However, the bioclimatic plan of the house leads to a simple lines design, with large windows in the walls in order to allow nature comes into the interior space. The revolutions’ origin. The carpentries, which are introduced into de Stone walls, make stronger the structure.

The interior are emphasized by brightness and warm colors. In addition, the sun light gets over all the spaces from a skylight in the main floor. In the kitchen, you can observe smooth surfaces and design furniture.

Details are very important in this house. The main stair, covered by oak wood, receives the light from the large window and it is decomposed creating a hand-made library.

The façade come to be a white and vertical canvas intensely illuminated in which only the shadow of a horizontal metal shape is projected outlining the name of the shop.

Once inside, the interior design follows the same principle of minimalism, enhancing only the fundamental elements around the customer and leaving the rest of the space self-controlled within a sober form.

After passing the reception area, where the locker is situated, a few steps separate the rooms for the customers. The first two are characterized by a bright luminosity; the white walls emphasize the strip where the mirrors are located, -lined in yellowish beech wood-, creating a strong contrast.

Lighting gains prominence because of the fluorescent light coming behind the glass, framing the portrait of the customer sitting in front of the mirror and giving the sensation of a floating reflection.

If the previous spaces have a predominance of horizontal lines, the third one is distinguished by the vertical mirrors. This room, separated by a sliding door, offers a more intimate atmosphere given by the used materials: dark wood and linen. The natural texture of the fabric covers the wall where the sitting area is located, close to the customer.

The project was executed in a systematic way. All requisite present in the sensory levels of the consumption (vision, audition, smell…), as well as the technical questions like the products display, were solved extruding the store brand. A square was transformed in a cube, which made possible to use the faces to brand communication, expression, and marketing. Art and technical aspects like illumination and sound system were integrated in the cube. The interior of the transparent cube is an open space to products display. Furthermore the multiplication of this cube all over the space generates a tridimensional grid that forms the Disco Experience space.

This tridimensional grid allows making spatial modifications easily in the composition of the store, amplifying or reducing showcase area, arts area and other parts of the store. The faces of the cube are rendered by adhesives which stamp brands, references and arts produced exclusively to the store. With few low cost modifications is easy to change the visual of the store and create a new experience in the costumers every time which the store is modified in any detail.

This one was the first store of a new brand with plans to expand and open new stores. So, to create a system that allows the brand customization in any kind of place or spot was a necessary condition in the development of the project. According to this principle, the system created to the store is global and easily adaptable in others places.

The company’s guidelines are reflected in each space: a large wooden hall is followed by a distributional corridor which connects with a technical room, fits up with hand-made furniture. Nearly, we can find baths, a small coffee room, individual studies and a large directive room, the place where Losan’s future was decided.

Natural light is another important element in this project. Windows are designed to take advantage of the views in order to create a wonderful atmosphere inside. Wooden finishes contributes to show a image of warmth.

The outer shell of residences consists by a composition of mixed volumes with the landscape and its elements. A central element of residences is an independent overflow swimming-pool, which take shape in the exterior verandas of residences that illustrate the liquid component of the residence.

We categorized Diamond Tile 2011 area for 3 main functions:

• Create an 360º invitatory and friendly welcome approach for the visitors.
• Bring out the atmosphere & space of “Sharing Lounge”. First, is between entrepreneur and clients, and then from clients to clients which leads to an interesting conversation or negotiation.
• Valued added, inspire and display the construction hardware product like the art exhibition.

This year, the primary reason of using Diamond Lounge space is to apply “HOW TO” of the  “Purlin”, hardware for roofing,the highlight of their product launching this year. We transform its functional into the element of booth’s construction by “joint” the bent–angle of the purlin together. To  describe the main structure, wall, huge lamp ceiling, it’s like we sketch the structure with clean white matt Purlin, appeared-shadow with the rhythmic of space & line of the structure, colour the pavilion with lighting, which we layered-hang LED PAR, fluorescent light box to create Lounge environment sense with our various programming pattern of lighting scene design, shown as dimension of Diamond Reflection.

Considering for the visitor circulation and space, the reception, product display and bar, we use these functions profitably by linking all activities and product benefits together in every part of the construction. By blurring marketing techniques, in stead of “Direct-sale marketing and clients” , we convert into “Curators of the house hardware and the aspirant artists”. The products will be more easily to approach, to understand and to exchange the opinion. More obvious, you can see various types of ceramics beautified on the pole, can feel the texture of laminate floor while you are walking around and read the “art caption”, details of products, and have some fine discussions.

As an Architecture studio, we have some details about the profession, the graphite color of the pencils, the prevailing white color like papers and the wall parallel. The inner wall of the room is very irregular. With the goal of unifying all these folds we propose some horizontal lines that run through the wall, painted with the same gray that the continuous pavement. This allowed us to provide the wall of a plot in a gradient, starting with getting rid continuously and gradually breaking up until the roof.

We designed the Lamp that runs around the room, from some sections of iron flowing freely through space with convergent and divergent lines, covered with several sheets of folded parchment paper, as if they were the same studio plans. The result is an enlightened paper path through the roof.

Our design approach staggers the dwellings so that each unit enjoys unobstructed views of a wooded valley, framed in the foreground by its neighbor’s planted green roof. Each roof is planted with various species of sedum that bloom at different times of the year, resulting in patterns that merge to form a single, iconic composition that reflect the change in seasons.

Those elements are the creator of the project, the transitions between the landscape views giving the entrance from the north and the curved plan giving a vitalized focus towards the seaside in south. When turning back the north view towards the mountain is as well enhanced with the widening view due to the fan-shape of the tilting wooden wall, being a mediator between the northern and southern landscape characteristic.

The tilting is an answer and an interpretation of the glacier towards east, they are communicating and the only and huge window in that wall is creating “a painting” of the glacier experienced from the interior.