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      <title>MachineMachine /stream - tagged with portfolio</title>



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      <webMaster>therourke@gmail.com</webMaster>



      


      <atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/daniel_rourke/portfolio" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="daniel_rourke/portfolio" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item>



         <title>Noise; Mutation; Autonomy: A Mark on Crusoe’s Island</title>



         <link>http://machinemachine.net/text/research/a-mark-on-crusoes-island</link>



         <description><![CDATA[<div><blockquote><p><span>This mini-paper was given at the Escapologies symposium, at Goldsmiths University, on the 5th of December</span></p></blockquote>
<p>Daniel Defoe’s 1719 novel <em>Robinson Crusoe </em>centres on the shipwreck and isolation of its protagonist. The life Crusoe knew beyond this shore was fashioned by Ships sent to conquer New Worlds and political wills built on slavery and imperial demands. In writing about his experiences, Crusoe orders his journal, not by the passing of time, but by the objects produced in his labour. A microcosm of the market hierarchies his seclusion removes him from: a tame herd of goats, a musket and gunpowder, sheafs of&#8230;


            	


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         <pubDate>Wed, 07 Dec 2011 09:50:14 -0700</pubDate>



         <guid>http://machinemachine.net/text/research/a-mark-on-crusoes-island</guid>



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         <title>The Creators Project interview: Sing Glitchy Karaoke Over The Web</title>



         <link>http://thecreatorsproject.com/en-uk/blog/sing-glitchy-karaoke-over-the-web</link>



         <description><![CDATA[<div><a href="http://thecreatorsproject.com/en-uk/blog/sing-glitchy-karaoke-over-the-web">The Creators Project interview: Sing Glitchy Karaoke Over The Web</a>: <p><img src="http://assets.thecreatorsproject.com/blog_article_images/images/000/020/217/glitch1_slide_slide.jpg?1318932867" width="595" height="360" /></p>
<p>London-based conspirators <a target="_blank" href="http://kyoungkim.wordpress.com/">Kyoung Kim</a> and <a target="_blank" href="http://machinemachine.net/">Daniel Rourke</a> are on a mission to kludge and con the world into partaking in an internet-based, 24-hour karaoke marathon. We spoke to them to find out more about what that means, exactly.</p>
<p><strong><a href="http://thecreatorsproject.com/en-uk/blog/sing-glitchy-karaoke-over-the-web">The Creators Project</a>: How would you describe <a target="_blank&quot;" href="http://glti.ch/"><span>GLTI</span>.CH</a> in four words without using karaoke?</strong></p>
<p><strong><span>GLTI</span>.CH</strong>: Collaborative technological error wallowing.</p>
<p><strong>What exactly is <span>GLTI</span>.CH and what is it trying to do?</strong><br/><span>GLTI</span>.CH is about kludging. A kludge is a make-do solution to an immediate technical problem, like stopping&#8230;


            	


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         <pubDate>Wed, 19 Oct 2011 03:14:00 -0700</pubDate>



         <guid>http://thecreatorsproject.com/en-uk/blog/sing-glitchy-karaoke-over-the-web</guid>



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         <title>A Labyrinth (No Minotaur): Goldsmiths Postgraduate Degree Show 2011</title>



         <link>http://www.geiab.org/GEIAB_DEUX/index.php?lang=eng&amp;revue=showit&amp;rn=4&amp;article_id=91#begin</link>



         <description><![CDATA[<div><blockquote><p>My sprawling review of the Goldsmiths Art MFA Degree Show, 2011<br />
Originally published by <em><a href="http://www.geiab.org/GEIAB_DEUX/index.php?lang=eng&amp;revue=showit&amp;rn=4&amp;article_id=91#begin">Groupe d&#8217;Etudes Interdisciplinaires en Arts Britanniques</a></em></p></blockquote>
<p><a href="http://www.geiab.org/GEIAB_DEUX/index.php?lang=eng&amp;revue=showit&amp;rn=4&amp;article_id=91#begin"><img style=" float: right; padding: 4px; margin: 0 0 2px 7px;" class="alignright size-medium wp-image-1587" title="A Labyrinth (No Minotaur)" src="http://machinemachine.net/text/wp-content/uploads/2012/02/623px-Cretan-labyrinth-round2.svg1_-300x288.png" alt="" width="300" height="288" /></a>The labyrinth. Turning; coiling. An allegory of improbable human journeys. Physical; mental; spiritual. Beyond; behind; within. But underneath the mythos and symbolism labyrinths are simple structures. The maze is corners, mere corners. Unfurl them all and the labyrinth becomes a cul de sac; a doorless hallway; a vanishing point leading nowhere.</p>
<p>Browsing an MFA final show can&#8230;


