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		<title>Psilocybin makes the brain work less</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/dXJYSBOXl2A/</link>
		<comments>http://eightface.com/2012/02/psilocybin-makes-the-brain-work-less/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 05:59:19 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[psychology]]></category>
		<category><![CDATA[sociology]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4524</guid>
		<description><![CDATA[Researchers at Imperial College London have been exploring the effects of psilocybin on the brain. A quote from professor David Nutt: Psychedelics are thought of as &#8216;mind-expanding&#8217; drugs so it has commonly been assumed that they work by increasing brain activity, but surprisingly, we found that psilocybin actually caused activity to decrease in areas that [...]]]></description>
			<content:encoded><![CDATA[<p>Researchers at Imperial College London have been <a href="http://www3.imperial.ac.uk/newsandeventspggrp/imperialcollege/newssummary/news_24-1-2012-10-39-58">exploring the effects of psilocybin on the brain</a>. A quote from professor <a href="http://profdavidnutt.wordpress.com/">David Nutt</a>:</p>
<blockquote><p>Psychedelics are thought of as &#8216;mind-expanding&#8217; drugs so it has commonly been assumed that they work by increasing brain activity, but surprisingly, we found that psilocybin actually caused activity to decrease in areas that have the densest connections with other areas. These hubs constrain our experience of the world and keep it orderly. We now know that deactivating these regions leads to a state in which the world is experienced as strange.</p></blockquote>
<p>Here are links to abstracts from the <a href="http://www.pnas.org/content/early/2012/01/17/1119598109.abstract">first</a> and <a href="http://bjp.rcpsych.org/content/early/2012/01/18/bjp.bp.111.103309.abstract">second</a> study.</p>
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		<title>Saul Bass pitch for Bell Systems logo redesign</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/-N4-3aZpnv0/</link>
		<comments>http://eightface.com/2012/01/saul-bass-bell-redesign-pitch/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 06:10:24 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[logos]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4517</guid>
		<description><![CDATA[From the AT&#38;T Archive: watch Saul Bass pitch the Bell Systems logo redesign. (via @jalbertgagnier)]]></description>
			<content:encoded><![CDATA[<p><iframe width="640" height="480" src="http://www.youtube.com/embed/xKu2de0yCJI?fs=1&#038;feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>From the <a href="http://techchannel.att.com/archives">AT&amp;T Archive</a>: watch <a href="http://www.youtube.com/watch?v=xKu2de0yCJI">Saul Bass pitch the Bell Systems logo redesign</a>. (via <a href="https://twitter.com/#!/jalbertgagnier/status/160203378650136577">@jalbertgagnier</a>)</p>
<img src="http://feeds.feedburner.com/~r/eightface/~4/-N4-3aZpnv0" height="1" width="1"/>]]></content:encoded>
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		<title>Men as fashion hoarders</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/DeSeEh8JCCE/</link>
		<comments>http://eightface.com/2012/01/men-as-fashion-hoarders/#comments</comments>
		<pubDate>Sun, 08 Jan 2012 05:40:06 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[posts]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[men]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4489</guid>
		<description><![CDATA[For Guys, a Great Find is Often Multiplied, a New York Times piece by John Ortved, examines a penchant among men for hoarding wardrobe items. Women shop, men stockpile. That’s one theory, anyway, of how men buy clothes differently from women. If women see shopping as an opportunity, a social or even therapeutic activity, the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nytimes.com/2011/12/29/fashion/men-shop-in-bulk.html">For Guys, a Great Find is Often Multiplied</a>, a <em>New York Times</em> piece by John Ortved, examines a penchant among men for hoarding wardrobe items.</p>
<blockquote><p>Women shop, men stockpile. That’s one theory, anyway, of how men buy clothes differently from women. If women see shopping as an opportunity, a social or even therapeutic activity, the thinking goes, then men see it as a necessary evil, a moment to restock the supply closet.</p></blockquote>
