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	<title>Celluloid Junkie</title>
	
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		<title>Canadian Investors Double Down With Purchase of Vue Entertainment</title>
		<link>http://feedproxy.google.com/~r/celluloidjunkie/~3/RC7K--zFC6U/</link>
		<comments>http://celluloidjunkie.com/2013/06/13/canadian-investors-double-down-with-purchase-of-vue-entertainment/#comments</comments>
		<pubDate>Fri, 14 Jun 2013 06:31:12 +0000</pubDate>
		<dc:creator>J. Sperling Reich</dc:creator>
				<category><![CDATA[Mergers & Acquisitions]]></category>
		<category><![CDATA[AIMCo]]></category>
		<category><![CDATA[Apollo Cinemas]]></category>
		<category><![CDATA[Cinemaxx]]></category>
		<category><![CDATA[Doughty Hanson & Co.]]></category>
		<category><![CDATA[Financial Times]]></category>
		<category><![CDATA[Multikino]]></category>
		<category><![CDATA[OMERS]]></category>
		<category><![CDATA[Open Road Films]]></category>
		<category><![CDATA[The Scotsman]]></category>
		<category><![CDATA[Vue]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2484</guid>
		
				<content:encoded><![CDATA[There is an old proverb popularized by the 19th century English writer W. E. Hickson that states &#8220;If at first you don&#8217;t succeed, Try, try, try again.&#8221; It seems Alberta Investment Management Corp. (AIMCo) and OMERS Private Equity &#8211; the investment division of Ontario Municipal Employees Retirement System &#8211; are heeding this advice when it [...]<br/>
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		<item>
		<title>Kodak Claims ‘Film Is Not Dead’</title>
		<link>http://feedproxy.google.com/~r/celluloidjunkie/~3/bTJmxv0Chig/</link>
		<comments>http://celluloidjunkie.com/2013/06/11/kodak-claims-film-is-not-dead/#comments</comments>
		<pubDate>Wed, 12 Jun 2013 04:59:35 +0000</pubDate>
		<dc:creator>J. Sperling Reich</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[35mm]]></category>
		<category><![CDATA[Andrew Evenski]]></category>
		<category><![CDATA[Film Stock]]></category>
		<category><![CDATA[J.J. Abrams]]></category>
		<category><![CDATA[Kodak]]></category>
		<category><![CDATA[Produced By Conference]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2476</guid>
		
				<content:encoded><![CDATA[With nearly 99,000 cinema screens (out of roughly 120,000 worldwide) having already converted to digital, combined with the number of film and television productions now shooting with high-end digital cameras, the need for 35mm film stock is dissolving rapidly. Agfa stopped manufacturing all of their film stock years ago and Fuji ceased production of 35mm [...]<br/>
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		<item>
		<title>Dissecting Google’s Box Office Prediction Study</title>
		<link>http://feedproxy.google.com/~r/celluloidjunkie/~3/n-1qes3toik/</link>
		<comments>http://celluloidjunkie.com/2013/06/10/dissecting-googles-box-office-prediction-study/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 16:19:28 +0000</pubDate>
		<dc:creator>J. Sperling Reich</dc:creator>
				<category><![CDATA[Box Office]]></category>
		<category><![CDATA[Market Research]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Tracking]]></category>
		<category><![CDATA[White Papers]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2460</guid>
		
				<content:encoded><![CDATA[Predicting box office receipts for a motion picture release, whether for opening weekend or an entire theatrical run, is anything but an exact science. Leave it to the good folks at Google, those lords of the algorithm, to rely on math rather than fuzzy logic when coming up with a better formula for “tracking”, as [...]<br/>
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		<item>
		<title>Can Social Media Service Vine Help Market Content?</title>
		<link>http://feedproxy.google.com/~r/celluloidjunkie/~3/t7qjMYZs96k/</link>
		<comments>http://celluloidjunkie.com/2013/06/10/can-social-media-service-vine-help-market-content/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 15:10:53 +0000</pubDate>
		<dc:creator>J. Sperling Reich</dc:creator>
				<category><![CDATA[Marketing & Promotions]]></category>
		<category><![CDATA[Instagram]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Vine]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2459</guid>
		
				<content:encoded><![CDATA[After officially launching this past January, Twitter&#8217;s new social media service Vine, has begun to find some traction. Vine, which allows users to post looping six second videos, now accounts for more daily shares of media on Twitter than Instagram, the photo sharing mobile app which formerly reigned supreme on the social network. Vine&#8217;s sudden [...]<br/>
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		<title>New Yorker Magazine Measures Movie Franchise Profitability</title>
		<link>http://feedproxy.google.com/~r/celluloidjunkie/~3/vBK3CYu0LB8/</link>
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		<pubDate>Sat, 01 Jun 2013 04:37:07 +0000</pubDate>
		<dc:creator>J. Sperling Reich</dc:creator>
				<category><![CDATA[Box Office]]></category>
		<category><![CDATA["Star Wars"]]></category>
		<category><![CDATA[Franchises]]></category>
		<category><![CDATA[Infographics]]></category>
		<category><![CDATA[Star Trek]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2452</guid>
		
