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        <title>Events</title>
        <link>http://www.musictank.co.uk/events</link>
        <description>MusicTank events feature top-drawer speakers and attract a rich and dynamic cross-industry audience; open to all, they also afford excellent networking opportunities.  Think Tanks are pitched at mid-level and assume a level of knowledge concerning the music industry in general, if not the subject matter itself.  These events are archived elsewhere on this website, and are linked-to from the event pages themselves.  The archive typically includes (1)  detailed 15-20 page transcripts.  Free to members and event attendees, these are also for sale for £19.99 each - a list of these can be found at http://www.musictank.co.uk/events/event-archive; (2) a free 15-minute video edit; (3) more, recently (from Sept 2014), we have also captured the key points through rich graphical summaries.</description>

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            <title>Events</title>
            <url>http://www.musictank.co.uk/logo.png</url>
            <link>http://www.musictank.co.uk/events</link>
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            <item>
                <title>Creators' Rights In The Digital Landscape</title>
                <guid>http://www.musictank.co.uk/events/creators-rights-in-the-digital-landscape</guid>
                <link>http://www.musictank.co.uk/events/creators-rights-in-the-digital-landscape</link>
                <description>This think tank considers the pressing issue of creators’ rights and remuneration in the digital landscape.  It is informed by the presentation of a paper by Fiona McGugan, which considers the evolution of communication rights that overshadow conventional distribution and reproduction rights as music consumption increasingly shifts away from ownership, towards access models of streaming services. Understanding how these rights are applied, territorial variations in the application of rights, and how licensing structures are determined according to the levels of user-interactivity of digital services lie-at the heart of possibly the single biggest issue facing the music industry in recent times - how much artists get paid.</description>
                <author>MusicTank</author>

                
                    <category>Horace Trubridge</category>
                
                
                    <category>Wiggin</category>
                
                
                    <category>Alexander Ross</category>
                
                
                    <category>Making Available Right</category>
                
                
                    <category>streaming royalties</category>
                
                
                    <category>Benoît Machuel</category>
                
                
                    <category>Musician's Union</category>
                
                
                    <category>digital royalties</category>
                
                
                    <category>Keith Harris</category>
                
                
                    <category>artist royalty</category>
                
                
                    <category>MU</category>
                
                
                    <category>performance rights</category>
                
                
                    <category>#FairInternet</category>
                
                
                    <category>#DigitalCollar</category>
                
                
                    <category>Fiona McGugan</category>
                
                
                    <category>streaming</category>
                
                
                    <category>FAC</category>
                
                
                    <category>MMF</category>
                
                
                    <category>digital services</category>
                
                
                    <category>FIM</category>
                

                <pubDate>Mon, 14 Sep 2015 14:50:00 +0100</pubDate>

                
            </item>
        
        
            <item>
                <title>IIP PAYMENT</title>
                <guid>http://www.musictank.co.uk/events/jt-test</guid>
                <link>http://www.musictank.co.uk/events/jt-test</link>
                <description></description>
                <author>MusicTank</author>


                <pubDate>Mon, 26 Jan 2015 10:50:00 +0000</pubDate>

                
            </item>
        
        
            <item>
                <title> Private Copy Exemption: Rightsholders And Remuneration</title>
                <guid>http://www.musictank.co.uk/events/private-copy-exemption</guid>
                <link>http://www.musictank.co.uk/events/private-copy-exemption</link>
                <description>MusicTank takes forward the complex aspect of rightsholder remuneration, centering discussion on a bold and imaginative solution that balances the need for rightsholder compensation with a harmonious, equitable and transparent process that accurately and appropriately charges only those who choose to lawfully copy music for personal consumption.</description>
                <author>MusicTank</author>

                
                    <category>Musician's Union</category>
                
                
                    <category>EU directive</category>
                
                
                    <category>John Smith</category>
                
                
                    <category>MU</category>
                
                
                    <category>private copy exemption</category>
                
                
                    <category>European Parliament</category>
                
                
                    <category>consumer</category>
                
                
                    <category>rights holders</category>
                
                
                    <category>private copying</category>
                

                <pubDate>Thu, 15 Jan 2015 10:50:00 +0000</pubDate>

                
            </item>
        
        
            <item>
                <title>Moneyballing Music: Big Data, Consumers And A&amp;R                  </title>
                <guid>http://www.musictank.co.uk/events/big-data</guid>
                <link>http://www.musictank.co.uk/events/big-data</link>
                <description>Taking its lead from the recent publication of an MA thesis on the subject of Big Data, this event will consider how the recorded music industry is currently collecting and using data to support a historically subjective process of signing new artists.  </description>
                <author>MusicTank</author>