<p>I hate shopping, this is starting to look like a pretty good idea.</p>
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		<title>Robot making a sandwich</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/cOpqKbUnoFA/</link>
		<comments>http://eightface.com/2011/12/robot-making-a-sandwich/#comments</comments>
		<pubDate>Wed, 21 Dec 2011 04:35:14 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[future]]></category>
		<category><![CDATA[robots]]></category>
		<category><![CDATA[sandwiches]]></category>
		<category><![CDATA[xkcd]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4477</guid>
		<description><![CDATA[A robot making a sandwich (and popcorn). Oh, you&#8217;re not impressed? sudo make me a sandwich]]></description>
			<content:encoded><![CDATA[<p><iframe width="640" height="360" src="http://www.youtube.com/embed/DTaeWITW1kI?fs=1&#038;feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>A <a href="http://spectrum.ieee.org/automaton/robotics/artificial-intelligence/kitchen-robots-graduate-from-pancakes-to-popcorn-sandwiches">robot making a sandwich</a> (and popcorn). Oh, you&#8217;re not impressed? </p>
<blockquote><p><code>sudo <a href="http://xkcd.com/149/">make me a sandwich</a></code></p></blockquote>
<img src="http://feeds.feedburner.com/~r/eightface/~4/cOpqKbUnoFA" height="1" width="1"/>]]></content:encoded>
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		<title>Ansari, Murphy and Chang in Tokyo</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/hVpGuYxc9iA/</link>
		<comments>http://eightface.com/2011/11/ansari-murphy-and-chang-in-tokyo/#comments</comments>
		<pubDate>Sun, 27 Nov 2011 06:16:13 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[azizansari]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[davidchang]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[lcdsoundsystem]]></category>
		<category><![CDATA[tokyo]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4466</guid>
		<description><![CDATA[The Hangover Pt III chronicles Brett Martin&#8217;s journey through Tokyo with with Aziz Ansari, David Chang and James Murphy (from LCD Soundsystem). Crack a beer and take some time to follow the escapades of a true wolfpack. We are not accustomed, here at GQ, to acting as a celebrity Make-A-Wish Foundation. But something about this tweet [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.gq.com/entertainment/celebrities/201111/aziz-ansari-james-murphy-david-chang-tokyo-trip-gq-december-2011?currentPage=all">The Hangover Pt III</a> chronicles Brett Martin&#8217;s journey through Tokyo with with Aziz Ansari, David Chang and James Murphy (from LCD Soundsystem). Crack a beer and take some time to follow the escapades of a true wolfpack.</p>
<blockquote><p>We are not accustomed, here at <em>GQ</em>, to acting as a celebrity Make-A-Wish Foundation. But something about this tweet captured our attention. The grouping was unlikely, yet it made an instant kind of cosmic sense, as though you had been waiting for the picture long before it appeared. The Venn diagram of their fame might have a small overlap—I found that most people knew two of the three—but that intersection was a particular pocket of smart, inventive, forward-looking cool. The destination, too, made a certain intuitive sense, Tokyo being both a fun-house mirror of pop-culture iconography and a place where generations of Western seekers have gone to feel both reverently awed and gloriously disoriented.</p></blockquote>
<img src="http://feeds.feedburner.com/~r/eightface/~4/hVpGuYxc9iA" height="1" width="1"/>]]></content:encoded>
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		<title>Cat physics</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/oZe_MSRjoHY/</link>
		<comments>http://eightface.com/2011/10/cat-physics/#comments</comments>
		<pubDate>Tue, 01 Nov 2011 03:15:02 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[cats]]></category>
		<category><![CDATA[oddities]]></category>
		<category><![CDATA[physics]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4450</guid>
		<description><![CDATA[A diagram from the 1969 study, A Dynamical Explanation of the Falling Cat Phenomenon, by Kane and Scher of Stanford University. Apparently one of the very few scientific papers on cat physics. Kane and Scher neither lifted nor dropped a single cat. Instead, they created a mathematical abstraction of a cat: two imaginary cylinder-like chunks, [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://eightface.com/files/images/2011.10.cat.physics.jpg" alt="Cat falling diagram"></p>
