Jimmy Eat World’s 2026 Bleed American 25th anniversary tour continues to take shape as one of the year’s most expansive alternative rock runs, with fans in NJ getting a chance to see them among the sand and surf of Asbury Park on June 25, 2026.

Earlier this year, Jimmy Eat World announced the massive international tour celebrating their landmark 2001 album Bleed American, launching June 9 at Red Rocks Amphitheatre in Denver, Colorado, and wrapping in November at Vans Warped Tour in Orlando, FL. The extensive run also marks the band’s return to the Warped Tour stage across multiple cities after a 25-year absence, alongside a handful of previously announced U.K. dates highlighted by performances in Halifax, Cardiff, and London.

At the center of the tour is a renewed focus on Bleed American, an album that helped define early-2000s alternative rock and push Jimmy Eat World into mainstream success. The record has gone platinum in the U.S. and gold in the U.K., with “The Middle” recently joining the Spotify Billion Streams Club, and its influence continues to stretch across generations of alternative, emo, and pop-rock artists.

For New Jersey fans, the June 25 stop at the Stone Pony Summer Stage stands out as one of the key Northeast shows of the summer. The Asbury Park date lands in the middle of a dense East Coast run that includes Brooklyn, New York City, Philadelphia, Boston, Bridgeport, and Nantucket, making it one of the most tightly packed regional stretches of the entire tour. The Stone Pony Summer Stage, a longtime summer hub for major alternative acts, adds another marquee name to its 2026 lineup with support from The Wonder Years and Girls Against Boys.

The East Coast routing begins June 16 at Brooklyn Paramount, followed by Pier 17 in New York City, Philadelphia’s Skyline Stage at the Mann, Boston’s MGM Music Hall at Fenway, Nantucket, and Bridgeport, before arriving in Asbury Park on June 25.

Across the tour, the band has emphasized a refreshed perspective on the album and its legacy. Drummer Zach Lind has described the run as a chance to reconnect with longtime fans, while frontman Jim Adkins said, “I feel like at this time in our lives, especially for me, it’s important to get back to a place that you can savor. This tour is designed to be an elevated version of our show, a heightened experience with production that reflects 25 years of learning how to stretch artistically in the live environment.”

Adkins added that fans can expect a full-album performance of Bleed American, along with deeper cuts and selections spanning the band’s catalog.

The tour continues across Canada, with festival appearances in Halifax and Toronto, and additional U.S. dates through the summer and fall, including Warped Tour stops in Washington D.C., Long Beach, Montréal, Mexico City, and Orlando, as well as festival appearances at Louder Than Life and Shaky Knees.

By the time Jimmy Eat World reaches Asbury Park, they will have already moved through some of the most in-demand Northeast markets of the run, positioning the Stone Pony Summer Stage show as both a regional highlight and one of the defining Jersey Shore concerts of summer 2026.

Get more information and tickets for the Asbury show and the full tour at Jimmy Eat World’s Official website.

Jimmy Eat World – 2026 Bleed American 25th Anniversary Tour Dates

Jun. 9, 2026 – Morrison, CO – Red Rocks Amphitheatre (with The Get Up Kids, Sunny Day Real Estate)

Jun. 11, 2026 – Chicago, IL – Huntington Bank Pavilion at Northerly Island (with Sunny Day Real Estate, The Get Up Kids)

Jun. 12, 2026 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill (with Sunny Day Real Estate, The Get Up Kids)

Jun. 13–14, 2026 – Washington, DC – Warped Tour Washington, D.C. 2026

Jun. 16, 2026 – Brooklyn, NY – Brooklyn Paramount (with The Get Up Kids, Hey Mercedes)

Jun. 17, 2026 – New York, NY – The Rooftop at Pier 17 (with Thrice, Girls Against Boys)

Jun. 19, 2026 – Philadelphia, PA – Skyline Stage at the Mann (with Thrice, Hey Mercedes)

Jun. 20, 2026 – Boston, MA – MGM Music Hall at Fenway (with Thrice, Girls Against Boys)

Jun. 22, 2026 – Nantucket, MA – The Muse & Pizza Joint

Jun. 24, 2026 – Bridgeport, CT – Hartford HealthCare Amphitheater (with The Wonder Years, Girls Against Boys)

Jun. 25, 2026 – Asbury Park, NJ – Stone Pony Summer Stage (with The Wonder Years, Girls Against Boys)

Jun. 27, 2026 – Halifax, NS – Halifax Music Fest 2026 (with Weezer, Dashboard Confessional, Silversun Pickups)

Jul. 3, 2026 – Calgary, AB – Spruce Meadows

Jul. 4–5, 2026 – Fort McMurray, AB – Hello Summer Festival 2026

Jul. 17, 2026 – Bend, OR – Hayden Homes Amphitheater (with Motion City Soundtrack, illuminati hotties)

Jul. 18, 2026 – Seattle, WA – WAMU Theater (with Motion City Soundtrack, illuminati hotties)

Jul. 19, 2026 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre (with Motion City Soundtrack, illuminati hotties)

Jul. 21, 2026 – Sandy, UT – Sandy Amphitheater (with Motion City Soundtrack, illuminati hotties)

Jul. 22, 2026 – Sandy, UT – Sandy Amphitheater (with Motion City Soundtrack, illuminati hotties)

Jul. 24, 2026 – Concord, CA – Toyota Pavilion at Concord (with Mom Jeans., Motion City Soundtrack, illuminati hotties)

Jul. 25–26, 2026 – Long Beach, CA – Warped Tour Long Beach 2026

Aug. 14, 2026 – Halifax, UK – The Piece Hall (with Rise Against, The Get Up Kids)

Aug. 15, 2026 – Cardiff, UK – Cardiff Castle (with Rise Against, The Get Up Kids, Jay Som)

Aug. 16, 2026 – London, UK – Crystal Palace Bowl (with Rise Against, The Get Up Kids, Jay Som)

Aug. 21–22, 2026 – Montréal, QC – Warped Tour Montreal 2026

Aug. 23, 2026 – Toronto, ON – RBC Amphitheatre (with PUP, Ratboys)

Sep. 6, 2026 – Phoenix, AZ – Chase Field (with My Chemical Romance)

Sep. 9, 2026 – Austin, TX – Moody Amphitheater (with Minus the Bear, Sparta)

Sep. 10, 2026 – Irving, TX – The Pavilion at Toyota Music Factory (with Minus the Bear, Sparta)

Sep. 12–13, 2026 – México, Mexico – Vans Warped Tour Mexico City 2026

Sep. 17–20, 2026 – Louisville, KY – Louder Than Life 2026

Sep. 19, 2026 – Atlanta, GA – Shaky Knees 2026

Nov. 12, 2026 – Nashville, TN – The Truth (with Texas Is the Reason, Teen Jesus and the Jean Teasers)

Nov. 14, 2026 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre (with Hot Mulligan, Teen Jesus and the Jean Teasers)

Nov. 14–15, 2026 – Orlando, FL – Vans Warped Tour Orlando 2026

About Jimmy Eat World

Jimmy Eat World — one of the most successful and enduring alternative-rock bands of their generation — celebrate a landmark moment in 2026: the 25th anniversary of their seminal album Bleed American. The record not only launched the Mesa, Arizona, quartet into global recognition but helped define the sound of 2000s alternative rock and the wave of emotionally driven, melodic guitar music that followed.

Originally released July 24, 2001 via DreamWorks Records, Bleed American showcased the band at a creative peak. The record produced a run of enduring hits: the explosive title track “Bleed American,” the “sing it back” stadium-bright “Sweetness,” the celebratory fan favorite “A Praise Chorus,” and the crossover smash “The Middle.” That last one hit No. 1 on Billboard’s Alternative Airplay chart, reached No. 5 on the Hot 100 during a 33-week run, earned RIAA platinum status, and in 2024 joined Spotify’s Billions Club — which may have received a slight bump after Taylor Swift lip-synced the song in a commercial for Apple Music. In 2025, “The Middle” was named one of Rolling Stone’s 250 Greatest Songs of the 21st Century So Far.

As Bleed American turns 25, its legacy can be felt in a new generation of artists—from pop-rock and mainstream alternative acts to the 2010s emo-revival scene. Bands such as Paramore, The Wonder Years, The Maine, Hot Mulligan, and countless others have cited Jimmy Eat World’s melodic clarity, emotional honesty, and guitar-driven precision as foundational to their own work. Its reach also extends to major pop and indie artists who have referenced the album’s songwriting approach and sonic balance as a blueprint for mixing intimacy with widescreen hooks.

