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<title>Core77</title>
<link>http://www.core77.com/blog/</link>
<description>Design news, culture, events and resources. A daily must-read for designers world wide. </description>
<copyright>Copyright 2012</copyright>

<lastBuildDate>Thu, 09 Feb 2012 15:00:00 -0500</lastBuildDate>
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<title>Jaineel Shah's Brilliant Pinch Hanger</title>
<description>&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/0jshahpinch01.jpg" width="468" height="321" alt="0jshahpinch01.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;When hang-drying that favorite tee I can't afford to shrink anymore, I take a coat hanger and go in through the neckhole, doing that coat hanger version of a three-point turn. On a clumsy day I'll stretch the neck a bit, but manipulating the hanger by going in through the bottom of the wet, clammy shirt is even more irritating.&lt;/p&gt;

&lt;p&gt;India-based industrial designer Jaineel Shah (a 3rd year student at &lt;a href="http://www.core77.com/blog/education/designed_in_india_inaugurating_the_dsk_supinfocom_campus_21305.asp"&gt;DSK Supinfocom's International School of Design&lt;/a&gt;) has come up with the perfect solution with his &lt;A HREF="http://www.coroflot.com/jaineelshah/" target="_blank"&gt;Pinch hanger&lt;/A&gt;:&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/0jshahpinch02.jpg" width="468" height="644" alt="0jshahpinch02.jpg"/&gt;&lt;/p&gt;&lt;a href="http://www.core77.com/blog/object_culture/jaineel_shahs_brilliant_pinch_hanger_21726.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/9Mk6RR967m8Uk4JhbphVpzNmlJg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9Mk6RR967m8Uk4JhbphVpzNmlJg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/9Mk6RR967m8Uk4JhbphVpzNmlJg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9Mk6RR967m8Uk4JhbphVpzNmlJg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/tEaoHnynuJc" height="1" width="1"/&gt;</description>
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<category>Object Culture</category>
<pubDate>Thu, 09 Feb 2012 15:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/object_culture/jaineel_shahs_brilliant_pinch_hanger_21726.asp</feedburner:origLink></item>

<item>
<title>SHOT SHOW 2012: A Photo Tour of the Show</title>
<description>&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/SHOTShowInterior.jpg" width="468" height="312" alt="SHOTShowInterior.jpg"/&gt;&lt;small&gt;&lt;em&gt;Images and Reporting by Barbara Eldredge&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;The &lt;a href="http://www.shotshow.org/" target="_blank"&gt;Shooting, Hunting, Outdoor Trade (SHOT) Show&lt;/a&gt; is a trade-only event and we were lucky enough to be able to attend and cover some of the newest design innovations from the category. Here's a quick photo tour of some of the trends, ideas and innovations from 2012 (and don't miss the timelapse of the show at the end!)&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;MEDIA DAY AT THE RANGE&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;The day before the SHOT Show opens its doors, Media Day at the Range provides a preview for that year's best new products while giving members of the press an opportunity to shoot and test the best new products for the season.&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/CharterArmsChicLady.jpg" width="468" height="312" alt="CharterArmsChicLady.jpg"/&gt;&lt;small&gt;Charter Arms Chic Lady - Several smaller handguns were released onto the market this year including this little revolver made by Charter Arms. Marketed specifically towards women, the "Chic Lady" could easily be slipped into a purse. However, I found the double-action trigger pull to be a little difficult and the recoil more powerful than expected. I question how many casual gun users would train with it to the degree it would take to become comfortable wielding such a gun. Cuteness isn't everything.&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/GatlingGun.jpg" width="468" height="702" alt="GatlingGun.jpg"/&gt;&lt;small&gt;Gatling Gun - An American invention, the Gatling Gun was the first successfully produced machine gun. It is a weapon that transformed the idea of automated mass production into automated mass killing. At the end of the 19th century, Gatlings were most often used to quell opposition to colonial expansion. This replica was brought to the SHOT Show by Colt as a promotional tool and was so popular they ran out of ammunition half way through the Media Day at the Range.&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/GraphicGunTatoo.jpg" width="468" height="702" alt="GraphicGunTatoo.jpg"/&gt;&lt;small&gt;Graphic Gun Tattoo - The tattoos of this firearms company art director caught my eye. &lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/BerettaRiflesRange.jpg" width="468" height="312" alt="BerettaRiflesRange.jpg"/&gt;&lt;small&gt;Beretta Rifles - The middle firearm shown here has a rifle stock made of differently colored wood laminate that has been cut to emphasize contour. Its aesthetic is a long way from the stock of the military-esque injection-molded number on the front of the rack.&lt;/small&gt;&lt;/p&gt;&lt;a href="http://www.core77.com/blog/exhibitions/shot_show_2012_a_photo_tour_of_the_show_21727.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DLKDTva1nNImFK-aMgvD4X1GvKc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DLKDTva1nNImFK-aMgvD4X1GvKc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DLKDTva1nNImFK-aMgvD4X1GvKc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DLKDTva1nNImFK-aMgvD4X1GvKc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/XY2UqtjfeYQ" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/XY2UqtjfeYQ/shot_show_2012_a_photo_tour_of_the_show_21727.asp</link>
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<category>Exhibitions</category>
<pubDate>Thu, 09 Feb 2012 13:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/exhibitions/shot_show_2012_a_photo_tour_of_the_show_21727.asp</feedburner:origLink></item>

