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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>The Way of Least Resistance</title><link>http://dandjurdjevic.blogspot.com/</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/dandjurdjevic" /><description>Essays by Dan Djurdjevic on the martial arts and related disciplines</description><language>en</language><managingEditor>noreply@blogger.com (Dan Djurdjevic)</managingEditor><lastBuildDate>Tue, 05 Jan 2010 14:50:47 PST</lastBuildDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">133</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><itunes:owner><itunes:email>noreply@blogger.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:subtitle>Essays by Dan Djurdjevic on the martial arts and related disciplines</itunes:subtitle><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><item><title>The importance of visualisaton</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/OaxD2utUEGc/importance-of-visualisaton.html</link><category>2 person</category><category>drills</category><category>visualisation</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Wed, 30 Dec 2009 20:32:48 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-3061724384576330340</guid><description>I find visualisation essential in martial arts training: from learning new techniques, to applying them in a dynamic context.There was a time (2003) when I was confined to a hospital bed on a drip for 3 whole months.  All I could do was visualise things.  I used to look at the drip and think of it as an arm, with the bend as the elbow.  Then I'd imagine locks or holds.  I progressed to thinking </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-31T12:32:48.520+08:00</app:edited><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/12/importance-of-visualisaton.html</feedburner:origLink></item><item><title>Fight dynamics: how civilian defence and combat sports play out differently</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/4eXPJSmi26g/fight-dynamics-how-civilian-defence-and.html</link><category>resistance</category><category>real fighting</category><category>civilian defence</category><category>pressure-testing</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Tue, 05 Jan 2010 02:41:40 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-6302615829729207613</guid><description>Two recent blog posts have caught my eye - both relating to broadly the same issue, and one that is close to my heart: the difference between combat sports and civilian defence.I have previously described, in some detail, the difference between civilian defence and combat sports (or military combat, for that matter).  However both these blog posts offer a different perspective which I find quite </description><app:edited xmlns:app="http://www.w3.org/2007/app">2010-01-05T18:41:40.929+08:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/_uf8w6T7-8es/SzxX4j_A1UI/AAAAAAAABzk/FQVBjADN-dI/s72-c/powerslap04.jpeg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/12/fight-dynamics-how-civilian-defence-and.html</feedburner:origLink></item><item><title>Extract #1 from "Essential Jo"</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/8DhInLh9_rY/extract-1-from-essential-jo.html</link><category>muidokan</category><category>essential jo</category><category>wu-wei dao</category><category>jo</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Tue, 15 Dec 2009 03:28:32 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-3535319152154446549</guid><description>Here is the first of a series of extracts taken from my upcoming book "Essential Jo: Comprehensive techniques and combat 2 person drills for the Japanese 4 foot staff".The muido/wu-wei dao jo methodWe call our school “muidokan” or “wu-wei dao guan” – the “house of the way of least resistance”.  This reflects both our philosophical and technical emphasis of avoiding unnecessary action by “going </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-15T19:28:32.569+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/SyRw0UuuyyI/AAAAAAAABzM/ASoJcneNA-w/s72-c/White_Wood_Lotus_Tapered_Jo_302-074.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/12/extract-1-from-essential-jo.html</feedburner:origLink></item><item><title>Memories of sensei: Part 2</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/ztRWJDX37TA/memories-of-sensei-part-2.html</link><category>Bob Davies</category><category>sensei</category><category>shinai</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Sun, 13 Dec 2009 17:11:47 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-3578353986756489830</guid><description>Continued from Part 1:I mentioned in my previous post that my teacher, Bob Davies, is an "old-school" teacher.  I'm not sure how he teaches nowadays, but certainly my early years of training with him were underlined with a kind of discipline that would probably meet with grave consternation in today's Australia.Well do I remember his shinai stick (a split bamboo sword used in kendo) - </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-14T09:11:47.029+08:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/_uf8w6T7-8es/SyHAJgg3_BI/AAAAAAAABzE/KfhwHWgWY24/s72-c/shinai.