Beyond the studio, Jimmy Eat World have become mainstays at major festivals around the world, including When We Were Young, Lollapalooza, Coachella, Reading, Leeds, Southside, and Hurricane, and have appeared on The Late Show With Stephen Colbert, Jimmy Kimmel Live!, and Saturday Night Live. Their contributions to Arizona’s music legacy were recognized in 2024 as October 17 was declared Jimmy Eat World Day in Phoenix, AZ.

The band’s most recent release, the six-song Something(s) Loud EP (2025), continued their run of heartfelt, meticulously crafted songwriting — further proof that even as they celebrate Bleed American’s 25-year legacy, Jimmy Eat World are still evolving, still resonating, and still very much in the present.

Kesha is entering one of the most exciting and transformative chapters of her career. Her latest single, “ORIGAMI!”, serves as both a celebration and a statement, embracing themes of liberation, self-love, and personal freedom while delivering the infectious energy that has made her one of pop music’s most enduring stars.

Drenched in playful double entendres and unapologetic confidence, the track showcases Kesha at her most fearless. The song arrives as part of a larger artistic rebirth, one fueled by creative independence and a renewed sense of purpose.

“ORIGAMI! is a celebration of sex, wherever and with whoever you choose to have it with,” Kesha shared. “It’s about embracing freedom and self-love that we all deserve.”

Listen to “ORIGAMI” Below

The single comes ahead of The Freedom Tour, a 25-date North American headline run promoted by Live Nation. Following the raw, rebellious energy of last year’s Tits Out Tour, Kesha’s latest live production promises to be her most powerful and personal concert experience to date.

“This summer we are reclaiming our bodies, our voices, and our joy,” Kesha says of the tour. “We have survived. Now we get to be free.”

More than just a concert series, The Freedom Tour represents a declaration of resilience, healing, and self-expression. Fans can expect a high-energy spectacle featuring career-spanning hits, dazzling visuals, emotional sing-alongs, and the kind of communal atmosphere that has become a hallmark of Kesha’s live performances.

And New Jersey fans are in for a special night. Kesha’s stop at PNC Bank Arts Center in Holmdel on Wednesday, August 19th will bring her message of empowerment and celebration to one of the state’s premier outdoor concert venues. Joining her on the road will be special guests Chromeo on all dates, with additional appearances from Sizzy Rocket, MEEK, and Erika Jayne on select stops.

Adding to an already massive summer, Kesha will also headline the 2026 SuperJam at the Bonnaroo Music & Arts Festival, titled KESHA PRESENTS: SUPERJÂM ESOTERÍCA: THE ALCHEMY OF POP, featuring an eclectic lineup of collaborators and surprise guests. She will also perform at the All Things Go Festival and Bonnaroo as part of her busy summer schedule.

Tickets for the Holmdel date are on sale now. With a catalog packed with chart-topping hits, a revitalized creative vision, and a powerful message of freedom and self-acceptance, The Freedom Tour is shaping up to be one of the summer’s must-see events.

From pop superstar to independent powerhouse, Kesha continues to evolve while inspiring fans to embrace their authentic selves. Catch her this summer in New Jersey for a night of music, liberation, and unforgettable memories.

For tickets and additional information, visit Kesha’s official website.

Upcoming Kesha Tour Dates

Sat May 23 – Chula Vista, CA – North Island Credit Union Amphitheatre †

Sun May 24 – Los Angeles, CA – Kia Forum †

Wed May 27 – Concord, CA – Toyota Pavilion at Concord †

Fri May 29 – Las Vegas, NV – MGM Grand Garden Arena †

Sat May 30 – West Valley City, UT – Utah First Credit Union Amphitheatre †

Mon Jun 1 – Morrison, CO – Red Rocks Amphitheatre †

Wed Jun 3 – Kansas City, MO – Morton Amphitheater †

Fri Jun 5 – Clarkston, MI – Pine Knob Music Theatre †

Sat June 6 – Toronto, ON – All Things Go Festival *

Mon Jun 8 – Wantagh, NY – Northwell at Jones Beach Theater †

Wed Jun 10 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek †

Sat Jun 13 – Manchester, TN – Bonnaroo SuperJam: Kesha Presents: Superjâm Esoteríca – The Alchemy of Pop *

Sun June 14 – Manchester, TN – Bonnaroo Festival *

Fri Jul 3 – Leeds, UK – Roundhay Park #

Sun Jul 5 – Margate, UK – Dreamland Festival *

Tue Jul 7 – Cork, IE – Live at the Marquee ^

Fri Jul 10 – London, UK – BST Hyde Park #

Wed Jul 15 – Quebec, QC – Festival d’Été de Québec *

Mon Aug 3 – Shakopee, MN – Mystic Lake Amphitheater ‡

Wed Aug 5 – Rogers, AR – Walmart AMP ‡

Fri Aug 7 – Dallas, TX – Dos Equis Pavilion ‡

Sun Aug 9 – Austin, TX – Germania Insurance Amphitheater ‡

Wed Aug 12 – Charlotte, NC – Truliant Amphitheater ‡

Fri Aug 14 – Bristow, VA – Jiffy Lube Live ‡

Sat Aug 15 – Hershey, PA – Hersheypark Stadium ‡

Tue Aug 18 – Saratoga Springs, NY – Albany Med Health System at SPAC §

Wed Aug 19 – Holmdel, NJ – PNC Bank Arts Center §

Fri Aug 21 – Mansfield, MA – Xfinity Center §

Sat Aug 22 – Uncasville, CT – Mohegan Sun Arena ^ §

Tue Aug 25 – Burgettstown, PA – The Pavilion at Star Lake §

Wed Aug 26 – Grand Rapids, MI – Acrisure Amphitheater §

Sat Aug 29 – Tinley Park, IL – Credit Union 1 Amphitheatre §

Sun Aug 30 – Noblesville, IN – Ruoff Music Center §

† Chromeo & Sizzy Rocket Supporting

‡ Chromeo & MEEK Supporting

§ Chromeo & Erika Jayne Supporting

^ without Chromeo

# performance with Pitbull

* Festival Appearance

About Kesha

Known for turning her live shows into ecstatic communal rituals, Kesha promises a spectacle that blends massive pop production with intimate moments of truth. Expect anthems, surreal visuals, cathartic sing-alongs, and the kind of emotional release that transforms arenas into spiritual safe places.

For a generation that has danced through heartbreak, fought for identity, and chosen joy, The Freedom Tour is a movement. Keshah has long been an advocate and voice for the outsiders, misfits, and survivors. With The Freedom Tour, she embraces it all—creating a space where fans can scream, cry, heal, and celebrate together.

Over her career, Kesha has earned 10 top 10 singles, billions of streams, two #1 albums, four #1 songs on top 40 radio and nearly 40 million followers across social media. Unapologetic and unwavering in her beliefs and message of love and unity, Kesha is a refreshing beacon of strength and self-love for survivors all around the world. Garnering a fierce and loving, diverse and socially engaged audience who passionately believe in the messages behind her music, Kesha continues to sell out shows across the world, while critics continue to champion her music. A staunch advocate for the LGBTQIA+ community and animal welfare through various organizations since the start of her career, Kesha remains one of the truest and most authentic artists around today, a true testament to her staying power and ability to lead with love and inclusion, while bringing the party everywhere she goes.

In 2025, she released “.” (Period), which marked her first new album as an independent artist, and was met by worldwide critical praise. Recent singles from this new era include “BOY CRAZY. (Ft. Jade),” “ATTENTION! (Ft. Slayyyter & Rose Gray)” and”JOYRIDE” all released via Kesha Records, where she plans to release more music later this year as an independent artist and master of her own creative endeavors.

I never had the chance to see Sublime back in the ’90s. I was about 13 when “Santeria” hit the airwaves, and almost immediately, we lost Bradley Nowell. Just as the band was stepping into the mainstream, its story was tragically cut short, leaving a void in the music world and in the hearts of fans everywhere. Somehow, I missed them when they came to the East Coast back in the day, so my experience was limited to tribute acts like Badfish or the Sublime with Rome era. Both were enjoyable, but they were not Sublime.

