A couple of things to note:

1) The award is presented by the original odd couple. (I’m gonna have to say Matt Damon is the Felix to Affleck’s Oscar. Ben Affleck — so rough around the edges!!)

2) They’re with their moms!

3) Ben Affleck’s voice cracks like that of a thirteen-year-old.

4) Their competition for the award included Woody Allen, P.T. Anderson, and James L. Brooks.

5) It really reminds me of the end of the Sports Night episode “The Six Southern Gentlemen of Tennessee” in which Casey and Dan very enthusiastically thank all of the show’s crew members.

Join us at twitter/blogwillhunting.com.  Is it still a live tweet if we’re not actually there?  I mean it will be live.  But with tape-delay.  Fine its a tape-delay-tweet.

Matt Damon recognizes the vicious heat/buzz/smear-machine warming up this time of year.  The New York Times spoke with him (and describes him as “among the most charming and down-to-earth of all the Hollywood deities”) and reports:

“My first experience with that was ‘Good Will Hunting,’” Mr. Damon said. “The week of the voting there was a story that came out in Variety that Ted Tally had written ‘Good Will Hunting.”

Mr. Tally, a screenwriter who won an Oscar for “Silence of the Lambs,” and Mr. Damon eventually worked together on “All the Pretty Horses,” but at this point they hadn’t met.

“And Ted Tally, to his credit, he called up Variety and said, ‘I want to go on the record and just say I didn’t write that movie, I wish I did but if I had written it I’d take credit for it,’” Mr. Damon said. “It kind of put the thing to bed but I remember getting called for a quote and I said I’m not gonna” – charming colloquialism – “comment. Are they calling Woody Allen and asking him if he wrote the script? They want to come look at my hard drive? I’ve been working on this script for, like, years. And then it was explained to me, that no, it’s not actually about that. It’s about just putting enough doubt in voters’ mind that they would go, ‘oh, I heard something about that movie, I’m not sure if those guys actually wrote it. What’s that – Oh, I liked ‘As Good As It Gets.’”

So, Mr. Damon’s people explained to him, “it’s the ‘As Good As It Gets’ camp,” he said. “And I was like, come on, you must be kidding me. You’re telling me it’s Jim Brooks,” the director of that movie? “’No, Jim Brooks would never do that. It’s the camp!’ Like, what does that mean? It was so stupid. I was just flabbergasted.”

Director Kevin Smith worked with Matt and Ben in Chasing Amy, preceding Good Will Hunting, and also directed each of the films in which they’ve appeared together since.  The story goes: Matt and Ben wanted Smith to direct GWH, but he declined, saying they needed to get someone better.

I once jokingly referred to Miramax as “the house Ben Affleck built.” That’s not true. Miramax has existed since at least 1980. (My friend recently showed me a poster for a stoner Star Wars parody Miramax released that year. Think about that. They’ve been pulling the whole “Disaster Movie” genre schtick for 30 years!) Ben Affleck didn’t show up until the later half of the mid-90’s, but he was integral in the Miramax my generation came to know. His Oscar win alongside best bud Matt Damon in 1998 gave him some “indie film street cred” that no doubt rubbed off on Shakespeare in Love. He was certainly in the thick of things when Miramax became the Oscar juggernaut it’s commonly known as today.

No matter how high his star rose, Ben always kept it real with Miramax. Which is why I was so surprised to see him stay with Miramax after the Weinsteins left.

A little background for non-movie-industry-news-nerds: Miramax was founded by Harvey and Bob Weinstein. They sold it to Disney in 1993 but stayed on board as presidents to run the ship, as they always had. So it was an accepted truth that anyone who worked with Miramax regularly did so because they wanted to work with the Weinstein brothers.

When they left and created the Weinstein Company in 2005, all the other Miramax filmmakers and go-to actors went with them. Disney was left with little more than the Miramax name, installing a new president and beginning the “New Miramax” era, with practically a whole new roster of executives and creatives. Yet Ben Affleck chose to make Gone Baby Gone at the New Miramax.

I think this was a clever PR move.

Photo by Nathaniel Brooks for The New York Times

The average guy on the street who doesn’t read way too many movie blogs has no idea who runs Miramax. As far as the general population goes, Miramax was still Miramax. And actors, being public faces, come to be associated with brands in the public’s mind. In this case, the association goes something like this: “Ben Affleck + Miramax = some pretty good movies like Good Will Hunting(!).”

Ben used this to his advantage by allying himself with the Miramax name and not the Weinstein brothers. On the mean, indie film streets “Miramax presents a Ben Affleck film” sounds way more impressive than “The Weinstein Company presents a Ben Affleck film.” One reminds me of Good Will Hunting, and that Ben Affleck was once more than a headliner for mindless blockbusters and tabloids. It makes me root for the guy and probably give his movie a chance.

