It’s my birthday today, and we’ll, each year, I feel like the above picture… young but old, or old but young. Anyhow, I got a laugh out of the picture above so I thought I’d share it with ya’ll.
via

Project paper
via engadget

Interesting project to start kids early in the thinking process in saving for charity! Very cool and needed.

“The power of piggy:

We believe that this simple product, Piggy, can truly make the world a better and more compassionate place.

Piggy helps teach kids about charitable giving, with the hopes of inspiring new generations of caring, sharing, philanthropic citizens.

With 12,000 children born each day in the US, imagine the social impact if just a fraction of them learned powerful lessons
of gratefulness and kindness to others.”

See the full project at goodlittlepiggy

A few pics after the jump.

Neat!

“In the sought-after London boroughs of Chelsea and Islington, inner city birds often have to claim their nesting space quickly! However, birds that are open to changing their wild ways might be convinced to try out the innovative bird-housing concept developed by the artists at London Fieldworks. The “Spontaneous City in the Tree of Heaven” opened recently as part of the Secret Garden Project by UP Projects and hopes to develop into a haven of biodiversity and create a new public awareness of the ecological and cultural value of urban green spaces.

With over 250 bird and bug boxes available in the stunning sculptural art installation, birds can choose from a range of shapes and sizes of boxes to use for shelter, nesting or feeding spaces. The diverse complex of bird boxes were designed to reflect the architecture in the nearby Georgian terraces and 1960s flats that surround the park in Duncan Terrace Gardens and Cremorne Gardens. We love the strangely organic forms that are created by stacking these distinct modular box shapes together and are happy to hear that they have been woven together using elastic bands, which means the structure can change over time as the tree grows.

Read the rest on Inhabitat with more pictures.

Hehe, so if your struggling to pick a typeface and don’t have a graphic designer to help you out, here’s a fun little infographic that might save you some thinking time in choosing a font.

via gawker (thanks shaun m)

“Sao Paulo ad agency Moma Propaganda created a wondeful series of retro future ads for Facebook, YouTube, Twitter, and Skype as part of the “Everything Ages Fast” ad campaign for Maximidia Seminars.”

I’d really like an embossed large print of these posters… what a great project! Somewhat reminds me of Back To the Future.

via LaughingSquid (This Isn’t Happiness & Ads of The World)

See all the Retro Future ads after the jump!

Wow, check out this space in japan.. makes me want to be at peace with nature,  relax, an live a very simple life… though it needs a small pool or Onsen somewhere.

“The Minimalist House in Itoman-shi, Okinawa, Japan, was designed by Shinichi Ogawa & Associates / Urbanist Architect. Just have a look a the floor plan and you’ll understand why it’s called the minimalist house.”

More images mirrored via todayandtomorrow after the jump.

Alphabet pencil heads anyone? Pretty random, but i gave me a smile.

“Many artists have used pencils to create works of art – but Dalton Ghetti creates miniature masterpieces on the tips of pencils”
via telegraph.co.uk

I came across some photography work of Iain Crawford and was quite impressed. Take a look at the website full of shots great shots! I’ll post some of my favorites after the jump.

I started Designverb on January 18th, 2006 as a quick experiment to jot down the many things I found to share with my friends and anyone else curious. Today, August 1st, 2010,  marks my 1000th post, and this one being the 1001’st.

I’ll admit the the opportunities, friendship, community, and insights I’ve received throughout the years has been amazing and it has surely kept me busy after a long day of work and on weekends.  There are times where I’m flooded with work and have very little time to post, but I started a Facebook Fan page where I post quick  fun links and have recently found some extra contributors to help find more great things to post about.

The Above picture is of sushi at O Ya here in Boston. I tend to eat sushi to celebrate  so maybe I’ll go there this week again.

Anyhow, I had no plans to really celebrate, but I thought I’d share some of the most popular posts since starting Designverb.
1. Tunnel House
2. Stuck At Heathrow Airport
3. Paint Chip Card Holder
4. Red Bull Headquarters
5. Mark Khaisman Brown Tape Art
6. Stefans Stormtroopers a Day
7. Heineken World Bottle: Beer to Bricks
8. Creepy Snow Globes
9. Color Changing Mini-Cooper
10. Burj Al Arab: Tennis Court in the Sky!
11. Non-Metric Countries
12. Shoes That Make Everyone the Same Height
13. How 315 Billion Dollars Looks
14. GadgetOff 2007 and 2009 Recaps.
15. TerraCycle Inc

And one of my fun little trips came from GM here.

