Gear Mentioned

• Sony A7 IV
• Sony FX30
• My LUTs
• Tamron 28-75mm F2.8
• Sony 35mm F1.8
• Sigma 18-50mm F2.8 APS-C
• Falcam F22 Rig Parts
• Falcam F22 Rig Video Review
• SmallRig VB 99 V-Mount Battery
• SmallRig VB 50 V-Mount Battery
• Smallrig Battery Video Review
• Hollyland Mars M1 5.5″ Wireless Transceiver Monitor
• Hollyland Mars 4K Wireless Video Kit
• Rode VideoMic GO II
• Rode VideoMic GO II Video Review
• Go-LOCK Cages
• SM7Bs Microphone Mod Kit
• Aputure 600x LED Production Light
• Amaran F22c LED Mat 
• Amaran F22c Video Review
• Mini LED Tube Lights 
• Mini LED Tube Video Review
• RGB LED Video Tube Light
• HDMI Patch Panel/Studio Video 
• 16 Inch Teleprompter
• 12 Inch Lilliput Monitor
• 12 Inch Lilliput Monitor Video Review
• How to Use a Teleprompter as Monitor
• C-Stand/Boom Rolling Stand
• Bandai Models
• Mini 1/4 Driver Ratchet
• Wire Stripper
• 123 Blocks
• Prusa 3D Printers

Video Chapters

• 0:00 Introduction
• 0:39 Cameras
• 2:04 Lenses
• 2:51 Rigging and Power
• 4:54 Audio Gear
• 5:43 Lighting
• 6:49 Studio and Grip Equipment
• 8:11 Tools and Toys
• 10:32 Thank You

Disclaimers & Affiliations We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites. Affiliate Links: Amazon (PAID LINK) B&H (PAID LINK) This video was not paid for by outside persons or manufacturers. No gear was supplied to me for this video. The content of this video and my opinions were not reviewed or paid for by any outside persons.

Gear Mentioned

As an Amazon Associate I earn from qualifying purchases. Links marked as “PAID LINK” are affiliated.

1. Light In The Background Of Videos

• Berkley Colortran Mini Brute 6 Light 
  • eBay

You could also use something like a Molefay on eBay. For LED Lighting, I used 12v LEDs. Could use strips of single lights if you wanted to. For the light lenses, I used 6 of these.

2. Cameras I Use

• Panasonic S1 
  • Amazon (PAID LINK)
  • B&H (PAID LINK)
  • My Video Guide
• Sony A7S III
  • Amazon (PAID LINK)
  • B&H (PAID LINK)
• Canon EOS RP 
  • Amazon (PAID LINK)
  • B&H (PAID LINK)

3. Microphones I Use

• Audio-Techina AT2020 
  • Amazon (PAID LINK)
  • B&H (PAID LINK)
• Sennheiser MKH-416
  • Amazon (PAID LINK)
  • B&H (PAID LINK)
  • Microphones Comparison Video

4. Soft Lighting/Filter Gear I Use

• My Main Softbox
  • Amazon (PAID LINK)
  • B&H (PAID LINK)
• My Second Favorite Softbox 
  • Amazon (PAID LINK)

5. Small Red Tripod

• iFootage Low-Profile Base Tripod
  • Amazon (PAID LINK)
  • B&H (PAID LINK)
• iFootage Monopod (Includes Base)
  • Amazon (PAID LINK)
  • B&H (PAID LINK)
• Cheap Tripod Head
  • Amazon (PAID LINK)
• iFootage Tripod Head 
  • Amazon (PAID LINK)
  • B&H (PAID LINK)

Video Chapters

• 0:00 Introduction
• 0:19 Light in my backgrounds
• 2:21 Cameras I use
• 4:45 Microphones I use
• 6:19 Soft lighting and filtration
• 8:16 Black ProMist filter comparison
• 8:53 Small tripod

Disclaimer we are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.comand affiliated sites. This video was not paid for by outside persons or manufacturers. No gear was supplied to me for this video. The content of this video and my opinions were not reviewed or paid for by any outside persons.

GEAR USED IN THE KIT:

• Sony a6400
  • Amazon
  • B&H
• Sigma 30mm F1.4
  • Amazon
  • B&H
• Magnus VT-300 Tripod
  • Amazon
  • B&H
• Rode VideoMicro
  • Amazon
  • B&H
• 3.5mm Extension Cable
  • Amazon
• Microphone Boom Stand
  • Amazon
• Mic Stand 5/8 Adapter
  • Amazon
• Godox SL-60W LED Light
  • Amazon
• Impact Heavy Duty Stand
  • Amazon
  • B&H
• Medium Neewer Softbox
  • Amazon
• Large Neewer Softbox
  • Amazon
• Boling P1 RGB LED Light
  • Amazon
  • B&H
• Extra Light Stand
  • Amazon
• Boom Light Stand
  • Amazon
• 5 in 1 Reflector
  • Amazon
• Reflector Holder Stand
  • Amazon

DISCLAIMERS:
Some of these links have an affiliate code, if you purchase gear with these links I will receive a small commission at no additional cost to you. Thank you!

This video was not paid for by outside persons or manufacturers.
No gear was supplied to me for this video.

The content of this video and my opinions were not reviewed or paid for by any outside persons.

The Microphones

Below you will find a list of the microphones tested in the video with pros and cons for each mic.

Rode VideoMicro $59

PROS:

• Tiny
• Cheap
• No rear pickup
• Easy Use
• Comes with wind shield
• Removable cable (if something breaks)

CONS:

• Very noisy due to low output (on Canon DSLRs)
• Won’t work with every camera (requires a low voltage from the camera)
• How to Improve: Use Preamp

Rode VideoMic GO $99

PROS:

• Small
• Cheap
• Easy Use
• Removable cable (if something breaks)

CONS:

• Doesn’t work with every camera (requires a low voltage from the camera)
• How to Improve: Use Preamp

Rode VideoMic $149

PROS:

• Cleaner than cheaper options
• Less pickup from side than pro

CONS:

• More pickup from rear than other microphones
• Huge microphone
• Remember to power on and off (LED helps)
• How Improve: Could use preamp but pretty good out of the box

Rode VideoMic Pro $229

PROS:

• Cleanest of all
• Less pickup from rear than cheaper models (accept Micro)

CONS:

• More pickup from sides than cheaper models
• Remember to power on and off (LED helps)
• Very strong low end (bass) I think too much
• How Improve: Pretty much perfect in all ways out of the box

Saramonic SmartRig+ on Amazon $99

This is the preamp I mentioned in the video above. Great if you have a camera with a poor built in preamp like Canon DSLRs. You can watch my full review of the SmartRig+ Preamp here.

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Quick synopsis of the videos I’m working on:

• Wireless HDMI
• Budget LED lights
• $50 monitor
• Hackintosh video
• RODE VideoMic showdown
• Video Gels
• Vlogging rig

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Here are the effects I mentioned in the video above:

• Color Corrector (watch my tutorial on color correction and grading here)
• Sharpen
• Compressor
• Equalizer (Channel EQ)
• Limiter
• Custom Generator

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In short, here are my 8 tips for using a slate:

• Use gaffers tape instead of markers
• Don’t clutter the slate (keep it simple)
• Figure out a system and stick with it
• Use the slate to find focus
• Have the slate in the frame before recording
• Remember you can slate at the end of a shot if you can’t slate at the beginning
• Don’t slate to loudly
• Use slate orientation as a marker

Looking for more of a slate tutorial? Check out this great video by RocketJump Film School. What slate tricks do you employ on set? Share in the comments!

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Parts Used to Build the Rig

• Battery Plate
• Cold Shoe Mounts on Amazon
• Top Handle Rail on Amazon
• Top Handle on Amazon
• 3x Short Quick Release Plates on Amazon
• Saramonic SmartRig+ Preamp on Amazon
  • Watch my video review here
• DC Jack Cables on Amazon
• Magnets on Amazon
• Long Quick Release Plate on Amazon
• 3x Quick Release Clamps on Amazon

Optional Parts:

• Monitor Arm on Amazon
• Ikan VL35 Monitor on Amazon
  • Watch my full review here

Want more filmmaker DIY in your life? Check out my other DIY videos here.

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The Saramonic Smart Rig+ is available on Amazon here but is currently out of stock. Saramonic tells me it should be back in stock soon.

Pros

• Up to 4 microphones in
• 48v Phantom power
• 3.5mm, 1/4 and XLR inputs
• Nice knobs for level control
• Headphone jack
• Output cable for cameras or phones (no hacking needed)
• 1/4 20″ female mounting thread.

Cons

• Non locking XLR jacks
• Poor labeling

Saramonic Smart Rig (Smaller Version) Videos:

• Review
• Hack/Mod Video

Hopefully the Saramonic Smart Rig+ comes back in stock soon.

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The Aputure Light Dome is available at B&H Photo Video.

Pros:

• Super soft light output
• Great eye light
• Easy to setup/teardown
• Mounts nicely to speed right style lights
• Very well made
• Very cheap considering the features/size

Cons

• The size is outrageous which might be rough for smaller studios

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UPDATE: I love doing this tutorials because you guys always show me better ways to do things! As many have stated in the comments, using ‘Command + i’ and ‘Command + o’ and then ‘Delete’ would be much faster than my method. Cheers!

Keyboard Shortcuts

With those simple FCPX keyboard shortcuts, you’ll fly through your edits!

• Left/Right Arrows = Move 1 frame
• Shift +Left/Right Arrows = Move 10 frames
• Command + B = Make a cut
• X = Select click in front of playhead
• Command + X = delete or “cut” clip

Check out all of my FCPX video playlist on youtube here.

What keyboard commands do you swear by? Let me know in the comments!

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Genus Solar Eclipse Filter

Comes in 77mm and 82mm sizes for $200 and $245 respectively. This filter is really two filters in one, a fader ND filter and a circular polarizer!

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Parts Used for Hack

Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

• Saramonic Smart Rig
  • Amazon
  • B&H Photo Video
  • eBay
• Top Cold Shoe on Amazon
• Bottom Cold Shoe on Amazon
• Replacement Knob on Amazon

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Saramonic SmartRig

You can find this killer little preamp on Amazon and B&H Photo Video.

• XLR Input
• Phantom Power (48v)
• Only $23
• Manual knob for adjusting levels
• Very good signal to noise ratio
• Easy to modify

Rode TRRS to TRS Adapter

You can pick up this Rode adapter on Amazon or B&H Photo Video. Also keep in mind there are cheaper options out there, this is just the one I had on hand for this video.

Stay turned for my video showing you how to mod this great preamp for use with video accessories and cameras!

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• Full GH4 Review
• Full a6300 Review
• All GH4 Videos
• All a6300 Videos

Panasonic GH4

I’ve been shooting with the GH4 since it came out and really enjoy it. That said, it is hardly the perfect camera.

Pros:

• 4K
• Up to 96fps
• Headphone and mic jacks
• Great built quality
• Fantastic screen/EVF
• Great battery life

Cons:

• Poor low light
• Small sensor
• Poor AF

Sony a6300

This camera is one of the most exciting and disappointing cameras to be released. So close sony!

Pros:

• Great 4K image
• Low light powerhouse
• Incredible AF
• Larger sensor
• 120fps

Cons:

• Overheating
• No headphone jack
• Poor battery life
• Poor display design
• Terrible rolling shutter

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Rode Shock Mounts

Here are the new shock mounts from Rode talked about in the video above.

Rode SM3-R

Designed for use on camera hot shoes but can be mounted via the 3/8″ mount under cold shoe.

Rode SM4-R

The Rode SM4-R is designed to be used on boom poles or mic stands by removing the adapter thread. That said, you can mount this shock mount to anything via the 3/8″ thread on the bottom.

Original Rode SM3

Here is the shock mount the new models are replacing.

Microphones Used

Here are the two shotgun microphones I used in the video to show off the different shock mounts.

