<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-15541981183212107</atom:id><lastBuildDate>Fri, 31 Oct 2025 01:33:15 +0000</lastBuildDate><title>chronovisor.blog (deutsch &amp; english)</title><description></description><link>http://chronovisor.blogspot.com/</link><managingEditor>noreply@blogger.com (Floyd Anderson / chronovisor)</managingEditor><generator>Blogger</generator><openSearch:totalResults>207</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-5238068089036577935</guid><pubDate>Tue, 31 Mar 2015 01:00:00 +0000</pubDate><atom:updated>2015-04-01T11:54:09.800+11:00</atom:updated><title>The decadence of the 80s (Part 63). [repost]</title><description>&lt;br /&gt;
This is the end.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-qPd6A_OaB8IH2r8Ff1-lZ6CgANO_iVV4wd4tpqONCIHnLooi5-wvzXDMMudarXzz-W6vPMZGd-NDXar4ghwpiqptVtCFfuYRktJ7kIV2DRKEVd8iuwu9z5klRJ2Pu4WpOCPaNrrEEB4/s1600/THE+SPLASH+BAND++-+John+Carpenter%27s+The+End.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-qPd6A_OaB8IH2r8Ff1-lZ6CgANO_iVV4wd4tpqONCIHnLooi5-wvzXDMMudarXzz-W6vPMZGd-NDXar4ghwpiqptVtCFfuYRktJ7kIV2DRKEVd8iuwu9z5klRJ2Pu4WpOCPaNrrEEB4/s320/THE+SPLASH+BAND++-+John+Carpenter%27s+The+End.jpg&quot; id=&quot;BLOGGER_PHOTO_ID_5532868402072941170&quot; style=&quot;cursor: hand; cursor: pointer; height: 320px; width: 318px;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
THE SPLASH BAND&lt;br /&gt;
John Carpenter&#39;s The End&lt;br /&gt;
(chronovisor mix)&lt;br /&gt;
09:00&lt;br /&gt;
[1984]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/oxo0jlldsv76&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2015/03/the-decadence-of-80s-part-63-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-qPd6A_OaB8IH2r8Ff1-lZ6CgANO_iVV4wd4tpqONCIHnLooi5-wvzXDMMudarXzz-W6vPMZGd-NDXar4ghwpiqptVtCFfuYRktJ7kIV2DRKEVd8iuwu9z5klRJ2Pu4WpOCPaNrrEEB4/s72-c/THE+SPLASH+BAND++-+John+Carpenter%27s+The+End.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-2994581919071628426</guid><pubDate>Sat, 28 Feb 2015 01:00:00 +0000</pubDate><atom:updated>2015-03-09T16:29:02.304+11:00</atom:updated><title>The diffidence of the 70s (Part 18).</title><description>&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;_____________&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;JOHN YAGER&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;A million suns shine down&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;But I see only one&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;When I think I&#39;m over you&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;I find I&#39;ve just begun&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;The years move faster than the days&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;There&#39;s no warmth in the light&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;And how I miss those desert skies&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Your cool touch in the night&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, blew warm wind through your hair&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;My body flies the galaxy, my heart longs to be there&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, the same stars in the sky&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;But they seemed so much kinder when we watched them, you and I&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Now the years pull us apart&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;I&#39;m young and now you&#39;re old&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;But you&#39;re still in my heart&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;And the memory won&#39;t grow cold&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;I dream of times and spaces&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;I left far behind&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Where we spent our last few days&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson&#39;s on my mind&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, blew warm wind through your hair&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;My body flies the galaxy, my heart longs to be there&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, the same stars in the sky&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;But they seemed so much kinder when we watched them, you and I&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, blew warm wind through your hair&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;My body flies the galaxy, my heart longs to be there&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, the same stars in the sky&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;But they seemed so much kinder when we watched them, you and I&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;A million suns shine down&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;But I see only one&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;When I think I&#39;m over you&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;I find I&#39;ve just begun&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;The years move faster than the days&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;There&#39;s no warmth in the light&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;And how I miss those desert skies&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Your cool touch in the night&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, blew warm wind through your hair&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;My body flies the galaxy, my heart longs to be there&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, the same stars in the sky&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;But they seemed so much kinder when we watched them, you and I&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, blew warm wind through your hair&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;My body flies the galaxy, my heart longs to be there&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona, the same stars in the sky&lt;/span&gt;&lt;br style=&quot;font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot; /&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;But they seemed so much kinder when we watched them, you and I&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;ENJOY!&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Floyd Anderson .&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Here is the info:&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
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&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;JOHN YAGER&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;Benson, Arizona&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;(702AM radio edit by chronovisor)&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;03:47&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;[1974]&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #f8f8f8; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 22px;&quot;&gt;&lt;a href=&quot;http://verzend.be/na64f8p0f0j2&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;&lt;/span&gt;</description><link>http://chronovisor.blogspot.com/2015/02/the-diffidence-of-70s-part-18.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyDaF9nPNIfHXVz6U3X5Sdj8cv_i2hFjcYdfmesjsypiIUfaaKh6vutI37_JHLcVMVAMgxkIoxpdzp-lL6vpORXA2iXy3u5ghkq80OTH1QKwsyitdm1MRToi09BRjyYSNTJZxPekYHuw0/s72-c/yourpic.png" height="72" width="72"/><thr:total>0</thr:total><georss:featurename>Auckland, New Zealand</georss:featurename><georss:point>-36.8484597 174.76333150000005</georss:point><georss:box>-37.2549887 174.11788450000006 -36.4419307 175.40877850000004</georss:box></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-8529031717089262960</guid><pubDate>Sat, 31 Jan 2015 01:00:00 +0000</pubDate><atom:updated>2015-01-31T12:44:01.483+11:00</atom:updated><title>The ignorance of the 90s (Part 9). [repost]</title><description>Festplattenarchaeologie:&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Hallo Leute!