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	<title>Music Theory and Composition</title>
	
	<link>http://donrathjr.com</link>
	<description>Music Education and Industry Resources by Don Rath Jr</description>
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		<title>Embellishments – The Grace Note – Part 24f</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/fM8exFQZOnQ/</link>
		<comments>http://donrathjr.com/embellishments-grace-note-part-24f/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 06:51:35 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[Embellishments in Music]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[auxiliary note]]></category>
		<category><![CDATA[principal note]]></category>
		<category><![CDATA[the grace note]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7931</guid>
		<description>The most common and simplest form of ornament in the sub-category of the grace embellishments is simply called the grace note. In a sense, the grace note is also a general name for a group of different types of grace embellishments which use the grace note as its basis. More specifically...&lt;div class="feedflare"&gt;
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		<feedburner:origLink>http://donrathjr.com/embellishments-grace-note-part-24f/</feedburner:origLink></item>
		<item>
		<title>Embellishments – The Smooth Graces – Part 24e</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/JHq9V43YI-I/</link>
		<comments>http://donrathjr.com/embellishments-smooth-graces-part-24e/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 17:08:36 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[embellishments]]></category>
		<category><![CDATA[grace ornaments]]></category>
		<category><![CDATA[music theory level 3]]></category>
		<category><![CDATA[smooth grace]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7909</guid>
		<description>For the stringed instruments, the general method of production for the smooth graces is accomplished first by depressing the appropriate string to the fretboard or fingerboard, in an associated position or fret relative to the...&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/JHq9V43YI-I" height="1" width="1"/&gt;</description>
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		<item>
		<title>Embellishments – Foundation and Guidelines – Part 24d</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/_lDes0zKKA4/</link>
		<comments>http://donrathjr.com/embellishments-foundation-guidelines-part-24d/#comments</comments>
		<pubDate>Wed, 28 Sep 2011 08:31:11 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[embellishment guidelines]]></category>
		<category><![CDATA[embelllishments]]></category>
		<category><![CDATA[foundation]]></category>
		<category><![CDATA[guidelines]]></category>
		<category><![CDATA[music theory level 3]]></category>
		<category><![CDATA[principal tone]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7847</guid>
		<description>Before continuing our presentations on embellishments, we must first lay out some basic guidelines which provide a background and which establishes the very foundation necessary for the study of them. The following details will provide...&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/_lDes0zKKA4" height="1" width="1"/&gt;</description>
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		<item>
		<title>Embellishments – The Ornamental Categories – Part 24c</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/cSUiudxkrm0/</link>
		<comments>http://donrathjr.com/embellishments-ornamental-categories/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 20:56:13 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[augmentation]]></category>
		<category><![CDATA[diminution]]></category>
		<category><![CDATA[ellaboration]]></category>
		<category><![CDATA[embellishments]]></category>
		<category><![CDATA[graces]]></category>
		<category><![CDATA[music theory level 3]]></category>
		<category><![CDATA[ornamental categories]]></category>
		<category><![CDATA[ornaments]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7828</guid>
		<description>...a “big picture” overview of the different groups of ornaments, all of which are embellishments, as used in music composition and performance. Also, this particular article includes the description of each category...&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/cSUiudxkrm0" height="1" width="1"/&gt;</description>
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		<item>
		<title>Embellishments – Introduction – Part 24a</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/U6qfwTMjUM4/</link>
		<comments>http://donrathjr.com/embellishments-introduction/#comments</comments>
		<pubDate>Mon, 26 Sep 2011 22:52:43 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[embellishment]]></category>
		<category><![CDATA[introduction]]></category>
		<category><![CDATA[melodic theme]]></category>
		<category><![CDATA[melody]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[music theory level 3]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7802</guid>
		<description>...the embellishments are a collection of specific tools which provide a variety of enhancements to simple melody. Further, they provide additional musical instructions to the performers which extend or reduce a melodic sequence of...&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/U6qfwTMjUM4" height="1" width="1"/&gt;</description>