So when I learned that Jakob Nowell, Bradley’s son, would be leading the band alongside original members Eric Wilson and Bud Gaugh, it felt like a once-in-a-lifetime opportunity. Their tour announcement was electrifying news for fans, even though New Jersey and Philadelphia weren’t on the schedule. Brooklyn was a manageable drive that could be done for a night of music.

Originally scheduled at the Brooklyn Mirage, the show was relocated to The Great Hall after the Mirage declared bankruptcy. Industrial Brooklyn isn’t known for easy parking, and navigating the streets that evening was a challenge. Inside, lines snaked like theme park queues, and wristband-only payment systems added a small layer of stress. But once we were inside, none of that mattered. The crowd, undeterred by delays or disorganization, was buzzing with energy. Everyone was dancing, singing, and clearly thrilled to be part of the night.

The Bouncing Souls, New Jersey punk legends, kicked things off with relentless energy. Opening to the iconic strains of Simple Minds’ “Don’t You (Forget About Me)”, they launched into “Hopeless Romantic”, instantly igniting the pit. This wasn’t a brief opener—they delivered 15 full songs, moshing included. Highlights included “Kate Is Great,” “True Believers,” and their cover of “Lean on Sheena.” They closed with the sing-along favorite “Gone,” leaving fans hyped and ready for what was next.

Following them, The Interrupters brought high-energy ska-punk from Los Angeles. Their set opened with “Gave You Everything” and included “On a Turntable,” “Raised by Wolves,” “She Got Arrested,” “In the Mirror,” and “She’s Kerosene.” They engaged the crowd with playful stories, helped fans in the pit, and moved around the stage with contagious enthusiasm. The Interrupters reminded everyone that live music isn’t just about the songs—it’s about connection, energy, and fun.

Finally, around 10:40 pm, the moment everyone had been waiting for took place: Sublime. The stage was set with graffiti-style backdrops and a wrong-way street sign, evoking the band’s iconic California vibe. Before the band took the stage, a fan even brought a blow-up dalmatian, which became an entertaining focal point near the front of the crowd while the band prepared.

When the opening chords of “Garden Grove” rang out, the crowd erupted. It was the perfect opener—atmospheric, laid-back, and quintessentially Sublime. From there, the setlist became a carefully crafted journey, balancing nostalgia, high-energy punk, and reggae grooves.

High-energy punk moments included “Ebin,” “Right Back,” “New Thrash,” and “Greatest Hits.” We were entertained with reggae grooves and sing-alongs of “5446 That’s My Number / Ball and Chain,” “Smoke Two Joints,” “40oz. to Freedom,” and “April 29, 1992 (Miami).” They added in the deep cuts and covers of “STP,” “Prince of Sin (Falling Idols cover),” and “Hope (Descendents cover).” They also dazzled the crowd with their new track “Ensenada.”

The closing stretch was pure Sublime magic: “Wrong Way,” “Badfish,” “Jailhouse” (Bob Marley cover), “What I Got,” “Pool Shark”, “Waiting for My Ruca,” “Feel Like That” (Stick Figure cover), “Same in the End,” and finally “Santeria.” Jakob even jumped into the VIP crowd during the final chorus, sending waves of excitement through the audience.

The audience contained a mix of generations. Parents with children, longtime fans reliving their youth, and younger fans discovering Sublime for the first time. While there wasn’t much moshing or crowd surfing, the energy was palpable—dancing, singing, and swaying to every beat. The industrial venue might have been chaotic, but inside, it felt like a beach party transplanted into Brooklyn.

Aside from the music, the band thoroughly entertained the crowd. Jakob’s voice is strikingly reminiscent of his father’s, yet he brings his own presence and energy. He commands the stage effortlessly, moving from intimate solo moments to high-octane crowd engagement. The new material, including “Ensenada,” shows promise and remains faithful to Sublime’s sound.

Another interesting track was “Feel Like That (Stick Figure cover),” which featured old vocal tracks from Sublime recordings layered with a fresh instrumental arrangement, bridging nostalgia with innovation. It felt like a conversation between past and present, giving longtime fans a sense of familiarity while introducing a new sound.

Despite delays, logistical hiccups, and the challenges of a relocated venue, the night was unforgettable. For fans who missed the original era, this felt like a gift: a chance to see Sublime live, honoring Bradley’s legacy while embracing Jakob’s presence and energy. 

The setlist was carefully curated to take the audience on a journey—laid-back grooves, punk blasts, deep cuts, and timeless hits. For two hours, an industrial corner of Brooklyn turned into a beach party—complete with smoke, sun-soaked vibes, and songs that feel like summer bottled up in sound. 

When the lights came up after “Santeria,” the crowd was buzzing. Jakob Nowell isn’t just carrying a torch—he’s breathing new life into a legendary band, proving that Sublime’s story isn’t over. It’s evolving, and for the fans in that Brooklyn warehouse, it was nothing short of magical.

Catch Sublime on tour now. Get more information on their official website, Facebook, Instagram, TikTok, and X (formerly Twitter) pages.

Sublime Setlist

Garden Grove

The Ballad of Johnny Butt (Secret Hate cover)

Ebin

5446 That’s My Number / Ball and Chain

Right Back

New Thrash

Greatest Hits

April 29, 1992 (Miami)

House of Suffering (Bad Brains cover)

40oz. to Freedom

Smoke Two Joints (The Toyes cover)

STP

Prince of Sin (Falling Idols cover)

Ensenada

Hope (Descendents cover)

Wrong Way

Badfish

Jailhouse (Bob Marley & The Wailers cover)

What I Got

Pool Shark (Jakob Solo)

Waiting for My Ruca

Feel Like That (Stick Figure cover)

Same in the End

Santeria

Listen to the Setlist on Amazon Music

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At first glance, the lineup for The Offspring’s summer stop at PNC Bank Arts Center seemed like an unusual mix — New Found Glory, Jimmy Eat World, and The Offspring — bands from different corners of the alternative spectrum. But once the music started at exactly 7 p.m., it became clear that the glue holding them together was simple and loud: punk rock energy. All three acts brought their own shade of it, and together they made for a night that felt both nostalgic and alive in the present.

We got to the venue early — as early as the NJ summer traffic would allow — and still weren’t alone. The parking lot shared with NJ Transit’s park-and-ride was buzzing with fans tailgating from the backs of SUVs, folding chairs lined up as if it were a backyard party. After a mile-long trek to the gates, the air already felt like a gift. A week of oppressive heat had finally broken, leaving a perfect night — cool but not cold — for an outdoor amphitheater show.

After checking in at the side entrance for photo duties, I had a few minutes to wander, find my seat, and take in the pre-show hum. The crowd was filtering in, but the real surge came later.

New Found Glory opened to a half-filled venue, but the fans who were there made it clear why they’d come early. Their short set was a high-energy burst, like jumping back into a high school summer, blasting pop-punk from the car stereo. They even gave a nod to New Jersey music history with a shout-out to the long-gone Hunka Bunka Ballroom.

Jimmy Eat World followed, the crowd now twice as big. They delivered a tight, 40-minute set spanning 30 years of music, starting with “Pain” and ending with their eternally uplifting anthem “The Middle.” By the time they left, the seats and 10,500-capacity lawn were full — a sold-out sea of people ready for The Offspring.

Even before The Offspring hit the stage, the show had begun. A white blimp with their logo floated through the venue, puppeteered from below. The massive screen counted down 25 minutes with an animated skeleton, while cameras roamed the audience for “F*** You Cam” and “Booty Cam.” Perhaps The Offspring’s humorous answer to the Coldplay “Kiss Cam?” incident. In the aisles of the first section someone in a gorilla suit ran around, later reappearing on stage during the Ramones cover.

At 9:00 sharp, the lights dropped. The crowd roared. The screen flashed an 8-bit version of “The Kids Aren’t Alright” before the speakers exploded with AC/DC’s “Thunderstruck.” Without hesitation, the band tore into “Come Out and Play” — the perfect opener: a chant-along classic that pulls everyone in without blowing them out too soon.

From there, the set was a tour of their history — a 90-minute rollercoaster of nostalgia, high-speed punk, playful chaos, and heartfelt moments. Early hits like “All I Want” and “Gotta Get Away” sat alongside 2000s anthems like “Want You Bad” and newer tracks like “Looking Out for #1” and “Make It All Right.” The pacing was masterful: they’d spike the energy with “(Can’t Get My) Head Around You” or “Hammerhead”, then give just enough breathing room before the next sprint.

