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        <title>Elapsus - Cultural webzine</title>
        <description>Cultural webzine di Arte, Musica, Letteratura, Società e Scienza</description>
        <link>http://www.elapsus.it/home1/</link>
        <lastBuildDate>Mon, 28 May 2012 03:15:32 +0000</lastBuildDate>
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        <feedburner:info uri="elapsus" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><media:thumbnail url="http://www.elapsus.it/home1/templates/rt_chromatophore_j15/images/elapsus.png" /><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Arts/Literature</media:category><itunes:explicit>no</itunes:explicit><itunes:image href="http://www.elapsus.it/home1/templates/rt_chromatophore_j15/images/elapsus.png" /><itunes:subtitle>Cultural Webzine</itunes:subtitle><itunes:category text="Arts"><itunes:category text="Literature" /></itunes:category><creativeCommons:license>http://creativecommons.org/licenses/by-nc-nd/2.5/</creativeCommons:license><image><link>www.elapsus.it</link><url>http://www.elapsus.it/home1/templates/rt_chromatophore_j15/images/elapsus.png</url><title>Elapsus, Cultural webzine</title></image><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://www.elapsus.it/home1/index.php/component/bca-rss-syndicator/?feed_id=1" /><feedburner:emailServiceId>elapsus</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><feedburner:feedFlare href="http://add.my.yahoo.com/content?lg=it&amp;url=http%3A%2F%2Fwww.elapsus.it%2Fhome1%2Findex.php%2Fcomponent%2Fbca-rss-syndicator%2F%3Ffeed_id%3D1" src="http://eur.i1.yimg.com/eur.yimg.com/i/it/my/mioya1.gif">Subscribe with Mio Yahoo!</feedburner:feedFlare><feedburner:feedFlare href="http://www.bloglines.com/sub/http://www.elapsus.it/home1/index.php/component/bca-rss-syndicator/?feed_id=1" src="http://www.bloglines.com/images/sub_modern11.gif">Subscribe with Bloglines</feedburner:feedFlare><feedburner:feedFlare href="http://fusion.google.com/add?feedurl=http%3A%2F%2Fwww.elapsus.it%2Fhome1%2Findex.php%2Fcomponent%2Fbca-rss-syndicator%2F%3Ffeed_id%3D1" src="http://buttons.googlesyndication.com/fusion/add.gif">Subscribe with Google</feedburner:feedFlare><item>
            <title>La marchesa di O..., Michael Kohlhaas - Heinrich Wilhelm von Kleist (Racconti - 1808/1810)</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/SoTCSSOwY8w/719-la-marchesa-di-o-michael-kohlhaas-heinrich-wilhelm-von-kleist-racconti-18081810</link>
            
            <author>Salvatore Calafiore</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/rubriche/letture/719-la-marchesa-di-o-michael-kohlhaas-heinrich-wilhelm-von-kleist-racconti-18081810</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/occ4HRv4Tqa4NexNr3Gy6kM50Kw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/occ4HRv4Tqa4NexNr3Gy6kM50Kw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/occ4HRv4Tqa4NexNr3Gy6kM50Kw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/occ4HRv4Tqa4NexNr3Gy6kM50Kw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Sulle rive della Havel, verso la metà del sedicesimo secolo, viveva un mercante di cavalli di nome Michael Kohlhaas, figlio di un maestro di scuola, uno degli uomini più giusti e insieme più terribili del suo tempo.
Iniziamo col dire che quest'ultima è stata una lettura lagnosa, quasi irritante direi. Del romantico tedesco, e in particolare del romanticismo tedesco in generale - filosofico e letterario -, non ho molta stima. La mia ammirazione nei loro riguardi è pressoché trascurabile. E...&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=SoTCSSOwY8w:M3l-5Euwbcs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=SoTCSSOwY8w:M3l-5Euwbcs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=SoTCSSOwY8w:M3l-5Euwbcs:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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        <item>
            <title>Una piccola scoperta</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/7e1h40pb310/718-una-piccola-scoperta</link>
            
            <author>Alessandro Mauro</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/blog/letteratura/718-una-piccola-scoperta</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/GZJzcjeLzK-OuP6iMTfXE2XYPyg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GZJzcjeLzK-OuP6iMTfXE2XYPyg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/GZJzcjeLzK-OuP6iMTfXE2XYPyg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GZJzcjeLzK-OuP6iMTfXE2XYPyg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Ricordate Pino Caruso? Io no. Quel poco che ricordo di lui è la pubblicità di un caffè e i monologhi serrati che faceva in qualche grande varietà della Rai. Ma quello che certamente non immaginavo è che avesse scritto. Parecchio. Poesie, romanzi, raccolte di racconti, e un libro di aforismi e pensieri (Ho dei pensieri che non condivido).

