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	<title>darkmatter Journal »  | darkmatter Journal</title>
	
	<link>http://www.darkmatter101.org/site</link>
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		<title>Post Black: How A New Generation is Redefining African American Identity</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/fbPT49NgKIk/</link>
		<comments>http://www.darkmatter101.org/site/2012/05/04/post-black/#comments</comments>
		<pubDate>Fri, 04 May 2012 12:58:01 +0000</pubDate>
		<dc:creator>Reniqua Allen</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
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		<category><![CDATA[Popular-culture]]></category>
		<category><![CDATA[Post-race]]></category>
		<category><![CDATA[representation]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2896</guid>
		<description>&lt;em&gt;Post Black&lt;/em&gt; is an overdue exploration that probes the question of what it means to be young and black in 21st century America.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=fbPT49NgKIk:aJSiOpdBnFE:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=fbPT49NgKIk:aJSiOpdBnFE:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/fbPT49NgKIk" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://www.darkmatter101.org/site/2012/05/04/post-black/</feedburner:origLink></item>
		<item>
		<title>Aaj Kaal (Yesterday, Today, Tomorrow) [video]</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/mz56o_mR_60/</link>
		<comments>http://www.darkmatter101.org/site/2012/04/03/aaj-kaal-yesterday-today-tomorrow-video/#comments</comments>
		<pubDate>Tue, 03 Apr 2012 20:13:36 +0000</pubDate>
		<dc:creator>Nirmal Puwar</dc:creator>
				<category><![CDATA[Commons]]></category>
		<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[anti-racism]]></category>
		<category><![CDATA[disapora]]></category>
		<category><![CDATA[feminism]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2719</guid>
		<description>It has become commonplace to film elders. But it is not so usual for elders to make a film themselves. A little known film, Aaj Kaal (1990) was made over twenty years ago by South Asian elders, within a community education project based in Southall (London), directed by Avtar Brah and coordinated by Jasbir Panesar...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=mz56o_mR_60:RHR6CRhIFSA:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=mz56o_mR_60:RHR6CRhIFSA:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/mz56o_mR_60" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://www.darkmatter101.org/site/2012/04/03/aaj-kaal-yesterday-today-tomorrow-video/</feedburner:origLink></item>
		<item>
		<title>The Wire: Urban Decay and American Television</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/fSQoj_0WGuQ/</link>
		<comments>http://www.darkmatter101.org/site/2012/03/16/the-wire-urban-decay-and-american-television/#comments</comments>
		<pubDate>Fri, 16 Mar 2012 15:52:51 +0000</pubDate>
		<dc:creator>Jonathan Stewart</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Popular-culture]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[the wire]]></category>
		<category><![CDATA[urban cultures]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2821</guid>
		<description>&lt;i&gt;Review by Jonathan Stewart&lt;/i&gt;&lt;br /&gt;
The essays in &lt;i&gt;The Wire: Urban Decay and American Television &lt;/i&gt;concentrate on the importance of place and space to the series.  It has become a cliché to describe the city of Baltimore as one of the leading characters in The Wire, a pitfall that this collection neatly sidesteps.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=fSQoj_0WGuQ:q2cku-npfZQ:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=fSQoj_0WGuQ:q2cku-npfZQ:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/fSQoj_0WGuQ" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://www.darkmatter101.org/site/2012/03/16/the-wire-urban-decay-and-american-television/</feedburner:origLink></item>
		<item>
		<title>The Politics of the Veil</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/jU7LSp_MxuQ/</link>
		<comments>http://www.darkmatter101.org/site/2012/02/23/2796/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 10:06:32 +0000</pubDate>
		<dc:creator>Irmak Ertuna</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[france]]></category>
		<category><![CDATA[Islam]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[secularism]]></category>
		<category><![CDATA[veil]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2796</guid>
		<description>“In the end it’s not because of Islam that we stay at home, but because of French society”. This testimony reproduced in Joan Wallach Scott’s book &lt;i&gt;The Politics of the Veil&lt;/I&gt; sums up the current plight of Muslim women in France. Indeed, the book, as well as the debates circulating on the issue of the veil, reveals more about French society and its assumptions regarding equality and democracy than it does about Islam.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=jU7LSp_MxuQ:24jNGkCYpZ0:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=jU7LSp_MxuQ:24jNGkCYpZ0:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/jU7LSp_MxuQ" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Aesthetic Interrogation of Refugeeism, Migration and a Post-September 11 World</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/MY9aP04VNNc/</link>
		<comments>http://www.darkmatter101.org/site/2011/12/16/aesthetic-interrogation-of-refugeeism-migration-and-a-post-september-11-world/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 18:07:04 +0000</pubDate>
		<dc:creator>Shinhyung Choi</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[multiculturalism]]></category>
		<category><![CDATA[refugees]]></category>
		<category><![CDATA[representation]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2707</guid>
		<description>Like Barthes’ photographic image containing accidental punctum, the texts and the pictures in &lt;em&gt;Elsewhere, Within Here&lt;/em&gt; work to startle, wound and move us into thinking.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=MY9aP04VNNc:uOOU4JWqz1Q:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=MY9aP04VNNc:uOOU4JWqz1Q:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/MY9aP04VNNc" height="1" width="1"/&gt;</description>
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		<feedburner:origLink>http://www.darkmatter101.org/site/2011/12/16/aesthetic-interrogation-of-refugeeism-migration-and-a-post-september-11-world/</feedburner:origLink></item>
