<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Observatory from Design Observer</title><link>http://observatory.designobserver.com</link><description>Observatory from Design Observer</description><language>en-us</language><copyright>http://creativecommons.org/licenses/by-sa/1.0</copyright><pubDate>Sun, 19 May 2013 17:11:54 GMT</pubDate><lastBuildDate>Sun, 19 May 2013 17:11:54 GMT</lastBuildDate><ttl>2</ttl><dc:creator>Design Observer</dc:creator><dc:date>2013-05-19T17:11:54Z</dc:date><dc:language>en-us</dc:language><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/designobserver/observatory" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="designobserver/observatory" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><title>John Foster: A Nod to Surrealism</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2c205998/l/0Lobservatory0Bdesignobserver0N0Cfeature0Ca0Enod0Eto0Esurrealism0C3790A10C/story01.htm</link><description>&lt;br /&gt; For artists &lt;em&gt;not&lt;/em&gt; working in digital media &amp;#8212; those who cut, build, draw, paint, glue, bend, and make things in the more traditional manner, there is something of a &amp;#8220;Surrealist&amp;#8221; popularity at hand today.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2c205998/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fa-nod-to-surrealism%2F37901%2F&amp;t=John+Foster%3A+A+Nod+to+Surrealism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fa-nod-to-surrealism%2F37901%2F&amp;t=John+Foster%3A+A+Nod+to+Surrealism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fa-nod-to-surrealism%2F37901%2F&amp;t=John+Foster%3A+A+Nod+to+Surrealism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fa-nod-to-surrealism%2F37901%2F&amp;t=John+Foster%3A+A+Nod+to+Surrealism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fa-nod-to-surrealism%2F37901%2F&amp;t=John+Foster%3A+A+Nod+to+Surrealism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664630147/u/49/f/649172/c/35113/s/2c205998/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664630147/u/49/f/649172/c/35113/s/2c205998/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664630147/u/49/f/649172/c/35113/s/2c205998/a2t.img" border="0"/&gt;</description><pubDate>Sun, 19 May 2013 17:11:54 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/a-nod-to-surrealism/37901/</guid><dc:date>2013-05-19T17:11:54Z</dc:date><media:description>&lt;br /&gt; For artists &lt;em&gt;not&lt;/em&gt; working in digital media &amp;#8212; those who cut, build, draw, paint, glue, bend, and make things in the more traditional manner, there is something of a &amp;#8220;Surrealist&amp;#8221; popularity at hand today.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/05.19.13.01_m.jpg" /></item><item><title>Alexandra Lange: Ruth Asawa's wire scuptures qualify as extreme craft: they look weightless, but suggest you back off.</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2c1b8189/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cdream0Eweaver0C3790A20C/story01.htm</link><description>On a retrospective of the work of midcentury sculptor Ruth Asawa at Christie's, her first solo show in New York in 50 years.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2c1b8189/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fdream-weaver%2F37902%2F&amp;t=Alexandra+Lange%3A+Ruth+Asawa%27s+wire+scuptures+qualify+as+extreme+craft%3A+they+look+weightless%2C+but+suggest+you+back+off." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fdream-weaver%2F37902%2F&amp;t=Alexandra+Lange%3A+Ruth+Asawa%27s+wire+scuptures+qualify+as+extreme+craft%3A+they+look+weightless%2C+but+suggest+you+back+off." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fdream-weaver%2F37902%2F&amp;t=Alexandra+Lange%3A+Ruth+Asawa%27s+wire+scuptures+qualify+as+extreme+craft%3A+they+look+weightless%2C+but+suggest+you+back+off." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fdream-weaver%2F37902%2F&amp;t=Alexandra+Lange%3A+Ruth+Asawa%27s+wire+scuptures+qualify+as+extreme+craft%3A+they+look+weightless%2C+but+suggest+you+back+off." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fdream-weaver%2F37902%2F&amp;t=Alexandra+Lange%3A+Ruth+Asawa%27s+wire+scuptures+qualify+as+extreme+craft%3A+they+look+weightless%2C+but+suggest+you+back+off." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664292744/u/49/f/649172/c/35113/s/2c1b8189/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664292744/u/49/f/649172/c/35113/s/2c1b8189/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664292744/u/49/f/649172/c/35113/s/2c1b8189/a2t.img" border="0"/&gt;</description><pubDate>Sun, 19 May 2013 02:58:56 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/dream-weaver/37902/</guid><dc:date>2013-05-19T02:58:56Z</dc:date><media:description>On a retrospective of the work of midcentury sculptor Ruth Asawa at Christie's, her first solo show in New York in 50 years.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/IMG_3590_m.jpg" /></item><item><title>Rick Poynor: The Conceptual Posters of Boris Bucan</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2bf55505/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Econceptual0Eposters0Eof0Eboris0Ebucan0C378890C/story01.htm</link><description>Boris Bućan&amp;#8217;s little known early posters, produced in Zagreb, were reductive, sharply defined, cerebral and enigmatic.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2bf55505/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-conceptual-posters-of-boris-bucan%2F37889%2F&amp;t=Rick+Poynor%3A+The+Conceptual+Posters+of+Boris+Bucan" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-conceptual-posters-of-boris-bucan%2F37889%2F&amp;t=Rick+Poynor%3A+The+Conceptual+Posters+of+Boris+Bucan" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-conceptual-posters-of-boris-bucan%2F37889%2F&amp;t=Rick+Poynor%3A+The+Conceptual+Posters+of+Boris+Bucan" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-conceptual-posters-of-boris-bucan%2F37889%2F&amp;t=Rick+Poynor%3A+The+Conceptual+Posters+of+Boris+Bucan" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-conceptual-posters-of-boris-bucan%2F37889%2F&amp;t=Rick+Poynor%3A+The+Conceptual+Posters+of+Boris+Bucan" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165663989833/u/49/f/649172/c/35113/s/2bf55505/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165663989833/u/49/f/649172/c/35113/s/2bf55505/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165663989833/u/49/f/649172/c/35113/s/2bf55505/a2t.img" border="0"/&gt;</description><pubDate>Wed, 15 May 2013 15:51:27 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-conceptual-posters-of-boris-bucan/37889/</guid><dc:date>2013-05-15T15:51:27Z</dc:date><media:description>Boris Bućan&amp;#8217;s little known early posters, produced in Zagreb, were reductive, sharply defined, cerebral and enigmatic.