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	<title>Erik Contzius</title>
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		<title>Vayakhel: A Study in Patience</title>
		<link>https://contzius.com/vayakhel-a-study-in-patience/</link>
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		<dc:creator><![CDATA[Erik Contzius]]></dc:creator>
		<pubDate>Fri, 25 Feb 2022 22:46:42 +0000</pubDate>
				<category><![CDATA[Judaism]]></category>
		<category><![CDATA[Sermon]]></category>
		<guid isPermaLink="false">https://contzius.com/?p=2309</guid>

					<description><![CDATA[Everyone is a bit impatient nowadays. How long do we have to work to see a better world? Longer than you think, but it's all good.]]></description>
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				<div class="et_pb_text_inner"><p><span style="font-weight: 400;">I remember growing up watching </span><i><span style="font-weight: 400;">The Jetsons</span></i><span style="font-weight: 400;">. It was a cartoon about a middle-class family living in the year 2062 in Orbit City, with all the promised conveniences of science fiction: a job where one literally pushed a button for a living, flying cars, robots… and the only problems that happened were human-made, primarily about relationships with family, the boss, the occasional silly alien. 2062 doesn’t seem so far away, but the vision of a better world seems really far away. I remember back in the 1980’s reading fantastic books about space travel and world peace and praying that future would catch up to us. What we have in 2022 is a little closer to a dystopian </span><i><span style="font-weight: 400;">Mad Max</span></i><span style="font-weight: 400;"> than it is to the ideal that Gene Roddenberry&#8217;s </span><i><span style="font-weight: 400;">Star Trek </span></i><span style="font-weight: 400;">hoped for. But even though things might seem bleak, we have paths forward.</span></p>
<p><span style="font-weight: 400;">The Jewish People are all too familiar with praying for a better tomorrow, only to be met with challenge after challenge. But the entirety of the Torah and our prayers tell us to face challenges each day knowing that we have the potential to make a paradise on earth. Even though every week we pray that “</span><i><span style="font-weight: 400;">Bayom hahu yihyeh Adonai Ekhad u’sh’mo ekhad</span></i><span style="font-weight: 400;">—On that day, God shall be One, and God’s name shall be One,” we are also taught that this vision isn’t something that can happen overnight, even though we are told constantly to work for it. In Pirkei Avot 2:16, we read: “It is not your responsibility to finish the work, but neither are you free to desist from it.” The Torah, the Mishnah, the Talmud… it all teaches that if we just work hard enough, we should be able to make Eden here on Earth. But how long do we have to work until we actually see real results?</span></p>
<p><span style="font-weight: 400;">How many of us are losing patience? Our people—and in fact many peoples around the world—have our share of pain, suffering, and loss. Many have joined the fight against injustice, bigotry, and hate, only to have the pendulum swing one more time back to where it started. How many times do we have to debate, vote, lobby, fundraise, participate in the public square, before things “stick”?</span></p>
<p><span style="font-weight: 400;">Even our own Temple community is a microcosm of </span><i><span style="font-weight: 400;">tsuris</span></i><span style="font-weight: 400;">: We have been dealing with Covid, trying to keep our Temple Family together, doing our best in a crazy economy, only to be met with a hurricane, and now we find ourselves like our ancestors: Wandering Jews. Do we deserve this? Absolutely not. Are we doing something about it? Absolutely. Just ask our Temple Leadership. Better yet, don’t. They know better than anyone about the difficult questions that need answering and the steps needed to be taken. </span></p>
<p><span style="font-weight: 400;">We are tired. We are resigned. We want to have hope, but also to see it bear fruit. But this is nothing new, as we can see in the Torah.</span></p>
<p><span style="font-weight: 400;">We read this week from Parshat Vayakhel. In last week’s Torah Portion, Moses had come down from Mount Sinai, bearing the two tablets of the Ten Commandments, ready to charge the People Israel with the building of the Tabernacle. Exodus 35 begins thus:</span></p>
<blockquote>
<p><span style="font-weight: 400;">Moses then convoked the whole Israelite community and said to them: These are the things that THE ETERNAL has commanded you to do: On six days work may be done, but on the seventh day you shall have a sabbath of complete rest, holy to THE ETERNAL; whoever does any work on it shall be put to death. You shall kindle no fire throughout your settlements on the sabbath day.</span></p>
<p>Moses said further to the whole community of Israelites: This is what THE ETERNAL has commanded: Take from among you gifts to THE ETERNAL; everyone whose heart is so moved shall bring them—gifts for THE ETERNAL: gold, silver, and copper; blue, purple, and crimson yarns, fine linen… [Ex. 35:1-10]</p>
</blockquote>