In January 2010, despite major Oscar wins under the new regime, Disney closed the doors on Miramax. The fate of the label remains a mystery, with rumors swirling that the Weinsteins would like to buy it back. But with Miramax off the table for the foreseeable future, I can’t help but wonder: what will Ben Affleck do when he needs to remind people of his indie street cred?

I suppose it should be no surprise that while home for the holidays last fall, in going through folders of old papers, I came across a receipt for a notable purchase from February 23, 1998.  It was from my local record store on College Avenue, and on that day I purchased the Good Will Hunting soundtrack.

I can pretty honestly say this would become one of the most significant music purchases I’d ever make.  I didn’t really listen to music until late in high school… or maybe I did, but it was just the Aladdin soundtrack over and over again.  In tenth grade, though, I discovered my dad’s Beatles collection.  I went from there, largely basing my new tastes on that of my peers: Dave Matthews Band, Counting Crows, Billy Joel (River of Dreams, man).  I can tell you I was definitely not someone who “listened to Dave Matthews before everyone listened to Dave Matthews.”

I can also tell you that on that February day I did not go into Manifest Records to buy the Good Will Hunting soundtrack.  More likely, I was going primarily to get my very own copy of Yourself or Someone Like You by Matchbox 20.  Also predetermined, I picked out the Counting Crows’ August and Everything After.  Somewhat less so, I snagged the soundtrack for the movie Swingers.

Near the cashier was a display of what were probably new(ish) releases.  It speaks to how hurting I was for music suggestions that I picked up the CD soundtrack to a movie I had seen, and loved, but had only vaguely recalled the music. “I think I remember liking it,” I said to myself.

While Matchbox 20 lit up my CD player, Good Will Hunting was more of a slow burn.  When I gave it a first listen I found it nice and mellow — but it kind of “all sounds the same,” I thought.  Matchbox 20, on the other hand… each song blazed like a smash-hit single.  (In fact, five of the twelve songs were released as singles.)  Good Will Hunting, at least, made good background music.

But it stayed with me.

I don’t really associate it with those early months of 1998, but in following years it became a staple.  I fondly remember Good Will Hunting keeping me company on late evenings in my dimly-lit college dorm room.  If it was raining outside, it was twice as wonderful.

If not for that impulse buy, who knows how long it would have taken for me to find Elliott Smith?  And I felt like I really discovered him, rather than co-opting his catalog along with whatever else my knowledgeable peers recommended.

Elliott Smith has never been far from my ears this past decade, while Rob Thomas and Company burned out and then they faded away.

Nevertheless, I look back twelve years later and wonder: what if Good Will Hunting’s soundtrack was populated by the songs of Matchbox 20, rather than those of Elliott Smith?

Last night I put together a little quicktime video.  I think it would have looked and sounded a lot like this…

You can thank the crackerjack photoshop staff at the MTV Movie Blog for the image above.

Thanks to Adam, for the heads up on this one.

A post from Universal Hub — a car in the parking lot of local eatery Kelly’s Roast Beef (discussed here on Blog Will Hunting).

Google image search: "Matt Ben shiny joy"

Matt ‘n’ Ben are re-forming their production company for a “first look” deal at Warner Bros. In movie lingo, “first look” refers to this exchange: “First, look – Ben, I wish you hadn’t sold my Oscar on eBay to fund Gone Baby Gone. But what the hell, let’s re-form our production company!”

Of course, I’m being unfair (and hilarious!). Affleck has become a well-respected director after Gone Baby Gone, and his next film, the highly anticipated The Town, is due in September. With his newfound clout and Damon’s ongoing credibility as an actor and a box-office draw, the timing for this thing seems right. Ready those Gerry 2 pitches …. now.

Her skepticism is validated by Professor Robin Wilson of Gresham College:

That’s right, homeomorphically irreducible trees of degree ten have nothing to do with function analysis.  And this particular problem isn’t that hard.

However, when the film was released, some were simply impressed that they actually used real math.

On NPR’s Weekend Edition back on April 4, 1998, host Scott Simon spoke with mathematician Keith Devlin about the plausibility of the math in the film.  Devlin’s opinion is that “they got the math right,” and describes the blackboard problem:

What they did that was very smart was… they had to make sure that it was a problem that someone like Will Hunting, who was innately a genius but had no mathematical training, someone like him had to have been able to solve the problem… and graph theory is one of the few areas of mathematics where that can happen. Someone could literally come out of the streets — or come along the corridor at night with a mop and a bucket, which is what the Will Hunting character does — and if they’ve got the ability, they don’t need the training, and they can just solve it. They have just got to be smart.

