Coyote Tracks

Trucks, Cars and Vespas

Thu, 23 May 2013 07:46:37 -0700

Thanks to a friend I acquired an iPad mini for an Android tablet price. I was one of many Apple-leaning folks who was originally pretty skeptical of the 7″ form factor. (The ghost of Steve Jobs compels me to point out that the iPad mini is really 8″, thus not technically betraying his own anti-7″ preference.) But it really is better for most of the things that I do with a tablet, which mostly involve content consumption rather than creation.

You may have winced at that last phrase, content consumption rather than creation. I wince when I read it (or type it); it’s the standard knock against iPads, the thing Microsoft wants us to believe isn’t true of the Microsoft Surface, the thing Amazon embraces wholeheartedly. The last couple of years are full of Apple-leaning pundits, including me, demonstrating all the ways in which we can create on iPads, dammit. I’m using Byword on the iPad mini right now!

But if I was using Byword on the Mac, it’d be showing formatting as I typed. I’d be able to prepare “final copy” in HTML or RTF. I’d be able to use Brett Terprstra’s Markdown services. And I’d have already linked the phrase Markdown services because I could have a browsing window and an editing window open at the same time.

Let’s stop praising how the iPad makes us focus on single tasks. No. It doesn’t. It makes us focus on a single application, and if it’s a document-based application, just a single document. A Twitter window next to a window I’m writing a short story in is a distraction, but a window with my story notes next to the short story window is not—it is, in fact, part of my single task.

You’re just clinging to the old way of doing things. Computers are trucks and most people don’t need trucks, they need cars. Tablet sales are going up up up and traditional PC sales are falling. Way of the future.

Yes, true. Tablet sales are rising as PC sales fall. But are you sure that means what you think it means?

How many people buying iPads are buying them as their first computer? There ae charming anecdotes about 90-year-old grandmothers who’ve done that, but tablets seem to overwhelmingly be in the hands of people who already own computers. Maybe they’re buying an iPad instead of a laptop, but it seems most of them are buying an iPad to have an iPad. PCs and tablets are related markets, but not the same market. The PC market hasn’t stopped expanding because iPads are cannibalizing it; it’s stopped expanding because it’s saturated.

Am I saying Steve Jobs’ famous cars and trucks analogy was wrong, then? Sort of. Desktop computers may be trucks, but the laptops are the cars. That’s why they’ve been outselling desktops for years. Tablets are motorcycles. Maybe Vespas. They’re fun and in some circumstances they’re genuinely your best choice, but most people just aren’t going to get by with them as their only vehicle.

This isn’t a knock against tablets (or Vespas). It’s just a recognition that you have to use the right product for the right task. Using an iPad for reading and web browsing and casual gaming feels natural, more so than using a laptop. For writing (let alone coding), though, this isn’t the case. And while each new iteration of iOS, Android and Windows God We Gave You Back The Start Button Please Love Us Again¹ will give us more theoretical reasons to leave our laptops at home or the office, I’m not convinced this is solely a matter of missing operating system functionality. It may be that some tasks just don’t map that well to a user experience designed around direct object manipulation. It may be that spreadsheets and word processors, for instance, will always be better with a hardware keyboard and a trackpad—and I remain dubious that the Microsoft Surface represents the best way to solve that.

While I thought that was a catchy name, too, I’m told it’s been renamed due to a copyright infringement claim. ↩

The Verge's Paul Miller on a year without Internet

Wed, 01 May 2013 14:13:58 -0700

The Verge's Paul Miller on a year without Internet:

While there’s an unavoidable undertone of glib hipsterism in the whole “offline for a year” experiment Miller conducted, this insight is one that goes too often unrecognized:

My plan was to leave the internet and therefore find the “real” Paul and get in touch with the “real” world, but the real Paul and the real world are already inextricably linked to the internet. Not to say that my life wasn’t different without the internet, just that it wasn’t real life.

For both good and ill, the Internet really has changed everything. Very few of us in the first world are living lives in 2013 that bear much resemblance to the life we would have had—or even could have had—were we the same age in 1988. (And life outside our first world privilege sphere has undergone radical change due to technology in the last quarter-century, too.)

PHP feels less like COBOL these days

Wed, 17 Apr 2013 12:01:00 -0700

I joked on Twitter last night that I should follow up PHP is not an acceptable COBOL with “PSR-0 makes PHP a completely adequate FORTRAN” and let people guess whether that’s actually a compliment. This is not exactly that post, but what’s been going in the PHP world has been kind of interesting.

First off, a lot of people get really defensive when you attack PHP, or indeed whatever their language of choice is. (Except Lisp, because Lispers are secure enough not to give a shit what you think.)