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/12/memories-of-sensei-part-2.html</feedburner:origLink></item><item><title>Memories of sensei: Part 1</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/z1KXTz6gkUk/memories-of-sensei-part-1.html</link><category>Bob Davies</category><category>sensei</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Fri, 11 Dec 2009 23:45:26 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-4708614795986734741</guid><description>Recently my karate sensei - Bob Davies - asked me to write a "warts and all" reflective testimonial of my experiences with him.I have previously recounted some of those experiences, but I thought I'd give a fuller account. With regard to the "warts", I'll make this opening remark: every martial arts teacher is a human being with foibles and idiosyncrasies, and these are generally neither here nor</description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-12T15:45:26.747+08:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/_uf8w6T7-8es/Sl2yEJ3XzuI/AAAAAAAABaQ/BxjhBkICgSY/s72-c/BobDavies1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/12/memories-of-sensei-part-1.html</feedburner:origLink></item><item><title>Making movements "smaller"</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/1_P3BwAq44w/making-movements-smaller.html</link><category>naifunchin</category><category>double hip</category><category>sine wave</category><category>naihanchi</category><category>telegraphing</category><category>shrinking</category><category>koshi</category><category>pre-loading</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Fri, 11 Dec 2009 04:38:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-6664432491127893599</guid><description>In my previous article "Abandoning form: the paradox of the shrinking martial art" I discuss how movements become smaller as you progress - until ultimately the form you have learned is abandoned altogether.Recently this approach has been suggested to me as the reason for the use of "koshi" - and by this I refer to a preloading/telegraphing hip action - in the kata naihanchi.  I've previously </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-11T20:38:00.940+08:00</app:edited><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/12/making-movements-smaller.html</feedburner:origLink></item><item><title>Internal arts and pushing</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/cFATBzBgrCc/internal-arts-and-pushing.html</link><category>Visible force</category><category>taiji</category><category>momentum</category><category>push hands</category><category>silk reeling</category><category>pushing</category><category>bagua</category><category>xingyi</category><category>Earl Montaigue</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Thu, 19 Nov 2009 02:45:32 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-701995006040784392</guid><description>I have previously highlighted my disdain for "mystical" interpretations of the internal martial arts.  In my view all martial arts function within the bounds of known physics; there is simply nothing metaphysical - nothing that is left wanting for a "paranormal" explanation.However there are still many people out there who adhere to the opposite view.  To quote a correspondent on an internet </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-19T18:45:32.026+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/SwOYe1ORQMI/AAAAAAAAByk/zHkxfPH1t1Y/s72-c/push1.bmp" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">9</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/11/internal-arts-and-pushing.html</feedburner:origLink></item><item><title>"Dropped diaphragms" and "internal power"</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/ue-qRmP8ESo/dropped-diaphragms-and-internal-power.html</link><category>qi</category><category>internal</category><category>diaphragm</category><category>fat</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Wed, 18 Nov 2009 00:46:36 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-8897414020052839294</guid><description>There is a persistent myth that I've heard over the years that somehow training in the internal martial arts gives you a big belly.I've never regarded this myth as anything other than an obvious, self-referential joke: ie. "I don't have a beer gut - it's just that my belly is full of qi/ki."Recently however I have become aware that some people actually think there is such a syndrome.  Just </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-18T16:46:36.876+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/SwNtyLyMJPI/AAAAAAAAByM/GvHd9ylyqzk/s72-c/MASTER_WANG_SHU_JIN.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/11/dropped-diaphragms-and-internal-power.html</feedburner:origLink></item><item><title>Jo: an introduction to the 4ft staff</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/IQpgbbA6gcs/jo-introduction-to-4ft-staff.html</link><category>muidokan</category><category>aikijo</category><category>jo</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Sat, 21 Nov 2009 19:48:29 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-7904292376969332840</guid><description>I will admit to having a love affair that started after I met my wife and that endures to the present day.  