<p>A diagram from the 1969 study, <a href="http://pentagono.uniandes.edu.co/~jarteaga/geosem/taller7/minicursoJK-Uniandes/robotic%20examples/kane.pdf">A Dynamical Explanation of the Falling Cat Phenomenon</a>,  by Kane and Scher of Stanford University. Apparently one of the very few scientific papers on <a href="http://www.guardian.co.uk/education/2011/oct/18/improbable-research-cat-physics">cat physics</a>.</p>
<blockquote><p>Kane and Scher neither lifted nor dropped a single cat. Instead, they created a mathematical abstraction of a cat: two imaginary cylinder-like chunks, joined at a single point so the parts could (as with a feline spine) bend, but not twist. When they used a computer to plot the theoretical bendings of this theoretical falling chunky-cat, the motions resembled what they saw in old photographs of an actual falling cat. They conclude that their theory &#8220;explains the phenomenon under consideration&#8221;.</p></blockquote>
<img src="http://feeds.feedburner.com/~r/eightface/~4/oZe_MSRjoHY" height="1" width="1"/>]]></content:encoded>
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		<title>How Will Shortz edits a crossword</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/1wEti12FGvk/</link>
		<comments>http://eightface.com/2011/09/how-will-shortz-edits-a-crossword/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 20:59:16 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[posts]]></category>
		<category><![CDATA[crosswords]]></category>
		<category><![CDATA[nyt]]></category>
		<category><![CDATA[willshortz]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4447</guid>
		<description><![CDATA[Will Shortz has been the New York Times crossword editor for almost twenty years. He explained to Alex Hoyt how he goes about editing the puzzles. Every crossword in the Times is a collaboration between the puzzle-maker and the puzzle editor. On average, about half the clues are mine. I may edit as few as [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://eightface.com/files/images/2011.09.shortz.jpg" alt="Shortz crossword sample"></p>
<p>Will Shortz has been the New York Times crossword editor for almost twenty years. He explained to Alex Hoyt <a href="http://www.theatlantic.com/entertainment/archive/2011/09/how-will-shortz-makes-a-new-york-times-crossword-puzzle/244733/">how he goes about editing the puzzles</a>.</p>
<blockquote><p>Every crossword in the Times is a collaboration between the puzzle-maker and the puzzle editor. On average, about half the clues are mine. I may edit as few as five or ten percent of the clues, or as many as 95 percent for someone who does a great puzzle but not great clues. Why accept a puzzle when I&#8217;m going to edit 95 percent of the clues? Well, if someone sends me a great puzzle with an excellent theme and construction, you want fresh, interesting, familiar vocabulary throughout the grid, I feel it would be a shame to reject it on account of the clues, because I can always change them myself.</p></blockquote>
<img src="http://feeds.feedburner.com/~r/eightface/~4/1wEti12FGvk" height="1" width="1"/>]]></content:encoded>
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		<title>The London Blitz in colour</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/QzL9yB-h0Ss/</link>
		<comments>http://eightface.com/2011/08/the-london-blitz-in-colour/#comments</comments>
		<pubDate>Sat, 27 Aug 2011 03:33:28 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[england]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[london]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[wwii]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4444</guid>
		<description><![CDATA[A selection of colour photos from the London Blitz by the Daily Mail.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.dailymail.co.uk/news/article-2016667/Colour-pictures-revealed-London-blitz-Nazi-bombers-World-War-II.html"><img src="http://eightface.com/files/images/2011.08.london.blitz.colour.jpg" alt="The London Blitz in colour"></a></p>
<p>A selection of <a href="http://www.dailymail.co.uk/news/article-2016667/Colour-pictures-revealed-London-blitz-Nazi-bombers-World-War-II.html">colour photos from the London Blitz</a> by the Daily Mail.</p>