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		<item>
		<title>Embellishments – Article Directory – Part 24b</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/XbxAnu9vtxg/</link>
		<comments>http://donrathjr.com/embellishments-article-directory-part-24b/#comments</comments>
		<pubDate>Mon, 26 Sep 2011 22:51:22 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[article directory]]></category>
		<category><![CDATA[directory]]></category>
		<category><![CDATA[embellishments]]></category>
		<category><![CDATA[embellishments in music]]></category>
		<category><![CDATA[music theory level 3]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7809</guid>
		<description>Embellishments are the tools known as ornaments which are used to enhance, through extension, addition or the reduction of the melody or a melodic theme in a music composition.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=XbxAnu9vtxg:u438VY4oRLs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=XbxAnu9vtxg:u438VY4oRLs:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=XbxAnu9vtxg:u438VY4oRLs:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=XbxAnu9vtxg:u438VY4oRLs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/XbxAnu9vtxg" height="1" width="1"/&gt;</description>
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		<item>
		<title>Music Licensing</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/JL_qr6mKm6k/</link>
		<comments>http://donrathjr.com/music-licensing/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 17:59:47 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[The Business of Music]]></category>
		<category><![CDATA[bundle of rights]]></category>
		<category><![CDATA[license fee]]></category>
		<category><![CDATA[making money with music licensing]]></category>
		<category><![CDATA[music licensing]]></category>
		<category><![CDATA[royalties]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7622</guid>
		<description>The idea of transferring the use of a piece of music to someone other than the copyright owner/holder involves making some distinctions as to which rights are being transferred. Due to the fact that the copyright includes...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=JL_qr6mKm6k:O3tgZIiGdAI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=JL_qr6mKm6k:O3tgZIiGdAI:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=JL_qr6mKm6k:O3tgZIiGdAI:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=JL_qr6mKm6k:O3tgZIiGdAI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/JL_qr6mKm6k" height="1" width="1"/&gt;</description>
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		<item>
		<title>Music Publishing Versus Self Publishing – Pros and Cons</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/oyROz1BfsKE/</link>
		<comments>http://donrathjr.com/music-publishing/#comments</comments>
		<pubDate>Mon, 12 Sep 2011 17:36:48 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[The Business of Music]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[music publishers versus self publishing]]></category>
		<category><![CDATA[music publishing]]></category>
		<category><![CDATA[self publishing]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7611</guid>
		<description>...there are two main ways of getting music published, either you publish it yourself or you find an existing music publisher who believes in you and your music. One thing rings truer today than ever before, you must think in terms of...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=oyROz1BfsKE:qTkWTIRi0CM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=oyROz1BfsKE:qTkWTIRi0CM:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=oyROz1BfsKE:qTkWTIRi0CM:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=oyROz1BfsKE:qTkWTIRi0CM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/oyROz1BfsKE" height="1" width="1"/&gt;</description>
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		<item>
		<title>Expression in Music – Part 23a</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/AfHNTOlQ6b4/</link>
		<comments>http://donrathjr.com/expression-music/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 23:45:12 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[expression marks]]></category>
		<category><![CDATA[expressions]]></category>
		<category><![CDATA[musical expression]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7320</guid>
		<description>This foundation of understanding supports multiple areas of further study for the composer and for the performers of music, studies which could include instrument making, material science and acoustics for example. Since each plays major and important roles in the resulting...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=AfHNTOlQ6b4:jGIzBkXVY7Y:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=AfHNTOlQ6b4:jGIzBkXVY7Y:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=AfHNTOlQ6b4:jGIzBkXVY7Y:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=AfHNTOlQ6b4:jGIzBkXVY7Y:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/AfHNTOlQ6b4" height="1" width="1"/&gt;</description>
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		<item>