<item>
<title>Working From Home Never Looked So Pro</title>
<description>&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/synthesis1.png" width="468" height="337" alt="synthesis1.png"/&gt;&lt;/p&gt;

&lt;p&gt;Just because you work from home doesn't mean you should be lying on the couch in your pj's til noon. Sure, it can also mean that&amp;mdash;no judging&amp;mdash;for some professions fuzzy slippers just don't count as proper work attire, whether you commute to an office or to your dining room table. In fact, &lt;a href="http://synthesis-dna.com/chelsea-workspace/" target="_blank"&gt;the latest project from Synthesis Design + Architecture&lt;/a&gt; proves that even small home spaces can be snazzy, at least if you have $11,000. That's what it cost to turn a London investment advisor's home office, a modest 8' x 11' room, into a sleek, CNC-milled birch work space. &lt;/p&gt;&lt;a href="http://www.core77.com/blog/interiorexhibition_design/working_from_home_never_looked_so_pro_21721.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/aj-fGkPYOGYn7Q2zNhgUp6G1lAE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aj-fGkPYOGYn7Q2zNhgUp6G1lAE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/aj-fGkPYOGYn7Q2zNhgUp6G1lAE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aj-fGkPYOGYn7Q2zNhgUp6G1lAE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/4QoZyqymA0w" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/4QoZyqymA0w/working_from_home_never_looked_so_pro_21721.asp</link>
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<category>Interior/Exhibition Design</category>
<pubDate>Thu, 09 Feb 2012 12:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/interiorexhibition_design/working_from_home_never_looked_so_pro_21721.asp</feedburner:origLink></item>

<item>
<title>Ikea's New Solar-and-Wind-Powered Lamp</title>
<description>&lt;p&gt;&lt;img src="http://www.core77.com/blog/images/2012/02/0solvindenla.JPG" width="468" height="500" alt="0solvindenla.JPG"/&gt;&lt;/p&gt;

&lt;p&gt;The name of Ikea's new &lt;A HREF="http://www.ikea.com/us/en/catalog/products/20224810/" target="_blank"&gt;SOLVINDEN&lt;/A&gt; lamp translates from Swedish as "Sun Wind," as those are the two things that power it. The cordless LED lamp is charged by a combination of the lampshade, which rotates in a breeze, and the sun's rays hitting the solar panel on top. The solar panel also contains a sensor that apparently swiches the lights on when it's dark outside. (There's also an on/off switch.)&lt;/p&gt;

&lt;p&gt;What we're not sure of is how the $30 SOLVINDEN is meant to be used, as the stalk on the floor-standing model seems a bit flimsy for permanent outdoor use. With no power cables it's conceivable you could move the lamp from indoors to out each day for a charging session, though that's obviously not practical in cities and certain climes. And though it's tough to tell from the video, the light produced by the lamp appears quite wan. &lt;/p&gt;

&lt;p&gt;&lt;iframe width="468" height="238" src="http://www.youtube.com/embed/vJEjaut7dLc" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;/p&gt;

&lt;p&gt;Still, I'm thankful a global retail giant like Ikea is promoting alternative power, and I think the lamp is an important "1.0" to get mass-market consumers and designers used to the idea. I'm looking forward to both hearing early-adopter feedback and seeing how Ikea incorporates that into future versions.&lt;/p&gt;

&lt;p&gt;Hit the jump for the lamp's stats.&lt;/p&gt;&lt;a href="http://www.core77.com/blog/sustainable_design/ikeas_new_solar-and-wind-powered_lamp_21724.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kSJLHJC26pvlMlwvyVwZX40Xa9E/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kSJLHJC26pvlMlwvyVwZX40Xa9E/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kSJLHJC26pvlMlwvyVwZX40Xa9E/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kSJLHJC26pvlMlwvyVwZX40Xa9E/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/4RT1H1ioQZY" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/4RT1H1ioQZY/ikeas_new_solar-and-wind-powered_lamp_21724.asp</link>
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<category>Sustainable Design</category>
<pubDate>Thu, 09 Feb 2012 11:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/sustainable_design/ikeas_new_solar-and-wind-powered_lamp_21724.asp</feedburner:origLink></item>

<item>
<title>American Design in Paris 2012, Triode Gallery</title>
<description>&lt;p&gt;&lt;img src="http://www.core77.com/blog/images/2012/02/Triode_Adelman_Luminaire.JPG" width="468" height="350" alt="Triode_Adelman_Luminaire.JPG"/&gt;&lt;small&gt;&lt;em&gt;Reporting and Images by Marc Thorpe. (Above) Lindsey Adelman, Agnes Chandelier&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;For the third year running, Parisian design showroom &lt;a href="http://www.triodedesign.com/" target="_blank"&gt;Triode&lt;/a&gt; hosted &lt;em&gt; American Design in Paris&lt;/em&gt; exhibition to coincide with the Winter Maison &amp; Objet tradeshow. The annual exhibition has become a showcase for American design talent with previous exhibitions showing one-off and production pieces from the likes of Harry Allen, Paul Loebach, Matilde Alessandra and Moorhead &amp; Moorhead. This year's show was a special collaboration with Roll &amp; Hill and MatterMade. The roster of American designers included those who have previously showed at Triode as well as designers who were showing for the first time in Paris.&lt;/p&gt;

