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	<title>Esquire Classic Podcast</title>
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	<link>http://classic.esquire.com</link>
	<description>A timely and revealing update of some of the most groundbreaking narrative journalism ever published by Esquire since its founding in 1933. Presented by PRX and Esquire Magazine.</description>
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	<itunes:summary>Hosted by acclaimed journalist David Brancaccio (Marketplace and PBS&#039; NOW), this podcast dissects classic Esquire stories and reveals the cultural currents that make them as urgent and timely today as when they were first published. Guests include Esquire writers, along with noted authors, comedians, and actors who offer unique and personal perspective on some of the most lasting stories ever published. Presented by PRX and Esquire Magazine.</itunes:summary>
	<itunes:author>PRX and Esquire Magazine</itunes:author>
	<itunes:explicit>clean</itunes:explicit>
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	<itunes:owner>
		<itunes:name>PRX and Esquire Magazine</itunes:name>
		<itunes:email>EsquireClassicPodcast@gmail.com</itunes:email>
	</itunes:owner>
	<managingEditor>EsquireClassicPodcast@gmail.com (PRX and Esquire Magazine)</managingEditor>
	<copyright>&#xA9; 2015, Esquire Magaizine</copyright>
	<itunes:subtitle>A timely and revealing update of some of the most groundbreaking narrative journalism ever published by Esquire since its founding in 1933. Presented by PRX and Esquire Magazine.</itunes:subtitle>
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		<link>http://classic.esquire.com</link>
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	<itunes:category text="Arts">
		<itunes:category text="Literature"></itunes:category>
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	<item>
		<title>Don’t Mess With Roy Cohn, by Ken Auletta</title>
		<link>http://esquire.prx.org/2016/12/dont-mess-with-roy-cohn-by-ken-auletta/</link>
		<pubDate>Thu, 22 Dec 2016 11:56:05 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=251</guid>
		<comments>http://esquire.prx.org/2016/12/dont-mess-with-roy-cohn-by-ken-auletta/#respond</comments>
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		<description>If president-elect Donald Trump learned anything from his mentor Roy Cohn, it was this: punch first and never apologize. Cohn was notorious for going on the attack—as counsel for Senator Joseph McCarthy during the communist witch-hunts of the fifties, and later as a pugnacious attorney for whom the only bad publicity was no publicity. With … &lt;a href=&quot;http://esquire.prx.org/2016/12/dont-mess-with-roy-cohn-by-ken-auletta/&quot; class=&quot;more-link&quot;&gt;Continue reading &lt;span class=&quot;screen-reader-text&quot;&gt;Don’t Mess With Roy Cohn, by Ken Auletta&lt;/span&gt;&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>If president-elect Donald Trump learned anything from his mentor Roy Cohn, it was this: punch first and never apologize. Cohn was notorious for going on the attack—as counsel for Senator Joseph McCarthy during the communist witch-hunts of the fifties, and later as a pugnacious attorney for whom the only bad publicity was no publicity. With hooded eyes and a scar running along his nose, Cohn relished playing the intimidating outlaw in a black hat. He was fearless and bullying yet always considered himself as a victim. Despite this loathsome reputation, Cohn was resolutely loyal and counted among his friends Democrats and Republicans alike. More than partisanship, what mattered most to Cohn was power, as we learn in Ken Auletta’s searing 1978 profile, “Don’t Mess with Roy Cohn.” Auletta joins host David Brancaccio on the Esquire Podcast this week to discuss Cohn’s unrelenting cruelty and drive, and how it helped shape the man who will now lead the country.</p>
]]></content:encoded>
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		<itunes:subtitle>A legal executioner, he’s the toughest, meanest, vilest, and one of the most brilliant lawyers in America</itunes:subtitle>
		<itunes:summary>If president-elect Donald Trump learned anything from his mentor Roy Cohn, it was this: punch first and never apologize. Cohn was notorious for going on the attack—as counsel for Senator Joseph McCarthy during the communist witch-hunts of the fifties, and later as a pugnacious attorney for whom the only bad publicity was no publicity. With hooded eyes and a scar running along his nose, Cohn relished playing the intimidating outlaw in a black hat. He was fearless and bullying yet always considered himself as a victim. Despite this loathsome reputation, Cohn was resolutely loyal and counted among his friends Democrats and Republicans alike. More than partisanship, what mattered most to Cohn was power, as we learn in Ken Auletta’s searing 1978 profile, “Don’t Mess with Roy Cohn.” Auletta joins host David Brancaccio on the Esquire Podcast this week to discuss Cohn’s unrelenting cruelty and drive, and how it helped shape the man who will now lead the country.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>26:04</itunes:duration>
		</item>
	<item>
		<title>The Plane at the Bottom of the Ocean, by Bucky McMahon</title>
		<link>http://esquire.prx.org/2016/12/the-plane-at-the-bottom-of-the-ocean-by-bucky-mcmahon-2/</link>
		<pubDate>Tue, 13 Dec 2016 21:30:30 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=247</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>The question is astonishingly simple: In the year 2015, with GPS and satellites and global surveillance everywhere all the time, how does a massive airplane simply go missing? To find the answer, writer Bucky McMahon boarded one of the vessels searching for Malaysia Air 370 in one of the most isolated and treacherous stretches of … &lt;a href=&quot;http://esquire.prx.org/2016/12/the-plane-at-the-bottom-of-the-ocean-by-bucky-mcmahon-2/&quot; class=&quot;more-link&quot;&gt;Continue reading &lt;span class=&quot;screen-reader-text&quot;&gt;The Plane at the Bottom of the Ocean, by Bucky McMahon&lt;/span&gt;&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The question is astonishingly simple: In the year 2015, with GPS and satellites and global surveillance everywhere all the time, how does a massive airplane simply go missing? To find the answer, writer Bucky McMahon boarded one of the vessels searching for Malaysia Air 370 in one of the most isolated and treacherous stretches of ocean on the planet. In telling the story of the search crew and the massive amounts of technology, money, and human capital being spent trying to find this airplane, McMahon tells a story of our time—of a world completely dependent on nets of redundant technology, yet completely lost and broken when those nets suddenly break. McMahon joins host David Brancaccio to discuss his October 2015 story, “The Plane at the Bottom of the Ocean.”</p>
]]></content:encoded>
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		<itunes:subtitle>The search for Malaysia Air 370</itunes:subtitle>
		<itunes:summary>The question is astonishingly simple: In the year 2015, with GPS and satellites and global surveillance everywhere all the time, how does a massive airplane simply go missing? To find the answer, writer Bucky McMahon boarded one of the vessels searching for Malaysia Air 370 in one of the most isolated and treacherous stretches of ocean on the planet. In telling the story of the search crew and the massive amounts of technology, money, and human capital being spent trying to find this airplane, McMahon tells a story of our time—of a world completely dependent on nets of redundant technology, yet completely lost and broken when those nets suddenly break. McMahon joins host David Brancaccio to discuss his October 2015 story, “The Plane at the Bottom of the Ocean.”</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>26:26</itunes:duration>
		</item>
	<item>
		<title>The Price of Being President, by Richard Ben Cramer</title>
		<link>http://esquire.prx.org/2016/12/the-price-of-being-president-by-richard-ben-cramer/</link>
		<pubDate>Tue, 06 Dec 2016 16:00:44 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=244</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Published in 1992, Richard Ben Cramer’s What It Takes: The Way to the White House remains the richest and most unvarnished account of the personal price of running for president. The irony, as Cramer pointed out to C-SPAN shortly after the book came out, is that to become president a candidate must sacrifice the entire life that … &lt;a href=&quot;http://esquire.prx.org/2016/12/the-price-of-being-president-by-richard-ben-cramer/&quot; class=&quot;more-link&quot;&gt;Continue reading &lt;span class=&quot;screen-reader-text&quot;&gt;The Price of Being President, by Richard Ben Cramer&lt;/span&gt;&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>Published in 1992, Richard Ben Cramer’s <em>What It Takes: The Way to the White House</em> remains the richest and most unvarnished account of the personal price of running for president. The irony, as Cramer pointed out to C-SPAN shortly after the book came out, is that to become president a candidate must sacrifice the entire life that had prepared him or her for office in the first place. Earlier this year longtime Esquire political correspondent Charles P. Pierce joined host David Brancaccio to discuss how Cramer’s book—which was excerpted in three parts in Esquire—continues to shape how we understand presidential politics and the psyches of those with the hubris to seek the highest office.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/What-It-Takes-by-Richard-Ben-Cramer.mp3" length="23676663" type="audio/mpeg" />
		<itunes:subtitle>Richard Ben Cramer’s classic account of what it takes to be President</itunes:subtitle>
		<itunes:summary>Published in 1992, Richard Ben Cramer’s What It Takes: The Way to the White House remains the richest and most unvarnished account of the personal price of running for president. The irony, as Cramer pointed out to C-SPAN shortly after the book came out, is that to become president a candidate must sacrifice the entire life that had prepared him or her for office in the first place. Earlier this year, longtime Esquire political correspondent Charles P. Pierce joined host David Brancaccio to discuss how Cramer’s book—which was excerpted in three parts in Esquire—continues to shape how we understand presidential politics and the psyches of those with the hubris to seek the highest office.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>23:50</itunes:duration>
		</item>
	<item>
		<title>The Old Man and the River, by Pete Dexter</title>
		<link>http://esquire.prx.org/2016/11/the-old-man-and-the-river-by-pete-dexter-2/</link>
		<pubDate>Mon, 28 Nov 2016 13:03:22 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=238</guid>
		<comments>http://esquire.prx.org/2016/11/the-old-man-and-the-river-by-pete-dexter-2/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Norman Maclean published A River Runs Through It when he was seventy-three, and only after his children implored him to write down the stories about fly-fishing, brotherhood, and the wilds of Montana that he’d told them for years. The resulting novella is a classic of economy and clarity. A few years later, Pete Dexter visited Maclean in … &lt;a href=&quot;http://esquire.prx.org/2016/11/the-old-man-and-the-river-by-pete-dexter-2/&quot; class=&quot;more-link&quot;&gt;Continue reading &lt;span class=&quot;screen-reader-text&quot;&gt;The Old Man and the River, by Pete Dexter&lt;/span&gt;&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>Norman Maclean published <i>A River Runs Through It</i> when he was seventy-three, and only after his children implored him to write down the stories about fly-fishing, brotherhood, and the wilds of Montana that he’d told them for years. The resulting novella is a classic of economy and clarity. A few years later, Pete Dexter visited Maclean in Montana and profiled him for Esquire in “The Old Man and the River.” Dexter, a National Book Award winner, joins host David Brancaccio to discuss the master class he got from Maclean in what truly matters most—in writing, nature, and life.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Old-Man-and-the-River.mp3" length="22528608" type="audio/mpeg" />
