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	<title>CDM Create Digital Music</title>
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		<title>Beads, last of the Mutable Instruments modules, is now open source</title>
		<link>https://cdm.link/beads-is-now-open-source/</link>
					<comments>https://cdm.link/beads-is-now-open-source/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Mon, 12 Oct 2026 14:59:38 +0000</pubDate>
				<category><![CDATA[Tech]]></category>
		<category><![CDATA[Beads]]></category>
		<category><![CDATA[clouds]]></category>
		<category><![CDATA[Emilie Gillet]]></category>
		<category><![CDATA[eurorack]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[free as in freedom]]></category>
		<category><![CDATA[granular]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[MIT License]]></category>
		<category><![CDATA[modular]]></category>
		<category><![CDATA[modules]]></category>
		<category><![CDATA[Mutable Instruments]]></category>
		<category><![CDATA[open source]]></category>
		<category><![CDATA[open source hardware]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168259</guid>

					<description><![CDATA[<p>Beads, the granular "texture synthesizer" that was Emilie Gillet's follow-up to the legendary Clouds, is now fully open source. That completes the final missing piece in open-source code and free licensing for Mutable Instruments' iconic and influential range of Eurorack modules.</p>
<p>The post <a href="https://cdm.link/beads-is-now-open-source/">Beads, last of the Mutable Instruments modules, is now open source</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168259</post-id>	</item>
		<item>
		<title>teenage engineering might quit synths, but parody can&#8217;t quit them</title>
		<link>https://cdm.link/end-of-teenage-synths/</link>
					<comments>https://cdm.link/end-of-teenage-synths/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Fri, 09 Oct 2026 15:02:50 +0000</pubDate>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[editorials]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[off-topic]]></category>
		<category><![CDATA[opinion]]></category>
		<category><![CDATA[parody]]></category>
		<category><![CDATA[retirement]]></category>
		<category><![CDATA[stop making synths]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[Teenage Engineering]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168232</guid>

					<description><![CDATA[<p>teenage engineering CEO Jesper Kouthoofd made waves when he casually mentioned he’d told the company he founded to quit making synthesizers. Whatever is coming from the Stockholm company, the jokes they inspire show no signs of abating and -- this seems an opportunity.</p>
<p>The post <a href="https://cdm.link/end-of-teenage-synths/">teenage engineering might quit synths, but parody can&#8217;t quit them</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168232</post-id>	</item>
		<item>
		<title>Interview: 33EMYBW on Amalgamate, metamorphosis, and insect philosophy</title>
		<link>https://cdm.link/33emybw-amalgamate-interview/</link>
					<comments>https://cdm.link/33emybw-amalgamate-interview/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Thu, 08 Oct 2026 13:26:52 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[33EMYBW]]></category>
		<category><![CDATA[Ableton Live]]></category>
		<category><![CDATA[albums]]></category>
		<category><![CDATA[amalgamate]]></category>
		<category><![CDATA[anthropods]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[astronomy]]></category>
		<category><![CDATA[butterflies]]></category>
		<category><![CDATA[china]]></category>
		<category><![CDATA[electronica]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[field recording]]></category>
		<category><![CDATA[Guizhou]]></category>
		<category><![CDATA[insects]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[Mark Fell]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[Sampling]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[Shanghai]]></category>
		<category><![CDATA[sideproject]]></category>
		<category><![CDATA[SVBKVLT]]></category>
		<category><![CDATA[synthesis]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168212</guid>