<p><span style="font-weight: 400;">And so on. Notice that before Moses charges the Israelites with the daunting task at hand—that of building the Tabernacle so that God might dwell among them—he first and foremost tells them they can do work for six days, but on the seventh day, they must observe a day of complete and total rest. Moses really lays it out: Should anyone do work on the Sabbath, they shall be put to death. Only after reminding the Israelites that they must observe the Sabbath that he began to give instructions of the gifts needed to construct the Tabernacle. </span></p>
<p><i><span style="font-weight: 400;">Seder</span></i><span style="font-weight: 400;">, or Order, for Jews, is extremely important. Here, the punishment is laid out first before any building instructions are given because Moses assumes the Israelites will want to hurry up and get the job done. They just escaped Egypt and want their God to dwell among them, right here and right now. But Moses says, “Sure, okay, but before we get started, remember: Patience. You will need to rest.” No matter how hard we work or try, we won’t be as successful unless we take a break. According to Or HaChaim:</span></p>
<blockquote>
<p><span style="font-weight: 400;">There is also a lesson here that the success of the work performed during the six days of the week depends on the observance of the seventh day as a holy day. The reason is that the Sabbath is the soul of the world.</span></p>
</blockquote>
<p><span style="font-weight: 400;">And let’s talk about taking a break. So many of us don’t give ourselves one. Yes, there is the temporal break one takes observing Shabbat—a 24 hour period where we can rest body, heart, and spirit and find refreshment and wisdom—but what about giving ourselves slack? We always seem to be working under the watchful eye of a parent, a partner or spouse, a boss, society, and we are made to feel “less than.” In part, that is from the others’ often unreasonable impositions, but there’s the other part, where we ourselves think we should be better, smarter, earning more, doing more, being more… In Pirkei Avot, Rabbi Tarfon said, “The day is short, and the work is plentiful, and the laborers are indolent, and the reward is great, and the master of the house is insistent.” Even in our own wisdom literature, we are told to, as the group Daft Punk put it, “Work it harder, make it better, Do it faster, makes us stronger, More than ever, hour after hour, Work is never over.”</span></p>
<p><span style="font-weight: 400;">This is not only unsustainable, it dismisses the essence of what the Sabbath Day is and means.</span></p>
<p><span style="font-weight: 400;">Yes, we are charged by our moral core to make a world better for ourselves, our loved ones, and society; Yes, we are driven by want and need to work harder for an easier life. But as we read in the Torah this week: Before we do any work, no matter how important—even building the Tabernacle—we ought to give ourselves a break.</span></p>
<p><span style="font-weight: 400;">This includes doing the work well. There is a huge difference between doing something perfectly and doing something as well as we can. Too many of us are caught up in doing something perfectly that when we fall even shy of perfection, we feel as if we have let the world down. We have not. We have tried, thoughtfully, sincerely, and with intention. That is much better than striving for a Utopia and feeling like a failure because it hasn’t arrived yet. I’ve got news for you: We’ve been trying for millennia to perfect the world. It will </span><i><span style="font-weight: 400;">never</span></i><span style="font-weight: 400;"> be perfect.</span></p>
<p><span style="font-weight: 400;">But we still have to build the Tabernacle. We still have to work on our Temple Community. We still have to fight the good fight, ensuring peace in the world. We still have to engage in political discourse. We just have to remember to take a break, be kind to ourselves, allow us the leeway to strive towards perfection without being perfect.</span></p>
<p><span style="font-weight: 400;">On this Shabbat, let us </span><i><span style="font-weight: 400;">take</span></i><span style="font-weight: 400;"> a break: Let us really soak in this day of rest, allowing us to recharge, reflect, and renew ourselves. Let us </span><i><span style="font-weight: 400;">give</span></i><span style="font-weight: 400;"> ourselves a break: Let us be proud of our efforts, accept our shortcomings, and recognize that the world does not sit upon our shoulders alone. And let us </span><i><span style="font-weight: 400;">have</span></i><span style="font-weight: 400;"> a break from the news, from unnecessary debate, from the outside world, and allow ourselves to find the still, small voice inside us, embracing that warm voice, telling us we have done well this week, as best we could. Come Sunday, we’ll try again. And again. And again.</span></p>
<p><i><span style="font-weight: 400;">Kein y’hi ratzon,</span></i><span style="font-weight: 400;"> may this be God’s will. Amen.</span></p></div>
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		<post-id xmlns="com-wordpress:feed-additions:1">2309</post-id>	</item>
		<item>
		<title>Being Jewish at Christmas</title>
		<link>https://contzius.com/being-jewish-at-christmas/</link>
					<comments>https://contzius.com/being-jewish-at-christmas/#respond</comments>
		