		<itunes:subtitle>Norman Maclean taught Shakespeare until he was seventy, then wrote a timeless story worthy of the bard himself</itunes:subtitle>
		<itunes:summary>Norman Maclean published A River Runs Through It when he was seventy-three, and only after his children implored him to write down the stories about fly-fishing, brotherhood, and the wilds of Montana that he’d told them for years. The resulting novella is a classic of economy and clarity. A few years later, Pete Dexter visited Maclean in Montana and profiled him for Esquire in “The Old Man and the River.” Dexter, a National Book Award winner, joins host David Brancaccio to discuss the master class he got from Maclean in what truly matters most—in writing, nature, and life.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>22:39</itunes:duration>
		</item>
	<item>
		<title>The Days of Wine and Pig Hocks, by Jim Harrison</title>
		<link>http://esquire.prx.org/2016/11/the-days-of-wine-and-pig-hocks-by-jim-harrison/</link>
		<pubDate>Mon, 21 Nov 2016 12:51:11 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=235</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Jim Harrison, the novelist and poet who died earlier this year at the age of 78, had a gargantuan, fearless appetite that would make both A.J. Liebling and Anthony Bourdain proud. He wrote about food—about eating, really— in a woolly, baroque style for Esquire’s “The Raw and the Cooked” column. He began one piece with … &lt;a href=&quot;http://esquire.prx.org/2016/11/the-days-of-wine-and-pig-hocks-by-jim-harrison/&quot; class=&quot;more-link&quot;&gt;Continue reading &lt;span class=&quot;screen-reader-text&quot;&gt;The Days of Wine and Pig Hocks, by Jim Harrison&lt;/span&gt;&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>Jim Harrison, the novelist and poet who died earlier this year at the age of 78, had a gargantuan, fearless appetite that would make both A.J. Liebling and Anthony Bourdain proud. He wrote about food—about eating, really— in a woolly, baroque style for Esquire’s “The Raw and the Cooked” column. He began one piece with this Hors d’oeuvre: “Distraught, I fled north with little more than a frozen wild pig’s head in the cooler for nutrition.” Our food and drink editor Jeff Gordinier joins David Brancaccio on the podcast this holiday week to discuss “The Days of Wine and Pig Hocks,” Harrison’s discursive gonzo account of a dreary nine-city book tour salvaged only by his epicurean wanderings: eggplant pizza in New York, jalapeños stuffed with crabmeat in Jackson Mississippi, and a three-pound poached, then roasted, pig hock—the best he ever had—in Milwaukee. Never mind the Bromo, Bon appétit.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Days-of-Wine-and-PIg-Hocks-by-Jim-Harrison.mp3" length="23898919" type="audio/mpeg" />
		<itunes:subtitle>An epicurean adventure that began with a muffin satori in Minneapolis</itunes:subtitle>
		<itunes:summary>Jim Harrison, the novelist and poet who died earlier this year at the age of 78, had a gargantuan, fearless appetite that would make both A.J. Liebling and Anthony Bourdain proud. He wrote about food—about eating, really— in a woolly, baroque style for Esquire’s “The Raw and the Cooked” column. He began one piece with this Hors d’oeuvre: “Distraught, I fled north with little more than a frozen wild pig’s head in the cooler for nutrition.” Our food and drink editor Jeff Gordinier joins David Brancaccio on the podcast this holiday week to discuss “The Days of Wine and Pig Hocks,” Harrison’s discursive gonzo account of a dreary nine-city book tour salvaged only by his epicurean wanderings: eggplant pizza in New York, jalapeños stuffed with crabmeat in Jackson Mississippi, and a three-pound poached, then roasted, pig hock—the best he ever had—in Milwaukee. Never mind the Bromo, Bon appétit.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>24:08</itunes:duration>
		</item>
	<item>
		<title>Martin Luther King Jr Is Still on the Case! by Garry Wills</title>
		<link>http://esquire.prx.org/2016/11/martin-luther-king-jr-is-still-on-the-case-by-garry-wills/</link>
		<pubDate>Mon, 14 Nov 2016 13:04:27 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=230</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>12 Years a Slave screenwriter John Ridley discusses Garry Wills’s 1968 profile, “Martin Luther King Jr Is Still on the Case!”</description>
		<content:encoded><![CDATA[<p>In 1968, just hours after Martin Luther King Jr. was assassinated, the future Pulitzer Prize–winning author Garry Wills—then a young writer for Esquire—rushed to Memphis, Tennessee, where he watched as King’s body was embalmed at the mortuary; later, Wills traveled twelve hours by bus with mourners to King’s funeral in Atlanta. Nearly fifty years after its publication, Wills’s “Martin Luther King Jr.<em> <i>Is Still on the Case</i></em>!<em>” </em>remains one of the most revealing and lasting portraits of King and his turbulent era ever written. Writer and director John Ridley—who won an Oscar for his screenplay for <em>12 Years a Slave</em>—joins host David Brancaccio to discuss why Wills’s wrenching profile of King continues to resonate today, what has changed in America since it was written, and, most important, what still needs to change.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Martin-Luther-King-is-Still-on-the-Case-by-Garry-Wills.mp3" length="29841631" type="audio/mpeg" />
		<itunes:subtitle>12 Years a Slave screenwriter John Ridley discusses Garry Wills’s 1968 profile, “Martin Luther King Jr Is Still on the Case!”</itunes:subtitle>
		<itunes:summary>In 1968, just hours after Martin Luther King Jr. was assassinated, the future Pulitzer Prize–winning author Garry Wills—then a young writer for Esquire—rushed to Memphis, Tennessee, where he watched as King’s body was embalmed at the mortuary; later, Wills traveled twelve hours by bus with mourners to King’s funeral in Atlanta. Nearly fifty years after its publication, Wills’s “Martin Luther King Jr. Is Still on the Case!” remains one of the most revealing and lasting portraits of King and his turbulent era ever written. Writer and director John Ridley—who won an Oscar for his screenplay for 12 Years a Slave—joins host David Brancaccio to discuss why Wills’s wrenching profile of King continues to resonate today, what has changed in America since it was written, and, most important, what still needs to change.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>30:16</itunes:duration>
		</item>
	<item>
		<title>Love in the Time of Magic, by E. Jean Carroll</title>
		<link>http://esquire.prx.org/2016/11/love-in-the-time-of-magic-by-e-jean-carroll/</link>
		<pubDate>Mon, 07 Nov 2016 12:23:05 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=225</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>A chronicle of risk and romance on the sidelines of the NBA</description>
		<content:encoded><![CDATA[<p>On November 7, 1991, Magic Johnson held a press conference announcing that he had contracted the HIV virus, effectively ending his Hall of Fame career with the Los Angeles Lakers. The news sent shockwaves through popular culture, as well as the more narrow subculture of millionaire athletes and the woman who pursue them. Magic Johnson was not only one of the most famous men in America on the court and on TV, he was the Hugh Hefner of professional sports. If Magic could get AIDS did that mean the party was truly over? Not for the intrepid woman profiled in E. Jean Carroll’s rollicking 1992 feature, “Love in the Time of Magic.” Carroll, longtime sex columnist for Elle, joins host David Brancaccio to discuss the virtues and sorrows—and above all, the sisterhood—of the beautiful women who pursued star NBA players like hunters chasing their prey.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Love-in-the-Time-of-Magic-by-E.-Jean-Carroll.mp3" length="28941047" type="audio/mpeg" />
		<itunes:subtitle>A chronicle of risk and romance on the sidelines of the NBA</itunes:subtitle>
		<itunes:summary>&lt;br /&gt;
On November 7, 1991, Magic Johnson held a press conference announcing that he had contracted the HIV virus, effectively ending his Hall of Fame career with the Los Angeles Lakers. The news sent shockwaves through popular culture, as well as the more narrow subculture of millionaire athletes and the woman who pursue them. Magic Johnson was not only one of the most famous men in America on the court and on TV, he was the Hugh Hefner of professional sports. If Magic could get AIDS did that mean the party was truly over? Not for the intrepid woman profiled in E. Jean Carroll’s rollicking 1992 feature, “Love in the Time of Magic.” Carroll, the longtime sex columnist for Elle, joins host David Brancaccio to discuss the virtues and sorrows—and above all, the sisterhood—of the beautiful women who pursued star NBA players like hunters chasing their prey.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>29:23</itunes:duration>
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	<item>
		<title>The Tinkerings of Robert Noyce, by Tom Wolfe</title>
		<link>http://esquire.prx.org/2016/10/the-tinkerings-of-robert-noyce-by-tom-wolfe-2/</link>
		<pubDate>Mon, 31 Oct 2016 13:07:13 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=220</guid>
		<comments>http://esquire.prx.org/2016/10/the-tinkerings-of-robert-noyce-by-tom-wolfe-2/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>A meeting of two American masters: Robert Noyce and Tom Wolfe.</description>
		<content:encoded><![CDATA[<p>It was a meeting of two American masters: Robert Noyce, who, in inventing the integrated computer chip and founding Intel, willed Silicon Valley into being, and Tom Wolfe, who, in holding a magnifying glass over the social and class currents that shape America, rewrote the laws of what it meant to be a journalist. Their resulting Esquire story from 1983, “The Tinkerings of Robert Noyce,” remains one of the most revealing and entertaining portraits of early Silicon Valley and the personalities, imagination, and freewheeling moxie that triggered and continue to power the computer revolution. Kara Swisher, who spent two decades covering digital issues for <i>The Wall Street Journal</i> before cofounding the influential technology site Re/code, joins host David Brancaccio to discuss what both Noyce and Wolfe wrought, and how the influence of each—in computers and nonfiction writing, respectively—remains as powerful and mesmerizing as ever.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Tinkerings-of-Robert-Noyce-by-Tom-Wolfe.mp3" length="25444291" type="audio/mpeg" />
		<itunes:subtitle>A meeting of two American masters: Robert Noyce and Tom Wolfe.</itunes:subtitle>
		<itunes:summary>It was a meeting of two American masters: Robert Noyce, who, in inventing the integrated computer chip and founding Intel, willed Silicon Valley into being, and Tom Wolfe, who, in holding a magnifying glass over the social and class currents that shape America, rewrote the laws of what it meant to be a journalist. Their resulting Esquire story from 1983, “The Tinkerings of Robert Noyce,” remains one of the most revealing and entertaining portraits of early Silicon Valley and the personalities, imagination, and freewheeling moxie that triggered and continue to power the computer revolution. Kara Swisher, who spent two decades covering digital issues for The Wall Street Journal before cofounding the influential technology site Re/code, joins host David Brancaccio to discuss what both Noyce and Wolfe wrought, and how the influence of each—in computers and nonfiction writing, respectively—remains as powerful and mesmerizing as ever.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>25:41</itunes:duration>
		</item>
	<item>
		<title>The House That Thurman Munson Built, by Michael Paterniti</title>
		<link>http://esquire.prx.org/2016/10/the-house-that-thurman-munson-built-by-michael-paterniti/</link>
		<pubDate>Mon, 24 Oct 2016 12:43:21 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=217</guid>
		<comments>http://esquire.prx.org/2016/10/the-house-that-thurman-munson-built-by-michael-paterniti/#respond</comments>
		<wfw:commentRss>http://esquire.prx.org/2016/10/the-house-that-thurman-munson-built-by-michael-paterniti/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Trust me, he said, and the last great brawling sports team in America did. Twenty years after Thurman Munson’s death, Reggie, Catfish, Goose, Gator, the Boss—and a nation of former boys—still aren’t over it.</description>