Back in March 2007, soon after starting Designverb, I was selected as 1 in 100 artist worldwide to create a design for the Converse JoinRed initiative to bring AIDS awareness and to raise money for the cause. Above is the one of the final designs I submitted which was stitched by hand and went through quite a design process even though I later submitted a re-worked design because of trademarks issues in my first design.  Though I am not a shoe designer, I approached this project as any of my other projects diving into research, discovery, meaning, definition, creation, and refinement.

If your interested, read after the jump to see the design process, thinking, and some other design concepts I thought up but did not continue with in this short 2 week project.

I was contacted by Converse to submit some samples of my work along with a brief bio back in March of 2007. A month or so later I received the above letter and box with a pair of JoinRed shoes  welcoming me to this invitational initiative.  I was 1 of 100 artist worldwide chosen to participate. A few submissions would make it into production, and the rest would go into a global gallery tour to raise awareness.

I had about 2 weeks to design and create the design.  I had a few thoughts and doodles, but I’ll share with ya’ll some more concrete sketches which directed my final design.

Above are some initial thoughts, including the “Concrete shoe” concept stating that the AIDS issue is like the Berlin wall… something that is heavy and permanent indicating a long term situation,  not easy to ignore, and  needs to be torn down and will take an entire community to make it happen. Indeed this was more the sculptural artistic piece, rather than consumable product, but it had a deep meaning.

I thought of a dynamic shoes with a changing counter indicating the current number of deaths due to aids… this caused a real time understanding which tends to make people think a bit more rather than seeing static number.

Later sketches looked more into meaning and style a bit but incorporating some more information I’d learned about what happens every 6.5 seconds (someone contracts aids) or every 10 seconds (someone dies of aids), which I somewhat phrased into every 10 steps since this is a shoe. I decided that information to create reaction to observers was critical…. hence I used large number,s or smaller slash marks in connection to this number.

Some early photo montages… basically I printed out some photos and used colored pencils to see what some ideas might look like.

I really got into these slash markings having it represent people along with the counter on the side of the shoe which a user filled in independently based on a dynamic counter shown during purchase.

To simplify it a bit,  took the slash marks to the inside, which also helped define two other thoughts. AIDS affects people that are connected to the disease hence touches ones skin. The disease has gotten so bad that it has overflowed. We generally do not like things to overflow and just like aids, we must fix this and contain the overflow.

Continuing along with thoughts on overflowing, I wanted to make it a bit stylish with a few slash marks flowing over the rim.

Below are the results of the final design that took be well over 12 hours to sew by hand, and a few more to mark in the numbers, etc. The number was the exact number on the global counter when I finished the design.  40, 184, 793

Converse loved the shoe, but I later found out the slash marks were a trademark signature of a competitors shoes and they asked me to redo that portion of the design. I had a bunch of ideas, but the one I went with is the design below which changed the slash marks to a height graph representing time horizontally and totals vertically. These would be stitch marks as well as opposed to print.

Here is the description I sent into converse with my first design:

Shoes Design Description

This shoe was designed to capture ones attention by the visibly large numeric number on the side along with an initial quote on the back heel stating “Every 10 seconds…”

By creating this awareness and mystery creates a curiosity to question from viewers. Through this connection creates an interaction that allows “people wearing the shoes” to share their knowledge on AIDS awareness or to share their experience in buying these shoes while learning a few key facts on AIDS  and the story behind the captivating, real, and compelling number. These numbers also facilitate a story between separate buyers since numbers on each individual shoe signifies a different period of time to discuss in comparison.

Inside the shoe is an overflow of slash sets, representing the number of deaths due to AIDS. This overflow signifies the need for this number to stop. Also inside is a continuation of the outside heels quote:

1. Every 6.5 seconds, another person contracts HIV.

2. Every 10 seconds, another person dies from AIDS.
Theses harsh numbers are kept on the inside of the shoe:

- because much like AIDS itself, knowledge can’t be acquired simply through looks. One must ask, question, and learn by looking deeper than what’s visible.

