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	<title>daniel perlin</title>
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	<pubDate>Mon, 05 May 2008 18:00:58 +0000</pubDate>
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		<itunes:category text="Society &amp; Culture" />
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			<title>daniel perlin</title>
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		<title>House as Speaking Organ solo show at Yautepec gallery, mexico city, mexico May 8 opening</title>
		<link>http://danielperlin.net/?p=59</link>
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		<pubDate>Mon, 05 May 2008 17:27:26 +0000</pubDate>
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		<category><![CDATA[installation]]></category>

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Press release:
Thursday, 8 May 2008 - Thursday, 22 May 2008

Opening Reception
Thursday, 8 May 2008:
08:00 pm - 11:00 pm
In &#8220;House as Speaking Organ/Casa como Organo Parlante,&#8221; New York-based artist Daniel Perlin transforms Mexico City&#8217;s Yautepec gallery into a house-as-speaking-organ (HSO). The unique layout of the space has inspired a series of site-specific pieces, in which Perlin [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://danielperlin.net/wp-content/uploads/2008/05/web-flyer.jpg" title="web-flyer.jpg"><img src="http://danielperlin.net/wp-content/uploads/2008/05/web-flyer.jpg" alt="web-flyer.jpg" /></a></p>
<p class="event_dates"><strong>Press release:<br />
</strong><a href="http://danielperlin.net/wp-content/uploads/2008/05/n12456694790_9836.jpg" title="n12456694790_9836.jpg"></a><span class="date-display-start">Thursday, 8 May 2008</span><span class="date-display-separator"> - </span><span class="date-display-end">Thursday, 22 May 2008<br />
</span></p>
<h3>Opening Reception</h3>
<p class="opening_hours"><span class="date-display-single">Thursday, 8 May 2008</span>:<br />
<span class="date-display-start">08:00 pm</span><span class="date-display-separator"> - </span><span class="date-display-end">11:00 pm</span></p>
<p>In &#8220;House as Speaking Organ/Casa como Organo Parlante,&#8221; New York-based artist Daniel Perlin transforms Mexico City&#8217;s Yautepec gallery into a house-as-speaking-organ (HSO). The unique layout of the space has inspired a series of site-specific pieces, in which Perlin will create networked works that treat the house as organ, works as cells and tissues, tissues as foundations for an organ, and organ as a political force within social bodies.</p>
<p>Individual works will be centered around networked and remote communication within the organ. Mini FM transceivers, fm radios, a single monitor with multiple keyboards for input, telegraphy, cables, internal telephony, cups and lines, and other works serve as conditions of possibility for bodies to work within and beyond the house, as sites as residues of potential communicative actions.</p>
<p>Daniel Perlin is an artist based in New York. He works across media creating sound, video, objects, performances and installations. His work has been shown and heard at the Lower Manhattan Cultural Council, The New Museum, The Chelsea Art Museum, Postmaster’s Gallery, D’Amelio Terras, TN Probe Tokyo, Temporary Contemporary Gallery London, Guggenheim Film and the Centre Pompidou. Recently, he has collaborated with Natalie Jermijenko on the installation For the Birds for the Whitney Biennial 2006, Rem Koolhaas and Sanford Kwinter on the installation of Mutations, and with Vito Acconci on the public sound installation Viraphone in Madrid, Spain. He has also been a sound designer for such films as as Kelly Reichardt’s Old Joy, Errol Morris’ Fog Of War and Phil Morrison’s Junebug. In 2006 he completed a residency as studio artist at the Whitney Independent Study program. Currently, he is researching traffic and mapping techniques.</p>
<p id="block-block-2" class="block block-block region-odd odd region-count-1 count-1">&nbsp;</p>
<p class="block-inner">&nbsp;</p>
<p class="content">Yautepec 103 (entre Vicente Suarez y Michoacan)<br />
Col. Condesa, Del. Cuauhtemoc<br />
Ciudad de México, D.F. 06140<br />
México<br />
<a href="http://yau.com.mx" target="_blank">http://yau.com.mx</a></p>
<p>Para citas / For Appointments: (044) 55-2849-5559<br />
yautepec103@gmail.com</p>
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		<title>Viraphone with Vito Acconci and Sarina Basta at New Museum NYC</title>
		<link>http://danielperlin.net/?p=58</link>
