<?xml version="1.0" encoding="UTF-8" standalone="no"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0">
	<channel>
		<title>The Drum: A Literary Magazine For Your Ears</title>
		<link>http://www.drumlitmag.com</link>
		<language>en</language>
		<description>The Drum</description>
				<itunes:explicit>no</itunes:explicit><itunes:image href="http://www.drumlitmag.com/images/drumpodcastlogo.jpg"/><itunes:summary>You don't read The Drum. You listen to it.&#13;
&#13;
The Drum Literary Magazine publishes short fiction, essays, novel excerpts, poems and interviews exclusively in audio form. The Drum is a your source for Literature Out Loud.</itunes:summary><itunes:subtitle>A Literary Magazine For Your Ears</itunes:subtitle><itunes:category text="Arts"><itunes:category text="Literature"/></itunes:category><itunes:author>The Drum Literary Magazine</itunes:author><item>
			<title>Issue 77. Spring 2020 : Mini-cast Episode 5</title>
			<link>https://drumlitmag.com/mp3s/SafeAndSoundEpisode5Final.mp3</link>
			
			<itunes:duration>8:53</itunes:duration>
			<enclosure length="533" type="audio/mpeg" url="https://drumlitmag.com/mp3s/SafeAndSoundEpisode5Final.mp3"/>
			<description>Episode 5 of Safe &amp;amp; Sound features a magical bird, a hypnotist and two writers with work perfectly suited to our current crisis. Tune in to meet debut novelist Jennifer Rosner and memoirist Sue William Silverman as they read from their new books and discuss creativity, survival and the importance of gallows humor.</description>
			<guid>https://drumlitmag.com/mp3s/SafeAndSoundEpisode5Final.mp3</guid>
			<pubDate>Mon, 27 Apr 2020 22:51:20 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Episode 5 of Safe &amp;amp; Sound features a magical bird, a hypnotist and two writers with work perfectly suited to our current crisis. Tune in to meet debut novelist Jennifer Rosner and memoirist Sue William Silverman as they read from their new books and discuss creativity, survival and the importance of gallows humor.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Episode 5 of Safe &amp;amp; Sound features a magical bird, a hypnotist and two writers with work perfectly suited to our current crisis. Tune in to meet debut novelist Jennifer Rosner and memoirist Sue William Silverman as they read from their new books and discuss creativity, survival and the importance of gallows humor.</itunes:summary></item>
		<item>
			<title>Issue 77. Spring 2020 : Mini-cast Episode 4</title>
			<link>https://drumlitmag.com/mp3s/SafeAndSoundEpisode4Final.mp3</link>
			
			<itunes:duration>6:56</itunes:duration>
			<enclosure length="416" type="audio/mpeg" url="https://drumlitmag.com/mp3s/SafeAndSoundEpisode4Final.mp3"/>
			<description>Mysterious dreams, red tulips and a suspicious car on a snowy Moscow night&amp;mdash;all this can be found in Episode 4 of Safe &amp;amp; Sound. Listen in to meet writers Ann Lewinson and Carrie Callaghan as they introduce their brand-new books.</description>
			<guid>https://drumlitmag.com/mp3s/SafeAndSoundEpisode4Final.mp3</guid>
			<pubDate>Tue, 21 Apr 2020 22:14:35 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Mysterious dreams, red tulips and a suspicious car on a snowy Moscow night&amp;mdash;all this can be found in Episode 4 of Safe &amp;amp; Sound. Listen in to meet writers Ann Lewinson and Carrie Callaghan as they introduce their brand-new books.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Mysterious dreams, red tulips and a suspicious car on a snowy Moscow night&amp;mdash;all this can be found in Episode 4 of Safe &amp;amp; Sound. Listen in to meet writers Ann Lewinson and Carrie Callaghan as they introduce their brand-new books.</itunes:summary></item>
		<item>
			<title>Issue 77. Spring 2020 : Mini-cast Episode 3</title>
			<link>https://drumlitmag.com/mp3s/SafeAndSoundEpisode3-49207.57PM.mp3</link>
			
			<itunes:duration>6:56</itunes:duration>
			<enclosure length="416" type="audio/mpeg" url="https://drumlitmag.com/mp3s/SafeAndSoundEpisode3-49207.57PM.mp3"/>
			<description>Liven up your couch-to-kitchen commute with tales of mug shots, animal companions, unexpected heirlooms and facing the worst-case scenario with Emily Dickinson. Tune in to meet memoirist Alia Volz and poet Lesley Wheeler on Episode 3 of Safe &amp;amp; Sound.</description>
			<guid>https://drumlitmag.com/mp3s/SafeAndSoundEpisode3-49207.57PM.mp3</guid>
			<pubDate>Thu, 09 Apr 2020 20:10:00 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Liven up your couch-to-kitchen commute with tales of mug shots, animal companions, unexpected heirlooms and facing the worst-case scenario with Emily Dickinson. Tune in to meet memoirist Alia Volz and poet Lesley Wheeler on Episode 3 of Safe &amp;amp; Sound.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Liven up your couch-to-kitchen commute with tales of mug shots, animal companions, unexpected heirlooms and facing the worst-case scenario with Emily Dickinson. Tune in to meet memoirist Alia Volz and poet Lesley Wheeler on Episode 3 of Safe &amp;amp; Sound.</itunes:summary></item>
		<item>
			<title>Issue 77. Spring 2020 : Mini-cast Episode 2</title>
			<link>https://drumlitmag.com/mp3s/SafeAndSoundEpisode2copy-44201.19AM.mp3</link>
			
			<itunes:duration>6:53</itunes:duration>
			<enclosure length="413" type="audio/mpeg" url="https://drumlitmag.com/mp3s/SafeAndSoundEpisode2copy-44201.19AM.mp3"/>
			<description>No trips to the bookstore this weekend, but you can tune in to Episode 2 of Safe &amp;amp; Sound to discover brand new books by writers Vanessa Hua and Gila Green. Listen in as they share stories about breaking and entering, elephant poaching and baking bread.</description>
			<guid>https://drumlitmag.com/mp3s/SafeAndSoundEpisode2copy-44201.19AM.mp3</guid>
			<pubDate>Sat, 04 Apr 2020 01:49:58 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>No trips to the bookstore this weekend, but you can tune in to Episode 2 of Safe &amp;amp; Sound to discover brand new books by writers Vanessa Hua and Gila Green. Listen in as they share stories about breaking and entering, elephant poaching and baking bread.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>No trips to the bookstore this weekend, but you can tune in to Episode 2 of Safe &amp;amp; Sound to discover brand new books by writers Vanessa Hua and Gila Green. Listen in as they share stories about breaking and entering, elephant poaching and baking bread.</itunes:summary></item>
		<item>
			<title>Issue 77. Spring 2020 : Mini-cast Episode 1</title>
			<link>https://drumlitmag.com/mp3s/SafeAndSoundEpisode1-328201.49PM.mp3</link>
			
			<itunes:duration>5:02</itunes:duration>
			<enclosure length="302" type="audio/mpeg" url="https://drumlitmag.com/mp3s/SafeAndSoundEpisode1-328201.49PM.mp3"/>
			<description>Though you may be hunkered down indoors, you can still reach out and connect to fresh voices and new stories. Check out the first episode of our &amp;ldquo;mini-cast,&amp;rdquo; Safe &amp;amp; Sound, where you&amp;rsquo;ll meet memoirist Helen Fremont, poet Jacob Strautmann, a West Virginia mining town and a "lightly used" cat.</description>
			<guid>https://drumlitmag.com/mp3s/SafeAndSoundEpisode1-328201.49PM.mp3</guid>
			<pubDate>Mon, 30 Mar 2020 21:06:09 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Though you may be hunkered down indoors, you can still reach out and connect to fresh voices and new stories. Check out the first episode of our &amp;ldquo;mini-cast,&amp;rdquo; Safe &amp;amp; Sound, where you&amp;rsquo;ll meet memoirist Helen Fremont, poet Jacob Strautmann, a West Virginia mining town and a "lightly used" cat.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Though you may be hunkered down indoors, you can still reach out and connect to fresh voices and new stories. Check out the first episode of our &amp;ldquo;mini-cast,&amp;rdquo; Safe &amp;amp; Sound, where you&amp;rsquo;ll meet memoirist Helen Fremont, poet Jacob Strautmann, a West Virginia mining town and a "lightly used" cat.</itunes:summary></item>
		<item>
			<title>Issue 77. Spring 2020 : Three Poems</title>
			<link>https://drumlitmag.com/mp3s/ElizabethKnapp.mp3</link>
			
			<itunes:duration>12:59</itunes:duration>
			<enclosure length="779" type="audio/mpeg" url="https://drumlitmag.com/mp3s/ElizabethKnapp.mp3"/>
			<description>Elizabeth Knapp reads her poems "Capital I," "Is That a Gun in Your Pocket" and "Self-Portrait as Kurt Cobain Wrestling with the Angel" and speaks with Poetry Editor Kirun Kapur about topics ranging from American politics to her advice to young poets.
</description>
			<guid>https://drumlitmag.com/mp3s/ElizabethKnapp.mp3</guid>
			<pubDate>Tue, 11 Feb 2020 23:41:39 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Elizabeth Knapp reads her poems "Capital I," "Is That a Gun in Your Pocket" and "Self-Portrait as Kurt Cobain Wrestling with the Angel" and speaks with Poetry Editor Kirun Kapur about topics ranging from American politics to her advice to young poets.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Elizabeth Knapp reads her poems "Capital I," "Is That a Gun in Your Pocket" and "Self-Portrait as Kurt Cobain Wrestling with the Angel" and speaks with Poetry Editor Kirun Kapur about topics ranging from American politics to her advice to young poets.</itunes:summary></item>
		<item>
			<title>Issue 76. Fall 2019 : One City One Story: Yvonne</title>
			<link>https://drumlitmag.com/mp3s/CieraBurch--Yvonne.mp3</link>
			
			<itunes:duration>31:12</itunes:duration>
			<enclosure length="1872" type="audio/mpeg" url="https://drumlitmag.com/mp3s/CieraBurch--Yvonne.mp3"/>
			<description>"Yvonne" by Ciera Burch is the 2019 One City One Story all-city read selection for the city of Boston. One City One Story is an annual project of the Boston Book Festival, which prints and distributes 20,000 copies of the selected story for free throughout Greater Boston. Ciera Burch will appear at the Boston Book Festival for town hall discussions on both October 19 and October 20, in Copley Square and Dudley Square. For more information about the Boston Book Festival and One City One Story, please visit bostonbookfest.org. The story is read aloud by Henriette Lazaridis.</description>
			<guid>https://drumlitmag.com/mp3s/CieraBurch--Yvonne.mp3</guid>
			<pubDate>Fri, 27 Sep 2019 16:44:24 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"Yvonne" by Ciera Burch is the 2019 One City One Story all-city read selection for the city of Boston. One City One Story is an annual project of the Boston Book Festival, which prints and distributes 20,000 copies of the selected story for free throughout Greater Boston. Ciera Burch will appear at the Boston Book Festival for town hall discussions on both October 19 and October 20, in Copley Square and Dudley Square. For more information about the Boston Book Festival and One City One Story, please visit bostonbookfest.org. The story is read aloud by Henriette Lazaridis.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"Yvonne" by Ciera Burch is the 2019 One City One Story all-city read selection for the city of Boston. One City One Story is an annual project of the Boston Book Festival, which prints and distributes 20,000 copies of the selected story for free throughout Greater Boston. Ciera Burch will appear at the Boston Book Festival for town hall discussions on both October 19 and October 20, in Copley Square and Dudley Square. For more information about the Boston Book Festival and One City One Story, please visit bostonbookfest.org. The story is read aloud by Henriette Lazaridis.</itunes:summary></item>
		<item>
			<title>Issue 75. Spring 2019 : Cheyenne</title>
			<link>https://drumlitmag.com/mp3s/JanisseRay--Cheyenne.mp3</link>
			
			<itunes:duration>15:59</itunes:duration>
			<enclosure length="959" type="audio/mpeg" url="https://drumlitmag.com/mp3s/JanisseRay--Cheyenne.mp3"/>
			<description>Cattle auctions, pastures, and an old horse. These make up the world of Janisse Ray's essay "Cheyenne", about an old horse taken in by Ray's family. Ray's piece explores the nature of love, the connections between love and pity, and the discovery of grace.</description>
			<guid>https://drumlitmag.com/mp3s/JanisseRay--Cheyenne.mp3</guid>
			<pubDate>Wed, 01 May 2019 08:52:12 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Cattle auctions, pastures, and an old horse. These make up the world of Janisse Ray's essay "Cheyenne", about an old horse taken in by Ray's family. Ray's piece explores the nature of love, the connections between love and pity, and the discovery of grace.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Cattle auctions, pastures, and an old horse. These make up the world of Janisse Ray's essay "Cheyenne", about an old horse taken in by Ray's family. Ray's piece explores the nature of love, the connections between love and pity, and the discovery of grace.</itunes:summary></item>
		<item>
			<title>Issue 75. Spring 2019 : Burning Silence</title>
			<link>https://drumlitmag.com/mp3s/GeoffMartin--BurningSilence.mp3</link>
			
			<itunes:duration>15:04</itunes:duration>
			<enclosure length="904" type="audio/mpeg" url="https://drumlitmag.com/mp3s/GeoffMartin--BurningSilence.mp3"/>
			<description>The repetitive work of a tree-planting camp, the complexity of the forest, and above all, the sounds of that world--these are the subjects of Geoff Martin's essay "Burning Silence". Tasked with tending a loud generator, Martin contemplates how noise and stillness fuel our creativity.</description>
			<guid>https://drumlitmag.com/mp3s/GeoffMartin--BurningSilence.mp3</guid>
			<pubDate>Fri, 19 Apr 2019 11:05:16 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The repetitive work of a tree-planting camp, the complexity of the forest, and above all, the sounds of that world--these are the subjects of Geoff Martin's essay "Burning Silence". Tasked with tending a loud generator, Martin contemplates how noise and stillness fuel our creativity.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The repetitive work of a tree-planting camp, the complexity of the forest, and above all, the sounds of that world--these are the subjects of Geoff Martin's essay "Burning Silence". Tasked with tending a loud generator, Martin contemplates how noise and stillness fuel our creativity.</itunes:summary></item>
		<item>
			<title>Issue 75. Spring 2019 : Toads </title>
			<link>https://drumlitmag.com/mp3s/MayaDetwiller--Toads.mp3</link>
			
			<itunes:duration>10:35</itunes:duration>
			<enclosure length="635" type="audio/mpeg" url="https://drumlitmag.com/mp3s/MayaDetwiller--Toads.mp3"/>
			<description>Maya Detwiller's short story "Toads" explores the pains and rewards of adolescence through a child's habit of collecting toads. A giant supervising and creating miniature worlds, the story's narrator finds herself looking for a place--a place to fit, to belong, to grow in and away from. </description>
			<guid>https://drumlitmag.com/mp3s/MayaDetwiller--Toads.mp3</guid>
			<pubDate>Wed, 03 Apr 2019 09:14:03 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Maya Detwiller's short story "Toads" explores the pains and rewards of adolescence through a child's habit of collecting toads. A giant supervising and creating miniature worlds, the story's narrator finds herself looking for a place--a place to fit, to belong, to grow in and away from.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Maya Detwiller's short story "Toads" explores the pains and rewards of adolescence through a child's habit of collecting toads. A giant supervising and creating miniature worlds, the story's narrator finds herself looking for a place--a place to fit, to belong, to grow in and away from.</itunes:summary></item>
		<item>
			<title>Issue 75. Spring 2019 : Two Poems</title>
			<link>https://drumlitmag.com/mp3s/NickoleBrown--TwoPoems.mp3</link>
			
			<itunes:duration>37:18</itunes:duration>
			<enclosure length="2238" type="audio/mpeg" url="https://drumlitmag.com/mp3s/NickoleBrown--TwoPoems.mp3"/>
			<description>Nickole Brown reads her poems "Wild Thing" and "Against Despair: The Kid Goat" and speaks with Poetry Editor Kirun Kapur about topics ranging from her inspiration for her work, to her Kentucky upbringing, to the first poem that resonated with her.</description>
			<guid>https://drumlitmag.com/mp3s/NickoleBrown--TwoPoems.mp3</guid>
			<pubDate>Thu, 28 Mar 2019 18:47:16 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Nickole Brown reads her poems "Wild Thing" and "Against Despair: The Kid Goat" and speaks with Poetry Editor Kirun Kapur about topics ranging from her inspiration for her work, to her Kentucky upbringing, to the first poem that resonated with her.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Nickole Brown reads her poems "Wild Thing" and "Against Despair: The Kid Goat" and speaks with Poetry Editor Kirun Kapur about topics ranging from her inspiration for her work, to her Kentucky upbringing, to the first poem that resonated with her.</itunes:summary></item>
		<item>
			<title>Issue 74. Winter 2019 : Keep in Touch</title>
			<link>https://drumlitmag.com/mp3s/KariLund-Tiegen--KeepinTouch.mp3</link>
			
			<itunes:duration>14:09</itunes:duration>
			<enclosure length="849" type="audio/mpeg" url="https://drumlitmag.com/mp3s/KariLund-Tiegen--KeepinTouch.mp3"/>
			<description>The Great Confusion has occurred, and in its aftermath, Bea is looking for her daughter. Her husband has gone missing, too. Kari Lund-Teigen's "Keep in Touch" vividly evokes a dystopian world, as well as the lengths to which its inhabitants will go to to communicate and connect.</description>
			<guid>https://drumlitmag.com/mp3s/KariLund-Tiegen--KeepinTouch.mp3</guid>
			<pubDate>Wed, 06 Feb 2019 14:32:05 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Great Confusion has occurred, and in its aftermath, Bea is looking for her daughter. Her husband has gone missing, too. Kari Lund-Teigen's "Keep in Touch" vividly evokes a dystopian world, as well as the lengths to which its inhabitants will go to to communicate and connect.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The Great Confusion has occurred, and in its aftermath, Bea is looking for her daughter. Her husband has gone missing, too. Kari Lund-Teigen's "Keep in Touch" vividly evokes a dystopian world, as well as the lengths to which its inhabitants will go to to communicate and connect.</itunes:summary></item>
		<item>
			<title>Issue 74. Winter 2019 : The Ideal Reasoner</title>
			<link>https://drumlitmag.com/mp3s/S.D.Jones--TheIdealReasoner.mp3</link>
			
			<itunes:duration>22:19</itunes:duration>
			<enclosure length="1339" type="audio/mpeg" url="https://drumlitmag.com/mp3s/S.D.Jones--TheIdealReasoner.mp3"/>
			<description>S.D. Jones' short story "The Ideal Reasoner" gives a comic and touching twist to relationship trouble, as a Shelockian AI creates upheaval in a marriage--only to bring about a surprising resolution.</description>
			<guid>https://drumlitmag.com/mp3s/S.D.Jones--TheIdealReasoner.mp3</guid>
			<pubDate>Wed, 06 Feb 2019 14:17:33 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>S.D. Jones' short story "The Ideal Reasoner" gives a comic and touching twist to relationship trouble, as a Shelockian AI creates upheaval in a marriage--only to bring about a surprising resolution.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>S.D. Jones' short story "The Ideal Reasoner" gives a comic and touching twist to relationship trouble, as a Shelockian AI creates upheaval in a marriage--only to bring about a surprising resolution.</itunes:summary></item>
		<item>
			<title>Issue 74. Winter 2019 : What's Heavy?</title>
			<link>https://drumlitmag.com/mp3s/BradfordPhilen--WhatsHeavy.mp3</link>
			
			<itunes:duration>21:49</itunes:duration>
			<enclosure length="1309" type="audio/mpeg" url="https://drumlitmag.com/mp3s/BradfordPhilen--WhatsHeavy.mp3"/>
			<description>"I don't have much time," says Dickie, the narrator of Bradford Philen's "What's Heavy". Dickie is a high-school kid, but he doesn't have much time--before his father's kidneys give out, before the coming hurricane hits, before Ophelia, the girl he's into, gives up on him. Dickie is under more than specific pressures on this one night when his many burdens weigh on him.</description>
			<guid>https://drumlitmag.com/mp3s/BradfordPhilen--WhatsHeavy.mp3</guid>
			<pubDate>Tue, 05 Feb 2019 16:57:18 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"I don't have much time," says Dickie, the narrator of Bradford Philen's "What's Heavy". Dickie is a high-school kid, but he doesn't have much time--before his father's kidneys give out, before the coming hurricane hits, before Ophelia, the girl he's into, gives up on him. Dickie is under more than specific pressures on this one night when his many burdens weigh on him.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"I don't have much time," says Dickie, the narrator of Bradford Philen's "What's Heavy". Dickie is a high-school kid, but he doesn't have much time--before his father's kidneys give out, before the coming hurricane hits, before Ophelia, the girl he's into, gives up on him. Dickie is under more than specific pressures on this one night when his many burdens weigh on him.</itunes:summary></item>
		<item>
			<title>Issue 74. Winter 2019 : Next Life</title>
			<link>https://drumlitmag.com/mp3s/KaiaPreus--NextLife.mp3</link>
			
			<itunes:duration>19:24</itunes:duration>
			<enclosure length="1164" type="audio/mpeg" url="https://drumlitmag.com/mp3s/KaiaPreus--NextLife.mp3"/>
			<description>Frankie is a pet rat. And in Kaia Preus' story "Next Life," he is dying. As Zoe tries to soften his last moments, she tries, too, to find balance in her relationships with two men. Tenderness towards Frankie becomes her litmus test, but also the source of some surprising insights.</description>
			<guid>https://drumlitmag.com/mp3s/KaiaPreus--NextLife.mp3</guid>
			<pubDate>Tue, 05 Feb 2019 16:35:16 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Frankie is a pet rat. And in Kaia Preus' story "Next Life," he is dying. As Zoe tries to soften his last moments, she tries, too, to find balance in her relationships with two men. Tenderness towards Frankie becomes her litmus test, but also the source of some surprising insights.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Frankie is a pet rat. And in Kaia Preus' story "Next Life," he is dying. As Zoe tries to soften his last moments, she tries, too, to find balance in her relationships with two men. Tenderness towards Frankie becomes her litmus test, but also the source of some surprising insights.</itunes:summary></item>
		<item>
			<title>Issue 74. Winter 2019 : Devil's Drop</title>
			<link>https://drumlitmag.com/mp3s/HeatherCripps--DevilsDrop.mp3</link>
			
			<itunes:duration>15:51</itunes:duration>
			<enclosure length="951" type="audio/mpeg" url="https://drumlitmag.com/mp3s/HeatherCripps--DevilsDrop.mp3"/>
			<description>Three boys make an unpleasant discovery while playing in a local park. Through one boy's narration, Heather Cripps' "Devil's Drop" tells the story of the children's vulnerability and the poignant ways in which they search for reassurance.</description>
			<guid>https://drumlitmag.com/mp3s/HeatherCripps--DevilsDrop.mp3</guid>
			<pubDate>Tue, 05 Feb 2019 12:27:39 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Three boys make an unpleasant discovery while playing in a local park. Through one boy's narration, Heather Cripps' "Devil's Drop" tells the story of the children's vulnerability and the poignant ways in which they search for reassurance.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Three boys make an unpleasant discovery while playing in a local park. Through one boy's narration, Heather Cripps' "Devil's Drop" tells the story of the children's vulnerability and the poignant ways in which they search for reassurance.</itunes:summary></item>
		<item>
			<title>Issue 73. January 2019 : Two Poems</title>
			<link>https://drumlitmag.com/mp3s/JanuaryGillONeil--poetry.mp3</link>
			
			<itunes:duration>9:44</itunes:duration>
			<enclosure length="584" type="audio/mpeg" url="https://drumlitmag.com/mp3s/JanuaryGillONeil--poetry.mp3"/>
			<description>What better way to start off 2019 on The Drum than to fill our January issue with poems by January Gill O'Neil. O'Neil speaks with Poetry Editor Kirun Kapur after reading aloud two poems from her new book Rewilding.</description>
			<guid>https://drumlitmag.com/mp3s/JanuaryGillONeil--poetry.mp3</guid>
			<pubDate>Mon, 28 Jan 2019 16:09:09 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>What better way to start off 2019 on The Drum than to fill our January issue with poems by January Gill O'Neil. O'Neil speaks with Poetry Editor Kirun Kapur after reading aloud two poems from her new book Rewilding.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>What better way to start off 2019 on The Drum than to fill our January issue with poems by January Gill O'Neil. O'Neil speaks with Poetry Editor Kirun Kapur after reading aloud two poems from her new book Rewilding.</itunes:summary></item>
		<item>
			<title>Issue 72. December 2018 : Feeding Champion</title>
			<link>https://drumlitmag.com/mp3s/AndreaJohnston--FeedingChampion.mp3</link>
			
			<itunes:duration>9:29</itunes:duration>
			<enclosure length="569" type="audio/mpeg" url="https://drumlitmag.com/mp3s/AndreaJohnston--FeedingChampion.mp3"/>
			<description>When a robber encounters a hungry Golden Retriever while breaking into a house, the encounter evokes a poignant monologue about how to treat a dog and how not to stock a refrigerator. And Andrea Johnston's "Feeding Champion" is about much more than that. It's about the responsibilities we have towards each other, and about how we do what's right even when promises change.</description>
			<guid>https://drumlitmag.com/mp3s/AndreaJohnston--FeedingChampion.mp3</guid>
			<pubDate>Fri, 11 Jan 2019 17:10:47 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>When a robber encounters a hungry Golden Retriever while breaking into a house, the encounter evokes a poignant monologue about how to treat a dog and how not to stock a refrigerator. And Andrea Johnston's "Feeding Champion" is about much more than that. It's about the responsibilities we have towards each other, and about how we do what's right even when promises change.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>When a robber encounters a hungry Golden Retriever while breaking into a house, the encounter evokes a poignant monologue about how to treat a dog and how not to stock a refrigerator. And Andrea Johnston's "Feeding Champion" is about much more than that. It's about the responsibilities we have towards each other, and about how we do what's right even when promises change.</itunes:summary></item>
		<item>
			<title>Issue 72. December 2018 : Squirrel</title>
			<link>https://drumlitmag.com/mp3s/AlecSolomita--Squirrel.mp3</link>
			
			<itunes:duration>20:17</itunes:duration>
			<enclosure length="1217" type="audio/mpeg" url="https://drumlitmag.com/mp3s/AlecSolomita--Squirrel.mp3"/>
			<description>In 1970, the narrator and his several brothers drive off in a Duster to defend their mother's honor. The fact that most of them are high plays some role in the confusion that ensues. Alec Solomita's "Squirrel" is a tale of sibling allegiances and misunderstandings, told with tenderness and wit.</description>
			<guid>https://drumlitmag.com/mp3s/AlecSolomita--Squirrel.mp3</guid>
			<pubDate>Fri, 14 Dec 2018 18:39:51 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In 1970, the narrator and his several brothers drive off in a Duster to defend their mother's honor. The fact that most of them are high plays some role in the confusion that ensues. Alec Solomita's "Squirrel" is a tale of sibling allegiances and misunderstandings, told with tenderness and wit.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In 1970, the narrator and his several brothers drive off in a Duster to defend their mother's honor. The fact that most of them are high plays some role in the confusion that ensues. Alec Solomita's "Squirrel" is a tale of sibling allegiances and misunderstandings, told with tenderness and wit.</itunes:summary></item>
		<item>
			<title>Issue 72. December 2018 : Horny For Construction</title>
			<link>https://drumlitmag.com/mp3s/GuyThorvaldsen--HornyforConstruction.mp3</link>
			
			<itunes:duration>15:02</itunes:duration>
			<enclosure length="902" type="audio/mpeg" url="https://drumlitmag.com/mp3s/GuyThorvaldsen--HornyforConstruction.mp3"/>
			<description>Two men work to remove a heavy cast-iron tub from a bathroom. They are both middle-aged; one is a teacher, a writer. In Guy Thorvaldsen's essay "Horny For Construction," working with your hands is full of lessons--about rewards and process, but also about what Thorvaldsen calls "small disagreements with the universe". </description>
			<guid>https://drumlitmag.com/mp3s/GuyThorvaldsen--HornyforConstruction.mp3</guid>
			<pubDate>Fri, 07 Dec 2018 11:39:29 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Two men work to remove a heavy cast-iron tub from a bathroom. They are both middle-aged; one is a teacher, a writer. In Guy Thorvaldsen's essay "Horny For Construction," working with your hands is full of lessons--about rewards and process, but also about what Thorvaldsen calls "small disagreements with the universe".</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Two men work to remove a heavy cast-iron tub from a bathroom. They are both middle-aged; one is a teacher, a writer. In Guy Thorvaldsen's essay "Horny For Construction," working with your hands is full of lessons--about rewards and process, but also about what Thorvaldsen calls "small disagreements with the universe".</itunes:summary></item>
		<item>
			<title>Issue 71. November 2018 : Head Like a Hole</title>
			<link>https://drumlitmag.com/mp3s/AmyLillard--HeadLikeaHole.mp3</link>
			
			<itunes:duration>20:50</itunes:duration>
			<enclosure length="1250" type="audio/mpeg" url="https://drumlitmag.com/mp3s/AmyLillard--HeadLikeaHole.mp3"/>
			<description>The husband who narrates Amy Lee Lillard's story "Head Like a Hole" watches, puzzled, as a perfectly round hole grows in his backyard. The growing hole, and the wife's ongoing vigil, tell a poignant story of self, integrity, and, ultimately, connection.</description>
			<guid>https://drumlitmag.com/mp3s/AmyLillard--HeadLikeaHole.mp3</guid>
			<pubDate>Tue, 20 Nov 2018 16:33:57 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The husband who narrates Amy Lee Lillard's story "Head Like a Hole" watches, puzzled, as a perfectly round hole grows in his backyard. The growing hole, and the wife's ongoing vigil, tell a poignant story of self, integrity, and, ultimately, connection.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The husband who narrates Amy Lee Lillard's story "Head Like a Hole" watches, puzzled, as a perfectly round hole grows in his backyard. The growing hole, and the wife's ongoing vigil, tell a poignant story of self, integrity, and, ultimately, connection.</itunes:summary></item>
		<item>
			<title>Issue 71. November 2018 : s w i m</title>
			<link>https://drumlitmag.com/mp3s/MarshaMcDonald--swim.mp3</link>
			
			<itunes:duration>11:18</itunes:duration>
			<enclosure length="678" type="audio/mpeg" url="https://drumlitmag.com/mp3s/MarshaMcDonald--swim.mp3"/>
			<description>What is held, what holds you, in water or in air? Marsha McDonald's story "s w i m" raises and explores these questions through the story of a girl taught to swim by her uncle. Learning much more than that about her body's resilience, the narrator connects her experience to the terrors and enticements of deep water.</description>
			<guid>https://drumlitmag.com/mp3s/MarshaMcDonald--swim.mp3</guid>
			<pubDate>Mon, 12 Nov 2018 11:14:42 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>What is held, what holds you, in water or in air? Marsha McDonald's story "s w i m" raises and explores these questions through the story of a girl taught to swim by her uncle. Learning much more than that about her body's resilience, the narrator connects her experience to the terrors and enticements of deep water.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>What is held, what holds you, in water or in air? Marsha McDonald's story "s w i m" raises and explores these questions through the story of a girl taught to swim by her uncle. Learning much more than that about her body's resilience, the narrator connects her experience to the terrors and enticements of deep water.</itunes:summary></item>
		<item>
			<title>Issue 71. November 2018 : Hit Me</title>
			<link>https://drumlitmag.com/mp3s/GregorySpatz--HitMe.mp3</link>
			
			<itunes:duration>34:36</itunes:duration>
			<enclosure length="2076" type="audio/mpeg" url="https://drumlitmag.com/mp3s/GregorySpatz--HitMe.mp3"/>
			<description>A group of high-school boys tests each other and themselves with the game of knuckles. From the pain of knuckles, to the release of getting high, to the sweet pleasure of a Charleston Chew, these boys feel everything, and try to pretend they can choose what they let in. "Hit Me" is a story--beautifully performed by Spatz--about aggression, recklessness, and surprising weakness.</description>
			<guid>https://drumlitmag.com/mp3s/GregorySpatz--HitMe.mp3</guid>
			<pubDate>Mon, 05 Nov 2018 16:01:44 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A group of high-school boys tests each other and themselves with the game of knuckles. From the pain of knuckles, to the release of getting high, to the sweet pleasure of a Charleston Chew, these boys feel everything, and try to pretend they can choose what they let in. "Hit Me" is a story--beautifully performed by Spatz--about aggression, recklessness, and surprising weakness.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A group of high-school boys tests each other and themselves with the game of knuckles. From the pain of knuckles, to the release of getting high, to the sweet pleasure of a Charleston Chew, these boys feel everything, and try to pretend they can choose what they let in. "Hit Me" is a story--beautifully performed by Spatz--about aggression, recklessness, and surprising weakness.</itunes:summary></item>
		<item>
			<title>Issue 70. October 2018 : Poems</title>
			<link>https://drumlitmag.com/mp3s/ErinHoover--Poems.mp3</link>
			
			<itunes:duration>16:45</itunes:duration>
			<enclosure length="1005" type="audio/mpeg" url="https://drumlitmag.com/mp3s/ErinHoover--Poems.mp3"/>
			<description>Erin Hoover's poems "What Is The Sisterhood to Me" and "If You Are Confused About Whether a Girl Can Consent" speak to the issues of our current news-cycle and to the timeless issues of power and selfhood. In an accompanying interview with Poetry Editor Kirun Kapur, Hoover talks about her process, her favorite poem, and other aspects of her work.</description>
			<guid>https://drumlitmag.com/mp3s/ErinHoover--Poems.mp3</guid>
			<pubDate>Fri, 26 Oct 2018 14:14:37 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Erin Hoover's poems "What Is The Sisterhood to Me" and "If You Are Confused About Whether a Girl Can Consent" speak to the issues of our current news-cycle and to the timeless issues of power and selfhood. In an accompanying interview with Poetry Editor Kirun Kapur, Hoover talks about her process, her favorite poem, and other aspects of her work.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Erin Hoover's poems "What Is The Sisterhood to Me" and "If You Are Confused About Whether a Girl Can Consent" speak to the issues of our current news-cycle and to the timeless issues of power and selfhood. In an accompanying interview with Poetry Editor Kirun Kapur, Hoover talks about her process, her favorite poem, and other aspects of her work.</itunes:summary></item>
		<item>
			<title>Issue 70. October 2018 : Happy Hour</title>
			<link>https://drumlitmag.com/mp3s/KateWisel--HappyHour.mp3</link>
			
			<itunes:duration>5:30</itunes:duration>
			<enclosure length="330" type="audio/mpeg" url="https://drumlitmag.com/mp3s/KateWisel--HappyHour.mp3"/>
			<description>A tattoo on a woman's body becomes the locus of a complex interaction between power and passivity in Kate Wisel's short story "Happy Hour". Within a relationship marked with bruises and broken bones, the tattoo raises questions of independence and escape.</description>
			<guid>https://drumlitmag.com/mp3s/KateWisel--HappyHour.mp3</guid>
			<pubDate>Thu, 18 Oct 2018 17:01:55 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A tattoo on a woman's body becomes the locus of a complex interaction between power and passivity in Kate Wisel's short story "Happy Hour". Within a relationship marked with bruises and broken bones, the tattoo raises questions of independence and escape.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A tattoo on a woman's body becomes the locus of a complex interaction between power and passivity in Kate Wisel's short story "Happy Hour". Within a relationship marked with bruises and broken bones, the tattoo raises questions of independence and escape.</itunes:summary></item>
		<item>
			<title>Issue 70. October 2018 : But That's Not The Way It Feels</title>
			<link>https://drumlitmag.com/mp3s/EvaDunsky--ButThatsNotTheWayItFeels.mp3</link>
			
			<itunes:duration>9:49</itunes:duration>
			<enclosure length="589" type="audio/mpeg" url="https://drumlitmag.com/mp3s/EvaDunsky--ButThatsNotTheWayItFeels.mp3"/>
			<description>The Wednesday Fiasco is how Eva Dunsky refers to the sudden end of an adolescent relationship. "But That's Not The Way It Feels" is a wry account of a break-up, tinged with the melancholy wisdom of Jim Croce and youthful perspective.</description>
			<guid>https://drumlitmag.com/mp3s/EvaDunsky--ButThatsNotTheWayItFeels.mp3</guid>
			<pubDate>Thu, 04 Oct 2018 16:19:09 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Wednesday Fiasco is how Eva Dunsky refers to the sudden end of an adolescent relationship. "But That's Not The Way It Feels" is a wry account of a break-up, tinged with the melancholy wisdom of Jim Croce and youthful perspective.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The Wednesday Fiasco is how Eva Dunsky refers to the sudden end of an adolescent relationship. "But That's Not The Way It Feels" is a wry account of a break-up, tinged with the melancholy wisdom of Jim Croce and youthful perspective.</itunes:summary></item>
		<item>
			<title>Issue 69. September 2018 : Fen</title>
			<link>https://drumlitmag.com/mp3s/KateLasell--Fen.mp3</link>
			
			<itunes:duration>11:52</itunes:duration>
			<enclosure length="712" type="audio/mpeg" url="https://drumlitmag.com/mp3s/KateLasell--Fen.mp3"/>
			<description>A swamp is home to an imagined panther named "Fen" in Kate Lassell's eponymous story. Narrated by a precocious kid named Judith, the story follows a father and daughter fighting to preserve a threatened marsh--and working to sustain their small family after a tragic loss.</description>
			<guid>https://drumlitmag.com/mp3s/KateLasell--Fen.mp3</guid>
			<pubDate>Wed, 26 Sep 2018 17:20:12 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A swamp is home to an imagined panther named "Fen" in Kate Lassell's eponymous story. Narrated by a precocious kid named Judith, the story follows a father and daughter fighting to preserve a threatened marsh--and working to sustain their small family after a tragic loss.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A swamp is home to an imagined panther named "Fen" in Kate Lassell's eponymous story. Narrated by a precocious kid named Judith, the story follows a father and daughter fighting to preserve a threatened marsh--and working to sustain their small family after a tragic loss.</itunes:summary></item>
		<item>
			<title>Issue 69. September 2018 : MAILBOX</title>
			<link>https://drumlitmag.com/mp3s/PhilShreck--Mailbox.mp3</link>
			
			<itunes:duration>22:56</itunes:duration>
			<enclosure length="1376" type="audio/mpeg" url="https://drumlitmag.com/mp3s/PhilShreck--Mailbox.mp3"/>
			<description>A thing as ordinary as a mailbox becomes the focus of all of one man's passions in Phil Shreck's eponymous story. Russell tilts not at windmills but at his mailboxes, old and new, and at a deep-seated sense of inadequacy. Shreck reads his darkly funny story aloud in a brilliant performance.</description>
			<guid>https://drumlitmag.com/mp3s/PhilShreck--Mailbox.mp3</guid>
			<pubDate>Wed, 19 Sep 2018 18:19:32 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A thing as ordinary as a mailbox becomes the focus of all of one man's passions in Phil Shreck's eponymous story. Russell tilts not at windmills but at his mailboxes, old and new, and at a deep-seated sense of inadequacy. Shreck reads his darkly funny story aloud in a brilliant performance.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A thing as ordinary as a mailbox becomes the focus of all of one man's passions in Phil Shreck's eponymous story. Russell tilts not at windmills but at his mailboxes, old and new, and at a deep-seated sense of inadequacy. Shreck reads his darkly funny story aloud in a brilliant performance.</itunes:summary></item>
		<item>
			<title>Issue 69. September 2018 : Two Poems</title>
			<link>https://drumlitmag.com/mp3s/ShaneSeeley--Poems.mp3</link>
			
			<itunes:duration>18:32</itunes:duration>
			<enclosure length="1112" type="audio/mpeg" url="https://drumlitmag.com/mp3s/ShaneSeeley--Poems.mp3"/>
			<description>Shane Seely reads his poems "Just Now a Goose" and "Two Stories Up" and speaks with Poetry Editor Kirun Kapur about his process, his first favorite poem, and how he likes to write by "leaning out over his skis".</description>
			<guid>https://drumlitmag.com/mp3s/ShaneSeeley--Poems.mp3</guid>
			<pubDate>Wed, 12 Sep 2018 19:37:27 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Shane Seely reads his poems "Just Now a Goose" and "Two Stories Up" and speaks with Poetry Editor Kirun Kapur about his process, his first favorite poem, and how he likes to write by "leaning out over his skis".</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Shane Seely reads his poems "Just Now a Goose" and "Two Stories Up" and speaks with Poetry Editor Kirun Kapur about his process, his first favorite poem, and how he likes to write by "leaning out over his skis".</itunes:summary></item>
		<item>
			<title>Issue 69. September 2018 : DISPATCH: When Hobos Come Home</title>
			<link>https://drumlitmag.com/mp3s/VirginiaMarshall--DispatchBrittIA-WhenHobosComeHome.mp3</link>
			
			<itunes:duration>14:43</itunes:duration>
			<enclosure length="883" type="audio/mpeg" url="https://drumlitmag.com/mp3s/VirginiaMarshall--DispatchBrittIA-WhenHobosComeHome.mp3"/>
			<description>Every summer since 1900, the National Hobo Convention takes place in Britt, Iowa, a tiny town whose two train lines have made it the center of hobo memory for generations. Virginia Marshall's Dispatch from the Convention captures the voices of hobos gathered to name their king and queen, and speaks of the idea of freedom and the reality of borders as they define the hobo way of life.</description>
			<guid>https://drumlitmag.com/mp3s/VirginiaMarshall--DispatchBrittIA-WhenHobosComeHome.mp3</guid>
			<pubDate>Thu, 06 Sep 2018 11:15:09 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Every summer since 1900, the National Hobo Convention takes place in Britt, Iowa, a tiny town whose two train lines have made it the center of hobo memory for generations. Virginia Marshall's Dispatch from the Convention captures the voices of hobos gathered to name their king and queen, and speaks of the idea of freedom and the reality of borders as they define the hobo way of life.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Every summer since 1900, the National Hobo Convention takes place in Britt, Iowa, a tiny town whose two train lines have made it the center of hobo memory for generations. Virginia Marshall's Dispatch from the Convention captures the voices of hobos gathered to name their king and queen, and speaks of the idea of freedom and the reality of borders as they define the hobo way of life.</itunes:summary></item>
		<item>
			<title>Issue 68. March 2018 : Two Poems and an Interview</title>
			<link>https://drumlitmag.com/mp3s/AustinSegrest--TwoPoems.mp3</link>
			
			<itunes:duration>8:18</itunes:duration>
			<enclosure length="498" type="audio/mpeg" url="https://drumlitmag.com/mp3s/AustinSegrest--TwoPoems.mp3"/>
			<description>Football and a bong are the ostensible subjects of Austin Segrest's two poems "Wingback" and "The Big Bong". Segrest's poetry is both playful and serious here, classically grounded and utterly contemporary. After reading the poems, he speaks with Poetry Editor Kirun Kapur about his sources of ideas, his approach to writing, and his current non-poetry obsession: tennis.</description>
			<guid>https://drumlitmag.com/mp3s/AustinSegrest--TwoPoems.mp3</guid>
			<pubDate>Wed, 21 Mar 2018 18:53:38 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Football and a bong are the ostensible subjects of Austin Segrest's two poems "Wingback" and "The Big Bong". Segrest's poetry is both playful and serious here, classically grounded and utterly contemporary. After reading the poems, he speaks with Poetry Editor Kirun Kapur about his sources of ideas, his approach to writing, and his current non-poetry obsession: tennis.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Football and a bong are the ostensible subjects of Austin Segrest's two poems "Wingback" and "The Big Bong". Segrest's poetry is both playful and serious here, classically grounded and utterly contemporary. After reading the poems, he speaks with Poetry Editor Kirun Kapur about his sources of ideas, his approach to writing, and his current non-poetry obsession: tennis.</itunes:summary></item>
		<item>
			<title>Issue 67. February 2018 : FEBRUARY FLASH MIXTAPE</title>
			<link>https://drumlitmag.com/mp3s/FebruaryFlashMixtape.mp3</link>
			
			<itunes:duration>21:45</itunes:duration>
			<enclosure length="1305" type="audio/mpeg" url="https://drumlitmag.com/mp3s/FebruaryFlashMixtape.mp3"/>
			<description>Since February is the shortest month, we think it's the perfect time for the shortest of stories. And so, we bring you that icon of long-ago pop culture, now modified for the post-cassette era: the mixtape. In one track, we've compiled six short pieces from The Drum's archives, from writers Matt Bell, Ron MacLean, Michelle Seaton, Cumi Ikeda, Allison Williams, and Nathan Poole. These are tales of snakes and tidepools, butchers and fish, identity and danger.</description>
			<guid>https://drumlitmag.com/mp3s/FebruaryFlashMixtape.mp3</guid>
			<pubDate>Tue, 13 Feb 2018 16:53:42 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Since February is the shortest month, we think it's the perfect time for the shortest of stories. And so, we bring you that icon of long-ago pop culture, now modified for the post-cassette era: the mixtape. In one track, we've compiled six short pieces from The Drum's archives, from writers Matt Bell, Ron MacLean, Michelle Seaton, Cumi Ikeda, Allison Williams, and Nathan Poole. These are tales of snakes and tidepools, butchers and fish, identity and danger.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Since February is the shortest month, we think it's the perfect time for the shortest of stories. And so, we bring you that icon of long-ago pop culture, now modified for the post-cassette era: the mixtape. In one track, we've compiled six short pieces from The Drum's archives, from writers Matt Bell, Ron MacLean, Michelle Seaton, Cumi Ikeda, Allison Williams, and Nathan Poole. These are tales of snakes and tidepools, butchers and fish, identity and danger.</itunes:summary></item>
		<item>
			<title>Issue 67. February 2018 : Not Your Usual Valentine's Love Poems</title>
			<link>https://drumlitmag.com/mp3s/FrederickSpeers--ThreePoemsandanInterview.mp3</link>
			
			<itunes:duration>28:00</itunes:duration>
			<enclosure length="1680" type="audio/mpeg" url="https://drumlitmag.com/mp3s/FrederickSpeers--ThreePoemsandanInterview.mp3"/>
			<description>Frederick Speers' poems "Deerskull," "Interlude Blues," and "Star Jasmine" are not your usual love poems. Featuring loss, death, and decay, they explore the darker side of love. In his interview with Kirun Kapur, Speers talks about how his work originates, about his relationship with love poetry, and about how his work fits or doesn't into the long tradition of poems about love. </description>
			<guid>https://drumlitmag.com/mp3s/FrederickSpeers--ThreePoemsandanInterview.mp3</guid>
			<pubDate>Tue, 13 Feb 2018 14:24:42 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Frederick Speers' poems "Deerskull," "Interlude Blues," and "Star Jasmine" are not your usual love poems. Featuring loss, death, and decay, they explore the darker side of love. In his interview with Kirun Kapur, Speers talks about how his work originates, about his relationship with love poetry, and about how his work fits or doesn't into the long tradition of poems about love.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Frederick Speers' poems "Deerskull," "Interlude Blues," and "Star Jasmine" are not your usual love poems. Featuring loss, death, and decay, they explore the darker side of love. In his interview with Kirun Kapur, Speers talks about how his work originates, about his relationship with love poetry, and about how his work fits or doesn't into the long tradition of poems about love.</itunes:summary></item>
		<item>
			<title>Issue 66. January 2018 : Two Poems and an Interview</title>
			<link>https://drumlitmag.com/mp3s/LeslieWilliams--Poems.mp3</link>
			
			<itunes:duration>15:31</itunes:duration>
			<enclosure length="931" type="audio/mpeg" url="https://drumlitmag.com/mp3s/LeslieWilliams--Poems.mp3"/>
			<description>"XOX" begins with a fake-leather belt and concludes with thoughts on the sincerity of greetings and the limits of our reaching out to those in trouble. In both this poem and in "Teach Us to Number Our Days," Leslie Williams works within a surprising complexity to bring musicality and meaning together--topics she discusses in her interview with Poetry Editor Kirun Kapur.</description>
			<guid>https://drumlitmag.com/mp3s/LeslieWilliams--Poems.mp3</guid>
			<pubDate>Tue, 30 Jan 2018 16:31:08 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"XOX" begins with a fake-leather belt and concludes with thoughts on the sincerity of greetings and the limits of our reaching out to those in trouble. In both this poem and in "Teach Us to Number Our Days," Leslie Williams works within a surprising complexity to bring musicality and meaning together--topics she discusses in her interview with Poetry Editor Kirun Kapur.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"XOX" begins with a fake-leather belt and concludes with thoughts on the sincerity of greetings and the limits of our reaching out to those in trouble. In both this poem and in "Teach Us to Number Our Days," Leslie Williams works within a surprising complexity to bring musicality and meaning together--topics she discusses in her interview with Poetry Editor Kirun Kapur.</itunes:summary></item>
		<item>
			<title>Issue 66. January 2018 : Where We Found the Girls</title>
			<link>https://drumlitmag.com/mp3s/BrandiReissenweber--WhereWeFoundTheGirls.mp3</link>
			
			<itunes:duration>28:01</itunes:duration>
			<enclosure length="1681" type="audio/mpeg" url="https://drumlitmag.com/mp3s/BrandiReissenweber--WhereWeFoundTheGirls.mp3"/>
			<description>The anger and frustration of girls is at the core of Brandi Reissenweber's short story "Where We Found the Girls". As, one by one, four girls in a community are discovered in strange and mysterious circumstances, the townspeople must confront what they themselves have failed to see and understand.</description>
			<guid>https://drumlitmag.com/mp3s/BrandiReissenweber--WhereWeFoundTheGirls.mp3</guid>
			<pubDate>Mon, 22 Jan 2018 08:46:36 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The anger and frustration of girls is at the core of Brandi Reissenweber's short story "Where We Found the Girls". As, one by one, four girls in a community are discovered in strange and mysterious circumstances, the townspeople must confront what they themselves have failed to see and understand.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The anger and frustration of girls is at the core of Brandi Reissenweber's short story "Where We Found the Girls". As, one by one, four girls in a community are discovered in strange and mysterious circumstances, the townspeople must confront what they themselves have failed to see and understand.</itunes:summary></item>
		<item>
			<title>Issue 66. January 2018 : Death Fears Him</title>
			<link>https://drumlitmag.com/mp3s/LauraJones--DeathFearsHim.mp3</link>
			
			<itunes:duration>16:24</itunes:duration>
			<enclosure length="984" type="audio/mpeg" url="https://drumlitmag.com/mp3s/LauraJones--DeathFearsHim.mp3"/>
			<description>Mustang Wanted is one of a small group of young men who hang by their bare hands from the tops of skyscrapers. Without ropes. Laura Jones' essay "Death Fears Him" delves into this subculture, exploring the dangerous and fascinating intersection of risk and fame. </description>
			<guid>https://drumlitmag.com/mp3s/LauraJones--DeathFearsHim.mp3</guid>
			<pubDate>Mon, 08 Jan 2018 08:36:09 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Mustang Wanted is one of a small group of young men who hang by their bare hands from the tops of skyscrapers. Without ropes. Laura Jones' essay "Death Fears Him" delves into this subculture, exploring the dangerous and fascinating intersection of risk and fame.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Mustang Wanted is one of a small group of young men who hang by their bare hands from the tops of skyscrapers. Without ropes. Laura Jones' essay "Death Fears Him" delves into this subculture, exploring the dangerous and fascinating intersection of risk and fame.</itunes:summary></item>
		<item>
			<title>Issue 66. January 2018 : Dear Deer</title>
			<link>https://drumlitmag.com/mp3s/CindyHouse--DearDeer.mp3</link>
			
			<itunes:duration>18:45</itunes:duration>
			<enclosure length="1125" type="audio/mpeg" url="https://drumlitmag.com/mp3s/CindyHouse--DearDeer.mp3"/>
			<description>A woman, her two sons, her ex, and a deer. Add to this the knife the ex is using to gut the animal and you have a family crisis of compelling drama. Cindy House's "Dear Deer" doesn't skimp on the suspense but finds humor too in this confrontation over much more than one hunted animal.</description>
			<guid>https://drumlitmag.com/mp3s/CindyHouse--DearDeer.mp3</guid>
			<pubDate>Tue, 02 Jan 2018 11:03:54 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A woman, her two sons, her ex, and a deer. Add to this the knife the ex is using to gut the animal and you have a family crisis of compelling drama. Cindy House's "Dear Deer" doesn't skimp on the suspense but finds humor too in this confrontation over much more than one hunted animal.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A woman, her two sons, her ex, and a deer. Add to this the knife the ex is using to gut the animal and you have a family crisis of compelling drama. Cindy House's "Dear Deer" doesn't skimp on the suspense but finds humor too in this confrontation over much more than one hunted animal.</itunes:summary></item>
		<item>
			<title>Issue 65. November 2017 : Fairyland</title>
			<link>https://drumlitmag.com/mp3s/LisaPiazza--Fairyland.mp3</link>
			
			<itunes:duration>5:51</itunes:duration>
			<enclosure length="351" type="audio/mpeg" url="https://drumlitmag.com/mp3s/LisaPiazza--Fairyland.mp3"/>
			<description>A young couple, a little girl, and a seaside carnival come together in this short piece by Lisa Piazza. They come together and they come apart, while the mother who narrates the piece ponders the funhouse-mirror quality of the new land she finds herself in after divorce.</description>
			<guid>https://drumlitmag.com/mp3s/LisaPiazza--Fairyland.mp3</guid>
			<pubDate>Mon, 04 Dec 2017 14:25:46 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A young couple, a little girl, and a seaside carnival come together in this short piece by Lisa Piazza. They come together and they come apart, while the mother who narrates the piece ponders the funhouse-mirror quality of the new land she finds herself in after divorce.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A young couple, a little girl, and a seaside carnival come together in this short piece by Lisa Piazza. They come together and they come apart, while the mother who narrates the piece ponders the funhouse-mirror quality of the new land she finds herself in after divorce.</itunes:summary></item>
		<item>
			<title>Issue 65. November 2017 : One City One Story: Relativity</title>
			<link>https://drumlitmag.com/mp3s/OneCityOneStory2017RelativitybyDaphneKalotay.mp3</link>
			
			<itunes:duration>33:46</itunes:duration>
			<enclosure length="2026" type="audio/mpeg" url="https://drumlitmag.com/mp3s/OneCityOneStory2017RelativitybyDaphneKalotay.mp3"/>
			<description>Our partners the Boston Book Festival chose Daphne Kalotay&amp;rsquo;s &amp;ldquo;Relativity&amp;rdquo; as the selection for the 2017 One City One Story project. The story appeared in print--for the first time--in free booklets available throughout Boston. But you can listen to Daphne read it aloud herself here--and only here--on The Drum.</description>
			<guid>https://drumlitmag.com/mp3s/OneCityOneStory2017RelativitybyDaphneKalotay.mp3</guid>
			<pubDate>Mon, 04 Dec 2017 14:18:43 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Our partners the Boston Book Festival chose Daphne Kalotay&amp;rsquo;s &amp;ldquo;Relativity&amp;rdquo; as the selection for the 2017 One City One Story project. The story appeared in print--for the first time--in free booklets available throughout Boston. But you can listen to Daphne read it aloud herself here--and only here--on The Drum.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Our partners the Boston Book Festival chose Daphne Kalotay&amp;rsquo;s &amp;ldquo;Relativity&amp;rdquo; as the selection for the 2017 One City One Story project. The story appeared in print--for the first time--in free booklets available throughout Boston. But you can listen to Daphne read it aloud herself here--and only here--on The Drum.</itunes:summary></item>
		<item>
			<title>Issue 64. August 2017 : Parking Garage Late at Night</title>
			<link>https://drumlitmag.com/mp3s/sounds-ValerieMaloof--ParkingGarageLateatNight.mp3</link>
			
			<itunes:duration>2:50</itunes:duration>
			<enclosure length="170" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-ValerieMaloof--ParkingGarageLateatNight.mp3"/>
			<description>How fearless can you be? How fearless can you afford to be? In the "Parking Garage Late at Night" of Val Maloof's flash fiction, one woman's fear and imagination twine together as she faces danger. Maloof explores how the story the woman tells herself and the stories she's been told all her life--by her mother, by society--combine to save or abandon her.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-ValerieMaloof--ParkingGarageLateatNight.mp3</guid>
			<pubDate>Wed, 26 Jul 2017 04:54:01 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>How fearless can you be? How fearless can you afford to be? In the "Parking Garage Late at Night" of Val Maloof's flash fiction, one woman's fear and imagination twine together as she faces danger. Maloof explores how the story the woman tells herself and the stories she's been told all her life--by her mother, by society--combine to save or abandon her.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>How fearless can you be? How fearless can you afford to be? In the "Parking Garage Late at Night" of Val Maloof's flash fiction, one woman's fear and imagination twine together as she faces danger. Maloof explores how the story the woman tells herself and the stories she's been told all her life--by her mother, by society--combine to save or abandon her.</itunes:summary></item>
		<item>
			<title>Issue 64. August 2017 : Faith</title>
			<link>https://drumlitmag.com/mp3s/sounds-JoshSheridan--Faith.mp3</link>
			
			<itunes:duration>6:46</itunes:duration>
			<enclosure length="406" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JoshSheridan--Faith.mp3"/>
			<description>In Josh Sheridan's complicated story "Faith," a woman negotiates the hypocrisy and exploitation of a small religious group. Whether you see the group as a cult or a religion, and whether you see the woman as a heretic or a believer will depend on your own ideas about faith. But Sheridan renders vividly the tense and passionate world in which his unnamed character wields the power of surrender and control.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JoshSheridan--Faith.mp3</guid>
			<pubDate>Wed, 26 Jul 2017 04:52:33 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Josh Sheridan's complicated story "Faith," a woman negotiates the hypocrisy and exploitation of a small religious group. Whether you see the group as a cult or a religion, and whether you see the woman as a heretic or a believer will depend on your own ideas about faith. But Sheridan renders vividly the tense and passionate world in which his unnamed character wields the power of surrender and control.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Josh Sheridan's complicated story "Faith," a woman negotiates the hypocrisy and exploitation of a small religious group. Whether you see the group as a cult or a religion, and whether you see the woman as a heretic or a believer will depend on your own ideas about faith. But Sheridan renders vividly the tense and passionate world in which his unnamed character wields the power of surrender and control.</itunes:summary></item>
		<item>
			<title>Issue 64. August 2017 : The Housewife</title>
			<link>https://drumlitmag.com/mp3s/sounds-HannaOnoguwe--TheHousewife.mp3</link>
			
			<itunes:duration>24:40</itunes:duration>
			<enclosure length="1480" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-HannaOnoguwe--TheHousewife.mp3"/>
			<description>A Nigerian woman's domination by her new husband forms the narrative of Hannah Onoguwe's "The Housewife" as, step by step, Aramide faces more and more restrictions--on what she can wear, whom she can visit, and finally where she can go. But confined to her house, visited only by the generator repairman, and allowed out only to have her fidelity tested by priests, Aramide discovers ways to subvert her husband's authority. Onoguwe's story brings surprise and delight in its lively telling.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-HannaOnoguwe--TheHousewife.mp3</guid>
			<pubDate>Wed, 26 Jul 2017 04:46:50 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A Nigerian woman's domination by her new husband forms the narrative of Hannah Onoguwe's "The Housewife" as, step by step, Aramide faces more and more restrictions--on what she can wear, whom she can visit, and finally where she can go. But confined to her house, visited only by the generator repairman, and allowed out only to have her fidelity tested by priests, Aramide discovers ways to subvert her husband's authority. Onoguwe's story brings surprise and delight in its lively telling.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A Nigerian woman's domination by her new husband forms the narrative of Hannah Onoguwe's "The Housewife" as, step by step, Aramide faces more and more restrictions--on what she can wear, whom she can visit, and finally where she can go. But confined to her house, visited only by the generator repairman, and allowed out only to have her fidelity tested by priests, Aramide discovers ways to subvert her husband's authority. Onoguwe's story brings surprise and delight in its lively telling.</itunes:summary></item>
		<item>
			<title>Issue 63. December 2016 : Raking the Lizards</title>
			<link>https://drumlitmag.com/mp3s/sounds-PatriciaBaker--RakingtheLizards.mp3</link>
			
			<itunes:duration>5:57</itunes:duration>
			<enclosure length="357" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-PatriciaBaker--RakingtheLizards.mp3"/>
			<description>There is a woman raking lizards down from a tree. There is a family to care for. There are errands to run. Our narrator wages war against the lizards who return each day, undefeated, but she fights other things, too, in a much more complicated battle.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-PatriciaBaker--RakingtheLizards.mp3</guid>
			<pubDate>Wed, 14 Dec 2016 17:06:10 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>There is a woman raking lizards down from a tree. There is a family to care for. There are errands to run. Our narrator wages war against the lizards who return each day, undefeated, but she fights other things, too, in a much more complicated battle.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>There is a woman raking lizards down from a tree. There is a family to care for. There are errands to run. Our narrator wages war against the lizards who return each day, undefeated, but she fights other things, too, in a much more complicated battle.</itunes:summary></item>
		<item>
			<title>Issue 63. December 2016 : Riptide</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jo-AnnBekker--Riptide.mp3</link>
			
			<itunes:duration>6:44</itunes:duration>
			<enclosure length="404" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jo-AnnBekker--Riptide.mp3"/>
			<description>The narrator of Jo-Ann Bekker's "Riptide" insists we can believe her. 'Believe me when I tell you,' she says, many times. The story asks us whether we can trust this tale of infidelity, and whether even the woman telling us the story is certain of anything beyond the strong pull of desire.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jo-AnnBekker--Riptide.mp3</guid>
			<pubDate>Wed, 14 Dec 2016 17:05:34 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Jo-Ann Bekker's "Riptide" insists we can believe her. 'Believe me when I tell you,' she says, many times. The story asks us whether we can trust this tale of infidelity, and whether even the woman telling us the story is certain of anything beyond the strong pull of desire.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Jo-Ann Bekker's "Riptide" insists we can believe her. 'Believe me when I tell you,' she says, many times. The story asks us whether we can trust this tale of infidelity, and whether even the woman telling us the story is certain of anything beyond the strong pull of desire.</itunes:summary></item>
		<item>
			<title>Issue 63. December 2016 : Letting Him Go</title>
			<link>https://drumlitmag.com/mp3s/sounds-AlysiaAbbott--LettingHimGo.mp3</link>
			