- To reflect our societies knowledge and awareness in this subject matter. Only those affected really ever research and know.

- because AIDS is something we want contained and kept inside, but we must as a society spread knowledge of AIDS in order to contain it.

One of the largest issues with AIDS is lack of knowledge and awareness. Through interactions such as these, knowledge about AIDS will hopefully be enhanced and improved if not stopped.

The “Number”

- The “Number” represents the amount of people worldwide living with HIV/AIDS. (The number on this shoe is the number I was subjected to upon my completion of this design: 40,184,793)

- This dynamic number can be found on various webpages which Converse/JoinRED can create or mimic off others. (one example is: http://www.unfpa.org/aids_clock/ )

Options in getting a number marked on a shoe:

1. A user logs onto this webpage and marks the number at that given time on the shoe. During this interaction, additional facts on AIDS can be learned. (Simple instructions would come along in a tag attached to the shoe)

2. The shoes are manufactured with different numbers dependant on the data from the world AIDS clock, hence every shoe is independent and have different numbers based on the time of manufacturing.

Future Options:

- Stitch everything, numbers, slashes, text,.

- Add more stitch slash sets to the outside to represent a worse case overflow.

- Continue white stitch slash sets through to outside layer.

- Would be nice to have in black with red stitches.

Later on they had  bunch of interview questions. I’ll share a few of them below which has some repeats from above:

Your design combines both high-tech and a very low-fi/low tech technique—digital graphics and counter vs the hand-sewn, so how did you come up with your design? Tell me about your process.
Prior to receiving this project I’d just returned from an inspirational Bill Clinton lecture in regards to his HIV/AIDS awareness initiative at the TED2007 conference. In Clintons lecture he spoke about the awareness of the problem and the disorganized treatment needed since many providers abused the system for profit over cause.

This was heart wrenching. Treatment was available, but only given if high premium profits were established. Profits over Lives; this disgusted me. Clinton’s foundation brought these medicines down from $3500 a person to $600, then $600 down to now $60 a year…. or in Clintons words “turning Jewelry stores into Grocery stores.”

Clintons lecture gave me the understanding that “awareness” and “knowledge” were vital in fighting AIDS if not more important than funding itself. I’d been knowledgeable about AIDS over the years, but his story compelled me to really understand the bigger picture. There’s only so much advertising and marketing can do, but to really understand and be affected, a story, much like Clinton’s had to be heard.

This was my foundation prior to the project.  Who knew a few days later I’d be asked to participate in this wonderful project even though I’d a mere week with little room for extra work. (Thanks for the week extension)

I had a glance at several JoinRed shoes from the first series (via blogsphere).   Most of them were patterns, JoinRed colors, logos, sayings, and a few were African inspired patterns which I liked.  The issue I had with these designs was that I didn’t get anything else from them.  They looked great, but that was it. Perhaps some people asked “What’s JoinRed” or “Where’s that pattern from” but most likely not.  Did these shoes bring AIDS awareness to observers, or did they just look cool? Did people know about JoinRed previously or did they just ignore the unknown Red Brand? Creating a cool shoe was kind of out off the picture for my design, but promoting JoinRed was the next best thing to do somehow.

The problem in creating a promotional shoe is that people in general do not want to buy objects that promote issues such as AIDS. AIDS is not a brand, it’s a problem. It’s not that we don’t care; it’s just a touchy subject to be wearing around. Reds fine, but wearing a product that shouts AIDS is a bit much…unless it’s directly related, much like Lance Armstrong’s subtle yellow rubber wrist bands, but Converse doesn’t have AIDS. Converse is a platform to help spread the awareness; hence plastering a shoe with JoinRed logos and patterns would not satisfy my wishes. Personally those JoinRed plastered shoes look great, but I don’t think I’d ever wear them.

