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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;CEcNRng8eyp7ImA9WhRaGE0.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830</id><updated>2012-02-21T05:28:17.673Z</updated><category term="Ray Murphy" /><category term="Comedy Theatre" /><category term="Franco Dragone" /><category term="Frank Fischer" /><category term="ballet" /><category term="Pinacoteca" /><category term="Chris Perfect" /><category term="Art London" /><category term="The Wapping Project" /><category term="Olivia Nairn" /><category term="Capoeira" /><category term="Film" /><category term="Royal College of Art" /><category term="The Place" /><category term="Cezanne" /><category term="Comedy" /><category term="Adelaide Damoah" /><category term="Whitworth Art Gallery" /><category term="The Singh Twins" /><category term="Hannah Nathanson" /><category term="Vauxhall Collective" /><category term="HRL Contemporary" /><category term="Noel Coward Theatre" /><category term="Rosenblatt Recitals" /><category term="Kathryn Stockett" /><category term="WarHorse" /><category term="Enron" /><category term="National Portrait Gallery" /><category term="Nina Raine" /><category term="Douglas Hyde Gallery" /><category term="Royal Albert Hall" /><category term="The Power of Yes" /><category term="Futurism" /><category term="The Globe" /><category term="Hotel Elephant" /><category term="National Gallery of Scotland" /><category term="Kerry Tribe" /><category term="Katarina Jankovic" /><category term="Riverside Studios" /><category term="House of Dancing Water" /><category term="Opera" /><category term="Ellie Ross" /><category term="Queen's Gallery" /><category term="Textiles" /><category term="Centro Cultural Correios" /><category term="Photography" /><category term="Lucy Prebble" /><category term="Bo Burnham" /><category term="Taylor Wessing Photographic Portrait Prize" /><category term="Indian Art" /><category term="Jazz Jagger" /><category term="Gareth Neal" /><category term="Tate Modern" /><category term="DJ Yoda" /><category term="Marco Sanges" /><category term="gallery at oxo" /><category term="Saatchi Gallery" /><category term="Susan Elliott" /><category term="Fashion" /><category term="David Hare" /><category term="Modern Art Oxford" /><category term="Beckett" /><category term="Literature" /><category term="Royal Opera House" /><category term="Hackney Empire" /><category term="Serpentine Gallery" /><category term="Barbican" /><category term="Victoria Hill" /><category term="Peter Manseau" /><category term="Roald Dahl" /><category term="Almodóvar" /><category term="Takashi Murakami" /><category term="Bestival" /><category term="Eliseu Visconti" /><category term="David Ellis" /><category term="Conrad Shawcross" /><category term="Exhibition of the Month" /><category term="Mauger Modern Art" /><category term="Pamela Stretton" /><category term="John Buchan" /><category term="Manchester Art Gallery" /><category term="Ethan Cross" /><category term="Lazarides Gallery" /><category term="Kraftwerk" /><category term="Hannah Eidinow" /><category term="British Art Fair" /><category term="Peter Blake" /><category term="Stewart Lee" /><category term="Museum of London" /><category term="Courtauld Gallery" /><category term="James Corden" /><category term="Abraham Cruzvillegas" /><category term="Andy Devane" /><category term="Darkbloom Theatre" /><category term="Old Vic Tunnels" /><category term="Chekhov" /><category term="Sundance Film Festival" /><category term="Jennifer Egan" /><category term="Highgate Gallery" /><category term="Damien Hirst" /><category term="A Prophet" /><category term="Nelly Ben Hayoun" /><category term="Secret Cinema" /><category term="Brazilian Art" /><category term="The National Theatre" /><category term="Tarantino" /><category term="2Faced Dance" /><category term="Exhibitions" /><category term="Diaghilev" /><category term="Zeus' Pamphlet" /><category term="Paul McGowan" /><category term="Institute of Contemporary Arts" /><category term="Richard Wright" /><category term="Duke of York's Theatre" /><category term="Amanda Magill" /><category term="Goya" /><category term="Alice Boyle" /><category term="Japanese Woodblock Prints" /><category term="Ceramics" /><category term="Surrealism" /><category term="Peter Gough" /><category term="Brazil" /><category term="Darren Aronofsky" /><category term="Alexis Kersey" /><category term="Gauguin" /><category term="Dance" /><category term="Collage" /><category term="Cirque du Soleil" /><category term="Virginia Museum of Fine Arts" /><category term="The Real Thing" /><category term="Man and Eve" /><category term="Manchester Science Festival" /><category term="The Children's Hour" /><category term="John Bird" /><category term="Peter Marlow" /><category term="JMW Turner" /><category term="Gormley" /><category term="Reuben Powell" /><category term="David Reimondo" /><category term="Fleet Foxes" /><category term="Fayga Ostrower" /><category term="Contemporary by Angela Li" /><category term="Dulwich Picture Gallery" /><category term="Albermale Gallery" /><category term="Jake and Dinos Chapman" /><category term="Nana Shiomi" /><category term="Vogue" /><category term="Cat Street Gallery" /><category term="A Thousand Splendid Suns" /><category term="Coco Chanel" /><category term="Philip Kerr" /><category term="Benjamin Cohen" /><category term="Royal Observatory" /><category term="Hen and Chickens Theatre" /><category term="David Nicholls" /><category term="Russell Scott-Skinner" /><category term="Elizabeth Peyton" /><category term="The Big Issue" /><category term="Jenny Ellis" /><category term="The Young Vic" /><category term="The Fruitmarket Gallery" /><category term="London Festival of Architecture" /><category term="Affordable Art Fair" /><category term="Grayson Perry" /><category term="La Boheme" /><category term="Tom Stoppard" /><category term="Sadler's Wells Theatre" /><category term="Roger Hiorns" /><category term="Edinburgh Festival" /><category term="City of Dreams Macau" /><category term="Natural History Museum" /><category term="Yu Jinyoung" /><category term="Thomas Middleton" /><category term="The Good Doctor" /><category term="Martin Creed" /><category term="Barrie Keeffe" /><category term="Milly Blair" /><category term="Lucy Skaer" /><category term="Chris Ofili" /><category term="Flowers" /><category term="Salvador Dali" /><category term="Michael Morpurgo" /><category term="Akiko Fujikawa" /><category term="Musical" /><category term="Stoppard" /><category term="Leicester Square Theatre" /><category term="Henry Moore" /><category term="Martin Scorsese" /><category term="Science Museum" /><category term="Festival" /><category term="Ice House Gallery" /><category term="La Clique" /><category term="Royal Academy" /><category term="Architecture" /><category term="Miranda Nairn" /><category term="Royal Court" /><category term="Lyric Hammersmith" /><category term="Swishing" /><category term="Jeff Koons" /><category term="Chelsea College of Art" /><category term="Tracey Emin" /><category term="Hayward Gallery" /><category term="Lord of the Flies" /><category term="Whitechapel Gallery" /><category term="La Soiree" /><category term="Anish Kapoor" /><category term="Frameless Gallery" /><category term="Ghost Stories" /><category term="Enrico David" /><category term="Dadaism" /><category term="English National Ballet" /><category term="Jazz" /><category term="Miroslaw Balka" /><category term="Susan Abulhawa" /><category term="Theatre" /><category term="Roundhouse" /><category term="Never Let Me Go" /><category term="Alfred Hitchcock" /><category term="Roland O'Leary" /><category term="Tate Britain" /><category term="Shakespeare" /><category term="Newertown" /><category term="Victoria and Albert Museum" /><category term="Eva Hesse" /><category term="British Museum" /><category term="BBC Radio 4" /><category term="Jez Butterworth" /><category term="New Delhi" /><category term="Mark Woods" /><category term="Alex Gama" /><category term="Annie Get Your Gun" /><category term="Kinetica Art Fair" /><category term="The Misanthrope" /><category term="British Art" /><category term="Eva Rothschild" /><category term="Turner Prize" /><category term="Centro José Guerrero" /><category term="Damon Galgut" /><category term="Liberty Gallery" /><category term="Music" /><category term="Céleste Boursier-Mougenot" /><category term="Somerset House" /><category term="Marius Brenciu" /><category term="Marilene Oliver" /><category term="Art" /><category term="Rosencrantz and Guildenstern are Dead" /><category term="Science" /><category term="The Barbican" /><category term="Andy Warhol" /><category term="Maria Rivans" /><category term="The Surreal House" /><category term="Modern Art" /><category term="British Library" /><category term="Ivan Black" /><category term="Khaled Hosseini" /><category term="English National Opera House" /><category term="Michael Wynne" /><category term="Sweet Nothings" /><category term="Regent's Park Open Air Theatre" /><category term="Dennis Severs" /><category term="Florence and the Machine" /><category term="Free Range Art and Design Show" /><category term="Katie Burrows" /><category term="Sculpture" /><category term="Nine" /><category term="Michael Young" /><title>Creatures of Culture</title><subtitle type="html">Creatures of Culture was set up in July 2009 by Olivia Nairn and Milly Blair as a cultural review website, covering a broad range of themes and exploring reactions to contemporary art, theatre, film and literature, both in the UK and beyond. With a team of over ten writers, we regularly update the website with the latest cultural news and information.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://www.creaturesofculture.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>223</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/creaturesofculture/scqh" /><feedburner:info uri="creaturesofculture/scqh" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;A0cBQXsyfip7ImA9WhRaFEQ.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-8652293318608544799</id><published>2012-02-17T17:17:00.000Z</published><updated>2012-02-17T17:17:30.596Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-17T17:17:30.596Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Photography" /><category scheme="http://www.blogger.com/atom/ns#" term="Virginia Museum of Fine Arts" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Marco Sanges" /><title>Marco Sanges Success!</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/8652293318608544799/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2012/02/marco-sanges-success.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8652293318608544799?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8652293318608544799?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/HNMPmK36Ubg/marco-sanges-success.html" title="Marco Sanges Success!" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-7qVtwzuG8ks/Tz6KgutQeuI/AAAAAAAAA4U/CIOujob1Qyc/s72-c/margosanges.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Creatures of Culture has been a longtime supporter of the photography of Marco Sanges, since we first met back in 2009 at Art London.