			<itunes:duration>7:45</itunes:duration>
			<enclosure length="465" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AlysiaAbbott--LettingHimGo.mp3"/>
			<description>Alysia Abbott's essay tells the story of romantic risk--the risk of letting someone go in the hope and belief not only that it's the right thing to do, but also that it may be the only way to hold on. A Cat Power song, a striped shirt, and a Ukrainian restaurant all play a role in this tale of love.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AlysiaAbbott--LettingHimGo.mp3</guid>
			<pubDate>Wed, 14 Dec 2016 17:04:56 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Alysia Abbott's essay tells the story of romantic risk--the risk of letting someone go in the hope and belief not only that it's the right thing to do, but also that it may be the only way to hold on. A Cat Power song, a striped shirt, and a Ukrainian restaurant all play a role in this tale of love.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Alysia Abbott's essay tells the story of romantic risk--the risk of letting someone go in the hope and belief not only that it's the right thing to do, but also that it may be the only way to hold on. A Cat Power song, a striped shirt, and a Ukrainian restaurant all play a role in this tale of love.</itunes:summary></item>
		<item>
			<title>Issue 62. September 2016 : Five Wishes</title>
			<link>https://drumlitmag.com/mp3s/sounds-CharlieWatts--FiveWishes.mp3</link>
			
			<itunes:duration>16:15</itunes:duration>
			<enclosure length="975" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CharlieWatts--FiveWishes.mp3"/>
			<description>"Five Wishes" unfolds in as many episodes, each one telling a linked variation on a tale of a boy, his mother and father, a stream, a shovel, and a piece of purple quartz. Taken together, these episodes are like facets on a stone, revealing new insights on this little family while at the same time allowing us to see the heart of the story.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CharlieWatts--FiveWishes.mp3</guid>
			<pubDate>Wed, 21 Sep 2016 14:12:58 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"Five Wishes" unfolds in as many episodes, each one telling a linked variation on a tale of a boy, his mother and father, a stream, a shovel, and a piece of purple quartz. Taken together, these episodes are like facets on a stone, revealing new insights on this little family while at the same time allowing us to see the heart of the story.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"Five Wishes" unfolds in as many episodes, each one telling a linked variation on a tale of a boy, his mother and father, a stream, a shovel, and a piece of purple quartz. Taken together, these episodes are like facets on a stone, revealing new insights on this little family while at the same time allowing us to see the heart of the story.</itunes:summary></item>
		<item>
			<title>Issue 62. September 2016 : In Texas</title>
			<link>https://drumlitmag.com/mp3s/sounds-ChristiCraig--InTexas.mp3</link>
			
			<itunes:duration>8:07</itunes:duration>
			<enclosure length="487" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-ChristiCraig--InTexas.mp3"/>
			<description>In her essay "In Texas," Christi Craig recalls her teenaged self facing a dilemma of faith and family. Should she admit to her grandmother that she cannot speak in tongues, or should she pretend she can so as not to reveal her distance from the religion that has always bound them together? Looking back, Craig examines the connections that have endured.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-ChristiCraig--InTexas.mp3</guid>
			<pubDate>Wed, 21 Sep 2016 13:53:31 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In her essay "In Texas," Christi Craig recalls her teenaged self facing a dilemma of faith and family. Should she admit to her grandmother that she cannot speak in tongues, or should she pretend she can so as not to reveal her distance from the religion that has always bound them together? Looking back, Craig examines the connections that have endured.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In her essay "In Texas," Christi Craig recalls her teenaged self facing a dilemma of faith and family. Should she admit to her grandmother that she cannot speak in tongues, or should she pretend she can so as not to reveal her distance from the religion that has always bound them together? Looking back, Craig examines the connections that have endured.</itunes:summary></item>
		<item>
			<title>Issue 62. September 2016 : The Man on the Train</title>
			<link>https://drumlitmag.com/mp3s/sounds-AineGreaney--TheManontheTrain.mp3</link>
			
			<itunes:duration>22:07</itunes:duration>
			<enclosure length="1327" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AineGreaney--TheManontheTrain.mp3"/>
			<description>A train makes the perfect setting for this story about a woman in limbo--between jobs, between countries and cultures, between homes. Aine Greaney's "The Man on the Train" turns a conversation with a stranger into a study of belonging, as Lorna, Irish and recently arrived from her home in England, travels into Boston from her sister's suburban home.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AineGreaney--TheManontheTrain.mp3</guid>
			<pubDate>Wed, 21 Sep 2016 13:19:22 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A train makes the perfect setting for this story about a woman in limbo--between jobs, between countries and cultures, between homes. Aine Greaney's "The Man on the Train" turns a conversation with a stranger into a study of belonging, as Lorna, Irish and recently arrived from her home in England, travels into Boston from her sister's suburban home.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A train makes the perfect setting for this story about a woman in limbo--between jobs, between countries and cultures, between homes. Aine Greaney's "The Man on the Train" turns a conversation with a stranger into a study of belonging, as Lorna, Irish and recently arrived from her home in England, travels into Boston from her sister's suburban home.</itunes:summary></item>
		<item>
			<title>Issue 61. July 2016 : Skyfaring (excerpts)</title>
			<link>https://drumlitmag.com/mp3s/sounds-Skyfaring_FinaLL.mp3</link>
			
			<itunes:duration>22:16</itunes:duration>
			<enclosure length="1336" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Skyfaring_FinaLL.mp3"/>
			<description>Mark Vanhoenacker reads excerpts from his recent book SKYFARING. In a seamless fusion of history, politics, geography, meteorology, family, and physics, the book asks us to reimagine what we--as pilots and as passengers--are actually doing when we enter the world between departure and discovery. www.skyfaring.com</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Skyfaring_FinaLL.mp3</guid>
			<pubDate>Mon, 18 Jul 2016 13:36:27 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Mark Vanhoenacker reads excerpts from his recent book SKYFARING. In a seamless fusion of history, politics, geography, meteorology, family, and physics, the book asks us to reimagine what we--as pilots and as passengers--are actually doing when we enter the world between departure and discovery. www.skyfaring.com</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Mark Vanhoenacker reads excerpts from his recent book SKYFARING. In a seamless fusion of history, politics, geography, meteorology, family, and physics, the book asks us to reimagine what we--as pilots and as passengers--are actually doing when we enter the world between departure and discovery. www.skyfaring.com</itunes:summary></item>
		<item>
			<title>Issue 61. July 2016 : The Rose Tradition</title>
			<link>https://drumlitmag.com/mp3s/sounds-English_Final.mp3</link>
			
			<itunes:duration>15:14</itunes:duration>
			<enclosure length="914" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-English_Final.mp3"/>
			<description>In this subtle and tense story, James English sets us down among the complicated relationships within a family and a neighborhood and lets us watch a betrayal unfold. It's a variation of the tale of a stranger coming to town--only the stranger is already there, and the town is someone's family.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-English_Final.mp3</guid>
			<pubDate>Mon, 18 Jul 2016 13:34:31 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this subtle and tense story, James English sets us down among the complicated relationships within a family and a neighborhood and lets us watch a betrayal unfold. It's a variation of the tale of a stranger coming to town--only the stranger is already there, and the town is someone's family.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In this subtle and tense story, James English sets us down among the complicated relationships within a family and a neighborhood and lets us watch a betrayal unfold. It's a variation of the tale of a stranger coming to town--only the stranger is already there, and the town is someone's family.</itunes:summary></item>
		<item>
			<title>Issue 61. July 2016 : Poems and an interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-Taylor_FinaLL.mp3</link>
			
			<itunes:duration>20:38</itunes:duration>
			<enclosure length="1238" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Taylor_FinaLL.mp3"/>
			<description>Tess Taylor reads four poems and speaks with Poetry Editor Kirun Kapur about how her poems originate and about her new collection Work and Days. Tendinitis, farm work, Hesiod, and hearing music in a phrase--all these and more topics come up in conversation.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Taylor_FinaLL.mp3</guid>
			<pubDate>Mon, 18 Jul 2016 12:49:47 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Tess Taylor reads four poems and speaks with Poetry Editor Kirun Kapur about how her poems originate and about her new collection Work and Days. Tendinitis, farm work, Hesiod, and hearing music in a phrase--all these and more topics come up in conversation.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Tess Taylor reads four poems and speaks with Poetry Editor Kirun Kapur about how her poems originate and about her new collection Work and Days. Tendinitis, farm work, Hesiod, and hearing music in a phrase--all these and more topics come up in conversation.</itunes:summary></item>
		<item>
			<title>Issue 61. July 2016 : If I Could Try It On, For Size</title>
			<link>https://drumlitmag.com/mp3s/sounds-TryitonForSize_Final.mp3</link>
			
			<itunes:duration>4:12</itunes:duration>
			<enclosure length="252" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-TryitonForSize_Final.mp3"/>
			<description>Cumi Ikeda's essay explores identity and race through the lyrical rhythms of poetry. The essay asks us to contemplate how we see one another and how we see ourselves--how we exist through and beyond categories.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-TryitonForSize_Final.mp3</guid>
			<pubDate>Mon, 18 Jul 2016 12:43:58 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Cumi Ikeda's essay explores identity and race through the lyrical rhythms of poetry. The essay asks us to contemplate how we see one another and how we see ourselves--how we exist through and beyond categories.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Cumi Ikeda's essay explores identity and race through the lyrical rhythms of poetry. The essay asks us to contemplate how we see one another and how we see ourselves--how we exist through and beyond categories.</itunes:summary></item>
		<item>
			<title>Issue 60. April 2016 : The Children's House</title>
			<link>https://drumlitmag.com/mp3s/sounds-KLPereira--TheChildrensHouse.mp3</link>
			
			<itunes:duration>3:54</itunes:duration>
			<enclosure length="234" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-KLPereira--TheChildrensHouse.mp3"/>
			<description>A group of children and their slightly inattentive parents are the time-honored ingredients for narrative mischief. In KL Pereira's "The Children's House," the mischief involves the slipping and sliding boundaries between one space and another, one family and another, one person and another. Pereira evokes an eerily calm world in which families and identities can be pilfered and misplaced as easily as an object from a mantlepiece.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-KLPereira--TheChildrensHouse.mp3</guid>
			<pubDate>Wed, 06 Apr 2016 10:57:22 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A group of children and their slightly inattentive parents are the time-honored ingredients for narrative mischief. In KL Pereira's "The Children's House," the mischief involves the slipping and sliding boundaries between one space and another, one family and another, one person and another. Pereira evokes an eerily calm world in which families and identities can be pilfered and misplaced as easily as an object from a mantlepiece.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A group of children and their slightly inattentive parents are the time-honored ingredients for narrative mischief. In KL Pereira's "The Children's House," the mischief involves the slipping and sliding boundaries between one space and another, one family and another, one person and another. Pereira evokes an eerily calm world in which families and identities can be pilfered and misplaced as easily as an object from a mantlepiece.</itunes:summary></item>
		<item>
			<title>Issue 60. April 2016 : The Art of Drumming Badly</title>
			<link>https://drumlitmag.com/mp3s/sounds-MelanieSenn--TheArtofDrummingBadly.mp3</link>
			
			<itunes:duration>11:17</itunes:duration>
			<enclosure length="677" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-MelanieSenn--TheArtofDrummingBadly.mp3"/>
			<description>To hear Melanie Senn tell it, she is not a good drummer. But what matters more than her musical and percussive talent is her skill in telling the story of how she took to the drums--at first as a way to connect to her musician husband, and then as a way to experience delight. In "The Art of Drumming Badly," Senn shares her joy in learning something new and in learning not to care about inhibitions and expectations.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-MelanieSenn--TheArtofDrummingBadly.mp3</guid>
			<pubDate>Wed, 06 Apr 2016 10:49:46 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>To hear Melanie Senn tell it, she is not a good drummer. But what matters more than her musical and percussive talent is her skill in telling the story of how she took to the drums--at first as a way to connect to her musician husband, and then as a way to experience delight. In "The Art of Drumming Badly," Senn shares her joy in learning something new and in learning not to care about inhibitions and expectations.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>To hear Melanie Senn tell it, she is not a good drummer. But what matters more than her musical and percussive talent is her skill in telling the story of how she took to the drums--at first as a way to connect to her musician husband, and then as a way to experience delight. In "The Art of Drumming Badly," Senn shares her joy in learning something new and in learning not to care about inhibitions and expectations.</itunes:summary></item>
		<item>
			<title>Issue 60. April 2016 : What The Doctor Taught Me</title>
			<link>https://drumlitmag.com/mp3s/sounds-CatherineElcik--WhatTheDoctorTaughtMe.mp3</link>
			
			<itunes:duration>16:40</itunes:duration>
			<enclosure length="1000" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CatherineElcik--WhatTheDoctorTaughtMe.mp3"/>
			<description>When family crises buffeted author Catherine Elcik with grief and stress, she found solace in the unlikeliest of places: Doctor Who. Or perhaps not so unlikely. For from this television program about time-shifting and agelessness and loss and endurance, Elcik learned powerful lessons about coping with the thieveries of illness and death. In this beautiful essay, Elcik offers wisdom to all of us--Whovians or not.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CatherineElcik--WhatTheDoctorTaughtMe.mp3</guid>
			<pubDate>Wed, 06 Apr 2016 10:09:20 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>When family crises buffeted author Catherine Elcik with grief and stress, she found solace in the unlikeliest of places: Doctor Who. Or perhaps not so unlikely. For from this television program about time-shifting and agelessness and loss and endurance, Elcik learned powerful lessons about coping with the thieveries of illness and death. In this beautiful essay, Elcik offers wisdom to all of us--Whovians or not.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>When family crises buffeted author Catherine Elcik with grief and stress, she found solace in the unlikeliest of places: Doctor Who. Or perhaps not so unlikely. For from this television program about time-shifting and agelessness and loss and endurance, Elcik learned powerful lessons about coping with the thieveries of illness and death. In this beautiful essay, Elcik offers wisdom to all of us--Whovians or not.</itunes:summary></item>
		<item>
			<title>Issue 60. April 2016 : Some Plastic City Beyond</title>
			<link>https://drumlitmag.com/mp3s/thedrum1632-967.mp3</link>
			
			<itunes:duration>12:09</itunes:duration>
			<enclosure length="729" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum1632-967.mp3"/>
			<description>The accidental meeting of former lovers shapes Daniel Higgins' "Some Plastic City Beyond." Told mostly through dialogue, the story offers us the careful cadences of two people negotiating old wounds and new discoveries.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum1632-967.mp3</guid>
			<pubDate>Wed, 06 Apr 2016 10:06:01 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The accidental meeting of former lovers shapes Daniel Higgins' "Some Plastic City Beyond." Told mostly through dialogue, the story offers us the careful cadences of two people negotiating old wounds and new discoveries.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The accidental meeting of former lovers shapes Daniel Higgins' "Some Plastic City Beyond." Told mostly through dialogue, the story offers us the careful cadences of two people negotiating old wounds and new discoveries.</itunes:summary></item>
		<item>
			<title>Issue 59. January 2016 : What The Spirit Rabbits Know</title>
			<link>https://drumlitmag.com/mp3s/sounds-KatieDePasquale--WhatTheSpiritRabbitsKnow.mp3</link>
			
			<itunes:duration>7:22</itunes:duration>
			<enclosure length="442" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-KatieDePasquale--WhatTheSpiritRabbitsKnow.mp3"/>
			<description>An earthquake shakes the narrator's world just as she is shocked by news of a friend's death. But it's in the violence done to the natural order that she registers her loss. Tending for a rabbit, the narrator of Katie DePasquale's "What The Spirit Rabbits Know" comes to understand some part of what makes us mortal and alive, what gives us a fragile resilience.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-KatieDePasquale--WhatTheSpiritRabbitsKnow.mp3</guid>
			<pubDate>Tue, 12 Jan 2016 13:44:12 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>An earthquake shakes the narrator's world just as she is shocked by news of a friend's death. But it's in the violence done to the natural order that she registers her loss. Tending for a rabbit, the narrator of Katie DePasquale's "What The Spirit Rabbits Know" comes to understand some part of what makes us mortal and alive, what gives us a fragile resilience.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>An earthquake shakes the narrator's world just as she is shocked by news of a friend's death. But it's in the violence done to the natural order that she registers her loss. Tending for a rabbit, the narrator of Katie DePasquale's "What The Spirit Rabbits Know" comes to understand some part of what makes us mortal and alive, what gives us a fragile resilience.</itunes:summary></item>
		<item>
			<title>Issue 59. January 2016 : Three Poems</title>
			<link>https://drumlitmag.com/mp3s/sounds-MajorJackson--ThreePoems.mp3</link>
			
			<itunes:duration>6:50</itunes:duration>
			<enclosure length="410" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-MajorJackson--ThreePoems.mp3"/>
			<description>Major Jackson reads three poems from his latest collection Roll Deep: "Cries and Whispers," "Mighty Pawns," and "Cordoba: Mezquita". The Drum's Poetry Editor Kirun Kapur introduces the poems.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-MajorJackson--ThreePoems.mp3</guid>
			<pubDate>Tue, 12 Jan 2016 13:43:26 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Major Jackson reads three poems from his latest collection Roll Deep: "Cries and Whispers," "Mighty Pawns," and "Cordoba: Mezquita". The Drum's Poetry Editor Kirun Kapur introduces the poems.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Major Jackson reads three poems from his latest collection Roll Deep: "Cries and Whispers," "Mighty Pawns," and "Cordoba: Mezquita". The Drum's Poetry Editor Kirun Kapur introduces the poems.</itunes:summary></item>
		<item>
			<title>Issue 59. January 2016 : Monsters</title>
			<link>https://drumlitmag.com/mp3s/sounds-JaneFlett--Monsters.mp3</link>
			
			<itunes:duration>19:54</itunes:duration>
			<enclosure length="1194" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JaneFlett--Monsters.mp3"/>
			<description>Sermonette and Tom meet at a concert. Tom is at the mic. Sermonette is watching. They go on to skirmish and flirt, resisting the monsters of Jane Flett's title even as those monsters grow within them. The narrative seethes with passion and inventive language as it takes us through this richly unconventional love story.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JaneFlett--Monsters.mp3</guid>
			<pubDate>Tue, 12 Jan 2016 13:40:48 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Sermonette and Tom meet at a concert. Tom is at the mic. Sermonette is watching. They go on to skirmish and flirt, resisting the monsters of Jane Flett's title even as those monsters grow within them. The narrative seethes with passion and inventive language as it takes us through this richly unconventional love story.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Sermonette and Tom meet at a concert. Tom is at the mic. Sermonette is watching. They go on to skirmish and flirt, resisting the monsters of Jane Flett's title even as those monsters grow within them. The narrative seethes with passion and inventive language as it takes us through this richly unconventional love story.</itunes:summary></item>
		<item>
			<title>Issue 59. January 2016 : Foxes</title>
			<link>https://drumlitmag.com/mp3s/sounds-S.E.Clark--Foxes.mp3</link>
			
			<itunes:duration>9:33</itunes:duration>
			<enclosure length="573" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-S.E.Clark--Foxes.mp3"/>
			<description>S. E. Clark's "Foxes" places us in an unsettling world part fairy tale, part parable, in which the innocent and the sinister battle in the lives of children. Clark's spare prose tells the tale of a small community preyed upon in subtle ways by the story's eponymous foxes.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-S.E.Clark--Foxes.mp3</guid>
			<pubDate>Tue, 12 Jan 2016 13:27:38 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>S. E. Clark's "Foxes" places us in an unsettling world part fairy tale, part parable, in which the innocent and the sinister battle in the lives of children. Clark's spare prose tells the tale of a small community preyed upon in subtle ways by the story's eponymous foxes.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>S. E. Clark's "Foxes" places us in an unsettling world part fairy tale, part parable, in which the innocent and the sinister battle in the lives of children. Clark's spare prose tells the tale of a small community preyed upon in subtle ways by the story's eponymous foxes.</itunes:summary></item>
		<item>
			<title>Issue 58. November 2015 : Spice Memory</title>
			<link>https://drumlitmag.com/mp3s/thedrum7171-950.mp3</link>
			
			<itunes:duration>5:57</itunes:duration>
			<enclosure length="357" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum7171-950.mp3"/>
			<description>Whether you have your Thanksgiving in a restaurant or at an extended family table, for better or for worse, you can't escape the food. Thanksgiving is our most Proustian holiday, when scents of one relative's marshmallowed yams or another's oregano-dressed potatoes will evoke memories of times, places, and people, absent or near. Eson Kim's "Spice Memory," published in The Drum this past July, ponders Kim's connection to her mother through her mother's recipes, and her efforts to sustain that sometimes fragile bond through cooking.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum7171-950.mp3</guid>
			<pubDate>Thu, 19 Nov 2015 16:05:38 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Whether you have your Thanksgiving in a restaurant or at an extended family table, for better or for worse, you can't escape the food. Thanksgiving is our most Proustian holiday, when scents of one relative's marshmallowed yams or another's oregano-dressed potatoes will evoke memories of times, places, and people, absent or near. Eson Kim's "Spice Memory," published in The Drum this past July, ponders Kim's connection to her mother through her mother's recipes, and her efforts to sustain that sometimes fragile bond through cooking.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Whether you have your Thanksgiving in a restaurant or at an extended family table, for better or for worse, you can't escape the food. Thanksgiving is our most Proustian holiday, when scents of one relative's marshmallowed yams or another's oregano-dressed potatoes will evoke memories of times, places, and people, absent or near. Eson Kim's "Spice Memory," published in The Drum this past July, ponders Kim's connection to her mother through her mother's recipes, and her efforts to sustain that sometimes fragile bond through cooking.</itunes:summary></item>
		<item>
			<title>Issue 58. November 2015 : Appetites</title>
			<link>https://drumlitmag.com/mp3s/thedrum6720-949.mp3</link>
			
			<itunes:duration>12:37</itunes:duration>
			<enclosure length="757" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum6720-949.mp3"/>
			<description>Serotonin notwithstanding, Thanksgiving makes us hungry. Despite the torpor of the holiday, we become agitated, restless. Maria Mutch's "Appetites" immerses us in the restless and agitated world of a journey like so many on Thanksgiving: a trip to grandmother's house. In this short story first audio-published in The Drum in May 2014, Mutch revises the old tale, skewing fairy-tale familiarity with modern distortions. </description>
			<guid>https://drumlitmag.com/mp3s/thedrum6720-949.mp3</guid>
			<pubDate>Thu, 19 Nov 2015 15:57:50 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Serotonin notwithstanding, Thanksgiving makes us hungry. Despite the torpor of the holiday, we become agitated, restless. Maria Mutch's "Appetites" immerses us in the restless and agitated world of a journey like so many on Thanksgiving: a trip to grandmother's house. In this short story first audio-published in The Drum in May 2014, Mutch revises the old tale, skewing fairy-tale familiarity with modern distortions.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Serotonin notwithstanding, Thanksgiving makes us hungry. Despite the torpor of the holiday, we become agitated, restless. Maria Mutch's "Appetites" immerses us in the restless and agitated world of a journey like so many on Thanksgiving: a trip to grandmother's house. In this short story first audio-published in The Drum in May 2014, Mutch revises the old tale, skewing fairy-tale familiarity with modern distortions.</itunes:summary></item>
		<item>
			<title>Issue 58. November 2015 : Who's Walking Who</title>
			<link>https://drumlitmag.com/mp3s/sounds-sounds-Steve_Macone--Who-squo-s_Walking_Who_EDIT.mp3</link>
			
			<itunes:duration>1:17</itunes:duration>
			<enclosure length="77" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-sounds-Steve_Macone--Who-squo-s_Walking_Who_EDIT.mp3"/>
			<description>There are those who prepare for Thanksgiving weeks in advance. And there are those, like Steve Macone, who do their shopping the day before this major American holiday. His essay "Who's Walking Who," first audio-published in our October 2011 issue, finds Macone at the Somerville, Massachusetts Market Basket on Thanksgiving Wednesday. Hilarity--and insight--ensue.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-sounds-Steve_Macone--Who-squo-s_Walking_Who_EDIT.mp3</guid>
			<pubDate>Thu, 19 Nov 2015 15:54:11 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>There are those who prepare for Thanksgiving weeks in advance. And there are those, like Steve Macone, who do their shopping the day before this major American holiday. His essay "Who's Walking Who," first audio-published in our October 2011 issue, finds Macone at the Somerville, Massachusetts Market Basket on Thanksgiving Wednesday. Hilarity--and insight--ensue.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>There are those who prepare for Thanksgiving weeks in advance. And there are those, like Steve Macone, who do their shopping the day before this major American holiday. His essay "Who's Walking Who," first audio-published in our October 2011 issue, finds Macone at the Somerville, Massachusetts Market Basket on Thanksgiving Wednesday. Hilarity--and insight--ensue.</itunes:summary></item>
		<item>
			<title>Issue 58. November 2015 : Finding Forgiveness in a Ziploc Bag</title>
			<link>https://drumlitmag.com/mp3s/thedrum5974-947.mp3</link>
			
			<itunes:duration>11:04</itunes:duration>
			<enclosure length="664" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum5974-947.mp3"/>
			<description>Travel is supposed to be so broadening, in the words of Sinclair Lewis. But anyone embarking on a Thanksgiving-motivated journey knows that travel can be aggravating, maddening, and bewildering too. In an essay first audio-published in The Drum in July 2013, Jane Hamilton recounts a trip with her husband when the combined forces of the TSA and a Ziploc bag threatened to undo them.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum5974-947.mp3</guid>
			<pubDate>Thu, 19 Nov 2015 15:44:37 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Travel is supposed to be so broadening, in the words of Sinclair Lewis. But anyone embarking on a Thanksgiving-motivated journey knows that travel can be aggravating, maddening, and bewildering too. In an essay first audio-published in The Drum in July 2013, Jane Hamilton recounts a trip with her husband when the combined forces of the TSA and a Ziploc bag threatened to undo them.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Travel is supposed to be so broadening, in the words of Sinclair Lewis. But anyone embarking on a Thanksgiving-motivated journey knows that travel can be aggravating, maddening, and bewildering too. In an essay first audio-published in The Drum in July 2013, Jane Hamilton recounts a trip with her husband when the combined forces of the TSA and a Ziploc bag threatened to undo them.</itunes:summary></item>
		<item>
			<title>Issue 57. October 2015 : Saskatchewan</title>
			<link>https://drumlitmag.com/mp3s/thedrum6509-945.mp3</link>
			
			<itunes:duration>8:39</itunes:duration>
			<enclosure length="519" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum6509-945.mp3"/>
			<description>In this expanded version of her Dispatch piece from our September issue, Kyla Hanington writes of a road trip across Canada with her husband and children. As she moves eastward with her family, Hanington is driven by hope and curiosity, wondering if their eventual destination of Saskatchewan will yield what she seeks. "Saskatchewan" was recorded in Dispatch style, with ambient noise.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum6509-945.mp3</guid>
			<pubDate>Wed, 07 Oct 2015 15:57:59 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this expanded version of her Dispatch piece from our September issue, Kyla Hanington writes of a road trip across Canada with her husband and children. As she moves eastward with her family, Hanington is driven by hope and curiosity, wondering if their eventual destination of Saskatchewan will yield what she seeks. "Saskatchewan" was recorded in Dispatch style, with ambient noise.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In this expanded version of her Dispatch piece from our September issue, Kyla Hanington writes of a road trip across Canada with her husband and children. As she moves eastward with her family, Hanington is driven by hope and curiosity, wondering if their eventual destination of Saskatchewan will yield what she seeks. "Saskatchewan" was recorded in Dispatch style, with ambient noise.</itunes:summary></item>
		<item>
			<title>Issue 57. October 2015 : Mi Brooklyn</title>
			<link>https://drumlitmag.com/mp3s/sounds-JuliaLichtblau--MiBrooklyn.mp3</link>
			
			<itunes:duration>16:45</itunes:duration>
			<enclosure length="1005" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JuliaLichtblau--MiBrooklyn.mp3"/>
			<description>A Brooklyn family wrestles with challenges in which the mundane swiftly becomes momentous. One child's impish use of a dried legume, another's need for order; a father's return from Iraq, a mother's rush to the emergency room: events and experiences combine in a tragicomic turmoil.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JuliaLichtblau--MiBrooklyn.mp3</guid>
			<pubDate>Wed, 07 Oct 2015 15:48:29 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A Brooklyn family wrestles with challenges in which the mundane swiftly becomes momentous. One child's impish use of a dried legume, another's need for order; a father's return from Iraq, a mother's rush to the emergency room: events and experiences combine in a tragicomic turmoil.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A Brooklyn family wrestles with challenges in which the mundane swiftly becomes momentous. One child's impish use of a dried legume, another's need for order; a father's return from Iraq, a mother's rush to the emergency room: events and experiences combine in a tragicomic turmoil.</itunes:summary></item>
		<item>
			<title>Issue 57. October 2015 : Fish and Spoons</title>
			<link>https://drumlitmag.com/mp3s/sounds-JamesClaffey--FishandSpoons.mp3</link>
			
			<itunes:duration>9:02</itunes:duration>
			<enclosure length="542" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JamesClaffey--FishandSpoons.mp3"/>
			<description>A lesson in fly fishing focuses the relationship between an Irish father and son. Looking for ways to connect, a son sees his own value weighed against everything else his father holds more beautiful.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JamesClaffey--FishandSpoons.mp3</guid>
			<pubDate>Wed, 07 Oct 2015 15:36:07 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A lesson in fly fishing focuses the relationship between an Irish father and son. Looking for ways to connect, a son sees his own value weighed against everything else his father holds more beautiful.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A lesson in fly fishing focuses the relationship between an Irish father and son. Looking for ways to connect, a son sees his own value weighed against everything else his father holds more beautiful.</itunes:summary></item>
		<item>
			<title>Issue 57. October 2015 : One City One Story: Home Movie</title>
			<link>https://drumlitmag.com/mp3s/thedrum6143-939.mp3</link>
			
			<itunes:duration>23:33</itunes:duration>
			<enclosure length="1413" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum6143-939.mp3"/>
			<description>Jennifer De Leon's "Home Movie" is the Boston Book Festival's 2015 selection for the One City One Story project. "Home Movie" follows Eduardo and his wife Linda on the day he records their life in America for their family in Guatemala, while a crisis strains the bonds tying the young couple together and to their adopted country.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum6143-939.mp3</guid>
			<pubDate>Wed, 07 Oct 2015 15:27:38 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jennifer De Leon's "Home Movie" is the Boston Book Festival's 2015 selection for the One City One Story project. "Home Movie" follows Eduardo and his wife Linda on the day he records their life in America for their family in Guatemala, while a crisis strains the bonds tying the young couple together and to their adopted country.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jennifer De Leon's "Home Movie" is the Boston Book Festival's 2015 selection for the One City One Story project. "Home Movie" follows Eduardo and his wife Linda on the day he records their life in America for their family in Guatemala, while a crisis strains the bonds tying the young couple together and to their adopted country.</itunes:summary></item>
		<item>
			<title>Issue 56. September 2015 : Dispatch: Papingo</title>
			<link>https://drumlitmag.com/mp3s/sounds-HenrietteLazaridis--DispatchPapingo.mp3</link>
			
			<itunes:duration>5:23</itunes:duration>
			<enclosure length="323" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-HenrietteLazaridis--DispatchPapingo.mp3"/>
			<description>At the festival of Profitis Elias in Papingo, Greece, Henriette Lazaridis describes the celebration in the church square, and the always mournful revelry so apt for this summer's political upheaval.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-HenrietteLazaridis--DispatchPapingo.mp3</guid>
			<pubDate>Tue, 08 Sep 2015 16:19:40 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>At the festival of Profitis Elias in Papingo, Greece, Henriette Lazaridis describes the celebration in the church square, and the always mournful revelry so apt for this summer's political upheaval.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>At the festival of Profitis Elias in Papingo, Greece, Henriette Lazaridis describes the celebration in the church square, and the always mournful revelry so apt for this summer's political upheaval.</itunes:summary></item>
		<item>
			<title>Issue 56. September 2015 : Dispatch: Telangana, India</title>
			<link>https://drumlitmag.com/mp3s/sounds-RishiReddi--DispatchTelanganaIndia.mp3</link>
			
			<itunes:duration>5:03</itunes:duration>
			<enclosure length="303" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-RishiReddi--DispatchTelanganaIndia.mp3"/>
			<description>From the Shishu Vihar orphanage in Telangana, Rishi Reddi recounts her visits to the children during the holiday of Rhakhi Bandan--and to one boy in particular whom she and her daughter prepare to welcome to their family.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-RishiReddi--DispatchTelanganaIndia.mp3</guid>
			<pubDate>Tue, 08 Sep 2015 16:04:22 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>From the Shishu Vihar orphanage in Telangana, Rishi Reddi recounts her visits to the children during the holiday of Rhakhi Bandan--and to one boy in particular whom she and her daughter prepare to welcome to their family.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>From the Shishu Vihar orphanage in Telangana, Rishi Reddi recounts her visits to the children during the holiday of Rhakhi Bandan--and to one boy in particular whom she and her daughter prepare to welcome to their family.</itunes:summary></item>
		<item>
			<title>Issue 56. September 2015 : Dispatch: Saskatchewan</title>
			<link>https://drumlitmag.com/mp3s/sounds-KylaHanington--DispatchSaskatchewan.mp3</link>
			
			<itunes:duration>7:43</itunes:duration>
			<enclosure length="463" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-KylaHanington--DispatchSaskatchewan.mp3"/>
			<description>A road trip across Canada settles in and on Saskatchewan as Kyla Haninhgton speaks of the pull of that province's open spaces, the tug even of its place names, its evocation of belonging.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-KylaHanington--DispatchSaskatchewan.mp3</guid>
			<pubDate>Tue, 08 Sep 2015 16:01:15 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A road trip across Canada settles in and on Saskatchewan as Kyla Haninhgton speaks of the pull of that province's open spaces, the tug even of its place names, its evocation of belonging.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A road trip across Canada settles in and on Saskatchewan as Kyla Haninhgton speaks of the pull of that province's open spaces, the tug even of its place names, its evocation of belonging.</itunes:summary></item>
		<item>
			<title>Issue 56. September 2015 : Dispatch: Dummerston</title>
			<link>https://drumlitmag.com/mp3s/sounds-AlisonMcGhee--DispatchDummerston.mp3</link>
			
			<itunes:duration>4:45</itunes:duration>
			<enclosure length="285" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AlisonMcGhee--DispatchDummerston.mp3"/>
			<description>From a clearing in southern Vermont, Alison McGhee talks about the invention of a life, summoned from an idea and fashioned from the woods, the river rocks, and in the tiny house that rises up on the land.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AlisonMcGhee--DispatchDummerston.mp3</guid>
			<pubDate>Tue, 08 Sep 2015 15:44:26 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>From a clearing in southern Vermont, Alison McGhee talks about the invention of a life, summoned from an idea and fashioned from the woods, the river rocks, and in the tiny house that rises up on the land.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>From a clearing in southern Vermont, Alison McGhee talks about the invention of a life, summoned from an idea and fashioned from the woods, the river rocks, and in the tiny house that rises up on the land.</itunes:summary></item>
		<item>
			<title>Issue 55. July 2015 : Lessons in Romanian</title>
			<link>https://drumlitmag.com/mp3s/sounds-LenoreMyka--LessonsinRomanian.mp3</link>
			
			<itunes:duration>17:32</itunes:duration>
			<enclosure length="1052" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-LenoreMyka--LessonsinRomanian.mp3"/>
			<description>A young woman teaching English to her Romanian students is repaid with profound lessons of her own--in language and in the nuances of love, hope, and expectation. Interspersed with Romanian words and phrases, Lenore Myka's "Lessons in Romanian" slides its listener into a place between what is known and new, familiar and exotic.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-LenoreMyka--LessonsinRomanian.mp3</guid>
			<pubDate>Sun, 28 Jun 2015 10:22:11 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A young woman teaching English to her Romanian students is repaid with profound lessons of her own--in language and in the nuances of love, hope, and expectation. Interspersed with Romanian words and phrases, Lenore Myka's "Lessons in Romanian" slides its listener into a place between what is known and new, familiar and exotic.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A young woman teaching English to her Romanian students is repaid with profound lessons of her own--in language and in the nuances of love, hope, and expectation. Interspersed with Romanian words and phrases, Lenore Myka's "Lessons in Romanian" slides its listener into a place between what is known and new, familiar and exotic.</itunes:summary></item>
		<item>
			<title>Issue 55. July 2015 : Spice Memory</title>
			<link>https://drumlitmag.com/mp3s/sounds-EsonKim--SpiceMemory.mp3</link>
			
			<itunes:duration>5:57</itunes:duration>
			<enclosure length="357" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-EsonKim--SpiceMemory.mp3"/>
			<description>Eson Kim ponders the language of spices and scents that passes between her and her mother as Kim tries to learn her mother's recipes. Kim evokes the power of the ingredients to summon memories and connection, and contemplates the poignant difficulty of mastering what her mother knows.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-EsonKim--SpiceMemory.mp3</guid>
			<pubDate>Sun, 28 Jun 2015 10:11:14 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Eson Kim ponders the language of spices and scents that passes between her and her mother as Kim tries to learn her mother's recipes. Kim evokes the power of the ingredients to summon memories and connection, and contemplates the poignant difficulty of mastering what her mother knows.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Eson Kim ponders the language of spices and scents that passes between her and her mother as Kim tries to learn her mother's recipes. Kim evokes the power of the ingredients to summon memories and connection, and contemplates the poignant difficulty of mastering what her mother knows.</itunes:summary></item>
		<item>
			<title>Issue 55. July 2015 : How To Club A Fish</title>
			<link>https://drumlitmag.com/mp3s/sounds-RonMacLean--HowToClubAFish.mp3</link>
			
			<itunes:duration>3:27</itunes:duration>
			<enclosure length="207" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-RonMacLean--HowToClubAFish.mp3"/>
			<description>A young woman sees lessons in survival and violence handed down on a frozen Canadian lake. Ron MacLean's "How to Club A Fish" offers a vivid portrait of one family's dynamics in the world of a cramped cabin.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-RonMacLean--HowToClubAFish.mp3</guid>
			<pubDate>Sun, 28 Jun 2015 10:09:23 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A young woman sees lessons in survival and violence handed down on a frozen Canadian lake. Ron MacLean's "How to Club A Fish" offers a vivid portrait of one family's dynamics in the world of a cramped cabin.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A young woman sees lessons in survival and violence handed down on a frozen Canadian lake. Ron MacLean's "How to Club A Fish" offers a vivid portrait of one family's dynamics in the world of a cramped cabin.</itunes:summary></item>
		<item>
			<title>Issue 55. July 2015 : a poem and an interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-BethWoodcomePlatow--WhentoLeap.mp3</link>
			
			<itunes:duration>17:26</itunes:duration>
			<enclosure length="1046" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-BethWoodcomePlatow--WhentoLeap.mp3"/>
			<description>Beth Woodcome Platow reads her poem &amp;ldquo;When to Leap&amp;rdquo; and talks with Poetry Editor Kirun Kapur about Ginsburg&amp;rsquo;s "Howl", being direct and her obsession with design. In a gripping, unadorned voice, her poem explores the instincts of both body and heart. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-BethWoodcomePlatow--WhentoLeap.mp3</guid>
			<pubDate>Sun, 28 Jun 2015 10:07:58 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Beth Woodcome Platow reads her poem &amp;ldquo;When to Leap&amp;rdquo; and talks with Poetry Editor Kirun Kapur about Ginsburg&amp;rsquo;s "Howl", being direct and her obsession with design. In a gripping, unadorned voice, her poem explores the instincts of both body and heart.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Beth Woodcome Platow reads her poem &amp;ldquo;When to Leap&amp;rdquo; and talks with Poetry Editor Kirun Kapur about Ginsburg&amp;rsquo;s "Howl", being direct and her obsession with design. In a gripping, unadorned voice, her poem explores the instincts of both body and heart.</itunes:summary></item>
		<item>
			<title>Issue 54. June 2015 : What Matters</title>
			<link>https://drumlitmag.com/mp3s/sounds-LindaCutting--WhatMatters.mp3</link>
			
			<itunes:duration>3:01</itunes:duration>
			<enclosure length="181" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-LindaCutting--WhatMatters.mp3"/>
			<description>A hospital fundraiser is the scene of a chance meeting in Linda Cutting's "What Matters". Ailments small and large spark a lighthearted flirtation that leads a man and a woman to connect.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-LindaCutting--WhatMatters.mp3</guid>
			<pubDate>Mon, 08 Jun 2015 11:57:31 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A hospital fundraiser is the scene of a chance meeting in Linda Cutting's "What Matters". Ailments small and large spark a lighthearted flirtation that leads a man and a woman to connect.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A hospital fundraiser is the scene of a chance meeting in Linda Cutting's "What Matters". Ailments small and large spark a lighthearted flirtation that leads a man and a woman to connect.</itunes:summary></item>
		<item>
			<title>Issue 54. June 2015 : Bluebird</title>
			<link>https://drumlitmag.com/mp3s/sounds-LouiseHoughton--Bluebird.mp3</link>
			
			<itunes:duration>6:46</itunes:duration>
			<enclosure length="406" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-LouiseHoughton--Bluebird.mp3"/>
			<description>In "Bluebird," Louise Houghton explores the fraught relationship between two siblings, a younger sister and her older brother. This is sibling rivalry rendered with nuance and yielding to the author's curiosity and insight, set in the specifics of an English childhood.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-LouiseHoughton--Bluebird.mp3</guid>
			<pubDate>Mon, 08 Jun 2015 11:53:39 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In "Bluebird," Louise Houghton explores the fraught relationship between two siblings, a younger sister and her older brother. This is sibling rivalry rendered with nuance and yielding to the author's curiosity and insight, set in the specifics of an English childhood.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In "Bluebird," Louise Houghton explores the fraught relationship between two siblings, a younger sister and her older brother. This is sibling rivalry rendered with nuance and yielding to the author's curiosity and insight, set in the specifics of an English childhood.</itunes:summary></item>
		<item>
			<title>Issue 54. June 2015 : Cold Winter</title>
			<link>https://drumlitmag.com/mp3s/sounds-StephenDorneman--ColdWinter.mp3</link>
			
			<itunes:duration>2:20</itunes:duration>
			<enclosure length="140" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-StephenDorneman--ColdWinter.mp3"/>
			<description>We can arm ourselves against cold and snow, but how do we defend against a family member's death? Stephen Dorneman's "Cold Winter" evokes the talismanic power of all our winter equipment and hints at precisely where it can fail to protect us.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-StephenDorneman--ColdWinter.mp3</guid>
			<pubDate>Mon, 08 Jun 2015 11:48:56 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>We can arm ourselves against cold and snow, but how do we defend against a family member's death? Stephen Dorneman's "Cold Winter" evokes the talismanic power of all our winter equipment and hints at precisely where it can fail to protect us.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>We can arm ourselves against cold and snow, but how do we defend against a family member's death? Stephen Dorneman's "Cold Winter" evokes the talismanic power of all our winter equipment and hints at precisely where it can fail to protect us.</itunes:summary></item>
		<item>
			<title>Issue 54. June 2015 : Things in Boxes</title>
			<link>https://drumlitmag.com/mp3s/sounds-StaceyResnikoff--ThingsinBoxes.mp3</link>
			
			<itunes:duration>3:47</itunes:duration>
			<enclosure length="227" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-StaceyResnikoff--ThingsinBoxes.mp3"/>
			<description>When she and her partner pack up to move, a woman discovers she has brought to her new home more than just the objects she has boxed. Stacey Resnikoff's "Things in Boxes" is a tidy contemplation of what we own, what we collect, and what we discover as we move on.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-StaceyResnikoff--ThingsinBoxes.mp3</guid>
			<pubDate>Mon, 08 Jun 2015 11:40:52 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>When she and her partner pack up to move, a woman discovers she has brought to her new home more than just the objects she has boxed. Stacey Resnikoff's "Things in Boxes" is a tidy contemplation of what we own, what we collect, and what we discover as we move on.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>When she and her partner pack up to move, a woman discovers she has brought to her new home more than just the objects she has boxed. Stacey Resnikoff's "Things in Boxes" is a tidy contemplation of what we own, what we collect, and what we discover as we move on.</itunes:summary></item>
		<item>
			<title>Issue 53. April 2015 : a poem and an interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-BrianBurt--poemsandaninterview.mp3</link>
			
			<itunes:duration>17:39</itunes:duration>
			<enclosure length="1059" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-BrianBurt--poemsandaninterview.mp3"/>
			<description>Brian Burt reads his poem "Ars Poetica" and discusses its origin and themes with Poetry Editor Kirun Kapur. Burt talks about the registers of poetic language, the tradition of the ars poetica, Rilke, and his passion for bicycles and cycling.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-BrianBurt--poemsandaninterview.mp3</guid>
			<pubDate>Wed, 01 Apr 2015 11:20:34 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Brian Burt reads his poem "Ars Poetica" and discusses its origin and themes with Poetry Editor Kirun Kapur. Burt talks about the registers of poetic language, the tradition of the ars poetica, Rilke, and his passion for bicycles and cycling.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Brian Burt reads his poem "Ars Poetica" and discusses its origin and themes with Poetry Editor Kirun Kapur. Burt talks about the registers of poetic language, the tradition of the ars poetica, Rilke, and his passion for bicycles and cycling.</itunes:summary></item>
		<item>
			<title>Issue 53. April 2015 : Gretchen Was Abducted</title>
			<link>https://drumlitmag.com/mp3s/sounds-GilmoreTamny--GretchenWasAbducted.mp3</link>
			
			<itunes:duration>11:42</itunes:duration>
			<enclosure length="702" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-GilmoreTamny--GretchenWasAbducted.mp3"/>
			<description>In "Gretchen Was Abducted," a woman recalls with wry humor the night she was taken in error from a slumber party. Gilmore Tamny's short story offers a dispassionate exploration of haplessness and desperation, adventure and survival.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-GilmoreTamny--GretchenWasAbducted.mp3</guid>
			<pubDate>Wed, 01 Apr 2015 11:19:55 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In "Gretchen Was Abducted," a woman recalls with wry humor the night she was taken in error from a slumber party. Gilmore Tamny's short story offers a dispassionate exploration of haplessness and desperation, adventure and survival.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In "Gretchen Was Abducted," a woman recalls with wry humor the night she was taken in error from a slumber party. Gilmore Tamny's short story offers a dispassionate exploration of haplessness and desperation, adventure and survival.</itunes:summary></item>
		<item>
			<title>Issue 53. April 2015 : Cover Story</title>
			<link>https://drumlitmag.com/mp3s/sounds-TracyHahn-Burkett--CoverStory.mp3</link>
			
			<itunes:duration>6:37</itunes:duration>
			<enclosure length="397" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-TracyHahn-Burkett--CoverStory.mp3"/>
			<description>A child's complicated response to complicated power--her own and that of her parents--underlies the critical moment Tracy Hahn-Burkett narrates in her short story "Cover Story". Hahn-Burkett's fiction is a terse investigation of the violence in self-assertion.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-TracyHahn-Burkett--CoverStory.mp3</guid>
			<pubDate>Wed, 01 Apr 2015 11:01:41 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A child's complicated response to complicated power--her own and that of her parents--underlies the critical moment Tracy Hahn-Burkett narrates in her short story "Cover Story". Hahn-Burkett's fiction is a terse investigation of the violence in self-assertion.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A child's complicated response to complicated power--her own and that of her parents--underlies the critical moment Tracy Hahn-Burkett narrates in her short story "Cover Story". Hahn-Burkett's fiction is a terse investigation of the violence in self-assertion.</itunes:summary></item>
		<item>
			<title>Issue 53. April 2015 : Me And My Orion</title>
			<link>https://drumlitmag.com/mp3s/sounds-EthanGilsdorf--MeAndMyOrion.mp3</link>
			
			<itunes:duration>6:05</itunes:duration>
			<enclosure length="365" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-EthanGilsdorf--MeAndMyOrion.mp3"/>
			<description>Ethan Gilsdorf finds perspective and a sense of belonging in the night sky. His essay "Me And My Orion" recalls the stars in that constellation and links him, and us, to the vast movements and the stillness above us.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-EthanGilsdorf--MeAndMyOrion.mp3</guid>
			<pubDate>Wed, 01 Apr 2015 10:03:26 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ethan Gilsdorf finds perspective and a sense of belonging in the night sky. His essay "Me And My Orion" recalls the stars in that constellation and links him, and us, to the vast movements and the stillness above us.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ethan Gilsdorf finds perspective and a sense of belonging in the night sky. His essay "Me And My Orion" recalls the stars in that constellation and links him, and us, to the vast movements and the stillness above us.</itunes:summary></item>
		<item>
			<title>Issue 52. October 2014 : two poems</title>
			<link>https://drumlitmag.com/mp3s/sounds-CarrieGreenpoems.mp3</link>
			
			<itunes:duration>9:37</itunes:duration>
			<enclosure length="577" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CarrieGreenpoems.mp3"/>
			<description>Carrie Green reads her poems "Cochina Rock" and "Test Drive" and answers Kirun Kapur's questions on a variety of topics--including the origins of her work, the experience of writing about historical subjects, and her non-poetry obsession (which features nests).</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CarrieGreenpoems.mp3</guid>
			<pubDate>Mon, 10 Nov 2014 14:56:34 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Carrie Green reads her poems "Cochina Rock" and "Test Drive" and answers Kirun Kapur's questions on a variety of topics--including the origins of her work, the experience of writing about historical subjects, and her non-poetry obsession (which features nests).</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Carrie Green reads her poems "Cochina Rock" and "Test Drive" and answers Kirun Kapur's questions on a variety of topics--including the origins of her work, the experience of writing about historical subjects, and her non-poetry obsession (which features nests).</itunes:summary></item>
		<item>
			<title>Issue 52. October 2014 : One City One Story: Jennifer Haigh's "Sublimation"</title>
			<link>https://drumlitmag.com/mp3s/sounds-OneCityOneStory_JenniferHaighs_Sublimation_.mp3</link>
			
			<itunes:duration>27:24</itunes:duration>
			<enclosure length="1644" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-OneCityOneStory_JenniferHaighs_Sublimation_.mp3"/>
			<description>Jennifer Haigh's "Sublimation" is the Boston Book Festival's choice for this year's One City One Story, a project to promote reading and to create community around a shared reading experience. "Sublimation" first appeared in the Spring 2014 issue of Ploughshares. Jennifer Haigh will appear at the Boston Book Festival on October 25 to discuss the story. To download the audio recording of "Sublimation," right-click on the download button beside the play button, and save the mp3 to your computer.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-OneCityOneStory_JenniferHaighs_Sublimation_.mp3</guid>
			<pubDate>Wed, 22 Oct 2014 16:53:57 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jennifer Haigh's "Sublimation" is the Boston Book Festival's choice for this year's One City One Story, a project to promote reading and to create community around a shared reading experience. "Sublimation" first appeared in the Spring 2014 issue of Ploughshares. Jennifer Haigh will appear at the Boston Book Festival on October 25 to discuss the story. To download the audio recording of "Sublimation," right-click on the download button beside the play button, and save the mp3 to your computer.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jennifer Haigh's "Sublimation" is the Boston Book Festival's choice for this year's One City One Story, a project to promote reading and to create community around a shared reading experience. "Sublimation" first appeared in the Spring 2014 issue of Ploughshares. Jennifer Haigh will appear at the Boston Book Festival on October 25 to discuss the story. To download the audio recording of "Sublimation," right-click on the download button beside the play button, and save the mp3 to your computer.</itunes:summary></item>
		<item>
			<title>Issue 51. August 2014 : MuseFlash 2014</title>
			<link>https://drumlitmag.com/mp3s/sounds-JenniferDeleon--LuckyWoman.mp3</link>
			
			<itunes:duration>3:42</itunes:duration>
			<enclosure length="222" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JenniferDeleon--LuckyWoman.mp3"/>
			<description>De Leon writes movingly about her grandfather's seeking forgiveness from the woman he abandoned in Guatemala. In "Lucky Woman," Luisa, De Leon's grandmother, meets him upon his return, passing defiant judgment upon him.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JenniferDeleon--LuckyWoman.mp3</guid>
			<pubDate>Thu, 31 Jul 2014 18:17:53 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>De Leon writes movingly about her grandfather's seeking forgiveness from the woman he abandoned in Guatemala. In "Lucky Woman," Luisa, De Leon's grandmother, meets him upon his return, passing defiant judgment upon him.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>De Leon writes movingly about her grandfather's seeking forgiveness from the woman he abandoned in Guatemala. In "Lucky Woman," Luisa, De Leon's grandmother, meets him upon his return, passing defiant judgment upon him.</itunes:summary></item>
		<item>
			<title>Issue 51. August 2014 : MuseFlash 2014</title>
			<link>https://drumlitmag.com/mp3s/sounds-StephenDorneman--Country-LineDancinginBridgeportCT.mp3</link>
			
			<itunes:duration>3:26</itunes:duration>
			<enclosure length="206" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-StephenDorneman--Country-LineDancinginBridgeportCT.mp3"/>
			<description>In Stephen Dorneman's "Country-Line Dancing in Bridgeport, CT," a aloof widower finds himself in bemused participation during an evening's unexpected dance.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-StephenDorneman--Country-LineDancinginBridgeportCT.mp3</guid>
			<pubDate>Thu, 31 Jul 2014 18:12:22 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Stephen Dorneman's "Country-Line Dancing in Bridgeport, CT," a aloof widower finds himself in bemused participation during an evening's unexpected dance.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Stephen Dorneman's "Country-Line Dancing in Bridgeport, CT," a aloof widower finds himself in bemused participation during an evening's unexpected dance.</itunes:summary></item>
		<item>
			<title>Issue 51. August 2014 : MuseFlash 2014</title>
			<link>https://drumlitmag.com/mp3s/sounds-Hennick_Final2.mp3</link>
			
			<itunes:duration>2:34</itunes:duration>
			<enclosure length="154" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Hennick_Final2.mp3"/>
			<description>In "A Thousand Cuts," Calvin Hennick turns a young boy's haircut into a taut revelation about the chaos of his mother's life, hinting at the history of this small family and intimating its perhaps ominous future.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Hennick_Final2.mp3</guid>
			<pubDate>Thu, 31 Jul 2014 18:06:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In "A Thousand Cuts," Calvin Hennick turns a young boy's haircut into a taut revelation about the chaos of his mother's life, hinting at the history of this small family and intimating its perhaps ominous future.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In "A Thousand Cuts," Calvin Hennick turns a young boy's haircut into a taut revelation about the chaos of his mother's life, hinting at the history of this small family and intimating its perhaps ominous future.</itunes:summary></item>
		<item>
			<title>Issue 51. August 2014 : MuseFlash 2014</title>
			<link>https://drumlitmag.com/mp3s/sounds-CaitlynKinsella--ItsMe.mp3</link>
			
			<itunes:duration>2:50</itunes:duration>
			<enclosure length="170" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CaitlynKinsella--ItsMe.mp3"/>
			<description>The careful parsing of a phone message leads to a blossoming but perplexing romance. Caitlyn Kinsella's "It's Me" finds humor and poignancy in the intricacies of interaction.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CaitlynKinsella--ItsMe.mp3</guid>
			<pubDate>Thu, 31 Jul 2014 18:03:10 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The careful parsing of a phone message leads to a blossoming but perplexing romance. Caitlyn Kinsella's "It's Me" finds humor and poignancy in the intricacies of interaction.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The careful parsing of a phone message leads to a blossoming but perplexing romance. Caitlyn Kinsella's "It's Me" finds humor and poignancy in the intricacies of interaction.</itunes:summary></item>
		<item>
			<title>Issue 51. August 2014 : MuseFlash 2014</title>
			<link>https://drumlitmag.com/mp3s/sounds-CarolSandel--BirthControl.mp3</link>
			
			<itunes:duration>3:46</itunes:duration>
			<enclosure length="226" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CarolSandel--BirthControl.mp3"/>
			<description>A mother's wartime theories, two daughters' misunderstandings, and the issue of sexual control as it's wielded by a mother and a father: combat and choice resonate here in Carol Sandel's "Birth Control".</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CarolSandel--BirthControl.mp3</guid>
			<pubDate>Thu, 31 Jul 2014 17:59:18 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A mother's wartime theories, two daughters' misunderstandings, and the issue of sexual control as it's wielded by a mother and a father: combat and choice resonate here in Carol Sandel's "Birth Control".</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A mother's wartime theories, two daughters' misunderstandings, and the issue of sexual control as it's wielded by a mother and a father: combat and choice resonate here in Carol Sandel's "Birth Control".</itunes:summary></item>
		<item>
			<title>Issue 50. July 2014 : Reading with Edan Lepucki at Brookline Booksmith</title>
			<link>https://drumlitmag.com/mp3s/sounds-JoannaRakoffandEdanLepuckiatBrooklineBooksmith.mp3</link>
			
			<itunes:duration>49:11</itunes:duration>
			<enclosure length="2951" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JoannaRakoffandEdanLepuckiatBrooklineBooksmith.mp3"/>
			<description>Joanna Rakoff reads from My Salinger Year and Edan Lepucki reads from California at Brookline Booksmith. Listen in as these two writers read from their work and answer questions about driving through LA during a blackout that seems to presage apocalypse, about the experience of working in J.D. Salinger's agency, and about the shift from novel to memoir, third-person to first.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JoannaRakoffandEdanLepuckiatBrooklineBooksmith.mp3</guid>
			<pubDate>Tue, 29 Jul 2014 21:47:27 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Joanna Rakoff reads from My Salinger Year and Edan Lepucki reads from California at Brookline Booksmith. Listen in as these two writers read from their work and answer questions about driving through LA during a blackout that seems to presage apocalypse, about the experience of working in J.D. Salinger's agency, and about the shift from novel to memoir, third-person to first.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Joanna Rakoff reads from My Salinger Year and Edan Lepucki reads from California at Brookline Booksmith. Listen in as these two writers read from their work and answer questions about driving through LA during a blackout that seems to presage apocalypse, about the experience of working in J.D. Salinger's agency, and about the shift from novel to memoir, third-person to first.</itunes:summary></item>
		<item>
			<title>Issue 50. July 2014 : Drone</title>
			<link>https://drumlitmag.com/mp3s/sounds-JamesArthur--Drone.mp3</link>
			
			<itunes:duration>8:54</itunes:duration>
			<enclosure length="534" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JamesArthur--Drone.mp3"/>
			<description>"You must never make the mistake of believing that readers just want to be passive recipients of whatever it is you want to say." So says James Arthur in his conversation with Poetry Editor Kirun Kapur. His poem "Drone" engages readers--and listeners--in thought-provoking exploration of power and threat.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JamesArthur--Drone.mp3</guid>
			<pubDate>Mon, 21 Jul 2014 09:29:37 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"You must never make the mistake of believing that readers just want to be passive recipients of whatever it is you want to say." So says James Arthur in his conversation with Poetry Editor Kirun Kapur. His poem "Drone" engages readers--and listeners--in thought-provoking exploration of power and threat.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"You must never make the mistake of believing that readers just want to be passive recipients of whatever it is you want to say." So says James Arthur in his conversation with Poetry Editor Kirun Kapur. His poem "Drone" engages readers--and listeners--in thought-provoking exploration of power and threat.</itunes:summary></item>
		<item>
			<title>Issue 50. July 2014 : excerpt from Gone</title>
			<link>https://drumlitmag.com/mp3s/sounds-CathiHanauer--excerptfromGone.mp3</link>
			
			<itunes:duration>9:50</itunes:duration>
			<enclosure length="590" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CathiHanauer--excerptfromGone.mp3"/>
			<description>A husband's disappearance while taking the babysitter home precipitates the crisis in this excerpt from Cathi Hanauer's novel Gone. Eve Adams embarks on a first day of her new normal, fending off inquiries from children surly and clueless, and navigating the too-zen-to-be-mean streets of her artsy Massachusetts town.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CathiHanauer--excerptfromGone.mp3</guid>
			<pubDate>Tue, 15 Jul 2014 11:32:36 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A husband's disappearance while taking the babysitter home precipitates the crisis in this excerpt from Cathi Hanauer's novel Gone. Eve Adams embarks on a first day of her new normal, fending off inquiries from children surly and clueless, and navigating the too-zen-to-be-mean streets of her artsy Massachusetts town.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A husband's disappearance while taking the babysitter home precipitates the crisis in this excerpt from Cathi Hanauer's novel Gone. Eve Adams embarks on a first day of her new normal, fending off inquiries from children surly and clueless, and navigating the too-zen-to-be-mean streets of her artsy Massachusetts town.</itunes:summary></item>
		<item>
			<title>Issue 50. July 2014 : Brace</title>
			<link>https://drumlitmag.com/mp3s/sounds-GregorySpatz--Brace.mp3</link>
			
			<itunes:duration>10:37</itunes:duration>
			<enclosure length="637" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-GregorySpatz--Brace.mp3"/>
			<description>A boy's silence, a sister's bicycle and a "misaligned world with skewed meanings". Gregory Spatz' "Brace" immerses us in the consciousness of a narrator thinking about ruin and loss as he remembers a childhood aphasia, a freewheeling car, and the urge to make a physical mark on and within the world. When you listen to the whole story, you'll understand the title.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-GregorySpatz--Brace.mp3</guid>
			<pubDate>Tue, 08 Jul 2014 19:12:46 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A boy's silence, a sister's bicycle and a "misaligned world with skewed meanings". Gregory Spatz' "Brace" immerses us in the consciousness of a narrator thinking about ruin and loss as he remembers a childhood aphasia, a freewheeling car, and the urge to make a physical mark on and within the world. When you listen to the whole story, you'll understand the title.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A boy's silence, a sister's bicycle and a "misaligned world with skewed meanings". Gregory Spatz' "Brace" immerses us in the consciousness of a narrator thinking about ruin and loss as he remembers a childhood aphasia, a freewheeling car, and the urge to make a physical mark on and within the world. When you listen to the whole story, you'll understand the title.</itunes:summary></item>
		<item>
			<title>Issue 49. June 2014 : two poems</title>
			<link>https://drumlitmag.com/mp3s/thedrum0082-876.mp3</link>
			