Rode NTG4

The NTG4 is powered via 48v (phantom power) and makes for a nice small shotgun mic.

Rode NTG4+

The NTG4+ is the same microphone as the NTG4, but includes a built in battery for use without phantom power. This model can also be recharged/powered from a micro USB jack on the rear of the microphone.

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Parts/Links

Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

• iRig Pre on Amazon
• B50K Potentiometer on Amazon (replacement knob for preamp)
• Switches on Amazon
• Top and Bottom SmallRig Plates on Amazon
• Battery Plates
• XLR Jack on Amazon
• Meze Headphones

Parts Needed

Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

• 2x RODE PSA1 Microphone Arms on Amazon
• Alternative Microphone Arm on Amazon
  • These are not nearly as good, but very affordable. I have one of these and they do they job with less reach and weight.
• Heil Microphone Base on Amazon
• Oben Tripod Head
  • Could use any ball head for this.
• Dummy battery on Amazon
  • Search amazon for “your camera model” + Dummy Battery.
• Flex LED 10×10 on Amazon
• Short Adapter Spigot
• SmallRig Cold Shoe Mount on Amazon
• Ball Head for Light on Amazon

Also be sure to check out Caleb Wojcik’s Overhead Setup Video. He uses a similar setup to mine.

See more on his blog post here.

This attenuator we’re making is perfect for run and gun filming situations. If your audio peaks or distorts, you have the -18db track to use. This makes setting levels easier knowing we have two different audio levels to work with.

Parts Needed

• 1K Ohm Resistor
  • Amazon
  • eBay
• 150 Ohm Resistor
  • Amazon
  • eBay
•  2x 3.5mm Female jacks
  • Amazon
  • You can use any stereo connector (male, female, XLR etc).
•  A Pen or similarly sized cylinder.

There is another video that really helped me when I was trying to figure this attenuator out. You can check the video out here.

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Supplies Needed

• Ikea Lack Table – You can really use anything for a frame like I mentioned in the video.
• Video Light on Amazon
• Ball Head for Light on Amazon
• Foam Core on Amazon (16 x 20″)
• Paper background on Amazon (22 x 28″)
• Black Wrap on Amazon – Could also just use black foam core board.

Parts Needed

• Dual XLR to 3.5mm Jack on Amazon
• Small 3.5mm Splitter on Amazon
• Small Zip Ties on Amazon (I already had some laying around)
• Cold Shoe Adapter on Amazon

Optional Items

• XLR to 3.5mm on Amazon (if you don’t want/need two XLRs)
• Short 3.5mm to 3.5mm male cable on Amazon

iKan VL35 4K Ready Monitor $250

Pros:

• Full 4K input
• HDMI pass-through
• Headphone output
• 6-24v DC power input
• Interchangeable battery plate
• Assist functions
  • Peaking
  • Pixel to Pixel
  • False color
  • Guides
  • DSLR support
  • Clipping guide and more

Cons:

• Not IPS
• Plastic and rubber construction
• No scopes (duh, it only costs $250)

You can watch my iFootage Shark S1 slider review here. And my review of the Genustech Jib here.

This is a bonus video from two of my guides:

GH4 Video Guide
G7 Video Guide

The Adapters

• eBay Alternative Adapters
• Fotodiox Excel+1 NOTE: Several people have informed me that this adapter is pretty horrible, so just go with the first option and skip the Excel+1.

• My a6300 Review
• My Sony a6300 Video Guide
• Sully’s a6300 SmallRig Cage Video

Parts I Used for these Setups

• iKan VL35 Monitor
• SmallHD DP4
• Mini Ball Head
• SmallRig Cage on Amazon
• SmallRig Top Handle on Amazon

If you want to learn more about the ProBox (Box with XLRs and external battery) check out my a6300 guide.

In this video I talk about the pros and cons of shooting video on the Sony a6300 and my experience with it over the last 4 months.

Also check out my video on adding a headphone jack and external power here.

You can buy the Sony a6300 at B&H Photo Video by using this link you will be supporting future DSLR Video Shooter content. Thank you!

To learn more about the best cards for dealing with overheating, check out this post by Erik Naso.

Parts and Tools Needed:

• HDMI to HDMI audio extractor on Amazon
• HDMI Ribbon Cable (You can use any cable, but this one is great. Learn more about ribbon cables here)
  • Available on eBay or Amazon
• 2x Male DC connector pigtails on Amazon (or cut the end off of two wall warts)
• Some wire (I used wire from an old wall wart)
• DC female jack on Amazon
• FW50 (a7s, a6000) dummy battery on Amazon
• OPTIONAL – Cold shoe extension arm on Amazon
• Male Cold shoe Mount on Amazon (comes with monitor arm)
• Battery plate (I used an LP-E6 model, but you could use a sony NP-F model)
• 1/4 bolt on Amazon (I found using a tripod screw was best since it has a low profile head)

Recommended Tools

Here are some links to specific tools for those who don’t already have them.

• Soldering iron on Amazon (includes solder)
• Stepped Drill bit (you could probably get away with this stepped bit on Amazon, but I also picked up these smaller ones on Amazon)
• Multimeter on Amazon
• Caliper on Amazon
• Shrink wrap/heat shrink tubing on Amazon

If you liked this video, check out the rest of the a6300 Video Guide here.

What You Will Learn

Here is what you can expect from the a6300 guide. To see more, check out the outline here.

How to Setup the Camera for video

In Section 1 we take a close look at customizing the settings, buttons and functions of the a6300 to turn this stills camera into a 4K cinema machine.

Recording Audio and Adding a Headphone Jack

Section 2 is all about audio. We will learn about 4 ways to add a headphone jack to the camera, how to record safely on the camera, camera audio settings and which microphones are best for the Sony a6300.

Best Affordable Lenses and Adapters for Video

We dive into lenses and adapters in Section 3 and will cover 7 sony lenses and talk about the best adapters and adapted lenses for shooting video on the a6300.

How to Master Video Auto Focus

Auto focus is astounding on the a6300 and in Section 4 we learn how to use focus areas to achieve perfect focus for every shot.

How to build the ProBox Lite (add a headphone jack and external power)

In Section 5 we build a small box with a headphone jack, full HDMI out and external battery power for the a6300.

How to build the ProBox (add headphone jack, XLRs and power)

Like the ProBox Lite, the ProBox is the best accessory for the a6300. We will build one in Section 6. With the ProBox we will have dual XLR mic inputs, full HDMI out, a headphone jack and tons of external battery life for our a6300.

Best Ways to Power the Camera

In Section 7 we will see how we can power the camera 5 different ways. Ensuring we have enough run time for any project.

Picture Profiles, Overheating and Exposure

In the last section of the guide, Caleb walks us through setting up Picture Profiles and the settings he uses. We will also learn about several tips to keep the notoriously hot a6300 from overheating and how to get correct exposure on the camera using zebras.

Ready to master video on the Sony a6300? Lets get started…

You can find the paracord I used here on Amazon. You can also choose from a huge selection of colors to match your tastes.

Do you have any tips for customizing your bags for production?

Questions

• When will we see an update on the GH4 hack?
• What is your favorite camera right now to shoot with?
• Do you ever get down or depressed. If so, what gets you out of your funk?
• What is your favorite lens?
• CineLike D or Natural on the GH4?
• How much time did you spend on the Corporate Video Guide?
• What are some basic audio enhancements you do for every video?
• What audio setup are you using for your videos?
• Canon 70D or GH4?

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HDMI is a very prevalent with today’s cameras. Whether you’re shooting on a DSLR, mirrorless camera or cinema camera, you will most likely find yourself running HDMI. Unfortunately most HDMI connections on these cameras are Mini or Micro, which don’t care much for heavy cables. Luckily, we have the option to use ribbon HDMI cables to solve these issues.

You can find several ribbon cable options on Amazon. Here are the two cables I purchased:

• Ribbon HDMI Cable for the a6300
• Ribbon HDMI Cable for the GH4 and other cameras on Amazon

Music by PremiumBeat.com. License this music here.

Light Cases

The case I showed in the video isn’t available anymore, but here are recommendations on similar cases:

• Photoflex Transpac Single Kit Case
• Westcott Spiderlite Deluxe Wheeled Travel Bag
• Westcott Flex Soft Wheeled Travel Case

Gear Mentioned

• Digital Juice Gel Kit
• Alzo 3000 LEDs
• Aputure COB 120t Lights
• Cable Wraps
• Switronix Torch LED Lights
• Aputure $200 Light
• Oben BD-0 Ball Head
• Rapid Baby Adapter
• Large Clamps
• Medium Clamps
• Small Clamps
• 5 in 1 Reflector

How do you pack your lighting gear? I would love to hear what cases/packing methods other shooters use. Share your setup in the comments below!

Music by PremiumBeat.com. License this music here.

SaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSave

Acoustic Treatment Foam and Resources

Here you will find links and resources I mentioned in the video above.

Wedge Foam

I bought all of my foam from The Foam Factory. They are much more affordable when compared to popular budget options like Auralex.

Here are the foam dimensions and quantities I purchase for the studio:

• (2x) 12 Pack of 12×12 x 2″ Wedge Foam – For the ceiling and tight spaces.
• (1x) 12 Pack of 24×24 x 2″ – For back wall.

Total cost for the wedge foam was $93.97. Not bad!

You can find all of the wedge foam options here. If you can swing it, I would highly recommend getting the 4″ foam if you really want to kill reflections. Also check out the Pyramid foam if you want a different look. Just make sure you read about the differences.

Producer’s Choice Sound Blankets

I purchased these for my old studio to help with my noisy neighbors and to help with the large, live room I was shooting in. I bought a 3 pack of the 96×80″ blankets for a total of $135.12. I used one behind the back wall and one on either side of my recording area. If you want different sizes, quantities or color options, check out all the listings here.

Foam Cutter

To cut the foam I used this Black and Decker Carving knife on Amazon for around $15.

Total Cost

Excluding the insulation boards I used to mount everything, liquid nails and chain, the total cost for treating my space was $245.09. Not bad at all considering this project did more for my audio than any microphone could have. You can have the best and most expensive microphone, but if your space sucks you will still have bad audio.

Further Reading

If you want to learn more about acoustic treatment check out GIK’s videos and education here
As well as the Arqen site. So much great info there!

Let me know if you have any questions or tips of your own for acoustic treatment.

SaveSave

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Sony XLR-K2M Adapter Kit

B&H is currently running a $100 off deal on Sony XLR-K2M which you can check out here.

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In this video I review the IndiPRO Tools Pro Series Power Grid & XLR Audio Box for Sony a7S (mouth full). But this unit works with any camera using FW50 style batteries.

They make several different “grid” boxes including a dual battery box, quad battery box, XLR only box and much more. You can find units for Canon, Sony, Blackmagic Panasonic and Nikon! Check out all of the options here.

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Overhead Rig Parts

Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

• 12″ Baby Plate
• Grip Head
• Rapid Baby (optional, I used this for the temporary rig)
• 3 Foot Light Stand (We need the extension arm from this kit)
• Camera Platform
• Monitor Arms and Clamps (we need two of these)
• Ball Tripod Head (I mentioned this small unit for lighter cameras. You can find the one I used here).
• RODE VideoMicro
• Camera Power Cord (optional)
• Video light of choice (I used a flex light)
• Super Clamp (I didn’t use of of these, but if you have low ceilings you might need to employ one of these clamps on a bar system).

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Corporate Video Guide 15% Discount

To make tax season a little less brutal, use the code “taxfun” to get 15% off the Corporate Video Guide.
The discount will be effective today through April 15th 2016.

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Current Project Updates

Here are a few projects I’m working on and where I’m at.

GHc100 (GH4 Hack)

Handle mount is in place, waiting on a few parts and trying to figure out a preamp which has proven difficult.
Also working on the base box which will house two batteries for all day shooting.

a6300 ProBox

New project! I’m building a box that mounts underneath the camera. Hoping to have 2 XLRs, preamp, dual batteries and adding a headphone jack.