            	


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         <pubDate>Fri, 26 Aug 2011 12:03:25 -0700</pubDate>



         <guid>http://www.geiab.org/GEIAB_DEUX/index.php?lang=eng&amp;revue=showit&amp;rn=4&amp;article_id=91#begin</guid>



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         <title>Kipple and Things: How to Hoard and Why Not To Mean</title>



         <link>http://machinemachine.net/text/ideas/kipple-and-things</link>



         <description><![CDATA[<div><blockquote><p>This is paper (more of an essay, really) was originally delivered at the Birkbeck/London Consortium &#8216;<a href="http://dandelionnetwork.org/group/rubbish">Rubbish Symposium</a>&#8216;, 30th July 2011</p></blockquote>
<p>Living at the very limit of his means, Philip K. Dick, a two-bit, pulp sci-fi author, was having a hard time maintaining his livelihood. It was the 1950s and Dick was living with his second wife, Kleo, in a run-down apartment in Berkley, California, surrounded by library books Dick later claimed, “They could not afford to pay the fines on.”</p>
<p>In 1956, Dick had a short story published in a brand new pulp magazine: <em>Satellite Science Fiction</em>. Entitled, <em><a&#8230;


            	


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         <pubDate>Sun, 31 Jul 2011 10:28:32 -0700</pubDate>



         <guid>http://machinemachine.net/text/ideas/kipple-and-things</guid>



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         <title>RAWTunes.exe 10.4.2</title>



         <link>http://machinemachine.net/text/arts/rawtunes-exe-10-4-2</link>



         <description><![CDATA[<div><p><a href="http://itunes.apple.com/us/album/rawtunes.exe-10.4.2/id444735154?i=444735163"><img style=" float: right; padding: 4px; margin: 0 0 2px 7px;" src="http://machinemachine.net/text/wp-content/uploads/2011/07/579511-300x300.jpg" alt="" title="Buy RAWTunes.exe 10.4.2 on iTunes" width="300" height="300" class="alignright size-medium wp-image-1430" /></a>I&#8217;ve released a single. </p>
<p>Yes me, a music single. </p>
<p>It&#8217;s 99p <a href="http://itunes.apple.com/us/album/rawtunes.exe-10.4.2/id444735154?i=444735163">on iTunes</a>: </p>
<p><strong>RAWTunes.exe 10.4.2 </strong></p>
<p>[soundcloud url="http://api.soundcloud.com/tracks/11755787" params="show_comments=true&#038;auto_play=false&#038;color=073642" width="100%" height="81" ]</p>
<p>But is it noise-art or just digital sinister?</p>


            	


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         <pubDate>Fri, 22 Jul 2011 04:46:39 -0700</pubDate>



         <guid>http://machinemachine.net/text/arts/rawtunes-exe-10-4-2</guid>



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         <title>Thoughts on art practice PhDs</title>



         <link>http://www.fuel.rca.ac.uk/articles/thoughts-on-art-practice-phds</link>



         <description><![CDATA[<div><p>
<blockquote>“Knowledge is and <strong>will</strong> be produced in order to be sold, it is and will be consumed in order to be valorised in a new production: in both cases, the goal is exchange.”</p>
<p>- Jean-Francois Lyotard, <a href="http://www.marxists.org/reference/subject/philosophy/works/fr/lyotard.htm">The Postmodern Condition</a></p></blockquote>
<p>What are artists to gain from taking a PhD? How does the mantle of ‘artistic research’ enable art objects and those invested in them? And where does art’s autonomy reside when its criticality comes from within an academic institution?</p>
<p>Over the last 20 years art has eased its way into academia. Past the door of the artist’s studio and&#8230;


            	


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         <pubDate>Thu, 21 Jul 2011 02:58:04 -0700</pubDate>



         <guid>http://www.fuel.rca.ac.uk/articles/thoughts-on-art-practice-phds</guid>



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         <title>And There It Was</title>