Mid-show brought some additional fun, humor, and heartfelt moments. They played an energy-fueled Ramones cover of “I Wanna Be Sedated,” with the gorilla from earlier running around the stage during the track. They also performed a tribute to the late Ozzy Osbourne with Noodles talking about the influence Osbourne had on his own musical journey in between riffs of Black Sabbath‘s “Sweet Leaf” and “Paranoid.” They also played a partial clip of “Crazy Train” with Dexter on vocals. Noodles also entertained the crowd with his guitar talents, playing a cover of Edvard Grieg’s “In the Hall of the Mountain King”, while Dexter took a break.

Another emotional moment came when. Dexter Holland sat at a piano for a cover of Coldplay’s “Fix You”, followed by a devastating “Gone Away”, blending the power of the 1997 original with the stripped-down 2021 version. Before playing it, Dexter asked the crowd to light up the stadium in memory of lost loved ones — and thousands of phone lights turned the amphitheater into a galaxy.

The quiet didn’t last long. One particularly electric moment came during “Bad Habit,” where the band extended the song’s signature pause, creating a charged atmosphere thick with anticipation. The crowd eagerly filled in the censored lyrics, screaming every word with unrestrained enthusiasm, turning the moment into a communal chant. That spontaneous interaction, where thousands of voices united in perfect timing, was a powerful reminder of the connection between band and fans — raw, unfiltered, and unforgettable.

The show charged into its final stretch with “Why Don’t You Get a Job?” (complete with dozens of huge beach balls bouncing through the crowd), “Pretty Fly (for a White Guy)”, and “The Kids Aren’t Alright.” The crowd sang so loudly at times that the band dropped out entirely, allowing thousands of voices to take over. It was the kind of collective skin tingling and hair-raising moment.

They left briefly, then returned for a two-song encore: “You’re Gonna Go Far, Kid” and their big hit, “Self Esteem.” Both landed like victory laps, sending the audience out into the cool night buzzing with adrenaline.

The setlist pulled from almost every era — Smash (1994) to Supercharged (2024) — and while there were personal highlights for me (“Want You Bad”, “Gotta Get Away”, “Staring at the Sun”), overall nearly every song hit hard. The Offspring’s mix of sharp playing, playful banter, and self-aware absurdity made for a show that was as fun as it was musically tight.

It wasn’t just a night of punk rock — it was a night of connection, nostalgia, and joy. Whether you were a first-time listener or someone who’s been singing along since the ’90s, the band made you feel like you belonged there, under the New Jersey stars.

Catch The Offspring now on tour. Get more information on their official website, Facebook, Instagram, TikTok, and X (formerly Twitter) pages.

The Offspring Setlist

Come Out and Play

All I Want

Want You Bad

Looking Out for #1

(Can’t Get My) Head Around You

Staring at the Sun

Original Prankster (Feat Redman)

Hammerhead

Hit That

Make It All Right

Bad Habit (Extended pause in the middle of the song)

Sweet Leaf (Black Sabbath cover) (Riff only)

Paranoid (Black Sabbath cover) (Partial)

Crazy Train (Ozzy Osbourne cover) (Partial; with band intros)

In the Hall of the Mountain King (Edvard Grieg cover)

I Wanna Be Sedated (Ramones cover)

Gotta Get Away

Drum Solo 

Fix You (with Dexter on piano)

Gone Away (with Dexter on piano; using elements of 1997 and stripped-down 2021 versions)

Why Don’t You Get a Job?

Pretty Fly (for a White Guy)

The Kids Aren’t Alright

Encore:

You’re Gonna Go Far, Kid

Self Esteem

Listen to the setlist on Amazon music

About The Offspring:

Formed in 1984 in Huntington Beach, California, The Offspring are one of punk rock’s most enduring and influential bands. Known for their blend of high-energy punk, catchy melodies, and sharp lyrics, they broke into mainstream success in the mid-1990s with their breakthrough album Smash, featuring iconic hits like “Come Out and Play” and “Self Esteem.” Over the decades, The Offspring have continued to evolve while staying true to their punk roots, delivering anthems that combine rebellious spirit with infectious hooks. Their music spans a wide range of themes — from social commentary and personal struggle to humor and nostalgia — making them favorites among multiple generations of fans worldwide. With millions of albums sold and a reputation for electrifying live shows, The Offspring remain a vital force in alternative rock and punk music.

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The band released new track earlier this year, entitled “Someone Who Can.” The song was also accompanied by a nostalgic video directed by Mason Mercer, offers a rare glimpse into Coheed’s humble beginnings in Nyack, New York. Pairing heartfelt visuals with deeply introspective lyrics, the song captures a universal truth: that growing up doesn’t always mean figuring it all out. 

As frontman Claudio Sanchez puts it, “Over time, it’s comforting to reach the conclusion that you’ll never truly have things figured out.”

The single is the latest release from Coheed’s new album, The Father of Make Believe, out now via Virgin Music Group. The album continues the band’s long-running Amory Wars saga and follows 2022’s Vaxis Act II: A Window of the Waking Mind. With earlier singles like “Blind Side Sonny” and “Searching For Tomorrow”, it’s clear the band is once again pushing their sonic and narrative boundaries.

And New Jersey fans are in for a treat — not only will they get to experience these new songs live, but they’ll do so at one of the state’s most iconic outdoor venues. Sharing the stage with emo-rock legends Taking Back Sunday and support from Foxing, this show promises an unforgettable night of anthemic sing-alongs and high-energy performances.

Tickets for the August 29th Holmdel show are on sale now. Don’t wait — with a lineup this stacked, this one’s bound to sell out.

From the comic book pages of The Amory Wars to the amphitheaters of North America, Coheed and Cambria continue to redefine what it means to be a rock band. Catch them this summer in New Jersey for a night that promises music, memory, and maybe even a little make-believe.

Upcoming Live Dates

August 16 – St. Louis, MO @ Saint Louis Music Park**

August 17 – Indianapolis, IN @ Everwise Amphitheater**

August 19 – Chicago, IL @ Huntington Bank Pavilion**

August 20 – Minneapolis, MN @ Armory**

August 22 – Detroit, MI @ Michigan Lottery Amphitheatre**

August 23 – Columbus, OH @ KEMBA Live! Outdoors**

August 24 – Toronto, ON @ Budweiser Stage**

August 26 – Baltimore, MD @ Pier Six Pavilion**

August 27 – Philadelphia, PA @ Highmark Skyline Stage**

August 29 – Holmdel, NJ @ PNC Bank Arts Center

August 30 – Boston, MA @ MGM Music Hall at Fenway**

September 2 – Charlotte, NC @ PNC Music Pavilion**

September 3 – Nashville, TN @ Ascend Amphitheater**

September 5 – Atlanta, GA @ Coca-Cola Roxy**

September 6 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre**

September 8 – Houston, TX @ 713 Music Hall**

September 9 – Austin, TX @ Moody Amphitheater**

September 10 – Dallas, TX @ Toyota Music Factory**

September 12 – Denver, CO @ Red Rocks Amphitheatre**

September 14 – Phoenix, AZ @ Arizona Financial Theatre**

September 15 – San Diego, CA @ Gallagher Square at Petco Park**

September 17 – Los Angeles, CA @ Greek Theatre**

September 18 – Berkeley, CA @ Greek Theatre**

September 20 – Portland, OR @ McMenamins Edgefield**

September 21 – Seattle, WA @ Chateau Ste. Michelle Winery**

November 8–13 – SS Neverender 2025 – Coheed Cruise from Miami to Cozumel

= co-headline with Taking Back Sunday
*= co-headline with Mastodon

About Coheed and Cambria

For over two decades, Coheed and Cambria have defied musical convention, crafting a distinctive blend of progressive rock, post-hardcore, metal, and pop influences—all woven together by an epic sci-fi narrative known as The Amory Wars. Formed in Nyack, New York, and fronted by the visionary Claudio Sanchez, the band has built an expansive universe through both music and comic books, captivating a global cult following. With critically acclaimed albums like Good Apollo, I’m Burning Star IV and Vaxis Act II, Coheed continue to expand the boundaries of concept-driven rock while maintaining an emotional core that resonates across generations. Their upcoming album The Father of Make Believe (due March 14, 2025) marks the next evolution in their storytelling legacy.