So, off to my sketchbook, rattling away at a few doodles, ideas, thoughts, here and there.  I initially sketched cool trendy designs and patterns, like a cover band doing a version of a classic tune… something that appealed to the shoe loving crowd using bright eye-catching colors, abstract in your face graphics, and small repetitive patterns.  Then I told myself, hey, this isn’t about style, myself, nor Converse… it’s about the “Cause”, the “Awareness” factor, the need to educate people about AIDS. Seeing a cool shoe is one thing, but designing an object that educates, engages, and shares a story or experience is sooooo much more fulfilling. People judge most stylish shoes right away, and love it or hate it….but to create “curiosity” or “mystery” to lure in people is powerful, viral, and enticing. Story is key in design and much more exciting, but consumers rarely hear the rich stories since most designs lack mystery. (You can relate it to people as well…some you judge right away and some just make you super curious, making you want to ask them questions)

So now I had a dilemma. I knew I wanted a shoe with more story than just style, but a stylish shoe would sell more (more profits) but bring less awareness and the “story” direction would do the opposite.  Converse was donating 10% of sales to AIDS foundations… did I want to create something that would bring more to money to the foundation, or more “awareness”? Could I get the best of all worlds?

Anyhow, without all the details into many late night, over-stressed discussions with friends, it came down to 3 (kind of 4) directions:

1. Art Piece: Concrete Shoe:
Create a shoe made of grey coarse concrete. Add a crack to it and embed a stamped number referring to the AIDS clock. This shoe was not wearable, it was a sculptural piece of art that was heavy, static, and with presence, much like a memorial. The AIDS problem is much like the Berlin wall, it’s a huge problem we can’t just ignore and throw away…we have to react, do something about it, until it’s broken down.

2. Style Shoe: Stylish Shoe:
Design a shoe that looked great, was stylish, caught attention, and was representative of African culture much like the previous JoinRed shoe series. This would be wearable, and would probably catch the eye of most people, but did not have much of a story. It would sell more, and make more for the foundation. I wasn’t sure about just representing African culture though because even though Africa has the largest problem with AIDS, it’s not the only place.

3. Story Shoe: Shoe that Engaged:
Create an informative shoe that caused curiosity for discussion, reaction, engagement, spread awareness, and educate. A shoe with a story and through the person wearing it.

4. Frustration shoe (Scratched out): This was an idea out of frustration.  I wanted to write on the shoe harsh words saying something like , “Don’t promote, just give”.  Converse is donating 10% of sales to AIDS foundations, but I was wondering where the other 90% went. Going back to Clintons lecture, I asked, is Converse doing this just for promotional value, and not for the cause. Why not donate 100% of the net sales, or least 100% of the profits. Why not just donate and stop promoting… I’m guessing the amount of money sunk into this project is way more than the 10% of sales they would raise, but perhaps I’m wrong. Anyhow, I was way too stressed out to think about this concept since it kept looping in my mind as a good or bad thing.

So, damn…what do I do now? I have only a day to figure it out now! I loved the art piece, but I don’t think it’s what Converse wants. I love the story piece, but I don’t think it’ll sell as much. The stylish concept seems to fit best with what’s been done but I wanted more.   A few hours later, I decided to create a hybrid between all the designs; taking elements from each and melding their strengths into one design.

A few more hours of sketching I knew what I wanted.  I kicked off the fabrication of the design in the evening after work and16+ long hours throughout the wee hours of the night later it was done!!! Whoohoooo!!  I was incredibly happy with the results though I couldn’t finish the nice instructional “tag”, instructing how to retrieve your number.

So, what’s the shoe about, what’s the story behind it, what are my expectations?  In the simplest cliff notes version of what my shoe designs intention is (some repeated info from above):

Shoes Design Description

I wanted a shoe that shared a story by creating an experience with others through discussion to acquire awareness in AIDS.

This shoe captures ones attention by the visibly large numeric number on the shoes side along with a quote on the back heel stating “Every 10 seconds…” causing mystery relating to the number. From this interaction caused curiosity from observers leading to engagement, discussion, knowledge, and understanding from the “people wearing the shoes” about their experiences in awareness for AIDS and the story to the number.

These numbers also facilitate a story between separate buyers since numbers on each individual shoe signifies different periods in time to discuss in comparison.

I was a bit shocked when I took a glance at my shoes number a few weeks ago. When I sent my shoe to Converse, the amount of people affected was 40,184,793.  A few weeks later that number was around 40,400,000; over 200,000 more people had been affected with HIV/AIDS a few weeks after my submission. I went back today, and the clock was 40,067,000, which meant less people were affected, but it also meant more people had died since.