					<description><![CDATA[<p>The patterning on butterfly wings is constructed of tiny blade-like scales (lamellar), with color structured into complex messaging and variation. That&#8217;s precisely the sonic feeling of Amalgamate, the latest from Shanghai-based artist 33EMYBW. We got to talk to 33 about alienation, metamorphosis, and the meaning of some of those lyrics. Photos by Di Wei Aamalgamte [&#8230;]</p>
<p>The post <a href="https://cdm.link/33emybw-amalgamate-interview/">Interview: 33EMYBW on Amalgamate, metamorphosis, and insect philosophy</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168212</post-id>	</item>
		<item>
		<title>Time-bending, granular-powered HyperWarp: hands-on, free pack</title>
		<link>https://cdm.link/hyperwarp-hands-on-free-soundpack/</link>
					<comments>https://cdm.link/hyperwarp-hands-on-free-soundpack/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Tue, 06 Oct 2026 16:05:53 +0000</pubDate>
				<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Promoted]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[Baby Audio]]></category>
		<category><![CDATA[CDM exclusive]]></category>
		<category><![CDATA[downloads]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[glitch]]></category>
		<category><![CDATA[Grainferno]]></category>
		<category><![CDATA[granular]]></category>
		<category><![CDATA[hands-on]]></category>
		<category><![CDATA[HyperWarp]]></category>
		<category><![CDATA[Mac]]></category>
		<category><![CDATA[Plug-ins]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sound packs]]></category>
		<category><![CDATA[warping]]></category>
		<category><![CDATA[Windows]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168158</guid>

					<description><![CDATA[<p>The granular engine in Baby Audio's HyperWarp can bend time along graphical paths you create with curved and stepped drawing tools. The result: glitches, timbres, and grooves, rhythmic chops, sweeping pitch shifts, rich coloration, and stasis-leak madness when you want it. I've got a hands-on, plus a big CDM-exclusive bank of free patches.</p>
<p>The post <a href="https://cdm.link/hyperwarp-hands-on-free-soundpack/">Time-bending, granular-powered HyperWarp: hands-on, free pack</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168158</post-id>	</item>
		<item>
		<title>Watch what Herbie Hancock had to say about technology in 1984</title>
		<link>https://cdm.link/watch-what-herbie-hancock-had-to-say-about-technology-in-1984/</link>
					<comments>https://cdm.link/watch-what-herbie-hancock-had-to-say-about-technology-in-1984/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Tue, 06 Oct 2026 07:48:15 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[80s]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[cognition]]></category>
		<category><![CDATA[documentaries]]></category>
		<category><![CDATA[editorial]]></category>
		<category><![CDATA[editorials]]></category>
		<category><![CDATA[Fairlight CMI]]></category>
		<category><![CDATA[Herbie Hancock]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[machines]]></category>
		<category><![CDATA[neuroscience]]></category>
		<category><![CDATA[opinion]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[Quincy Jones]]></category>
		<category><![CDATA[Rhodes]]></category>
		<category><![CDATA[Rhodes Chroma]]></category>
		<category><![CDATA[samplers]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[technology]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168153</guid>

					<description><![CDATA[<p>It's time to dig into the archives. I'd seen this before, but it hits differently now. Herbie Hancock jams out in the studio with Quincy Jones in a 1984 film. It's notable for what Herbie says with his music, with his approach to the machines, and with how he thinks about humans.</p>
<p>The post <a href="https://cdm.link/watch-what-herbie-hancock-had-to-say-about-technology-in-1984/">Watch what Herbie Hancock had to say about technology in 1984</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168153</post-id>	</item>
		<item>
		<title>West Coast, with penguins: Aaltoverb on Linux; Aalto 2 coming soon</title>
		<link>https://cdm.link/aalto2-aaltoverb-linux/</link>
					<comments>https://cdm.link/aalto2-aaltoverb-linux/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 21:23:02 +0000</pubDate>
				<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[aalto]]></category>
		<category><![CDATA[Aaltoverb]]></category>
		<category><![CDATA[AU]]></category>
		<category><![CDATA[beta]]></category>
		<category><![CDATA[beta testing]]></category>
		<category><![CDATA[bitwig]]></category>
		<category><![CDATA[clap]]></category>
		<category><![CDATA[Linux]]></category>
		<category><![CDATA[Mac]]></category>
		<category><![CDATA[Madrona Labs]]></category>
		<category><![CDATA[Mint]]></category>
		<category><![CDATA[Plug-ins]]></category>
		<category><![CDATA[reverbs]]></category>
		<category><![CDATA[seattle]]></category>
		<category><![CDATA[soft synths]]></category>
		<category><![CDATA[surge]]></category>
		<category><![CDATA[Surge Team]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[ThinkPad]]></category>
		<category><![CDATA[ubuntu]]></category>
		<category><![CDATA[upgrades]]></category>
		<category><![CDATA[VST3]]></category>
		<category><![CDATA[West Coast]]></category>
		<category><![CDATA[West Coast Synthesis]]></category>
		<category><![CDATA[Windows]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168134</guid>