We are delighted to announce that a portrait by Marco was acquired by the Virginia Museum of Fine Arts in the US to form part of the gallery's permanent collection.

The gelatin silver print from Portrait Series 12 n'3 (2005) is a black and white photograph 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/W2GZ6OPjt7-XBl080Kot8Vll3M0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/W2GZ6OPjt7-XBl080Kot8Vll3M0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/W2GZ6OPjt7-XBl080Kot8Vll3M0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/W2GZ6OPjt7-XBl080Kot8Vll3M0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/HNMPmK36Ubg" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2012/02/marco-sanges-success.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEIGRHkyeyp7ImA9WhRaFEw.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-2947457515070867218</id><published>2012-02-16T18:22:00.000Z</published><updated>2012-02-16T18:22:05.793Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T18:22:05.793Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Film" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><title>A Dangerous Method</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/2947457515070867218/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2012/02/dangerous-method.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/2947457515070867218?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/2947457515070867218?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/0ri8GXehgMg/dangerous-method.html" title="A Dangerous Method" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-Ux8RuJLg7Mg/Tz1H45czAfI/AAAAAAAAA4E/XzshFmr370E/s72-c/adm2.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Olivia Nairn is disappointed by David Cronenberg's rather static and slow-moving film


I first read an article about A Dangerous Method some months ago, and when it was finally released last week, I couldn’t wait to go. The film promised to combine the dramatic talents of Viggo Mortensen, Michael Fassbender and Keira Knightley, in a story of love, sex and psychoanalysis against a beautiful 
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&lt;a href="http://feedads.g.doubleclick.net/~a/On46f7e-ViPmZpJetzj9x67Jzt0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/On46f7e-ViPmZpJetzj9x67Jzt0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/0ri8GXehgMg" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2012/02/dangerous-method.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0QCR3Y4eip7ImA9WhRaEEo.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-3415823580881232638</id><published>2012-02-12T19:36:00.000Z</published><updated>2012-02-12T19:36:06.832Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-12T19:36:06.832Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Roland O'Leary" /><category scheme="http://www.blogger.com/atom/ns#" term="Ethan Cross" /><category scheme="http://www.blogger.com/atom/ns#" term="Literature" /><title>The Shepherd by Ethan Cross</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/3415823580881232638/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2012/02/shepherd-by-ethan-cross.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/3415823580881232638?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/3415823580881232638?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/khX_mAKrVT0/shepherd-by-ethan-cross.html" title="The Shepherd by Ethan Cross" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-fR8figoFN8M/TzgRcZDx_GI/AAAAAAAAA38/eX77HMU_WmM/s72-c/THESHEPHERD.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">

Ethan Cross' horror novel leaves Roland O'Leary rather unnerved...