		<dc:creator><![CDATA[Erik Contzius]]></dc:creator>
		<pubDate>Fri, 25 Dec 2020 22:17:59 +0000</pubDate>
				<category><![CDATA[Judaism]]></category>
		<category><![CDATA[Sermon]]></category>
		<guid isPermaLink="false">https://contzius.com/?p=1894</guid>

					<description><![CDATA[We can share this Chirstmas Day with Shabbat, look the Sabbath candles glowing before us as a reminder of the light we wish to bring into the world, and look at the Christmas lights in our neighborhood and see them as a sign of those around us who, too, are looking to bring more light into a darkened world.]]></description>
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				<div class="et_pb_text_inner"><p><em>Parshat Vayigash &#8211; Sermon for December 25, 2020</em></p>
<p></p>
<p>Identifying as American Jews, there is probably no other time during the year that we feel like a religious minority than the Christmas season. Whether it’s the Christmas lights that appear on neighborhood houses, music heard in shopping malls starting around Thanksgiving (at least before Covid), or hearing “Merry Christmas” at check-out, it is no secret that virtually the Western world is made up of a majority of people who celebrate and embrace Christmas as a religious or cultural holiday with great enthusiasm. Despite living in a country founded on a bedrock principle of the separation of Church and State, with over 65% of those in the United States identify as Christian, compared to around 2% who identify as Jewish, there has not been a time in our country’s history without some overt observance of Christmas.</p>
<p></p>
<p>Jewish identity has been inextricably linked to identifying as a minority. In fact, this week’s Torah portion of Vayigash gives us the origin story for our minority status. Leading up to this week’s reading, you may recall that Joseph, one of the sons of the patriarch, Jacob, had become second in command of Egypt, only subordinate to Pharaoh. He became so after interpreting Pharaoh’s dreams, predicting years of great harvests, followed by years of famine. When the famine hit, the entirety of the incipient Jewish family, living in Canaan at the time, traveled to Egypt in order to find food and sustenance. At the dramatic height of this week’s Torah portion, with his brothers before him, unknowing that it is Joseph they are pleading with, we read from Genesis 45:1-5:</p>
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<p><em>Joseph could no longer control himself before all his attendants, and he cried out, “Have everyone withdraw from me!” So there was no one else about when Joseph made himself known to his brothers. His sobs were so loud that the Egyptians could hear, and so the news reached Pharaoh’s palace. Joseph said to his brothers, “I am Joseph. Is my father still well?” But his brothers could not answer him, so dumbfounded were they on account of him. Then Joseph said to his brothers, “Come forward to me.” And when they came forward, he said, “I am your brother Joseph, he whom you sold into Egypt. Now, do not be distressed or reproach yourselves because you sold me hither; </em><strong><em>it was to save life that God sent me ahead of you.</em></strong></p>
<p><cite>Genesis 45:1-5</cite></p>
</blockquote>
<p></p>
<p>“It was to save life that God sent me ahead of you.” From first glance, it looks like Joseph is saying that the circuitous path which landed Joseph his station in Egypt, and further brought the rest of his family into Egypt was to save their immediate lives from starvation and inevitable death. However, there are many rabbis who suggest that there is a deeper meaning to the phrase, “it was to save life that God sent me ahead of you.” </p>
<p></p>
<p>The subsequent events of the Torah tell of the Hebrews, now settled in the land of Egypt, prospered and lived well among the Egyptians, and their numbers grew. The book of Exodus continues the story by almost immediately telling us that, starting at Exodus 1:8: “A new king arose over Egypt who did not know Joseph. And he said to his people, ‘Look, the Israelite people are much too numerous for us. Let us deal shrewdly with them, so that they may not increase; otherwise in the event of war they may join our enemies in fighting against us and rise from the ground.’” We then have the story of the Passover, the Jewish departure from Egypt, and eventual following Moses through the desert to Mount Sinai where the Jews are given the Torah.</p>
<p></p>
<p>When Joseph says, “it was to save life that God sent me ahead of you,” the implication is that the direct object “you” refers to all of <em>us</em>: Without the common experience and legend of being treated as the “other,” and conversely, without the common revelation of the redeeming power of the Divine, we would not have the firm identity that would sustain us, nor the strongly held values that makes us empathetic towards the stranger. One of the greatest commandments of the Torah is from Leviticus 19:18: “Love your neighbor as yourself.” for which the justification is from Exodus 23:9: “You shall not oppress a stranger, for you know the feelings of the stranger having yourselves been strangers in the land of Egypt.” None of this could have happened while living as a majority population in the land of Canaan. Thanks to Joseph and his family entering and dwelling in Egypt, we developed the identity we embrace today: Ours is a religion that understands the stranger because we were and continue to be a minority wherever we find ourselves in the world.</p>
<p></p>
<p>In modernity, our Judasim has evolved and changed some of its attitudes towards this minority identity. Without getting into its history or reasoning, Jews in the United States have enjoyed to a great degree a flexibility in embracing our dominant American culture. To illustrate the point through the lens of Christmas, some signs of Jewish aculturation are the elevation of the significance of Hanukkah to Christmas, the exchange of presents at this season, hanging Hanukkah lights, some putting a Hanukkah Bush in their homes in lieu of a Christmas tree… These are all signs of the “success” of America as a “melting pot.” If you’ve heard the metaphor before, you might be surprised to learn that the term came into popular use from a play written in 1908 by Jewish author, Israel Zangwill, who envisioned a society where all could live free from cultural divide or prejudice.</p>
<p></p>