<img src="http://feeds.feedburner.com/~r/eightface/~4/QzL9yB-h0Ss" height="1" width="1"/>]]></content:encoded>
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		<title>How Browsers Work</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/rzF-5u48_Xo/</link>
		<comments>http://eightface.com/2011/08/how-browsers-work/#comments</comments>
		<pubDate>Tue, 23 Aug 2011 04:08:15 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[browsers]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[html]]></category>
		<category><![CDATA[webdev]]></category>
		<category><![CDATA[webkit]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4440</guid>
		<description><![CDATA[Behind the scenes of modern browsers (via Hypertext). In the years of IE 90% dominance there was nothing much to do but regard the browser as a &#8220;black box&#8221;, but now, with open source browsers having more than half of the usage share, it&#8217;s a good time to take a peek under the engine&#8217;s hood [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.html5rocks.com/en/tutorials/internals/howbrowserswork/">Behind the scenes of modern browsers</a> (via <a href="http://hypertext.net/2011/08/how-browsers-work">Hypertext</a>).</p>
<blockquote><p>In the years of IE 90% dominance there was nothing much to do but regard the browser as a &#8220;black box&#8221;, but now, with open source browsers having more than half of the usage share, it&#8217;s a good time to take a peek under the engine&#8217;s hood and see what&#8217;s inside a web browser. Well, what&#8217;s inside are millions of C++ lines&#8230;</p></blockquote>
<p>I tend not to post anything that I haven&#8217;t consumed in its entirety, but exceptions can be made. As Justin pointed out, the article is a must-read for anyone interested in web development.</p>
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		<title>Scanwiches</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/BoW5JOsMp0Q/</link>
		<comments>http://eightface.com/2011/08/scanwiches/#comments</comments>
		<pubDate>Wed, 17 Aug 2011 02:22:17 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[sandwiches]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4437</guid>
		<description><![CDATA[Scanwiches (via Subtraction). There&#8217;s a book coming out in the fall. Now I&#8217;m hungry.]]></description>
			<content:encoded><![CDATA[<p><img src="http://eightface.com/files/images/2011.08.scanwiches.jpg" alt="Scanned cross-section of a sandwich"></p>
<p><a href="http://scanwiches.com/">Scanwiches</a> (via <a href="http://www.subtraction.com/2011/07/19/scanwiches">Subtraction</a>). There&#8217;s a <a href="http://www.scanwichesbook.com/">book</a> coming out in the fall. Now I&#8217;m hungry.</p>
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		<title>The perfect omelette</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/1SNnbmaFfPs/</link>
		<comments>http://eightface.com/2011/07/the-perfect-omelette/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 06:52:42 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[cooking]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[life]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4434</guid>
		<description><![CDATA[From Chasing Perfection by Francis Lam. It was astounding how something so commonplace, so elemental, could have so many variables. You just have to learn to see all those variables, to recognize what effect every moment of heat, every motion of the hands has. To get back to that thing I tasted, I would have [...]]]></description>
			<content:encoded><![CDATA[<p>From <a href="http://www.gilttaste.com/stories/699">Chasing Perfection</a> by Francis Lam.</p>
<blockquote><p>It was astounding how something so commonplace, so elemental, could have so many variables. You just have to learn to see all those variables, to recognize what effect every moment of heat, every motion of the hands has. To get back to that thing I tasted, I would have to know exactly what to look for and nail it every step of the way.</p>
<p>Three eggs, salt, pepper, and a little butter. That&#8217;s all there is in a classic French omelet, but it&#8217;s enough to keep reteaching me this vital lesson: Things are only simple when you&#8217;ve stopped asking the right questions of them, when you&#8217;ve stopped finding new ways to see them. Because what you find, when you learn how to find it, is that even simple things can be wonderfully, frustratingly, world-openingly complex.</p></blockquote>
