electraumatisme

Electraumatisme du 01/07/2026

electraumatisme@wanadoo.fr (popman) — Wed, 01 Jul 2026 19:14:42 +0000

Nous descendons dans la cave pour remonter jusqu'à 40 ans en arrière dans cette édition régulière d'Electraumatisme.

Prochain podcast le 15 juillet.

Synthetische Lebensform - Cryo chamber
Dyskolia - Slow Death
T.A.N.K. - Bloodsucker
Cancermancer - Stone-Faced
Biopsy - Never Inhale
Puerta Negra - Quien es tu Dios
This Morn'omina - Tupilac
Menticide - Wrong
Illustration Sonore - Illustration
La Santé - Stary Dom
Decay Of Western Civilization - Baby Doe Rules
Nostromo 7 - Alone (PL Sound Design Someone Mix)

Release of the week

Synthetische Lebensform - Distorted Perception

Download : http://electraumatisme.info/broadcast/20260701.mp3

Top 10 juin 2026

electraumatisme@wanadoo.fr (popman) — Wed, 01 Jul 2026 11:49:23 +0000

01 - Bent - Renascence
02 - T.A.N.K. - Broken Mirror
03 - Cancermancer - 6: CarSINogene6i6
04 - Sleepwalk - Dystopia
05 - Puerta Negra - Metafísica
06 - This Morn'Omina - Vestiges
07 - TC75 - 4S (Selective Sound Sensitivity Syndrome)
08 - Ghosts For Comfort - Cyber-Organism
09 - Planetdamage - KILLCAPS
10 - NER\OGRIS - Silenci

Kitchen Notes : T.A.N.K. on Broken Mirror

electraumatisme@wanadoo.fr (popman) — Sun, 28 Jun 2026 19:42:01 +0000

Dans les dernières sorties du label Electro Aggression Records, le dernier album de T.A.N.K., Brokken Mirror nous a particulièrement flatté l'oreille avec son mélange d'EBM aux frontières du punk et de la grandiloquence dark-orchestrale. Reinhard Hüber a bien voulu se préter au jeu des Kitchen Notes pour nous décrire ses méthodes de production et raconter un bout d'histoire de la scène Oldschool & Anhalt. Ne ratez pas la vidéo en commentaire.

Amongst the lastest release from Electro Aggression Records label, the last T.A.N.K. LP, Brokken Mirror particularly flattered our ears with its mix of EBM on the edge of punk with dark-orchestral grandiloquence. Reinhard Hüber kindly played the Kitchen Notes game to describe us his production methods and relate a piece of Oldschool & Anhalt scene history. Don't miss the video in the comments.

Gears and software

What gears/softwares did you use for Broken Mirror ?

This album began on an old Imac and Logic X
Then this computer went weak and I switched to PC and used Cubase
For this Album that means 90% Cubase.

The Hardware you hear is mostly:
Access Virus Polar TI
Roland V-Synth
Yamaha Cs-1x
Yamaha Cs-6x
Yamaha An-1x
AKAI MPC
Mixed and premastered on “Izotope 11” Software

Your favorite gear(s)/software(s) ?

I collected many synthesizers over the years.
My favorite Synth is the “Polar TI” followed by Moog One, then the V-Synth by Roland…
The most versatile software to drive all that Hardware is Logic X in my eyes, but I still have to learn
Cubase to do the job.

Any evolution in your setup ?

Yes, it all began with a “Casio Keyboard”, a Korg Poly 800 followed by an Yamaha Cs-1x and a few hardware pedals. All that was driven by an old Computer and cheap software like “Anvil-Studio” and things like that.
Then I had a friend who used Emagic Logic 5 in his setup.
I learned from him about MIDI and Interfaces and a few things about LSB/MSB/Sysex.
I wanted that too and later bought an Imac. This computer and a Motu-Midiinterface a Presonus Studio 24 Channel Mixer connected by Firewire was my way to go for years.
The Synthesizers in chronological order:

Casio Keyboard (forgotten the name, no more in my setup))
Korg Poly 800
Tiracon 6V (no more in my setup)
Yamaha Cs-1x
Yamaha Cs-6x (has a Soundcard “PLG 150-AN” inside that works as An-1x)
Korg M1
Yamaha DX 7
Roland V-Synth
Clavia Nordlead 4
Access Virus Polar TI
Akai MPC
Moog One

I also use software Synthesizers like
Arturia V-Collection 8
PolyM
DEXED 9

Sound Design

Do you use/tweak presets ?

Yes, always when I buy a Synthesizer I follow the impressions the presets provide.
Once they convince me I begin to tweak as much as I can. That’s why I love the hardware: One hand on keys, the other hand on knobs.
As for the Moog Synthesizers it would be blasphemic not to tweak as much as possible.

Do you design you own sound ? On which synth/plugin in particular ?