<p>Just to talk about the Chrismas season some more, there have been many Jews who have contributed to the “most wonderful time of the year” by penning some of the more iconic Christmas tunes that we’ve been humming for the past few weeks:</p>
<p></p>
<p>The light-hearted and somewhat irreverent songs, “Rudolph the Red-Nosed Reindeer,” “Rockin’ Around the Christmas Tree,” “A Holly, Jolly Christmas,” and “Silver and Gold” were all written by Johnny Marks, an affluent Jew from Mount Vernon, New York. There are several sources that suggest that Rudolph, co-written by another Jewish writer, Robert Louis May, represents the feelings of some Jews towards the stereotype of the Jew with a large nose!</p>
<p></p>
<p>“The Christmas Song” which begins, “Chestnuts roasting on an open fire…” was penned by Mel Tormé, who was born to Polish Jewish immigrant parents. Joan Javits and Phil Springer, both Jewish composers, gave us the slightly racy song, “Santa Baby,” while two other Jewish writers, George Wyle and Eddie Pola, wrote the classic, “It’s the Most Wonderful Time of the Year.” Ray Evans and Jay Livingston wrote a piece originally called “Tinkle Bells,” but was quickly changed to “Silver Bells,” and has since become a classic. Felix Bernard co-wrote “Walkin’ in a Winter Wonderland” with his colleague, Richard B. Smith, who was not Jewish.</p>
<p></p>
<p>And of course, this list would not be complete without a work written by Russian born Israel Beilin, whose name changed to Baline and then finally to Irving Berlin, who wrote the timeless song, “White Christmas.”</p>
<p></p>
<p>Why have so many Jewish writers contributed to the canon of classic Christmas songs? Writer for the website <em>Kveller</em>, Maddy Albert, <a href="https://www.kveller.com/11-iconic-christmas-songs-that-were-written-by-jews/">wrote recently</a>:</p>
<p></p>
<p></p>
<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">
<p><em>&#8230;there are a few theories about why Jews threw their weight behind Christmas songs. As singer and pianist Michael Feinstein, known as the “Ambassador of the Great American Songbook,” told </em><a href="https://www.huffpost.com/entry/christmas-hanukkah-songs_n_6311324?guccounter=1&amp;guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&amp;guce_referrer_sig=AQAAABFVtmbAHcnYwbFKqUIqGZzedzi1pAMiYjYV30yXG1x4YRbgcny_VptsM5JSF9lrDpkxih0H7bcphmyU0CFckhFDrce9i5gZChiUrQ861DwxZnOxEWvu4vREK1RhR2uCQ1UlhQf4HK8ZoQk63jQQ_8zlBu3AzYIqeO_LST2f4A6f"><em>Religion News Service,</em></a><em> Jews flocked to the music industry early in the 20th century — when most of the American Christmas classics were written — because it was one of the rare industries in which Jews didn’t face rampant antisemitism. Rabbi Kenneth Kanter, an expert in Jews and pop culture at Hebrew Union College, added that this embrace of Christmas music was a type of assimilation to America’s dominant Christian culture as well as a form of patriotism for Jewish composers. “These songs made Christmas a kind of national celebration, almost a patriotic celebration,” he said.</em></p>
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<p></p>
<p>For much of Jewish spiritual history, Jews, isolated from assimilation and dominant cultural influences, were by and large cloistered away from cultural Christian influences. Today, more than at any time in Jewish experience, we are more than simply exposed to world cultures and religions—we are very much enmeshed with them. The Reform movement itself was created in the United States as a response to the desire to aculturate, to become both fully American and authentically Jewish, embracing the universal values of our relgion while casting aside the trappings of our practices that kept us separate and apart in society. Of course, there are influences both outside and inside our community that keep us identifiably separated, but our Reform ideology fully embraces the idea of reforming our religious expressions so that we might integrate into society instead of separating from it.</p>
<p></p>
<p>This wasn’t clear to me as a child, even growing up at a Reform synagogue in New Jersey. I felt the overwhelming presence of Christmas around this season, and I recall how uncomfortable it made me feel: Excluded and reminded that I was not a part of the majority. Choir performances filled with Christmas songs both irreverent and religious in my public school only underscored that sense. As I’ve gotten older and understood the beauty of our Reform movement in its ability to grow and progress with society, I’ve come to appreciate other religions and cultures in ways that no longer feel like a threat to my Jewish identity. </p>
<p></p>
<p>Today, the Christmas season can be a reminder to us that because we are different, we are adding something to our society ensuring it isn’t monolithic. Our Judiasm itself allows for people from disparate backgrounds, cultures, races, genders, sexual orientations, genders, can gather together and struggle to find meaning and purpose in life. At the same time, we can stand alongside Christians, Muslims, Hinus, Sikhs, people of varied religions and people without faith traditions, appreciate the diversity in our country and how that diversity can make for a better world. Without differences of opinions, viewpoints, values and goals, we can easily find ourselves living in a stagnant world which never challenges the status quo nor strives to improve the fate of all life.</p>
<p></p>
<p>So we can share this Chirstmas Day with Shabbat, look the Sabbath candles glowing before us as a reminder of the light we wish to bring into the world, and look at the Christmas lights in our neighborhood and see them as a sign of those around us who, too, are looking to bring more light into a darkened world. May the Earth know soon and in our days, the light of friendship and fellowship, and may we all know true peace—where all can celebrate differences and still call ourselves one human family.</p>
<p></p>
<p><em>Kein y’hi ratzon—</em>May this be God’s will. Amen.</p>
<p></p></div>
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		<post-id xmlns="com-wordpress:feed-additions:1">1894</post-id>	</item>
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		<title>Free Passover Powerpoint Hagaddah</title>
		<link>https://contzius.com/free-passover-powerpoint-hagaddah/</link>
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		<dc:creator><![CDATA[Erik Contzius]]></dc:creator>
		<pubDate>Wed, 01 Apr 2020 17:53:13 +0000</pubDate>
				<category><![CDATA[Judaism]]></category>
		<guid isPermaLink="false">https://contzius.com/?p=1717</guid>