		<content:encoded><![CDATA[<p>Reggie Jackson once called himself “the straw that stirs the drink” but there was no question that Thurman Munson was the pride of the Yankees—like Lou Gehrig before him and Derek Jeter after. For Michael Paterniti, consistently one of the most inventive and entertaining magazine writers going—Munson, the gruff All-Star catcher, was the perfect childhood hero. In his 1999 profile, “The House That Thurman Munson Built,” Paterniti recalls the devastation he felt when Munson was killed in a plane crash in August of 1979—echoes of which were felt around the game when Jose Fernandez died in a boating accident last month. Paterniti joins host David Brancaccio to discuss Munson’s relationship with an unforgiving, brutal father, a tender reversal with his own children, his combative grit on the field, and why he was adored by teammates and fans alike.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-House-that-Thurman-Munson-Built-by-Michael-Paterniti.mp3" length="26409659" type="audio/mpeg" />
		<itunes:subtitle>Trust me, he said, and the last great brawling sports team in America did. Twenty years after Thurman Munson’s death, Reggie, Catfish, Goose, Gator, the Boss—and a nation of former boys—still aren’t over it.</itunes:subtitle>
		<itunes:summary>Reggie Jackson once called himself “the straw that stirs the drink” but there was no question that Thurman Munson was the pride of the Yankees—like Lou Gehrig before him and Derek Jeter after. For Michael Paterniti, consistently one of the most inventive and entertaining magazine writers going—Munson, the gruff All-Star catcher, was the perfect childhood hero. In his 1999 profile, “The House That Thurman Munson Built,” Paterniti recalls the devastation he felt when Munson was killed in a plane crash in August of 1979—echoes of which were felt around the game when Jose Fernandez died in a boating accident last month. Paterniti joins host David Brancaccio to discuss Munson’s relationship with an unforgiving, brutal father, a tender reversal with his own children, his combative grit on the field, and why he was adored by teammates and fans alike.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>26:41</itunes:duration>
		</item>
	<item>
		<title>The Crack-Up, by F. Scott Fitzgerald</title>
		<link>http://esquire.prx.org/2016/10/the-crack-up-by-f-scott-fitzgerald/</link>
		<pubDate>Mon, 17 Oct 2016 11:19:40 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=213</guid>
		<comments>http://esquire.prx.org/2016/10/the-crack-up-by-f-scott-fitzgerald/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>F. Scott Fitzgerald&#039;s &quot;The Crack-Up,&quot; a series of essays from 1936 about his alcoholism and mental breakdown, set off a genre of confessional writing that persists and thrives today.</description>
		<content:encoded><![CDATA[<p>In 1936, F. Scott Fitzgerald, then a struggling writer battling depression and alcoholism, published “<a href="http://classic.esquire.com/the-crack-up/" target="_blank">The Crack-Up</a>,” a radical series of essays in Esquire about his mental breakdown. Celebrated poet and memoirist Nick Flynn discusses with host David Brancaccio Fitzgerald’s mindset at the time, the ridicule he faced from friends like Ernest Hemingway, and how his essays set off a genre of confessional writing that persists and thrives today.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Crack-Up-repeat.mp3" length="32568331" type="audio/mpeg" />
		<itunes:subtitle>F. Scott Fitzgerald&#039;s &quot;The Crack-Up,&quot; a series of essays from 1936 about his alcoholism and mental breakdown, set off a genre of confessional writing that persists and thrives today.</itunes:subtitle>
		<itunes:summary>In 1936, F. Scott Fitzgerald, then a struggling writer battling depression and alcoholism, published “The Crack-Up,” a radical series of essays in Esquire about his mental breakdown. Celebrated poet and memoirist Nick Flynn discusses with host David Brancaccio Fitzgerald’s mindset at the time, the ridicule he faced from friends like Ernest Hemingway, and how his essays set off a genre of confessional writing that persists and thrives today.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>33:09</itunes:duration>
		</item>
	<item>
		<title>The Brain That Changed Everything, by Luke Dittrich</title>
		<link>http://esquire.prx.org/2016/10/the-brain-that-changed-everything-by-luke-dittrich/</link>
		<pubDate>Mon, 10 Oct 2016 18:27:30 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=210</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>When a surgeon cut into Henry Molaison’s skull to treat him for epilepsy, he inadvertently created the most important brain-research subject of our time—a man who could no longer remember, who taught us everything we know about memory. Six decades later, another daring researcher is cutting into Henry’s brain. Another revolution in brain science is about to begin.</description>
		<content:encoded><![CDATA[<p>In 1953, a twenty-seven-year old factory worker named Henry Molaison, cursed with severe epilepsy, underwent a radical new version of the lobotomy that targeted the most unexplored structures of the brain. The operation was performed by Dr. William Scoville whose brilliance as a surgeon was only tempered by an adventurousness that bordered on recklessness. It did not cure Molaison’s seizures but left him profoundly amnesiac. This tragic, if revelatory, accident opened the door to our understanding of how memory works and Molaison—better known as Patient H.M—was studied for over sixty years, becoming the most important research subject the field of neurology has ever seen. In 2003, Esquire contributor Luke Dittrich—Scoville’s grandson—set out to learn more about this seminal case in his feature, “The Brain that Changed Everything.” He joins host David Brancaccio to discuss the story and how it led to his seven-year journey to write a full-length book, <em>Patient H.M.—</em>published this summer—a fascinating journey about the history of neuroscience, his grandfather’s methods, and buried family secrets.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Brain-That-Changed-the-World-by-Luke-Dittrich.mp3" length="34034106" type="audio/mpeg" />
		<itunes:subtitle>When a surgeon cut into Henry Molaison’s skull to treat him for epilepsy, he inadvertently created the most important brain-research subject of our time—a man who could no longer remember, who taught us everything we know about memory.</itunes:subtitle>
		<itunes:summary>In 1953, a twenty-seven-year old factory worker named Henry Molaison, cursed with severe epilepsy, underwent a radical new version of the lobotomy that targeted the most unexplored structures of the brain. The operation was performed by Dr. William Scoville whose brilliance as a surgeon was only tempered by an adventurousness that bordered on recklessness. It did not cure Molaison’s seizures but left him profoundly amnesiac. This tragic, if revelatory, accident opened the door to our understanding of how memory works and Molaison—better known as Patient H.M—was studied for over sixty years, becoming the most important research subject the field of neurology has ever seen. In 2003, Esquire contributor Luke Dittrich—Scoville’s grandson—set out to learn more about this seminal case in his feature, “The Brain that Changed Everything.” He joins host David Brancaccio to discuss the story and how it led to his seven-year journey to write a full-length book, Patient H.M.—published this summer—a fascinating journey about the history of neuroscience, his grandfather’s methods, and buried family secrets.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>34:41</itunes:duration>
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	<item>
		<title>“I, Stalkerazzi” and “Angelina Jolie and the Torture of Fame,” by John H. Richardson</title>
		<link>http://esquire.prx.org/2016/10/i-stalkerazzi-and-angelina-jolie-and-the-torture-of-fame-by-john-h-richardson-2/</link>
		<pubDate>Mon, 03 Oct 2016 12:05:52 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=204</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>John H. Richardson on our cultural infatuation with celebrity and the humanity that lurks on both sides of the camera lens.</description>
		<content:encoded><![CDATA[<p>It’s hard to think of a profession more maligned than the paparazzi, but in 1998 Esquire writer at large John H. Richardson decided to find out for himself what it feels like to hunt celebrities for money in <a href="http://classic.esquire.com/i-stalkerazzi/">“I, Stalkerazzi.”</a> Two years later, he learned what it was like to be the hunted when he profiled a still-rising and very vulnerable Angelina Jolie for <a href="http://classic.esquire.com/angelina-jolie/">“Angelina Jolie and the Torture of Fame.”</a> Richardson joins the Esquire Classic Podcast to discuss our cultural infatuation with celebrity and the humanity that can be found on both sides of the camera lens.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/I-Stalkerazzi-by-John-H.-Richardson-re-run.mp3" length="27339407" type="audio/mpeg" />
		<itunes:subtitle>John H. Richardson on our cultural infatuation with celebrity and the humanity that lurks on both sides of the camera lens.</itunes:subtitle>
		<itunes:summary>It’s hard to think of a profession more maligned than the paparazzi, but in 1998 Esquire writer at large John H. Richardson decided to find out for himself what it feels like to hunt celebrities for money in “I, Stalkerazzi.” Two years later, he learned what it was like to be the hunted when he profiled a still-rising and very vulnerable Angelina Jolie for “Angelina Jolie and the Torture of Fame.” Richardson joins the Esquire Classic Podcast to discuss our cultural infatuation with celebrity and the humanity that can be found on both sides of the camera lens.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>27:39</itunes:duration>
		</item>
	<item>
		<title>Nureyev Dancing In His Own Shadow, by Elizabeth Kaye</title>
		<link>http://esquire.prx.org/2016/09/nureyev-dancing-in-his-own-shadow-by-elizabeth-kaye/</link>
		<pubDate>Mon, 26 Sep 2016 14:18:20 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=198</guid>
		<comments>http://esquire.prx.org/2016/09/nureyev-dancing-in-his-own-shadow-by-elizabeth-kaye/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>At the end of a glorious career, the defiant legend takes refuge in his most cherished partner—himself.</description>
		<content:encoded><![CDATA[<p>Rudolf Nureyev was one of the most dynamic performers of the twentieth century. “He was Mick Jagger before Mick Jagger,” remembers Elizabeth Kaye, who specialized in writing in-depth profiles of men in power for Esquire in the late ‘80s and early ‘90s. Kaye spent a full year with the famously volatile dancer, who unbeknownst to the public was dying of AIDS. She joins host David Brancacchio to discuss the defiance he still showed, even at the end of a glorious career, and the sadness she found behind unceasing charm and bravado.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Nureyev-Dancing-in-His-Own-Shadow-by-Elizabeth-Kaye.mp3" length="28278716" type="audio/mpeg" />
		<itunes:subtitle>At the end of a glorious career, the defiant legend takes refuge in his most cherished partner—himself.</itunes:subtitle>
		<itunes:summary>Rudolf Nureyev was one of the most dynamic performers of the twentieth century. “He was Mick Jagger before Mick Jagger,” remembers Elizabeth Kaye, who specialized in writing in-depth profiles of men in power for Esquire in the late ‘80s and early ‘90s. Kaye spent a full year with the famously volatile dancer, who unbeknownst to the public was dying of AIDS. She joins host David Brancacchio to discuss the defiance he still showed, even at the end of a glorious career, and the sadness she found behind unceasing charm and bravado.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>28:38</itunes:duration>
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	<item>
		<title>Frank Sinatra Has a Cold, by Gay Talese</title>
		<link>http://esquire.prx.org/2016/09/frank-sinatra-has-a-cold-by-gay-talese-2/</link>
		<pubDate>Mon, 19 Sep 2016 14:11:44 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=195</guid>
