<?xml version="1.0" encoding="utf-8" standalone="no"?><feed xmlns="http://www.w3.org/2005/Atom"><generator uri="https://jekyllrb.com/" version="3.10.0">Jekyll</generator><link href="https://www.chapatimystery.com/feed.xml" rel="self" type="application/atom+xml"/><link href="https://www.chapatimystery.com/" rel="alternate" type="text/html"/><updated>2026-01-30T13:16:40+00:00</updated><id>https://www.chapatimystery.com/feed.xml</id><title type="html">Chapati Mystery</title><subtitle>what is the vertiginous chapati saying to me?</subtitle><author><name>sepoy</name></author><xhtml:meta content="noindex" name="robots" xmlns:xhtml="http://www.w3.org/1999/xhtml"/><entry><title type="html">XQs XXXIII - A Conversation with Mou Banerjee</title><link href="https://www.chapatimystery.com/archives/xqs_xxxiii_-_a_conversation_with_Mou_Banerjee.html" rel="alternate" title="XQs XXXIII - A Conversation with Mou Banerjee" type="text/html"/><published>2025-09-16T12:43:26+00:00</published><updated>2025-09-16T12:43:26+00:00</updated><id>https://www.chapatimystery.com/archives/xqs_xxxiii_-_a_conversation_with_Mou_Banerjee</id><content type="html" xml:base="https://www.chapatimystery.com/archives/xqs_xxxiii_-_a_conversation_with_Mou_Banerjee.html"><![CDATA[<p><em>The XQs (Ten Questions) series is a conversation with the authors of new and exciting works in South Asian Studies, whose aim is not to “review” but to contextualize, historicize, and promote new scholarship. We thank Mahdi Chowdhury for conducting this interview. Please see <a href="https://www.chapatimystery.com/posts/xqs.html">the archive of previous thirty-two XQs</a>.</em></p>

<p><img src="/img/uploads/2025/MB_XQ.jpg" alt="MB Book Cover" /></p>

<p><a href="https://history.wisc.edu/people/banerjee-mou/">Mou Banerjee</a> is an Assistant Professor of History at the University of Wisconsin–Madison. Her first book, <a href="https://www.hup.harvard.edu/books/9780674268036">The Disinherited: The Politics of Christian Conversion in Colonial India</a> was published in January 2025 from Harvard University Press. Her research was funded by the award of the 2013 SSRC-IDRF dissertation research fellowship and her dissertation received the Harold K. Gross award at the Dept. Of History at Harvard. Her research has appeared in multiple journals such as the <em>British Association for South Asian Studies</em> (BASAS), the journal <em>Political Theology</em>, <em>Perspectives on History of the AHA</em>, etc. She has also written for newspapers and periodicals such as <em>The Telegraph</em> and the <em>Anandabazar Patrika</em> of India and <em>The Daily Star</em> of Bangladesh. At UW-Madison she also runs the Nonviolence Project, which highlights student research on civil rights and nonviolent movements across the world.</p>

<hr />
<p><strong>XQ: There are evocative allusions to this in <em>The Disinherited</em> and your Harvard dissertation but to ask directly about, how does your unique upbringing in West Bengal–in its prosaic, adventurous, but also traumatic valences–inform your scholarship?</strong></p>

<p>When we are growing up, we don’t realize how ordinary or how extraordinary our lives are. It’s when we retrospect, when we think back–and I think I’m at the age when a midlife crisis happen–that I realized mine was not an ordinary girlhood in any measure. Partly because of the two women who brought me up. My grandmother, my mother’s mother, had two M.A. degrees. One in History, one in English—before 1945, at a time when most girls didn’t go to school. She was an extraordinarily modern woman for her times. She was thrust into an ordinary marriage and an ordinary life in one of the most rural places in all of Bengal. She was a poet of local repute. She wrote a few novels. She was a daughter of an army officer and grew up all over colonial India. She spoke Farsi and Urdu far better than she spoke Bangla, even though she spoke incredibly beautiful Bangla. Her name was Bina Chattopadhay. My mother, Madhusree Chattopadhyay, was one of four girls–in a society that did not value women. My grandmother was fierce in her insistence that all her girls get an education and make something of themselves. That fierceness was instilled in my mother and she instilled it in us.</p>

<p>I am proud of being Bengali, but what that Bengaliness looks like is not quite in the shape of someone in Kolkata. You know that famous joke by Gayatri Chakrabarty Spivak, that all the great subaltern studies professors of that particular period were born within the same 2.5 kilometer radius? As you can imagine, I was nowhere near the 2.5 km radius. My hometown Purulia used to be a part of the Manbhum-Singhbhum mining complex region. After the linguistic reorganization of states, all the mining areas shifted to Bihar. Purulia used to be the court where mining disputes were adjudicated and my grandfather’s livelihood as a lawyer was lost as a consequence. There is also a large tribal indigenous population, the Santals.</p>

<p>The violence across India did touch us in strong ways. One of my earliest memories is the 1991 bomb blasts. Our teachers told us to go home. But my mother was a working woman and my father was away for whatever reason. I sat and waited in school while a riot engulfed the town. I waited until 5:00 pm, when a neighbor came and picked me up and took me home on the back of his scooter. This was before cellphones. I saw people fighting each other bloody somewhere near the bus stand and every time I go by it even now, I remember that scene, and my neighbor telling me “close your eyes.”</p>

<p>The Staines murder happened when I was a teenager. I could immediately see a shift, a chilling effect, in the substantial Christian population of my hometown. My friends became distant, scared, and understandably so. I write about this in the conclusion of the book.</p>

<p>What was it like growing up a girl in this hinterland, this forgotten place? No one came to Purulia, no one who left Purulia ever came back either. I grew up in a place that was ostensibly Bengal but was Bengali in a way very different from Kolkata. Therefore, whenever I look at history, I think : I have looked at the history of Bengal from the eyes of an outsider. I do not have the certainty of someone at the center and the surety of their convictions that this is what Bengal looks like. Or that middle class Hindus alone constitute what is remarkable about Bengal. It has made me wary of some accepted theoretical and historiographical positions. I hope not to lessen the work of historians who have emerged from metropolitan centers, I just want to say we have a need for historians who are also provincial.</p>

<p><strong>XQ: Could you describe the development of <em>The Disinherited</em>, namely how you transformed your dissertation into a book?</strong></p>

<p>The dissertation has almost nothing to do with the book. When you get to an academic publisher, they  are going to ask you  questions: how will this book sell? Why should we publish it? Why is it over 80,000 words? What is your overlying argument? You cannot refer to so-and-so thirty times in one chapter—can’t you put them into a footnote? The making of an academic book, in other words, is a different project. Any reputable US-based academic publisher is going to make you rehaul your work until your dissertation and your book are completely different from each other.</p>

<p>You see the shadow of your dissertation in your book. But the book is a much fuller engagement with the world than your dissertation often ever is. I had to rethink and refine my arguments to talk about how religious differences start emerging almost as soon as the idea of the Renaissance takes root in Bengal. And that it’s not merely a Kolkata story and not about the middle-class Bengali Hindu alone.</p>

<p>Unearthing stories of Bengali converts who are male is hard enough. Unearthing stories of Bengali converts who are women felt next to impossible. It is a herculean task because you realize the reason why the Bengali middle-class takes up so much space is because it is the Bengali middle-class who is deeply implicated in the bureaucracy of the nineteenth century. The stories they are interested in preserving are stories about themselves. There is no other good reason as to why Bengal, which was a Muslim majority region, is overwhelmingly represented in the historiography as one that is of the Bengali Hindu.</p>

<p>The dissertation and the book are different things. We get to know them at different parts of our careers. You grow with your dissertation. You learn how to be a historian with your dissertation. You go to your book as a historian.</p>

<p><strong>XQ: <em>The Disinherited</em> paints a lucid portrait of colonial society and, at the risk of posing a rather large question, could you describe what impact the particularities of colonial rule had on the dynamics of Christian evangelism, conversion, and its reactions in India?</strong></p>

<p>This is an important and complicated question. The history of Christianity and conversion in India is almost as old as Christianity itself. The story of the Syrian Christians, if we are to go by legends, begins somewhere in 52 AD, meaning it begins within twenty years of the end of Christ’s life. This is a longstanding, two millennia-long history. How do I differentiate the kind of history I am writing from other much more well-researched histories of southern India, for example, or the research that has come out of the Punjab or the Northeast?</p>

<p>Conversions in southern India are largely Catholic and coincide with a time in which the Portuguese Padroado held sway over the Indian Ocean. Some of those stories have been told eloquently by, for instance, Ananya Chakrabarty in her beautiful essay “Mapping Gabriel.” Susan Bayly writes about Catholicism with a fantastic description of how caste becomes a part of Catholicism in southern India. Divya Kannan has brilliantly written about German missionaries in Kerala—and the way in which missionary education brings out caste and class differences. These histories have certain features. One, conversions in these spaces are communitarian and singular conversions are fairly rare. Two, they are Catholic. Three, caste plays a huge role in these cases. Caste as a structure becomes a part of southern Catholic Christianity in ways that have vitiated the entire conversion apparatus. What was happening in Bengal is slightly different.</p>

<p>First, there was a mistrust by the British administration of open evangelical activity of the Christian missions, that is the London Missionary Society, the Church Missionary Society, the Baptists. This was because Bengal was the British bridgehead, because it was the capital, because there was a strong suspicion that interfering in the religious sphere was going to bring about a rebellion that the British didn’t think they were equipped to handle in ‘the early stage of our settlement in India.’ From the 1780s onwards, more strongly minded evangelical officials supported a Christianizing drive.</p>

<p>In the 1780s, the second rising of Protestantism occurred all over Europe with the call to essentially Christianize the world. Yet, they could not claim, as they claimed in the Americas and Africa, that Indians don’t have a “civilization.” They could claim, however, that India had a degraded civilization. The only way in which that degradation could be removed was to bring souls to enlightenment. That was the main pathway for evangelizing and for conversion. You cannot convert someone unless you have an argument about why your religion is better than their religion.</p>

<p>Who were the kinds of people who took part in this drive? The Baptists are by far the best known. Who were the first three Baptists who came to Bengal? William Carey, the father of modern missions—as he is rightly called—was actually a shoemaker, a cobbler. His printer, William Ward, who died very early, was a radical self-taught printer in Britain. Joshua Marshman was the only one with any kind of institutional learning, and he was a schoolteacher. They were certainly not Oxbridge products; they were not even a part of the Scottish Enlightenment. That set them up on a collision course with British administrators.</p>

<p>Thus, conversion in Bengal in that early period was different. First, it did not have overt institutional support. Second, it was happening piecemeal by people who were not even legally allowed to be within Kolkata or within the British domains before 1813. It was only after the Charter was renewed, after William Wilberforce rammed in the Pious Clause at the end, that this legal restriction was annulled. It was a fragmented project from the beginning. It was influential because of the linguistic efforts undertaken by the Baptists and because of the strong reaction that Indian intellectuals, beginning with Ram Mohan Roy, started taking against Christianity and its perceived threat against their identities.</p>

<p>Religious differentiation has been the bane of Indian politics. The question of “who belongs” within that nationalist discourse begins not with Bankim Chandra Chatterjee, but with this discussion about evangelism in the second decade of the nineteenth century. We can already see the submerged figure of the horrible Christian behind the apparent figure of the horrible Muslim that Bankim made infamous in his Anandamath.</p>

<p><strong>XQ: You have an evocative line in your chapter on Ram Mohan Roy—“the dark side of the mirror to the more widely known narrative of enlightenment and renaissance in nineteenth-century Bengal.” What was the ‘dark side’ of the Bengali Renaissance?</strong></p>

<p>In C.A. Bayly’s <em>Recovering Liberties</em>, every Indian figure from Ram Mohan Roy onward is a liberal. It seemed as if all Indians were born liberal and have upheld a particular form of liberalism, which somehow failed and we careened into the Partition. If we look carefully at all the figures that we discuss as the mainstays of this idea of a Renaissance, first and foremost, Muslim figures do not really appear. This erasure helps a particular kind of narrative which says ‘they didn’t do anything for the Bengal or Indian Renaissance; therefore, they are not Indian.’</p>

<p>Why was it a Renaissance? Much like the original one, the Bengalis simply decided that they had a Renaissance. Because we decided that our religions needed a particular kind of reform after we came in contact with the long shadow of the Enlightenment.</p>