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				<div class="et_pb_text_inner">Coronavirus. Who knew it was the 11th plague? If you are leading a seder this year and need a hagaddah to lead a seder over Zoom, Google Hangouts or whatever, here&#8217;s one I designed a few years back. Want to show some appreciation? Make a donation to the charity of your choosing and let me know about it. 

Have a happy Passover and stay safe!</div>
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				<a class="et_pb_button et_pb_button_0 et_pb_bg_layout_light" href="https://contzius.com/wp-content/uploads/2020/04/Passover-Seder-2019.pptx.zip">Download your Hagaddah Here</a>
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		<post-id xmlns="com-wordpress:feed-additions:1">1717</post-id>	</item>
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		<title>The Hazzon of the Hazzan</title>
		<link>https://contzius.com/the-hazzon-of-the-hazzan/</link>
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		<dc:creator><![CDATA[Erik Contzius]]></dc:creator>
		<pubDate>Tue, 23 Oct 2018 16:29:45 +0000</pubDate>
				<category><![CDATA[Cantorial]]></category>
		<category><![CDATA[Judaism]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Sermon]]></category>
		<category><![CDATA[Jewish]]></category>
		<guid isPermaLink="false">https://contzius.com/?p=1441</guid>

					<description><![CDATA[In order to talk of the role of the Hazzan or Cantor, one must speak about the role of public prayer. ]]></description>
										<content:encoded><![CDATA[<p>In order to talk of the role of the Hazzan or Cantor, one must speak about the role of public prayer. As humans, we have a spirit which needs nurturing. Prayer is the conduit through which we might nurture our souls. We pray with a community to give us strength when we are weary of spirit and cannot pray by ourselves. And what about when a community in its entirety is bereft of spiritual strength? It is up to the Hazzan to take on the burden of inspiration and spiritual fortitude in order to bring a congregation on a spirit walk of song and poetry to lift the spirit when it is down, or to provide a healthy dose of humility when a congregation is too haughty.</p>
<p>What we call “prayer” today is not what prayer or “services” were while the Temple stood. Instead, “t’fillah” and “avodah,” terms referring to “prayer” and “service to the Divine” related directly to animal sacrifice, performed for a God who demanded to be fed. The two millennia evolution of the Jewish people has transmogrified such archaic notions of prayer into a spiritual dialogue between humanity and the Divine. Along that evolution, words and song took the place of animal sacrifice, and along with those words was a healthy change in attitude about the relationship between the Divine and humanity. The synagogue has become a prayer space through which we wrestle with Divine ideas and values, a safe place to struggle and engage with what it means to be human, to relate to our neighbors, nature, and more.</p>
<p>Not everyone has the words with which to begin such a dialogue or struggle. The Talmud provides a framework through which we might conduct that dialogue. We call this framework the rubrics of prayer; but it is only an outline. Before the invention of the printing press, it was the duty of the prayer leader, the Hazzan or payyatan to write piyutim or liturgical poetry, taking the themes of the rubrics of prayer, and being inspired by the day and time in which they found themselves. They had to look at the world around them, see what a community desperately needed to pray about or for, and give it voice, both through the content of the poetry and through its rendering in song. Thus, the term for the Hazzan, which we call in English “Cantor,” is rooted in the word “Hazzon” which means literally, “Vision.” The Hazzan’s duty through prayer and song is to provide vision for a community. Their main job is not to sing but to provide a brighter and better vision of a world yet to be.</p>
<p>This is the dilemma of the modern Jew who prays on a regular basis. The prayer book of today, by and large, does not change from week to week, let alone year to year. The prayers are fixed, immutable. On top of that, the Traditional synagogue prays in Hebrew, which most American synagogue attendees do not speak with a degree of fluency nor understanding. Sure, the words are familiar as are the themes if one attends worship with regularity, but the actual syntax and meaning are by and large lost.</p>
<p>Which brings us to the music. The language of music is by and large universal and accessible. When we hear joyous music, we feel jubilant; when we experience a sad melody, we get what’s happening. In a world where people might not understand the context or meaning of a language that they only experience during ritual—here I mean Hebrew—it is the music that brings a layer of meaningfulness.</p>
<p>The traditional music of the Ashkenazi or Western synagogue in the past was governed by a musical framework called “nusakh hat’fillah,” or “version of prayer.” Often just called “nusakh,” it is a collection of melodic phrases, scales, melodies from Middle Germany, and passages of cantillation. All together, it is a musical language that a skilled Cantor used to look at any one prayer in the siddur, and emote the meaning of a prayer as it might pertain to the mood of that particular moment. For example, if singing a V’shamru, a passage of Torah describing how we should preserve the Sabbath for all generations, an objective reader might read said text and think, “This is about a Day of Rest, so when reading this, I should feel restful and meditative.” A Cantor might look at the same text, and on one Shabbat, render it in a triumphant, joyous way because it was a hard week and T.G.I.F.! We’re excited to start our Shabbat! Or another week, the Cantor might, indeed, chose to sing its words in a more contemplative manner, more literally setting the mood of the text.</p>
<p>This is the Vision of the Cantor—the Hazzon of the Hazzan: It is the ability to consider when preparing to lead a congregation in prayer what is the pulse of his or her community, what are the spiritual needs of that community, and through song, inspire that community to become better people. Human beings are always growing, always changing. Our spirits are never in the same exact place on any given day. Whether the state of the nation, the state of our city, the state of our family, or the state of our selves, the synagogue has always been a safe place to struggle, learn, commune, and through the language of prayer, come together and consider the bigger picture. The Cantor, with sensitivity and understanding, has the task to give our hearts and spirits a voice. That voice isn’t the same every Shabbat. There are different things to say in our devotions as we grow. This is why we need vision.</p>
<p>Congregations today have lost both the fluency of Hebrew as an understood language by and large—and on top of this, have settled into the comfort of familiar melodies for prayer instead of the spontaneous expressions a Cantor can provide. Even Cantors themselves have turned away from the improvised stylings of Nusakh in favor of melodies that the congregation can sing along with. This has made for a prayer experience that is predictable and lacking of emotional variety in many synagogues across movements.</p>
<p>I’m not here to criticize or change on a global scale the nature of Jewish prayer, but rather to suggest that the Vision of the Cantor is something that can only add to our worship experience. It’s fine to be comforted by familiar tunes that help us connect to one another and to the Divine; But the job of prayer is not only to make us feel good—it’s also to challenge us, to push us, and ultimately, to rise from prayer with a new outlook on life.</p>
<p>How have I, as a Hazzan, done this in my Cantorate? Over my 18 year career on the pulpit, I have found myself on a given Thursday, preparing for Friday night worship looking through my rather large music library, trying to locate that one tune for V’sham’ru or Mi Khamokha, or some other liturgical moment that needed emphasis that particular week—and not finding one out of the many (and there are so many different tunes for these texts!). So I took it upon myself to sit down at the piano and compose something that would work for the next evening’s prayer service. Not every Cantor does this, but it was a skill I felt I had to provide to my communities—to create new music for old text so that I could express exactly what needed to be expressed that week. Other Cantors insert the improvised stylings of Nusakh Ha’tfillah; and other still use familiar tunes but approach them in different ways, like slowing down a normally fast tune, or inserting a new musical phrase into an old congregational hymn. This Vision of the Cantor still exists, but to varying degrees.</p>
<p>My hope this evening is that by exposing you to such various musical expressions, familiar and not, you have gained refreshing insight into ancient words of prayer, or at the very least, have opened your minds and hearts to how varying approach to prayer can be valuable. Ultimately, each one of us has a vision of a world yet to be, a world which we all need to come together and help build. May the music within each of our hearts be the Vision and Inspiration we need to help make that world—one of peace and wholeness—a reality soon in our days.<br />
And let us say: Amen.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1441</post-id>	</item>
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		<title>A song for my Boo on our 10th anniversary!</title>
		<link>https://contzius.com/a-song-for-my-boo-on-our-10th-anniversary/</link>
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		<dc:creator><![CDATA[hazzantzius]]></dc:creator>
		<pubDate>Tue, 20 Jun 2017 16:08:22 +0000</pubDate>
				<category><![CDATA[Family]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[composing]]></category>
		<guid isPermaLink="false">http://contzius.com/?p=1256</guid>