         <link>http://machinemachine.net/text/out-loud/and-there-it-is</link>



         <description><![CDATA[<div><p>The hatches have been nailed shut, the creak of a rusty armature silenced with globdules of lubricant. <em>And There It Was</em>, <a href="http://andthereitwas.com/">the website</a>; <a href="http://www.chisenhale.org.uk/events/21st_century_event.php?id=47">the event</a>, stuttered into life.</p>
<p><span><strong>UPDATE:</strong></span> The event took place on Thursday 23rd of June 2011 at <a href="http://www.chisenhale.org.uk/events/21st_century_event.php?id=47">Chisenhale Gallery</a>. Photos from the event can be found <a href="http://www.flickr.com/photos/huge-entity/sets/72157627043176752/">here</a>:</p>
<blockquote><p><a href="http://andthereitwas.com"><img class="alignright" style="float: right;;  float: right; padding: 4px; margin: 0 0 2px 7px;" title="And There It Was..." src="http://farm4.static.flickr.com/3118/5869498522_1999eb8c83_d.jpg" alt="" width="300" /></a>We start from the position of the ‘and’. A neglected conjunction, moulded by the incidents, events or ideas that came before &#8211; often just before &#8211; its&#8230;


            	


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         <pubDate>Mon, 20 Jun 2011 07:33:57 -0700</pubDate>



         <guid>http://machinemachine.net/text/out-loud/and-there-it-is</guid>



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         <title>“Everything on the Face of the Earth”</title>



         <link>http://machinemachine.net/text/ideas/everything-on-the-face-of-the-earth</link>



         <description><![CDATA[<div><p>This reflection is intended to bind together two recent posts of mine:</p>
<ul>
<li><span><a href="http://machinemachine.net/text/ideas/the-doctrine-of-the-similar-gif-gif-gif">The Doctrine of the Similar (GIF, GIF, GIF)</a></span></li>
<li><span><a href="http://art-research.co.uk/digital-autonomy-a-reponse-to-hito-steyerl">Digital Autonomy: A Response to Hito Steyerl</a></span></li>
</ul>
<p><a href="http://machinemachine.net/text/wp-content/uploads/2011/06/poster-the-thing.jpg"><img style=" float: right; padding: 4px; margin: 0 0 2px 7px;" class="alignright size-medium wp-image-1375" title="The Thing (poster)" src="http://machinemachine.net/text/wp-content/uploads/2011/06/poster-the-thing-300x218.jpg" alt="" width="300" height="218" /></a>John Carpenter&#8217;s 1982 film, <em><a href="http://www.youtube.com/watch?v=ouZkkIsLiNg">The Thing</a></em>, is a claustrophobic sci-fi masterpiece, containing all the hallmarks of a great horror film. The film depicts a sinister turn for matter, where the chaos of the replicating, cancerous cell is expanded to the human scale and beyond. In <em>The Thing</em> we&#8230;


            	


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         <pubDate>Sun, 12 Jun 2011 10:36:15 -0700</pubDate>



         <guid>http://machinemachine.net/text/ideas/everything-on-the-face-of-the-earth</guid>



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         <title>Digital Autonomy</title>



         <link>http://art-research.co.uk/digital-autonomy-a-reponse-to-hito-steyerl</link>



         <description><![CDATA[<div><img src="http://25.media.tumblr.com/tumblr_lmmhcm3PTQ1qzb1t1o1_500.gif" /><br/><br/><p><span> </span></p>
<blockquote>
<p>“Is an ephemeral image, a moment in a streaming video, a thing? Or if the image is frozen as a still, is it now a thing? Is a dream, a city, a sensation, a derivative, an ideology, a decay, a kiss? I haven’t the least idea.”</p>
<p>Extract from David Miller, <em>Materiality</em> <em>: An Introduction </em><a name="_ftnref1" href="http://art-research.co.uk/#_ftn1">[1]</a></p>
</blockquote>
<p>In <a href="http://www.e-flux.com/journal/view/134"><em>A Thing Like You and Me</em></a>, Hito Steyerl plays out her ongoing obsession with the copy, skirting briefly over her wider, yet more implicit concern: the digital. Echoing the work of Bruno Latour, Steyerl acknowledges the materiality by which&#8230;


            	


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         <pubDate>Sat, 11 Jun 2011 04:02:00 -0700</pubDate>



