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	<link>http://esanrahmani.net</link>
	<description>architecture + design</description>
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		<title>UO Salt+Pepper Shakers</title>
		<link>http://esanrahmani.net/2014/saltn-pepper-shakers/</link>
		<comments>http://esanrahmani.net/2014/saltn-pepper-shakers/#comments</comments>
		<pubDate>Wed, 04 Jun 2014 14:23:53 +0000</pubDate>
		<dc:creator>erahmani</dc:creator>
				<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=865</guid>
		<description><![CDATA[Designed for a friend (Shakeh Arakelian), the UO salt &#38; pepper shakers are conceptually based on the form of a black pepper which is a sphere shape with continuous narrow ridges (shown below). While the pepper shaker  resemble the black pepper, the salt shaker is much more free form and designed around its function. The [...]]]></description>
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		<title>Saw Table</title>
		<link>http://esanrahmani.net/2014/saw-table/</link>
		<comments>http://esanrahmani.net/2014/saw-table/#comments</comments>
		<pubDate>Wed, 09 Apr 2014 15:35:22 +0000</pubDate>
		<dc:creator>erahmani</dc:creator>
				<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=825</guid>
		<description><![CDATA[The rustic “Saw Table” is a 1.2m x 3.0m table. It consists of a 7.5cm solid reforestation wood table top that sits on cast iron legs which resemble a rib-like saw. In the centre of the table the saw teeth protrude through the table top from below. The contrast between the smoothness and warmth of the [...]]]></description>
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		<title>Parramatta Square &#8211; Stages 5 &amp; 6 Towers</title>
		<link>http://esanrahmani.net/2013/parramatta-square-stages-5-6/</link>
		<comments>http://esanrahmani.net/2013/parramatta-square-stages-5-6/#comments</comments>
		<pubDate>Mon, 18 Nov 2013 12:23:31 +0000</pubDate>
		<dc:creator>erahmani</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Competition]]></category>
		<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=758</guid>
		<description><![CDATA[Our proposal for the Parramatta’s stage 5 &#38; 6 commercial towers aims at integrating the towers within the urban fabric of the city by favouring retention of existing public access through the site and providing the city of Parramatta new public destinations. The design favours two separate towers which allow unobstructed public access from the [...]]]></description>
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		<title>Royal Adelaide Hospital Design Competition</title>
		<link>http://esanrahmani.net/2013/royal-adelaide-hospital-international-design-competition/</link>
		<comments>http://esanrahmani.net/2013/royal-adelaide-hospital-international-design-competition/#comments</comments>
		<pubDate>Sat, 14 Sep 2013 14:00:38 +0000</pubDate>
		<dc:creator>erahmani</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Competition]]></category>
		<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=577</guid>
		<description><![CDATA[Due to the relocation of the existing Royal Adelaide Hospital the South Australian government called for an international competition to take a fresh look at how the existing hospital site could be used. [as published on e-architect.co.uk &#38; Inhabitat.com - Design will save the world.] This lead to our collaboration with another team of young [...]]]></description>
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		<title>Cross House</title>
		<link>http://esanrahmani.net/2012/cross_house/</link>
		<comments>http://esanrahmani.net/2012/cross_house/#comments</comments>
		<pubDate>Thu, 03 May 2012 06:52:11 +0000</pubDate>
		<dc:creator>erahmani</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Furniture]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=519</guid>
		<description><![CDATA[The cross house is a holiday retreat hidden in the forest of mount nelson in Tasmania, Australia. The location of the project provides its occupants with a hideaway for relaxation and rejuvenation with all the modern comforts of a typical residence.]]></description>
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		<title>Aqua Luxury Vanity</title>
		<link>http://esanrahmani.net/2012/aqua-luxury-vanity/</link>
		<comments>http://esanrahmani.net/2012/aqua-luxury-vanity/#comments</comments>
		<pubDate>Sun, 08 Apr 2012 17:30:44 +0000</pubDate>
		<dc:creator>xschumacher</dc:creator>
				<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=471</guid>
		<description><![CDATA[The Aqua vanity is designed to showcase the vanity as a centerpiece through the articulation of its elements and its sculptural form. The design makes a break from the standard vanity shapes for a more organic and fluid form, that is inspired by flow of water and the swirls it creates within a bowl. This [...]]]></description>
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		<title>EggShell Chair</title>
		<link>http://esanrahmani.net/2012/egg-shell-chair/</link>
		<comments>http://esanrahmani.net/2012/egg-shell-chair/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 01:31:20 +0000</pubDate>
		<dc:creator>xschumacher</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Furniture]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=411</guid>
		<description><![CDATA[Designed by Esan for use in academic institutions and playful office spaces the EggShell chair is moulded from plastic. The form and concept is inspired by eggs and Henrik Thor-Larsen’s Egg chair. This chair is moulded into a single egg shape form with scope-like cut outs to make it both lighter and more space efficient. [...]]]></description>
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		<title>Eliza Apartments at TonyOwen Partners</title>
		<link>http://esanrahmani.net/2010/eliza-apartments/</link>
		<comments>http://esanrahmani.net/2010/eliza-apartments/#comments</comments>
		<pubDate>Thu, 23 Sep 2010 04:36:29 +0000</pubDate>
		<dc:creator>erahmani</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=315</guid>
		<description><![CDATA[Currently consulting on Eliza apartments by Tony Owen Partners. Working towards a resloved facade panelling system that is as sensual as the original design, but one that beaks down the complexity of the organic form into understandable/constructible geometry. This break down means that instead of 13 different organic forms there are now only 6, all [...]]]></description>
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		<title>Venice Biennale 2010, “Beyond 2050″</title>
		<link>http://esanrahmani.net/2010/venice-biennale_2050-2/</link>
		<comments>http://esanrahmani.net/2010/venice-biennale_2050-2/#comments</comments>
		<pubDate>Tue, 14 Sep 2010 14:49:35 +0000</pubDate>
		<dc:creator>erahmani</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Competition]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=121</guid>
		<description><![CDATA[Late 2009: the RAIA invited architectural practices, artists, engineers and theorists in Australia to stage 1 of &#8216;NOW and WHEN&#8217; , a visual speculation on the future of major cities of Australia. The intention was to produce imagery that depicted visions or predictions for Australia&#8217;s major cities. Predictions by some included water levels rising to unusually [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Cleveland Lakefront Station Competition</title>
		<link>http://esanrahmani.net/2010/cleveland-lakefront-station-competition/</link>
		<comments>http://esanrahmani.net/2010/cleveland-lakefront-station-competition/#comments</comments>
		<pubDate>Sun, 12 Sep 2010 13:50:40 +0000</pubDate>
		<dc:creator>erahmani</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Competition]]></category>
		<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://esanrahmani.net/?p=17</guid>
		<description><![CDATA[The existing architectural expressions on either side of the tracks are conflicting. On the city side the formal expression is of  Neo- Classical style while on the harbour side there are contrasting large scale modernist white buildings that formally utilise primary/platonic geometrical expression. The challenge was therefore to design a station that also bridged the two sides [...]]]></description>
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