Pelican H1 Case

This is also a new project! I’m going to turn the Zoom H1 into a small mobile audio case using a Pelican 1170. The case will have 2 XLR ports and two outputs to send audio to cameras.

Thats it for this week!

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If you don’t have 16 minutes to watch the full video here is a brief rundown on the RodeLink Wireless Filmmakers Kit:

Pros

• Very easy to link the transmitter and receiver together.
• Strong signal due to dual frequencies (much better than my EW100).
• Battery levels for both units (TX and RX) can be seen on the RX unit.
• You can mute the TX from the RX.
• No external antenna
• Kit is less than $400 making it a great buy.

Cons

• Lav mic has very bad cable shielding resulting in signal issues.
• One of the two cables on the RX has failed on me.

Final Thoughts

The kit is great if you replace the mic and potentially the cable for the RX unit. This doesn’t bother me since we can get our hands on this unit for less than $400 which is great. I really do like these units and plan to use them much more than my Sennheiser kit.

You can purchase the RodeLink kit on Amazon as well as B&H Photo Video. Using those links will support future videos like this one. Thank you!

You can also purchase that coiled 3.5mm cable I talked about here on Amazon.

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I’ve finished the headphone jack hack and the next task is figuring out the top handle and XLR inputs. From there, I’ll add a dual battery box to the bottom of the camera and we should be done!

In other news, I just got a GoPro, so these ATS videos should start looking better.

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This video is an excerpt from the Corporate Video Guide. To learn more about the guide, watch the trailer here.

Make sure you also check out the Post Haste Software we talked about in the video.

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A Few Things to Note

First, you don’t need all these lenses to get started. I started with a kit zoom and a 50mm and used those for years before investing in more glass.

Secondly, I don’t use all of these lenses everyday. Most of the vintage lenses are for B-Roll and certain videos where I need to explain a lens concept. Every time I sell a lens I end up needing it for a video.

Finally, don’t buy new! I only own 1 new lens! All my other lenses were purchased used. There are great deals to be had out there and vintage lenses are a big bang for your buck when getting started.

The Lenses

• Nikon 17-35mm F2.8
• Nikon 28-70mm F2.8
• Nikon 80-200mm F2.8
• Lens cine mods done by RP Lens
• Nikon 100mm E F2.8
• Nikon 55mm F1.2
• Nikon 35-70mm F3.5 (Featured in this video)
• Olympus 50mm F1.8 (Featured in this video)
• Helios 58mm F2.0 (Featured in this video)
• Canon FD 28mm F2.8
• Canon FD 50mm F1.8 (Featured in this video)
• Canon FD 135mm F3.5
• Super Albinar FD 80-205mm F4.5
• Tamron 24-70mm F2.8 VC (available at Amazon and B&H)

The Adapters

• Fotodiox Nikon to Canon
• Fotodiox M42 to Canon
• Fotodiox OM to Canon
• Cinevate Nikon to Canon
• Redrock Micro Nikon to Canon
• Canon to NEX E Mount
• Metabones Adapters (Available at B&H, Amazon and the Metabones Website)
• Roxsen Focal Reducers

Thats it! What lenses do you use for video shooting?

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If you have tips for exporting and compressing videos, share them with us in the comments!

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1. Helios 58mm F2.0

• Know as the 44-2
• M42 Mount
• Available on eBay here
• M42 Screw to EOS Adapter on Amazon

2. Nikon 35-70mm F3.5 AI

• Nikon F Mount
• Available on eBay here
• NOTE: In the video I show you the AI version. For a little more I would consider getting the AIS version.
• F to EOS Adapter on Amazon

3. Olympus 50mm F1.8

• OM Mount
• Available on eBay here
• OM to EOS Adapter on Amazon

Honorary Mention: 50mm F1.8 FD Lens

• FD Mount (best for MFT cameras)
• Available on eBay here

That’s it! What are you favorite affordable lenses for video?

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Make sure you also watch my video on SD Card Management On Set here.

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Card Cases I Recommend:

• Pelican Card Case
• JJC SD Card
• Sandisk Card Case (SD and CF)

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Links Mentioned

• Bin Storage Video
• Lowes Wall Hooks
• Amazon Wall Hooks: Option 1, Option 2
• Watch all Around The Studio videos here

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Transcend 64GB SD Card $28

Links to Videos Mentioned:

• https://www.youtube.com/watch?v=C9hglVFOTlk
• https://www.youtube.com/watch?v=diU2HMQVQ6o
• Jimmy Diresta
• How To Basic

A Guide for All Corporate Filmmakers

The Corporate Video Guide is a master class designed for corporate filmmakers. The guide consists of 5 sections with over 5 hours of training and is build on three primary concepts:

1. Build Strong Client Relationships
Learn how to put together a solid pre-production system that puts your clients at ease and let’s them know you have their back.

2. Produce Creative AND Effective Work
Doing so will translate to sales for your clients and therefore sales for you.

3. Create a Sustainable and Profitable Production Company
Learn how to put together budgets, figure out rates and bill effectively so that your production company can grow and thrive.

Guide Outline:

1. Pre-Production
2. Production
3. Post Production
4. Business
5. Appendix and FAQ

You can view and purchase the Corporate Video Guide here.

Show Notes:

• Corporate Video Guide Announcement
• DIY Perks LED Tutorial

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Show Notes:

• Cheap Boxes I talked about

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NOTE: This device was make using older hard drives I had kicking around. You could achieve much faster speeds using newer drives or SSDs.

Drive Speed Tests

EH RAID 0
Read = 141.0 MB/s
Write = 144.1 MB/s

Single Drive on iMac:
Read = 61.8 MB/s
Write = 127.6 MB/s

Card Reader Speed Tests

EH Card Reader Speeds:
Read = 88.0 MB/s
Write = 55.3 MB/s

iMac SD Card Reader Speeds:
Read = 20.5 MB/s
Write = 11.8 MB/s

File Copying Speed Tests

EH Card Reader
1.03GB Copy = 17.43 Seconds

iMac Card Reader:
1.03GB Copy = 57.97 Seconds

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Parts and Resources

Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

• Universal Frame Cage
• My Review of the Older XL Cage
• Cable Lock
• Base Plate Clamp – Price went up :-(

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This is the Editing Hub Mark I. I can’t wait to make more devices like this! Do you have a similar project or want to make something like this yourself? Please your project share with us!

Parts List

Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

• USB 3.0 Hub
• Card Readers
• Alternative Card readers (runs cooler)
• USB 3.0 to SATA Drive Adapter
• 12v Fan
• Cord Organizer
• Switches
• Switch I Used (currently unavailable)
• Fiber Optic Clear Rods
• Glue

My Favorite Things

Note: Some of these links have an affiliate code from Amazon and B&H, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

Studio Acoustic Foam

You can pick up affordable foam from the Foam Factory. I purchase 24x24x2″ panels (scroll down the page) and some 12x12x2″ panels. I also have some of their Bass Traps in the editing suit.

RODE VideoMicro $59

Scanner Pro App $2.99

Mediasonic ProBox $99

Westcott Flex Light $449 (limited time price)

RODELink Wireless Filmmakers Kit $399

Behringer MS40 Monitor Speakers $199

7 Things I’ve Learned As A Filmmaker:

1. The Importance of Mastering the Art of Producing – Learning the skill of producing will take your further than any other skill as a filmmaker.
2. Finishing/Shipping is More Important Than Achieving Perfection – There will always be something to fix, edit, correct. Just get your project done!
3. Embracing/Working Around Obstacles – Don’t spend all your time on moving a single bolder. Get a ladder and move on.
4. Know Your Motivation – Everything you do, buy, spend time on, should serve your goals or motivations as a filmmaker.
5. What Got You Here Will Not Get You There – If you want to keep growing as a filmmaker you’ve got to keep moving.
6. Be Comfortable and Honest About Who You Are and What You Do – I’m not a DP or Director. I am a content creator and camera operator. And that is ok!
7. Find What You Love to Do and Do It! – I feel I was made to make videos. So I stop doing blog posts and news!

Parts Needed

Here are links to the parts I used. Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

Switch on Amazon $6.40

Project Box on Amazon $6.30

Thats it! You could also grab a label maker on Amazon to create labels for your switch.

Parts I Used

Note: These links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

AC Socket Video Lights on Amazon

Triangle LED Bulbs on Amazon

SaveSave

Gear/Resources Mentioned

Below you will find links to all the random stuff I mentioned in the video.

Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!

• More info on french cleats
• Battery Station Case
• 64GB Transcend Cards
• Mediasonic 4 Bay Drive Enclosures
• HDMI Cables I Use
• Extension Cables I Use
• Shrink Wrap
• Aligator Test Lead Cable Set
• Aero Press Coffee Press
• Corporate Video Guide

Gear List

Here is a list of gear mentioned in the video and where I purchased it.

Note: Some of these links have an affiliate code, if you purchase with these link you will be supporting me and these videos at no extra cost. Thank you!

Oben Table Top Tripod and Mini Head $35

Rode VideoMicro Shotgun Mic $59

Magic Friction Arm on Amazon $15

A Style Spring Clamp on Amazon $5 (pack of 4)

You can alternatively get these clamps at Home Depot for $0.99 each if you have one near you.

SaveSave

These things will be with you much longer than other rechargeable batteries from companies like Energizer. You will also save a lot of cash in the long run and never run out of batteries!

Eneloop Batteries and Kits

Here are some of the items I mentioned in the video including some other battery goodies.

Eneloop Starter Kit

12 Pack of AA Batteries

16 Pack of AA Batteries

32 Pack of AA Batteries

HUGE Battery Charger

Upcoming Videos

• DIY LED Lights
• DIY Editing Hub Enclosure
• RodeLink Wireless Filmmakers Kit Review
• More Studio Videos
• Corporate Video Guide

You can see all FLEX Light models on Amazon and B&H Photo Video.

DIY Battery Case Parts

• Case or Bag – For my case I used my old Pelican 1514.
• Power Strip – I got mine on Lowes, but there are better options available on Amazon like this one.
• Screws, Washers and Cable straps – Any hardware store will have these.
• Velcro – I used a roll like this one.
• Watson Dual Chargers – I used two of these. Love them!

Add all your batteries and presto! You’ve got a mobile battery case!

Thunderbolt Docks Mentioned

• OWC Thunderbolt 2 Dock
• CalDigit Thunderbolt Staion 2
• Belkin Thunderbolt 2 Express HD Dock

Source for cable speeds from TechRaderPro.com

Parts Needed:

1. Camera of Choice – In my case, it is the GH4.
2. Friction Monitor Arm – You can find the one I used here.
3. Microphone – I use the Rode VideoMic Pro and the new Rode VideoMicro.

Signup for Notifications

Use the form below to sign up to the Corporate Video Guide newsletter and get notified the second the guide is released. You’ll also get emails with bonus videos from the guide!

What do You Want to Learn?

Have a question or topic you would like covered in the guide? Let us know! Also be sure to check out Corbyn Tyson’s website and work.

Make sure you subscribe to my channel to see all future studio videos!

Gear Mentioned

Here are links to all the gear and furniture mentioned in the video.

• Producer’s Choice Blankets
• Alzo 3000 LED Lights
• FLEX LED Light
• Silk Diffuser
• 5 in 1 Reflector
• RODE NTG Microphone
• Stool
• Canon C100
• Genustech Matte Box Lite
• Ikea White Table Top
• Ikea Legs
• Panasonic GH4
• Microphone
• RODE Microphone Arm
• Torch LED Lights
• Ikea Rolling Drawers
• Ikea Desk
• Cheapo Studio Monitors
• Ikea Hard Drive Table

Arca Swiss Receiving Plates

Here are my three favorite receiving plates. Do keep in mind there are cheaper options. These are all drop in lever operated which makes them a little more expensive. You can find hundreds of other options on B&H and Amazon.