         <guid>http://art-research.co.uk/digital-autonomy-a-reponse-to-hito-steyerl/is-an-ephemeral-image-a-moment-in-a-streaming-video-a</guid>



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         <title>The Doctrine of the Similar (GIF GIF GIF)</title>



         <link>http://machinemachine.net/text/ideas/the-doctrine-of-the-similar-gif-gif-gif</link>



         <description><![CDATA[<div><p>In two short essays – written in 1933 – Walter Benjamin argues that primitive language emerged in magical correspondence with the world. The faculty we all exhibit in childhood play, to impersonate and imitate people and things loses its determining power as language gradually takes over from our “non-sensuous” connection with reality. In a break from Saussurian linguistics, Benjamin decries the loss of this “mimetic faculty”, as it becomes further replaced by the “archive of non-sensuous correspondences” we know as <em>writing</em>.</p>
<p>To put it in simpler terms&#8230; Where once we read the world, the stars or the entrails of a&#8230;


            	


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         <pubDate>Wed, 25 May 2011 05:21:34 -0700</pubDate>



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         <title>Flash Symposium at Birkbeck, 24th May 2011</title>



         <link>http://dandelionnetwork.org/events/flash-symposium-shorts-on</link>



         <description><![CDATA[<div>Ideal for the commute, the lunch-hour, the stolen moment: shortness necessitates the perfect user-friendly format, arguably suited to the fast paced nature of everyday contemporary urban living. At the same time such compression of structure and content allows for moments of haiku-like contemplation. This symposium has been curated to celebrate all that is great about the short form.<br />
<br />
The first half will feature five minute papers on short forms, from fiction to poetry, from comics to GIFs. The speakers are research students from across the humanities and colleges of the University of London. The second half will&#8230;


            	


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         <pubDate>Tue, 17 May 2011 14:26:13 -0700</pubDate>



         <guid>http://dandelionnetwork.org/events/flash-symposium-shorts-on</guid>



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         <title>Headless Research</title>



         <link>http://machinemachine.net/text/ideas/headless-research</link>



         <description><![CDATA[<div><p>This is an extract from a <a href="http://texte.art-research.co.uk">collaborative</a> text I recently worked on, to be published (soon) in <em><a href="http://www.textezurkunst.de/">Texte Zur Kunst</a></em> :</p>
<blockquote><p><a href="http://machinemachine.net/text/wp-content/uploads/2011/05/headless.jpg"><img style=" float: right; padding: 4px; margin: 0 0 2px 7px;" class="alignright size-full wp-image-1253" title="a headless researcher" src="http://machinemachine.net/text/wp-content/uploads/2011/05/headless.jpg" alt="" width="200" /></a>The animal of research, being nourished from its root, springs up from the dirt of discourse, the direction of growth pandering to a <em>supposed</em> head. “Humans see the world through language, but do not see language.” <sup>[1]</sup> What exactly do the bees mean when they pollinate the blossom?</p>
<p>For art meaning tends to be expressed through&#8230;


            	


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         <pubDate>Sun, 15 May 2011 10:26:51 -0700</pubDate>



         <guid>http://machinemachine.net/text/ideas/headless-research</guid>



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         <title>Chisenhale Gallery - 21st Century Events: And There It Is</title>



         <link>http://www.chisenhale.org.uk/events/21st_century_event.php?id=47</link>



         <description><![CDATA[<div><a href="http://www.chisenhale.org.uk/events/21st_century_event.php?id=47">Chisenhale Gallery - 21st Century Events: And There It Is</a>: <p><a href="http://www.chisenhale.org.uk/events/21st_century_event.php?id=47"><img src="http://www.chisenhale.org.uk/archive/events/images/Goldsmiths21.jpg" width="460" height="351" /></a></p>
<blockquote>
<p><span>Goldsmiths MFA Art Writing colleagues present an evening of performances, readings, projections, objects and contemplation. <em>And there it is </em>will chart the outcome of a sustained collective engagement with the decisive enigma of disaster and its many possible presences. </span></p>
<p><span><br/>What if the word and its manifestations are perceived as events? The word might be a thing in the world, said, written or performed, the word might mark both a place of effort and a failure of presence. If the word is an event, a&#8230;


            	


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         <pubDate>Wed, 27 Apr 2011 08:31:00 -0700</pubDate>