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/Bucan_homepage_m.jpg" /></item><item><title>Rob Walker: Emily Spivack's exhibition of unexpectedly interesting stories from eBay.</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2bf35c13/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cfinding0Ethe0Estory0C378860C/story01.htm</link><description>Emily Spivack's exhibition of unexpectedly interesting stories from eBay.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2bf35c13/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Ffinding-the-story%2F37886%2F&amp;t=Rob+Walker%3A+Emily+Spivack%27s+exhibition+of+unexpectedly+interesting+stories+from+eBay." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Ffinding-the-story%2F37886%2F&amp;t=Rob+Walker%3A+Emily+Spivack%27s+exhibition+of+unexpectedly+interesting+stories+from+eBay." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Ffinding-the-story%2F37886%2F&amp;t=Rob+Walker%3A+Emily+Spivack%27s+exhibition+of+unexpectedly+interesting+stories+from+eBay." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Ffinding-the-story%2F37886%2F&amp;t=Rob+Walker%3A+Emily+Spivack%27s+exhibition+of+unexpectedly+interesting+stories+from+eBay." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Ffinding-the-story%2F37886%2F&amp;t=Rob+Walker%3A+Emily+Spivack%27s+exhibition+of+unexpectedly+interesting+stories+from+eBay." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664496631/u/49/f/649172/c/35113/s/2bf35c13/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664496631/u/49/f/649172/c/35113/s/2bf35c13/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664496631/u/49/f/649172/c/35113/s/2bf35c13/a2t.img" border="0"/&gt;</description><pubDate>Wed, 15 May 2013 13:30:11 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/finding-the-story/37886/</guid><dc:date>2013-05-15T13:30:11Z</dc:date><media:description>Emily Spivack's exhibition of unexpectedly interesting stories from eBay.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/sentval_m.jpg" /></item><item><title>Alexandra Lange: Why are there no prices in museum galleries?</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2be8f6c1/l/0Lobservatory0Bdesignobserver0N0Cfeature0Canxiety0Eculture0Eand0Ecommerce0C378910C/story01.htm</link><description>Is the museum store a distraction or an enticement?&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2be8f6c1/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fanxiety-culture-and-commerce%2F37891%2F&amp;t=Alexandra+Lange%3A+Why+are+there+no+prices+in+museum+galleries%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fanxiety-culture-and-commerce%2F37891%2F&amp;t=Alexandra+Lange%3A+Why+are+there+no+prices+in+museum+galleries%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fanxiety-culture-and-commerce%2F37891%2F&amp;t=Alexandra+Lange%3A+Why+are+there+no+prices+in+museum+galleries%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fanxiety-culture-and-commerce%2F37891%2F&amp;t=Alexandra+Lange%3A+Why+are+there+no+prices+in+museum+galleries%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fanxiety-culture-and-commerce%2F37891%2F&amp;t=Alexandra+Lange%3A+Why+are+there+no+prices+in+museum+galleries%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165663953316/u/49/f/649172/c/35113/s/2be8f6c1/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165663953316/u/49/f/649172/c/35113/s/2be8f6c1/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165663953316/u/49/f/649172/c/35113/s/2be8f6c1/a2t.img" border="0"/&gt;</description><pubDate>Tue, 14 May 2013 17:25:24 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/anxiety-culture-and-commerce/37891/</guid><dc:date>2013-05-14T17:25:24Z</dc:date><media:description>Is the museum store a distraction or an enticement?</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/b73946613ba4a57627136c838ed842a2_m.jpg" /></item><item><title>Kit Hinrichs and Delphine Hirasuna: The Alphabet Card</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2be8f6c6/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Ealphabet0Ecard0C378850C/story01.htm</link><description>Excerpt from &lt;em&gt;The Alphabet Card, &lt;/em&gt;a new book by Kit Hinrichs and Delphine Hirasuna.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2be8f6c6/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-alphabet-card%2F37885%2F&amp;t=Kit+Hinrichs+and+Delphine+Hirasuna%3A+The+Alphabet+Card" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-alphabet-card%2F37885%2F&amp;t=Kit+Hinrichs+and+Delphine+Hirasuna%3A+The+Alphabet+Card" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-alphabet-card%2F37885%2F&amp;t=Kit+Hinrichs+and+Delphine+Hirasuna%3A+The+Alphabet+Card" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-alphabet-card%2F37885%2F&amp;t=Kit+Hinrichs+and+Delphine+Hirasuna%3A+The+Alphabet+Card" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-alphabet-card%2F37885%2F&amp;t=Kit+Hinrichs+and+Delphine+Hirasuna%3A+The+Alphabet+Card" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165663953315/u/49/f/649172/c/35113/s/2be8f6c6/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165663953315/u/49/f/649172/c/35113/s/2be8f6c6/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165663953315/u/49/f/649172/c/35113/s/2be8f6c6/a2t.img" border="0"/&gt;</description><pubDate>Tue, 14 May 2013 17:16:50 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-alphabet-card/37885/</guid><dc:date>2013-05-14T17:16:50Z</dc:date><media:description>Excerpt from &lt;em&gt;The Alphabet Card, &lt;/em&gt;a new book by Kit Hinrichs and Delphine Hirasuna.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/Alphabet_Card_Cover_m.jpg" /></item><item><title>Mark Lamster: The Tower that Beer Built</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2bd9cf3e/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Etower0Ethat0Ebeer0Ebuilt0C378880C/story01.htm</link><description>A review of the Kirby (nee Busch) Building in Dallas, now a residential apartment house but originally a spec office tower financed by the St. Louis beer barron Adolphus Busch.