		<title>Expression in Music – Categories – Part 23b</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/S7d_QlSJNYQ/</link>
		<comments>http://donrathjr.com/expression-music-categories-part-23b/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 16:32:03 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[categories]]></category>
		<category><![CDATA[expression marks]]></category>
		<category><![CDATA[marks for expression]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7327</guid>
		<description>Techniques and expressions are in many ways intertwined with one another and consequently it is important to delineate between the two. In most cases they are so intertwined that...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=S7d_QlSJNYQ:6EIxwK_Ve5c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=S7d_QlSJNYQ:6EIxwK_Ve5c:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=S7d_QlSJNYQ:6EIxwK_Ve5c:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=S7d_QlSJNYQ:6EIxwK_Ve5c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/S7d_QlSJNYQ" height="1" width="1"/&gt;</description>
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		<item>
		<title>Expression in Music – Words – Part 23c</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/DLS1WU9Oc0A/</link>
		<comments>http://donrathjr.com/expression-music-words-part-23c/#comments</comments>
		<pubDate>Wed, 24 Aug 2011 15:54:39 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[expression in music]]></category>
		<category><![CDATA[expression words]]></category>
		<category><![CDATA[expressivo]]></category>
		<category><![CDATA[meccanico]]></category>
		<category><![CDATA[rubato]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[tutti]]></category>
		<category><![CDATA[voices]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7385</guid>
		<description>Collectively, the words used to define expression in music fall into three main categories, those which direct one or more performers to behave or to alter their performance technique, those which quantify or define the extent or degree of ...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=DLS1WU9Oc0A:AWJSzupcYBU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=DLS1WU9Oc0A:AWJSzupcYBU:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=DLS1WU9Oc0A:AWJSzupcYBU:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=DLS1WU9Oc0A:AWJSzupcYBU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/DLS1WU9Oc0A" height="1" width="1"/&gt;</description>
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		<item>
		<title>Expression in Music – Word List – Part 23d</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/7Bs0cfUwsWw/</link>
		<comments>http://donrathjr.com/expression-music-word-list-part-23d/#comments</comments>
		<pubDate>Wed, 24 Aug 2011 04:09:24 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Theory - Level 3]]></category>
		<category><![CDATA[expression in music]]></category>
		<category><![CDATA[Expression in Music - Word List - Part 23d]]></category>
		<category><![CDATA[expression word list]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7392</guid>
		<description>This concludes our expression word list as well as the series our mini-series Expression in Music. We hope you will continue your study of this concept moving forward as the knowledge learned will help you to improve conveying your musical ideas through the use of the symbolic language of music, music notation.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=7Bs0cfUwsWw:ek5o0IZtj8A:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=7Bs0cfUwsWw:ek5o0IZtj8A:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=7Bs0cfUwsWw:ek5o0IZtj8A:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=7Bs0cfUwsWw:ek5o0IZtj8A:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/7Bs0cfUwsWw" height="1" width="1"/&gt;</description>
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		<item>
		<title>Lichty Guitars – Jay Lichty, Luthier</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/EhDcUq3oe04/</link>
		<comments>http://donrathjr.com/lichty-guitars-jay-lichty-luthier/#comments</comments>
		<pubDate>Wed, 17 Aug 2011 22:46:48 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Acoustic Guitar]]></category>
		<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Luthiers]]></category>
		<category><![CDATA[corrie woods]]></category>
		<category><![CDATA[jay lichty]]></category>
		<category><![CDATA[lake eden arts festival]]></category>
		<category><![CDATA[leaf]]></category>
		<category><![CDATA[lichty guitars]]></category>
		<category><![CDATA[luthier]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7211</guid>
		<description>What enhances your satisfaction is the fact that you have played an important role in the design of your new musical instrument in a special cooperative dance with the person actually building your instrument. The icing on the cake comes when you are actually...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=EhDcUq3oe04:B8bXoiLab_Y:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=EhDcUq3oe04:B8bXoiLab_Y:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=EhDcUq3oe04:B8bXoiLab_Y:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=EhDcUq3oe04:B8bXoiLab_Y:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/EhDcUq3oe04" height="1" width="1"/&gt;</description>
