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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;DUcDQ3c_fyp7ImA9WxBTGEs.&quot;"><id>tag:blogger.com,1999:blog-2546830</id><updated>2009-12-16T08:00:00+00:00</updated><title>Carlos García Campillo</title><subtitle type="html">I do all my own stunts.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://cgcampillo.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://cgcampillo.blogspot.com/" /><link rel="hub" href="http://pubsubhubbub.appspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/2546830/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Camps</name><uri>http://www.blogger.com/profile/18050414314974848668</uri><email>noreply@blogger.com</email></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>1937</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/cgcampillo" /><feedburner:browserFriendly>This is an XML content feed. It is intended to be viewed in a newsreader or syndicated to another site, subject to copyright and fair use.</feedburner:browserFriendly><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><entry><title type="text">Links for 2009-12-15 [del.icio.us]</title><link rel="alternate" type="text/html" href="http://del.icio.us/cgcampillo#2009-12-15" /><updated>2009-12-16T00:00:00-08:00</updated><id>http://del.icio.us/cgcampillo#2009-12-15</id><content type="html">&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.icv2.com/articles/news/16479.html"&gt;ICv2 - Interview with Dark Horse&amp;rsquo;s Mike Richardson, Part 1&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.suracapulco.com.mx/anterior/2003/agosto/14/pag2.htm"&gt;pag2.htm&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</content></entry><entry gd:etag="W/&quot;DUcDQ3c-fip7ImA9WxBTGEs.&quot;"><id>tag:blogger.com,1999:blog-2546830.post-2608154007149655407</id><published>2009-12-15T02:49:00.001-06:00</published><updated>2009-12-15T02:51:12.956-06:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-15T02:51:12.956-06:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Pornstars" /><title>Belladonna</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_5HKnLRQ8yOc/SydNyFoMioI/AAAAAAAAAks/ESB9SFy2cao/s1600-h/belladonna2.jpg"&gt;&lt;img style="cursor: pointer; width: 300px; height: 400px;" src="http://2.bp.blogspot.com/_5HKnLRQ8yOc/SydNyFoMioI/AAAAAAAAAks/ESB9SFy2cao/s400/belladonna2.jpg" alt="" id="BLOGGER_PHOTO_ID_5415382599835880066" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_5HKnLRQ8yOc/SydNssORtXI/AAAAAAAAAkk/7U7w7BEBr64/s1600-h/belladonna.jpg"&gt;     &lt;img style="cursor: pointer; width: 300px; height: 400px;" src="http://1.bp.blogspot.com/_5HKnLRQ8yOc/SydNssORtXI/AAAAAAAAAkk/7U7w7BEBr64/s400/belladonna.jpg" alt="" id="BLOGGER_PHOTO_ID_5415382507116934514" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Buenas noches.&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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Cintas de las que se esperaba mucho se quedaron muy atrás. Películas muy buenas ni siquiera aguantaron un par de semanas en cartelera.&lt;br /&gt;&lt;br /&gt;Dejando de lado &lt;span style="font-style: italic;"&gt;Otra Película de Huevos &lt;/span&gt;(que es todo un fenómeno y se estreno con bombo y platillo), las otras dos películas triunfaron a base de persistencia en las salas, del "boca-oreja" y recomendaciones. No he visto ninguna de las películas mencionadas, ni pretendo entrar en juicios de valor, pero las opiniones -especialmente en el caso de &lt;span style="font-style: italic;"&gt;El Estudiante&lt;/span&gt;- son contrastantes. La crítica (que cada vez más sirve sólo para dos cosas) y el público más especializado (por llamarlo de alguna manera) no la bajan de cursi, superficial e intrascendente. Sin embargo el público en general la ha hecho no sólo sobrevivir, sino triunfar, alabándola como una película "linda" y llena de valores. Además, es recurrente el que quienes la han visto y la defienden en foros (IMDB, Reforma) o en pláticas la señale como una grata excepción a la regla del cine mexicano violento, sombrío y deprimente.&lt;br /&gt;&lt;br /&gt;(Hace unas semanas en una entrevista, &lt;span style="font-weight: bold;"&gt;René Bueno&lt;/span&gt;, director de &lt;span style="font-style: italic;"&gt;Recién Cazado&lt;/span&gt;, mencionaba que el público mexicano quiere "películas blancas", sin groserías, violencia ni narcos. Decía que "con frecuencia el cine mexicano es muy burdo, de lenguaje muy fuerte, mucha droga, violencia, denuncia social y la gente huye de eso". Probablemente a ese mismo público no le moleste tanto ir a ver la última entrega de &lt;span style="font-style: italic;"&gt;Saw&lt;/span&gt; o algún blockbuster gringo violento pero "blanco", pero ese es otro tema.)