&lt;p&gt;"The &lt;em&gt;American Design in Paris&lt;/em&gt; exhibit at the Triode Design gallery was a beautiful collection of designers from New York City," explained Marc Thorpe who presented a new luminaire, "Pourquoi Pas," for the exhibition. "I was honored to be a part of the exhibition. In the future, I'd hope to see a larger exhibition of designers represented from across the United States. &lt;em&gt;Merci&lt;/em&gt;!"&lt;/p&gt;

&lt;p&gt;&lt;img src="http://www.core77.com/blog/images/2012/02/Triode_MarcThorpe_Luminaire.JPG" width="468" height="350" alt="Triode_MarcThorpe_Luminaire.JPG"/&gt;&lt;small&gt;&lt;em&gt;Marc Thorpe, Pourquoi Pas&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;strong&gt;American Design in Paris&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;
Triode Gallery&lt;br /&gt;
28 rue Jacob, Paris&lt;br /&gt;
Through 16 March 2012&lt;/p&gt;

&lt;p&gt;Works By:&lt;br /&gt;
Lindsey Adelman&lt;br /&gt;
Bec Britain&lt;br /&gt;
Cmmnwlth&lt;br /&gt;
Joe Doucet&lt;br /&gt;
Fort Standard&lt;br /&gt;
Kleinreid&lt;br /&gt;
Jason Miller&lt;br /&gt;
John Pomp&lt;br /&gt;
Jonah Takagi&lt;br /&gt;
Marc Thorpe&lt;br /&gt;
Um Project&lt;br /&gt;
David Weeks&lt;/p&gt;

&lt;p&gt;&lt;img src="http://www.core77.com/blog/images/2012/02/Triode_Group.JPG" width="468" height="350" alt="Triode_Group.JPG"/&gt;&lt;small&gt;&lt;em&gt;Joe Doucet, Marc Thorpe, Claire Pijoulat (Wanted Design) Odile Hainaut (Wanted Design), Jerry Helling (Bernhardt Design), Richard Hinzel&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://www.core77.com/blog/images/2012/02/Triode_1-2.JPG" width="468" height="627" alt="Triode_1-2.JPG"/&gt;&lt;small&gt;&lt;em&gt;David Weeks Shell tableware on Jeff Miller tables&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;&lt;a href="http://www.core77.com/blog/design_festivals/american_design_in_paris_2012_triode_gallery_21723.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/6zEPfGFUIEdwRBajK4g-HKedLv8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6zEPfGFUIEdwRBajK4g-HKedLv8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/6zEPfGFUIEdwRBajK4g-HKedLv8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6zEPfGFUIEdwRBajK4g-HKedLv8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/6wTra9nRrYk" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/6wTra9nRrYk/american_design_in_paris_2012_triode_gallery_21723.asp</link>
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<category>Design Festivals</category>
<pubDate>Thu, 09 Feb 2012 09:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/design_festivals/american_design_in_paris_2012_triode_gallery_21723.asp</feedburner:origLink></item>

<item>
<title>The 88 is seeking a Graphic Designer in New York, New York</title>
<description>&lt;p&gt;&lt;a href="http://www.coroflot.com/public/jobs_browse.asp" border="0"&gt;&lt;img alt="coroflot-joboftheday.jpg" src="http://s3files.core77.com/blog/images/coroflot-joboftheday.jpg" width="468" height="68" class="mt-image-none" style="" /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;a href="http://www.coroflot.com/public/job_details.asp?job_id=38151&amp;referral=C77blogpost"&gt;Graphic Designer &lt;/a&gt;&lt;br&gt;The 88&lt;/strong&gt;&lt;br /&gt;New York, New York&lt;/p&gt;

&lt;p&gt;The 88 is a digital agency offering creative services, social media management and content creation. Located in SoHo, they are seekign a full-time art director/designer to support their work for a variety of high-end clients.&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.coroflot.com/public/job_details.asp?job_id=38151&amp;referral=C77blogpost"&gt;&amp;raquo; view&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The best design jobs and portfolios hang out at &lt;a href="http://coroflot.com"&gt;Coroflot&lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;&lt;a href="http://www.core77.com/blog/jobs/the_88_is_seeking_a_graphic_designer_in_new_york_new_york_21713.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xMHHFXWRY2omP0FbrCrRy4M5v6Q/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xMHHFXWRY2omP0FbrCrRy4M5v6Q/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/xMHHFXWRY2omP0FbrCrRy4M5v6Q/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xMHHFXWRY2omP0FbrCrRy4M5v6Q/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/D9mgXFriDHQ" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/D9mgXFriDHQ/the_88_is_seeking_a_graphic_designer_in_new_york_new_york_21713.asp</link>
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<category>Jobs</category>
<pubDate>Thu, 09 Feb 2012 07:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/jobs/the_88_is_seeking_a_graphic_designer_in_new_york_new_york_21713.asp</feedburner:origLink></item>