&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Dass es im Drum&#39;n&#39;Bass Bereich auch ausgesprochen gute Musik gibt, beweisst der heutige Track. Ich bezeichne so etwas auch gerne mal als &quot;artificial intelligent music&quot;.&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;An diesem Lied hat mich so ziemlich alles fasziniert, damals, als es veroeffentlicht wurde; der dichte Klangteppich, der so frische Drum&#39;n&#39;Bass Rhythmus, welchen ja CIFFORD PRICE aka. GOLDIE zwei Jahre zuvor erstmals in die Charts brachte, das verstoerende Video mit der so ueberzeugenden Protagonistin KATHERINE MATILDA SWINTON aus Schottland und dem so sehr dazupassenden Gesang von GRANT FULTON und der geheimnisvollen ALISON GOLDFRAPP (hoppla, da klingelt&#39;s wohl bei manchen, wie?).&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Und dass hier ueberhaupt gesungen wird? Jaja, so ist&#39;s, wartet nur ab. Alles in allem ist es ein Meilenstein in den 90ern fuer mich, da lag es nur nahe, mich mit diesem Stueck irgendwann einmal zu beschaeftigen. Hier nun ist das Resultat. Dazu wurden die drei bekanntesten Versionen verwendet.&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Hier ist die Info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr_9fdfQw_Ii7A3qcCNICpnpgIlmOzU065qvH9DBy7wYG8kgY8Ms0UrLMsWKefEs8_j3EJcB9xv3b-Bml7-jc1W-AD6Ta7COYRWlshV5sPz9y8egyyqmpYFKonW0j71ZYENITlf0g7x_A/s1600-h/39+ORBITAL+-+The+Box.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr_9fdfQw_Ii7A3qcCNICpnpgIlmOzU065qvH9DBy7wYG8kgY8Ms0UrLMsWKefEs8_j3EJcB9xv3b-Bml7-jc1W-AD6Ta7COYRWlshV5sPz9y8egyyqmpYFKonW0j71ZYENITlf0g7x_A/s320/39+ORBITAL+-+The+Box.jpg&quot; id=&quot;BLOGGER_PHOTO_ID_5108252227914222306&quot; style=&quot;cursor: hand; cursor: pointer;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
ORBITAL&lt;br /&gt;
The Box&lt;br /&gt;
(chronovisor mix v1.0)&lt;br /&gt;
15:03&lt;br /&gt;
[1996]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/ynyjvyawjva4&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2015/01/festplattenarchaeologie-hallo-leute.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr_9fdfQw_Ii7A3qcCNICpnpgIlmOzU065qvH9DBy7wYG8kgY8Ms0UrLMsWKefEs8_j3EJcB9xv3b-Bml7-jc1W-AD6Ta7COYRWlshV5sPz9y8egyyqmpYFKonW0j71ZYENITlf0g7x_A/s72-c/39+ORBITAL+-+The+Box.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-7233386150804334083</guid><pubDate>Wed, 31 Dec 2014 01:00:00 +0000</pubDate><atom:updated>2015-01-10T12:11:35.421+11:00</atom:updated><title>The relevance of the 00s (Part 21). [repost]</title><description>Hello all!&lt;br /&gt;
&lt;br /&gt;
I wish you all the very best for 2015, and may the force be with you! :-)&lt;br /&gt;
&lt;br /&gt;
Hard drive archaeology.&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Recently I rediscovered the music from an outstanding French singer, songwriter and multi-instrumentalist. This did happen because I browsed in the www for movie soundtracks, and there I found &#39;Narco&#39;, a french movie from 2004.&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;And I also am a fan of the music of FELA KUTI. But what relationship do have FELA and the today&#39;s artist I want to present you? It&#39;s the presence of the &#39;funky drummer&#39; TONY ALLEN, who founded the real &#39;Afro Beat&#39; in the 70s.&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;In the 70s and 80s he was the drummer in FELA&#39;s band, and in the today&#39;s tune his play fits perfect to the melancholic sounds of this French genius I introduce you today. I combined the session version from 2006 with the studio version from 2004 into a &#39;collage of sounds&#39; I would call it.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1sPXHizC-pACraVdr9HNuhPKzaVaRam4noOvHgJuaEpgTB-x_SCdiQUyQp-HEJSgH8W9Ghi2qRR7XQ9iRcUTIrgGeLQYIPsXQ3shc2l9Xxd341mtOnd4xZh0Ohr97AiWXy1WRmYYFgys/s1600/yourpic.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1sPXHizC-pACraVdr9HNuhPKzaVaRam4noOvHgJuaEpgTB-x_SCdiQUyQp-HEJSgH8W9Ghi2qRR7XQ9iRcUTIrgGeLQYIPsXQ3shc2l9Xxd341mtOnd4xZh0Ohr97AiWXy1WRmYYFgys/s320/yourpic.jpg&quot; id=&quot;BLOGGER_PHOTO_ID_5672408710595518530&quot; style=&quot;cursor: hand; cursor: pointer; height: 320px; width: 316px;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
SÉBASTIEN TELLIER&lt;br /&gt;
La Ritournelle&lt;br /&gt;
(chronovisor edit)&lt;br /&gt;
09:40&lt;br /&gt;
[2004/2006]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/itlq7pezvwd3&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/12/the-relevance-of-00s-part-21-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1sPXHizC-pACraVdr9HNuhPKzaVaRam4noOvHgJuaEpgTB-x_SCdiQUyQp-HEJSgH8W9Ghi2qRR7XQ9iRcUTIrgGeLQYIPsXQ3shc2l9Xxd341mtOnd4xZh0Ohr97AiWXy1WRmYYFgys/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-1174510024236767687</guid><pubDate>Sun, 30 Nov 2014 01:00:00 +0000</pubDate><atom:updated>2014-12-05T15:29:17.119+11:00</atom:updated><title>The decadence of the 80s (Part 51). [repost] </title><description>Festplattenarchaeologie:&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Fuer diesen heutigen speziellen Tag (09-09-09) habe ich einen Song ausgewaehlt, der mich schon in meiner Zeit als Disc Jockey Anfang der 90er verfolgte, und der schon damals als ein absoluter Klassiker galt und an keinem Abend fehlen durfte.&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Aber erst vor kurzem erlangte ich qualitativ adaequate Versionen davon. Aus dem Dance Mix und dem Dub Mix entstand schliesslich dieser nun vorliegende &#39;chronovisor mix&#39;.&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Listen conservative! ;-)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;ENJOY!&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Floyd Anderson.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Hier ist die Info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxdwTYk7spvrgzbvWCA4VgaN4BgpTQqpLNOMqh3Gv0atAP3bo-9k3gsiSBUsGaBC3njQ4CzQjvHfepxWBey1uAggnm56w7DqUrCqIHROmraDVNMuYWvQNA4cJEKJ67IGQSv4fcO7hCC9U/s1600-h/Belouis+Some+-+Imagination.jpg&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxdwTYk7spvrgzbvWCA4VgaN4BgpTQqpLNOMqh3Gv0atAP3bo-9k3gsiSBUsGaBC3njQ4CzQjvHfepxWBey1uAggnm56w7DqUrCqIHROmraDVNMuYWvQNA4cJEKJ67IGQSv4fcO7hCC9U/s320/Belouis+Some+-+Imagination.jpg&quot; id=&quot;BLOGGER_PHOTO_ID_5378335080450804930&quot; style=&quot;cursor: hand; cursor: pointer; height: 320px; width: 284px;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
BELOUIS SOME&lt;br /&gt;
Imagination&lt;br /&gt;
(chronovisor mix)&lt;br /&gt;
09:44&lt;br /&gt;
[1984]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/rhbjj7dct5tp&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/11/the-decadence-of-80s-part-51-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxdwTYk7spvrgzbvWCA4VgaN4BgpTQqpLNOMqh3Gv0atAP3bo-9k3gsiSBUsGaBC3njQ4CzQjvHfepxWBey1uAggnm56w7DqUrCqIHROmraDVNMuYWvQNA4cJEKJ67IGQSv4fcO7hCC9U/s72-c/Belouis+Some+-+Imagination.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-5689607101702025211</guid><pubDate>Fri, 31 Oct 2014 01:00:00 +0000</pubDate><atom:updated>2014-10-31T12:00:00.861+11:00</atom:updated><title>The diffidence of the 70s (Part 17).</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Today I present you a song from the mid 70s when Disco was Disco and even this to be presented very famous band couldn&#39;t resist to write, produce and play such a tune. I love it!&lt;br /&gt;
&lt;br /&gt;