Desmond Quick Release $30

• Arca-Type Compatible
• Aluminum Construction
• Removable Bubble Level
• Reversible Captive Lever
• 3/8″-16 Thread with 1/4″-20 Adapter

SunwayFoto Quick Release $55

• Arca-Swiss compatible
• Combination Lever lock and Screw Lock
• All metal construction
• 3/8″mounting hole and 1/4″ adapter
• Includes allen wrench and hex screw

Kessler Cranes Kwik $140

• One hand drop-in instant latching
• Push button release
• Solid billet aluminum and stainless steel construction

Arca Swiss Camera Plates

After playing with several different plates I’ve found the Kessler plates to be the best option. Their machining is exact and all of their plates match. If you can’t afford them, check out the countless Arca Swiss plate options on B&H and Amazon.

Kessler Mini Plate $30

• Great for smaller cameras

Kessler Short Plate $35

• Works well with any camera. Especially medium to large camera setups

Hard Drives I Use

Mobius 5 Bay RAID Enclosure

• $235 Starting Price
• USB 3/eSata/Firewire 800
• Up to 20TB

NewerTech Guardian Maximus RAID Enclosures

• $119 Starting Price
• USB 3.0/Firewire 800/Firewire 400/eSata

G-Tech 3TB Thunderbolt

• $279 for 3TB, 2TB Version Here
• USB 3.0/Thunderbolt

WD My Book 3TB USB 3.0

• $109 for 3TB
• USB 3.0

G-Tech G-RAID Mini

• $219 Starting Price, 2TB Version Here
• USB 3.0/Firewire 800

G-Tech G-Drive Ultra-Slim 500GB

• $81 for 500GB

OWC Thunderbolt 2 Dock

• $228
• 5x USB 3.0
• 2x Thunderbolt
• 1x HDMI
• 1x FW800
• 1x 1/8” Mic Input
• 1x Headphone Jack
• 1x Ethernet

Apple 2TB Time Capsule

• Starting at $277

WD 1TB USB 3.0

• Around $50

How I Use My Drives

Here is a diagram showing how I currently use my drives. Scroll down a little further to see my future setup for better backups.

Future Hard Drive Workflow

Here you can see how I will be setup up my drive workflow. This setup has a much better offsite backup solution.

Do you have a hard drive workflow that has been working for you? Share your setup in the comments below.

Davis & Sandord Provista Tripods $150

I also mentioned the Benro S6 and Benro S8 models.

Why I Dig This Tripod

1. Gets low to the ground
2. Smooth consistant motion with pans and tilts
3. Affordable
4. Tough
5. Used it for over 4 years and still like it

Do you have gear that has proven the test of time? What are some of your favorite items that have been with you a while?

What audio gear do you always have in your bag?

Gear Mentioned

Here is a list of everything in my audio bag.

• Canon Camera Bag

  • Amazon
  • B&H Photo Video

• RODE NTG2

  • Amazon
  • B&H Photo Video

• RODE NTG4+

  • Amazon
  • B&H Photo Video

• RODE Shock Mount

  • Amazon
  • B&H Photo Video

• Shotgun WindShield

  • Amazon
  • B&H Photo Video

• Zoom H4n Recorder

  • Amazon
  • B&H Photo Video

• Zoom Handle

  • B&H Photo Video

• RODE VideoMic Pro

  • Amazon
  • B&H Photo Video
  • NOTE: I’m using the older model, the newer one uses a difference shock mount style (Rycote).

• Dead Cat for VideoMic Pro

  • Amazon
  • B&H Photo Video

• Senal Studio Monitor Headphones

  • Amazon
  • B&H Photo Video
  • NOTE: I Use the SMH-1000 but there are cheaper models available.

• RODE Lav

  • Amazon
  • B&H Photo Video

• Portabrace Lens Cups (for storing wireless kit)

  • Amazon
  • B&H Photo Video
  • NOTE: I use the shorter cups for my transmitter and receiver.

• Sennheiser G3 Wireless Lav Kit

  • Amazon
  • B&H Photo Video

• Male to Male 3.5mm

  • Amazon
  • B&H Photo Video

• Extender 3.5mm

  • Amazon
  • B&H Photo Video

• Splitter 3.5mm

  • Amazon
  • B&H Photo Video

• XLR to 1/4″

  • Amazon
  • B&H Photo Video

• 3.5mm to XLR

  • B&H Photo Video

• 1/4″ to 3.5mm Adapter

  • Amazon
  • B&H Photo Video

• 3.5mm to 1/4″ Adapter

  • Amazon
  • B&H Photo Video

• 9 Volt Batteries

  • Amazon

• JuicedLink Preamp

  • B&H Photo Video

• Battery Charger

  • Amazon
  • B&H Photo Video

• AA Batteries

  • Amazon
  • B&H Photo Video

• AAA Batteries

  • Amazon
  • B&H Photo Video

• Battery Cases

  • Amazon

• RODE Vampire Clip

  • Amazon
  • B&H Photo Video

• RODE NTG4

  • Amazon
  • B&H Photo Video

Bag Section Photos:

Front Lens Caps

I label front caps by filter size. Using this method lets me put any cap on any lens as long as the filter size is the same (example: 77mm). No more trying to match the right cap to the right lens!

Rear Lens Caps

I label my rear caps by mount. “C” for Canon/EOS, “N” for Nikon F mount, “FD” for FD lens mount etc.

Body Caps

Same approach as rear caps.

Gear Mentioned

• Cheap Clamps
• Cheap Monitor Arm
• Heavy Duty Monitor Arm
• Zoom Handle
• Music Mic Stand
• Boom Holder
• Nano Clamp

You may also need a 1/4″ to 3/8″ thread adapter since many microphones have a 3/8″ thread instead of 1/4.

Microphones Shown in Video:

• RODE VideoMic Pro
• RODE NTG4

Boom Holder $25

Available at B&H and Amazon

Why I Dig It

• Faster setup/teardown
• Works with any boom
• Can also be used with lights
• Stronger than other solutions

In my next video we get back to business and film making, I promise! In the meantime, don’t do drugs!

Genus Mini Jib $355

Available on B&H and sometimes the Genus website.

Why I Like It

• Lightweight
• Handles most cameras
• Packs VERY well
• Instant setup and balance
• Great weight locks
• Works with any tripod

3 Changes Coming to DSLR Video Shooter

Here are some changes you can expect to see on DSLR Video Shooter.

1. More Videos

I will be posting 2 videos each week on Tuesdays and Thursdays here on the website, Youtube and Vimeo.

2. No more articles

I am switching to exclusively videos! I will still be writing posts for each of these videos, but no more scattered news posts.

Even though I won’t be posting little articles here and there, I will be posting lots of news, gear deals and articles on social media. Follow me on Facebook, Twitter and Google+

3. More Tutorials and Guides

Tutorials are my real passion and I’m excited about producing more of them. Gear reviews will continue, but I’ll be doing more how to videos and guides to balance out my content.

Thank You!

You guys have been such an amazing group of shooters over the years and I’m honored to have you as viewers. If you have any topics you would like to see covered in a video, let me know!

Sony A7s II $2,999

Release Date: November 2015

Available for Preorder at B&H Photo Video.

Sony FS5 $5,599

Release Date: November 2015

Available for Preorder at B&H Photo Video.

A7s II New Specs

• 4K Internal Recording
• Base ISO of 1600 instead of 3200
• 120FPS at 1080
• S-Log 3
• 5 Axis Stabilization
• Better Low Light

FS5 Specs

• Same sensor as FS7
• Electronic ND
• 240FPS in 1080p
• 4K Internal at 8 Bit 4:2:0
• 1080p at 8 Bit 4:2:2

The Premiere Pro section starts at 3:22 if you want to skip FCPX.
I am by no means an expert editor/AE so if you have tips on downscaling a better way, I would love to hear from you!

The 3 Budget Audio Setups

Here are the 3 different setups mentioned in the video with links to all the gear. Keep in mind the pricing in the video may change overtime.

Setup 1: RODE VideoMic GO + Extras $129.05

Best Use: Recording straight to camera.

• Mic Stand
• Zoom Handle
• 1/4″ to 3/8″ Adapter (to adapt mic to handle)
• RODE VideoMic GO
• Extension Cable

• Optional: Senal Headphones $49+

Setup 2: VideoMic GO + H1 + Extras $229.04

Best Use: Dual system sound for cameras without headphones or if you want a backup.

• Zoom H1 Recorder (Could use the Tascam DR05 as an alternative)
• Mic Stand
• Zoom Handle
• 1/4″ to 3/8″ Adapter (to adapt mic to handle)
• RODE VideoMic GO
• Extension Cable

• Optional: Senal Headphones $49+

Setup 3: Zoom H1 + Extras $131.26

Best Use: Dual system sound for cameras without headphones or recording straight to camera (using a male to male 1/8″ cable).

• Zoom H1 Recorder
• Mic Stand
• Zoom Handle

• Optional: Senal Headphones $49+

With these shortcuts you can completely change the layout of FCPX and only show what you need to see. Using these shortcuts will also help you speed up FCPX by having less open at one time.

The Shortcuts

1. Command + Control + 1 (Toggles Libraries and Browser)
2. Command + 4 and Command + 5 (Toggles Inspector and Effects Library)
3. Command + 7 (Toggles Video Scopes)
4. Command + 6 (Adds New Color Board to Current Clip)
5. Command + Shift + 7 (Toggles Angles)

Obviously there are hundreds of different shortcuts and several great ones I didn’t mention here. I will have more videos on FCPX tricks and shortcuts coming out soon. If you want to see more, check out these three videos:

• Color Correction Workflow in FCPX
• Multicam Trick: How to Turn One Camera Into Two Angles
• 7 Ways to Speed up FCPX

RODE VideoMic GO $85

Available from B&H and Amazon (lower price).

RODE VideoMic Pro $214

Available on B&H (lower price) and Amazon.

RODE VideoMic GO Pros and Cons

Pros

• No power switch so you can’t forget to turn it on
• No battery required
• Ready to record at anytime
• VERY affordable
• Great shock mount

Cons

• No battery which means less signal to camera/recorders
• Can’t use viewfinder on many cameras while mic is mounted

RODE VideoMic Pro Pros and Cons

Pros

• Battery for hotter signal
• 0DB and 20+ DB switches to control signal output
• Batteries lasts a long time
• Shot back body design for use with viewfinders while mounted on cameras

Cons

• Easy to forget to turn on/off the mic
• Rubber bands can fall off/break over time

I have an older 2011 iMac that struggles with 4K footage. After editing several 4K projects, I have found a few ways to speed things up and keep FCPX running smoothly while editing 4K footage from my GH4.

7 Ways to Speed Up FCPX

1. Turn ON Better Performance
2. Use Optimized Media
3. Create Proxy Media
4. Use List Mode in the Browser
5. Change the Clip Appearance
6. Close the Effects Browser and Inspector when possible
7. Close Video Scopes and Angles

Other Tips for a Faster Editing Machine

There are several other ways you can improve Final Cut Pro speeds, here are a few extra tips to keep you editing smoothly.

Close Other Applications

Keeping your mail, safari and other apps open while editing will slow down Final Cut Pro and impede your work. Use the Activity Monitor app (found in Applications/Utilities) to see what might be hogging your computer’s CPU.

Use Fast Drives

Using 7200RPM or SSD drives will help speed up Final Cut Pro significantly. Also try to use Thunderbolt drives or USB 3.0 drives if you’re on a budget.

Keep All Project Files Together

I recommend your keep all of you project files on one drive while editing. If you have assets spread across several drives Final Cut will get slow as it has to keep accessing different sources.

Do Not Max Out Drives

Try to keep AT LEAST 100GB free on the drives you’re using for Final Cut projects and assets. Leaving some breathing room will allow the drive to operate more efficiently.