No, the object of this affection is not another woman/man (although I suspect that my wife, like many women, probably envies its figure!).  The object is none other than a 4 foot stick, made of Japanese oak.It feels surprisingly light in the hands, is textured with the bumps and bruises of </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-22T11:48:29.265+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/SwHblKuyEtI/AAAAAAAABx0/GKOhkuQDLSU/s72-c/sanjuichi.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">8</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/11/jo-introduction-to-4ft-staff.html</feedburner:origLink></item><item><title>Going solo?</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/z5PNEc7z7rM/going-solo.html</link><category>application</category><category>2 person</category><category>Visible force</category><category>hydrostatic</category><category>focus</category><category>form</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Sun, 22 Nov 2009 18:52:16 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-1381934206447541006</guid><description>A common criticism of traditional eastern fighting arts is the emphasis those arts place on solo practice - often at the expense of 2 person practise.Indeed, many traditional fighting arts are so steeped in solo forms that they have barely no partner application at all.  When they do, it is often stilted, stylised and unrealistic.This criticism has led many martial artists who are interested in </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-23T10:52:16.354+08:00</app:edited><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/11/going-solo.html</feedburner:origLink></item><item><title>Another blind alley: the ITF “sine wave” theory</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/yJEQ0NEC3Mk/another-blind-alley-sine-wave-debate.html</link><category>ITF</category><category>Hitting harder</category><category>sine wave</category><category>bouncing</category><category>taekwondo</category><category>civilian defence</category><category>faux boxing</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Wed, 04 Nov 2009 22:35:23 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-1147184538404422056</guid><description>I have indicated before that it is dangerous to be obsessed with “power generation” in your martial art; there is so much more, particularly if your approach is oriented towards civilian defence.  You don’t want to get hit, for starters.  To do that you need not only evasion but “blocking” (deflection).  You need a good foundation in terms of grounding and movement – in particular movement that </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-05T14:35:23.035+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/SuperYVQMFI/AAAAAAAABw8/KeEMSSIjLsk/s72-c/gyakuzuki5.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/10/another-blind-alley-sine-wave-debate.html</feedburner:origLink></item><item><title>The role of traditional stances</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/1yhhMV4EBA8/role-of-traditional-stances.html</link><category>zhan bu</category><category>stance</category><category>dachi</category><category>zenkutsu</category><category>Lyoto Machida</category><category>shiko</category><category>gong bu</category><category>kiba</category><category>sanchin</category><category>neko ashi</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Wed, 28 Oct 2009 16:10:57 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-2776686005467342640</guid><description>It has occurred to me that I have not ever addressed one of the major elements of traditional fighting arts before: stances.Stances are an integral part of traditional eastern fighting arts.  Moreover they are surprisingly consistent in form.For example, virtually every eastern fighting art has the “forward” stance (sometimes called the "bow and arrow stance").  In Japanese it is called “zenkutsu</description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-29T07:10:57.199+08:00</app:edited><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/10/role-of-traditional-stances.html</feedburner:origLink></item><item><title>The "naihanchi stance"</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/UVUF16bZuic/naihanchi-stance.html</link><category>naifunchin</category><category>stance</category><category>dachi</category><category>naihanchi</category><category>shiko</category><category>tekki</category><category>kiba</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Thu, 22 Oct 2009 07:45:49 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-2247240497432926439</guid><description>Readers of my blog will be aware that I am at odds with many karate practitioners in relation to how the kata naihanchi/naifanchi should be performed.I have previously detailed my dislike of "hip shaking" - ie. pre-loading