The Weekend Edition clip is definitely worth a listen in its entirety; they go on to discuss the real life story of self-taught mathematician Srinivasa Ramanujan, part of the inspiration for the Will Hunting character, as well as what the filmmakers get not-so-right.

"It looks right," says Tom.

Blog Will Hunting wishes you a good day, Valentine’s, or otherwise.  Have a bunch of caramels or something.

But which Kelly’s shall we go to?

A while back the Blog Will Hunting crew payed a visit to the Christopher Lee Playground, the South Boston location in which the GWH boys watch some little league before picking up some burgers (and then getting into some street fights).

The screenplay, as written, is a little different from the scene in the film:

The next scene shows them in Chuckie’s car — with Kelly’s Roast Beef bags, of course.  As you will recall, in the film the exchange doesn’t have Chuckie dissing Kelly’s this way… it’s a bit of a surprise to see such anti-Kelly’s sentiment on the page, as the local chain is regarded as something of an institution.  (As we noted a couple weeks ago, guest star Julianne Moore namechecks Kelly’s in a recent episode of 30 Rock — “Let’s go to Kelly’s! Let’s get some roast beef!”).

Founded in 1951, Kelly’s lays claim to the invention of the Original Roast Beef Sandwich — “before 1951, no one had ever heard of eating such a creation!“  Their original location is their beachfront outpost in Revere, and over the years four other locations have sprung up around Boston.  One is inside a Jordan’s Furniture.  (Also in that Jordan’s Furniture: an IMAX theater.  I’m pretty sure I saw The Dark Knight there.  At that furniture store.  It’s weird, I know.)

Celebrating six decades of quality, customer service, and value, Kelly’s is still a family owned and operated business that continues the original philosophy of our founders. Many of Kelly’s hourly employees and managers have been with the company over thirty years! Kelly’s is open 363 days a year, providing our valued customers with the quality and consistent standards they have come to expect over the years. Now when people ask, “Why is Kelly’s So Famous Anyhow?” Our answer remains: because of our loyal customers.

They of course also mention Good Will Hunting as one of their many claims to fame.

Their marketing plays up their sense of tradition and customer service, and though Chuckie would have found some allies in his discontent on the Yelp customer review message boards, most Yelpers have positive things to say about the staff, and especially the food, often using the word “fried” as an adjective of deeply satisfied approval.  The reviews tend to prefer the flagship restaurant at Revere Beach, despite the seagulls’ attempts at food theft, and perhaps indicative of nothing, at least one reviewer at another location admits to being drunk during his visit.

So on the day of our visit to Southie, we left the Christopher Lee playground wondering, which Kelly’s did they go to?

It essentially comes down to the flagship Revere location and the one in Medford.

We know that is that it is 15 minutes out of their way… according to Google maps (assuming they were coming back to Southie afterwards) it would take 37 minutes to drive to Revere Beach and back, but only 25 to get to Medford.  Also, the Medford location has a drive-thru, and Chuckie’s comment as they squabble in the car on the return trip — “I know what you ordered, I was there” — suggests they did the drive-thru and Chuck did the ordering (and the paying).

So we drove by the Medford location, and… well… it looked pretty boring….

Despite the fact that is probably the one they went to (CORRECTION: This has been disproved, thanks to Patrick. Check out the comments) … we wanted to go to the beach.

So on that summer day we had a wonderful meal — open air seating, a sea breeze, seagulls, Bostonians, and more than once, someone would sing out, “Chuck I had a double burger!”

Tired of hearing about the iPad?  Everyone loves it!  Everyone has a complaint about it!

Among the over-hyped complaints about the revolutionary new Apple device is that certain accents and regional pronunciations make the terms “iPod” and “iPad” indistinguishable.

Cult of Mac blogger John Brownlee writes:

I wanted to point out quickly why I think this is such a terrible product name. I’m from Boston originally. We have an interesting way of pronouncing our a’s.

Call up a friend with a Boston accent and ask them to say “iPad.” They might just pronounce it pretty similarly to “iPod.” We’re weird that way. Or as Jake von Slatt just said to me: “Here in Boston, we’d say ‘Do you haave the big iPohd or the little iPohd?’”

Even if the pronunciation is different for everyone, though, iPad still seems a bad choice. A one letter difference makes for a lot of possible confusion.

The following send-up of the product uses good ole Good Will Hunting to elucidate this point. (And at last, someone jokes about the iPad and steers clear of feminine hygiene.)

Enjoy.