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		<title>Wugazi</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/NEH5jvi1ukg/</link>
		<comments>http://eightface.com/2011/07/wugazi/#comments</comments>
		<pubDate>Wed, 13 Jul 2011 23:47:11 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[fugazi]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[remix]]></category>
		<category><![CDATA[wutang]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4426</guid>
		<description><![CDATA[Wugazi is combination of Fugazi and Wu-Tang Clan, created by Cecil Otter and Swiss Andy. The album, 13 Chambers is available to download from their site. Dan Solomon interviewed the pair and discussed how the album came to be. For the technically minded, Joe Gross offers a track-by-track breakdown of the album.]]></description>
			<content:encoded><![CDATA[<p><img src="http://eightface.com/files/images/2011.07.wugazi.jpg" alt="Wugazi - 13 Chambers album cover"></p>
<p><a href="http://wugazi.com/">Wugazi</a> is combination of Fugazi and Wu-Tang Clan, created by <a href="">Cecil Otter</a> and <a href="http://swissandy.tumblr.com/">Swiss Andy</a>. The album, <a href="http://wugazi.tumblr.com/post/7565984457/up-from-the-13th">13 Chambers</a> is available to download from their site. </p>
<p>Dan Solomon interviewed the pair and discussed <a href="http://read.mtvhive.com/2011/07/13/how-the-wugazi-mashup-album-came-to-be/">how the album came to be</a>. For the technically minded, Joe Gross offers a <a href="http://www.rollingstone.com/music/news/wugazis-13-chambers-a-track-by-track-breakdown-20110713">track-by-track breakdown</a> of the album. </p>
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		<title>Cross Dublin without passing a pub</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/gexnqXXnuD0/</link>
		<comments>http://eightface.com/2011/06/cross-dublin-without-passing-a-pub/#comments</comments>
		<pubDate>Thu, 16 Jun 2011 01:04:53 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[alcohol]]></category>
		<category><![CDATA[dublin]]></category>
		<category><![CDATA[jamesjoyce]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4414</guid>
		<description><![CDATA[It is possible to cross Dublin without passing a pub. In Ulysses, James Joyce mused that &#8220;a good puzzle would be to cross Dublin without passing a pub&#8221;. No-one&#8217;s really sure if it was possible, and Dubliners have always felt proud that it was not straight forward. The traditional Irish way to &#8216;solve&#8217; this puzzle [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://eightface.com/files/images/2011.06.dublin.without.passing.a.pub.jpg" alt="Path across Dublin without passing a pub"></p>
<p>It is possible to <a href="http://www.kindle-maps.com/blog/yes-it-is-possible-to-cross-dublin-without-passing-a-pub.html">cross Dublin without passing a pub</a>.</p>
<blockquote><p>In Ulysses, James Joyce mused that &#8220;a good puzzle would be to cross Dublin without passing a pub&#8221;. No-one&#8217;s really sure if it was possible, and Dubliners have always felt proud that it was not straight forward. The traditional Irish way to &#8216;solve&#8217; this puzzle is to walk across Dublin, and call into every pub in the way and have a pint. This way you never actually <em>pass</em> a pub.</p></blockquote>
<p>What problems can&#8217;t be solved by the internet?</p>
<img src="http://feeds.feedburner.com/~r/eightface/~4/gexnqXXnuD0" height="1" width="1"/>]]></content:encoded>
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		<title>The book as a device</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/5l9wy446PiI/</link>
		<comments>http://eightface.com/2011/06/the-book-as-a-device/#comments</comments>
		<pubDate>Wed, 15 Jun 2011 15:06:33 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[archiving]]></category>
		<category><![CDATA[books]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4409</guid>
		<description><![CDATA[The Internet Archive is now archiving physical copies of books. As the Internet Archive has digitized collections and placed them on our computer disks, we have found that the digital versions have more and more in common with physical versions. The computer hard disks, while holding digital data, are still physical objects. As such we [...]]]></description>
			<content:encoded><![CDATA[<p>The <a href="http://archive.org">Internet Archive</a> is now <a href="http://blog.archive.org/2011/06/06/why-preserve-books-the-new-physical-archive-of-the-internet-archive/">archiving physical copies of books</a>.</p>
