt;br /&gt;
&lt;br /&gt;
Pushwagner: Soft City on show until May 26 2013 here:
&lt;a href="http://www.boijmans.nl/en/7/kalender/calendaritem/1169/pushwagner-soft-city" target="_blank"&gt;http://www.boijmans.nl/en/7/kalender/calendaritem/1169/pushwagner-soft-city&lt;/a&gt;</content><link rel="replies" type="application/atom+xml" href="http://strangemessenger.blogspot.com/feeds/1059413710926644142/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/hariton-pushwagner.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1059413710926644142?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7206738538636122110/posts/default/1059413710926644142?v=2" /><link rel="alternate" type="text/html" href="http://strangemessenger.blogspot.com/2013/03/hariton-pushwagner.html" title="Hariton Pushwagner" /><author><name>Edwin Stolk</name><uri>https://plus.google.com/113432741961192432931</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-uGLMugXW7Ds/AAAAAAAAAAI/AAAAAAAAAJ4/JAnyic3YfNU/s512-c/photo.jpg" /></author><thr:total>0</thr:total></entry></feed>