<item>
<title>Muji's Upcoming Product Fitness 80 Exhibition in London</title>
<description>&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/productfitness.jpeg" width="400" height="400" alt="productfitness.jpeg"/&gt;&lt;/p&gt;

&lt;p&gt;Londoners with a taste for minimalist design are in for a treat: A &lt;A HREF="http://www.muji.eu/" target="_blank"&gt;Muji&lt;/A&gt; exhibition revealing archives of their work, prototypes and some of their not-for-sale-in-Europe objects, opens March 9th &lt;A HREF="http://designmuseum.org/exhibitions/2012/product-fitness-80" target="_blank"&gt;at London's Design Museum&lt;/A&gt;. The somewhat baffling exhibition title, &lt;em&gt;Product Fitness 80&lt;/em&gt;, makes sense when you read Muji's latest philosophical musings:&lt;/p&gt;

&lt;blockquote&gt;The products in the exhibition all address the question, what would happen if we used 20% less materials and energy in the actual process of making products? And in terms of the final object, what is then the role of the user in customising, re-using and recycling products in order to reduce energy consumption?

&lt;p&gt;On the one year anniversary of the Japanese earthquake and tsunami, Muji presents a display at the Design Museum that reconsiders the way we look at what makes good product design. The natural disaster and the ongoing concern about damaged power plants in Japan, has prompted Muji to rethink the way in which design impacts on the way we use energy.&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;March 8th will see what looks to be a kick-ass kickoff featuring Naoto Fukasawa, Konstanin Grcic and Sam Hecht discussing "craftsmanship, quality and efficiency of materials and energy." Alas, the darn thing is already sold out.&lt;/p&gt;

&lt;p&gt;The show will run through March 18th, and &lt;strong&gt;admission is free for whomever shows up with a Muji receipt&lt;/strong&gt;.&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/productfitness_2.jpeg" width="400" height="400" alt="productfitness_2.jpeg"/&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/productfitness_3.jpeg" width="400" height="400" alt="productfitness_3.jpeg"/&gt;&lt;/p&gt;&lt;a href="http://www.core77.com/blog/exhibitions/mujis_upcoming_product_fitness_80_exhibition_in_london_21720.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/811lymTG32ARlBhfqO75ciH2oYw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/811lymTG32ARlBhfqO75ciH2oYw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/811lymTG32ARlBhfqO75ciH2oYw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/811lymTG32ARlBhfqO75ciH2oYw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/sFUiEDgGFCs" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/sFUiEDgGFCs/mujis_upcoming_product_fitness_80_exhibition_in_london_21720.asp</link>
<guid isPermaLink="false">http://www.core77.com/blog/exhibitions/mujis_upcoming_product_fitness_80_exhibition_in_london_21720.asp</guid>
<category>Exhibitions</category>
<pubDate>Thu, 09 Feb 2012 05:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/exhibitions/mujis_upcoming_product_fitness_80_exhibition_in_london_21720.asp</feedburner:origLink></item>

<item>
<title>Reykjavik's Interactive City Center Map</title>
<description>&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/Reykjavik.png" width="468" height="355" alt="Reykjavik.png"/&gt;&lt;/p&gt;

&lt;p&gt;In 2009 &lt;a href="http://www.monocle.com/monocolumn/2009/11/20/let's-get-this-country-started/" target="_blank"&gt;&lt;em&gt;Monocle&lt;/em&gt; took notice&lt;/a&gt; of Reykjavik's growing businesses and optimistic entrepreneurs, a hopeful sign that the city, and Iceland in general, might be on the brink of overcoming their 2008 economic collapse. &lt;/p&gt;

&lt;blockquote&gt;The start-ups here are not deterred by conditions and take inspiration from successful forebears, such as CCP Games, [whose]...executive producer Nathan Richardsson notes, 'This wave of innovation happening in Iceland is a result of the dire consequences of 2008, which provides a useful constraint on developing ideas to find the simplest, best solution.' 