&lt;br /&gt;&lt;br /&gt;Esto presenta muchas preguntas para la gente que está haciendo cine en México, pero especialmente creo que pone en evidencia lo distanciados que están del supuesto "gran público" al que quieren llegar. Lamentablemente, y a pesar de que cada año se hacen más y mejores películas en México, los cineastas viven separados de su público, con el que sueñan pero al que rara vez llegan. Las películas que triunfan en la taquilla nacional (con sus contadas excepciones) se limitan a fenómenos puntuales o historias cortadas con el molde de la fórmula gringa, mientras que aquellas que triunfan en festivales internacionales y con la crítica rara vez llegan a las salas y si lo hacen son generalmente ignoradas por el público.&lt;br /&gt;&lt;br /&gt;¿Qué es lo que quiere la gente, entonces? Imposible saberlo. Pero sí creo que situaciones como esta alertan sobre la necesidad de repensar los modelos con los que opera el cine mexicano. Hay que acercar el cine menos comercial (de ficción y documental) al público sin depender de circuitos comerciales, repensar los temas de distribución y promoción, abaratar el costo de producción de películas que son muy caras y que ponen todas sus cartas en un sistema de distribución y exhibición que no funciona a su favor. Pero al mismo tiempo hay que producir más y mejores películas comerciales. Ambos cines son necesarios, y entre más cine mexicano vea la gente más fácil será el ir borrando esa línea que los divide.&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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&lt;li&gt;&lt;a href="http://blog.newsarama.com/2006/10/17/the-chemistry-set-writers-roundtable/"&gt;The Chemistry Set: Writers Roundtable&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://blog.newsarama.com/2006/10/20/writers-on-writing-geoff-johns/"&gt;Writers on Writing: Geoff Johns&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://blog.newsarama.com/2006/10/19/writers-on-writing-andrew-dabb/"&gt;Writers on Writing: Andrew Dabb&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://blog.newsarama.com/2006/10/18/writers-on-writing-chip-zdarsky/"&gt;Writers on Writing: Chip Zdarsky&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://blog.newsarama.com/2006/10/17/writers-on-writing-marc-bernardin/"&gt;Writers on Writing: Marc Bernardin&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://blog.newsarama.com/2006/10/16/writers-on-writing-warren-ellis/"&gt;Blog@Newsarama &amp;raquo; Blog Archive &amp;raquo; Writers on Writing: Warren Ellis&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://techtv.mit.edu/videos/4755-case-study-transmedia-design-and-conceptualization-the-making-of-purefold"&gt;MIT TechTV &amp;ndash; Case Study: Transmedia Design and Conceptualization &amp;ndash; The Making of Purefold&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://special.the-raft.com/massiveattackdvd/paradisecircus_full.swf"&gt;Massive Attack - Paradise Circus&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://makingof.com/insiders/artist/blog/rob/edwards/242"&gt;MakingOf - Insiders - Rob Edwards -&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</content></entry><entry gd:etag="W/&quot;DkACQX48eyp7ImA9WxBTFUU.&quot;"><id>tag:blogger.com,1999:blog-2546830.post-266348223539352190</id><published>2009-12-11T20:26:00.000-06:00</published><updated>2009-12-11T20:26:00.073-06:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-11T20:26:00.073-06:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Musas" /><title>Isabella Rossellini</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_5HKnLRQ8yOc/SyGuFy7mOoI/AAAAAAAAAkU/s0bJ4MH9Sn4/s1600-h/Isabella+Rossellini.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 388px;" src="http://1.bp.blogspot.com/_5HKnLRQ8yOc/SyGuFy7mOoI/AAAAAAAAAkU/s0bJ4MH9Sn4/s400/Isabella+Rossellini.jpg" alt="" id="BLOGGER_PHOTO_ID_5413799641670367874" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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&lt;li&gt;&lt;a href="http://www.youtube.com/watch?v=qZHQu9sQN74"&gt;YouTube - GASTON SANTOS (EL GRITO DE LA MUERTE 1/8) LA LLORONA.&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</content></entry><entry gd:etag="W/&quot;DU4CQn05fyp7ImA9WxBTFEQ.&quot;"><id>tag:blogger.com,1999:blog-2546830.post-2242184388069212053</id><published>2009-12-10T20:17:00.003-06:00</published><updated>2009-12-10T20:19:23.327-06:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-10T20:19:23.327-06:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Cine" /><title>À bout de souffle</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_5HKnLRQ8yOc/SyGr-CHNzVI/AAAAAAAAAkM/kRzloYaqSY8/s1600-h/A+bout+de+souffle.