Inside the shoe is an overflow of slash sets, representing the number of deaths due to AIDS. This “overflow” signifies the need for this number to stop. Also inside is a continuation of the outside heels quote:

1. Every 6.5 seconds, another person contracts HIV.

2. Every 10 seconds, another person dies from AIDS.

Some slash sets overflow to the outside of the shoe at various points and seem like stitch marks, reflecting the need to patch up something that is expanding and in need of healing.
Theses harsh slash sets (deaths) are kept on the inside of the shoe:

- Because much like AIDS itself, knowledge can’t be acquired simply through looks. One must ask, question, and learn by looking deeper than what’s visible.

- To reflect our societies knowledge and awareness in this subject matter. Only those affected really ever research and know.

- To show that we want death rates to be contained and not spread.

One of the largest issues with AIDS is lack of knowledge and awareness. Through interactions such as these, knowledge about AIDS will hopefully be enhanced and improved if not stopped.

The “Number”

- The number represents the customer’s experience, the number of people affected with AIDS that moment, and hopefully when they learned more about the AIDS awareness.

- The “Number” represents the amount

of people worldwide affected and living with HIV/AIDS. (The number on this shoe is the number I was subjected to upon my completion of this design: 40,184,793)

- This dynamic number can be found on various webpage’s which Converse/JoinRED can create or mimic off others. (One example is: http://www.unfpa.org/aids_clock/ )

Options in getting a number marked on a shoe:

1. A user logs onto this webpage and marks the number at that given time on the shoe. During this interaction, additional facts on AIDS can be learned. (Simple instructions would come along in a tag attached to the shoe)

2. The shoes are manufactured with different numbers dependant on the data from the world AIDS clock, hence every shoe is independent and have different numbers based on the time of manufacturing. This would cost more during manufacturing, but would give each shoe a very independent point in time.

3. A salesmen would give the buyer a unique number upon their purchase (this option is less desired since the buyer would not experience the interactions in acquiring the number and knowledge as much)

And, was it hard to do all that sewing? Is sewing new to you—and your art and design?
I’m horrible at sewing!  I was originally going to draw in the stitches and explain what I intended, but it just didn’t look right, so I took the plunge and hand sewed it overnight (12+hours, from midnight-1pm, my hands were destroyed) I didn’t get to sew everything I wanted to, but I think I made my point…my hands hated me….not an easy sewing task indeed. I thought it would take 5-6 hours, not 12+ hours for 70% of what I wanted stitched. (I think I’m better at sewing now. =) )

I did feel much better sewing it in since it’s more hands-on and less manufactured.  The shoe has more value to me now because of the time spent. The interplay between hi-tech and low-tech worked out nicely…there might be something to say how both worlds can help out in the cause or even who’s vulnerable to AIDS.

Also let’s get to the number graphic, the digital counter. Obviously I can guess what it represents, but I’d love to have it in your own words too. (You might have sent this info in already but I don’t actually have it, so please tell me)
The digital counter is an element that represents a specific point in time, a date, a dynamic figure, and a status.  These numbers change, are compared, and discussed. People ask about these numbers; limited editions, world records, countdowns, progressions in time, amounts, etc.

While doing a bit of research for the shoe, I was highly struck and inspired by the World AIDS clock, which claimed “Every 7 seconds, another person contracts HIV. Every 11 seconds another person dies of AIDS. That leaves: XXX,XXX,XXX people living with HIV.” (When I first logged onto the clock, the number was around 40 million. When I submitted the shoe, the number was around 40.2 Million. A few weeks later the clock was around 40.4 million)

I wanted a shoe that did more than just make people look at it. I wanted them to see it, wonder, get curious, and ask the person wearing it about it.  Numbers do this…we ask what does that number represent all the time. In this case, it’s not a happy thing, but it creates a connection between two people in a visual conversation, in hopes for a longer verbal discussion, experience, and awareness.

The shoes intended to have an empty digital counter stitched on the side urging a consumer to fill it in by logging onto a webpage which shows the dynamic number they should use. This number represents a specific time the consumer bought the shoes, and hopefully found out more about AIDS awareness through this webpage.

The number is large and bold on the outside of the shoe to gain attention. AIDS is not a subject people want to bring up, but attracting watchers to wonder is vital in creating curiosity, which leads to interaction, and hopefully education and awareness.