Eevee’s epic rant PHP: a fractal of bad design came along not too long after my rant and took most of the heat away. (Thanks!) The most common defense against critics seems to boil down to “a good programmer will get used to the quirks of his tools and work around them.” Absolutely. But that doesn’t mean someone saying, “Hey, your tools are quirky in vastly unnecessary ways” is wrong. Having two similar functions that take the same arguments take them in different order? Bad design. Requires you to explicitly name the variables you want your closure to close over? Bad design. And as Eevee noted, PHP makes it easy to write code which does the wrong thing with no warning: where a failure to do proper error checking in Python and Ruby will always cause an exception, PHP might chug merrily along and “work” incorrectly. Bad design.

Yet! I come to praise PHP rather than bury it. Eevee complained “the language, the framework, the ecosystem are all just bad.” What’s changed in the last year is the ecosystem. And it’s changed a lot.

PSR-0 sets up a standard for what PHP calls “autoloading,” a way to automatically load a class when your code references one. In theory, this is “better” than a language like Python, which requires you to import foo when you want to use a “module.” Python sounds just like the old PHP way of using require to load files, right?

No. In practice, Python’s structure for how you organize modules into packages—basically, easily-installable libraries—is a huge win over PHP’s laissez-faire attitude. (PHP tried to have this with PEAR, which would be fine if PEAR wasn’t opaque, fragile, out-of-date and just all around annoying.) PSR-0 now gives us that package structure. More or less.

That brings us to Composer. Which is not directly related to PSR-0, but bear with me.

Composer describes itself as “a tool for dependency management in PHP” and explicitly tells you that it’s not a “package manager.” So what does that mean? It means Composer is a package manager. It’s virtually a port of npm to PHP (Composer says it’s “strongly inspired” by it), which is a tool for Node, the quasi-new quasi-hotness in Javascript web development.

Using Composer requires you to structure a PHP project in a specific way—not an overly restrictive way, but there are a few standards, just like you’d need for Node, or for Ruby’s bundler package manager. Composer, among other things, provides an autoload component that handles not only PSR-0 style files but can easily “map” anything else you want to use. You can include that in your PHP project with one line:

require 'vendor/autoload.php';

The magic happens, though, when you bring Composer and PSR-0 together. Because PSR-0 is a standard, it lets you create packages and use packages other people have created. Because of that, you can include new packages in your project by adding them to your project’s Composer configuration file and running composer install.

Yes, this is stuff that Ruby and Node have had for a couple years, and is the rough equivalent of stuff that Python has had for over a decade and Perl has had since the 1880s. One can argue about whether the Composer/npm/bundler approach is better or worse than the CPAN/PyPI approach—as much as a fan of Python as I am, I lean toward “better,” honestly—but the main thing is that it not only exists, it works, and it works well.

Right now, there are nearly 10,000 packages at Packagist, the repository that Composer draws from; I’m sure that just like npm’s repository a lot of those packages are absolute crap, but again, not the real point. The point is that thanks to all this infrastructure that’s sprung up, PHP is very quickly starting to feel, well, modern. A lot of interesting stuff was always out there, but now it’s there in one place, following one standard, (mostly) guaranteed to be interoperable. A lot of things that Rails and Django developers have been rightly smug about for the last few years, PHP developers finally get to share in, also.

Sure, this doesn’t fix a lot of PHP weirdness. (I’ve recently been fighting with json_decode and whoever thought that error-checking scheme was a good idea needs to be smacked with a dead salmon a few times.) But developing with a framework like Laravel 4 is… pleasant. I may still like Flask more, but I’m no longer pining for it.

And if I do, I always remember that I could be stuck debugging Javascript. Christ on a pogo stick.

(Edit: fixed a couple broken Markdown links.)

The Clever Coffee Dripper

Tue, 16 Apr 2013 09:23:00 -0700

I have a confession to make that may get my B-List Nerd Card revoked, but I don’t think the Aeropress coffee brewer makes great coffee.

It makes good coffee, and when it comes to brewing speed and cleanup it’s unbeatable. But I’ve been using one off and on for nearly four years now, generally aiming to brew what I consider to be a standard twelve-ounce cup of coffee, and there’s a lot of…quirky things about it. You can’t brew a twelve-ounce cup of coffee with it. Instead, you’re supposed to brew it at about triple-strength, which is what the Aeropress is designed to do, and dilute it. (They call the triple-strength coffee “espresso,” which it manifestly is not.)

Yet when I do that—even using (at least!) as much ground coffee as I would for twelve ounces of water—I often get watery coffee. I can get consistently good eight ounce cups of coffee by using enough water to make the concentrate about double-strength instead, but twelve is hit or miss at best. I’ve talked with baristas at good local coffee shops like Chromatic and Bellano and they’ve said they had similar experiences.

The other thing is that even a good cup of coffee on the Aeropress has, well, a distinctly Aeropress flavor, in much the same way that cold brew coffee tends to taste distinctly like cold brew coffee. The sweetness gets highlighted, the bitterness is muted, and two very different coffees—say, a dark roast Sumatran and a light roast Ethopian—have their similarities accented more than their differences. This isn’t bad, but it’s noticeable.

I think the Aeropress appeals to so many geeks because it’s simple yet endlessly fiddly: change the grind, change the steeping time, change when and for how long you stir, brew it inverted, so on and so forth. You can’t match that level of fiddliness with anything but a pour-over cone.

