Though I’ve spent much of this year with my head down busy creating “08″ and all this work nobody knows about yet, I imagine the constant cycling between multiple projects that I equally love is the root of this new feeling. My daily writing/drawing regimen used to be a concentrated effort of discipline and time-management, a focus/release of fire… but it now feels more like an involuntary system of my organism, a second heartbeat that sits above my skull and throbs ideas to me in secret code through my dreams and quiet waking moments.

Having my Pages screenplay template float above a full-screen doom metal-powered iTunes visualization makes The Place Where Ideas Live much easier to access while I’m writing ¡UNHOLY FEAST!

And hey Torontoans, I’ll be sticking around through the 11th, so hit me up in the comments for a good time.

I did a series of illos for the May 2008 issue of BLENDER magazine (with Alicia Keyes on the cover) accompanying an article on the sordid tale of ex-COP SHOOT COP singer’s failed liquor store holdup attempt with a pistol-shaped cologne bottle.

I did four big-et-shiny illustrations in this week’s Entertainment Weekly magazine; you can see one at EW.com and the remaining three in print (or on my portfolio page).

This Sunday’s PostScript insert in the NY Post features a 12pg special section on the 60th anniversary of Israel with a cover illustration by yours truly.

An auspicious prelude to the NY Comic-Con, I’m quoted in this Friday’s New York Times Metro section piece on “the downtown comics scene” along with a handful of my NY cartoonist friends.