Ho scoperto quest’ultimo testo frequentando il sito Aforisticamente, instancabilmente guidato da Fabrizio Caramagna. Nella pagina dedicata a Pino Caruso...&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=7e1h40pb310:ubJffob8KW0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=7e1h40pb310:ubJffob8KW0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=7e1h40pb310:ubJffob8KW0:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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        <item>
            <title>La dolce vita (1960)</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/o3wKGgj3_Hc/717-la-dolce-vita-1960</link>
            
            <author>Davide Mauro</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/blog/cinema/film/717-la-dolce-vita-1960</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OekZbuVbL_ZFDhN4PIO3SXUmXj4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OekZbuVbL_ZFDhN4PIO3SXUmXj4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OekZbuVbL_ZFDhN4PIO3SXUmXj4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OekZbuVbL_ZFDhN4PIO3SXUmXj4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Sarebbe sciocco parlare ancora di un film come la Dolce vita di Federico Fellini, perché la fama e l'importanza di questa pellicola ha fatto parlare di sé in ogni dove. Riproporre la famosa scena della Fontana di Trevi tra Mastroianni e la Ekberg significa associare ad uno dei simboli di Roma il gusto per la bellezza, il bel vivere (la Dolce Vita, appunto) ma anche l'essenza del cinema italiano che tanta fama ha apportato alla nostra nazione. Proprio la forza evocativa di quella scena girata...&lt;br/&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/elapsus/~4/o3wKGgj3_Hc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.elapsus.it/home1/index.php/blog/cinema/film/717-la-dolce-vita-1960</feedburner:origLink></item>
        <item>
            <title>L’Amore liquido</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/aIoVqRVlKic/716-lamore-liquido-</link>
            
            <author>Debora Francione</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/letteratura/filosofia/716-lamore-liquido-</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/YUnY7AY13tRfHaZ89Uax2G2j2XI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YUnY7AY13tRfHaZ89Uax2G2j2XI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/YUnY7AY13tRfHaZ89Uax2G2j2XI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YUnY7AY13tRfHaZ89Uax2G2j2XI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Leggere l’opera di Bauman significa seguire un pensiero improntato alla riflessione critica su una società moderna che si scioglie, che diventa liquida e quindi non più “contenuta”, prevedibile e certa. 
Al principio l’uomo moderno ha saputo caratterizzarsi per la sua capacità di essere homo faber, capace di costruire da sé la sua fortuna, di essere l’egocentrico punto di tutte le sue energie in vista di un raggiungimento dei suoi obiettivi in linea con il suo spirito – spinto per lo più alla...&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=aIoVqRVlKic:RT9tL4v0XJE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=aIoVqRVlKic:RT9tL4v0XJE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=aIoVqRVlKic:RT9tL4v0XJE:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/elapsus/~4/aIoVqRVlKic" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.elapsus.it/home1/index.php/letteratura/filosofia/716-lamore-liquido-</feedburner:origLink></item>
        <item>
            <title>Affari d’oro</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/y5NxY0_efXA/715-affari-doro</link>
            
            <author>Alessandro Mauro</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/blog/arte/715-affari-doro</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/GcqzaWaboM3yJ1GYtY7XtRgYGbI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GcqzaWaboM3yJ1GYtY7XtRgYGbI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/GcqzaWaboM3yJ1GYtY7XtRgYGbI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GcqzaWaboM3yJ1GYtY7XtRgYGbI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Il 2 maggio di quest’anno a New York, da Sotheby’s, per poco meno di centoventi milioni di dollari è stata venduta una delle quattro versioni (l’unica in possesso a privati) del celebre quadro L’urlo, di Edvar Munch: la cifra più alta mai pagata per un’opera d’arte.

L’otto maggio sempre a New York, con oltre ottantasei milioni di dollari Orange, Red, Yellow, di Mark Rothko è stato battuto da Christie’s, diventando l’opera d’arte contemporanea più pagata di sempre.

Il 9 maggio, ancora a New...&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=y5NxY0_efXA:UTAoZrtJaNE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=y5NxY0_efXA:UTAoZrtJaNE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/elapsus?a=y5NxY0_efXA:UTAoZrtJaNE:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/elapsus?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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        <item>
            <title>Stoker - Dracula</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/lEkW2xOLb-M/714-bram-stoker</link>
            
            <author>Davide Mauro</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/rubriche/audioletture/714-bram-stoker</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/8_e_FAiO6iM3VnLG4t5C9EWZrpE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8_e_FAiO6iM3VnLG4t5C9EWZrpE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/8_e_FAiO6iM3VnLG4t5C9EWZrpE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8_e_FAiO6iM3VnLG4t5C9EWZrpE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Il romanzo epistolare Dracula non è solo da considerarsi un esempio di opera letteraria ben riuscita ma un vero e proprio mito. La capacità descrittiva di Bram Stoker sa coglier le corde dell'emotività calibrando il realismo alla finzione narrativa di un personaggio di fantasia come Dracula.
In questa audiolettura Jonathan Harker annota sul suo diario l'incontro con il conte Dracula, le sensazioni provate e gli strani comportamenti del "signore della notte" fanno da sfondo ai brevi dialoghi...&lt;br/&gt;
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        <item>
            <title>Film Rosso. La chiamata dell'altro</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/HIU1h8DgWwc/712-film-rosso-la-chiamata-dellaltro</link>
            
