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	<title>CDM Create Digital Music</title>
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<site xmlns="com-wordpress:feed-additions:1">132315372</site>	<item>
		<title>The myth of Drexciya is coming to the Toronto Biennial &#8212; with playlist</title>
		<link>https://cdm.link/drexciya-toronto/</link>
					<comments>https://cdm.link/drexciya-toronto/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Fri, 16 Oct 2026 14:59:10 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[AbuQadim Haqq]]></category>
		<category><![CDATA[afro-futurism]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[canada]]></category>
		<category><![CDATA[detroit]]></category>
		<category><![CDATA[Drexciya]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[Frankie C. Fultz]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[ontario]]></category>
		<category><![CDATA[sci-fi]]></category>
		<category><![CDATA[Submerge]]></category>
		<category><![CDATA[techno]]></category>
		<category><![CDATA[toronto]]></category>
		<category><![CDATA[Underground Resistance]]></category>
		<category><![CDATA[usa]]></category>
		<category><![CDATA[visuals]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168372</guid>

					<description><![CDATA[<p>The myth of Drexciya is getting its moment at the Toronto Biennial, as retold by Underground Resistance. That's free through December 20th if you're in Ontario, but let's kick off a watery weekend with the accompanying playlist, too, courtesy UR and Sumberge label manager Cornelius Harris.</p>
<p>The post <a href="https://cdm.link/drexciya-toronto/">The myth of Drexciya is coming to the Toronto Biennial &#8212; with playlist</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168372</post-id>	</item>
		<item>
		<title>teenage engineering op-xy added a drum synth, sound shaping, more</title>
		<link>https://cdm.link/teenage-engineering-op-xy-added-a-drum-synth-sound-shaping-more/</link>
					<comments>https://cdm.link/teenage-engineering-op-xy-added-a-drum-synth-sound-shaping-more/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Thu, 15 Oct 2026 20:37:02 +0000</pubDate>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[drum machines]]></category>
		<category><![CDATA[drum synths]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[Filters]]></category>
		<category><![CDATA[firmware]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[official firmware]]></category>
		<category><![CDATA[OP-XY]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[Teenage Engineering]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168362</guid>

					<description><![CDATA[<p>teenage engineering, the company that made news for slipping in an interview that it isn&#8217;t making new synths (maybe), might also make news for making its synths do new things. There&#8217;s an official (not hacked!) firmware update for the op-xy flagship, and it adds a new drum synth, multichannel audio, dynamic filter, and detune. The [&#8230;]</p>
<p>The post <a href="https://cdm.link/teenage-engineering-op-xy-added-a-drum-synth-sound-shaping-more/">teenage engineering op-xy added a drum synth, sound shaping, more</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168362</post-id>	</item>
		<item>
		<title>Digital sound, but physical: Roger Linn&#8217;s LinnStrument in action, 10% off</title>
		<link>https://cdm.link/digital-sound-but-physical-roger-linns-linnstrument-in-action-10-off/</link>
					<comments>https://cdm.link/digital-sound-but-physical-roger-linns-linnstrument-in-action-10-off/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Thu, 15 Oct 2026 14:36:11 +0000</pubDate>
				<category><![CDATA[Deals]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[expressive]]></category>
		<category><![CDATA[grid controllers]]></category>
		<category><![CDATA[grids]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[industrial design]]></category>
		<category><![CDATA[linnstrument]]></category>
		<category><![CDATA[live performance]]></category>
		<category><![CDATA[MPE]]></category>
		<category><![CDATA[polyphonic expression]]></category>
		<category><![CDATA[Roger Linn]]></category>
		<category><![CDATA[sales]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168349</guid>

					<description><![CDATA[<p>No, we do not all want to be reduced to brains in a jar. Music has always been about gesture, whether embodied in the breath or touch. So now is the perfect time for the LinnStrument, the human-scaled expressive grid from Roger Linn. Roger writes to point us to some of the latest musical examples [&#8230;]</p>
<p>The post <a href="https://cdm.link/digital-sound-but-physical-roger-linns-linnstrument-in-action-10-off/">Digital sound, but physical: Roger Linn&#8217;s LinnStrument in action, 10% off</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168349</post-id>	</item>
		<item>
		<title>Listening to birdsong &#8212; and the instruments that mimic it</title>
		<link>https://cdm.link/birdsong-and-anxiety-cures/</link>
					<comments>https://cdm.link/birdsong-and-anxiety-cures/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Wed, 14 Oct 2026 16:50:01 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[ancient]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[birds]]></category>
		<category><![CDATA[birdsong]]></category>
		<category><![CDATA[deep listening]]></category>
		<category><![CDATA[Ecuador]]></category>
		<category><![CDATA[editorials]]></category>
		<category><![CDATA[field recording]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[instrument building]]></category>
		<category><![CDATA[instrument design]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[mexico]]></category>
		<category><![CDATA[peru]]></category>
		<category><![CDATA[pre-Columbian]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168331</guid>