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2bd9cf3e/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-tower-that-beer-built%2F37888%2F&amp;t=Mark+Lamster%3A+The+Tower+that+Beer+Built" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-tower-that-beer-built%2F37888%2F&amp;t=Mark+Lamster%3A+The+Tower+that+Beer+Built" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-tower-that-beer-built%2F37888%2F&amp;t=Mark+Lamster%3A+The+Tower+that+Beer+Built" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-tower-that-beer-built%2F37888%2F&amp;t=Mark+Lamster%3A+The+Tower+that+Beer+Built" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-tower-that-beer-built%2F37888%2F&amp;t=Mark+Lamster%3A+The+Tower+that+Beer+Built" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664416792/u/49/f/649172/c/35113/s/2bd9cf3e/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664416792/u/49/f/649172/c/35113/s/2bd9cf3e/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664416792/u/49/f/649172/c/35113/s/2bd9cf3e/a2t.img" border="0"/&gt;</description><pubDate>Mon, 13 May 2013 14:01:17 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-tower-that-beer-built/37888/</guid><dc:date>2013-05-13T14:01:17Z</dc:date><media:description>A review of the Kirby (nee Busch) Building in Dallas, now a residential apartment house but originally a spec office tower financed by the St. Louis beer barron Adolphus Busch.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/kb_m.jpg" /></item><item><title>Rob Walker: Jill Stoll combines artistic ritual, creative reuse, and the postal service as connector.</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2bc01211/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Emedium0Eis0Ethe0Email0C378810C/story01.htm</link><description>Jill Stoll combines artistic ritual, creative reuse, and the postal service as connector.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2bc01211/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-medium-is-the-mail%2F37881%2F&amp;t=Rob+Walker%3A+Jill+Stoll+combines+artistic+ritual%2C+creative+reuse%2C+and+the+postal+service+as+connector." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-medium-is-the-mail%2F37881%2F&amp;t=Rob+Walker%3A+Jill+Stoll+combines+artistic+ritual%2C+creative+reuse%2C+and+the+postal+service+as+connector." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-medium-is-the-mail%2F37881%2F&amp;t=Rob+Walker%3A+Jill+Stoll+combines+artistic+ritual%2C+creative+reuse%2C+and+the+postal+service+as+connector." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-medium-is-the-mail%2F37881%2F&amp;t=Rob+Walker%3A+Jill+Stoll+combines+artistic+ritual%2C+creative+reuse%2C+and+the+postal+service+as+connector." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-medium-is-the-mail%2F37881%2F&amp;t=Rob+Walker%3A+Jill+Stoll+combines+artistic+ritual%2C+creative+reuse%2C+and+the+postal+service+as+connector." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664885010/u/49/f/649172/c/35113/s/2bc01211/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664885010/u/49/f/649172/c/35113/s/2bc01211/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664885010/u/49/f/649172/c/35113/s/2bc01211/a2t.img" border="0"/&gt;</description><pubDate>Fri, 10 May 2013 13:36:23 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-medium-is-the-mail/37881/</guid><dc:date>2013-05-10T13:36:23Z</dc:date><media:description>Jill Stoll combines artistic ritual, creative reuse, and the postal service as connector.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/271Stoll_m.jpg" /></item><item><title>Rick Poynor: A landmark illustrated edition of The Age of Wire and String by Ben Marcus</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2bb7b26d/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Eage0Eof0Ewire0Eand0Estring0Erebooted0C378750C/story01.htm</link><description>Granta&amp;#8217;s new edition of The Age of Wire and String by Ben Marcus is a landmark of experimental illustration.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2bb7b26d/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-age-of-wire-and-string-rebooted%2F37875%2F&amp;t=Rick+Poynor%3A+A+landmark+illustrated+edition+of+The+Age+of+Wire+and+String+by+Ben+Marcus" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-age-of-wire-and-string-rebooted%2F37875%2F&amp;t=Rick+Poynor%3A+A+landmark+illustrated+edition+of+The+Age+of+Wire+and+String+by+Ben+Marcus" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-age-of-wire-and-string-rebooted%2F37875%2F&amp;t=Rick+Poynor%3A+A+landmark+illustrated+edition+of+The+Age+of+Wire+and+String+by+Ben+Marcus" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-age-of-wire-and-string-rebooted%2F37875%2F&amp;t=Rick+Poynor%3A+A+landmark+illustrated+edition+of+The+Age+of+Wire+and+String+by+Ben+Marcus" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-age-of-wire-and-string-rebooted%2F37875%2F&amp;t=Rick+Poynor%3A+A+landmark+illustrated+edition+of+The+Age+of+Wire+and+String+by+Ben+Marcus" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664305939/u/49/f/649172/c/35113/s/2bb7b26d/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664305939/u/49/f/649172/c/35113/s/2bb7b26d/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664305939/u/49/f/649172/c/35113/s/2bb7b26d/a2t.img" border="0"/&gt;</description><pubDate>Thu, 09 May 2013 19:26:50 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-age-of-wire-and-string-rebooted/37875/</guid><dc:date>2013-05-09T19:26:50Z</dc:date><media:description>Granta&amp;#8217;s new edition of The Age of Wire and String by Ben Marcus is a landmark of experimental illustration.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/Age_homepage_m.jpg" /></item><item><title>Jessica Helfand: Our Shopping Lists, Our Selves</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2baae08c/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cour0Eshopping0Elists0Eour0Eselves0C378720C/story01.htm</link><description>Jessica Helfand on lists: from the mundane to the historical, the shopping list to the Bill of Rights.