Max Out Your RAM

This is probably an obvious one, but it makes a MASSIVE difference. Check to see how much RAM you’re rocking and if you have not maxed it out, run over to OWC or Crucial and pick up some new RAM.

Conclusion

Those are the tips I’ve found to speed up Final Cut Pro X and my machine while working with 4K footage. I’m sure there are other methods and if you have any suggestions I am all ears!

Things to Keep in Mind

• This trick works best when using 4K footage and distributing in 1080p
• Use sharpening on the second angle to match the look of the first
• You can use this trick with more than one camera to give yourself several backup angles
• Use wisely and don’t get lazy!

This video is an excerpt from my GH4 Video Guide.

Atomos Shogun 4K Recorder $1,995

Atomos Shogun with the GH4: Things to Consider

1. File sizes on the Atomos Shogun are much larger than the 4K files on the GH4
2. Image quality is hardly different when comparing the two
3. Whatever image quality boost you get with the Shogun disappears when uploading to the web
4. 4K Recording aside, this device is incredible and makes for a great monitor
5. The Shogun is loaded with great video assist features
6. Even if you don’t get better image quality you don’t have to transcode footage in post
7. At the end of the day I wouldn’t personally buy the Shogun for the GH4
8. Cameras like the Sony A7s will see different benefits with the Atomos Shogun

*UPDATE Here is a link to the bad Amazon battery for anyone wondering. It seems to be from Panasonic, but from what I can tell one/some of the venders seem to be shipping the bad ones.

As explained in the video, I recommend you only buy batteries from B&H Photo Video.
This will keep you, your camera and your wallet safe! Do you have any battery horror stories?

I used this effect in my GH4 review and in my A7s review. You can use a cheap LED light from eBay to create this effect affordably. I had a Switronix Torch Bolt LED laying around so I used that.

Panasonic G7 $798

Available on Amazon and B&H.

Panasonic GH4 $1,498

Available on Amazon and B&H.

Major Differences on the G7

As mentioned in the video above, the G7 and GH4 are very similar but you will obviously be missing a few features on the G7 when it comes to video.

The Bad

• No Cinema 4K (4096×2160)
• No headphone output
• No 96FPS
• Can’t use monitor while recording (29mins max)
• No continuous recording
• SD card accessed under camera
• Shorter battery life
• Lower build quality body

The Good

• Crazy affordable
• Better low light at higher ISO levels
• Almost identical video quality to the GH4
• 60FPS at 1080p
• Good button layout
• Includes a lens
• 4K video for under $800

Portabrace Rig Case $476

You can view all Rig Case models here. You can also find my other Portabrace case/bag reviews here.

Gear Packed in Case

Here is a list of all the gear I packed into the case in order of appearance:

• Canon C100 Mark I
• Sennheiser G3 Wireless kit
• Flex Light
• Impact Light Stand
• SmallHD DP7 Pro
• Domke Wrap
• HDMI Cable
• Pelican SD Card Case
• Field Notes
• DataColor Card

The music in today’s video was provided by PremiumBeat. You can find the song used here.

The G7 Guide is available for Pre-Order today for $19.95.

You can pre-order the the G7 Guide now and it will be released on August 4th.

Why Should You Buy?

1. With this guide you will learn to customize and master video on the G7.

2. You will learn about the best image settings and will avoid using the wrong Photo Styles (hint, Cinelike D isn’t good!)

3. You’ll learn about a killer $130 lens/adapter combo.

4. You’ll learn how master audio without a headphone jack and on a budget.

5. I’ll show you how to shoot a production with less then $400 worth of gear.

This video was an excerpt from my GH4 Video Guide. Check out the trailer here.

GH4 Interface Unit $698

Price Updates

It is important to note that the price of the GH4 Interface Unit has significantly dropped since I produced this video. Here are the current options and prices:

• GH4 Body with Interface Unit: $1998
• Interface Unit Alone: $698

Neewer Tripod Leveling Base $47

All in all I am very happy with this unit. You can’t beat the price considering the quality of the base. Adding this leveling base to my old Velbon (New Magnus version here) really turned it into a new set of sticks.

Turn Your Old Tripod Into B Camera Sticks

Do you have an older tripod sitting around? Use the leveling base to upgrade it into a worthy B or C camera tripod.

Upgrade Your Current Tripod

If you can’t afford a new tripod but are sick of leveling your camera using the legs of your tripod, this is a cheap way to upgrade your system.

You can watch the other parts of The Studio series here:

• Part 1: Light Stands
• Part 2: Grip and Lighting Accessories
• Part 3: How to Setup a Video Studio
• Part 4: New Studio Lighting and Setup
• Part 5: Basement Studio Setup (You are here)

Gear Mentioned in Video

• Flex LED
• Silk Frame
• Stool
• Background Stand
• Background Paper
• Alzo 3000 LEDs
• Power Squid

Basement Studio Tips

Here are some things to keep in mind when setting up a basement studio:

Dry Space

Making sure your basement is dry should be priority one. My basement isn’t wet but can feel damp. Using a dehumidifier helps a ton. I keep all my cables off the floor when I am not using the space. I also unplug all electronics when I’m finished.

When using a back drop, keep the paper/fabric off the floor by 6 inches or so. I use this Cowboy Studio background stand for my background. You can find the grey background paper I use here. I also use two clips to keep the paper from unrolling and touching the floor.

Long Room

Try to find the longest part of your basement to shoot in. The more length you have the more flexible the space will be for different framing and lens setups. The space I am in will allow for medium shots as well as full table shots.

Sound Treatment

Obviously sound is a big issue for those of us shooting videos. There are two problems with basements. Sounds from higher levels find their way to the basement and basements are acoustic nightmares.

If the space isn’t finished (like mine) sound travels down from the next floor which isn’t cool. My wife is awesome about keeping things quiet while I record. I try to schedule a full day or a few hours a week for shooting and that makes scheduling a quiet time easier. When I finish the basement I plan on sound proofing sections of it using sound proofing materials in the walls and ceiling. Also having a door that doesn’t have recessed panels helps.

As for acoustic treatment, I will eventually install some panels to keep the echo and reverb down in the space. For now I am using Producers Choice Sound Blankets. to keep the sound in check. These blankets block sound while also treating the acoustics the room. I have put one down on the floor and found it greatly reduces sound problems in the space.

Planing Construction

I can’t afford to remodel our basement at this point, but getting a contractor in to look at it helps a lot. I recommend you have someone take a look at your space and talk about phases of construction if you can’t afford to do all the work right away. I will be dealing with the ceilings and power first and finishing the walls and floors later.

What kind of space do you shoot in? Have any tips for setting up a home studio?

In the video I talk about C4K and UHD in regard to the Panasonic GH4 but this topic is applicable to most 4K cameras with these settings.

Choosing Between C4K and UHD

The GH4 Guide

If you want to learn more about master video on the Panasonic GH4 check out my full guide here.

While there are many ways to insure we have correct exposure I’m going to talk about 3 in today’s video. This video is an excerpt from the GH4 Guide but the methods used for getting correct exposure apply to many different cameras.

Gear Mentioned in the Video

• DataColor Card $49
• Folding Grey/White Card $10
• SmallHD DP7 Pro
• Atomos Shogun

If you want to learn more about mastering video on the Panasonic GH4 check out my full guide here. You can also see the trailer for the GH4 Guide below.

This video is an excerpt from my GH4 Video Guide. If you liked the video and want to learn more about turning your GH4 into a cinematic 4K capture device, check out the GH4 Guide trailer here.

Things To Remember

1. Split your color workflow into two phases, correction and grading.
2. When in the first phase (Correction) makes sure you get your exposure correct first, then move onto color.
3. Always check your scopes to make sure you have correct exposure and color.
4. The Waveform scope is best for exposure and the vector scope is best for color (skin tones, white balance etc).
5. Remember that not every shot has black and white in it. Correct accordingly.
6. Even if there is black in your shot, you can keep the shadows above 0 for a more low contrast look.
7. Practice and have some fun!

Final Product

Here is the final cut of the GH4 Guide trailer. You can see shots from the above setup throughout the video.

Gear Mentioned

• Flex Light
• Alzo LED Lights
• Switronix Torch LED Lights

Here is my review including a few things I picked up. There is still time to signup and blow your mind: Sound Advice Tour Information.

If you can’t make it to one of the events, stay tuned for the HD downloads on the Sound Advice Tour website.

GH4 Guide Trailer

With over 4 hours of video content, the GH4 Video Guide has everything you need to master video on the Panasonic GH4.

What’s Next for DSLR Video Shooter

Obviously I’ve been doing a bad job keeping up with videos here on the site. This guide has taken a lot more of my time than I had thought. That said, I have several videos in the works showing you guys what I’ve learned from producing this massive project and we will return to our normal weekly video schedule.

Thank you for all the support and patience over the past several months. You guys are rockstars.

Your fellow shooter,

Caleb Pike

After traveling a lot with gear I’ve found there is no perfect bag or backpack. Over the last year I’ve come up with a way to turn any bag into the perfect production bag while traveling. The key is the keep your in-bag gear packed the same way. Watch the video above to see what I’m talking about and check out the gear used below.

1. Domke Wraps

These Domke Wraps rock. I have several of them and use them all the time for monitors, cameras and lenses. For the setups I mentioned in the video above, I use them for cameras keeping one side open for easy access in your bag.

2. Porta Brace Lens Cups

Porta Brace Lens Cups are just what the sound like. These are tough, cylinder shaped bags, that protect your lenses. I also use these for NP-F batteries, my audio transmitters/receivers and more.

3. Porta Brace Stuff Sacks

The Porta Brace Stuff Sacks are perfect for batteries, filters, cables and other random gear. Using these sacks with the Domke Wraps and Lens Cups completes your clean, simple and organized bag.

Messenger Bag Used

Classic Army Messenger Shoulder Bag

In the video I mentioned the “Jack Bauer Bag” this bag is the bomb and can be had for under $30. You can get it in several different colors and yes, this seriously is identical to the Jack bag:

Images via powerofbauer.com

That is All

Thats it really. Do you have any tips for traveling easily with gear? What bag setups do you use?

• Blackmagic URSA Mini
• Blackmagic Micro Cinema Camera
• Blackmagic Video Assist Recorder/Monitor
• Defy Gimbals
• Ronin M Gimbal
• Letus Helix Jr. Gimbal
• SmallHD 502 Monitor and the Sidefinder
• Wooden Camera Nato Lock and Magic Arm
• Aputure DEC Wireless Controller
• Walimex Pro New Cage (coming soon)
• Walimex Pro New QR Plate (coming soon)
• Walimex Pro Extension Arm
• New Benro BV series
• Westcott Flex LED Lights

While we can’t add built in ND filters to our cameras, we can make build a modded rig to create a mini C100 with almost any DSLR or mirror-less camera.

GH4 Video Guide: Sign up Here

My GH4 guide is almost complete! Be sure to sign up to be notified when the guide is complete here: GH4 Video Guide.

What You Need

• Your Camera – I’m using the GH4 but you could conceivably use any camera.
• Cage (Check out my A7s Cage list or the GH4 cage list).
• Wooden Camera Nato Handle
• 19mm Rod Sleeve and Screw
• JuicedLink Micro Preamp
• OPTIONAL: Shotgun Mic (I like the Rode VideoMic Pro)

How to Build a Mini C100

Here are the steps build the modded rig for the GH4. Be sure to watch the video above for more details and instructions.

1. Cage the GH4

Any cage will do. Just make sure it has a flat top and at least two 1/4″ threads in a row for the nato rail.

2. Add a Nato Handle

Attach the nato rail and nato handle. I try to attach mine as far forward on the cage as possible. This way, when you rotate the handle the weight of the camera isn’t too far off to one side.

3. Attach Preamp with Bolt on 19mm Rod

This step is pretty simple. Add the 19mm rod onto the cent of the preamp and attach it to the Nato Handle as shown in the video.