But I don’t always want fiddly. A lot of times I just want coffee, consistently brewed well and full-flavored. Geeky is still a plus. And this led me a few months ago to the Clever Coffee Dripper.

Basically, what the Clever does is act as a hybrid of filter pour-over and French press. It’s a big cone that takes #4 coffee filters (the ones that you’d use for most electric coffee makers that have cones rather than baskets—bigger than what other “single cup” cone brewers use). Put the filter in, put the coffee in, then pour the water in. Don’t “pre-soak” the grounds, stir after a minute and a half or so, and wait about four minutes.

Then, just set the Clever on your coffee cup. A stopper in the bottom gets opened when it’s on a cup; when it’s on the counter, letting the coffee steep, it’s closed. The coffee pours out of the Clever over a minute or so.

I can’t say the Clever gives me the best coffee I’ve ever had, or even the best coffee I’ve ever made. And, yes, I’ve had (eight-ounce) cups from the Aeropress which are as good as the (twelve-ounce) cups from the Clever. But the Clever brews a great cup of coffee every single time.

I’ll still keep the Aeropress and the other coffee torture devices I’ve accumulated over the years. There really isn’t much tweaking you can do with the Clever, and hey, tweaking is fun. Also, when I want more than a cup at a time, I need something else. (More about which another time, maybe.) But for my standard, go-to single cup brewer, the Clever has won me over.

N.B.: links to Amazon are affiliate links.

The Default Narrative

Fri, 12 Apr 2013 10:34:28 -0700

Earlier this week the web was abuzz with Apple’s latest clear strike against freedom: they refused the newest issue of the independent comic Saga to be distributed through ComiXology due to “postage-stamp sized” images of gay sex. Even though ComiXology is a third-party application, it uses Apple’s in-app purchase system—as it must, due to Apple’s iron fist of doom—and thus is subject to Apple’s doomy iron fisted policies. And this did seem pretty outrageous—and possibly homophobic, given that previous issues of the very same comic had explicit images of straight sex.

Of course, the web was abuzz a day later—in subdued fashion—with ComiXology’s admission that, actually, they just didn’t submit Saga #12 to Apple because they interpreted Apple’s rules as prohibiting it. When they actually asked Apple, turns out they didn’t have a problem with it after all.

I’m curious how widespread the second report is compared to the first; my suspicion is that it hasn’t traveled as far, for much the same reason that ComiXology made the mistake in the first place. “Apple is Big Brother” has become a default narrative about the company. Apple stands for closed systems, proprietary everything, and a level of control over the way their customers use their products that would send us all fleeing for the hills if we had any common sense.

At first glance this is a baffling take. If there’s something I could do with OS X 10.6 that I can’t do with OS X 10.8, I haven’t found it yet. My software all still works. The Unix shell is still there. AppleScript is still there. I can still use utilities like LaunchBar and Keyboard Maestro that are so absurdly powerful that I giggle like a Japanese schoolgirl when some yoyo spouts off with the old “Macs are just toys” trope. While iOS is locked down by comparison—and there are some things that definitely do need to be opened up with respect to inter-application communication—an iOS device is an application console. We don’t complain (much) about a PlayStation 3 being “locked down” because it’s a game console. That’s what they do.

Yet it’s a take even long-time Apple users fall into. Ted Landau comes across this way at times. Leo Laporte is positively cranky about it. The “iOSification” of OS X surely leads to OS X either becoming just as locked down as iOS or simply merging with iOS in a few years! Again, no real evidence supports this—the iOS elements that have been migrated to OS X have not resulted in OS X becoming more locked down. And there’s no reason to think that more OS X technologies won’t move to iOS, making it less locked down.

No reason, except that wouldn’t fit the default narrative.

Apple isn’t the first company to be saddled with this—most companies of any consequence do. Microsoft’s default narrative for about a decade, starting in the late ’90s, was that they were slow, stodgy and frankly kind of thuggish: you dealt with them because you had to. Before them, IBM had the slow and stodgy reputation, although less thug than “man in the dark blue business suit.” And, of course, Apple’s default narrative in the late ’90s can be summed up in one word: “beleaguered.”

These narratives aren’t pure nonsense. Apple was on the verge of going under for about a decade, and Microsoft and IBM really were eight thousand pound gorillas that weren’t, by most measures, very good winners. Microsoft’s contract with OEMs, for instance, disallowed shipping machines with Windows pre-installed that could “dual boot” into another operating system, effectively ensuring that only tech heads would ever see BeOS, OS/2 or Linux.

So how much of the default narrative they’re stuck with now is Apple’s fault, and how much of it is fair? Apple is interested in controlling everything they possibly can, sometimes to their obvious detriment (see: anything that involves a server-side component ever). But no market Apple competes in, with the possible exception of the dwindling MP3 player market, affords them a position comparable to Microsoft’s in 1999. Apple’s market share of smartphones can’t smother Android (or vice-versa; unlike PCs, that market simply doesn’t work that way). And frankly, no one’s ecosystem is as closed as it once was—data portability is king. Mac users are often happy Android users; Windows users are often happy iOS users.