When it comes to sampling and processing, I have separate channels in Cubase for samples and phrases then add a chain of plugins every single channel or group or bus.
My favorite plugins are made by “Eventide” and “Nomad Factory” and “Waves” Mostly used are special delays and reverbs, Harmonizer H 3000 and Pitchshifters.
But also the AKAI MPC is a good Module to tweak percussions and FX
An example I often do:
- Use a voice, a shout or something in one channel
- Copy all that into a next chanel
- manually cut 80% of the sample in the second channel and use an effect, a harmonizer, and a long delay on it.
A special way to create an own sound doesn’t really exist. Maybe the result of the hardware used makes it a bit special.

Any particular synth history ?

My first time generating music was in 1991. I had an AMIGA 500 and several Software like “Noisetracker” , “Octalyzer” things like that. Nothing special…
Then later 1996 I had a friend who created experimental music in “Fruity Loops” and a Synth.
Inspired me to invest a bit more money… till 1998 a friend in my hometown invited me to his studio. He was a student at a professional studio. His setup was a wonderland to me. As I stood there with a Casio-Keybord he smiled and taught me about real Synthesizers and the money needed…
This started the yearning for an own studio more and more.
I had to learn, failed real often but was only a hobbyist that years.
The real big change came in 2002. That time a friend of mine founded the “Electric-Tremor” Festival Series in Dessau.
He told me: in 6 months we start the first festival and you are now a EBM-Band !!!
Ahm, yes I replied, ahm, sure, I am now a band. Hmmmm. I have no lyrics, no songs, no idea, no knowledge.
With that order in my back it was time to find a way, my way.
First to find lyrics, then to find knowledge for sounds and structure needed help again. I found that in a friend who sadly passed by later on. His name was Stan from the band “Sinessence”.

Writing/composing method

What would be your main writing/composing method ? Do you start classical rythm/bassline then arrange around it ? Do you already have structure in mind ? Do you improvise, record sessions then select ? ...

Finding the way into a song, Yes.
First of all I need an idea about the lyrics. This is most essential for later structure and expression.
For the samples and the colour of the sounds.
When there is the story, then there is the song. That’s why I have done remixes for other bands sometimes very fast: The story is clear…
But always if the lyrics are layed I begin with the drums, that is fundamental.
Then add a bass and then the pads.
Then get back to the drums, throw that all away and count the hours choosing the right snaredrum
…
Later the first phrases of the lyrics, first vocal FX, then Sound FX.
The biggest container on the harddisc is
“Song XY” - First Try - Second Try - Maybe Try - Final Try 1 - Final Try 2….

Producing/mixing method

Do you produce/mix in the box or do you use mainly external gears (effect/comp/eq...) ?

The stage of mixing is only on the computer.
Much time was invested to record each Synthesizers output on HD into *.wav.
Then I try the trick to put a pink-noise on the Masterbus and first mixing can begin.
I try to learn about de-essing, frequencies and trouble, sidechaining (not so much)...
For a first impression I set an instance of Izotope Master on the output.
Too often I get into a tunnel, being satisfied in the evening and horrified in the morning.
Hardware EQ or things like that are not in use anymore, since I own an Arturia-Interface.

What is your most painful / enjoyable step in track production ? Sound design, arrangement, mixing, mastering ?

The most painful thing is to run into a tunnel, a narrow mind. When you realize you are out of logical investigation. The concentration is off, the focus is blurred.
Happy to find a way out the next day.
EBM music is a style that allows many different electronic expressions. It is a playground for sound
shifters, drum variosity, spheric or staccato or both combined. A playground for pioneers. I love to be a little part of that.

Reinhard's tips

Any expression you’d like to share should be authentic. No matter how you generate your sound.
You can use an oil-can for percussions and a crappy rusty one-string-guitar. Have fun with your
music and stand the test against AI.
Know when it is time to leave the production for a day. Nothing special. Everybody has their own
way.
To all musicians and listeners my best wishes. I hope my english was good enough to express
what I mean.

Contact info

Facebook : https://www.facebook.com/tankebm

Playlist Electraumatisme du 24/06/2026 - Spéciale Helvétie

electraumatisme@wanadoo.fr (popman) — Wed, 24 Jun 2026 20:05:33 +0000

Le passage de Young Gods à Clermont-Ferrand nous a donné l'idée de plonger dans les archives de la production suisse dans les domaines musicaux qui nous sont chers pour la seconde partie de cette édition d'Electraumatisme. Edition dédiée à la mémoire d'Olivier Camus, grand activiste EBM Old School du début des années 2000 en France, que nous n'avions jamais complètement perdu de vue. Putain de fumble face au crabe à la trop grosse CA :(