or telegraphing the hips to gain extra power - in practically every technique in naihanchi/naifanchi.However I have recently become aware of another point of disagreement I </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-22T22:45:49.983+08:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/_RsbfeX5C6Dc/SV3lwQtKrRI/AAAAAAAABm0/tPLHNd03_1I/s72-c/Andre+Bertel+Tekki+Sandan+-+December+2008..JPG" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/10/naihanchi-stance.html</feedburner:origLink></item><item><title>The "usefulness" of naihanchi/tekki nidan and sandan</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/MxM54MtkcLg/usefulness-of-naihanchitekki-nidan-and.html</link><category>Wado ryu</category><category>Ohtsuka Hinori</category><category>naifunchin</category><category>naihanchi</category><category>tekki</category><category>sandan</category><category>nidan</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Thu, 22 Oct 2009 08:41:05 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-1031812457953092247</guid><description>In I have previously discussed the origins of the kata known as "naihanchi", and "tekki"1.  As most people are aware, there are 3 in the series, shodan, nidan and sandan.It is important to note that not every school of karate practise all 3 naihanchi kata.  Our school is one of many that practises only the first of the series, feeling that it is sufficient.his book "Wado Ryu Karate"2 Hironori </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-22T23:41:05.550+08:00</app:edited><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">5</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/10/usefulness-of-naihanchitekki-nidan-and.html</feedburner:origLink></item><item><title>Dilution of martial techniques: chudan uke</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/OBUHzNm3UIc/dilution-of-martial-techniques-chudan.html</link><category>dilution</category><category>clayton's gap</category><category>chudan</category><category>block</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Sun, 11 Oct 2009 03:46:45 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-6777984328067793713</guid><description>IntroductionPeople are often at me to illustrate what I mean when I talk about "dilution" in karate/martial arts so I thought I'd do so by reference to the common chudan uke or chest deflection.  I have chose chudan uke because I think it provides one of the starkest examples of how a technique can be passed down from generation to generation with the same macro movement - but with all the </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-11T18:46:45.785+08:00</app:edited><media:thumbnail url="http://4.bp.blogspot.com/_uf8w6T7-8es/StBVV3Ee4PI/AAAAAAAABvs/Yx3vhFBEbGs/s72-c/chudanuke+001_0011.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/09/dilution-of-martial-techniques-chudan.html</feedburner:origLink></item><item><title>Memories of Taiwan: Lost in Translation</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/27iO1b70vuw/memories-of-taiwan-lost-in-translation.html</link><category>Kaohsiung</category><category>Chen Yun-Ching</category><category>Taiwan</category><category>translation</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Tue, 22 Sep 2009 18:48:11 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-3761055588974543938</guid><description>I was walking with my teacher, Chen Yun Ching, through the cluttered, stony streets of a Hakka village somewhere in southern Taiwan, blood-red paper and tinsel jostling with with the pushy crowds and endless market stalls."How do you you say 'Happy New Year'?" I asked him, and he paused, mid-stream, while people flowed around him, a rock in the rapids.I carefully repeated his words again and </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-23T09:48:11.381+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/Srl9wHMOZsI/AAAAAAAABu0/tA356X0he2M/s72-c/swordpractice.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/09/memories-of-taiwan-lost-in-translation.html</feedburner:origLink></item><item><title>Decadal Gashuku Part 4: The Aftermath</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/q118KCQBXjc/decadal-gashuku-part-4-aftermath.html</link><category>gashuku</category><category>Bob Davies</category><category>1990</category><category>Tim Hull</category><category>Greg Seymour</category><category>Midmar Dam</category><category>decadal</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Fri, 04 Sep 2009 01:46:30 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-6492968590787687841</guid><description>So what was the Decadal Gashuku all about?  In 10 days we had run more than 150 km, performed close to 10 000 kicks and an equal number of punches, strikes and blocks.  We had trained for 10 hours per day, sweated buckets of water, used up litres of sunscreen and eaten gallons of maltabela porridge.  We had lifted chi shis, pressed the kongo ken, done thousands of knuckle push-ups, sit-ups, squat</description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-04T16:46:30.211+08:00</app:edited><media:thumbnail url="http://4.bp.blogspot.com/_uf8w6T7-8es/Sp023fBbYOI/AAAAAAAABr8/V8zoGD3EbpU/s72-c/bobkongo.