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2baae08c/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Four-shopping-lists-our-selves%2F37872%2F&amp;t=Jessica+Helfand%3A+Our+Shopping+Lists%2C+Our+Selves" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Four-shopping-lists-our-selves%2F37872%2F&amp;t=Jessica+Helfand%3A+Our+Shopping+Lists%2C+Our+Selves" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Four-shopping-lists-our-selves%2F37872%2F&amp;t=Jessica+Helfand%3A+Our+Shopping+Lists%2C+Our+Selves" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Four-shopping-lists-our-selves%2F37872%2F&amp;t=Jessica+Helfand%3A+Our+Shopping+Lists%2C+Our+Selves" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Four-shopping-lists-our-selves%2F37872%2F&amp;t=Jessica+Helfand%3A+Our+Shopping+Lists%2C+Our+Selves" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164876883946/u/49/f/649172/c/35113/s/2baae08c/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164876883946/u/49/f/649172/c/35113/s/2baae08c/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164876883946/u/49/f/649172/c/35113/s/2baae08c/a2t.img" border="0"/&gt;</description><pubDate>Wed, 08 May 2013 15:23:18 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/our-shopping-lists-our-selves/37872/</guid><dc:date>2013-05-08T15:23:18Z</dc:date><media:description>Jessica Helfand on lists: from the mundane to the historical, the shopping list to the Bill of Rights.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/37872-groc-list_m.jpg" /></item><item><title>John Thackara: Parnaoid But Pretty: The Art and Business of Public Safety</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2b9f15c5/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cparanoid0Ebut0Epretty0C378740C/story01.htm</link><description>A review of Matthias Megyeri's new show at the German Architecture Center, and a review of the question the exhibition inspires: "Are we safer?"&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2b9f15c5/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fparanoid-but-pretty%2F37874%2F&amp;t=John+Thackara%3A+Parnaoid+But+Pretty%3A+The+Art+and+Business+of+Public+Safety" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fparanoid-but-pretty%2F37874%2F&amp;t=John+Thackara%3A+Parnaoid+But+Pretty%3A+The+Art+and+Business+of+Public+Safety" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fparanoid-but-pretty%2F37874%2F&amp;t=John+Thackara%3A+Parnaoid+But+Pretty%3A+The+Art+and+Business+of+Public+Safety" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fparanoid-but-pretty%2F37874%2F&amp;t=John+Thackara%3A+Parnaoid+But+Pretty%3A+The+Art+and+Business+of+Public+Safety" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fparanoid-but-pretty%2F37874%2F&amp;t=John+Thackara%3A+Parnaoid+But+Pretty%3A+The+Art+and+Business+of+Public+Safety" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164876846435/u/49/f/649172/c/35113/s/2b9f15c5/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164876846435/u/49/f/649172/c/35113/s/2b9f15c5/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164876846435/u/49/f/649172/c/35113/s/2b9f15c5/a2t.img" border="0"/&gt;</description><pubDate>Tue, 07 May 2013 16:18:28 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/paranoid-but-pretty/37874/</guid><dc:date>2013-05-07T16:18:28Z</dc:date><media:description>A review of Matthias Megyeri's new show at the German Architecture Center, and a review of the question the exhibition inspires: "Are we safer?"</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/37874-Megyeri01_m.jpg" /></item><item><title>Daniella Zalcman: Part New York, Part London: Collectively a Vision of Home</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2b930db3/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cnew0Eyork0E0Elondon0Ea0Evision0Eof0Ehome0C378440C/story01.htm</link><description>Daniella Zalcman created a series images that are part New York, part London, and collectively represent her vision of home&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2b930db3/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fnew-york--london-a-vision-of-home%2F37844%2F&amp;t=Daniella+Zalcman%3A+Part+New+York%2C+Part+London%3A+Collectively+a+Vision+of+Home" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fnew-york--london-a-vision-of-home%2F37844%2F&amp;t=Daniella+Zalcman%3A+Part+New+York%2C+Part+London%3A+Collectively+a+Vision+of+Home" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fnew-york--london-a-vision-of-home%2F37844%2F&amp;t=Daniella+Zalcman%3A+Part+New+York%2C+Part+London%3A+Collectively+a+Vision+of+Home" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fnew-york--london-a-vision-of-home%2F37844%2F&amp;t=Daniella+Zalcman%3A+Part+New+York%2C+Part+London%3A+Collectively+a+Vision+of+Home" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fnew-york--london-a-vision-of-home%2F37844%2F&amp;t=Daniella+Zalcman%3A+Part+New+York%2C+Part+London%3A+Collectively+a+Vision+of+Home" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164876706517/u/49/f/649172/c/35113/s/2b930db3/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164876706517/u/49/f/649172/c/35113/s/2b930db3/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164876706517/u/49/f/649172/c/35113/s/2b930db3/a2t.img" border="0"/&gt;</description><pubDate>Mon, 06 May 2013 14:42:33 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/new-york--london-a-vision-of-home/37844/</guid><dc:date>2013-05-06T14:42:33Z</dc:date><media:description>Daniella Zalcman created a series images that are part New York, part London, and collectively represent her vision of home</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/37844-13-HR_m.jpg" /></item><item><title>John Foster: Enjoying TypeToy</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2b88b90e/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cenjoying0Etypetoy0C378680C/story01.htm</link><description>This week's Accidental Mysteries highlights the blog TypeToy &amp;#8212; an online collection of mid-century design and typography created by Aaron Eiland.