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		<item>
		<title>StringTunes – Website Updated</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/iJik0dSEWTE/</link>
		<comments>http://donrathjr.com/stringtunes-website-updated/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 21:32:46 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[site updated]]></category>
		<category><![CDATA[stringtunes]]></category>
		<category><![CDATA[stringtunes - website updated]]></category>

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		<description>For those who have an interest to reactivate an existing link which may have been lost or to those interested in exchanging links with us, we are certainly interested in linking together should our websites coincide and support one another. If you are interested please contact us...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=iJik0dSEWTE:41AQZ4NphQY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=iJik0dSEWTE:41AQZ4NphQY:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=iJik0dSEWTE:41AQZ4NphQY:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=iJik0dSEWTE:41AQZ4NphQY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/iJik0dSEWTE" height="1" width="1"/&gt;</description>
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		<item>
		<title>The Components of Musicality</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/uIWGysKcMss/</link>
		<comments>http://donrathjr.com/components-musicality/#comments</comments>
		<pubDate>Wed, 03 Aug 2011 03:55:40 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[Featured Content and Articles by Don Rath Jr]]></category>
		<category><![CDATA[Music Composition]]></category>
		<category><![CDATA[components of musicality]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[music theory]]></category>
		<category><![CDATA[musicality]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7083</guid>
		<description>The application of each of the components of musicality has a direct and indirect impact or influence on how we perceive music as a listener. Collectively, the composer must consider and use the various concepts or components of musicality in an attempt to create a musical masterpiece.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=uIWGysKcMss:0Ow6jP8lso4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=uIWGysKcMss:0Ow6jP8lso4:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=uIWGysKcMss:0Ow6jP8lso4:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=uIWGysKcMss:0Ow6jP8lso4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/uIWGysKcMss" height="1" width="1"/&gt;</description>
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		<item>
		<title>Music Composition – 10 Limits and Considerations</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/xrbK0ee4BOk/</link>
		<comments>http://donrathjr.com/music-composition-10-limits-considerations/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 22:50:30 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Music Composition]]></category>
		<category><![CDATA[articulations]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[instruments]]></category>
		<category><![CDATA[limits and considerations]]></category>
		<category><![CDATA[music composition]]></category>
		<category><![CDATA[musical instruments]]></category>
		<category><![CDATA[performance capabilities]]></category>
		<category><![CDATA[registers]]></category>
		<category><![CDATA[tunig]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=7064</guid>
		<description>In music composition there are several limits and considerations a composer must know which are related to both the instrument itself as well as for the artists and the performers of your compositions. There are other limitations which a composer must consider as well such as who their audience is, in what media is the composition directed, what style of music, what is...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=xrbK0ee4BOk:Hg0_YJldMbI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=xrbK0ee4BOk:Hg0_YJldMbI:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=xrbK0ee4BOk:Hg0_YJldMbI:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=xrbK0ee4BOk:Hg0_YJldMbI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/xrbK0ee4BOk" height="1" width="1"/&gt;</description>
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		<title>The Violin</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/cMIZbXOqBr8/</link>
		<comments>http://donrathjr.com/violin-2/#comments</comments>
		<pubDate>Sun, 26 Jun 2011 20:26:12 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Musical Instruments]]></category>
		<category><![CDATA[The Chordophones]]></category>
		<category><![CDATA[Violin]]></category>
		<category><![CDATA[chordophone]]></category>
		<category><![CDATA[luthiers]]></category>
		<category><![CDATA[sarasate]]></category>
		<category><![CDATA[stringed and fretted instruments]]></category>
		<category><![CDATA[stringed instrument]]></category>
		<category><![CDATA[violin]]></category>
		<category><![CDATA[violins]]></category>
		<category><![CDATA[zigeunerweisenluthier]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=6957</guid>