			<itunes:duration>14:56</itunes:duration>
			<enclosure length="896" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum0082-876.mp3"/>
			<description>Susan Rich reads her poems "Tricks a Girl Can Do" and "Cloud Pharmacy"--and speaks with Poetry Editor Kirun Kapur about ekphrastic poetry, her discovery of photographer Hannah Maynard, and the pleasures of bicycling while reciting Elizabeth Bishop.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum0082-876.mp3</guid>
			<pubDate>Mon, 23 Jun 2014 12:12:59 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Susan Rich reads her poems "Tricks a Girl Can Do" and "Cloud Pharmacy"--and speaks with Poetry Editor Kirun Kapur about ekphrastic poetry, her discovery of photographer Hannah Maynard, and the pleasures of bicycling while reciting Elizabeth Bishop.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Susan Rich reads her poems "Tricks a Girl Can Do" and "Cloud Pharmacy"--and speaks with Poetry Editor Kirun Kapur about ekphrastic poetry, her discovery of photographer Hannah Maynard, and the pleasures of bicycling while reciting Elizabeth Bishop.</itunes:summary></item>
		<item>
			<title>Issue 49. June 2014 : A Notion I Took</title>
			<link>https://drumlitmag.com/mp3s/sounds-JoyCastro--ANotionITook.mp3</link>
			
			<itunes:duration>5:57</itunes:duration>
			<enclosure length="357" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JoyCastro--ANotionITook.mp3"/>
			<description>For a hundred dollars, a young woman jumps into the Rio Grande, a river so filthy, it's dyed blue for the tourists. Money, risk, and self-invention intersect in Joy Castro's "A Notion I Took" as the story's narrator thinks about what is at stake for her as she leaps and descends through the water.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JoyCastro--ANotionITook.mp3</guid>
			<pubDate>Mon, 16 Jun 2014 15:38:05 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>For a hundred dollars, a young woman jumps into the Rio Grande, a river so filthy, it's dyed blue for the tourists. Money, risk, and self-invention intersect in Joy Castro's "A Notion I Took" as the story's narrator thinks about what is at stake for her as she leaps and descends through the water.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>For a hundred dollars, a young woman jumps into the Rio Grande, a river so filthy, it's dyed blue for the tourists. Money, risk, and self-invention intersect in Joy Castro's "A Notion I Took" as the story's narrator thinks about what is at stake for her as she leaps and descends through the water.</itunes:summary></item>
		<item>
			<title>Issue 49. June 2014 : Chance</title>
			<link>https://drumlitmag.com/mp3s/sounds-PeterHoDavies--Chance.mp3</link>
			
			<itunes:duration>12:31</itunes:duration>
			<enclosure length="751" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-PeterHoDavies--Chance.mp3"/>
			<description>Physics, hope, and speculation come together beautifully in this moving story about a couple dealing with the chance that their fetus has a rare genetic mutation. In "Chance," Peter Ho Davies raises complex questions about what is certain and what is random, and about how and if our efforts affect the course of our lives.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-PeterHoDavies--Chance.mp3</guid>
			<pubDate>Mon, 09 Jun 2014 13:53:05 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Physics, hope, and speculation come together beautifully in this moving story about a couple dealing with the chance that their fetus has a rare genetic mutation. In "Chance," Peter Ho Davies raises complex questions about what is certain and what is random, and about how and if our efforts affect the course of our lives.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Physics, hope, and speculation come together beautifully in this moving story about a couple dealing with the chance that their fetus has a rare genetic mutation. In "Chance," Peter Ho Davies raises complex questions about what is certain and what is random, and about how and if our efforts affect the course of our lives.</itunes:summary></item>
		<item>
			<title>Issue 49. June 2014 : Do You Have a Place For Me</title>
			<link>https://drumlitmag.com/mp3s/sounds-RoxaneGay--DoYouHaveaPlaceForMe.mp3</link>
			
			<itunes:duration>7:41</itunes:duration>
			<enclosure length="461" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-RoxaneGay--DoYouHaveaPlaceForMe.mp3"/>
			<description>Two people meet at a half-way point between their homes and lives. But the encounter in Roxane Gay's "Do You Have a Place For Me" is no simple escape, but a shared confrontation--of the self, the body, and the heart. Gay's prose is both analytical--is this cheating?--and intensely figurative in this short and powerful story.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-RoxaneGay--DoYouHaveaPlaceForMe.mp3</guid>
			<pubDate>Mon, 02 Jun 2014 12:18:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Two people meet at a half-way point between their homes and lives. But the encounter in Roxane Gay's "Do You Have a Place For Me" is no simple escape, but a shared confrontation--of the self, the body, and the heart. Gay's prose is both analytical--is this cheating?--and intensely figurative in this short and powerful story.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Two people meet at a half-way point between their homes and lives. But the encounter in Roxane Gay's "Do You Have a Place For Me" is no simple escape, but a shared confrontation--of the self, the body, and the heart. Gay's prose is both analytical--is this cheating?--and intensely figurative in this short and powerful story.</itunes:summary></item>
		<item>
			<title>Issue 48. May 2014 : Appetites</title>
			<link>https://drumlitmag.com/mp3s/sounds-MariaMutch--Appetites.mp3</link>
			
			<itunes:duration>12:37</itunes:duration>
			<enclosure length="757" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-MariaMutch--Appetites.mp3"/>
			<description>Maria Mutch offers a new take on the fairy tale of Little Red Riding Hood, setting this old story of violence, innocence, and sexuality in a strangely natural urban world. In "Appetites", Grandmother lives in an institution, and the wolves wear turtlenecks, and Red takes matters into her own hands.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-MariaMutch--Appetites.mp3</guid>
			<pubDate>Tue, 20 May 2014 09:25:26 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Maria Mutch offers a new take on the fairy tale of Little Red Riding Hood, setting this old story of violence, innocence, and sexuality in a strangely natural urban world. In "Appetites", Grandmother lives in an institution, and the wolves wear turtlenecks, and Red takes matters into her own hands.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Maria Mutch offers a new take on the fairy tale of Little Red Riding Hood, setting this old story of violence, innocence, and sexuality in a strangely natural urban world. In "Appetites", Grandmother lives in an institution, and the wolves wear turtlenecks, and Red takes matters into her own hands.</itunes:summary></item>
		<item>
			<title>Issue 48. May 2014 : The Games They Played</title>
			<link>https://drumlitmag.com/mp3s/sounds-MattBell--TheGamesTheyPlayed.mp3</link>
			
			<itunes:duration>4:35</itunes:duration>
			<enclosure length="275" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-MattBell--TheGamesTheyPlayed.mp3"/>
			<description>These are not the fairy tales our mothers told us. The four episodes of Matt Bell's "The Games They Played" focus on Younger and Older, siblings whose rivalries offer an education in hidden and not-so-hidden violence. Bell experiments with the cadence and the content of fairy tales, making them at once new and ancient.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-MattBell--TheGamesTheyPlayed.mp3</guid>
			<pubDate>Mon, 12 May 2014 08:25:31 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>These are not the fairy tales our mothers told us. The four episodes of Matt Bell's "The Games They Played" focus on Younger and Older, siblings whose rivalries offer an education in hidden and not-so-hidden violence. Bell experiments with the cadence and the content of fairy tales, making them at once new and ancient.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>These are not the fairy tales our mothers told us. The four episodes of Matt Bell's "The Games They Played" focus on Younger and Older, siblings whose rivalries offer an education in hidden and not-so-hidden violence. Bell experiments with the cadence and the content of fairy tales, making them at once new and ancient.</itunes:summary></item>
		<item>
			<title>Issue 47. April 2014 : excerpt from The Fifty-First State</title>
			<link>https://drumlitmag.com/mp3s/sounds-LisaBorders--excerptfromTheFifty-FirstState.mp3</link>
			
			<itunes:duration>4:22</itunes:duration>
			<enclosure length="262" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-LisaBorders--excerptfromTheFifty-FirstState.mp3"/>
			<description>A handful of sentences form the opening chapter of Lisa Borders' novel The Fifty-First State, setting her characters on an inexorable course towards tragedy and connection, and sending her readers into a world of lush detail and intensely-felt emotion. Hallie and Josh Corson share a father but little else&amp;mdash;until a grisly highway accident at the novel's outset leaves them both without parents. Forced to come together on the family's struggling tomato farm, Josh and Hallie grow in ways they never expected, and discover that even in death&amp;rsquo;s wake, lives can change for the better.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-LisaBorders--excerptfromTheFifty-FirstState.mp3</guid>
			<pubDate>Sun, 27 Apr 2014 18:43:22 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A handful of sentences form the opening chapter of Lisa Borders' novel The Fifty-First State, setting her characters on an inexorable course towards tragedy and connection, and sending her readers into a world of lush detail and intensely-felt emotion. Hallie and Josh Corson share a father but little else&amp;mdash;until a grisly highway accident at the novel's outset leaves them both without parents. Forced to come together on the family's struggling tomato farm, Josh and Hallie grow in ways they never expected, and discover that even in death&amp;rsquo;s wake, lives can change for the better.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A handful of sentences form the opening chapter of Lisa Borders' novel The Fifty-First State, setting her characters on an inexorable course towards tragedy and connection, and sending her readers into a world of lush detail and intensely-felt emotion. Hallie and Josh Corson share a father but little else&amp;mdash;until a grisly highway accident at the novel's outset leaves them both without parents. Forced to come together on the family's struggling tomato farm, Josh and Hallie grow in ways they never expected, and discover that even in death&amp;rsquo;s wake, lives can change for the better.</itunes:summary></item>
		<item>
			<title>Issue 47. April 2014 : The Greenbriar Ghost</title>
			<link>https://drumlitmag.com/mp3s/sounds-UpdatedRobertson.mp3</link>
			
			<itunes:duration>29:39</itunes:duration>
			<enclosure length="1779" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-UpdatedRobertson.mp3"/>
			<description>A house haunted by a mother's yearning for excitement is the setting for Andrea Robertson's "The Greenbriar Ghost". Named for a woman whose ghost does haunt the narrator's Southern town, Zona tries to find her own place in a world of signs and warnings, messages from beyond, and the sometimes more troubling messages from within her own family.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-UpdatedRobertson.mp3</guid>
			<pubDate>Wed, 23 Apr 2014 09:44:41 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A house haunted by a mother's yearning for excitement is the setting for Andrea Robertson's "The Greenbriar Ghost". Named for a woman whose ghost does haunt the narrator's Southern town, Zona tries to find her own place in a world of signs and warnings, messages from beyond, and the sometimes more troubling messages from within her own family.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A house haunted by a mother's yearning for excitement is the setting for Andrea Robertson's "The Greenbriar Ghost". Named for a woman whose ghost does haunt the narrator's Southern town, Zona tries to find her own place in a world of signs and warnings, messages from beyond, and the sometimes more troubling messages from within her own family.</itunes:summary></item>
		<item>
			<title>Issue 47. April 2014 : When Jesus Died</title>
			<link>https://drumlitmag.com/mp3s/sounds-EricaShubin--WhenJesusDied.mp3</link>
			
			<itunes:duration>29:41</itunes:duration>
			<enclosure length="1781" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-EricaShubin--WhenJesusDied.mp3"/>
			<description>Jesus is the name of Rudy's dog--Rudy being the boy who forms a frank but subtle friendship with the narrator of Erica Shubin's story "When Jesus Died". Shubin's is a rich and detailed narrative encompassing adolescent sexuality, religion, and community, and centering on the poignant makeshift burial of a pet. Most of all, though, "When Jesus Died" explores the question of what makes us feel invincible or whole and what we do to guard against diminution.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-EricaShubin--WhenJesusDied.mp3</guid>
			<pubDate>Mon, 14 Apr 2014 22:10:27 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jesus is the name of Rudy's dog--Rudy being the boy who forms a frank but subtle friendship with the narrator of Erica Shubin's story "When Jesus Died". Shubin's is a rich and detailed narrative encompassing adolescent sexuality, religion, and community, and centering on the poignant makeshift burial of a pet. Most of all, though, "When Jesus Died" explores the question of what makes us feel invincible or whole and what we do to guard against diminution.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jesus is the name of Rudy's dog--Rudy being the boy who forms a frank but subtle friendship with the narrator of Erica Shubin's story "When Jesus Died". Shubin's is a rich and detailed narrative encompassing adolescent sexuality, religion, and community, and centering on the poignant makeshift burial of a pet. Most of all, though, "When Jesus Died" explores the question of what makes us feel invincible or whole and what we do to guard against diminution.</itunes:summary></item>
		<item>
			<title>Issue 47. April 2014 : Sandcastles</title>
			<link>https://drumlitmag.com/mp3s/sounds-BenWarner--Sandcastles.mp3</link>
			
			<itunes:duration>9:33</itunes:duration>
			<enclosure length="573" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-BenWarner--Sandcastles.mp3"/>
			<description>The threat of violence hangs in the air as a young boy waits in a hotel room for his bookie father to return from a fight in Ben Warner's "Sandcastles". Guarded by an ally, the boy, Snake, is full of questions about what can truly protect him. Guns, knives, or fists? Or possibly, the men entrusted with his care.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-BenWarner--Sandcastles.mp3</guid>
			<pubDate>Mon, 07 Apr 2014 13:57:42 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The threat of violence hangs in the air as a young boy waits in a hotel room for his bookie father to return from a fight in Ben Warner's "Sandcastles". Guarded by an ally, the boy, Snake, is full of questions about what can truly protect him. Guns, knives, or fists? Or possibly, the men entrusted with his care.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The threat of violence hangs in the air as a young boy waits in a hotel room for his bookie father to return from a fight in Ben Warner's "Sandcastles". Guarded by an ally, the boy, Snake, is full of questions about what can truly protect him. Guns, knives, or fists? Or possibly, the men entrusted with his care.</itunes:summary></item>
		<item>
			<title>Issue 46. March 2014 : Honey, Don't</title>
			<link>https://drumlitmag.com/mp3s/sounds-DarlinNeal--HoneyDont.mp3</link>
			
			<itunes:duration>17:42</itunes:duration>
			<enclosure length="1062" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-DarlinNeal--HoneyDont.mp3"/>
			<description>A red spaghetti-strap dress and blue-suede Doc Martens set Dinah apart as she walks through a small southern town looking for a wedding dress. But it's not just the clothing that doesn't fit; it's the music, too, that isn't quite the right accompaniment she wants for her life. Dinah lives on the flip side, the back side of "Blue Suede Shoes" in this story by Darlin' Neal about a woman teetering between maturity and childishness, weakness and independence.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-DarlinNeal--HoneyDont.mp3</guid>
			<pubDate>Mon, 31 Mar 2014 02:58:43 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A red spaghetti-strap dress and blue-suede Doc Martens set Dinah apart as she walks through a small southern town looking for a wedding dress. But it's not just the clothing that doesn't fit; it's the music, too, that isn't quite the right accompaniment she wants for her life. Dinah lives on the flip side, the back side of "Blue Suede Shoes" in this story by Darlin' Neal about a woman teetering between maturity and childishness, weakness and independence.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A red spaghetti-strap dress and blue-suede Doc Martens set Dinah apart as she walks through a small southern town looking for a wedding dress. But it's not just the clothing that doesn't fit; it's the music, too, that isn't quite the right accompaniment she wants for her life. Dinah lives on the flip side, the back side of "Blue Suede Shoes" in this story by Darlin' Neal about a woman teetering between maturity and childishness, weakness and independence.</itunes:summary></item>
		<item>
			<title>Issue 46. March 2014 : poems</title>
			<link>https://drumlitmag.com/mp3s/sounds-JillMcDonough--Poems.mp3</link>
			
			<itunes:duration>7:06</itunes:duration>
			<enclosure length="426" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JillMcDonough--Poems.mp3"/>
			<description>Zombies, weapons, and terrors of a darker, more pervasive sort: these are the subjects of Jill McDonough's poems "Horrors All Around" and "Also, Homemade Flamethrowers". What are the threats, McDonough's work asks, and do they come from within or beyond us? McDonough offers answers, too, in her interview with Kirun Kapur.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JillMcDonough--Poems.mp3</guid>
			<pubDate>Mon, 24 Mar 2014 02:59:19 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Zombies, weapons, and terrors of a darker, more pervasive sort: these are the subjects of Jill McDonough's poems "Horrors All Around" and "Also, Homemade Flamethrowers". What are the threats, McDonough's work asks, and do they come from within or beyond us? McDonough offers answers, too, in her interview with Kirun Kapur.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Zombies, weapons, and terrors of a darker, more pervasive sort: these are the subjects of Jill McDonough's poems "Horrors All Around" and "Also, Homemade Flamethrowers". What are the threats, McDonough's work asks, and do they come from within or beyond us? McDonough offers answers, too, in her interview with Kirun Kapur.</itunes:summary></item>
		<item>
			<title>Issue 46. March 2014 : Courtesies</title>
			<link>https://drumlitmag.com/mp3s/sounds-AllisonWilliams--Courtesies.mp3</link>
			
			<itunes:duration>6:15</itunes:duration>
			<enclosure length="375" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AllisonWilliams--Courtesies.mp3"/>
			<description>The balky knobs on a Czech stove, the quirky signage on a Prague building, or the smile of a stranger on a train: these are the starting points for Allison Williams' essay about decoding the mysteries of life abroad. But more than geographical foreignness, Williams writes of the potential estrangement from one's partner and from certain crucial parts of one's identity. In "Courtesies," she explores how we navigate as we try to turn the right way.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AllisonWilliams--Courtesies.mp3</guid>
			<pubDate>Mon, 17 Mar 2014 13:03:49 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The balky knobs on a Czech stove, the quirky signage on a Prague building, or the smile of a stranger on a train: these are the starting points for Allison Williams' essay about decoding the mysteries of life abroad. But more than geographical foreignness, Williams writes of the potential estrangement from one's partner and from certain crucial parts of one's identity. In "Courtesies," she explores how we navigate as we try to turn the right way.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The balky knobs on a Czech stove, the quirky signage on a Prague building, or the smile of a stranger on a train: these are the starting points for Allison Williams' essay about decoding the mysteries of life abroad. But more than geographical foreignness, Williams writes of the potential estrangement from one's partner and from certain crucial parts of one's identity. In "Courtesies," she explores how we navigate as we try to turn the right way.</itunes:summary></item>
		<item>
			<title>Issue 46. March 2014 : Wing Woman</title>
			<link>https://drumlitmag.com/mp3s/sounds-JonathanGotsick--WingWoman.mp3</link>
			
			<itunes:duration>24:37</itunes:duration>
			<enclosure length="1477" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JonathanGotsick--WingWoman.mp3"/>
			<description>&amp;ldquo;Another thing of Zinfandel. We&amp;rsquo;re headed for the Coast," says the narrator of Jonathan Gotsick's "Wing Woman" when she agrees to go along with her recently-divorced friend to assume the story's title role. Toni escorts Shelley on a journey of escape and adventure rendered with vivid and particular--and humorous--detail. Gotsick's narrative leads the two women to an aging rock band and to a final performance whose bombast reveals the story's poignant heart.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JonathanGotsick--WingWoman.mp3</guid>
			<pubDate>Mon, 10 Mar 2014 15:33:49 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>&amp;ldquo;Another thing of Zinfandel. We&amp;rsquo;re headed for the Coast," says the narrator of Jonathan Gotsick's "Wing Woman" when she agrees to go along with her recently-divorced friend to assume the story's title role. Toni escorts Shelley on a journey of escape and adventure rendered with vivid and particular--and humorous--detail. Gotsick's narrative leads the two women to an aging rock band and to a final performance whose bombast reveals the story's poignant heart.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>&amp;ldquo;Another thing of Zinfandel. We&amp;rsquo;re headed for the Coast," says the narrator of Jonathan Gotsick's "Wing Woman" when she agrees to go along with her recently-divorced friend to assume the story's title role. Toni escorts Shelley on a journey of escape and adventure rendered with vivid and particular--and humorous--detail. Gotsick's narrative leads the two women to an aging rock band and to a final performance whose bombast reveals the story's poignant heart.</itunes:summary></item>
		<item>
			<title>Issue 45. February 2014 : Poem</title>
			<link>https://drumlitmag.com/mp3s/thedrum3556-844.mp3</link>
			
			<itunes:duration>4:22</itunes:duration>
			<enclosure length="262" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum3556-844.mp3"/>
			<description>"At Hundred Islands National Park, I Count Only One Island" is The Drum's inaugural poem, by Aimee Nezhukumathatil. Nezhukumathatil reads the poem and then answers questions from Poetry Editor Kirun Kapur, about the poem's origins, her non-writing obsessions, and more.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum3556-844.mp3</guid>
			<pubDate>Tue, 04 Mar 2014 12:14:27 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"At Hundred Islands National Park, I Count Only One Island" is The Drum's inaugural poem, by Aimee Nezhukumathatil. Nezhukumathatil reads the poem and then answers questions from Poetry Editor Kirun Kapur, about the poem's origins, her non-writing obsessions, and more.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"At Hundred Islands National Park, I Count Only One Island" is The Drum's inaugural poem, by Aimee Nezhukumathatil. Nezhukumathatil reads the poem and then answers questions from Poetry Editor Kirun Kapur, about the poem's origins, her non-writing obsessions, and more.</itunes:summary></item>
		<item>
			<title>Issue 45. February 2014 : Favorite Son</title>
			<link>https://drumlitmag.com/mp3s/sounds-JenniferHaigh--FavoriteSon.mp3</link>
			
			<itunes:duration>26:39</itunes:duration>
			<enclosure length="1599" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JenniferHaigh--FavoriteSon.mp3"/>
			<description>Jennifer Haigh reads "Favorite Son" from her recent collection News From Heaven. It's here that the collection's title appears--in a story of hopes and disappointments shared by an entire town and by the sons and daughters left with the town's poignant legacy. "Favorite Son" explores the ways in which a certain kind of faith and trust can turn into betrayal.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JenniferHaigh--FavoriteSon.mp3</guid>
			<pubDate>Wed, 19 Feb 2014 21:18:26 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jennifer Haigh reads "Favorite Son" from her recent collection News From Heaven. It's here that the collection's title appears--in a story of hopes and disappointments shared by an entire town and by the sons and daughters left with the town's poignant legacy. "Favorite Son" explores the ways in which a certain kind of faith and trust can turn into betrayal.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jennifer Haigh reads "Favorite Son" from her recent collection News From Heaven. It's here that the collection's title appears--in a story of hopes and disappointments shared by an entire town and by the sons and daughters left with the town's poignant legacy. "Favorite Son" explores the ways in which a certain kind of faith and trust can turn into betrayal.</itunes:summary></item>
		<item>
			<title>Issue 45. February 2014 : excerpt from The Other Room</title>
			<link>https://drumlitmag.com/mp3s/sounds-KimTriedman--excerptfromTheOtherRoom.mp3</link>
			
			<itunes:duration>5:55</itunes:duration>
			<enclosure length="355" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-KimTriedman--excerptfromTheOtherRoom.mp3"/>
			<description>A pink mitten and a balky boiler are some of the poignant details of this scene from Kim Triedman's novel The Other Room. The loss of a child registers through the eerie combination of the normal and the uncanny, adding up to mounting pressure on the husband and wife who have survived.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-KimTriedman--excerptfromTheOtherRoom.mp3</guid>
			<pubDate>Mon, 17 Feb 2014 15:54:11 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A pink mitten and a balky boiler are some of the poignant details of this scene from Kim Triedman's novel The Other Room. The loss of a child registers through the eerie combination of the normal and the uncanny, adding up to mounting pressure on the husband and wife who have survived.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A pink mitten and a balky boiler are some of the poignant details of this scene from Kim Triedman's novel The Other Room. The loss of a child registers through the eerie combination of the normal and the uncanny, adding up to mounting pressure on the husband and wife who have survived.</itunes:summary></item>
		<item>
			<title>Issue 45. February 2014 : Reading at Brookline Booksmith</title>
			<link>https://drumlitmag.com/mp3s/sounds-RoddyDoyle--readingatBrooklineBooksmith.mp3</link>
			
			<itunes:duration>46:28</itunes:duration>
			<enclosure length="2788" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-RoddyDoyle--readingatBrooklineBooksmith.mp3"/>
			<description>Booker-Prize-winning author Roddy Doyle reads from his latest novel The Guts in this recording of an event at Brookline Booksmith on February 6, 2014. Jimmy Rabitte, the protagonist of Doyle's first novel The Commitments, is now middle-aged and facing the difficult task of telling his wife he has cancer. Doyle's trademark spare and witty dialogue anchors the scene. Following the reading, Doyle discusses topics ranging from how he writes dialogue, the Irish recession, and footballer Wayne Rooney, all in his inimitably wry style.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-RoddyDoyle--readingatBrooklineBooksmith.mp3</guid>
			<pubDate>Fri, 14 Feb 2014 14:58:19 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Booker-Prize-winning author Roddy Doyle reads from his latest novel The Guts in this recording of an event at Brookline Booksmith on February 6, 2014. Jimmy Rabitte, the protagonist of Doyle's first novel The Commitments, is now middle-aged and facing the difficult task of telling his wife he has cancer. Doyle's trademark spare and witty dialogue anchors the scene. Following the reading, Doyle discusses topics ranging from how he writes dialogue, the Irish recession, and footballer Wayne Rooney, all in his inimitably wry style.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Booker-Prize-winning author Roddy Doyle reads from his latest novel The Guts in this recording of an event at Brookline Booksmith on February 6, 2014. Jimmy Rabitte, the protagonist of Doyle's first novel The Commitments, is now middle-aged and facing the difficult task of telling his wife he has cancer. Doyle's trademark spare and witty dialogue anchors the scene. Following the reading, Doyle discusses topics ranging from how he writes dialogue, the Irish recession, and footballer Wayne Rooney, all in his inimitably wry style.</itunes:summary></item>
		<item>
			<title>Issue 45. February 2014 : The Ghostzoo</title>
			<link>https://drumlitmag.com/mp3s/sounds-JodyAzzouni--TheGhostzoo.mp3</link>
			
			<itunes:duration>13:30</itunes:duration>
			<enclosure length="810" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JodyAzzouni--TheGhostzoo.mp3"/>
			<description>It's after a cataclysm of some sorts, a post-apocalyptic moment etched in miniature in Jody Azzouni's "The Ghostzoo". As a father and his daughter eke out an existence from the meager remnants of their former world, the little girl plays with a dollhouse. She learns as she plays about the world that is lost to her, until new arrivals start a new and perplexing cycle of creation and disappearance.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JodyAzzouni--TheGhostzoo.mp3</guid>
			<pubDate>Mon, 10 Feb 2014 14:07:53 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>It's after a cataclysm of some sorts, a post-apocalyptic moment etched in miniature in Jody Azzouni's "The Ghostzoo". As a father and his daughter eke out an existence from the meager remnants of their former world, the little girl plays with a dollhouse. She learns as she plays about the world that is lost to her, until new arrivals start a new and perplexing cycle of creation and disappearance.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>It's after a cataclysm of some sorts, a post-apocalyptic moment etched in miniature in Jody Azzouni's "The Ghostzoo". As a father and his daughter eke out an existence from the meager remnants of their former world, the little girl plays with a dollhouse. She learns as she plays about the world that is lost to her, until new arrivals start a new and perplexing cycle of creation and disappearance.</itunes:summary></item>
		<item>
			<title>Issue 45. February 2014 : Another Way to Make Cleopatra Cry</title>
			<link>https://drumlitmag.com/mp3s/sounds-TracyWinn--AnotherWayToMakeCleopatraCry.mp3</link>
			
			<itunes:duration>24:31</itunes:duration>
			<enclosure length="1471" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-TracyWinn--AnotherWayToMakeCleopatraCry.mp3"/>
			<description>A lost purse sets in motion this fast-paced, voice-rich story of opportunism and desperation seen through the wary eyes of a little girl. Dragged around the bars and backstreets of Lowell, Massachusetts by her father's girlfriend, Kaylene watches over her sister Cleopatra and the girlfriend's son as they go in search of the purse and its promise of a better life. Tracy Winn's "Another Way to Make Cleopatra Cry" offers a vivid sense of what it means when observation is your only resource.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-TracyWinn--AnotherWayToMakeCleopatraCry.mp3</guid>
			<pubDate>Mon, 03 Feb 2014 09:07:02 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A lost purse sets in motion this fast-paced, voice-rich story of opportunism and desperation seen through the wary eyes of a little girl. Dragged around the bars and backstreets of Lowell, Massachusetts by her father's girlfriend, Kaylene watches over her sister Cleopatra and the girlfriend's son as they go in search of the purse and its promise of a better life. Tracy Winn's "Another Way to Make Cleopatra Cry" offers a vivid sense of what it means when observation is your only resource.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A lost purse sets in motion this fast-paced, voice-rich story of opportunism and desperation seen through the wary eyes of a little girl. Dragged around the bars and backstreets of Lowell, Massachusetts by her father's girlfriend, Kaylene watches over her sister Cleopatra and the girlfriend's son as they go in search of the purse and its promise of a better life. Tracy Winn's "Another Way to Make Cleopatra Cry" offers a vivid sense of what it means when observation is your only resource.</itunes:summary></item>
		<item>
			<title>Issue 44. January 2014 : The Rock</title>
			<link>https://drumlitmag.com/mp3s/sounds-JenniferOzga--TheRock.mp3</link>
			
			<itunes:duration>11:34</itunes:duration>
			<enclosure length="694" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JenniferOzga--TheRock.mp3"/>
			<description>The complexities of a date take on new dimension in Jennifer Hill Ozga's "The Rock". Ozga's story mines the rituals of contemporary dating for their vulnerabilities and power dynamics, setting her unnamed couple on a path of gentle but inexorable devolution. "The Rock" is a story about disappointment, rendered with a light touch through painfully comic details.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JenniferOzga--TheRock.mp3</guid>
			<pubDate>Mon, 27 Jan 2014 09:54:55 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The complexities of a date take on new dimension in Jennifer Hill Ozga's "The Rock". Ozga's story mines the rituals of contemporary dating for their vulnerabilities and power dynamics, setting her unnamed couple on a path of gentle but inexorable devolution. "The Rock" is a story about disappointment, rendered with a light touch through painfully comic details.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The complexities of a date take on new dimension in Jennifer Hill Ozga's "The Rock". Ozga's story mines the rituals of contemporary dating for their vulnerabilities and power dynamics, setting her unnamed couple on a path of gentle but inexorable devolution. "The Rock" is a story about disappointment, rendered with a light touch through painfully comic details.</itunes:summary></item>
		<item>
			<title>Issue 44. January 2014 : The Wurlitzer</title>
			<link>https://drumlitmag.com/mp3s/sounds-ChristiCraig--TheWurlitzer.mp3</link>
			
			<itunes:duration>10:50</itunes:duration>
			<enclosure length="650" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-ChristiCraig--TheWurlitzer.mp3"/>
			<description>The tuning of a piano becomes the catalyst for a relationship between two unlikely individuals. Christ Craig's "The Wurlitzer" makes subtle use of its narrative voice to bring two lonely people together in a bond created through music and memory.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-ChristiCraig--TheWurlitzer.mp3</guid>
			<pubDate>Wed, 22 Jan 2014 17:42:48 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The tuning of a piano becomes the catalyst for a relationship between two unlikely individuals. Christ Craig's "The Wurlitzer" makes subtle use of its narrative voice to bring two lonely people together in a bond created through music and memory.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The tuning of a piano becomes the catalyst for a relationship between two unlikely individuals. Christ Craig's "The Wurlitzer" makes subtle use of its narrative voice to bring two lonely people together in a bond created through music and memory.</itunes:summary></item>
		<item>
			<title>Issue 44. January 2014 : Are You An Animal Lover?</title>
			<link>https://drumlitmag.com/mp3s/sounds-ColleenHoulihan--AreYouAnAnimalLover.mp3</link>
			
			<itunes:duration>18:05</itunes:duration>
			<enclosure length="1085" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-ColleenHoulihan--AreYouAnAnimalLover.mp3"/>
			<description>"Are you an animal lover?" is the innocent question that precipitates the soul-searching rendered comically here by Colleen Houlihan. Squirrels, a video store, and a healthy amount of risk-taking and imagination feature in Houlihan's essay, in which an encounter with an unusual customer leads the writer into new and potentially taboo territory.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-ColleenHoulihan--AreYouAnAnimalLover.mp3</guid>
			<pubDate>Mon, 13 Jan 2014 14:15:58 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"Are you an animal lover?" is the innocent question that precipitates the soul-searching rendered comically here by Colleen Houlihan. Squirrels, a video store, and a healthy amount of risk-taking and imagination feature in Houlihan's essay, in which an encounter with an unusual customer leads the writer into new and potentially taboo territory.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"Are you an animal lover?" is the innocent question that precipitates the soul-searching rendered comically here by Colleen Houlihan. Squirrels, a video store, and a healthy amount of risk-taking and imagination feature in Houlihan's essay, in which an encounter with an unusual customer leads the writer into new and potentially taboo territory.</itunes:summary></item>
		<item>
			<title>Issue 44. January 2014 : Ways to Break Me</title>
			<link>https://drumlitmag.com/mp3s/sounds-KateWisel--WaysToBreakMe.mp3</link>
			
			<itunes:duration>9:03</itunes:duration>
			<enclosure length="543" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-KateWisel--WaysToBreakMe.mp3"/>
			<description>In the hung-over aftermath of New Year's Eve, the narrator of Kate Wisel's "Ways to Break Me" finds herself exactly where she always is: in an apartment and in a relationship that is at once playground and cage. There are three people in these confined spaces, pushing and shoving at each other to assert themselves and get what they want. Wisel's story is striking for its physicality and its rendering of the drama of the body.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-KateWisel--WaysToBreakMe.mp3</guid>
			<pubDate>Mon, 06 Jan 2014 09:58:52 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In the hung-over aftermath of New Year's Eve, the narrator of Kate Wisel's "Ways to Break Me" finds herself exactly where she always is: in an apartment and in a relationship that is at once playground and cage. There are three people in these confined spaces, pushing and shoving at each other to assert themselves and get what they want. Wisel's story is striking for its physicality and its rendering of the drama of the body.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In the hung-over aftermath of New Year's Eve, the narrator of Kate Wisel's "Ways to Break Me" finds herself exactly where she always is: in an apartment and in a relationship that is at once playground and cage. There are three people in these confined spaces, pushing and shoving at each other to assert themselves and get what they want. Wisel's story is striking for its physicality and its rendering of the drama of the body.</itunes:summary></item>
		<item>
			<title>Issue 43. December 2013 : The Parts of You We Want To Keep</title>
			<link>https://drumlitmag.com/mp3s/sounds-StevenLaFond--ThePartsofYouWeWantToKeep.mp3</link>
			
			<itunes:duration>15:51</itunes:duration>
			<enclosure length="951" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-StevenLaFond--ThePartsofYouWeWantToKeep.mp3"/>
			<description>It's an old story: the love triangle. But Steven LaFond sets it in the world of kink. What are the most shocking parts of us that we need or desire to keep secret? What happens when circumstances risk revealing what we want to preserve for ourselves--or what we fear to acknowledge? Those are the questions the characters of "The Parts of You We Want to Keep"--and listeners to the story--are forced to ask themselves.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-StevenLaFond--ThePartsofYouWeWantToKeep.mp3</guid>
			<pubDate>Mon, 30 Dec 2013 07:48:22 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>It's an old story: the love triangle. But Steven LaFond sets it in the world of kink. What are the most shocking parts of us that we need or desire to keep secret? What happens when circumstances risk revealing what we want to preserve for ourselves--or what we fear to acknowledge? Those are the questions the characters of "The Parts of You We Want to Keep"--and listeners to the story--are forced to ask themselves.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>It's an old story: the love triangle. But Steven LaFond sets it in the world of kink. What are the most shocking parts of us that we need or desire to keep secret? What happens when circumstances risk revealing what we want to preserve for ourselves--or what we fear to acknowledge? Those are the questions the characters of "The Parts of You We Want to Keep"--and listeners to the story--are forced to ask themselves.</itunes:summary></item>
		<item>
			<title>Issue 43. December 2013 : Sea Monster Blues</title>
			<link>https://drumlitmag.com/mp3s/sounds-RyanBritt-SeaMonsterBlues.mp3</link>
			
			<itunes:duration>8:33</itunes:duration>
			<enclosure length="513" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-RyanBritt-SeaMonsterBlues.mp3"/>
			<description>Existential angst takes a darkly humorous turn in Ryan Britt's short story about a man and a monster on a beach. "Sea Monster Blues" offers a variation on the Jekyll and Hyde tale, the drama compressed to one summer afternoon amid the sunscreen and the paperbacks.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-RyanBritt-SeaMonsterBlues.mp3</guid>
			<pubDate>Mon, 23 Dec 2013 12:20:32 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Existential angst takes a darkly humorous turn in Ryan Britt's short story about a man and a monster on a beach. "Sea Monster Blues" offers a variation on the Jekyll and Hyde tale, the drama compressed to one summer afternoon amid the sunscreen and the paperbacks.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Existential angst takes a darkly humorous turn in Ryan Britt's short story about a man and a monster on a beach. "Sea Monster Blues" offers a variation on the Jekyll and Hyde tale, the drama compressed to one summer afternoon amid the sunscreen and the paperbacks.</itunes:summary></item>
		<item>
			<title>Issue 43. December 2013 : Things Summoned</title>
			<link>https://drumlitmag.com/mp3s/sounds-HeatherNewton--ThingsSummoned.mp3</link>
			
			<itunes:duration>21:39</itunes:duration>
			<enclosure length="1299" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-HeatherNewton--ThingsSummoned.mp3"/>
			<description>A little girl plays in the woods, content to be alone with the bits and pieces of nature that she gathers around her. When she sees signs of a visitor, she welcomes this potential friend, eager to include someone else in her small world. Heather Newton's story "Things Summoned" lets us into that world and into the wonder, vulnerability, and danger of what's new and strange.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-HeatherNewton--ThingsSummoned.mp3</guid>
			<pubDate>Mon, 16 Dec 2013 13:05:55 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A little girl plays in the woods, content to be alone with the bits and pieces of nature that she gathers around her. When she sees signs of a visitor, she welcomes this potential friend, eager to include someone else in her small world. Heather Newton's story "Things Summoned" lets us into that world and into the wonder, vulnerability, and danger of what's new and strange.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A little girl plays in the woods, content to be alone with the bits and pieces of nature that she gathers around her. When she sees signs of a visitor, she welcomes this potential friend, eager to include someone else in her small world. Heather Newton's story "Things Summoned" lets us into that world and into the wonder, vulnerability, and danger of what's new and strange.</itunes:summary></item>
		<item>
			<title>Issue 43. December 2013 : Stud</title>
			<link>https://drumlitmag.com/mp3s/sounds-Kim_Savage-Stud.mp3</link>
			
			<itunes:duration>25:20</itunes:duration>
			<enclosure length="1520" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Kim_Savage-Stud.mp3"/>
			<description>The Quincy, Massachusetts quarries are the setting for this short story about the disappearance of a young boy in 1980. Kim Savage's "Stud" weaves together the memories of two women once in thrall to the charismatic Danny Delano, piecing together a narrative of threatened innocence. The conflict between two brothers, undercurrents of homophobia, and the toxicity--literal and figurative--of the quarry landscape propel this unsettling and powerful narrative forward.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Kim_Savage-Stud.mp3</guid>
			<pubDate>Mon, 09 Dec 2013 11:14:29 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Quincy, Massachusetts quarries are the setting for this short story about the disappearance of a young boy in 1980. Kim Savage's "Stud" weaves together the memories of two women once in thrall to the charismatic Danny Delano, piecing together a narrative of threatened innocence. The conflict between two brothers, undercurrents of homophobia, and the toxicity--literal and figurative--of the quarry landscape propel this unsettling and powerful narrative forward.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The Quincy, Massachusetts quarries are the setting for this short story about the disappearance of a young boy in 1980. Kim Savage's "Stud" weaves together the memories of two women once in thrall to the charismatic Danny Delano, piecing together a narrative of threatened innocence. The conflict between two brothers, undercurrents of homophobia, and the toxicity--literal and figurative--of the quarry landscape propel this unsettling and powerful narrative forward.</itunes:summary></item>
		<item>
			<title>Issue 43. December 2013 : Sunday Afternoon With Buddha and Spider</title>
			<link>https://drumlitmag.com/mp3s/sounds-BarringtonSmith-Seetachit--SundayAfternoonwithBuddhaandSpider.mp3</link>
			
			<itunes:duration>19:11</itunes:duration>
			<enclosure length="1151" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-BarringtonSmith-Seetachit--SundayAfternoonwithBuddhaandSpider.mp3"/>
			<description>A woman, a spider, and a small space. These are the elements of Barrington Smith-Seetachit's essay "Sunday Afternoon With Buddha and Spider." With comic flair, Smith-Seetachit leads us through a high-intensity meditation on fear, power, and mercy.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-BarringtonSmith-Seetachit--SundayAfternoonwithBuddhaandSpider.mp3</guid>
			<pubDate>Mon, 02 Dec 2013 08:57:48 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A woman, a spider, and a small space. These are the elements of Barrington Smith-Seetachit's essay "Sunday Afternoon With Buddha and Spider." With comic flair, Smith-Seetachit leads us through a high-intensity meditation on fear, power, and mercy.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A woman, a spider, and a small space. These are the elements of Barrington Smith-Seetachit's essay "Sunday Afternoon With Buddha and Spider." With comic flair, Smith-Seetachit leads us through a high-intensity meditation on fear, power, and mercy.</itunes:summary></item>
		<item>
			<title>Issue 42. November 2013 : Going as a Ghost</title>
			<link>https://drumlitmag.com/mp3s/sounds-ErikDoughty--GoingasaGhost.mp3</link>
			
			<itunes:duration>3:42</itunes:duration>
			<enclosure length="222" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-ErikDoughty--GoingasaGhost.mp3"/>
			<description>Halloween provides a touching backdrop for Erik Doughty's flash fiction piece about the emotional aftermath in a family dealing with loss. "Going as a Ghost" offers a bittersweet look at how we "go as" those who are gone. Doughty's piece is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-ErikDoughty--GoingasaGhost.mp3</guid>
			<pubDate>Thu, 14 Nov 2013 13:55:26 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Halloween provides a touching backdrop for Erik Doughty's flash fiction piece about the emotional aftermath in a family dealing with loss. "Going as a Ghost" offers a bittersweet look at how we "go as" those who are gone. Doughty's piece is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Halloween provides a touching backdrop for Erik Doughty's flash fiction piece about the emotional aftermath in a family dealing with loss. "Going as a Ghost" offers a bittersweet look at how we "go as" those who are gone. Doughty's piece is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</itunes:summary></item>
		<item>
			<title>Issue 42. November 2013 : Before the Fall</title>
			<link>https://drumlitmag.com/mp3s/sounds-LeahBerkowitz--BeforetheFall.mp3</link>
			
			<itunes:duration>3:19</itunes:duration>
			<enclosure length="199" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-LeahBerkowitz--BeforetheFall.mp3"/>
			<description>A chair held aloft at a Jewish wedding is the perch from which the narrator of Leah Berkowitz' "Before the Fall" observes a key moment in her life in poignant and vivid detail. The mundane, the good, and the worrisome are all before her--in what measure, she doesn't yet know. "Before the Fall" is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-LeahBerkowitz--BeforetheFall.mp3</guid>
			<pubDate>Thu, 14 Nov 2013 13:52:03 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A chair held aloft at a Jewish wedding is the perch from which the narrator of Leah Berkowitz' "Before the Fall" observes a key moment in her life in poignant and vivid detail. The mundane, the good, and the worrisome are all before her--in what measure, she doesn't yet know. "Before the Fall" is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A chair held aloft at a Jewish wedding is the perch from which the narrator of Leah Berkowitz' "Before the Fall" observes a key moment in her life in poignant and vivid detail. The mundane, the good, and the worrisome are all before her--in what measure, she doesn't yet know. "Before the Fall" is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</itunes:summary></item>
		<item>
			<title>Issue 42. November 2013 : Twelve</title>
			<link>https://drumlitmag.com/mp3s/sounds-AdamRennOlenn--Twelve.mp3</link>
			
			<itunes:duration>3:43</itunes:duration>
			<enclosure length="223" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AdamRennOlenn--Twelve.mp3"/>
			<description>Adam Renn Olenn's "Twelve" is paced by the chime of the town bells in this western-ish tale of a man looking for a way to stay out of trouble. Trouble, though, has a way of breaking out around him. "Twelve" is a featured selection from The Drum's Flash Fiction Open Mic held at this year's Boston Book Festival.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AdamRennOlenn--Twelve.mp3</guid>
			<pubDate>Thu, 14 Nov 2013 13:49:48 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Adam Renn Olenn's "Twelve" is paced by the chime of the town bells in this western-ish tale of a man looking for a way to stay out of trouble. Trouble, though, has a way of breaking out around him. "Twelve" is a featured selection from The Drum's Flash Fiction Open Mic held at this year's Boston Book Festival.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Adam Renn Olenn's "Twelve" is paced by the chime of the town bells in this western-ish tale of a man looking for a way to stay out of trouble. Trouble, though, has a way of breaking out around him. "Twelve" is a featured selection from The Drum's Flash Fiction Open Mic held at this year's Boston Book Festival.</itunes:summary></item>
		<item>
			<title>Issue 42. November 2013 : Vodka and Duct Tape</title>
			<link>https://drumlitmag.com/mp3s/sounds-StephenDorneman--VodkaandDuctTape.mp3</link>
			
			<itunes:duration>3:18</itunes:duration>
			<enclosure length="198" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-StephenDorneman--VodkaandDuctTape.mp3"/>
			<description>How to fix what's broken--in a person, a relationship, a home? Stephen Dorneman's flash fiction "Vodka and Duct Tape" offers moving and heart-breaking answers to these questions. "Vodka and Duct Tape" is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-StephenDorneman--VodkaandDuctTape.mp3</guid>
			<pubDate>Thu, 14 Nov 2013 13:43:37 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>How to fix what's broken--in a person, a relationship, a home? Stephen Dorneman's flash fiction "Vodka and Duct Tape" offers moving and heart-breaking answers to these questions. "Vodka and Duct Tape" is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>How to fix what's broken--in a person, a relationship, a home? Stephen Dorneman's flash fiction "Vodka and Duct Tape" offers moving and heart-breaking answers to these questions. "Vodka and Duct Tape" is a featured selection from The Drum's Flash Fiction Open Mic held at last month's Boston Book Festival.</itunes:summary></item>
		<item>
			<title>Issue 42. November 2013 : Sleeping Over</title>
			<link>https://drumlitmag.com/mp3s/sounds-ChrisWiewora--SleepingOver.mp3</link>
			
			<itunes:duration>9:16</itunes:duration>
			<enclosure length="556" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-ChrisWiewora--SleepingOver.mp3"/>
			<description>Chris Wiewiora's essay "Sleeping Over" explores the many complications of exactly that, when the people in question are teenagers, and one of them is presided over by his father. Trust, the truth, and independence are just some of the issues at stake not just in the event but in the messages surrounding it.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-ChrisWiewora--SleepingOver.mp3</guid>
			<pubDate>Tue, 12 Nov 2013 08:44:03 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Chris Wiewiora's essay "Sleeping Over" explores the many complications of exactly that, when the people in question are teenagers, and one of them is presided over by his father. Trust, the truth, and independence are just some of the issues at stake not just in the event but in the messages surrounding it.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Chris Wiewiora's essay "Sleeping Over" explores the many complications of exactly that, when the people in question are teenagers, and one of them is presided over by his father. Trust, the truth, and independence are just some of the issues at stake not just in the event but in the messages surrounding it.</itunes:summary></item>
		<item>
			<title>Issue 41. October 2013 : Force</title>
			<link>https://drumlitmag.com/mp3s/sounds-AfolabiOpanubi--Force.mp3</link>
			
			<itunes:duration>14:02</itunes:duration>
			<enclosure length="842" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AfolabiOpanubi--Force.mp3"/>
			<description>Afolabi Opanubi's short story "Force," an overnight visit from an old friend brings into stark clarity the concerns of two young ex-pat Nigerians in Canada. The question of whether or not to return to Nigeria--and the question of what obligations Tinukeh and Bankole have to each other--propel this story in which personal decisions carry political and social resonance.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AfolabiOpanubi--Force.mp3</guid>
			<pubDate>Mon, 28 Oct 2013 09:42:32 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Afolabi Opanubi's short story "Force," an overnight visit from an old friend brings into stark clarity the concerns of two young ex-pat Nigerians in Canada. The question of whether or not to return to Nigeria--and the question of what obligations Tinukeh and Bankole have to each other--propel this story in which personal decisions carry political and social resonance.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Afolabi Opanubi's short story "Force," an overnight visit from an old friend brings into stark clarity the concerns of two young ex-pat Nigerians in Canada. The question of whether or not to return to Nigeria--and the question of what obligations Tinukeh and Bankole have to each other--propel this story in which personal decisions carry political and social resonance.</itunes:summary></item>
		<item>
			<title>Issue 41. October 2013 : What If?</title>
			<link>https://drumlitmag.com/mp3s/sounds-BooksActuallycollection.mp3</link>
			
			<itunes:duration>46:20</itunes:duration>
			<enclosure length="2780" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-BooksActuallycollection.mp3"/>
			<description>Books, Actually is The Drum's collection of interlaced stories set in and around the Boston Book Festival. A thief, a teenaged poet, a coxswain, and a disgruntled author are just a few of the characters created by Boston authors Catherine Elcik, Ethan Gilsdorf, Katrina Grigg-Saito, Ted Weesner, Becky Tuch, Clarence Lai, Stace Budzko, and Henriette Lazaridis Power. Hear them all, or go directly to a selected story. Elcik (00:31), Gilsdorf (6:20), Lai (11:47), Power (17:12), Weesner (22:51), Tuch (29:23), Budzko (35:39), Grigg-Saito (37:17), Elcik (42:21).</description>
			<guid>https://drumlitmag.com/mp3s/sounds-BooksActuallycollection.mp3</guid>
			<pubDate>Mon, 21 Oct 2013 10:04:05 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Books, Actually is The Drum's collection of interlaced stories set in and around the Boston Book Festival. A thief, a teenaged poet, a coxswain, and a disgruntled author are just a few of the characters created by Boston authors Catherine Elcik, Ethan Gilsdorf, Katrina Grigg-Saito, Ted Weesner, Becky Tuch, Clarence Lai, Stace Budzko, and Henriette Lazaridis Power. Hear them all, or go directly to a selected story. Elcik (00:31), Gilsdorf (6:20), Lai (11:47), Power (17:12), Weesner (22:51), Tuch (29:23), Budzko (35:39), Grigg-Saito (37:17), Elcik (42:21).</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Books, Actually is The Drum's collection of interlaced stories set in and around the Boston Book Festival. A thief, a teenaged poet, a coxswain, and a disgruntled author are just a few of the characters created by Boston authors Catherine Elcik, Ethan Gilsdorf, Katrina Grigg-Saito, Ted Weesner, Becky Tuch, Clarence Lai, Stace Budzko, and Henriette Lazaridis Power. Hear them all, or go directly to a selected story. Elcik (00:31), Gilsdorf (6:20), Lai (11:47), Power (17:12), Weesner (22:51), Tuch (29:23), Budzko (35:39), Grigg-Saito (37:17), Elcik (42:21).</itunes:summary></item>
		<item>
			<title>Issue 40. September 2013 : Dome Life</title>
			<link>https://drumlitmag.com/mp3s/sounds-AnnieDawid--DomeLife.mp3</link>
			
			<itunes:duration>13:35</itunes:duration>
			<enclosure length="815" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AnnieDawid--DomeLife.mp3"/>
			<description>Annie Dawid's "Dome Life" describes a life under a figurative dome, on the margins of conventional society. Set in the world of pot-growers in 1970's Mendocino County, Dawid's essay tracks a descent into drugs and violence, and other dangers hiding in plain sight.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AnnieDawid--DomeLife.mp3</guid>
			<pubDate>Tue, 01 Oct 2013 08:36:37 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Annie Dawid's "Dome Life" describes a life under a figurative dome, on the margins of conventional society. Set in the world of pot-growers in 1970's Mendocino County, Dawid's essay tracks a descent into drugs and violence, and other dangers hiding in plain sight.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Annie Dawid's "Dome Life" describes a life under a figurative dome, on the margins of conventional society. Set in the world of pot-growers in 1970's Mendocino County, Dawid's essay tracks a descent into drugs and violence, and other dangers hiding in plain sight.</itunes:summary></item>
		<item>
			<title>Issue 40. September 2013 : JEAN RYAN What We Are Given</title>
			<link>https://drumlitmag.com/mp3s/sounds-JeanRyan--WhatWeAreGiven.mp3</link>
			
			<itunes:duration>10:27</itunes:duration>
			<enclosure length="627" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JeanRyan--WhatWeAreGiven.mp3"/>
			<description>In "What We Are Given," Jean Ryan recounts the experience of taking in her mother-in-law despite the older woman's condemnation of Ryan's and her partner's sexuality. Ryan's essay asks us to consider the limits of obligation, and offers a moving exploration of the challenges of allegiance and commitment.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JeanRyan--WhatWeAreGiven.mp3</guid>
			<pubDate>Mon, 16 Sep 2013 14:39:01 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In "What We Are Given," Jean Ryan recounts the experience of taking in her mother-in-law despite the older woman's condemnation of Ryan's and her partner's sexuality. Ryan's essay asks us to consider the limits of obligation, and offers a moving exploration of the challenges of allegiance and commitment.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In "What We Are Given," Jean Ryan recounts the experience of taking in her mother-in-law despite the older woman's condemnation of Ryan's and her partner's sexuality. Ryan's essay asks us to consider the limits of obligation, and offers a moving exploration of the challenges of allegiance and commitment.</itunes:summary></item>
		<item>
			<title>Issue 40. September 2013 : JOSH MACIVOR-ANDERSEN Bedford Forrest Birthday--Unexpected</title>
			<link>https://drumlitmag.com/mp3s/sounds-JoshMacIvor-Andersen--BedfordForrestBirthday-Unexpected.mp3</link>
			
			<itunes:duration>11:38</itunes:duration>
			<enclosure length="698" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JoshMacIvor-Andersen--BedfordForrestBirthday-Unexpected.mp3"/>
			<description>Josh MacIvor-Andersen writes lyrically about his brother, who has made it to his thirtieth birthday in spite of a persistent craving for risk. MacIvor-Andersen's essay "Bedford Forrest Birthday--Unexpected" contemplates the seduction of danger, the power of risk to imbue our experience with seemingly greater value. The essay asks the question: do we need danger in order to validate our survival?</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JoshMacIvor-Andersen--BedfordForrestBirthday-Unexpected.mp3</guid>
			<pubDate>Mon, 09 Sep 2013 15:26:12 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Josh MacIvor-Andersen writes lyrically about his brother, who has made it to his thirtieth birthday in spite of a persistent craving for risk. MacIvor-Andersen's essay "Bedford Forrest Birthday--Unexpected" contemplates the seduction of danger, the power of risk to imbue our experience with seemingly greater value. The essay asks the question: do we need danger in order to validate our survival?</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Josh MacIvor-Andersen writes lyrically about his brother, who has made it to his thirtieth birthday in spite of a persistent craving for risk. MacIvor-Andersen's essay "Bedford Forrest Birthday--Unexpected" contemplates the seduction of danger, the power of risk to imbue our experience with seemingly greater value. The essay asks the question: do we need danger in order to validate our survival?</itunes:summary></item>
		<item>
			<title>Issue 41. October 2013 : NICK DYBEK Three Summers</title>
			<link>https://drumlitmag.com/mp3s/sounds-NickDybek--ThreeSummers.mp3</link>
			
			<itunes:duration>39:16</itunes:duration>
			<enclosure length="2356" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-NickDybek--ThreeSummers.mp3"/>
			<description>In a summer rental shared by two families, a boy and a girl in Nick Dybek's "Three Summers" search for treasure in the secret corners of the house. Parents search for a different kind of treasure--a shared history whose adventure and romance now eludes them. Over the course of three summers, both adults and children wrestle with the pull of the past and the allure of the imagined. "Three Summers" appears in print in the Fall 2013 issue of Ploughshares, and in text on Ploughshares online. The story is read aloud for The Drum by David Mawhinney.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-NickDybek--ThreeSummers.mp3</guid>
			<pubDate>Tue, 03 Sep 2013 12:18:53 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In a summer rental shared by two families, a boy and a girl in Nick Dybek's "Three Summers" search for treasure in the secret corners of the house. Parents search for a different kind of treasure--a shared history whose adventure and romance now eludes them. Over the course of three summers, both adults and children wrestle with the pull of the past and the allure of the imagined. "Three Summers" appears in print in the Fall 2013 issue of Ploughshares, and in text on Ploughshares online. The story is read aloud for The Drum by David Mawhinney.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In a summer rental shared by two families, a boy and a girl in Nick Dybek's "Three Summers" search for treasure in the secret corners of the house. Parents search for a different kind of treasure--a shared history whose adventure and romance now eludes them. Over the course of three summers, both adults and children wrestle with the pull of the past and the allure of the imagined. "Three Summers" appears in print in the Fall 2013 issue of Ploughshares, and in text on Ploughshares online. The story is read aloud for The Drum by David Mawhinney.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Gabe Bamforth</title>
			<link>https://drumlitmag.com/mp3s/sounds-GabeBamforth--YAWP2013.mp3</link>
			
			<itunes:duration>3:36</itunes:duration>
			<enclosure length="216" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-GabeBamforth--YAWP2013.mp3"/>
			<description>Gabe Bamforth was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his essay at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-GabeBamforth--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:23:18 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Gabe Bamforth was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his essay at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Gabe Bamforth was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his essay at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Catherine Cray</title>
			<link>https://drumlitmag.com/mp3s/sounds-CatherineCray--YAWP2013.mp3</link>
			
			<itunes:duration>3:46</itunes:duration>
			<enclosure length="226" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CatherineCray--YAWP2013.mp3"/>
			<description>Catherine Cray was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program. The story was one of The Drum's four featured pieces from the 2013 YAWP collection.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CatherineCray--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:21:27 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Catherine Cray was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program. The story was one of The Drum's four featured pieces from the 2013 YAWP collection.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Catherine Cray was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program. The story was one of The Drum's four featured pieces from the 2013 YAWP collection.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Jane Zhao</title>
			<link>https://drumlitmag.com/mp3s/sounds-JaneZhao--YAWP2013.mp3</link>
			
			<itunes:duration>4:17</itunes:duration>
			<enclosure length="257" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JaneZhao--YAWP2013.mp3"/>
			<description>Jane Zhao was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her poem at the conclusion of the 2013 program. Her poem was one of The Drum's four featured pieces from the 2013 YAWP collection.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JaneZhao--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:19:59 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jane Zhao was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her poem at the conclusion of the 2013 program. Her poem was one of The Drum's four featured pieces from the 2013 YAWP collection.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jane Zhao was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her poem at the conclusion of the 2013 program. Her poem was one of The Drum's four featured pieces from the 2013 YAWP collection.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Charlotte Goddu</title>
			<link>https://drumlitmag.com/mp3s/sounds-CharlotteGoddu--YAWP2013.mp3</link>
			
			<itunes:duration>5:27</itunes:duration>
			<enclosure length="327" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CharlotteGoddu--YAWP2013.mp3"/>
			<description>Charlotte Goddu was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program. Her story is one of The Drum's four featured pieces from the 2013 YAWP collection.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CharlotteGoddu--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:16:32 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Charlotte Goddu was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program. Her story is one of The Drum's four featured pieces from the 2013 YAWP collection.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Charlotte Goddu was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program. Her story is one of The Drum's four featured pieces from the 2013 YAWP collection.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Ethan Aronson</title>
			<link>https://drumlitmag.com/mp3s/sounds-EthanAronson--YAWP2013.mp3</link>
			
			<itunes:duration>4:17</itunes:duration>
			<enclosure length="257" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-EthanAronson--YAWP2013.mp3"/>
			<description>Ethan Aronson was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program. The story is one of The Drum's four featured pieces from the 2013 YAWP collection.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-EthanAronson--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:13:48 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ethan Aronson was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program. The story is one of The Drum's four featured pieces from the 2013 YAWP collection.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ethan Aronson was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program. The story is one of The Drum's four featured pieces from the 2013 YAWP collection.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Emma Trujillo</title>
			<link>https://drumlitmag.com/mp3s/sounds-EmmaTrujillo--YAWP2013.mp3</link>
			
			<itunes:duration>1:10</itunes:duration>
			<enclosure length="70" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-EmmaTrujillo--YAWP2013.mp3"/>
			<description>Emma Trujillo was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-EmmaTrujillo--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:12:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Emma Trujillo was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Emma Trujillo was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Tara Rahman</title>
			<link>https://drumlitmag.com/mp3s/sounds-TaraRahman--YAWP2013.mp3</link>
			
			<itunes:duration>3:53</itunes:duration>
			<enclosure length="233" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-TaraRahman--YAWP2013.mp3"/>
			<description>Tara Rahman was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-TaraRahman--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:11:14 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Tara Rahman was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Tara Rahman was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Caroline Brink</title>
			<link>https://drumlitmag.com/mp3s/sounds-CarolineBrink--YAWP2013.mp3</link>
			
			<itunes:duration>2:29</itunes:duration>
			<enclosure length="149" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CarolineBrink--YAWP2013.mp3"/>
			<description>Caroline Brink was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CarolineBrink--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:09:37 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Caroline Brink was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Caroline Brink was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Sabrina Priestley</title>
			<link>https://drumlitmag.com/mp3s/sounds-SabrinaPriestley--YAWP2013.mp3</link>
			
			<itunes:duration>2:45</itunes:duration>
			<enclosure length="165" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-SabrinaPriestley--YAWP2013.mp3"/>
			<description>Sabrina Priestley was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-SabrinaPriestley--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:08:09 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Sabrina Priestley was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Sabrina Priestley was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Amariah Condon</title>
			<link>https://drumlitmag.com/mp3s/sounds-AmariahCondon--YAWP2013.mp3</link>
			
			<itunes:duration>5:13</itunes:duration>
			<enclosure length="313" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AmariahCondon--YAWP2013.mp3"/>
			<description>Amariah Condon was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AmariahCondon--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 15:04:13 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Amariah Condon was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Amariah Condon was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Noah Riley</title>
			<link>https://drumlitmag.com/mp3s/sounds-NoahRiley--YAWP2013.mp3</link>
			
			<itunes:duration>2:17</itunes:duration>
			<enclosure length="137" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-NoahRiley--YAWP2013.mp3"/>
			<description>Noah Riley was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-NoahRiley--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:49:45 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Noah Riley was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Noah Riley was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Quddos Rodrigues</title>
			<link>https://drumlitmag.com/mp3s/sounds-QuddosRodriques--YAWP2013.mp3</link>
			
			<itunes:duration>3:01</itunes:duration>
			<enclosure length="181" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-QuddosRodriques--YAWP2013.mp3"/>
			<description>Quddos Rodrigues was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-QuddosRodriques--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:48:11 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Quddos Rodrigues was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Quddos Rodrigues was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Christina Wiese</title>
			<link>https://drumlitmag.com/mp3s/sounds-ChristinaWiese--YAWP2013.mp3</link>
			
			<itunes:duration>3:22</itunes:duration>
			<enclosure length="202" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-ChristinaWiese--YAWP2013.mp3"/>
			<description>Christina Wiese was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her essay at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-ChristinaWiese--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:45:27 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Christina Wiese was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her essay at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Christina Wiese was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her essay at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Richard Njoroge</title>
			<link>https://drumlitmag.com/mp3s/sounds-RichardNjoroge-YAWP2013.mp3</link>
			
			<itunes:duration>1:47</itunes:duration>
			<enclosure length="107" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-RichardNjoroge-YAWP2013.mp3"/>
			<description>Richard Njoroge was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-RichardNjoroge-YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:43:49 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Richard Njoroge was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Richard Njoroge was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Gaelle Rigaud</title>
			<link>https://drumlitmag.com/mp3s/sounds-GaelleRigaud--YAWP2013.mp3</link>
			
			<itunes:duration>4:16</itunes:duration>
			<enclosure length="256" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-GaelleRigaud--YAWP2013.mp3"/>
			<description>Gaelle Rigaud was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-GaelleRigaud--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:42:02 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Gaelle Rigaud was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Gaelle Rigaud was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Arthur Galstian</title>
			<link>https://drumlitmag.com/mp3s/sounds-ArthurGalstian--YAWP2013.mp3</link>
			
			<itunes:duration>2:06</itunes:duration>
			<enclosure length="126" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-ArthurGalstian--YAWP2013.mp3"/>
			<description>Arthur Galstian was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-ArthurGalstian--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:40:36 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Arthur Galstian was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Arthur Galstian was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Emma LeBlanc Perez</title>
			<link>https://drumlitmag.com/mp3s/sounds-EmmaLeBlancPerez--YAWP2013.mp3</link>
			
			<itunes:duration>3:21</itunes:duration>
			<enclosure length="201" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-EmmaLeBlancPerez--YAWP2013.mp3"/>
			<description>Emma LeBlanc Perez was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-EmmaLeBlancPerez--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:38:07 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Emma LeBlanc Perez was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Emma LeBlanc Perez was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : John Glasfeld</title>
			<link>https://drumlitmag.com/mp3s/sounds-JohnGlasfeld--YAWP2013.mp3</link>
			
			<itunes:duration>3:15</itunes:duration>
			<enclosure length="195" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JohnGlasfeld--YAWP2013.mp3"/>
			<description>John Glasfeld was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JohnGlasfeld--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:34:11 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>John Glasfeld was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>John Glasfeld was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Ashley Lee</title>
			<link>https://drumlitmag.com/mp3s/sounds-AshleyLee--YAWP2013.mp3</link>
			
			<itunes:duration>4:30</itunes:duration>
			<enclosure length="270" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AshleyLee--YAWP2013.mp3"/>
			<description>Ashley Lee was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AshleyLee--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:31:11 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ashley Lee was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ashley Lee was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. She recorded her story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 39. August 2013 : Marquis Knight-Jacks</title>
			<link>https://drumlitmag.com/mp3s/sounds-MarquisKnight-Jacks--YAWP2013.mp3</link>
			
			<itunes:duration>4:58</itunes:duration>
			<enclosure length="298" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-MarquisKnight-Jacks--YAWP2013.mp3"/>
			<description>Marquis Knight-Jacks was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-MarquisKnight-Jacks--YAWP2013.mp3</guid>
			<pubDate>Mon, 05 Aug 2013 14:18:52 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Marquis Knight-Jacks was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Marquis Knight-Jacks was a 2013 Summer Fellow at Grub Street's 2013 Young Adult Writers Program. He recorded his story at the conclusion of the 2013 program.</itunes:summary></item>
		<item>
			<title>Issue 38. July 2013 : MATTHEW SALESSES Excerpt from The Last Repatriate</title>
			<link>https://drumlitmag.com/mp3s/sounds-MatthewSalesses--excerptfromTheLastRepatriate.mp3</link>
			
			<itunes:duration>11:09</itunes:duration>
			<enclosure length="669" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-MatthewSalesses--excerptfromTheLastRepatriate.mp3"/>
			<description>Matthew Salesses' novella The Last Repatriate tells the story of Theodore Dickerson, a prisoner who eventually returns to his home in Virginia in the midst of the McCarthy Era. He is welcomed back as a hero, though he has not returned unscathed. The lasting effects of the POW camp and troubles with his ex-fianc&amp;eacute;e complicate his new marriage as he struggles to readjust to the Virginia he holds dear.