&lt;p&gt;In stark contrast to the frothy days of high finance, these bright young leaders have helped create an entrepreneurial culture where banker bragging rights have been traded for humble lunches and transparent business. The view...is one of optimism.&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;No small part of Reykjavik's burgeoning economy is due to tourism, an industry the country continues to push with all its might. The latest evidence is &lt;a href="http://www.reykjavikcentermap.com/" target="_blank"&gt;an interactive city map&lt;/a&gt;, soon to be expanded into an online shop and a mobile app. Designed by &lt;a href="http://www.facebook.com/pages/Borgarmynd/138096476222198" target="_blank"&gt;Borgarmynd&lt;/a&gt;, the map lets you zoom in and out of a cheerful illustration of Reykjavik's streets, with a special focus on restaurants, bars, shops and cultural sites. The business descriptions are pretty cute. According to the map, Faktory is where, "You fell in love 7 times a live concert, made 30 new friends, danced to a DJ set and crashed a private party. The suns up now. Just another night at the famous Faktory, the hottest partyplace (their spelling, not mine) in 101." &lt;/p&gt;

&lt;p&gt;The map is still a bit beta, but for the most part it's pretty user-friendly and, I imagine, actually helpful if I were traveling to Reykjavik, which I really, really wish I was. &lt;br /&gt;
&lt;/p&gt;&lt;a href="http://www.core77.com/blog/ux/reykjaviks_interactive_city_center_map_21716.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/0bvdP3wbGcE4WQoiNirNf49McOA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0bvdP3wbGcE4WQoiNirNf49McOA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/0bvdP3wbGcE4WQoiNirNf49McOA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0bvdP3wbGcE4WQoiNirNf49McOA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/RODN-0OOtLU" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/RODN-0OOtLU/reykjaviks_interactive_city_center_map_21716.asp</link>
<guid isPermaLink="false">http://www.core77.com/blog/ux/reykjaviks_interactive_city_center_map_21716.asp</guid>
<category>UX</category>
<pubDate>Thu, 09 Feb 2012 03:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/ux/reykjaviks_interactive_city_center_map_21716.asp</feedburner:origLink></item>

<item>
<title>IxDA Interaction12: Storytelling in the Emerald Isle</title>
<description>&lt;p&gt;&lt;img src="http://www.core77.com/blog/images/2012/02/ixda_story1.JPG" width="468" height="312" alt="ixda_story1.JPG"/&gt;&lt;small&gt;&lt;em&gt;Tour Guide at the Leprechaun Museum&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;Storytelling is a concept that we are all familiar with, regardless of our background. As designers, it is often utilized as a tool during the design process. In Ireland it has been part of their culture for centuries. During Interaction12, IxDA organizers did a great job of incorporating Irish culture into the conference through different activities and performances at the venue. In between talks, I found myself attending an interactive storytelling experience called "Storytelling a la carte" with professional bard Coil&amp;iacute;n "The" Oh-Aissiex and Claire "Ambiencellist" Fitch. The audience was able to choose from a menu of stories, which consisted of options such as Ancient Irish Tales, Contemporary Irish Tales, and International Folktales. Each category had descriptions as if the audience was ordering off a menu at a restaurant. For example, under the category Ancient Irish Tales, one of the "Flavour" descriptions consisted of pity and magic, while another consisted of outrage and triumph. Audience members were asked to choose a category and a corresponding flavour of their choice from the menu for a unique tale accompanied by improvisational music.&lt;/p&gt;

&lt;p&gt;&lt;img src="http://www.core77.com/blog/images/2012/02/ixda_story4.JPG" width="468" height="312" alt="ixda_story4.JPG"/&gt;&lt;/p&gt;

&lt;p&gt;I had the opportunity to experience two stories before moving onto the next 45-minute block of talks. The Storytelling a la carte experience was a perfect segue into Tom O'Rahilly's talk titled "Identity and Imagination."&lt;/p&gt;

&lt;p&gt;Tom O'Rahilly gave our readership some insight on storytelling from both a cultural and design perspective in our &lt;a href="http://www.core77.com/blog/conferences/ixda_interaction12_preview_qa_with_tom_orahilly_director_of_the_national_leprechaun_museum_21508.asp"&gt;Interaction12 preview&lt;/a&gt;. O'Rahilly, Director of the &lt;a href="http://www.leprechaunmuseum.ie/" target="_blank"&gt;Leprechaun Museum in Dublin&lt;/a&gt;, began his talk by sharing his experience as a product designer, realizing that people primarily wanted to experience their products. He then moved into a discussion on identity. People often think of identity as items that identify us in daily life, such as a social security card or driver's license. However, O'Rahilly addressed cultural identity. According to O'Rahilly, components of identity include location, perspective, play and people. In storytelling, key components are making sense of the unknown, engagement and experience. These components were taken into consideration during the design of the Leprechaun Museum.&lt;/p&gt;&lt;a href="http://www.core77.com/blog/conferences/ixda_interaction12_storytelling_in_the_emerald_isle_21711.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/5tkNrNKNPB9Bu3ncPtl3hAZsW1Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5tkNrNKNPB9Bu3ncPtl3hAZsW1Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/5tkNrNKNPB9Bu3ncPtl3hAZsW1Y/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5tkNrNKNPB9Bu3ncPtl3hAZsW1Y/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/rUIYL9EsX5s" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/rUIYL9EsX5s/ixda_interaction12_storytelling_in_the_emerald_isle_21711.asp</link>
<guid isPermaLink="false">http://www.core77.com/blog/conferences/ixda_interaction12_storytelling_in_the_emerald_isle_21711.asp</guid>
<category>Conferences</category>
<pubDate>Wed, 08 Feb 2012 17:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/conferences/ixda_interaction12_storytelling_in_the_emerald_isle_21711.asp</feedburner:origLink></item>