<p>As much as we like to vilify missionaries these days, these people were well-versed in Indian theology. That is why they were in a position to debate Indian intellectuals on their own religious leanings. The criticism against Hinduism or Hindu customs being superstitious first came from the missionaries, which then prompted a particular look inwards. At the same time, we has self-reformatory tendencies sweeping across the nineteenth century and the rise of a more monolithic Hinduism and Islam. Anglo-Indian law, for instance, becomes more rigid in this period as Julia Stephens has shown. Customary practices, which were varied across Bengal, were essentially clumped together and codified an upper caste understanding of such practices.</p>

<p>We must also ask Joan Kelly-Gadol’s old question: ‘did the women have a Renaissance?’ Much has been written about the bhadro-mohila, but what about all those who were not upper-class Hindu or refined Brahmo women? What happened to the so-called obhadro-mohila?</p>

<p>We cannot keep talking about what Bengal thinks tomorrow, India thinks tomorrow without also saying, yes, then so does the way in which we think about who belongs to the nation. This inclusion-exclusion is something Bengal perfected, given that you know we tend to talk about a vocal and proud minorities centered in Kolkata whose histories are taught to matter, whereas the history of the large majority, the Muslim peasantry of Bengal, really does not matter because they are not reflected as centrally in the archives.</p>

<p><strong>XQ: There is a lot of heartbreak in <em>The Disinherited</em>. How did conversion affect social and familial bonds? How does your titular metaphor of disinheritance operate?</strong></p>

<p>I’ll focus on one example of how this happens.</p>

<p>A believing Hindu is someone whose entire life has been spent performing merits so that the afterlife is as smooth as possible, as meritorious as possible. Conversion estrangeda son from his parents but also the parents from heaven. It took away their merits, their ‘retirement planning.’ It broke apart every bond of familial, religious, and social norms that held a particular family within the matrix of a community. In this light, what conversion did was a cosmological devastation, an estrangement from God. It wasnot merely the child whose soul had now gone to hell. They were deracinated. They were spiritually dead. They  forced their parents too into a particular kind of sin that excluded them from heaven.</p>

<p>What do you do in such a case? Well, one way was to disown that child. You carried out a ritual of exclusion, known as a tyajjo-putro. Every sign in the family genealogical chart, in the familial histories of that child, was going to be wiped out. It was not merely at the moment in which they become Christian, but it was as if they did not exist from birth. The second thing you could do was hand over the charges of your life and the next life to someone who came next in the degree of closeness to a son and that was a nephew.</p>

<p>What was conversion, then, within this worldview? It was a spiritual crime that was inscribed in the body of the convert. But it was a spiritual crime that was so overwhelming in its scope that it  wiped out any merits that a parent might have gained through their own efforts, and barred their parents’ way to heaven.</p>

<p>What did this do in terms of the Hindu family or the Hindu community within which  conversion happened? It made them ultra-vigilant about any such events happening after that point. It made them even more rigid in terms of defining who was an orthodox Hindu and who wasn’t. It madethe those ritual gestures cementing one’s identification as an orthodox Hindu even more clear. In some ways, it made communities look even more inward and build stronger walls around themselves in terms of identity. Instead of disordering that society further, the second reaction was to create an even stronger monolithic identity. That is what I saw happening within Hindu society and, to an extent, around Muslim society, which I look at in my chapter on Munshi Meherullah.</p>

<p><strong>XQ: There are many painful stories in your book, but I thought the Meherullah chapter had a different emotional ambience. I was drawn to his humour and levity. Why did Meherullah make jokes in theological debates and what insights do we glean from the study of a mofussil Muslim figure in this historical landscape?</strong></p>

<p>I am a <em>mofussil</em> figure myself and I think that was Meherullah’s draw for me. Meherullah was a relief in many ways. He was deeply serious about the threat that he saw evangelism pose to rural Muslim society. But, from the beginning, he got onto something important. He got onto the genuine, I think, hilarity in missionaries coming to rural Bengal and saying: listen to me, your God is not a good God but my God is and therefore you should switch over to my God and that’s going to be wonderful for you. There’s a distinct element of farce in the way in which this form of debate was being carried on.</p>

<p>The other thing was the he was a learned man but he was a man of his milieu. He was not someone from the outside. He was not a Bengali intellectual who came from Kolkata and tried to understand the lived world of a Muslim peasant of eastern Bengal through study. Meherullah was a tailor. He waswell-read theologically but he was also someone who had a particular bent towards laughter. You know, if someone is being very serious in front of you—people say the most astonishingly strange things and they are doing it so seriously that you cannot even laugh. You know what they are saying is  blatantly strange but it is being said in such a serious way! But the moment you laugh, the seriousness of that entire venture collapses. And this is what Meherullah did to the missionaries, he laughed at them.</p>

<p>The fact is that Meherullah was willing to fight. If you read his published pieces, they are serious theological attacks. But when he was talking to his own milieu, he knew that it was far more important to get them to listen—and the only way in which he could do that was by talking to them in the language of their experiences. Meherullah saidthat you may not know how to read the English words written on your ticket but in riverine Bengal, someone on the steamer-boat will to tell you where you want to go, where to be, and where to get off. If you can’t read the Quran in its original Arabic, there is similarly going to be an alim somewhere, who will transmute this message for you; that God is looking out for you in this journey of life and you’ll get down and end your journey wherever He wants you to, and it’s all going to be perfectly okay.</p>

<p>And to me, writing this chapter was a relief because the book has a lot about trauma. The laughter Meherullah brings disrupts that trauma. It is a trauma to be told over and over again that your religion is not the religion you should be faithful to. It is a trauma to seek medical help or to get subsistence during famine months in exchange for saying your religion is untrue, which Meherullah protested against because food was being given to converts during moments of famine. But he cut through this in a way that added levity to day-to-day life. I think that it was important for me to present as well that the conversations always did not have to be about trauma. But, if they were about trauma, they could disrupt that seriousness of the missionary initiative by wrapping it within that wonderful veil of laughter as well.</p>

<p><strong>XQ: I would like to turn to another figure in your book: the patriotic yet elusive Indian Christian, Brahmabandhab Upadhyay. Who was Upadhyay and how did he negotiate his identity in the age of mass nationalism? What does his disappearance from collective memory tell us about the place of the minority in the postcolonial state?</strong></p>

<p>This is again another figure who was trying to negotiate many different identities at once. He was born Bhabanicharan Bandopadhyay,  in an upper caste Kulin Brahmin family.</p>

<p>Being a Christian was not his first conversion. He converted first to Brahmoism, then to Protestantism and, finally, to Catholicism wherein he found spiritual purchase. His idol, however, was Vivekananda, the neo-Hindu revivalist figure with whom he was apparently college classmates at a Scottish Church College (set up by Alexander Duff, the Great Converter). When Vivekananda died, he had this realization that he must do something for India. As I mention in that chapter, just to be called a “Christian” was to be called a traitor to the national cause.</p>

<p>In this context, for a man like Brahmabandhab to step fully within the swadeshi movement, he had to negotiate his identity in some way. He did this in an interesting manner: he said, culturally, that he wasa Hindu Brahmin, but his spiritual faith was that of a Catholic. So, he was, he claimed, a “Hindu-Catholic” with a hyphen in the middle—and somehow that hyphen is supposed to encapsulate all the complexity  of  that particular identity. The other thing that he started doing, I think in imitation of Vivekananda, was to start wearing the robes of a Brahmin sanyasi.</p>

<p>He was inspired by Faà di Bruno, a Catholic theologian, and the idea of holding one’s innermost faith deeply, personally, almost inside the closet. This is where the problem began because everyone around him believed that he gave up his Catholic faith. They said he committed a ritual of repentance, or prayoshchitto, and became fully Hindu again. But he also has a group of people including his first biographer Brahmachari Rewachand Animananda, who was also his student, and his most recent biographer Julius Lipner who say that was only a part of the way in which he was carrying out his faith in strict mental reservation. No one outside knew that, inside, he was still a practicing Catholic because he had to put on the performance of a Hindu sage.</p>

<p>After his death, this contestation continued. Bipin Chandra Pal called him someone who brought about a new homegrown idea of swadeshikata and compared him to Rabindranath Tagore on that matter. Tagore said he was both a Vedantic and a devout Catholic. But he added that the last time he met him, Brahmabandhab said: “Robi Babu, I have fallen perilously.” The Bangla he used was amar khub poton hoiache. If you are conversant with Christian theology in Bangla, you will know the word poton is synonymous with ‘the fall.’ There is a religious valence to the term implying one has fallen from faith. Tagore said this in the preface to his novel Char Adhyay and ignited a firestorm of anger from both older and younger revolutionaries, and he retracted his original preface. Brahmabandhab was remembered as a Christian Catholic and also a patriotic revolutionary in a particular way by Tagore, who was interested in this tension between inner faith and outward patriotism. And he was is remembered as a great Hindu sage by Bipin Chandra Pal, who himself was a Brahmo, but also a devout believer in extremist revolutionary action.
I think this contestation tells us something about the way in which Indian nationalism, and the question of who can be a patriot, has operated in this country from an early period. This chapter where my most urgent questions about what it means to belong to a minority faith in South Asia are debated.</p>

<p>Do you have to be Hindu to be a patriot? And if you are not a Hindu, does it exclude you from the register of patriotism?  <em>Mussulman hole, Christian hole, ki deshatwabodh thake na?</em> Can we be patriots if our religion is different from the majoritarian religion? Just because someone is a Hindu does that automatically mean that they are an Indian patriot? This is a negotiation that Christians, Muslims, and all minority faiths have had to engage with in India, endlessly since and after Brahmabandhab. They have found that within the particular ways in which Indian nationalism developed, their patriotism had to be forefront. They would always have to say we are Indian patriots and, in a far off move, could own and profess their Muslim, Christian, Buddhist, Sikh faiths. Whereas for someone like me, who belongs to the majority religion, I could say I am Hindu and that would automatically imply patriotism.</p>

<p><strong>XQ: The enduring nature of the anti-conversion tropes you document is remarkable and depressing. Can you discuss some of the continuities and discontinuities you see between the past and the present?</strong></p>

<p>The idea that conversion to Christianity, or conversion itself, is something that is superficial, motivated by gain, something that is not spiritually-sanctioned, but driven by material desires, has remained a strong pillar of narrative discourse within South Asia. The idea of “ricebag Christians,” for example, the notion that missionaries give material benefits to people who convert, has expanded. Then, you look at the ways in which let’s say an organization like the RSS operates, for example, the entire ghar-wapsi movement, says that people who have other religious identities, were at some distant point in the past—a past that is always receding further and further backwards—were Hindus who were forcibly converted under the sword. But all other non-Hindu faiths exist through coercion or were led by the hand under false pretenses into another religion—and they have to be brought ‘back home.’ You see, I show in my research that even people like Ram Mohan Roy talked about such suspicions as early as the 1810s. These tropes of suspicion have lingered on and on and have become a mainstay of the dialogue against any kind of evangelical activity in India.</p>

<p>The second is a question of belonging. If all of us, again, in some distant past were Hindus and, therefore, were the original inheritors of this land, then anyone who professes a different religious identity essentially is someone who does not belong within this land. Christianity has existed in India for almost as long as Christianity has itself existed. Islam came to India within a fifty-year period of Islam’s origins—with Muslims arriving on the coast of Gwadar in 712. I don’t know how much more belonging than almost two millennia anyone needs in any place on earth.</p>

<p>A narrative of coercion and betrayed promises, that is so recognizable to people like us who study the subcontinent, emerges from Bengal in this contest with evangelical Christianity. I see that line very clearly. That to me is also the dark side of the mirror of the Bengal Renaissance. Those debates survive even in the Freedom of Religion Bills that were propagated in postcolonial India and which were actually laws against propagation of conversion or any kind of evangelical Christian activity. They have moved out of nineteenth century Bengal and have penetrated elsewhere across India.</p>

<p>But what is the discontinuity? That is a good question as well. While there was sporadic violence against Christians in the sixty-year period before the Staines murder, there was not a nationwide legal framework which sought to deracinate people belonging to minority faiths in the way in which it has taken shape in the last ten years or so. That is a major discontinuity from the past. But it too, I think, takes some of its inspiration from colonial ideas about citizenship, subjecthood, and belonging – the question of true patriotism and who can be a true patriot in India is one of constant tension and negotiation of both systemic and actual violence. It surprises me how much the colonial past keeps living on in the postcolonial present.</p>

<p><strong>XQ: Could you share five books that have inspired your work, and with whom you are most in conversation with?</strong></p>

<p>I have to say though the first book that I read which pushed me to think about the infinite variety of religious thought and the ways in which religion was intertwined with political identity is Ayesha Jalal’s <em>Self and Sovereignty</em>.</p>

<p>Let’s say the second grand text would be Ranajit Guha’s <em>Elementary Aspects of Peasant Insurgency in Colonial India</em> on how to read archives and how to understand what the language of the archives hides.</p>