					<description><![CDATA[<p>Okay, class: today's reading includes a short but inspiring passage by Estevan Carlos Benson, who has lately been suggesting we treat our musical listening biome in the same way that we do our gut. Along the way, we get birdsongs and whistle bottles from Ecuador millennia ago and Peru today.</p>
<p>The post <a href="https://cdm.link/birdsong-and-anxiety-cures/">Listening to birdsong &#8212; and the instruments that mimic it</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168331</post-id>	</item>
		<item>
		<title>Max 9.2: V8 FFTs, better Windows support, Ableton abl goodies, more</title>
		<link>https://cdm.link/max-9-2/</link>
					<comments>https://cdm.link/max-9-2/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Wed, 14 Oct 2026 16:03:11 +0000</pubDate>
				<category><![CDATA[Motion]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[abl]]></category>
		<category><![CDATA[ableton]]></category>
		<category><![CDATA[Cycling-74]]></category>
		<category><![CDATA[hap]]></category>
		<category><![CDATA[javascript]]></category>
		<category><![CDATA[Jitter]]></category>
		<category><![CDATA[Mac]]></category>
		<category><![CDATA[MacOS]]></category>
		<category><![CDATA[max]]></category>
		<category><![CDATA[max-msp]]></category>
		<category><![CDATA[motion]]></category>
		<category><![CDATA[msp]]></category>
		<category><![CDATA[v8]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[vidvox]]></category>
		<category><![CDATA[visuals]]></category>
		<category><![CDATA[VJ]]></category>
		<category><![CDATA[Windows]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168317</guid>

					<description><![CDATA[<p>Cycling '74 has a surprisingly packed Max 9.2 update out now, with improvements and additions for Jitter, the Web, V8 (JavaScript), buffers, video on Windows, Gen, and the Ableton abl collection. It's a slew of nice stuff for patchers.</p>
<p>The post <a href="https://cdm.link/max-9-2/">Max 9.2: V8 FFTs, better Windows support, Ableton abl goodies, more</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168317</post-id>	</item>
		<item>
		<title>Bana Haffar&#8217;s Ancient Future mutates memory and meaning in machines</title>
		<link>https://cdm.link/bana-haffar-ancient-future/</link>
					<comments>https://cdm.link/bana-haffar-ancient-future/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 21:00:58 +0000</pubDate>
				<category><![CDATA[Modular-Analog]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[albums]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[Bana Haffar]]></category>
		<category><![CDATA[Beirut]]></category>
		<category><![CDATA[Beirut Synthesizer Center]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[eurorack]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[LA]]></category>
		<category><![CDATA[Lebanon]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[modular]]></category>
		<category><![CDATA[Modular on the Spot]]></category>
		<category><![CDATA[montreal]]></category>
		<category><![CDATA[quebec]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sampling]]></category>
		<category><![CDATA[Third Coast Percussion]]></category>
		<category><![CDATA[usa]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168292</guid>

					<description><![CDATA[<p>If you feel at sea in a starless night, Ancient Future might summon charts from the ancestors, fragmented through samples and voltages, a hauntology of modular deconstruction. Bana Haffar, co-founder of Modular on the Spot in LA and Beirut Synthesizer Center in Lebanon, has an essential offering out this month.</p>
<p>The post <a href="https://cdm.link/bana-haffar-ancient-future/">Bana Haffar&#8217;s Ancient Future mutates memory and meaning in machines</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168292</post-id>	</item>
		<item>
		<title>UA Volt Gen 2, Max: built-in dynamics and preamp tone, displays, more</title>
		<link>https://cdm.link/ua-volt-gen-2-max/</link>
					<comments>https://cdm.link/ua-volt-gen-2-max/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 20:18:38 +0000</pubDate>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[android]]></category>
		<category><![CDATA[audio interfaces]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[ios]]></category>
		<category><![CDATA[Linux]]></category>
		<category><![CDATA[MacOS]]></category>
		<category><![CDATA[raspi]]></category>
		<category><![CDATA[UA]]></category>
		<category><![CDATA[Universal Audio]]></category>
		<category><![CDATA[VOLT]]></category>
		<category><![CDATA[Volt gen 2]]></category>
		<category><![CDATA[Volt Max]]></category>
		<category><![CDATA[Windows]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168270</guid>