<item>
<title>The Long Road from Terrorist Attack to Bombproof Trash Cans</title>
<description>&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/0rensolulon01.jpg" width="468" height="904" alt="0rensolulon01.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;The nice thing about design school projects is that most are meant to be conceived of and completed within the same semester. In the absence of manufacturing problems and political issues, you're presented with a problem and expected to solve it with design in a matter of months. &lt;/p&gt;

&lt;p&gt;In the real world, of course, the process of going from problem presentation to design solution can seem interminably long. After the terrorist attacks of September 11th, 2001, cities like New York and London began removing trash cans from certain public spaces. In 2005 London suffered their own terrorist attack on July 7th. By 2007 two entrepreneurs named Kaveh Memari and Brian James designed and began testing a bombproof trash can; we first wrote it up in &lt;A HREF="http://www.core77.com/blog/object_culture/bombproof_trash_cans_design_goes_antiterrorist_11615.asp" &gt;2008&lt;/A&gt;, and it was scheduled to land on London streets, featuring internet-connected LCD screens that could warn Londoners of local emergencies, in 2009. That release date was then pushed back to 2010, with a target of 100 cans on London streets, but the release date came and went.&lt;/p&gt;&lt;a href="http://www.core77.com/blog/object_culture/the_long_road_from_terrorist_attack_to_bombproof_trash_cans_21719.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/FoRsuoZq1zib3jZiZAyH6Hf4WJA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FoRsuoZq1zib3jZiZAyH6Hf4WJA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/FoRsuoZq1zib3jZiZAyH6Hf4WJA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FoRsuoZq1zib3jZiZAyH6Hf4WJA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/QLmSvLbbhlc" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/QLmSvLbbhlc/the_long_road_from_terrorist_attack_to_bombproof_trash_cans_21719.asp</link>
<guid isPermaLink="false">http://www.core77.com/blog/object_culture/the_long_road_from_terrorist_attack_to_bombproof_trash_cans_21719.asp</guid>
<category>Object Culture</category>
<pubDate>Wed, 08 Feb 2012 15:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/object_culture/the_long_road_from_terrorist_attack_to_bombproof_trash_cans_21719.asp</feedburner:origLink></item>

<item>
<title>Cooper-Hewitt Brings Design to K-12</title>
<description>&lt;p&gt;If you counted design as one of the subjects you were taught at some point between kindergarten and your senior year of high school, consider yourself very lucky. Like most people, I didn't receive a design education until I got to college. But thanks to a generous sponsorship from Target, the Cooper-Hewitt is bringing hands-on design to NYC students in grades K-12. &lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/CHinSchools1.jpg" width="468" height="262" alt="CHinSchools1.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/CHinSchools2.jpg" width="468" height="263" alt="CHinSchools2.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;The program gets kids to think about design as an active part of their daily lives, to understand that design is all around them, that their shoes, their binders and their Metro cards have all been designed. There are design challenges tailor-made for each grade level, so while kindergartners are trying to figure out how to transport apples up a hill, 8th grades are working on how to keep a premature baby warm and safe in a rural village without electricity. These challenges aim to teach students how the design process is a creative method of problem solving that can be applied in almost any situation - a factor teachers are hoping will help with standardized testing.&lt;/p&gt;

&lt;p&gt;&lt;iframe width="468" height="312" src="http://www.youtube.com/embed/xbwIvkEOkN8" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;/p&gt;

&lt;p&gt;If you're an educator, &lt;a href="http://www.cooperhewitt.org/designK12registration" target="_blank"&gt;register your school&lt;/a&gt;.&lt;/p&gt;&lt;a href="http://www.core77.com/blog/education/cooper-hewitt_brings_design_to_k-12_21715.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/1NgKMjnxokvyZI3pkk6X44BOx3Q/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1NgKMjnxokvyZI3pkk6X44BOx3Q/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/1NgKMjnxokvyZI3pkk6X44BOx3Q/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1NgKMjnxokvyZI3pkk6X44BOx3Q/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/IqYULbBK5_U" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/IqYULbBK5_U/cooper-hewitt_brings_design_to_k-12_21715.asp</link>
<guid isPermaLink="false">http://www.core77.com/blog/education/cooper-hewitt_brings_design_to_k-12_21715.asp</guid>
<category>Education</category>
<pubDate>Wed, 08 Feb 2012 13:30:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/education/cooper-hewitt_brings_design_to_k-12_21715.asp</feedburner:origLink></item>

<item>
<title>World Design Capital Gets Some World Design Capital</title>
<description>&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/0coinboss01.jpg" width="468" height="224" alt="0coinboss01.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;To celebrate Helsinki's selection as World Design Capital for 2012, the Mint of Finland has launched a commemorative &lt;A HREF="http://www.suomenrahapaja.fi/eng/commemorative-and-collector-coins/world-design-capital-helsinki-2012-50" target="_blank"&gt;50-Euro coin&lt;/A&gt; made from both gold and silver, seen above. They're also releasing &lt;A HREF="http://www.suomenrahapaja.fi/eng/commemorative-and-collector-coins/world-design-capital-helsinki-2012-5" target="_blank"&gt;a 5-Euro version&lt;/A&gt;, below, made from less-expensive aluminum and bronze.&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/0coinboss02.jpg" width="468" height="224" alt="0coinboss02.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;Of course, the face value of the coin doesn't correspond with what it costs; collectors and design geeks will need to pony up 430 Euros for the 50 and 75 Euros for the 5. That's kind of a disheartening metaphor for the affordability of good design.&lt;/p&gt;