<p>The third book is Christopher Bayly’s <em>Empire and Information</em>. I think this book is for anyone who’s beginning to think about history in a serious manner.</p>

<p>More recently, I read Saidiya Hartman’s <em>Wayward Lives, Beautiful Experiments</em>. This is when I was trying to write the Meherullah chapter and the work she did on framing ‘waywardness’ as a historical category of analysis was absolutely wonderful for me to think through.</p>

<p>Tariq Omar Ali and Julia Stephens. The way in which Tariq talks about Bengal and the way in which Julia talks about the framing of Islam has had a strong impact on my own work.</p>

<p>I’ve learned so much about legal history from Mitra Sharafi’s work. Her essay on abortion that came out in <em>Modern Asian Studies</em> a few years back is a fantastic piecing together of a legal story from rather fragmentary evidence in Indian law reports. You can see direct evidence of Mitra’s influence and of that kind of historical detective work in the Gyanendramohan chapter.</p>

<p>Sugata Bose is everywhere in this book.  If anyone taught me how to be a historian, it’s him. I cannot mention one book because his influence is everywhere: the way I think about politics, the way I think about religion, the way I think about India.</p>

<p><strong>XQ: What are you working on next?</strong></p>

<p>I am working on Syed Mujtaba Ali at the moment. He is another figure who stands at the crossroads of many different identities; someone in search of a particular kind of home and that home always sort of eludes him. He is both diasporic and deeply rooted in Bengal.</p>

<p>Through him, I am trying to reimagine what it means to be a part of a Bengal that is wider than what our understanding of Bengal has turned out to be post-colonially. I want to think of a Bengal that officially, administratively, stretched from Kabul to Singapore. I want to think about what liminal places, frontiers, and borders mean for Indians and Bengalis.</p>

<p>What does it mean for a Bengali like Mujtaba Ali–who’s actually born within Assam in Sylhet, but calls himself a proud Bengali–to traverse to Kabul, then to Hitler’s Germany, and then around the world, and then to come back to India, and then be called a spy for the Pakistani government after Partition, and then to have a difficult life trying to balance family in East Pakistan and his career in India?</p>

<p>I also want to think through what it might mean for Afghanistan and Burma both to be linked so intrinsically with the idea of frontiers for a state that was functionally being administered from Kolkata for the longest period of time? What does the world look like, what does the frontier look like, from the surety of the metropole?</p>

<hr />

<p>Mahdi Chowdhury is a writer and historian of the modern Indian Ocean, with a particular interest in British imperialism and connected histories of South Asia and the Middle East. He is presently a PhD candidate at Harvard University where he is writing a dissertation on the relationship between Islamic modernism and imperial infrastructure from the Suez Canal to the ports of the Bay of Bengal. In addition to historical research, he has written pieces of art criticism, film history, and theory for <em>The New Inquiry</em>, *Jadaliyya, and Asia Art Archive.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term="XQs"/><summary type="html"><![CDATA[The XQs (Ten Questions) series is a conversation with the authors of new and exciting works in South Asian Studies, whose aim is not to “review” but to contextualize, historicize, and promote new scholarship. We thank Mahdi Chowdhury for conducting this interview. Please see the archive of previous thirty-two XQs.]]></summary></entry><entry><title type="html">Spasial Program by Khajistan</title><link href="https://www.chapatimystery.com/archives/khajistan.html" rel="alternate" title="Spasial Program by Khajistan" type="text/html"/><published>2025-07-30T12:22:17+00:00</published><updated>2025-07-30T12:22:17+00:00</updated><id>https://www.chapatimystery.com/archives/khajistan</id><content type="html" xml:base="https://www.chapatimystery.com/archives/khajistan.html"><![CDATA[<p><img src="/img/uploads/2025/khajistan/IMG_1860.jpeg" alt="Khajistan Gallery Statement" /></p>

<p>Recently, I managed to visit <em>Spasial Program by Khajistan</em> installation at the <a href="https://www.sculpture-center.org">SculptureCenter</a> in LIC. <a href="https://khajistan.com">Khajistan</a> is directed (and founded) by Saad Khan and the exhibition was directed by Joey Chriqui.</p>

<p><img src="/img/uploads/2025/khajistan/IMG_1861.jpeg" alt="Opening Wall 1" />
<img src="/img/uploads/2025/khajistan/IMG_1864.jpeg" alt="Opening Wall 2" /></p>

<p>The opening walls feature some of what Khajistan’s <a href="https://khajistan.com/blogs/announcements/khajistan-manifesto-2025">manifesto</a> affirms as its collection practices: “Leaflets that fell from the sky. Mujra posters. Madrassa books. Digests sold in silence. Photos. Tapes. Background scores. State propaganda. Zines no one kept. Footage no one wanted. Pictures pulled from your uncle’s porn stash.”</p>

<p>The SculptureCenter’s lower level gallery consist of two long corridors, all bare concrete and brick with recesses in which tv monitors and frames are placed. The show attempts to provide a snapshot of the vast physical and digital archive of “banned, censored, and overlooked audiovisual and print media.” As one walks through the gallery, there is a plethora of ephemera of street politics, of popular entertainment, of erotica, of suppressed sexualities. State censors or public morality police shape some of the works, others are marked with their encounter with imperial and colonial forces. The scripts, colors, languages of the “-stans” cohabit implicitly with Iran and North Africa. A mishmash of socialities and religiosities marked in some ways with their encounter with “the West.”</p>

<p><img src="/img/uploads/2025/khajistan/IMG_1862.jpeg" alt="Poitical Wall 1" />
<img src="/img/uploads/2025/khajistan/IMG_1865.jpeg" alt="Political Wall 2" /></p>

<p>A viewer shaped by “respectable” class upbringing or by US media would feel estranged by the materials assembled. The rudimentary labeling and catalog will not prepare them for either the explicit sexuality (both same-sex and hetero) or the celebration of censorial aesthetic (the black bar over exposed cleavage or cross-check drawn over open thighs were often meant to eroticize a formally unremarkable image rather than diminish its erotic potential). Nor will the strands of history, of politics or even of political history be familiar.</p>

<p>Undoubtedly, the Khajistan collection as a whole, and this “Spasial Program” exhibit demonstrates the incredible strength of “counterculture” from “Indus to the Maghreb.” The zines and print-collection show how interlinked were the visual languages of erotica and politics. The tapes and archived websites showcase the production of “freedoms”–be that the freedom of assembling histories of Palestine in the late 90s and early 00s or the freedom to splice X-rated material within action movie scenes. Night and day intersect with private and public spaces. The viewer may not understand that much of the X-rated material was consumed by working class men in cinema houses in company of hundreds of other men and not in dark, private rooms. These shows took place in late afternoons not at night. The magazines with erotic stories, pictures or politically risible (to the State) content were sold in small neighborhood lending libraries and deli shops, not in bookstores or libraries. The production or consumption of this cheap, ephemeral material was shaped by male dominance over the public space and homosocial private spaces. The male gaze dominates the show for a reason.</p>

<p><img src="/img/uploads/2025/khajistan/IMG_1866.jpeg" alt="TV screen" /></p>

<p>I have spent nearly fifteen years thinking and researching about South Asia from marginal perspectives. I have encountered most of the materials in Khajistan archive in homes, schools and bazaars across Pakistan. I am deeply appreciative of the project of archiving and collecting that Khajistan represents–not merely a valorization of anti-normative sexualities but their profound political and intellectual contributions to a more humane, plural and just society. I also want to affirm the economic model of “self-funding” which rests mainly on selling digitized and published materials to “UPenn, Princeton, Stanford, Columbia, the Library of Congress, and their likes,” in order to fund more acquisitions.</p>

<p>Still, the political economy of production, of consumption, of archivization, and of remembering are not the same. I do not mean here the ‘transfer’ of materials from the postcolony to the metropole. I am more interested in the shaping of the public that understands “counterculture” to its dominant or hegemonic culture. A young girl, in Pakistan, who made short videos for her tiktok from shopping malls is gunned down by a stalker, only for the news media to label her videos (ephemeral) as the cause of the violence against her.</p>

<p>To write a history of Pakistan, or Afghanistan, or Iran from the perspective of these assembled archives, thus, remains an impossible task because the banned, the censored, the suppressed, and the trashed are still politically understood as cultural detritus. Recent instances of violences against women in Pakistan reflect precisely the dehumanization of female body, sexuality and will. There is an alarming rise of “incels” or of performative alpha-male sexuality as overt social positions. It is within this discourse that the “everyday” and not the “obscene” which is considered a transgression against patriarchal hetero-normativity and an incitement to violence.</p>

<p>The “Spasial Program” exhibit deserves wide and critical reflection. It marks a new entry into cultural histories of the postcolony. I encourage people to visit their <a href="https://khajistan.com">site</a>.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term=""/><category term=""/><summary type="html"/></entry><entry><title type="html">Silences</title><link href="https://www.chapatimystery.com/archives/silences.html" rel="alternate" title="Silences" type="text/html"/><published>2025-06-21T12:22:17+00:00</published><updated>2025-06-21T12:22:17+00:00</updated><id>https://www.chapatimystery.com/archives/silences</id><content type="html" xml:base="https://www.chapatimystery.com/archives/silences.html"><![CDATA[<p>In light of current manifestations, it is best to create a new mystical language within which the scribal self is safely ensconsed.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term="univerCity"/><summary type="html"><![CDATA[In light of current manifestations, it is best to create a new mystical language within which the scribal self is safely ensconsed.]]></summary></entry><entry><title type="html">Slow Burn Lahore Ends</title><link href="https://www.chapatimystery.com/archives/slow_burn_lahore_ends.html" rel="alternate" title="Slow Burn Lahore Ends" type="text/html"/><published>2024-10-22T12:22:17+00:00</published><updated>2024-10-22T12:22:17+00:00</updated><id>https://www.chapatimystery.com/archives/slow_burn_lahore_ends</id><content type="html" xml:base="https://www.chapatimystery.com/archives/slow_burn_lahore_ends.html"><![CDATA[<p><img src="/img/uploads/2024/DC_cover.jpeg" alt="DC Book Cover" /></p>

<p>The journey is over, gentle readers. Today is the publishing birthday for <em>Disrupted City: Walking the Pathways of Memory and History in Lahore</em> from <em>The New Press</em>.</p>

<p>This book answers (to my satisfaction, if no one elses) the question that I posed in my graduate school application in 1998. Why did the memory of a early eighth century Syrian teenager become my history in my mid 1980s Lahore? My path to becoming a historian is tied intimately to this question–a version of this quest prompted me to get a second BA in History and another version became the contours of my PhD training. The answer took me all these two-and-a-half decades and stretch across an unpublished dissertation and three monographs–<em>A Book of Conquest</em> (2016), <em>The Loss of Hindustan</em> (2020), and now <em>Disrupted City</em> (2024).</p>

<p>Along the way, I kept to the intuition that the question did not have an answer just in history, nor History, nor memory, nor nationalism but a synthesis of all above. I will not belabor the point but I want to just bask in the relief that it is all done. This singular question that has haunted me for so long is finally off my shoulders and I can think of something else–and write about the US empire again (!).</p>

<p>I hope you get to read this book (you do not need to have read the others, really) because I believe in the process and the ethics of what I have done in here. There are many people, intimate and distal, who have carried me this far, and to them: Much Love.</p>

<p>Here is a blurb and <a href="https://bookshop.org/p/books/a-city-disrupted-walking-the-pathways-of-memory-and-history-in-lahore/20314719?ean=9781595589071">link</a> to purchase the book:</p>

<blockquote>
  <blockquote>
    <p>A historian walks through Lahore, touching on its long and difficult history as a center of Muslim life and rupture. “Lahore became a city of refugees and migrants in 1947,” writes Asif, “and it has never stopped being that.” A Columbia University historian, Asif offers a bittersweet reflection on his native city—“its history, the role of memory and violence, and the vexed question of nationalism and state control.” He is especially attuned to texts about the city that were written in Sanskrit and Persian, such as the shahr ashob—the poetic form from the ninth or 10th century that means “city disrupted.” He dwells on the Hindustani influence when Lahore was a “vibrant, polysacral” place; the population exploded under the British, and its new institutions and neighborhoods grew largely segregated. Partition violently sundered the golden age of the city in 1947, largely emptied of Hindus and Sikhs and refilled by Muslim “refugees” from other parts of India, such as the author’s own family. The city had to reinvent itself within the new nation-state of Pakistan. Asif also writes of the environmental degradation of Lahore, once a city of gardens like Shalimar, now imperiled by floods from the Ravi River, air pollution, and heat. He wanders areas of Lahore that have been familiar to him since his youth, all the while musing on the city’s vast changes. A poignant history and personal memoir of a constantly evolving city.
— <em>Kirkus Review</em></p>
  </blockquote>
</blockquote>