There’s a temptation for those of us who generally like Apple to ascribe the default narrative to Tall Poppy Syndrome, which is, in Wikipedia’s words, “a social phenomenon in which people of genuine merit are resented, attacked, cut down, or criticized because their talents or achievements elevate them above or distinguish them from their peers.” The Apple of 15 years ago was just as controlling, arrogant, and likely to overuse the word “magical” in advertising as the Apple of today, but now, they’re claiming they effectively reinvented the smartphone market and the tablet market. This is infuriating not because it’s transparent bullshit, but because it isn’t: they have a pretty good case for those claims.

That isn’t to say that Apple should be controlling and arrogant, and that their choices don’t create genuine problems worth bitching about. Nobody should pretend it’s good for consumers that Apple doesn’t let Nuance make Swype for iOS and doesn’t let us set Chrome to be our default iPhone browser and that it’s to my benefit that iCloud makes it impossible to use Byword on the Mac and iA Writer on the iPad to edit the same plain text documents. Apple definitely contributes to their own reputation.

But if Apple did “open up” everything, would the default narrative change? At this point, I don’t think so. Look at how persistent bits of the previous Apple narrative have been: that their operating system isn’t powerful enough, that their hardware is massively overpriced, that their main audience is technically illiterate fashionistas. It doesn’t matter what facts are marshaled against this. People hate Apple because Apple. As Marco Arment wrote, Apple “could release a revolutionary 60-inch 4K TV for $99 with built-in nanobots to assemble and dispense free smartwatches, and people would complain that it should cost $49 and the nanobots aren’t open enough.”

And, at least when I ran the Google search now for news on Apple’s Saga saga, the first hit is from the Guardian: “Apple didn’t ban Saga comic, but censorship questions remain.”

Apple does make content decisions that at various points have seemed anti-competitive, puritanical, politically correct, strangely prissy or just plain baffling. So does Google, and if people buy Windows Phone in enough numbers for it to matter, so will Microsoft. And in cases involving content rather than applications, at the least, it won’t matter that much, because Apple, Google and Microsoft won’t be your exclusive content providers. (On iOS, I can buy from ComiXology directly, I can load DRM-Free EPUBs into iBooks by merely clicking on a link in Safari, and so on.)

Apple is neither alone in making weird “curation” decisions, nor are they the inescapable arbiter of what data you load up your iPad with. But most reports, for the foreseeable future, will be written from the perspective that both of those facts are false or, at best, irrelevant. After all, you gotta stick to the narrative.

Foursquare wants to be your Yelp

Wed, 10 Apr 2013 11:45:51 -0700

Foursquare wants to be your Yelp:

Mike Isaac, AllThingsD:

“Explore” is the direction Foursquare wants to go in for the future. Over the past year, the company has slowly moved away from its heavy emphasis on badges, mayorships and “gamification” (my least favorite word in tech), instead moving toward a mobile discovery service somewhat akin to the space Yelp currently inhabits.

Foursquare derives 1–10 ratings with an opaque calculation based, presumably, on the only quantitative information it has: how many check-ins there are at a given location, how many of those are returning customers, and how many of them “liked” the spot. They claim this is a better method than Yelp’s approach of asking users to rate things on a 1–5 star scale.

But here’s my bet: that Foursquare is going to have trouble distinguishing between “places everyone goes to because they’re great” and “places everyone goes to because they’re convenient.” I can’t prove that, but Foursquare’s top-rated Mexican restaurant in Santa Clara is Pedro’s, a solid but uninspired place most notable for being really convenient for margarita-fueled Silicon Valley power lunches. (They’re within walking distance of Intel, Broadcom, EMC and McAfee.)

Their second highest rated Mexican place here? Taco Bell.

Nothing against those Cool Ranch Dorito Tacos, but I’m not convinced Foursquare has really cracked this yet.

Kent Tessman's name keeps coming up, at least if you're me

Thu, 04 Apr 2013 16:47:44 -0700

From late 1998 through early 2001, I was using BeOS as my primary operating system. Yes, it was really possible to do that—between Gobe Productive (a great “Works”-style app written by the team that wrote the original ClarisWorks), the BBEdit-ish Pe text editor, and the slightly buggy but awesome-when-it-worked “objected oriented” graphics program e-Picture (a lot like Macromedia Fireworks, but in some ways better), I had the tools I needed. For the era, Be’s native web browser, NetPositive wasn’t bad—and, unlike iOS (nudge nudge), it actually had a Flash player available. Not an official one, but one from the oddly named “General Coffee Company Film Productions.”

Later, as I got (back) into text adventures and interactive fiction, I discovered a pretty neat but underutilized language for it called HUGO. Same guys. Actually, just same guy, singular: Kent Tessman. There were actually a couple commercial games done with this thing—at least one by Tessman himself.