					<description><![CDATA[So Monica and I just celebrated our 10th anniversary! I wanted to give her a great gift for the occasion. ]]></description>
										<content:encoded><![CDATA[<p>So Monica and I just celebrated our 10th anniversary! I wanted to give her a great gift for the occasion. Now, if you remotely know Monica, she doesn&#8217;t need much—she told me that all she wanted for the occasion was a flower, and maybe a nice pretty rock. Regarding the flower: No rose, definitely no carnation&#8230; just a nice flower.</p>
<p>It&#8217;s our 10th anniversary&#8230; for me, that wasn&#8217;t going to cut it, but I knew that jewelry or something fancy was the wrong way to go. Finally, inspiration hit me: I&#8217;d write a song! So, with a week to go, I sat at the piano at 1 in the morning while Monica was away on business and I got to writing. I was lucky that the muse was strong and I wrote her this:</p>
<p><iframe src="https://www.youtube.com/embed/3mmn23Do9x4" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<h2>You Are My Flower</h2>
<h6>Words &amp; Music by Erik Contzius, ASCAP</h6>
<blockquote><p>Seeds blow on the wind<br />
But so few ever take root<br />
And even if one find purchase in fertile ground<br />
It doesn&#8217;t mean that leaves will shoot</p>
<p>It takes patience and care<br />
And a little bit of luck<br />
For something special to grow<br />
It&#8217;s been 10 years now<br />
And I can&#8217;t believe<br />
What started out as a seed<br />
Has blossomed<br />
Now I know</p>
<p>You are my flower<br />
The treasure in my life<br />
You inspire me<br />
I&#8217;m happy to be<br />
Your husband<br />
And have you as my wife<br />
You have this power<br />
To bring sunshine and the rain<br />
Our garden will thrive<br />
As long as our love is alive</p>
<p>For ten Springs, ten summers,<br />
We tended and nursed our beds<br />
Ten falls, ten winters<br />
Sometimes not knowing what lay ahead</p>
<p>Our roots are stable and strong<br />
And however the wind blows<br />
I’ll be there at your side<br />
The day is long and the task is great<br />
But we’ll do it together:<br />
My love, my friend, my pride</p></blockquote>
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		<post-id xmlns="com-wordpress:feed-additions:1">1256</post-id>	</item>
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		<title>Playing &#8220;The Boatswain&#8221; in HMS Pinafore</title>
		<link>https://contzius.com/playing-the-boatswain-in-hms-pinafore/</link>
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		<dc:creator><![CDATA[hazzantzius]]></dc:creator>
		<pubDate>Fri, 05 May 2017 13:56:41 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[operetta]]></category>
		<guid isPermaLink="false">http://contzius.com/?p=1244</guid>

					<description><![CDATA[As I had mentioned a few days ago, I had the opportunity and honor of performing with Troupers Light Opera Company in their curtain raiser, "The Magic Knight." It was through this casting I also got to play "The Boatswain" in Gilbert &#038; Sullivan's "HMS Pinafore." (Video included!)]]></description>
										<content:encoded><![CDATA[<p>As I had mentioned <a href="https://contzius.com/playing-the-king-in-victor-herberts-the-magic-knight/" target="_blank" rel="noopener noreferrer">a few days ago</a>, I had the opportunity and honor of performing with <a href="https://trouperslightopera.org/" target="_blank" rel="noopener noreferrer">Troupers Light Opera Company</a> in their curtain raiser, Victor Herbert&#8217;s &#8220;The Magic Knight.&#8221; It was through this casting I also got to play &#8220;The Boatswain&#8221; in Gilbert &amp; Sullivan&#8217;s &#8220;HMS Pinafore.&#8221;</p>
<p>When I originally auditioned for The Magic Knight, it was the intention to only be in the one show. I knew they had already cast most of HMS Pinafore, but still needed the baritone role filled for Bill Bobstay (the actual name of The Boatswain (pronounced &#8220;Bo&#8217;sun&#8221; to those not in the know!), although never mentioned in the operetta). I sang my audition piece, and the committee all agreed that I should be The King for the Herbert work, but asked me then to read for the Boatswain. They twisted my arm (gently), and I wound up in two roles.</p>
<p>A lot of the cast from The Magic Knight were in Pinafore, but with some notable additions. The fabulous soprano, <a href="https://brettkroeger.com/" target="_blank" rel="noopener noreferrer">Brett Kroeger</a>, was a brilliant Josephine with a stellar vocal presence and hysterical comedy chops. David Schancupp and Frank Sisson, playing Sir Joseph Porter, KCB and Captain Corcoran respectively, were suited foils with the appropriate G&amp;S stylings one would expect. Dick Deadeye was played by Bob Scrofani. I can&#8217;t imagine Dick being played any other way. His performance was particularly funny indeed! Wendy Falconer&#8217;s Buttercup was also well performed—Wendy is a solid mezzo and her character portrayal was right on the mark. Alan Briones as Ralph (pronounced &#8220;Rafe&#8221;) was charming and florid—he really got the two spot on roles between The Magic Knight and Pinafore. And when joined by me and Neil Flores as the Carpenter&#8217;s Mate, I&#8217;d have to say we did a great &#8220;British Tar&#8221; trio!</p>
<p>The director was Emily Trudeau, who was a lot of fun to work with. I really appreciated that she took everyone&#8217;s expressed opinions under consideration and often involved the cast&#8217;s creativity into the production. That&#8217;s how I got my idea of having some international flags up my sleeve for my big (and only) solo in Act II. Our music director was <a href="https://collegiumwestchester.org/about/music-director/" target="_blank" rel="noopener noreferrer">Eric Kramer</a>, who kept all of us musically honest! Eric really cared about the ensemble sound and expressiveness.</p>
<p>Missed the performance? Here it is!</p>
<p><iframe src="https://player.vimeo.com/video/215644636?color=ff9933&amp;byline=0&amp;portrait=0" width="640" height="360" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><a href="https://vimeo.com/215644636">H.M.S. Pinafore</a> from <a href="https://vimeo.com/user4555571">Brooke Kroeger</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1244</post-id>	</item>
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		<title>Playing &#8220;The King&#8221; in Victor Herbert&#8217;s &#8220;The Magic Knight</title>
		<link>https://contzius.com/playing-the-king-in-victor-herberts-the-magic-knight/</link>
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		<dc:creator><![CDATA[hazzantzius]]></dc:creator>
		<pubDate>Wed, 03 May 2017 13:53:11 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[operetta]]></category>
		<guid isPermaLink="false">http://contzius.com/?p=1241</guid>