About Taking Back Sunday

Taking Back Sunday emerged from Long Island’s vibrant emo and punk scene in the early 2000s, quickly becoming one of the genre’s most influential bands. With their breakout debut Tell All Your Friends, they helped define the emotional intensity of a generation, fusing anthemic choruses with heartfelt lyrics and explosive live energy. Now consisting of founding members Adam Lazzara, John Nolan, Mark O’Connell, and Shaun Cooper, the band continues to evolve while staying true to the sound that made them a household name. Over 20 years in, Taking Back Sunday remains a vital force in alternative music, with a catalog that spans multiple gold records and an undying connection with fans around the world.

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On June 29th, a hot summer Sunday night in New Jersey, Murder by Death delivered a bittersweet, unforgettable show that proved just how beloved they are after all these years. The crowd eagerly packed into the venue, buzzing with anticipation. 

At around 8:15, the show kicked off with a creative Star Wars–style opening: words scrolled up the backdrop, screen by screen, asking the crowd if they were ready and noting this was their 1899th show to the crowd’s applause. The energy in the room surged as the band finally took the stage. Before setting off on their first song, singer Adam Turla told the crowd to get ready for some “spooky, sad music.”

The crowd was ready for both. From the opening song, “Riders”, fans were dancing and singing along, and it didn’t let up from there. The band promised to play two songs from each of their ten albums — and they delivered. The setlist was a carefully curated journey through their catalog, from the gothic Americana of their early work to newer, more experimental tracks. 

A pair of new songs off their latest record brought a sentimental vibe, especially the track “I Came Around,” which had the whole room swaying. Fans also got treated to the twangy country feel of “Natural Pearl,” and later a surreal, Spanish-flavored folk song called “No Matter Now”, which Turla explained came to him in a lucid dream — “a fucked-up weird story,” as he put it.

Some of the biggest crowd reactions came from tried-and-true fan favorites. “Until Morale Improves, the Beatings Will Continue” was a rowdy, stomping highlight early on, and “Comin’ Home” had people pulling out their phones to capture the moment. “Brother” was one of the most emotional moments of the night, its haunting melody and lyrics quieting the room. “Spring Break 1899” showcased the band’s cinematic style, building to a dramatic crescendo, while “Shiola”, which opened the encore, felt like an intimate, bittersweet farewell.

The band also threw in some deep cuts and live staples. “Lost River” and “Everything Must Rest” brought a lush, moody atmosphere, while “King of the Gutters, Prince of the Dogs”, which Turla said is his favorite to play live, hit with gritty, visceral energy. The Depeche Mode–inspired “I’m Afraid of Who’s Afraid of Virginia Woolf” and the cinematic “Pillars of Salt” kept the crowd hooked with their dramatic flair. Turla even shared a story about busking in Venice and writing one of their first songs on the canal, reminding everyone how far they’ve come.

By the end of the main set, the crowd erupted in applause and stomped their feet for an encore, the heat of the packed room no match for their excitement. Turla came back alone to thank New Jersey and give a heartfelt shout-out to Thursday, the band that took them on tour early in their career and helped put them on the map. He called it a pleasure and an honor, and the rest of the band soon joined him for two final songs.

They granted a fan request for “Pizza Party! (at Gloria Estefan’s House)”, which had the room laughing and cheering, before closing out the night with “Alas”, a raw and powerful track from their debut that left everyone buzzing with energy — a perfect capstone to a bittersweet, emotional evening.

Throughout 20 songs and a three-song encore, Murder by Death proved they can still rock hard while pulling on the heartstrings. The set pulled from every era of their career, touching on every album and reminding fans why this band has endured: they craft unforgettable stories in song, each one its little world to get lost in. On this night, the crowd didn’t seem to mind the summer heat one bit — they were too busy enjoying every minute.

For an electrifying and emotional evening, catch Murder by Death now on tour. Get more information on their official website, Facebook, Instagram, and X (formerly Twitter) pages.

More Murder by Death Photos

Check out more of our concert photos on our Facebook page.

Murder by Death Setlist

Riders

Until Morale Improves, the Beatings Will Continue

Flamenco’s Fuckin’ Easy

Brother

Lost River

Foxglove

Lose You

Everything Must Rest

Natural Pearl

Sorry

No Matter Now

Incantation

King of the Gutters, Prince of the Dogs

I’m Afraid of Who’s Afraid of Virginia Woolf

Comin’ Home

Spring Break 1899

Pillars of Salt

Last Night on Earth

Big Dark Love

I Came Around

Encore:

Shiola

Pizza Party! (at Gloria Estefan’s House) – fan request

Alas

Listen to the setlist on Amazon music

About Murder by Death:

Murder by Death is an American indie rock band from Bloomington, Indiana, formed in 2000 by Adam Turla (vocals/guitar), Sarah Balliet (cello/keys), Alexander Schrodt (drums), Vincent Edwards (keys), and Matt Armstrong (bass). Initially named Little Joe Gould, they rebranded in 2001, drawing inspiration from a 1970s murder‑mystery film—an early sign of their affinity for cinematic themes. Their sound, often described as “Americana noir,” weaves gothic country, folk, post‑rock, and punk elements, anchored by Turla’s baritone voice and Balliet’s haunting cello.

Over the years, the band has released a string of ambitious concept albums, including Who Will Survive, and What Will Be Left of Them? (2003), In Bocca al Lupo (2006), Red of Tooth and Claw (2008), Bitter Drink, Bitter Moon (2012), Big Dark Love (2015), and The Other Shore (2018). Their ninth album, Spell/Bound, arrived on July 29, 2022, backed by a highly successful Kickstarter campaign—they raised over $440,000 through preorders. The record delves into darker, spacious, and cinematic territories, blending their signature noir aesthetic with warm, country‑styled and synth‑laden tracks.

Their latest release, Egg & Dart, came out on June 13, 2025, and is being hailed as perhaps their “most sad and beautiful” album yet. The Kickstarter campaign for it shattered their own records—raising over $750,000—making it one of the top music crowdfunding projects in history. Leading up to the album, they released the singles “Wandering” (April) and “Lose You” (May).

To support it, Murder by Death has embarked on what’s being billed as their farewell tour, hitting iconic venues like The Caverns (TN), Mr. Smalls (PA), and Thalia Hall (Chicago). The run of 34 US shows, continuing into the fall, features support from notable artists like Laura Jane Grace. Fans have praised the performances as “amazing,” citing a perfect mix of deep cuts and crowd favorites at their venues.

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Get ready, Sublime fans — the legendary band is set to bring their signature SoCal punk-ska vibe to the Vegas Strip for a weekend takeover that’s destined to be unforgettable. From August 14–16, Fear, Loathing, and Sublime in Las Vegas will light up Park MGM with a three-day celebration of music, culture, and the enduring legacy of one of the most influential bands of the ‘90s.

The weekend kicks off Thursday, August 14, with a high-energy welcome party DJ’d by KROQ’s Miles the DJ, featuring special appearances from members of Sublime. That’s just the beginning. On Friday and Saturday, August 15–16, the band takes the stage at Dolby Live for two massive headlining shows — and they’re not coming alone.

Joining Sublime for this immersive experience are punk and alternative icons Pennywise, The Vandals, The Ataris, Long Beach Dub Allstars, and rising SVNBVRNT Records artists Jesse James Pariah & Zayno. It’s a stacked lineup that promises nonstop energy and all the punk rock nostalgia (and new heat) you can handle.

But this isn’t just about the concerts — it’s a full-blown Sublime experience. Fans can grab VIP packages for exclusive access to soundcheck parties, intimate acoustic sessions, and even meet-and-greets with the band. There will also be a curated Sublime memorabilia exhibit, plus guided tours of the Punk Rock Museum led by musicians from the weekend’s lineup.

Capping off the weekend on Sunday morning is a live taping of the BvrntCast Podcast, where band members will share behind-the-scenes stories, fan memories, and insight into Sublime’s evolution — all in a chill, laid-back vibe true to the band’s roots.

Presented by KROQ and powered by Monster Energy, SRH, Primitive Skateboards, Black Flys Eyewear, Long Beach Beer Lab, and Good Vibe Tribe, this Vegas takeover is tailor-made for die-hard Sublime fans and newcomers alike.

“This Vegas takeover is going to be nuts!!! I mean Sublime and Pennywise, punk shows at the Punk Rock Museum, parties every night — it’s going to be everything Sublime for this weekend, you won’t wanna miss out on this one!” said drummer Bud Gaugh.