I read The Shepherd after a friend told me he found the first chapter terrifying. He was right. First-time novelist Ethan Cross has created one of the nastiest villains I've encountered in a while in Francis Ackerman Jnr. He's a serial killer on the loose who has deeply studied all of the famous serial killers of the past, 
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&lt;a href="http://feedads.g.doubleclick.net/~a/a4NM5CETAaqywOf88Y1A5F5ZaIw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/a4NM5CETAaqywOf88Y1A5F5ZaIw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/khX_mAKrVT0" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2012/02/shepherd-by-ethan-cross.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUMMRn47eCp7ImA9WhRbE0s.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-6297563593953471132</id><published>2012-02-04T14:09:00.004Z</published><updated>2012-02-04T14:58:07.000Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-04T14:58:07.000Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Modern Art" /><category scheme="http://www.blogger.com/atom/ns#" term="New Delhi" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Indian Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Milly Blair" /><title>"Company Paintings" - National Gallery of Modern Art, New Delhi</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/6297563593953471132/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2012/02/company-paintings-national-gallery-of.html#comment-form" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/6297563593953471132?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/6297563593953471132?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/HGEtQLdl4LY/company-paintings-national-gallery-of.html" title="&quot;Company Paintings&quot; - National Gallery of Modern Art, New Delhi" /><author><name>Milly Blair</name><uri>http://www.blogger.com/profile/11130511144724964688</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="24" height="32" src="http://1.bp.blogspot.com/_rKeR4UxoTBk/S116gUiwwAI/AAAAAAAAAG8/trE2mgZNKyo/S220/photo+of+me.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-67EjJ3eWnPE/Ty082sJm2WI/AAAAAAAAAQY/VnAO603fbSk/s72-c/company-paintings-pic1.jpg" height="72" width="72" /><thr:total>1</thr:total><content type="html">Milly Blair reports from the hubbub of New Delhi."Company Paintings" is a beautiful collection of nineteenth century Indian art which, as indicated by its name, showcases art commissioned by the East India Company who wished to document all they saw and experienced in this wildly different and intriguing country. Indian miniature art, a tradition which ran from the tenth through to the twentieth 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DhThH7xC-9BRlgKPTmKwEt8YDws/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DhThH7xC-9BRlgKPTmKwEt8YDws/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DhThH7xC-9BRlgKPTmKwEt8YDws/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DhThH7xC-9BRlgKPTmKwEt8YDws/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/HGEtQLdl4LY" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2012/02/company-paintings-national-gallery-of.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CE8DRXc9fCp7ImA9WhRbEEg.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-1832687136691681578</id><published>2012-01-31T23:34:00.000Z</published><updated>2012-01-31T23:34:34.964Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-31T23:34:34.964Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Fayga Ostrower" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Centro Cultural Correios" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Alex Gama" /><category scheme="http://www.blogger.com/atom/ns#" term="Brazil" /><category scheme="http://www.blogger.com/atom/ns#" term="Brazilian Art" /><title>BRAZIL FOCUS PART II: Fayga Ostrower e Alex Gama: Díalogos</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/1832687136691681578/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2012/01/brazil-focus-part-ii-fayga-ostrower-e.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/1832687136691681578?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/1832687136691681578?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/S3UGPaazlxo/brazil-focus-part-ii-fayga-ostrower-e.html" title="BRAZIL FOCUS PART II: Fayga Ostrower e Alex Gama: Díalogos" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-iTSvxyoDOT8/Tyh05V9A-9I/AAAAAAAAA3M/ZerShmBD9YU/s72-c/ccc.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Olivia Nairn takes to the streets of Downtown Rio to explore a vibrant exhibition of two Brazilian artists

In the former Post Office headquarters building in Rio de Janeiro, a lively cultural centre, known as the Centro Cultural Correios, is a must-see for tourists and residents alike. Other similar centres exists across Brazil, where post offices of a bygone era play host to a series of 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/oLGgu82xkiJJs50PVSGS_UsDkQk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oLGgu82xkiJJs50PVSGS_UsDkQk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/oLGgu82xkiJJs50PVSGS_UsDkQk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oLGgu82xkiJJs50PVSGS_UsDkQk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/S3UGPaazlxo" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2012/01/brazil-focus-part-ii-fayga-ostrower-e.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEcERn49cCp7ImA9WhRUGEk.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-322937350035613844</id><published>2012-01-29T12:47:00.000Z</published><updated>2012-01-29T13:00:07.068Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-29T13:00:07.068Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Eliseu Visconti" /><category scheme="http://www.blogger.com/atom/ns#" term="Pinacoteca" /><category scheme="http://www.blogger.com/atom/ns#" term="Brazilian Art" /><title>BRAZIL FOCUS: Eliseu Visconti: A Modernidade Antecipada</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/322937350035613844/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2012/01/eliseu-visconti-modernidade-antecipada.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/322937350035613844?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/322937350035613844?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/a0UdxqHtjQc/eliseu-visconti-modernidade-antecipada.html" title="BRAZIL FOCUS: Eliseu Visconti: A Modernidade Antecipada" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-77W4ICBAVD4/TyVCnWjcftI/AAAAAAAAA3E/bB0Wn0wz97I/s72-c/Brasil+009.JPG" height="72" width="72" /><thr:total>0</thr:total><content type="html">Olivia Nairn takes a tour of the famous São Paulo gallery
and uncovers an excellent exhibition of Eliseu Visconti's greatest works