		<comments>http://esquire.prx.org/2016/09/frank-sinatra-has-a-cold-by-gay-talese-2/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>And some of the most important people in some of the most important places in New York, New Jersey, Southern California and Las Vegas are suddenly developing postnasal drip</description>
		<content:encoded><![CDATA[<p>Fifty years after it was first published, <a href="http://classic.esquire.com/frank-sinatra-has-a-cold/">“Frank Sinatra Has a Cold”</a> remains the most influential and talked-about magazine story of all time. Author Gay Talese joins host David Brancaccio to discuss how this groundbreaking work of New Journalism came about, the evolution of celebrity, and why his story remains as resonant as the day it was first published.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Frank-Sinatra-Has-a-Cold-by-Gay-Talese.mp3" length="31484169" type="audio/mpeg" />
		<itunes:subtitle>And some of the most important people in some of the most important places in New York, New Jersey, Southern California and Las Vegas are suddenly developing postnasal drip</itunes:subtitle>
		<itunes:summary>Fifty years after it was first published, “Frank Sinatra Has a Cold” remains the most influential and talked-about magazine story of all time. Author Gay Talese joins host David Brancaccio to discuss how this groundbreaking work of New Journalism came about, the evolution of celebrity, and why his story remains as resonant as the day it was first published.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>31:58</itunes:duration>
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	<item>
		<title>Styron’s Choices, by Philip Caputo</title>
		<link>http://esquire.prx.org/2016/09/styrons-choices-by-philip-caputo/</link>
		<pubDate>Mon, 12 Sep 2016 12:06:15 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=191</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>The artist’s life demands solitude, sensitivity, and often a little something to get him through the night. The very same things can destroy him</description>
		<content:encoded><![CDATA[<p>When journalist Philip Caputo set out to profile William Styron in 1985, it was something of a dream assignment: Styron, then at work on the novel <em>The Way of the Warrior</em>, was one of the towering figures in American letters. The two men’s shared experience as Marines—Styron himself praised Caputo’s 1977 Vietnam memoir, <em>A Rumor of War</em>—formed a connection far stronger than their common bond as writers. But when Styron fell into a clinical depression during the reporting of the story, the nature of Caputo’s profile changed radically. Styron never completed the novel, although his 1990 meditation on depression, <em>Darkness Visible</em>, remains one of the most lucid and illuminating accounts of the illness. Caputo joins host David Brancaccio to discuss Styron’s greatness as a writer and how his struggle against depression—and his ability to articulate it in print—stands, in some regards, as his ultimate literary achievement.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/01-Styrons-Choices-by-Philip-Caputo.mp3" length="24808406" type="audio/mpeg" />
		<itunes:subtitle>The artist’s life demands solitude, sensitivity, and often a little something to get him through the night. The very same things can destroy him</itunes:subtitle>
		<itunes:summary>When journalist Philip Caputo set out to profile William Styron in 1985, it was something of a dream assignment: Styron, then at work on the novel The Way of the Warrior, was one of the towering figures in American letters. The two men’s shared experience as Marines—Styron himself praised Caputo’s 1977 Vietnam memoir, A Rumor of War—formed a connection far stronger than their common bond as writers. But when Styron fell into a clinical depression during the reporting of the story, the nature of Caputo’s profile changed radically. Styron never completed the novel, although his 1990 meditation on depression, Darkness Visible, remains one of the most lucid and illuminating accounts of the illness. Caputo joins host David Brancaccio to discuss Styron’s greatness as a writer and how his struggle against depression—and his ability to articulate it in print—stands, in some regards, as his ultimate literary achievement.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>25:01</itunes:duration>
		</item>
	<item>
		<title>The Falling Man, by Tom Junod</title>
		<link>http://esquire.prx.org/2016/09/falling-man-by-tom-junod/</link>
		<pubDate>Tue, 06 Sep 2016 12:29:28 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=185</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Do you remember this photograph?</description>
		<content:encoded><![CDATA[<p><em>Do you remember this photograph? In the United States, people have taken pains to banish it from the record of September 11, 2001. The story behind it, though, and the search for the man pictured in it, are our most intimate connection to the horror of that day.</em></p>
<p>Thus begins Tom Junod’s “<a href="http://classic.esquire.com/the-falling-man/" target="_blank">The Falling Man</a>,” which over the past fourteen years has become one of the magazine’s most-read stories of all time. It’s a story that is as enthralling and complicated today as when it was first published in 2003. Inspired by the infamous photograph of one of the people forced to jump from the World Trade Center, captured by Richard Drew on 9/11, Junod reveals why he felt it was his responsibility to bring the photo—and the anonymous falling man pictured—to light.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/01-Falling-Man-by-Tom-Junod.mp3" length="33342956" type="audio/mpeg" />
		<itunes:subtitle>Do you remember this photograph?</itunes:subtitle>
		<itunes:summary>Do you remember this photograph? In the United States, people have taken pains to banish it from the record of September 11, 2001. The story behind it, though, and the search for the man pictured in it, are our most intimate connection to the horror of that day.&lt;br /&gt;
&lt;br /&gt;
Thus begins Tom Junod’s “The Falling Man,” which over the past fourteen years has become one of the magazine’s most-read stories of all time. It’s a story that is as enthralling and complicated today as when it was first published in 2003. Inspired by the infamous photograph of one of the people forced to jump from the World Trade Center, captured by Richard Drew on 9/11, Junod reveals why he felt it was his responsibility to bring the photo—and the anonymous falling man pictured—to light.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>33:55</itunes:duration>
		</item>
	<item>
		<title>The American Male at Age Ten, by Susan Orlean</title>
		<link>http://esquire.prx.org/2016/08/the-american-male-at-age-ten-by-susan-orlean-2/</link>
		<pubDate>Mon, 29 Aug 2016 10:58:41 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=182</guid>
		<comments>http://esquire.prx.org/2016/08/the-american-male-at-age-ten-by-susan-orlean-2/#respond</comments>
		<wfw:commentRss>http://esquire.prx.org/2016/08/the-american-male-at-age-ten-by-susan-orlean-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>What it feels like to be a boy in America.</description>
		<content:encoded><![CDATA[<p>In 1992, writer Susan Orlean was sick of celebrity profiles. Instead, she wanted to do something bigger and much harder: She wanted to profile the inner life of an average American boy. After convincing her editor, Orlean spent more than a week going to fifth grade and hanging out with Colin Duffy, a ten-year-old from Glen Ridge, New Jersey. The resulting article—“The American Man at Age Ten”—stands as one of the most surprising and engaging portraits of what it’s like to be a boy in America. Orlean joins host David Brancaccio to discuss how the story came about, what it was like to shadow Colin, and how the piece continues to reverberate almost twenty-five years after it was first published.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/01-The-American-Male-at-Age-Ten-by-Susan-Orlean-repeat.mp3" length="26256183" type="audio/mpeg" />
		<itunes:subtitle>What it feels like to be a boy in America.</itunes:subtitle>
		<itunes:summary>In 1992, writer Susan Orlean was sick of celebrity profiles. Instead, she wanted to do something bigger and much harder: She wanted to profile the inner life of an average American boy. After convincing her editor, Orlean spent more than a week going to fifth grade and hanging out with Colin Duffy, a ten-year-old from Glen Ridge, New Jersey. The resulting article—“The American Man at Age Ten”—stands as one of the most surprising and engaging portraits of what it’s like to be a boy in America. Orlean joins host David Brancaccio to discuss how the story came about, what it was like to shadow Colin, and how the piece continues to reverberate almost twenty-five years after it was first published.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>26:32</itunes:duration>
		</item>
	<item>
		<title>My Father, the Bachelor, by Martha Sherrill</title>
		<link>http://esquire.prx.org/2016/08/my-father-the-bachelor-by-martha-sherrill/</link>
		<pubDate>Mon, 22 Aug 2016 11:23:41 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=176</guid>
		<comments>http://esquire.prx.org/2016/08/my-father-the-bachelor-by-martha-sherrill/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>He was a beautiful man, and someone had to liberate these women from their marriages. When he died, women grieved. Lots and lots of women.</description>
		<content:encoded><![CDATA[<p>Martha Sherrill’s father, Peter, rakish and handsome, was an irrepressible charmer and natural raconteur; when he died, she was flooded with calls from his ex-girlfriends who wanted to pay their respects and share their stories about this man who adored women. This week Sherrill joins host David Brancaccio to discuss her intimate 1999 Esquire essay, “My Father the Bachelor,” one of the most unusual and endearing tributes to fatherhood ever published.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/01-My-Father-the-Bachelor-by-Martha-Sherrill.mp3" length="28362932" type="audio/mpeg" />
		<itunes:subtitle>He was a beautiful man, and someone had to liberate these women from their marriages. When he died, women grieved. Lots and lots of women.</itunes:subtitle>
		<itunes:summary>Martha Sherrill’s father, Peter, rakish and handsome, was an irrepressible charmer and natural raconteur; when he died, she was flooded with calls from his ex-girlfriends who wanted to pay their respects and share their stories about this man who adored women. This week Sherrill joins host David Brancaccio to discuss her intimate 1999 Esquire essay, “My Father the Bachelor,” one of the most unusual and endearing tributes to fatherhood ever published.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>28:43</itunes:duration>
		</item>
	<item>
		<title>A Few Words About Breasts, by Nora Ephron</title>
		<link>http://esquire.prx.org/2016/08/a-few-words-about-breasts-by-nora-ephron/</link>
		<pubDate>Mon, 15 Aug 2016 12:20:11 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=173</guid>
		<comments>http://esquire.prx.org/2016/08/a-few-words-about-breasts-by-nora-ephron/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Shaping Up absurd.</description>
		<content:encoded><![CDATA[<p><a href="http://classic.esquire.com/a-few-words-about-breasts/">“A Few Words About Breasts,”</a> from May 1972, is Nora Ephron’s comic lament about how her late onset of puberty and earliest sexual experiences gave her a lifelong obsession with her breasts. Jessi Klein, head writer for “Inside Amy Schumer,” joins David Brancaccio to discuss Ephron’s famous Esquire story and its lasting influence on the way women perceive and voice themselves in writing and comedy.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/A-Few-Words-About-Breasts-by-Nora-Ephron-repeat.mp3" length="20836445" type="audio/mpeg" />
		<itunes:subtitle>Shaping up absurd.</itunes:subtitle>
		<itunes:summary>“A Few Words About Breasts,” from May 1972, is Nora Ephron’s comic lament about how her late onset of puberty and earliest sexual experiences gave her a lifelong obsession with her breasts. Jessi Klein, head writer for “Inside Amy Schumer,” joins David Brancaccio to discuss Ephron’s famous Esquire story and its lasting influence on the way women perceive and voice themselves in writing and comedy.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>41:46</itunes:duration>