<p>Previous writings on Lahore on CM: <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_ii_meeting_old_masters.html">Slow Burn Lahore II</a>, <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_iii_this_is_my_culture.html">Slow Burn Lahore III</a>, <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_iv_see_through_cement.html">Slow Burn Lahore IV</a>, <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_v_archeology_of_space.html">Slow Burn Lahore V</a>, <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_vi_a_footnote.html">Slow Burn Lahore VI</a>), and finally, <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_redux.html"> Slow Burn Lahore Redux</a>.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term="homistan"/><summary type="html"/></entry><entry><title type="html">Aniruddha Bose (1980-2024)</title><link href="https://www.chapatimystery.com/archives/in_memoriam_anirudha_bose.html" rel="alternate" title="Aniruddha Bose (1980-2024)" type="text/html"/><published>2024-05-03T11:22:17+00:00</published><updated>2024-05-03T11:22:17+00:00</updated><id>https://www.chapatimystery.com/archives/in_memoriam_anirudha_bose</id><content type="html" xml:base="https://www.chapatimystery.com/archives/in_memoriam_anirudha_bose.html"><![CDATA[<p><strong>Remembering Rahul: A tribute</strong> by Rohit Chopra</p>

<p>Aniruddha Bose, Associate Professor of History at Saint Francis University, passed away on March 31, 2024 from brain cancer. Aniruddha was a remarkable person and brilliant scholar, soft-spoken and modest to a fault, combining a rare gravitas and decency with irrepressible cheer and good humor. With his passing, the world feels slighter and lesser. He was much loved by every single person who was privileged to know him, as this <a href="https://kochfuneralhome.com/tribute/details/3142/Aniruddha-Bose/obituary.html">account</a> by his wife, Frances, so movingly conveys.</p>

<p>My association with Aniruddha–or Rahul, as I always knew and addressed him– spanned almost forty years. Over this sea of time, our lives overlapped and intersected across three cities, Calcutta, Bombay, and Boston. Our families were friends and our fathers were colleagues, working at the same firm in the Indian shipping industry, first in Calcutta and later in Bombay. Like his parents, Mr. and Mrs. Bose, Rahul was an immensely kind, gentle, and generous person. Rahul and I first met when I was 11 or 12 and he several year younger. The first image of him in my mind is at a weekend dinner at his Calcutta home, when we got talking about books that we both loved.</p>

<p>As I write, I recall in vivid detail his magnificent library, which included neatly arranged collections of Enid Blyton, Asterix, and Tintin. In the India of the time, these books, along with Archie comics, Mad Magazine, the Hardy Boys, and Nancy Drew, were precious currency and valued companions, portals unlocking the world of the imagination, treasures to be read and re-read, savored afresh each time they were encountered. Tintin and Asterix in particular were sources of endless delight; everyone had their favorite characters in the series, with Captain Haddock triumphing in the world of Tintin and Getafix and Obelix besting others in the Asterix universe. Our conversations at family and social gatherings in Calcutta often gravitated toward the different adventures of the detective and his motley crew and the endearing bunch of intrepid Gauls who feared nothing but the sky falling on their heads.</p>

<p>Down the line, we would both attend St. Xavier’s College in Bombay, though a few years apart, where Rahul read history before he moved to JNU in Delhi for his master’s degree. Our paths crossed again many years later and a continent away in the Greater Boston area. I had taken up a position as Assistant Professor of Media Studies at Babson College in Wellesley in the Fall of 2007, and was living in Newton, another satellite town of the city. Rahul was pursuing his PhD in history at Boston College and living close to the heart of Cambridge. I knew hardly anyone in the city. The year was an unusually hectic one for me; along with managing the demands of a new job, I spent much time shuttling back and forth across the country and was hoping to secure an academic job closer to my family on the West Coast. The uncertain nature of the academic job market meant living with a constant sense of being unsettled, not helped by the brutal Boston cold, which would set in not too long after the semester started.</p>

<p>Meeting Rahul, getting to know Frances, and spending time with them in Boston was like finding sanctuary and experiencing a sense of home. I carry detailed recollections of many wonderful days spent together in the autumn of 2007 and winter and spring of 2008, of long conversations about India and America, the world of higher education, the Bourne Ultimatum, which Rahul and I watched at an iconic art deco theater in the city, cricket, food, politics, and, most of all, history and the study of history. Though I was not trained in a history department, I was deeply interested in ideas of historicity that permeated everyday life and ordinary social consciousness in India. My research examined, in part, how Indian communities fashioned historical claims online.</p>

<p>Through lengthy, thought-provoking conversations, I had the opportunity to learn an inestimable amount from Rahul. His dissertation research, which would break new ground in labor history and would form the basis of his first book, <a href="https://www.chapatimystery.com/archives/xqs_xvi_-_a_conversation_with_aniruddha_bose.html"><em>Conflict and Modernization: The Raj and the Calcutta Waterfront</em></a> (2018), examined the emergence of class consciousness among Indian dockworkers in colonial-era Calcutta in relation to processes of modernization. Rahul shared with much happiness that his father was delighted at his choice of topic, given his association with the worlds of shipping, shipbuilding, and the docks. Our discussions ranged across a wide canvas, encompassing theoretical and empirical questions, the viability of different conceptual frameworks for understanding historical agency, traditions of historiography in South Asian history and labor history, the sense in which a bounded world of online utterances could or could not be considered a historical archive proper, technological determinism, implicit and overt teleological assumptions in the writing of history, and the challenge of excavating not just evidence of historical agency but of accurately capturing the texture of that agency. Our conversations would often start over a lengthy meal at an Indian restaurant and continue over cups of tea at a coffee shop or my place.</p>

<p>At the end of the academic term in May 2008, I left Boston for San Francisco to take up a position at a university in the Bay Area. I did not meet Rahul after that, though we emailed and spoke intermittently in the years that followed. In January this year, when my father passed away, Mrs. Bose wrote to me to express condolences at his demise on behalf of their family. In her message, she shared news of Rahul’s illness. She mentioned that Rahul had specially wanted to convey his deep respect for my father. Devastated by news of his illness, I found myself simultaneously overwhelmed by his incredible grace and generosity of spirit in thinking of me and my family even at such a difficult time. That, in a nutshell, was Rahul.</p>

<p>A few weeks later, browsing in a bookshop, I chanced upon Rahul’s second work, <em>Shunting the Nation: India’s Railway Workers and the Most Tumultuous Decade in Modern Indian History (1939-1949)</em> (2023). I did not know he had written another book. Upon reading the Acknowledgements, I learned that he had written the book under enormously challenging circumstances while undergoing treatment for brain cancer. He expressed regret that his grandfather, who worked in the Indian Railways, could not see this book. Through his research and both his scholarly volumes, Rahul was writing not just the history of India but also the history of his family.</p>

<p>I remember him in many ways. An old soul who never once had an uncharitable word to say about anyone. A true scholar and teacher, who lived his vocation. A careful, precise thinker and exceptionally gifted historian. Someone with a wry, laconic sense of humor and unforgettable smile.</p>

<p>Rest in peace and power, Rahul, my friend and brother. I miss you and you will live in my heart forever.</p>

<p>Rohit</p>

<p><em>Rohit Chopra is Professor in the Department of Communication at Santa Clara University</em></p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term="univerCity"/><summary type="html"><![CDATA[Remembering Rahul: A tribute by Rohit Chopra]]></summary></entry><entry><title type="html">XQs XXXII - A Conversation with Hafsa Kanjwal</title><link href="https://www.chapatimystery.com/archives/xqs_xxxii_-_a_conversation_with_Hafsa_Kanjwal.html" rel="alternate" title="XQs XXXII - A Conversation with Hafsa Kanjwal" type="text/html"/><published>2024-01-20T12:43:26+00:00</published><updated>2024-01-20T12:43:26+00:00</updated><id>https://www.chapatimystery.com/archives/xqs_xxxii_-_a_conversation_with_Hafsa_Kanjwal</id><content type="html" xml:base="https://www.chapatimystery.com/archives/xqs_xxxii_-_a_conversation_with_Hafsa_Kanjwal.html"><![CDATA[<p><em>The XQs (Ten Questions) series is a conversation with the authors of new and exciting works in South Asian Studies, whose aim is not to “review” but to contextualize, historicize, and promote new scholarship. We thank Suvaid Yaseen for conducting this interview. Please see <a href="https://www.chapatimystery.com/posts/xqs.html">the archive of previous thirty-one XQs</a>.</em></p>

<p><img src="/img/uploads/2024/HK_XQs_cover.jpg" alt="HK Book Cover" /></p>

<p><a href="https://history.lafayette.edu/people/hafsa-kanjwal/">Hafsa Kanjwal</a> is an assistant professor of South Asian History in the Department of History at Lafayette College. Her first book <em>Colonizing Kashmir: State-building Under Indian Occupation</em> (Stanford University Press, 2023) examines how the Indian and Kashmir governments utilized state-building to entrench India’s colonial occupation of Kashmir in the aftermath of Partition. Kanjwal has written and spoken on her research for a variety of news outlets including The Washington Post, Al Jazeera English, and the BBC. She received her Ph.D. in History and Women’s Studies from the University of Michigan, Ann Arbor.</p>

<p><strong>Q: The first thing that people will notice about your book is obviously its title — <em>Colonizing Kashmir: State Building Under Indian Occupation</em>. So, let us begin with that. Why do you frame the story of state-building in Kashmir in the post partition era, which on its face sounds like a positive aspiration, under the rubric of colonialism, which we can safely assume to be an unwelcome historical phenomenon everywhere. You also do not call it ‘like colonialism’ or ‘internal colonialism’ or other such terms which scholars have occasionally used, but colonialism proper. Is this an intellectual provocation or a considered reading of Kashmiri history?</strong></p>

<p>It is in some ways both. It is a provocation because I am insisting on ‘colonialism’ proper in a ‘postcolonial’ context, as the two are seen as binaries, and also, postcolonial states that have been colonized by European powers are often not deemed as colonial themselves. Part of this is because power differentials within the global south are not seen within a colonial frame, especially when the two regions (like Kashmir and India) are geographically contiguous. It is also a critique of decades of scholarship on India that has taken its territorial boundaries as a given and subsumed Kashmir to categories like “secessionism” or “ethno-nationalist insurgency.” I argue that the exercise and expansion of Indian territorial sovereignty, especially in the case of Kashmir, was a fundamentally colonial exercise. This is not only because it was coercive, lacked a democratic basis, denied a people their self-determination, or was buttressed by a class of native elites or compradors, which in this case are Kashmir’s client regimes. But it is also because India’s colonial rule in Kashmir relied on civilizing tropes, historicizing mythologies, racialized othering, and machinations of control that we often associate with more ‘classical’ forms of colonialism from the global north to the global south.</p>

<p>The book is about a number of aspirations that have a ‘positive’ connotation including state-building, but also democracy, secularism, development, and empowerment. I show how these processes played a critical role in India’s colonial occupation of Kashmir, and how they worked in tandem to suppress Kashmiri demands for sovereignty or self-determination.</p>

<p><strong>Q: Let me follow up on the above. You not only argue that India’s relationship with Kashmir post-1947 must be seen through a prism of colonialism, you also call it an occupation. Many scholars of Kashmiri history and politics use the term occupation to denote the militarized character of governance or everyday life in Kashmir after the start of the armed rebellion for self-determination in the late 1980’s. Your book makes the case that such description must go further back in time. Would you elaborate on why that must be so?</strong></p>

<p>My book examines how colonialism, settler-colonialism, and occupation are all important analytics to understand India’s relationship with Kashmir. That is to say—India uses characteristics of each of these categories to cement its rule in Kashmir over time, and thus, it is difficult to say that it is just one or the other. This is important because it encourages us to not see these categories as being oppositional to one another, but rather working in tandem in different moments to achieve particular ends for the state or respond to local forms of resistance.</p>

<p>A number of scholars have used the term occupation to denote the militarized character of governance starting from the late 1980s and beyond. Traditionally, the term occupation is from international humanitarian law and refers to military control by a power over a territory that is outside of its sovereign jurisdiction. It is meant to be temporary, but scholars of occupation have noted how the temporary can become prolonged and can overlap with colonialism (through resource appropriation) and settler colonialism (through land grabs). In the post-Partition period, Kashmir was still militarized (although the militarization may have appeared different to what occurred after the 1980s) and was under a permanent state of emergency through draconian laws that undermined democratic processes and dissent. Legal scholars Haley Duschinski and Shrimoyee Ghosh have also argued how Article 370 of the Indian constitution can be see through the framework of “occupational constitutionalism,” whereby the law produces Indian ‘foreign’ dominance in Kashmir. Article 370 was meant to be temporary, and pave the way for a mechanism of self-determination for the people of the former princely state of Jammu and Kashmir in the context of a contested accession, war between India and Pakistan, and UN intervention. Of course, this never happened, leading to a more prolonged occupation in Kashmir.</p>