São Paulo’s Pinacoteca art gallery, to the north of the city centre in
the bairro know as Luz, holds a real treasure of an art collection. Housed in a
beautiful 19th century building, the gallery relishes its claim to be the
oldest museum in the modern metropolis 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/mBdLls_raetcvPegMc9M3MzGzlw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mBdLls_raetcvPegMc9M3MzGzlw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/mBdLls_raetcvPegMc9M3MzGzlw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mBdLls_raetcvPegMc9M3MzGzlw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/a0UdxqHtjQc" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2012/01/eliseu-visconti-modernidade-antecipada.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEUEQ3w4fCp7ImA9WhRVFEs.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-2307395306697681823</id><published>2012-01-13T13:43:00.000Z</published><updated>2012-01-13T13:43:22.234Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-13T13:43:22.234Z</app:edited><title>Secret 7" Competition</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/2307395306697681823/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2012/01/secret-7-competition.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/2307395306697681823?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/2307395306697681823?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/WGU9TQetkVk/secret-7-competition.html" title="Secret 7&quot; Competition" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><thr:total>0</thr:total><content type="html">Creatures of Culture is delighted to announce our participation in
Secret 7”, a unique project in aid of Teenage Cancer Trust. We are hosting from
this website a competition to design the artwork for the sleeve of artist Ben
Howard’s track ‘Black Flies’. 



If your artwork is selected, it will go on display in the Idea
Generation Gallery in London in April 2012.


Please see more information, 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/S01kzQ2h1otXePgkhnvnX1K41I4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S01kzQ2h1otXePgkhnvnX1K41I4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/S01kzQ2h1otXePgkhnvnX1K41I4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S01kzQ2h1otXePgkhnvnX1K41I4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/WGU9TQetkVk" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2012/01/secret-7-competition.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0YHQXc_fip7ImA9WhRVEUw.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-8667071541601696742</id><published>2012-01-08T18:02:00.002Z</published><updated>2012-01-09T14:25:30.946Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-09T14:25:30.946Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Tate Britain" /><category scheme="http://www.blogger.com/atom/ns#" term="Roland O'Leary" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibition of the Month" /><title>Exhibition of the Month</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/8667071541601696742/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2012/01/exhibition-of-month.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8667071541601696742?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8667071541601696742?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/gbZb2SRW5Fs/exhibition-of-month.html" title="Exhibition of the Month" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-UW_9S6gBk20/TwnYXbXVahI/AAAAAAAAA2c/4tpwbBin_sc/s72-c/thebard.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">JANUARY: John Martin: Apocalypse at Tate Britain



Roland O'Leary is impressed by the fantastical, mythical and biblical landscapes of John Martin



I will confess that I knew nothing about John Martin (1789-1854) or his work before stepping into the Tate Britain's Apocalypse exhibition. However, one of the themes of the exhibition, to my mind, is that his works are imprinted on the popular 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Xstp8JDrU64e-Y_0ByKRvPLP6UA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Xstp8JDrU64e-Y_0ByKRvPLP6UA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Xstp8JDrU64e-Y_0ByKRvPLP6UA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Xstp8JDrU64e-Y_0ByKRvPLP6UA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/gbZb2SRW5Fs" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2012/01/exhibition-of-month.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkIBSHs6eSp7ImA9WhRXEkQ.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-4466625151248305699</id><published>2011-12-19T12:05:00.001Z</published><updated>2011-12-19T12:42:39.511Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-19T12:42:39.511Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="National Portrait Gallery" /><category scheme="http://www.blogger.com/atom/ns#" term="Taylor Wessing Photographic Portrait Prize" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><title>Taylor Wessing Photographic Portrait Prize 2011</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/4466625151248305699/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/12/taylor-wessing-photographic-portrait.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/4466625151248305699?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/4466625151248305699?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/xmFWG-QRJyk/taylor-wessing-photographic-portrait.html" title="Taylor Wessing Photographic Portrait Prize 2011" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-uJQkIe4JtB0/Tu8wHAhiUKI/AAAAAAAAA2A/h6FTiY6QXAI/s72-c/kk.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Olivia Nairn returns to the National Portrait Gallery for this year's portrait photographer prize

The Taylor Wessing Photographic Portrait Prize is a particular favourite exhibition of mine. Recalling the delights of 2010's photographic efforts, I was excited to see what this year had to offer. Amateur, student and professional photographers are invited once again to submit their work- be it a 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/totfC-oiwt60e3nD2vFlJPkZ7hc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/totfC-oiwt60e3nD2vFlJPkZ7hc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/totfC-oiwt60e3nD2vFlJPkZ7hc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/totfC-oiwt60e3nD2vFlJPkZ7hc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/xmFWG-QRJyk" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/12/taylor-wessing-photographic-portrait.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEQNRnw4fSp7ImA9WhRXEkQ.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-7157082844196067479</id><published>2011-12-14T15:26:00.002Z</published><updated>2011-12-19T12:06:37.235Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-19T12:06:37.235Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Abraham Cruzvillegas" /><category scheme="http://www.blogger.com/atom/ns#" term="Kerry Tribe" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Modern Art Oxford" /><title>Modern Art Oxford: Abraham Cruzvillegas: Autoconstrucción: The Optimistic Failure of a Simultaneous Promise and Kerry Tribe: Dead Star Light</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/7157082844196067479/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/12/modern-art-oxford-abraham-cruzvillegas.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/7157082844196067479?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/7157082844196067479?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/BTAC5G5H7Fg/modern-art-oxford-abraham-cruzvillegas.html" title="Modern Art Oxford: Abraham Cruzvillegas: Autoconstrucción: The Optimistic Failure of a Simultaneous Promise and Kerry Tribe: Dead Star Light" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-ILfB3-gggtA/Tui_ZFTLC2I/AAAAAAAAA1s/SN_8b_KvEy4/s72-c/ktribe.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Olivia Nairn enjoys two exhibitions as part of Modern Art Oxford's autumn programme

Modern Art Oxford’s popular gallery space is a testament to the way in which contemporary art can complement a town steeped in tradition. In an interesting pairing, the respective exhibitions of Kerry Tribe and Abraham Cruzvillegas offer opposing takes on truth, reality and fiction. 