Much has been made of guest star Julianne Moore’s “thick,” “terrible,” “atrocious,” “ridiculously broad,” “worst-attempt-ever” Boston accent, but I kind of love every minute of it. (As one commenter on Universal Hub states, at least she nails the attitude.)

I overheard someone at a conference last weekend small-talking about the 30 Rock episode with another conference-goer. “We don’t all talk like that, you know,” she said. I suppose she probably actually grew up in/around Boston, in which case maybe there’s a little more reason to take it personally… but 30 Rock historically hasn’t shied away from playing up broad stereotypes for laughs (in repeated parodies of gays, southerners, Canadians, i-bankers, etc). And while no Bostonian I know “talks like that,” the thrill of recognition is there.

When I moved from Michigan to a Boston suburb at age eight, kids really did use the modifier “wicked” all the time; it was totally weird. And I could never non-self-consciously say the word “aunt” in this new environment — I didn’t want to call attention to myself saying it the normal way (“ant”), but felt weird saying it the Massachusetts way (“ahnt”). So I would just refer to my “mom’s sister” a lot.

So I encountered some of the regionalisms as a kid, but honestly, I have heard much more of the “Boston accent” on screen than in any actual experience living around here.  Fortunately there’s more to the Julianne Moore’s Boston “authenticity” than the accent. She and Alec Baldwin wander into a tv news studio in this latest episode, and Moore’s character eagerly sits at the news desk, announcing “I feel like Chet Curtis and Natalie Jacobson!”

The duo (“Chet and Nat”) hosted ABC’s local news for 20-something years, including the period of my childhood in which I lived in Acton, Massachusetts. I remember their names well, above all other local news anchors to whom I’ve been an been audience (except for rival Channel 7’s R.D. Sahl, who visited my fifth grade class — I have his autograph.)

Probably unlike most who recall Curtis and Jacobson well, I hadn’t realized ”Chet and Nat” were also married for most of the time they ancored the news together, and their news partnership ended alongside their marriage, in a very public divorce. This detail adds a perhaps unintended layer to Moore’s character, who is in the midst of a pending divorce herself, which had also lasted 20-something years.

The second most satisfying Boston reference in the episode has to be Moore’s hysterical mention of Kelly’s Roast Beef.

Kelly’s is an historic (well, founded 1951) local roast beef chain outlet — but, more on Kelly’s next time.

Until then, enjoy this 30 Rock “web exclusive” of Grizz and Dotcom making their “own urban stories, just like Matt Damon and Ben Affleck.”

A good reference is a wonderful thing, and somehow the Good Will Hunting guys have become the definitive urban Boston duo, even more so than Chet Curtis and Natalie Jacobson.

Howard Zinn (1922-2010)

Howard Zinn, an author, teacher and political activist whose book “A People’s History of the United States” became a million-selling leftist alternative to mainstream texts, died Wednesday in Santa Monica, Calif. He was 87 and lived in Auburndale, Mass.

… “A People’s History” had some famous admirers, including the actors Matt Damon and Ben Affleck. The two grew up near Professor Zinn, were family friends and gave the book a plug in their Academy Award-winning screenplay for “Good Will Hunting.”

As a math genius once said about Zinn’s People’s History of the United States, that book “will knock you on your ass.”

While browsing at my favorite local bookstore, I flipped through Barbara Lynch’s new cookbook Stir. Check out this choice bit of jacket copy:

Lynch’s cuisine is all the more remarkable because it is self-taught. In a story straight out of Good Will Hunting, she grew up in the turbulent projects of “Southie”, where petty crime was the only viable way to make a living…. Through a mix of hunger for knowledge, hard work, and raw smarts, she gradually created her own distinctive style of cooking….

The publisher has betrayed a fundamentally flawed—and, I think, commonly held—understanding of Good Will Hunting. True, Barbara Lynch and Will Hunting are both from Southie (notice the publisher’s timid quotation marks). But while Lynch’s rise to fame from unlikely roots as a result of her “hunger for knowledge, hard work, and raw smarts” is admirable, it is hardly the same as Will Hunting’s story.

Will Hunting does not work hard. Will’s remarkable gifts are unearned; as he puts it, he could “always just play.” At the beginning of the movie, Will is an under-employed genius with little more than (presumably) a high school diploma. At the end of the movie, he is an unemployed genius who has turned down multiple job offers and rejected academia to “see about a girl.”

Good Will Hunting is not the story of an underdog going up against the establishment and, against all odds, making good. That’s Finding Forrester, a much less satisfying film. Good Will Hunting is the story of a lonely orphan boy who learns to love and be loved. Will’s remarkable abilities are nothing more than a plot device.

But I don’t think that story will help sell cookbooks.

A “non-essential mnemonic,” from McSweeney’s