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/09/decadal-gashuku-part-4-aftermath.html</feedburner:origLink></item><item><title>Decadal Gashuku Part 3: Running on Empty</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/i9N79OeaWeI/decadal-gashuku-part-3-running-on-empty.html</link><category>gashuku</category><category>Bob Davies</category><category>1990</category><category>Tim Hull</category><category>Greg Seymour</category><category>Midmar Dam</category><category>decadal</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Wed, 02 Sep 2009 06:39:58 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-4857076369535300962</guid><description>It was mid-afternoon half way through the second week of the Decadal gashuku.  Tim Hull and I were shuffling along a dusty track somewhere in the African savannah.  The group with which we’d started running had long since dispersed; the front pack having disappeared into the far distance while behind us about 20 or so stragglers were spread out over several kilometres.We were about 16 km into </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-02T21:39:58.447+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/Sp0wFxv7BqI/AAAAAAAABrE/w9wSLuKx_F8/s72-c/tim.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/09/decadal-gashuku-part-3-running-on-empty.html</feedburner:origLink></item><item><title>Decadal Gashuku Part 2: Ten Blind Masseuses</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/ooSIXL9-jxA/decadal-gashuku-part-2-ten-blind.html</link><category>gashuku</category><category>Bob Davies</category><category>1990</category><category>Midmar Dam</category><category>decadal</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Wed, 02 Sep 2009 18:25:15 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-1932244462376439803</guid><description>My favourite passage in the Hagakure1 is the one about the 10 blind2 masseuses.  I have copied it below:“Once a group of ten blind masseuses were traveling together in the mountains, and when they began to pass along the top of a precipice, they all became very cautious, their legs shook, and they were in general struck with terror. Just then the leading man stumbled and fell off the cliff. Those</description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-03T09:25:15.634+08:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/_uf8w6T7-8es/Sp8a6HgRWdI/AAAAAAAABts/4ylV7m3IgnM/s72-c/decadal.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/08/decadal-gashuku-part-2-ten-blind.html</feedburner:origLink></item><item><title>A glimpse into the heart of evil</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/OZ57bUTqSAs/glimpse-into-heart-of-evil.html</link><category>Dumfries</category><category>Virginia</category><category>empathy</category><category>sociopath</category><category>Youtube</category><category>psychopath</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Sat, 05 Sep 2009 07:44:21 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-7338878373400279154</guid><description>By now many of you will be aware of the video below, apparently taken on 13 December 19841 at a karate dojo in Dumfries, Virginia.  It shows a brutal, unprovoked and totally reprehensible bashing of a young mentally disturbed man who claimed to be a kung fu practitioner "taught by Jesus".   The video has gone viral.  Possibly the only good thing to emerge from this is the universal outrage and </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-05T22:44:21.294+08:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/_uf8w6T7-8es/SpkklIIhBbI/AAAAAAAABoQ/kPuNEFQnFZ4/s72-c/jesustaughtmecopytext.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/08/glimpse-into-heart-of-evil.html</feedburner:origLink></item><item><title>The anatomy of randori</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/Y9eCcd9b4dw/anatomy-of-randori.html</link><category>Desmond Lawrence</category><category>melee</category><category>randori</category><category>Bob Davies</category><category>taiji</category><category>Hong Kong</category><category>civilian defence</category><category>bagua</category><category>faux boxing</category><category>Hans-Kurt Schäfer</category><category>taisabaki</category><category>svebor</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Wed, 26 Aug 2009 20:20:37 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-1504170086140966391</guid><description>IntroductionI am about to reveal one of my personal "secret" martial art training methods.  I would go so far as to say that it is the single most important way to learn how to apply civilian defence techniques in a dynamic environment.  I am speaking, of course, of the sparring method we call randori.As I have explained previously, randori is a kind of sparring analogous to the "playfighting" of</description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-08-27T11:20:37.059+08:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/_uf8w6T7-8es/SpSq9FPKSVI/AAAAAAAABnw/-a7w-vGzC8g/s72-c/1IMGP4480_0002.