<blockquote><p>As the Internet Archive has digitized collections and placed them on our computer disks, we have found that the digital versions have more and more in common with physical versions. The computer hard disks, while holding digital data, are still physical objects. As such we archive them as they retire after their 3-5 year lifetime. Similarly, we also archive microfilm, which was a previous generationâ€™s access format. So hard drives are just another physical format that stores information. This connection showed us that physical archiving is still an important function in a digital era.</p></blockquote>
<p>Recognizing that a book is just another <a href="http://daringfireball.net/2011/06/demoted">device</a> is important. It&#8217;s way too easy to make all sorts of cute analogies and comparisons between books and the digital world, so I&#8217;ll avoid it. How our society consumes words and images is bound to shift, but the book will still be here in fifty years.</p>
<img src="http://feeds.feedburner.com/~r/eightface/~4/5l9wy446PiI" height="1" width="1"/>]]></content:encoded>
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		<title>Insane urban bike race</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/jOcLT8UGonw/</link>
		<comments>http://eightface.com/2011/06/insane-urban-bike-race/#comments</comments>
		<pubDate>Wed, 08 Jun 2011 03:49:43 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[cycling]]></category>
		<category><![CDATA[videos]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4405</guid>
		<description><![CDATA[First-person video from a downhill urban bike race (via hypertext).]]></description>
			<content:encoded><![CDATA[<p><iframe width="560" height="349" src="http://www.youtube.com/embed/xIe6hYAdw_I?hd=1" frameborder="0" allowfullscreen></iframe></p>
<p>First-person <a href="http://youtu.be/xIe6hYAdw_I">video</a> from a downhill urban bike race (via <a href="http://hypertext.net/2011/05/chile-urban-bike-race">hypertext</a>).</p>
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		<title>Scotch pronunciation</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/83qEFQin8fc/</link>
		<comments>http://eightface.com/2011/06/scotch-pronunciation/#comments</comments>
		<pubDate>Tue, 07 Jun 2011 13:57:45 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[alcohol]]></category>
		<category><![CDATA[scotch]]></category>
		<category><![CDATA[whisky]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4402</guid>
		<description><![CDATA[How to pronounce scotch names, just in case you were wondering (via tbr). I&#8217;ve definitely got a few of these wrong in the past.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.esquire.com/features/best-bars-in-america/best-bars-2011/scotch-pronunciation-0611">How to pronounce scotch names</a>, just in case you were wondering (via <a href="http://brooksreview.net/2011/06/scotch/">tbr</a>). I&#8217;ve definitely got a few of these wrong in the past.</p>
<img src="http://feeds.feedburner.com/~r/eightface/~4/83qEFQin8fc" height="1" width="1"/>]]></content:encoded>
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		<title>IGA fail commercial</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/CjFjiu8Y4tM/</link>
		<comments>http://eightface.com/2011/06/iga-fail-commercial/#comments</comments>
		<pubDate>Sun, 05 Jun 2011 04:09:14 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[fail]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[videos]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4395</guid>
		<description><![CDATA[I saw this commercial for IGA air during the 2nd Stanley Cup playoff game. I&#8217;m pretty sure the kid says &#8220;fail&#8221; at the end. It has to be one of the most mainstream applications of the fail meme that I&#8217;ve seen. There&#8217;s also a French version of the commercial. Update: I realized after the post, [...]]]></description>
			<content:encoded><![CDATA[<p><iframe width="560" height="349" src="http://www.youtube.com/embed/tIk0cwFLYl4" frameborder="0" allowfullscreen></iframe></p>
<p>I saw this <a href="http://www.youtube.com/watch?v=tIk0cwFLYl4">commercial for IGA</a> air during the 2nd Stanley Cup playoff game. I&#8217;m pretty sure the kid says &#8220;fail&#8221; at the end. It has to be one of the most mainstream applications of the <a href="http://knowyourmeme.com/memes/fail">fail meme</a> that I&#8217;ve seen. There&#8217;s also a <a href="http://www.youtube.com/watch?v=8y8K7adxw6Q">French version</a> of the commercial.</p>