					<description><![CDATA[<p>Madrona Labs' patchable West Coast synth is one of the most playable, exploration-friendly, unique instruments around -- a piece of software to last. And it comes with a reverb companion, now on Linux, too as a free demo you can beta-test. The big news: Aalto 2 is coming this fall for macOS, Windows -- and Linux, too.</p>
<p>The post <a href="https://cdm.link/aalto2-aaltoverb-linux/">West Coast, with penguins: Aaltoverb on Linux; Aalto 2 coming soon</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168134</post-id>	</item>
		<item>
		<title>Pure Data (Pd) 0.57 inbound, enduring free software for tinkering with sound</title>
		<link>https://cdm.link/pd-0-57-inbound/</link>
					<comments>https://cdm.link/pd-0-57-inbound/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Fri, 02 Oct 2026 10:18:13 +0000</pubDate>
				<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[ELSE]]></category>
		<category><![CDATA[FLOSS]]></category>
		<category><![CDATA[free as in freedom]]></category>
		<category><![CDATA[libpd]]></category>
		<category><![CDATA[libre]]></category>
		<category><![CDATA[Linux]]></category>
		<category><![CDATA[Mac]]></category>
		<category><![CDATA[MacOS]]></category>
		<category><![CDATA[Miller Puckette]]></category>
		<category><![CDATA[open source]]></category>
		<category><![CDATA[patching]]></category>
		<category><![CDATA[Pd]]></category>
		<category><![CDATA[plugdata]]></category>
		<category><![CDATA[Pure Data]]></category>
		<category><![CDATA[upgrades]]></category>
		<category><![CDATA[VCV rack]]></category>
		<category><![CDATA[Windows]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168108</guid>

					<description><![CDATA[<p>Technology keeps asking us to speed up. Pd is happy to let you slow down: tinker, patch, make mistakes, obsess over a number or signal routing, and do it all visually. The free and open source software is getting a nice 0.57 update with new features, relevant to Pd and tools like libpd and plugdata that are based on it.</p>
<p>The post <a href="https://cdm.link/pd-0-57-inbound/">Pure Data (Pd) 0.57 inbound, enduring free software for tinkering with sound</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168108</post-id>	</item>
		<item>
		<title>FLpad 8&#215;8 grid comes to FL Studio &#8212; can you add a grid to a speedrun?</title>
		<link>https://cdm.link/flpad-8x8-grid-comes-to-fl-studio/</link>
					<comments>https://cdm.link/flpad-8x8-grid-comes-to-fl-studio/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Thu, 01 Oct 2026 15:16:51 +0000</pubDate>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[Components]]></category>
		<category><![CDATA[DAWs]]></category>
		<category><![CDATA[FL]]></category>
		<category><![CDATA[FL Studio]]></category>
		<category><![CDATA[FLpad]]></category>
		<category><![CDATA[FLpad mini]]></category>
		<category><![CDATA[Fruity Loops]]></category>
		<category><![CDATA[grid controllers]]></category>
		<category><![CDATA[grids]]></category>
		<category><![CDATA[hands-on]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Mac]]></category>
		<category><![CDATA[Novation]]></category>
		<category><![CDATA[Novation Components]]></category>
		<category><![CDATA[pads]]></category>
		<category><![CDATA[preview]]></category>
		<category><![CDATA[speedrunning]]></category>
		<category><![CDATA[Windows]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168082</guid>