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/08/anatomy-of-randori.html</feedburner:origLink></item><item><title>Upset applecarts and the question of lineage</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/XsTdLjcbEco/upset-applecarts-and-question-of.html</link><category>An'ichi Miyagi</category><category>goju</category><category>Tomoyuki Kato</category><category>Morio Higaonna</category><category>lineage</category><category>Alexandr Filimonov</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Thu, 20 Aug 2009 00:28:02 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-6190663746479377687</guid><description>In traditional martial arts the question of lineage is often seen as paramount.  I remember well the debates that raged from issue to issue on the letters page of the (now defunct) Australasian Fighting Arts Magazine.  Various taijiquan schools would send in letters that stated: "X does not do authentic Yang style because he only studied with Y and Z while I studied with A, B and C" etc.  </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-08-20T15:28:02.794+08:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/_uf8w6T7-8es/Soy3KZwbo0I/AAAAAAAABkQ/an-9nu9J7i0/s72-c/Miyazato.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/08/upset-applecarts-and-question-of.html</feedburner:origLink></item><item><title>Decadal Gashuku Part 1: The Foreboding</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/DNbmdff9Rew/decadal-gashuku-1990.html</link><category>gashuku</category><category>Bob Davies</category><category>1990</category><category>Midmar Dam</category><category>decadal</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Mon, 31 Aug 2009 08:34:12 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-5960692908421430748</guid><description>It's hard to believe we are rapidly approaching the 20th anniversary of the Decadal Gashuku, a martial arts training camp held by Lao Shi Bob Davies at Midmar Dam in Kwazulu Natal from 3 to 13 January 1990.  It was an international event comprising 2 separate 5 day courses.  Some of us (the "decadal participants") were there for both.For those unfamiliar with the gashuku (training camp) concept, </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-08-31T23:34:12.511+08:00</app:edited><media:thumbnail url="http://4.bp.blogspot.com/_uf8w6T7-8es/SogAwvqfnwI/AAAAAAAABjI/fQq3glFhQio/s72-c/digs.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/08/decadal-gashuku-1990.html</feedburner:origLink></item><item><title>Running with Bob</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/MDuE6Edtduw/running-with-bob.html</link><category>gashuku</category><category>Bob Davies</category><category>Tim Hull</category><category>limitations</category><category>decadal</category><category>running</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Tue, 01 Sep 2009 07:47:09 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-3235787541426547271</guid><description>In 1991 I had a visit from one of my former karate classmates in South Africa, Peter Banks.  Peter started training shortly after I did, but where I was a fresh-faced teenager, Peter was already in his late 30s.  And where I was pencil thin, Peter was not.  To be blunt, he had a sizable middle-aged spread.Imagine my surprise when, almost a decade later, Peter turned up at our dojo looking like an</description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-01T22:47:09.686+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/SoTfBf9my0I/AAAAAAAABh4/lzEnnymYUWw/s72-c/98CRS1tn.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/08/running-with-bob.html</feedburner:origLink></item><item><title>Taiji and yoga: poles apart?</title><link>http://feedproxy.google.com/~r/dandjurdjevic/~3/Hyx-9RRW_vg/taiji-and-yoga-poles-apart.html</link><category>yoga</category><category>transition</category><category>sahaja</category><category>taiji</category><category>hatha</category><category>changes</category><category>asana</category><category>yin and yang</category><category>posture</category><category>kundalini</category><author>noreply@blogger.com (Dan Djurdjevic)</author><pubDate>Fri, 31 Jul 2009 17:16:24 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-5135073576999431197.post-7008608376658839291</guid><description>My Chen Pan-Ling brother and good friend Mark Small sent me a link to the Camp Tai Chi site run by John Crewdson.  John's home page has the intriguing heading "7 Ways Tai Chi is Different From Yoga".  I don't disagree with any of John's points, particularly his observation that taiji (tai chi) is a martial art, where yoga is not.  But I can't help thinking there is much more to the distinction </description><app:edited xmlns:app="http://www.w3.org/2007/app">2009-08-01T08:16:24.783+08:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/_uf8w6T7-8es/SnA9poLRpwI/AAAAAAAABdI/WeP504hg3VM/s72-c/_MG_0712.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><feedburner:origLink>http://dandjurdjevic.blogspot.com/2009/07/taiji-and-yoga-poles-apart.html</feedburner:origLink></item><media:rating>nonadult</media:rating></channel></rss>