[Progeria] - Force is machine
Puerta Negra - Explosión Cósmica
This Morn'Omina - Nuraghi
KIFOTH - Words to fear (Cortana)
The Young Gods - L'amourir
Yello - Lost again
Grauzone - Eisbaer
Sleepwalk - Angels
Spartak - Religion
BAK XIII - Tant Mieux
Swamp Terrorists - Rebuff!
Panic on the Titanic - Illusions
System der Dinge - Ashes
Deo Cadaver - Demon possession

Releases of the week

Puerta Negra - Metafísica

This Morn'Omina - Vestiges

Download : http://electraumatisme.info/broadcast/20260624.mp3

Electraumatisme du 17/06/2026

electraumatisme@wanadoo.fr (popman) — Wed, 17 Jun 2026 20:28:59 +0000

Après Project Pitchfork avant Project Pitchfork, dans cette édition régulière assez dodue d'Electraumatisme, nous jetons une oreille sur Das Ich avant Das Ich.

T.A.N.K. - Fight or Suffer
Cancermancer - Tethers
End-Tek - My Heart Is Infinite Yet Filled With Nothing
AAAK - Crash
The City Gates - Radium Love
AkMD - Lifelong Dreams
Synthetische Lebensform - Wasteland
Ghosts For Comfort - Homicidal Breed
Sleepwalk - Dystopia
Biopsy - Enclosure
Antivote - And rain falls down
Fahrenheit 451 - The Tempest Romanesque
CrackDown - Thrive In Your Mess
The Unknown - Daddy's Little Girl
Atropine - Flesh Wreath (11grams Remix)

Releases of the week

T.A.N.K. - Broken Mirror

Cancermancer - 6: CarSINogene6i6

Download : http://electraumatisme.info/broadcast/20260617.mp3

Playlist Electraumatisme du 10/06/2026 - Mon WGT 2026 - Partie 2

electraumatisme@wanadoo.fr (popman) — Wed, 10 Jun 2026 20:00:36 +0000

Cà fait longtemps que l'on a pas eu d'Electraumatisme de 2 heures, mais c'est qu'il y en a des choses à raconter pour cette seconde partie du compte rendu des groupes vus au Wave Gotik Treffen 2026. Gageons que l'année prochaine, Blutengel sera enfin à l'affiche et on fera l'aller/retour à Leipzig pour la dernière fois.

Sleepwalk - Welcome too...
End-Tek - Human Rite
Frontline Assembly - Provision
Covenant - Thermin
Perturbator - Apocalypse Now (ft. Ulver)
NordarR - Menschenjago
Autodafeh - Lessons to learn
Haujobb - Maternal Instinct
Armageddon Dildos - Homicidal Maniac
Portion Control - Move
Prager Handgriff - Alle Zeit der Welt
Rein - Off the Grid
Pankow - Treuhund
Eisfabrik - Götter in Weiß
Leaether Strip - Adrenalin rush (vegger version)

Release of the week

Sleepwalk - Dystopia

Download : http://electraumatisme.info/broadcast/20260610.mp3

top 10 mai 2026

electraumatisme@wanadoo.fr (popman) — Sat, 06 Jun 2026 07:19:13 +0000

01 - Bent - Renascence
02 - Port Authority - The Mind's Abstract
03 - TC75 - 4S (Selective Sound Sensitivity Syndrome)
04 - Ghosts For Comfort - Cyber-Organism
05 - Planetdamage - KILLCAPS
06 - NER\OGRIS - Silenci
07 - Fïx8:Sëd8 - Octagram
08 - Trilogy - Forced Perspective
09 - AkMD - Fragments Of Illusions
10 - CK 37 - Inget Hat

Playlist Electraumatisme du 27/05/2026 - Mon WGT 2026 - Partie 1

electraumatisme@wanadoo.fr (popman) — Wed, 27 May 2026 20:26:47 +0000

Une édition de soixantenaires du Wave Gotik Treffen cette année si l'on compte que tous les groupes qui y ont fêté leur 40 an de scène ont commencé à 20. Est-ce pour autant que l'on s'y est ennuyé ? Réponse dans cette première partie du compte rendu de ce que nous avons pu y voir.

La suite le 10 juin

Ghosts For Comfort - Resist
Plastikstrom - Keine Ahnung
Damage Code - Lessons of Pain
Oberst Panizza - Im Kalten See
The Juggernauts - Phoenix (Extended V.2K16)
Dina Summer - Voodoo
Necrø - Hanged Man
Tyske Ludder - Monotonie
Biomekkanik - Melancholy Friend
Einstürzende Neubauten - Ist Ist
X-Mal Deutschland - Polarlicht
Kompromat - Lift me up
Patenbrigade: Wolff - Der Brigadier trinkt Bier!
Nachtmahr - Einhundertacht
Cat Rapes Dog - Moosehair Underwear
Suicide Commando - See you in Hell

Release of the week

Ghosts For Comfort - Cyber-Organism

Download : http://electraumatisme.info/broadcast/20260527.mp3

Electraumatisme du 13/05/2026

electraumatisme@wanadoo.fr (popman) — Wed, 13 May 2026 19:36:24 +0000

Cette semaine, entre autres curiosités de cette édition régulière d'Electraumatisme, nous découvrons comment sonnait Project Pitchfork avant Project Pitchfork.