The song is on their ninth album, and the 7&quot; they released luckily has an extension, where I could find my inspiration to give it a good length becoming a typical &#39;chronovisor mix&#39; at the end.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTmuRnlhhzHvl3LvCIrya3ZZMozAIhy9N-ai1-MOsRPVXWllJODFQnOu_IHhP3JdcFeRlghsG_3H1o2_-s-j-DXSGIb4JX1fBEKj6soTciSNTYXeL50EF-YR8C5199iKhh-luL2lONUHo/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTmuRnlhhzHvl3LvCIrya3ZZMozAIhy9N-ai1-MOsRPVXWllJODFQnOu_IHhP3JdcFeRlghsG_3H1o2_-s-j-DXSGIb4JX1fBEKj6soTciSNTYXeL50EF-YR8C5199iKhh-luL2lONUHo/s1600/yourpic.jpg&quot; height=&quot;320&quot; width=&quot;316&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
CAN&lt;br /&gt;
I Want More (And More And More)&lt;br /&gt;
(chronovisor mix)&lt;br /&gt;
05:27&lt;br /&gt;
[1976]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/ellmkh7e8j46&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/10/the-diffidence-of-70s-part-17.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTmuRnlhhzHvl3LvCIrya3ZZMozAIhy9N-ai1-MOsRPVXWllJODFQnOu_IHhP3JdcFeRlghsG_3H1o2_-s-j-DXSGIb4JX1fBEKj6soTciSNTYXeL50EF-YR8C5199iKhh-luL2lONUHo/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total><georss:featurename>Auckland, New Zealand</georss:featurename><georss:point>-36.8484597 174.76333150000005</georss:point><georss:box>-37.2549887 174.11788450000006 -36.4419307 175.40877850000004</georss:box></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-7439425014647531029</guid><pubDate>Tue, 30 Sep 2014 02:00:00 +0000</pubDate><atom:updated>2014-10-05T11:21:08.319+11:00</atom:updated><title>The decadence of the 80s (Part 29). [repost]</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Einem laegenderen englischen music label will ich heute huldigen, und zwar ZTT (Zang Tuum Tumb). Gegruendet Anfang der 80er Jahre zielte schon die erste Veroeffentlichung auf die Kunst in der populaeren Musik ab.&lt;br /&gt;
&lt;br /&gt;
Dass diese und auch die nachfolgenden den sogenannten Zeitgeist dieser Jahre so praezise und nachhaltig treffen wuerden, war nicht mit zu rechnen. Und auch der kommerzielle Erfolg kam nicht zu kurz.&lt;br /&gt;
&lt;br /&gt;
So war es auch moeglich, noch extremere Kuenstler in das Repertoire aufzunehmen, die zwar ein Riesenpotential hatten, aber den kommerziellen Durchbruch wohl nicht schaffen wuerden. Einer davon wird hier und heute praesentiert.&lt;br /&gt;
&lt;br /&gt;
Er schaffte die wunderbaren Gratwanderung zwischen moderner Klassik, &#39;minimal music&#39; und intelligenter Popmusik, so wie ich letztere bezeichnen wuerde. Und genau letzterer Bezeichnung trage ich mit einem Stueck Rechnung, in dem alles enthalten ist; vom &#39;Yamaha DX-7&#39; (zumindest gefuehlt!) ;-) bis zum Bassfluegelhorn und von den Vokalisten bis zum Sequencer - einfach wunderbar!&lt;br /&gt;
&lt;br /&gt;
Was also lag naeher um diesem Song eine ordentliche Extension zu verpassen und das &#39;stereophonic potential&#39; (schon wieder eine Wortschoepfung von mir) ;-) nach Herzenslust auszuschoepfen?&lt;br /&gt;
&lt;br /&gt;
Nun, hier ist das Ergebnis.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Hier ist die Info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUgysKria7qmBUY7Cbzy2K8qqdyAHfMt4_oVN-8wNf4a4IKVhlsYMprUxMskVvSM8OHEA2apoW-h9zFPi83MIIKmo6cqTgvnbPOANhPdiyoE6feHJRAnHoYxMUFZouVEfLAqq02R8oXg/s1600-h/062+ANDREW+POPPY+-+The+Amusement.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUgysKria7qmBUY7Cbzy2K8qqdyAHfMt4_oVN-8wNf4a4IKVhlsYMprUxMskVvSM8OHEA2apoW-h9zFPi83MIIKmo6cqTgvnbPOANhPdiyoE6feHJRAnHoYxMUFZouVEfLAqq02R8oXg/s320/062+ANDREW+POPPY+-+The+Amusement.jpg&quot; id=&quot;BLOGGER_PHOTO_ID_5156972474821656978&quot; style=&quot;cursor: hand; cursor: pointer;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
ANDREW POPPY&lt;br /&gt;
&#39;The Amusement&#39;&lt;br /&gt;
(chronovisor mix v1.0)&lt;br /&gt;
12:28&lt;br /&gt;
[1987]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/jppd8cqq3fn7&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/09/the-decadence-of-80s-part-29-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUgysKria7qmBUY7Cbzy2K8qqdyAHfMt4_oVN-8wNf4a4IKVhlsYMprUxMskVvSM8OHEA2apoW-h9zFPi83MIIKmo6cqTgvnbPOANhPdiyoE6feHJRAnHoYxMUFZouVEfLAqq02R8oXg/s72-c/062+ANDREW+POPPY+-+The+Amusement.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-6773048705536150182</guid><pubDate>Sun, 31 Aug 2014 02:00:00 +0000</pubDate><atom:updated>2014-09-04T14:38:52.880+10:00</atom:updated><title>The ignorance of the 90s (Part 33).</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Das heutige Posting widme ich einer amerikanischen Performancekuenstlerin allerersten Ranges, die in ihren Shows visuelle und akustische Schoepfungen spannend in ihre Geschichten verflechtet, wie ihr Album &#39;United States live&#39; von 1983 zum Beispiel eindruecklich verdeutlicht.&lt;br /&gt;
&lt;br /&gt;
Die heutigen zwei Songs hingegen stammen von ihrem 1994er Album und wurden auch auf einer CD-Single veroeffentlicht. Ihr damaliger Lebenspartner und spaetere Ehemann LOU REED ist in einem Lied als Saenger und in dem anderen als Gitarrist zu hoeren. Dank jeweiliger Instrumentalversionen konnte ich mich ein bisschen ausleben und kann hier zwei reichhaltige &#39;chronovisor mixe&#39; praesentieren.&lt;br /&gt;
&lt;br /&gt;
In dieses Paeckchen ist auch noch ein Bonustrack inkludiert, der 2011 von MATT POP gruendlich runderneuert wurde und in einem schmissigen neuen Sound daherkommt. Meine Empfehlung: Absolut hoerenstwert!&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Hier ist die Info:&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZScBLTFi-ZiW-8nemXKqIRxLScDUtEKAfaJYeyifzE5uwCOMMmYYLN5O4E7_gkQEsKt8g_qnZYorGInRGi5MFADTK-N9PDBkBLVfDb7ekyTbV1HxYCKT5VQtbpfw6nVaOzFWfxF9Mfik/s1600/yourpic.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZScBLTFi-ZiW-8nemXKqIRxLScDUtEKAfaJYeyifzE5uwCOMMmYYLN5O4E7_gkQEsKt8g_qnZYorGInRGi5MFADTK-N9PDBkBLVfDb7ekyTbV1HxYCKT5VQtbpfw6nVaOzFWfxF9Mfik/s1600/yourpic.jpeg&quot; height=&quot;280&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
LAURIE ANDERSON&lt;br /&gt;
01 In Our Sleep (with LOU REED on vocals)&lt;br /&gt;
(chronovisor edit)&lt;br /&gt;
04:35&lt;br /&gt;
02 Poison (with LOU REED on guitar)&lt;br /&gt;
(chronovisor edit)&lt;br /&gt;
04:48&lt;br /&gt;
[1995]&lt;br /&gt;
------------------------&lt;br /&gt;
03 &quot;Bonustrack&quot;&lt;br /&gt;
(Matt Pop Mix)&lt;br /&gt;
09:30&lt;br /&gt;
[1981/2011]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/jcf1h8o1gqj0&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/08/the-ignorance-of-90s-part-33.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZScBLTFi-ZiW-8nemXKqIRxLScDUtEKAfaJYeyifzE5uwCOMMmYYLN5O4E7_gkQEsKt8g_qnZYorGInRGi5MFADTK-N9PDBkBLVfDb7ekyTbV1HxYCKT5VQtbpfw6nVaOzFWfxF9Mfik/s72-c/yourpic.jpeg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-2013693335901264765</guid><pubDate>Thu, 31 Jul 2014 02:00:00 +0000</pubDate><atom:updated>2014-07-31T12:00:00.198+10:00</atom:updated><title>The ignorance of the 90s (Part 23). [repost]</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Das heutige Posting ist einem Landsmann von mir gewidmet, naemlich PETER KRUDER, der in den 90er Jahren (unter anderem auch mit seinem musikalischen Partner RICHARD DORFMEISTER) ganz ordentlich fuer internationale Furore gesorgt hat.&lt;br /&gt;
&lt;br /&gt;
Dieser Song nun hat bei mir fuer Aufsehen gesorgt, weil er fuer den &#39;Animatrix&#39; Soundtrack ausgewaehlt wurde. 3 Jahre nach dem Release wurde dieser Song gemixt, und aus diesen 2 Versionen ist nun 1 sehr schoener &#39;ambientischer&#39; &quot;chronovisor mix&quot; geworden.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Hier ist die Info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDV5sevyKJZTsoShJ8kdChKs2_I3v3dOUL86DkvjicMwG7BI6najsVviv2Uiaf8IAnh-MgydnUqAHTqbbScrzB_5zzVr-VzH-e9iVrhIfZQwWT55rO1XVz1zkJBP91V6LyLref8Tfj5mo/s1600-h/PEACE+ORCHESTRA.jpg&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDV5sevyKJZTsoShJ8kdChKs2_I3v3dOUL86DkvjicMwG7BI6najsVviv2Uiaf8IAnh-MgydnUqAHTqbbScrzB_5zzVr-VzH-e9iVrhIfZQwWT55rO1XVz1zkJBP91V6LyLref8Tfj5mo/s320/PEACE+ORCHESTRA.jpg&quot; id=&quot;BLOGGER_PHOTO_ID_5324833284624591810&quot; style=&quot;cursor: hand; height: 320px; width: 320px;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