                
                    <category>MusicTank</category>
                
                
                    <category>Business &amp; Innovation Award</category>
                
                
                    <category>Universal Music Group</category>
                
                
                    <category>Prithwijit Mukerji</category>
                
                
                    <category>Infectious Music</category>
                
                
                    <category>Samsung</category>
                
                
                    <category>Future Thinking</category>
                
                
                    <category>Keith Harris</category>
                
                
                    <category>Jeremy Silver</category>
                
                
                    <category>Jack Fryer</category>
                
                
                    <category>Kim DeRuiter</category>
                
                
                    <category>Korda Marshall</category>
                
                
                    <category>Semetric</category>
                
                
                    <category>MA Music Business Management</category>
                
                
                    <category>big data</category>
                
                
                    <category>Musicmetric</category>
                
                
                    <category>University of Westminster</category>
                

                <pubDate>Thu, 15 Jan 2015 10:45:00 +0000</pubDate>

                
            </item>
        
        
            <item>
                <title>Easy Money? Funding Creativity</title>
                <guid>http://www.musictank.co.uk/events/easy-money-bassetlaw</guid>
                <link>http://www.musictank.co.uk/events/easy-money-bassetlaw</link>
                <description>A day of presentations, workshops and networking aimed at increasing knowledge of funding available for music projects, for musicians, entrepreneurs, micro-businesses &amp; SMEs, in association with Music Industry Bassetlaw.</description>
                <author>MusicTank</author>

                
                    <category>Rob Chute</category>
                
                
                    <category>PRS for Music Foundation</category>
                
                
                    <category>Ronika</category>
                
                
                    <category>Arts Council England</category>
                
                
                    <category>Mark Walker</category>
                
                
                    <category>Rattlepop</category>
                
                
                    <category>James Hannam</category>
                
                
                    <category>Segun Lee-French</category>
                

                <pubDate>Tue, 09 Sep 2014 19:40:00 +0100</pubDate>

                
            </item>
        
        
            <item>
                <title>Is Technology The New Beatles?</title>
                <guid>http://www.musictank.co.uk/events/is-technology-the-new-beatles</guid>
                <link>http://www.musictank.co.uk/events/is-technology-the-new-beatles</link>
                <description>This think tank debate will present a vision of technology’s engagement with music and shed light on what new technology fused with music is bringing to the industry.  Which are the most positive trends and where are the biggest challenges?  What forms of creativity will technology unleash for artists and bands and fans?  And what are the implications for markets and businesses?</description>
                <author>MusicTank</author>

                
                    <category>Adam Place</category>
                
                
                    <category>Sofar Sounds</category>
                
                
                    <category>Kevin Godley</category>
                
                
                    <category>Roland Lamb</category>
                
                
                    <category>Keith Harris</category>
                
                
                    <category>Jeremy Silver</category>
                
                
                    <category>Ben Dawson</category>
                
                
                    <category>Rafe Offer</category>
                
                
                    <category>Afrobeats</category>
                
                
                    <category>ROLI</category>
                
                
                    <category>nu desine</category>
                
                
                    <category>Musion</category>
                
                
                    <category>Uwe Maass</category>
                
                
                    <category>Immersive Album</category>
                

                <pubDate>Mon, 07 Jul 2014 11:35:00 +0100</pubDate>

                
            </item>
        
        
            <item>
                <title>MusicTank @ TGE: The Finance Question</title>
                <guid>http://www.musictank.co.uk/events/musictank-tge-the-finance-question</guid>
                <link>http://www.musictank.co.uk/events/musictank-tge-the-finance-question</link>
                <description>As artists and managers restructure the way they do business with music companies, the big issue is how such partnerships can raise finance outside of the traditional label deal model.</description>
                <author>MusicTank</author>


                <pubDate>Thu, 30 Jan 2014 14:57:04 +0000</pubDate>

                
            </item>
        
        
            <item>
                <title>The Artist Economics Of Streaming</title>
                <guid>http://www.musictank.co.uk/events/streaming-2014</guid>
                <link>http://www.musictank.co.uk/events/streaming-2014</link>
                <description>Despite Spotify’s attempt in late 2013 to shine some light on its equations, there is still a palpable sense of confusion and distrust amongst artists both old and new around streaming.  MusicTank aims to shed some light upon the economics of the record business’ next big format shift.</description>
                <author>MusicTank</author>