The letter from Teddy's fianc&amp;eacute;e is read by Joanne Barker.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-MatthewSalesses--excerptfromTheLastRepatriate.mp3</guid>
			<pubDate>Mon, 29 Jul 2013 13:24:48 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Matthew Salesses' novella The Last Repatriate tells the story of Theodore Dickerson, a prisoner who eventually returns to his home in Virginia in the midst of the McCarthy Era. He is welcomed back as a hero, though he has not returned unscathed. The lasting effects of the POW camp and troubles with his ex-fianc&amp;eacute;e complicate his new marriage as he struggles to readjust to the Virginia he holds dear. The letter from Teddy's fianc&amp;eacute;e is read by Joanne Barker.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Matthew Salesses' novella The Last Repatriate tells the story of Theodore Dickerson, a prisoner who eventually returns to his home in Virginia in the midst of the McCarthy Era. He is welcomed back as a hero, though he has not returned unscathed. The lasting effects of the POW camp and troubles with his ex-fianc&amp;eacute;e complicate his new marriage as he struggles to readjust to the Virginia he holds dear. The letter from Teddy's fianc&amp;eacute;e is read by Joanne Barker.</itunes:summary></item>
		<item>
			<title>Issue 38. July 2013 : ALIX OHLIN Taking</title>
			<link>https://drumlitmag.com/mp3s/thedrum7038-750.mp3</link>
			
			<itunes:duration>6:14</itunes:duration>
			<enclosure length="374" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum7038-750.mp3"/>
			<description>In Alix Ohlin's "Taking," the memory game played by two sisters in childhood finds heartbreaking resonance in the events of their lives. "Taking" explores the often painful connections between memory and loss, possession and disappearance, in prose of melancholic power.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum7038-750.mp3</guid>
			<pubDate>Mon, 22 Jul 2013 09:46:36 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Alix Ohlin's "Taking," the memory game played by two sisters in childhood finds heartbreaking resonance in the events of their lives. "Taking" explores the often painful connections between memory and loss, possession and disappearance, in prose of melancholic power.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Alix Ohlin's "Taking," the memory game played by two sisters in childhood finds heartbreaking resonance in the events of their lives. "Taking" explores the often painful connections between memory and loss, possession and disappearance, in prose of melancholic power.</itunes:summary></item>
		<item>
			<title>Issue 38. July 2013 : MITALI PERKINS Writing Race in Novels</title>
			<link>https://drumlitmag.com/mp3s/sounds-MitaliPerkins--WritingRaceinNovels.mp3</link>
			
			<itunes:duration>8:38</itunes:duration>
			<enclosure length="518" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-MitaliPerkins--WritingRaceinNovels.mp3"/>
			<description>Mitali Perkins' essay "Writing Race in Novels" is both a collection of practical advice on a matter of writing craft, and a philosophical analysis of how our treatment of identity--our own or that of others--reveals how we approach otherness. Though this essay is directed towards writers, it bears thought-provoking ideas for non-writers as well.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-MitaliPerkins--WritingRaceinNovels.mp3</guid>
			<pubDate>Sun, 14 Jul 2013 23:21:28 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Mitali Perkins' essay "Writing Race in Novels" is both a collection of practical advice on a matter of writing craft, and a philosophical analysis of how our treatment of identity--our own or that of others--reveals how we approach otherness. Though this essay is directed towards writers, it bears thought-provoking ideas for non-writers as well.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Mitali Perkins' essay "Writing Race in Novels" is both a collection of practical advice on a matter of writing craft, and a philosophical analysis of how our treatment of identity--our own or that of others--reveals how we approach otherness. Though this essay is directed towards writers, it bears thought-provoking ideas for non-writers as well.</itunes:summary></item>
		<item>
			<title>Issue 38. July 2013 : LIONEL SHRIVER Reading at Brookline Booksmith</title>
			<link>https://drumlitmag.com/mp3s/sounds-LionelShriverreadsatBrooklineBooksmith.mp3</link>
			
			<itunes:duration>57:22</itunes:duration>
			<enclosure length="3442" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-LionelShriverreadsatBrooklineBooksmith.mp3"/>
			<description>In this recording of her June 19 appearance at Brookline Booksmith, acclaimed novelist Lionel Shriver reads from her new novel Big Brother and discusses issues surrounding obesity in our culture. In her introduction to a short reading, and in her answers to audience questions, Shriver speaks with passion and insight about such topics as personal responsibility, government missteps, and the power of family and sibling relationships.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-LionelShriverreadsatBrooklineBooksmith.mp3</guid>
			<pubDate>Mon, 08 Jul 2013 13:22:12 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this recording of her June 19 appearance at Brookline Booksmith, acclaimed novelist Lionel Shriver reads from her new novel Big Brother and discusses issues surrounding obesity in our culture. In her introduction to a short reading, and in her answers to audience questions, Shriver speaks with passion and insight about such topics as personal responsibility, government missteps, and the power of family and sibling relationships.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In this recording of her June 19 appearance at Brookline Booksmith, acclaimed novelist Lionel Shriver reads from her new novel Big Brother and discusses issues surrounding obesity in our culture. In her introduction to a short reading, and in her answers to audience questions, Shriver speaks with passion and insight about such topics as personal responsibility, government missteps, and the power of family and sibling relationships.</itunes:summary></item>
		<item>
			<title>Issue 38. July 2013 : JANE HAMILTON Finding Forgiveness in a Ziploc</title>
			<link>https://drumlitmag.com/mp3s/sounds-JaneHamilton--FindingForgivenessinaZiploc.mp3</link>
			
			<itunes:duration>11:04</itunes:duration>
			<enclosure length="664" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JaneHamilton--FindingForgivenessinaZiploc.mp3"/>
			<description>Her husband's placement of a Ziploc bag at a TSA screening station becomes a watershed moment for Jane Hamilton as she contemplates the intricacies and interdependencies of marriage. "Finding Forgiveness in a Ziploc" takes us through fury to empathy, examining the ways in which imagination can lead to understanding.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JaneHamilton--FindingForgivenessinaZiploc.mp3</guid>
			<pubDate>Thu, 04 Jul 2013 13:01:42 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Her husband's placement of a Ziploc bag at a TSA screening station becomes a watershed moment for Jane Hamilton as she contemplates the intricacies and interdependencies of marriage. "Finding Forgiveness in a Ziploc" takes us through fury to empathy, examining the ways in which imagination can lead to understanding.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Her husband's placement of a Ziploc bag at a TSA screening station becomes a watershed moment for Jane Hamilton as she contemplates the intricacies and interdependencies of marriage. "Finding Forgiveness in a Ziploc" takes us through fury to empathy, examining the ways in which imagination can lead to understanding.</itunes:summary></item>
		<item>
			<title>Issue 37. June 2013 : excerpt from Cubop City Blues</title>
			<link>https://drumlitmag.com/mp3s/sounds-PabolMedina--excerptfromCubopCityBlues.mp3</link>
			
			<itunes:duration>7:33</itunes:duration>
			<enclosure length="453" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-PabolMedina--excerptfromCubopCityBlues.mp3"/>
			<description>With rich language and striking images, the narrator of Pablo Medina's novel Cubop City Blues introduces himself, from the moment of his birth. His mother's infidelity, his aunts' various devotions, his father's cuckolding, and the rhythms and voices of this creative and created version of New York City--all of them come powerfully to life in this vivid excerpt.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-PabolMedina--excerptfromCubopCityBlues.mp3</guid>
			<pubDate>Sat, 22 Jun 2013 12:42:01 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>With rich language and striking images, the narrator of Pablo Medina's novel Cubop City Blues introduces himself, from the moment of his birth. His mother's infidelity, his aunts' various devotions, his father's cuckolding, and the rhythms and voices of this creative and created version of New York City--all of them come powerfully to life in this vivid excerpt.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>With rich language and striking images, the narrator of Pablo Medina's novel Cubop City Blues introduces himself, from the moment of his birth. His mother's infidelity, his aunts' various devotions, his father's cuckolding, and the rhythms and voices of this creative and created version of New York City--all of them come powerfully to life in this vivid excerpt.</itunes:summary></item>
		<item>
			<title>Issue 37. June 2013 : ANN LEARY excerpt from The Good House</title>
			<link>https://drumlitmag.com/mp3s/sounds-AnnLeary--excerptfromTheGoodHouse.mp3</link>
			
			<itunes:duration>10:07</itunes:duration>
			<enclosure length="607" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AnnLeary--excerptfromTheGoodHouse.mp3"/>
			<description>Hildy, the narrator of Ann Leary's The Good House, is a descendant of a Salem witch, making her living selling real estate in the fictional Wendover of Massachusetts' Gold Coast. In this excerpt from Leary's novel, Hildy demonstrates her power to judge character, background, and aspiration simply by looking at the landscaping of a seaside mansion. Moving within but also slightly outside the culture of wealth and ambition, Hildy assesses the tensions and anxieties of her surroundings with acerbic wit.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AnnLeary--excerptfromTheGoodHouse.mp3</guid>
			<pubDate>Mon, 17 Jun 2013 10:09:34 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Hildy, the narrator of Ann Leary's The Good House, is a descendant of a Salem witch, making her living selling real estate in the fictional Wendover of Massachusetts' Gold Coast. In this excerpt from Leary's novel, Hildy demonstrates her power to judge character, background, and aspiration simply by looking at the landscaping of a seaside mansion. Moving within but also slightly outside the culture of wealth and ambition, Hildy assesses the tensions and anxieties of her surroundings with acerbic wit.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Hildy, the narrator of Ann Leary's The Good House, is a descendant of a Salem witch, making her living selling real estate in the fictional Wendover of Massachusetts' Gold Coast. In this excerpt from Leary's novel, Hildy demonstrates her power to judge character, background, and aspiration simply by looking at the landscaping of a seaside mansion. Moving within but also slightly outside the culture of wealth and ambition, Hildy assesses the tensions and anxieties of her surroundings with acerbic wit.</itunes:summary></item>
		<item>
			<title>Issue 37. June 2013 : SABINE HEINLEIN Pomp and Circumstance</title>
			<link>https://drumlitmag.com/mp3s/sounds-SabineHeinlein--PompandCircumstance.mp3</link>
			
			<itunes:duration>23:16</itunes:duration>
			<enclosure length="1396" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-SabineHeinlein--PompandCircumstance.mp3"/>
			<description>Sabine Heinlein's essay "Pomp and Circumstance" traces the challenges and successes in the life of a young blind man negotiating life in New York. Heinlein gives us a vivid sense of the world as this young man experiences it, as she follows him through certain key milestones. A version of the essay first appeared in the American Literary Review where it was awarded the 2011 non-fiction award.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-SabineHeinlein--PompandCircumstance.mp3</guid>
			<pubDate>Mon, 03 Jun 2013 15:50:58 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Sabine Heinlein's essay "Pomp and Circumstance" traces the challenges and successes in the life of a young blind man negotiating life in New York. Heinlein gives us a vivid sense of the world as this young man experiences it, as she follows him through certain key milestones. A version of the essay first appeared in the American Literary Review where it was awarded the 2011 non-fiction award.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Sabine Heinlein's essay "Pomp and Circumstance" traces the challenges and successes in the life of a young blind man negotiating life in New York. Heinlein gives us a vivid sense of the world as this young man experiences it, as she follows him through certain key milestones. A version of the essay first appeared in the American Literary Review where it was awarded the 2011 non-fiction award.</itunes:summary></item>
		<item>
			<title>Issue 36. May 2013 : LAURIE JACOBS The Call</title>
			<link>https://drumlitmag.com/mp3s/sounds-LaurieA.Jacobs--TheCall.mp3</link>
			
			<itunes:duration>3:25</itunes:duration>
			<enclosure length="205" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-LaurieA.Jacobs--TheCall.mp3"/>
			<description>Laurie Jacobs' flash fiction piece "The Call" is a MuseFlash selection from The Drum's Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month. "The Call" is an early morning phone call that alters the life of Jacobs' college-student narrator. The brevity of the piece belies its dense emotional impact and its moving tone.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-LaurieA.Jacobs--TheCall.mp3</guid>
			<pubDate>Tue, 21 May 2013 14:27:37 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Laurie Jacobs' flash fiction piece "The Call" is a MuseFlash selection from The Drum's Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month. "The Call" is an early morning phone call that alters the life of Jacobs' college-student narrator. The brevity of the piece belies its dense emotional impact and its moving tone.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Laurie Jacobs' flash fiction piece "The Call" is a MuseFlash selection from The Drum's Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month. "The Call" is an early morning phone call that alters the life of Jacobs' college-student narrator. The brevity of the piece belies its dense emotional impact and its moving tone.</itunes:summary></item>
		<item>
			<title>Issue 36. May 2013 : WENDY DARWIN WAKEMAN Identity Theft</title>
			<link>https://drumlitmag.com/mp3s/sounds-WendyWakeman--IdentityTheft.mp3</link>
			
			<itunes:duration>3:44</itunes:duration>
			<enclosure length="224" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-WendyWakeman--IdentityTheft.mp3"/>
			<description>Wendy Wakeman's "Identity Theft" was a selection from The Drum's Third Annual MuseFlash contest at Grub Street's Muse and the Marketplace conference earlier this month. Financial dire straits and the pressures of college and work form the setting for the piece, in which a ten dollar bill and a grandmother's handwriting come together to alter the narrator's life.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-WendyWakeman--IdentityTheft.mp3</guid>
			<pubDate>Tue, 21 May 2013 08:25:56 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Wendy Wakeman's "Identity Theft" was a selection from The Drum's Third Annual MuseFlash contest at Grub Street's Muse and the Marketplace conference earlier this month. Financial dire straits and the pressures of college and work form the setting for the piece, in which a ten dollar bill and a grandmother's handwriting come together to alter the narrator's life.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Wendy Wakeman's "Identity Theft" was a selection from The Drum's Third Annual MuseFlash contest at Grub Street's Muse and the Marketplace conference earlier this month. Financial dire straits and the pressures of college and work form the setting for the piece, in which a ten dollar bill and a grandmother's handwriting come together to alter the narrator's life.</itunes:summary></item>
		<item>
			<title>Issue 36. May 2013 : MARCIA DOUGLAS Boy With a Watergun in his Schoolbag</title>
			<link>https://drumlitmag.com/mp3s/sounds-MarciaDouglas--BoyWithaWaterguninHisSchoolbag.mp3</link>
			
			<itunes:duration>5:33</itunes:duration>
			<enclosure length="333" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-MarciaDouglas--BoyWithaWaterguninHisSchoolbag.mp3"/>
			<description>In Marcia Douglas' "Boy With a Watergun in His Schoolbag", a boy finds power and poetry in something so basic as the multiplication tables. The number seven becomes the source of discovery of his own greatness and of his identity in the face of the confining world of school and a teacher with a ruler in her hand.

"Boy With a Watergun in His Schoolbag" was The Drum's selection from our Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-MarciaDouglas--BoyWithaWaterguninHisSchoolbag.mp3</guid>
			<pubDate>Mon, 20 May 2013 21:19:08 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Marcia Douglas' "Boy With a Watergun in His Schoolbag", a boy finds power and poetry in something so basic as the multiplication tables. The number seven becomes the source of discovery of his own greatness and of his identity in the face of the confining world of school and a teacher with a ruler in her hand. "Boy With a Watergun in His Schoolbag" was The Drum's selection from our Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Marcia Douglas' "Boy With a Watergun in His Schoolbag", a boy finds power and poetry in something so basic as the multiplication tables. The number seven becomes the source of discovery of his own greatness and of his identity in the face of the confining world of school and a teacher with a ruler in her hand. "Boy With a Watergun in His Schoolbag" was The Drum's selection from our Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month.</itunes:summary></item>
		<item>
			<title>Issue 36. May 2013 : KELLY ROBERTSON The Characteristics of Dirt</title>
			<link>https://drumlitmag.com/mp3s/sounds-KellyRobertson--TheCharacteristicsofDirt.mp3</link>
			
			<itunes:duration>3:37</itunes:duration>
			<enclosure length="217" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-KellyRobertson--TheCharacteristicsofDirt.mp3"/>
			<description>Kelly Robertson's "The Characteristics of Dirt" is one of The Drum's selections from our Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month. Robertson's piece takes an intriguing and almost eerie look at a woman with an intense need to dig. This short work brings the listener in close, focusing on vivid sensory details of the loam the character sifts through.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-KellyRobertson--TheCharacteristicsofDirt.mp3</guid>
			<pubDate>Mon, 20 May 2013 21:07:14 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Kelly Robertson's "The Characteristics of Dirt" is one of The Drum's selections from our Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month. Robertson's piece takes an intriguing and almost eerie look at a woman with an intense need to dig. This short work brings the listener in close, focusing on vivid sensory details of the loam the character sifts through.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Kelly Robertson's "The Characteristics of Dirt" is one of The Drum's selections from our Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month. Robertson's piece takes an intriguing and almost eerie look at a woman with an intense need to dig. This short work brings the listener in close, focusing on vivid sensory details of the loam the character sifts through.</itunes:summary></item>
		<item>
			<title>Issue 36. May 2013 : LADETTE RANDOLPH Excerpt from Haven's Wake</title>
			<link>https://drumlitmag.com/mp3s/sounds-LadetteRandolph--HavensWake.mp3</link>
			
			<itunes:duration>12:35</itunes:duration>
			<enclosure length="755" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-LadetteRandolph--HavensWake.mp3"/>
			<description>Ladette Randolph's novel Haven's Wake tells the story of a family reunited on the family farm after the death of their patriarch. Set in a Mennonite community in eastern Nebraska, the novel illuminates themes of faith and loyalty, belief and imagination, family and allegiance. In this excerpt, a son discovers the strange clay figures his father was building beside the lake where met his death. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-LadetteRandolph--HavensWake.mp3</guid>
			<pubDate>Mon, 13 May 2013 21:47:55 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ladette Randolph's novel Haven's Wake tells the story of a family reunited on the family farm after the death of their patriarch. Set in a Mennonite community in eastern Nebraska, the novel illuminates themes of faith and loyalty, belief and imagination, family and allegiance. In this excerpt, a son discovers the strange clay figures his father was building beside the lake where met his death.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ladette Randolph's novel Haven's Wake tells the story of a family reunited on the family farm after the death of their patriarch. Set in a Mennonite community in eastern Nebraska, the novel illuminates themes of faith and loyalty, belief and imagination, family and allegiance. In this excerpt, a son discovers the strange clay figures his father was building beside the lake where met his death.</itunes:summary></item>
		<item>
			<title>Issue 36. May 2013 : TIPHANIE YANIQUE Oakland Gomorrah</title>
			<link>https://drumlitmag.com/mp3s/sounds-TiphanieYanique--OaklandGomorrah.mp3</link>
			
			<itunes:duration>33:50</itunes:duration>
			<enclosure length="2030" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-TiphanieYanique--OaklandGomorrah.mp3"/>
			<description>A man and a woman, a car, and a long drive in the company of memories and ruminations. Religion, race, and the seductive power of persuasion all come together in Tiphanie Yanique's story "Oakland Gomorrah". The story's conclusion offers a particularly thought-provoking reflection on beliefs and history. "Oakland Gomorrah" appears in print in the current issue of the literary journal AGNI. Listen to the story here, and read along in print. The story is read aloud by Katrina Grigg-Saito.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-TiphanieYanique--OaklandGomorrah.mp3</guid>
			<pubDate>Mon, 06 May 2013 19:21:42 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A man and a woman, a car, and a long drive in the company of memories and ruminations. Religion, race, and the seductive power of persuasion all come together in Tiphanie Yanique's story "Oakland Gomorrah". The story's conclusion offers a particularly thought-provoking reflection on beliefs and history. "Oakland Gomorrah" appears in print in the current issue of the literary journal AGNI. Listen to the story here, and read along in print. The story is read aloud by Katrina Grigg-Saito.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A man and a woman, a car, and a long drive in the company of memories and ruminations. Religion, race, and the seductive power of persuasion all come together in Tiphanie Yanique's story "Oakland Gomorrah". The story's conclusion offers a particularly thought-provoking reflection on beliefs and history. "Oakland Gomorrah" appears in print in the current issue of the literary journal AGNI. Listen to the story here, and read along in print. The story is read aloud by Katrina Grigg-Saito.</itunes:summary></item>
		<item>
			<title>Issue 35. April 2013 : AINE GREANEY Sanctuary</title>
			<link>https://drumlitmag.com/mp3s/sounds-AineGreaney--Sanctuary.mp3</link>
			
			<itunes:duration>8:13</itunes:duration>
			<enclosure length="493" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-AineGreaney--Sanctuary.mp3"/>
			<description>Aine Greaney's "Sanctuary" is an eloquent meditation on the people and places that give us comfort, often in unexpected ways. With her mother's death as starting point, Greaney explores the notion of the individual in place and time, the connections that link us to history and to the present.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-AineGreaney--Sanctuary.mp3</guid>
			<pubDate>Tue, 30 Apr 2013 09:02:32 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Aine Greaney's "Sanctuary" is an eloquent meditation on the people and places that give us comfort, often in unexpected ways. With her mother's death as starting point, Greaney explores the notion of the individual in place and time, the connections that link us to history and to the present.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Aine Greaney's "Sanctuary" is an eloquent meditation on the people and places that give us comfort, often in unexpected ways. With her mother's death as starting point, Greaney explores the notion of the individual in place and time, the connections that link us to history and to the present.</itunes:summary></item>
		<item>
			<title>Issue 35. April 2013 : RON MACLEAN Is Fiction Empathy's Best Hope?</title>
			<link>https://drumlitmag.com/mp3s/sounds-RonMacLean--IsFictionEmpathysBestHope.mp3</link>
			
			<itunes:duration>14:18</itunes:duration>
			<enclosure length="858" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-RonMacLean--IsFictionEmpathysBestHope.mp3"/>
			<description>Ron MacLean's essay examines how stories connect us, and how the imagination becomes a powerful force in the creation of empathy. Citing writers Rabindranath Tagore, Ian McEwan, Tim O'Brien, and Marilynne Robinson, among others, MacLean reminds us that empathy is not just a desired effect of fiction, but a social and cultural need. In "Is Fiction Empathy's Best Hope?" MacLean offers us the hope and the promise of literature.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-RonMacLean--IsFictionEmpathysBestHope.mp3</guid>
			<pubDate>Mon, 22 Apr 2013 08:32:37 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ron MacLean's essay examines how stories connect us, and how the imagination becomes a powerful force in the creation of empathy. Citing writers Rabindranath Tagore, Ian McEwan, Tim O'Brien, and Marilynne Robinson, among others, MacLean reminds us that empathy is not just a desired effect of fiction, but a social and cultural need. In "Is Fiction Empathy's Best Hope?" MacLean offers us the hope and the promise of literature.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ron MacLean's essay examines how stories connect us, and how the imagination becomes a powerful force in the creation of empathy. Citing writers Rabindranath Tagore, Ian McEwan, Tim O'Brien, and Marilynne Robinson, among others, MacLean reminds us that empathy is not just a desired effect of fiction, but a social and cultural need. In "Is Fiction Empathy's Best Hope?" MacLean offers us the hope and the promise of literature.</itunes:summary></item>
		<item>
			<title>Issue 37. June 2013 : Seed</title>
			<link>https://drumlitmag.com/mp3s/sounds-EdBull--Seed.mp3</link>
			
			<itunes:duration>13:06</itunes:duration>
			<enclosure length="786" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-EdBull--Seed.mp3"/>
			<description>Ed Bull's "Seed" revisits the shocking events of August 1, 1966 when Charles Whitman shot seventeen people from the University of Texas clock tower. Part essay, part invention, Bull's piece bring us into the events, allowing us to ponder Whitman himself and the nature of his horrible crime and the nature of violence.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-EdBull--Seed.mp3</guid>
			<pubDate>Mon, 15 Apr 2013 10:52:02 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ed Bull's "Seed" revisits the shocking events of August 1, 1966 when Charles Whitman shot seventeen people from the University of Texas clock tower. Part essay, part invention, Bull's piece bring us into the events, allowing us to ponder Whitman himself and the nature of his horrible crime and the nature of violence.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ed Bull's "Seed" revisits the shocking events of August 1, 1966 when Charles Whitman shot seventeen people from the University of Texas clock tower. Part essay, part invention, Bull's piece bring us into the events, allowing us to ponder Whitman himself and the nature of his horrible crime and the nature of violence.</itunes:summary></item>
		<item>
			<title>Issue 35. April 2013 : JUDITH MCCORMACK Creation Stories</title>
			<link>https://drumlitmag.com/mp3s/sounds-JudithMcCormack--CreationStories.mp3</link>
			
			<itunes:duration>45:41</itunes:duration>
			<enclosure length="2741" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JudithMcCormack--CreationStories.mp3"/>
			<description>Judith McCormack's "Creation Stories" appears in the current issue (Issue Number 43) of the Harvard Review. "Creation Stories" is the tale of a relationship and the law--social laws, laws of attraction, and the laws that govern the creation of facts and identity. In McCormack's narrative, Elisabetta and Miles meet en route to a legal conference in Sicily, and proceed to build a connection founded as much on omission as communication. The story is read aloud by Katrina Grigg-Saito.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JudithMcCormack--CreationStories.mp3</guid>
			<pubDate>Sun, 31 Mar 2013 14:21:25 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Judith McCormack's "Creation Stories" appears in the current issue (Issue Number 43) of the Harvard Review. "Creation Stories" is the tale of a relationship and the law--social laws, laws of attraction, and the laws that govern the creation of facts and identity. In McCormack's narrative, Elisabetta and Miles meet en route to a legal conference in Sicily, and proceed to build a connection founded as much on omission as communication. The story is read aloud by Katrina Grigg-Saito.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Judith McCormack's "Creation Stories" appears in the current issue (Issue Number 43) of the Harvard Review. "Creation Stories" is the tale of a relationship and the law--social laws, laws of attraction, and the laws that govern the creation of facts and identity. In McCormack's narrative, Elisabetta and Miles meet en route to a legal conference in Sicily, and proceed to build a connection founded as much on omission as communication. The story is read aloud by Katrina Grigg-Saito.</itunes:summary></item>
		<item>
			<title>Issue 35. April 2013 : JOSHUA MALBIN The Mating Behavior of Great Tits</title>
			<link>https://drumlitmag.com/mp3s/sounds-JoshuaMalbin--TheMatingBehaviorofGreatTits.mp3</link>
			
			<itunes:duration>6:07</itunes:duration>
			<enclosure length="367" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-JoshuaMalbin--TheMatingBehaviorofGreatTits.mp3"/>
			<description>Joshua Malbin creates an avian drama for his short story "The Mating Behavior of Great Tits". It's a new genre, possibly with this story as its only example. Malbin's unusual story sets a drama of relationships and family in the world of birds, immersing the listener in one bird's struggle to establish a family and a place in his world.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-JoshuaMalbin--TheMatingBehaviorofGreatTits.mp3</guid>
			<pubDate>Sat, 30 Mar 2013 18:28:21 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Joshua Malbin creates an avian drama for his short story "The Mating Behavior of Great Tits". It's a new genre, possibly with this story as its only example. Malbin's unusual story sets a drama of relationships and family in the world of birds, immersing the listener in one bird's struggle to establish a family and a place in his world.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Joshua Malbin creates an avian drama for his short story "The Mating Behavior of Great Tits". It's a new genre, possibly with this story as its only example. Malbin's unusual story sets a drama of relationships and family in the world of birds, immersing the listener in one bird's struggle to establish a family and a place in his world.</itunes:summary></item>
		<item>
			<title>Issue 34. March 2013 : HENRIETTE LAZARIDIS The Clover House, Chapter One</title>
			<link>https://drumlitmag.com/mp3s/sounds-HenrietteLazaridisPower--TheCloverHouseChapterOne.mp3</link>
			
			<itunes:duration>47:32</itunes:duration>
			<enclosure length="2852" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-HenrietteLazaridisPower--TheCloverHouseChapterOne.mp3"/>
			<description>Henriette Lazaridis Power's novel The Clover House follows a Greek-American woman who discovers the secrets to a wartime family tragedy when she returns to Greece to sift through an inheritance. In the novel's first chapter, Callie Brown determines to make the trip to Greece, motivated by her mother's attempts to keep her away, and by her own unease about her recent engagement. For more about the book, visit www.henriettepower.com.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-HenrietteLazaridisPower--TheCloverHouseChapterOne.mp3</guid>
			<pubDate>Mon, 25 Mar 2013 11:54:58 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Henriette Lazaridis Power's novel The Clover House follows a Greek-American woman who discovers the secrets to a wartime family tragedy when she returns to Greece to sift through an inheritance. In the novel's first chapter, Callie Brown determines to make the trip to Greece, motivated by her mother's attempts to keep her away, and by her own unease about her recent engagement. For more about the book, visit www.henriettepower.com.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Henriette Lazaridis Power's novel The Clover House follows a Greek-American woman who discovers the secrets to a wartime family tragedy when she returns to Greece to sift through an inheritance. In the novel's first chapter, Callie Brown determines to make the trip to Greece, motivated by her mother's attempts to keep her away, and by her own unease about her recent engagement. For more about the book, visit www.henriettepower.com.</itunes:summary></item>
		<item>
			<title>Issue 34. March 2013 : ELLEN FREEMAN ROTH Going's Tough in a Storm, But Don't Mention It</title>
			<link>https://drumlitmag.com/mp3s/thedrum4966-703.mp3</link>
			
			<itunes:duration>8:57</itunes:duration>
			<enclosure length="537" type="audio/mpeg" url="https://drumlitmag.com/mp3s/thedrum4966-703.mp3"/>
			<description>Before winter leaves us behind completely, and while memories of the latest snowstorms are still fresh in our minds, we offer Ellen Freeman Roth's tale of a predicament many snowbound drivers fear. In "Going's Tough In a Storm, But Don't Mention It," Freeman Roth recounts her car-bound adventure with liquids, frozen and otherwise.</description>
			<guid>https://drumlitmag.com/mp3s/thedrum4966-703.mp3</guid>
			<pubDate>Thu, 14 Mar 2013 16:23:01 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Before winter leaves us behind completely, and while memories of the latest snowstorms are still fresh in our minds, we offer Ellen Freeman Roth's tale of a predicament many snowbound drivers fear. In "Going's Tough In a Storm, But Don't Mention It," Freeman Roth recounts her car-bound adventure with liquids, frozen and otherwise.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Before winter leaves us behind completely, and while memories of the latest snowstorms are still fresh in our minds, we offer Ellen Freeman Roth's tale of a predicament many snowbound drivers fear. In "Going's Tough In a Storm, But Don't Mention It," Freeman Roth recounts her car-bound adventure with liquids, frozen and otherwise.</itunes:summary></item>
		<item>
			<title>Issue 34. March 2013 : STEVE ADAMS The Fish</title>
			<link>https://drumlitmag.com/mp3s/sounds-SteveAdams--Fish.mp3</link>
			
			<itunes:duration>10:01</itunes:duration>
			<enclosure length="601" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-SteveAdams--Fish.mp3"/>
			<description>Steve Adams's "The Fish" opens as a woman realizes her husband has killed his entire herd of cattle. This brief and powerful story goes on to sketch an entire marriage strained by the hard life of the land. It offers a poignant look at loss as well as the tenuous promise of a new beginning."The Fish" was originally published in Glimmer Train.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-SteveAdams--Fish.mp3</guid>
			<pubDate>Mon, 11 Mar 2013 11:35:55 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Steve Adams's "The Fish" opens as a woman realizes her husband has killed his entire herd of cattle. This brief and powerful story goes on to sketch an entire marriage strained by the hard life of the land. It offers a poignant look at loss as well as the tenuous promise of a new beginning."The Fish" was originally published in Glimmer Train.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Steve Adams's "The Fish" opens as a woman realizes her husband has killed his entire herd of cattle. This brief and powerful story goes on to sketch an entire marriage strained by the hard life of the land. It offers a poignant look at loss as well as the tenuous promise of a new beginning."The Fish" was originally published in Glimmer Train.</itunes:summary></item>
		<item>
			<title>Issue 34. March 2013 : LISA DUFFY What Matters</title>
			<link>https://drumlitmag.com/mp3s/sounds-Lisa_Duff--What_Matters.mp3</link>
			
			<itunes:duration>17:44</itunes:duration>
			<enclosure length="1064" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Lisa_Duff--What_Matters.mp3"/>
			<description>Lisa Duffy's "What Matters" explores our notions of exactly that in the telling and remembering of the events surrounding the brief disappearance of the narrator's son. When the little boy gets lost in Central Park, his absence sets off a chain of events both in the search for him and in the narrator's search for the meaning of the events as she relives them. Trust, fidelity, and truth are just some of the ideas Duffy mines for this compelling and compellingly told story.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Lisa_Duff--What_Matters.mp3</guid>
			<pubDate>Sun, 03 Mar 2013 22:22:06 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Lisa Duffy's "What Matters" explores our notions of exactly that in the telling and remembering of the events surrounding the brief disappearance of the narrator's son. When the little boy gets lost in Central Park, his absence sets off a chain of events both in the search for him and in the narrator's search for the meaning of the events as she relives them. Trust, fidelity, and truth are just some of the ideas Duffy mines for this compelling and compellingly told story.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Lisa Duffy's "What Matters" explores our notions of exactly that in the telling and remembering of the events surrounding the brief disappearance of the narrator's son. When the little boy gets lost in Central Park, his absence sets off a chain of events both in the search for him and in the narrator's search for the meaning of the events as she relives them. Trust, fidelity, and truth are just some of the ideas Duffy mines for this compelling and compellingly told story.</itunes:summary></item>
		<item>
			<title>Issue 64. August 2017 : STORIES FROM GRUB STREET'S WRITE IN</title>
			<link>https://drumlitmag.com/mp3s/sounds-GrubStreetWriteInMay192017.mp3</link>
			
			<itunes:duration>8:39</itunes:duration>
			<enclosure length="519" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-GrubStreetWriteInMay192017.mp3"/>
			<description>On May 19, 2017, GrubStreet hosted Boston's first Write-In. The Drum was on the scene to record some of the many stories told by recent immigrants and refugees. Here are stories by Yanley Francois, Zach Ben-Amots, U-Melgn &amp;lsquo;Mhlaba-Apebo, Dana Lopes, Carolyn De Jesus, Christelle Narcisse, and Aseret Laparra. Write-In audio was recorded by Ilya Methot and Jordan Fischer.
</description>
			<guid>https://drumlitmag.com/mp3s/sounds-GrubStreetWriteInMay192017.mp3</guid>
			<pubDate>Sat, 02 Mar 2013 18:49:38 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>On May 19, 2017, GrubStreet hosted Boston's first Write-In. The Drum was on the scene to record some of the many stories told by recent immigrants and refugees. Here are stories by Yanley Francois, Zach Ben-Amots, U-Melgn &amp;lsquo;Mhlaba-Apebo, Dana Lopes, Carolyn De Jesus, Christelle Narcisse, and Aseret Laparra. Write-In audio was recorded by Ilya Methot and Jordan Fischer.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>On May 19, 2017, GrubStreet hosted Boston's first Write-In. The Drum was on the scene to record some of the many stories told by recent immigrants and refugees. Here are stories by Yanley Francois, Zach Ben-Amots, U-Melgn &amp;lsquo;Mhlaba-Apebo, Dana Lopes, Carolyn De Jesus, Christelle Narcisse, and Aseret Laparra. Write-In audio was recorded by Ilya Methot and Jordan Fischer.</itunes:summary></item>
		<item>
			<title>Issue 33. February 2013 : ROBERT ALAINE COUTURE Moment of Forgiveness</title>
			<link>https://drumlitmag.com/mp3s/sounds-Robert_Alaine_Couture--Zip-Code_Stories.mp3</link>
			
			<itunes:duration>3:20</itunes:duration>
			<enclosure length="200" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Robert_Alaine_Couture--Zip-Code_Stories.mp3"/>
			<description>Robert Alaine Couture's "Moment of Forgiveness" turns a Williamsburg, Massachusetts orchard into the setting for a fraught moment between lovers old and new. In just three minutes, Couture evokes the complications of long relationships and offers an intriguing twist on the idea of the snake in the garden.

"Moment of Forgiveness" is our selection for the February 2013 round of Zip-Code Stories.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Robert_Alaine_Couture--Zip-Code_Stories.mp3</guid>
			<pubDate>Tue, 26 Feb 2013 17:41:36 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Robert Alaine Couture's "Moment of Forgiveness" turns a Williamsburg, Massachusetts orchard into the setting for a fraught moment between lovers old and new. In just three minutes, Couture evokes the complications of long relationships and offers an intriguing twist on the idea of the snake in the garden. "Moment of Forgiveness" is our selection for the February 2013 round of Zip-Code Stories.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Robert Alaine Couture's "Moment of Forgiveness" turns a Williamsburg, Massachusetts orchard into the setting for a fraught moment between lovers old and new. In just three minutes, Couture evokes the complications of long relationships and offers an intriguing twist on the idea of the snake in the garden. "Moment of Forgiveness" is our selection for the February 2013 round of Zip-Code Stories.</itunes:summary></item>
		<item>
			<title>Issue 33. February 2013 : PAGAN KENNEDY How to Get High On Compost</title>
			<link>https://drumlitmag.com/mp3s/sounds-Pagan_Kennedy--How_to_Get_High_on_Compost.mp3</link>
			
			<itunes:duration>4:06</itunes:duration>
			<enclosure length="246" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Pagan_Kennedy--How_to_Get_High_on_Compost.mp3"/>
			<description>New York Times columnist Pagan Kennedy takes a whiff of her backyard compost pile and examines the science of terroir. In the seemingly lowly M. vaccae, she finds a rich scientific history and a personal memory--all tied to the soil beneath her feet.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Pagan_Kennedy--How_to_Get_High_on_Compost.mp3</guid>
			<pubDate>Sat, 23 Feb 2013 16:54:55 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>New York Times columnist Pagan Kennedy takes a whiff of her backyard compost pile and examines the science of terroir. In the seemingly lowly M. vaccae, she finds a rich scientific history and a personal memory--all tied to the soil beneath her feet.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>New York Times columnist Pagan Kennedy takes a whiff of her backyard compost pile and examines the science of terroir. In the seemingly lowly M. vaccae, she finds a rich scientific history and a personal memory--all tied to the soil beneath her feet.</itunes:summary></item>
		<item>
			<title>Issue 33. February 2013 : VIJEE VENKATRAMAN Improbable Cargo</title>
			<link>https://drumlitmag.com/mp3s/sounds-Vijee_Vankatraman--Improbable_Cargo.mp3</link>
			
			<itunes:duration>3:57</itunes:duration>
			<enclosure length="237" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Vijee_Vankatraman--Improbable_Cargo.mp3"/>
			<description>"Improbable Cargo" follows the "frozen-water trade" connecting India and the northeastern United States--from a personal perspective. Vijee Venkatraman muses on her life at each end of this journey of blocks of ice across oceans, and on how something as transient as ice could create a bond that lasted centuries. A version of this essay appeared in the Harvard Book Store's essay collection Paige Leaves.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Vijee_Vankatraman--Improbable_Cargo.mp3</guid>
			<pubDate>Mon, 18 Feb 2013 09:17:03 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"Improbable Cargo" follows the "frozen-water trade" connecting India and the northeastern United States--from a personal perspective. Vijee Venkatraman muses on her life at each end of this journey of blocks of ice across oceans, and on how something as transient as ice could create a bond that lasted centuries. A version of this essay appeared in the Harvard Book Store's essay collection Paige Leaves.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"Improbable Cargo" follows the "frozen-water trade" connecting India and the northeastern United States--from a personal perspective. Vijee Venkatraman muses on her life at each end of this journey of blocks of ice across oceans, and on how something as transient as ice could create a bond that lasted centuries. A version of this essay appeared in the Harvard Book Store's essay collection Paige Leaves.</itunes:summary></item>
		<item>
			<title>Issue 33. February 2013 : JACKSON CULPEPPER The Last Thing To Go</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jackson_Culpepper--The_Last_Thing_To_Go.mp3</link>
			
			<itunes:duration>25:59</itunes:duration>
			<enclosure length="1559" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jackson_Culpepper--The_Last_Thing_To_Go.mp3"/>
			<description>A violent flood provides the backdrop for the tentative relationship developing in Jackson Culpepper's "The Last Thing To Go." As the storm waters surge, a young man searching for stability--and for connection with the young woman he meets at church--confronts new questions about himself and about the nature of love and salvation.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jackson_Culpepper--The_Last_Thing_To_Go.mp3</guid>
			<pubDate>Mon, 11 Feb 2013 08:34:25 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A violent flood provides the backdrop for the tentative relationship developing in Jackson Culpepper's "The Last Thing To Go." As the storm waters surge, a young man searching for stability--and for connection with the young woman he meets at church--confronts new questions about himself and about the nature of love and salvation.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A violent flood provides the backdrop for the tentative relationship developing in Jackson Culpepper's "The Last Thing To Go." As the storm waters surge, a young man searching for stability--and for connection with the young woman he meets at church--confronts new questions about himself and about the nature of love and salvation.</itunes:summary></item>
		<item>
			<title>Issue 33. February 2013 : D.J. LEE Collage</title>
			<link>https://drumlitmag.com/mp3s/sounds-D.J._Lee--Collage.mp3</link>
			
			<itunes:duration>5:59</itunes:duration>
			<enclosure length="359" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-D.J._Lee--Collage.mp3"/>
			<description>D.J. Lee's essay "Collage" contemplates the difficult intersection between mothers and daughters, dramatized in the placement of photographs in a collage. Lee's essay explores how a two-dimensional image "can express the depth of pain and love between generations."</description>
			<guid>https://drumlitmag.com/mp3s/sounds-D.J._Lee--Collage.mp3</guid>
			<pubDate>Sun, 03 Feb 2013 11:24:32 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>D.J. Lee's essay "Collage" contemplates the difficult intersection between mothers and daughters, dramatized in the placement of photographs in a collage. Lee's essay explores how a two-dimensional image "can express the depth of pain and love between generations."</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>D.J. Lee's essay "Collage" contemplates the difficult intersection between mothers and daughters, dramatized in the placement of photographs in a collage. Lee's essay explores how a two-dimensional image "can express the depth of pain and love between generations."</itunes:summary></item>
		<item>
			<title>Issue 32. January 2013 : LEEYEE LIM Hereditary</title>
			<link>https://drumlitmag.com/mp3s/sounds-Leeyee_Lim--Hereditary.mp3</link>
			
			<itunes:duration>12:09</itunes:duration>
			<enclosure length="729" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Leeyee_Lim--Hereditary.mp3"/>
			<description>The narrator of Leeyee Lim's "Hereditary" is a young girl troubled by her mother's illness and her sister's loss. Sharing a sandwich with a homeless man, she thinks of her family, and the strange ways in which people nourish each other.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Leeyee_Lim--Hereditary.mp3</guid>
			<pubDate>Mon, 28 Jan 2013 15:51:22 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Leeyee Lim's "Hereditary" is a young girl troubled by her mother's illness and her sister's loss. Sharing a sandwich with a homeless man, she thinks of her family, and the strange ways in which people nourish each other.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Leeyee Lim's "Hereditary" is a young girl troubled by her mother's illness and her sister's loss. Sharing a sandwich with a homeless man, she thinks of her family, and the strange ways in which people nourish each other.</itunes:summary></item>
		<item>
			<title>Issue 32. January 2013 : STEVEN BRYKMAN The Box</title>
			<link>https://drumlitmag.com/mp3s/sounds-Steven_Brykman--The_Box.mp3</link>
			
			<itunes:duration>20:23</itunes:duration>
			<enclosure length="1223" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Steven_Brykman--The_Box.mp3"/>
			<description>Frequent Drum contributor Steven Brykman strikes a serious tone in his essay "The Box" about a childhood visit to his older brother's residence &amp;nbsp;in a home for people with autism. Brykman tells a dramatic story of his long-ago encounter with a frightening element of his brother's life, and muses on the nature of shared experience, isolation, and love.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Steven_Brykman--The_Box.mp3</guid>
			<pubDate>Mon, 21 Jan 2013 11:21:46 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Frequent Drum contributor Steven Brykman strikes a serious tone in his essay "The Box" about a childhood visit to his older brother's residence &amp;nbsp;in a home for people with autism. Brykman tells a dramatic story of his long-ago encounter with a frightening element of his brother's life, and muses on the nature of shared experience, isolation, and love.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Frequent Drum contributor Steven Brykman strikes a serious tone in his essay "The Box" about a childhood visit to his older brother's residence &amp;nbsp;in a home for people with autism. Brykman tells a dramatic story of his long-ago encounter with a frightening element of his brother's life, and muses on the nature of shared experience, isolation, and love.</itunes:summary></item>
		<item>
			<title>Issue 32. January 2013 : IOANNA MAVROU Lucky Cat</title>
			<link>https://drumlitmag.com/mp3s/sounds-Ioanna_Mavrou--Lucky_Cat.mp3</link>
			
			<itunes:duration>4:03</itunes:duration>
			<enclosure length="243" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Ioanna_Mavrou--Lucky_Cat.mp3"/>
			<description>The narrator of Ioanna Mavrou's "Lucky Cat" invests the eponymous figurine with hope, bravado, and fear in this flash fiction piece about a relationship challenged by illness.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Ioanna_Mavrou--Lucky_Cat.mp3</guid>
			<pubDate>Mon, 21 Jan 2013 10:49:30 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Ioanna Mavrou's "Lucky Cat" invests the eponymous figurine with hope, bravado, and fear in this flash fiction piece about a relationship challenged by illness.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Ioanna Mavrou's "Lucky Cat" invests the eponymous figurine with hope, bravado, and fear in this flash fiction piece about a relationship challenged by illness.</itunes:summary></item>
		<item>
			<title>Issue 32. January 2013 : MARY O'DONOGHUE Honest, Or Nine Precious Insights</title>
			<link>https://drumlitmag.com/mp3s/sounds-Mary_O-squo-Donoghue--Honest_or_Nine_Precious_Insights.mp3</link>
			
			<itunes:duration>7:52</itunes:duration>
			<enclosure length="472" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Mary_O-squo-Donoghue--Honest_or_Nine_Precious_Insights.mp3"/>
			<description>It's only one sentence, but "Honest, Or Nine Precious Insights" offers a vivid portrait of a man looking for companionship. As he weighs the merits and disadvantages of a blind date at "a tea place," Mary O'Donoghue's narrator expresses both vulnerability and confidence, confusion and insight.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Mary_O-squo-Donoghue--Honest_or_Nine_Precious_Insights.mp3</guid>
			<pubDate>Mon, 07 Jan 2013 14:19:43 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>It's only one sentence, but "Honest, Or Nine Precious Insights" offers a vivid portrait of a man looking for companionship. As he weighs the merits and disadvantages of a blind date at "a tea place," Mary O'Donoghue's narrator expresses both vulnerability and confidence, confusion and insight.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>It's only one sentence, but "Honest, Or Nine Precious Insights" offers a vivid portrait of a man looking for companionship. As he weighs the merits and disadvantages of a blind date at "a tea place," Mary O'Donoghue's narrator expresses both vulnerability and confidence, confusion and insight.</itunes:summary></item>
		<item>
			<title>Issue 31. December 2012 : JOANNE BARKER How To Be Naked</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag0311-633.mp3</link>
			
			<itunes:duration>3:26</itunes:duration>
			<enclosure length="206" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag0311-633.mp3"/>
			<description>The frailty of the human body and the strength that emerges from one woman's self-scrutiny are the subjects of Joanne Barker's "How To Be Naked". A swimming-pool locker room sets the scene for this unflinching assessment of nakedness in many forms.</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag0311-633.mp3</guid>
			<pubDate>Sun, 16 Dec 2012 21:11:17 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The frailty of the human body and the strength that emerges from one woman's self-scrutiny are the subjects of Joanne Barker's "How To Be Naked". A swimming-pool locker room sets the scene for this unflinching assessment of nakedness in many forms.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The frailty of the human body and the strength that emerges from one woman's self-scrutiny are the subjects of Joanne Barker's "How To Be Naked". A swimming-pool locker room sets the scene for this unflinching assessment of nakedness in many forms.</itunes:summary></item>
		<item>
			<title>Issue 31. December 2012 : BEN LURIE Looking Forward</title>
			<link>https://drumlitmag.com/mp3s/sounds-Ben_Lurie--Looking_Forwards.mp3</link>
			
			<itunes:duration>3:28</itunes:duration>
			<enclosure length="208" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Ben_Lurie--Looking_Forwards.mp3"/>
			<description>Ben Lurie's "Looking Forward" tells the story of a young man dealing with the loss of his memory. An encounter with someone from his past--a stranger to him now--gives him an ominous sense of who he was and who he might become.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Ben_Lurie--Looking_Forwards.mp3</guid>
			<pubDate>Sun, 16 Dec 2012 20:59:42 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ben Lurie's "Looking Forward" tells the story of a young man dealing with the loss of his memory. An encounter with someone from his past--a stranger to him now--gives him an ominous sense of who he was and who he might become.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ben Lurie's "Looking Forward" tells the story of a young man dealing with the loss of his memory. An encounter with someone from his past--a stranger to him now--gives him an ominous sense of who he was and who he might become.</itunes:summary></item>
		<item>
			<title>Issue 31. December 2012 : JONATHAN STARKE Sling and Stone</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jonathan_Starke--Sling_and_Stone.mp3</link>
			
			<itunes:duration>4:18</itunes:duration>
			<enclosure length="258" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jonathan_Starke--Sling_and_Stone.mp3"/>
			<description>Jonathan Starke's "Sling and Stone" looks at Michelangelo's David with the eyes of a bodybuilder--and finds poignant mortality in the timeless statue.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jonathan_Starke--Sling_and_Stone.mp3</guid>
			<pubDate>Sun, 09 Dec 2012 21:19:51 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jonathan Starke's "Sling and Stone" looks at Michelangelo's David with the eyes of a bodybuilder--and finds poignant mortality in the timeless statue.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jonathan Starke's "Sling and Stone" looks at Michelangelo's David with the eyes of a bodybuilder--and finds poignant mortality in the timeless statue.</itunes:summary></item>
		<item>
			<title>Issue 31. December 2012 : BOSTON BOOK FESTIVAL: Great Brits and Books</title>
			<link>https://drumlitmag.com/mp3s/sounds-Boston_Book_Festival--Great_Brits_and_Books.mp3</link>
			
			<itunes:duration>1:00:35</itunes:duration>
			<enclosure length="3635" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Boston_Book_Festival--Great_Brits_and_Books.mp3"/>
			<description>Courtesy of the Boston Book Festival, the Great Brits and Books Panel, with Maria Tatar, Rachel Brownstein, Lisa Rodensky, and Leah Price, moderated by Drum editor Henriette Lazaridis Power. Jane Austen, Charles Dickens, James Barrie, and the Bront&amp;euml;s were just some of the authors these scholars discussed during the BBF session on October 27, 2012. Listen to the audio of the panel to hear how books were used as instruments of power in the 19th century, how Jane Austen continues to engage readers today, and how Barrie's Peter Pan explores questions of our own mortality.This session was sponsored by the British Consulate.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Boston_Book_Festival--Great_Brits_and_Books.mp3</guid>
			<pubDate>Wed, 05 Dec 2012 11:49:46 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Courtesy of the Boston Book Festival, the Great Brits and Books Panel, with Maria Tatar, Rachel Brownstein, Lisa Rodensky, and Leah Price, moderated by Drum editor Henriette Lazaridis Power. Jane Austen, Charles Dickens, James Barrie, and the Bront&amp;euml;s were just some of the authors these scholars discussed during the BBF session on October 27, 2012. Listen to the audio of the panel to hear how books were used as instruments of power in the 19th century, how Jane Austen continues to engage readers today, and how Barrie's Peter Pan explores questions of our own mortality.This session was sponsored by the British Consulate.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Courtesy of the Boston Book Festival, the Great Brits and Books Panel, with Maria Tatar, Rachel Brownstein, Lisa Rodensky, and Leah Price, moderated by Drum editor Henriette Lazaridis Power. Jane Austen, Charles Dickens, James Barrie, and the Bront&amp;euml;s were just some of the authors these scholars discussed during the BBF session on October 27, 2012. Listen to the audio of the panel to hear how books were used as instruments of power in the 19th century, how Jane Austen continues to engage readers today, and how Barrie's Peter Pan explores questions of our own mortality.This session was sponsored by the British Consulate.</itunes:summary></item>
		<item>
			<title>Issue 30. November 2012 : COLLEEN FULLIN The Dead and The Drowned</title>
			<link>https://drumlitmag.com/mp3s/sounds-Colleen_Fullin--The_Dead_and_The_Drowned.mp3</link>
			
			<itunes:duration>27:17</itunes:duration>
			<enclosure length="1637" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Colleen_Fullin--The_Dead_and_The_Drowned.mp3"/>
			<description>Colleen Fullin's "The Dead and The Drowned" focuses in on a teenaged boy in the aftermath of the drownings of young men in his city. Garrison is shaken by their deaths, but unsettled more profoundly in ways that he only comes to understand--if at all--at the story's end. The reader is in for a powerful conclusion to Fullin's tale, as it touches on the complications of identity, desire, and sexuality.

</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Colleen_Fullin--The_Dead_and_The_Drowned.mp3</guid>
			<pubDate>Mon, 26 Nov 2012 14:00:56 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Colleen Fullin's "The Dead and The Drowned" focuses in on a teenaged boy in the aftermath of the drownings of young men in his city. Garrison is shaken by their deaths, but unsettled more profoundly in ways that he only comes to understand--if at all--at the story's end. The reader is in for a powerful conclusion to Fullin's tale, as it touches on the complications of identity, desire, and sexuality.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Colleen Fullin's "The Dead and The Drowned" focuses in on a teenaged boy in the aftermath of the drownings of young men in his city. Garrison is shaken by their deaths, but unsettled more profoundly in ways that he only comes to understand--if at all--at the story's end. The reader is in for a powerful conclusion to Fullin's tale, as it touches on the complications of identity, desire, and sexuality.</itunes:summary></item>
		<item>
			<title>Issue 30. November 2012 : KATRINA GRIGG-SAITO Assailing Otherness</title>
			<link>https://drumlitmag.com/mp3s/sounds-Grigg-Saito--Assailing_Otherness.mp3.mp3</link>
			
			<itunes:duration>19:59</itunes:duration>
			<enclosure length="1199" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Grigg-Saito--Assailing_Otherness.mp3.mp3"/>
			<description>In "Assailing Otherness," Katrina Grigg-Saito confronts the ultimate food taboo and survives to tell the tale. &amp;nbsp;Grigg-Saito's essay explores the limits different cultures draw around what's approved and what's beyond the pale. Her experience of learning to cook in Laos begins with the desire to get to the heart of a culture and ends with a discovery about her own assumptions and willingness to set them aside.
</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Grigg-Saito--Assailing_Otherness.mp3.mp3</guid>
			<pubDate>Thu, 01 Nov 2012 22:18:19 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In "Assailing Otherness," Katrina Grigg-Saito confronts the ultimate food taboo and survives to tell the tale. &amp;nbsp;Grigg-Saito's essay explores the limits different cultures draw around what's approved and what's beyond the pale. Her experience of learning to cook in Laos begins with the desire to get to the heart of a culture and ends with a discovery about her own assumptions and willingness to set them aside.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In "Assailing Otherness," Katrina Grigg-Saito confronts the ultimate food taboo and survives to tell the tale. &amp;nbsp;Grigg-Saito's essay explores the limits different cultures draw around what's approved and what's beyond the pale. Her experience of learning to cook in Laos begins with the desire to get to the heart of a culture and ends with a discovery about her own assumptions and willingness to set them aside.</itunes:summary></item>
		<item>
			<title>Issue 30. November 2012 : LISA MECHAM You Get What You Get</title>
			<link>https://drumlitmag.com/mp3s/sounds-Lisa_Mecham--You_Get_What_You_Get.mp3</link>
			
			<itunes:duration>34:55</itunes:duration>
			<enclosure length="2095" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Lisa_Mecham--You_Get_What_You_Get.mp3"/>
			<description>"You Get What You Get" offers an intense story of a woman confronted with her husband's deteriorating mental health. &amp;nbsp;A trip to the remote suburbs to see a house her husband has purchased brings Jennifer face to face with the dangers in her own home. At the heart of Lisa Mecham's story are detailed character studies of people in crisis.