<p><strong>Update</strong>: I realized after the post, that it was a certain kind of mainstream. Honestly, there&#8217;s a relatively small Anglo population watching CBC in Montreal, but the commercial aired&#8230; so a reasonable number of people must have seen it.</p>
<img src="http://feeds.feedburner.com/~r/eightface/~4/CjFjiu8Y4tM" height="1" width="1"/>]]></content:encoded>
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		<title>Mobius Ship</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/UPal-xxtSME/</link>
		<comments>http://eightface.com/2011/06/mobius-ship/#comments</comments>
		<pubDate>Wed, 01 Jun 2011 14:18:54 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[math]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4391</guid>
		<description><![CDATA[MÃ¶bius Ship by Tim Hawkinson at the Indianapolis Museum of Art. But will it float?]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.imamuseum.org/art/collections/artwork/m%C3%B6bius-ship-tim-hawkinson"><img src="http://eightface.com/files/images/2011.06.mobius.ship.jpg" alt="Mobius Ship"></a></p>
<p><a href="http://www.imamuseum.org/art/collections/artwork/m%C3%B6bius-ship-tim-hawkinson">MÃ¶bius Ship</a> by <a href="http://en.wikipedia.org/wiki/Tim_Hawkinson">Tim Hawkinson</a> at the <a href="http://www.imamuseum.org/">Indianapolis Museum of Art</a>. But will it float?</p>
<img src="http://feeds.feedburner.com/~r/eightface/~4/UPal-xxtSME" height="1" width="1"/>]]></content:encoded>
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		<title>Godin on popularity</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/Sb9Z3UghYMs/</link>
		<comments>http://eightface.com/2011/05/godin-on-popularity/#comments</comments>
		<pubDate>Tue, 17 May 2011 13:12:11 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[popularity]]></category>
		<category><![CDATA[society]]></category>
		<category><![CDATA[sociology]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4389</guid>
		<description><![CDATA[Seth Godin on popularity. In general, the search for popular is wildly overrated, because it corrupts our work, eats away at our art and makes it likely we&#8217;ll compromise to please the anonymous masses.]]></description>
			<content:encoded><![CDATA[<p><a href="http://sethgodin.typepad.com/seths_blog/2011/05/whats-the-point-of-popular.html">Seth Godin on popularity</a>.</p>
<blockquote><p>In general, the search for popular is wildly overrated, because it corrupts our work, eats away at our art and makes it likely we&#8217;ll compromise to please the anonymous masses.</p></blockquote>
<img src="http://feeds.feedburner.com/~r/eightface/~4/Sb9Z3UghYMs" height="1" width="1"/>]]></content:encoded>
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		<title>Rejection hurts</title>
		<link>http://feedproxy.google.com/~r/eightface/~3/MfYi8caUEWg/</link>
		<comments>http://eightface.com/2011/05/rejection-hurts/#comments</comments>
		<pubDate>Sat, 14 May 2011 20:02:23 +0000</pubDate>
		<dc:creator>Dave Kellam</dc:creator>
				<category><![CDATA[links]]></category>
		<category><![CDATA[rejection]]></category>
		<category><![CDATA[science]]></category>
		<category><![CDATA[society]]></category>
		<category><![CDATA[sociology]]></category>

		<guid isPermaLink="false">http://eightface.com/?p=4386</guid>
		<description><![CDATA[Researchers at the University of Michigan have found that rejection hurts, and not just in a metaphorical sense. The study found that &#8220;social rejection shares somatosensory representations with physical pain&#8221; (via nyt). Maybe artists, musicians and poets have been on to something all of these years.]]></description>
			<content:encoded><![CDATA[<p>Researchers at the University of Michigan have found that rejection hurts, and not just in a metaphorical sense. The <a href="http://www.pnas.org/content/108/15/6270.full?sid=14761509-f798-4a85-801b-40a13fb0bb9b">study</a> found that &#8220;social rejection shares somatosensory representations with physical pain&#8221;  (via <a href="http://www.nytimes.com/2011/05/15/fashion/is-rejection-painful-actually-it-is-studied.html">nyt</a>). Maybe artists, musicians and poets have been on to something all of these years.</p>
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