                
                    <category>Spotify</category>
                
                
                    <category>David Touve</category>
                
                
                    <category>royalties</category>
                
                
                    <category>Roger La Haye</category>
                
                
                    <category>royalty audit</category>
                
                
                    <category>royalty accounting</category>
                
                
                    <category>royalty rate</category>
                
                
                    <category>artist royalty</category>
                
                
                    <category>Billy Bragg</category>
                
                
                    <category>streaming royalties</category>
                
                
                    <category>Mark Williamson</category>
                
                
                    <category>AMP</category>
                
                
                    <category>streaming services</category>
                

                <pubDate>Thu, 16 Jan 2014 09:35:00 +0000</pubDate>

                
            </item>
        
        
            <item>
                <title>Easy Money? The Convention</title>
                <guid>http://www.musictank.co.uk/events/finance-convention-2013</guid>
                <link>http://www.musictank.co.uk/events/finance-convention-2013</link>
                <description>Several leading industry professionals and funding experts have been added to the lineup for Easy Money? The Convention; MusicTank’s first ever day of presentations, workshops and networking aimed at increasing knowledge of funding available for music projects, for musicians, entrepreneurs, micro-businesses &amp; SMEs.</description>
                <author>MusicTank</author>

                
                    <category>funding</category>
                
                
                    <category>finance</category>
                
                
                    <category>Easy Money?</category>
                

                <pubDate>Thu, 15 Aug 2013 14:45:00 +0100</pubDate>

                
            </item>
        
        
            <item>
                <title>Follow The Money: Can The Business Of Ad-Funded Piracy Be Throttled?</title>
                <guid>http://www.musictank.co.uk/events/follow%20the%20money</guid>
                <link>http://www.musictank.co.uk/events/follow%20the%20money</link>
                <description>Recent debates on infringement are increasingly focusing on the role of advertising in bankrolling unlicensed sites.

Be clear, this isn’t some romantic fantasy of teenagers sticking it to the man; it’s £millions in FTSE and Fortune 500 company funding reaching the most nefarious corners of the Web on an industrial scale.

Could this new focus create common ground between Big Tech and the content industries, and can the funding be stopped, even if the will is there?
</description>
                <author>MusicTank</author>

                
                    <category>piracy losses</category>
                
                
                    <category>Google</category>
                
                
                    <category>Theo Bertram</category>
                
                
                    <category>piracy</category>
                
                
                    <category>Dave Lowery</category>
                
                
                    <category>revenue</category>
                
                
                    <category>Trichordist</category>
                
                
                    <category>licensed content</category>
                
                
                    <category>ad-funded piracy</category>
                
                
                    <category>ad revenue</category>
                

                <pubDate>Tue, 30 Apr 2013 12:20:00 +0100</pubDate>

                
            </item>
        
        
            <item>
                <title>Ticket To Ride: Getting Primary Tickets Back Into The Hands Of Fans</title>
                <guid>http://www.musictank.co.uk/events/ticketing</guid>
                <link>http://www.musictank.co.uk/events/ticketing</link>
                <description>In a summit comprising two panels and a case study, MusicTank will bring together executives from across the ticketing business, consumer representatives and government to look at ways to re-balance the primary and secondary ticket markets - in favour of fans and not profiteers.</description>
                <author>MusicTank</author>

                
                    <category>ticket refunds</category>
                
                
                    <category>ticketing</category>
                
                
                    <category>touts</category>
                
                
                    <category>ticket exchanges</category>
                
                
                    <category>ticket prices</category>
                
                
                    <category>ticket-buyers</category>
                
                
                    <category>ticket tout</category>
                
                
                    <category>Seatwave</category>
                
                
                    <category>Viagogo</category>
                
                
                    <category>secondary ticketing</category>
                
                
                    <category>PRODISS</category>
                
                
                    <category>StubHub</category>
                

                <pubDate>Thu, 25 Oct 2012 14:10:00 +0100</pubDate>

                
            </item>
        
        
            <item>
                <title>MusicTank @ TGE: Your Favourite Track May Destroy The Planet</title>
                <guid>http://www.musictank.co.uk/events/your-favourite-track-may-destroy-the-planet</guid>
                <link>http://www.musictank.co.uk/events/your-favourite-track-may-destroy-the-planet</link>
                <description>Interview with Dagfinn Bach - President, Bach Technology and author of MusicTank’s forthcoming report on the spiralling energy costs of digital music consumption, video interviewed by Eamonn Forde.</description>
                <author>MusicTank</author>