&lt;p&gt;Longtime Core77 readers may remember that we wrote an entry years ago showing you how bimetallic coins are produced. The Helsinki coins shown here, the 1-Euro coin and the NYC subway token of decades past were all produced the same way. Check it out &lt;A HREF="http://www.core77.com/blog/object_culture/how_they_make_bi-metallic_coins_12587.asp"&gt;here&lt;/A&gt;.&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/0coinboss03.jpg" width="468" height="245" alt="0coinboss03.jpg"/&gt;&lt;/p&gt;&lt;a href="http://www.core77.com/blog/object_culture/world_design_capital_gets_some_world_design_capital_21718.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/KgXlxZtfAQ1-I3s5kEXZmgCK0qg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KgXlxZtfAQ1-I3s5kEXZmgCK0qg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/KgXlxZtfAQ1-I3s5kEXZmgCK0qg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KgXlxZtfAQ1-I3s5kEXZmgCK0qg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/VLNZXNhkFjw" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/VLNZXNhkFjw/world_design_capital_gets_some_world_design_capital_21718.asp</link>
<guid isPermaLink="false">http://www.core77.com/blog/object_culture/world_design_capital_gets_some_world_design_capital_21718.asp</guid>
<category>Object Culture</category>
<pubDate>Wed, 08 Feb 2012 11:15:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/object_culture/world_design_capital_gets_some_world_design_capital_21718.asp</feedburner:origLink></item>

<item>
<title>Arkitypo: A 3D History of Typography</title>
<description>&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/Arkitypo1.png" width="468" height="601" alt="Arkitypo1.png"/&gt;&lt;/p&gt;

&lt;p&gt;London-based Johnson Banks is an identity and branding company that delves into print and even 3D work on occasion. Their latest 3D experiment resulted in &lt;a href="http://www.johnsonbanks.co.uk/thoughtfortheweek/index.php?thoughtid=711" target="_blank"&gt;Arkitypo&lt;/a&gt;, a 3D alphabet that tells the history of typography. "Each letterform is different, each in turn interprets its own alphabet." For example, "A" is for Aksidenz Grotesk, a forerunner of Helvetica. It was "part of a family of early sans-serifs called 'grotesques'...for this design a condensed weight is 'fractalized,' turning a grotesque into a thing of beauty."&lt;/p&gt;

&lt;p&gt;Each letter is methodically researched and many of the resulting forms are quite beautiful. Take the "B," an uppercase Bodoni B spiraling out of the form of a Baskerville B like a snail shell. "Baskerville and Bodoni are usually judged as two separate typefaces, but Giambattista Bodoni modeled his famous font on John Baskerville's...The key difference is that the thicks and thins are in turn thicker, and thinner."&lt;/p&gt;&lt;a href="http://www.core77.com/blog/graphic_design/arkitypo_a_3d_history_of_typography_21717.asp"&gt;(more...)&lt;/a&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/GwuX3xbbyl1WDxfjyWg7EhwKHOg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GwuX3xbbyl1WDxfjyWg7EhwKHOg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/GwuX3xbbyl1WDxfjyWg7EhwKHOg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GwuX3xbbyl1WDxfjyWg7EhwKHOg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/core77/blog/~4/q_iWG9SmtYo" height="1" width="1"/&gt;</description>
<link>http://feedproxy.google.com/~r/core77/blog/~3/q_iWG9SmtYo/arkitypo_a_3d_history_of_typography_21717.asp</link>
<guid isPermaLink="false">http://www.core77.com/blog/graphic_design/arkitypo_a_3d_history_of_typography_21717.asp</guid>
<category>Graphic Design</category>
<pubDate>Wed, 08 Feb 2012 11:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/graphic_design/arkitypo_a_3d_history_of_typography_21717.asp</feedburner:origLink></item>