		<item>
		<title>Re:Imagining Change</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/MsaVvpstdFI/</link>
		<comments>http://www.darkmatter101.org/site/2011/08/31/reimagining-change/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 09:58:37 +0000</pubDate>
		<dc:creator>Jason Harle</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2632</guid>
		<description>Long-time activists Patrick Reinsborough and Doyle Canning have drawn from their wealth of practical contributions to successful and creative campaigns for ecological and social justice to craft the insightful and useful book, Re:Imagining Change.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=MsaVvpstdFI:mSKNyId9ySo:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=MsaVvpstdFI:mSKNyId9ySo:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/MsaVvpstdFI" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://www.darkmatter101.org/site/2011/08/31/reimagining-change/</feedburner:origLink></item>
		<item>
		<title>Reframing 9/11: Film, Popular Culture and the “War on Terror”</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/G_LopWH-voU/</link>
		<comments>http://www.darkmatter101.org/site/2011/08/22/reframing-911-film-popular-culture-and-the-%e2%80%9cwar-on-terror%e2%80%9d/#comments</comments>
		<pubDate>Mon, 22 Aug 2011 10:44:34 +0000</pubDate>
		<dc:creator>Enrica Picarelli</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[9/11]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[war-on-terror]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2648</guid>
		<description>At the heart of &lt;i&gt;Reframing 9/11&lt;/i&gt; is an investigation of the processes of cultural formation unfolding within a system of power which takes as its object the coming into being of the subject, that is, the whole of the processes by which we develop an understanding of ourselves and represent it to the world through semiotic means. This is the regime of biopolitical sovereignty that informs...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=G_LopWH-voU:iR-IF2Dj65E:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=G_LopWH-voU:iR-IF2Dj65E:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/G_LopWH-voU" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2011/08/22/reframing-911-film-popular-culture-and-the-%e2%80%9cwar-on-terror%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://www.darkmatter101.org/site/2011/08/22/reframing-911-film-popular-culture-and-the-%e2%80%9cwar-on-terror%e2%80%9d/</feedburner:origLink></item>
		<item>
		<title>Transgressing Virtual Geographies</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/g2ubd_H3pYg/</link>
		<comments>http://www.darkmatter101.org/site/2011/07/27/transgressing-virtual-geographies/#comments</comments>
		<pubDate>Wed, 27 Jul 2011 11:08:44 +0000</pubDate>
		<dc:creator>Maryam Monalisa Gharavi</dc:creator>
				<category><![CDATA[Commons]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[performance]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2593</guid>
		<description>&lt;p&gt;&lt;em&gt;Maryam Monalisa Gharavi interviews Ricardo Dominguez&lt;/em&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;As co-founder of The Electronic Disturbance Theater, Ricardo Dominguez’ name has long been legendary among hackers, proto-internet enthusiasts, and performance artists. For more than 20 years Dominguez has pretzeled a non-traditional professional trajectory&amp;#8230;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=g2ubd_H3pYg:BYkxYGVZTGw:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=g2ubd_H3pYg:BYkxYGVZTGw:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/g2ubd_H3pYg" height="1" width="1"/&gt;</description>
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		<feedburner:origLink>http://www.darkmatter101.org/site/2011/07/27/transgressing-virtual-geographies/</feedburner:origLink></item>
		<item>
		<title>Screening Strangers: Migration and Diaspora in Contemporary European Cinema</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/qBmgdn_0gso/</link>
		<comments>http://www.darkmatter101.org/site/2011/05/31/screening-strangers-migration-and-diaspora-in-contemporary-european-cinema/#comments</comments>
		<pubDate>Tue, 31 May 2011 21:06:53 +0000</pubDate>
		<dc:creator>Emiliano Perra</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[fim]]></category>
		<category><![CDATA[representation]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2583</guid>
		<description>Right from the outset, Screening Strangers lets the reader know what it is about. With a clever pun, the title refers to the act of screening (as in putting on screen, representing in cinema) migrants that are also screened (as in filtering the desired and the undesired) by a whole array of institutions within Fortress Europe.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=qBmgdn_0gso:F4cCKdKVMtU:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=qBmgdn_0gso:F4cCKdKVMtU:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/qBmgdn_0gso" height="1" width="1"/&gt;</description>
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		<feedburner:origLink>http://www.darkmatter101.org/site/2011/05/31/screening-strangers-migration-and-diaspora-in-contemporary-european-cinema/</feedburner:origLink></item>
		<item>
		<title>Revisionist Multiculturalism and its Neo-Racist Proclivities</title>
		<link>http://feedproxy.google.com/~r/darkmatter/~3/s5Y0q0BAPnI/</link>
		<comments>http://www.darkmatter101.org/site/2011/05/20/revisionist-multiculturalism-and-its-neo-racist-proclivities/#comments</comments>
		<pubDate>Fri, 20 May 2011 12:17:06 +0000</pubDate>
		<dc:creator>Gopal Nair</dc:creator>
				<category><![CDATA[Commons]]></category>
		<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[multiculturalism]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2567</guid>
		<description>&lt;p&gt;The central focus of this article is to demonstrate insufficient media attention to a subterranean coded message beneath the ideological demagoguery dressed as revisionist justifications against multiculturalism. The media rationalizations, currently in vogue, not only challenge and reject permeation of&amp;#8230;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/darkmatter?a=s5Y0q0BAPnI:wVxqSvUlr4U:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/darkmatter?i=s5Y0q0BAPnI:wVxqSvUlr4U:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/darkmatter/~4/s5Y0q0BAPnI" height="1" width="1"/&gt;</description>
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