When I Googled him a few years ago out of curiosity, I discovered that, yes, General Coffee is actually an independent film company. They’ve had at least two films on the festival circuit. By “they” I again mean “Kent Tessman,” since he wrote and directed them.

Right then. I forgot about this strange renaissance gentleman until today, while following up on some links from Brett Terpstra’s recent episode of Systematic with comedian/actor/tech-nerd Rob Corddry. They talked about Markdown—I suspect it’s impossible to have a conversation with Brett about anything that doesn’t touch on Markdown—and on its screenwriting relative, Fountain. Corddry lamented how much the market leader in screenwriting software, Final Draft, sucks, and enthused at some length about a new up-and-coming program called Fade In, which looks like it’s shaping up to be the first serious competitor since the late Movie Magic Screenwriter¹.

So I went to Fade In’s web site, and apparently, this amazing thing is written by just one guy.

Yes. Kent Tessman.

If he and Brett Terpstra are ever in a room together, it may cause an awesome nerd singularity. That’s all I wanted to say.

Sure, Movie Magic Screenwriter is still being sold. But Dramatica Pro, their story plot development tool, was still PowerPC code until mid-2012, parts of Screenwriter still are—and all their software looks like Word 95. Even on the Mac. But not as pretty. ↩

The Bitcoin Bubble and the Future of Currency

Wed, 03 Apr 2013 13:30:24 -0700

The Bitcoin Bubble and the Future of Currency:

Reuters’ Felix Salmon—not blogging here under the auspices of Reuters—pens a fascinating analysis of everyone’s favorite crypto-anarchist virtual currency. If you’re interested in this sort of thing, read the whole article, not just to the point he says something you think you disagree with.

Bitcoins, like gold, are beholden to no government; they can’t be printed by any central bank, and they certainly won’t be subject to hyperinflation, since the global supply of bitcoins will never exceed 21 million. If you’re holding dollars, you’re trusting the US government not to destroy your wealth. Bitcoin, by contrast, is based on mistrust. It’s specifically designed so that it’s every man for himself. The level of mistrust built into bitcoin is both feature and bug. […]

In reality, bitcoin doesn’t really behave like a currency at all. In terms of its market value, it looks much more like a highly-volatile commodity. That’s by design: bitcoins were created to be the most fungible commodity the world had ever seen—to a point at which they would effectively erase the distinction between a commodity and a currency.

But is that a good idea?

Salmon is writing as neither irrational cheerleader nor reflexive skeptic. He clearly likes many of Bitcoin’s goals, but has thoughtful questions about whether Bitcoin is the best way to reach them.

A passing question, not asked for the first time, but brought up again by Google Reader

Thu, 28 Mar 2013 09:11:05 -0700

Why is it that AOL keeps running the AIM service?

CyanogenMod founder Steve Kondik leaves Samsung

Mon, 25 Mar 2013 10:06:27 -0700

CyanogenMod founder Steve Kondik leaves Samsung:

CyanogenMod is “a customized aftermarket firmware distribution” for Android phones that adds new features; I think one of its main benefits is to decouple your phone from your carrier’s Android update timetable and let you run “stock” Android at the highest level your phone’s capable of.

At any rate, this news coming right after Samsung’s “Tizen is high end” noise is probably coincidental. But, well. Kondik doesn’t seem to like TouchWiz much, and if Samsung is making that UI more important—as they would if they wanted to be able to move users relatively seamlessly between TouchWiz Android and TouchWiz Tizen—it may make the company rather less appealing for a top Android hacker.

Samsung's Tizen-based future

Mon, 25 Mar 2013 08:00:21 -0700

Thom Holwerda at OSNews argues that Samsung is setting up Tizen to dethrone Android on their smartphones. While I think OSNews tries for thoughtfully contrarian, they far more often come across as reflexively so, but Holwerda offers some interesting data points this time around:

Samsung has said that the Tizen phones being released later this year are high-end, not low-end. This contradicts what most industry watchers (including me) were assuming their plan was.
Tizen’s UI is apparently very close to TouchWiz, the UI layer Samsung imposes on Android. This will make it familiar for users.
Tizen will ship with an “application compatibility layer” from OpenMobile that lets many Android applications run on it unmodified.

Hacker News commenter MatthewPhillips makes a good observation:

I reached [this] conclusion from Windows Phone’s failure: being good isn’t necessarily enough. Momentum matters a whole lot. Which, to me, makes Tizen a bit of a mystery. If Android has the momentum Tizen will fail, but if Samsung has it Tizen might just have a chance.

While the kind of consumer who buys Android specifically for Android will very likely avoid Tizen, it appears Samsung is betting most buyers of their smartphones aren’t that kind of consumer. They may be right. If the functionality is about the same and the application store still has a few hundred thousand applications in it thanks to ACL, then there may be a whole lot of buyers who are just fine with that.

Ironically, what Samsung may be doing is taking a variant of the path that Nokia rejected. With Qt, Nokia already had their equivalent of the Application Compatibility Layer available; if they had been willing to forgo Google’s branding, the Lumia devices could have been Android-based phones with the Harmattan UI, with a software library of not only native Android apps but Qt apps fairly easily recompiled from legacy Nokia devices.