					<description><![CDATA[<p>What do you do when software is feeling a little, well, disposable? Hardware, for one. Universal Audio has updated its Volt line of USB audio interfaces with built-in processing for preamp tone and dynamics, and on the higher-end models, "smart" displays and extras like ADAT input. (Hint: that can solve some of your connection problems to outboard mixer/Eurorack modules/whatever.) And these interfaces are really not expensive, starting at $149.</p>
<p>The post <a href="https://cdm.link/ua-volt-gen-2-max/">UA Volt Gen 2, Max: built-in dynamics and preamp tone, displays, more</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168270</post-id>	</item>
		<item>
		<title>Beads, last of the Mutable Instruments modules, is now open source</title>
		<link>https://cdm.link/beads-is-now-open-source/</link>
					<comments>https://cdm.link/beads-is-now-open-source/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Mon, 12 Oct 2026 14:59:38 +0000</pubDate>
				<category><![CDATA[Tech]]></category>
		<category><![CDATA[Beads]]></category>
		<category><![CDATA[clouds]]></category>
		<category><![CDATA[Emilie Gillet]]></category>
		<category><![CDATA[eurorack]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[free as in freedom]]></category>
		<category><![CDATA[granular]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[MIT License]]></category>
		<category><![CDATA[modular]]></category>
		<category><![CDATA[modules]]></category>
		<category><![CDATA[Mutable Instruments]]></category>
		<category><![CDATA[open source]]></category>
		<category><![CDATA[open source hardware]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168259</guid>

					<description><![CDATA[<p>Beads, the granular "texture synthesizer" that was Emilie Gillet's follow-up to the legendary Clouds, is now fully open source. That completes the final missing piece in open-source code and free licensing for Mutable Instruments' iconic and influential range of Eurorack modules.</p>
<p>The post <a href="https://cdm.link/beads-is-now-open-source/">Beads, last of the Mutable Instruments modules, is now open source</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168259</post-id>	</item>
		<item>
		<title>teenage engineering might quit synths, but parody can&#8217;t quit them</title>
		<link>https://cdm.link/end-of-teenage-synths/</link>
					<comments>https://cdm.link/end-of-teenage-synths/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Fri, 09 Oct 2026 15:02:50 +0000</pubDate>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Music tech]]></category>
		<category><![CDATA[Tech]]></category>
		<category><![CDATA[editorials]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[off-topic]]></category>
		<category><![CDATA[opinion]]></category>
		<category><![CDATA[parody]]></category>
		<category><![CDATA[retirement]]></category>
		<category><![CDATA[stop making synths]]></category>
		<category><![CDATA[synths]]></category>
		<category><![CDATA[Teenage Engineering]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168232</guid>

					<description><![CDATA[<p>teenage engineering CEO Jesper Kouthoofd made waves when he casually mentioned he’d told the company he founded to quit making synthesizers. Whatever is coming from the Stockholm company, the jokes they inspire show no signs of abating and -- this seems an opportunity.</p>
<p>The post <a href="https://cdm.link/end-of-teenage-synths/">teenage engineering might quit synths, but parody can&#8217;t quit them</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">168232</post-id>	</item>
		<item>
		<title>Interview: 33EMYBW on Amalgamate, metamorphosis, and insect philosophy</title>
		<link>https://cdm.link/33emybw-amalgamate-interview/</link>
					<comments>https://cdm.link/33emybw-amalgamate-interview/#respond</comments>
		
		<dc:creator><![CDATA[Peter Kirn]]></dc:creator>
		<pubDate>Thu, 08 Oct 2026 13:26:52 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Stories]]></category>
		<category><![CDATA[33EMYBW]]></category>
		<category><![CDATA[Ableton Live]]></category>
		<category><![CDATA[albums]]></category>
		<category><![CDATA[amalgamate]]></category>
		<category><![CDATA[anthropods]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[astronomy]]></category>
		<category><![CDATA[butterflies]]></category>
		<category><![CDATA[china]]></category>
		<category><![CDATA[electronica]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[field recording]]></category>
		<category><![CDATA[Guizhou]]></category>
		<category><![CDATA[insects]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[Mark Fell]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[Sampling]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[Shanghai]]></category>
		<category><![CDATA[sideproject]]></category>
		<category><![CDATA[SVBKVLT]]></category>
		<category><![CDATA[synthesis]]></category>
		<guid isPermaLink="false">https://cdm.link/?p=168212</guid>

					<description><![CDATA[<p>The patterning on butterfly wings is constructed of tiny blade-like scales (lamellar), with color structured into complex messaging and variation. That&#8217;s precisely the sonic feeling of Amalgamate, the latest from Shanghai-based artist 33EMYBW. We got to talk to 33 about alienation, metamorphosis, and the meaning of some of those lyrics. Photos by Di Wei Aamalgamte [&#8230;]</p>
<p>The post <a href="https://cdm.link/33emybw-amalgamate-interview/">Interview: 33EMYBW on Amalgamate, metamorphosis, and insect philosophy</a> appeared first on <a href="https://cdm.link">CDM Create Digital Music</a>.</p>
]]></description>
		
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