An American national, Tribe 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/dfmo_rLSsACWgu4344fGaz3JWq8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dfmo_rLSsACWgu4344fGaz3JWq8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/dfmo_rLSsACWgu4344fGaz3JWq8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dfmo_rLSsACWgu4344fGaz3JWq8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/BTAC5G5H7Fg" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/12/modern-art-oxford-abraham-cruzvillegas.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUUGQ3szfCp7ImA9WhRREk8.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-8416496203351979357</id><published>2011-11-25T10:18:00.001Z</published><updated>2011-11-25T12:13:42.584Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-25T12:13:42.584Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Royal College of Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><title>RCA Secret 2011</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/8416496203351979357/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/11/rca-secret-2011.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8416496203351979357?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8416496203351979357?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/KJuhsYSYKCk/rca-secret-2011.html" title="RCA Secret 2011" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-jssbYVHehgQ/Ts98zj3rI5I/AAAAAAAAAz0/QP6ViWSIKcI/s72-c/rcasecret.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">
Olivia Nairn returns to the Secret postcard exhibitionThe guessing game is on once again at the Royal College of Art. Its annual Secret exhibition, now in its nineteenth year, displays almost 3000 postcard-sized works to the public, with no explanation or credits: thus, the artist remains unknown until the final buyer turns over the work to reveal a signature. 




So now is your chance to 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/zk1zChnZUqPSfXQpYG5c2kzVnEM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zk1zChnZUqPSfXQpYG5c2kzVnEM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/zk1zChnZUqPSfXQpYG5c2kzVnEM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zk1zChnZUqPSfXQpYG5c2kzVnEM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/KJuhsYSYKCk" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/11/rca-secret-2011.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUIBSHw4eip7ImA9WhRSEk8.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-1312807045007559046</id><published>2011-11-13T22:25:00.004Z</published><updated>2011-11-13T22:32:39.232Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-13T22:32:39.232Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="James Corden" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="The National Theatre" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Milly Blair" /><title>One Man Two Guvnors</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/1312807045007559046/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/11/one-man-two-guvnors-is-much-celebrated.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/1312807045007559046?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/1312807045007559046?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/mm0epOqb39I/one-man-two-guvnors-is-much-celebrated.html" title="One Man Two Guvnors" /><author><name>Milly Blair</name><uri>http://www.blogger.com/profile/11130511144724964688</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="24" height="32" src="http://1.bp.blogspot.com/_rKeR4UxoTBk/S116gUiwwAI/AAAAAAAAAG8/trE2mgZNKyo/S220/photo+of+me.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-p-yf8yX7g6I/TsBE-x6rbzI/AAAAAAAAAQA/VpYPgcMq4KU/s72-c/download.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">One Man Two Guvnors is a much celebrated show – after a successful season at the National the play has been moved to the Adelphi for an extended season – and I could sense the anticipation amongst the audience as we filed into our seats.The play unfolds into a Fawlty Towers-esque farce as the dim witted but impulsive Francis (James Corden, sporting a suffocatingly tight, tweed suit) finds himself
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/7c0La5GxaPj0N_uWRZwxUazQ7HY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7c0La5GxaPj0N_uWRZwxUazQ7HY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/7c0La5GxaPj0N_uWRZwxUazQ7HY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7c0La5GxaPj0N_uWRZwxUazQ7HY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/mm0epOqb39I" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/11/one-man-two-guvnors-is-much-celebrated.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0UMRH4_eyp7ImA9WhRTGU8.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-8128363153019568513</id><published>2011-11-10T11:41:00.000Z</published><updated>2011-11-10T11:41:25.043Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-10T11:41:25.043Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Ellie Ross" /><category scheme="http://www.blogger.com/atom/ns#" term="Film" /><title>Machine Gun Preacher</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/8128363153019568513/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/11/machine-gun-preacher.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8128363153019568513?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8128363153019568513?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/wgxxocZxpEo/machine-gun-preacher.html" title="Machine Gun Preacher" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><thr:total>0</thr:total><content type="html">Ellie Ross reviews a shocking new film based on a former bad boy's real life story

A child is held at gunpoint and forced to choose between clubbing his own mother to death and saving his brother and himself from being shot by his captors.Harrowing, violent and, at times, hard to watch, Machine Gun Preacher delivers some powerful punches.






It is based on the true story of former bike gang 
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&lt;a href="http://feedads.g.doubleclick.net/~a/cnebYf8k1SNgvJcsUjBehRblvJA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cnebYf8k1SNgvJcsUjBehRblvJA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/wgxxocZxpEo" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/11/machine-gun-preacher.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0YCQXozfCp7ImA9WhRTFE8.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-7288935746004918743</id><published>2011-11-04T16:45:00.003Z</published><updated>2011-11-04T16:46:00.484Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-04T16:46:00.484Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Victoria Hill" /><category scheme="http://www.blogger.com/atom/ns#" term="2Faced Dance" /><category scheme="http://www.blogger.com/atom/ns#" term="Dance" /><category scheme="http://www.blogger.com/atom/ns#" term="The Place" /><title>2Faced Dance: In the Dust</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/7288935746004918743/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/11/2faced-dance-in-dust.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/7288935746004918743?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/7288935746004918743?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/SEKIX7TTUPA/2faced-dance-in-dust.html" title="2Faced Dance: In the Dust" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/--KRkMYd9BMM/TrQUn394OYI/AAAAAAAAAzs/7J-XpCbd49I/s72-c/2faced.jpeg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Creatures of Culture returns to The Place for another mesmerising contemporary dance display. By Victoria Hill
It is a great time to see 2Faced Dance. The all-male company, under the direction of Tamzin Fitzgerald, has just been awarded National Portfolio Status by the Arts Council England, following a successful stint at Edinburgh Fringe Festival. The triple bill In the Dust showcases the finest
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/PEc_zTJn8gXpCvcDXtzv2oAcMfI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PEc_zTJn8gXpCvcDXtzv2oAcMfI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/PEc_zTJn8gXpCvcDXtzv2oAcMfI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PEc_zTJn8gXpCvcDXtzv2oAcMfI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/SEKIX7TTUPA" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/11/2faced-dance-in-dust.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEYNRn0_eip7ImA9WhRTEkk.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-8227718050739489050</id><published>2011-11-02T14:14:00.000Z</published><updated>2011-11-02T15:03:17.342Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-02T15:03:17.342Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Ray Murphy" /><category scheme="http://www.blogger.com/atom/ns#" term="Marius Brenciu" /><category scheme="http://www.blogger.com/atom/ns#" term="Rosenblatt Recitals" /><category scheme="http://www.blogger.com/atom/ns#" term="Opera" /><title>Rosenblatt Recitals: Marius Brenciu</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/8227718050739489050/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/11/rosenblatt-recitals-marius-brenciu.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8227718050739489050?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8227718050739489050?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/LhyEnku0Tm8/rosenblatt-recitals-marius-brenciu.html" title="Rosenblatt Recitals: Marius Brenciu" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-PR2csKM83fY/TrFOmCWRGHI/AAAAAAAAAzk/5tNjSzjDp9g/s72-c/Brenciu.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Ray Murphy enjoys the sounds of Romanian opera star Marius Brenciu in another Rosenblatt Recital