		<description>...the violin is the closest sounding musical instrument to the human voice. It is difficult to argue that point. Also, the violin is profoundly expressive in nature and it is considered to be one of the most versatile instruments in the orchestra. The range of articulations...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=cMIZbXOqBr8:VHjNZ5uecyA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=cMIZbXOqBr8:VHjNZ5uecyA:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=cMIZbXOqBr8:VHjNZ5uecyA:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=cMIZbXOqBr8:VHjNZ5uecyA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/cMIZbXOqBr8" height="1" width="1"/&gt;</description>
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		<item>
		<title>The Viola</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/Vc5Meo_4ERk/</link>
		<comments>http://donrathjr.com/viola/#comments</comments>
		<pubDate>Fri, 24 Jun 2011 18:28:35 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Musical Instruments]]></category>
		<category><![CDATA[The Chordophones]]></category>
		<category><![CDATA[Viola]]></category>
		<category><![CDATA[chordophone]]></category>
		<category><![CDATA[musical instruments]]></category>
		<category><![CDATA[string section]]></category>
		<category><![CDATA[stringed instrument]]></category>
		<category><![CDATA[viola]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=6944</guid>
		<description>Many claim that the sound qualities of the viola are mournful in nature. To a degree, this comment is true however the complete capabilities of the viola and its range of sonic character, of the possible sounds it is able to produce, goes way beyond...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=Vc5Meo_4ERk:v1JTi-0GVAc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=Vc5Meo_4ERk:v1JTi-0GVAc:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=Vc5Meo_4ERk:v1JTi-0GVAc:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=Vc5Meo_4ERk:v1JTi-0GVAc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/Vc5Meo_4ERk" height="1" width="1"/&gt;</description>
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		<item>
		<title>The Ukulele</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/-8VpmhiaRTg/</link>
		<comments>http://donrathjr.com/ukulele/#comments</comments>
		<pubDate>Fri, 24 Jun 2011 14:35:41 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Musical Instruments]]></category>
		<category><![CDATA[The Chordophones]]></category>
		<category><![CDATA[Ukulele]]></category>
		<category><![CDATA[chordophone]]></category>
		<category><![CDATA[chordophones]]></category>
		<category><![CDATA[daniel ho]]></category>
		<category><![CDATA[international luthier showcase]]></category>
		<category><![CDATA[luthier]]></category>
		<category><![CDATA[luthier showcase]]></category>
		<category><![CDATA[musical instrument]]></category>
		<category><![CDATA[stringed instrument]]></category>
		<category><![CDATA[ukehawaiian music]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=6931</guid>
		<description>The ukulele is very similar to the guitar in shape and construction but on a much smaller scale. The four most common sizes are the soprano, concert, tenor, and baritone ukuleles with scales, the distance between the nut and the bridge of the instrument, ranges from...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=-8VpmhiaRTg:wVVPMxQsCxQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=-8VpmhiaRTg:wVVPMxQsCxQ:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=-8VpmhiaRTg:wVVPMxQsCxQ:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=-8VpmhiaRTg:wVVPMxQsCxQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/-8VpmhiaRTg" height="1" width="1"/&gt;</description>
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		<item>
		<title>The Mandolin</title>
		<link>http://feedproxy.google.com/~r/donrathjr/GgKa/~3/Drs3KuEXMIU/</link>
		<comments>http://donrathjr.com/mandolin/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 19:00:28 +0000</pubDate>
		<dc:creator>Don Rath Jr</dc:creator>
				<category><![CDATA[Blog Roll]]></category>
		<category><![CDATA[From My Pen - By Don Rath Jr]]></category>
		<category><![CDATA[Mandolin]]></category>
		<category><![CDATA[Musical Instruments]]></category>
		<category><![CDATA[The Chordophones]]></category>
		<category><![CDATA[musical instruments]]></category>
		<category><![CDATA[stringed instruments]]></category>
		<category><![CDATA[strumming techniques]]></category>
		<category><![CDATA[tremolo]]></category>

		<guid isPermaLink="false">http://donrathjr.com/?p=6910</guid>
		<description>...techniques which include rapid arpeggios, tremolos and quick strumming techniques the mandolin offers a unique sound over other stringed instruments. Typically played with a plectrum or pick the tremolo technique, a rapid and repeated up and down stroke is...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=Drs3KuEXMIU:6mCaDLf-4Wk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=Drs3KuEXMIU:6mCaDLf-4Wk:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?i=Drs3KuEXMIU:6mCaDLf-4Wk:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/donrathjr/GgKa?a=Drs3KuEXMIU:6mCaDLf-4Wk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/donrathjr/GgKa?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/donrathjr/GgKa/~4/Drs3KuEXMIU" height="1" width="1"/&gt;</description>
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