4. Add Microphone of Choice (Optional)

I used a Rode VideoMic Pro, but you could just run an XLR cable to the preamp. A small shotgun is great for mobile shooting and b-roll capture.

What do you guys think of this setup? How have you rigged your GH4 for video?

Today we take a close look at the Manfrotto Standard Quick Dovetail on Amazon plate from SmallRig. This 9 inch plate allows you to easily balance your camera and sports several features mentioned in the review above.

Manfrotto Standard Quick Dovetail on Amazon $55

• This long version of the standard plate is compatible with cameras with unusual weight distribution caused by long telescopic lenses or heavy batteries.
• Supplied with 1x 1/4” and 1x 3/8” camera screws and 4 x1/4” screws holes on each end. The specially designed threaded holes are used for attaching EVF mounts to this plate.
• It is compatible with the Manfrotto 577 quick release adapter.
• Material: Aluminum Alloy

SaveSave

It is hard to believe that 2014 is already coming to a close. In this video, I go over gear that has greatly improved my workflow in the studio and on set this year. Whats your favorite gear of 2014?

Top 10 Gear Picks:

1. Walimex Pro Cage (Watch Review)
2. Panasonic GH4 (Watch Review)
3. Nikon Zoom Lenses: 17-35mm, 28-70mm, 80-200mm
4. Wooden Camera Nato Handle (Watch Review)
5. Portabrace Bags: Cargo Case, Backpack
6. JuicedLink Preamps (Watch Review)
7. Rode NTG-2
8. Alzo 3000
9. SmallHD DP7 Pro Monitor
10. Rapid Baby

Thank you for being apart of this community and for all the feedback. Looking forward to serving up more content in 2015!

Before you watch the breakdown video, showing how I shot and edited the project, I would encourage you to watch the final music video at the bottom of this post.

Production Breakdown

Gear Used:

• Sony A7s (Review here)
• Panasonic GH4 (Review here)
• Wooden Camera Quick Cage (Review here)
• Walimex Pro Cage (Review here)
• Alzo 3000 LED Light
• Torch LED Lights
• Sand Bags
• Nikon 28-70mm F2.8
• Nikon 17-35 F2.8
• Nikon 80-200mm F2.8

Foxtrot Music Video

Customizing Lenses for Matte boxes and Filters

Before I jump into the 3 matte box solutions, we need to prepare our lenses for filters and matte boxes. The lens system I talk about in the video turns your lens into a filtration ready beast and allows you to add and remove any type of filtration instantly.

Step 1: Cordvision 80mm Ring

This ring adapts the front of your lens to have an outer diameter of 80mm which is what we need to use clamp on matte boxes. You can get Corvision rings here.

Step 2: XUME Adapter

This magnetic filter adapter allows us to easily add round filters and filter holders to our lenses all while being able to add and remove matte boxes quickly. You can find XUME lens adapters (magnetic part that goes on the lens) and XUME filter adapters (magnetic part that goes on the filter) at B&H Photo Video. You can buy the adapters individually or save some money by getting a starter kit.

Matte Box Solutions

In the later part of the video, I show you 3 matte box solutions ranging from $50 to $450+

1. Genustech PV Matte Box

The Genus PV Matte Box is the best all around matte box solution in my opinion. Here are some of the main features of the PV Matte Box:

• 2 Filter stages (1 rotating)
• Takes 4×5.6 AND 4×4 filters
• Can be clamped on or used with a rod system
• Can take side and top flags

You can get the PV Matte Box from Genus and B&H. Genus has had a real hard time keeping matte boxes in stock, so if you see it available, jump on it! Here are some other accessories I mentioned that you can use with the Genus PV:

• Genus Swing away arm
• Zacuto Swing away arm (Discontinued sadly)
• Nuns Knickers
• 80mm Clamp on Ring

2. Genustech Matte Box Lite

The Genus Matte Box Lite is a great lightweight budget option. Here are some features of the Genus Lite matte box:

• 1 Rotating filter tray
• Clamp on only
• Very light
• Can only take a top flag

You can buy the Genus Matte Box Lite from Genustech or B&H. Genus has had a hard time keeping matte boxes in stock, so if you see it available, jump on it!

3. Fotodiox Filter Holder

This is by far the cheapest option coming in at around $50. You can get the Fotodiox filter holder on Amazon or B&H. You can also pickup the Dinkum System lens shade to work along with your filter holder.

Conclusion

I hope this was helpful to many of you. If you have any questions feel free to get in touch and I would be happy to help you out! If this video was helpful to you, please consider purchasing gear from the links in this post. By doing so, I will receive a small commission at no additional cost to you. Thank you!

Also be sure to watch Filtration Part I: Filter Types and uses.

In this video we take a look behind the scenes of a Frank and Harvey set I was recently shooting on. We shot this corporate project on GH4s and other gear listed below. Be sure to check out director Corbyn Tyson’s work at Frank and Harvey especially his series The Fatherhood Project.

Here is a list of all the gear mentioned from the shoot:

Lighting/Grip

• Alzo 3000 LED Lights
• 5 in 1 Reflector
• Matthews 8×8 Black Fabric
• Switronix Torch LED
• Impact Light Stands
• Oben Ball Head
• Sandbags
• Black Wrap

Camera 1

• Panasonic GH4
• Walimex Pro Cage
• Davis and Sanford Tripod
• Nikon 17-35mm F2.8
• Nikon to MFT Speed Booster

Camera 2

• Panasonic GH4
• Wooden Camera Quick Cage
• Switronix Powerbase 70
• Benro S4 Tripod
• Nikon 28-70mm F2.8
• Nikon to MFT Speed Booster

Monitors

• SmallHD DP4
• SmallHD DP7 Pro
• Monitor Arm
• Manfrotto Nano Clamp
• Female Cold Shoe
• Mashall Monitor Accessory
• HDMI Cables
• HDMI to Micro HDMI Cable

Audio

• Matthews C-Stand
• Rode NTG-2 or Senheiser Shotgun Mic
• Carbon Fiber Boom
• Boom Holder
• Sound Devices Mixer
• Tascam DR-60D Recorder
• JuicedLink Riggy Assit Preamp
• Dinkum Systems Clamp

Other

• Power Squid Strip

Did you enjoy the video? Definitely let me know if you would like to see more behind the scenes videos like this in the future.

In this video we take a look at the JuicedLink RA222 preamp. You can view all JuicedLink preamps here.

Why Do I Need a Pre-amp?

Most cameras and audio recorders have very poor pre-amps that result in noisy audio. JuicedLink preamps are incredibly powerful and allow you to greatly reduce noise levels in your audio.

Which JuicedLink Preamp Do I Need?

There are several JuicedLink models available depending on your needs. Here is a list briefly describing each model:

• Riggy-Micro
  • DSLRs having headphones and meters
  • Camcorders with headphones and meters
  • Digital audio recorders
• Riggy-Assist
  • DSLRs lacking headphones or meters
• BMC388
  • BMCC
  • BMPCC

What do you use to capture sound with your camera?

1. I made this video because people ask me why I don’t shoot with Nikon cameras. I’m not here trying to preach against Nikon, just answering a question with a video.
2. This is MY opinion to be taken as just that, an opinion, not law. These are the reasons I personally don’t use Nikon. Not anyone else’s.
3. If you have chosen Nikon as your camera system, good for you! I don’t have anything against Nikon shooters!

– End of Update –

One of the top questions I get asked is why I don’t recommend Nikon cameras or do more Nikon body reviews. In today’s video I go through my 4 reasons for not recommending Nikon cameras for video:

1. Nikon F Mount

On Canon, Panasonic and Sony cameras you have vast selection of lens options thanks to a more flexible flange distant. You can use Nikon glass and tons of other brands/mounts where as on a Nikon, you can never use Canon lenses and others.

2. Settings and Layout

I think Canon and Panasonic cameras have much better menu and button layouts than Nikon. This point is more subjective, but I’ve found that a good deal of shooters agree with me.

3. Not Video Oriented

When it comes to video, Canon, Panasonic and Sony have a lot more experience where as Nikon has been exclusively stills.

4. Many Pro Video Shooters Don’t Use Nikon

I’m not saying that anyone who shoots video on a Nikon camera isn’t a pro. But if you take a look at leading filmmakers and shooters, you won’t find many using Nikon cameras.

Conclusion

I didn’t make this video to bash Nikon or Nikon uses at all. I made this video to answer a question I get a lot from my readers. So now you guys know why I don’t recommend Nikon or shoot with Nikon cameras when filming video.

1. Knowing How to Stage Gear

Staging gear is a crucial step in production. Knowing how to stage gear makes things easier to find through the shoot and also help move production along. If the video above, I talk about how I recommend you stage gear and specifically lights.

2. Being Subtle on Set

This one is huge. Nobody likes the loud guy who can’t keep himself contained on set. Being subtle and quietly supporting your director is an invaluable skill. In the video, I talk about how this applies on set.

3. Asking Questions

I always appreciate a learner’s spirit in assistants and shooters. Asking questions really does 3 fantastic things. 1) it shows your boss that you are interested in learning and not just a grunt looking for a paycheck. 2) Asking questions helps you learn and improves your skills which makes you more valuable to your boss and can allow you to raise your rates later. 3) Asking questions can help your boss learn a think or two. Sometimes we don’t know why we do things, and that is just silly.

4. Being Relentlessly Observant

This skill is GOLD. If you’re relentlessly observant on set, you won’t find yourself getting let go or rejected as a shooter. Now, with this skill comes being subtle (Skill #2) so don’t be observant just to turn around and start yelling about issues to anyone who will listen. In the video I talk about what this looks like.

5. Studying Your Boss

If you study your boss and learn to meet their needs before they ask, you’ll find yourself on all of their shoots. So next time you’re on set, observe how your boss likes his cables packed, lights staged and coffee doctored.

The Crucial Conclusion

This post might just sound like a list of ways to suck up to your boss or director, but trust me when I say these skills go far beyond that. Today you could find yourself doing these things as an assistant, but one day you might find yourself on set as a director. Then you will need to know how to have your crew stage gear. You will have mastered the art of being a subtle director. You will know how to ask questions and discover new methods for doing things. You will be a master of observation and nothing will get past you. And finally, you will be able to study and serve your boss well and that boss won’t be a director, it’ll be the story.

If your looking for a small rig or just a cheap quick release system, you’ve got to check out the QV-1 and QB quick release system from Kamerar. Below you will find links to the gear mentioned and you can view all the related QV-1 parts here.

• Kamerar QV-1 LCD View Finder Kit (Canon Version)
• Kamerar QV-1 M LCD Viewfinder Kit (Panasonic Version)

Kamerar QB-15 Rail Kit

I’ve been on a hunt for the perfect power system for quite some time now. There are literally hundreds of power solutions out there, different battery types, capacities, mounts and so many other choices. After a lot of research, I’ve come up with some tools and tips that you will find in this tutorial/review for you guys using the Switronix Powerbase 70.

What You Need

Below are 2 options for powering your camera with a v-mount battery which I’ve talked about in the video.

Option 1: Standard Kit

This option is the cheapest and gets you a battery with a regulator cable that fits your camera for $299 to $345. Below you can find a list of popular camera kits you can purchase. If you don’t see your camera, check out the full list of kits here. Some of these kits do not include a charger which you can purchase separately here.

• Panasonic GH3/GH4 Powerbase 70 kit $345
• Sony A7s Powerbase 70 kit $345
• Canon LP-E6 Powerbase 70 kit with Charger (5D, 7D, 70D, etc) $344
• Canon LP-E8 Powerbase 70 kit (T3i, T4i, T5i, etc) $299
• Canon C100/300/500 $345
• Blackmagic Cinema Camera $299

Option 2: V-Mount Plate

This option allows you to plug a v-mount plate into your camera and easily swap out batteries and power multiple accessories with your Powerbase 70. To make this work you need a couple different things listed below. Total cost is between $455 and $525 depending on your camera model.