Prochaine édition le 27 mai.

AkMD - In Delirium
Nuklear Kontrol - Unleash the fury
Absolute Form - CollapseFlash Zero - Doble Personalidad
Bent - Siren's call
Synthetische Lebensform - ReCreator
Digital Blood - Molecule
Demoniac Puppets - The Silence
Construggle Test - Cannibal
Crimes AM - There Is No Resurrection
Allied Vision - Flooded in blood
Terror Punk Syndicate - I Wish I Was Retarded (Edit)

Release of the week

AkMD - Fragments Of Illusions

Download : http://electraumatisme.info/broadcast/20260513.mp3

Kitchen Notes : bent on Renascence

electraumatisme@wanadoo.fr (popman) — Thu, 07 May 2026 13:15:00 +0000

Nous n'avons pas perdu de temps. A peine l'album tant attendu de bent présenté dans le podcast que Niko Martens a bien voulu répondre avec une rapidité et une précision surprenante à toutes nos questions habituelles des kitchen notes. En route pour de passionantes explications sur la production d'une des meilleure sortie de ces derniers mois dans les domaines musicaux qui nous sont chers. Nostalgiques de l'école texane de la Dark Electro, le graal est à portée de clic.

We didn't waste time. The long awaited and desired album barely introduced in the podcast, Niko Marten has been keen enough to answer with a surprising quickness and precision to all our usual Kitchen Notes questions. Let's go for a captivating explanation session on the production of one of the best release of these last months in the scope of our cherished musical domains.Nostalgic for the Texan school of Dark-Electro, Graal is just one click away.

Gears and software

What gears/softwares did you use for Beat that Body ?

Hardware: Yamaha HS7, DT1990 Pro, Rode NT 1-A, Focusrite Interface

DAW: Ableton Live Suite

The album was created entirely “in the box.” I do have quite a bit of hardware synths around, but I haven’t really managed to integrate it into my workflow in a meaningful way so far. The thing is, modern emulations have become incredibly good and are much more flexible — beyond that, there are also many excellent sample-based VST instruments.
These days, you can convert almost anything, and more and more emulations even offer SysEx compatibility. There are also some great open-source projects built on original hardware firmware.
When it comes to mixing tools, the gap between software and hardware keeps getting smaller. Even compressors have improved a lot, with increasingly sophisticated ways of modeling nonlinear behavior. At this point, the differences are barely audible — especially in a full mix.
For “Renascence” I mainly used vintage hardware emulations — both modeled and sample-based. That includes tools like the emulations from Arturia, Korg Legacy, Roland Cloud, GForce, Falcon, as well as some freeware. I think the freeware Kawai K1 emulation, which also reads SysEx banks, is actually one of the most-used synths on the album.

Your favorite gear(s)/software(s) ?

That’s a difficult question to answer. I’m drawn to pretty much all emulations that sound very analog, authentic, and alive — anything with real character.
The signature “bent” choir sounds you hear throughout Renascence were mostly done with the Triton Extreme, Emulator or the K1. The crystal-clear, liquid pluck sounds — for example in the chorus of At This Place — are usually a combination of the DX7 and the Casio CZ. In some cases, I also used the SQ80 from Arturia, mainly with SysEx banks from the ESQ-1.
A large portion of the bass sounds comes from the MiniMoog emulation by Universal Audio, as well as FM synths like the DX7 or the Yamaha SY-99.
I usually build my drum kits myself using Ableton’s Drum Rack.

Any evolution in your setup ?

Yes, my setup evolves quite a lot — but not in the sense of a fixed system that gradually expands. I usually start each project from scratch, building new chains for every track, including mix bus chains, depending entirely on what the song needs.
I’m very interested in audio tools in general and regularly check out what’s new. I test a lot of trial versions and, whenever something feels genuinely useful — especially if it adds a new dimension to my existing toolkit or pushes my sound forward — I’ll integrate it into my workflow.

Sound Design

Do you use/tweak presets ?

Once you dive deeper into synthesizers, you realize that most bands use presets — and that’s completely fine. For example, if you go through the patch libraries of the Emulator, Emax, ESQ-1, or Ensoniq VFX, you’ll stumble across quite a few sounds that appeared on major hits.
I use presets as well, but I always modify them in some way — either with the synth’s built-in options or through effects processing. I’ve never really counted, but on every track I tend to have long FX chains, sometimes pushing the projects close to the CPU limit.
For tweaking sounds, I especially like the effects from Soundtoys, Eventide, Universal Audio, and McDSP. I also love tape saturation and reverb — for example Phoenix, Taupe, or the UAD stuff in general. There are so many fantastic reverb plugins out there, but the ones I used the most on the album, and that remain my favorites, are from Strymon, Eventide, and Relab.