		</item>
	<item>
		<title>Edwin Moses, by Mark Kram</title>
		<link>http://esquire.prx.org/2016/08/edwin-moses-by-mark-kram/</link>
		<pubDate>Mon, 08 Aug 2016 12:46:54 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=169</guid>
		<comments>http://esquire.prx.org/2016/08/edwin-moses-by-mark-kram/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>A Hurdler in Inner Space.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">Between 1977 and 1987, Edwin Moses won 122 consecutive races in the men’s 400-meter hurdles—including his second Olympic gold—in a streak as fantastic and improbable as Joe DiMaggio’s fifty-six-game hitting streak. In his 1987 interview with Moses, Mark Kram, known for writing penetrating and lyrical boxing profiles, probes the champ’s cool, implacable exterior to discover what kind of person can sustain such excellence—and to measure the toll it took. With the Summer Olympics now under way in Rio, Sports Illustrated veteran Tim Layden joins host David Brancaccio to shed further insight on Moses, an enigmatic star who helped usher in the professionalization of what was previously an amateur sport, and who left a record that remains peerless.</span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Edwin-Moses-by-Mark-Kram.mp3" length="13033723" type="audio/mpeg" />
		<itunes:subtitle>A Hurdler in Inner Space.</itunes:subtitle>
		<itunes:summary>Between 1977 and 1987, Edwin Moses won 122 consecutive races in the men’s 400-meter hurdles—including his second Olympic gold—in a streak as fantastic and improbable as Joe DiMaggio’s fifty-six-game hitting streak. In his 1987 interview with Moses, Mark Kram, known for writing penetrating and lyrical boxing profiles, probes the champ’s cool, implacable exterior to discover what kind of person can sustain such excellence—and to measure the toll it took. With the Summer Olympics now under way in Rio, Sports Illustrated veteran Tim Layden joins host David Brancaccio to shed further insight on Moses, an enigmatic star who helped usher in the professionalization of what was previously an amateur sport, and who left a record that remains peerless.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>25:37</itunes:duration>
		</item>
	<item>
		<title>What It Takes, by Richard Ben Cramer</title>
		<link>http://esquire.prx.org/2016/08/what-it-takes-by-richard-ben-cramer/</link>
		<pubDate>Mon, 01 Aug 2016 11:56:09 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=165</guid>
		<comments>http://esquire.prx.org/2016/08/what-it-takes-by-richard-ben-cramer/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>What It Takes is the most comprehensive account ever written about the personal price of running for president.</description>
		<content:encoded><![CDATA[<p>Published in 1992, Richard Ben Cramer’s book <i>What It Takes </i>remains the richest and most detailed account of the personal price of running for president. The irony, as Cramer pointed out to C-SPANN when the book was first published, is that to become president a candidate must sacrifice the entire life that prepared him or her for office in the first place. Longtime Esquire political correspondent Charles P. Pierce joins host David Brancaccio to discuss how Cramer’s book—which was excerpted in three parts in Esquire in the 1990s—continues to shape how we understand presidential politics today and the psyches of those with the hubris to seek the highest office.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/01-What-It-Takes_re-run.mp3" length="24549847" type="audio/mpeg" />
		<itunes:subtitle>What It Takes is the most comprehensive account ever written about the personal price of running for president.</itunes:subtitle>
		<itunes:summary>Published in 1991, Richard Ben Cramer’s book What It Takes remains the richest and most detailed account of the personal price of running for president. The irony, as Cramer pointed out to C-SPANN when the book was first published, is that to become president a candidate must sacrifice the entire life that prepared him or her for office in the first place. Longtime Esquire political correspondent Charles P. Pierce joins host David Brancaccio to discuss how Cramer’s book—which was excerpted in three parts in Esquire in the 1990s—continues to shape how we understand presidential politics today and the psyches of those with the hubris to seek the highest office.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>24:48</itunes:duration>
		</item>
	<item>
		<title>My Father’s Life, by Raymond Carver</title>
		<link>http://esquire.prx.org/2016/07/my-fathers-life-by-raymond-carver/</link>
		<pubDate>Mon, 25 Jul 2016 11:06:32 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=161</guid>
		<comments>http://esquire.prx.org/2016/07/my-fathers-life-by-raymond-carver/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>When he looks back at his father, he sees a dim figure losing its substance to sickness, and when the past is a cipher, there is no redeeming the present. There is only living it.</description>
		<content:encoded><![CDATA[<p>In Raymond Carver’s masterful short stories, what goes unspoken between characters—what can’t or won’t be articulated—carries more weight than what they say. In the 1984 essay “My Father’s Life,” Carver turns his unforgiving eye on his own life, and with heartbreaking frankness he examines the seemingly unbridgeable gap between him and his own father. The novelist Jay McInerney, who studied under Carver at Syracuse in the early eighties, joins host David Brancaccio to talk about his mentor’s approach to writing and teaching, and how there were things left unsaid between Carver and his father that would haunt both men all their lives.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/My-Fathers-Life-by-Raymond-Carver.mp3" length="13505366" type="audio/mpeg" />
		<itunes:subtitle>When he looks back at his father, he sees a dim figure losing its substance to sickness, and when the past is a cipher, there is no redeeming the present. There is only living it.</itunes:subtitle>
		<itunes:summary>In Raymond Carver’s masterful short stories, what goes unspoken between characters—what can’t or won’t be articulated—carries more weight than what they say. In the 1984 essay “My Father’s Life,” Carver turns his unforgiving eye on his own life, and with heartbreaking frankness he examines the seemingly unbridgeable gap between him and his own father. The novelist Jay McInerney, who studied under Carver at Syracuse in the early eighties, joins host David Brancaccio to talk about his mentor’s approach to writing and teaching, and how there were things left unsaid between Carver and his father that would haunt both men all their lives.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>26:36</itunes:duration>
		</item>
	<item>
		<title>Superman Comes to the Supermarket, by Norman Mailer</title>
		<link>http://esquire.prx.org/2016/07/superman-comes-to-the-supermarket-by-norman-mailer-2/</link>
		<pubDate>Mon, 18 Jul 2016 11:12:35 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=156</guid>
		<comments>http://esquire.prx.org/2016/07/superman-comes-to-the-supermarket-by-norman-mailer-2/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>It’s convention time, an ideal moment to revisit Norman Mailer&#039;s legendary 1960 reported essay, “Superman Comes to the Supermarket,” about JFK and the Democratic political convention.</description>
		<content:encoded><![CDATA[<p>Before anyone foresaw a time when a television celebrity could become president—<em>hello, Cleveland</em>—Norman Mailer wrote in Esquire that John F. Kennedy was a mythical hero who could finally unite the business of politics with the business of stardom. His legendary 1960 reported essay, “Superman Comes to the Supermart,” about J.F.K. and the Democratic political convention, changed the rules for how we understand our political candidates as brands, and how we’re allowed to write about them. Mailer archivist and biographer J. Michael Lennon joins host David Brancaccio to discuss Mailer’s legacy, what his essay wrought, and how it continues to ripple through our political culture and be proven prescient again and again.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Superman-Comes-to-the-Supermarket-by-Norman-Mailer.mp3" length="12839266" type="audio/mpeg" />
		<itunes:subtitle>It’s convention time, an ideal moment to revisit Norman Mailer&#039;s legendary 1960 reported essay, “Superman Comes to the Supermarket,” about JFK and the Democratic political convention.</itunes:subtitle>
		<itunes:summary>Before anyone foresaw a time when a television celebrity could become president—hello, Cleveland—Norman Mailer wrote in Esquire that John F. Kennedy was a mythical hero who could finally unite the business of politics with the business of stardom. His legendary 1960 reported essay, “Superman Comes to the Supermart,” about J.F.K. and the Democratic political convention, changed the rules for how we understand our political candidates as brands, and how we’re allowed to write about them. Mailer archivist and biographer J. Michael Lennon joins host David Brancaccio to discuss Mailer’s legacy, what his essay wrought, and how it continues to ripple through our political culture and be proven prescient again and again.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>25:13</itunes:duration>
		</item>
	<item>
		<title>America’s Most Powerful Lunch, by Lee Eisenberg</title>
		<link>http://esquire.prx.org/2016/07/americas-most-powerful-lunch-by-lee-eisenberg/</link>
		<pubDate>Mon, 11 Jul 2016 13:29:09 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=153</guid>
		<comments>http://esquire.prx.org/2016/07/americas-most-powerful-lunch-by-lee-eisenberg/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>The closing of the Four Seasons, home of the “power lunch.”</description>
		<content:encoded><![CDATA[<p>For two decades, the Four Seasons was the epicenter of culture in America. Jackie Onassis, Henry Kissinger, and Nora Ephron were just some of the regulars at the New York City restaurant, but the real stars were the creative power brokers in publishing, fashion, architecture, and advertising who convened in the massive, elegant bar room to make the decisions about what books we read, wine we drank, and clothes we wore. In his 1979 feature on the Four Seasons, former Esquire editor in chief Lee Eisenberg coined the phrase “power lunch”—to the everlasting envy of food critics. One such critic, the acclaimed Alan Richman, joins podcast host David Brancaccio this week to discuss the closing of what Richman considers the greatest restaurant in American history, what made it unique, and why it belonged to a vanishing world.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Americas-Most-Powerful-Lunch-by-Lee-Eisenberg.mp3" length="11385667" type="audio/mpeg" />
		<itunes:subtitle>The closing of the Four Seasons, home of the “power lunch.”</itunes:subtitle>
		<itunes:summary>For two decades, the Four Seasons was the epicenter of culture in America. Jackie Onassis, Henry Kissinger, and Nora Ephron were just some of the regulars at the New York City restaurant, but the real stars were the creative power brokers in publishing, fashion, architecture, and advertising who convened in the massive, elegant bar room to make the decisions about what books we read, wine we drank, and clothes we wore. In his 1979 feature on the Four Seasons, former Esquire editor in chief Lee Eisenberg coined the phrase “power lunch”—to the everlasting envy of food critics. One such critic, the acclaimed Alan Richman, joins podcast host David Brancaccio this week to discuss the closing of what Richman considers the greatest restaurant in American history, what made it unique, and why it belonged to a vanishing world.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>22:11</itunes:duration>
		</item>
	<item>
		<title>Michael Bay, by Jeanne Marie Laskas</title>
		<link>http://esquire.prx.org/2016/06/michael-bay-by-jeanne-marie-laskas/</link>
		<pubDate>Mon, 27 Jun 2016 11:49:41 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=149</guid>
		<comments>http://esquire.prx.org/2016/06/michael-bay-by-jeanne-marie-laskas/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Do you smell that? That’s another Michael Bay movie burning up the box office. And if that bothers you, if you think he’s just another schlockmeister with fancy cars and testosterone problems, all he can say is, shame on you. Shame on you!</description>