</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Lisa_Mecham--You_Get_What_You_Get.mp3</guid>
			<pubDate>Thu, 01 Nov 2012 22:15:49 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"You Get What You Get" offers an intense story of a woman confronted with her husband's deteriorating mental health. &amp;nbsp;A trip to the remote suburbs to see a house her husband has purchased brings Jennifer face to face with the dangers in her own home. At the heart of Lisa Mecham's story are detailed character studies of people in crisis.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"You Get What You Get" offers an intense story of a woman confronted with her husband's deteriorating mental health. &amp;nbsp;A trip to the remote suburbs to see a house her husband has purchased brings Jennifer face to face with the dangers in her own home. At the heart of Lisa Mecham's story are detailed character studies of people in crisis.</itunes:summary></item>
		<item>
			<title>Issue 30. November 2012 : SANDRA JENSEN War</title>
			<link>https://drumlitmag.com/mp3s/sounds-Sandra_Jensen--War.mp3</link>
			
			<itunes:duration>17:01</itunes:duration>
			<enclosure length="1021" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Sandra_Jensen--War.mp3"/>
			<description>In Sandra Jensen's "War", a young South African girl wrestles with her emerging sexuality and with the political, familial, and cultural conflicts taking place around her. Learning about the Boer War in school, Kimberly thinks instead of the more immediate aggression in her mother's relationship with her boyfriend. Attraction and repulsion, love and violence, mingle in this rich story. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Sandra_Jensen--War.mp3</guid>
			<pubDate>Tue, 30 Oct 2012 22:46:26 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Sandra Jensen's "War", a young South African girl wrestles with her emerging sexuality and with the political, familial, and cultural conflicts taking place around her. Learning about the Boer War in school, Kimberly thinks instead of the more immediate aggression in her mother's relationship with her boyfriend. Attraction and repulsion, love and violence, mingle in this rich story.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Sandra Jensen's "War", a young South African girl wrestles with her emerging sexuality and with the political, familial, and cultural conflicts taking place around her. Learning about the Boer War in school, Kimberly thinks instead of the more immediate aggression in her mother's relationship with her boyfriend. Attraction and repulsion, love and violence, mingle in this rich story.</itunes:summary></item>
		<item>
			<title>Issue 29. October 2012 : VICKY GRUT Debts</title>
			<link>https://drumlitmag.com/mp3s/sounds-Vicky_Grut--Debts.mp3</link>
			
			<itunes:duration>23:19</itunes:duration>
			<enclosure length="1399" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Vicky_Grut--Debts.mp3"/>
			<description>Over the course of a slightly chaotic supper, Kay, the protagonist of Vicky Grut's short story "Debts" confronts her social, financial, and emotional obligations. The story is populated by vivid characters--a strange boy who keeps washing Kay's husband's car, Kay's unruly daughter, surprise guests with complicated histories--all of whom come together in a sometimes clashing interaction. Grut brings the story's various elements together in a thoughtful and moving conclusion.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Vicky_Grut--Debts.mp3</guid>
			<pubDate>Mon, 22 Oct 2012 13:44:22 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Over the course of a slightly chaotic supper, Kay, the protagonist of Vicky Grut's short story "Debts" confronts her social, financial, and emotional obligations. The story is populated by vivid characters--a strange boy who keeps washing Kay's husband's car, Kay's unruly daughter, surprise guests with complicated histories--all of whom come together in a sometimes clashing interaction. Grut brings the story's various elements together in a thoughtful and moving conclusion.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Over the course of a slightly chaotic supper, Kay, the protagonist of Vicky Grut's short story "Debts" confronts her social, financial, and emotional obligations. The story is populated by vivid characters--a strange boy who keeps washing Kay's husband's car, Kay's unruly daughter, surprise guests with complicated histories--all of whom come together in a sometimes clashing interaction. Grut brings the story's various elements together in a thoughtful and moving conclusion.</itunes:summary></item>
		<item>
			<title>Issue 29. October 2012 : ELIZABETH O'BRIEN Over Easy</title>
			<link>https://drumlitmag.com/mp3s/sounds-Elizabeth_O-squo-Brien--Over_Easy.mp3</link>
			
			<itunes:duration>3:47</itunes:duration>
			<enclosure length="227" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Elizabeth_O-squo-Brien--Over_Easy.mp3"/>
			<description>A plate of eggs, a map, and a greasy table top inspire a new journey for the young narrator of Elizabeth O'Brien's "Over Easy". O'Brien's vivid and concise writing, and her evocative reading performance, give the listener a strong sense of the narrator's need to just go.

</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Elizabeth_O-squo-Brien--Over_Easy.mp3</guid>
			<pubDate>Mon, 15 Oct 2012 09:14:48 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A plate of eggs, a map, and a greasy table top inspire a new journey for the young narrator of Elizabeth O'Brien's "Over Easy". O'Brien's vivid and concise writing, and her evocative reading performance, give the listener a strong sense of the narrator's need to just go.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A plate of eggs, a map, and a greasy table top inspire a new journey for the young narrator of Elizabeth O'Brien's "Over Easy". O'Brien's vivid and concise writing, and her evocative reading performance, give the listener a strong sense of the narrator's need to just go.</itunes:summary></item>
		<item>
			<title>Issue 29. October 2012 : ANDREW SULLIVAN The Lesser Half of Sir John A. Macdonald</title>
			<link>https://drumlitmag.com/mp3s/sounds-Andrew_Sullivan--The_Lesser_Half_of_Sir_John_A._Macdonald.mp3</link>
			
			<itunes:duration>13:43</itunes:duration>
			<enclosure length="823" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Andrew_Sullivan--The_Lesser_Half_of_Sir_John_A._Macdonald.mp3"/>
			<description>Andrew Sullivan's narrator names the lesions on his body after the cities where he has endured the loneliness and pain of homelessness. "The Lesser Half of Sir John A. Macdonald" paints a world in which people can be torn in two, like the eponymous Canadian banknote, by the longing to stay put and the need to keep moving. Sullivan's story follows a young man struggling through the consequences of one bad turn, as he makes his way across Canada.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Andrew_Sullivan--The_Lesser_Half_of_Sir_John_A._Macdonald.mp3</guid>
			<pubDate>Mon, 08 Oct 2012 12:55:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Andrew Sullivan's narrator names the lesions on his body after the cities where he has endured the loneliness and pain of homelessness. "The Lesser Half of Sir John A. Macdonald" paints a world in which people can be torn in two, like the eponymous Canadian banknote, by the longing to stay put and the need to keep moving. Sullivan's story follows a young man struggling through the consequences of one bad turn, as he makes his way across Canada.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Andrew Sullivan's narrator names the lesions on his body after the cities where he has endured the loneliness and pain of homelessness. "The Lesser Half of Sir John A. Macdonald" paints a world in which people can be torn in two, like the eponymous Canadian banknote, by the longing to stay put and the need to keep moving. Sullivan's story follows a young man struggling through the consequences of one bad turn, as he makes his way across Canada.</itunes:summary></item>
		<item>
			<title>Issue 29. October 2012 : LISA KORZENIOWSKI The Summer of Nathan Nicky</title>
			<link>https://drumlitmag.com/mp3s/sounds-Lisa_Korzeniowski--The_Summer_of_Nathan_Nicky.mp3</link>
			
			<itunes:duration>5:52</itunes:duration>
			<enclosure length="352" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Lisa_Korzeniowski--The_Summer_of_Nathan_Nicky.mp3"/>
			<description>Lisa Korzeniowski's "The Summer of Nathan Nicky" watches two young sisters watching a boy--a shirtless boy mowing a lawn next door. As the narrator ogles the boy, she engages in a curious seduction, displaying herself as desirable. This brief story paints a vivid picture of adolescent sexuality and the sensuality of the gaze.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Lisa_Korzeniowski--The_Summer_of_Nathan_Nicky.mp3</guid>
			<pubDate>Tue, 02 Oct 2012 16:24:54 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Lisa Korzeniowski's "The Summer of Nathan Nicky" watches two young sisters watching a boy--a shirtless boy mowing a lawn next door. As the narrator ogles the boy, she engages in a curious seduction, displaying herself as desirable. This brief story paints a vivid picture of adolescent sexuality and the sensuality of the gaze.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Lisa Korzeniowski's "The Summer of Nathan Nicky" watches two young sisters watching a boy--a shirtless boy mowing a lawn next door. As the narrator ogles the boy, she engages in a curious seduction, displaying herself as desirable. This brief story paints a vivid picture of adolescent sexuality and the sensuality of the gaze.</itunes:summary></item>
		<item>
			<title>Issue 28. September 2012 : One City One Story: Anna Solomon's The Lobster Mafia Story</title>
			<link>https://drumlitmag.com/mp3s/sounds-One_City_One_Story__The_Lobster_Mafia_Story_by_Anna_Solomon.mp3</link>
			
			<itunes:duration>42:11</itunes:duration>
			<enclosure length="2531" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-One_City_One_Story__The_Lobster_Mafia_Story_by_Anna_Solomon.mp3"/>
			<description>"The Lobster Mafia Story," by Anna Solomon, is the Boston Book Festival's choice for this year's One City One Story, a project to promote reading and to create community around a shared reading experience. It's a poignant tale set in motion by a widow's dreadful secret about a long-ago murder. The story is read aloud by The Drum's editor, Henriette Lazaridis Power. Anna Solomon will appear at the Boston Book Festival on October 27 to discuss the story.To download the audio recording of "The Lobster Mafia Story," right-click on the download button beside the play button, and save the mp3 to your computer.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-One_City_One_Story__The_Lobster_Mafia_Story_by_Anna_Solomon.mp3</guid>
			<pubDate>Thu, 20 Sep 2012 18:06:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"The Lobster Mafia Story," by Anna Solomon, is the Boston Book Festival's choice for this year's One City One Story, a project to promote reading and to create community around a shared reading experience. It's a poignant tale set in motion by a widow's dreadful secret about a long-ago murder. The story is read aloud by The Drum's editor, Henriette Lazaridis Power. Anna Solomon will appear at the Boston Book Festival on October 27 to discuss the story.To download the audio recording of "The Lobster Mafia Story," right-click on the download button beside the play button, and save the mp3 to your computer.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"The Lobster Mafia Story," by Anna Solomon, is the Boston Book Festival's choice for this year's One City One Story, a project to promote reading and to create community around a shared reading experience. It's a poignant tale set in motion by a widow's dreadful secret about a long-ago murder. The story is read aloud by The Drum's editor, Henriette Lazaridis Power. Anna Solomon will appear at the Boston Book Festival on October 27 to discuss the story.To download the audio recording of "The Lobster Mafia Story," right-click on the download button beside the play button, and save the mp3 to your computer.</itunes:summary></item>
		<item>
			<title>Issue 28. September 2012 : L.E. MILLER Zip-Code Stories</title>
			<link>https://drumlitmag.com/mp3s/sounds-L.E._Miller--Zip-Code_Stories.mp3</link>
			
			<itunes:duration>4:23</itunes:duration>
			<enclosure length="263" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-L.E._Miller--Zip-Code_Stories.mp3"/>
			<description>L.E. Miller's "The Sea Gives" begins with a shard of china floating in the water off Plum Island and ends with a young girl questioning her place in an older woman's life. Along the way, in a brief 500 words, Miller depicts a bond between the two women, a coming together of two different worlds, and the fragility of that relationship. The prompt for this round of Zip-Code Stories was an opening line of "She saw something at the water's edge and. . . ". Listen to hear how "The Sea Gives" concludes that sentence.
</description>
			<guid>https://drumlitmag.com/mp3s/sounds-L.E._Miller--Zip-Code_Stories.mp3</guid>
			<pubDate>Wed, 19 Sep 2012 09:02:28 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>L.E. Miller's "The Sea Gives" begins with a shard of china floating in the water off Plum Island and ends with a young girl questioning her place in an older woman's life. Along the way, in a brief 500 words, Miller depicts a bond between the two women, a coming together of two different worlds, and the fragility of that relationship. The prompt for this round of Zip-Code Stories was an opening line of "She saw something at the water's edge and. . . ". Listen to hear how "The Sea Gives" concludes that sentence.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>L.E. Miller's "The Sea Gives" begins with a shard of china floating in the water off Plum Island and ends with a young girl questioning her place in an older woman's life. Along the way, in a brief 500 words, Miller depicts a bond between the two women, a coming together of two different worlds, and the fragility of that relationship. The prompt for this round of Zip-Code Stories was an opening line of "She saw something at the water's edge and. . . ". Listen to hear how "The Sea Gives" concludes that sentence.</itunes:summary></item>
		<item>
			<title>Issue 28. September 2012 : JESSICA KEENER--Excerpt from Night Swim</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jessica_Keener--Excerpt_from_Night_Swim.mp3</link>
			
			<itunes:duration>12:52</itunes:duration>
			<enclosure length="772" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jessica_Keener--Excerpt_from_Night_Swim.mp3"/>
			<description>Set in affluent Boston surburbia in 1970, Night Swim follows the Kunitz family as tragedy breaks through the country-club lifestyle masking an array of simmering, emotional troubles.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jessica_Keener--Excerpt_from_Night_Swim.mp3</guid>
			<pubDate>Tue, 18 Sep 2012 10:33:49 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Set in affluent Boston surburbia in 1970, Night Swim follows the Kunitz family as tragedy breaks through the country-club lifestyle masking an array of simmering, emotional troubles.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Set in affluent Boston surburbia in 1970, Night Swim follows the Kunitz family as tragedy breaks through the country-club lifestyle masking an array of simmering, emotional troubles.</itunes:summary></item>
		<item>
			<title>Issue 28. September 2012 : Interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-Martin_Amis--Interview.mp3</link>
			
			<itunes:duration>27:43</itunes:duration>
			<enclosure length="1663" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Martin_Amis--Interview.mp3"/>
			<description>Martin Amis joined Henriette Lazaridis Power for a conversation on September 7, 2012. Amis spoke about his novel Lionel Asbo: State of England, about why we don't like Dickens' Little Nell, why we still like Jane Austen, and other topics, including religion and writing. The Drum's Audio Editor Ethan Wolff Mann joined in the conversation while Amis took a lunch break at the Keltic Krust Bakery in West Newton, Massachusetts.


</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Martin_Amis--Interview.mp3</guid>
			<pubDate>Mon, 10 Sep 2012 11:39:43 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Martin Amis joined Henriette Lazaridis Power for a conversation on September 7, 2012. Amis spoke about his novel Lionel Asbo: State of England, about why we don't like Dickens' Little Nell, why we still like Jane Austen, and other topics, including religion and writing. The Drum's Audio Editor Ethan Wolff Mann joined in the conversation while Amis took a lunch break at the Keltic Krust Bakery in West Newton, Massachusetts.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Martin Amis joined Henriette Lazaridis Power for a conversation on September 7, 2012. Amis spoke about his novel Lionel Asbo: State of England, about why we don't like Dickens' Little Nell, why we still like Jane Austen, and other topics, including religion and writing. The Drum's Audio Editor Ethan Wolff Mann joined in the conversation while Amis took a lunch break at the Keltic Krust Bakery in West Newton, Massachusetts.</itunes:summary></item>
		<item>
			<title>Issue 28. September 2012 : ILIE RUBY Excerpt from The Salt God's Daughter</title>
			<link>https://drumlitmag.com/mp3s/sounds-Ilie_Ruby--Excerpt_from_The_Salt_God-squo-s_Daughter.mp3</link>
			
			<itunes:duration>13:18</itunes:duration>
			<enclosure length="798" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Ilie_Ruby--Excerpt_from_The_Salt_God-squo-s_Daughter.mp3"/>
			<description>Ilie Ruby's novel The Salt God's Daughter tells the story of Ruthie and Naida, a mother and daughter bound by loss, by violence, and by family mysteries. In this excerpt, Ruthie describes a storm that sends her, her mother, and her sister into a desperate escape, even as internal storms continue to pursue this small and vulnerable family.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Ilie_Ruby--Excerpt_from_The_Salt_God-squo-s_Daughter.mp3</guid>
			<pubDate>Tue, 04 Sep 2012 10:48:44 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ilie Ruby's novel The Salt God's Daughter tells the story of Ruthie and Naida, a mother and daughter bound by loss, by violence, and by family mysteries. In this excerpt, Ruthie describes a storm that sends her, her mother, and her sister into a desperate escape, even as internal storms continue to pursue this small and vulnerable family.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ilie Ruby's novel The Salt God's Daughter tells the story of Ruthie and Naida, a mother and daughter bound by loss, by violence, and by family mysteries. In this excerpt, Ruthie describes a storm that sends her, her mother, and her sister into a desperate escape, even as internal storms continue to pursue this small and vulnerable family.</itunes:summary></item>
		<item>
			<title>Issue 27. August 2012 : JOAN KANE NICHOLS Treasures</title>
			<link>https://drumlitmag.com/mp3s/sounds-Joan_Kane_Nichols--Treasures.mp3</link>
			
			<itunes:duration>5:06</itunes:duration>
			<enclosure length="306" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Joan_Kane_Nichols--Treasures.mp3"/>
			<description>At this time of year in 2005, Hurricane Katrina devastated New Orleans and much of the surrounding area. Joan Kane Nichols's flash fiction "Treasures" sets us down in one woman's home as she and her husband Darryl prepare to evacuate, one of them more readily than the other. The story is a vivid dramatization of the pull of belongings--treasures--as both burden and rescue.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Joan_Kane_Nichols--Treasures.mp3</guid>
			<pubDate>Mon, 27 Aug 2012 11:50:09 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>At this time of year in 2005, Hurricane Katrina devastated New Orleans and much of the surrounding area. Joan Kane Nichols's flash fiction "Treasures" sets us down in one woman's home as she and her husband Darryl prepare to evacuate, one of them more readily than the other. The story is a vivid dramatization of the pull of belongings--treasures--as both burden and rescue.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>At this time of year in 2005, Hurricane Katrina devastated New Orleans and much of the surrounding area. Joan Kane Nichols's flash fiction "Treasures" sets us down in one woman's home as she and her husband Darryl prepare to evacuate, one of them more readily than the other. The story is a vivid dramatization of the pull of belongings--treasures--as both burden and rescue.</itunes:summary></item>
		<item>
			<title>Issue 27. August 2012 : LISTEN! THEN SEND US YOUR AUDIO STORY</title>
			<link>https://drumlitmag.com/mp3s/sounds-Drum_Literary_Magazine_audio_prompt_-num-1.mp3</link>
			
			<itunes:duration>:7</itunes:duration>
			<enclosure length="7" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Drum_Literary_Magazine_audio_prompt_-num-1.mp3"/>
			<description>Get some audio inspiration from our regularly changing audio prompts and record a three-minute story for The Drum. Send us the audio on our Soundcloud Dropbox--over there on the left-hand side of our home page--and share with Drum listeners and writers.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Drum_Literary_Magazine_audio_prompt_-num-1.mp3</guid>
			<pubDate>Mon, 20 Aug 2012 09:49:37 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Get some audio inspiration from our regularly changing audio prompts and record a three-minute story for The Drum. Send us the audio on our Soundcloud Dropbox--over there on the left-hand side of our home page--and share with Drum listeners and writers.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Get some audio inspiration from our regularly changing audio prompts and record a three-minute story for The Drum. Send us the audio on our Soundcloud Dropbox--over there on the left-hand side of our home page--and share with Drum listeners and writers.</itunes:summary></item>
		<item>
			<title>Issue 26. July 2012 : PRAIRIE MARKUSSEN Nothing Special</title>
			<link>https://drumlitmag.com/mp3s/sounds-Prairie_Markussen--Nothing_Special.mp3</link>
			
			<itunes:duration>4:01</itunes:duration>
			<enclosure length="241" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Prairie_Markussen--Nothing_Special.mp3"/>
			<description>Prairie Markussen's "Nothing Special" tells the short, moving story of an old Korean woman fighting for permanence in her changing city. Am-yeong Im, given the name for babies not expected to survive, patiently and insistently works for the survival of her home. In Markussen's story, a woman's small act of erasure turns into an attempt to make something last.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Prairie_Markussen--Nothing_Special.mp3</guid>
			<pubDate>Mon, 30 Jul 2012 10:23:36 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Prairie Markussen's "Nothing Special" tells the short, moving story of an old Korean woman fighting for permanence in her changing city. Am-yeong Im, given the name for babies not expected to survive, patiently and insistently works for the survival of her home. In Markussen's story, a woman's small act of erasure turns into an attempt to make something last.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Prairie Markussen's "Nothing Special" tells the short, moving story of an old Korean woman fighting for permanence in her changing city. Am-yeong Im, given the name for babies not expected to survive, patiently and insistently works for the survival of her home. In Markussen's story, a woman's small act of erasure turns into an attempt to make something last.</itunes:summary></item>
		<item>
			<title>Issue 26. July 2012 : AINE GREANEY Green Card</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag3778-536.mp3</link>
			
			<itunes:duration>16:19</itunes:duration>
			<enclosure length="979" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag3778-536.mp3"/>
			<description>Aine Greaney's essay "Green Card" recounts a trip to renew the eponymous card in Lawrence, MA. As her GPS tries to lead her to the INS office, Greaney meditates on the obstacles and miscommunications of the immigrant's experience. She thinks over her years in the United States, her departure from Ireland, and her sense of belonging to those who don't belong. Greaney's essay offers a thoughtful meditation on cultural and personal identity.
</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag3778-536.mp3</guid>
			<pubDate>Mon, 23 Jul 2012 10:27:48 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Aine Greaney's essay "Green Card" recounts a trip to renew the eponymous card in Lawrence, MA. As her GPS tries to lead her to the INS office, Greaney meditates on the obstacles and miscommunications of the immigrant's experience. She thinks over her years in the United States, her departure from Ireland, and her sense of belonging to those who don't belong. Greaney's essay offers a thoughtful meditation on cultural and personal identity.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Aine Greaney's essay "Green Card" recounts a trip to renew the eponymous card in Lawrence, MA. As her GPS tries to lead her to the INS office, Greaney meditates on the obstacles and miscommunications of the immigrant's experience. She thinks over her years in the United States, her departure from Ireland, and her sense of belonging to those who don't belong. Greaney's essay offers a thoughtful meditation on cultural and personal identity.</itunes:summary></item>
		<item>
			<title>Issue 26. July 2012 : MARY MEDLIN Not Now But Soon</title>
			<link>https://drumlitmag.com/mp3s/sounds-Mary_Medlin--Not_Now_But_Soon.mp3</link>
			
			<itunes:duration>46:10</itunes:duration>
			<enclosure length="2770" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Mary_Medlin--Not_Now_But_Soon.mp3"/>
			<description>Mary Medlin's short story "Not Now But Soon" follows Connor as he crosses Somerville to pay the rent on his girlfriend's apartment. But Afshan is dead, and the tragic event that caused her death haunts Connor, rendering his rent-payments a tangible form of inadequate expiation. The story is shot through with themes of atonement and guilt as it offers an in-depth portrait of a young man and woman as they fall in love.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Mary_Medlin--Not_Now_But_Soon.mp3</guid>
			<pubDate>Mon, 16 Jul 2012 11:08:44 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Mary Medlin's short story "Not Now But Soon" follows Connor as he crosses Somerville to pay the rent on his girlfriend's apartment. But Afshan is dead, and the tragic event that caused her death haunts Connor, rendering his rent-payments a tangible form of inadequate expiation. The story is shot through with themes of atonement and guilt as it offers an in-depth portrait of a young man and woman as they fall in love.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Mary Medlin's short story "Not Now But Soon" follows Connor as he crosses Somerville to pay the rent on his girlfriend's apartment. But Afshan is dead, and the tragic event that caused her death haunts Connor, rendering his rent-payments a tangible form of inadequate expiation. The story is shot through with themes of atonement and guilt as it offers an in-depth portrait of a young man and woman as they fall in love.</itunes:summary></item>
		<item>
			<title>Issue 26. July 2012 : CHARLES RAFFERTY Dump</title>
			<link>https://drumlitmag.com/mp3s/sounds-Charles_Rafferty--Dump.mp3</link>
			
			<itunes:duration>3:14</itunes:duration>
			<enclosure length="194" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Charles_Rafferty--Dump.mp3"/>
			<description>In Charles Rafferty's "Dump," a simple garbage trip becomes a test of a newly single father's need for his children's safety. While he worries, they are carefree. He is left to ponder his daughters' responses to a world in which people leave--sometimes without returning.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Charles_Rafferty--Dump.mp3</guid>
			<pubDate>Mon, 09 Jul 2012 10:43:10 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Charles Rafferty's "Dump," a simple garbage trip becomes a test of a newly single father's need for his children's safety. While he worries, they are carefree. He is left to ponder his daughters' responses to a world in which people leave--sometimes without returning.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Charles Rafferty's "Dump," a simple garbage trip becomes a test of a newly single father's need for his children's safety. While he worries, they are carefree. He is left to ponder his daughters' responses to a world in which people leave--sometimes without returning.</itunes:summary></item>
		<item>
			<title>Issue 26. July 2012 : SABINA MURRAY Balboa</title>
			<link>https://drumlitmag.com/mp3s/sounds-Sabina_Murray--Balboa.mp3</link>
			
			<itunes:duration>20:27</itunes:duration>
			<enclosure length="1227" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Sabina_Murray--Balboa.mp3"/>
			<description>Sabina Murray's "Balboa" imagines the explorer in 1513 as he climbs a ridge on the Isthmus of Panama and sees the Pacific Ocean. "Balboa," Murray writes from the explorer's point of view, "is that divining line between the modern and the primitive." In this story, from her collection Tales of the New World, Murray investigates the meaning of civilization, discovery, and the foreign, and makes us consider the intersection of power and desire.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Sabina_Murray--Balboa.mp3</guid>
			<pubDate>Mon, 02 Jul 2012 09:23:27 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Sabina Murray's "Balboa" imagines the explorer in 1513 as he climbs a ridge on the Isthmus of Panama and sees the Pacific Ocean. "Balboa," Murray writes from the explorer's point of view, "is that divining line between the modern and the primitive." In this story, from her collection Tales of the New World, Murray investigates the meaning of civilization, discovery, and the foreign, and makes us consider the intersection of power and desire.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Sabina Murray's "Balboa" imagines the explorer in 1513 as he climbs a ridge on the Isthmus of Panama and sees the Pacific Ocean. "Balboa," Murray writes from the explorer's point of view, "is that divining line between the modern and the primitive." In this story, from her collection Tales of the New World, Murray investigates the meaning of civilization, discovery, and the foreign, and makes us consider the intersection of power and desire.</itunes:summary></item>
		<item>
			<title>Issue 25. June 2012 : JEN BERGMARK Turn of the Century</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jen_Bergmark--Turn_of_the_Century.mp3</link>
			
			<itunes:duration>44:08</itunes:duration>
			<enclosure length="2648" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jen_Bergmark--Turn_of_the_Century.mp3"/>
			<description>"The world will end soon." So says the protagonist of Jen Bergmark's "Turn of the Century." An old rock and roller who views himself as a has-been, the singer is fascinated by Nostradamus and by predictions that the millennium will send us all into chaos. He looks ahead to New Year's of 2000 as the confirmation of the ending he has experienced in his career and his life. But when a young concert promoter recognizes him at an LA flea market, his life, like the century, takes a different turn.
</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jen_Bergmark--Turn_of_the_Century.mp3</guid>
			<pubDate>Fri, 22 Jun 2012 17:29:11 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"The world will end soon." So says the protagonist of Jen Bergmark's "Turn of the Century." An old rock and roller who views himself as a has-been, the singer is fascinated by Nostradamus and by predictions that the millennium will send us all into chaos. He looks ahead to New Year's of 2000 as the confirmation of the ending he has experienced in his career and his life. But when a young concert promoter recognizes him at an LA flea market, his life, like the century, takes a different turn.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"The world will end soon." So says the protagonist of Jen Bergmark's "Turn of the Century." An old rock and roller who views himself as a has-been, the singer is fascinated by Nostradamus and by predictions that the millennium will send us all into chaos. He looks ahead to New Year's of 2000 as the confirmation of the ending he has experienced in his career and his life. But when a young concert promoter recognizes him at an LA flea market, his life, like the century, takes a different turn.</itunes:summary></item>
		<item>
			<title>Issue 25. June 2012 : KIM SAVAGE Zip-Code Stories</title>
			<link>https://drumlitmag.com/mp3s/sounds-Kim_Savage--Zip-Code_Stories.mp3</link>
			
			<itunes:duration>3:42</itunes:duration>
			<enclosure length="222" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Kim_Savage--Zip-Code_Stories.mp3"/>
			<description>The narrator of Kim Savage's "The Fells" tells the chiling story of her abduction from this remote part of Winchester, Massachusetts (01890). Describing a routine fells run turned dangerous, the story hints at the complicated relationships between the abductor, the intended victim, and the girl who took her place.

"The Fells" is the featured Zip-Code Story for June 2012, as part of The Drum's project with WBUR's Radio Boston.

</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Kim_Savage--Zip-Code_Stories.mp3</guid>
			<pubDate>Sat, 16 Jun 2012 17:27:38 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Kim Savage's "The Fells" tells the chiling story of her abduction from this remote part of Winchester, Massachusetts (01890). Describing a routine fells run turned dangerous, the story hints at the complicated relationships between the abductor, the intended victim, and the girl who took her place. "The Fells" is the featured Zip-Code Story for June 2012, as part of The Drum's project with WBUR's Radio Boston.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Kim Savage's "The Fells" tells the chiling story of her abduction from this remote part of Winchester, Massachusetts (01890). Describing a routine fells run turned dangerous, the story hints at the complicated relationships between the abductor, the intended victim, and the girl who took her place. "The Fells" is the featured Zip-Code Story for June 2012, as part of The Drum's project with WBUR's Radio Boston.</itunes:summary></item>
		<item>
			<title>Issue 25. June 2012 : ROSIE SULTAN Excerpt from Helen Keller in Love</title>
			<link>https://drumlitmag.com/mp3s/sounds-Rosie_Sultan--excerpt_from_Helen_Keller_in_Love.mp3</link>
			
			<itunes:duration>23:42</itunes:duration>
			<enclosure length="1422" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Rosie_Sultan--excerpt_from_Helen_Keller_in_Love.mp3"/>
			<description>Rosie Sultan reads from her novel Helen Keller in Love (Viking 2012), specifically, the episode in which Keller first meets Peter Fagan, the man she was to fall in love with. The excerpt offers a vivid sense of Keller's world, in which messages are communicated by signs in her palm, and sounds are felt through vibration.
</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Rosie_Sultan--excerpt_from_Helen_Keller_in_Love.mp3</guid>
			<pubDate>Sat, 16 Jun 2012 17:02:54 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Rosie Sultan reads from her novel Helen Keller in Love (Viking 2012), specifically, the episode in which Keller first meets Peter Fagan, the man she was to fall in love with. The excerpt offers a vivid sense of Keller's world, in which messages are communicated by signs in her palm, and sounds are felt through vibration.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Rosie Sultan reads from her novel Helen Keller in Love (Viking 2012), specifically, the episode in which Keller first meets Peter Fagan, the man she was to fall in love with. The excerpt offers a vivid sense of Keller's world, in which messages are communicated by signs in her palm, and sounds are felt through vibration.</itunes:summary></item>
		<item>
			<title>Issue 25. June 2012 : ANITA DIAMANT Excerpt from Day After Night</title>
			<link>https://drumlitmag.com/mp3s/sounds-Anita_Diamant--excerpt_from_Day_After_Night.mp3</link>
			
			<itunes:duration>18:46</itunes:duration>
			<enclosure length="1126" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Anita_Diamant--excerpt_from_Day_After_Night.mp3"/>
			<description>Anita Diamant's novel Day After Night tells the story of four women among the two hundred prisoners of the Atlit internment camp, a prison for &amp;ldquo;illegal&amp;rdquo; immigrants run by the British military near the Mediterranean coast south of Haifa. Diamant reads the Prologue and "Waiting" from Part One, focusing in on Tedi, a young Dutch woman prisoner trying to make sense of life in Barracks C. When a train brings new arrivals to the camp, Tedi must resist the urge to remember her home and her lost life, lest the memories overwhelm her.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Anita_Diamant--excerpt_from_Day_After_Night.mp3</guid>
			<pubDate>Sun, 10 Jun 2012 17:08:19 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Anita Diamant's novel Day After Night tells the story of four women among the two hundred prisoners of the Atlit internment camp, a prison for &amp;ldquo;illegal&amp;rdquo; immigrants run by the British military near the Mediterranean coast south of Haifa. Diamant reads the Prologue and "Waiting" from Part One, focusing in on Tedi, a young Dutch woman prisoner trying to make sense of life in Barracks C. When a train brings new arrivals to the camp, Tedi must resist the urge to remember her home and her lost life, lest the memories overwhelm her.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Anita Diamant's novel Day After Night tells the story of four women among the two hundred prisoners of the Atlit internment camp, a prison for &amp;ldquo;illegal&amp;rdquo; immigrants run by the British military near the Mediterranean coast south of Haifa. Diamant reads the Prologue and "Waiting" from Part One, focusing in on Tedi, a young Dutch woman prisoner trying to make sense of life in Barracks C. When a train brings new arrivals to the camp, Tedi must resist the urge to remember her home and her lost life, lest the memories overwhelm her.</itunes:summary></item>
		<item>
			<title>Issue 25. June 2012 : STORIES ON THE STREET Prospero from The Tempest</title>
			<link>https://drumlitmag.com/mp3s/sounds-The_Tempest_at_Coney_Island.mp3</link>
			
			<itunes:duration>1:40</itunes:duration>
			<enclosure length="100" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-The_Tempest_at_Coney_Island.mp3"/>
			<description>The Drum's Stories on the Street project brings Shakespeare to Coney Island. This place of temporary pleasures was a fitting location for Sara Fetherolf to record visitors reading Prospero's well-known speech from The Tempest. This recording may be the only time that "our revels now are ended" is captured with the ambient sounds of a roller-coaster. To read along from Shakespeare's text, click Project Gutenberg here.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-The_Tempest_at_Coney_Island.mp3</guid>
			<pubDate>Thu, 07 Jun 2012 11:03:02 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Drum's Stories on the Street project brings Shakespeare to Coney Island. This place of temporary pleasures was a fitting location for Sara Fetherolf to record visitors reading Prospero's well-known speech from The Tempest. This recording may be the only time that "our revels now are ended" is captured with the ambient sounds of a roller-coaster. To read along from Shakespeare's text, click Project Gutenberg here.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The Drum's Stories on the Street project brings Shakespeare to Coney Island. This place of temporary pleasures was a fitting location for Sara Fetherolf to record visitors reading Prospero's well-known speech from The Tempest. This recording may be the only time that "our revels now are ended" is captured with the ambient sounds of a roller-coaster. To read along from Shakespeare's text, click Project Gutenberg here.</itunes:summary></item>
		<item>
			<title>Issue 24. May 2012 : BHARATI MUKHERJEE The Going-Back Party</title>
			<link>https://drumlitmag.com/mp3s/sounds-Bharati_Mukherjee--The_Going-Back_Party.mp3</link>
			
			<itunes:duration>27:13</itunes:duration>
			<enclosure length="1633" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Bharati_Mukherjee--The_Going-Back_Party.mp3"/>
			<description>A farewell gathering held by the Calcutta Heritage Society of Northern California is the starting point for Bharati Mukherjee's story "The Going-Back Party". Shefali Sinha watches as the actions of the guests reveal the envy, nostalgia, and uncertainty that direct their interactions. The story goes on to offer a wry and insightful meditation on distance and closeness, and on the ways in which our emotions can surprise us.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Bharati_Mukherjee--The_Going-Back_Party.mp3</guid>
			<pubDate>Tue, 29 May 2012 10:21:01 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A farewell gathering held by the Calcutta Heritage Society of Northern California is the starting point for Bharati Mukherjee's story "The Going-Back Party". Shefali Sinha watches as the actions of the guests reveal the envy, nostalgia, and uncertainty that direct their interactions. The story goes on to offer a wry and insightful meditation on distance and closeness, and on the ways in which our emotions can surprise us.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A farewell gathering held by the Calcutta Heritage Society of Northern California is the starting point for Bharati Mukherjee's story "The Going-Back Party". Shefali Sinha watches as the actions of the guests reveal the envy, nostalgia, and uncertainty that direct their interactions. The story goes on to offer a wry and insightful meditation on distance and closeness, and on the ways in which our emotions can surprise us.</itunes:summary></item>
		<item>
			<title>Issue 24. May 2012 : KAMELA JORDAN Fried Locusts</title>
			<link>https://drumlitmag.com/mp3s/sounds-Kamela_Jordan--Fried_Locusts.mp3</link>
			
			<itunes:duration>11:42</itunes:duration>
			<enclosure length="702" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Kamela_Jordan--Fried_Locusts.mp3"/>
			<description>Kamela Jordan's "Fried Locusts" evokes a childhood spent in Thailand and a child's world of discovery, rivalrly, and allegiance. Jordan's essay hints at the ways in which the distinction between the exotic and the familiar blurs and shifts. Through a tale of children catching locusts to eat, she raises interesting questions about the nature of home. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Kamela_Jordan--Fried_Locusts.mp3</guid>
			<pubDate>Thu, 17 May 2012 23:14:31 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Kamela Jordan's "Fried Locusts" evokes a childhood spent in Thailand and a child's world of discovery, rivalrly, and allegiance. Jordan's essay hints at the ways in which the distinction between the exotic and the familiar blurs and shifts. Through a tale of children catching locusts to eat, she raises interesting questions about the nature of home.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Kamela Jordan's "Fried Locusts" evokes a childhood spent in Thailand and a child's world of discovery, rivalrly, and allegiance. Jordan's essay hints at the ways in which the distinction between the exotic and the familiar blurs and shifts. Through a tale of children catching locusts to eat, she raises interesting questions about the nature of home.</itunes:summary></item>
		<item>
			<title>Issue 24. May 2012 : JEAN RYAN Migration</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jean_Ryan--Migration.mp3</link>
			
			<itunes:duration>37:49</itunes:duration>
			<enclosure length="2269" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jean_Ryan--Migration.mp3"/>
			<description>A broken marriage and a change of scenery find the protagonist of Jean Ryan's "Migration" examining her past and planning a future in northern California. A flock of geese by her house, and one particular goose who refuses to leave, lead Erica to consider old bonds and new loyalties as she charts a new life.
</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jean_Ryan--Migration.mp3</guid>
			<pubDate>Mon, 14 May 2012 12:41:00 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A broken marriage and a change of scenery find the protagonist of Jean Ryan's "Migration" examining her past and planning a future in northern California. A flock of geese by her house, and one particular goose who refuses to leave, lead Erica to consider old bonds and new loyalties as she charts a new life.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A broken marriage and a change of scenery find the protagonist of Jean Ryan's "Migration" examining her past and planning a future in northern California. A flock of geese by her house, and one particular goose who refuses to leave, lead Erica to consider old bonds and new loyalties as she charts a new life.</itunes:summary></item>
		<item>
			<title>Issue 24. May 2012 : COLETTE SARTOR Daredevil</title>
			<link>https://drumlitmag.com/mp3s/sounds-Colette_Sartor--Daredevil.mp3</link>
			
			<itunes:duration>35:41</itunes:duration>
			<enclosure length="2141" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Colette_Sartor--Daredevil.mp3"/>
			<description>In Colette Sartor's "Daredevil," a little girl becomes the catalyst for unsettling and then tragic events in the lives of a young mother, Grace, and her son Aidan. The story explores issues of faith, risk-taking, and the limits of sympathy, and looks at the many ways in which a home can be threatened.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Colette_Sartor--Daredevil.mp3</guid>
			<pubDate>Mon, 07 May 2012 13:24:14 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Colette Sartor's "Daredevil," a little girl becomes the catalyst for unsettling and then tragic events in the lives of a young mother, Grace, and her son Aidan. The story explores issues of faith, risk-taking, and the limits of sympathy, and looks at the many ways in which a home can be threatened.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Colette Sartor's "Daredevil," a little girl becomes the catalyst for unsettling and then tragic events in the lives of a young mother, Grace, and her son Aidan. The story explores issues of faith, risk-taking, and the limits of sympathy, and looks at the many ways in which a home can be threatened.</itunes:summary></item>
		<item>
			<title>Issue 23. April 2012 : STORIES ON THE STREET Dante's Inferno</title>
			<link>https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--Dante-squo-s_Inferno.mp3</link>
			
			<itunes:duration>2:18</itunes:duration>
			<enclosure length="138" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--Dante-squo-s_Inferno.mp3"/>
			<description>Stories on the Street went underground in April to record Dante's Inferno. Dante's journey through the underworld begins at the gateway warning of the horrors awaiting within. The Drum's Sara Fetherolf went into the New York City subway to ask ordinary people to read from this classic text. Click here to read along on Project Gutenberg.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--Dante-squo-s_Inferno.mp3</guid>
			<pubDate>Mon, 30 Apr 2012 09:50:29 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Stories on the Street went underground in April to record Dante's Inferno. Dante's journey through the underworld begins at the gateway warning of the horrors awaiting within. The Drum's Sara Fetherolf went into the New York City subway to ask ordinary people to read from this classic text. Click here to read along on Project Gutenberg.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Stories on the Street went underground in April to record Dante's Inferno. Dante's journey through the underworld begins at the gateway warning of the horrors awaiting within. The Drum's Sara Fetherolf went into the New York City subway to ask ordinary people to read from this classic text. Click here to read along on Project Gutenberg.</itunes:summary></item>
		<item>
			<title>Issue 23. April 2012 : DANIEL DAVIS West Texas Tears</title>
			<link>https://drumlitmag.com/mp3s/sounds-Daniel_Davis--West_Texas_Tears.mp3</link>
			
			<itunes:duration>15:02</itunes:duration>
			<enclosure length="902" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Daniel_Davis--West_Texas_Tears.mp3"/>
			<description>Daniel Davis brings a modern sensibility to the cowboys-and-Indians tale in "West Texas Tears". In his short story, two lawmen come upon a land-grabbers' home where Indians have left only one little girl alive. The narrator, Horace, wrestles with what's fair and what's just as he comes upon a surviving Indian caught in barbed wire. Davis' story is a subtle study of the complications of justice and belonging.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Daniel_Davis--West_Texas_Tears.mp3</guid>
			<pubDate>Mon, 30 Apr 2012 09:26:57 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Daniel Davis brings a modern sensibility to the cowboys-and-Indians tale in "West Texas Tears". In his short story, two lawmen come upon a land-grabbers' home where Indians have left only one little girl alive. The narrator, Horace, wrestles with what's fair and what's just as he comes upon a surviving Indian caught in barbed wire. Davis' story is a subtle study of the complications of justice and belonging.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Daniel Davis brings a modern sensibility to the cowboys-and-Indians tale in "West Texas Tears". In his short story, two lawmen come upon a land-grabbers' home where Indians have left only one little girl alive. The narrator, Horace, wrestles with what's fair and what's just as he comes upon a surviving Indian caught in barbed wire. Davis' story is a subtle study of the complications of justice and belonging.</itunes:summary></item>
		<item>
			<title>Issue 23. April 2012 : JYOTSNA SREENIVASAN Home</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jyotsna_Sreenivasan--Home.mp3</link>
			
			<itunes:duration>30:00</itunes:duration>
			<enclosure length="1800" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jyotsna_Sreenivasan--Home.mp3"/>
			<description>Jyotsna Sreenivasan's "Home" explores exactly the nature of that concept for young Amiya as she returns to 1970s Ohio after several years of childhood in her native India. She is in the position of being both immigrant and emigrant at the same time. As Amiya navigates her return to American culture and second grade, Sreenivasan sheds new insight on what it means to belong and to be different.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jyotsna_Sreenivasan--Home.mp3</guid>
			<pubDate>Mon, 23 Apr 2012 11:53:18 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jyotsna Sreenivasan's "Home" explores exactly the nature of that concept for young Amiya as she returns to 1970s Ohio after several years of childhood in her native India. She is in the position of being both immigrant and emigrant at the same time. As Amiya navigates her return to American culture and second grade, Sreenivasan sheds new insight on what it means to belong and to be different.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jyotsna Sreenivasan's "Home" explores exactly the nature of that concept for young Amiya as she returns to 1970s Ohio after several years of childhood in her native India. She is in the position of being both immigrant and emigrant at the same time. As Amiya navigates her return to American culture and second grade, Sreenivasan sheds new insight on what it means to belong and to be different.</itunes:summary></item>
		<item>
			<title>Issue 23. April 2012 : ANGELA FOSTER Shards of Glass</title>
			<link>https://drumlitmag.com/mp3s/sounds-Angela_Foster--Shards_of_Glass.mp3</link>
			
			<itunes:duration>13:26</itunes:duration>
			<enclosure length="806" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Angela_Foster--Shards_of_Glass.mp3"/>
			<description>Angela Foster's "Shards of Glass" finds a brother and sister fighting their step-father with whatever tools they have--a knife, a gun, anger, and rejection. But books, escape, and the imagination turn out to be just as powerful as these young people stand up to the bully who runs their house.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Angela_Foster--Shards_of_Glass.mp3</guid>
			<pubDate>Mon, 16 Apr 2012 15:52:45 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Angela Foster's "Shards of Glass" finds a brother and sister fighting their step-father with whatever tools they have--a knife, a gun, anger, and rejection. But books, escape, and the imagination turn out to be just as powerful as these young people stand up to the bully who runs their house.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Angela Foster's "Shards of Glass" finds a brother and sister fighting their step-father with whatever tools they have--a knife, a gun, anger, and rejection. But books, escape, and the imagination turn out to be just as powerful as these young people stand up to the bully who runs their house.</itunes:summary></item>
		<item>
			<title>Issue 23. April 2012 : DANIEL ROBERTS Zip-Code Stories</title>
			<link>https://drumlitmag.com/mp3s/sounds-Daniel_Roberts--Zip-Code_Stories.mp3</link>
			
			<itunes:duration>3:13</itunes:duration>
			<enclosure length="193" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Daniel_Roberts--Zip-Code_Stories.mp3"/>
			<description>Daniel Roberts' story "Sandwich" is our Zip-Code Stories winner for this month--and our first piece of fiction to win in the Zip-Code Stories project. "Sandwich" is set in the eponymous Cape town, where Eugene's wife Jan has decided to take him to resolve certain issues in their long marriage. Is Eugene a victim of hypochondria, or an aging American man plagued by the standard ills of body, mind, and psyche? In Sandwich, he takes matters into his own hands. Listen to the piece to see if you think it's a lighthearted or a cynical conclusion.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Daniel_Roberts--Zip-Code_Stories.mp3</guid>
			<pubDate>Mon, 09 Apr 2012 14:50:57 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Daniel Roberts' story "Sandwich" is our Zip-Code Stories winner for this month--and our first piece of fiction to win in the Zip-Code Stories project. "Sandwich" is set in the eponymous Cape town, where Eugene's wife Jan has decided to take him to resolve certain issues in their long marriage. Is Eugene a victim of hypochondria, or an aging American man plagued by the standard ills of body, mind, and psyche? In Sandwich, he takes matters into his own hands. Listen to the piece to see if you think it's a lighthearted or a cynical conclusion.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Daniel Roberts' story "Sandwich" is our Zip-Code Stories winner for this month--and our first piece of fiction to win in the Zip-Code Stories project. "Sandwich" is set in the eponymous Cape town, where Eugene's wife Jan has decided to take him to resolve certain issues in their long marriage. Is Eugene a victim of hypochondria, or an aging American man plagued by the standard ills of body, mind, and psyche? In Sandwich, he takes matters into his own hands. Listen to the piece to see if you think it's a lighthearted or a cynical conclusion.</itunes:summary></item>
		<item>
			<title>Issue 23. April 2012 : ERIC WEINBERGER Once More With Feeling</title>
			<link>https://drumlitmag.com/mp3s/sounds-Eric_Weinberger--Once_More_With_Feeling.mp3</link>
			
			<itunes:duration>22:17</itunes:duration>
			<enclosure length="1337" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Eric_Weinberger--Once_More_With_Feeling.mp3"/>
			<description>Eric Weinberger's "Once More With Feeling" is a story of fidelity and infidelity set in the world of guided tourism. The story's protagonist Adam steers his tour groups around locales emblematic of diplomacy and international negotiation as he encounters one couple who seem to manage a diplomatic menage of their own. The narrative follows him as he studies these two and contemplates a crisis in his own relationship.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Eric_Weinberger--Once_More_With_Feeling.mp3</guid>
			<pubDate>Mon, 09 Apr 2012 13:24:52 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Eric Weinberger's "Once More With Feeling" is a story of fidelity and infidelity set in the world of guided tourism. The story's protagonist Adam steers his tour groups around locales emblematic of diplomacy and international negotiation as he encounters one couple who seem to manage a diplomatic menage of their own. The narrative follows him as he studies these two and contemplates a crisis in his own relationship.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Eric Weinberger's "Once More With Feeling" is a story of fidelity and infidelity set in the world of guided tourism. The story's protagonist Adam steers his tour groups around locales emblematic of diplomacy and international negotiation as he encounters one couple who seem to manage a diplomatic menage of their own. The narrative follows him as he studies these two and contemplates a crisis in his own relationship.</itunes:summary></item>
		<item>
			<title>Issue 23. April 2012 : ELENI GAGE Interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-Eleni_Gage--Interview.mp3</link>
			
			<itunes:duration>46:15</itunes:duration>
			<enclosure length="2775" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Eleni_Gage--Interview.mp3"/>
			<description>Eleni Gage met with Drum editor Henriette Lazaridis Power on February 29, 2012 for an interview at Newtonville Books in Newton, Massachusetts. Gage spoke about her new novel Other Waters, about living with two cultures and more than two languages, and about aspects of Greek history and of her own family's history. The conversation ranged as well into dicussion of the notion of the curse--a key element of her novel--and how the practical and scientific world and the more mystical world of curses and fate intersect and combine. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Eleni_Gage--Interview.mp3</guid>
			<pubDate>Mon, 02 Apr 2012 14:34:59 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Eleni Gage met with Drum editor Henriette Lazaridis Power on February 29, 2012 for an interview at Newtonville Books in Newton, Massachusetts. Gage spoke about her new novel Other Waters, about living with two cultures and more than two languages, and about aspects of Greek history and of her own family's history. The conversation ranged as well into dicussion of the notion of the curse--a key element of her novel--and how the practical and scientific world and the more mystical world of curses and fate intersect and combine.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Eleni Gage met with Drum editor Henriette Lazaridis Power on February 29, 2012 for an interview at Newtonville Books in Newton, Massachusetts. Gage spoke about her new novel Other Waters, about living with two cultures and more than two languages, and about aspects of Greek history and of her own family's history. The conversation ranged as well into dicussion of the notion of the curse--a key element of her novel--and how the practical and scientific world and the more mystical world of curses and fate intersect and combine.</itunes:summary></item>
		<item>
			<title>Issue 22. March 2012 : JAMES CLAFFEY Placenta</title>
			<link>https://drumlitmag.com/mp3s/sounds-James_Claffey--Placenta.mp3</link>
			
			<itunes:duration>3:39</itunes:duration>
			<enclosure length="219" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-James_Claffey--Placenta.mp3"/>
			<description>"Placenta" completes the trio of flash fiction pieces from Irish writer James Claffey for The Drum. Here, a son watches as his parents react to a miscarriage. Themes of pain and nourishment run through this narrative which concludes with a strange communion between mother and child. To hear the other two flash fiction pieces by James Claffey, click here.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-James_Claffey--Placenta.mp3</guid>
			<pubDate>Mon, 26 Mar 2012 10:36:00 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"Placenta" completes the trio of flash fiction pieces from Irish writer James Claffey for The Drum. Here, a son watches as his parents react to a miscarriage. Themes of pain and nourishment run through this narrative which concludes with a strange communion between mother and child. To hear the other two flash fiction pieces by James Claffey, click here.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"Placenta" completes the trio of flash fiction pieces from Irish writer James Claffey for The Drum. Here, a son watches as his parents react to a miscarriage. Themes of pain and nourishment run through this narrative which concludes with a strange communion between mother and child. To hear the other two flash fiction pieces by James Claffey, click here.</itunes:summary></item>
		<item>
			<title>Issue 22. March 2012 : JOHN HAGGERTY The Other Half of Graceland</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag2190-479.mp3</link>
			
			<itunes:duration>18:20</itunes:duration>
			<enclosure length="1100" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag2190-479.mp3"/>
			<description>A teenaged girl narrates John Haggerty's "The Other Half of Graceland," describing a trip to the eponymous home of Elvis along with her mother, who is looking for what the magazines call more pizzazz in her life. Armed with a make-up kit, an expertise for matching blush to skin tone, and a keen eye for adult behavior, Lisa steers them through their pilgrimage and tries to mediate the relationship between a young man they meet there and his father. As Lisa manages her mother's own delicate emotions, Graceland becomes the setting for the revelation of flaws and for the discovery that some flaws are only imagined. "The Other Half of Graceland" is read aloud by Megan Biglow.</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag2190-479.mp3</guid>
			<pubDate>Sat, 17 Mar 2012 15:14:28 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A teenaged girl narrates John Haggerty's "The Other Half of Graceland," describing a trip to the eponymous home of Elvis along with her mother, who is looking for what the magazines call more pizzazz in her life. Armed with a make-up kit, an expertise for matching blush to skin tone, and a keen eye for adult behavior, Lisa steers them through their pilgrimage and tries to mediate the relationship between a young man they meet there and his father. As Lisa manages her mother's own delicate emotions, Graceland becomes the setting for the revelation of flaws and for the discovery that some flaws are only imagined. "The Other Half of Graceland" is read aloud by Megan Biglow.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A teenaged girl narrates John Haggerty's "The Other Half of Graceland," describing a trip to the eponymous home of Elvis along with her mother, who is looking for what the magazines call more pizzazz in her life. Armed with a make-up kit, an expertise for matching blush to skin tone, and a keen eye for adult behavior, Lisa steers them through their pilgrimage and tries to mediate the relationship between a young man they meet there and his father. As Lisa manages her mother's own delicate emotions, Graceland becomes the setting for the revelation of flaws and for the discovery that some flaws are only imagined. "The Other Half of Graceland" is read aloud by Megan Biglow.</itunes:summary></item>
		<item>
			<title>Issue 22. March 2012 : STORIES ON THE STREET Three Poems by Emily Dickinson</title>
			<link>https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--_poems_by_Emily_Dickinson.mp3</link>
			
			<itunes:duration>2:14</itunes:duration>
			<enclosure length="134" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--_poems_by_Emily_Dickinson.mp3"/>
			<description>Stories on the Street gives several voices to three poems by Emily Dickinson, read aloud near the national-debt clock in New York's Union Square, by New York's Con-Ed building, and in front of the Waverley Social Security office. Click here and here to follow along as you listen to passersby recite the poems "'Remember me' implored the Thief!", "There's a certain slant of light," and "I'm Nobody! Who Are You?". Stories on the Street intern Sara Fetherolf recorded and produced this audio for The Drum.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--_poems_by_Emily_Dickinson.mp3</guid>
			<pubDate>Mon, 12 Mar 2012 12:52:53 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Stories on the Street gives several voices to three poems by Emily Dickinson, read aloud near the national-debt clock in New York's Union Square, by New York's Con-Ed building, and in front of the Waverley Social Security office. Click here and here to follow along as you listen to passersby recite the poems "'Remember me' implored the Thief!", "There's a certain slant of light," and "I'm Nobody! Who Are You?". Stories on the Street intern Sara Fetherolf recorded and produced this audio for The Drum.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Stories on the Street gives several voices to three poems by Emily Dickinson, read aloud near the national-debt clock in New York's Union Square, by New York's Con-Ed building, and in front of the Waverley Social Security office. Click here and here to follow along as you listen to passersby recite the poems "'Remember me' implored the Thief!", "There's a certain slant of light," and "I'm Nobody! Who Are You?". Stories on the Street intern Sara Fetherolf recorded and produced this audio for The Drum.</itunes:summary></item>
		<item>
			<title>Issue 22. March 2012 : ANNEMARIE NEARY Firebird</title>
			<link>https://drumlitmag.com/mp3s/sounds-Annemarie_Neary--Firebird.mp3</link>
			
			<itunes:duration>31:32</itunes:duration>
			<enclosure length="1892" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Annemarie_Neary--Firebird.mp3"/>
			<description>The burning of an opera house, a rivalry between two sisters, self-creation in Venice--these are all elements of Annemarie Neary's short story "Firebird". Its narrative threads woven together like those of an opera, Neary's story mines the relationship between Elvira and Betsy (or Betzi, as she renames herself) and their ongoing attempts to define themselves against and with each other. The story is a meditation on identity and art, originality and imitation. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Annemarie_Neary--Firebird.mp3</guid>
			<pubDate>Mon, 12 Mar 2012 12:22:53 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The burning of an opera house, a rivalry between two sisters, self-creation in Venice--these are all elements of Annemarie Neary's short story "Firebird". Its narrative threads woven together like those of an opera, Neary's story mines the relationship between Elvira and Betsy (or Betzi, as she renames herself) and their ongoing attempts to define themselves against and with each other. The story is a meditation on identity and art, originality and imitation.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The burning of an opera house, a rivalry between two sisters, self-creation in Venice--these are all elements of Annemarie Neary's short story "Firebird". Its narrative threads woven together like those of an opera, Neary's story mines the relationship between Elvira and Betsy (or Betzi, as she renames herself) and their ongoing attempts to define themselves against and with each other. The story is a meditation on identity and art, originality and imitation.</itunes:summary></item>
		<item>
			<title>Issue 22. March 2012 : JAMES O'BRIEN Penned Up</title>
			<link>https://drumlitmag.com/mp3s/sounds-jamesobrienpennedup.mp3</link>
			
			<itunes:duration>6:10</itunes:duration>
			<enclosure length="370" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-jamesobrienpennedup.mp3"/>
			<description>James O'Brien's "Penned Up" tells a soldier's story. In a laconic tone that still hints at the pain of his experience, the narrator describes the heat, the smells, and the tragedy of his tour in Iraq. "Penned Up" is about detachment and loyalty, isolation and belonging, and expectations met and withheld.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-jamesobrienpennedup.mp3</guid>
			<pubDate>Mon, 05 Mar 2012 13:13:51 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>James O'Brien's "Penned Up" tells a soldier's story. In a laconic tone that still hints at the pain of his experience, the narrator describes the heat, the smells, and the tragedy of his tour in Iraq. "Penned Up" is about detachment and loyalty, isolation and belonging, and expectations met and withheld.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>James O'Brien's "Penned Up" tells a soldier's story. In a laconic tone that still hints at the pain of his experience, the narrator describes the heat, the smells, and the tragedy of his tour in Iraq. "Penned Up" is about detachment and loyalty, isolation and belonging, and expectations met and withheld.</itunes:summary></item>
		<item>
			<title>Issue 21. February 2012 : LOUNGE LIT: Zip-Code Stories</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag4794-466.mp3</link>
			
			<itunes:duration>7:25</itunes:duration>
			<enclosure length="445" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag4794-466.mp3"/>
			<description>Missed the first Lounge Lit event in our series with the Boston Book Festival and WBUR's Radio Boston? Catch some excerpts from the night here, from stories by Holly LeCraw, Dawn Tripp, Lisa Rogers, and our Open Mic participants. And whet your appetite for the other two Lounge Lit events on March 8th and April 19th. For more info, visit bostonbookfest.org.</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag4794-466.mp3</guid>
			<pubDate>Tue, 28 Feb 2012 11:01:12 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Missed the first Lounge Lit event in our series with the Boston Book Festival and WBUR's Radio Boston? Catch some excerpts from the night here, from stories by Holly LeCraw, Dawn Tripp, Lisa Rogers, and our Open Mic participants. And whet your appetite for the other two Lounge Lit events on March 8th and April 19th. For more info, visit bostonbookfest.org.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Missed the first Lounge Lit event in our series with the Boston Book Festival and WBUR's Radio Boston? Catch some excerpts from the night here, from stories by Holly LeCraw, Dawn Tripp, Lisa Rogers, and our Open Mic participants. And whet your appetite for the other two Lounge Lit events on March 8th and April 19th. For more info, visit bostonbookfest.org.</itunes:summary></item>
		<item>
			<title>Issue 21. February 2012 : VANESSA BLAKESLEE Welcome, Lost Dogs</title>
			<link>https://drumlitmag.com/mp3s/sounds-Vanessa_Blakeslee--Welcome_Lost_Dogs.mp3</link>
			
			<itunes:duration>38:19</itunes:duration>
			<enclosure length="2299" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Vanessa_Blakeslee--Welcome_Lost_Dogs.mp3"/>
			<description>The narrator of Vanessa Blakeslee's "Welcome, Lost Dogs" offers a combination of mercy and practicality, sentiment and realism, as she tries to recover her dogs, stolen from her Costa Rican ranch. An expat American, riding the borders between Nicaragua and Costa Rica, she encounters--and is part of--a world in which everything and everyone has a value to be assessed and calculated. She tries to find her way among old relationships and new communities, thinking about what she hast lost and what she might restore.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Vanessa_Blakeslee--Welcome_Lost_Dogs.mp3</guid>
			<pubDate>Mon, 27 Feb 2012 15:20:19 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Vanessa Blakeslee's "Welcome, Lost Dogs" offers a combination of mercy and practicality, sentiment and realism, as she tries to recover her dogs, stolen from her Costa Rican ranch. An expat American, riding the borders between Nicaragua and Costa Rica, she encounters--and is part of--a world in which everything and everyone has a value to be assessed and calculated. She tries to find her way among old relationships and new communities, thinking about what she hast lost and what she might restore.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Vanessa Blakeslee's "Welcome, Lost Dogs" offers a combination of mercy and practicality, sentiment and realism, as she tries to recover her dogs, stolen from her Costa Rican ranch. An expat American, riding the borders between Nicaragua and Costa Rica, she encounters--and is part of--a world in which everything and everyone has a value to be assessed and calculated. She tries to find her way among old relationships and new communities, thinking about what she hast lost and what she might restore.</itunes:summary></item>
		<item>
			<title>Issue 21. February 2012 : JAMES CLAFFEY A Hoor of a Day</title>
			<link>https://drumlitmag.com/mp3s/sounds-James_Claffey--A_Hoor_of_a_Day.mp3</link>
			
			<itunes:duration>3:19</itunes:duration>
			<enclosure length="199" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-James_Claffey--A_Hoor_of_a_Day.mp3"/>
			<description>James Claffey returns to The Drum with the second of three short pieces. This one, "A Hoor of a Day," finds the narrator confronting his Da in his coffin. Even from his box, the man has the power to intrude on his son's thoughts and his memories, the father's phrases and aphorisms serving as an unsettling coda to his life.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-James_Claffey--A_Hoor_of_a_Day.mp3</guid>
			<pubDate>Mon, 20 Feb 2012 10:53:05 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>James Claffey returns to The Drum with the second of three short pieces. This one, "A Hoor of a Day," finds the narrator confronting his Da in his coffin. Even from his box, the man has the power to intrude on his son's thoughts and his memories, the father's phrases and aphorisms serving as an unsettling coda to his life.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>James Claffey returns to The Drum with the second of three short pieces. This one, "A Hoor of a Day," finds the narrator confronting his Da in his coffin. Even from his box, the man has the power to intrude on his son's thoughts and his memories, the father's phrases and aphorisms serving as an unsettling coda to his life.</itunes:summary></item>
		<item>
			<title>Issue 21. February 2012 : STORIES ON THE STREET Andrew Marvell's "To His Coy Mistress"</title>
			<link>https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--Andrew_Marvell-squo-s__To_His_Coy_Mistress_.mp3</link>
			