PEACE ORCHESTRA&lt;br /&gt;
Who Am I? (Château Flight &amp;amp; Animatrix)&lt;br /&gt;
(chronovisor mix)&lt;br /&gt;
10:20&lt;br /&gt;
[1999/2002]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/yvbo45585lvu&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/07/the-ignorance-of-90s-part-23-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDV5sevyKJZTsoShJ8kdChKs2_I3v3dOUL86DkvjicMwG7BI6najsVviv2Uiaf8IAnh-MgydnUqAHTqbbScrzB_5zzVr-VzH-e9iVrhIfZQwWT55rO1XVz1zkJBP91V6LyLref8Tfj5mo/s72-c/PEACE+ORCHESTRA.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-3431420119598811583</guid><pubDate>Mon, 30 Jun 2014 02:00:00 +0000</pubDate><atom:updated>2014-10-05T11:29:09.874+11:00</atom:updated><title>The ignorance of the 90s (Part 28). [repost]</title><description>&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;Hi folks!&lt;/span&gt;&lt;br /&gt;
&lt;br style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot; /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;The today&#39;s song is performed by the second band of the now ex-bass player of NEW ORDER, PETER HOOK. I only took the vocal version and the instumental version and made my own 12&quot; version of this wonderful tune, an oldfashioned chronovisor mix.&lt;/span&gt;&lt;br /&gt;
&lt;br style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot; /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;Shalalaaalalalalaaa... Shalalaaalalalalaaa...&lt;/span&gt;&lt;br /&gt;
&lt;br style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot; /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;ENJOY! Floyd Anderson.&lt;/span&gt;&lt;br /&gt;
&lt;br style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot; /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;Here is the info:&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC_Vja0lt4O4oV1yA8RlLH-ny8igj1tjs-vjBek1JdVXeHh0CrCaNWflxva5pppiHZvH6pgfZ7o5Yi6bX1Di3sat82uqeU7ifVJXLu__d_ii0W3YfU73uOuWK144YAIvvh7G9O-x1Xo1Y/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC_Vja0lt4O4oV1yA8RlLH-ny8igj1tjs-vjBek1JdVXeHh0CrCaNWflxva5pppiHZvH6pgfZ7o5Yi6bX1Di3sat82uqeU7ifVJXLu__d_ii0W3YfU73uOuWK144YAIvvh7G9O-x1Xo1Y/s1600/yourpic.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;MONACO&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;What Do You Want From Me?&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;(chronovisor mix)&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;07:01&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;[1997]&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: #fff3db; color: #29303b; font-family: Trebuchet, &#39;Trebuchet MS&#39;, Arial, sans-serif; font-size: 15px;&quot;&gt;&lt;a href=&quot;http://verzend.be/u6d759ofn96s&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;&lt;/span&gt;</description><link>http://chronovisor.blogspot.com/2014/07/the-ignorance-of-90s-part-28-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC_Vja0lt4O4oV1yA8RlLH-ny8igj1tjs-vjBek1JdVXeHh0CrCaNWflxva5pppiHZvH6pgfZ7o5Yi6bX1Di3sat82uqeU7ifVJXLu__d_ii0W3YfU73uOuWK144YAIvvh7G9O-x1Xo1Y/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-7095264968226974326</guid><pubDate>Sat, 31 May 2014 02:00:00 +0000</pubDate><atom:updated>2014-10-05T11:29:31.801+11:00</atom:updated><title>The relevance of the 00s (Part 22).</title><description>Hello folks!&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;UNDERWORLD&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Bird 1&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Bat bit and ten&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;White stick with a red light&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Floats past her on the right&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;White stick on the rock&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Roping in the wind&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Are you hungry?&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Do you know what to eat?&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Floating in the blue&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;I hear you, your voice&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;It comes out above my head&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Close to you, close to you&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;She said you woke up from a dream&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He heard Mama Cass&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He felt better if I would&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Have known those things&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;It damped his mood for a second&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Then he remembered where he was&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He regained his perspective&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;That felt a lot better&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;It gets much better&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He laid down on his bed&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;With the front door open&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And the sunlight&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Flooding into the room, he smelt tire&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He laid back listening to a fly&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;He saw washing hanging in the sun&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He caught a fleeting glimpse of a man&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Moving uphill, pursued by a bus&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He saw a white church with a&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Three blue domed roof&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;A crucifix on the top&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And an ant walked&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Along the edge of his book&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He heard another bell&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And a braying mustache&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And a moped started up&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Sounding like a chainsaw&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Of tiny firecrackers&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And he smelled tire again&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;A fly came dim&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Along the shaft of sunlight&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Coming through the open door&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;He watched it cross the room&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And get halfway and then it&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Turned around and left, he laughed&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;He saw washing hanging in the sun&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He caught a fleeting glimpse of a man&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Moving uphill, pursued by a bus&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He saw a white church with a&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Three blue domed roof&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;A crucifix on the top&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And