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	<title>Bright Lights Film Journal</title>
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	<link>https://brightlightsfilm.com/</link>
	<description>Pop reviews and in-depth analyses of current and classic films from around the world.</description>
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		<title>Bringing Down the Establishment: The Graduate and End of the Road: A Dialogue</title>
		<link>https://brightlightsfilm.com/bringing-down-the-establishment-the-graduate-and-end-of-the-road-a-dialogue/</link>
					<comments>https://brightlightsfilm.com/bringing-down-the-establishment-the-graduate-and-end-of-the-road-a-dialogue/#respond</comments>
		
		<dc:creator><![CDATA[Robert Castle]]></dc:creator>
		<pubDate>Mon, 08 May 2023 17:00:24 +0000</pubDate>
				<category><![CDATA[Counterculture]]></category>
		<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[1967]]></category>
		<category><![CDATA[1970]]></category>
		<category><![CDATA[Anne Bancroft]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[counterculture]]></category>
		<category><![CDATA[cult film]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Dustin Hoffman]]></category>
		<category><![CDATA[End of the Road]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Katharine Ross]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[sixties]]></category>
		<category><![CDATA[Stacey Keach]]></category>
		<category><![CDATA[The Graduate]]></category>
		<guid isPermaLink="false">https://brightlightsfilm.com/?p=36669</guid>

					<description><![CDATA[<p>The subsequent dialogue between the two films developed after much negotiation and cajoling. They were inclined to be hostile to the other. I tried to inform them about their common[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/bringing-down-the-establishment-the-graduate-and-end-of-the-road-a-dialogue/">Bringing Down the Establishment: &lt;em&gt;The Graduate&lt;/em&gt; and &lt;em&gt;End of the Road:&lt;/em&gt; A Dialogue</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Mary Astor: Prisoner of Kicks</title>
		<link>https://brightlightsfilm.com/mary-astor-birthday-tribute-hollywood-star-may-3-1906/</link>
					<comments>https://brightlightsfilm.com/mary-astor-birthday-tribute-hollywood-star-may-3-1906/#comments</comments>
		
		<dc:creator><![CDATA[Dan Callahan]]></dc:creator>
		<pubDate>Wed, 03 May 2023 17:00:06 +0000</pubDate>
				<category><![CDATA[Actors & Personalities]]></category>
		<guid isPermaLink="false">http://live-blfj.pantheonsite.io/?p=11926</guid>

					<description><![CDATA[<p>Mary Astor was born May 3, 1906 and died September 25, 1987. In honor of this superb star, who was also a gifted novelist and memoirist and a sexually adventurous free-thinker[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/mary-astor-birthday-tribute-hollywood-star-may-3-1906/">Mary Astor: Prisoner of Kicks</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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		<title>The Demiurge in the American Eyesore: Night Tide</title>
		<link>https://brightlightsfilm.com/the-demiurge-in-the-american-eyesore-night-tide/</link>
					<comments>https://brightlightsfilm.com/the-demiurge-in-the-american-eyesore-night-tide/#respond</comments>
		
		<dc:creator><![CDATA[Tom Sutpen]]></dc:creator>
		<pubDate>Sat, 29 Apr 2023 17:00:06 +0000</pubDate>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Curtis Harrington]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Night Tide]]></category>
		<category><![CDATA[Venice Beach]]></category>
		<guid isPermaLink="false">https://brightlightsfilm.com/?p=36633</guid>

					<description><![CDATA[<p>If Curtis Harrington had not had the ruined mall of hell unveiled to the world in 1905 as Venice of America as a setting for his occult fable, he might[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/the-demiurge-in-the-american-eyesore-night-tide/">The Demiurge in the American Eyesore: &lt;em&gt;Night Tide&lt;/em&gt;</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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		<item>
		<title>False Positive: Talking Betty Blues</title>
		<link>https://brightlightsfilm.com/false-positive-talking-betty-blues/</link>
					<comments>https://brightlightsfilm.com/false-positive-talking-betty-blues/#respond</comments>
		