            <author>Michela Donatelli</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/arte/cinema/712-film-rosso-la-chiamata-dellaltro</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/E7IOhiSMyLCP4-_UlxMA96wY7vg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/E7IOhiSMyLCP4-_UlxMA96wY7vg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/E7IOhiSMyLCP4-_UlxMA96wY7vg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/E7IOhiSMyLCP4-_UlxMA96wY7vg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Ma ecco sui rami, maturi, profondi, 
dei frutti carichi di miele.
Stavano per cadere senz’essere colti
se tu avessi tardato ancora un poco.
Nazim Hikmet
Una modella sensibile e piena di vita, un vecchio giudice in pensione rinchiuso nel guscio inacidito della sua solitudine e un giovane magistrato, amareggiato e deluso da una storia d’amore. Sono questi i personaggi principali di Film Rosso, opera cinematografica che, oltre a chiudere la saga della trilogia, è anche l’ultimo lavoro di Krzystof...&lt;br/&gt;
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        <item>
            <title>L’arte di AsAbaroK: i confini fisici e virtuali si confondono</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/w_ZevuJz3hI/711-larte-di-asabarok-i-confini-fisici-e-virtuali-si-confondono</link>
            
            <author>Flavia Lanza</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/arte/mostre/711-larte-di-asabarok-i-confini-fisici-e-virtuali-si-confondono</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/JTFRZEUMCPw3CM821y7OOsGqg4Q/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JTFRZEUMCPw3CM821y7OOsGqg4Q/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/JTFRZEUMCPw3CM821y7OOsGqg4Q/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JTFRZEUMCPw3CM821y7OOsGqg4Q/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Lucenti lastre di cristallo su cui si condensano misteriose figure femminili, sacre e profane, madonne e pornostar virtuali, configurate come icone della lussuria e del potere, ieratiche dee della perversione e della voluttà. Un linguaggio sconosciuto ammantato dall’enigma e intriso di magia. Si tratta di AsAbaroK, la personale dell’artista Christian Zanotto, a cura di Sonia Arata, che ha inaugurato con successo venerdì 20 aprile alla Red Stamp Art Gallery di Amsterdam. 


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        <item>
            <title>Niente niente Camilleri s’è montato la testa?</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/pgOaecg387g/710-niente-niente-camilleri-se-montato-la-testa</link>
            
            <author>Alessandro Mauro</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/blog/letteratura/710-niente-niente-camilleri-se-montato-la-testa</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/TJLrQrHpZVPkpztZd-CTQbl4FJA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TJLrQrHpZVPkpztZd-CTQbl4FJA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/TJLrQrHpZVPkpztZd-CTQbl4FJA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TJLrQrHpZVPkpztZd-CTQbl4FJA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Leggendo un’intervista rilasciata dallo scrittore siciliano al trimestrale «21, arte, cultura, società» parlando di premio Nobel Camilleri dice: «[…] va detto che questi accademici di Svezia hanno fatto una tale quantità di errori che capace che me lo danno». Davvero Camilleri pensa di potervi concorrere? Certo, parliamo di un signore che nel mondo ha venduto più di dieci milioni di libri – d-i-e-c-i m-i-l-i-o-n-i! – significa che, per volergli fare due conti in tasca, se anche avesse ricevuto...&lt;br/&gt;
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        <item>
            <title>Minima moralia - Theodor Wiesengrund Adorno (Saggio - 1951)</title>
            <link>http://feedproxy.google.com/~r/elapsus/~3/2nJmCtJskqQ/709-minima-moralia-theodor-wiesengrund-adorno-saggio-1951</link>
            
            <author>Salvatore Calafiore</author>
            <guid isPermaLink="false">http://www.elapsus.it/home1/index.php/rubriche/letture/709-minima-moralia-theodor-wiesengrund-adorno-saggio-1951</guid>
        <description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OwzuBVr9cnAnhI1HzW9JE5StM7w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OwzuBVr9cnAnhI1HzW9JE5StM7w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OwzuBVr9cnAnhI1HzW9JE5StM7w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OwzuBVr9cnAnhI1HzW9JE5StM7w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;La negazione della verità oggettiva attraverso il ricorso al soggetto include la negazione di quest'ultimo: non resta più nessuna misura per la misura di tutte le cose, che cade in balìa della contingenza e si trasforma in falsità. Ma tutto ciò rinvia al processo reale di vita della società.
Scritto tra il '44 e il '47 del secolo scorso, è un libro di pensieri e aforismi (153 per l'esattezza) sull'etica e sull'estetica. Già il sottotitolo, Meditazioni della vita offesa, ci annuncia il disagio...&lt;br/&gt;
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