an ant walked&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Along the edge of his book&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;He heard another bell&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And a braying mustache&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And a moped started up&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Sounding like a chainsaw&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Of tiny firecrackers&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And he smelled tire again&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;A fly came dim&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Along the shaft of sunlight&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Coming through the open door&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;He watched it cross the room&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;And get halfway and then it&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Turned around and left, he laughed&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;There is one bird in my house&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxEG3flHW6fmBFYoeggP31ATVG1WNevV6FoQoWVeu-ETGdsD-fA_V6DNgLJR5hP42En_GNwBcQn6Lw-PqMOVcUGsjcJMofNqs0l8mpgpBYCEw6qMM6-V1IAkWEONCf2XO-HkP5mW358CA/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxEG3flHW6fmBFYoeggP31ATVG1WNevV6FoQoWVeu-ETGdsD-fA_V6DNgLJR5hP42En_GNwBcQn6Lw-PqMOVcUGsjcJMofNqs0l8mpgpBYCEw6qMM6-V1IAkWEONCf2XO-HkP5mW358CA/s1600/yourpic.jpg&quot; height=&quot;320&quot; width=&quot;315&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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UNDERWORLD&lt;br /&gt;
Bird 1&lt;br /&gt;
(chronovisor edit)&lt;br /&gt;
09:03&lt;br /&gt;
[2010]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/i766py5qcuxr&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXzLI_Z89Apg_5hEpHPqIn364RiG87bXBsgDWRK8SG5CXJBqL-ljPZFmhSI_dPJh9vPbWDWiJzBGlIb-pwDXifZJrB1IMi2x-ovrOBDL1W2ZOhdqHReVSirIyvcoyERY8NGbpC3e1XB28/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;</description><link>http://chronovisor.blogspot.com/2014/05/the-relevance-of-00s-part-22.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxEG3flHW6fmBFYoeggP31ATVG1WNevV6FoQoWVeu-ETGdsD-fA_V6DNgLJR5hP42En_GNwBcQn6Lw-PqMOVcUGsjcJMofNqs0l8mpgpBYCEw6qMM6-V1IAkWEONCf2XO-HkP5mW358CA/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-804634457885660192</guid><pubDate>Wed, 30 Apr 2014 02:00:00 +0000</pubDate><atom:updated>2014-05-04T14:22:20.722+10:00</atom:updated><title>A collaboration experiment (Part 6). [repost]</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
You may have noticed meanwhile that I mix very conservative, and so do I with my collaborations. There are so many of them in the world wide web (some are innovative and good, some are technically great, but the most ones are not really worth it to listen to), and so, from time to time, when I hear two songs in the same time, which are compatible IMHO, then I sit down and make something... I do something... like this one... another collaboration. The today&#39;s one is from an Australian band, which sadly splitted up some time in the 90s I think, and an Austrian musician, who very sadly &quot;splitted up&quot; himself by a car accident today 10 years ago. At the end, there is a piece of music, easy to listen to and getting relaxed with, hopefully.&lt;br /&gt;
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ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX_9RIEVMphZil6hE8X8xGFo6FDReIhR63unaqm4ivUC-wsA87sR2S27fDMsKATdgXn6i1KFPFI002gD6xZiNetEQ192RcJYJqlVIp1lQuMU_ZQo4QHiHdPrLwEUU-ipdbHavbCVGnvq0/s1600-h/R-168129-1175409979%5B1%5D.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX_9RIEVMphZil6hE8X8xGFo6FDReIhR63unaqm4ivUC-wsA87sR2S27fDMsKATdgXn6i1KFPFI002gD6xZiNetEQ192RcJYJqlVIp1lQuMU_ZQo4QHiHdPrLwEUU-ipdbHavbCVGnvq0/s200/R-168129-1175409979%5B1%5D.jpg&quot; id=&quot;BLOGGER_PHOTO_ID_5145790145214431490&quot; style=&quot;cursor: hand; cursor: pointer;&quot; /&gt;&lt;/a&gt; + &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIuZk-v8BuuR1epcyN6l3v5ul_pDsOc3eq7RYtSEFAaCmskgG2jaujTHcOX5X4NlgqKIPQ6G__Mm50Uu-yi8bewA8kEB3S7eOqCcC4JAneIMjYjA7Iq-PvKDekyGeyRHpKNo67E1fSTWo/s1600-h/R-846093-1164834321%5B1%5D.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIuZk-v8BuuR1epcyN6l3v5ul_pDsOc3eq7RYtSEFAaCmskgG2jaujTHcOX5X4NlgqKIPQ6G__Mm50Uu-yi8bewA8kEB3S7eOqCcC4JAneIMjYjA7Iq-PvKDekyGeyRHpKNo67E1fSTWo/s200/R-846093-1164834321%5B1%5D.jpg&quot; id=&quot;BLOGGER_PHOTO_ID_5145790377142665490&quot; style=&quot;cursor: hand; cursor: pointer;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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FLASH &amp;amp; THE PAN + THE BOLLAND PROJECT feat. FALCO&lt;br /&gt;
Waiting For A Fascinating Man&lt;br /&gt;
(chronovisor mix)&lt;br /&gt;
07:57&lt;br /&gt;
[1983/1992]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/6ajjx3x5nydr/&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/04/a-collaboration-experiment-part-6-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX_9RIEVMphZil6hE8X8xGFo6FDReIhR63unaqm4ivUC-wsA87sR2S27fDMsKATdgXn6i1KFPFI002gD6xZiNetEQ192RcJYJqlVIp1lQuMU_ZQo4QHiHdPrLwEUU-ipdbHavbCVGnvq0/s72-c/R-168129-1175409979%5B1%5D.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-3495362469728635063</guid><pubDate>Mon, 31 Mar 2014 01:00:00 +0000</pubDate><atom:updated>2014-10-05T11:29:45.421+11:00</atom:updated><title>The decadence of the 80s (Part 80).</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Today I want to present you a very well known singer and a probably not so very well known song, which has its origin in France.&lt;br /&gt;
&lt;br /&gt;
In his third and last album from the 80s ROGER DALTREY made a very interesting English cover version of the song &#39;Cargo&#39; which came out already in 1983 and was written and performed by Frenchman AXEL BAUER.&lt;br /&gt;
&lt;br /&gt;
A 12&#39;&#39; single was produced as well, which is the base of the today&#39;s &#39;chronovisor edit&#39;. My intention was to integrate the nice guitar parts of the B-side into the vocal version which makes the tune perfect to listen to.&lt;br /&gt;
&lt;br /&gt;
EJNOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
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&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkVagWTFwUJJGo6zDoARV44g_sHJcwifexDGiHdjMalPs39oEo7GHM4V2A7Vz1h9uF6cNudra8OB0Ybq8XfxTJW2SZjE783Ddz7FYLSFkJrytiv9SQ5eieeBe3_QdraK-iUjx77664NM8/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkVagWTFwUJJGo6zDoARV44g_sHJcwifexDGiHdjMalPs39oEo7GHM4V2A7Vz1h9uF6cNudra8OB0Ybq8XfxTJW2SZjE783Ddz7FYLSFkJrytiv9SQ5eieeBe3_QdraK-iUjx77664NM8/s1600/yourpic.jpg&quot; height=&quot;320&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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ROGER DALTREY&lt;br /&gt;
Take Me Home&lt;br /&gt;
(chronovisor edit)&lt;br /&gt;
08:00&lt;br /&gt;
[1987]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/zvtadll1ejur&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/03/the-decadence-of-80s-part-80.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkVagWTFwUJJGo6zDoARV44g_sHJcwifexDGiHdjMalPs39oEo7GHM4V2A7Vz1h9uF6cNudra8OB0Ybq8XfxTJW2SZjE783Ddz7FYLSFkJrytiv9SQ5eieeBe3_QdraK-iUjx77664NM8/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-8313051322728031567</guid><pubDate>Fri, 28 Feb 2014 01:00:00 +0000</pubDate><atom:updated>2014-10-05T11:30:01.595+11:00</atom:updated><title>The ignorance of the 90s (Part 32).</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Today I continue with what I started late last year by introducing you to the magnificent work of MARK GRIFFIN.&lt;br /&gt;
&lt;br /&gt;
From the late 80s until the mid 90s he did release some remarkable records, which also got good remixing hands on. Like this one today.&lt;br /&gt;