The event also marks a major milestone in Sublime’s new chapter. Following Jakob Nowell’s game-changing debut as frontman at Coachella 2024, he and bandmates Bud Gaugh and Eric Wilson have been riding a wave of momentum — from high-profile TV appearances to their first top 10 alternative radio hit since 1997 with “Feel Like That,” which uniquely features both Bradley and Jakob Nowell on vocals.

With a new album on the horizon and a packed tour calendar for 2025, Fear, Loathing, and Sublime in Las Vegas isn’t just a weekend in Sin City — it’s a celebration of the past, present, and future of Sublime. 

Sublime is also on tour throughout 2025 — check out the full list of tour dates below and catch them live in a city near you.

For more information on Fear, Loathing, and Sublime in Las Vegas — and to purchase general admission or VIP tickets — visit Park MGM or Ticketmaster.

“Look At All The Love We Found: A Tribute to Sublime” — Out Now

Released on May 9, 2025, Look At All The Love We Found: A Tribute to Sublime celebrates the 20th anniversary of the original 2005 tribute compilation. This reworked edition features over 30 artists from across the musical spectrum, all paying homage to Sublime’s timeless influence.

Artists featured include:

• Zac Brown Band – “Wrong Way”
• Jack Johnson – “Badfish/Boss D.J.”
• Pennywise – “Same in the End”
• Michael Franti & Spearhead featuring Gift of Gab – “What I Got”
• Slightly Stoopid & Stick Figure – “Slow Ride” (produced by original Sublime producer Miguel)
• Plus, a moving final track from Jim and Jakob Nowell

Additional contributions come from The Vandals, G Love, Iration, The Wailing Souls, and many others.

The lyric video for “Slow Ride” is available now on YouTube.

https://www.youtube.com/watch?v=qyJoTA0QucM

Listen to the full album here: https://sublime.ffm.to/atributetosublime
Order CD/vinyl bundles: www.sublimelbc.store

A portion of the proceeds benefits Agape Families, an Oregon nonprofit serving families impacted by incarceration.

New Music on the Horizon

In addition to celebrating the past, Sublime is working on a new full-length album, their first featuring Jakob Nowell as lead vocalist. After making a historic live debut with the band at Coachella 2024, Jakob spent much of the past year reconnecting with Sublime’s catalog and creating new material.

The upcoming album is being produced by:

• Travis Barker
• John Feldmann
• Jon Joseph (BØRNS)

Early reports describe the sessions as emotional, powerful, and true to Sublime’s roots, with the first single expected to drop later this summer through the band’s newly launched label, Sublime Recordings.

Sublime 2025 Tour Dates

June 28 – X Games Salt Lake City – Salt Lake City, UT

July 12 – 89.7 The River’s 30th Anniversary Show – Omaha, NE

July 20 – Minnesota Yacht Club Festival – Saint Paul, MN

August 21 – The Brooklyn Mirage – New York,

August 22 – CMAC – Canandaigua, NY

August 23 – Westville Music Bowl – New Haven, CT

September 14 – Sea.Hear.Now – Asbury Park, NJ

September 19 – Shaky Knees Festival – Atlanta, GA

September 27 – Evolution Festival – St. Louis, MO

About Sublime

Sublime, the Long Beach, CA reggae-punk/alternative rock trio, was founded in 1988 by Eric Wilson, Bud Gaugh, and Bradley Nowell. They released their first self-produced album, 40oz. to Freedom, in 1992 via Skunk Records. Heavy radio exposure on Southern California’s KROQ (two years after its initial release) landed the band a deal with Gasoline Alley Records, an imprint of MCA.

1994’s Robbin’ the Hood revealed an experimental ethic more in keeping with the cut-and-paste dub than the well-tuned rage of the Cali punk revival. The album performed well at college radio and set the stage for the breakout success of their self-titled third album. On May 25, 1996, however, Bradley Nowell tragically passed away and the band collapsed, but Universal went ahead with the release of their eponymous album in July of 1996.

On the strength of the chart-topping alternative radio hit “What I Got,” the RIAA certified the album gold by the end of 1996. The undeniable radio hits “Santeria” and “Wrong Way” followed, resulting in the album selling more than 9 million copies without any live shows. This success spread to the band’s earlier albums, leading 40oz. to Freedom to double-platinum status and Robbin’ the Hood to gold. Sublime has gone on to sell over 18 million RIAA certified albums in the US. Their genre-defining contributions to music and cultural influence is stronger today than ever before.

In late December of 2023, Bradley Nowell’s son Jakob Nowell joined original Sublime members Bud Gaugh and Eric Wilson on stage for the first time to perform at a benefit concert for Bad Brains’ H.R. With an undeniable musical synergy between the three, and overwhelming reaction and support from fans across the world, they decided to move forward and continue the Sublime legacy, starting the new chapter fans had hoped would one day come. Just five months later, Sublime officially debuted their new lineup on the main stage at Coachella, garnering rave reviews from press and fans across the world, solidifying the next chapter age of Sublime with Jakob Nowell at the helm.

In May of 2024 the band released their first new song in nearly 28 years, “Feel Like That,” which peaking at #5 and earning Sublime their first top 10 hit on the alternative airplay chart since 1997. Sublime also made their late-night television debut on the Tonight Show Starring Jimmy Fallon and appeared on the Howard Stern Show. Sublime are currently managed by Regime Music Group co-founder Kevin Zinger and music industry vet/Vandals bassist Joe Escalante.

About Park MGM

Park MGM is the Las Vegas Strip’s first smoke-free resort, offering an intimate hotel experience on a grand scale. Park MGM features 2,700 guest rooms and suites in addition to NoMad Las Vegas’ 293 well-appointed guest rooms and suites on the resort’s top four floors. The resort’s robust culinary program features NoMad Library; L.A. legend Roy Choi’s Korean BBQ concept, Best Friend; Hogsalt Hospitality’s renowned Bavette’s Steakhouse; and the 40,000-square-foot vibrant Italian marketplace, Eataly, among other dining and cocktail experiences. Dolby Live, the resort’s 5,200-seat entertainment destination, is home to special engagements by Bruno Mars, Lady Gaga, Los Bukis, Mariah Carey and Maroon 5, among other top artists. Park MGM also is home to On The Record, a unique nightlife concept from LA-based Houston Hospitality. Park MGM and NoMad Las Vegas are located in the heart of The Strip, next to the entertainment and dining neighborhood created by The Park and the 20,000-seat T-Mobile Arena. Park MGM and NoMad Las Vegas are operated by MGM Resorts International (NYSE: MGM). For more information and reservations, visit ParkMGM.com, call toll-free at 888-529-4828, or find us on Instagram, Facebook, and X. 

A warm breeze swept over the PNC Bank Arts Center as the summer concert season continued in Holmdel, NJ on Wednesday, June 11th. After a day of rain, the skies cleared, leaving behind a golden evening that was a little hot—but manageable. Under stage lights, though, the heat became a presence of its own, something the performers acknowledged with good humor throughout the night. The arena was packed, a multi-generational crowd buzzing with excitement to see a dream lineup: Modern English, Soft Cell, and the legendary Simple Minds.

Modern English opened the show right on time at 7 PM, delivering a tight, 30-minute set filled with post-punk energy. They leaned into their roots with tracks like “Gathering Dust” and “Swans on Glass,” but it was their new material—like “Long in the Tooth” from their 2023 release 1 2 3 4—that showed the band still has creative fuel. Of course, it all led up to their iconic ’80s hit “I Melt With You,” which turned into a crowd-wide singalong. They gave the classic a faster medley treatment at the end, bringing to mind montages from films like Valley Girl. The audience rose in a standing ovation, already on their feet by the third song, dancing and filming the moment.

Next came Soft Cell, who took the stage with minimal set design but maximum charisma. Frontman Marc Almond was in fine form, dancing and engaging the crowd with his signature flair. Though their Pet Shop Boys collaboration “Purple Zone” made an appearance, Almond joked, “They’re not here tonight!” A standout moment came with their electric cover of The Four Seasons’ “The Night,” introduced with a story about how they’d considered covering soulful classics when they first started. Their finale was a high-octane medley of their biggest hit, “Tainted Love / Where Did Our Love Go,” featuring powerhouse backup vocals and a euphoric response from the crowd.