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2b88b90e/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fenjoying-typetoy%2F37868%2F&amp;t=John+Foster%3A+Enjoying+TypeToy" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fenjoying-typetoy%2F37868%2F&amp;t=John+Foster%3A+Enjoying+TypeToy" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fenjoying-typetoy%2F37868%2F&amp;t=John+Foster%3A+Enjoying+TypeToy" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fenjoying-typetoy%2F37868%2F&amp;t=John+Foster%3A+Enjoying+TypeToy" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fenjoying-typetoy%2F37868%2F&amp;t=John+Foster%3A+Enjoying+TypeToy" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164876723577/u/49/f/649172/c/35113/s/2b88b90e/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164876723577/u/49/f/649172/c/35113/s/2b88b90e/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164876723577/u/49/f/649172/c/35113/s/2b88b90e/a2t.img" border="0"/&gt;</description><pubDate>Sun, 05 May 2013 15:17:01 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/enjoying-typetoy/37868/</guid><dc:date>2013-05-05T15:17:01Z</dc:date><media:description>This week's Accidental Mysteries highlights the blog TypeToy &amp;#8212; an online collection of mid-century design and typography created by Aaron Eiland.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/05.05.13.01_m.jpg" /></item><item><title>Owen Edwards: Reminiscing on Frank Zachary: A Man About Town and Country</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2b59e6e6/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0E990Efactor0Ea0Eman0Eabout0Etown0E0Ecountry0C378330C/story01.htm</link><description>Owen Edwards reminisces about Frank Zachary, former editor-in-chief of &lt;em&gt;Town &amp;#38; Country&lt;/em&gt; magazine.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2b59e6e6/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-99-factor-a-man-about-town--country%2F37833%2F&amp;t=Owen+Edwards%3A+Reminiscing+on+Frank+Zachary%3A+A+Man+About+Town+and+Country" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-99-factor-a-man-about-town--country%2F37833%2F&amp;t=Owen+Edwards%3A+Reminiscing+on+Frank+Zachary%3A+A+Man+About+Town+and+Country" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-99-factor-a-man-about-town--country%2F37833%2F&amp;t=Owen+Edwards%3A+Reminiscing+on+Frank+Zachary%3A+A+Man+About+Town+and+Country" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-99-factor-a-man-about-town--country%2F37833%2F&amp;t=Owen+Edwards%3A+Reminiscing+on+Frank+Zachary%3A+A+Man+About+Town+and+Country" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-99-factor-a-man-about-town--country%2F37833%2F&amp;t=Owen+Edwards%3A+Reminiscing+on+Frank+Zachary%3A+A+Man+About+Town+and+Country" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164876530297/u/49/f/649172/c/35113/s/2b59e6e6/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164876530297/u/49/f/649172/c/35113/s/2b59e6e6/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164876530297/u/49/f/649172/c/35113/s/2b59e6e6/a2t.img" border="0"/&gt;</description><pubDate>Tue, 30 Apr 2013 14:49:22 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-99-factor-a-man-about-town--country/37833/</guid><dc:date>2013-04-30T14:49:22Z</dc:date><media:description>Owen Edwards reminisces about Frank Zachary, former editor-in-chief of &lt;em&gt;Town &amp;#38; Country&lt;/em&gt; magazine.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/37833-FrankZachary_m.jpg" /></item><item><title>John Foster: Accidental Mysteries, 04.28.13: The Inkblot and Popular Culture</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2b4561ca/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Einkblot0Eand0Epopular0Eculture0C378530C/story01.htm</link><description>Accidental Mysteries for April 28, 2013 focuses on inkblots.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2b4561ca/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-inkblot-and-popular-culture%2F37853%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.28.13%3A+The+Inkblot+and+Popular+Culture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-inkblot-and-popular-culture%2F37853%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.28.13%3A+The+Inkblot+and+Popular+Culture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-inkblot-and-popular-culture%2F37853%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.28.13%3A+The+Inkblot+and+Popular+Culture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-inkblot-and-popular-culture%2F37853%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.28.13%3A+The+Inkblot+and+Popular+Culture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-inkblot-and-popular-culture%2F37853%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.28.13%3A+The+Inkblot+and+Popular+Culture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016446020/u/49/f/649172/c/35113/s/2b4561ca/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016446020/u/49/f/649172/c/35113/s/2b4561ca/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016446020/u/49/f/649172/c/35113/s/2b4561ca/a2t.img" border="0"/&gt;</description><pubDate>Sun, 28 Apr 2013 15:14:45 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-inkblot-and-popular-culture/37853/</guid><dc:date>2013-04-28T15:14:45Z</dc:date><media:description>Accidental Mysteries for April 28, 2013 focuses on inkblots.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/04.28.13.01_m.jpg" /></item><item><title>Rick Poynor: On the trail of Robert M. Coates's The Eater of Darkness</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2b3dc23e/l/0Lobservatory0Bdesignobserver0N0Cfeature0Con0Ethe0Etrail0Eof0Ethe0Eeater0Eof0Edarkness0C378570C/story01.htm</link><description>&lt;em&gt;The Eater of Darkness&lt;/em&gt; is a collision of science fiction, murder mystery, Surrealism and experimental typography.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2b3dc23e/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fon-the-trail-of-the-eater-of-darkness%2F37857%2F&amp;t=Rick+Poynor%3A+On+the+trail+of+Robert+M.+Coates%27s+The+Eater+of+Darkness" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fon-the-trail-of-the-eater-of-darkness%2F37857%2F&amp;t=Rick+Poynor%3A+On+the+trail+of+Robert+M.+Coates%27s+The+Eater+of+Darkness" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fon-the-trail-of-the-eater-of-darkness%2F37857%2F&amp;t=Rick+Poynor%3A+On+the+trail+of+Robert+M.+Coates%27s+The+Eater+of+Darkness" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fon-the-trail-of-the-eater-of-darkness%2F37857%2F&amp;t=Rick+Poynor%3A+On+the+trail+of+Robert+M.+Coates%27s+The+Eater+of+Darkness" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fon-the-trail-of-the-eater-of-darkness%2F37857%2F&amp;t=Rick+Poynor%3A+On+the+trail+of+Robert+M.