                
                    <category>Julie's Bicycle</category>
                
                
                    <category>Dagfinn Bach</category>
                
                
                    <category>Catherine Bottrill</category>
                
                
                    <category>energy</category>
                
                
                    <category>The Great Escape</category>
                
                
                    <category>TGE</category>
                
                
                    <category>Eamonn Forde</category>
                
                
                    <category>digital music service</category>
                
                
                    <category>Iain Hossack</category>
                

                <pubDate>Wed, 25 Apr 2012 16:30:00 +0100</pubDate>

                
            </item>
        
        
            <item>
                <title>The Big Question: Can Streaming Go Mainstream?</title>
                <guid>http://www.musictank.co.uk/events/streaming</guid>
                <link>http://www.musictank.co.uk/events/streaming</link>
                <description>Once heralded as an industry saviour, a stigma is beginning to form around streaming services and the radio silence from labels on the detail of licensing deals.  This event is now full but will be streamed live to MusicTank members for FREE from 18.30 GMT, Thu 23 Feb </description>
                <author>MusicTank</author>

                
                    <category>Spotify</category>
                
                
                    <category>royalties</category>
                
                
                    <category>royalty statement</category>
                
                
                    <category>Beggars Group</category>
                
                
                    <category>Kudos Records</category>
                
                
                    <category>Tim Ingham</category>
                
                
                    <category>digital services</category>
                
                
                    <category>artists</category>
                
                
                    <category>Music Week</category>
                
                
                    <category>distribution</category>
                
                
                    <category>streaming services</category>
                
                
                    <category>Danny Ryan</category>
                
                
                    <category>Simon Wheeler</category>
                

                <pubDate>Tue, 03 Jan 2012 10:20:00 +0000</pubDate>

                
            </item>
        
        
            <item>
                <title>Remake, Remodel: Challenging the ‘Dinosaur’ Myth </title>
                <guid>http://www.musictank.co.uk/events/remake-remodel-event</guid>
                <link>http://www.musictank.co.uk/events/remake-remodel-event</link>
                <description>SORRY - THIS EVENT IS FULL AND BOOKING HAS NOW CLOSED.  Join Tony Wadsworth and a raft of industry commentators, innovators and executives from across the business for this half-day conference that will bring together a mixture of opinion leaders, fact-based analysis and case studies to explore the future of the recordings business.</description>
                <author>MusicTank</author>

                
                    <category>Universal Music Group</category>
                
                
                    <category>Tony Wadsworth</category>
                
                
                    <category>Robertson Taylor</category>
                
                
                    <category>Remake, Remodel</category>
                
                
                    <category>Chris Cooke</category>
                
                
                    <category>Paul Dwyer</category>
                
                
                    <category>CMU Unlimited Media</category>
                
                
                    <category>Paul Smernicki</category>
                
                
                    <category>Robert Horsfall</category>
                
                
                    <category>Martin Goldschmidt</category>
                
                
                    <category>Alice Enders</category>
                
                
                    <category>Enders</category>
                
                
                    <category>Universal</category>
                
                
                    <category>Cooking Vinyl</category>
                
                
                    <category>Eamonn Forde</category>
                
                
                    <category>Muff Winwood</category>
                
                
                    <category>Peter Thompson</category>
                
                
                    <category>Andy Parfitt</category>
                
                
                    <category>Sean Adams</category>
                

                <pubDate>Mon, 16 May 2011 00:00:00 +0100</pubDate>

                
            </item>
        
        
            <item>
                <title>It Started With A Click: How to Spawn A Viral Hit</title>
                <guid>http://www.musictank.co.uk/events/it-started-with-a-click-how-to-spawn-a-viral-hit</guid>
                <link>http://www.musictank.co.uk/events/it-started-with-a-click-how-to-spawn-a-viral-hit</link>
                <description>The third of MusicTank’s Year Zero events aims to demystify the little-understood area of the business that is the viral hit and will inform and inspire  those looking to understand how to make music go viral over social media.  Lifting the lid and debunking dogma about how to create a viral hit, this illustrated session will combine panel-led debate with open round table discussion providing all with pointers, next step suggestions and an eye on how music will broken in the future.. </description>
                <author>MusicTank</author>

                
                    <category>viral hit</category>
                

                <pubDate>Thu, 20 Jan 2011 14:30:00 +0000</pubDate>

                
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