		<comments>http://danielperlin.net/?p=58#comments</comments>
		<pubDate>Sun, 17 Feb 2008 07:56:26 +0000</pubDate>
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		<description><![CDATA[An audio only version of Viraphone is currently showing at the New Museum in New York as part of the Unmonumental show. Viraphone was originally installed in a bus stop in Madrid, Spain. Listeners were invited to plug in to the stop, which was affixed with an audio jack. The piece is programmatic, using the 5 [...]]]></description>
			<content:encoded><![CDATA[<p>An audio only version of Viraphone is currently showing at the New Museum in New York as part of the <a href="http://www.newmuseum.org/exhibitions/6" target="_blank">Unmonumental show</a>. Viraphone was originally installed in a bus stop in Madrid, Spain. Listeners were invited to plug in to the stop, which was affixed with an audio jack. The piece is programmatic, using the 5 stages of the infection of a cell by a virus as its structure.  </p>
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		<title>Screening 3 Morro/the hill 7.30 PM on Tuesday, December 18, 2007 @ Anthology FIlm Archives</title>
		<link>http://danielperlin.net/?p=57</link>
		<comments>http://danielperlin.net/?p=57#comments</comments>
		<pubDate>Mon, 17 Dec 2007 23:24:19 +0000</pubDate>
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STOREFRONT FILM SERIES 2007
O MORRO/THE HILL
ISSUES OF REPRESENTATION IN THE MODERN-DAY FAVELA
O Morro (The Hill) is a monthly film series that raises questions regarding representation of the favela in Brazilian film and architecture. Cinema&#8217;s fascination with the favela is often driven by genuine social concern for its inhabitants, but does it ultimately reinforce existing forms [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.dpblog.danielperlin.net/wp-content/uploads/2007/12/prog005.jpg" alt="prog005.jpg" id="image154" height="316" width="455" /></p>
<p>STOREFRONT FILM SERIES 2007<br />
O MORRO/THE HILL<br />
ISSUES OF REPRESENTATION IN THE MODERN-DAY FAVELA</p>
<p>O Morro (The Hill) is a monthly film series that raises questions regarding representation of the favela in Brazilian film and architecture. Cinema&#8217;s fascination with the favela is often driven by genuine social concern for its inhabitants, but does it ultimately reinforce existing forms of exploitation and prejudice?</p>
<p>SCREENING III<br />
7.30 PM on Tuesday, December 18, 2007 @ Anthology FIlm Archives</p>
<p>OMNIBUS 174 (Bus 174)<br />
(Directors: José Padilha, Felipe Lacerda)</p>
<p>The film&#8217;s subject is the June 12, 2000, bus hijacking that happened in Rio de Janeiro. Sandro do Nascimento, a young man from a poor background, bungled a robbery and ended up holding the passengers on a bus hostage for four hours. The event was caught live on television. The movie examines the incident and what life is like in the slums and favelas of Rio de Janeiro, specifically how the criminal justice system in Brazil treats class.</p>
<p>Anthology Film Archives<br />
32 Second Avenue<br />
New York, NY 10001<br />
(212) 505-5181</p>
<p>http://www.anthologyfilmarchives.org</p>
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		<title>Second screening of O Morro film series at Storefront for Art and Arch. Dec. 7</title>
		<link>http://danielperlin.net/?p=56</link>
		<comments>http://danielperlin.net/?p=56#comments</comments>
		<pubDate>Mon, 03 Dec 2007 23:32:21 +0000</pubDate>
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		<description><![CDATA[Friday, Dec.7, 7 pm, is the second screening of O Morro (the hill). We are screening the below AT STOREFRONT FOR ART AND ARCHITECTURE, not Anthology Film Archives, due to a scheduling conflict. We are screening News from a Personal War and City of Men episodes, all to provoke a discussion that will follow. Free, [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Friday, Dec.7, 7 pm</strong>, is the second screening of O Morro (the hill). We are screening the below <span style="font-weight: bold">AT STOREFRONT FOR ART AND ARCHITECTURE, not Anthology Film Archives, due to a scheduling conflict. </span>We are screening News from a Personal War and City of Men episodes, all to provoke a discussion that will follow. Free, open to the public, but seating is limited. All attending will be able to pick up the new pamphlet with essays by dp and Melanie Gilligan, and some great graphics such as those below. Not to be missed, for sure!</p>
<table style="height: 677px" border="0" cellpadding="0" cellspacing="2" width="390">