+Coates%27s+The+Eater+of+Darkness" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016438299/u/49/f/649172/c/35113/s/2b3dc23e/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016438299/u/49/f/649172/c/35113/s/2b3dc23e/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016438299/u/49/f/649172/c/35113/s/2b3dc23e/a2t.img" border="0"/&gt;</description><pubDate>Sat, 27 Apr 2013 13:10:58 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/on-the-trail-of-the-eater-of-darkness/37857/</guid><dc:date>2013-04-27T13:10:58Z</dc:date><media:description>&lt;em&gt;The Eater of Darkness&lt;/em&gt; is a collision of science fiction, murder mystery, Surrealism and experimental typography.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/Eater_homepage_m.jpg" /></item><item><title>Alexandra Lange: Is prettiness a distraction? Yes, when it comes to taking Alexander Girard seriously.</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2b1ef658/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cbeyond0Egorgeous0C378480C/story01.htm</link><description>Is prettiness a distraction? Yes, when it comes to taking Alexander Girard seriously.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2b1ef658/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbeyond-gorgeous%2F37848%2F&amp;t=Alexandra+Lange%3A+Is+prettiness+a+distraction%3F+Yes%2C+when+it+comes+to+taking+Alexander+Girard+seriously." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbeyond-gorgeous%2F37848%2F&amp;t=Alexandra+Lange%3A+Is+prettiness+a+distraction%3F+Yes%2C+when+it+comes+to+taking+Alexander+Girard+seriously." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbeyond-gorgeous%2F37848%2F&amp;t=Alexandra+Lange%3A+Is+prettiness+a+distraction%3F+Yes%2C+when+it+comes+to+taking+Alexander+Girard+seriously." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbeyond-gorgeous%2F37848%2F&amp;t=Alexandra+Lange%3A+Is+prettiness+a+distraction%3F+Yes%2C+when+it+comes+to+taking+Alexander+Girard+seriously." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbeyond-gorgeous%2F37848%2F&amp;t=Alexandra+Lange%3A+Is+prettiness+a+distraction%3F+Yes%2C+when+it+comes+to+taking+Alexander+Girard+seriously." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016326844/u/49/f/649172/c/35113/s/2b1ef658/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016326844/u/49/f/649172/c/35113/s/2b1ef658/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016326844/u/49/f/649172/c/35113/s/2b1ef658/a2t.img" border="0"/&gt;</description><pubDate>Wed, 24 Apr 2013 17:24:44 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/beyond-gorgeous/37848/</guid><dc:date>2013-04-24T17:24:44Z</dc:date><media:description>Is prettiness a distraction? Yes, when it comes to taking Alexander Girard seriously.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/photCL_MLP_1424_016tr_m.jpg" /></item><item><title>Mark Lamster: The Bush Library</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2b10b53d/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Ebush0Elibrary0C37850A0C/story01.htm</link><description>A review of the Bush Library.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2b10b53d/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-bush-library%2F37850%2F&amp;t=Mark+Lamster%3A+The+Bush+Library" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-bush-library%2F37850%2F&amp;t=Mark+Lamster%3A+The+Bush+Library" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-bush-library%2F37850%2F&amp;t=Mark+Lamster%3A+The+Bush+Library" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-bush-library%2F37850%2F&amp;t=Mark+Lamster%3A+The+Bush+Library" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-bush-library%2F37850%2F&amp;t=Mark+Lamster%3A+The+Bush+Library" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016288238/u/49/f/649172/c/35113/s/2b10b53d/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016288238/u/49/f/649172/c/35113/s/2b10b53d/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016288238/u/49/f/649172/c/35113/s/2b10b53d/a2t.img" border="0"/&gt;</description><pubDate>Tue, 23 Apr 2013 14:38:05 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-bush-library/37850/</guid><dc:date>2013-04-23T14:38:05Z</dc:date><media:description>A review of the Bush Library.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/bushcenter13_m.jpg" /></item><item><title>John Foster: Accidental Mysteries, 04.21.13: The Deep Roots of Modernism</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2afacbc2/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Edeep0Eroots0Eof0Emodernism0C378430C/story01.htm</link><description>Accidental Mysteries for April 21, 2013 focuses on the Deep Roots of Modernism.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2afacbc2/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-deep-roots-of-modernism%2F37843%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.21.13%3A+The+Deep+Roots+of+Modernism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-deep-roots-of-modernism%2F37843%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.21.13%3A+The+Deep+Roots+of+Modernism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-deep-roots-of-modernism%2F37843%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.21.13%3A+The+Deep+Roots+of+Modernism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-deep-roots-of-modernism%2F37843%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.21.13%3A+The+Deep+Roots+of+Modernism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-deep-roots-of-modernism%2F37843%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.21.13%3A+The+Deep+Roots+of+Modernism" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016234093/u/49/f/649172/c/35113/s/2afacbc2/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016234093/u/49/f/649172/c/35113/s/2afacbc2/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016234093/u/49/f/649172/c/35113/s/2afacbc2/a2t.img" border="0"/&gt;</description><pubDate>Sun, 21 Apr 2013 14:57:11 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-deep-roots-of-modernism/37843/</guid><dc:date>2013-04-21T14:57:11Z</dc:date><media:description>Accidental Mysteries for April 21, 2013 focuses on the Deep Roots of Modernism.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/04.21.13.01_m.jpg" /></item><item><title>Alexandra Lange: If you can't find the entrance, there's a problem with the architecture.