Earlier this autumn, Creatures of Culture was kindly invited to attend the opening of the 2011/2012 Rosenblatt Recitals season at St Johns, Smith Square. Helping to cut the ribbon on this year's series, Romanian tenor Marius Brenciu returned to the stage after nearly a decade since his last 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Y6rnfuqHq8smexlP9mhMSoUN19E/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Y6rnfuqHq8smexlP9mhMSoUN19E/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Y6rnfuqHq8smexlP9mhMSoUN19E/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Y6rnfuqHq8smexlP9mhMSoUN19E/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/LhyEnku0Tm8" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/11/rosenblatt-recitals-marius-brenciu.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0MBQ3s5fip7ImA9WhdaGUQ.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-3109847935204507440</id><published>2011-10-30T17:22:00.000Z</published><updated>2011-10-30T17:24:12.526Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-30T17:24:12.526Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Zeus' Pamphlet" /><category scheme="http://www.blogger.com/atom/ns#" term="Comedy" /><category scheme="http://www.blogger.com/atom/ns#" term="Hen and Chickens Theatre" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><title>Zeus’ Pamphlet</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/3109847935204507440/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/10/zeus-pamphlet.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/3109847935204507440?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/3109847935204507440?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/ufQGSVRGAzc/zeus-pamphlet.html" title="Zeus’ Pamphlet" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/16wItYxeQdI/default.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Olivia Nairn enjoys a bit of mid-week comedy


The imaginatively named Zeus’ Pamphlet is a five-piece
comedy act, comprising three girls, and two boys. The group, fresh from a run
at the Edinburgh Fringe this summer, perform sharp and amusing sketches, often
playing on inverted scenarios, where what is usual in an everyday situation is
turned on its head. 



I caught the group at the Hen &amp;amp; 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/sr-cusqmq_oVW-RiCNzfoM13lm4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sr-cusqmq_oVW-RiCNzfoM13lm4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/sr-cusqmq_oVW-RiCNzfoM13lm4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sr-cusqmq_oVW-RiCNzfoM13lm4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/ufQGSVRGAzc" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/10/zeus-pamphlet.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEcESHY5fCp7ImA9WhRSGEQ.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-159529918433987254</id><published>2011-10-30T16:48:00.005Z</published><updated>2011-11-21T17:20:09.824Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-21T17:20:09.824Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="British Museum" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Grayson Perry" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Milly Blair" /><title>Grayson Perry - The Tomb of the Unknown Craftsman</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/159529918433987254/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/10/grayson-perry-tomb-of-unknown-craftsman.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/159529918433987254?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/159529918433987254?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/661nuF8m2ZI/grayson-perry-tomb-of-unknown-craftsman.html" title="Grayson Perry - The Tomb of the Unknown Craftsman" /><author><name>Milly Blair</name><uri>http://www.blogger.com/profile/11130511144724964688</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="24" height="32" src="http://1.bp.blogspot.com/_rKeR4UxoTBk/S116gUiwwAI/AAAAAAAAAG8/trE2mgZNKyo/S220/photo+of+me.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-bqAI1qTIBqE/Tq2uHl3YuvI/AAAAAAAAAPo/n1N0xCOvF7c/s72-c/4dd53530ff0f023d-grayson-perry-gallery.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Grayson Perry's The Tomb of the Unknown Craftsman is a tour de force. It is easily one of the most exceptional shows London has to offer.

The British Museum gave Perry the free rein to curate his own exhibition, in which he places his own works alongside anonymous treasures found stowed away in the museum. Perry’s imaginary world is a poignant exploration of our notions of craftsmanship and 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/PP3arCZ2ZlsH3vkNEtIM9BlehOI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PP3arCZ2ZlsH3vkNEtIM9BlehOI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/PP3arCZ2ZlsH3vkNEtIM9BlehOI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PP3arCZ2ZlsH3vkNEtIM9BlehOI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/661nuF8m2ZI" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/10/grayson-perry-tomb-of-unknown-craftsman.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEYFQnk9cSp7ImA9WhdaGE0.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-1103497641583668634</id><published>2011-10-28T13:48:00.000+01:00</published><updated>2011-10-28T13:48:33.769+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-28T13:48:33.769+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Amanda Magill" /><category scheme="http://www.blogger.com/atom/ns#" term="Film" /><title>Contagion</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/1103497641583668634/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/10/contagion.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/1103497641583668634?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/1103497641583668634?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/X3Mp7BnB-_k/contagion.html" title="Contagion" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-DVEEeOmmNuk/TqqkdRzP9RI/AAAAAAAAAy8/dMgj6muwCE4/s72-c/CONTAGION.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">New film release Contagion has Amanda Magill very worried...Rating: 8/10 – brilliant but chilling. You’ll probably want to stock up on vitamins afterwards. I got on the tube today and the man I was pressed up against coughed. I froze and felt mild panic start in my stomach. I tried to shuffle as far away from him as I could (only about 3cm before bumping into the person on my other side) and then
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4ZUPcbRKU69mXQ7IA4We11jTfsQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4ZUPcbRKU69mXQ7IA4We11jTfsQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/4ZUPcbRKU69mXQ7IA4We11jTfsQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4ZUPcbRKU69mXQ7IA4We11jTfsQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/X3Mp7BnB-_k" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/10/contagion.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUAGQH84eyp7ImA9WhdaEkw.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-2562862630627583245</id><published>2011-10-21T18:20:00.000+01:00</published><updated>2011-10-21T18:22:01.133+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-21T18:22:01.133+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Affordable Art Fair" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibition of the Month" /><title>Exhibition of the Month</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/2562862630627583245/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/10/exhibition-of-month.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/2562862630627583245?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/2562862630627583245?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/KO612Aw7h9c/exhibition-of-month.html" title="Exhibition of the Month" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-CH9HulupdwE/TqGoovLtkDI/AAAAAAAAAyc/mZ0y52P3KNU/s72-c/durer.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">OCTOBER: Affordable Art Fair