			<itunes:duration>3:27</itunes:duration>
			<enclosure length="207" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--Andrew_Marvell-squo-s__To_His_Coy_Mistress_.mp3"/>
			<description>To celebrate Valentine's Day, The Drum's Stories on the Street project presents Andrew Marvell's 17th-century poem "To His Coy Mistress," read aloud by the denizens of two East Village singles bars on the weekend before the notorious holiday. The first reader fights off tears in his eyes; the second is the bartender, who brings drama and emotion to the text; all the readers offer a contemporary take on Marvell's poem about love, lust, and desperation. This audio of "To His Coy Mistress" was recorded and produced by Stories on the Street intern Sara Fetherolf. follow the recording with the text of "To His Coy Mistress" on Poets.org</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--Andrew_Marvell-squo-s__To_His_Coy_Mistress_.mp3</guid>
			<pubDate>Mon, 13 Feb 2012 21:41:34 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>To celebrate Valentine's Day, The Drum's Stories on the Street project presents Andrew Marvell's 17th-century poem "To His Coy Mistress," read aloud by the denizens of two East Village singles bars on the weekend before the notorious holiday. The first reader fights off tears in his eyes; the second is the bartender, who brings drama and emotion to the text; all the readers offer a contemporary take on Marvell's poem about love, lust, and desperation. This audio of "To His Coy Mistress" was recorded and produced by Stories on the Street intern Sara Fetherolf. follow the recording with the text of "To His Coy Mistress" on Poets.org</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>To celebrate Valentine's Day, The Drum's Stories on the Street project presents Andrew Marvell's 17th-century poem "To His Coy Mistress," read aloud by the denizens of two East Village singles bars on the weekend before the notorious holiday. The first reader fights off tears in his eyes; the second is the bartender, who brings drama and emotion to the text; all the readers offer a contemporary take on Marvell's poem about love, lust, and desperation. This audio of "To His Coy Mistress" was recorded and produced by Stories on the Street intern Sara Fetherolf. follow the recording with the text of "To His Coy Mistress" on Poets.org</itunes:summary></item>
		<item>
			<title>Issue 21. February 2012 : LISA ROGERS Zip-Code Stories</title>
			<link>https://drumlitmag.com/mp3s/sounds-Lisa_Rogers--Zip-Code_Stories.mp3</link>
			
			<itunes:duration>3:37</itunes:duration>
			<enclosure length="217" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Lisa_Rogers--Zip-Code_Stories.mp3"/>
			<description>Lisa Roger's "Off the Map" is our selection for the January round of our Zip-Code Stories project with WBUR's Radio Boston. Rogers' "Off the Map"--about Wellesley's 02482--plays with the very idea of zip codes, describing the ways in which Morse's Pond transcends categorization, connecting two towns, and multiple communities, especially in winter when the ice forms a beautiful link.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Lisa_Rogers--Zip-Code_Stories.mp3</guid>
			<pubDate>Mon, 13 Feb 2012 11:48:08 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Lisa Roger's "Off the Map" is our selection for the January round of our Zip-Code Stories project with WBUR's Radio Boston. Rogers' "Off the Map"--about Wellesley's 02482--plays with the very idea of zip codes, describing the ways in which Morse's Pond transcends categorization, connecting two towns, and multiple communities, especially in winter when the ice forms a beautiful link.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Lisa Roger's "Off the Map" is our selection for the January round of our Zip-Code Stories project with WBUR's Radio Boston. Rogers' "Off the Map"--about Wellesley's 02482--plays with the very idea of zip codes, describing the ways in which Morse's Pond transcends categorization, connecting two towns, and multiple communities, especially in winter when the ice forms a beautiful link.</itunes:summary></item>
		<item>
			<title>Issue 21. February 2012 : ANNE COLWELL excerpt from Holy Day</title>
			<link>https://drumlitmag.com/mp3s/sounds-Anne_Colwell--excerpt_from_Holy_Day.mp3</link>
			
			<itunes:duration>26:33</itunes:duration>
			<enclosure length="1593" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Anne_Colwell--excerpt_from_Holy_Day.mp3"/>
			<description>This excerpt from Anne Colwell's novel Holy Day finds Maxine waking hungover in 1969 to confront  her three young children and the challenges that arise from the issues surrounding their birth. Religion, marriage, the ability to be a good mother--these obligations press against Maxine as she remembers the post-McCarthy-era days before her marriage, when even conformity could offer a sense of new beginning. Her decision to convert to Catholicism sets up the complicated balance of independence and loss that both she and her husband now face.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Anne_Colwell--excerpt_from_Holy_Day.mp3</guid>
			<pubDate>Mon, 06 Feb 2012 10:08:06 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This excerpt from Anne Colwell's novel Holy Day finds Maxine waking hungover in 1969 to confront her three young children and the challenges that arise from the issues surrounding their birth. Religion, marriage, the ability to be a good mother--these obligations press against Maxine as she remembers the post-McCarthy-era days before her marriage, when even conformity could offer a sense of new beginning. Her decision to convert to Catholicism sets up the complicated balance of independence and loss that both she and her husband now face.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>This excerpt from Anne Colwell's novel Holy Day finds Maxine waking hungover in 1969 to confront her three young children and the challenges that arise from the issues surrounding their birth. Religion, marriage, the ability to be a good mother--these obligations press against Maxine as she remembers the post-McCarthy-era days before her marriage, when even conformity could offer a sense of new beginning. Her decision to convert to Catholicism sets up the complicated balance of independence and loss that both she and her husband now face.</itunes:summary></item>
		<item>
			<title>Issue 20. January 2012 : JAMES CLAFFEY A Clip on the Ear</title>
			<link>https://drumlitmag.com/mp3s/sounds-James_Claffey--A_Clip_on_The_Ear.mp3</link>
			
			<itunes:duration>5:40</itunes:duration>
			<enclosure length="340" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-James_Claffey--A_Clip_on_The_Ear.mp3"/>
			<description>James Claffey's "A Clip on the Ear" blends a Catholic litany with the rituals of a boy's Sundays at home in Ireland. It's a home presided over by a violent father who, when not away on the North Sea oil rigs, maintains strict control--over his wife, his children, the household rituals, and the litany itself. The boy seeks refuge in the hiding places of his home and in his fantasies of revenge. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-James_Claffey--A_Clip_on_The_Ear.mp3</guid>
			<pubDate>Sun, 29 Jan 2012 20:24:29 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>James Claffey's "A Clip on the Ear" blends a Catholic litany with the rituals of a boy's Sundays at home in Ireland. It's a home presided over by a violent father who, when not away on the North Sea oil rigs, maintains strict control--over his wife, his children, the household rituals, and the litany itself. The boy seeks refuge in the hiding places of his home and in his fantasies of revenge.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>James Claffey's "A Clip on the Ear" blends a Catholic litany with the rituals of a boy's Sundays at home in Ireland. It's a home presided over by a violent father who, when not away on the North Sea oil rigs, maintains strict control--over his wife, his children, the household rituals, and the litany itself. The boy seeks refuge in the hiding places of his home and in his fantasies of revenge.</itunes:summary></item>
		<item>
			<title>Issue 20. January 2012 : STORIES ON THE STREET James Joyce's "The Dead"</title>
			<link>https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--James_Joyce-squo-s__The_Dead_.mp3</link>
			
			<itunes:duration>4:53</itunes:duration>
			<enclosure length="293" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--James_Joyce-squo-s__The_Dead_.mp3"/>
			<description>James Joyce's "The Dead" takes place on or around the New Year and Epiphany, January 6, and that is when The Drum ventured into Times Square to record Joyce's story for our Stories on the Street Project. Listen as passersby and New Year's Eve revelers take their turn reading Joyce's prose aloud, each one in his or her own unique accent. This Stories on the Street audio of the final paragraphs of "The Dead" was recorded and produced by Sara Fetherolf. follow the recording with the text of "The Dead" from Project Gutenberg</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Stories_on_the_Street--James_Joyce-squo-s__The_Dead_.mp3</guid>
			<pubDate>Thu, 12 Jan 2012 17:59:15 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>James Joyce's "The Dead" takes place on or around the New Year and Epiphany, January 6, and that is when The Drum ventured into Times Square to record Joyce's story for our Stories on the Street Project. Listen as passersby and New Year's Eve revelers take their turn reading Joyce's prose aloud, each one in his or her own unique accent. This Stories on the Street audio of the final paragraphs of "The Dead" was recorded and produced by Sara Fetherolf. follow the recording with the text of "The Dead" from Project Gutenberg</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>James Joyce's "The Dead" takes place on or around the New Year and Epiphany, January 6, and that is when The Drum ventured into Times Square to record Joyce's story for our Stories on the Street Project. Listen as passersby and New Year's Eve revelers take their turn reading Joyce's prose aloud, each one in his or her own unique accent. This Stories on the Street audio of the final paragraphs of "The Dead" was recorded and produced by Sara Fetherolf. follow the recording with the text of "The Dead" from Project Gutenberg</itunes:summary></item>
		<item>
			<title>Issue 20. January 2012 : E.R. CATALANO Trying Lessons</title>
			<link>https://drumlitmag.com/mp3s/sounds-E.R._Catalano--Trying_Lesson.mp3</link>
			
			<itunes:duration>11:10</itunes:duration>
			<enclosure length="670" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-E.R._Catalano--Trying_Lesson.mp3"/>
			<description>In E.R. Catalano's "Trying Lesson," a young girl's search for Titian in the hair-color aisle is the starting point for more than a superficial transformation. Looking for a sense of home and belonging, the narrator of this excerpt from Catalano's novel-in-progress Becoming the Girl Detective seeks identity through her admiration of Nancy Drew. Perhaps if she can model herself after the girl detective, the narrator can solve the mysteries surrounding her own family.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-E.R._Catalano--Trying_Lesson.mp3</guid>
			<pubDate>Thu, 12 Jan 2012 17:51:02 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In E.R. Catalano's "Trying Lesson," a young girl's search for Titian in the hair-color aisle is the starting point for more than a superficial transformation. Looking for a sense of home and belonging, the narrator of this excerpt from Catalano's novel-in-progress Becoming the Girl Detective seeks identity through her admiration of Nancy Drew. Perhaps if she can model herself after the girl detective, the narrator can solve the mysteries surrounding her own family.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In E.R. Catalano's "Trying Lesson," a young girl's search for Titian in the hair-color aisle is the starting point for more than a superficial transformation. Looking for a sense of home and belonging, the narrator of this excerpt from Catalano's novel-in-progress Becoming the Girl Detective seeks identity through her admiration of Nancy Drew. Perhaps if she can model herself after the girl detective, the narrator can solve the mysteries surrounding her own family.</itunes:summary></item>
		<item>
			<title>Issue 20. January 2012 : COLETTE SARTOR Dress Shoes</title>
			<link>https://drumlitmag.com/mp3s/sounds-Colette_Sartor--Dress_Shoes.mp3</link>
			
			<itunes:duration>45:09</itunes:duration>
			<enclosure length="2709" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Colette_Sartor--Dress_Shoes.mp3"/>
			<description>Colette Sartor's "Dress Shoes" recounts a relationship tested by one friend's transition from male to female. From Elke's perspective, we feel her longing and her sense of loss as her friend Ralph drifts away from her, forming a new bond. "Dress Shoes" is about sexuality--Elke's and Ralph's--but it is also about control, identity, and about the various ways in which we try to make our marks, literal and figurative, on ourselves and on others.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Colette_Sartor--Dress_Shoes.mp3</guid>
			<pubDate>Sun, 08 Jan 2012 19:17:58 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Colette Sartor's "Dress Shoes" recounts a relationship tested by one friend's transition from male to female. From Elke's perspective, we feel her longing and her sense of loss as her friend Ralph drifts away from her, forming a new bond. "Dress Shoes" is about sexuality--Elke's and Ralph's--but it is also about control, identity, and about the various ways in which we try to make our marks, literal and figurative, on ourselves and on others.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Colette Sartor's "Dress Shoes" recounts a relationship tested by one friend's transition from male to female. From Elke's perspective, we feel her longing and her sense of loss as her friend Ralph drifts away from her, forming a new bond. "Dress Shoes" is about sexuality--Elke's and Ralph's--but it is also about control, identity, and about the various ways in which we try to make our marks, literal and figurative, on ourselves and on others.</itunes:summary></item>
		<item>
			<title>Issue 19. December 2011 : LESLIE PIETRZYK Lady of the House</title>
			<link>https://drumlitmag.com/mp3s/sounds-Leslie_Pietrzyk--Lady_of_the_House.mp3</link>
			
			<itunes:duration>43:07</itunes:duration>
			<enclosure length="2587" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Leslie_Pietrzyk--Lady_of_the_House.mp3"/>
			<description>Leslie Pietrzyk's novel excerpt Lady of the House brings a crisis into the already unsettled life of sisters Nettie and Lucy in the Chicago of 1900. At the turn of a new century, with their father recently dead and Lucy newly married, both women face decisions about how to respond to the pressures of motherhood and marriage. Their situation sharpens when a maid introduces a crisis of her own into the sisters' household.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Leslie_Pietrzyk--Lady_of_the_House.mp3</guid>
			<pubDate>Mon, 19 Dec 2011 13:59:27 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Leslie Pietrzyk's novel excerpt Lady of the House brings a crisis into the already unsettled life of sisters Nettie and Lucy in the Chicago of 1900. At the turn of a new century, with their father recently dead and Lucy newly married, both women face decisions about how to respond to the pressures of motherhood and marriage. Their situation sharpens when a maid introduces a crisis of her own into the sisters' household.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Leslie Pietrzyk's novel excerpt Lady of the House brings a crisis into the already unsettled life of sisters Nettie and Lucy in the Chicago of 1900. At the turn of a new century, with their father recently dead and Lucy newly married, both women face decisions about how to respond to the pressures of motherhood and marriage. Their situation sharpens when a maid introduces a crisis of her own into the sisters' household.</itunes:summary></item>
		<item>
			<title>Issue 19. December 2011 : JESSICA BARKSDALE Marco on the Beach</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag9886-437.mp3</link>
			
			<itunes:duration>24:25</itunes:duration>
			<enclosure length="1465" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag9886-437.mp3"/>
			<description>Jessica Barksdale's "Marco on the Beach" captures Marco trying to make do--with food stamps, with his girlfriend who can't sleep enough, with uncertainty over where to live. As he and Sara negotiate the grocery-store aisles and settle down over a meager meal, a new discovery makes Marco imagine his life, an alternate future spinning out from a single choice. </description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag9886-437.mp3</guid>
			<pubDate>Mon, 12 Dec 2011 11:32:06 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jessica Barksdale's "Marco on the Beach" captures Marco trying to make do--with food stamps, with his girlfriend who can't sleep enough, with uncertainty over where to live. As he and Sara negotiate the grocery-store aisles and settle down over a meager meal, a new discovery makes Marco imagine his life, an alternate future spinning out from a single choice.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jessica Barksdale's "Marco on the Beach" captures Marco trying to make do--with food stamps, with his girlfriend who can't sleep enough, with uncertainty over where to live. As he and Sara negotiate the grocery-store aisles and settle down over a meager meal, a new discovery makes Marco imagine his life, an alternate future spinning out from a single choice.</itunes:summary></item>
		<item>
			<title>Issue 19. December 2011 : LIZ MOORE Zip-Code Stories</title>
			<link>https://drumlitmag.com/mp3s/sounds-Liz_Moore--The_Start_of_Something.mp3</link>
			
			<itunes:duration>3:57</itunes:duration>
			<enclosure length="237" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Liz_Moore--The_Start_of_Something.mp3"/>
			<description>Liz Moore's "The Start of Something" is our featured Zip-Code Story for the month of December. Moore's piece about Framingham's 01702 captures that feeling of being pulled into new experiences and new places even as we yearn for what we know. As she contemplates her own relationship with her hometown through adolescence and young adulthood, Moore gives us a vivid sense of the excitement and wistfulness in realizing that there's always the start of something new. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Liz_Moore--The_Start_of_Something.mp3</guid>
			<pubDate>Mon, 05 Dec 2011 12:09:44 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Liz Moore's "The Start of Something" is our featured Zip-Code Story for the month of December. Moore's piece about Framingham's 01702 captures that feeling of being pulled into new experiences and new places even as we yearn for what we know. As she contemplates her own relationship with her hometown through adolescence and young adulthood, Moore gives us a vivid sense of the excitement and wistfulness in realizing that there's always the start of something new.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Liz Moore's "The Start of Something" is our featured Zip-Code Story for the month of December. Moore's piece about Framingham's 01702 captures that feeling of being pulled into new experiences and new places even as we yearn for what we know. As she contemplates her own relationship with her hometown through adolescence and young adulthood, Moore gives us a vivid sense of the excitement and wistfulness in realizing that there's always the start of something new.</itunes:summary></item>
		<item>
			<title>Issue 18. November 2011 : CHERYL WALSH Unequal Temperaments</title>
			<link>https://drumlitmag.com/mp3s/sounds-Cheryl_Walsh--Unequal_Temperaments.mp3</link>
			
			<itunes:duration>22:37</itunes:duration>
			<enclosure length="1357" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Cheryl_Walsh--Unequal_Temperaments.mp3"/>
			<description>Cheryl Walsh's "Unequal Temperaments" is narrated by a musician and a tuner of harpsichords--instruments whose tuning challenges give the story its title. Telling a story about friction among players in a conservatory, the piece explores our ability to adjust, align, and predict events in our experience, and suggests that despite our certainty that we can foretell things, we will always be surprised and perhaps foiled by the irrational and the unruly.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Cheryl_Walsh--Unequal_Temperaments.mp3</guid>
			<pubDate>Mon, 28 Nov 2011 11:05:13 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Cheryl Walsh's "Unequal Temperaments" is narrated by a musician and a tuner of harpsichords--instruments whose tuning challenges give the story its title. Telling a story about friction among players in a conservatory, the piece explores our ability to adjust, align, and predict events in our experience, and suggests that despite our certainty that we can foretell things, we will always be surprised and perhaps foiled by the irrational and the unruly.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Cheryl Walsh's "Unequal Temperaments" is narrated by a musician and a tuner of harpsichords--instruments whose tuning challenges give the story its title. Telling a story about friction among players in a conservatory, the piece explores our ability to adjust, align, and predict events in our experience, and suggests that despite our certainty that we can foretell things, we will always be surprised and perhaps foiled by the irrational and the unruly.</itunes:summary></item>
		<item>
			<title>Issue 18. November 2011 : HADLEY MOORE When My Father Was In Prison</title>
			<link>https://drumlitmag.com/mp3s/sounds-Hadley_Moore--When_My_Father_Was_in_Prison.mp3</link>
			
			<itunes:duration>19:46</itunes:duration>
			<enclosure length="1186" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Hadley_Moore--When_My_Father_Was_in_Prison.mp3"/>
			<description>Hadley Moore's "When My Father Was In Prison" describes the power of language in the life of a nine-year-old boy as he tries to sort out what it means to be a boy, a man, a father. A father in prison, a pet bird that has died, an older brother discovering his sexuality--Moore's narrator studies it all, coming to understand some part of how he fits in to his world.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Hadley_Moore--When_My_Father_Was_in_Prison.mp3</guid>
			<pubDate>Mon, 21 Nov 2011 07:03:24 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Hadley Moore's "When My Father Was In Prison" describes the power of language in the life of a nine-year-old boy as he tries to sort out what it means to be a boy, a man, a father. A father in prison, a pet bird that has died, an older brother discovering his sexuality--Moore's narrator studies it all, coming to understand some part of how he fits in to his world.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Hadley Moore's "When My Father Was In Prison" describes the power of language in the life of a nine-year-old boy as he tries to sort out what it means to be a boy, a man, a father. A father in prison, a pet bird that has died, an older brother discovering his sexuality--Moore's narrator studies it all, coming to understand some part of how he fits in to his world.</itunes:summary></item>
		<item>
			<title>Issue 18. November 2011 : KIMBERLY ELKINS Laura Bridgman, The First Famous Blind Deaf-Mute</title>
			<link>https://drumlitmag.com/mp3s/sounds-Kimberly_Elkins--Laura_Bridgman.mp3</link>
			
			<itunes:duration>3:33</itunes:duration>
			<enclosure length="213" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Kimberly_Elkins--Laura_Bridgman.mp3"/>
			<description>Kimberly Elkins' "Laura Bridgman" offers a fascinating fictionalized account of an actual historical moment. As she meets the young girl who is being groomed to take her place as a celebrity, Bridgman muses on the vagaries of fame and reputation. Elkins' piece raises interesting questions about the rivalry among the senses (or their loss), and the strange power that can be wielded by disability.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Kimberly_Elkins--Laura_Bridgman.mp3</guid>
			<pubDate>Sun, 13 Nov 2011 18:58:37 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Kimberly Elkins' "Laura Bridgman" offers a fascinating fictionalized account of an actual historical moment. As she meets the young girl who is being groomed to take her place as a celebrity, Bridgman muses on the vagaries of fame and reputation. Elkins' piece raises interesting questions about the rivalry among the senses (or their loss), and the strange power that can be wielded by disability.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Kimberly Elkins' "Laura Bridgman" offers a fascinating fictionalized account of an actual historical moment. As she meets the young girl who is being groomed to take her place as a celebrity, Bridgman muses on the vagaries of fame and reputation. Elkins' piece raises interesting questions about the rivalry among the senses (or their loss), and the strange power that can be wielded by disability.</itunes:summary></item>
		<item>
			<title>Issue 18. November 2011 : LAUREN NORTON CARSON The Ironing</title>
			<link>https://drumlitmag.com/mp3s/sounds-Lauren_Norton_Carson--The_Ironing.mp3</link>
			
			<itunes:duration>3:30</itunes:duration>
			<enclosure length="210" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Lauren_Norton_Carson--The_Ironing.mp3"/>
			<description>Lauren Carson's "The Ironing" takes a domestic scene as the setting for a domestic undoing. Carson paints a detailed portrait of a woman's experience as a pair of pants becomes a wry battleground. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Lauren_Norton_Carson--The_Ironing.mp3</guid>
			<pubDate>Sun, 13 Nov 2011 18:42:58 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Lauren Carson's "The Ironing" takes a domestic scene as the setting for a domestic undoing. Carson paints a detailed portrait of a woman's experience as a pair of pants becomes a wry battleground.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Lauren Carson's "The Ironing" takes a domestic scene as the setting for a domestic undoing. Carson paints a detailed portrait of a woman's experience as a pair of pants becomes a wry battleground.</itunes:summary></item>
		<item>
			<title>Issue 18. November 2011 : LISA KORZENIOWSKI While You Were Gone</title>
			<link>https://drumlitmag.com/mp3s/sounds-Lisa_Korzeniowski--While_You_Were_Gone.mp3</link>
			
			<itunes:duration>3:00</itunes:duration>
			<enclosure length="180" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Lisa_Korzeniowski--While_You_Were_Gone.mp3"/>
			<description>In Lisa Korzeniowski's "While You Were Gone", a mother's night out leaves her children to do whatever they want, thrilled to be free from a parent whose weaknesses and failures are all too apparent. &amp;nbsp;But their experience of exhilaration quickly slides into yearning for their mother's love and for the return of her questionable authority. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Lisa_Korzeniowski--While_You_Were_Gone.mp3</guid>
			<pubDate>Sun, 13 Nov 2011 18:11:38 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Lisa Korzeniowski's "While You Were Gone", a mother's night out leaves her children to do whatever they want, thrilled to be free from a parent whose weaknesses and failures are all too apparent. &amp;nbsp;But their experience of exhilaration quickly slides into yearning for their mother's love and for the return of her questionable authority.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Lisa Korzeniowski's "While You Were Gone", a mother's night out leaves her children to do whatever they want, thrilled to be free from a parent whose weaknesses and failures are all too apparent. &amp;nbsp;But their experience of exhilaration quickly slides into yearning for their mother's love and for the return of her questionable authority.</itunes:summary></item>
		<item>
			<title>Issue 18. November 2011 : BOSTON BOOK FESTIVAL The Fiction: Time is. . . panel</title>
			<link>https://drumlitmag.com/mp3s/sounds-BBF_Time_Is._._._Panel.mp3</link>
			
			<itunes:duration>1:00:07</itunes:duration>
			<enclosure length="3607" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-BBF_Time_Is._._._Panel.mp3"/>
			<description>Courtesy of the Boston Book Festival, the Time Is. . . &amp;nbsp;panel with Jennifer Egan, Lawrence Douglas, and Peter Mountford, moderated by Henriette Lazaridis Power. The discussion took place in the Sanctuary of Old South Church on Saturday, October 15th, 2011. The panelists discussed issues like the structural choices they made in handling narrative time in their novels, the relationship between memory and identity in their work, the way their characters manipulate history and time, and how as novelists they represent time itself. Listen through to the end to hear the discussion include physics, the Big Bang, and narrative craft.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-BBF_Time_Is._._._Panel.mp3</guid>
			<pubDate>Mon, 07 Nov 2011 10:21:04 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Courtesy of the Boston Book Festival, the Time Is. . . &amp;nbsp;panel with Jennifer Egan, Lawrence Douglas, and Peter Mountford, moderated by Henriette Lazaridis Power. The discussion took place in the Sanctuary of Old South Church on Saturday, October 15th, 2011. The panelists discussed issues like the structural choices they made in handling narrative time in their novels, the relationship between memory and identity in their work, the way their characters manipulate history and time, and how as novelists they represent time itself. Listen through to the end to hear the discussion include physics, the Big Bang, and narrative craft.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Courtesy of the Boston Book Festival, the Time Is. . . &amp;nbsp;panel with Jennifer Egan, Lawrence Douglas, and Peter Mountford, moderated by Henriette Lazaridis Power. The discussion took place in the Sanctuary of Old South Church on Saturday, October 15th, 2011. The panelists discussed issues like the structural choices they made in handling narrative time in their novels, the relationship between memory and identity in their work, the way their characters manipulate history and time, and how as novelists they represent time itself. Listen through to the end to hear the discussion include physics, the Big Bang, and narrative craft.</itunes:summary></item>
		<item>
			<title>Issue 17. October 2011 : LEAH HAGER COHEN The Grief of Others</title>
			<link>https://drumlitmag.com/mp3s/sounds-Leah_Hager_Cohen--The_Grief_of_Others_-oparen-prologue-cparen-.mp3</link>
			
			<itunes:duration>8:40</itunes:duration>
			<enclosure length="520" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Leah_Hager_Cohen--The_Grief_of_Others_-oparen-prologue-cparen-.mp3"/>
			<description>The New York Times Book Review called Leah Hager Cohen "one of our foremost chroniclers of the mundane complexities, nuanced tragedies and unexpected tendernesses of human connection." Her reading of the prologue from The Grief of Others clearly demonstrates why she deserves the label. In this brief opening scene, Cohen describes with microscopic and eloquent detail the features of a newborn and the love his mother feels for him. Cohen raises moving questions about the fragility of life and about the limits of our ability to name the events and emotions of our experience.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Leah_Hager_Cohen--The_Grief_of_Others_-oparen-prologue-cparen-.mp3</guid>
			<pubDate>Mon, 31 Oct 2011 08:36:52 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The New York Times Book Review called Leah Hager Cohen "one of our foremost chroniclers of the mundane complexities, nuanced tragedies and unexpected tendernesses of human connection." Her reading of the prologue from The Grief of Others clearly demonstrates why she deserves the label. In this brief opening scene, Cohen describes with microscopic and eloquent detail the features of a newborn and the love his mother feels for him. Cohen raises moving questions about the fragility of life and about the limits of our ability to name the events and emotions of our experience.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The New York Times Book Review called Leah Hager Cohen "one of our foremost chroniclers of the mundane complexities, nuanced tragedies and unexpected tendernesses of human connection." Her reading of the prologue from The Grief of Others clearly demonstrates why she deserves the label. In this brief opening scene, Cohen describes with microscopic and eloquent detail the features of a newborn and the love his mother feels for him. Cohen raises moving questions about the fragility of life and about the limits of our ability to name the events and emotions of our experience.</itunes:summary></item>
		<item>
			<title>Issue 17. October 2011 : MICHAEL KULA excerpt from The Good Doctor</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag0684-409.mp3</link>
			
			<itunes:duration>27:41</itunes:duration>
			<enclosure length="1661" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag0684-409.mp3"/>
			<description>Michael Kula's novel The Good Doctor opens at the 1917 Wisconsin State Fair where a young veterinarian learns that tragedy has come into his life. With precise and powerful detail, Kula evokes the physicality of the world of David Roberts--both the strength of the body and its vulnerability that becomes all too apparent as the novel begins. </description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag0684-409.mp3</guid>
			<pubDate>Mon, 24 Oct 2011 14:04:15 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Michael Kula's novel The Good Doctor opens at the 1917 Wisconsin State Fair where a young veterinarian learns that tragedy has come into his life. With precise and powerful detail, Kula evokes the physicality of the world of David Roberts--both the strength of the body and its vulnerability that becomes all too apparent as the novel begins.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Michael Kula's novel The Good Doctor opens at the 1917 Wisconsin State Fair where a young veterinarian learns that tragedy has come into his life. With precise and powerful detail, Kula evokes the physicality of the world of David Roberts--both the strength of the body and its vulnerability that becomes all too apparent as the novel begins.</itunes:summary></item>
		<item>
			<title>Issue 17. October 2011 : STEVE MACONE Who's Walking Who</title>
			<link>https://drumlitmag.com/mp3s/sounds-Steve_Macone--Who-squo-s_Walking_Who.mp3</link>
			
			<itunes:duration>16:33</itunes:duration>
			<enclosure length="993" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Steve_Macone--Who-squo-s_Walking_Who.mp3"/>
			<description>Steve Macone's "Who's Walking Who" is a wry and hilarious love letter to his local Market Basket grocery store, with its chaos, its crowds, and the various mysteries of its organizing principles. He spots the foibles of human behavior there--his own and those of others--and identifies the strange beauty of this place "where everything meets and touches". </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Steve_Macone--Who-squo-s_Walking_Who.mp3</guid>
			<pubDate>Mon, 17 Oct 2011 16:36:02 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Steve Macone's "Who's Walking Who" is a wry and hilarious love letter to his local Market Basket grocery store, with its chaos, its crowds, and the various mysteries of its organizing principles. He spots the foibles of human behavior there--his own and those of others--and identifies the strange beauty of this place "where everything meets and touches".</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Steve Macone's "Who's Walking Who" is a wry and hilarious love letter to his local Market Basket grocery store, with its chaos, its crowds, and the various mysteries of its organizing principles. He spots the foibles of human behavior there--his own and those of others--and identifies the strange beauty of this place "where everything meets and touches".</itunes:summary></item>
		<item>
			<title>Issue 17. October 2011 : EMMA FORREST excerpts from Your Voice in My Head</title>
			<link>https://drumlitmag.com/mp3s/sounds-Emma_Forrest--excerpts_from_Your_Voice_in_My_Head.mp3</link>
			
			<itunes:duration>5:58</itunes:duration>
			<enclosure length="358" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Emma_Forrest--excerpts_from_Your_Voice_in_My_Head.mp3"/>
			<description>Emma Forrest's memoir Your Voice in My Head chronicles her descent into darkness and her relationship with the therapist who helped her find her way back out. In the Prologue and the excerpt of Chapter Four that she reads here for The Drum, Forrest writes movingly of being a teenaged girl with a dangerous fixation on Millais' painting of Ophelia. She writes with restraint of powerful emotions, and describes her younger self's disturbing desire for annihilation with intensity and insight. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Emma_Forrest--excerpts_from_Your_Voice_in_My_Head.mp3</guid>
			<pubDate>Tue, 11 Oct 2011 16:32:43 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Emma Forrest's memoir Your Voice in My Head chronicles her descent into darkness and her relationship with the therapist who helped her find her way back out. In the Prologue and the excerpt of Chapter Four that she reads here for The Drum, Forrest writes movingly of being a teenaged girl with a dangerous fixation on Millais' painting of Ophelia. She writes with restraint of powerful emotions, and describes her younger self's disturbing desire for annihilation with intensity and insight.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Emma Forrest's memoir Your Voice in My Head chronicles her descent into darkness and her relationship with the therapist who helped her find her way back out. In the Prologue and the excerpt of Chapter Four that she reads here for The Drum, Forrest writes movingly of being a teenaged girl with a dangerous fixation on Millais' painting of Ophelia. She writes with restraint of powerful emotions, and describes her younger self's disturbing desire for annihilation with intensity and insight.</itunes:summary></item>
		<item>
			<title>Issue 17. October 2011 : VANESSA TARDIFF Zip-Code Stories</title>
			<link>https://drumlitmag.com/mp3s/sounds-Vanessa_Tardiff--Brookline_Night_-oparen-ZCS-cparen-.mp3</link>
			
			<itunes:duration>3:36</itunes:duration>
			<enclosure length="216" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Vanessa_Tardiff--Brookline_Night_-oparen-ZCS-cparen-.mp3"/>
			<description>Vanessa Tardiff's "Brookline Night" was one of our featured stories for the October round of Zip-Code Stories. "Brookline Night" describes just that. A story of a mother and a daughter, Vanessa's piece explores the connection between place and person, and the shifting between the familiar and the strange. To hear more Zip-Code Stories submitted by listeners to WBUR and fans of The Drum, listen to our playlist on Broadcastr, an innovative platform for sharing geo-tagged audio. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Vanessa_Tardiff--Brookline_Night_-oparen-ZCS-cparen-.mp3</guid>
			<pubDate>Fri, 07 Oct 2011 17:29:22 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Vanessa Tardiff's "Brookline Night" was one of our featured stories for the October round of Zip-Code Stories. "Brookline Night" describes just that. A story of a mother and a daughter, Vanessa's piece explores the connection between place and person, and the shifting between the familiar and the strange. To hear more Zip-Code Stories submitted by listeners to WBUR and fans of The Drum, listen to our playlist on Broadcastr, an innovative platform for sharing geo-tagged audio.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Vanessa Tardiff's "Brookline Night" was one of our featured stories for the October round of Zip-Code Stories. "Brookline Night" describes just that. A story of a mother and a daughter, Vanessa's piece explores the connection between place and person, and the shifting between the familiar and the strange. To hear more Zip-Code Stories submitted by listeners to WBUR and fans of The Drum, listen to our playlist on Broadcastr, an innovative platform for sharing geo-tagged audio.</itunes:summary></item>
		<item>
			<title>Issue 17. October 2011 : DANIEL GEWERTZ Zip-Code Stories</title>
			<link>https://drumlitmag.com/mp3s/sounds-Daniel_Gewertz--Revere_1972_-oparen-ZCS-cparen-.mp3</link>
			
			<itunes:duration>3:59</itunes:duration>
			<enclosure length="239" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Daniel_Gewertz--Revere_1972_-oparen-ZCS-cparen-.mp3"/>
			<description>Daniel Gewertz' "Revere, 1972" is one of our featured stories for the October round of Zip-Code Stories. "Revere, 1972" involves a carnival game, a revelation, and a stranger's kindness. To hear an interview with Daniel in which he talks about the motivation behind the story, click here and listen to the Radio Boston program for October 10, 2011. To hear the other Zip-Code Stories submitted by listeners to WBUR and fans of The Drum, visit The Drum's playlist on Broadcastr.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Daniel_Gewertz--Revere_1972_-oparen-ZCS-cparen-.mp3</guid>
			<pubDate>Fri, 07 Oct 2011 17:19:55 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Daniel Gewertz' "Revere, 1972" is one of our featured stories for the October round of Zip-Code Stories. "Revere, 1972" involves a carnival game, a revelation, and a stranger's kindness. To hear an interview with Daniel in which he talks about the motivation behind the story, click here and listen to the Radio Boston program for October 10, 2011. To hear the other Zip-Code Stories submitted by listeners to WBUR and fans of The Drum, visit The Drum's playlist on Broadcastr.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Daniel Gewertz' "Revere, 1972" is one of our featured stories for the October round of Zip-Code Stories. "Revere, 1972" involves a carnival game, a revelation, and a stranger's kindness. To hear an interview with Daniel in which he talks about the motivation behind the story, click here and listen to the Radio Boston program for October 10, 2011. To hear the other Zip-Code Stories submitted by listeners to WBUR and fans of The Drum, visit The Drum's playlist on Broadcastr.</itunes:summary></item>
		<item>
			<title>Issue 17. October 2011 : BARRY JAY KAPLAN Marco Sells His Book</title>
			<link>https://drumlitmag.com/mp3s/sounds-Barry_Jay_Kaplan--Marco_Sells_His_Book.mp3</link>
			
			<itunes:duration>11:36</itunes:duration>
			<enclosure length="696" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Barry_Jay_Kaplan--Marco_Sells_His_Book.mp3"/>
			<description>Barry Jay Kaplan takes on the world of publishing in his short story "Marco Sells His Book." A group of friends is shaken by news that an underserving member of their Thursday night salon has reached what they view as premature success. The launch party for Marco's novel is shot through with jealousy and social strategizing, but comes to an encouraging conclusion. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Barry_Jay_Kaplan--Marco_Sells_His_Book.mp3</guid>
			<pubDate>Mon, 19 Sep 2011 21:35:43 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Barry Jay Kaplan takes on the world of publishing in his short story "Marco Sells His Book." A group of friends is shaken by news that an underserving member of their Thursday night salon has reached what they view as premature success. The launch party for Marco's novel is shot through with jealousy and social strategizing, but comes to an encouraging conclusion.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Barry Jay Kaplan takes on the world of publishing in his short story "Marco Sells His Book." A group of friends is shaken by news that an underserving member of their Thursday night salon has reached what they view as premature success. The launch party for Marco's novel is shot through with jealousy and social strategizing, but comes to an encouraging conclusion.</itunes:summary></item>
		<item>
			<title>Issue 16. September 2011 : ERIN KELLY Shhh</title>
			<link>https://drumlitmag.com/mp3s/sounds-Erin_Kelly--Shhh.mp3</link>
			
			<itunes:duration>5:57</itunes:duration>
			<enclosure length="357" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Erin_Kelly--Shhh.mp3"/>
			<description>The teenaged narrator of Erin Kelly's "Shhh" has decided to stop talking. It's an eloquent protest, conveying independence and resistance to her mother, affection for her younger brother, and a nuanced sensitivity to the world around her. While her brother builds tiny walls to protect the backyard ants, the narrator builds a connection that requires almost no words.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Erin_Kelly--Shhh.mp3</guid>
			<pubDate>Sun, 18 Sep 2011 21:33:57 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The teenaged narrator of Erin Kelly's "Shhh" has decided to stop talking. It's an eloquent protest, conveying independence and resistance to her mother, affection for her younger brother, and a nuanced sensitivity to the world around her. While her brother builds tiny walls to protect the backyard ants, the narrator builds a connection that requires almost no words.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The teenaged narrator of Erin Kelly's "Shhh" has decided to stop talking. It's an eloquent protest, conveying independence and resistance to her mother, affection for her younger brother, and a nuanced sensitivity to the world around her. While her brother builds tiny walls to protect the backyard ants, the narrator builds a connection that requires almost no words.</itunes:summary></item>
		<item>
			<title>Issue 16. September 2011 : CARALYN DAVIS Wallow</title>
			<link>https://drumlitmag.com/mp3s/sounds-Caralyn_Davis--Wallow.mp3</link>
			
			<itunes:duration>12:34</itunes:duration>
			<enclosure length="754" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Caralyn_Davis--Wallow.mp3"/>
			<description>Caralyn Davis' short story "Wallow" is the Winner of The 2011 Drum/Side B Magazine Dual Publication Award. "Wallow" depicts an evening in the life of a sin-eater, a woman with the ability to consume and absorb the sins of the dead. Following the traditions of the ancient Egyptians, Davis' contemporary sin-eater dresses in style, makes keen social observations about her customers and clients, and contemplates the balance of good and evil.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Caralyn_Davis--Wallow.mp3</guid>
			<pubDate>Sun, 18 Sep 2011 16:46:02 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Caralyn Davis' short story "Wallow" is the Winner of The 2011 Drum/Side B Magazine Dual Publication Award. "Wallow" depicts an evening in the life of a sin-eater, a woman with the ability to consume and absorb the sins of the dead. Following the traditions of the ancient Egyptians, Davis' contemporary sin-eater dresses in style, makes keen social observations about her customers and clients, and contemplates the balance of good and evil.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Caralyn Davis' short story "Wallow" is the Winner of The 2011 Drum/Side B Magazine Dual Publication Award. "Wallow" depicts an evening in the life of a sin-eater, a woman with the ability to consume and absorb the sins of the dead. Following the traditions of the ancient Egyptians, Davis' contemporary sin-eater dresses in style, makes keen social observations about her customers and clients, and contemplates the balance of good and evil.</itunes:summary></item>
		<item>
			<title>Issue 16. September 2011 : RANDY ROSS One Day in Thailand</title>
			<link>https://drumlitmag.com/mp3s/sounds-Randy_Ross--One_Day_in_Thailand.mp3</link>
			
			<itunes:duration>2:39</itunes:duration>
			<enclosure length="159" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Randy_Ross--One_Day_in_Thailand.mp3"/>
			<description>Randy Ross' "One Day in Thailand" is the Finalist in the 2011 Drum/Side B Dual Publication Award. Brief, clever, and with a final twist, "One Day in Thailand" presents a comic observation on the experience of the ex-patriate in Asia.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Randy_Ross--One_Day_in_Thailand.mp3</guid>
			<pubDate>Sun, 18 Sep 2011 16:39:49 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Randy Ross' "One Day in Thailand" is the Finalist in the 2011 Drum/Side B Dual Publication Award. Brief, clever, and with a final twist, "One Day in Thailand" presents a comic observation on the experience of the ex-patriate in Asia.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Randy Ross' "One Day in Thailand" is the Finalist in the 2011 Drum/Side B Dual Publication Award. Brief, clever, and with a final twist, "One Day in Thailand" presents a comic observation on the experience of the ex-patriate in Asia.</itunes:summary></item>
		<item>
			<title>Issue 16. September 2011 : JAMES MCGIRK The Tramp Steamer</title>
			<link>https://drumlitmag.com/mp3s/sounds-James_McGirk--The_Tramp_Steamer.mp3</link>
			
			<itunes:duration>34:00</itunes:duration>
			<enclosure length="2040" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-James_McGirk--The_Tramp_Steamer.mp3"/>
			<description>James McGirk's short story "The Tramp Steamer" presents a side of Richard M. Nixon we've never seen before. McGirk imagines the young lawyer and his new bride traveling on a tramp steamer of the United Fruit Company to celebrate their first anniversary. Seasick, angry, jealous, Nixon reveals his inelegance to his wife who yearns for more glamour and glitz. McGirk takes the facts of the Nixons' actual 1941 trip and spins out an incisive and compelling story of bitterness and dreams.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-James_McGirk--The_Tramp_Steamer.mp3</guid>
			<pubDate>Mon, 12 Sep 2011 12:12:43 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>James McGirk's short story "The Tramp Steamer" presents a side of Richard M. Nixon we've never seen before. McGirk imagines the young lawyer and his new bride traveling on a tramp steamer of the United Fruit Company to celebrate their first anniversary. Seasick, angry, jealous, Nixon reveals his inelegance to his wife who yearns for more glamour and glitz. McGirk takes the facts of the Nixons' actual 1941 trip and spins out an incisive and compelling story of bitterness and dreams.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>James McGirk's short story "The Tramp Steamer" presents a side of Richard M. Nixon we've never seen before. McGirk imagines the young lawyer and his new bride traveling on a tramp steamer of the United Fruit Company to celebrate their first anniversary. Seasick, angry, jealous, Nixon reveals his inelegance to his wife who yearns for more glamour and glitz. McGirk takes the facts of the Nixons' actual 1941 trip and spins out an incisive and compelling story of bitterness and dreams.</itunes:summary></item>
		<item>
			<title>Issue 16. September 2011 : HAU NGUYEN Immigrants</title>
			<link>https://drumlitmag.com/mp3s/sounds-Hau_Nguyen--Immigrants.mp3</link>
			
			<itunes:duration>3:47</itunes:duration>
			<enclosure length="227" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Hau_Nguyen--Immigrants.mp3"/>
			<description>Hau Nguyen's story "Immigrants" is a young man's advice to himself on how to navigate a new life in a new world. Part reminder, part exhortation, part warning, "Immigrants" conveys the newcomer's desires for assimilation and independence, and his embrace of the new while holding onto the old. "Immigrants" appears in The Drum as part of our selection from Grub Street's Young Adult Writers' Program. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Hau_Nguyen--Immigrants.mp3</guid>
			<pubDate>Tue, 06 Sep 2011 10:24:59 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Hau Nguyen's story "Immigrants" is a young man's advice to himself on how to navigate a new life in a new world. Part reminder, part exhortation, part warning, "Immigrants" conveys the newcomer's desires for assimilation and independence, and his embrace of the new while holding onto the old. "Immigrants" appears in The Drum as part of our selection from Grub Street's Young Adult Writers' Program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Hau Nguyen's story "Immigrants" is a young man's advice to himself on how to navigate a new life in a new world. Part reminder, part exhortation, part warning, "Immigrants" conveys the newcomer's desires for assimilation and independence, and his embrace of the new while holding onto the old. "Immigrants" appears in The Drum as part of our selection from Grub Street's Young Adult Writers' Program.</itunes:summary></item>
		<item>
			<title>Issue 16. September 2011 : MOLLY ZIMETBAUM Balloons</title>
			<link>https://drumlitmag.com/mp3s/sounds-Molly_Zimetbaum--Balloons.mp3</link>
			
			<itunes:duration>5:51</itunes:duration>
			<enclosure length="351" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Molly_Zimetbaum--Balloons.mp3"/>
			<description>In Molly Zimetbaum's "Balloons," an older sister tells the poignant story of the birthday celebration for her little sister that seemingly goes awry. This family of three--two daughters and a weary but caring father--finds a sweet balm for disappointment. "Balloons" appears in The Drum as part of our selection from Grub Street's Young Adult Writers' Program.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Molly_Zimetbaum--Balloons.mp3</guid>
			<pubDate>Tue, 06 Sep 2011 09:40:14 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Molly Zimetbaum's "Balloons," an older sister tells the poignant story of the birthday celebration for her little sister that seemingly goes awry. This family of three--two daughters and a weary but caring father--finds a sweet balm for disappointment. "Balloons" appears in The Drum as part of our selection from Grub Street's Young Adult Writers' Program.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Molly Zimetbaum's "Balloons," an older sister tells the poignant story of the birthday celebration for her little sister that seemingly goes awry. This family of three--two daughters and a weary but caring father--finds a sweet balm for disappointment. "Balloons" appears in The Drum as part of our selection from Grub Street's Young Adult Writers' Program.</itunes:summary></item>
		<item>
			<title>Issue 15. August 2011 : JENNIFER HAIGH Bent</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jennifer_Haigh--Bent.mp3</link>
			
			<itunes:duration>26:08</itunes:duration>
			<enclosure length="1568" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jennifer_Haigh--Bent.mp3"/>
			<description>Jennifer Haigh's short story "Bent" takes place in Cape Cod's Provincetown (02657), where Kip's family has vacationed every summer he can remember, renting the same house by the shore. He's always brought along his neighborhood friend Fanelli, but this year, he's added his college buddy Jean-Luc, a Frenchman whose exoticism and way with girls Kip envies. "Bent" portrays the subtle dance of allegiance and rivalry between these young men, as it studies Kip's first true experience of regret.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jennifer_Haigh--Bent.mp3</guid>
			<pubDate>Sun, 28 Aug 2011 13:04:13 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jennifer Haigh's short story "Bent" takes place in Cape Cod's Provincetown (02657), where Kip's family has vacationed every summer he can remember, renting the same house by the shore. He's always brought along his neighborhood friend Fanelli, but this year, he's added his college buddy Jean-Luc, a Frenchman whose exoticism and way with girls Kip envies. "Bent" portrays the subtle dance of allegiance and rivalry between these young men, as it studies Kip's first true experience of regret.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jennifer Haigh's short story "Bent" takes place in Cape Cod's Provincetown (02657), where Kip's family has vacationed every summer he can remember, renting the same house by the shore. He's always brought along his neighborhood friend Fanelli, but this year, he's added his college buddy Jean-Luc, a Frenchman whose exoticism and way with girls Kip envies. "Bent" portrays the subtle dance of allegiance and rivalry between these young men, as it studies Kip's first true experience of regret.</itunes:summary></item>
		<item>
			<title>Issue 15. August 2011 : ROLAND MERULLO excerpts from In Revere, In Those Days</title>
			<link>https://drumlitmag.com/mp3s/sounds-Roland_Merullo--excerpts_from_In_Revere_In_Those_Days.mp3</link>
			
			<itunes:duration>22:29</itunes:duration>
			<enclosure length="1349" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Roland_Merullo--excerpts_from_In_Revere_In_Those_Days.mp3"/>
			<description>The opening to Roland Merullo's 2003 novel In Revere, In Those Days sets us squarely down in Revere (02151), and in the mind of a narrator for whom the city of his childhood is more than geographical location. For Anthony Benedetto, Revere is a place outside time, a world full of blue-collar families dreaming for something bigger. He looks back on the "ordinary heroism of the household, the factory, and the street" and reflects on those who are able to transcend the bitterness and hardship of their lives. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Roland_Merullo--excerpts_from_In_Revere_In_Those_Days.mp3</guid>
			<pubDate>Sun, 21 Aug 2011 15:29:50 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The opening to Roland Merullo's 2003 novel In Revere, In Those Days sets us squarely down in Revere (02151), and in the mind of a narrator for whom the city of his childhood is more than geographical location. For Anthony Benedetto, Revere is a place outside time, a world full of blue-collar families dreaming for something bigger. He looks back on the "ordinary heroism of the household, the factory, and the street" and reflects on those who are able to transcend the bitterness and hardship of their lives.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The opening to Roland Merullo's 2003 novel In Revere, In Those Days sets us squarely down in Revere (02151), and in the mind of a narrator for whom the city of his childhood is more than geographical location. For Anthony Benedetto, Revere is a place outside time, a world full of blue-collar families dreaming for something bigger. He looks back on the "ordinary heroism of the household, the factory, and the street" and reflects on those who are able to transcend the bitterness and hardship of their lives.</itunes:summary></item>
		<item>
			<title>Issue 15. August 2011 : ASKOLD MELNYCZUK excerpt from Excerpts from SMEDLEY's Secret Guide to World Literature</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag8086-365.mp3</link>
			
			<itunes:duration>20:41</itunes:duration>
			<enclosure length="1241" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag8086-365.mp3"/>
			<description> Fifteen years old and educated beyond his years, beset by the chaos of his family and a possibly pregnant girlfriend, Jonathan Levy Wainscoting IV narrates Askold Melnyczuk's novel-in-progress Excerpts from SMEDLEY's Secret Guide to World Literature. Woven through with literary, philosophical, and cultural references, Jonathan's narrative muses on his parents' and his friends' complicated lives on the eve of his forced summer's-long departure from his Cambridge home. Excerpts from SMEDLEY's Secret Guide to World Literature first appeared in the June 2011 issue of The Drum, and represents 02139 for our Zip-Code Stories project in collaboration with WBUR. Send us your story about 02139!</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag8086-365.mp3</guid>
			<pubDate>Mon, 15 Aug 2011 09:45:34 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Fifteen years old and educated beyond his years, beset by the chaos of his family and a possibly pregnant girlfriend, Jonathan Levy Wainscoting IV narrates Askold Melnyczuk's novel-in-progress Excerpts from SMEDLEY's Secret Guide to World Literature. Woven through with literary, philosophical, and cultural references, Jonathan's narrative muses on his parents' and his friends' complicated lives on the eve of his forced summer's-long departure from his Cambridge home. Excerpts from SMEDLEY's Secret Guide to World Literature first appeared in the June 2011 issue of The Drum, and represents 02139 for our Zip-Code Stories project in collaboration with WBUR. Send us your story about 02139!</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Fifteen years old and educated beyond his years, beset by the chaos of his family and a possibly pregnant girlfriend, Jonathan Levy Wainscoting IV narrates Askold Melnyczuk's novel-in-progress Excerpts from SMEDLEY's Secret Guide to World Literature. Woven through with literary, philosophical, and cultural references, Jonathan's narrative muses on his parents' and his friends' complicated lives on the eve of his forced summer's-long departure from his Cambridge home. Excerpts from SMEDLEY's Secret Guide to World Literature first appeared in the June 2011 issue of The Drum, and represents 02139 for our Zip-Code Stories project in collaboration with WBUR. Send us your story about 02139!</itunes:summary></item>
		<item>
			<title>Issue 15. August 2011 : DAPHNE KALOTAY Sunshine Cleaners</title>
			<link>https://drumlitmag.com/mp3s/sounds-Daphne_Kalotay--Sunshine_Cleaners.mp3</link>
			
			<itunes:duration>32:28</itunes:duration>
			<enclosure length="1948" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Daphne_Kalotay--Sunshine_Cleaners.mp3"/>
			<description> Daphne Kalotay's "Sunshine Cleaners" takes place in a laundromat in Brookline (02446), where cultures tumble together in misunderstanding and miscommunication. Sergei ponders the mysteries of America in everything from simple signs to interactions between men and women, while the Tall Girl struggles to make herself understood as her transactions in coins and language repeatedly fail. All the same, the tiny world of the laundromat offers a sweet and surprising payoff.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Daphne_Kalotay--Sunshine_Cleaners.mp3</guid>
			<pubDate>Mon, 08 Aug 2011 09:04:20 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Daphne Kalotay's "Sunshine Cleaners" takes place in a laundromat in Brookline (02446), where cultures tumble together in misunderstanding and miscommunication. Sergei ponders the mysteries of America in everything from simple signs to interactions between men and women, while the Tall Girl struggles to make herself understood as her transactions in coins and language repeatedly fail. All the same, the tiny world of the laundromat offers a sweet and surprising payoff.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Daphne Kalotay's "Sunshine Cleaners" takes place in a laundromat in Brookline (02446), where cultures tumble together in misunderstanding and miscommunication. Sergei ponders the mysteries of America in everything from simple signs to interactions between men and women, while the Tall Girl struggles to make herself understood as her transactions in coins and language repeatedly fail. All the same, the tiny world of the laundromat offers a sweet and surprising payoff.</itunes:summary></item>
		<item>
			<title>Issue 14. July 2011 : JULIE WHEELWRIGHT excerpts from Esther: The Remarkable True Story of Esther Wheelwright, Puritan Child, Native Daughter and Mother Superior</title>
			<link>https://drumlitmag.com/mp3s/sounds-Julie_Wheelwright--excerpts_from_Esther__The_Remarkable_True_Story_of_Esther_Wheelwright.mp3</link>
			
			<itunes:duration>33:06</itunes:duration>
			<enclosure length="1986" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Julie_Wheelwright--excerpts_from_Esther__The_Remarkable_True_Story_of_Esther_Wheelwright.mp3"/>
			<description> Julie Wheelwright's Esther: The Remarkable True Story of Esther Wheelwright, Puritan Child, Native Daughter and Mother Superior provides a chilling and moving account of Wheelwright's ancestor who was abducted by Native American warriors from her Maine home in the 1600s. In the excerpts she reads aloud for The Drum, Wheelwright tells us about her own search for her ancestor, and recounts Esther's abduction, set in the context of the history and politics of the time. Not for the faint of heart, these excerpts nonetheless offer a vivid look at a turbulent period in New England history seen through the experience of one family.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Julie_Wheelwright--excerpts_from_Esther__The_Remarkable_True_Story_of_Esther_Wheelwright.mp3</guid>
			<pubDate>Sun, 24 Jul 2011 18:18:46 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Julie Wheelwright's Esther: The Remarkable True Story of Esther Wheelwright, Puritan Child, Native Daughter and Mother Superior provides a chilling and moving account of Wheelwright's ancestor who was abducted by Native American warriors from her Maine home in the 1600s. In the excerpts she reads aloud for The Drum, Wheelwright tells us about her own search for her ancestor, and recounts Esther's abduction, set in the context of the history and politics of the time. Not for the faint of heart, these excerpts nonetheless offer a vivid look at a turbulent period in New England history seen through the experience of one family.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Julie Wheelwright's Esther: The Remarkable True Story of Esther Wheelwright, Puritan Child, Native Daughter and Mother Superior provides a chilling and moving account of Wheelwright's ancestor who was abducted by Native American warriors from her Maine home in the 1600s. In the excerpts she reads aloud for The Drum, Wheelwright tells us about her own search for her ancestor, and recounts Esther's abduction, set in the context of the history and politics of the time. Not for the faint of heart, these excerpts nonetheless offer a vivid look at a turbulent period in New England history seen through the experience of one family.</itunes:summary></item>
		<item>
			<title>Issue 14. July 2011 : CARLA PANCIERA All of A Sudden</title>
			<link>https://drumlitmag.com/mp3s/sounds-Carla_Panciera--All_of_A_Sudden.mp3</link>
			
			<itunes:duration>19:43</itunes:duration>
			<enclosure length="1183" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Carla_Panciera--All_of_A_Sudden.mp3"/>
			<description> Carla Panciera's "All of A Sudden" paints an insightful portrait of a unusual young girl in a small New England town. Albina is odd enough to be exotic, strange enough to be awkward, and a source of mingled concern and attraction for the the narrator who befriends her during their childhood and adolescence. Watching Albina, trying at times to correct her and perhaps save her, the narrator reflects on her own changing sense of self. "All of A Sudden" originally appeared in print in the New England Review.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Carla_Panciera--All_of_A_Sudden.mp3</guid>
			<pubDate>Mon, 18 Jul 2011 10:26:13 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Carla Panciera's "All of A Sudden" paints an insightful portrait of a unusual young girl in a small New England town. Albina is odd enough to be exotic, strange enough to be awkward, and a source of mingled concern and attraction for the the narrator who befriends her during their childhood and adolescence. Watching Albina, trying at times to correct her and perhaps save her, the narrator reflects on her own changing sense of self. "All of A Sudden" originally appeared in print in the New England Review.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Carla Panciera's "All of A Sudden" paints an insightful portrait of a unusual young girl in a small New England town. Albina is odd enough to be exotic, strange enough to be awkward, and a source of mingled concern and attraction for the the narrator who befriends her during their childhood and adolescence. Watching Albina, trying at times to correct her and perhaps save her, the narrator reflects on her own changing sense of self. "All of A Sudden" originally appeared in print in the New England Review.</itunes:summary></item>
		<item>
			<title>Issue 14. July 2011 : ALEXANDRA JOHNSON excerpts from The Hidden Writer</title>
			<link>https://drumlitmag.com/mp3s/sounds-Alexandra_Johnson--excerpts_from_The_Hidden_Writer.mp3</link>
			
			<itunes:duration>12:41</itunes:duration>
			<enclosure length="761" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Alexandra_Johnson--excerpts_from_The_Hidden_Writer.mp3"/>
			<description> Alex Johnson's The Hidden Writer (Doubleday 1997) explores the writer's journey from diary to published writings, and the negotiations between private and public work. In her chapter "The Married Muse," Johnson looks at the relationship between Leo and Sonya Tolstoy--as husband and wife, idol and fan, writer and scribe, and muse to muse.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Alexandra_Johnson--excerpts_from_The_Hidden_Writer.mp3</guid>
			<pubDate>Fri, 08 Jul 2011 14:32:59 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Alex Johnson's The Hidden Writer (Doubleday 1997) explores the writer's journey from diary to published writings, and the negotiations between private and public work. In her chapter "The Married Muse," Johnson looks at the relationship between Leo and Sonya Tolstoy--as husband and wife, idol and fan, writer and scribe, and muse to muse.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Alex Johnson's The Hidden Writer (Doubleday 1997) explores the writer's journey from diary to published writings, and the negotiations between private and public work. In her chapter "The Married Muse," Johnson looks at the relationship between Leo and Sonya Tolstoy--as husband and wife, idol and fan, writer and scribe, and muse to muse.</itunes:summary></item>
		<item>
			<title>Issue 14. July 2011 : CATHERINE ELCIK Why We're Swimming With The Fishes</title>
			<link>https://drumlitmag.com/mp3s/sounds-Catherine_Elcik--Why_We-squo-re_Sleeping_With_The_Fishes.mp3</link>
			
			<itunes:duration>3:01</itunes:duration>
			<enclosure length="181" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Catherine_Elcik--Why_We-squo-re_Sleeping_With_The_Fishes.mp3"/>
			<description> In Catherine Elcik's "Why We're Swimming With The Fishes," there are three people in one marriage: the husband, the wife, and Marlon Brando's Godfather. Over a North End dinner, the wife wants romance while the husband wants intrigue, simply the latest trouble in a failing marriage.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Catherine_Elcik--Why_We-squo-re_Sleeping_With_The_Fishes.mp3</guid>
			<pubDate>Tue, 05 Jul 2011 10:09:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Catherine Elcik's "Why We're Swimming With The Fishes," there are three people in one marriage: the husband, the wife, and Marlon Brando's Godfather. Over a North End dinner, the wife wants romance while the husband wants intrigue, simply the latest trouble in a failing marriage.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Catherine Elcik's "Why We're Swimming With The Fishes," there are three people in one marriage: the husband, the wife, and Marlon Brando's Godfather. Over a North End dinner, the wife wants romance while the husband wants intrigue, simply the latest trouble in a failing marriage.</itunes:summary></item>
		<item>
			<title>Issue 14. July 2011 : DAWN DORLAND PERRY Do Us Part</title>
			<link>https://drumlitmag.com/mp3s/sounds-Dawn_Dorland_Perry--Do_Us_Part.mp3</link>
			
			<itunes:duration>3:36</itunes:duration>
			<enclosure length="216" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Dawn_Dorland_Perry--Do_Us_Part.mp3"/>
			<description> In Dawn Dorland Perry's "Do Us Part," a simple question posed to an old friend about his wedding reveals the complicated layers of a relationship, and the longing. ambivalence, and regret for what might have been. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Dawn_Dorland_Perry--Do_Us_Part.mp3</guid>
			<pubDate>Tue, 05 Jul 2011 10:02:45 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Dawn Dorland Perry's "Do Us Part," a simple question posed to an old friend about his wedding reveals the complicated layers of a relationship, and the longing. ambivalence, and regret for what might have been.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Dawn Dorland Perry's "Do Us Part," a simple question posed to an old friend about his wedding reveals the complicated layers of a relationship, and the longing. ambivalence, and regret for what might have been.</itunes:summary></item>
		<item>
			<title>Issue 13. June 2011 : MICHELLE SEATON Low Tide</title>
			<link>https://drumlitmag.com/mp3s/sounds-Michelle_Seaton--Low_Tide.mp3</link>
			