		<content:encoded><![CDATA[<p>In 2001, director Michael Bay was one of Hollywood&#8217;s most successful commercial filmmakers when he took on the daunting task of directing an epic about Pearl Harbor. How would his testosterone-laden, explosive-style adapt to a serious subject? (Hint: the critics hated it but the movie made $450 million at the box office.) Jeanne Marie Laskas joins host David Brancaccio this week to discuss her sympathetic but piercing—and often hilarious—profile of Bay, who rages at his critics, complains about his agents and studio executives, and attempts, often unsuccessfully, to conduct life at the top without becoming a total&#8230;jerk.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Life-of-Michael-Bay-by-Jeanne-Marie-Laskas-2.mp3" length="10371765" type="audio/mpeg" />
		<itunes:subtitle>Do you smell that? That’s another Michael Bay movie burning up the box office. And if that bothers you, if you think he’s just another schlockmeister with fancy cars and testosterone problems, all he can say is, shame on you!</itunes:subtitle>
		<itunes:summary>In 2001, director Michael Bay was one of Hollywood&#039;s most successful commercial filmmakers when he took on the daunting task of directing an epic about Pearl Harbor. How would his testosterone-laden, explosive-style adapt to a serious subject? (Hint: the critics hated it but the movie made $450 million at the box office.) Jeanne Marie Laskas joins host David Brancaccio this week to discuss her sympathetic but piercing—and often hilarious—profile of Bay, who rages at his critics, complains about his agents and studio executives, and attempts, often unsuccessfully, to conduct life at the top without becoming a total...jerk.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>20:04</itunes:duration>
		</item>
	<item>
		<title>The Old Man and the River, by Pete Dexter</title>
		<link>http://esquire.prx.org/2016/06/the-old-man-and-the-river-by-pete-dexter/</link>
		<pubDate>Mon, 13 Jun 2016 11:42:15 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=145</guid>
		<comments>http://esquire.prx.org/2016/06/the-old-man-and-the-river-by-pete-dexter/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Norman Maclean taught Shakespeare until he was seventy, then wrote a timeless story worthy of the bard himself.</description>
		<content:encoded><![CDATA[<p>Norman Maclean published <i>A River Runs Through It</i> when he was seventy-three, and only after his children implored him to write down the stories about fly-fishing, brotherhood, and the wilds of Montana that he’d told them for years. The resulting novella—published forty years ago last month—is a classic of economy and clarity. A few years later, Pete Dexter visited Maclean in Montana and profiled him for Esquire in “The Old Man and the River.” Dexter, a National Book Award winner, joins host David Brancaccio to discuss the master class he got from Maclean in what truly matters most—in writing, nature, and life.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Old-Man-and-the-River-by-Norman-Maclean.mp3" length="11753821" type="audio/mpeg" />
		<itunes:subtitle>Norman Maclean taught Shakespeare until he was seventy, then wrote a timeless story worthy of the bard himself.</itunes:subtitle>
		<itunes:summary>Norman Maclean published A River Runs Through It when he was seventy-three, and only after his children implored him to write down the stories about fly-fishing, brotherhood, and the wilds of Montana that he’d told them for years. The resulting novella—published forty years ago last month—is a classic of economy and clarity. A few years later, Pete Dexter visited Maclean in Montana and profiled him for Esquire in “The Old Man and the River.” Dexter, a National Book Award winner, joins host David Brancaccio to discuss the master class he got from Maclean in what truly matters most—in writing, nature, and life.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>22:50</itunes:duration>
		</item>
	<item>
		<title>“I, Stalkerazzi” and “Angelina Jolie and the Torture of Fame,” by John H. Richardson</title>
		<link>http://esquire.prx.org/2016/05/i-stalkerazzi-and-angelina-jolie-and-the-torture-of-fame-by-john-h-richardson/</link>
		<pubDate>Tue, 31 May 2016 15:37:23 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=140</guid>
		<comments>http://esquire.prx.org/2016/05/i-stalkerazzi-and-angelina-jolie-and-the-torture-of-fame-by-john-h-richardson/#respond</comments>
		<wfw:commentRss>http://esquire.prx.org/2016/05/i-stalkerazzi-and-angelina-jolie-and-the-torture-of-fame-by-john-h-richardson/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>John H. Richardson on our cultural infatuation with celebrity and the humanity that lurks on both sides of the camera lens.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">It’s hard to find a profession more maligned than the paparazzi, but in 1998 Esquire writer at large John H. Richardson decided to find out for himself what it feels like to hunt celebrities for money in “I, Stalkerazzi.” Two years later, Richardson found out what it was like to be the hunted when he profiled a then still-rising and very vulnerable Angelina Jolie for “Angelina Jolie and the Torture of Fame.&#8221; Richardson joins the Esquire Classic Podcast this week to discuss our cultural infatuation with celebrity and the humanity that lurks on both sides of the camera lens.</span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/I-Stalkerazzi-by-John-H.-Richardson.mp3" length="13884942" type="audio/mpeg" />
		<itunes:subtitle>John H. Richardson on our cultural infatuation with celebrity and the humanity that lurks on both sides of the camera lens.</itunes:subtitle>
		<itunes:summary>It’s hard to find a profession more maligned than the paparazzi, but in 1998 Esquire writer at large John H. Richardson decided to find out for himself what it feels like to hunt celebrities for money in “I, Stalkerazi.” Two years later, Richardson found out what it was like to be the hunted when he profiled a then still-rising and very vulnerable Angelina Jolie for “Angelina Jolie and the Torture of Fame.&quot; Richardson joins the Esquire Classic Podcast this week to discuss our cultural infatuation with celebrity and the humanity that lurks on both sides of the camera lens.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>27:24</itunes:duration>
		</item>
	<item>
		<title>The Shooter, by Phil Bronstein</title>
		<link>http://esquire.prx.org/2016/05/the-shooter-by-phil-bronstein/</link>
		<pubDate>Mon, 16 May 2016 11:47:58 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=134</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>The man who shot and killed Osama bin Laden tells his story for the first time.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">In March 2013, the man who shot and killed Osama bin Laden came forward to tell his story for the first time in “The Shooter,” by Phil Bronstein. It is a report of the celebrated mission by turns captivating, astonishing, and visceral, but also heart-breaking: The shooter decided to break his silence because, now a civilian, he feared for the safety of his family, was concerned about a life without a safety net, and he wanted to shine a light on a little-known and worrisome aspect of Special Forces service. Bronstein, the executive chair of the Center for Investigative Reporting, joins host David Brancaccio to discuss why the shooter decided to finally emerge and what he’s doing now. </span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Shooter-by-Phil-Bronstein.mp3" length="12151657" type="audio/mpeg" />
		<itunes:subtitle>The Shooter, by Phil Bronstein</itunes:subtitle>
		<itunes:summary>In March 2013, the man who shot and killed Osama bin Laden came forward to tell his story for the first time in “The Shooter,” by Phil Bronstein. It is a report of the celebrated mission by turns captivating, astonishing, and visceral, but also heart-breaking: The shooter decided to break his silence because, now a civilian, he feared for the safety of his family, was concerned about a life without a safety net, and he wanted to shine a light on a little-known and worrisome aspect of Special Forces service. Bronstein, the executive chair of the Center for Investigative Reporting, joins host David Brancaccio to discuss why the shooter decided to finally emerge and what he’s doing now.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>23:47</itunes:duration>
		</item>
	<item>
		<title>The Plane at the Bottom of the Ocean, by Bucky McMahon</title>
		<link>http://esquire.prx.org/2016/05/the-plane-at-the-bottom-of-the-ocean-by-bucky-mcmahon/</link>
		<pubDate>Mon, 02 May 2016 12:55:23 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=129</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>In the year 2015, with GPS and satellites and global surveillance everywhere all the time, how does a massive airplane simply go missing?</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">The question is astonishingly simple: In the year 2015, with GPS and satellites and global surveillance everywhere all the time, how does a massive airplane simply go missing? To find the answer, writer Bucky McMahon boarded one of the vessels searching for Malaysia Air 370 in one of the most isolated and treacherous stretches of ocean on the planet. In telling the story of the search crew and the massive amounts of technology, money, and human capital being spent trying to find this airplane, McMahon tells a story of our time—of a world completely dependent on nets of redundant technology, yet completely lost and broken when those nets suddenly break. McMahon joins host David Brancaccio to discuss his October 2015 story, &#8220;The Plane at the Bottom of the Ocean.&#8221;</span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-Plane-on-the-Bottom-of-the-Ocean-by-Bucky-McMahon.mp3" length="13484990" type="audio/mpeg" />
		<itunes:subtitle>In the year 2015, with GPS and satellites and global surveillance everywhere all the time, how does a massive airplane simply go missing?</itunes:subtitle>
		<itunes:summary>The question is astonishingly simple: In the year 2015, with GPS and satellites and global surveillance everywhere all the time, how does a massive airplane simply go missing? To find the answer, writer Bucky McMahon boarded one of the vessels searching for Malaysia Air 370 in one of the most isolated and treacherous stretches of ocean on the planet. In telling the story of the search crew and the massive amounts of technology, money, and human capital being spent trying to find this airplane, McMahon tells a story of our time—of a world completely dependent on nets of redundant technology, yet completely lost and broken when those nets suddenly break. McMahon joins host David Brancaccio to discuss his October 2015 story, &quot;The Plane at the Bottom of the Ocean.&quot;</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>26:27</itunes:duration>
		</item>
	<item>
		<title>What Do You Think of Ted Williams Now? by Richard Ben Cramer</title>
		<link>http://esquire.prx.org/2016/04/what-do-you-think-of-ted-williams-now-by-richard-ben-cramer/</link>
		<pubDate>Mon, 18 Apr 2016 11:37:29 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=122</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>The furious saga of Teddy Ballgame.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">Richard Ben Cramer’s masterful profile of Ted Williams from 1986 is often cited as one of the greatest magazine stories of all time. It’s about a sports idol who wanted fame but hated celebrity, who shouted louder than anyone but demanded privacy, who wanted to be the best at everything, always, and thus wanted to be immortal. Former <i>Esquire</i> editor David Hirshey joins host David Brancaccio to discuss the enigmatic and bigger-than-life Teddy Ballgame and the journalist who finally uncovered his essence. </span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/What-Do-You-Think-of-Ted-Williams-Now_-by-Richard-Ben-Cramer.mp3" length="14003891" type="audio/mpeg" />
		<itunes:subtitle>The furious saga of Teddy Ballgame.</itunes:subtitle>