Olivia Nairn hunts out some low-cost (ish) art

It is that time of year once more, when the Affordable Art Fair sets up shop in Battersea Park, and offers all art lovers something to take home from £40, right up to £4,000. This year, the fair is expanding, and will be at Hampstead Heath later this month: do try to catch it at one of the venues if you can. Whilst this
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/jE3ODt6ncmgIU4W1ETrAcV85VsE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jE3ODt6ncmgIU4W1ETrAcV85VsE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/jE3ODt6ncmgIU4W1ETrAcV85VsE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jE3ODt6ncmgIU4W1ETrAcV85VsE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/KO612Aw7h9c" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/10/exhibition-of-month.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEUMRX08eyp7ImA9WhdbF00.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-5181253740950108674</id><published>2011-10-15T17:50:00.003+01:00</published><updated>2011-10-15T19:11:24.373+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-15T19:11:24.373+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Lazarides Gallery" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Old Vic Tunnels" /><title>The Minotaur at The Old Vic Tunnels</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/5181253740950108674/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/10/minotaur-at-old-vic-tunnels.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/5181253740950108674?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/5181253740950108674?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/Z9Q0yDOCSOY/minotaur-at-old-vic-tunnels.html" title="The Minotaur at The Old Vic Tunnels" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-4CZEI2LMKd8/Tpm8cMR61mI/AAAAAAAAAyE/arNwuvArmW8/s72-c/minotaur.png" height="72" width="72" /><thr:total>0</thr:total><content type="html">&amp;lt;!--[if gte mso 9]&amp;gt;     Normal   0               false   false   false      EN-GB   X-NONE   X-NONE                                                     MicrosoftInternetExplorer4                                                   &amp;lt;![endif]--&amp;gt;&amp;lt;!--[if gte mso 9]&amp;gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CR_q6W9OeGhoq4UPwgz6NXUtIqI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CR_q6W9OeGhoq4UPwgz6NXUtIqI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CR_q6W9OeGhoq4UPwgz6NXUtIqI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CR_q6W9OeGhoq4UPwgz6NXUtIqI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/Z9Q0yDOCSOY" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/10/minotaur-at-old-vic-tunnels.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C08EQnszeSp7ImA9WhdbEkk.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-4312203897019815215</id><published>2011-10-08T12:21:00.006+01:00</published><updated>2011-10-10T11:16:43.581+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-10T11:16:43.581+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Theatre" /><category scheme="http://www.blogger.com/atom/ns#" term="Milly Blair" /><category scheme="http://www.blogger.com/atom/ns#" term="Royal Court" /><title>The Faith Machine</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/4312203897019815215/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/10/faith-machine.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/4312203897019815215?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/4312203897019815215?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/lVcbUyWR8Fk/faith-machine.html" title="The Faith Machine" /><author><name>Milly Blair</name><uri>http://www.blogger.com/profile/11130511144724964688</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="24" height="32" src="http://1.bp.blogspot.com/_rKeR4UxoTBk/S116gUiwwAI/AAAAAAAAAG8/trE2mgZNKyo/S220/photo+of+me.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-CUFWtQJKggk/TpBe3WkiD5I/AAAAAAAAAPg/7KQSLRljyn8/s72-c/The-Faith-Machine-007.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">The opening scene of The Faith Machine, a row between two lovers, the self-righteous Sophie giving her New Yorker boyfriend a last minute ultimatum – either he ditches his hard-won and long fought for advertising client, a pharmaceutical company with a dubious record of ill-fated experiments made on Ugandan children, or she leaves him – had me feeling vaguely apprehensive. Preaching should come 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/FuZ_Z3uqqnei7C00kqUHN1eAzZ8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FuZ_Z3uqqnei7C00kqUHN1eAzZ8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/FuZ_Z3uqqnei7C00kqUHN1eAzZ8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FuZ_Z3uqqnei7C00kqUHN1eAzZ8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/lVcbUyWR8Fk" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/10/faith-machine.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkEHRXo5eip7ImA9WhdbFU0.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-8474972002535848802</id><published>2011-09-30T19:41:00.001+01:00</published><updated>2011-10-13T11:10:34.422+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-13T11:10:34.422+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Ellie Ross" /><category scheme="http://www.blogger.com/atom/ns#" term="Theatre" /><category scheme="http://www.blogger.com/atom/ns#" term="Riverside Studios" /><title>A Midsummer Night's Dream</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/8474972002535848802/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/09/midsummer-nights-dream.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8474972002535848802?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/8474972002535848802?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/aOvwpIf5hf8/midsummer-nights-dream.html" title="A Midsummer Night's Dream" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-nNwxpJItbLE/Tpa40oY7h3I/AAAAAAAAAx4/PwIXycrJt9s/s72-c/IMAGE-%2BMIDSUMMER%2BNIGHTS%2BDREAM%2B.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Ellie Ross heads to The Riverside Studios, Hammersmith, for a mixed Midsummer Night's experience...It is no mean feat to pull off an adaptation of one of Shakespeare’s best-loved plays. A successful variation must overcome preconceptions by ripping apart the original and reconstructing it in unexpected ways. Jagged Fence's version of A Midsummer Night’s Dream began promisingly. I had read online 