</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2adf0b7a/l/0Lobservatory0Bdesignobserver0N0Cfeature0Carchitecture0Ewithout0Esigns0C378370C/story01.htm</link><description>If you can't find the entrance, there's a problem with the architecture.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2adf0b7a/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Farchitecture-without-signs%2F37837%2F&amp;t=Alexandra+Lange%3A+If+you+can%27t+find+the+entrance%2C+there%27s+a+problem+with+the+architecture." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Farchitecture-without-signs%2F37837%2F&amp;t=Alexandra+Lange%3A+If+you+can%27t+find+the+entrance%2C+there%27s+a+problem+with+the+architecture." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Farchitecture-without-signs%2F37837%2F&amp;t=Alexandra+Lange%3A+If+you+can%27t+find+the+entrance%2C+there%27s+a+problem+with+the+architecture." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Farchitecture-without-signs%2F37837%2F&amp;t=Alexandra+Lange%3A+If+you+can%27t+find+the+entrance%2C+there%27s+a+problem+with+the+architecture." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Farchitecture-without-signs%2F37837%2F&amp;t=Alexandra+Lange%3A+If+you+can%27t+find+the+entrance%2C+there%27s+a+problem+with+the+architecture." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/163644717436/u/49/f/649172/c/35113/s/2adf0b7a/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/163644717436/u/49/f/649172/c/35113/s/2adf0b7a/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/163644717436/u/49/f/649172/c/35113/s/2adf0b7a/a2t.img" border="0"/&gt;</description><pubDate>Thu, 18 Apr 2013 14:28:04 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/architecture-without-signs/37837/</guid><dc:date>2013-04-18T14:28:04Z</dc:date><media:description>If you can't find the entrance, there's a problem with the architecture.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/im_m.jpg" /></item><item><title>John Thackara: Big, Hairy, and Agile: Winner of the Digital Design of the Year Award</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2ad38821/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cbig0Ehairy0Eand0Eagile0C378350C/story01.htm</link><description>The UK government&amp;#8217;s digital services platform, gov.uk, has won the Design of the Year award.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2ad38821/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbig-hairy-and-agile%2F37835%2F&amp;t=John+Thackara%3A+Big%2C+Hairy%2C+and+Agile%3A+Winner+of+the+Digital+Design+of+the+Year+Award" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbig-hairy-and-agile%2F37835%2F&amp;t=John+Thackara%3A+Big%2C+Hairy%2C+and+Agile%3A+Winner+of+the+Digital+Design+of+the+Year+Award" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbig-hairy-and-agile%2F37835%2F&amp;t=John+Thackara%3A+Big%2C+Hairy%2C+and+Agile%3A+Winner+of+the+Digital+Design+of+the+Year+Award" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbig-hairy-and-agile%2F37835%2F&amp;t=John+Thackara%3A+Big%2C+Hairy%2C+and+Agile%3A+Winner+of+the+Digital+Design+of+the+Year+Award" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fbig-hairy-and-agile%2F37835%2F&amp;t=John+Thackara%3A+Big%2C+Hairy%2C+and+Agile%3A+Winner+of+the+Digital+Design+of+the+Year+Award" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/163644685213/u/49/f/649172/c/35113/s/2ad38821/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/163644685213/u/49/f/649172/c/35113/s/2ad38821/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/163644685213/u/49/f/649172/c/35113/s/2ad38821/a2t.img" border="0"/&gt;</description><pubDate>Wed, 17 Apr 2013 14:41:31 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/big-hairy-and-agile/37835/</guid><dc:date>2013-04-17T14:41:31Z</dc:date><media:description>The UK government&amp;#8217;s digital services platform, gov.uk, has won the Design of the Year award.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/37835-GDS-do-less_m.jpg" /></item><item><title>Rob Walker: Why did some Columbia architecture students treat their annual like garbage?</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2ac05b0c/l/0Lobservatory0Bdesignobserver0N0Cfeature0Ccover0Estory0C378190C/story01.htm</link><description>A book vs. its cover: Why Colubmia GSAPP students treated this year's architecture annual like garbage.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2ac05b0c/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fcover-story%2F37819%2F&amp;t=Rob+Walker%3A+Why+did+some+Columbia+architecture+students+treat+their+annual+like+garbage%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fcover-story%2F37819%2F&amp;t=Rob+Walker%3A+Why+did+some+Columbia+architecture+students+treat+their+annual+like+garbage%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fcover-story%2F37819%2F&amp;t=Rob+Walker%3A+Why+did+some+Columbia+architecture+students+treat+their+annual+like+garbage%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fcover-story%2F37819%2F&amp;t=Rob+Walker%3A+Why+did+some+Columbia+architecture+students+treat+their+annual+like+garbage%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fcover-story%2F37819%2F&amp;t=Rob+Walker%3A+Why+did+some+Columbia+architecture+students+treat+their+annual+like+garbage%3F" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/163644623651/u/49/f/649172/c/35113/s/2ac05b0c/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/163644623651/u/49/f/649172/c/35113/s/2ac05b0c/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/163644623651/u/49/f/649172/c/35113/s/2ac05b0c/a2t.img" border="0"/&gt;</description><pubDate>Mon, 15 Apr 2013 22:10:59 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/cover-story/37819/</guid><dc:date>2013-04-15T22:10:59Z</dc:date><media:description>A book vs. its cover: Why Colubmia GSAPP students treated this year's architecture annual like garbage.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/abs1_m.jpg" /></item><item><title>John Foster: Accidental Mysteries, 04.14.13: The Imagination of Playgrounds</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2ab41fab/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Eimagination0Eof0Eplaygrounds0C378260C/story01.htm</link><description>Accidental Mysteries for April 14 focuses on the Imagination of Playgrounds.