<p><strong>Q: Among the key concepts that you work with is Neve Gordon’s ‘politics of life’ which is a phrase that Gordon employs to describe the relationship of Israeli State with Palestinians post 1967 in his book Israel’s Occupation. Could you elaborate on why you used this concept and also comparisons that you find relevant between the two contexts?</strong></p>

<p>The politics of life is probably one of the most useful concepts to think with in terms of understanding Kashmir at this time, but also in understanding different modalities of control under colonialism, settler-colonialism, and occupation. Neve Gordon, in Israel’s Occupation, used the term to describe Israel’s occupation of the West Bank and Gaza after the 1967 war, whereby Israel attempted to secure the existence and livelihood of the Palestinians there, through agricultural reform, for example, or the planting of trees.</p>

<p>I found this concept to be really useful to understand how the Indian government and Kashmir’s client regimes propagated development, empowerment, and progress to secure the well-being of Kashmir’s popula¬tion and to normalize the occupation for multiple audiences. This meant foreground¬ing the day-to-day concerns of employment, food, education, and the provision of basic services. At the same time, questions of self-determination and Kashmir’s political future were being suppressed. The government intended to ensure that with an improved standard of living and greater prosperity, Kashmiri Muslim sentiments would shift in favor of India, and Kashmiris would effectively be integrated. This is a very different mechanism of control than, say, a more necropolitical one, whereby the state manages death through killings, torture, and disappearances, instead of life. However, both the politics of life, and more necropolitical forms of governance have operated in Kashmir to different degrees, and often at the same time.</p>

<p>Israel, similarly, utilizes different mechanisms of control across historic Palestine, relying on tactics of settler-colonialism, colonialism, occupation, and apartheid. So the modes that Israel uses to deny Palestinian sovereignty change over time and across space—from 48 lands, to the West Bank, and Gaza. It is important to understand how these tactics may resonate or differ across these distinct regions—Kashmir and Palestine—to better understand how these modalities of control are all part of an overarching structure of (settler) colonial occupation.</p>

<p><strong>Q: Let us turn to specifics. In the first chapter, which comes after an extensive conceptual introduction, you write about the state-building in 1950s and 1960s Kashmir under its Prime Minister Bakshi Ghulam Muhammad in terms of a longer genealogy. How do Kashmiri struggles against the Dogra rule from the mid-nineteenth century until the mid-twentieth century, inform what transpired in the region once India and Pakistan were created in 1947? Relatedly, why did you choose Bakshi for this study instead of a more well-known figure like Sheikh Abdullah, who both preceded and succeeded Bakshi in ruling positions of power?</strong></p>

<p>Under Dogra rule, Kashmiri Muslims were, in particular, extremely marginalized socially and economically. Illiteracy was high, most did not own land or property, and they were forced to pay heavy taxes to the Dogra state. Popular mobilizations against Dogra rule called for greater economic, educational, and political rights, as well as the uplift of the state’s longsuffering communities. Bakshi himself was part of one of these movements—the National Conference, which was one of the main parties opposing Dogra rule; it’s charter, the Naya Kashmir manifesto, was influenced by prominent leftists in the subcontinent at the time and called for a socialist democratic future for the state. Bakshi’s state-building project in the 1950s and 1960s was in part drawn from the Naya Kashmir manifesto, but also departed from it because the political context and compulsions under Indian rule were different. The Indian government and Kashmir’s client regimes initially saw that the resolution to the ‘Kashmir issue’ would address the economic and social concerns that Kashmiris had raised during their struggle against the Dogras—so things like land reform, education, employment—the politics of life, so to speak. They believed that political aspirations could be kept at bay as long as those issues were given attention to.  This is how state-building was drawing from a longer genealogy that went back to the struggles against the Dogras.</p>

<p>I chose Bakshi precisely because I found that there was so little written about him, or the decade that he was in power, even though it appeared to me from preliminary research that this was the time that so much of the financial, cultural, legal, and political contours of India’s colonial occupation were entrenched. I was also intrigued by some of the oral narratives about him and his time in power I came across in my initial interviews—for example, stories of immense corruption, but also genuine concern for Kashmir’s marginalized populations.</p>

<p><strong>Q: In chapter two, you detail the official narratives coming out of Kashmir during Prime Minister Bakshi’s regime, and curiously so in the context of a peak in global decolonization movements in which India played a major role under its Prime Minister Jawaharlal Nehru. These official narratives seemed to make a case for Kashmiri acceptance of the Indian sovereignty. In the third chapter, you talk about Indian cinema’s arrival in Kashmir during the same period. And, as you show, a number of Bollywood films coming out of India were set or shot in Kashmir, which was also employed as a proof of normalcy and development in the region. But you argue that, ultimately, all such state-led efforts were wanting. Why do you think such efforts on part of Kashmiri and Indian governments did not work out as planned?</strong></p>

<p>When there is such a strong attempt to produce ‘normalcy,’ it usually means that something is askance, and we can see the parallels of this time period to the moment we are in today. The third chapter examines both film and tourism as playing a crucial role in the production of ‘normalcy.’ Development and the production of normalcy was occurring congruent to immense political suppression. Yet, as I argue, even though the Indian government and Kashmir’s client regimes may have been successful in legally, economically, and politically integrating Kashmir with the Indian union during this time, they did not succeed in emotionally integrating Kashmiris, who still did not see themselves as “Indians.” There were popular political aspirations in Kashmir that did not align with the Indian state. Fundamentally, Kashmiris had been denied their right to self-determination. And so, all of these attempts were mechanisms of control to manage that denial, and to transform Kashmiri subjectivities in favor of India, but such efforts were wanting. In fact, they led to an opposite effect, whereby mobilizations for self-determination were even more heightened after Bakshi’s decade in power.</p>

<p>At the same time, however, film and tourism did succeed in territorializing India’s colonial occupation, especially for Indian audiences. Both allowed the idea of Kashmir and the desire for Kashmir to be cemented in the Indian imaginary. And I show in this chapter how Kashmir was constructed not just as a site of desire for middle-class Indian tourists, but also a site of religious attachment for Indian Hindus and integral to Hindu sacred geographies—at the expense of Muslim ones.</p>

<p><strong>Q:The fourth chapter deals with how financial integration of Kashmir with India was central to the efforts of the Bakshi regime. In fact, Bakshi established his legacy as a beneficent administrator in the region and created many opportunities for jobs and development, especially for Kashmiri Muslims. Yet you also examine these developments through the framework of developing dependency. What does that imply?</strong></p>

<p>Bakshi was different from his predecessor, Sheikh Abdullah, Kashmir’s first prime minister, in that he saw financial integration as important for the state to implement its development aims. Bakshi was called the “architect of modern Kashmir.” Under his rule, Kashmir entered what was portrayed as a “golden age” of large-scale modernization, including agricultural reform, infrastructural growth, and increased employment opportunities. These developments resulted from a complete renegotiation of Kashmir’s financial relationship with the Government of India as the Kashmir government placed certain fiscal demands on the Indian state. The state received significant grants and agricultural subsidies. This enabled a dependency on the Indian state as the developmentalist strategy in Kashmir focused more on meeting short-term strategic interests rather than long-term economic growth. It meant that Kashmir was not able to be self-sufficient, which further entrenched India’s colonial occupation.  It was also different from the strategy of the Indian government elsewhere. India was then able to rely on tropes that Kashmir ‘needed’ India in order to survive. By looking at economic development and the fiscal relations between India and Kashmir and how they transformed during Bakshi’s rule, I contend that India was able to infiltrate Kashmir by fiscal and not direct military means.</p>

<p><strong>Q: In chapter five, you write about the construction and multiple failures of the Indian secular project in Kashmir. The sixth chapter further raises the question of state appropriation of Kashmiri culture. A key element of both these chapters seemed to me that even as the state-controlled narratives about secularism and cultivating a pro-state Kashmiri Muslim subjectivity, ultimately—much like the efforts of developing an international narrative, promoting tourism, or financial integration—these attempts were also fraught. What is even more interesting is that many writers and intellectuals that you mention actually ended up critiquing the state and often faced consequences for their actions. As such, it seems that even though the state sought to closely control the intellectual production, it could not establish its hegemony. Would that be a fair assessment?</strong></p>

<p>Yes, absolutely. And I think Akhter Mohiuddin’s story is very instructive in this regard. Mohiuddin was a Kashmiri novelist and short story writer. He was affiliated with some of the progressive writers in Kashmir beginning in the 1940s and 1950s. Many of these writers would come to be coopted into the state bureaucracy under Bakshi. Kashmir’s cultural intelligentsia faced significant pressures to join the ranks of his administration—and Bakshi was also able to exploit their desire for a steady income. The JK Cultural Academy was established at this time, to basically consolidate what was considered Kashmiri culture, but also to reflect a syncretic Kashmiri culture that was able to align well with the Indian state. As his day job, Mohiuddin was basically working within these statist cultural institutions and even served as a secretary in the cultural academy—although I did find some sources on how he tried to push back in the archive. He received Indian literary awards like the Sahitya Akademi award for his published works. Yet, part of what Mohiuddin’s story also shows is how those very same Kashmiri artists that worked in the state bureaucracy found ways to subvert the state narrative, and so the states control over cultural production was not hegemonic. In the case of Akhtar Mohiuddin – he wrote novels and short stories which paint a very different picture of Kashmir at the time, from the image that the state wanted to project of development or progress. His stories serve as a counter narrative to the “politics of life.” He writes about people being pushed by greed, loneliness and helplessness and subsequently make questionable choices. He also writes about how people learned to live and function in a fractured society. His short stories cover a range of topics—relations between Kashmiri Muslims and Kashmiri Pandits, the ways in which elections in Kashmir were ruses to serve the ruling party, and the corruption that came with newfound wealth. Mohiuddin would eventually come to renounce awards given to him by the Indian state, in the wake of the armed movement of the 1990s, when both his son and son-in-law were killed in the violence. His trajectory—from being one of the artists incorporated into the government’s cultural intelligentsia, to later renouncing the awards he received—reflects the complex interplay between conformity and resistance in the context of a colonial occupation. And in many ways this was not just specific to the subjectivities of the cultural intelligentsia alone—but many others, as well.</p>

<p><strong>Q: The final sixth chapter takes a turn to narrate the story of explicit resistance by groups such as the Plebiscite Front and the Political Conference, and consequently outright repression against them. Arguably, this was the result of failure on part of Indian and Kashmiri states to establish their political legitimacy, and as such they resorted to outright repression by detaining and persecuting individuals and groups which challenged the political status quo. What were the stakes of this confrontation? And in what ways might this have laid the foundations of a diverse Kashmiri political resistance in decades to come?</strong></p>

<p>During this time, contestation primary revolved around the politics of the “plebiscite.” Activists from these organizations would mobilize the masses in protests, rallies, and strikes demanding that the Kashmir issue was not final, and that Kashmiris had a right to self-determination via a UN-backed plebiscite. In response, the state would rely on sheer force—using its various police forces and intelligence networks to torture, detain, surveil, and harass dissenters. Part of what this chapter argues is that there was a state of permanent emergency in Kashmir at this time, bolstering the framework of a colonial occupation. Preventive detention, in particular, was often used against members of opposition groups. As with today, the state denied Kashmiris any agency; all opposition was depicted as being sponsored by Pakistan.</p>

<p>At the same time, I argue that the range of political possibility at this time also enabled ambiguity around the aspirations for these political groups. If the politics of plebiscite entailed either India or Pakistan, did it mean that these groups and the populations they mobilized were agitating for merger with Pakistan, since it was clear they were in opposition to Indian control? I show how some leaders of the Plebiscite Front were using the politics of plebiscite to secure greater autonomy within the Indian Union. One of the primary reasons why the Plebiscite Front was unable to sustain itself is that a number of its leaders were operating within the same frame of reference and background as those who were officially in power. This made it easier for the organization to be co-opted by the state, leading to other, more revolutionary possibilities to emerge in subsequent decades.</p>

<p><strong>Q: Colonizing Kashmir brings to light many new sources which hitherto had not seen the light of the day, in addition to oral histories from interviews that you managed to conduct over the years. Could you elaborate on what your research process was like, especially considering the fact that it is not easy or straightforward to conduct research in Kashmir, which you yourself mention in the book. What is curious to me is how can we, as scholars, still strive to write meticulously researched histories when at a general level we understand and know that access to archival sources is restricted in Kashmir?</strong></p>