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&lt;a href="http://feedads.g.doubleclick.net/~a/2GihSxoTLv3CFVfFidc4Okvuc-A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2GihSxoTLv3CFVfFidc4Okvuc-A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/aOvwpIf5hf8" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/09/midsummer-nights-dream.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkMERnszeSp7ImA9WhdVEkg.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-3148234812246107072</id><published>2011-09-16T16:46:00.007+01:00</published><updated>2011-09-17T10:06:47.581+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-17T10:06:47.581+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Royal College of Art" /><category scheme="http://www.blogger.com/atom/ns#" term="British Art Fair" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="Exhibition of the Month" /><title>Exhibition of the Month</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/3148234812246107072/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/09/exhibition-of-month.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/3148234812246107072?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/3148234812246107072?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/evbaIRY_XpI/exhibition-of-month.html" title="Exhibition of the Month" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-j_fdREbuHPk/TnRf7wTnUXI/AAAAAAAAAxY/gu3a3kIT5DM/s72-c/Four%2Bflowers%2Bhockney.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">SEPTEMBER: 20/12 British Art Fair, Royal College of ArtUntil Sunday, the Royal College of Art is playing host once again to one of the most exciting art fairs in London. Championing British-produced art, whether it be sculpture (which is a big focus this year), paintings, collage or any other medium, the fair holds a wide range of more classic pieces, as well as vibrant contemporary 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NCDFF3bSpxayDS1PG1kzi3D4Ehs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NCDFF3bSpxayDS1PG1kzi3D4Ehs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/NCDFF3bSpxayDS1PG1kzi3D4Ehs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NCDFF3bSpxayDS1PG1kzi3D4Ehs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/evbaIRY_XpI" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/09/exhibition-of-month.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0MGR34_cCp7ImA9WhdVEEU.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-7759473292472966301</id><published>2011-09-15T10:38:00.008+01:00</published><updated>2011-09-15T12:17:06.048+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-15T12:17:06.048+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions" /><category scheme="http://www.blogger.com/atom/ns#" term="Olivia Nairn" /><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><category scheme="http://www.blogger.com/atom/ns#" term="The Big Issue" /><category scheme="http://www.blogger.com/atom/ns#" term="John Bird" /><title>Grasses, Arses and Trees: drawings and prints by John Bird</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/7759473292472966301/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/09/grasses-arses-and-trees-drawings-and.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/7759473292472966301?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/7759473292472966301?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/XjShvq19A4w/grasses-arses-and-trees-drawings-and.html" title="Grasses, Arses and Trees: drawings and prints by John Bird" /><author><name>Olivia Nairn</name><uri>http://www.blogger.com/profile/09249576138578471840</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="19" height="32" src="http://2.bp.blogspot.com/_WjLbqJ227Ng/SmCUy3xsDgI/AAAAAAAAABI/3BWqDyysVvE/S220/piks+livi+(2).jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/--Bv1zqYBbvM/TnHb7yBBZyI/AAAAAAAAAxQ/DajAA8uV8sU/s72-c/grasses_arses_trees.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Olivia Nairn enjoys the company and work of John Bird at the recent private view  First and foremost, John Bird’s new exhibition is shamelessly honest. Taking inspiration from nature and the outdoors (grasses and trees), and a love of the shapely feminine form (arses), Bird’s works are bright, bold, and certainly good to look at. Perhaps better known as the founder of The Big Issue magazine 
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&lt;a href="http://feedads.g.doubleclick.net/~a/vnZmWG9bkVPFO7-BNlu_Dqbtvw4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vnZmWG9bkVPFO7-BNlu_Dqbtvw4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/XjShvq19A4w" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/09/grasses-arses-and-trees-drawings-and.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUUMSH86eyp7ImA9WhdWE0w.&quot;"><id>tag:blogger.com,1999:blog-7027683536264300830.post-226890003185073892</id><published>2011-08-21T18:58:00.007+01:00</published><updated>2011-09-06T14:54:49.113+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-06T14:54:49.113+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Amanda Magill" /><category scheme="http://www.blogger.com/atom/ns#" term="Flowers" /><category scheme="http://www.blogger.com/atom/ns#" term="Literature" /><title>The Language of Flowers – Vanessa Diffenbaugh</title><link rel="replies" type="application/atom+xml" href="http://www.creaturesofculture.com/feeds/226890003185073892/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.creaturesofculture.com/2011/08/language-of-flowers-vanessa-diffenbaugh.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/226890003185073892?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7027683536264300830/posts/default/226890003185073892?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/creaturesofculture/scqh/~3/o0BRUBN_JOA/language-of-flowers-vanessa-diffenbaugh.html" title="The Language of Flowers – Vanessa Diffenbaugh" /><author><name>Milly Blair</name><uri>http://www.blogger.com/profile/11130511144724964688</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="24" height="32" src="http://1.bp.blogspot.com/_rKeR4UxoTBk/S116gUiwwAI/AAAAAAAAAG8/trE2mgZNKyo/S220/photo+of+me.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-OkRdJQIC11c/TlFI30aiuuI/AAAAAAAAAPY/wuVYMruqUiU/s72-c/51rEklCokNL._SL500_AA300_.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Amanda Magill returns to review the newly released novel of love and friendship...The   Victorians used to use the language of flowers to express emotions and   send secret messages to a beloved. A pink carnation could mean ‘I’ll   never forget you’ and the classic red rose ‘love’. A mixed bouquet could   therefore send a complex message to its recipient, as well as  providing  a beautiful 
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&lt;a href="http://feedads.g.doubleclick.net/~a/JDV4G8Ge2DZlgPaZTv7hpsYnMwY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JDV4G8Ge2DZlgPaZTv7hpsYnMwY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/creaturesofculture/scqh/~4/o0BRUBN_JOA" height="1" width="1"/&gt;</content><feedburner:origLink>http://www.creaturesofculture.com/2011/08/language-of-flowers-vanessa-diffenbaugh.html</feedburner:origLink></entry></feed>