			<itunes:duration>3:56</itunes:duration>
			<enclosure length="236" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Michelle_Seaton--Low_Tide.mp3"/>
			<description> Michelle Seaton's "Low Tide" takes a tide pool as the starting point for its study of independence and growth. A child's discovery becomes the source for a mother's discovery too, as parent and child explore the water's edge.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Michelle_Seaton--Low_Tide.mp3</guid>
			<pubDate>Sun, 26 Jun 2011 23:10:16 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Michelle Seaton's "Low Tide" takes a tide pool as the starting point for its study of independence and growth. A child's discovery becomes the source for a mother's discovery too, as parent and child explore the water's edge.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Michelle Seaton's "Low Tide" takes a tide pool as the starting point for its study of independence and growth. A child's discovery becomes the source for a mother's discovery too, as parent and child explore the water's edge.</itunes:summary></item>
		<item>
			<title>Issue 13. June 2011 : NADINE LYNN KENNEY How to Meet Your Future Husband (and Almost Scare Him Away)</title>
			<link>https://drumlitmag.com/mp3s/sounds-Nadine_Lynne_Kenney--How_To_Meet_Your_Future_Husband.mp3</link>
			
			<itunes:duration>7:10</itunes:duration>
			<enclosure length="430" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Nadine_Lynne_Kenney--How_To_Meet_Your_Future_Husband.mp3"/>
			<description> Nadine Lynn Kenney's "How To Meet Your Future Husband (and Almost Scare Him Away)" presents a nightmare mother on a Florida beach vacation. An oversexed parent, her parents' troubled marriage, her own attraction to a young vacationer, and an excess of alcohol are all ingredients in the narrator's bad trip.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Nadine_Lynne_Kenney--How_To_Meet_Your_Future_Husband.mp3</guid>
			<pubDate>Sun, 26 Jun 2011 23:00:53 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Nadine Lynn Kenney's "How To Meet Your Future Husband (and Almost Scare Him Away)" presents a nightmare mother on a Florida beach vacation. An oversexed parent, her parents' troubled marriage, her own attraction to a young vacationer, and an excess of alcohol are all ingredients in the narrator's bad trip.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Nadine Lynn Kenney's "How To Meet Your Future Husband (and Almost Scare Him Away)" presents a nightmare mother on a Florida beach vacation. An oversexed parent, her parents' troubled marriage, her own attraction to a young vacationer, and an excess of alcohol are all ingredients in the narrator's bad trip.</itunes:summary></item>
		<item>
			<title>Issue 13. June 2011 : LAURA PACKER Running Away With Greta</title>
			<link>https://drumlitmag.com/mp3s/sounds-Laura_Packer--Running_Away_With_Greta.mp3</link>
			
			<itunes:duration>2:58</itunes:duration>
			<enclosure length="178" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Laura_Packer--Running_Away_With_Greta.mp3"/>
			<description> Laura Packer's "Running Away With Greta" focuses in on one night in the life of a little girl experiencing the temptation of escape and the pull of home. In miniature, this flash-fiction piece examines the complicated relationship between danger and comfort, risk and safety.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Laura_Packer--Running_Away_With_Greta.mp3</guid>
			<pubDate>Sun, 26 Jun 2011 22:34:45 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Laura Packer's "Running Away With Greta" focuses in on one night in the life of a little girl experiencing the temptation of escape and the pull of home. In miniature, this flash-fiction piece examines the complicated relationship between danger and comfort, risk and safety.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Laura Packer's "Running Away With Greta" focuses in on one night in the life of a little girl experiencing the temptation of escape and the pull of home. In miniature, this flash-fiction piece examines the complicated relationship between danger and comfort, risk and safety.</itunes:summary></item>
		<item>
			<title>Issue 13. June 2011 : AMY YELIN Torn</title>
			<link>https://drumlitmag.com/mp3s/sounds-Amy_Yelin--Torn.mp3</link>
			
			<itunes:duration>30:29</itunes:duration>
			<enclosure length="1829" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Amy_Yelin--Torn.mp3"/>
			<description> Amy Yelin's essay "Torn" takes us through a daughter's experience guiding her father through the rituals following her mother's death. Then things get complicated, as Yelin deals with the discovery of her father's secretive relationship with another woman. In exploring that relationship, and the new family dynamic that emerges after its often humorous revelation, Yelin sheds light on the impulses that lead us to reject or welcome one another.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Amy_Yelin--Torn.mp3</guid>
			<pubDate>Mon, 20 Jun 2011 10:44:30 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Amy Yelin's essay "Torn" takes us through a daughter's experience guiding her father through the rituals following her mother's death. Then things get complicated, as Yelin deals with the discovery of her father's secretive relationship with another woman. In exploring that relationship, and the new family dynamic that emerges after its often humorous revelation, Yelin sheds light on the impulses that lead us to reject or welcome one another.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Amy Yelin's essay "Torn" takes us through a daughter's experience guiding her father through the rituals following her mother's death. Then things get complicated, as Yelin deals with the discovery of her father's secretive relationship with another woman. In exploring that relationship, and the new family dynamic that emerges after its often humorous revelation, Yelin sheds light on the impulses that lead us to reject or welcome one another.</itunes:summary></item>
		<item>
			<title>Issue 13. June 2011 : ASKOLD MELNYCZUK excerpt from Excerpts from SMEDLEY's Secret Guide to World Literature</title>
			<link>https://drumlitmag.com/mp3s/sounds-Askold_Melnyczuk--excerpt_from_Excerpts_from_Smedley-squo-s_Secret_Guide_to_World_Literature.mp3</link>
			
			<itunes:duration>20:41</itunes:duration>
			<enclosure length="1241" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Askold_Melnyczuk--excerpt_from_Excerpts_from_Smedley-squo-s_Secret_Guide_to_World_Literature.mp3"/>
			<description> Fifteen years old and educated beyond his years, beset by the chaos of his family and a possibly pregnant girlfriend, Jonathan Levy Wainscoting IV narrates Askold Melnyczuk's novel-in-progress Excerpts from SMEDLEY's Secret Guide to World Literature. Woven through with literary, philosophical, and cultural references, Jonathan's narrative muses on his parents' and his friends' complicated lives on the eve of his forced summer's-long departure from his Cambridge home.Excerpts from SMEDLEY's Secret Guide to World Literature first appeared in the June 2011 issue of The Drum, and represents 02139 for our Zip-Code Stories project in collaboration with WBUR. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Askold_Melnyczuk--excerpt_from_Excerpts_from_Smedley-squo-s_Secret_Guide_to_World_Literature.mp3</guid>
			<pubDate>Sun, 12 Jun 2011 15:59:19 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Fifteen years old and educated beyond his years, beset by the chaos of his family and a possibly pregnant girlfriend, Jonathan Levy Wainscoting IV narrates Askold Melnyczuk's novel-in-progress Excerpts from SMEDLEY's Secret Guide to World Literature. Woven through with literary, philosophical, and cultural references, Jonathan's narrative muses on his parents' and his friends' complicated lives on the eve of his forced summer's-long departure from his Cambridge home.Excerpts from SMEDLEY's Secret Guide to World Literature first appeared in the June 2011 issue of The Drum, and represents 02139 for our Zip-Code Stories project in collaboration with WBUR.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Fifteen years old and educated beyond his years, beset by the chaos of his family and a possibly pregnant girlfriend, Jonathan Levy Wainscoting IV narrates Askold Melnyczuk's novel-in-progress Excerpts from SMEDLEY's Secret Guide to World Literature. Woven through with literary, philosophical, and cultural references, Jonathan's narrative muses on his parents' and his friends' complicated lives on the eve of his forced summer's-long departure from his Cambridge home.Excerpts from SMEDLEY's Secret Guide to World Literature first appeared in the June 2011 issue of The Drum, and represents 02139 for our Zip-Code Stories project in collaboration with WBUR.</itunes:summary></item>
		<item>
			<title>Issue 13. June 2011 : GINA OCHSNER Sleeping Beauty</title>
			<link>https://drumlitmag.com/mp3s/sounds-Gina_Ochsner--Sleeping_Beauty.mp3</link>
			
			<itunes:duration>12:20</itunes:duration>
			<enclosure length="740" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Gina_Ochsner--Sleeping_Beauty.mp3"/>
			<description> Gina Ochsner's "Sleeping Beauty" is a retelling of the old story, set in Yakusha, one of the coldest parts of Russia. In this version, the beauty of the title is a young girl working in a Russian market, seemingly trapped inside her kiosk until a suitor with an unlikely errand frees her. Ochsner's prose mingles the lush details and fantastic elements of folk tales with the realities of the contemporary world.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Gina_Ochsner--Sleeping_Beauty.mp3</guid>
			<pubDate>Mon, 06 Jun 2011 09:55:12 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Gina Ochsner's "Sleeping Beauty" is a retelling of the old story, set in Yakusha, one of the coldest parts of Russia. In this version, the beauty of the title is a young girl working in a Russian market, seemingly trapped inside her kiosk until a suitor with an unlikely errand frees her. Ochsner's prose mingles the lush details and fantastic elements of folk tales with the realities of the contemporary world.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Gina Ochsner's "Sleeping Beauty" is a retelling of the old story, set in Yakusha, one of the coldest parts of Russia. In this version, the beauty of the title is a young girl working in a Russian market, seemingly trapped inside her kiosk until a suitor with an unlikely errand frees her. Ochsner's prose mingles the lush details and fantastic elements of folk tales with the realities of the contemporary world.</itunes:summary></item>
		<item>
			<title>Issue 12. May 2011 : JAEL MCHENRY Interview</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag3423-318.mp3</link>
			
			<itunes:duration>36:33</itunes:duration>
			<enclosure length="2193" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag3423-318.mp3"/>
			<description> Jael McHenry met with Drum editor Henriette Lazaridis Power on May 25, 2011 to record an interview for The Drum. Taking her novel The Kitchen Daughter as a starting point, Jael answered questions about cooking culture and history, the meaning of recipes and the ways they bind us together, and the narrative challenges and opportunities of writing from the point of view of a character with Asperger's Syndrome. She also described her favorite Manhattan street food, and gave tips on that invaluable skill of supreme-ing an orange.</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag3423-318.mp3</guid>
			<pubDate>Tue, 31 May 2011 12:31:07 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jael McHenry met with Drum editor Henriette Lazaridis Power on May 25, 2011 to record an interview for The Drum. Taking her novel The Kitchen Daughter as a starting point, Jael answered questions about cooking culture and history, the meaning of recipes and the ways they bind us together, and the narrative challenges and opportunities of writing from the point of view of a character with Asperger's Syndrome. She also described her favorite Manhattan street food, and gave tips on that invaluable skill of supreme-ing an orange.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jael McHenry met with Drum editor Henriette Lazaridis Power on May 25, 2011 to record an interview for The Drum. Taking her novel The Kitchen Daughter as a starting point, Jael answered questions about cooking culture and history, the meaning of recipes and the ways they bind us together, and the narrative challenges and opportunities of writing from the point of view of a character with Asperger's Syndrome. She also described her favorite Manhattan street food, and gave tips on that invaluable skill of supreme-ing an orange.</itunes:summary></item>
		<item>
			<title>Issue 12. May 2011 : David</title>
			<link>https://drumlitmag.com/mp3s/sounds-Nina_Badzin--David.mp3</link>
			
			<itunes:duration>8:54</itunes:duration>
			<enclosure length="534" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Nina_Badzin--David.mp3"/>
			<description>In Nina Badzin's short story "David," a post-delivery hospital room is the setting for a skirmish between husband and wife as they debate their new son's name. The decision is rife with social, cultural, and religious implications, seeming to set husband and wife apart even as it brings mother and child together.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Nina_Badzin--David.mp3</guid>
			<pubDate>Sun, 22 May 2011 14:47:53 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Nina Badzin's short story "David," a post-delivery hospital room is the setting for a skirmish between husband and wife as they debate their new son's name. The decision is rife with social, cultural, and religious implications, seeming to set husband and wife apart even as it brings mother and child together.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Nina Badzin's short story "David," a post-delivery hospital room is the setting for a skirmish between husband and wife as they debate their new son's name. The decision is rife with social, cultural, and religious implications, seeming to set husband and wife apart even as it brings mother and child together.</itunes:summary></item>
		<item>
			<title>Issue 12. May 2011 : RAHNA REIKO RIZZUTO excerpts from Hiroshima in the Morning</title>
			<link>https://drumlitmag.com/mp3s/sounds-Rahna_Reiko_Rizzuto--excerpts_from_Hiroshima_in_the_Morning.mp3</link>
			
			<itunes:duration>21:09</itunes:duration>
			<enclosure length="1269" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Rahna_Reiko_Rizzuto--excerpts_from_Hiroshima_in_the_Morning.mp3"/>
			<description>Rahna Reiko Rizzuto's memoir Hiroshima in the Morning weaves together her personal experience during a research sojourn in that city with her growing understanding of the complex political, social, and cultural issues that surround the nuclear bombing and its aftermath. She reads here from three sections of the book, examining the stresses on her marriage as she undergoes this months-long separation from her family, her relationship with her aging mother, and her own changing sense of self. Her writing examines the challenge of memory--what happens when it fails us, and when we fail it by choosing to forget.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Rahna_Reiko_Rizzuto--excerpts_from_Hiroshima_in_the_Morning.mp3</guid>
			<pubDate>Mon, 16 May 2011 09:51:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Rahna Reiko Rizzuto's memoir Hiroshima in the Morning weaves together her personal experience during a research sojourn in that city with her growing understanding of the complex political, social, and cultural issues that surround the nuclear bombing and its aftermath. She reads here from three sections of the book, examining the stresses on her marriage as she undergoes this months-long separation from her family, her relationship with her aging mother, and her own changing sense of self. Her writing examines the challenge of memory--what happens when it fails us, and when we fail it by choosing to forget.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Rahna Reiko Rizzuto's memoir Hiroshima in the Morning weaves together her personal experience during a research sojourn in that city with her growing understanding of the complex political, social, and cultural issues that surround the nuclear bombing and its aftermath. She reads here from three sections of the book, examining the stresses on her marriage as she undergoes this months-long separation from her family, her relationship with her aging mother, and her own changing sense of self. Her writing examines the challenge of memory--what happens when it fails us, and when we fail it by choosing to forget.</itunes:summary></item>
		<item>
			<title>Issue 12. May 2011 : SANDRA JENSEN Square Root</title>
			<link>https://drumlitmag.com/mp3s/sounds-Sandra_Jensen--Square_Root.mp3</link>
			
			<itunes:duration>19:48</itunes:duration>
			<enclosure length="1188" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Sandra_Jensen--Square_Root.mp3"/>
			<description> Rural Greece is the backdrop for Sandra Jensen's "Square Root," a story propelled by the complex relationships between a mother and her children, the mother and the men she captivates, and a group of village Greeks and the foreign family living among them. Told from the point of view of the little girl, "Square Root" turns a trip to buy a pet goat into a study of social and sexual power.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Sandra_Jensen--Square_Root.mp3</guid>
			<pubDate>Sun, 08 May 2011 18:22:54 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Rural Greece is the backdrop for Sandra Jensen's "Square Root," a story propelled by the complex relationships between a mother and her children, the mother and the men she captivates, and a group of village Greeks and the foreign family living among them. Told from the point of view of the little girl, "Square Root" turns a trip to buy a pet goat into a study of social and sexual power.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Rural Greece is the backdrop for Sandra Jensen's "Square Root," a story propelled by the complex relationships between a mother and her children, the mother and the men she captivates, and a group of village Greeks and the foreign family living among them. Told from the point of view of the little girl, "Square Root" turns a trip to buy a pet goat into a study of social and sexual power.</itunes:summary></item>
		<item>
			<title>Issue 12. May 2011 : JULIETTE FAY excerpt from Deep Down True</title>
			<link>https://drumlitmag.com/mp3s/sounds-Juliette_Fay--excerpt_from_Deep_Down_True.mp3</link>
			
			<itunes:duration>7:48</itunes:duration>
			<enclosure length="468" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Juliette_Fay--excerpt_from_Deep_Down_True.mp3"/>
			<description>Juliette Fay's novel Deep Down True follows Dana Stellgarten as she finds her feet after a divorce. In this excerpt, Dana encounters an unusual--and unusually-colored--addition to her usual array of daily parenting challenges.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Juliette_Fay--excerpt_from_Deep_Down_True.mp3</guid>
			<pubDate>Sun, 01 May 2011 22:02:57 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Juliette Fay's novel Deep Down True follows Dana Stellgarten as she finds her feet after a divorce. In this excerpt, Dana encounters an unusual--and unusually-colored--addition to her usual array of daily parenting challenges.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Juliette Fay's novel Deep Down True follows Dana Stellgarten as she finds her feet after a divorce. In this excerpt, Dana encounters an unusual--and unusually-colored--addition to her usual array of daily parenting challenges.</itunes:summary></item>
		<item>
			<title>Issue 11. April 2011 : PAUL HARDING Interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-Paul_Harding--Interview.mp3</link>
			
			<itunes:duration>13:09</itunes:duration>
			<enclosure length="789" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Paul_Harding--Interview.mp3"/>
			<description> In the first of what will be two interivews with The Drum, 2010 Pulitzer Prize winner Paul Harding spoke with editor Henriette Lazaridis Power about his experience as a rock drummer, his fascination with jazz, his views on the craft of writing, and the ways in which a writer, like a drummer, gets to keep and manipulate time. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Paul_Harding--Interview.mp3</guid>
			<pubDate>Fri, 22 Apr 2011 16:40:08 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In the first of what will be two interivews with The Drum, 2010 Pulitzer Prize winner Paul Harding spoke with editor Henriette Lazaridis Power about his experience as a rock drummer, his fascination with jazz, his views on the craft of writing, and the ways in which a writer, like a drummer, gets to keep and manipulate time.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In the first of what will be two interivews with The Drum, 2010 Pulitzer Prize winner Paul Harding spoke with editor Henriette Lazaridis Power about his experience as a rock drummer, his fascination with jazz, his views on the craft of writing, and the ways in which a writer, like a drummer, gets to keep and manipulate time.</itunes:summary></item>
		<item>
			<title>Issue 11. April 2011 : JONATHAN PAPERNICK First Night</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag5796-288.mp3</link>
			
			<itunes:duration>4:01</itunes:duration>
			<enclosure length="241" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag5796-288.mp3"/>
			<description> Jonathan Papernick's essay "First Night" imagines his parents' wedding night and contemplates the marriage and eventual divorce that grew from that first evening. The essay is a brief but poignant snapshot of a young couple stepping into a new life.</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag5796-288.mp3</guid>
			<pubDate>Fri, 15 Apr 2011 09:45:23 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jonathan Papernick's essay "First Night" imagines his parents' wedding night and contemplates the marriage and eventual divorce that grew from that first evening. The essay is a brief but poignant snapshot of a young couple stepping into a new life.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jonathan Papernick's essay "First Night" imagines his parents' wedding night and contemplates the marriage and eventual divorce that grew from that first evening. The essay is a brief but poignant snapshot of a young couple stepping into a new life.</itunes:summary></item>
		<item>
			<title>Issue 11. April 2011 : DREW BALFOUR JAMESON Drown</title>
			<link>https://drumlitmag.com/mp3s/sounds-Drew_Balfour_Jameson--Drown.mp3</link>
			
			<itunes:duration>14:35</itunes:duration>
			<enclosure length="875" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Drew_Balfour_Jameson--Drown.mp3"/>
			<description> In Drew Balfour Jameson's short story "Drown," a fishing trip--and the gutting, cleaning, and cooking of the day's catch--provides the setting for a wary encounter between a teenaged boy and the new man in his mother's life. "Drown" renders the details of fish-handling with vivid detail, and allows the relationship between the boy and the man to emerge with subtelty, though just as clearly. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Drew_Balfour_Jameson--Drown.mp3</guid>
			<pubDate>Fri, 08 Apr 2011 09:29:20 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Drew Balfour Jameson's short story "Drown," a fishing trip--and the gutting, cleaning, and cooking of the day's catch--provides the setting for a wary encounter between a teenaged boy and the new man in his mother's life. "Drown" renders the details of fish-handling with vivid detail, and allows the relationship between the boy and the man to emerge with subtelty, though just as clearly.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Drew Balfour Jameson's short story "Drown," a fishing trip--and the gutting, cleaning, and cooking of the day's catch--provides the setting for a wary encounter between a teenaged boy and the new man in his mother's life. "Drown" renders the details of fish-handling with vivid detail, and allows the relationship between the boy and the man to emerge with subtelty, though just as clearly.</itunes:summary></item>
		<item>
			<title>Issue 11. April 2011 : KEITH TEMPLE It's Behind You</title>
			<link>https://drumlitmag.com/mp3s/sounds-Keith_Temple--It-squo-s_Behind_You.mp3</link>
			
			<itunes:duration>21:15</itunes:duration>
			<enclosure length="1275" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Keith_Temple--It-squo-s_Behind_You.mp3"/>
			<description> Keith Temple's It's Behind You is a story about fame, megalomania and murder. After years in the limelight as a popular soap star, Carina Hemsley is appearing as the Good Fairy in the Christmas pantomime show of a third-rate northern theater, terrorising the cast and crew as she drinks and smokes herself to death. Audiences are down and the outlook for the holiday show isn&amp;rsquo;t good, until Carina starts receiving death threats in the post.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Keith_Temple--It-squo-s_Behind_You.mp3</guid>
			<pubDate>Fri, 08 Apr 2011 09:09:36 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Keith Temple's It's Behind You is a story about fame, megalomania and murder. After years in the limelight as a popular soap star, Carina Hemsley is appearing as the Good Fairy in the Christmas pantomime show of a third-rate northern theater, terrorising the cast and crew as she drinks and smokes herself to death. Audiences are down and the outlook for the holiday show isn&amp;rsquo;t good, until Carina starts receiving death threats in the post.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Keith Temple's It's Behind You is a story about fame, megalomania and murder. After years in the limelight as a popular soap star, Carina Hemsley is appearing as the Good Fairy in the Christmas pantomime show of a third-rate northern theater, terrorising the cast and crew as she drinks and smokes herself to death. Audiences are down and the outlook for the holiday show isn&amp;rsquo;t good, until Carina starts receiving death threats in the post.</itunes:summary></item>
		<item>
			<title>Issue 11. April 2011 : REBECCA PAWEL Death of a Nationalist</title>
			<link>https://drumlitmag.com/mp3s/sounds-Rebecca_Pawel--Death_of_a_Nationalist.mp3</link>
			
			<itunes:duration>4:56</itunes:duration>
			<enclosure length="296" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Rebecca_Pawel--Death_of_a_Nationalist.mp3"/>
			<description> Rebecca Pawel's Death of a Nationalist follows Carlos Tejada Alonso y Lean, a Sergeant in the Guardia Civil in Spain in 1939. The bitter civil war between the Nationalists and the Republicans has interrupted Tejada's legal studies in Salamanca. Second son of a conservative Southern family of landowners, he is an enthusiast for the Catholic Franquista cause, a dedicated, and now triumphant, Nationalist. Just as the Republicans have surrendered, and the Guardia Civil has begun to impose order in the ruins of Madrid, Tejada finds the body of his best friend, a hero of the siege of Toledo, shot to death on a street named Amor de Dios. Naturally, a Red is suspected. And it is easy for Tejada to assume that the woman caught kneeling over the body is the killer. But when his doubts are aroused, he cannot help seeking justice.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Rebecca_Pawel--Death_of_a_Nationalist.mp3</guid>
			<pubDate>Wed, 06 Apr 2011 13:29:02 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Rebecca Pawel's Death of a Nationalist follows Carlos Tejada Alonso y Lean, a Sergeant in the Guardia Civil in Spain in 1939. The bitter civil war between the Nationalists and the Republicans has interrupted Tejada's legal studies in Salamanca. Second son of a conservative Southern family of landowners, he is an enthusiast for the Catholic Franquista cause, a dedicated, and now triumphant, Nationalist. Just as the Republicans have surrendered, and the Guardia Civil has begun to impose order in the ruins of Madrid, Tejada finds the body of his best friend, a hero of the siege of Toledo, shot to death on a street named Amor de Dios. Naturally, a Red is suspected. And it is easy for Tejada to assume that the woman caught kneeling over the body is the killer. But when his doubts are aroused, he cannot help seeking justice.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Rebecca Pawel's Death of a Nationalist follows Carlos Tejada Alonso y Lean, a Sergeant in the Guardia Civil in Spain in 1939. The bitter civil war between the Nationalists and the Republicans has interrupted Tejada's legal studies in Salamanca. Second son of a conservative Southern family of landowners, he is an enthusiast for the Catholic Franquista cause, a dedicated, and now triumphant, Nationalist. Just as the Republicans have surrendered, and the Guardia Civil has begun to impose order in the ruins of Madrid, Tejada finds the body of his best friend, a hero of the siege of Toledo, shot to death on a street named Amor de Dios. Naturally, a Red is suspected. And it is easy for Tejada to assume that the woman caught kneeling over the body is the killer. But when his doubts are aroused, he cannot help seeking justice.</itunes:summary></item>
		<item>
			<title>Issue 11. April 2011 : CHRISTIANE ALSOP Presumed Guilty</title>
			<link>https://drumlitmag.com/mp3s/sounds-Christiane_Alsop--Presumed_Guilty.mp3</link>
			
			<itunes:duration>35:53</itunes:duration>
			<enclosure length="2153" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Christiane_Alsop--Presumed_Guilty.mp3"/>
			<description> "What is it like to be the daughter of a Nazi?" That is the question Christiane Alsop sets out to answer in her essay "Presumed Guilty". Reflecting on her father's tales of his accounts during wartime Germany, contemplating her at-times strained relationship with her father over the years, and her own reactions to the ebb and flow of power, Christiane is torn by the equal tugs of resignation and revelation. Revelation wins out, as she conveys the moral, ethical, and personal challenges of living with that difficult question.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Christiane_Alsop--Presumed_Guilty.mp3</guid>
			<pubDate>Mon, 04 Apr 2011 10:18:06 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>"What is it like to be the daughter of a Nazi?" That is the question Christiane Alsop sets out to answer in her essay "Presumed Guilty". Reflecting on her father's tales of his accounts during wartime Germany, contemplating her at-times strained relationship with her father over the years, and her own reactions to the ebb and flow of power, Christiane is torn by the equal tugs of resignation and revelation. Revelation wins out, as she conveys the moral, ethical, and personal challenges of living with that difficult question.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>"What is it like to be the daughter of a Nazi?" That is the question Christiane Alsop sets out to answer in her essay "Presumed Guilty". Reflecting on her father's tales of his accounts during wartime Germany, contemplating her at-times strained relationship with her father over the years, and her own reactions to the ebb and flow of power, Christiane is torn by the equal tugs of resignation and revelation. Revelation wins out, as she conveys the moral, ethical, and personal challenges of living with that difficult question.</itunes:summary></item>
		<item>
			<title>Issue 10. March 2011 : BRUCE HOLLAND ROGERS Snow and Lemons</title>
			<link>https://drumlitmag.com/mp3s/sounds-Bruce_Holland_Rogers--Snow_and_Lemons.mp3</link>
			
			<itunes:duration>8:49</itunes:duration>
			<enclosure length="529" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Bruce_Holland_Rogers--Snow_and_Lemons.mp3"/>
			<description> Bruce Holland Rogers' short story "Snow and Lemons" follows Tibor as he tries to lend purpose to his retirement. His two goals--to bring pride to Hungary's younger generation, and to make his neighbor smile--prove to be more challenging than even he might have expected. A Budapest snowstorm is the backdrop for this story about an older man's persistence and his inspired adaptation to the routines of his life.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Bruce_Holland_Rogers--Snow_and_Lemons.mp3</guid>
			<pubDate>Sun, 27 Mar 2011 18:17:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Bruce Holland Rogers' short story "Snow and Lemons" follows Tibor as he tries to lend purpose to his retirement. His two goals--to bring pride to Hungary's younger generation, and to make his neighbor smile--prove to be more challenging than even he might have expected. A Budapest snowstorm is the backdrop for this story about an older man's persistence and his inspired adaptation to the routines of his life.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Bruce Holland Rogers' short story "Snow and Lemons" follows Tibor as he tries to lend purpose to his retirement. His two goals--to bring pride to Hungary's younger generation, and to make his neighbor smile--prove to be more challenging than even he might have expected. A Budapest snowstorm is the backdrop for this story about an older man's persistence and his inspired adaptation to the routines of his life.</itunes:summary></item>
		<item>
			<title>Issue 10. March 2011 : JESSICA YEN Coming Up For Air</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jessica_Yen--Coming_Up_For_Air.mp3</link>
			
			<itunes:duration>5:17</itunes:duration>
			<enclosure length="317" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jessica_Yen--Coming_Up_For_Air.mp3"/>
			<description> Jessica Yen's essay "Coming Up For Air" gives us a glimpse of an intriguing social ritual among a group of Beijing men, and looks further outward to notions of community and family both in China and in the US.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jessica_Yen--Coming_Up_For_Air.mp3</guid>
			<pubDate>Mon, 21 Mar 2011 10:10:07 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jessica Yen's essay "Coming Up For Air" gives us a glimpse of an intriguing social ritual among a group of Beijing men, and looks further outward to notions of community and family both in China and in the US.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jessica Yen's essay "Coming Up For Air" gives us a glimpse of an intriguing social ritual among a group of Beijing men, and looks further outward to notions of community and family both in China and in the US.</itunes:summary></item>
		<item>
			<title>Issue 10. March 2011 : LYDIA MILLET Oh Pure And Radiant Heart first chapter</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag2158-272.mp3</link>
			
			<itunes:duration>29:30</itunes:duration>
			<enclosure length="1770" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag2158-272.mp3"/>
			<description> Lydia Millet's novel Oh Pure and Radiant Heart plucks the three scientists who were integral to the invention of the atom bomb: Robert Oppenheimer, Leo Szilard, and Enrico Fermi as they watch history's first mushroom cloud rise over the desert on July 16th, 1945, and places them down in modern-day Santa Fe. One by one, the scientists are spotted by a shy librarian who becomes convinced of their authenticity. Entranced, bewildered, and overwhelmed by their significance as historical markers on the one hand, and their peculiar personalities on the other, she, to the dismay of her husband, devotes herself to them. Soon the scientists acquire a sugar daddy - a young pothead millionaire from Tokyo who bankrolls them. Heroes to some, lunatics or con artists to others, the scientists finally become messianic religious figureheads to fanatics, who believe Oppenheimer is the Second Coming. As the ever-growing convoy traverses the country in a fleet of RV's on a pilgrimage to the UN, the scientists wrestle with the legacy of their invention and their growing celebrity, while Ann and her husband struggle with the strain on their marriage, a personal journey married to a history of thermonuclear weapons.</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag2158-272.mp3</guid>
			<pubDate>Tue, 15 Mar 2011 13:58:23 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Lydia Millet's novel Oh Pure and Radiant Heart plucks the three scientists who were integral to the invention of the atom bomb: Robert Oppenheimer, Leo Szilard, and Enrico Fermi as they watch history's first mushroom cloud rise over the desert on July 16th, 1945, and places them down in modern-day Santa Fe. One by one, the scientists are spotted by a shy librarian who becomes convinced of their authenticity. Entranced, bewildered, and overwhelmed by their significance as historical markers on the one hand, and their peculiar personalities on the other, she, to the dismay of her husband, devotes herself to them. Soon the scientists acquire a sugar daddy - a young pothead millionaire from Tokyo who bankrolls them. Heroes to some, lunatics or con artists to others, the scientists finally become messianic religious figureheads to fanatics, who believe Oppenheimer is the Second Coming. As the ever-growing convoy traverses the country in a fleet of RV's on a pilgrimage to the UN, the scientists wrestle with the legacy of their invention and their growing celebrity, while Ann and her husband struggle with the strain on their marriage, a personal journey married to a history of thermonuclear weapons.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Lydia Millet's novel Oh Pure and Radiant Heart plucks the three scientists who were integral to the invention of the atom bomb: Robert Oppenheimer, Leo Szilard, and Enrico Fermi as they watch history's first mushroom cloud rise over the desert on July 16th, 1945, and places them down in modern-day Santa Fe. One by one, the scientists are spotted by a shy librarian who becomes convinced of their authenticity. Entranced, bewildered, and overwhelmed by their significance as historical markers on the one hand, and their peculiar personalities on the other, she, to the dismay of her husband, devotes herself to them. Soon the scientists acquire a sugar daddy - a young pothead millionaire from Tokyo who bankrolls them. Heroes to some, lunatics or con artists to others, the scientists finally become messianic religious figureheads to fanatics, who believe Oppenheimer is the Second Coming. As the ever-growing convoy traverses the country in a fleet of RV's on a pilgrimage to the UN, the scientists wrestle with the legacy of their invention and their growing celebrity, while Ann and her husband struggle with the strain on their marriage, a personal journey married to a history of thermonuclear weapons.</itunes:summary></item>
		<item>
			<title>Issue 10. March 2011 : DUSTIN LONG Icelander</title>
			<link>https://drumlitmag.com/mp3s/sounds-Dustin_Long--Icelander_first_chapter.mp3</link>
			
			<itunes:duration>41:21</itunes:duration>
			<enclosure length="2481" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Dustin_Long--Icelander_first_chapter.mp3"/>
			<description> In Dustin Long's novel Icelander, the daughter of a local legend of the investigative arts searches for her dog while avoiding her biological impulse to solve the mystery of her best friend's recent murder. Icelander hums with Norse legend, an alternate reality and a cast of supporting characters including a "rogue library-scientist," a pair of philosophical investigators, and a many-faced villain. Built on mazes of time, language, and narrator, this literary fireworks display shows you what might happen if Hercule Poirot and Miss Marple had been penned by Nabokov then run through Hitchcock's lens.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Dustin_Long--Icelander_first_chapter.mp3</guid>
			<pubDate>Tue, 15 Mar 2011 13:08:00 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Dustin Long's novel Icelander, the daughter of a local legend of the investigative arts searches for her dog while avoiding her biological impulse to solve the mystery of her best friend's recent murder. Icelander hums with Norse legend, an alternate reality and a cast of supporting characters including a "rogue library-scientist," a pair of philosophical investigators, and a many-faced villain. Built on mazes of time, language, and narrator, this literary fireworks display shows you what might happen if Hercule Poirot and Miss Marple had been penned by Nabokov then run through Hitchcock's lens.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Dustin Long's novel Icelander, the daughter of a local legend of the investigative arts searches for her dog while avoiding her biological impulse to solve the mystery of her best friend's recent murder. Icelander hums with Norse legend, an alternate reality and a cast of supporting characters including a "rogue library-scientist," a pair of philosophical investigators, and a many-faced villain. Built on mazes of time, language, and narrator, this literary fireworks display shows you what might happen if Hercule Poirot and Miss Marple had been penned by Nabokov then run through Hitchcock's lens.</itunes:summary></item>
		<item>
			<title>Issue 10. March 2011 : SUSAN ORLEAN Interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-Susan_Orlean--Interview.mp3</link>
			
			<itunes:duration>17:58</itunes:duration>
			<enclosure length="1078" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Susan_Orlean--Interview.mp3"/>
			<description> Susan Orlean followed up her recording of an excerpt from her Rin Tin Tin book for The Drum with an interview with Drum editor Henriette Lazaridis Power. Orlean asnwered questions about her interest in animals, why dogs hold such a unique place in our lives, and whether there's a place out there that is too boring to write about. She also gave valuable tips on making the most of solitary research travel and how to dine alone. The excerpt from Orlean's forthcoming Rin Tin Tin book appeared in the March 2011 issue of The Drum.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Susan_Orlean--Interview.mp3</guid>
			<pubDate>Mon, 14 Mar 2011 10:43:57 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Susan Orlean followed up her recording of an excerpt from her Rin Tin Tin book for The Drum with an interview with Drum editor Henriette Lazaridis Power. Orlean asnwered questions about her interest in animals, why dogs hold such a unique place in our lives, and whether there's a place out there that is too boring to write about. She also gave valuable tips on making the most of solitary research travel and how to dine alone. The excerpt from Orlean's forthcoming Rin Tin Tin book appeared in the March 2011 issue of The Drum.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Susan Orlean followed up her recording of an excerpt from her Rin Tin Tin book for The Drum with an interview with Drum editor Henriette Lazaridis Power. Orlean asnwered questions about her interest in animals, why dogs hold such a unique place in our lives, and whether there's a place out there that is too boring to write about. She also gave valuable tips on making the most of solitary research travel and how to dine alone. The excerpt from Orlean's forthcoming Rin Tin Tin book appeared in the March 2011 issue of The Drum.</itunes:summary></item>
		<item>
			<title>Issue 10. March 2011 : SUSAN ORLEAN Excerpt from Rin Tin Tin</title>
			<link>https://drumlitmag.com/mp3s/sounds-Susan_Orlean--Rin_Tin_Tin_excerpt.mp3</link>
			
			<itunes:duration>18:08</itunes:duration>
			<enclosure length="1088" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Susan_Orlean--Rin_Tin_Tin_excerpt.mp3"/>
			<description> Susan Orlean has just completed a cultural biography of the dog actor Rin Tin Tin. In the excerpt she recorded for The Drum, she writes about a visit to Paris' Cimetiere des Chiens, the special cemetery for dogs. Looking for Rin Tin Tin's grave, Orlean ponders the history of the pet-person relationship, and explores the human need to memorialize what we love even as we know we can't hold onto it.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Susan_Orlean--Rin_Tin_Tin_excerpt.mp3</guid>
			<pubDate>Tue, 01 Mar 2011 20:40:54 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Susan Orlean has just completed a cultural biography of the dog actor Rin Tin Tin. In the excerpt she recorded for The Drum, she writes about a visit to Paris' Cimetiere des Chiens, the special cemetery for dogs. Looking for Rin Tin Tin's grave, Orlean ponders the history of the pet-person relationship, and explores the human need to memorialize what we love even as we know we can't hold onto it.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Susan Orlean has just completed a cultural biography of the dog actor Rin Tin Tin. In the excerpt she recorded for The Drum, she writes about a visit to Paris' Cimetiere des Chiens, the special cemetery for dogs. Looking for Rin Tin Tin's grave, Orlean ponders the history of the pet-person relationship, and explores the human need to memorialize what we love even as we know we can't hold onto it.</itunes:summary></item>
		<item>
			<title>Issue 9. February 2011 : KEVIN BROWN One Life</title>
			<link>https://drumlitmag.com/mp3s/sounds-Kevin_Brown--One_Life.mp3</link>
			
			<itunes:duration>23:40</itunes:duration>
			<enclosure length="1420" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Kevin_Brown--One_Life.mp3"/>
			<description> The narrator of Kevin Brown's "One Life" returns to Hong Kong after his wife's death from SARS with the sole mission to contract the disease himeslf so that he can be reunited with her. We follow the narrator through the city as he reflects on his marriage, and ponders the strange situation of trying to stay alive so that he can court a particular kind of death. "One Life" is read aloud by Actors' Shakespeare Project actor Bill Barclay.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Kevin_Brown--One_Life.mp3</guid>
			<pubDate>Thu, 24 Feb 2011 18:10:47 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Kevin Brown's "One Life" returns to Hong Kong after his wife's death from SARS with the sole mission to contract the disease himeslf so that he can be reunited with her. We follow the narrator through the city as he reflects on his marriage, and ponders the strange situation of trying to stay alive so that he can court a particular kind of death. "One Life" is read aloud by Actors' Shakespeare Project actor Bill Barclay.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Kevin Brown's "One Life" returns to Hong Kong after his wife's death from SARS with the sole mission to contract the disease himeslf so that he can be reunited with her. We follow the narrator through the city as he reflects on his marriage, and ponders the strange situation of trying to stay alive so that he can court a particular kind of death. "One Life" is read aloud by Actors' Shakespeare Project actor Bill Barclay.</itunes:summary></item>
		<item>
			<title>Issue 9. February 2011 : ILIE RUBY The Language of Trees</title>
			<link>https://drumlitmag.com/mp3s/sounds-Ilie_Ruby--The_Language_of_Trees.mp3</link>
			
			<itunes:duration>12:41</itunes:duration>
			<enclosure length="761" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Ilie_Ruby--The_Language_of_Trees.mp3"/>
			<description> Ilie Ruby's novel The Language of Trees is set in upstate New York and greatly informed by the Seneca Indians, whose lore imbues the book with spirituality. In 1988, the Ellis children set out on a stormy night in a canoe borrowed from the Songos next door to escape their brutish father. Luke, the youngest, drowns, and his older sisters are never the same: Melanie turns to drugs while Maya suffers bouts of catatonia. Years later, Grant Songo returns to his family's lake cabin after separating from his wife. While running in the woods, a wounded wolf trails him, and when Echo O'Connell, Grant's teenage flame, crashes her car to avoid hitting the wolf, she and Grant reconnect and are drawn into the mystery of the recently missing Melanie. Many locals believe Melanie's back on drugs, but Lion, the father of her baby boy, is convinced she's in danger. These characters face real and psychological fears to endure the transformative experiences needed to become whole in a worthwhile story filled with mysticism and symbolism. Ilie reads from the Maya section of the novel in this excerpt for The Drum.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Ilie_Ruby--The_Language_of_Trees.mp3</guid>
			<pubDate>Fri, 18 Feb 2011 15:31:39 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ilie Ruby's novel The Language of Trees is set in upstate New York and greatly informed by the Seneca Indians, whose lore imbues the book with spirituality. In 1988, the Ellis children set out on a stormy night in a canoe borrowed from the Songos next door to escape their brutish father. Luke, the youngest, drowns, and his older sisters are never the same: Melanie turns to drugs while Maya suffers bouts of catatonia. Years later, Grant Songo returns to his family's lake cabin after separating from his wife. While running in the woods, a wounded wolf trails him, and when Echo O'Connell, Grant's teenage flame, crashes her car to avoid hitting the wolf, she and Grant reconnect and are drawn into the mystery of the recently missing Melanie. Many locals believe Melanie's back on drugs, but Lion, the father of her baby boy, is convinced she's in danger. These characters face real and psychological fears to endure the transformative experiences needed to become whole in a worthwhile story filled with mysticism and symbolism. Ilie reads from the Maya section of the novel in this excerpt for The Drum.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ilie Ruby's novel The Language of Trees is set in upstate New York and greatly informed by the Seneca Indians, whose lore imbues the book with spirituality. In 1988, the Ellis children set out on a stormy night in a canoe borrowed from the Songos next door to escape their brutish father. Luke, the youngest, drowns, and his older sisters are never the same: Melanie turns to drugs while Maya suffers bouts of catatonia. Years later, Grant Songo returns to his family's lake cabin after separating from his wife. While running in the woods, a wounded wolf trails him, and when Echo O'Connell, Grant's teenage flame, crashes her car to avoid hitting the wolf, she and Grant reconnect and are drawn into the mystery of the recently missing Melanie. Many locals believe Melanie's back on drugs, but Lion, the father of her baby boy, is convinced she's in danger. These characters face real and psychological fears to endure the transformative experiences needed to become whole in a worthwhile story filled with mysticism and symbolism. Ilie reads from the Maya section of the novel in this excerpt for The Drum.</itunes:summary></item>
		<item>
			<title>Issue 9. February 2011 : MIRIAM NOVOGRODSKY The Year We Ate Half A Cow</title>
			<link>https://drumlitmag.com/mp3s/sounds-Miriam_Novogrodsky--The_Year_We_Ate_Half_A_Cow.mp3</link>
			
			<itunes:duration>14:01</itunes:duration>
			<enclosure length="841" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Miriam_Novogrodsky--The_Year_We_Ate_Half_A_Cow.mp3"/>
			<description> Miriam Novogrodsky writes about growing up an outsider in Montpelier, Vermont, and the year her father's winter obsession turned to economical meat-eating and the creative use of the compost pile. This is a tale of chest freezers, prairie bonnets, and snowshoe picnics with unusual sandwiches.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Miriam_Novogrodsky--The_Year_We_Ate_Half_A_Cow.mp3</guid>
			<pubDate>Mon, 14 Feb 2011 09:42:26 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Miriam Novogrodsky writes about growing up an outsider in Montpelier, Vermont, and the year her father's winter obsession turned to economical meat-eating and the creative use of the compost pile. This is a tale of chest freezers, prairie bonnets, and snowshoe picnics with unusual sandwiches.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Miriam Novogrodsky writes about growing up an outsider in Montpelier, Vermont, and the year her father's winter obsession turned to economical meat-eating and the creative use of the compost pile. This is a tale of chest freezers, prairie bonnets, and snowshoe picnics with unusual sandwiches.</itunes:summary></item>
		<item>
			<title>Issue 9. February 2011 : JENNIFER HAIGH Interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jennifer_Haigh--Interview.mp3</link>
			
			<itunes:duration>22:56</itunes:duration>
			<enclosure length="1376" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jennifer_Haigh--Interview.mp3"/>
			<description> Jennifer Haigh met with The Drum's editor Henriette Lazaridis Power to answer questions about movies, film adaptations, Edith Piaf, and why she prefers gray days. Jennifer also talked about the ideas behind her novels, including her fourth, FAITH, which is due out in May 2011.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jennifer_Haigh--Interview.mp3</guid>
			<pubDate>Sun, 06 Feb 2011 23:55:58 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jennifer Haigh met with The Drum's editor Henriette Lazaridis Power to answer questions about movies, film adaptations, Edith Piaf, and why she prefers gray days. Jennifer also talked about the ideas behind her novels, including her fourth, FAITH, which is due out in May 2011.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jennifer Haigh met with The Drum's editor Henriette Lazaridis Power to answer questions about movies, film adaptations, Edith Piaf, and why she prefers gray days. Jennifer also talked about the ideas behind her novels, including her fourth, FAITH, which is due out in May 2011.</itunes:summary></item>
		<item>
			<title>Issue 9. February 2011 : LYNNE TILLMAN No Lease on Life</title>
			<link>https://drumlitmag.com/mp3s/sounds-No_Lease_on_Life.mp3</link>
			
			<itunes:duration>29:34</itunes:duration>
			<enclosure length="1774" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-No_Lease_on_Life.mp3"/>
			<description> The East Village streets of Lynne Tillman's No Lease on Life are overrun with crooked cops, drug addicts, pimps and prostitutes. Garbage piles up along the sidewalks amid the blaring soundtrack of car stereos. Confrontations are supercharged by the summer heat wave. This merciless noise has left Elizabeth Hall an insomniac. Junkies roam her building and overturn trashcans, but the mean-spirited landlord refuses to help clean or repair the decrepit conditions. Live-in boyfriend Roy is good-natured but too avoidant to soothe the sores of city life. Though Elizabeth fights on for normalcy and sanity in this apathetic metropolis, violent fantasies threaten to push her over the edge.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-No_Lease_on_Life.mp3</guid>
			<pubDate>Tue, 01 Feb 2011 11:05:22 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The East Village streets of Lynne Tillman's No Lease on Life are overrun with crooked cops, drug addicts, pimps and prostitutes. Garbage piles up along the sidewalks amid the blaring soundtrack of car stereos. Confrontations are supercharged by the summer heat wave. This merciless noise has left Elizabeth Hall an insomniac. Junkies roam her building and overturn trashcans, but the mean-spirited landlord refuses to help clean or repair the decrepit conditions. Live-in boyfriend Roy is good-natured but too avoidant to soothe the sores of city life. Though Elizabeth fights on for normalcy and sanity in this apathetic metropolis, violent fantasies threaten to push her over the edge.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The East Village streets of Lynne Tillman's No Lease on Life are overrun with crooked cops, drug addicts, pimps and prostitutes. Garbage piles up along the sidewalks amid the blaring soundtrack of car stereos. Confrontations are supercharged by the summer heat wave. This merciless noise has left Elizabeth Hall an insomniac. Junkies roam her building and overturn trashcans, but the mean-spirited landlord refuses to help clean or repair the decrepit conditions. Live-in boyfriend Roy is good-natured but too avoidant to soothe the sores of city life. Though Elizabeth fights on for normalcy and sanity in this apathetic metropolis, violent fantasies threaten to push her over the edge.</itunes:summary></item>
		<item>
			<title>Issue 9. February 2011 : ANDREW KAUFMAN All My Friends Are Superheroes</title>
			<link>https://drumlitmag.com/mp3s/sounds-All_My_Friends.mp3</link>
			
			<itunes:duration>11:12</itunes:duration>
			<enclosure length="672" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-All_My_Friends.mp3"/>
			<description> Through a partnership with Iambik Audiobooks, we bring you the first chapter of Andrew Kaufman's novel All My Friends Are Superheroes, published by Coach House Books. Gordon Mackenzie reads the chapter aloud.All Tom's friends really are superheroes. There's the Ear, the Spooner, the Impossible Man. Tom even married a superhero, the Perfectionist. But at their wedding, the Perfectionist was hypnotized (by ex-boyfriend Hypno, of course) to believe that Tom is invisible. Nothing he does can make her see him. So she's moving to Vancouver. She'll use her superpower to make Vancouver perfect and leave all the heartbreak in Toronto. With no idea Tom's beside her, she boards an airplane in Toronto. Tom has until the wheels touch the ground in Vancouver to convince her he's visible, or he loses her forever.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-All_My_Friends.mp3</guid>
			<pubDate>Tue, 01 Feb 2011 10:20:44 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Through a partnership with Iambik Audiobooks, we bring you the first chapter of Andrew Kaufman's novel All My Friends Are Superheroes, published by Coach House Books. Gordon Mackenzie reads the chapter aloud.All Tom's friends really are superheroes. There's the Ear, the Spooner, the Impossible Man. Tom even married a superhero, the Perfectionist. But at their wedding, the Perfectionist was hypnotized (by ex-boyfriend Hypno, of course) to believe that Tom is invisible. Nothing he does can make her see him. So she's moving to Vancouver. She'll use her superpower to make Vancouver perfect and leave all the heartbreak in Toronto. With no idea Tom's beside her, she boards an airplane in Toronto. Tom has until the wheels touch the ground in Vancouver to convince her he's visible, or he loses her forever.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Through a partnership with Iambik Audiobooks, we bring you the first chapter of Andrew Kaufman's novel All My Friends Are Superheroes, published by Coach House Books. Gordon Mackenzie reads the chapter aloud.All Tom's friends really are superheroes. There's the Ear, the Spooner, the Impossible Man. Tom even married a superhero, the Perfectionist. But at their wedding, the Perfectionist was hypnotized (by ex-boyfriend Hypno, of course) to believe that Tom is invisible. Nothing he does can make her see him. So she's moving to Vancouver. She'll use her superpower to make Vancouver perfect and leave all the heartbreak in Toronto. With no idea Tom's beside her, she boards an airplane in Toronto. Tom has until the wheels touch the ground in Vancouver to convince her he's visible, or he loses her forever.</itunes:summary></item>
		<item>
			<title>Issue 8. January 2011 : STEVEN LEE BEEBER Blood-Red Nails, Pale Cold Hands</title>
			<link>https://drumlitmag.com/mp3s/sounds-Steven_Lee_Beeber--Blood-Red_Nails_Pale_Cold_Hands.mp3</link>
			
			<itunes:duration>16:34</itunes:duration>
			<enclosure length="994" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Steven_Lee_Beeber--Blood-Red_Nails_Pale_Cold_Hands.mp3"/>
			<description> The narrator of Steven Lee Beeber's short story "Blood-Red Nails, Pale Cold Hands" contemplates the strange combinations of violence and tenderness that underlie his relationships with the important women in his life. The story begins with an accident witnessed in childhood and concludes with the scratches left from passion.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Steven_Lee_Beeber--Blood-Red_Nails_Pale_Cold_Hands.mp3</guid>
			<pubDate>Mon, 31 Jan 2011 15:01:27 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Steven Lee Beeber's short story "Blood-Red Nails, Pale Cold Hands" contemplates the strange combinations of violence and tenderness that underlie his relationships with the important women in his life. The story begins with an accident witnessed in childhood and concludes with the scratches left from passion.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Steven Lee Beeber's short story "Blood-Red Nails, Pale Cold Hands" contemplates the strange combinations of violence and tenderness that underlie his relationships with the important women in his life. The story begins with an accident witnessed in childhood and concludes with the scratches left from passion.</itunes:summary></item>
		<item>
			<title>Issue 8. January 2011 : SARAH NAGER Horseshoe Hunt</title>
			<link>https://drumlitmag.com/mp3s/sounds-Sarah_Nager--Horseshoe_Hunt.mp3</link>
			
			<itunes:duration>13:13</itunes:duration>
			<enclosure length="793" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Sarah_Nager--Horseshoe_Hunt.mp3"/>
			<description> Sarah Nager's "Horseshoe Hunt" brings a weary young woman and an enthusiastic little boy together on a beach where their attitudes and world views collide over a horseshoe crab.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Sarah_Nager--Horseshoe_Hunt.mp3</guid>
			<pubDate>Sun, 23 Jan 2011 17:19:15 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Sarah Nager's "Horseshoe Hunt" brings a weary young woman and an enthusiastic little boy together on a beach where their attitudes and world views collide over a horseshoe crab.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Sarah Nager's "Horseshoe Hunt" brings a weary young woman and an enthusiastic little boy together on a beach where their attitudes and world views collide over a horseshoe crab.</itunes:summary></item>
		<item>
			<title>Issue 8. January 2011 : JENNA BLUM Interview</title>
			<link>https://drumlitmag.com/mp3s/sounds-Jenna_Blum_interview_copy.mp3</link>
			
			<itunes:duration>39:26</itunes:duration>
			<enclosure length="2366" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Jenna_Blum_interview_copy.mp3"/>
			<description> Jenna Blum joined Drum editor Henriette Lazaridis Power to answer questions about her writing room, snow bombs, synaesthesia, Woodrow, the stormchasing dog, and what she sings along to while she's driving across the wide open spaces of the US. Jenna's second novel THE STORMCHASERS will be coming out in paperback on April 26, 2011. She read a chapter of the novel for The Drum's May 2010 issue.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Jenna_Blum_interview_copy.mp3</guid>
			<pubDate>Mon, 17 Jan 2011 09:18:18 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Jenna Blum joined Drum editor Henriette Lazaridis Power to answer questions about her writing room, snow bombs, synaesthesia, Woodrow, the stormchasing dog, and what she sings along to while she's driving across the wide open spaces of the US. Jenna's second novel THE STORMCHASERS will be coming out in paperback on April 26, 2011. She read a chapter of the novel for The Drum's May 2010 issue.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Jenna Blum joined Drum editor Henriette Lazaridis Power to answer questions about her writing room, snow bombs, synaesthesia, Woodrow, the stormchasing dog, and what she sings along to while she's driving across the wide open spaces of the US. Jenna's second novel THE STORMCHASERS will be coming out in paperback on April 26, 2011. She read a chapter of the novel for The Drum's May 2010 issue.</itunes:summary></item>
		<item>
			<title>Issue 8. January 2011 : STEVEN BRYKMAN You Know How It Is</title>
			<link>https://drumlitmag.com/mp3s/sounds-Steven_Brykman--You_Know_How_It_Is.mp3</link>
			
			<itunes:duration>10:37</itunes:duration>
			<enclosure length="637" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Steven_Brykman--You_Know_How_It_Is.mp3"/>
			<description> Steven Brykman's essay "You Know How It Is" puts a comical spin on Jewish identity, Hasidic fashion, and the perils of running errands when your girlfriend finds you annoying.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Steven_Brykman--You_Know_How_It_Is.mp3</guid>
			<pubDate>Sun, 09 Jan 2011 23:51:22 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Steven Brykman's essay "You Know How It Is" puts a comical spin on Jewish identity, Hasidic fashion, and the perils of running errands when your girlfriend finds you annoying.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Steven Brykman's essay "You Know How It Is" puts a comical spin on Jewish identity, Hasidic fashion, and the perils of running errands when your girlfriend finds you annoying.</itunes:summary></item>
		<item>
			<title>Issue 7. December 2010 : KATRINA GRIGG-SAITO The Original Feminist</title>
			<link>https://drumlitmag.com/mp3s/sounds-Katrina_Grigg-Saito_sample.mp3</link>
			
			<itunes:duration>:33</itunes:duration>
			<enclosure length="33" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Katrina_Grigg-Saito_sample.mp3"/>
			<description> Katrina Grigg-Saito's essay "The Original Feminist" provides a tender portrait of her grandmother Mimi who did it all--worked as a hairdresser, raised five children, tailored stylish clothes, and advocated for education--in the pre-Civil-Rights South.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Katrina_Grigg-Saito_sample.mp3</guid>
			<pubDate>Mon, 20 Dec 2010 08:44:50 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Katrina Grigg-Saito's essay "The Original Feminist" provides a tender portrait of her grandmother Mimi who did it all--worked as a hairdresser, raised five children, tailored stylish clothes, and advocated for education--in the pre-Civil-Rights South.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Katrina Grigg-Saito's essay "The Original Feminist" provides a tender portrait of her grandmother Mimi who did it all--worked as a hairdresser, raised five children, tailored stylish clothes, and advocated for education--in the pre-Civil-Rights South.</itunes:summary></item>
		<item>
			<title>Issue 7. December 2010 : VERONIQUE HYLAND Orchard</title>
			<link>https://drumlitmag.com/mp3s/sounds-Veronique_Hyland_sample.mp3</link>
			
			<itunes:duration>:30</itunes:duration>
			<enclosure length="30" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Veronique_Hyland_sample.mp3"/>
			<description> Veronique Hyland's short story "Orchard", inspired by the Wineville Chicken Coop murders in 1920s California, is an evocative study of complicity, guilt, and the cost of a young boy's confused loyalty.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Veronique_Hyland_sample.mp3</guid>
			<pubDate>Mon, 13 Dec 2010 09:04:03 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Veronique Hyland's short story "Orchard", inspired by the Wineville Chicken Coop murders in 1920s California, is an evocative study of complicity, guilt, and the cost of a young boy's confused loyalty.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Veronique Hyland's short story "Orchard", inspired by the Wineville Chicken Coop murders in 1920s California, is an evocative study of complicity, guilt, and the cost of a young boy's confused loyalty.</itunes:summary></item>
		<item>
			<title>Issue 7. December 2010 : CD COLLINS The Vigilantes of Vance</title>
			<link>https://drumlitmag.com/mp3s/sounds-CD_Collins_sample.mp3</link>
			
			<itunes:duration>:30</itunes:duration>
			<enclosure length="30" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-CD_Collins_sample.mp3"/>
			<description> CD Collins' essay "The Vigilantes of Vance" is a portrait of her candy-eating, derringer-toting, fast-driving mother, and a drily funny story of the woman's power to enthrall those around her.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-CD_Collins_sample.mp3</guid>
			<pubDate>Sun, 05 Dec 2010 19:42:09 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>CD Collins' essay "The Vigilantes of Vance" is a portrait of her candy-eating, derringer-toting, fast-driving mother, and a drily funny story of the woman's power to enthrall those around her.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>CD Collins' essay "The Vigilantes of Vance" is a portrait of her candy-eating, derringer-toting, fast-driving mother, and a drily funny story of the woman's power to enthrall those around her.</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : BRET ANTHONY JOHNSTON Boy</title>
			<link>https://drumlitmag.com/mp3s/sounds-Boy_sample.mp3</link>
			
			<itunes:duration>:36</itunes:duration>
			<enclosure length="36" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Boy_sample.mp3"/>
			<description> Bret Anthony Johnston closes his reading at the November 15 Four Stories event by announcing he will be plagiarizing Jamaica Kincaid's famous story "Girl". Here is his short piece "Boy".</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Boy_sample.mp3</guid>
			<pubDate>Mon, 29 Nov 2010 09:32:49 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Bret Anthony Johnston closes his reading at the November 15 Four Stories event by announcing he will be plagiarizing Jamaica Kincaid's famous story "Girl". Here is his short piece "Boy".</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Bret Anthony Johnston closes his reading at the November 15 Four Stories event by announcing he will be plagiarizing Jamaica Kincaid's famous story "Girl". Here is his short piece "Boy".</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : BRET ANTHONY JOHNSTON The End of Summer</title>
			<link>https://drumlitmag.com/mp3s/sounds-The_End_of_Summer_sample.mp3</link>
			
			<itunes:duration>:33</itunes:duration>
			<enclosure length="33" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-The_End_of_Summer_sample.mp3"/>
			<description> Bret Anthony Johnston spins a story about loss of innocence, loyalty, and betrayal from a simple prompt: one sentence from an author's correspondence. Bret's sentence? "Sex doesn't start on an eighteenth birthday at midnight."</description>
			<guid>https://drumlitmag.com/mp3s/sounds-The_End_of_Summer_sample.mp3</guid>
			<pubDate>Mon, 29 Nov 2010 09:32:03 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Bret Anthony Johnston spins a story about loss of innocence, loyalty, and betrayal from a simple prompt: one sentence from an author's correspondence. Bret's sentence? "Sex doesn't start on an eighteenth birthday at midnight."</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Bret Anthony Johnston spins a story about loss of innocence, loyalty, and betrayal from a simple prompt: one sentence from an author's correspondence. Bret's sentence? "Sex doesn't start on an eighteenth birthday at midnight."</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : BRET ANTHONY JOHNSTON Porn Star</title>
			<link>https://drumlitmag.com/mp3s/sounds-Porn_Star_sample.mp3</link>
			
			<itunes:duration>:33</itunes:duration>
			<enclosure length="33" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Porn_Star_sample.mp3"/>
			<description> Bret Anthony Johnston starts off his reading at the November 15 Four Stories/Drum event with "Porn Star," his entry for a dictionary of dirty words.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Porn_Star_sample.mp3</guid>
			<pubDate>Mon, 29 Nov 2010 09:30:53 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Bret Anthony Johnston starts off his reading at the November 15 Four Stories/Drum event with "Porn Star," his entry for a dictionary of dirty words.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Bret Anthony Johnston starts off his reading at the November 15 Four Stories/Drum event with "Porn Star," his entry for a dictionary of dirty words.</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : LYNNE GRIFFIN Sea Escape (a central chapter)</title>
			<link>https://drumlitmag.com/mp3s/sounds-Sea_Escape_-oparen-Four_Stories-cparen-_sample.mp3</link>
			
			<itunes:duration>:33</itunes:duration>
			<enclosure length="33" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Sea_Escape_-oparen-Four_Stories-cparen-_sample.mp3"/>
			<description> At the November 15 Four Stories event, Lynne Griffin reads a central chapter from Sea Escape, her novel about the ties between a mother and her daughter, inspired by a collection of family letters. To hear Lynne read the first two chapters of the novel for The Drum, click here and here. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Sea_Escape_-oparen-Four_Stories-cparen-_sample.mp3</guid>
			<pubDate>Mon, 29 Nov 2010 08:49:52 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>At the November 15 Four Stories event, Lynne Griffin reads a central chapter from Sea Escape, her novel about the ties between a mother and her daughter, inspired by a collection of family letters. To hear Lynne read the first two chapters of the novel for The Drum, click here and here.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>At the November 15 Four Stories event, Lynne Griffin reads a central chapter from Sea Escape, her novel about the ties between a mother and her daughter, inspired by a collection of family letters. To hear Lynne read the first two chapters of the novel for The Drum, click here and here.</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : MICHELLE HOOVER The Quickening</title>
			<link>https://drumlitmag.com/mp3s/sounds-Michelle_Hoover--The_Quickening_-oparen-sample-cparen-.mp3</link>
			