		<dc:creator><![CDATA[Steve Johnson]]></dc:creator>
		<pubDate>Sat, 22 Apr 2023 17:00:18 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Dreams]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[Betty Blue]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[French]]></category>
		<category><![CDATA[Jean-Jacques Beineix]]></category>
		<category><![CDATA[movies]]></category>
		<guid isPermaLink="false">https://brightlightsfilm.com/?p=36589</guid>

					<description><![CDATA[<p>to Lyssa You either go mad, or you learn about metaphors. – Allie Light * * * fou (masculine): crazy, mad, madman; see l’amour fou folle (feminine): crazy, mad, madwoman;[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/false-positive-talking-betty-blues/">False Positive: Talking Betty Blues</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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		<item>
		<title>The Evolution of the “Slacker-Sleuth” in The Big Lebowski and Under the Silver Lake</title>
		<link>https://brightlightsfilm.com/the-evolution-of-the-slacker-sleuth-in-the-big-lebowski-and-under-the-silver-lake/</link>
					<comments>https://brightlightsfilm.com/the-evolution-of-the-slacker-sleuth-in-the-big-lebowski-and-under-the-silver-lake/#respond</comments>
		
		<dc:creator><![CDATA[Nathan Saad]]></dc:creator>
		<pubDate>Sun, 16 Apr 2023 17:00:09 +0000</pubDate>
				<category><![CDATA[Absurdism]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Coen Brothers]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[hipsters]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[The Big Lebowski]]></category>
		<category><![CDATA[Tsou]]></category>
		<category><![CDATA[Under the Silver Lake]]></category>
		<guid isPermaLink="false">https://brightlightsfilm.com/?p=36579</guid>

					<description><![CDATA[<p>Whereas the Dude is a wholly passive protagonist, thrown begrudgingly into the chaos of conspiracy by the force of pure coincidence and designs of other, more motivated actors, Under the[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/the-evolution-of-the-slacker-sleuth-in-the-big-lebowski-and-under-the-silver-lake/">The Evolution of the “Slacker-Sleuth” in &lt;em&gt;The Big Lebowski&lt;/em&gt; and &lt;em&gt;Under the Silver Lake&lt;/em&gt;</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Delphine Seyrig: The Eternal Return</title>
		<link>https://brightlightsfilm.com/delphine-seyrig-the-eternal-return/</link>
		
		<dc:creator><![CDATA[Dan Callahan]]></dc:creator>
		<pubDate>Mon, 10 Apr 2023 17:00:00 +0000</pubDate>
				<category><![CDATA[Actors & Personalities]]></category>
		<category><![CDATA[French Cinema]]></category>
		<guid isPermaLink="false">http://live-blfj.pantheonsite.io/?p=17585</guid>

					<description><![CDATA[<p>"Seyrig is capable of stopping an entire film with one decisive physical gesture, one smile, one glare, one sound from her smoky, murmuring voice."</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/delphine-seyrig-the-eternal-return/">Delphine Seyrig: The Eternal Return</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Leaving the World of “The Truman Show”</title>
		<link>https://brightlightsfilm.com/leaving-the-world-of-the-truman-show/</link>
					<comments>https://brightlightsfilm.com/leaving-the-world-of-the-truman-show/#respond</comments>
		
		<dc:creator><![CDATA[Robert Castle]]></dc:creator>
		<pubDate>Sun, 02 Apr 2023 17:00:04 +0000</pubDate>
				<category><![CDATA[Absurdism]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[SF & Fantasy]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[entrapment]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[social commentary]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[trapped]]></category>
		<category><![CDATA[Truman Show]]></category>
		<guid isPermaLink="false">https://brightlightsfilm.com/?p=36510</guid>