		<itunes:summary>Richard Ben Cramer’s masterful profile of Ted Williams from 1986 is often cited as one of the greatest magazine stories of all time. It’s about a sports idol who wanted fame but hated celebrity, who shouted louder than anyone but demanded privacy, who wanted to be the best at everything, always, and thus wanted to be immortal. Former Esquire editor David Hirshey joins host David Brancaccio to discuss the enigmatic and bigger-than-life Teddy Ballgame and the journalist who finally uncovered his essence.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>27:32</itunes:duration>
		</item>
	<item>
		<title>Old, by Mike Sager</title>
		<link>http://esquire.prx.org/2016/04/old-by-mike-sager/</link>
		<pubDate>Mon, 04 Apr 2016 12:41:51 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=118</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Boy oh boy oh boy, Sanberg. You’re 92. And you’ve been old longer than you’ve been anything else.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">We will all get old one day. Mike Sager’s astonishingly intimate portrait of Glenn Sandberg, age ninety-two, is about what it actually feels like to be close to the end. It’s a story about mortality and love and companionship and the things in life that are most important—and how those things we once held as so important fall away. Longtime Esquire writer at large Mike Sager joins host David Brancaccio to discuss how and why he wrote “Old,” which was published in 1998, and how the story continues to ripple and shape his own views on work, death, and what matters most.</span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Old-by-Mike-Sager.mp3" length="14807826" type="audio/mpeg" />
		<itunes:subtitle>Boy oh boy oh boy, Sanberg. You’re 92. And you’ve been old longer than you’ve been anything else.</itunes:subtitle>
		<itunes:summary>We will all get old one day. Mike Sager’s astonishingly intimate portrait of Glenn Sandberg, age ninety-two, is about what it actually feels like to be close to the end. It’s a story about mortality and love and companionship and the things in life that are most important—and how those things we once held as so important fall away. Longtime Esquire writer at large Mike Sager joins host David Brancaccio to discuss how and why he wrote “Old,” which was published in 1998, and how the story continues to ripple and shape his own views on work, death, and what matters most.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>29:12</itunes:duration>
		</item>
	<item>
		<title>The String Theory, by David Foster Wallace</title>
		<link>http://esquire.prx.org/2016/03/the-string-theory-by-david-foster-wallace/</link>
		<pubDate>Mon, 21 Mar 2016 12:22:40 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=113</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>What happens when all of a man’s intelligence and athleticism is focused on placing a fuzzy yellow ball where his opponent is not? An obsessive inquiry into the physics and metaphysics of tennis.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">David Foster Wallace’s unforgettable portrait of tennis player Michael Joyce is as much about the intricate physics of hitting a fuzzy yellow ball, as it is about the physical and emotional sacrifices it takes to be the best in the world at something—and how often even the greatest, most gifted, most hardworking among us are still miles away from perfection. Esquire editor in chief David Granger joins host David Brancaccio to discuss David Foster Wallace and why his 1996 story “The String Theory” remains one of the most exciting, salient, and honest stories about the game of tennis ever written. </span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/The-String-Theory-by-David-Foster-Wallace.mp3" length="14783807" type="audio/mpeg" />
		<itunes:subtitle>What happens when all of a man’s intelligence and athleticism is focused on placing a fuzzy yellow ball where his opponent is not?</itunes:subtitle>
		<itunes:summary>David Foster Wallace’s unforgettable portrait of tennis player Michael Joyce is as much about the intricate physics of hitting a fuzzy yellow ball, as it is about the physical and emotional sacrifices it takes to be the best in the world at something—and how often even the greatest, most gifted, most hardworking among us are still miles away from perfection. Esquire editor in chief David Granger joins host David Brancaccio to discuss David Foster Wallace and why his 1996 story “The String Theory” remains one of the most exciting, salient, and honest stories about the game of tennis ever written.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>29:09</itunes:duration>
		</item>
	<item>
		<title>The American Male at Age Ten, by Susan Orlean</title>
		<link>http://esquire.prx.org/2016/03/the-american-male-at-age-ten-by-susan-orlean/</link>
		<pubDate>Mon, 07 Mar 2016 13:09:29 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=108</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>What it feels like to be a boy in America.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">In 1992, writer Susan Orlean was tired of celebrity profiles. Instead, she wanted to do something bigger, deeper, and much harder: She wanted to profile the inner life of an average American boy. After convincing her editor, Orlean spent a week going to fifth grade and hanging out with Colin Duffy, a ten-year-old from Glen Ridge, New Jersey. The resulting article—“The American Man at Age Ten”—stands as one of the most intimate and touching portraits of what it feels like to be a boy in America. Orlean joins host David Brancaccio to discuss how the story came about, what it was like to shadow Colin, where he is now, and how the piece continues to reverberate almost twenty-five years after it was first published.</span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-The-American-Male-at-Age-Ten.mp3" length="13750194" type="audio/mpeg" />
		<itunes:subtitle>What it feels like to be a boy in America.</itunes:subtitle>
		<itunes:summary>In 1992, writer Susan Orlean was tired of celebrity profiles. Instead, she wanted to do something bigger, deeper, and much harder: She wanted to profile the inner life of an average American boy. After convincing her editor, Orlean spent a week going to fifth grade and hanging out with Colin Duffy, a ten-year-old from Glen Ridge, New Jersey. The resulting article—“The American Man at Age Ten”—stands as one of the most intimate and touching portraits of what it feels like to be a boy in America. Orlean joins host David Brancaccio to discuss how the story came about, what it was like to shadow Colin, where he is now, and how the piece continues to reverberate almost twenty-five years after it was first published.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>27:00</itunes:duration>
		</item>
	<item>
		<title>The Price of Being President, by Richard Ben Cramer</title>
		<link>http://esquire.prx.org/2016/02/the-price-of-being-president/</link>
		<pubDate>Mon, 22 Feb 2016 13:51:39 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=99</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>What It Takes is the most unvarnished account ever written about the personal price of running for president.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">Published in 1991, Richard Ben Cramer’s book <i>What It Takes </i>remains the richest and most unvarnished account of the personal price of running for president. The irony, as Cramer pointed out to C-SPANN when the book was first published, is that to become president a candidate must sacrifice the entire life that prepared him or her for office in the first place. Longtime Esquire political correspondent Charles P. Pierce joins host David Brancaccio to discuss how Cramer’s book—which was excerpted in three parts in Esquire in the 1990s—continues to shape how we understand presidential politics today and the psyches of those with the hubris to seek the highest office.</span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-The-Price-of-Being-President.mp3" length="12850944" type="audio/mpeg" />
		<itunes:subtitle>What It Takes is the most unvarnished account ever written about the personal price of running for president.</itunes:subtitle>
		<itunes:summary>What It Takes is the most unvarnished account ever written about the personal price of running for president.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>25:08</itunes:duration>
		</item>
	<item>
		<title>The Death of Patient Zero, by Tom Junod</title>
		<link>http://esquire.prx.org/2016/02/the-death-of-patient-zero/</link>
		<pubDate>Mon, 08 Feb 2016 14:21:11 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=92</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>How ”The Death of Patient Zero” helped push the boundaries of modern medicine.</description>
		<content:encoded><![CDATA[<p class="p1"><span class="s1">“It was the moment we were waiting for and the moment we dreaded.” So begins “The Death of Patient Zero,” a story that broke all boundaries and preconceptions—about how we attack cancer; how the most advanced medical care, science, and hopes can fall short; how a writer can fast find himself testing the ethical limits of journalism; and how the love of a single, humble woman—Stephanie Lee—can change so many lives. Esquire writer at large Tom Junod and executive editor Mark Warren join host David Brancaccio to discuss what fueled “The Death of Patient Zero,” and how neither of them—or the nascent science behind genomic medicine—will ever be the same again.</span></p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-The-Death-of-Patient-Zero.mp3" length="15288693" type="audio/mpeg" />
		<itunes:subtitle>How ”The Death of Patient Zero” helped push the boundaries of modern medicine.</itunes:subtitle>
		<itunes:summary>How ”The Death of Patient Zero” helped push the boundaries of modern medicine.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>30:12</itunes:duration>
		</item>
	<item>
		<title>The Tinkerings of Robert Noyce, by Tom Wolfe</title>
		<link>http://esquire.prx.org/2016/01/the-tinkerings-of-robert-noyce-by-tom-wolfe/</link>
		<pubDate>Mon, 25 Jan 2016 01:08:19 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=83</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>A meeting of two American masters: Robert Noyce and Tom Wolfe.</description>
		<content:encoded><![CDATA[<p>It was a meeting of two American masters: Robert Noyce, who, in inventing the integrated computer chip and founding Intel, willed Silicon Valley into being, and Tom Wolfe, who in holding a magnifying glass over the social and class currents that shape America, rewrote the laws of what it meant to be a journalist. Their resulting Esquire story from 1983, “The Tinkerings of Robert Noyce,” remains one of the most revealing and entertaining portraits of early Silicon Valley and the personalities, imagination, and free wheeling gall that triggered and continue to power the computer revolution. Kara Swisher, who spent two decades covering digital issues for <em>The Wall Street Journal</em> before cofounding the influential technology site Re/code, joins host David Brancaccio to discuss what both Noyce and Wolfe wrought, and how the influence of each—in computers and nonfiction writing, respectively—remains as powerful and mesmerizing as ever.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-The-Tinkerings-of-Robert-Noyce-by-Tom-Wolfe.mp3" length="12932250" type="audio/mpeg" />
		<itunes:subtitle>A meeting of two American masters: Robert Noyce and Tom Wolfe.</itunes:subtitle>
		<itunes:summary>It was a meeting of two American masters: Robert Noyce, who, in inventing the integrated computer chip and founding Intel, willed Silicon Valley into being, and Tom Wolfe, who in holding a magnifying glass over the social and class currents that shape America, rewrote the laws of what it meant to be a journalist. Their resulting Esquire story from 1983, “The Tinkerings of Robert Noyce,” remains one of the most revealing and entertaining portraits of early Silicon Valley and the personalities, imagination, and free wheeling gall that triggered and continue to power the computer revolution. Kara Swisher, who spent two decades covering digital issues for The Wall Street Journal before cofounding the influential technology site Re/Code, joins host David Brancaccio to discuss what both Noyce and Wolfe wrought, and how the influence of each—in computers and nonfiction writing, respectively—remains as powerful and mesmerizing as ever.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>25:18</itunes:duration>