					<description><![CDATA[Recently, I had the opportunity to perform Victor Herbert's spoof on Lohengrin, The Magic Knight, with Troupers Light Opera Company. (Video included!)]]></description>
										<content:encoded><![CDATA[<p>I&#8217;m really enjoying performing classical repertoire more actively. Recently, I had the opportunity to perform Victor Herbert&#8217;s spoof on Lohengrin, <a href="https://en.wikipedia.org/wiki/The_Magic_Knight" target="_blank" rel="noopener noreferrer">The Magic Knight</a>, with <a href="https://trouperslightopera.org/" target="_blank" rel="noopener noreferrer">Troupers Light Opera Company</a>.</p>
<p>Troupers is a great company in Norwalk, CT and they have high aspirations when putting on shows. I first heard of them through soprano <a href="https://www.miranrobarts.com/" target="_blank" rel="noopener noreferrer">Miran Robarts</a>, with whom I&#8217;ve sung before. I figured, &#8220;If a company has Miran in it, they must be good.&#8221; She&#8217;s an amazing soprano—she was cast in The Magic Knight and suggested I audition for &#8220;The King&#8221; in this 30 minute curtain raiser.</p>
<p>The cast was very talented indeed. Alan Briones, tenor, played The Magic Knight. We carpooled to rehearsals several times a week together since he&#8217;s down the street in Yorktown Heights. He had the right voice and comic discipline for the role and it was a pleasure working with him. Rounding out the cast were Rob Strom, Nicole McQuade, John Hoover, and a &#8220;merry operatic chorus.&#8221; It was evident that once everyone learned the score we were going to have a good time with the production. Which we all did!</p>
<p>Here is the show in its entirety, performed at the Wall Street Theatre in Norwalk, CT:</p>
<p><iframe loading="lazy" src="https://player.vimeo.com/video/215770865?color=ff9933&amp;byline=0&amp;portrait=0" width="640" height="360" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><a href="https://vimeo.com/215770865">The Magic Knight</a> from <a href="https://vimeo.com/user4555571">Brooke Kroeger</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1241</post-id>	</item>
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		<title>Omer Counting Guide for 2017</title>
		<link>https://contzius.com/omer-counting-guide-for-2017/</link>
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		<dc:creator><![CDATA[hazzantzius]]></dc:creator>
		<pubDate>Tue, 04 Apr 2017 21:44:09 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Judaism]]></category>
		<category><![CDATA[count]]></category>
		<category><![CDATA[Jewish]]></category>
		<category><![CDATA[omer]]></category>
		<guid isPermaLink="false">http://contzius.com/?p=1228</guid>

					<description><![CDATA[I’m happy to share my Omer Counting Guide for 2017. Someone twisted my arm (Ross... I'm looking at you!), so I did this once again. Please look it over once to make sure I didn't goof on dates or Hebrew. Since being off the pulpit, I might have lost my ability to actually count! But seriously, do use this in good health, and Happy Passover!]]></description>
										<content:encoded><![CDATA[<p><div class="et_pb_section et_pb_section_3 et_section_regular" >
				
				
				
				
				
				
				<div class="et_pb_row et_pb_row_3">
				<div class="et_pb_column et_pb_column_4_4 et_pb_column_3  et_pb_css_mix_blend_mode_passthrough et-last-child">
				
				
				
				
				<div class="et_pb_module et_pb_text et_pb_text_3  et_pb_text_align_left et_pb_bg_layout_light">
				
				
				
				
				<div class="et_pb_text_inner"><p>I’m happy to share my Omer Counting Guide for 2017. Someone twisted my arm (Ross&#8230; I&#8217;m looking at you!), so I did this once again. Please look it over once to make sure I didn&#8217;t goof on dates or Hebrew. Since being off the pulpit, I might have lost my ability to actually count! But seriously, do use this in good health, and Happy Passover!</p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_1_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_1 et_hover_enabled et_pb_bg_layout_light" href="https://contzius.com/wp-content/uploads/2017/04/Omer-Count-2017-ELC.pdf" target="_blank">Download the 2017 Omer Counting Guide</a>
			</div>
			</div>
				
				
				
				
			</div>
				
				
			</div></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1228</post-id>	</item>
		<item>
		<title>Hate me</title>
		<link>https://contzius.com/hate-me/</link>
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		<dc:creator><![CDATA[hazzantzius]]></dc:creator>
		<pubDate>Wed, 11 Jan 2017 16:43:27 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">http://contzius.com/?p=1219</guid>