				<content:encoded><![CDATA[Take a look at the release schedule this summer and you might begin to notice a trend; &#8220;Hangover III&#8221;, &#8220;Iron Man 3&#8243;, &#8220;Star Trek Into Darkness&#8221;, &#8220;Monsters University&#8221;, &#8220;Grown Ups 2&#8243;, &#8220;Despicable Me 2&#8243; &#8220;RED 2&#8243;, etc. The number of sequels being pumped out by Hollywood studios is staggering. However are any of these franchises [...]<br/>
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		<title>Cannes Film Festival Brings China Into Focus</title>
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		<pubDate>Fri, 24 May 2013 18:52:07 +0000</pubDate>
		<dc:creator>J. Sperling Reich</dc:creator>
				<category><![CDATA[Countries]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Jia Zhang-Ke]]></category>
		<category><![CDATA[Steven Spielberg]]></category>

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				<content:encoded><![CDATA[Maybe the Hollywood trade papers were in need of something to write about in the first few days of this year&#8217;s Cannes Film Festival. Possibly they were just looking for a way to mention China in story, since the country, now the world&#8217;s second largest box office generator, seems to be the new black. Whatever [...]<br/>
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		<title>Dassault demonstrates VR Paris in 3D for cinemas</title>
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		<comments>http://celluloidjunkie.com/2013/04/18/dassault-demonstrates-vr-paris-in-3d-for-cinemas/#comments</comments>
		<pubDate>Thu, 18 Apr 2013 14:09:37 +0000</pubDate>
		<dc:creator>Patrick von Sychowski</dc:creator>
				<category><![CDATA[Digital 3D]]></category>
		<category><![CDATA[Equipment Vendors]]></category>
		<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2433</guid>
		
				<content:encoded><![CDATA[In the car from Paris&#8217; Gare de Nord station to Dassault Systèmes&#8217; campus at the outskirts of town I got chatting to a British journalist for an education supplement. He confessed that he had never been to Paris before, but that he recognised the streets we were driving down from a video racing game. This [...]<br/>
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		<item>
		<title>Hollywood unites on satellite movie delivery – but is it too late already?</title>
		<link>http://feedproxy.google.com/~r/celluloidjunkie/~3/c8nr-21z6u8/</link>
		<comments>http://celluloidjunkie.com/2013/03/19/hollywood-unites-on-satellite-movie-delivery-but-is-it-too-late-already/#comments</comments>
		<pubDate>Tue, 19 Mar 2013 13:29:54 +0000</pubDate>
		<dc:creator>Patrick von Sychowski</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Digital Cinema]]></category>
		<category><![CDATA[Integrators]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCDC]]></category>
		<category><![CDATA[Digital Cinema Distribution Coalition]]></category>
		<category><![CDATA[Disney]]></category>
		<category><![CDATA[Paramount]]></category>
		<category><![CDATA[satellite]]></category>
		<category><![CDATA[Universal]]></category>
		<category><![CDATA[Warner]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2427</guid>
		
				<content:encoded><![CDATA[With the overwhelming majority of multiplexes in the US converted to digital, the largest cinema chains have now reached agreement with the majority of Hollywood studios for the satellite delivery of DCPs. The Digital Cinema Distribution Coalition (DCDC) has added Walt Disney, Paramount Pictures and Lionsgate to co-founding studios Warner Bros and Universal Pictures. DCDC was formed [...]<br/>
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		<item>
		<title>New York Times and NPR Dissect Movie Trailers</title>
		<link>http://feedproxy.google.com/~r/celluloidjunkie/~3/T_GbU2o0DTw/</link>
		<comments>http://celluloidjunkie.com/2013/02/21/new-york-times-and-npr-dissect-movie-trailers/#comments</comments>
		<pubDate>Fri, 22 Feb 2013 02:16:39 +0000</pubDate>
		<dc:creator>J. Sperling Reich</dc:creator>
				<category><![CDATA[Trailers]]></category>
		<category><![CDATA[Bill Woolery]]></category>
		<category><![CDATA[Jump Cut]]></category>
		<category><![CDATA[New York Times]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Stephen Garrett]]></category>
		<category><![CDATA[Talk of the Nation]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2418</guid>
		
				<content:encoded><![CDATA[As part of their coverage of this year&#8217;s Academy Awards, the New York Times has published an interesting (and technologically slick) interactive graphic that details how scenes from a film are used in their accompanying trailers. The Times examines five of the nine Oscar nominees for Best Picture including &#8220;Amour&#8221;, &#8220;Argo&#8221;, &#8220;Beasts of the Southern [...]<br/>
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		<title>AMPAS and BAFTA Get On The Tribute Poster Bandwagon</title>
		<link>http://feedproxy.google.com/~r/celluloidjunkie/~3/fwIu2gEvNis/</link>
		<comments>http://celluloidjunkie.com/2013/02/21/ampas-and-bafta-get-on-the-tribute-poster-bandwagon/#comments</comments>
		<pubDate>Thu, 21 Feb 2013 14:11:33 +0000</pubDate>
		<dc:creator>J. Sperling Reich</dc:creator>
				<category><![CDATA[Marketing & Promotions]]></category>
		<category><![CDATA[Alamo Drafthouse]]></category>
		<category><![CDATA[AMPAS]]></category>
		<category><![CDATA[BAFTA]]></category>
		<category><![CDATA[Gallery1988]]></category>
		<category><![CDATA[Mondo Gallery]]></category>
		<category><![CDATA[Tribute Posters]]></category>

		<guid isPermaLink="false">http://celluloidjunkie.com/?p=2410</guid>
		
				<content:encoded><![CDATA[Ever since they first started appearing back in the mid-2000&#8242;s, I&#8217;ve been a big fan of what has come to be known as &#8220;tribute posters&#8221;. The trend seems to have been started by the Mondo Gallery in Austin Texas, a subsidiary of Alamo Drafthouse, the independent spirited cinema chain based in the same city. Mondo [...]<br/>
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