<p>Doing research in Kashmir is complicated. For all scholars, especially those who do not have the benefit of being associated with the state, getting access is challenging, as is questions of safety and security. And yet, at the same time, one’s experience can be different based on your positionality, or even your discipline. During the time that I was conducting my archival fieldwork for my dissertation, the Srinagar State Archives was accessible, and was a huge resource for me. On the other hand, the National Archives of India in New Delhi, was not very accessible. Most of the material I requested regarding Kashmir came back “non-transferrable.” This changed a bit in subsequent field visits, and I was able to access a few important documents, including correspondence between the Indian government and Bakshi’s government regarding agricultural and rice subsidies, which really helped bolster my argument for my economic development chapter.</p>

<p>I was also able to get access in Kashmir to a number of private collections and additional libraries and archives. So much of this was linked to building trust with people, but also the privilege that I have being based in the US academy and being of Kashmiri background myself. This also came into play with the oral interviews that I conducted as part of my research, which really helped me understand the period better, its legacies, and also gave me “clues” as to what types of additional sources I should be looking out for. I am very grateful to many people in Kashmir who shared books and archival material with me.</p>

<p>Ultimately, I think the research process is a mixture of sheer luck, perseverance, and creativity. As researchers, and specifically those who are historians, we live with the fear that perhaps we didn’t incorporate everything that existed that could have buttressed our argument, or even worse, would have perhaps negated our argument. I still wish I could have come across sources that gave me more insight into Bakshi’s own political thinking or experiences. So, I am not sure if it is possible to write the most meticulously researched histories about a certain time period, but we can be meticulous with the sources we engage with, and those sources also ultimately shape the kinds of questions we ask.</p>

<p><strong>Q: This is your first book based on your dissertation at the University of Michigan. Could  you speak about the challenges in your intellectual journey: How did you navigate the dissertation writing process? And what did transforming it into the book look like? And finally, maybe some advice for people who might be working on their dissertations or first book manuscripts?</strong></p>

<p>Writing a book on Kashmir that challenges normative frameworks isn’t easy. But, I am grateful that I was trying to publish this book at a time when there have been a number of monographs and edited volumes on Kashmir that challenge statist perspectives and move beyond the normal tropes in South Asian studies. And yet, at the same time, for me as a historian of South Asia, trying to build an argument about India’s rule in Kashmir as a colonial one in the time period that I examine, I had to push myself to think beyond South Asian history and area studies frameworks. The biggest intellectual transformation from the dissertation to the book was inspired by a friend who encouraged me to read widely across comparative regions—like Palestine, Tibet, Hawaii—and more theoretical works on settler-colonialism, colonialism, and occupation. This is what ultimately allowed me to fine-tune my arguments and interventions.</p>

<p>One often thinks that this whole process of writing a book is an individual one, but it is not. For me, it was important to build my own communities of support, especially other scholars of Kashmir, and those who are trying to ask similar questions in different contexts. So many people helped me in different ways from the dissertation to the book—by reading drafts, sharing additional sources, sharing their book proposals, doing co-writing sessions, and so on. My primary advice for those working on their first books based on the dissertation is to get other eyes on your work. They don’t even have to be people who know the region/topic that well; in fact, it might be better if they are not. Some incredibly helpful feedback for me has come from colleagues and friends whose work ranges from black feminist writings of the Caribbean to the racial and theological logics of the American security state. Building intellectual communities of support is the primary way that I was able to finish and publish this book.</p>

<hr />

<p>Suvaid Yaseen is a Visiting Assistant Professor of History at Brown University.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term="XQs"/><summary type="html"><![CDATA[The XQs (Ten Questions) series is a conversation with the authors of new and exciting works in South Asian Studies, whose aim is not to “review” but to contextualize, historicize, and promote new scholarship. We thank Suvaid Yaseen for conducting this interview. Please see the archive of previous thirty-one XQs.]]></summary></entry><entry><title type="html">XQs XXXI - A Conversation with Faiza Moatasim</title><link href="https://www.chapatimystery.com/archives/xqs_xxxi_-_a_conversation_with_Faiza_Moatasim.html" rel="alternate" title="XQs XXXI - A Conversation with Faiza Moatasim" type="text/html"/><published>2023-12-21T12:43:26+00:00</published><updated>2023-12-21T12:43:26+00:00</updated><id>https://www.chapatimystery.com/archives/xqs_xxxi_-_a_conversation_with_Faiza_Moatasim</id><content type="html" xml:base="https://www.chapatimystery.com/archives/xqs_xxxi_-_a_conversation_with_Faiza_Moatasim.html"><![CDATA[<p><em>The XQs (Ten Questions) series is a conversation with the authors of new and exciting works in South Asian Studies, whose aim is not to “review” but to contextualize, historicize, and promote new scholarship. We thank Sangeeta Banerji for conducting this interview. Please see <a href="https://www.chapatimystery.com/posts/xqs.html">the archive of previous thirty XQs</a>.</em></p>

<p><img src="/img/uploads/2023/FM_cover.jpg" alt="FM Book Cover" /></p>

<p><a href="https://arch.usc.edu/people/faiza-moatasim">Faiza Moatasim</a> is Assistant Professor of Architecture in Urbanism and Urban Design at the USC School of Architecture. Her first book, <a href="https://www.pennpress.org/9781512825206/master-plans-and-encroachments/"><em>Master Plans and Encroachments: The Architecture of Informality in Islamabad</em></a> was published by University of Pennsylvania Press in 2023. She specializes in history and theory of architecture and urban design, modern colonial and post-colonial architecture and urbanism, low-income housing and urban informality. Moatasim’s research explores how the agency of individuals and communities in shaping their built environments is integral to our understanding of the planning, functioning, and everyday lived experiences of cities everywhere. Her research has been supported by the Social Science Research Council, Graham Foundation, American Institute of Pakistan Studies, Mellon Foundation, International Institute for Asian Studies, Teagle Foundation and Foundation for Urban and Regional Studies.</p>

<p><strong>Q. In this fascinating book you present a nuanced distinction between the imagination of “entopia” that the Greek architect and city planner Constantinos A. Doxiadis had for the city of Islamabad and the visions of “utopia” held by other modernist architect-planners of the time such as Le Corbusier who designed the city of Chandigarh in India. While the modernist lineage of his vision and the contradictions within it are beautifully elaborated in the first chapter of this book, can you speak to the particular political economic moment in which these modernist architect-planners and their grand visions for urban development are emerging within prominent centers of the Global South?</strong></p>

<p>As an ideology, high modernism is rooted in the conviction that scientific rationality and technological progress can improve social and natural worlds. High-modernist cities are imagined to be highly efficiency because of their simplified organization and reliance on technology. They typically feature a rational geometric grid of repetitive neighborhoods, a strict separation of functions in clearly defined zones, expansive green spaces, and an automobile dependent transportation system.</p>

<p>It is no coincidence that the most ambitious and thorough examples of twentieth century high-modernist architecture and urban design are found in emerging economies and post-colonial nation states like Brazil, India, and Pakistan. The ruling elites of these nations invested in expensive city building projects in the post-World War II era to fulfill their political and economic agendas. By representing experimentation and innovation, these cities were intended to help their nations project an image of a modernized present and prosperous future. Building new political centers held symbolic significance in the newly independent nation states of Pakistan and India, which had lost important political centers to each other because of the 1947 Partition of British India. Western modernist architects enthusiastically accepted design commissions in the so-called global South because they offered unique design opportunities that were not available in Europe or North America at the time. High modernism thus emerged as the dominant planning and design ideology across diverse contexts because it aligned so well with the political and economic visions of progress, development, and modernization of the ruling elites and the ambitions of design professionals at the time.</p>

<figure>
  <img src="https://www.chapatimystery.com/img/uploads/2023/FM_fig1.jpg" alt="Master plan of the Capital Territory. Source: Capital Development Authority Planning Wing, Maps and Records Unit, Islamabad." />
  <figcaption>Master plan of the Capital Territory. Source: Capital Development Authority Planning Wing, Maps and Records Unit, Islamabad.</figcaption>
</figure>

<p><strong>Q: Given that one of Doxiadis’s guiding principles was that “time and not space as [are] the real dimension of the cities,” and that his ideal city would develop in a “predetermined one directional path” – how do you think would he react to the “living document” that is the masterplan of Islamabad today?</strong></p>

<p>Getting commissioned to design a building or a city is a deeply personal experience for architects; it is a test of their creativity and innovative thinking. If I could take the liberty to overgeneralize, then I would say that most architects like to have complete control over their design projects. Even though many other people eventually occupy their designed environments, architects see themselves as the primary decision-makers of the creative design process. For these reasons, I think that it becomes very challenging for architects to leave major design decisions to other people or to chance.</p>

<p>I think Doxiadis would not entirely appreciate the evolution of his master plan as a “living document,” because while he left room in his design for the city to develop over time, he was careful about identifying the pattern (the sector) and the direction (southwest) in which the city would grow (i.e., “predetermined one directional path”). While he anticipated Islamabad’s growth, I think he would not appreciate a deviation from his prescribed form and direction of future growth. The concept of the master plan as a living document is about growth but it is also about competing interests and negotiations of different types of people in Islamabad. All these factors lead to constant revisions to the overall planning framework and urban forms by multiple authors. This mode of planning is very different to conventional design practice that very much revolves around the creative genius of the principal architect.</p>

<p><strong>Q: One of the central arguments in your work is that “informality is an orientation to law, rather than an absence of it.” You argue that both the encroacher and the planner negotiate to come to an understanding that is either temporary or long-term, but never really permanent. Yet, the Bheka Syedan case in the first chapter seems to point to an instance where the Capital Development authority (CDA) reneged on the terms of the land acquisitions deal with the residents of one of the villages in the planning area of Islamabad and operated within what Ananya Roy (2009) has called a “state of deregulation” a mode of urbanization that allows the “state considerable territorialized flexibility to alter land use, deploy eminent domain, and to acquire land.” How can we think of this violent tendency of the planning authority to privilege the interests of some over that of the poor? Can the poor really negotiate for a permanence with the planning authority?</strong></p>

<p>Violence of the state in dispossessing communities of their land in developmental projects must not be underestimated. To answer your second question directly, I do not think that underprivileged people living in highly regulated cities can fairly negotiate with their powerful planning authorities. The point that I make in the book is that despite all the power that state authorities wield, I have observed how low-income communities sometimes successfully negotiate their right to space by relying on various modes of informality, particularly temporariness. Temporariness has an effect of tolerance. Occupying land on a temporary basis is a survival strategy that allows builders of informal spaces to claim land, often for long periods of time. Temporary modes of informality do not mean that the constructions or claims are fragile or fleeting. They are a part of a discourse and practice that makes it acceptable for transgressions as long as they are imagined to be temporary.</p>

<p>But returning to your example of the violence and dispossession of property experienced by the people in Bheka Syedan as well as the many evicted <em>katchi abadis</em> in Islamabad, we can see a correlation with what Ananya Roy has described as the state wielding its power to deregulate territories and dispossess communities. However, while the state is fully capable of abusing the power of laws that it helps define, state power is never absolute. It is this tension that shapes my understanding of the relationship between informality and the law. I am interested in how deregulation and eminent domain policies often unleash a new set of challenges for powerful state actors.</p>

<p>For instance, even when CDA acquires land through eminent domain, it does so under its own terms and conditions. Usually the payment to each household for both undeveloped land and the built-up property that exists on that land varies. When CDA announces its decision to acquire places like Bheka Syedan and other existing rural communities, some residents and speculators (often with the help of CDA staff) immediately start building new structures (referred to as “dummy” houses) so that they can claim more built-up property. By taking inspiration from the law, speculative builders undermine the forceful land acquisition process. There are examples of both acquired and unacquired villages in Islamabad that negotiated more successfully with CDA because of similar tactics. These practices can sometimes delay or stall developmental projects because CDA doesn’t have the ability to pay for all the built-up property under its own laws.  Of course, not everyone impacted by forced acquisitions participate in such tactics, and unfortunately, many small landowners are forced out of their ancestral villages as a result of CDA’s acquisition process. While it is difficult to imagine fair negotiations between two unequal groups: powerful corporate bodies like the CDA, on one side, and small communities of low-income people living in existing villages or informal <em>katchi abadis</em>, on the other, this does not mean that state planning authorities cannot be forced to tolerate or negotiate with low-income builders whose actions are oriented towards CDA’s laws.</p>