How does your Converse design relate to the rest of your design work. I mean, looking at your website, you have an amazing sounding career with great clients – so how does it relate to what you do for them?
My designs tend to have flare in tech, fun, environments, interactions, and people.  Most of my projects are very deep in research and have more function than aesthetics, though aesthetics is a function these days. I’d say the one huge relationship in most of my projects is “story”. Everything has a reason and purpose. Most everything is calculated, yet some elements are spontaneous for the better. Without story, I do not find designs as appealing. Not all have, but the ones that do, are desirable.

It’s like anything really…think of an object you have owned for many years, but wanted to trash so much, but never did because it had a story; It belonged to your great grandmother who flew across the world, you grew up with that teddy bear, it was a treasure from the pirates in the China, it was the shirt you wore when you met your wife, it’s the rock that cracked your head open…. it had a story.

Also how would you describe what you do for them?
Every client has a different goal; to make profits, solve problems, finding problems, reinventing, making projects look better, work better, etc.  I play, discover, uncover, realize, dissect, disrupt, object, create, change, evoke, and solve many things….lots of verbs I know…hence my blogs title: “Designverb.com”. But to tie everything together again, you must have a compelling story, a reason, and a belief for your ideas.

Design to me is an adaptive methodology in discovering, playing, creating, telling, and solving tangible and non-tangible emotional experiences.

In this shoe case, I had to make my own goal which was to create a shoe that would be worn, seen, and discussed. I wanted a shoe that shared a story and created an experience with others through discussion.

Tell me about your art—does it get exhibited—what are you interested in with it. How does your shoe relate to that body of work?
Most of my art work is rather old…meaning most of it is from High School and bits from college. I had several exhibitions during those time, but none are really exhibited anywhere today besides my webpage, which reaches a good audience still. I’m a bit of a web geek (design geek), so the web world counts as a nice gallery space for the world to have access to, even though it’s work I did when I has a teenager. Some ask me why I leave it up on my webpage…I say because it’s always a part of me, and I think it’s important for people to know what I did for a good 10 years in my life.

Art and Music are my foundations in Design, both lending my desire for storytelling and a connection to emotion through my work. Both also created my discipline in working.

In my perspective, art is awesome because it seems less politically driven. You do it for yourself more than for others, even though this sometimes gets the best in you.

As for the shoe…It’s art, in the sense that it’s not something that’s very commercial, but it has a depth. It’s still design, but I think of my design projects as a transformation of my art work.

What do you want people to take away from your shoe design in terms of (PRODUCT) RED? But also in terms of trying to help people?
Awareness, knowledge, engagement.

Helping comes in many ways; donations, time, discussion, and knowledge locally or globally. Some people can donate tons of money, some can make their neighbors more aware, some can blog about it, some can design around it, some may change their career paths, and some may ignore it for awhile until something happens that triggers them.  We have plenty of problems in this world, but sometimes people are not informed about everything and nothing is done…hopefully more people know now and react.

Why is participating in Converse RED a good way to drive change?
Converse/Nike is a large and inspirational platform to reach a broad audience… I don’t want to say their like McDonalds, Starbucks, or Oprah, but they are! They have the power to influence millions through many mediums and channels.

Who influences you and your creativity?
Everything inspire me! Food, TV, tiny kids, the web, tech, frisbee, problems, emotions, our goofy selves…. but major influences would definitely be from my upbringing in music, art, and culture.

Can creativity and art make people care?
Overall yes, but you can’t get everyone to care. There are ignorant people in our little mean world, but everyone has buttons to push for change. I’m an optimist, so I’ll say yes; creativity and art can make people do almost anything if you keep trying.

What do you think the role of an artist is in a cause?
Whatever they want really! Art is really just an opinion. The goal is to disrupt, inspire, discuss, reject, abrupt, ponder, accept, to just sit, etc. The role of an artist or for anyone’s matter is to communicate with an audience and share something, a story, an experience, a thought, a discovery, a solution, an idea, or just what they are doing.  In the case of a cause, an artist is trying to get others to participate, get involved, or help out however they can.