Feedly

Fri, 15 Mar 2013 10:18:25 -0700

Feedly:

In theory the impending demise of Google Reader doesn’t affect me because I switched to Fever a while ago. In practice, the truth is that I don’t really like Fever very much — its biggest theoretical advantage is its “hot list,” but I don’t really look at the hot list very much. It’s very rare that it shows me something I haven’t already seen before, so I forget about it. And if you don’t use that, then what Fever leaves you with is, well, clunky. On the web, its aesthetics are questionable and the UX ranges from undiscoverable to mystifying, and there’s no good iPad solution.

This has motivated me to poke around a little more, and while it’s too early to make a definitive recommendation I’m surprisingly impressed by Feedly so far. While it has a “newspaper” look, unlike the “river of news” motif that other sites seem to take, Feedly doesn’t impose its own organization on your feeds. Feedly has a Chrome extension and also mobile apps (note: I haven’t used the apps yet). And, while it uses Google Reader currently, they’ve been working on their own replacement and will, at some point soon, switch over to that back end transparently.

"We had a sign that said, ‘days since cancellation’ and it was there from the very..."

Thu, 14 Mar 2013 10:05:03 -0700

“We had a sign that said, ‘days since cancellation’ and it was there from the very beginning.”

- Google Reader co-creator Chris Wetherell

Google, MPEG LA agree to royalty-free terms for VP8 video codec

Fri, 08 Mar 2013 10:04:00 -0800

Google, MPEG LA agree to royalty-free terms for VP8 video codec:

Peter Bright, Ars Technica:

> Soon after Google’s decision to open source VP8, MPEG LA announced that it intended to form a patent pool of companies with patents relevant to VP8. In 2011, it announced that 12 companies had identified patents that covered aspects of the VP8 algorithm. Google, however, maintained that it owned all the relevant patents. Since that 2011 announcement, there has been little word from either company about the patent pool situation. > > This agreement changes that. Google now has rights to any patents from the 11 companies party to the agreement that might cover VP8. Google can sublicense those patents, meaning that hardware and software companies are free to use the technology too.

VP8 and H.264 have ended up in similar places: patented video codecs with open source implementations, whose patent owners are simply playing nice. While both are free for noncommercial use, H.264’s patent holders require a small fee for commercial uses. A lot of VP8’s cheerleaders argued that it was so much better than H.264 because it was “unencumbered” by patents, but it was never patent-free. Even at the start, Google’s argument was simply that they owned all the patents on it, which MPEG LA—apparently correctly—disputed.

The problem for VP8—as us (supposed) cynics suggested—is essentially the same problem that Vorbis has had: while their licensing terms are better than their “closed competitors,” MP3, AAC and H.264 don’t have terms that licensees have found particularly objectionable in practice, nor do Vorbis and VP8 offer significant improvements over the market leaders. The only arguments for adopting VP8 now, like Vorbis before it, are purely ideological—and even by “open is always better” standards, they’re fairly weak ones.

When does Flipboard flip?

Fri, 08 Mar 2013 08:50:03 -0800

You’ve almost certainly seen this news if you read any other tech sites (if you only read this one, hi!)—or, of course, if you use Facebook: they’ve redesigned their news feed to be bigger, brighter, more photo-ier.

The arguments on The Verge’s comments are all about whether Facebook copied Google+ or Google+ copied Facebook. (Consensus so far: first the latter, but now the former.) Dan Gillmor, once one of the best old media tech columnists (at the San Jose Mercury News) and now a guy who I mostly only hear about when he’s being cranky, snarked on Twitter, “So, journalism orgs, you still think Facebook’s not your most serious competitor?”… and linked to an insightful article on Business Insider by Alyson Shontell which didn’t say that at all. (It’s also weird to write the phrase “insightful article on Business Insider” without following it up with hahahahaha, isn’t it?) Shontell wrote,

The changes will be the biggest in News Feed’s 7-year history. They’ll make [it] easier to sort through and more personalized. But one of the points Zuckerberg has been hammering home today seems to be a swipe at Flipboard, a social iPad news reader.

Flipboard, of course, is actually also on all iOS and Android devices, so it’s nice to see the balance of the universe hasn’t shifted too much and BI does still get trivially-checkable facts embarrassingly wrong. But no, Dan, you’ve got it wrong: what goes in your Facebook news feed remains be a stream of links and photos provided by people you follow. Some of those links will be genuine news articles, no doubt. But Facebook isn’t trying to compete with news media. They’re trying to make it easier than ever for us to cocoon ourselves into our own filter bubbles to reinforce that the people we already agree with have all the good points and the people we already disagree are even worse than we knew. So relax! That’s got to be good for the national conversation, right?

So. I know that most of the buzz about Flipboard two years ago or so was primarily among Apple nerds and I have no idea how popular it’s been on Android, but… has anyone been talking about them lately? Not that I’ve seen. Are any of you still using Flipboard regularly? I confess that as much as I love the idea, I never got it into my daily flow.