<p><strong>Q: In the chapter on “Ordinary Informality” in your book, you present an incredible history of France Colony, an informal settlement inhabited by construction workers, settled by the planning authority, within an area that is marked as a greenbelt on the masterplan of Islamabad. It is an excellent example of how spatial non conformity is essential to the development of the city space. However, you also tell us how the original plan of Doxiadis had accounted for the provisioning of low-income housing for these very workers. Why do you think the CDA saw fit to not adhere to its promise of providing public housing for its workers? Can you speak more to the practices of squatting in these spaces and the minority status of the residents? Who and how do you believe such instances of “authorized transgressions” benefit?</strong></p>

<p>During my research at the Doxiadis Archives (in Athens), I came across reports and correspondence that showed how Doxiadis shared with CDA officials, designs and locations of housing for low-income workers like sweepers and laborers. In his correspondence, Doxiadis also warned CDA officials about how in the other modernist capital cities of Brasilia (Brazil) and Chandigarh (India), housing for low-income workers had not been built as part of the official master plan. Consequently, low-income workers ended up living in informally built communities, often outside of the master planned areas.</p>

<p>The discovery of Doxiadis Associates’ unrealized plans for workers’ housing at the archives helped me disrupt one of the major narratives around the emergence of low-income informal communities in high-modernist cities like Chandigarh and Brasilia. According to this narrative, self-built communities (i.e., informality) first emerged in high-modernist cities to house essential workers, whose housing needs had been overlooked by modern architects and planners. But in Islamabad, low-income informal neighborhoods developed because CDA officials did not follow Doxiadis’s recommendations for building low-income housing. But while CDA officials ignored Doxiadis’s proposal, they could not completely ignore the shelter needs of low-income city workers.</p>

<p>CDA officials address the housing needs of its essential workers by identifying locations according to the master plan where the workers could build their own communities. The official location of these authorized informal settlements in green areas next to nalas (ravines) that exist naturally all over the city and where CDA’s Christian sanitation workers live in self-built dwellings in the middle of elite master planned sectors. France Colony presents a rare example of a minority yet functionally important community benefitting from an authorized transgression in the middle of a highly regulated city. While it may seem like the residents of France Colony benefit from this official allowance, the actual beneficiaries of these authorized transgressions are people who live outside of France Colony and who depend on the labor of its residents to clean their city and maintain their comfortable lifestyles. City officials, instead of providing proper housing to its workers, ended up setting up and facilitating the process of self-built informal housing in a comprehensively planned city.</p>

<figure>
  <img src="https://www.chapatimystery.com/img/uploads/2023/FM_fig2.jpg" alt="Layout plan of sector F-7. France Colony is shown in gray in subsector F-7/4. Source: Layout plan of sector F-7, Capital Development Authority Planning Wing, Maps and Records Unit, Islamabad." />
  <figcaption>Layout plan of sector F-7. France Colony is shown in gray in subsector F-7/4. Source: Layout plan of sector F-7, Capital Development Authority Planning Wing, Maps and Records Unit, Islamabad.
</figcaption>
</figure>

<p><strong>Q: Mr. Ahmed and his conflicts with the people of France colony are the kind that are witnessed in other cities of the Global South where affluence and abjection must live in close proximity. He arguable suggests that the “moral failings” and “lack of purity” of the residents of France colony are reasons for their own abjection. Can you please tell us more about the socio-economic (caste/class) background of Mr. Ahmed and similar residents in the vicinity of France colony and their understanding of the labor contributed by their neighbors (residents of France Colony) in producing the city?</strong></p>

<p>Upper class people like Mr Ahmed who own houses in areas around low-income self-built communities like France Colony behave the same way as NIMBYs behave elsewhere. In Islamabad, differences in religion in addition to economic status contribute towards the segregation and stigmatization of people living in low-income informal communities like France Colony. During his interview, Mr Ahmed mentioned that the earlier settlers of France Colony were honest hardworking people but now they have been replaced by drug dealers, criminals, and prostitutes. I suspect that as France Colony grew in size, and received official recognition over time, people like Mr Ahmed started to feel more resentful about the intrusion of a low-income Christian minority community asserting its presence in a predominantly elite Muslim neighborhood.</p>

<p>It is important to emphasize that most low-income Christians living in places like France Colony engage in necessary yet polluting and undesirable work. Based on economic and religious discrimination, low-income Christians find their employment options limited to sweepers, garbage collectors, and sewer cleaners. They are underpaid and work without any protective equipment and are treated with scorn because of the supposedly unsanitary nature of their work. Keeping in line with the discrimination, danger, and humiliation they face at work, low-income Christians in Pakistan (and other countries in South Asia) mostly have no choice but to live in religiously homogenous, and therefore segregated, village communities and informal urban settlements.</p>

<p>While functional necessity ensures that France Colony is tolerated at the official level, it is not enough to pacify the resentment of elite neighbors towards the residents of France Colony. While the elites in Islamabad need poor people to clean their homes and make tea for them in their offices, they do not wish for their low-level staff and servants to be their neighbors. It is expected that low-level city workers, like sweepers, gardeners, and domestic help, work in the city but reside outside of it, spending hours commuting each day to their places of work. For high income Muslim elites in Islamabad, the rightful place of these workers performing essential, yet polluting jobs is outside the city.</p>

<p><strong>Q: The modalities of property transactions that you describe in France colony through the examples of Baji Perveen, Zara, Fahima, Saima, and Shaheena is fascinating. Their experiences and stories reveal so much about kinship and property within the informal settlement. I was however struck by the similarity of “mimicking procedure” by the elite “housewife” Mrs Nabila Sheikh and these women within informal settlements. It is almost by repeating some bureaucratic utterances and practices these women were able to conjure property. Is there a conscious decision in choosing these women as your entry points into this imagined property scape? Do you think gender relations play a role in the manipulation and creations of property relations within the planning regimes of Islamabad?</strong></p>

<p>The so-called “house-wives” play an integral role in informal residential property regimes and bureaucratic procedures in Islamabad. When I did most of the research for this book project, I wasn’t as attentive to gender and property relations as I could have been. During my interviews of home builders in France Colony and Bani Gala, I repeatedly encountered strong women who were deeply invested in building homes for themselves and their families, and navigating bureaucratic procedures and property transactions, using informal means. I realized that this was not a coincidence when I started writing my doctoral dissertation, on which this book is based.</p>

<p>Even though the protagonists of my book belong to different socio-economic backgrounds and literacy levels, their homes were their primary area of concern and responsibility. And this is in keeping with the socially prescribed gender roles in places like South Asia where the home is the woman’s principal domain. But the women protagonists in my book were not simply figurative homemakers; they were the actual makers of their residential properties, including how they get built and transacted. The women I met figured out where and how to buy or sell property, how to add a room so that it could be rented for additional income, how to get water or electricity for their homes and neighborhoods, how to respond to government letters and notices, how to protest city officials and actions, all while maintaining their obligations of care at home.</p>

<p><strong>Q: You move through a variety of spaces while analyzing the informalities within the master plan of Islamabad. First, we encounter the model villages and the <em>Katchi Abadis</em>, then we meet the <em>khokas</em> or the stalls of the street vendors, France colony and the neighborhood surrounding it, the very elite neighborhood of Bani Gala, other elite spaces such as salons within residential areas and also some of the unbuilt sectors around the lake. How did you choose these locations? Can you speak more to the methodological choices involved in choosing these locations and actors for analysis</strong></p>

<p>The quintessential spaces of informality like katchi abadis and khokhas were easy to identify because of my long-term association with the city. I knew how there were these spaces like informal settlements and roadside kiosks and cafes that contradicted the pristine image of Islamabad as a modern, beautiful capital city. I selected France Colony because it is one of the iconic <em>katchi abadis</em> in Islamabad, because of its prominent and visible location next to a popular commercial market in the middle of an elite sector.</p>

<p>At the time I was doing my research, there were two well publicized court cases about large mansions (called “farmhouses”) built on land officially designated for farming purpose, and the unlawful lease of a public park for a privately owned and operated mini golf. Because of these high-profile cases, I became interested in the trend of elite-driven illegal constructions, which were the norm at the time of my research. Things have changed a lot now but at the time, it was nearly impossible to avoid a non-conforming business operating from a building designed as a house. From the dentist’s office to a hair salon, clothing boutique, gym, or a cafe, large houses were used for unauthorized functions. Non-conforming, informal activities were prevalent all over the city so identifying places to study wasn’t difficult. Based on these experiences and observations, it became apparent to me that in order to study informality in Islamabad, it was important to study both its high- and low- forms.</p>

<p>Because most of the spaces I examine in this book are legally contentious, it was often not very easy to speak to people involved in making different types of elite and ordinary informal spaces. I interviewed roadside <em>khokha</em> owners, residents of a <em>katchi abadi</em>, low- and high-ranking government officials, wealthy homeowners and businesspeople, store managers, architects, real estate agents, political activists, and NGO workers. Most people were very generous with their time and insights. Residents of France Colony were always gracious in sharing their stories with me whenever I showed up in their neighborhood. But they exercised caution while describing their dealings with the state. I gained access to my interlocutors for the elite informal neighborhood of Bani Gala, through friends and colleagues. The level of response from people in many ways correlated with how secure they felt in the informal spaces that they occupied in the city: residents of Bani Gala and France Colony were relatively more comfortable with sharing how they built their homes; builders of roadside kiosks and elite non-conforming stores were less so.</p>

<figure>
  <img src="https://www.chapatimystery.com/img/uploads/2023/FM_fig3.jpg" alt="Lake-front residences in the protected nature reserve. Photograph by author." />
  <figcaption>Lake-front residences in the protected nature reserve. Photograph by author.
</figcaption>
</figure>

<figure>
  <img src="https://www.chapatimystery.com/img/uploads/2023/FM_fig4.jpg" alt="Dwellings next to the open nala (drain) in France Colony. Photograph by author." />
  <figcaption>Dwellings next to the open nala (drain) in France Colony. Photograph by author.
</figcaption>
</figure>

<p><strong>Q: You argue that the official concessions for some of the temporariness for informal commercial and vending uses of space in Islamabad is written into the municipal bye-laws which results in inconsistencies between the CDA’s planning process and the city planning practices of the municipality. Can you speak a bit more to the specific regulations through which the municipal bye-laws codify temporariness? What role do you think institutional differences between the CDA and the local municipal authority play in ensuring such slippages?</strong></p>

<p>In Islamabad, CDA is a powerful corporate body in charge of both its planning and management. All municipal administration comes under a CDA department called DMA (Municipal Administration Directorate), so the discrepancy between the master plan and municipal regulations can be explained as a function of reconciling differences between an imagined ideal and lived reality, between bureaucratic planning systems and pressing global challenges such as urban poverty and lack of resources.</p>

<p>While CDA officials have the difficult task to maintain the impression of Islamabad as a highly planned city, they are also responsible for managing the large number of underprivileged people who live and work informally in the city. Temporariness emerges as an important strategy for city officials to make room for spaces of informality in Islamabad. For instance, to manage street vending in a modernist city where street commerce has no place, concessions are written in existing bye-laws to allow “encroachments,” defined as erecting “an immovable structure, hut or <em>khokha</em> or overhanging structure” on government land. According to these bye-laws, street hawking is one of the licensable trades and hawkers can be issued “temporary” monthly licenses that be revoked on a short notice can be issue. The material characteristics of “licensed encroachments” contribute to the logic of temporariness, as the stalls for which these licenses can be issued are characterized in the bylaws as “roofless” and “movable” structures that can be easily removed. It is the discrepancy between the bye-laws and the master plan that tolerates spaces of informality in the city.</p>

<figure>
  <img src="https://www.chapatimystery.com/img/uploads/2023/FM_fig5.jpg" alt="Street vendors on a sidewalk next to a commercial area. Photograph by author." />
  <figcaption>Street vendors on a sidewalk next to a commercial area. Photograph by author.
</figcaption>
</figure>

<p><strong>Q: In the penultimate chapter on the making of non-conforming spaces within the elite neighborhoods of Islamabad, you describe a series of negotiations in creating such space that one of the transgressors describes as “chote motey masle (little issues)” which in reality are anything but little. How do these issues get resolved? Do they only involve the establishment of paper truths or are there some more material surveillance mechanisms that need to be adhered with? Can you speak more to the system of negotiations that you allude to in regularization of non-conforming uses in this chapter?</strong></p>

<p>Building-control officers at CDA maintain sector-wise lists of non-conforming uses in elite residential buildings in Islamabad. The purpose of this detailed record-keeping is not to deter the practice of using large houses for commercial functions, but to use these lists to send notices of violation to their owners. The owners of non-conforming businesses respond to these notices in a number of ways: they give bribes and use their political connections with powerful people to avoid getting their businesses sealed. Another common practice at the time of my research was to get a court stay order against CDA’s legal notices and actions. In terms of material surveillance practices, owners of elite non-conforming uses in existing or new large houses carefully maintain the appearance of these buildings as houses. Many owners of home-offices (where owners live in one part of the house and run their businesses in the other part like beauty salons and architectural firms) do not display any signs of their businesses on the outside.</p>