• First, you need to grab a Powerbase 70 stand alone battery ($245).
• Next, you will need to pick up a V-mount plate which will hold your battery ($80).
• You will also need to grab one of these cheese plates. This will allow you to attach the battery plate to your rig.
• Finally, you will need to pick up the right regulator cable to go from the V-mount plate to your camera. Below is list of popular cables or you can find all the cables different cables and lengths here. ($79-$150)
  • Panasonic GH3/GH4 $130
  • Sony A7s (no extra P-tap available) $79
  • Canon LP-E6 $125
  • Canon LP-E8 $115
  • Canon C100/300/500 $115
  • BMCC $150
  • All other camera models

Conclusion

So there you have it, a couple of different ways to power your camera and/or several other accessories and devices. If you have any questions feel free to get in touch. I would be happy to walk your through what you might need.

• Why use filters?
• Rectangle filters vs Fader ND and round filters
• Filter sizes
• Popular filter types and uses
• Pro vs cheap filters

You can watch part 2 here where where we will cover all things matte boxes, filter holders and rod systems for filters.

Gear Mentioned

• Genus Fader ND
• Tiffen Fader ND
• Tiffen Pro Indie HV ND Filter Kit (4 x 5.6″)
• Tiffen ND Grad Filters
• Cavision 4 x 4 ND filters
• Tiffen 4 x 4 ND Filters

You can get ALLEX as a kit or each part individually from B&H Photo Video.

This review was done by our friend Alex Smith who has done several reviews for DSLR Video Shooter in the past. Be sure to check out his new website Learning Film and keep checking in for new content over there.

This month I’m giving away a custom F&V Cage with a custom leather handle (who doesn’t love leather handles). You can find details on how to win below.

If you want to learn more about this killer cage, check out my F&V cage review which includes a tutorial on using this cage with a DSLR.

Giveaway Rules

• Must be subscribed to the DSLR Video Shooter Youtube Channel.
• Must Comment on the giveaway video here.
• Winner will be randomly selected on September 30th.
• Free shipping to US addresses only.

Sony A7s $2498

Specifications

• 12.2MP Full-Frame Exmor CMOS Sensor
• BIONZ X Image Processor
• Gapless On-Chip Lens Design
• 3.0″ 921.6k-Dot Tilting LCD Monitor
• XGA 2.36M-Dot OLED Electronic Viewfinder
• Full HD Recording in XAVC S
• 4:2:2 UHD 4K Output via HDMI
• Full Pixel Read-Out, S-Log2 Gamma
• Expandable Sensitivity: ISO 50-409600
• Fast Intelligent 25-Point AF System

Pros

• Incredible low light sensitivity
• Full-frame sensor
• Great dynamic range
• S-Log2
• APS-C capture option
• 60FPS @1080p
• Flexible mount
• EVF
• Included port protector

Cons

• Rolling shutter
• Terrible ergonomics
• Finicky screen
• Confusing menu layout
• 8 bit camera even through HDMI
• No internal 4K

Show Notes

Various gear and links mentioned in the video.

• Nikon 28-70mm F2.8
• Nikon 17-35 F2.8
• Nikon 80-200mm F2.8
• Philip Bloom on recording A7s 4K externally
• Transcend 64GB UHS-3 SD Card

Music from PremiumBeat.com:

“Let’s Make it”
“School of Rock“

I feel the need to add a disclaimer to this review, I was not paid or compensated for this review. I just REALLY like this cage and got one for myself. The Walimex Pro Cage is a high quality and cost effective alternative to Wooden Camera’s Quick Cage which I own and love. While this DSLR cage is similar, it has a few features that set it apart from other cages. Check out the full review above for all the details.

Gear Mentioned

Here are some of the parts I talked about in the video. You can also check out all Walimex Pro gear here.

Walimex Pro Aptaris XL Cage

• Adjustable Height Design
• Hot Shoe Stabilizing Adapter
• Multiple Accessory Mounting Holes
• Corrosion Resistant Finish
• Included Handle & Cold Shoe

Walimex Pro Lens Support

The Lens Support for Mutabilis/Aptaris System 15mm Rods from Walimex Pro is an adjustable lens support compatible with 15mm rods. The lens support is designed to support and stabilize long and heavy lenses. It features adjustable height and is constructed of light aircraft aluminum.

Walimex Pro Cable Protection

The walimex Pro Cable Protection is an accessory for the Aptaris camera systems. It protects all cables connected to your camera and the associated sockets against damage. The cable protection can be used with other systems that have a 1/4″ thread. It is constructed from lightweight aircraft aluminum.

Walimex Pro Cage with the A7s

• Part 1: Light Stands
• Part 2: Grip and Lighting Accessories
• Part 3: How to Setup a Video Studio (You are here)
• Part 4: New Studio Lighting and Setup
• Part 5: Basement Studio Setup

Pretty amazing how different a space looks with lighting:

Grip Gear

• Stand for the Grey Chart
• Grey Card
• C-Stand
• Nano Clamp
• Monitor Arm
• Small Background Stand
• Rim Light Stand
• Large Stand for Reflector
• Reflector Holder
• 5 in 1 Reflector
• Boom Stand for the Microphone
• Sandbags
• Saw Horses
• Table top

Lighting

• Alzo 3000
• Torch Bolt LED
• Ball Head for Torch Lights
• Adapter for Torch Light to Mount to Light Stands
• Power Strip

Camera and Audio

• GH4
• Nikon 28-70mm F2.8 @35mm F4
• Benro S6 Tripod
• NTG-2
• XLR Cable
• JuicedLink RA222

Conclusion

This is how I setup my studio, but you don’t need all this gear to pull this off. You could save money by using different stands and lights. This is just what I have on hand for all my productions and what I use.

What do you use to setup your studio?

All production went well and I hope to show you some footage soon.

Production Gear Mentioned:

• C-Stand (Sliding Leg)
• C-Stand (Turtle Base)
• Calumet Case (No longer available)
• Sandbags
• 5-in-1 Reflector
• Cable Bag
• Audio Bag
• Impact Bag (used for tripods and stands)
• Genus Jib
• Portabrace Backpack
• Pelican Case

• Part 1: Light Stands
• Part 2: Grip and Lighting Accessories (You are here)
• Part 3: How to Setup a Video Studio
• Part 4: New Studio Lighting and Setup
• Part 5: Basement Studio Setup

In this episode we are going to take a close look at several grip and lighting tools I use in the studio and on the road. This is the kind of gear that you don’t always think about, but you always end up using.

If you are overwhelmed with all the stuff you feel you need, don’t be. Start with something like the Manfrotto Nano clamp (I swear by that thing) and you can build up your kit from there.

Studio Grip Gear

• Short Adapter Spigot
• Rapid Baby to 1/4″-20 Male Threaded Adapter
• Oben Mini Ball Head
• Impact Atom Clamp with Ratchet Handle
• Manfrotto 386B Nano Clamp
• Camera Platform
• Grip Head with Fixed Super Clamp
• 3 Section Double Articulated Arm

• Part 1: Light Stands (You are here)
• Part 2: Grip and Lighting Accessories
• Part 3: How to Setup a Video Studio
• Part 4: New Studio Lighting and Setup
• Part 5: Basement Studio Setup

In part one, we look at light stands. I’ve had a couple old trusty stands I’ve been using for years as well as some newer stands B&H has sent me that I’ve been using a ton in the last couple months. Check out the video for my review and recommendations.

Note: Excuse the color changes in the video. FCPX has been giving me quite a lot of uploading issues.

The Stands

You will notice all of these stands are Impact stands. I love Manfrotto and Matthews gear, but I simply can’t afford to buy everything from them. Someday I’d love to have a complete Matthews grip set, but for now Impact works well. I’ve been using Impact gear since I bought my first $99 light kit 4 years ago. Some of their stuff is poorly made (as you’ll see in a later video) but you can find some really solid and affordable stuff from them. So far, all of these stands have served me well. Especially those dirt cheap $20 6′ stands.

TT-100 Table Top Tripod $35

• Includes Mini Ballhead
• All Aluminum Construction
• Supports Loads Up to 6 lb
• Only 7.5″ Closed Height
• Standard 1/4″-20 Mounting Screw

Impact 3′ Two Section Back Light Stand $25

• Base, Riser
• Maximum Height of 3′
• 5/8″ Stud w/Reversible 1/4″-20 & 3/8″ Threads

Impact 48″ LS-K4 Micro Stand $60

• Black Anodized Aluminum Construction
• Load Capacity: 4 lb
• 4 Sections, 3 Risers
• Minimum Height: 17.5″
• Folded Length: 16″
• 1/4″-20 Removable Threaded Top Stud

Impact LS-RL7 7.2′ Reverse Legs Light Stand $45

• Lightweight Aluminum Construction
• 5 Sections, 4 Risers
• Folds Down to Only 18.9″
• 5/8″ Top Stud with 3/8″-16 Screw
• Includes 3/8″ to 1/4″-20 Adapter
• Weighs only 2.2 lb

Impact 6′ Stand $20

• Minimum Height 26.3″ (66.6 cm)
• Maximum Height 6′ (1.8 m)
• Closed Length 26.3″ (66.6 cm)
• Footprint Diameter 30″ (76 cm)
• Weight 1.8 lb (820 g)
• Maximum Load 4 lb (1.8 kg)
• Attachment Size 5/8″ stud with 1/4″-20 thread
• Accepts Wheels Yes
• Air Cushioned No

Impact 9.5′ Air-Cushioned Heavy Duty Light Stand $40

• Three Sections
• 5/8″ Stud with 1/4″-20 Threaded Top
• Air-Cushioned

Pico Plate Kit ($49)

• 15mm Rail Quick Release Accessory
• 5x 1/4″ Threaded Holes for Accessories
• Black Anodized Finish
• Attaches to 1/4″ and 3/8″ Accessories
• Includes 2 x Pico Plate and an 8″ 15mm Extension Rails

Disclaimer: Kamerar sent these items to me for free to review. This in no way effects my review.

Update: Since filming this review, PNC has updated the Honu Cage to version 2.0. Here is some information on the new version:

Honu Cage

• HotShoe lock
• Monitor fits
• Cables fit
• Anti twist
• Battery access
• Media access
• Dovetails
• V2 is compatible with Panasonic GH3/GH4 and Sony A7/A7r/A7s

Customized Version

As you can see, this cage will grow with you as you add upgrades and other accessories.

This is just a few items… I didn’t cover a lot of lighting tools and toys (saving that for another video). What production gear do you swear by on set?

Production Gear

Listed in order of appearance.

• Travel Storage Bags
• C47 Clips
• Sandbags
• Spring Clamps
• Rope
• Gaffers Tape
• Long BlueRigger HDMI Cables
• Cable Bag
• Super Thin HDMI Cables
• Slate
• Power Squid Splitter (I have to credit Jem Schofield for this one, saw his and fell in love).
• Extension Cables
• Cable Ties (Cheaper Black Ties)
• Allen Keys
• Field Notes and Moleskine Notebooks

If you liked this video, check out my guide on turning your photo lenses into cinema lenses.