My prediction is that within a year Flipboard will—well, let’s not say pivot, because it’s such an annoying word. But it’s going to slide a bit in one direction or another. It doesn’t ultimately matter whether they’re doing what they do better than Facebook—and for that matter, Google—do. Facebook and Google just have to do it usably, and they’ve hit that point. Which means you probably don’t want to be sharing quite the same space with them anymore.

Three Views of Apple & Dr. Dre by Tech Punditry

Wed, 06 Mar 2013 08:18:33 -0800

Reuters:

Exclusive: Apple’s Cook, music mogul Iovine discuss new music service

In which we are somewhat breathlessly informed that Apple “has held talks with Beats, the audio technology firm co-founded by influential hip-hop producer Dr Dre,” about “a potential partnership involving Beats’ planned music-streaming service.” But in the third paragraph we’re told the meeting was “informational,” according to sources.

TechCrunch:

Apple’s Tim Cook Met With Beats to Talk About the Company’s New ‘Daisy’ Streaming Music Service

TechCrunch’s Darrell Etherington essentially rewrites the Reuters piece, but emphasizes “it was an ‘information’ gathering meeting, with the intent of finding out how project Daisy plans to stand apart from Spotify, Pandora, Rdio and others,” and makes no attempt to paint it as a partnership: while it confirms Apple is interested in streaming (duh), “it’s early to draw any conclusions from this meeting.”

The Verge:

Beats raises $60 million for new music streaming service launching this year

Greg Sandoval’s article leads off with “Len Blavatnik, the Russian-born entrepreneur who acquired Warner Music Group in 2011 for $3.3 billion, is part of a group that will invest $60 million in Daisy”—which isn’t mentioned by Reuters until their eighth paragraph, even though arguably, that’s the actual news. He doesn’t refer to Apple at all.

Only two of these articles involve actual reporting—TechCrunch is just rewriting, yet they still get Reuters’s story more right than Reuters does. Only Sandoval’s appears to involve good reporting. (We can see why CNET didn’t want to keep him around.)

You often read complaints about how news organizations seem to throw Apple into headlines just to draw attention; it’s fascinating to so clearly see that in action.

Inside TED: the smartest bubble in the world

Tue, 05 Mar 2013 10:09:23 -0800

Inside TED: the smartest bubble in the world:

A fascinating article on the hip, quasi-intellectual—and, evidently, increasingly commercial—TED gatherings, from The Verge’s Joshua Topolsky:

TED is not flat, from a hierarchical standpoint. Though it strives to be flat — it wants to be a place where kings and peasants can exchange their equal currency of ideas — there are generational, economic, and societal incompatibilities amongst attendees that could be observed in subtle and not-so subtle ways. The longer you’re part of TED, the more pronounced those incompatibilities become. The most striking part of the disconnect was between that upper strata of speakers, former speakers, celebrities, and CEOs, and a surprisingly basic TED attendee who operated with a kind of business-like agenda. ‘What can I leave here with besides ideas,’ they seemed to be saying, hungrily scanning every room for their next hit. The gap between these A-list members and the schmooze- and party-hungry B-listers grew more obvious with each awkward encounter I witnessed, a business card being foisted into someone’s hand, a spongy stare as the big dog attendee tried to work their way out of an uncomfortable conversation.

Topolsky observes that the crowd is “white in that specific way you can feel white people striving for diversity,” and is surprised that

there were a number of talks that were either uninteresting, poorly executed, or just plain boring. Not surprisingly, TED doesn’t put every talk from these sessions online. Not everything everyone has to say on stage is edifying or even interesting.

I suspect that describes most conferences—there’s very little that I felt that I got out of this year’s Macworld, although to be fair I wasn’t in the best frame of mind this year—but TED trades on the notion that it’s markedly different in a way that it isn’t. Or perhaps the ways that it’s different aren’t entirely flattering. Topolsky refers to the perception that TED can get a little cult-like in its temporary but enforced cultural norms, but the one thing he seems to have left out of his article might be the most telling as to why TED is the way it is: the standard membership cost for the four-day conference is $7,500.

Google's Vint Cerf explains why Facebook's real-name requirement is flawed

Tue, 05 Mar 2013 09:40:47 -0800

Google's Vint Cerf explains why Facebook's real-name requirement is flawed:

Chris Welch, The Verge:

Thus far Google has gently pushed users to display their real name on Google and the company’s other services, but it hasn’t backed away from traditional usernames / pseudonyms, either. Cerf thinks that’s the right approach. “Using real names is useful,” he said in a recent interview with Reuters. “But I don’t think it should be forced on people, and I don’t think we do.”

I don’t agree that Google’s push for real names has been gentle. It’s more that they’ve turned it down from “relentless hounding” to “recurring nag.” While real names are more useful to advertisers, I doubt that’s really what Google’s drive is—as far as I know they don’t share personally-identifiable information with advertisers. Instead, I suspect it’s because users tend toward better behavior when they’re not anonymous.