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MEAT BEAT MANIFESTO gave the tune the driving thrill whilst I gave it a few cuts and edits. So, that&#39;s why it ended here as a very listenable &#39;chronovisor edit&#39;.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6E1fWCgiMQIxnvGdQxs9Bh9ccZNBAVJyODQ7XwcAeHVGMSaWldTZ8AZKq3knhNL3I3KmAR6TK67ZXcjIMecF947qaHlqc4DYT2F9QuEILqTS19GAaTotIvCGSaZna2j_ExbxFc8AT9FI/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6E1fWCgiMQIxnvGdQxs9Bh9ccZNBAVJyODQ7XwcAeHVGMSaWldTZ8AZKq3knhNL3I3KmAR6TK67ZXcjIMecF947qaHlqc4DYT2F9QuEILqTS19GAaTotIvCGSaZna2j_ExbxFc8AT9FI/s1600/yourpic.jpg&quot; height=&quot;318&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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MC 900 FT JESUS&lt;br /&gt;
Killer Inside Me (Meat Beat Manifestation)&lt;br /&gt;
(chronovisor edit)&lt;br /&gt;
07:38&lt;br /&gt;
[1991]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/iqtlksj9tqnn&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;</description><link>http://chronovisor.blogspot.com/2014/02/the-ignorance-of-90s-part-32.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6E1fWCgiMQIxnvGdQxs9Bh9ccZNBAVJyODQ7XwcAeHVGMSaWldTZ8AZKq3knhNL3I3KmAR6TK67ZXcjIMecF947qaHlqc4DYT2F9QuEILqTS19GAaTotIvCGSaZna2j_ExbxFc8AT9FI/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-1918795706622637238</guid><pubDate>Fri, 31 Jan 2014 01:00:00 +0000</pubDate><atom:updated>2014-01-31T12:00:03.598+11:00</atom:updated><title>The ignorance of the 90s (Part 31).</title><description>2014 ? &amp;nbsp; GET REAL !!!&lt;br /&gt;
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Hi folks!&lt;br /&gt;
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Belated Happy New Year to all of you. Hopefully your New Year&#39;s resolutions are still going well. Mine do - err... sort of. :)&lt;br /&gt;
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Today I&#39;m happy to present you a solo project from ALAN WILDER who was a member of DEPECHE MODE, where he replaced VINCE CLARKE, before he decided to start his solo project in 1986 and leaving the band at the end in 1995.&lt;br /&gt;
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In his songs he gives almost forgotten artists a platform to be heard again after a long time. In the today&#39;s case it&#39;s THE GOLDEN GATE QUARTET. And if you listen carefully enough, then you can also here the wonderful voice of DIAMANDA GALÀS on background vocals.&lt;br /&gt;
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In this mix I combined the instrumental version, which was released on the O.S.T. of &quot;The Hole&quot; only, with the vocal version to get a typical easy to listen to &#39;chronovisor edit&#39;.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikNoW3s1dxNo5lEcQBLE-8NZGemSP5vhQgFYS_iCzvRsdpI3gz3iL7rI45K0mCv3xTFjtTsQ6fmUjjryWHWMy2zIamQvY9OBD6y_jKRFiR-aDcbmdtzUbCND1Vvb8eJPkJaNV96uLu7M4/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikNoW3s1dxNo5lEcQBLE-8NZGemSP5vhQgFYS_iCzvRsdpI3gz3iL7rI45K0mCv3xTFjtTsQ6fmUjjryWHWMy2zIamQvY9OBD6y_jKRFiR-aDcbmdtzUbCND1Vvb8eJPkJaNV96uLu7M4/s1600/yourpic.jpg&quot; height=&quot;356&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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RECOIL&lt;br /&gt;
Jezebel&lt;br /&gt;
(chronovisor edit)&lt;br /&gt;
07:04&lt;br /&gt;
[2000]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/eme1r9cf1vft&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2014/01/the-ignorance-of-90s-part-31.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikNoW3s1dxNo5lEcQBLE-8NZGemSP5vhQgFYS_iCzvRsdpI3gz3iL7rI45K0mCv3xTFjtTsQ6fmUjjryWHWMy2zIamQvY9OBD6y_jKRFiR-aDcbmdtzUbCND1Vvb8eJPkJaNV96uLu7M4/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-2421469029264683927</guid><pubDate>Tue, 31 Dec 2013 01:00:00 +0000</pubDate><atom:updated>2013-12-31T12:00:06.038+11:00</atom:updated><title>The diffidence of the 70s (Part 16).</title><description>Hallo Leute!&lt;br /&gt;
&lt;br /&gt;
Zum Jahresausklang gibt&#39;s noch was Instrumentales aus Deutschland. Die Originalversion dieses Liedes war ein grosser Hit ebendort und markiert fuer mich das Ende der &#39;klassischen Phase&#39; von FRANK ZANDER.&lt;br /&gt;
&lt;br /&gt;
Die heute vorzustellende Version stammt von der englischsprachigen 12&#39;&#39; Version und wurde remixt von&amp;nbsp;&lt;a href=&quot;http://www.residentadvisor.net/images/events/flyer/2013/6/ie-0602-484282-front.jpg&quot; target=&quot;_blank&quot;&gt;RAYKO&lt;/a&gt;&amp;nbsp;in einem gewissen &#39;Stars On 45 - Style&#39;, meiner Meinung nach. Ich habe dann nebst einigen Edits noch den Gesang entfernt und fertig war der Instrumentalmix.&lt;br /&gt;
&lt;br /&gt;
Abschliessend danke ich euch noch fuer die Treue und Aufmerksamkeit in dieses Jahr, und wuensche mir dasselbe und noch viel mehr fuer&#39;s naechste Jahr.&lt;br /&gt;
&lt;br /&gt;
Und euch da draussen wuensche ich einen guten Rutsch in neue Jahr, und moege die Kraft mit euch sein.&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Hier ist die Info:&lt;br /&gt;
&lt;br /&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOVwzbJnbnAtRp9RB16DEb_w5IT54D-SzN_G3vuXVH1msgWIWoROyrBlHgCpmJB899IZjQcB3Pr8ImggW3GAnnsT6sKb8Qt_1TlAuni1d3VSOB26TLqHbP8rsWVoKALoW5lW3JPXpf9CE/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;302&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOVwzbJnbnAtRp9RB16DEb_w5IT54D-SzN_G3vuXVH1msgWIWoROyrBlHgCpmJB899IZjQcB3Pr8ImggW3GAnnsT6sKb8Qt_1TlAuni1d3VSOB26TLqHbP8rsWVoKALoW5lW3JPXpf9CE/s320/yourpic.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
ZAZU&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
Captain Starlight&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
(Rayko instrumental edit)&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
05:40&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
[1979]&lt;/div&gt;
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&lt;a href=&quot;http://www4.zippyshare.com/v/96673855/file.html&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;</description><link>http://chronovisor.blogspot.com/2013/12/the-diffidence-of-70s-part-16.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOVwzbJnbnAtRp9RB16DEb_w5IT54D-SzN_G3vuXVH1msgWIWoROyrBlHgCpmJB899IZjQcB3Pr8ImggW3GAnnsT6sKb8Qt_1TlAuni1d3VSOB26TLqHbP8rsWVoKALoW5lW3JPXpf9CE/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-8173429961281600330</guid><pubDate>Sat, 30 Nov 2013 01:00:00 +0000</pubDate><atom:updated>2013-12-04T15:55:48.865+11:00</atom:updated><title>The relevance of the 00s (Part 12). [repost]</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Today I want to present you one of the most less known but nevertheless one of the most remarkable artists of my home country in the latter years. He really is an entertainer from another generation, and he worked for several years in Las Vegas on track of his idols, &quot;The Rat Pack&quot;, and when you give a listen, you&#39;ll recognize, why he was able to do that.&lt;br /&gt;
&lt;br /&gt;
Back in Vienna in 1999, and after meeting some ambitiously young electronic music producers he turned from a &quot;Jazz Crooner&quot; to an &quot;Electronic Crooner&quot;. Ever since then he is been electrotaining people with his surrealistic fusion of his incredible and unique voice and modern club sounds. (The above information is partly taken from discogs.)&lt;br /&gt;
&lt;br /&gt;
The todays famous track interestingly is part of the O.S.T. &quot;Die Viertelliterklasse&quot;, which is an Austrian movie, a tragic comedy about alcoholism.&lt;br /&gt;
&lt;br /&gt;