Then came the main event. At 9:15 PM, Simple Minds took the stage as the sky darkened and the lights blazed. They opened with the massive “Waterfront,” immediately setting the tone for a high-energy, emotionally charged performance. Jim Kerr was magnetic—dancing, joking with the crowd, even dropping into a backbend mid-song. He regularly checked in with the audience (“Are you okay?”), feeding off their energy as they sang along, waved arms, and lost themselves in the music.

Their setlist was a carefully curated journey through their career. From the shimmering optimism of “New Gold Dream (81–82–83–84)” to the funky exuberance of “Promised You a Miracle,” the band celebrated their synth-pop and stadium rock years with gusto. Fan favorites like “Someone Somewhere in Summertime” and “All the Things She Said” stood tall next to deeper cuts such as “This Fear of Gods,” a moody gem from their early experimental days, and “Oh Jungleland,” which showcased their knack for drama and atmosphere.

Instrumental interlude “Theme For Great Cities” gave the band a breather while showing off their rhythmic precision, and drummer Cherisse Osei’s powerful solo brought the audience roaring. Vocalist Sarah Brown stepped into the spotlight with a beautiful lead on “Book of Brilliant Things” and shared duets with Kerr on several tracks, adding rich harmony and soul to the performance.

As the show built toward its climax, Simple Minds delivered their most iconic anthem: “Don’t You (Forget About Me).” The 1985 Breakfast Club classic stretched into a 10-minute singalong, with Kerr leading the crowd in a cathartic, emotional release. It was a moment that felt both personal and universal—echoing decades of memories for fans who grew up with the band.

But the night wasn’t over yet. A four-song encore brought even more fire, starting with “Book of Brilliant Things,” followed by the soaring “Alive and Kicking” and the funky, infectious “Sanctify Yourself.” Finally, in a surprise twist, the band came together a cappella for a cover of Sly & the Family Stone’s “Dance to the Music.” It was a communal, joyous finale—voices raised in harmony, smiles all around—a fitting end to a night defined by connection, nostalgia, and enduring musical magic.

For an enchanting evening, catch Simple Minds now on tour. Get more information on their official website, Facebook, Instagram, TikTok, and X (formerly Twitter) pages.

Simple Minds Setlist

Waterfront

New Gold Dream (81-82-83-84)

I Wish You Were Here (Tour debut)

Let There Be Love

Once Upon a Time

This Fear of Gods

Oh Jungleland

Someone Somewhere (in Summertime)

Midnight Walking (Tour debut; first time played since 2018)

Theme For Great Cities

Drum Solo

Promised You a Miracle

All the Things She Said

See the Lights

Don’t You (Forget About Me)

Encore:

Book of Brilliant Things (sung by Sarah Brown)

Alive and Kicking

Sanctify Yourself

Dance to the Music (Sly & the Family Stone cover – whole band a cappella)

Listen to the setlist on Amazon music

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A Night of Emo Nostalgia (and More)

For fans who grew up on songs like Everything Is Alright, Hold Me Down, and This Is for Real, this is a rare chance to see Motion City Soundtrack in an intimate venue with historic energy. The band’s fusion of emotionally honest lyrics, power-pop hooks, and vintage synths has made them a defining voice in early-2000s alternative rock—and they’re sounding better than ever.

Since reuniting in 2019, Motion City Soundtrack has embraced both nostalgia and evolution. Expect a high-energy setlist that blends the band’s biggest hits with deeper cuts and fresh material. Whether you first saw them at Warped Tour or discovered them through your favorite streaming playlist, this night promises a mix of catharsis and sing-alongs.

The Venue: Stone Pony’s Legacy

Few venues carry the kind of rock ‘n’ roll cred that The Stone Pony does. Located right on the Asbury Park boardwalk, this legendary space has hosted everyone from Bruce Springsteen to Patti Smith. It’s a place where music history lives and breathes—and where the intimate stage brings you closer to the music.

Capacity is limited (around 600 people), making this show a chance to experience Motion City Soundtrack in a raw, up-close setting rarely possible on big tours.

Why Asbury Park?

Asbury Park is more than a beach town—it’s a cultural hub with deep musical roots. Coming here for a show means more than catching a set; it means soaking up the boardwalk energy, grabbing pizza or craft beer nearby, and maybe even taking a stroll along the ocean before or after the show.

And as part of the North to Shore Festival, Asbury will be alive with events, pop-ups, and performances across multiple venues and genres. Come early, explore the town, and make a day (or weekend) of it.

About the North to Shore Festival

Launched by the State of New Jersey, North to Shore is a month-long festival spanning Atlantic City, Asbury Park, and Newark, celebrating the best in local and national talent. It combines music, film, tech talks, and comedy into a uniquely Jersey blend of creativity. Motion City Soundtrack’s show is just one of dozens of performances bringing life to the Garden State this June.

Learn more about the festival lineup at northtoshore.com.

Show Details

• Date: Wednesday, June 18, 2025
• Time: Doors at 7:00 PM
• Venue: The Stone Pony, 913 Ocean Avenue, Asbury Park, NJ
• Tickets: Available via Ticketmaster and the official North to Shore website)

If you’ve ever screamed the lyrics to The Future Freaks Me Out in your bedroom or felt seen by LG FUAD, don’t miss this show. It’s more than a concert—it’s a chance to reconnect with your younger self, sing with strangers who just get it, and celebrate a band that helped define a generation.

See you in Asbury Park.

 About Motion City Soundtrack

Formed in Minneapolis in 1997, Motion City Soundtrack quickly carved out a distinct space in the pop-punk and emo scenes of the early 2000s. Known for their emotionally raw lyrics, catchy melodies, and the unmistakable hum of the Moog synthesizer, the band released six studio albums, including the fan-favorite Commit This to Memory and Even If It Kills Me.

Led by frontman Justin Pierre, MCS gained a devoted following through their relentless touring and heartfelt live shows. Though they went on hiatus in 2016, the band reunited in 2019, much to the delight of fans old and new. Their music blends vulnerability with energy—equal parts diary entry and danceable anthem.

If you’re a longtime fan or just discovering them now, their live shows are a reminder of why they became emo icons in the first place.

After years of speculation and a growing wave of pop-punk nostalgia, the Vans Warped Tour is officially back for its 30th Anniversary, and Washington, D.C., is one of just three cities chosen to host the mega-celebration.

The iconic alternative music festival will take over the nation’s capital on June 14–15, 2025, bringing a stacked lineup of punk, emo, metalcore, ska, pop, and everything in between.

This is more than a concert—it’s a cultural moment.

Event Details:

• What: Vans Warped Tour 30th Anniversary
• When: Saturday & Sunday, June 14–15, 2025
• Where: Washington, D.C. (Exact venue TBA)
• Tickets: On sale now at https://www.vanswarpedtourdc.com/

Why This Show Matters

Warped Tour hasn’t hit DC since its “farewell” run in 2018, and this two-day blowout is shaping up to be one of the most ambitious and inclusive editions yet. With over 90 bands across multiple stages, fans can expect the same chaotic, sweaty, genre-blending magic that made Warped an institution.

For longtime locals who grew up hitting Merriweather or Nissan Pavilion in the 2000s, this is a homecoming. For younger fans? It’s a rare chance to experience Warped in its full, messy, beautiful glory.

A Stacked Line Up in DC

Here is the list of artists playing in alphabetical order

3OH!3 – Electro-pop duo from Colorado known for their satirical party anthems.

408 – Pop-punk band delivering high-energy tracks with a modern twist.

All Time Low – Baltimore-based pop-punk band celebrated for catchy hooks and energetic performances.

Angel Du$t – Baltimore hardcore punk supergroup blending punk with melodic elements.

Asking Alexandria – British metalcore band known for their dynamic sound and evolving style.

Atmosphere – Minneapolis hip-hop duo recognized for introspective lyrics and storytelling.

Avril Lavigne – Canadian pop-punk icon who brought skater style to mainstream music.

Beauty School Dropout – Alternative rock band merging pop-punk with modern rock influences.

Big Ass Truck – Memphis band fusing funk, rock, and hip-hop into a unique sound.

Blessthefall – Arizona-based metalcore band known for their intense energy and melodic breakdowns.

Bowling For Soup – Texas pop-punk band famed for humorous lyrics and catchy tunes.

Boys Like Girls – Massachusetts pop-rock band blending emo and pop-punk elements.