Do you design you own sound ? On which synth/plugin in particular ?

Yes, I design my own sounds — either by creating patches completely from scratch or by heavily reshaping existing sounds with long effect chains. In the end, the result often has very little to do with the original patch.
Some of my favorite tools for sound design are preamps, saturation, filters, distortion, creative delays, and convolution reverbs. Over the years I’ve built up a huge collection of my own impulse response libraries, which I use extensively.
A good example is the track Dogma, which is driven almost entirely by FX like the QuantX.

Any particular synth history ?

Many of the trademark sounds on the album actually come from very old 32-bit VSTs. Getting them to run was often a real challenge — the whole bridging process is pretty clunky and unstable at times.
For example, Iridium Flare is built largely around synths that have completely disappeared from the radar today and only still exist as 32-bit plugins. I’ve always loved digging up forgotten software like that, because those old instruments often have a very unique character that’s hard to recreate with modern synths.

Writing/composing method

What would be your main writing/composing method ? Do you start classical rythm/bassline then arrange around it ? Do you already have structure in mind ? Do you improvise, record sessions then select ? ...

It’s very different from track to track. Sometimes I already have a clear idea in my head, other times I’m inspired by experiences or even by hearing something on the radio. Quite often, songs also emerge while I’m simply testing gear.
What’s usually consistent, though, is that the biggest part of a song happens during the very first session — most of the arrangement, structure, melodies, and ideas for vocals are already there. After the first evening, the demo is often around two or three minutes long and already feels quite complete.
After that, the tracks usually sit on my hard drive for months, sometimes even years, until I find the right way back into them and continue working on them.
Most of the time I start with bass or atmospheric layers rather than drums. Stonehenge is actually a good example of a track where I started with the drums first.

Producing/mixing method

Do you produce/mix in the box or do you use mainly external gears (effect/comp/eq...) ?

I produce, mix, and master all Bent tracks myself entirely in the box. I’m especially drawn to tools that have a very analog character and sound.
The plugins I use most are from Softube, UAD, Schwabe Digital, Metric Halo, Apogee, and Plugin Alliance. I also think the stuff from Acustica Audio is fantastic, and I really love the compressors from MixWave.
For mastering, I especially love the native Weiss tools, the Sontec EQ from Metric Halo, the Maselec emulations by Relab, and the plugins from Massenburg.

What is your most painful / enjoyable step in track production ? Sound design, arrangement, mixing, mastering ?

The biggest challenge with Renascence was that many of the songs and projects were very old, from a time when I basically had no real mixing skills or technical understanding yet. The workflow back then was sometimes pretty adventurous, and a lot of the tracks contain wildly improvised plugin chains that make me shake my head today.
Completely rebuilding everything from scratch was never really an option, because a lot of the character and vibe would have been lost in the process. At the same time, I didn’t want to go through every single track one by one and fix everything directly in the sessions — even if that probably would have been the “correct” approach from a traditional mixing perspective. It simply would have been far too much work.

So for the album, I ended up doing a lot of quick-and-dirty corrections on the stereo bus and mix bus instead. In some cases I used pretty drastic EQ moves just to bring the songs back into balance and make the mixes work as a whole.
The part I enjoy the most is definitely the magic and creativity of the very first ideas during the initial session — those moments when I’m completely in the flow, everything starts connecting naturally, and ideas slowly turn into actual songs.
The mixing stage is also a lot of fun, especially when working with disruptive tools that can suddenly push a song or sound onto a completely new level.

Niko's tips

Basically, it all comes down to the fundamentals of mixing. If you follow the basic rules, not much can really go wrong.
Keep your projects clean and well organized, focus on proper balancing, and pay attention to gain staging, panning, sidechaining, and the core principles of bus processing. I also think it’s important to work with sends whenever possible — not only because it creates a more cohesive sound, but also because it helps save a lot of CPU power.
A personal bent production tip: in almost every project, I use plugins as send FX that emulate the degradation and artifacts of early digital audio/16 bit. It really helps to push the sound into a more analog-feeling, harsher, more retro and gritty territory — and at the same time it can actually make things feel more defined and focused.
As a default, I also always have a Vulture Culture-style saturation emulation on a send in every project. Especially for drums, it’s a great tool, because you can blend it in subtly or more aggressively depending on taste, and it instantly adds character and edge without destroying the original signal.