Do you see your art as working to effect change, if so how? What about in other areas of your life?
Every action has a reaction. Every action also carries a different purpose. My art/design effects change in a variety of ways, but it really depends on the project…but usually, it’s as simple as making things better, or solving a problem….though I’m in my sustainability mode these days; Climate Crisis, World Changing, Carbon Neutral, etc.

The NYtimes has a great post on “Strange Cargo at Kennedy Airport” by Taryn Simon. Everything from the bizarre, the obvious,  questionable, and extremely curious  objects.

“These images are from a set of 1,075 photographs — shot over five days last year for the book and exhibition, ‘‘Contraband’’ — of items detained or seized from passengers or express mail entering the United States from abroad at the New York airport. The miscellany of prohibited objects — from the everyday to the illegal to the just plain odd — attests to a growing worldwide traffic in counterfeit goods and natural exotica and offers a snapshot of the United States as seen through its illicit material needs and desires. ”

See the project here, read more about it, or  see many of the picture mirrored after the jump.
Buy the book with all 1,075 images on Steidl.

Our good friends over at Artefacture just came out with some sweet mugs sporting their famous sayings “I Will pay for Good Design” and “Design Will Save the World“. Grab a set and drink a cup of joe in style or be sure to pickup the shirts to let everyone know what kind of designer ya are!

What a great installation in Tokyo! Wish I were there to experience it…as if I were inside a big snow globe!

“‘sensing nature‘, an exhibition which rethinks the japanese perception of nature, has just opened at the mori art museum, tokyo with interpretations of the subject made by takashi kuribayashi, taro shinoda and tokujin yoshioka. the three japanese artists / designers give abstract or symbolic expression to immaterial or amorphous concepts as well as natural phenomenon such as snow, water, wind, light, stars, mountains, waterfalls and forests. their ideas of nature suggest that it is not something that is to be contrasted with the human world, but that it is something that incorporates all life-forms, including human beings. the exhibition consists of newly commissioned works by each of the three artists, each attempting to stimulate our sense of nature through large-scale installations.

designboom gave a preview of some of the works that would be on show in the exhibition, now here’s a look at the final installation of tokujin yoshioka’s ’snow’ that is on show.”

more images after jump mirrored from designboom

I’ve seen my share in infographics and just stumbled upon some awesome work by Chad Hagen. His posters take infographics back to their pure elements of  print and a flare of dimensionality without any need for gradients or eccentrics extras. The aged paper definitely helps a bit to give it a rustic throw back vibe. I’m actually not sure what info I’m getting from these posters but these would make great wall pieces!

via craftzine

Melbourne based graphic artist Benjamin Hammond offers some fun, original, fast 1 minute portraits on his new website OneMinutePortraits ! Yup, 1 quick minute! You submit a picture, he post a picture of what he did in 1 minute, and you decided if you want to buy it for $20 which includes shipping!
I have to admit that sometimes the quick drawings have more personality  and jazz than the longer ones… It’s somewhat like an elevator pitch.. where you just get to the point and do the obvious., or the twitter of portrait making…your self-portrait in less than 60 seconds!

This does take me back to the RISD days a bit when one of the lasses was to draw 200 self-portraits in a few days… what a rush!

Check out OneMinutPortraits.. and of course see more of Benjamin’s work here…and let me know if you try this out!
via coolhunting

I love it when nature inspires objects such as this mezmerizingly beautiful glass vase by French/Japanese design pair A + A Cooren. (lots of other great project on there site as well) The static glimpse of a tornado coupling a fragile flower stem draws a contrast between  destruction and life. Too bad there are only 21 made which means the price is not made for all. Anyhow, if I could get my hands on this… please let me know! =)

via coolhunting

A few weeks back I met up with Dan Ariely of Predictably Irrational who just launched his new book  the Upside of Irrationality. Though I have not read the new publication Dan gave me insight on the Online Dating world and how broken it is. Anyhow, I stumbled upon this great 30+ minute video of him talking a bit more in depth about Online Dating and bits on his new book. View it above or on BB.

via boingboing

“http://davidkassan.com A quick Apple ipad live fingerpainting demo that I streamed live from my Brooklyn studio on Monday June 21st. 2010, The model sat for 3 hours as I painted and answered questions on how I use the iPad and the Brushes app. Just thinking of creative uses for the ipad.”

Watch the video above or here.