<tr>
<td style="width: 2px" valign="top"><img src="http://www.storefrontnews.org/images/dottedline.gif" /></td>
<td>&nbsp;</td>
<td style="width: 500px" valign="top"><img src="http://www.storefrontnews.org/images/assets/prog005.jpg" height="319" width="459" /><strong>STOREFRONT FILMS</strong><br />
Storefront for Art and Architecture<br />
97 Kenmare st., NY, NY 10012<br />
7 pm<br />
<strong>O MORRO/THE HILL STOREFRONT FILMSERIES 2007<br />
ISSUES OF REPRESENTATION IN THE MODERN DAY FAVELA</strong>O Morro (The Hill) is a monthly film series that raises questions regarding representation of the favela in Brazilian film and architecture. Cinema&#8217;s fascination with the favela is often driven by genuine social concern for its inhabitants, but does it ultimately reinforce existing forms of exploitation and prejudice?<strong></p>
<p>SCREENING 2</strong> November 2007, November 27th 7.30pm @ <span style="font-weight: bold">Storefront for art and architecture</span><br />
<strong>NOTICIAS DE UMA GUERRA PARTICULAR</strong> (News from a Personal War, 1999)<br />
(Directors: Joao Salles and Katia Lund (USA) - 57 mins, video)Hailed widely as the inspiration for City of Gods, this critical investigation into the violence and corruption that drives and is driven by the combined and uneven development in Rio&#8217;s favelas is both shocking and revelatory.<strong>CIDADE DOS HOMENS</strong>  (City of Men)<br />
Video, 3 episodes:<br />
# 1 - A Coroa do Imperador (The Emperor&#8217;s Crown) (15/10/02)<br />
(Screenplay: Cesar Charlone, Fernando Meirelles e Jorge Furtado. Director: Cesar Charlone)<br />
# 2 - O Cunhado do Cara (The guy&#8217;s brother-in-law) (16/10/02)<br />
(Script: Katia Lund and Paulo Lins. Director: Katia Lund and Paulo Lins)</td>
</tr>
</table>
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		<title>“O Morro” film series: Five Times Favela screening at Anthology Film Archives, NYC</title>
		<link>http://danielperlin.net/?p=55</link>
		<comments>http://danielperlin.net/?p=55#comments</comments>
		<pubDate>Tue, 23 Oct 2007 05:28:22 +0000</pubDate>
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		<description><![CDATA[Tuesday, October 23rd is the first screening in the film series I am programming through The Storefront for Art and Architecture in conjunction with Anthology Film Archives.
O Morro (the hill): issues in representation of the favela. 
O Morro (the hill) is a monthly series created to raise questions regarding representation of the favela in Brazilian [...]]]></description>
			<content:encoded><![CDATA[<p>Tuesday, October 23rd is the first screening in the film series I am programming through The Storefront for Art and Architecture in conjunction with Anthology Film Archives.<br />
<strong>O Morro (the hill): issues in representation of the favela. </strong></p>
<p>O Morro (the hill) is a monthly series created to raise questions regarding representation of the favela in Brazilian film and architecture.<br />
Is film and architecture&#8217;s fascination with the favela helpful, or does it ultimately result in repeating forms of exploitation and prejudice?</p>
<p>The series will feature a small publication, panelists and discussions following the films.<br />
<strong><br />
The first screening is this Tuesday, October 23 at 730 pm at Anthology Film Archives.</strong><br />
<strong><br />
CINCO VEZES FAVELA (FAVELA FIVE TIMES, 1961)</strong><br />
Directors: Joaquim Pedro de Andrade, Leon Hirszman, Miguel Borges, Carlos Diegues e Marcos Farias, 1962, Brasil<br />
92 minutes, English subtitles<br />
Its five episodes, directed by many of the strongest figures in Brazilian cinema, were produced by the Centers for Popular Culture of the National Students&#8217; Union, who&#8217;s mission was to create links with and within the working class.</p>
<p>Anthology Film Archives<br />
32 Second Avenue<br />
New York, NY 10001<br />
(212) 505-5181</p>
<p><a href="http://www.anthologyfilmarchives.org/" target="_blank">http://www.anthologyfilmarchives.org/</a><br />
<a href="http://www.storefrontnews.org" target="_blank">http://www.storefrontnews.org</a></p>
<p>The screening will begin on time, with a discussion to follow at Anthology Film Archives.<br />
Thanks, and I look forward to seeing you there.</p>
<p><img src="http://www.dpblog.danielperlin.net/wp-content/uploads/2007/10/FAVLAS%20FILM%20SERIES_002.jpg" id="image147" alt="FAVLAS FILM SERIES_002.jpg" height="325" width="469" /></p>
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