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2ab41fab/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-imagination-of-playgrounds%2F37826%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.14.13%3A+The+Imagination+of+Playgrounds" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-imagination-of-playgrounds%2F37826%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.14.13%3A+The+Imagination+of+Playgrounds" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-imagination-of-playgrounds%2F37826%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.14.13%3A+The+Imagination+of+Playgrounds" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-imagination-of-playgrounds%2F37826%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.14.13%3A+The+Imagination+of+Playgrounds" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-imagination-of-playgrounds%2F37826%2F&amp;t=John+Foster%3A+Accidental+Mysteries%2C+04.14.13%3A+The+Imagination+of+Playgrounds" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/163068073770/u/49/f/649172/c/35113/s/2ab41fab/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/163068073770/u/49/f/649172/c/35113/s/2ab41fab/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/163068073770/u/49/f/649172/c/35113/s/2ab41fab/a2t.img" border="0"/&gt;</description><pubDate>Sun, 14 Apr 2013 16:29:56 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-imagination-of-playgrounds/37826/</guid><dc:date>2013-04-14T16:29:56Z</dc:date><media:description>Accidental Mysteries for April 14 focuses on the Imagination of Playgrounds.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/04.14.13.01_m.jpg" /></item><item><title>Alexandra Lange: Participatory budgeting lets communities put their own urban priorities in order. It also adds a price tag.</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2a84e59d/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cwhat0Eit0Ecosts0Eto0Ebuy0Ea0Ebench0Eto0Eextend0Ea0Ecurb0C378210C/story01.htm</link><description>Participatory budgeting lets communities put their own urban priorities in order.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2a84e59d/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fwhat-it-costs-to-buy-a-bench-to-extend-a-curb%2F37821%2F&amp;t=Alexandra+Lange%3A+Participatory+budgeting+lets+communities+put+their+own+urban+priorities+in+order.+It+also+adds+a+price+tag." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fwhat-it-costs-to-buy-a-bench-to-extend-a-curb%2F37821%2F&amp;t=Alexandra+Lange%3A+Participatory+budgeting+lets+communities+put+their+own+urban+priorities+in+order.+It+also+adds+a+price+tag." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fwhat-it-costs-to-buy-a-bench-to-extend-a-curb%2F37821%2F&amp;t=Alexandra+Lange%3A+Participatory+budgeting+lets+communities+put+their+own+urban+priorities+in+order.+It+also+adds+a+price+tag." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fwhat-it-costs-to-buy-a-bench-to-extend-a-curb%2F37821%2F&amp;t=Alexandra+Lange%3A+Participatory+budgeting+lets+communities+put+their+own+urban+priorities+in+order.+It+also+adds+a+price+tag." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fwhat-it-costs-to-buy-a-bench-to-extend-a-curb%2F37821%2F&amp;t=Alexandra+Lange%3A+Participatory+budgeting+lets+communities+put+their+own+urban+priorities+in+order.+It+also+adds+a+price+tag." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/163067094439/u/49/f/649172/c/35113/s/2a84e59d/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/163067094439/u/49/f/649172/c/35113/s/2a84e59d/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/163067094439/u/49/f/649172/c/35113/s/2a84e59d/a2t.img" border="0"/&gt;</description><pubDate>Tue, 09 Apr 2013 17:22:03 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/what-it-costs-to-buy-a-bench-to-extend-a-curb/37821/</guid><dc:date>2013-04-09T17:22:03Z</dc:date><media:description>Participatory budgeting lets communities put their own urban priorities in order.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/2013_PB_ballot_d39.sample-page-002_m.jpg" /></item><item><title>Rick Poynor: The practical virtue of Works That Work magazine</title><link>http://rss.feedsportal.com/c/35113/f/649172/s/2a78c41d/l/0Lobservatory0Bdesignobserver0N0Cfeature0Cthe0Epractical0Evirtue0Eof0Eworks0Ethat0Ework0C378180C/story01.htm</link><description>&lt;em&gt;Works That Work&lt;/em&gt; magazine reclaims the word &amp;#8220;creativity&amp;#8221; from the stultifying embrace of branding culture and design thinking.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/35113/f/649172/s/2a78c41d/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-practical-virtue-of-works-that-work%2F37818%2F&amp;t=Rick+Poynor%3A+The+practical+virtue+of+Works+That+Work+magazine" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-practical-virtue-of-works-that-work%2F37818%2F&amp;t=Rick+Poynor%3A+The+practical+virtue+of+Works+That+Work+magazine" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-practical-virtue-of-works-that-work%2F37818%2F&amp;t=Rick+Poynor%3A+The+practical+virtue+of+Works+That+Work+magazine" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-practical-virtue-of-works-that-work%2F37818%2F&amp;t=Rick+Poynor%3A+The+practical+virtue+of+Works+That+Work+magazine" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fobservatory.designobserver.com%2Ffeature%2Fthe-practical-virtue-of-works-that-work%2F37818%2F&amp;t=Rick+Poynor%3A+The+practical+virtue+of+Works+That+Work+magazine" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/161991080485/u/49/f/649172/c/35113/s/2a78c41d/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/161991080485/u/49/f/649172/c/35113/s/2a78c41d/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/161991080485/u/49/f/649172/c/35113/s/2a78c41d/a2t.img" border="0"/&gt;</description><pubDate>Mon, 08 Apr 2013 15:48:07 GMT</pubDate><guid isPermaLink="false">http://observatory.designobserver.com/feature/the-practical-virtue-of-works-that-work/37818/</guid><dc:date>2013-04-08T15:48:07Z</dc:date><media:description>&lt;em&gt;Works That Work&lt;/em&gt; magazine reclaims the word &amp;#8220;creativity&amp;#8221; from the stultifying embrace of branding culture and design thinking.</media:description><media:content height="256" lang="" width="256" url="http://designobserver.com/media/images/mondrian/Works_homepage_m.jpg" /></item></channel></rss>