         <guid>http://www.chisenhale.org.uk/events/21st_century_event.php?id=47/chisenhale-gallery-21st-century-events-and-there-it-is</guid>



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         <title>GLTI.CH Karaoke</title>



         <link>http://glti.ch</link>



         <description><![CDATA[<div><img src="http://26.media.tumblr.com/tumblr_limgvpuAq31qzb1t1o1_500.jpg" /><br/><br/><p><span> </span></p>
<p><strong><span>Saturday 2nd April</span> : Come and join us a for an afternoon of GLTI.CH KARAOKE!</strong></p>
<p>GLTI.CH KARAOKE will be hosting this live karaoke event in conjunction with the citizens of Kumamoto City, Japan. All proceeds raised at Glitch Karaoke will go to <a target="_blank" href="http://www.japansociety.org.uk/earthquake/">The Japan Society Tohoku Earthquake Relief Fund</a>.</p>
<p>Defy human spacetime by warbling <a target="_blank" href="http://www.youtube.com/watch?v=3YbO9hGd2g0">Elvis</a>, the <a target="_blank" href="http://www.google.com/search?hl=en&amp;client=firefox-a&amp;hs=sf4&amp;rls=org.mozilla%3Aen-US%3Aofficial&amp;q=youtube+spice+girls+karaoke+wannabe&amp;aq=f&amp;aqi=&amp;aql=&amp;oq=">Spice Girls</a>, and <a target="_blank" href="http://www.youtube.com/watch?v=OEjzBMwFp5o&amp;feature=related">Beat Crusaders</a> with friends in London and Kumamoto at the <a href="http://www.meanwhilespace.com/">Meanwhile Space</a> (Whitechapel) at the End of the Universe with the power of Skype, hand-me-down computers, and mutual love of amateur live singing.</p>
<p>Free to attend, donations encouraged. There&#8230;


            	


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         <pubDate>Fri, 25 Mar 2011 09:38:00 -0700</pubDate>



         <guid>http://glti.ch/Gltich-Karaoke</guid>



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         <title>Errors in Things and “The Friendly Medium”</title>



         <link>http://machinemachine.net/text/ideas/errors-in-things-and-the-friendly-medium</link>



         <description><![CDATA[<div><blockquote><p><a href="http://machinemachine.net/stream/items/tag/open-media"><img style=" float: right; padding: 4px; margin: 0 0 2px 7px;" class="alignright size-medium wp-image-1138" title="Alvin Lucier, I am Sitting in a Room (1969)" src="http://machinemachine.net/text/wp-content/uploads/2011/02/luciersitting-296x300.jpg" alt="" width="200" align="right" /></a>What is it about a particular media that makes it successful?  Drawing a  mini history from printing-press smudges to digital  compression  artefacts this lecture considers the value of error, chance  and  adaptation in contemporary media. Biological evolution unfolds through  error, noise and mistake. Perhaps if we want to maximise  the potential  of media, of digital text and compressed file formats, we  first need to  determine their inherent redundancy. Or, more profoundly,  to&#8230;


            	


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         <pubDate>Wed, 16 Feb 2011 08:39:59 -0700</pubDate>



         <guid>http://machinemachine.net/text/ideas/errors-in-things-and-the-friendly-medium</guid>



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         <title>Open Media (lecture series schedule)</title>



         <link>http://coventryopenmedia.wordpress.com/schedule/</link>



         <description><![CDATA[<div>The concept of openness is often employed as part of a radical critique of the closed-off worlds of what might be called ‘traditional media’. It is variously used to urge for the right to transparency, the ethics of sharing, the value of re-use and the benefits of connecting. <br />
<br />
This series of research seminars will explore various aspects of openness. Special attention will be given to the benefits and drawbacks of openness, and to the many possibilities openness offers for the future of media production, use and critique.