<p>The regularization of non-conforming elite residences in the protected nature reserve was based on judicial mechanisms that mediated between an official planning framework and personal property rights. A series of court rulings in favor of non-conforming elite residences in 1998 and 2007 exposed a tension between planning rules and regulations and the rights of non-conforming property owners. Both these cases featured elite homebuilders who have built large mansions in Islamabad’s protected nature reserve called the National Park (Zone IV).</p>

<p>In 1998, a judge upheld the constitutional rights of the elite homebuilders who had built in the protected National Park area and declared CDA’s actions of placing restrictions on the use of privately owned land as illegal. The 2007 court decision declared existing bylaws for National Park unjust and without legal force because they restricted the use of privately owned land only for agricultural purposes. These court decisions upheld the proprietary rights of landowners who had violated the master plan by building their lavish homes on their legally owned properties. Elite homeowners made substantial material investments on land that they bought at throw away rates from local villages to build their lavish homes in violation of the master plan. These legal decisions and material investments have made it impossible for CDA to free protected land from elite encroachments and instituted major structural changes to the master plan and zoning laws in Islamabad.</p>

<figure>
  <img src="https://www.chapatimystery.com/img/uploads/2023/FM_fig6.jpg" alt="Google Earth images (from 2009 and 2021) show the transformation of a part of the National Park area from an agricultural farmland into a modern residential community." />
  <figcaption>Google Earth images (from 2009 and 2021) show the transformation of a part of the National Park area from an agricultural farmland into a modern residential community.
</figcaption>
</figure>

<p><strong>Q: How did you get interested in instances of informality within the modernist master planning processes of Islamabad? Can you speak to the process of researching for your dissertation and then the process of transforming the dissertation into a book?</strong></p>

<p>I grew up in nearby cities, so I would often visit Islamabad either on family vacations or school trips. Certain impressions of the city from these visits sparked my fascination with its distinct urban form and experience. For example, I came to know Islamabad as clean, green, and an elite city. I also noticed pockets of extreme destitution in the form of self-built informal communities in the middle of very wealthy neighborhoods. I first became interested in informality as topic of research during my undergraduate studies in Pakistan. For my final Bachelor of Architecture thesis, I researched and proposed an upgrading plan for a large (and now evicted) <em>katchi abadi</em> in sector I-11/4 (Haq Bahu) in Islamabad. These early informal and formal understandings of Islamabad as a highly planned and unequal city led me to my PhD research project, which formed the basis of this book.</p>

<p>The process of turning my dissertation into a book was long but enjoyable. It involved figuring out how to communicate the main contributions of the project along with its various details and evidence in an engaging and intelligent (and not clunky) manner, so that it would appeal to a wider audience. Because I was dealing with disparate, messy, and contingent urban processes, it was important to identify a clear overarching framework to organize my research. My thinking and writing got clarity over time, as I became comfortable with my own work and its contributions by writing journal articles and a book precis, presenting at conferences, and organizing a book manuscript workshop. These writing exercises and engagements helped me develop the framing of the project along the lines of elite and ordinary encroachments and their orientation towards the master plan and zoning regulations.</p>

<hr />

<p>Sangeeta Banerji is the Assistant Professor of Human Geography at the New York University in Shanghai. She works at the intersection of anthropology of the state, Urban Geography and Development Studies and is broadly interested in the politics of informality within megacity regions.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term="XQs"/><summary type="html"><![CDATA[The XQs (Ten Questions) series is a conversation with the authors of new and exciting works in South Asian Studies, whose aim is not to “review” but to contextualize, historicize, and promote new scholarship. We thank Sangeeta Banerji for conducting this interview. Please see the archive of previous thirty XQs.]]></summary></entry><entry><title type="html">Late Great Twitter</title><link href="https://www.chapatimystery.com/archives/social_media.html" rel="alternate" title="Late Great Twitter" type="text/html"/><published>2023-07-23T13:22:17+00:00</published><updated>2023-07-23T13:22:17+00:00</updated><id>https://www.chapatimystery.com/archives/social_media</id><content type="html" xml:base="https://www.chapatimystery.com/archives/social_media.html"><![CDATA[<p><img src="/img/uploads/2023/twitter.jpg" alt="twitter" /></p>

<p>My twitter journey started in May 2007 and it ends today, July 23, 2023, with 32.6K tweets. I cannot sustain Elon Musk’s nonsense. Sorry. I have archived my twitter on github (will update this link when it is searchable).</p>

<p>You can find me on Bluesky (sepoy.bsky.social), and on Mastodon (sepoy@mastodon.social) or just here on www.chapatimystery.com.</p>

<p>I have a book coming out in early 2024 (fingers crossed emoji) and am organizing two or three big conferences and so please stay in touch. I will do my annoucements, from now on, here on this ye ole blog!</p>

<p>Love to be back.</p>

<p>M/S.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term=""/><category term=""/><summary type="html"/></entry><entry><title type="html">Ranajit Guha (1923-2023)</title><link href="https://www.chapatimystery.com/archives/in_memoriam_ranajit_guha.html" rel="alternate" title="Ranajit Guha (1923-2023)" type="text/html"/><published>2023-04-29T13:22:17+00:00</published><updated>2023-04-29T13:22:17+00:00</updated><id>https://www.chapatimystery.com/archives/in_memoriam_ranajit_guha</id><content type="html" xml:base="https://www.chapatimystery.com/archives/in_memoriam_ranajit_guha.html"><![CDATA[<p>I wish to mark the passing of Ranajit Guha (1923-2023). It is important for historians and for critical thinkers of the subcontinent to recognize his impact on our thinking and our field.</p>

<p><img src="/img/uploads/2023/IMG_1651.jpeg" alt="Ranajit Guha" />
<img src="/img/uploads/2023/IMG_9147.jpeg" alt="Ranajit Guha" /></p>

<p>Such is the direct beauty and force of his prose that every single time I read <em>A Rule of Property for Bengal: An Essay on the Idea of Permanent Settlement</em> (1963, 1982), or <em>Elementary Aspects of Peasant Insurgency in Colonial India</em> (1983), I think I am reading it for the first time. Every time I re-phrase words and sentences from <em>Dominance without Hegemony</em> (1998) or from essays such as “A Conquest Foretold” (1998) or “Not at Home in the Empire” (1997), I recall their immediacy from when I read them first.</p>

<p>I am taken by his insistence on the materiality of colonial control–land, property–and the concomitant agentive resistance by those oppressed by colonialism. His analytical frameworks were diverse–Ferdinand de Saussure, Claude Lévi‐Strauss, Antonio Gramsci etc.–and many pointed out blindspots or idealisms in his analysis, including his collaborators. Yet, no one can ever deny his rigor, his acuity and his commitment to anti-colonial thought. For all that, I am grateful. His workshop-first model for collaborative work, for taking editing and responding as pivotal as writing, for giving public hearing of ideas their due regard at the very front, remains a blueprint for all of us.</p>

<p>May he always be read.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term="univerCity"/><summary type="html"><![CDATA[I wish to mark the passing of Ranajit Guha (1923-2023). It is important for historians and for critical thinkers of the subcontinent to recognize his impact on our thinking and our field.]]></summary></entry><entry><title type="html">Slow Burn Lahore Redux</title><link href="https://www.chapatimystery.com/archives/slow_burn_lahore_redux.html" rel="alternate" title="Slow Burn Lahore Redux" type="text/html"/><published>2023-02-01T06:22:17+00:00</published><updated>2023-02-01T06:22:17+00:00</updated><id>https://www.chapatimystery.com/archives/slow_burn_lahore_redux</id><content type="html" xml:base="https://www.chapatimystery.com/archives/slow_burn_lahore_redux.html"><![CDATA[<p>Much earlier, as in 2012, I wrote a series of small things that were meant for a book that I was then planning and researching. My intention was to write a cult(ur)o-geography of Lahore, a riff on the psychogeographies of Guy Debord and friends. For a few years, then, I had been doing ethnographies and collecting ephemera around Lahore–print and visual materials, tapes, some objects. I had planned the book around a series of walks across bits of Lahore that I imagined as sponge-like, for their capacity to both be full and empty (I mean here “meaning” as well as people). My first walk was to begin, I remember writing it in my mind, from the vestibule of my house, through the main gate, across the agricultural land that stretched in front until the haphazard <em>mohalla</em> lanes with their open-sewer brackets, onto the main road that came to a sudden intersection colloquially called “joint”. The crossroad here merged pathways from two different worlds–one was clean, organized, richer, the other dusty, jumbled and poorer. I would continue walking, letting the dirt accumulate on my shoes, jumping over puddles of garbage, standing water, bricks, on a straight line that will eventually turn right, and lead me to Lahore Railway Station. It was not a very long walk–around two hours–but not an easy one either. In my writing, I would describe this walk circa mid 80s when I was a teenager walking that route–flowing with <em>tongas</em>, carts, rickshaws, bicycles, cows, scooters, motorcycles (the Honda CD70), donkey-carts, goats, mini-buses, buses, trucks, and the occasional cars–with some difficulty.</p>

<p>At the level of describing the city, this walk would traverse the British colonial Lahore. It lead to the grand Railway station from the edge of their cantonment quarters keeping more or less parallel to the railway tracks that were speeding towards Amritsar. This was the first line of partition in Lahore, beginning in 1860s which sliced the city across colonial and colonized, Mughal and British.</p>

<p>I cannot recall, now, why I wanted to start my book with this walk. It felt natural perhaps because my home was at the end of it. There is a lot that is about Lahore that is also about my home. It was then at the margin of the city, away from bazaars, from polite quarters. There was no road that lead to it, just a dirt strewn pathway that hindered motion like knotted cloth. My mother had built this house. She did it on her own, without the help of my father who was working across the sea and her brothers who were not working across the street. She did without her eldest son, me, who was busy reading books and daydreaming. She was born in Lahore and she understood well Lahore’s claims on time and space. Her birth home was in the old city and the house she built was outside, practically, of the whole city. I remember feeling that the book on walking in Lahore needs to have a center and that center should be the home she had built.</p>

<p>Stretched across Lahore are stories of invisible beings and visible non-beings which I have collected for more than a decade. The stories are not just of Lahore, however. They are of elsewheres and elsewhens and I can make sense of very few of them.</p>

<p>I am eleven years removed from the writing that is here: <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_ii_meeting_old_masters.html">Slow Burn Lahore II</a>, <a href="https://www.chapatimystery.com/archives/archives/homistan/slow_burn_lahore_iii_this_is_my_culture.html">Slow Burn Lahore III</a>, <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_iv_see_through_cement.html">Slow Burn Lahore IV</a>, <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_v_archeology_of_space.html">Slow Burn Lahore V</a>, <a href="https://www.chapatimystery.com/archives/slow_burn_lahore_vi_a_footnote.html">Slow Burn Lahore VI</a>). As I pick up these many threads, I am excited to finally write a book that will let me walk Lahore.</p>]]></content><author><name>{"display_name"=&gt;"sepoy"}</name></author><category term="homistan"/><summary type="html"><![CDATA[Much earlier, as in 2012, I wrote a series of small things that were meant for a book that I was then planning and researching. My intention was to write a cult(ur)o-geography of Lahore, a riff on the psychogeographies of Guy Debord and friends. For a few years, then, I had been doing ethnographies and collecting ephemera around Lahore–print and visual materials, tapes, some objects. I had planned the book around a series of walks across bits of Lahore that I imagined as sponge-like, for their capacity to both be full and empty (I mean here “meaning” as well as people). My first walk was to begin, I remember writing it in my mind, from the vestibule of my house, through the main gate, across the agricultural land that stretched in front until the haphazard mohalla lanes with their open-sewer brackets, onto the main road that came to a sudden intersection colloquially called “joint”. The crossroad here merged pathways from two different worlds–one was clean, organized, richer, the other dusty, jumbled and poorer. I would continue walking, letting the dirt accumulate on my shoes, jumping over puddles of garbage, standing water, bricks, on a straight line that will eventually turn right, and lead me to Lahore Railway Station. It was not a very long walk–around two hours–but not an easy one either. In my writing, I would describe this walk circa mid 80s when I was a teenager walking that route–flowing with tongas, carts, rickshaws, bicycles, cows, scooters, motorcycles (the Honda CD70), donkey-carts, goats, mini-buses, buses, trucks, and the occasional cars–with some difficulty.]]></summary></entry></feed>