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 313px;" src="http://1.bp.blogspot.com/_5HKnLRQ8yOc/SyGr-CHNzVI/AAAAAAAAAkM/kRzloYaqSY8/s400/A+bout+de+souffle.jpg" alt="" id="BLOGGER_PHOTO_ID_5413797309283421522" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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&lt;li&gt;&lt;a href="http://www.indiewire.com/article/decade_john_cameron_mitchell_on_hedwig_and_the_angry_inch/"&gt;Decade: John Cameron Mitchell on 'Hedwig and the Angry Inch' - indieWIRE&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://chapmanchapman.wordpress.com/2009/12/01/predictions-for-2010/"&gt;Online Media Predictions for 2010 &amp;laquo; Chapman/Chapman&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.mimesacojea.com/2009/12/manifiesto-en-defensa-de-los-derechos.html"&gt;Manifiesto: En defensa de los derechos fundamentales en Internet : MI MESA COJEA&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.mimesacojea.com/2009/12/los-derechos-fundamentales-de-internet.html"&gt;Los derechos fundamentales de Internet (Anexo) : MI MESA COJEA&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://online.wsj.com/article/SB10001424052970203917304574414423182624140.html"&gt;How Entrepreneurs Can Win Over Potential Investors - WSJ.com&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</content></entry><entry gd:etag="W/&quot;CE4EQn84cSp7ImA9WxBTEkk.&quot;"><id>tag:blogger.com,1999:blog-2546830.post-3955379580252601946</id><published>2009-12-07T00:23:00.000-06:00</published><updated>2009-12-07T21:28:23.139-06:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-07T21:28:23.139-06:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Webcomics" /><category scheme="http://www.blogger.com/atom/ns#" term="El Arsenal" /><title>El Arsenal: UFO</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.elarsenal.com/webcomic/wp-content/uploads/2009/12/arsenalUFO-WEB.jpg"&gt;&lt;img style="cursor: pointer; width: 500px; height: 760px;" src="http://www.elarsenal.com/webcomic/wp-content/uploads/2009/12/arsenalUFO-WEB.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2546830-8987959703978254858?l=cgcampillo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://cgcampillo.blogspot.com/feeds/8987959703978254858/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=2546830&amp;postID=8987959703978254858&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/2546830/posts/default/8987959703978254858?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/2546830/posts/default/8987959703978254858?v=2" /><link rel="alternate" type="text/html" href="http://cgcampillo.blogspot.com/2009/12/eich09-presentacion-el-bulbo-bipolar.html" title="EICH09: Presentación: &quot;El Bulbo: Clase Media&quot;" /><author><name>Camps</name><uri>http://www.blogger.com/profile/18050414314974848668</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10750318097089551225" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_5HKnLRQ8yOc/Sxogg71uejI/AAAAAAAAAj4/dqsQSTUWEug/s72-c/47211906.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></entry><entry gd:etag="W/&quot;CU8DQnYzfCp7ImA9WxBTEE0.&quot;"><id>tag:blogger.com,1999:blog-2546830.post-5207921292895844423</id><published>2009-12-05T02:47:00.005-06:00</published><updated>2009-12-05T03:04:33.884-06:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-05T03:04:33.884-06:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="EICH" /><category scheme="http://www.blogger.com/atom/ns#" term="Eventos" /><category scheme="http://www.blogger.com/atom/ns#" term="Webcomics" /><title>EICH09: Mesa redonda: "El Webcomic, actualidad y desafíos"</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_5HKnLRQ8yOc/Sxog0kIcYLI/AAAAAAAAAkA/UywoMHD7lXc/s1600-h/webcomics.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_5HKnLRQ8yOc/Sxog0kIcYLI/AAAAAAAAAkA/UywoMHD7lXc/s400/webcomics.jpg" alt="" id="BLOGGER_PHOTO_ID_5411673989663449266" border="0" /&gt;&lt;/a&gt;Participan: &lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.produccionesbalazo.com"&gt;Luis Gantús&lt;/a&gt;, &lt;a href="http://www.humbertoramos.com"&gt;Humberto Ramos&lt;/a&gt;, &lt;a href="http://www.muertequerida.com/"&gt;Augusto Mora&lt;/a&gt;, &lt;a href="http://moco-comics.blogspot.com"&gt;Juanele&lt;/a&gt;, &lt;a href="http://www.caballonegro.cn"&gt;Jorge Cavazos&lt;/a&gt;, &lt;a href="http://www.heroeslocales.com/bunsen/"&gt;Jorge Pinto&lt;/a&gt;, &lt;a href="http://www.ricardocucamonga.com"&gt;Ricardo Cucamonga&lt;/a&gt; &lt;/span&gt;y&lt;span style="font-weight: bold;"&gt; &lt;a href="http://www.macoatl.com/"&gt;Ruy Estrada&lt;/a&gt;&lt;/span&gt;.&lt;br /&gt; &lt;table align="left" border="0" cellpadding="0"&gt;&lt;br /&gt; &lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;br /&gt; 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&lt;li&gt;&lt;a href="http://www.gatopardo.com/numero-107/cronicas-y-reportajes/un-alcalde-que-no-es-normal.html"&gt;Un alcalde que no es normal - N&amp;uacute;mero 107 - Gatopardo&lt;/a&gt;&lt;/li&gt;