					<description><![CDATA[Hate me. Hate me. Hate me because I hurt you. Directly. Intentionally. Good reasons to hate me: I punched you in the gut for no apparent reason I personally insulted your mother I said to your face, &#8220;I hate you&#8221; I betrayed our friendship I irrationally lashed out at you I embarrassed you in front of [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Hate me.</p>
<p>Hate <em>me.</em></p>
<p>Hate <em>me</em> because I hurt you. Directly. Intentionally. Good reasons to hate me:</p>
<ul>
<li>I punched you in the gut for no apparent reason</li>
<li>I personally insulted your mother</li>
<li>I said to your face, &#8220;I hate you&#8221;</li>
<li>I betrayed our friendship</li>
<li>I irrationally lashed out at you</li>
<li>I embarrassed you in front of your peers</li>
<li>I hurt your feelings</li>
</ul>
<p>But if you&#8217;re going to hate me, it better be <em>personal</em>. It better be because you <em>know</em> me.</p>
<p>Don&#8217;t hate me because:</p>
<ul>
<li>I&#8217;m a man</li>
<li>I&#8217;m &#8220;white&#8221;</li>
<li>I&#8217;m Jewish</li>
<li>I belong to a certain social strata</li>
<li>I&#8217;m a democratic socialist</li>
<li>I like the Beatles more than the Rolling Stones</li>
<li>I believe in equality</li>
<li>I believe in a woman&#8217;s right to choose</li>
<li>I have independent thoughts that are different than yours</li>
<li>I have political views which are different than yours</li>
<li>I believe LGBTQ people should have the same rights as everyone else</li>
<li>I think racial discrimination continues to be rampant in our society and must be addressed</li>
<li>I express my political views</li>
<li>I voice my concern about the direction of society</li>
</ul>
<p>More simply, don&#8217;t hate me because:</p>
<ul>
<li>I am</li>
<li>I think</li>
<li>I believe</li>
<li>I like</li>
<li>I express</li>
</ul>
<p>I do those things because I&#8217;m a human being. That&#8217;s what human beings do. By existing, thinking, believing, enjoying, expressing, I&#8217;m sharing with you who I am and what I&#8217;m about. In other words, I&#8217;m trying to let you in on me. If we get close enough together, I then might actually hurt you directly, at which time, you can hate me.</p>
<p>But instead of hating me, I&#8217;d really prefer you try to understand me. And give me the opportunity to understand you. That includes those times I might directly hurt you. And if you point out the hurt I&#8217;ve caused, allow me to apologize—not to make excuses for my actions, but rather to acknowledge the hurt I&#8217;ve caused you and the remorse I feel at causing that hurt.</p>
<p>But if you absolutely must hate me, please make sure you&#8217;re hating <em>me</em> and not some straw man you&#8217;ve created in your own head. Otherwise, it&#8217;s not really hate at all.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1219</post-id>	</item>
		<item>
		<title>What am I up to?</title>
		<link>https://contzius.com/what-am-i-up-to/</link>
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		<dc:creator><![CDATA[hazzantzius]]></dc:creator>
		<pubDate>Wed, 14 Jan 2015 21:47:40 +0000</pubDate>
				<category><![CDATA[Family]]></category>
		<category><![CDATA[Featured]]></category>
		<guid isPermaLink="false">http://contzius.com/?p=1000</guid>

					<description><![CDATA[Each human being has a road to travel, a story to tell, and its relevant and important to that human. We can all be mindful of the world and still enjoy the life we have as individuals. I'm looking forward to see what comes next.]]></description>
										<content:encoded><![CDATA[<p>With the invention of Facebook, Twitter, Instagram, Pinterest, and so much other social media, we&#8217;ve opened our lives to the voyeurs of our past. One would think that with so much of our lives now an open book, people would know more about one another. Yet, I find it fascinating that now I&#8217;m connected on such networks with friends and acquaintances from grade school through college and throughout my career, people still put me conveniently in the box in which they put me when we first met. It&#8217;s amusing when someone asks me, &#8220;So, are you still doing that thing that you used to do 20 years ago but since I only gloss over my social networks and I&#8217;m not really paying attention to you, I&#8217;ll take a chance that you remember doing that thing that you did and we can connect about that.&#8221;</p>
<p>I fully understand. I&#8217;m not most people&#8217;s preoccupation (I be well nigh surprised if I were!). At the same time, what is the point of posting anything about ourselves if it simply goes into a cyber echo chamber? Do we blog and tweet as part of a massive public diary as a matter of public record to prove that we exist? I&#8217;d like to think that there are those in my life who are genuinely curious about what goes on with me and my family. I do enjoy reading the postings, rants, celebrations, and other fun materials (primarily photos) my friends post on their walls. It shows me how people grow and evolve and yet somehow stay familiar.</p>
<p>One thing difficult for me to dismiss is when people ask me about my &#8220;previous life&#8221; as a Cantor. Including seminary, it was 24 years of my life, so it&#8217;s understandable that so many remember me like that. I left the pulpit two years ago, and I get asked often if I miss it. I do at times, especially the singing aspect. But it&#8217;s been such a relief and pleasure to now be living in Peekskill with Monica and Jacob and being only 10 minutes away from Jacob instead of an hour!</p>
<p>I was fortunate to have been <a title="914INC" href="https://www.westchestermagazine.com/Six-Westchester-Career-180s-Show-Its-Never-Too-Late-To-Reinvent-Yourself/Erik-Contzius/" target="_blank">interviewed by 914INC Magazine</a> last year about the switch. It&#8217;s a great read and I don&#8217;t have to tell the story in my own words!</p>
<p>And just in case you&#8217;re morbidly curious (or don&#8217;t have the time to FaceStalk me&#8211;is that a thing?), here&#8217;s what I&#8217;m presently up to:</p>
<p>I&#8217;m really having a great time barbershopping with the Westchester Chordsmen and especially my quartet, 29 Seconds. They&#8217;re a great bunch of guys and we have a lot of fun making great music together. If you live in or near Westchester, New York, and love to sing a cappella, let me know! I&#8217;m also enjoying growing my internet marketing business, Make Tech Better. I&#8217;m very involved with my BNI chapter (Genesis) and am doing a lot of network marketing through that. On weekends, Monica, Jacob and I are either traveling, going to the movies, or hunkering down for the winter (man, is it cold!). Not a whole heck of a lot else.</p>
<p>Some of this might seem petty and small, considering all the stuff going on in the world right now, especially in Europe and Africa. Then again, each human being has a road to travel, a story to tell, and its relevant and important to that human. We can all be mindful of the world and still enjoy the life we have as individuals.</p>
<p>I&#8217;m looking forward to see what comes next.</p>
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