			<itunes:duration>1:04</itunes:duration>
			<enclosure length="64" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Michelle_Hoover--The_Quickening_-oparen-sample-cparen-.mp3"/>
			<description> Michelle Hoover reads from her novel The Quickening at the November 15 Four Stories event, choosing a scene that dramatizes the themes of loss and perseverance at the novel's core.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Michelle_Hoover--The_Quickening_-oparen-sample-cparen-.mp3</guid>
			<pubDate>Mon, 22 Nov 2010 10:19:10 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Michelle Hoover reads from her novel The Quickening at the November 15 Four Stories event, choosing a scene that dramatizes the themes of loss and perseverance at the novel's core.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Michelle Hoover reads from her novel The Quickening at the November 15 Four Stories event, choosing a scene that dramatizes the themes of loss and perseverance at the novel's core.</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : ETHAN GILSDORF Just To See If I Could</title>
			<link>https://drumlitmag.com/mp3s/sounds-Just_to_See_If_I_Could_sample.mp3</link>
			
			<itunes:duration>:31</itunes:duration>
			<enclosure length="31" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Just_to_See_If_I_Could_sample.mp3"/>
			<description> Reading at the November 15 Four Stories event, Ethan Gilsdorf begins with a boy facing a woodchuck, and leads us through a humorous and complex contemplation of the nature of play, cruelty, and kindness, in his essay "Just To See If I Could".</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Just_to_See_If_I_Could_sample.mp3</guid>
			<pubDate>Mon, 22 Nov 2010 10:02:03 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Reading at the November 15 Four Stories event, Ethan Gilsdorf begins with a boy facing a woodchuck, and leads us through a humorous and complex contemplation of the nature of play, cruelty, and kindness, in his essay "Just To See If I Could".</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Reading at the November 15 Four Stories event, Ethan Gilsdorf begins with a boy facing a woodchuck, and leads us through a humorous and complex contemplation of the nature of play, cruelty, and kindness, in his essay "Just To See If I Could".</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : FAITH SALIE Four Stories Introduction</title>
			<link>https://drumlitmag.com/mp3s/sounds-FaithSalieintroducesFourStories.mp3</link>
			
			<itunes:duration>4:38</itunes:duration>
			<enclosure length="278" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-FaithSalieintroducesFourStories.mp3"/>
			<description> Faith Salie welcomes the crowd at Cambridge's Enormous Room to the November 15 Four Stories event in collaboration with The Drum, goes over the ground rules--and opines on The Great Gatsby, pageants, and catheters.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-FaithSalieintroducesFourStories.mp3</guid>
			<pubDate>Mon, 22 Nov 2010 09:48:29 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Faith Salie welcomes the crowd at Cambridge's Enormous Room to the November 15 Four Stories event in collaboration with The Drum, goes over the ground rules--and opines on The Great Gatsby, pageants, and catheters.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Faith Salie welcomes the crowd at Cambridge's Enormous Room to the November 15 Four Stories event in collaboration with The Drum, goes over the ground rules--and opines on The Great Gatsby, pageants, and catheters.</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : SHARON BIALLY Veronica's Nap</title>
			<link>https://drumlitmag.com/mp3s/sounds-Veronica-squo-s_Nap_excerpt_sample.mp3</link>
			
			<itunes:duration>:31</itunes:duration>
			<enclosure length="31" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Veronica-squo-s_Nap_excerpt_sample.mp3"/>
			<description> Sharon Bially's novel Veronica's Nap opens with the high winds of summer in the south of France, twin toddlers, and the pressures of painter's block. Hear the first chapter here, and read the rest at Veronica's Nap.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Veronica-squo-s_Nap_excerpt_sample.mp3</guid>
			<pubDate>Sun, 14 Nov 2010 23:18:00 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Sharon Bially's novel Veronica's Nap opens with the high winds of summer in the south of France, twin toddlers, and the pressures of painter's block. Hear the first chapter here, and read the rest at Veronica's Nap.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Sharon Bially's novel Veronica's Nap opens with the high winds of summer in the south of France, twin toddlers, and the pressures of painter's block. Hear the first chapter here, and read the rest at Veronica's Nap.</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : ANN KING Plumbing Problems</title>
			<link>https://drumlitmag.com/mp3s/sounds-Plumbing_Problems_sample.mp3</link>
			
			<itunes:duration>:34</itunes:duration>
			<enclosure length="34" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Plumbing_Problems_sample.mp3"/>
			<description> Ann King's "Plumbing Problems" sets a cancer diagnosis in the world of a plumbing supply company, where the bright white of a porcelain tub, and the cramped space of a backroom toilet give us a fresh look on an all too common event.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Plumbing_Problems_sample.mp3</guid>
			<pubDate>Mon, 08 Nov 2010 08:32:12 EST</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Ann King's "Plumbing Problems" sets a cancer diagnosis in the world of a plumbing supply company, where the bright white of a porcelain tub, and the cramped space of a backroom toilet give us a fresh look on an all too common event.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Ann King's "Plumbing Problems" sets a cancer diagnosis in the world of a plumbing supply company, where the bright white of a porcelain tub, and the cramped space of a backroom toilet give us a fresh look on an all too common event.</itunes:summary></item>
		<item>
			<title>Issue 6. November 2010 : ELYSSA EAST Dogtown</title>
			<link>https://drumlitmag.com/mp3s/sounds-Elyssa_East_sample.mp3</link>
			
			<itunes:duration>1:04</itunes:duration>
			<enclosure length="64" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Elyssa_East_sample.mp3"/>
			<description> Elyssa East&amp;rsquo;s first book, Dogtown: Death and Enchantment in a New England Ghost Town, interlaces the true story of a grisly murder with the strange history of a wilderness ghost town and explores the possibility that certain landscapes wield their own unique power. She reads here from the prologue of the book, "The Prophetic Pictures."</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Elyssa_East_sample.mp3</guid>
			<pubDate>Mon, 01 Nov 2010 10:09:17 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Elyssa East&amp;rsquo;s first book, Dogtown: Death and Enchantment in a New England Ghost Town, interlaces the true story of a grisly murder with the strange history of a wilderness ghost town and explores the possibility that certain landscapes wield their own unique power. She reads here from the prologue of the book, "The Prophetic Pictures."</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Elyssa East&amp;rsquo;s first book, Dogtown: Death and Enchantment in a New England Ghost Town, interlaces the true story of a grisly murder with the strange history of a wilderness ghost town and explores the possibility that certain landscapes wield their own unique power. She reads here from the prologue of the book, "The Prophetic Pictures."</itunes:summary></item>
		<item>
			<title>Issue 5. October 2010 : BOSTON BOOK FESTIVAL The Web of Relationship Panel</title>
			<link>https://drumlitmag.com/mp3s/sounds-BBF_Web_of_Relationship_sample.mp3</link>
			
			<itunes:duration>4:04</itunes:duration>
			<enclosure length="244" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-BBF_Web_of_Relationship_sample.mp3"/>
			<description> Courtesy of the Boston Book Festival, a recording of the Web of Relationship panel with Ann Hood, Brunonia Barry, and Joanna Smith Rakoff, moderated by Henriette Lazaridis Power. The discussion took place in the Rabb Lecture Hall of the Boston Public Library on Saturday, October 16th.We hope you enjoy the discussion of secrets in novels, structure, the obligations that come with connection, and how to write novels in the post-cell-phone age. Audience members asking questions include one author's blast from the past, a twentysomething who's not on Facebook, and a ten-year-old writer looking for tips.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-BBF_Web_of_Relationship_sample.mp3</guid>
			<pubDate>Wed, 20 Oct 2010 13:05:57 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Courtesy of the Boston Book Festival, a recording of the Web of Relationship panel with Ann Hood, Brunonia Barry, and Joanna Smith Rakoff, moderated by Henriette Lazaridis Power. The discussion took place in the Rabb Lecture Hall of the Boston Public Library on Saturday, October 16th.We hope you enjoy the discussion of secrets in novels, structure, the obligations that come with connection, and how to write novels in the post-cell-phone age. Audience members asking questions include one author's blast from the past, a twentysomething who's not on Facebook, and a ten-year-old writer looking for tips.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Courtesy of the Boston Book Festival, a recording of the Web of Relationship panel with Ann Hood, Brunonia Barry, and Joanna Smith Rakoff, moderated by Henriette Lazaridis Power. The discussion took place in the Rabb Lecture Hall of the Boston Public Library on Saturday, October 16th.We hope you enjoy the discussion of secrets in novels, structure, the obligations that come with connection, and how to write novels in the post-cell-phone age. Audience members asking questions include one author's blast from the past, a twentysomething who's not on Facebook, and a ten-year-old writer looking for tips.</itunes:summary></item>
		<item>
			<title>Issue 5. October 2010 : SHUBHA SUNDER Climb</title>
			<link>https://drumlitmag.com/mp3s/sounds-Climb_sample.mp3</link>
			
			<itunes:duration>:31</itunes:duration>
			<enclosure length="31" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Climb_sample.mp3"/>
			<description> Shubha Sunder's "Climb" layers relationships between cousins, between mothers and daughters, and between brothers and sisters with the tug between two cultures. In Sunder's story, a voyage with Trupti's relatives visiting from America turns out to reveal the stresses within the older girl's seemingly perfect life.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Climb_sample.mp3</guid>
			<pubDate>Wed, 20 Oct 2010 11:11:39 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Shubha Sunder's "Climb" layers relationships between cousins, between mothers and daughters, and between brothers and sisters with the tug between two cultures. In Sunder's story, a voyage with Trupti's relatives visiting from America turns out to reveal the stresses within the older girl's seemingly perfect life.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Shubha Sunder's "Climb" layers relationships between cousins, between mothers and daughters, and between brothers and sisters with the tug between two cultures. In Sunder's story, a voyage with Trupti's relatives visiting from America turns out to reveal the stresses within the older girl's seemingly perfect life.</itunes:summary></item>
		<item>
			<title>Issue 5. October 2010 : JENNIFER HAIGH Claire of the Moon</title>
			<link>https://drumlitmag.com/mp3s/JenniferHaigh--ClaireoftheMoon.mp3</link>
			
			<itunes:duration>24:44</itunes:duration>
			<enclosure length="1484" type="audio/mpeg" url="https://drumlitmag.com/mp3s/JenniferHaigh--ClaireoftheMoon.mp3"/>
			<description> Award-winning novelist Jennifer Haigh's "Claire of the Moon" tells the story of a little girl who can't tolerate the sun and the adults who try to shield her or to let her bask in its reflection.</description>
			<guid>https://drumlitmag.com/mp3s/JenniferHaigh--ClaireoftheMoon.mp3</guid>
			<pubDate>Fri, 08 Oct 2010 13:35:13 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Award-winning novelist Jennifer Haigh's "Claire of the Moon" tells the story of a little girl who can't tolerate the sun and the adults who try to shield her or to let her bask in its reflection.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Award-winning novelist Jennifer Haigh's "Claire of the Moon" tells the story of a little girl who can't tolerate the sun and the adults who try to shield her or to let her bask in its reflection.</itunes:summary></item>
		<item>
			<title>Issue 4. September 2010 : DEBORAH MILSTEIN more for A Yiddish Vocabulary</title>
			<link>https://drumlitmag.com/mp3s/sounds-hospitalscene.mp3</link>
			
			<itunes:duration>:37</itunes:duration>
			<enclosure length="37" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-hospitalscene.mp3"/>
			<description>Sometimes great entertainment comes in tiny packages. Here is a tweet-sized clip from the interview that gave rise to Deborah Milstein's essay about Yiddish, her grandmother, and her response to her Jewish heritage. The essay can be found in our archives, through Nimbit. Follow the Nimbit link below.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-hospitalscene.mp3</guid>
			<pubDate>Mon, 04 Oct 2010 08:24:13 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Sometimes great entertainment comes in tiny packages. Here is a tweet-sized clip from the interview that gave rise to Deborah Milstein's essay about Yiddish, her grandmother, and her response to her Jewish heritage. The essay can be found in our archives, through Nimbit. Follow the Nimbit link below.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Sometimes great entertainment comes in tiny packages. Here is a tweet-sized clip from the interview that gave rise to Deborah Milstein's essay about Yiddish, her grandmother, and her response to her Jewish heritage. The essay can be found in our archives, through Nimbit. Follow the Nimbit link below.</itunes:summary></item>
		<item>
			<title>Issue 4. September 2010 : DEBORAH MILSTEIN A Yiddish Vocabulary</title>
			<link>https://drumlitmag.com/mp3s/sounds-A_Yiddish_Vocabulary_sample.mp3</link>
			
			<itunes:duration>:32</itunes:duration>
			<enclosure length="32" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-A_Yiddish_Vocabulary_sample.mp3"/>
			<description> A feisty grandmother, Yiddish nicknames, and a hospital stay come together in Deborah Milstein's "A Yiddish Vocabulary." Milstein's essay offers a reverie on Jewish heritage and on the words that bind family together.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-A_Yiddish_Vocabulary_sample.mp3</guid>
			<pubDate>Sun, 26 Sep 2010 15:18:16 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A feisty grandmother, Yiddish nicknames, and a hospital stay come together in Deborah Milstein's "A Yiddish Vocabulary." Milstein's essay offers a reverie on Jewish heritage and on the words that bind family together.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A feisty grandmother, Yiddish nicknames, and a hospital stay come together in Deborah Milstein's "A Yiddish Vocabulary." Milstein's essay offers a reverie on Jewish heritage and on the words that bind family together.</itunes:summary></item>
		<item>
			<title>Issue 4. September 2010 : SANDRA JENSEN The Good Wife</title>
			<link>https://drumlitmag.com/mp3s/sounds-The_Good_Wife_sample.mp3</link>
			
			<itunes:duration>:31</itunes:duration>
			<enclosure length="31" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-The_Good_Wife_sample.mp3"/>
			<description> Sandra Jensen's "The Good Wife," set in the South Africa of the 1950s, explores difficulties facing a politically motivated woman who has given up her anti-apartheid activities to look after her husband and young son.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-The_Good_Wife_sample.mp3</guid>
			<pubDate>Fri, 17 Sep 2010 10:54:16 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Sandra Jensen's "The Good Wife," set in the South Africa of the 1950s, explores difficulties facing a politically motivated woman who has given up her anti-apartheid activities to look after her husband and young son.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Sandra Jensen's "The Good Wife," set in the South Africa of the 1950s, explores difficulties facing a politically motivated woman who has given up her anti-apartheid activities to look after her husband and young son.</itunes:summary></item>
		<item>
			<title>Issue 4. September 2010 : ALEXIS STRATTON Burn</title>
			<link>https://drumlitmag.com/mp3s/sounds-excerpt_from_Burn_sample.mp3</link>
			
			<itunes:duration>:36</itunes:duration>
			<enclosure length="36" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-excerpt_from_Burn_sample.mp3"/>
			<description> In an excerpt from her novel BURN, South Carolina-based Alexis Stratton writes about a teenage girl dealing with the aftermath of a fire and her mother's curious take on fate.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-excerpt_from_Burn_sample.mp3</guid>
			<pubDate>Sun, 12 Sep 2010 17:03:31 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In an excerpt from her novel BURN, South Carolina-based Alexis Stratton writes about a teenage girl dealing with the aftermath of a fire and her mother's curious take on fate.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In an excerpt from her novel BURN, South Carolina-based Alexis Stratton writes about a teenage girl dealing with the aftermath of a fire and her mother's curious take on fate.</itunes:summary></item>
		<item>
			<title>Issue 4. September 2010 : A. IGONI BARRETT My Smelling Mouth Problem</title>
			<link>https://drumlitmag.com/mp3s/sounds-My_Smelling_Mouth_Problem_sample.mp3</link>
			
			<itunes:duration>:38</itunes:duration>
			<enclosure length="38" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-My_Smelling_Mouth_Problem_sample.mp3"/>
			<description> A. Igoni Barrett's "My Smelling Mouth Problem" brings together a Nigerian traffic jam, popular music, and a bad case of halitosis to tell a lively story about personal and cultural independence.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-My_Smelling_Mouth_Problem_sample.mp3</guid>
			<pubDate>Wed, 08 Sep 2010 19:49:41 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A. Igoni Barrett's "My Smelling Mouth Problem" brings together a Nigerian traffic jam, popular music, and a bad case of halitosis to tell a lively story about personal and cultural independence.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A. Igoni Barrett's "My Smelling Mouth Problem" brings together a Nigerian traffic jam, popular music, and a bad case of halitosis to tell a lively story about personal and cultural independence.</itunes:summary></item>
		<item>
			<title>Issue 4. September 2010 : LESLIE SCHULTZ Drowning</title>
			<link>https://drumlitmag.com/mp3s/sounds-Drowning_sample.mp3</link>
			
			<itunes:duration>:34</itunes:duration>
			<enclosure length="34" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Drowning_sample.mp3"/>
			<description> As a young girl faces the break-up of her home town, she confronts a larger tragedy in her own family. The competing forces of dissolution and re-collection meet in journalist and fiction writer Leslie Schultz's short story "Drowning".</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Drowning_sample.mp3</guid>
			<pubDate>Tue, 07 Sep 2010 16:09:27 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>As a young girl faces the break-up of her home town, she confronts a larger tragedy in her own family. The competing forces of dissolution and re-collection meet in journalist and fiction writer Leslie Schultz's short story "Drowning".</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>As a young girl faces the break-up of her home town, she confronts a larger tragedy in her own family. The competing forces of dissolution and re-collection meet in journalist and fiction writer Leslie Schultz's short story "Drowning".</itunes:summary></item>
		<item>
			<title>Issue 4. September 2010 : JAMYE SHELLEBY Twenty Five</title>
			<link>https://drumlitmag.com/mp3s/sounds-Twenty_Five_sample.mp3</link>
			
			<itunes:duration>:35</itunes:duration>
			<enclosure length="35" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Twenty_Five_sample.mp3"/>
			<description> Pennsylvania writer Jamye Shelleby's short story "Twenty Five" contemplates the metaphysics of loss through a brother-sister relationship remembered through markers in time.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Twenty_Five_sample.mp3</guid>
			<pubDate>Tue, 07 Sep 2010 12:05:16 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Pennsylvania writer Jamye Shelleby's short story "Twenty Five" contemplates the metaphysics of loss through a brother-sister relationship remembered through markers in time.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Pennsylvania writer Jamye Shelleby's short story "Twenty Five" contemplates the metaphysics of loss through a brother-sister relationship remembered through markers in time.</itunes:summary></item>
		<item>
			<title>Issue 4. September 2010 : AARON TILLMAN Heeding Doctor Eisner</title>
			<link>https://drumlitmag.com/mp3s/sounds-Heeding_Doctor_Eisner_sample.mp3</link>
			
			<itunes:duration>:36</itunes:duration>
			<enclosure length="36" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Heeding_Doctor_Eisner_sample.mp3"/>
			<description> In Newbury College professor Aaron Tillman's "Heeding Doctor Eisner," an over-analyzing academic comes undone as he clings to sociological theory and to questionable sources of advice in the figures of his boss, his student, and his fellow commuters.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Heeding_Doctor_Eisner_sample.mp3</guid>
			<pubDate>Tue, 07 Sep 2010 11:40:40 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Newbury College professor Aaron Tillman's "Heeding Doctor Eisner," an over-analyzing academic comes undone as he clings to sociological theory and to questionable sources of advice in the figures of his boss, his student, and his fellow commuters.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Newbury College professor Aaron Tillman's "Heeding Doctor Eisner," an over-analyzing academic comes undone as he clings to sociological theory and to questionable sources of advice in the figures of his boss, his student, and his fellow commuters.</itunes:summary></item>
		<item>
			<title>Issue 3. July 2010 : STORIES ON THE STREET The Wind in the Willows by Kenneth Grahame</title>
			<link>https://drumlitmag.com/mp3s/sounds-Wind_in_the_Willows_sample.mp3</link>
			
			<itunes:duration>:47</itunes:duration>
			<enclosure length="47" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Wind_in_the_Willows_sample.mp3"/>
			<description> Who better to read aloud Kenneth Grahame's famous passage about the delight of "messing about in boats" than the rowers and staff at Boston's Community Rowing, Inc.? The Drum stopped by the boathouse early one morning last week and found a group of willing--and even enthusiastic--participants just coming off the water. Community Rowing is one of the largest public boat clubs in the United States, introducing people of all ages and all abilities to the sport of rowing. Visit their website for more info.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Wind_in_the_Willows_sample.mp3</guid>
			<pubDate>Mon, 19 Jul 2010 08:51:17 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Who better to read aloud Kenneth Grahame's famous passage about the delight of "messing about in boats" than the rowers and staff at Boston's Community Rowing, Inc.? The Drum stopped by the boathouse early one morning last week and found a group of willing--and even enthusiastic--participants just coming off the water. Community Rowing is one of the largest public boat clubs in the United States, introducing people of all ages and all abilities to the sport of rowing. Visit their website for more info.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Who better to read aloud Kenneth Grahame's famous passage about the delight of "messing about in boats" than the rowers and staff at Boston's Community Rowing, Inc.? The Drum stopped by the boathouse early one morning last week and found a group of willing--and even enthusiastic--participants just coming off the water. Community Rowing is one of the largest public boat clubs in the United States, introducing people of all ages and all abilities to the sport of rowing. Visit their website for more info.</itunes:summary></item>
		<item>
			<title>Issue 3. July 2010 : ALLISON WILLIAMS Snake</title>
			<link>https://drumlitmag.com/mp3s/AllisonWilliams--Snake1.mp3</link>
			
			<itunes:duration>4:16</itunes:duration>
			<enclosure length="256" type="audio/mpeg" url="https://drumlitmag.com/mp3s/AllisonWilliams--Snake1.mp3"/>
			<description> Allison Williams&amp;rsquo; &amp;ldquo;Snake&amp;rdquo; finds two children playing in a muddy yard. Their game turns to a scuffle made dangerous when their father returns, sure to be angry at the mess they&amp;rsquo;ve made. Williams&amp;rsquo; brief piece offers an intense study of the blurred line between protection and harm.</description>
			<guid>https://drumlitmag.com/mp3s/AllisonWilliams--Snake1.mp3</guid>
			<pubDate>Thu, 08 Jul 2010 14:06:29 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Allison Williams&amp;rsquo; &amp;ldquo;Snake&amp;rdquo; finds two children playing in a muddy yard. Their game turns to a scuffle made dangerous when their father returns, sure to be angry at the mess they&amp;rsquo;ve made. Williams&amp;rsquo; brief piece offers an intense study of the blurred line between protection and harm.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Allison Williams&amp;rsquo; &amp;ldquo;Snake&amp;rdquo; finds two children playing in a muddy yard. Their game turns to a scuffle made dangerous when their father returns, sure to be angry at the mess they&amp;rsquo;ve made. Williams&amp;rsquo; brief piece offers an intense study of the blurred line between protection and harm.</itunes:summary></item>
		<item>
			<title>Issue 3. July 2010 : ADAM STUMACHER Local Appetites</title>
			<link>https://drumlitmag.com/mp3s/sounds-Local_Appetites_sample.mp3</link>
			
			<itunes:duration>:32</itunes:duration>
			<enclosure length="32" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Local_Appetites_sample.mp3"/>
			<description>Three narrators take the listener through a range of responses to American culture. A Bolivian tour guide, a Taiwanese businesswoman, and a young Palestinian give us three perspectives on America&amp;rsquo;s relations with the world, all of them with a hamburger at the core of the story.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Local_Appetites_sample.mp3</guid>
			<pubDate>Fri, 02 Jul 2010 16:26:17 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Three narrators take the listener through a range of responses to American culture. A Bolivian tour guide, a Taiwanese businesswoman, and a young Palestinian give us three perspectives on America&amp;rsquo;s relations with the world, all of them with a hamburger at the core of the story.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Three narrators take the listener through a range of responses to American culture. A Bolivian tour guide, a Taiwanese businesswoman, and a young Palestinian give us three perspectives on America&amp;rsquo;s relations with the world, all of them with a hamburger at the core of the story.</itunes:summary></item>
		<item>
			<title>Issue 3. July 2010 : TARA MASIH A Haunt of Memory</title>
			<link>https://drumlitmag.com/mp3s/sounds-A_Haunt_of_Memory_sample.mp3</link>
			
			<itunes:duration>:33</itunes:duration>
			<enclosure length="33" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-A_Haunt_of_Memory_sample.mp3"/>
			<description>In Tara Masih&amp;rsquo;s &amp;ldquo;Haunt of Memory,&amp;rdquo; the narrator describes how he prunes the spirit tress of his blind friend Phineas to keep the bad spirits and memories away from his home. This short piece captures the beauty of the trees and of the friendship, and evokes an old man&amp;rsquo;s hard life on the edge of twilight.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-A_Haunt_of_Memory_sample.mp3</guid>
			<pubDate>Fri, 02 Jul 2010 16:17:37 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Tara Masih&amp;rsquo;s &amp;ldquo;Haunt of Memory,&amp;rdquo; the narrator describes how he prunes the spirit tress of his blind friend Phineas to keep the bad spirits and memories away from his home. This short piece captures the beauty of the trees and of the friendship, and evokes an old man&amp;rsquo;s hard life on the edge of twilight.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Tara Masih&amp;rsquo;s &amp;ldquo;Haunt of Memory,&amp;rdquo; the narrator describes how he prunes the spirit tress of his blind friend Phineas to keep the bad spirits and memories away from his home. This short piece captures the beauty of the trees and of the friendship, and evokes an old man&amp;rsquo;s hard life on the edge of twilight.</itunes:summary></item>
		<item>
			<title>Issue 3. July 2010 : PETE SMITH Testimony</title>
			<link>https://drumlitmag.com/mp3s/sounds-Testimony_sample.mp3</link>
			
			<itunes:duration>:34</itunes:duration>
			<enclosure length="34" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Testimony_sample.mp3"/>
			<description>The female narrator of Pete Smith&amp;rsquo;s &amp;ldquo;Testimony&amp;rdquo; tells the story of an affair that starts with a cloud of drinks and ends in the mystery of not knowing a partner. Smith explores the ways in which a self can become lost between a past and a present, youth and maturity--and intoxicating drinks and an even more intoxicating partner.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Testimony_sample.mp3</guid>
			<pubDate>Fri, 02 Jul 2010 16:13:05 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The female narrator of Pete Smith&amp;rsquo;s &amp;ldquo;Testimony&amp;rdquo; tells the story of an affair that starts with a cloud of drinks and ends in the mystery of not knowing a partner. Smith explores the ways in which a self can become lost between a past and a present, youth and maturity--and intoxicating drinks and an even more intoxicating partner.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The female narrator of Pete Smith&amp;rsquo;s &amp;ldquo;Testimony&amp;rdquo; tells the story of an affair that starts with a cloud of drinks and ends in the mystery of not knowing a partner. Smith explores the ways in which a self can become lost between a past and a present, youth and maturity--and intoxicating drinks and an even more intoxicating partner.</itunes:summary></item>
		<item>
			<title>Issue 3. July 2010 : VESTAL MCINTYRE Tickle or Torture</title>
			<link>https://drumlitmag.com/mp3s/sounds-Tickle_or_Torture_sample.mp3</link>
			
			<itunes:duration>:35</itunes:duration>
			<enclosure length="35" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Tickle_or_Torture_sample.mp3"/>
			<description>In his essay &amp;ldquo;Tickle or Torture,&amp;rdquo; Vestal McIntyre recounts his Wednesday-night teasings as the youngest of seven in an Idaho town. While his parents are attending Bible study, McIntyre is poked, prodded, tickled, and tortured by his siblings, although all he really desires is to be left alone.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Tickle_or_Torture_sample.mp3</guid>
			<pubDate>Fri, 02 Jul 2010 15:55:32 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In his essay &amp;ldquo;Tickle or Torture,&amp;rdquo; Vestal McIntyre recounts his Wednesday-night teasings as the youngest of seven in an Idaho town. While his parents are attending Bible study, McIntyre is poked, prodded, tickled, and tortured by his siblings, although all he really desires is to be left alone.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In his essay &amp;ldquo;Tickle or Torture,&amp;rdquo; Vestal McIntyre recounts his Wednesday-night teasings as the youngest of seven in an Idaho town. While his parents are attending Bible study, McIntyre is poked, prodded, tickled, and tortured by his siblings, although all he really desires is to be left alone.</itunes:summary></item>
		<item>
			<title>Issue 3. July 2010 : JONATHAN PAPERNICK Skin for Skin</title>
			<link>https://drumlitmag.com/mp3s/sounds-Skin_for_Skin_sample.mp3</link>
			
			<itunes:duration>:32</itunes:duration>
			<enclosure length="32" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Skin_for_Skin_sample.mp3"/>
			<description>While her parents are attending her baby cousin&amp;rsquo;s circumcision ceremony, the teenage narrator of Jonathan Papernick&amp;rsquo;s &amp;ldquo;Skin for Skin&amp;rdquo; invites an intriguing new boy from school over to her home. The narrator is not Jewish, as her parents are, but her views on religion and family begin to change as she contemplates sleeping with the boy, demanding of him an intriguing bargain. </description>
			<guid>https://drumlitmag.com/mp3s/sounds-Skin_for_Skin_sample.mp3</guid>
			<pubDate>Fri, 02 Jul 2010 15:45:21 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>While her parents are attending her baby cousin&amp;rsquo;s circumcision ceremony, the teenage narrator of Jonathan Papernick&amp;rsquo;s &amp;ldquo;Skin for Skin&amp;rdquo; invites an intriguing new boy from school over to her home. The narrator is not Jewish, as her parents are, but her views on religion and family begin to change as she contemplates sleeping with the boy, demanding of him an intriguing bargain.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>While her parents are attending her baby cousin&amp;rsquo;s circumcision ceremony, the teenage narrator of Jonathan Papernick&amp;rsquo;s &amp;ldquo;Skin for Skin&amp;rdquo; invites an intriguing new boy from school over to her home. The narrator is not Jewish, as her parents are, but her views on religion and family begin to change as she contemplates sleeping with the boy, demanding of him an intriguing bargain.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : ETHAN GILSDORF Loving the Momster</title>
			<link>https://drumlitmag.com/mp3s/sounds-Loving_the_Momster_sample.mp3</link>
			
			<itunes:duration>:37</itunes:duration>
			<enclosure length="37" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Loving_the_Momster_sample.mp3"/>
			<description>  In his essay &amp;ldquo;Loving the Momster,&amp;rdquo; Ethan Gilsdorf recounts his childhood after his mother&amp;rsquo;s 1997 death, specifically the childhood after his mother suffered an aneurism in 1978. Gilsdorf revisits his mother&amp;rsquo;s mercurial moods and changed attitude, and his own altered childhood, through emails from a childhood friend who only knew Gilsdorf&amp;rsquo;s mother after her aneurism. Despite the fragmented nature of his mother&amp;rsquo;s life, Gilsdorf is able to find and preserve a sense of her identity.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Loving_the_Momster_sample.mp3</guid>
			<pubDate>Sun, 27 Jun 2010 21:59:08 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In his essay &amp;ldquo;Loving the Momster,&amp;rdquo; Ethan Gilsdorf recounts his childhood after his mother&amp;rsquo;s 1997 death, specifically the childhood after his mother suffered an aneurism in 1978. Gilsdorf revisits his mother&amp;rsquo;s mercurial moods and changed attitude, and his own altered childhood, through emails from a childhood friend who only knew Gilsdorf&amp;rsquo;s mother after her aneurism. Despite the fragmented nature of his mother&amp;rsquo;s life, Gilsdorf is able to find and preserve a sense of her identity.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In his essay &amp;ldquo;Loving the Momster,&amp;rdquo; Ethan Gilsdorf recounts his childhood after his mother&amp;rsquo;s 1997 death, specifically the childhood after his mother suffered an aneurism in 1978. Gilsdorf revisits his mother&amp;rsquo;s mercurial moods and changed attitude, and his own altered childhood, through emails from a childhood friend who only knew Gilsdorf&amp;rsquo;s mother after her aneurism. Despite the fragmented nature of his mother&amp;rsquo;s life, Gilsdorf is able to find and preserve a sense of her identity.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : CELESTE NG Trick</title>
			<link>https://drumlitmag.com/mp3s/sounds-Trick_sample.mp3</link>
			
			<itunes:duration>:33</itunes:duration>
			<enclosure length="33" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Trick_sample.mp3"/>
			<description>A Halloween dinner with her estranged father and his new wife exposes tensions and fault lines in Claudia&amp;rsquo;s world. A single mother with a young son, she tries to preserve the spirit of trick or treat against her father&amp;rsquo;s wishes, until finally the stressful meal veers towards a new and alarming direction.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Trick_sample.mp3</guid>
			<pubDate>Sat, 19 Jun 2010 17:50:59 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A Halloween dinner with her estranged father and his new wife exposes tensions and fault lines in Claudia&amp;rsquo;s world. A single mother with a young son, she tries to preserve the spirit of trick or treat against her father&amp;rsquo;s wishes, until finally the stressful meal veers towards a new and alarming direction.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A Halloween dinner with her estranged father and his new wife exposes tensions and fault lines in Claudia&amp;rsquo;s world. A single mother with a young son, she tries to preserve the spirit of trick or treat against her father&amp;rsquo;s wishes, until finally the stressful meal veers towards a new and alarming direction.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : LAUREN GRODSTEIN This Truth I'm Telling</title>
			<link>https://drumlitmag.com/mp3s/sounds-This_Truth_I-squo-m_Telling_sample.mp3</link>
			
			<itunes:duration>:38</itunes:duration>
			<enclosure length="38" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-This_Truth_I-squo-m_Telling_sample.mp3"/>
			<description>The narrator of Lauren Grodstein&amp;rsquo;s &amp;ldquo;This Truth I&amp;rsquo;m Telling&amp;rdquo; was a bartender in the World Trade Center. At a jobs convention for workers displaced after 9/11, Martin thinks about the life and the people that he has lost. He wonders which is truer: the optimistic exhortations of the jobs speaker, or the resignation he feels.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-This_Truth_I-squo-m_Telling_sample.mp3</guid>
			<pubDate>Sun, 13 Jun 2010 17:53:44 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Lauren Grodstein&amp;rsquo;s &amp;ldquo;This Truth I&amp;rsquo;m Telling&amp;rdquo; was a bartender in the World Trade Center. At a jobs convention for workers displaced after 9/11, Martin thinks about the life and the people that he has lost. He wonders which is truer: the optimistic exhortations of the jobs speaker, or the resignation he feels.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Lauren Grodstein&amp;rsquo;s &amp;ldquo;This Truth I&amp;rsquo;m Telling&amp;rdquo; was a bartender in the World Trade Center. At a jobs convention for workers displaced after 9/11, Martin thinks about the life and the people that he has lost. He wonders which is truer: the optimistic exhortations of the jobs speaker, or the resignation he feels.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : LYNNE GRIFFIN Sea Escape, Chapter Two</title>
			<link>https://drumlitmag.com/mp3s/sounds-excerpt_from_Sea_Escape_-oparen-Chapter_Two-cparen-.mp3</link>
			
			<itunes:duration>:44</itunes:duration>
			<enclosure length="44" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-excerpt_from_Sea_Escape_-oparen-Chapter_Two-cparen-.mp3"/>
			<description>In the second chapter of her novel Sea Escape, Lynne Griffin writes from the point of view of Laura&amp;rsquo;s mother, Helen. It is 1951 and Helen has just watched her boyfriend, Joe, depart for Samson Air Force Base. During his absence, she finds a new independence through work, despite her father&amp;rsquo;s wishes.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-excerpt_from_Sea_Escape_-oparen-Chapter_Two-cparen-.mp3</guid>
			<pubDate>Mon, 07 Jun 2010 07:00:53 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In the second chapter of her novel Sea Escape, Lynne Griffin writes from the point of view of Laura&amp;rsquo;s mother, Helen. It is 1951 and Helen has just watched her boyfriend, Joe, depart for Samson Air Force Base. During his absence, she finds a new independence through work, despite her father&amp;rsquo;s wishes.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In the second chapter of her novel Sea Escape, Lynne Griffin writes from the point of view of Laura&amp;rsquo;s mother, Helen. It is 1951 and Helen has just watched her boyfriend, Joe, depart for Samson Air Force Base. During his absence, she finds a new independence through work, despite her father&amp;rsquo;s wishes.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : LYNNE GRIFFIN Sea Escape</title>
			<link>https://drumlitmag.com/mp3s/drumlitmag1332-84.mp3</link>
			
			<itunes:duration>:35</itunes:duration>
			<enclosure length="35" type="audio/mpeg" url="https://drumlitmag.com/mp3s/drumlitmag1332-84.mp3"/>
			<description>Lynne Griffin reads from the first chapter of her novel Sea Escape. After working a 12 hour nursing shift, Laura takes her two young children to visit her mother on her 77th birthday. But while she prepares to bake a cake for the occasion, Laura receives a phone call that could alter the course of her life, of her mother&amp;rsquo;s life, and of their rocky relationship.</description>
			<guid>https://drumlitmag.com/mp3s/drumlitmag1332-84.mp3</guid>
			<pubDate>Mon, 31 May 2010 12:43:21 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Lynne Griffin reads from the first chapter of her novel Sea Escape. After working a 12 hour nursing shift, Laura takes her two young children to visit her mother on her 77th birthday. But while she prepares to bake a cake for the occasion, Laura receives a phone call that could alter the course of her life, of her mother&amp;rsquo;s life, and of their rocky relationship.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Lynne Griffin reads from the first chapter of her novel Sea Escape. After working a 12 hour nursing shift, Laura takes her two young children to visit her mother on her 77th birthday. But while she prepares to bake a cake for the occasion, Laura receives a phone call that could alter the course of her life, of her mother&amp;rsquo;s life, and of their rocky relationship.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : MICHELLE HOOVER Our Little Bertha</title>
			<link>https://drumlitmag.com/mp3s/sounds-Our_Little_Bertha_sample.mp3</link>
			
			<itunes:duration>:36</itunes:duration>
			<enclosure length="36" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Our_Little_Bertha_sample.mp3"/>
			<description>Michelle Hoover&amp;rsquo;s essay &amp;ldquo;Our Litter Bertha&amp;rdquo; recounts her discovery of her great-grandmother's journal, the document which she later used to inspire her novel, The Quickening. Hoover ponders the stories of her Midwestern family found in diaries and letters. She contemplates her upbringing and the consequences of her relocation from Iowa to Boston. The essay is a vivid study of the connection between identity and place.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Our_Little_Bertha_sample.mp3</guid>
			<pubDate>Mon, 31 May 2010 11:13:02 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Michelle Hoover&amp;rsquo;s essay &amp;ldquo;Our Litter Bertha&amp;rdquo; recounts her discovery of her great-grandmother's journal, the document which she later used to inspire her novel, The Quickening. Hoover ponders the stories of her Midwestern family found in diaries and letters. She contemplates her upbringing and the consequences of her relocation from Iowa to Boston. The essay is a vivid study of the connection between identity and place.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Michelle Hoover&amp;rsquo;s essay &amp;ldquo;Our Litter Bertha&amp;rdquo; recounts her discovery of her great-grandmother's journal, the document which she later used to inspire her novel, The Quickening. Hoover ponders the stories of her Midwestern family found in diaries and letters. She contemplates her upbringing and the consequences of her relocation from Iowa to Boston. The essay is a vivid study of the connection between identity and place.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : LYNNE BARRETT Macy Is The Other Woman</title>
			<link>https://drumlitmag.com/mp3s/sounds-Macy_Is_The_Other_Woman_sample.mp3</link>
			
			<itunes:duration>:40</itunes:duration>
			<enclosure length="40" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Macy_Is_The_Other_Woman_sample.mp3"/>
			<description>The narrator in Lynne Barrett&amp;rsquo;s story &amp;ldquo;Macy is the Other Woman,&amp;rdquo; is the other woman, conducting an affair with a softball teammate whose girlfriend she doesn&amp;rsquo;t want to hurt. Over a warm July 4th weekend in Washington, Macy comes to terms with the affair, pondering the complicated entanglements of infidelity and friendship.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Macy_Is_The_Other_Woman_sample.mp3</guid>
			<pubDate>Mon, 31 May 2010 11:06:40 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator in Lynne Barrett&amp;rsquo;s story &amp;ldquo;Macy is the Other Woman,&amp;rdquo; is the other woman, conducting an affair with a softball teammate whose girlfriend she doesn&amp;rsquo;t want to hurt. Over a warm July 4th weekend in Washington, Macy comes to terms with the affair, pondering the complicated entanglements of infidelity and friendship.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator in Lynne Barrett&amp;rsquo;s story &amp;ldquo;Macy is the Other Woman,&amp;rdquo; is the other woman, conducting an affair with a softball teammate whose girlfriend she doesn&amp;rsquo;t want to hurt. Over a warm July 4th weekend in Washington, Macy comes to terms with the affair, pondering the complicated entanglements of infidelity and friendship.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : BEN PERCY The Neighborhood</title>
			<link>https://drumlitmag.com/mp3s/sounds-The_Neighborhood_sample.mp3</link>
			
			<itunes:duration>:29</itunes:duration>
			<enclosure length="29" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-The_Neighborhood_sample.mp3"/>
			<description>In Ben Percy&amp;rsquo;s &amp;ldquo;The Neighborhood,&amp;rdquo; economic stress leads suburbanites to rather sinister acts against one family unable to keep up appearances. The Petersens become the focus of neighborhood concern, and their house becomes the target of a destructive communal activity.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-The_Neighborhood_sample.mp3</guid>
			<pubDate>Mon, 31 May 2010 11:03:01 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Ben Percy&amp;rsquo;s &amp;ldquo;The Neighborhood,&amp;rdquo; economic stress leads suburbanites to rather sinister acts against one family unable to keep up appearances. The Petersens become the focus of neighborhood concern, and their house becomes the target of a destructive communal activity.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Ben Percy&amp;rsquo;s &amp;ldquo;The Neighborhood,&amp;rdquo; economic stress leads suburbanites to rather sinister acts against one family unable to keep up appearances. The Petersens become the focus of neighborhood concern, and their house becomes the target of a destructive communal activity.</itunes:summary></item>
		<item>
			<title>Issue 2. June 2010 : MAUD CASEY Fugueur</title>
			<link>https://drumlitmag.com/mp3s/sounds-Fugueur_sample.mp3</link>
			
			<itunes:duration>:35</itunes:duration>
			<enclosure length="35" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Fugueur_sample.mp3"/>
			<description>At the turn of the 19th century, Albert wakes to find himself penniless and paperless, with no memory of his travels and the time he has been walking. In this excerpt from her unpublished novel, Fugueur, Maud Casey writes about a man caught in a fugue state, lost in time and place as he walks through France from town to town.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Fugueur_sample.mp3</guid>
			<pubDate>Mon, 31 May 2010 10:58:05 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>At the turn of the 19th century, Albert wakes to find himself penniless and paperless, with no memory of his travels and the time he has been walking. In this excerpt from her unpublished novel, Fugueur, Maud Casey writes about a man caught in a fugue state, lost in time and place as he walks through France from town to town.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>At the turn of the 19th century, Albert wakes to find himself penniless and paperless, with no memory of his travels and the time he has been walking. In this excerpt from her unpublished novel, Fugueur, Maud Casey writes about a man caught in a fugue state, lost in time and place as he walks through France from town to town.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : NATHAN POOLE Raw Milk Fever</title>
			<link>https://drumlitmag.com/mp3s/NathanPoole--RawMilkFever.mp3</link>
			
			<itunes:duration>2:37</itunes:duration>
			<enclosure length="157" type="audio/mpeg" url="https://drumlitmag.com/mp3s/NathanPoole--RawMilkFever.mp3"/>
			<description> Nathan Poole&amp;rsquo;s &amp;ldquo;Raw Milk Fever&amp;rdquo; begins at the turn of a young girl&amp;rsquo;s fever, brought on after she drank raw milk on a dare. Her brother narrates the piece, evoking the daze of heat and anxiety that lingers over this farm family during the girl&amp;rsquo;s illness.</description>
			<guid>https://drumlitmag.com/mp3s/NathanPoole--RawMilkFever.mp3</guid>
			<pubDate>Mon, 24 May 2010 09:21:33 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Nathan Poole&amp;rsquo;s &amp;ldquo;Raw Milk Fever&amp;rdquo; begins at the turn of a young girl&amp;rsquo;s fever, brought on after she drank raw milk on a dare. Her brother narrates the piece, evoking the daze of heat and anxiety that lingers over this farm family during the girl&amp;rsquo;s illness.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Nathan Poole&amp;rsquo;s &amp;ldquo;Raw Milk Fever&amp;rdquo; begins at the turn of a young girl&amp;rsquo;s fever, brought on after she drank raw milk on a dare. Her brother narrates the piece, evoking the daze of heat and anxiety that lingers over this farm family during the girl&amp;rsquo;s illness.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : JASON M. RUBIN In the Nickel of Time</title>
			<link>https://drumlitmag.com/mp3s/sounds-In_the_Nickel_of_Time_sample.mp3</link>
			
			<itunes:duration>:33</itunes:duration>
			<enclosure length="33" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-In_the_Nickel_of_Time_sample.mp3"/>
			<description> The narrator of Jason M. Rubin&amp;rsquo;s &amp;ldquo;In the Nickel of Time&amp;rdquo; works at a convenience story where the weight of a roll of nickels comes in handy for an act of late-night self-defense.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-In_the_Nickel_of_Time_sample.mp3</guid>
			<pubDate>Mon, 24 May 2010 09:11:53 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator of Jason M. Rubin&amp;rsquo;s &amp;ldquo;In the Nickel of Time&amp;rdquo; works at a convenience story where the weight of a roll of nickels comes in handy for an act of late-night self-defense.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator of Jason M. Rubin&amp;rsquo;s &amp;ldquo;In the Nickel of Time&amp;rdquo; works at a convenience story where the weight of a roll of nickels comes in handy for an act of late-night self-defense.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : ELLEN MEEROPOL Watching Her</title>
			<link>https://drumlitmag.com/mp3s/sounds-Watching_Her_sample.mp3</link>
			
			<itunes:duration>:31</itunes:duration>
			<enclosure length="31" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Watching_Her_sample.mp3"/>
			<description> A palace guardsman speaks for his battalion in Ellen Meeropol&amp;rsquo;s &amp;ldquo;Watching Her,&amp;rdquo; describing how the soldiers&amp;rsquo; affection for a young noblewoman must give way to obedience during a civil war. Following orders, they must punish the woman&amp;rsquo;s allegiance to the rebel cause, and to her rebel lover.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Watching_Her_sample.mp3</guid>
			<pubDate>Mon, 24 May 2010 09:03:32 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A palace guardsman speaks for his battalion in Ellen Meeropol&amp;rsquo;s &amp;ldquo;Watching Her,&amp;rdquo; describing how the soldiers&amp;rsquo; affection for a young noblewoman must give way to obedience during a civil war. Following orders, they must punish the woman&amp;rsquo;s allegiance to the rebel cause, and to her rebel lover.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A palace guardsman speaks for his battalion in Ellen Meeropol&amp;rsquo;s &amp;ldquo;Watching Her,&amp;rdquo; describing how the soldiers&amp;rsquo; affection for a young noblewoman must give way to obedience during a civil war. Following orders, they must punish the woman&amp;rsquo;s allegiance to the rebel cause, and to her rebel lover.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : DEBORAH BLICHER Gotta Move the Cow</title>
			<link>https://drumlitmag.com/mp3s/sounds-Gotta_Move_the_Cow_sample.mp3</link>
			
			<itunes:duration>:35</itunes:duration>
			<enclosure length="35" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Gotta_Move_the_Cow_sample.mp3"/>
			<description> In &amp;ldquo;Gotta Move the Cow,&amp;rdquo; Deborah Blicher recounts her work as a patient registration receptionist in a remote African hospital. The essay excerpt paints a vivid picture of a rural community as western medicine tries to help a desperate mother and her sick son.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Gotta_Move_the_Cow_sample.mp3</guid>
			<pubDate>Mon, 24 May 2010 08:55:03 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In &amp;ldquo;Gotta Move the Cow,&amp;rdquo; Deborah Blicher recounts her work as a patient registration receptionist in a remote African hospital. The essay excerpt paints a vivid picture of a rural community as western medicine tries to help a desperate mother and her sick son.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In &amp;ldquo;Gotta Move the Cow,&amp;rdquo; Deborah Blicher recounts her work as a patient registration receptionist in a remote African hospital. The essay excerpt paints a vivid picture of a rural community as western medicine tries to help a desperate mother and her sick son.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : GRACE TALUSAN The Girl in The Red Dress</title>
			<link>https://drumlitmag.com/mp3s/sounds-The_Girl_in_the_Red_Dress_sample.mp3</link>
			
			<itunes:duration>:35</itunes:duration>
			<enclosure length="35" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-The_Girl_in_the_Red_Dress_sample.mp3"/>
			<description> In Grace Talusan&amp;rsquo;s &amp;ldquo;The Girl in the Red Dress,&amp;rdquo; Rodrigo sees the eponymous girl. But is it a ghost or a hallucination&amp;mdash;or perhaps a sign of illness? During a visit to the doctor with his mother, Rodrigo tries to understand the intricacies of affection and intimacy and ponders what wealth means.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-The_Girl_in_the_Red_Dress_sample.mp3</guid>
			<pubDate>Mon, 24 May 2010 08:47:51 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In Grace Talusan&amp;rsquo;s &amp;ldquo;The Girl in the Red Dress,&amp;rdquo; Rodrigo sees the eponymous girl. But is it a ghost or a hallucination&amp;mdash;or perhaps a sign of illness? During a visit to the doctor with his mother, Rodrigo tries to understand the intricacies of affection and intimacy and ponders what wealth means.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In Grace Talusan&amp;rsquo;s &amp;ldquo;The Girl in the Red Dress,&amp;rdquo; Rodrigo sees the eponymous girl. But is it a ghost or a hallucination&amp;mdash;or perhaps a sign of illness? During a visit to the doctor with his mother, Rodrigo tries to understand the intricacies of affection and intimacy and ponders what wealth means.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : LAURA SALAMY Signs of Life</title>
			<link>https://drumlitmag.com/mp3s/sounds-Signs_of_Life_sample.mp3</link>
			
			<itunes:duration>:33</itunes:duration>
			<enclosure length="33" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Signs_of_Life_sample.mp3"/>
			<description> The narrator in Laura Salamy&amp;rsquo;s story, &amp;ldquo;Signs of Life,&amp;rdquo; contemplates her relationship with her significant other, Charlie, while vacationing in Jamaica. While eating local cuisine, relaxing in the hotel, and taking walks on the beach, the narrator contemplates the changes in her relationship, including one change she is not sure she can forgive or forget.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Signs_of_Life_sample.mp3</guid>
			<pubDate>Mon, 17 May 2010 08:46:57 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The narrator in Laura Salamy&amp;rsquo;s story, &amp;ldquo;Signs of Life,&amp;rdquo; contemplates her relationship with her significant other, Charlie, while vacationing in Jamaica. While eating local cuisine, relaxing in the hotel, and taking walks on the beach, the narrator contemplates the changes in her relationship, including one change she is not sure she can forgive or forget.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>The narrator in Laura Salamy&amp;rsquo;s story, &amp;ldquo;Signs of Life,&amp;rdquo; contemplates her relationship with her significant other, Charlie, while vacationing in Jamaica. While eating local cuisine, relaxing in the hotel, and taking walks on the beach, the narrator contemplates the changes in her relationship, including one change she is not sure she can forgive or forget.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : RANDY SUSAN MEYERS The Murderer's Daughters</title>
			<link>https://drumlitmag.com/mp3s/sounds-The_Murderer-squo-s_Daughters_excerpt_sample.mp3</link>
			
			<itunes:duration>:32</itunes:duration>
			<enclosure length="32" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-The_Murderer-squo-s_Daughters_excerpt_sample.mp3"/>
			<description> A grandmother&amp;rsquo;s funeral is the setting for this excerpt from Randy Susan Meyers&amp;rsquo; novel The Murderer&amp;rsquo;s Daughters. Sisters Lulu and Merry are approached by their father, released for the event from prison where he serves time for killing their mother. Lulu narrates the scene, mingling adolescent bitterness with sensitivity to her sister&amp;rsquo;s needs and her relatives&amp;rsquo; scorn.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-The_Murderer-squo-s_Daughters_excerpt_sample.mp3</guid>
			<pubDate>Mon, 10 May 2010 07:05:25 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A grandmother&amp;rsquo;s funeral is the setting for this excerpt from Randy Susan Meyers&amp;rsquo; novel The Murderer&amp;rsquo;s Daughters. Sisters Lulu and Merry are approached by their father, released for the event from prison where he serves time for killing their mother. Lulu narrates the scene, mingling adolescent bitterness with sensitivity to her sister&amp;rsquo;s needs and her relatives&amp;rsquo; scorn.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>A grandmother&amp;rsquo;s funeral is the setting for this excerpt from Randy Susan Meyers&amp;rsquo; novel The Murderer&amp;rsquo;s Daughters. Sisters Lulu and Merry are approached by their father, released for the event from prison where he serves time for killing their mother. Lulu narrates the scene, mingling adolescent bitterness with sensitivity to her sister&amp;rsquo;s needs and her relatives&amp;rsquo; scorn.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : AIMEE LOISELLE Three Women Wishing For A Boy</title>
			<link>https://drumlitmag.com/mp3s/sounds-Three_Women_Wishing_for_a_Boy_sample.mp3</link>
			
			<itunes:duration>:32</itunes:duration>
			<enclosure length="32" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-Three_Women_Wishing_for_a_Boy_sample.mp3"/>
			<description> Aimee Loiselle&amp;rsquo;s&amp;ldquo;3 Women Wishing for a Boy&amp;rdquo; follows three generations of young women hoping to win their mother&amp;rsquo;s love while they respond to pregnancy, love, and sometimes both at once.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Three_Women_Wishing_for_a_Boy_sample.mp3</guid>
			<pubDate>Mon, 03 May 2010 08:47:01 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Aimee Loiselle&amp;rsquo;s&amp;ldquo;3 Women Wishing for a Boy&amp;rdquo; follows three generations of young women hoping to win their mother&amp;rsquo;s love while they respond to pregnancy, love, and sometimes both at once.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Aimee Loiselle&amp;rsquo;s&amp;ldquo;3 Women Wishing for a Boy&amp;rdquo; follows three generations of young women hoping to win their mother&amp;rsquo;s love while they respond to pregnancy, love, and sometimes both at once.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : BRET ANTHONY JOHNSTON Caiman</title>
			<link>https://drumlitmag.com/mp3s/BretAnthonyJohnston--Caiman.mp3</link>
			
			<itunes:duration>8:28</itunes:duration>
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			<description>In &amp;ldquo;Caiman,&amp;rdquo; Bret Anthony Johnston&amp;rsquo;s narrator details a parent&amp;rsquo;s fear over a young girl&amp;rsquo;s abduction from a Texas town. Johnston story examines the nature of evil, and explores the limits of our ability to protect against it.</description>
			<guid>https://drumlitmag.com/mp3s/BretAnthonyJohnston--Caiman.mp3</guid>
			<pubDate>Sat, 01 May 2010 00:00:00 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In &amp;ldquo;Caiman,&amp;rdquo; Bret Anthony Johnston&amp;rsquo;s narrator details a parent&amp;rsquo;s fear over a young girl&amp;rsquo;s abduction from a Texas town. Johnston story examines the nature of evil, and explores the limits of our ability to protect against it.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>In &amp;ldquo;Caiman,&amp;rdquo; Bret Anthony Johnston&amp;rsquo;s narrator details a parent&amp;rsquo;s fear over a young girl&amp;rsquo;s abduction from a Texas town. Johnston story examines the nature of evil, and explores the limits of our ability to protect against it.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : MAMEVE MEDWED How Elizabeth Barrett Browning Saved My Life</title>
			<link>https://drumlitmag.com/mp3s/sounds-How_Elizabeth_Barrett_Browning_Saved_My_Life_excerpt_sample.mp3</link>
			
			<itunes:duration>:35</itunes:duration>
			<enclosure length="35" type="audio/mpeg" url="https://drumlitmag.com/mp3s/sounds-How_Elizabeth_Barrett_Browning_Saved_My_Life_excerpt_sample.mp3"/>
			<description>https://www.drumlitmag.com/index.php?page=bio&amp;amp;display=161The Caf&amp;eacute; Pamplona in Harvard Square is the setting for a showdown between Abby and her ex-boyfriend Clive. In this excerpt from Mameve Medwed&amp;rsquo;s novel How Elizabeth Barrett Browning Saved My Life, Clive is intent on making amends for various wrongs in his life&amp;mdash;and Abby must endure his copious amending.about the author</description>
			<guid>https://drumlitmag.com/mp3s/sounds-How_Elizabeth_Barrett_Browning_Saved_My_Life_excerpt_sample.mp3</guid>
			<pubDate>Thu, 29 Apr 2010 23:24:07 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>https://www.drumlitmag.com/index.php?page=bio&amp;amp;display=161The Caf&amp;eacute; Pamplona in Harvard Square is the setting for a showdown between Abby and her ex-boyfriend Clive. In this excerpt from Mameve Medwed&amp;rsquo;s novel How Elizabeth Barrett Browning Saved My Life, Clive is intent on making amends for various wrongs in his life&amp;mdash;and Abby must endure his copious amending.about the author</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>https://www.drumlitmag.com/index.php?page=bio&amp;amp;display=161The Caf&amp;eacute; Pamplona in Harvard Square is the setting for a showdown between Abby and her ex-boyfriend Clive. In this excerpt from Mameve Medwed&amp;rsquo;s novel How Elizabeth Barrett Browning Saved My Life, Clive is intent on making amends for various wrongs in his life&amp;mdash;and Abby must endure his copious amending.about the author</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : JENNA BLUM The Stormchasers</title>
			<link>https://drumlitmag.com/mp3s/sounds-The_Stormchasers_excerpt_sample.mp3</link>
			
			<itunes:duration>:35</itunes:duration>
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			<description>https://www.drumlitmag.com/index.php?page=bio&amp;amp;display=162In Jenna Blum&amp;rsquo;s excerpt from her second novel Stormchasers, Karena searches through storm-ravaged terrain for the twin brother she hasn&amp;rsquo;t seen in twenty years. She knows Charles will risk his life to seek the storm, drawn by its danger and its energy.about the author</description>
			<guid>https://drumlitmag.com/mp3s/sounds-The_Stormchasers_excerpt_sample.mp3</guid>
			<pubDate>Tue, 27 Apr 2010 20:24:44 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>https://www.drumlitmag.com/index.php?page=bio&amp;amp;display=162In Jenna Blum&amp;rsquo;s excerpt from her second novel Stormchasers, Karena searches through storm-ravaged terrain for the twin brother she hasn&amp;rsquo;t seen in twenty years. She knows Charles will risk his life to seek the storm, drawn by its danger and its energy.about the author</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>https://www.drumlitmag.com/index.php?page=bio&amp;amp;display=162In Jenna Blum&amp;rsquo;s excerpt from her second novel Stormchasers, Karena searches through storm-ravaged terrain for the twin brother she hasn&amp;rsquo;t seen in twenty years. She knows Charles will risk his life to seek the storm, drawn by its danger and its energy.about the author</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : ELINOR TEELE Covenant</title>
			<link>https://drumlitmag.com/mp3s/sounds-Covenant_sample.mp3</link>
			
			<itunes:duration>:32</itunes:duration>
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			<description> Elinor Teele&amp;rsquo;s &amp;ldquo;Covenant&amp;rdquo; offers a modern retelling of the story of Noah&amp;rsquo;s Ark. Teele&amp;rsquo;s Noah packs his family&amp;rsquo;s pets, his wife, and their three grown children into a dingy scallop boat, along with a few beers.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Covenant_sample.mp3</guid>
			<pubDate>Tue, 27 Apr 2010 19:10:23 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Elinor Teele&amp;rsquo;s &amp;ldquo;Covenant&amp;rdquo; offers a modern retelling of the story of Noah&amp;rsquo;s Ark. Teele&amp;rsquo;s Noah packs his family&amp;rsquo;s pets, his wife, and their three grown children into a dingy scallop boat, along with a few beers.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>Elinor Teele&amp;rsquo;s &amp;ldquo;Covenant&amp;rdquo; offers a modern retelling of the story of Noah&amp;rsquo;s Ark. Teele&amp;rsquo;s Noah packs his family&amp;rsquo;s pets, his wife, and their three grown children into a dingy scallop boat, along with a few beers.</itunes:summary></item>
		<item>
			<title>Issue 1. May 2010 : EB MOORE Kennebec</title>
			<link>https://drumlitmag.com/mp3s/sounds-Kennebec_sample.mp3</link>
			
			<itunes:duration>:34</itunes:duration>
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			<description>EB Moore&amp;rsquo;s &amp;ldquo;Kennebec&amp;rdquo; finds its protagonist struggling to come to terms with the drowning of his young stepson. As Carl mourns by the river that has taken the boy&amp;rsquo;s body, he wrestles with his guilt and with his first attempts to regain a normal life.</description>
			<guid>https://drumlitmag.com/mp3s/sounds-Kennebec_sample.mp3</guid>
			<pubDate>Mon, 26 Apr 2010 18:47:45 EDT</pubDate>
		<dc:creator>The Drum Literary Magazine</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>EB Moore&amp;rsquo;s &amp;ldquo;Kennebec&amp;rdquo; finds its protagonist struggling to come to terms with the drowning of his young stepson. As Carl mourns by the river that has taken the boy&amp;rsquo;s body, he wrestles with his guilt and with his first attempts to regain a normal life.</itunes:subtitle><itunes:author>The Drum Literary Magazine</itunes:author><itunes:summary>EB Moore&amp;rsquo;s &amp;ldquo;Kennebec&amp;rdquo; finds its protagonist struggling to come to terms with the drowning of his young stepson. As Carl mourns by the river that has taken the boy&amp;rsquo;s body, he wrestles with his guilt and with his first attempts to regain a normal life.</itunes:summary></item>
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