					<description><![CDATA[<p>The Novation Launchpad grid has its original lineage in Ableton Live integration. But it's now come to the land of Fruity Loops. FLpad is available in both a standard, velocity-sensitive model and an FLpad mini. For a user base known for shortcuts and speedrunning, can finger-drumming and pad programming find a home?</p>
<p>The post <a href="https://cdm.link/flpad-8x8-grid-comes-to-fl-studio/">FLpad 8&#215;8 grid comes to FL Studio &#8212; can you add a grid to a speedrun?</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168082</post-id>	</item>
		<item>
		<title>Magpies and hope: a journey into Anastasia Kristensen&#8217;s Bestiarium</title>
		<link>https://cdm.link/anastasia-kristensen-bestiarium-sombre-interview/</link>
					<comments>https://cdm.link/anastasia-kristensen-bestiarium-sombre-interview/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Wed, 30 Sep 2026 12:55:14 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[albums]]></category>
		<category><![CDATA[Anastasia Kristensen]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[bandcamp]]></category>
		<category><![CDATA[Bestarium Sombre]]></category>
		<category><![CDATA[copenhagen]]></category>
		<category><![CDATA[dance music]]></category>
		<category><![CDATA[denmark]]></category>
		<category><![CDATA[digging]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[Intercept Records]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[labels]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[production]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168057</guid>

					<description><![CDATA[<p>Far from the cold, hard edges and cookie-cutter music, Anastasia Kristensen is exploring anthropomorphic sound -- and digging up "weird, small nests" of music. It's just the kind of hopeful conversation we need right now. Enter this year's Bestarium Sombre -- and, if you're lucky, catch Anastasia live. She talks to CDM about the work and that vision.</p>
<p>The post <a href="https://cdm.link/anastasia-kristensen-bestiarium-sombre-interview/">Magpies and hope: a journey into Anastasia Kristensen&#8217;s Bestiarium</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168057</post-id>	</item>
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		<title>1Uesday: Koma Elektronik (sale), Doepfer goodies for your 1U rack</title>
		<link>https://cdm.link/1uesday-koma-elektronik-doepfer-goodies-for-your-1u-rack/</link>
					<comments>https://cdm.link/1uesday-koma-elektronik-doepfer-goodies-for-your-1u-rack/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Tue, 29 Sep 2026 09:55:15 +0000</pubDate>
				<category><![CDATA[Deals]]></category>
		<category><![CDATA[Modular-Analog]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[1U]]></category>
		<category><![CDATA[1Uesday]]></category>
		<category><![CDATA[deals]]></category>
		<category><![CDATA[doepfer]]></category>
		<category><![CDATA[envelope followers]]></category>
		<category><![CDATA[envelopes]]></category>
		<category><![CDATA[eurorack]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[infrared]]></category>
		<category><![CDATA[IR]]></category>
		<category><![CDATA[LFO]]></category>
		<category><![CDATA[modular]]></category>
		<category><![CDATA[modules]]></category>
		<category><![CDATA[sequencer]]></category>
		<category><![CDATA[sequencers]]></category>
		<category><![CDATA[sequencing]]></category>
		<category><![CDATA[step sequencers]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168040</guid>

					<description><![CDATA[<p>It's time to resurrect 1Uesday, because the single-height 1U Eurorack format is heating up again. We've got some cheap and cheery Koma Elektronik tools -- including some lovely leftfield stuff -- plus a new range from Doepfer. If you've got the case for it, you can put it to good use.</p>
<p>The post <a href="https://cdm.link/1uesday-koma-elektronik-doepfer-goodies-for-your-1u-rack/">1Uesday: Koma Elektronik (sale), Doepfer goodies for your 1U rack</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
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