Carpool – Emo band from Rochester, NY, delivering heartfelt lyrics and melodic riffs.

Cartel – Georgia pop-punk band recognized for their polished sound and emotive lyrics.

Chandler Leighton – Los Angeles singer-songwriter known for her powerful vocals and collaborations.

Chiodos – Post-hardcore band from Michigan celebrated for their theatrical style and complex compositions.

CLIFFDIVER – Emo band from Oklahoma blending punk energy with emotional depth.

Comeback Kid – Canadian hardcore punk band known for their aggressive sound and relentless touring.

Dance Hall Crashers – California ska-punk band famed for their upbeat rhythms and dual female vocals.

DRAIN – Santa Cruz hardcore band delivering high-octane performances and thrash influences.

Escape The Fate – Las Vegas post-hardcore band combining metal riffs with melodic choruses.

Fever 333 – Los Angeles trio merging punk, rap, and activism into explosive performances.

Fishbone – Legendary Los Angeles band blending ska, punk, funk, and soul since the 1980s.

Four Year Strong – Massachusetts band known for their blend of pop-punk and hardcore, dubbed “easycore.”

From Ashes to New – Pennsylvania band fusing nu-metal, rap, and alternative rock elements.

Games We Play – Pop-punk project delivering catchy melodies and relatable lyrics.

Gideon – Alabama metalcore band combining heavy riffs with hardcore intensity.

Gin Wigmore – New Zealand singer-songwriter known for her raspy voice and bluesy pop-rock.

Girlfriends – Pop-punk duo bringing a fresh take on early 2000s punk-pop vibes.

Hawthorne Heights – Ohio emo band remembered for their emotional lyrics and post-hardcore sound.

Heart Attack Man – Cleveland band blending punk aggression with catchy pop sensibilities.

Her Leather Jacket – Emerging band known for their edgy sound and dynamic performances.

Hidden In Plain View – New Jersey emo band from the early 2000s known for heartfelt lyrics.

Holywatr – Alternative band delivering atmospheric sounds and introspective themes.

Honey Revenge – Pop-rock band combining sugary melodies with punk energy.

I Am The Avalanche – Brooklyn punk band formed by former Movielife frontman Vinnie Caruana.

Ice Nine Kills – Boston metalcore band known for horror-themed concept albums and theatrical shows.

Jakobs Castle – Project blending surf rock, punk, and electronic elements into a unique sound.

Knuckle Puck – Chicago pop-punk band delivering emotionally charged lyrics and energetic performances.

KOYO – Long Island band merging hardcore roots with melodic punk influences.

Less Than Jake – Florida ska-punk veterans celebrated for their upbeat horns and lively shows.

Letlive. – Defunct Los Angeles post-hardcore band known for their intense live performances.

Lil Lotus – Emo-rap artist blending trap beats with punk and alternative influences.

Magnolia Park – Orlando pop-punk band infusing modern elements into classic punk sounds.

Memphis May Fire – Texas metalcore band combining heavy riffs with melodic choruses.

MGK – Cleveland artist transitioning from rap to pop-punk with chart-topping success.

Millionaire$ – Electropop project delivering danceable beats and catchy hooks.

Miss May I – Ohio metalcore band known for their aggressive sound and relentless touring.

Mod Sun – Minnesota artist blending pop-punk, hip-hop, and alternative styles.

Motion City Soundtrack – Minneapolis band combining synth-pop with emo and punk elements.

Nothing,Nowhere. – Emo-rap artist merging introspective lyrics with alternative rock influences.

Of Mice & Men – California metalcore band delivering heavy breakdowns and melodic hooks.

Origami Angel – Washington, D.C. duo known for their intricate guitar work and emo-pop sound.

Oxymorrons – New York band fusing hip-hop, rock, and punk into a genre-blending experience.

Pennywise – Southern California punk legends known for their fast-paced, politically charged songs.

People R Ugly – Los Angeles band blending alternative rock, pop-punk, and hyper-pop elements.

Point North – Los Angeles pop-rock band delivering anthemic choruses and emotional lyrics.

Rain City Drive – Post-hardcore band formerly known as Slaves, offering melodic and dynamic tracks.

Ringpop! – Up-and-coming band known for their catchy tunes and vibrant performances.

Royal & The Serpent – Los Angeles artist blending pop, rock, and electronic influences with edgy flair.

Sace6 – Emerging artist delivering a fusion of punk energy and modern soundscapes.

Saosin – Post-hardcore band from California known for their soaring vocals and intricate guitar work.

Saturdays At Your Place – Indie band offering heartfelt lyrics and melodic instrumentation.

Scary Kids Scaring Kids – Arizona post-hardcore band known for their emotive lyrics and dynamic sound.

Scene Queen – Artist blending metalcore with hyper-feminine aesthetics and themes.

Scowl – California hardcore punk band delivering raw energy and socially conscious lyrics.

Senses Fail – New Jersey post-hardcore band known for their emotional depth and aggressive sound.

Silly Goose – Band combining humor and high-energy performances in the punk scene.

Silverstein – Canadian post-hardcore band blending melodic elements with hardcore intensity.

Simple Plan – Montreal pop-punk band known for their catchy hooks and relatable lyrics.

Slaughter To Prevail – Russian deathcore band delivering brutal vocals and heavy instrumentation.

Sophie Powers – Teen artist merging pop-punk with electronic and alternative influences.

Spray Allen – Band blending psychedelic rock with alternative and grunge elements.

State Champs – New York pop-punk band delivering high-energy performances and catchy songs.

Stratejacket – Emerging band known for their dynamic sound and engaging live shows.

Streetlight Manifesto – New Jersey ska-punk band celebrated for their complex arrangements and energetic performances.

Sublime – Long Beach band fusing ska, punk, and reggae into a laid-back, iconic sound.

Sueco – Artist blending rap, rock, and pop-punk elements into a unique style.

Sweet Pill – Philadelphia emo band known for their emotive lyrics and dynamic instrumentation.

The Aquabats! – California band combining ska, punk, and superhero-themed performances.

The Dark: An enigmatic band known for their immersive live performances and genre-blending soundscapes.

The Maine: A pop-rock band from Arizona celebrated for their heartfelt lyrics and dynamic stage presence.

The Red Jumpsuit Apparatus: A post-hardcore group recognized for their emotive vocals and socially conscious themes.

The Suicide Machines: A Detroit-based ska-punk band known for their high-energy performances and political commentary.

The Wonder Years: A Philadelphia pop-punk band acclaimed for their introspective lyrics and anthemic melodies.

The Word Alive: A metalcore band from Phoenix delivering powerful vocals and intricate guitar work.

Urethane: A punk rock band featuring skateboarding legend Steve Caballero, blending classic punk vibes with modern energy.

We Came As Romans: A metalcore band from Michigan known for their blend of heavy riffs and melodic choruses, emphasizing themes of resilience.

We The Kings: A Florida-based pop-punk band famous for catchy hooks and the hit single “Check Yes Juliet.”

World’s First Cinema: A cinematic pop duo from Los Angeles combining orchestral elements with modern pop for a theatrical music experience.

Yung Gravy: A rapper blending vintage samples with humorous lyrics, creating a unique fusion of retro and modern hip-hop.

Looking Back, Looking Ahead

Like so many others, I grew up with the Warped Tour as a summer tradition—a day to sweat in the sun, discover new bands, and scream every lyric like it was therapy. I still remember my first show, clutching a crumpled paper schedule and racing between stages. In 2019, I had the chance to attend the 25th Anniversary show back in 2019, and it felt like a reunion of sorts—loud, chaotic, and filled with the kind of energy you can’t replicate anywhere else. Now, with the 30th Anniversary rolling through D.C., it’s more than nostalgia. It’s a chance to pass the torch, see some old favorites, and maybe even find the next band that changes everything.

About the Warped Tour

The Vans Warped Tour is one of the most iconic alternative music festivals in history. Founded in 1995 by Kevin Lyman, it became a launchpad for countless punk, emo, metal, and indie acts—serving as a rite of passage for fans and bands alike. Known for its traveling summer caravan of music, skate culture, and DIY ethos, Warped has hosted legends like Blink-182, Paramore, Green Day, and My Chemical Romance. After its final full tour in 2018, Warped took a step back—until now. In 2025, it returns for a special 30th Anniversary celebration, bringing the spirit of community, chaos, and catharsis to a new generation of fans.