Contact info

Bandcamp : https://bent8.bandcamp.com/

Playlist Electraumatisme du 06/05/2026 - First class Electropop

electraumatisme@wanadoo.fr (popman) — Wed, 06 May 2026 19:11:00 +0000

Passée la découverte de la fantastique nouveauté que l'on attendait depuis si longtemps, la seconde partie de cette édition d'Electraumatisme explore les différents visages de l'électropop, les plus sombres étant les meilleurs. N'hésitez pas à vous manifester si vous connaissez le projet à l'origine d'Until U say U r.

Bent - Lucid Dream
Institute for the Criminaly Insane vs ee:man - The Fabric of You
System22 - Until U say U r (Iris Mix 2)
Mechanical Cabaret - Nothing special
Michigan - Karma Shines
Mind.area - Destiny
My Love Kills - We don´t want you with us
Mind.area - Faces
My Love Kills - Silent scream
EGOamp – The Carnival (Radio Edit)
Auto-Auto - Backstabber (Plain remix)
E-Gens – The Song Of Sky Gears

Release of the week

Bent - Renascence

Download : http://electraumatisme.info/broadcast/20260506.mp3

Top 10 avril 2026

electraumatisme@wanadoo.fr (popman) — Mon, 04 May 2026 06:01:00 +0000

01 - Port Authority - The Mind's Abstract
02 - TC75 - 4S (Selective Sound Sensitivity Syndrome)
03 - Planetdamage - KILLCAPS
04 - Trilogy - Forced Perspective
05 - Absolute Form - Form & Function
06 - CK 37 - Inget Hat
07 - NER\OGRIS - Silenci
08 - Fractal - Hide in the light
09 - Fïx8:Sëd8 - Octagram
10 - ee:man - Evolving Dome of Madness

Electraumatisme du 29/04/2026

electraumatisme@wanadoo.fr (popman) — Wed, 29 Apr 2026 19:34:00 +0000

En quoi l'IDM est supposée être dansable ? C'est une question que l'on se pose à un moment donné dans cette édition régulière d'Electraumatisme.

Absolute Form - Shame System
Replicant - Depresing fate of humanity
Subverge - Medusa (Maris Anguis Remix)
TC75 - Against A Wall
ee:man - Dark Patterns
Pail - Infected
Trilogy - Different World
Kryotronic – Mortified Things (Studio)
Flash Zero - Reflejo Azul
Sølve - what remains
Mastertune - Emotions
DE!FUNCT - Waiting For You To Come
Signal Aout 42 - Freundschaft

Release of the week

Absolute Form - Form & Function

Download : http://electraumatisme.info/broadcast/20260429.mp3

Playlist Electraumatisme du 22/04/2026 - Spéciale Amérique latine

electraumatisme@wanadoo.fr (popman) — Wed, 22 Apr 2026 18:53:00 +0000

Un petit tour en Amérique latine cette semaine dans la seconde partie de cette édition d'Electraumatisme où nous n'évitons pas les éternels classiques mais n'hésitons pas non plus à descendre dans la cave pour y déterrer des productions un peu plus obscures.

Trilogy - Alienized
Dulce Liquido - Disolución
Hocico - Born To Be (Hated) (Original Odium)
Cenobita - Scabious Snout
In Auroram - Song of the Century
Hocico - Untold Blasphemies (Gate Mix)
Rabia Sorda – Breaking Through
Left Cross – All Path Leads To Chaos
NeKrodamus - Nosferatu (Lamia - Mix)
Kutna Hora - Our lady of Sedlec
A Industrya – Temporary Loss

Release of the week

Trilogy - Forced Perspective

Download : http://electraumatisme.info/broadcast/20260422.mp3

Electraumatisme du 15/04/2026

electraumatisme@wanadoo.fr (popman) — Wed, 15 Apr 2026 19:40:00 +0000

On retrouve un Tino Claus en grande forme dans cette édition régulière d'Electraumatisme. Par ailleurs, si quelqu'un en sait plus ou a des anecdotes au sujet du projet Fatal Tantra, n'hésitez pas à commenter.

TC75 - Motion
ee:man - Master of Madness
Mind Wired Shut - Death.kill.Suicide
Танцы На Воле - Откровение
RTFXX feat. Marty Rawkman - Incendiary
Agony & the Middle Class - Honored & Grateful
Pail - Process
File 9 - Torture - A Version
Bigod 20 - On the run
Fatal Tantra - Virus
Rein - Off the grid
Ulterior - The Locus of control

Releases of the week

TC75 - 4S (Selective Sound Sensitivity Syndrome)

ee:man - Evolving Dome of Madness

Download : http://electraumatisme.info/broadcast/20260415.mp3

Playlist Electraumatisme du 08/04/2026 - Oldschool EBM

electraumatisme@wanadoo.fr (popman) — Wed, 08 Apr 2026 19:29:00 +0000

Même si le Famillientreffen est encore loin, je sais pertinemment que vous êtes en train de préparer votre summer body à l'approche de la saison des festivals. A l'exception d'un remix douteux de Nitzer Ebb et de choses un peu plus expérimentales, la seconde partie de cette édition d'Electraumatisme devrait vous filer un coup de pouce. Vous me ferez 20 pompes sur le Menticide.