					<description><![CDATA[<p>“Where’s the TV Guide?” – last line of the film  * * * Introduction Truman Burbank exits the only world he knows. We – the television audience in the film,[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/leaving-the-world-of-the-truman-show/">Leaving the World of “The Truman Show”</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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		<title>Some Like It Not: The Key to Successful Relationships in the Films of Billy Wilder</title>
		<link>https://brightlightsfilm.com/some-like-it-hot-fortune-cookie-apartment-double-indemnity-key-to-successful-relationships-films-billy-wilder/</link>
					<comments>https://brightlightsfilm.com/some-like-it-hot-fortune-cookie-apartment-double-indemnity-key-to-successful-relationships-films-billy-wilder/#comments</comments>
		
		<dc:creator><![CDATA[Jason Carpenter]]></dc:creator>
		<pubDate>Tue, 28 Mar 2023 17:00:51 +0000</pubDate>
				<category><![CDATA[Directors]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Billy Wilder]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[classic]]></category>
		<category><![CDATA[emigre]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[writer-director]]></category>
		<guid isPermaLink="false">http://live-blfj.pantheonsite.io/?p=23813</guid>

					<description><![CDATA[<p>Billy Wilder (1906-2002) died on March 27, age 95. We honor him by reposting Jason Carpenter’s fine analysis of the master&#8217;s work, first published in Bright Lights in 2016. *[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/some-like-it-hot-fortune-cookie-apartment-double-indemnity-key-to-successful-relationships-films-billy-wilder/">Some Like It Not: The Key to Successful Relationships in the Films of Billy Wilder</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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		<item>
		<title>Aftersun: The Skin of Filmic Memory</title>
		<link>https://brightlightsfilm.com/aftersun-the-skin-of-filmic-memory/</link>
					<comments>https://brightlightsfilm.com/aftersun-the-skin-of-filmic-memory/#respond</comments>
		
		<dc:creator><![CDATA[Vlad Dima]]></dc:creator>
		<pubDate>Wed, 22 Mar 2023 23:37:37 +0000</pubDate>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[2022]]></category>
		<category><![CDATA[Aftersun]]></category>
		<category><![CDATA[beach]]></category>
		<category><![CDATA[Charlotte Wells]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Frankie Coriov]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[Paul Mescal]]></category>
		<category><![CDATA[Polaroid]]></category>
		<guid isPermaLink="false">https://brightlightsfilm.com/?p=36526</guid>

					<description><![CDATA[<p>We all wait for everything to come into focus, and if we are lucky, we might eventually get access to one snapshot that tells an incomplete story. So naturally, while[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/aftersun-the-skin-of-filmic-memory/">&lt;em&gt;Aftersun&lt;/em&gt;: The Skin of Filmic Memory</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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		<title>Vicious Circle: John Whitney and the Military Origins of Early CGI</title>
		<link>https://brightlightsfilm.com/vicious-circle-john-whitney-and-the-military-origins-of-early-cgi/</link>
					<comments>https://brightlightsfilm.com/vicious-circle-john-whitney-and-the-military-origins-of-early-cgi/#respond</comments>
		
		<dc:creator><![CDATA[Selen Ozturk]]></dc:creator>
		<pubDate>Wed, 15 Mar 2023 12:40:17 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Animators]]></category>
		<category><![CDATA[Designers]]></category>
		<category><![CDATA[Experimental & Underground]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[credits]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[John Whitney]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[pioneer]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[Vetigo]]></category>
		<category><![CDATA[Westworld]]></category>
		<guid isPermaLink="false">https://brightlightsfilm.com/?p=36517</guid>

					<description><![CDATA[<p>John Whitney himself envisioned nothing more and nothing less for the future of CGI than a union of space and time: “Time has become visual.” But all film deals in[...]</p>
<p>The post <a rel="nofollow" href="https://brightlightsfilm.com/vicious-circle-john-whitney-and-the-military-origins-of-early-cgi/">Vicious Circle: John Whitney and the Military Origins of Early CGI</a> appeared first on <a rel="nofollow" href="https://brightlightsfilm.com">Bright Lights Film Journal</a>.</p>
]]></description>
		
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