            	


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         <pubDate>Wed, 16 Feb 2011 07:54:36 -0700</pubDate>



         <guid>http://coventryopenmedia.wordpress.com/schedule/</guid>



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         <title>On (Text and) Exaptation</title>



         <link>http://machinemachine.net/text/ideas/on-text-and-exaptation</link>



         <description><![CDATA[<div><p>(This post was written as a kind of &#8216;<em>preque</em>l&#8217; to a previous essay, <a href="http://machinemachine.net/text/arts/rancieres-ignoramus">Rancière&#8217;s Ignoramus</a>)</p>
<p>‘Text’ originates from the Latin word <em>texere,</em> to weave. A material craft enabled by a human ingenuity for loops, knots and pattern. Whereas a single thread may collapse under its own weight, looped and intertwined threads originate their strength and texture as a network. The textile speaks of repetition and multiplicity, yet it is only once we back away from the tapestry that the larger picture comes into focus.</p>
<p>At an industrial scale textile looms expanded beyond the frame of their human operators. Reducing&#8230;


            	


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         <pubDate>Mon, 06 Dec 2010 14:41:24 -0700</pubDate>



         <guid>http://machinemachine.net/text/ideas/on-text-and-exaptation</guid>



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         <title>The Clock</title>



         <link>http://machinemachine.net/text/arts/the-clock</link>



         <description><![CDATA[<div><blockquote><p>Language is not what it is because it has meaning&#8230; It is a fragmented nature, divided against itself and deprived of its original transparency by admixture; it is a secret that carries within itself, though near the surface, the decipherable signs of what it is trying to say. It is at the same time a buried revelation and a revelation that is gradually being restored to ever greater clarity.</p>
<p>Michel Foucault, <em><a href="http://www.amazon.co.uk/dp/0415267374/?tag=thetotlib-21">The Order of Things</a></em></p>
</blockquote>
<p>Every Thing has to end, but not so its fragments. Energy flows amongst systems. It constitutes as it destroys, but never does energy&#8230;


            	


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         <pubDate>Fri, 05 Nov 2010 10:11:00 -0700</pubDate>



         <guid>http://machinemachine.net/text/arts/the-clock</guid>



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         <title>And Another ‘Thing’ : Sci-Fi Truths and Nature's Errors</title>



         <link>http://www.3quarksdaily.com/3quarksdaily/2010/09/and-another-thing-sci-fi-truths-and-natures-errors.html</link>



         <description><![CDATA[<div><div><p>by <a rel="nofollow" target="_blank" href="http://machinemachine.net"><em>Daniel Rourke</em></a></p> <p>In my <a rel="nofollow" target="_blank" href="http://www.3quarksdaily.com/3quarksdaily/2010/08/the-thing-itself-a-sc-fi-archaeology.html">last 3quarksdaily article</a> I considered the ability of science-fiction – and the impossible objects it contains – to highlight the gap between us and ‘<a rel="nofollow" target="_blank" href="http://en.wikipedia.org/wiki/Thing-in-itself">The Thing Itself</a>’ (the fundamental reality underlying all phenomena). In this follow-up I ask whether the way these fictional ‘Things’ determine their continued existence – by copying, cloning or imitation – can teach us about our conception of nature.</p> <blockquote> <p><strong>Seth Brundle:</strong> What's there to take? The disease has just revealed its purpose. We don't have to worry about contagion anymore... I&#8230;


            	


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         <pubDate>Sun, 05 Sep 2010 21:20:00 -0700</pubDate>



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         <title>io9.com: Seeing the truth of the world via science fiction</title>



         <link>http://io9.com/5608671/3quarksdaily</link>



         <description><![CDATA[<div><a href="http://io9.com/5608671/3quarksdaily">Seeing the truth of the world via science fiction</a>: <p><em>Science fiction takes us out of our own time and place, and  confronts us with alien objects as well as incomprehensible future  artifacts. By doing this, argues Daniel Rourke, SF brings us closer to  seeing things as they really are.</em></p>
<p><a href="http://io9.com/5608671/3quarksdaily" target="_blank"><img alt="The Things Themselves" src="http://www.3quarksdaily.com/.a/6a00d8341c562c53ef0133f2e7c7fa970b-300wi" align="left" height="161" width="160" /></a>Mid-way through H.G.Wells’ <em>The Time Machine</em>, the protagonist  stumbles into a sprawling abandoned museum. Sweeping the dust off  ancient relics he ponders his machine’s ability to hasten their decay.  It is at this point that The Time Traveller has an&#8230;


            	


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         <pubDate>Tue, 10 Aug 2010 04:10:00 -0700</pubDate>



         <guid>http://io9.com/5608671/3quarksdaily/seeing-the-truth-of-the-world-via-science-fiction</guid>



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