Planetdamage - Renaissance (Mimicry) v2
Nuklear Kontrol - Abyss
Mao Tse Tung Experience - Irregular times
Mastertune - Forget the rest (live)
Mekanik Disorder - Disorder On My Mind
Menticide - Wrong
Mind Teardawn - Going Down
MRDTC - When the World Is Gone
Sebastian Komor - Let Your Body Learn
Nattskiftet - Gnissel och brus
Necrophilistic Anodyne - Raping facts
Negant - Blast

Release of the week

Planetdamage - KILLCAPS

Download : http://electraumatisme.info/broadcast/20260408.mp3

Top 10 mars 2026

electraumatisme@wanadoo.fr (popman) — Tue, 07 Apr 2026 21:28:00 +0000

01 - Port Authority - The Mind's Abstract
02 - Fractal - Hide in the light
03 - CK 37 - Inget Hat
04 - This Morn'Omina - Insha
05 - NER\OGRIS - Silenci
06 - V/A - Document III
07 - Fïx8:Sëd8 - Octagram
08 - Virtual Space Industrial - Virus of Darkness
09 - Outpost 11 - Broken Mirror
10 - MIND WIRED SHUT - Survival Horror

Electraumatisme du 25/03/2026

electraumatisme@wanadoo.fr (popman) — Wed, 25 Mar 2026 20:25:00 +0000

A peine redémarré, le podcast casse à nouveau son rythme de diffusion. En attendant, vous pouvez quand même profiter de cette édition régulière d'Electraumatisme entre fraîcheur et poussière.
Prochain rendez-vous le 8 avril.

MIND WIRED SHUT - Darkness
The Witch Said No - Call the dead (Novakill Rmx)
Port Authority - Little suns
Fractal - The line of fire
Primary Target - Overdose
Outpost 11 - Quantized Emptiness
This Morn'Omina - Body of light
Танцы На Воле - День
PC World - Strategy Beat
Smothered Hope - Synaptic Circle
Fostercare - Cold arms
Metamatik - Act now

Release of the week

MIND WIRED SHUT - Survival Horror

Download : http://electraumatisme.info/broadcast/20260325.mp3

Playlist Electraumatisme du 18/03/2026 - Spéciale Eurodance ?

electraumatisme@wanadoo.fr (popman) — Wed, 18 Mar 2026 20:57:00 +0000

Une édition spéciale d'Electraumatisme qui évoque les sombres heures du début des années 2000 où l'on nous vendait comme renouveau de la scène Dark Electro/Indus/EBM la plus mièvre des Euro-Dance. Un coup à croire qu'on s'est planté et qu'on a mis un CD de la frangine dans le lecteur.

Outpost 11 - Come and see
This Morn'Omina - Sannyasin
Stoneburner - Daughter
Assemglage 23 - I Am The Rain
Glis - High Dreamer
Black Heaven - Agony
Intra-Venus - Resurrection
Synaesthesia - Living in photographs
Massiv In Mensch Feat. Mind.In.A.Box – Supermassive Gravity
Lights of Euphoria - One nation
La Vogue – Somebody New (Version)
Metal Disco - Harsh EBM Nights
T.D.D. - Klaus K (Jesus Christus der erloser)

Releases of the week

Outpost 11 - Broken Mirror

This Morn'Omina - Insha

Download : http://electraumatisme.info/broadcast/20260318.mp3

Electraumatisme du 11/03/2026

electraumatisme@wanadoo.fr (popman) — Wed, 11 Mar 2026 22:09:00 +0000

Et voilà il suffit que l'on s'absente un mois pour se retrouver à produire une nouvelle édition régulière d'Electraumatisme (on commence doucement) depuis un pays où la gouvernance est ouvertement fasciste. Sans déconner, il ne faut jamais avoir le dos tourné....allez musique !

Port Authority - Still water
Fractal - Darkly born
First Aid 4 Souls - Poison feat. Celina
Frontal Boundary - Hate (Fact Pattern remix)
In Absentia - Not Human
CK 37 - Gammal Är Äldst
Ancient Step - Terminate
Virtual Space Industrial - At The Gate Of Hapiness (Interpretate F.Ch.No 48.Op 1)
Primary Target - Same old thing
Necro Facility - Reversed
Mannix System - Metal Passion (Live at HBG, Helsingborg, Sweden 20.08.1993)
Fatal Casualties - Skrik tyst
Tekhnotron - Forgotten Incident
Schwefelgelb - Bis Zum Nächsten Tag
Radar 02 - Salvation

Releases of the week

Port Authority - The Mind's Abstract

Fractal - Hide in the light

Download : http://electraumatisme.info/broadcast/20260311.mp3

Playlist Electraumatisme du 11/02/2026 - Dark Ambiant de la fin des temps

electraumatisme@wanadoo.fr (popman) — Wed, 11 Feb 2026 22:46:00 +0000

Dernière édition d'Electraumatisme avant une durée indéterminée (que j'espère la plus courte possible), il était nécessaire de lui donner la couleur de la période traversée. Donc cette semaine on la joue à fond Dark Ambiant de la mort histoire de se mettre du baume au cœur tiens, si c'est pas une idée à la con çà aussi. Allez, bonne déprime, et à je sais pas quand !