Many people—including Cerf here—have pointed out that there are, however, good reasons to keep some online identities separate from real life ones. I’m still concerned, though, that providers might appoint themselves arbiters of whether a given reason is good enough: it’s okay if you’re worried about reprisal from an abusive former lover, but if you just don’t want your real name to show up in association with salacious fan fiction you’ve written, tough bananas. Also, when it comes to YouTube—which Google has started to get really pushy about trying to associate with my real name—I understand they’re likely trying to clean up the legendary cesspool that forms YouTube’s comments, but it’s way too late, guys.

Ungenerous Readings

Mon, 04 Mar 2013 09:21:26 -0800

Recently, John Siracusa, Ars Technica writer and late of the Hypercritical podcast, wrote on his blog (also called “Hypercritical”) about Netflix:

This is how products and services endear themselves to consumers: remove everything that gets in the way of what we want. We want to be entertained. We don’t want to arrange our schedules around your TV show. We don’t want to watch commercials. We don’t want to be forced to use a particular device. We just want it the way we want it.

He went on to say “watching a minute and a half of opening credits before each episode [of ‘House of Cards’] can get tiresome,” and suggested that this, too, was a leftover from traditional TV. This is unquestionably a trivial complaint, which Siracusa mocks himself as “comically selfish.” It’s a minor sideline to the whole piece—yet it’s what I saw latched onto by a few people who should have known better.

Harry Marks groused, “What a horrible experience that must be, to have to sit through a whole 90 seconds of great music, Washington D.C. scenery, and the names of the people who made the show you’re enjoying on the device of your choosing at the time of your choosing possible,” invoking Louis CK’s famous “everything is amazing and no one is happy” rant. John Welch went off about how “hipster geeks” should go fuck themselves. He linked to Marks’s post. So did Jim Dalrymple at The Loop.

Their complaint in a nutshell: “Guys like John Siracusa will never be happy with anything you give them because they’ll always want more for less and they’ll always have something to complain about.”

I’m rephrasing that, but I’m trying to be fair about it, since my complaint is that they’ve unfairly rephrased him. For a start, Siracusa didn’t mention costs in his piece at all—

“Well, that’s what he really meant!”

Sorry, guys, but you don’t know that. What you know is what he wrote. “If he complained about that he’d complain about anything” is what you wrote. Not everything is a slippery slope.¹

The reason this has stuck in my craw is because Siracusa’s piece has nothing to do with the tragic heartbreak of extended opening titles and I’m frankly flummoxed that’s the only thing these guys appear to have taken away from it.

By all means, make everything better and faster, but also find the things that seem like minor annoyances, the things that everyone just accepts as necessary evils. Go after those things and you’ll really make people love you.

There’s value in solving problems consumers didn’t know they had. Those are usually not “big” problems. They’re things that nobody objectively needs. They’re things that only whiny people would complain about. Sometimes, that’s okay. Sometimes, the whiny people are on to something. Sometimes, solving those problems gives you a license to print money.

Is “we want what we want when we want it” entitled? You bet it is. But at one time, so was expecting programs in color just because you had a color TV. Okay, now everything’s in color, but I have stereo! Give me stereo! Dammit, now I have an HD set, give me HD shows. And now video on demand! I know you can deliver that to me, I have money, now do it, dammit.

Yeah, I want what I want when I want it. If you want to call that wild hipster entitlement, well, sorry! Netflix calls it a business model. So does Hulu. And Amazon. And Apple. Call me crazy, but I think they’re on to something, too. Hipsters actually do have money, and actually do spend it on things that make them happy.²

Ironic coda: Siracusa’s desire for shortened credits is one most TV networks not only agree with but require now. They rarely run titles longer than 30 seconds. Many shows only have title cards and a few seconds of music; names just run over the following scene. “House of Cards” has an extended sequence because Netflix is consciously aping HBO, which has made long sequences a signature.

“Well, you’ve got to remember that if you use a slippery slope argument once, you’ll end up using it for absolutely everything.” — James Moar ↩
Those hand-harvested badger hair shaving brushes and Aeropress-brewed civet-pooped single estate coffees don’t come cheap, you know. ↩

"LG doesn't seem to know why it just bought webOS"

Mon, 25 Feb 2013 10:45:08 -0800

"LG doesn't seem to know why it just bought webOS":

Nilay Patel, the Verge:

HP will indeed sell key pieces of its webOS product and team to LG for use in smart TVs, but contrary to earlier leaked reports, the deal doesn’t include the entire webOS portfolio. What’s more, LG’s plans include the possibility of eventually producing a phone or other mobile devices that run webOS, although the company remains focused on televisions in the short term. The result is a deal that looks like a clean exit from the webOS debacle for HP, and the beginnings of another muddled, confused chapter for Palm’s operating system with LG at the helm.

My theory is that what’s been happening to webOS over the last few years is karmic retribution for what Palm did with BeOS. (If you’re saying “did they do anything with BeOS?”: exactly.)