<item>
<title>Accumulated Meaning: "Swept Away" at the Museum of Arts and Design</title>
<description>&lt;p&gt;Yesterday saw the opening of &lt;em&gt;&lt;a href="http://collections.madmuseum.org/html/exhibitions/551.html" target="_blank"&gt;Swept Away: Dust, Ashes and Dirt in Contemporary Art and Design&lt;/a&gt;&lt;/em&gt;, the Museum of Arts and Design's latest exhibition in their ongoing examination of materials and process. As its title suggests, all of the works are composed of materials that are overlooked or otherwise ignored, if not eliminated altogether&amp;mdash;unsavory scourges of sanitation that accrue over time, infinitesimal residues man-made and otherwise&amp;mdash;dirt, dust, soot, ash, smoke and sand.&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/MAD-SweptAway-JamesCroak.jpg" width="468" height="351" alt="MAD-SweptAway-JamesCroak.jpg"/&gt;&lt;small&gt;James Croak - &lt;em&gt;The Persistence of Modernism&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;The smallest units of detritus have been gathered, organized and ultimately mastered in some two dozen artworks on display on the fifth floor of the museum. Chief Curator David McFadden noted that he'd initially expected to include works by a scant half dozen artists&amp;mdash;sculptor James Croak and Zhang Huan, both of whom are in the show, came to mind&amp;mdash;though the list eventually ballooned to 50 candidates, half of which are included in the exhibition. Indeed, the scope of the exhibition is more diverse than it is homogenous, featuring works in two dimensions and three, from representational (Vik Muniz) to abstract (Jim Denevan), with varying degrees of conceptual content behind the disparate approaches to visual execution.&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/MAD-SweptAway-Glithero.jpg" width="468" height="291" alt="MAD-SweptAway-Glithero.jpg"/&gt;&lt;small&gt;Glithero -  &lt;em&gt;Burn Burn Burn&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;The ineluctable meaning of particulate matter&amp;mdash;that from which we come and to which we will return, in so many words&amp;mdash;was especially prominent in a few ephemeral works that are presented as photo or video documentation par excellence. Fuses burn with fearlessly self-destructive determination and tides rise with unsentimental predictability, leaving unmistakable scars (Glithero's &lt;em&gt;Burn Burn Burn&lt;/em&gt;, above) or effacing the work entirely (Andy Goldsworthy's &lt;em&gt;Bones/Sand/Ball/Tide&lt;/em&gt;, below)&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/MAD-SweptAway-AndyGoldsworthy.jpg" width="468" height="358" alt="MAD-SweptAway-AndyGoldsworthy.jpg"/&gt;&lt;small&gt;Andy Goldsworthy - &lt;em&gt;Bones/Sand/Ball/Tide&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://s3files.core77.com/blog/images/2012/02/MAD-SweptAway-CaiGuoQiang.jpg" width="468" height="287" alt="MAD-SweptAway-CaiGuoQiang.jpg"/&gt;&lt;small&gt;Cai Guo-Qiang - &lt;em&gt;Black Ceremony&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;Nevertheless, the works in the exhibition are predominantly representational&amp;mdash;even Cai Guo-Qiang's &lt;em&gt;Black Ceremony&lt;/em&gt; culminates with (spoiler alert) a puff of rainbow&amp;mdash;and, in a couple cases, the artist is literally using dirt (or dust, ash, etc.) as a medium, i.e. for drawing or sculpture.&lt;/p&gt;&lt;a href="http://www.core77.com/blog/exhibitions/accumulated_meaning_swept_away_at_the_museum_of_arts_and_design_21710.asp"&gt;(more...)&lt;/a&gt;
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<link>http://feedproxy.google.com/~r/core77/blog/~3/0FMmD1okcvY/accumulated_meaning_swept_away_at_the_museum_of_arts_and_design_21710.asp</link>
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<category>Exhibitions</category>
<pubDate>Wed, 08 Feb 2012 09:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/exhibitions/accumulated_meaning_swept_away_at_the_museum_of_arts_and_design_21710.asp</feedburner:origLink></item>

<item>
<title>Method is seeking a Project Manager in San Francisco, California</title>
<description>&lt;p&gt;&lt;a href="http://www.coroflot.com/public/jobs_browse.asp" border="0"&gt;&lt;img alt="coroflot-joboftheday.jpg" src="http://s3files.core77.com/blog/images/coroflot-joboftheday.jpg" width="468" height="68" class="mt-image-none" style="" /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;a href="http://www.coroflot.com/public/job_details.asp?job_id=38150&amp;referral=C77blogpost"&gt;Project Manager &lt;/a&gt;&lt;br&gt;Method&lt;/strong&gt;&lt;br /&gt;San Francisco, California&lt;/p&gt;

&lt;p&gt;Method, the international design and innovation consultancy, is currently looking for project managers to join our Client Services team in San Francisco. The Project Manager coordinates all activities and resources involved in the execution of a client engagement. He or she will be the day-to-day liaison between Method's various internal disciplines and the client. The Project Manager is instrumental in ensuring that a project is completed on time, on budget and meets client/agency objectives.&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.coroflot.com/public/job_details.asp?job_id=38150&amp;referral=C77blogpost"&gt;&amp;raquo; view&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The best design jobs and portfolios hang out at &lt;a href="http://coroflot.com"&gt;Coroflot&lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;&lt;a href="http://www.core77.com/blog/jobs/method_is_seeking_a_project_manager_in_san_francisco_california_21712.asp"&gt;(more...)&lt;/a&gt;
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<category>Jobs</category>
<pubDate>Wed, 08 Feb 2012 07:00:00 -0500</pubDate>
<feedburner:origLink>http://www.core77.com/blog/jobs/method_is_seeking_a_project_manager_in_san_francisco_california_21712.asp</feedburner:origLink></item>


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