Lens Accessories

• Xume Adapters
• Step-up Rings
• Cordvision Cine Rings (Full guide here)
• Genus Eclipse Fader ND
• Genus Hood for ND Filter

MindShift Filter Hive System Bag $55

Product Highlights

• Accordion-Style Filter Case
• Holds Six 4×6″ and Six 82mm Filters
• Holds Rectangular and Round Filters
• Removable Divided Insert with Dust Flap
• Color-Coded Interior Filter Organization
• Belt-Mountable
• Side-Release Buckle Attaches to Tripod
• Front Zippered Pocket / YKK Zippers
• Interior Zippered Storage Pocket
• Padded Interior / Liner Protects Glass

Wooden Camera Nato Handle Kit $250

Product Details from Wooden Camera: The NATO Handle Kit (Plus, 70mm) is a quick release top handle that attaches and detaches without screws. Includes NATO Handle (Plus) and Safety NATO Rail (70mm) at a reduced package price. To attach to camera, slide onto NATO rail and turn thumbscrew to lock in place. Loosen top knob to adjust grip rotation. Sideways 15mm tube clamp allows for attachment of UVF Mount v2 (No Clamp). Forward facing 15mm rod opening and 19mm rear rod opening for attaching single rods for focus motors, etc. Integrated shoe mount for attaching on camera lights, microphone shock mounts, etc. 1/4-20 and 3/8-16 holes on grip area for attaching additional accessories. 1/4-20 holes on handle front for attaching Rod Clamps which allow for pass through rods front to back.

If you’re looking for a small, affordable monitor with some assist features you should look into the MustHD 5 inch monitor. This monitor has some features I really appreciate, mainly the locking HDMI ports and interchangeable battery plates. Check out the video review for the full lowdown on this little monitor.

MustHD 5 Inch Monitor $205+

• LCD Display, 800×480
• HDMI Input
• HDMI Output (optional)
• Focus Assistance
• Marker
• H/V Delay
• Aspect
• Over-scan
• Pixel to Pixel
• Black and White
• False Color
• Exposure
• Freeze
• Blue Only

Zip Tie Gears

Not the best solution for all situations, but hands down, the simplest and most affordable way to gear your lenses. You can get these Zip Ties on B&H or at Half Inch Rails.

Shoulder Pads

I hate most shoulder pads as they are bulky and get in the way. Half Inch Rails makes these killer Shoulder Pads that can work with a multitude of rig setups while staying out of the way. You can order the Shoulder Pads through Half Inch Rails.

Bumpers

These little guys keep the ends of your rods nice and neat while keeping all faces safe on set. Can’t have talent getting stabbed in the money maker while on set! You can order Bumpers through Half Inch Rails.

UPDATE 1: Metabones has released the Canon EF to MFT Speedbooster. Now you can use your Canon lenses on the GH4!

UPDATE 2: My GH4 Video Guide is now live. you can watch the trailer below.

GH4 Video Guide Trailer

You can purchase the GH4 Video here.

REVIEW INDEX:
3:24 – Shooting 4K
10:20 – Camera Features
11:06 – Audio
12:04 – Lenses
19:18 – Moire Test
22:09 – Field of View
23:15 – Depth of Field
26:06 – Low Light and ISO Test
27:50 – Slow Motion
29:49 – Why I’m Leaving Canon

Panasonic GH4

Specifications

• 6.05 MP Digital Live MOS Sensor
• DCI 4K 4096×2160 at 24p
• UHD 4K 3840×2160 at 30p/24p
• Full HD up to 60p
• 3.0″ 1,036k-Dot OLED Monitor
• 2,359K-Dot OLED Live View Finder
• Support for 59.94p, 23.98p, 50p, & 24p
• 4:2:2 8-Bit or 10-Bit HDMI Output
• High-Speed 49-Point Autofocus
• Magnesium Alloy, Weather-Sealed Body

Low Light

The GH4 isn’t the best low light performer when it comes to video. You’re going to want to stay as low as you can with your ISO. Low light performance is much better at 4K when compared to 1080. I probably wouldn’t shoot higher than 3200 in 4K or 1600 at 1080.

Moire

MUCH better than most DSLR cameras at 4K. Pretty much a non issue on the GH4. You will see some moire when shooting at 1080, but I think you should always shoot at 4K and downscale in post.

4K

4K files are not much bigger than Canon DSLR files, so I would recommend you ALWAYS shoot at 4K and downscale to 1080 in post when shooting with the GH4.

Slow Motion / 96FPS

Slow motion is amazing on the GH4. You can’t shoot at 96FPS at 4K but you can get Canon DSLR quality footage at 96FPS… That says it all.

Gear Mentioned in Video

• Wooden Camera Quick Cage
• Sandisk Extreme Pro
• Transcend 64GB UHS-3 SD Card
• Rode NTG-2 Shotgun Mic
• Wooden Camera A-Box
• Panasonic 12-35mm F2.8
• Panasonic 35-100mm F2.8
• Metabones Nikon to MFT Adapter
• Fotodiox Nikon to MFT Adapter
• Redrock Micro LiveLens Adapter
• Metabones Nikon to MFT Speedbooster
• Nikon 17-35 F2.8
• Nikon 28-70mm F2.8
• Nikon 80-200mm F2.8
• Voigtlander Lenses

Music from PremiumBeat.com:
“NOW OR NEVER”
“INDIE DAYS“

Table Top Tripod Models

Tripod Uses:

• Monitor stand
• Light stand
• Mic stand
• Small bounce card stand
• Rig (as seen in video)
• Tripod

Domke wraps are simply a velcro sheet that wraps around your gear so you can toss it in any bag. No need for dividers or that nasty pluck foam. Check out my video review to see more.

Domke 19″ Protective Wrap

• Fits Equipment within a Bag or Case
• Padded Nylon Wrap-around Cloth
• Non-scratch Nylon Backing
• Touch Fastener at Each Corner

Available at: Amazon | B&H

4DSLR Tripod Stud Review

You can get this and other accessories from the 4DSLR store.

Portabrace Camera Hive Backpack Review

Music from Premiumbeat.com.

Production Description and Specs:

Eliminates Wasted Space! The Camera Hive uses a “Honeycomb” system of removable padded lens cups to maximize space and protection versus traditional dividers. There is no wasted divider space since the removable padded lens cups are the dividers! Remove, rearrange, or secure the lens cups in place to customize your Hive’s protective interior. Lens cups can be used to support and stabilize equipment or they can be filled with lenses, flashes, light meters or other accessories. The lens cups can also be removed and worn on a belt or secured to the interiors of other Portabrace cases.

Portabrace Camera Hive

• Strap system that converts from backpack to slinger
• Thick padding and soft interior lining
• Tripod carrying pouch and cinch system
• Tablet pc storage pouch that allows the tablet to be used while in the case
• Comfortable straps and suede leather handle for carrying
• Superior value, superior organization, Superior protection- the Portabrace Camera Hive

Show Notes

Here are links to everything I talked about in the video.

• Blackmagic URSA
• Blackmagic Studio Camera
• AJA CION
• Wooden Camera New Gear
• Blindspot Scorpion Light
• Panasonic GH4 (Now shipping).
• Libec ALLEX System
• Edelkrone Gear
• iFootage Motion Control Slider
• Rig Wheels Passport Dolly System
• Portabrace
  • HIVE Backpack
  • Light Case
• Sony A7S
• Atomos Shogun
• Zacuto
• F&V EVF
• Fotodiox

I’ve had a lot of requests for a breakdown of my DSLR cinema rig. In this video I’ll share with you how I assemble it. You can easily modify the rig to fit almost any shooting need like switching the handle around, removing the cage and camera for light shooting and more.

Gear List

Camera Cage

I use the Wooden Camera Quick Cage and swear by it. You can get this cage for small, medium and large cameras. On the cage I have the Wooden Camera A-Box.

15mm Rods

For rods I’ve been using these 12 inch stainless steal 15mm rods from Redrock. I’ve had them for 4 years now and they have been troopers.

Matte Box

For the matte box, I use Genustech gear. They have the best lightweight, quality and affordable matte boxes I’ve found. In this video I showed you the PV matte box, but the Genus Matte Box Lite is also a great option.

Battery Plate

I’ve been using this battery plate for a while and really like it. It allows me to use cheap Sony NP-F970 batteries with my DSLRs. You can also add this SmallRig rod clamp to make the plate a little more stabile.

EVF Mount

This is a custom mount I’ve made with random parts I had laying around. You can watch my how to tutorial for it here.

Conclusion

So thats the cinema rig. I’d love to see what you guys have made using various rigs and parts. Share a link here or on our Facebook page!

Introduction

Before we get started here are some things your might want to know.

How Much Does This Cost?

I got these three lenses online for $200 (Olympus OM 35-70 F4, 75-150 F4 and 50mm F1.8). The accessories I used to mod them cost $231:

• 3x $15 OM to Canon adapters
• 3x $40 Cinevate lens gears
• 3x $16 80mm Adapters
• 3x $1 80mm Caps
• 3x step up rings (around $5)
• TOTAL: $231

So for $431 I have three killer little lenses for video.

Which Lenses Are Best To Use For This Mod?

The lenses I’m using in this video are great cheap lenses, but they’re hardly the best choice for cinema use. Mainly because the two zooms move in and out and their front filter ring moves. But you can’t beat the price.
Primes are much easier and better to use in general so Zeiss, Leica R or other more affordable primes work great.
As for zooms, the Nikon AF-S lenses like the 17-35 F2.8, the 28-70mm F2.8 and the 80-200mm F2.8 are all great for this mod.

Can A Professional Do This For Me?

You bet. I’d be terrified of altering the aperture on a $2000 lens so I’d send my lenses to Duclos to have those lens masters take care of my glass. Their Cine Mod costs $60-$250 which isn’t bad at all given the quality of parts and work they offer.

The Cinema Lens Guide

Here is a step by step guide to converting your stills lenses to a cinema lens set.

Step 1: Convert the Lens Mount

The first thing you obviously have to do is to get some lenses. In this video I used Olympus OM lenses and adapted them to Canon. But there are loads of other brands you could use. Check out my guide on manual lenses to find the right set for you. On that page you’ll be able to find the right adapter for your camera.

Step 2: Declick the Aperture Ring

You can do this yourself by searching Youtube for a tutorial on the lens you have or you can have it professionally done by the lens masters at Duclos for $60/lens. I’ll have some videos on declicking OM lenses soon.

Step 3: Lens Gears

The next step is adding 0.8 pitch cinema lens gears to your lenses. There are several different brands you can use but my favorites are the Cinevate gears and the Half Inch Rails Fat Gear.

Step 4: Cordvision 80mm Cine Rings

When it comes to using cine gear (like matte boxes matte box filters) with photo gear (DSLR lenses, setup up rings etc) there is a problem. Cinema lenses and adapters have 3 standard filter thread sizes: 80mm, 95mm and 114mm. Where as photo lenses and setup ups have completely different sizes (77mm, 82mm etc). This causes some problems. For example, you can take a matte box and clamp in right onto a cinema lens and still use the lens filter thread. Super cool. But you can’t do that with a photo lens or even the Rokinon Cine primes. I can’t afford cinema glass, so I did some research and found Cordvision’s 80mm Cine rings. These rings will adapter your smaller 52-77mm lenses to a cinema friendly 80mm outer diameter lens ring. Now not only will your matte box attach direction to your lens, but you also still get to use the 77mm filter thread on the lens! Your other option is to get the 80mm Ring from Duclos.

I know that was a lot of information, but trust me, its a big deal. Check out this video for more info on the 77-80mm rings.

Step 5: Push on Caps

Final step is to add 80mm caps. You can get really 80mm push on cine caps from Duclos for $25 or you can get the cheap 80mm push on caps I mentioned in the video for $1.

Other Gear Mentioned

• Genus 80mm Clamp on Adapter – This adapter allows you to clamp the matte box directly onto the lens for a perfect fit. My lenses all have an outer diameter of 80mm (thanks to the adapter we looked at earlier) so now I’m gold.
• Genus Matte Box Lite Kit – This is the Matte box I used in this video.
• Xume Adapters – Killer magnet filter holders.

Conclusion

So there you have it, a couple tips for cine modding your stills lenses. Let me know what you guys think and share your own tips with us!

I should also add, the audio from this video was the Rode VideoMic Pro on top of the camera facing backward. Works pretty well eh?

Gear in Video:

• Velbon Tripod (replaced by this model)
• Rode NTG-2
• Wooden Camera A-Box
• Olympus 35-70mm F4
• EOS-M
• F&V Monitor
• Dinkym Systems Shade