I myself took a bow by streeetchin&#39; it to an easy to listen and veeery relaxing lounge track.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7EKScGIBrz11O1_kxXSKGMrLyBK4phiu2LCBhBxyPlym_uEj2m6hL2ea3e_DvuMFwL2RJ9CmHhjcILLHAPDwIuDl3KQAkwU3lcBINnkiRgeReq-WtUnLgRKDYPxkJyfW2rqq2QPxQHUk/s1600-h/LOUIE+AUSTEN+-+More.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5229510078361502802&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7EKScGIBrz11O1_kxXSKGMrLyBK4phiu2LCBhBxyPlym_uEj2m6hL2ea3e_DvuMFwL2RJ9CmHhjcILLHAPDwIuDl3KQAkwU3lcBINnkiRgeReq-WtUnLgRKDYPxkJyfW2rqq2QPxQHUk/s320/LOUIE+AUSTEN+-+More.jpg&quot; style=&quot;cursor: hand; cursor: pointer;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
LOUIE AUSTEN&lt;br /&gt;
More&lt;br /&gt;
(chronovisor mix)&lt;br /&gt;
08:26&lt;br /&gt;
[2005]&lt;br /&gt;
&lt;a href=&quot;http://www24.zippyshare.com/v/78934401/file.html&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/11/the-relevance-of-00s-part-12-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7EKScGIBrz11O1_kxXSKGMrLyBK4phiu2LCBhBxyPlym_uEj2m6hL2ea3e_DvuMFwL2RJ9CmHhjcILLHAPDwIuDl3KQAkwU3lcBINnkiRgeReq-WtUnLgRKDYPxkJyfW2rqq2QPxQHUk/s72-c/LOUIE+AUSTEN+-+More.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-2132808264774997869</guid><pubDate>Thu, 31 Oct 2013 01:00:00 +0000</pubDate><atom:updated>2013-11-07T13:10:40.241+11:00</atom:updated><title>The decadence of the 80s (Part 79).</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Today I present you a fantastic mix by &lt;a href=&quot;http://soundcloud.com/ed-zone&quot; target=&quot;_blank&quot;&gt;ED ZONE&lt;/a&gt; who released it more than two years ago. These days I again came across it and I thought, it is more than good enough to put it on my music.blog.&lt;br /&gt;
&lt;br /&gt;
I&#39;m a bit lazy recently, but I try to put up&amp;nbsp;mixes here at least once a month, so please be lenient with me. Currently I&#39;m working on an edit of a French song from the 80s which was covered by an Englishman a few years later. Be surprised.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRZRlJYgIBXeksJXWjF33ncP0y89myIS-OeIlpiEdzcUClWpZESBcaV1vc7WT-9sOQtB534gOKyvWOKuUvMIyqARYPbJuXnUF7LVTPPhryVoArI3XbRG0k0h7PEbIXk-M2VO68vRSx2SU/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRZRlJYgIBXeksJXWjF33ncP0y89myIS-OeIlpiEdzcUClWpZESBcaV1vc7WT-9sOQtB534gOKyvWOKuUvMIyqARYPbJuXnUF7LVTPPhryVoArI3XbRG0k0h7PEbIXk-M2VO68vRSx2SU/s320/yourpic.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
BRUCE HORNSBY &amp;amp; THE RANGE&lt;br /&gt;
The Way It Is&lt;br /&gt;
(Nothing Like The Way It Was edit)&lt;br /&gt;
09:08&lt;br /&gt;
[1986]&lt;br /&gt;
&lt;a href=&quot;http://www.mediafire.com/?s260o4a1xkocaae&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/10/the-decadence-of-80s-part-79.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRZRlJYgIBXeksJXWjF33ncP0y89myIS-OeIlpiEdzcUClWpZESBcaV1vc7WT-9sOQtB534gOKyvWOKuUvMIyqARYPbJuXnUF7LVTPPhryVoArI3XbRG0k0h7PEbIXk-M2VO68vRSx2SU/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-6501706846913339137</guid><pubDate>Mon, 30 Sep 2013 02:00:00 +0000</pubDate><atom:updated>2013-10-02T12:22:05.711+10:00</atom:updated><title>The decadence of the 80s (Part 78).</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
Today I present you a song which I only edited a little bit, because&amp;nbsp;I was not satisfied with the original version. The artist was very well known in the 70s as a member of THE SWEET. In the 80s he only recorded a few songs, and this was surely the most successfull one.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMQgVaRBykqIq8Tyli3kchhgxE9uQxToSfiHPs4xBJ618bfsCOU2jt98evOpF0Jzy-DMDC8oy6l7LwBgBIDkNvdreoZc7t-RWZF8qz6SS9wVkawch7pNOnW3UhU0V4dWY-fMb7JSDJAvU/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMQgVaRBykqIq8Tyli3kchhgxE9uQxToSfiHPs4xBJ618bfsCOU2jt98evOpF0Jzy-DMDC8oy6l7LwBgBIDkNvdreoZc7t-RWZF8qz6SS9wVkawch7pNOnW3UhU0V4dWY-fMb7JSDJAvU/s320/yourpic.jpg&quot; width=&quot;305&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
ANDY SCOTT&lt;br /&gt;
Krugerrands&lt;br /&gt;
(chronovisor radio edit)&lt;br /&gt;
04:12&lt;br /&gt;
[1983]&lt;br /&gt;
&lt;a href=&quot;http://www18.zippyshare.com/v/80453342/file.html&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/09/the-decadence-of-80s-part-78.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMQgVaRBykqIq8Tyli3kchhgxE9uQxToSfiHPs4xBJ618bfsCOU2jt98evOpF0Jzy-DMDC8oy6l7LwBgBIDkNvdreoZc7t-RWZF8qz6SS9wVkawch7pNOnW3UhU0V4dWY-fMb7JSDJAvU/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-2496204519677420736</guid><pubDate>Sat, 31 Aug 2013 02:00:00 +0000</pubDate><atom:updated>2013-09-06T14:43:23.094+10:00</atom:updated><title>The decadence of the 80s (Part 2). [repost]</title><description>Hi folks!&lt;br /&gt;
&lt;br /&gt;
This record is a wonderful example of an electronic music composition from a hero of mine back in those days. It is almost unbelievable that this classical music studying composer brought such simple melodies to its success.&lt;br /&gt;
&lt;br /&gt;
I myself only laid a slight hand on the 7&#39;&#39; version to make it extended and give it a little bit more of stereo effect.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNFIPMAjK6RBp9CLq4vteU07zywS3BKrEMcxp1H9fPLZwxe8HVcMDoKvwl7NhAJpPMclpD-CkSlVkMeH-InFCeMbYzzEQWTixhFt-5Ixu0PvlgFCghp_12VBmPDFDm9r8PAsl-O_7odp4/s1600-h/PAUL+HARCDASTLE+-+Rain+Forrest.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5036734491050849362&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNFIPMAjK6RBp9CLq4vteU07zywS3BKrEMcxp1H9fPLZwxe8HVcMDoKvwl7NhAJpPMclpD-CkSlVkMeH-InFCeMbYzzEQWTixhFt-5Ixu0PvlgFCghp_12VBmPDFDm9r8PAsl-O_7odp4/s320/PAUL+HARCDASTLE+-+Rain+Forrest.jpg&quot; style=&quot;cursor: pointer;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
PAUL HARDCASTLE&lt;br /&gt;
Rain Forest&lt;br /&gt;
(chronovisor mix v1.0)&lt;br /&gt;
08:31&lt;br /&gt;
[1984]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/8p7f6qrho0d4/yourfile.mp3.html&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/08/the-decadence-of-80s-part-2-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNFIPMAjK6RBp9CLq4vteU07zywS3BKrEMcxp1H9fPLZwxe8HVcMDoKvwl7NhAJpPMclpD-CkSlVkMeH-InFCeMbYzzEQWTixhFt-5Ixu0PvlgFCghp_12VBmPDFDm9r8PAsl-O_7odp4/s72-c/PAUL+HARCDASTLE+-+Rain+Forrest.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-8347547619395975796</guid><pubDate>Wed, 31 Jul 2013 02:00:00 +0000</pubDate><atom:updated>2013-08-01T15:26:56.868+10:00</atom:updated><title>The diffidence of the 70s (Part 15).</title><description>Rest in peace Mr. Cale!&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig4etDh_iRHrwKYWrZc85NA0WWs1ZJkpVb71fPcCM8xRkzXO9X9hdrNfDU06utCbqf0dB8U1eHKfFQxfdw5g5lGZ7e-YD9KzMSVGcAxx8DkNweFO7NzaZTiia4rT7GqTP4vi5atB4kvww/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig4etDh_iRHrwKYWrZc85NA0WWs1ZJkpVb71fPcCM8xRkzXO9X9hdrNfDU06utCbqf0dB8U1eHKfFQxfdw5g5lGZ7e-YD9KzMSVGcAxx8DkNweFO7NzaZTiia4rT7GqTP4vi5atB4kvww/s320/yourpic.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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J. J. CALE&lt;br /&gt;
Cocaine&lt;br /&gt;
(Appo Remix)&lt;br /&gt;
07:51&lt;br /&gt;
[1976]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/yh2tjgwh7680/yourfile.mp3.html&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/07/the-diffidence-of-70s-part-15.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig4etDh_iRHrwKYWrZc85NA0WWs1ZJkpVb71fPcCM8xRkzXO9X9hdrNfDU06utCbqf0dB8U1eHKfFQxfdw5g5lGZ7e-YD9KzMSVGcAxx8DkNweFO7NzaZTiia4rT7GqTP4vi5atB4kvww/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-2912357802803072938</guid><pubDate>Sun, 30 Jun 2013 02:00:00 +0000</pubDate><atom:updated>2013-07-01T13:36:48.264+10:00</atom:updated><title>The decadence of the 80s (Part 77).</title><description>Hello folks!&lt;br /&gt;
&lt;br /&gt;
Today I present you another song performed by Dallas, TX based MARK GRIFFIN.&lt;br /&gt;
&lt;br /&gt;
In the late 80s he and his music project perfectioned sampling and scratching to its best.&lt;br /&gt;
&lt;br /&gt;