Virtual Space Industrial - Eden Misery (Virus Of Darkness)
Subverge - Phantoms
ManMindMachine - Voice of Freedom (Freedom Is Chaotic)
Her blood in my veins - Naebmare
Deutsch Nepal – Tender Love
Krate - Out of the corridor, into the fields
Raison d'étre – Of Dying Relics
Encomiast - Without fear of winter or vertigo
Monkmort - Menga Benedictus
Mortaja – Procesador
Na-Hag - Lost cities
Nameless City – Civilized
Effective Force – Reality Labyrinth

Release of the week

Virtual Space Industrial - Virus of Darkness

Download : http://electraumatisme.info/broadcast/20260211.mp3

Electraumatisme du 04/02/2026

electraumatisme@wanadoo.fr (popman) — Wed, 04 Feb 2026 20:59:00 +0000

Une lueur d'espoir et d'intérêt dans cette édition régulière d'Electraumatisme après avoir passé un bon bout de 2025 à bougonner sur l'EBM qui s'enterre (mais pas sur scène, heureusement).

CK 37 - 8 Bitars Ren Extas
Inspira - Break The Crowd
NER\OGRIS - Silenci
Genocide - Eyes Of Fear
Deflect - Internal paranoia
Covert Forces - Pyramid
Ancient Step - Bloody Death
Ionic Vision - Maschinenezukunft (transmission edition)
Bio-Mechanical Degeneration - Virus
Sleepwalk - Angels
Wet Skin - I Hate What You Like (SARIN Remix)
Velodrome - Glasfabrik

Release of the week

CK 37 - Inget Hat

Download : http://electraumatisme.info/broadcast/20260204.mp3

Top 10 janvier 2026

electraumatisme@wanadoo.fr (popman) — Tue, 03 Feb 2026 21:31:00 +0000

01 - NER\OGRIS - Silenci
02 - V/A - Document III
03 - The Tear Garden - Astral Elevator
04 - OMEN:CODE - Alpha State
05 - Qual - Love Zone
06 - Fïx8:Sëd8 - Octagram
07 - KIFOTH - Lost Territory
08 - Insect Skin - True Tenderness Is Silent
09 - Covert Forces - Reckoning
10 - Ana Iesu - La chair et l’idéal

Playlist Electraumatisme du 21/01/2026 - Produits locaux

electraumatisme@wanadoo.fr (popman) — Wed, 21 Jan 2026 20:43:00 +0000

Une charretée de projets français dans la seconde partie de cette édition d'Electraumatisme, avec un titre à identifier (probablement récupéré sur le site d'AxessCode à l'époque)
Prochain podcast le 4 février.

Covert Forces - Paralysis
Auralion - Infinity
Meta Meat - Shudder
DeVermis Mysteris - ???
Minuit Machine - To Control
Mlada Fronta - NO
Moaan Exis – Breathe
Muckrackers - Death Show On 2.pm
Trisomie 21 - Relapse
My Love Kills - The Dark Thrown
Myselfson - Ashland
Näo - uusi (v3.0)

Releases of the week

Covert Forces - Reckoning

V/A - Document III

Download : http://electraumatisme.info/broadcast/20260121.mp3

Electraumatisme du 15/01/2026

electraumatisme@wanadoo.fr (popman) — Thu, 15 Jan 2026 22:52:00 +0000

Edition régulière express d'Electraumatisme cette semaine où l'on continue de déterrer des choses, des projets Etats-Uniens proches de l'école texane ou bien encore le proto-The Eternal Afflict.

NER\OGRIS - Fiebre oscura [palabras]
Omen:Code - Brutal + Pure
Noirphesia - In Der Dunkelheit Der Nacht
Human Vault - Sovereign Arbiter Of Life
Severed Skies - Disciples (Feat. The Star Of Ishtar)
Insect Skin - Sing Of Love
Genocide - Rape
Blue Eyed Christ - The slow reverse
L.I.N. - Black Garden
Vociferous Mutes - Faith&Fear
Romantic Affliction - Romantic Affliction

Release of the week

NER\OGRIS - Silenci

Download : http://electraumatisme.info/broadcast/20260115.mp3