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&lt;li&gt;&lt;a href="http://www.milenio.com/node/328932"&gt;&amp;quot;Nuestro coraz&amp;oacute;n est&amp;aacute; con el ERPI&amp;quot; | Milenio.com&lt;/a&gt;&lt;br/&gt;
diego.osorno.gonzalez@gmail.com&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.newscientist.com/article/mg20427311.300-timewarp-how-your-brain-creates-the-fourth-dimension.html?full=true"&gt;Timewarp: How your brain creates the fourth dimension - life - 21 October 2009 - New Scientist&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.elpais.com/articulo/cultura/Publicado/manuscrito/Nabokov/quiso/destruir/elpepucul/20091117elpepucul_10/Tes"&gt;Publicado el manuscrito que Nabokov quiso destruir &amp;middot; ELPA&amp;Iacute;S.com&lt;/a&gt;&lt;br/&gt;
Tanta expectación como polémica ha suscitado este martes la publicación de una obra inédita e inacabada de Vladímir Nabokov (1899-1877), bajo el título El original de Laura, en contra de los deseos expresados por el propio escritor poco antes de su muerte. El lanzamiento simultáneo en Londres y Nueva York de este relato sobre un hombre que halla en una niña de doce años a la sustituta de su hija muerta no hace justicia, según el veredicto casi unánime de la crítica, a la talla literaria del autor de Lolita. Pero ante todo ha indignado en ciertos sectores del mundillo literario la decisión de su hijo, Dmitri, de vender los derechos del manuscrito, obviando las instrucciones precisas del testamento de Nabokov, que exigían su destrucción.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://vodo.net/"&gt;VODO: Welcome&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://openindie.com/"&gt;Open Values For Film Distribution | OpenIndie&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.filmmakermagazine.com/blog/2009/10/letter-from-future.php#comments"&gt;REDACTED: A LETTER FROM THE FUTURE&lt;/a&gt;&lt;br/&gt;
Through a bizarre anomaly in the space-time continuum, I received the following email in my in-box. It’s dated March 30, 2010, so it’s from the future. Since what’s being discussed hasn’t happened yet, I can’t, of course, vouch for its authenticity, but the internet routing and DNS server codes all seem accurate. I’m going ahead and posting it because this filmmaker’s thinking is interesting, but I’m redacting his name and the name of his film so as to protect his privacy. — S.M.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://powertothepixel.com/news/recommended-reading-for-the-conference-on-14-october#more-3554"&gt;POWER TO THE PIXEL &amp;laquo; Recommended Reading for the Conference on 14 October&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</content></entry><entry gd:etag="W/&quot;A0cDRXk4fCp7ImA9WxNaEkw.&quot;"><id>tag:blogger.com,1999:blog-2546830.post-1835555456786271090</id><published>2009-11-26T01:04:00.001-06:00</published><updated>2009-11-26T01:04:34.734-06:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-26T01:04:34.734-06:00</app:edited><title>SHAKEDOWN</title><content type="html">&lt;div style="text-align: left; padding: 3px;"&gt;&lt;a href="http://www.flickr.com/photos/ernestborg9/4120667508/" title="photo sharing"&gt;&lt;img src="http://farm3.static.flickr.com/2692/4120667508_155e2f4f4b.jpg" style="border: solid 2px #000000;" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 0.8em; margin-top: 0px;"&gt;&lt;a href="http://www.flickr.com/photos/ernestborg9/4120667508/"&gt;SHAKEDOWN&lt;/a&gt;, originally uploaded by &lt;a href="http://www.flickr.com/people/ernestborg9/"&gt;ernest.borg9&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;p&gt;Paul Pope, otra vez.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;&lt;!--
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&lt;li&gt;&lt;a href="http://www.theregister.co.uk/2009/11/06/lhc_dimensional_portals/"&gt;'Something may come through' dimensional 'doors' at LHC &amp;bull; The Register&lt;/a&gt;&lt;br/&gt;
A top boffin at the Large Hadron Collider (LHC) says that the titanic machine may possibly create or discover previously unimagined scientific phenomena, or &amp;quot;unknown unknowns&amp;quot; - for instance &amp;quot;an extra dimension&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.youtube.com/watch?v=gb_-2Qr1Mkc"&gt;YouTube - Charlotte Gainsbourg and Beck &amp;quot;Heaven Can Wait&amp;quot;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</content></entry></feed>