The main&amp;nbsp;sample which is used in this track has its origin in the tune &#39;Funky Me&#39; by TIMMY THOMAS.&lt;br /&gt;
&lt;br /&gt;
Because there was no 12&#39;&#39; version released ever I&amp;nbsp;combined the vocal track with the instrumental one to a typical &#39;chronovisor edit&#39;.&lt;br /&gt;
&lt;br /&gt;
ENJOY! Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs4kTHU8oNOr2IHt5NrgYUvtEDoKa8TdRgBfzoc-gNo9FWXmuNYNwy-UfhQqXfBb_oYuDiXjO4ir7WwQIiLaHnFc3BR08cmgujKLywnJ2oRIZ77AS34paVG8NCIGhWAAKufTZRRqizJso/s220/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs4kTHU8oNOr2IHt5NrgYUvtEDoKa8TdRgBfzoc-gNo9FWXmuNYNwy-UfhQqXfBb_oYuDiXjO4ir7WwQIiLaHnFc3BR08cmgujKLywnJ2oRIZ77AS34paVG8NCIGhWAAKufTZRRqizJso/s220/yourpic.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
MC 900 FT JESUS WITH DJ ZERO&lt;br /&gt;
I&#39;m Going Straight To Heaven&lt;br /&gt;
(chronovisor edit)&lt;br /&gt;
05:53&lt;br /&gt;
[1989]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/dlyz9re574on/yourfile.mp3.html&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/06/the-decadence-of-80s-part-77.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs4kTHU8oNOr2IHt5NrgYUvtEDoKa8TdRgBfzoc-gNo9FWXmuNYNwy-UfhQqXfBb_oYuDiXjO4ir7WwQIiLaHnFc3BR08cmgujKLywnJ2oRIZ77AS34paVG8NCIGhWAAKufTZRRqizJso/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-4489647141282130262</guid><pubDate>Fri, 31 May 2013 02:00:00 +0000</pubDate><atom:updated>2013-05-31T12:00:01.595+10:00</atom:updated><title>The relevance of the 00s (Part 9). [repost]</title><description>Ain&#39;t THAT fresh? (Part 2)&lt;br /&gt;
&lt;br /&gt;
Folks, what comes after Part 1? Yes, you&#39;re *euphemism* right, and here it is. How can it be, that an electronic music band sounds so fantastic all over 20 years? Well, this band does, and there&#39;s not really much more to say. This is the latest single release they did, so you can compare for yourself the sounds from the posting before. Maybe you will be surprised, but I&#39;m pretty sure, you will love it as I do. Here I also touched the song softly to get the today&#39;s result, a typically &#39;chronovisor mix&#39;.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia-xOxmbyifbTuQIJOfgYncv_AYxwmHTzaqFHC-kRpJ1xixhonRzlx4SHIu4T9GP6Ik62GLC2jpL0punPxAAtRG8x8Ss5-YikGYpRT-L0tSDKAOgBXbaWV4Vyl2DIld49eZE3arrFhB5k/s1600-h/102+FRONT+242+-+7Rain.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5158429563951661522&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia-xOxmbyifbTuQIJOfgYncv_AYxwmHTzaqFHC-kRpJ1xixhonRzlx4SHIu4T9GP6Ik62GLC2jpL0punPxAAtRG8x8Ss5-YikGYpRT-L0tSDKAOgBXbaWV4Vyl2DIld49eZE3arrFhB5k/s320/102+FRONT+242+-+7Rain.jpg&quot; style=&quot;cursor: pointer;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
FRONT 242&lt;br /&gt;
7Rain&lt;br /&gt;
(chronovisor mix v1.0)&lt;br /&gt;
07:00&lt;br /&gt;
[2003]&lt;br /&gt;
&lt;a href=&quot;http://depositfiles.com/files/uhxz0roji&quot;&gt;music file&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/05/the-relevance-of-00s-part-9-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia-xOxmbyifbTuQIJOfgYncv_AYxwmHTzaqFHC-kRpJ1xixhonRzlx4SHIu4T9GP6Ik62GLC2jpL0punPxAAtRG8x8Ss5-YikGYpRT-L0tSDKAOgBXbaWV4Vyl2DIld49eZE3arrFhB5k/s72-c/102+FRONT+242+-+7Rain.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-6744651772518225230</guid><pubDate>Tue, 30 Apr 2013 02:00:00 +0000</pubDate><atom:updated>2013-05-05T13:58:01.619+10:00</atom:updated><title>The decadence of the 80s (Part 30). [repost]</title><description>Ain&#39;t THAT fresh? (Part 1)&lt;br /&gt;
&lt;br /&gt;
The today&#39;s fantastic band was mentioned here before, and it was clear that they had to come into this blog again, so here they are. Founded back in 1981 they were pioneers to the today so called &#39;electronic body music&#39;. Dont get me wrong, there certainly were electronic music groups earlier on the run, like CABARET VOLTAIRE, THROBBING GRISTLE, TELEX, KRAFTWERK, you name it, but they all did some kinda &#39;industrial&#39; or &#39;electro pop&#39;. But this typical new electric sound was heard first back in 1982 by them, when they released their debut album. And this music sounds so fresh, that it still can be listened to today; it&#39;s timeless. So they were first, and they still are present, while other bands were gone, and they still will be for the next 20 years, hopefully (take a look at the next posting). The now here presented tune was their second single release, and I&#39;m proud that I laid my hands softly to the song finally to get this &#39;chronovisor mix&#39;.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwURPnuBFOoP-W8kF2UTBaPi6WQchlJynO0bQsPKku9EjGVgWCYhyaE3nqUCTNBJygveV7DcPHZpj_I5j7tVw93mwBao-tVgH1yAN82gZlrhLLTCboNlMwY7gI7lEznv-UeCjgE5nIvek/s1600-h/101+FRONT+242+-+U-Men.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5158426106502988226&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwURPnuBFOoP-W8kF2UTBaPi6WQchlJynO0bQsPKku9EjGVgWCYhyaE3nqUCTNBJygveV7DcPHZpj_I5j7tVw93mwBao-tVgH1yAN82gZlrhLLTCboNlMwY7gI7lEznv-UeCjgE5nIvek/s320/101+FRONT+242+-+U-Men.jpg&quot; style=&quot;cursor: pointer;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
FRONT 242&lt;br /&gt;
U-Men&lt;br /&gt;
(chronovisor mix v1.0)&lt;br /&gt;
05:36&lt;br /&gt;
[1982]&lt;br /&gt;
&lt;a href=&quot;http://depositfiles.com/files/zo5kcabqp&quot;&gt;music file&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/04/the-decadence-of-80s-part-30-repost.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwURPnuBFOoP-W8kF2UTBaPi6WQchlJynO0bQsPKku9EjGVgWCYhyaE3nqUCTNBJygveV7DcPHZpj_I5j7tVw93mwBao-tVgH1yAN82gZlrhLLTCboNlMwY7gI7lEznv-UeCjgE5nIvek/s72-c/101+FRONT+242+-+U-Men.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-15541981183212107.post-6711063252016370958</guid><pubDate>Sun, 31 Mar 2013 01:00:00 +0000</pubDate><atom:updated>2013-04-05T17:32:12.932+11:00</atom:updated><title>The ignorance of the 90s (Part 30).</title><description>Hello all, out there!&lt;br /&gt;
&lt;br /&gt;
The artist I want to present you today is hyped all over the world because of his new album he released recently after ten years of absence. Well done, I must say!&lt;br /&gt;
&lt;br /&gt;
And of course&amp;nbsp;I&amp;nbsp;also need to jump on to&amp;nbsp;this &#39;hype-train&#39; with presenting you a tune from the early 90s which was the title track of a movie back then, and the title&amp;nbsp;says it all.&lt;br /&gt;
&lt;br /&gt;
I combined the mixes from SATOSHI TOMIIE&amp;nbsp;to a &#39;real cool suite&#39;, a very danceable and listenable &#39;chronovisor edit&#39;.&lt;br /&gt;
&lt;br /&gt;
ENJOY!&lt;br /&gt;
&lt;br /&gt;
Floyd Anderson.&lt;br /&gt;
&lt;br /&gt;
Here is the info:&lt;br /&gt;
&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJjATsItvmpPvBejvldCVgsH8Gakxn1-TLfmsjwObU_xUxw_Ry0UsW5H_L3TTVN4lhem5tJMkavUWneX2f6Ajkty4NlE7XBl4fynnDKA-Ls6ZkZt8bZNjLYV8Tywphuqv80rip7zR_98I/s1600/yourpic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;317&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJjATsItvmpPvBejvldCVgsH8Gakxn1-TLfmsjwObU_xUxw_Ry0UsW5H_L3TTVN4lhem5tJMkavUWneX2f6Ajkty4NlE7XBl4fynnDKA-Ls6ZkZt8bZNjLYV8Tywphuqv80rip7zR_98I/s320/yourpic.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
DAVID BOWIE&lt;br /&gt;
Real Cool World&lt;br /&gt;
(chronovisor edit v1.1)&lt;br /&gt;
22:50&lt;br /&gt;
[1992]&lt;br /&gt;
&lt;a href=&quot;http://verzend.be/imuh9oss4jzf/yourfile.mp3.html&quot; target=&quot;_blank&quot;&gt;info&lt;/a&gt;</description><link>http://chronovisor.blogspot.com/2013/03/the-ignorance-of-90s-part-30.html</link><author>noreply@blogger.com (Floyd Anderson / chronovisor)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJjATsItvmpPvBejvldCVgsH8Gakxn1-TLfmsjwObU_xUxw_Ry0UsW5H_L3TTVN4lhem5tJMkavUWneX2f6Ajkty4NlE7XBl4fynnDKA-Ls6ZkZt8bZNjLYV8Tywphuqv80rip7zR_98I/s72-c/yourpic.jpg" height="72" width="72"/><thr:total>0</thr:total></item></channel></rss>