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	<item>
		<title>Martin Luther King Jr Is Still on the Case! by Garry Wills</title>
		<link>http://esquire.prx.org/2016/01/martin-luther-king-jr-is-still-on-the-case/</link>
		<pubDate>Mon, 11 Jan 2016 16:56:59 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=79</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>12 Years a Slave screenwriter John Ridley discusses Garry Wills’s 1968 profile, “Martin Luther King Jr Is Still on the Case!”</description>
		<content:encoded><![CDATA[<p>In 1968, just hours after Martin Luther King Jr. was assassinated, the legendary historian and Pulitzer Prize-winning author Garry Wills—then a young writer for Esquire—rushed to Memphis, Tennessee, where he watched as King’s body was embalmed at the mortuary, then later traveled twelve hours by bus with mourners to King’s funeral in Atlanta. Nearly fifty years later, Wills’s “Martin Luther King Jr <i>Is Still on the Case!</i>” remains one of the most revealing and lasting portraits of King and his turbulent era ever written. Writer and director John Ridley—who won an Oscar for his screenplay for <i>12 Years a Slave</i>—joins host David Brancaccio to discuss why Wills’s wrenching portrait of King continues to resonate today, what has changed in America since it was written, and, most important, what still needs to change.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-Martin-Luther-King-Is-Still-On-The-Case-by-Garry-Wills.mp3" length="15166848" type="audio/mpeg" />
		<itunes:subtitle>12 Years a Slave screenwriter John Ridley discusses Garry Wills’s 1968 profile, “Martin Luther King Jr Is Still on the Case!”</itunes:subtitle>
		<itunes:summary>In 1968, just hours after Martin Luther King Jr. was assassinated, the legendary historian and Pulitzer Prize-winning author Garry Wills—then a young writer for Esquire—rushed to Memphis, Tennessee, where he watched as King’s body was embalmed at the mortuary, then later traveled twelve hours by bus with mourners to King’s funeral in Atlanta. Nearly fifty years later, Wills’s “Martin Luther King Jr Is Still on the Case!” remains one of the most revealing and lasting portraits of King and his turbulent era ever written. Writer and director John Ridley—who won an Oscar for his screenplay for 12 Years a Slave—joins host David Brancaccio to discuss why Wills’s wrenching portrait of King continues to resonate today, what has changed in America since it was written, and, most important, what still needs to change.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>29:57</itunes:duration>
		</item>
	<item>
		<title>M, by John Sack</title>
		<link>http://esquire.prx.org/2015/12/m-by-john-sack/</link>
		<pubDate>Mon, 28 Dec 2015 01:57:24 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=73</guid>
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		<description>“Oh my God—we hit a little girl.” This was the single, shocking cover line of the October 1966 issue of Esquire. Inside was John Sack’s 33,000-word New Journalism masterpiece, M, in which he followed a single company of American infantrymen from Fort Dix, New Jersey, to the war in South Vietnam. With that story—the longest to ever appear in Esquire—Sack single-handedly invented what it meant … &lt;a href=&quot;http://esquire.prx.org/2015/12/m-by-john-sack/&quot; class=&quot;more-link&quot;&gt;Continue reading &lt;span class=&quot;screen-reader-text&quot;&gt;M, by John Sack&lt;/span&gt;&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p><span class="s3">“</span><span class="s3">Oh</span><span class="s3"> </span><span class="s3">my God—we hit a little girl.” This was the </span><span class="s3">single, </span><span class="s3">shocking cover line of the October 1966 issue of Esquire. Inside</span><span class="s3"> was John Sack’s 33,000-word New Journalism masterpiece,</span><span class="s4"> </span><span class="s5">M</span><span class="s3">, in which he followed a single company of American infantrymen from Fort Dix, New </span><span class="s3">Jersey,</span><span class="s3"> </span><span class="s3">to the war in South Vietnam. With that story—the longest </span><span class="s3">to ever appear in Esquire—Sack single-handedly </span><span class="s3">invented</span><span class="s3"> </span><span class="s3">what it meant to be an embedded reporter and reset the bar for what </span><span class="s3">journalism could be: </span><span class="s3">trenchant, moving, and at times </span><span class="s3">funny and </span><span class="s3">even rollicking, yet dead</span><span class="s3"> </span><span class="s3">set on revealing in </span><span class="s3">personal terms </span><span class="s3">the </span><span class="s3">most troubling and </span><span class="s3">urgent</span><span class="s3"> issues of our time. Esquire executive editor</span><span class="s3"> Mark Warren, who was Sack’s last editor at the magazine, joins host David Brancaccio to discuss Sack’s legacy and why he remains the least known but arguably most</span><span class="s3"> important </span><span class="s3">New </span><span class="s3">Journalist</span><span class="s3"> of his generation</span><a name="_GoBack"></a><span class="s3">.</span><span class="s3"> </span></p>
<p>&nbsp;</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-M-by-John-Sack.mp3" length="16845788" type="audio/mpeg" />
		<itunes:subtitle>Inside John Sack&#039;s 33,000-word Vietnam War New Journalism masterpiece</itunes:subtitle>
		<itunes:summary>“Oh my God—we hit a little girl.” This was the single, shocking cover line of the October 1966 issue of Esquire. Inside was John Sack’s 33,000-word New Journalism masterpiece, M, in which he followed a single company of American infantrymen from Fort Dix, New Jersey, to the war in South Vietnam. With that story—the longest to ever appear in Esquire—Sack single-handedly invented what it meant to be an embedded reporter and reset the bar for what journalism could be: trenchant, moving, and at times funny and even rollicking, yet dead set on revealing in personal terms the most troubling and urgent issues of our time. Esquire executive editor Mark Warren, who was Sack’s last editor at the magazine, joins host David Brancaccio to discuss Sack’s legacy and why he remains the least known but arguably most important New Journalist of his generation.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>33:27</itunes:duration>
		</item>
	<item>
		<title>The Second Coming of Steve Jobs, by Joe Nocera</title>
		<link>http://esquire.prx.org/2015/12/the-second-coming-of-steve-jobs-by-joe-nocera/</link>
		<pubDate>Mon, 14 Dec 2015 04:46:39 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=66</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Joe Nocera&#039;s &quot;The Second Coming of Steve Jobs&quot; from 1986 remains the most intimate and honest appraisals of the computer visionary ever written. Nocera, a longtime New York Times reporter and op-ed writer, joins host David Brancaccio to discuss Jobs&#039;s legacy, and how the man he wrote about twenty years ago is far different from the one portrayed today.</description>
		<content:encoded><![CDATA[<p>Back in 1986, Joe Nocera spent a week shadowing Steve Jobs, who was then leading his start-up, NeXT, and attempting to build a new kind of computer. What resulted is one of the most intimate and honest appraisals of the computer visionary ever written. The Steve Jobs we recognize now—obsessed by design and unwilling to bend to anyone or anything—is in Nocera’s profile, but so is a more human Jobs, one rarely seen after he returned to lead Apple a year later. Nocera, a longtime <em>New York Times</em> reporter and op-ed writer, joins host David Brancaccio to discuss Jobs&#8217;s legacy, and how the man he wrote about twenty years ago is far different from the one portrayed today.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-The-Second-Coming-of-Steve-Jobs-by-Joe-Nocera.mp3" length="13369011" type="audio/mpeg" />
		<itunes:subtitle>Back in 1986, Joe Nocera spent a week shadowing Steve Jobs, who was then leading his start-up, NeXT, and attempting to build a new kind of computer. What resulted is one of the most intimate and honest appraisals of the computer visionary ever written....</itunes:subtitle>
		<itunes:summary>Back in 1986, Joe Nocera spent a week shadowing Steve Jobs, who was then leading his start-up, NeXT, and attempting to build a new kind of computer. What resulted is one of the most intimate and honest appraisals of the computer visionary ever written. The Steve Jobs we recognize now—obsessed by design and unwilling to bend to anyone or anything—is in Nocera’s profile, but so is a more human Jobs, one rarely seen after he returned to lead Apple a year later. Nocera, a longtime New York Times reporter and op-ed writer, joins host David Brancaccio to discuss Jobs&#039;s legacy, and how the man he wrote about twenty years ago is far different from the one portrayed today.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>26:12</itunes:duration>
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	<item>
		<title>Superman Comes to the Supermarket, by Norman Mailer</title>
		<link>http://esquire.prx.org/2015/11/superman-comes-to-the-supermarket-by-norman-mailer/</link>
		<pubDate>Mon, 30 Nov 2015 22:05:51 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=57</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Norman Mailer&#039;s legendary 1960 reported essay, “Superman Comes to the Supermarket,” about JFK and the Democratic political convention.</description>
		<content:encoded><![CDATA[<p>Before anyone foresaw a time when a television celebrity could become president, Norman Mailer wrote in Esquire that John F. Kennedy was a mythical hero who could finally unite the business of politics with the business of stardom. His legendary 1960 reported essay, “Superman Comes to the Supermarket,” about JFK and the Democratic political convention, changed the rules for how we understand our political candidates as brands, and how we’re allowed to write about them. Mailer archivist and biographer J. Michael Lennon joins host David Brancaccio to discuss Mailer’s legacy, what his essay wrought, and how it continues to ripple through our political culture and be proven prescient again and again.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-Superman-Comes-to-the-Supermarket-by-Norman-Mailer.mp3" length="12618556" type="audio/mpeg" />
		<itunes:subtitle>Norman Mailer&#039;s legendary 1960 reported essay, “Superman Comes to the Supermarket,” about JFK and the Democratic political convention.</itunes:subtitle>
		<itunes:summary>Before anyone foresaw a time when a television celebrity could become president, Norman Mailer wrote in Esquire that John F. Kennedy was a mythical hero who could finally unite the business of politics with the business of stardom. His legendary 1960 reported essay, “Superman Comes to the Supermarket,” about JFK and the Democratic political convention, changed the rules for how we understand our political candidates as brands, and how we’re allowed to write about them. Mailer archivist and biographer J. Michael Lennon joins host David Brancaccio to discuss Mailer’s legacy, what his essay wrought, and how it continues to ripple through our political culture and be proven prescient again and again.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>24:38</itunes:duration>
		</item>
	<item>
		<title>Frank Sinatra Has a Cold, by Gay Talese</title>
		<link>http://esquire.prx.org/2015/11/frank-sinatra-has-a-cold-by-gay-talese/</link>
		<pubDate>Sun, 15 Nov 2015 23:46:06 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=48</guid>
		<comments>http://esquire.prx.org/2015/11/frank-sinatra-has-a-cold-by-gay-talese/#respond</comments>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Uncategorized]]></category>
		<description>Gay Talese joins host David Brancaccio to discuss how &quot;Frank Sinatra Has a Cold&quot; came about, the evolution of celebrity, and why his story remains as resonant today as the day it was first published.</description>
		<content:encoded><![CDATA[<p>Fifty years after it was first published, “Frank Sinatra Has a Cold” remains the most influential and talked about magazine story of all time. Author Gay Talese joins host David Brancaccio to discuss how the groundbreaking work of New Journalism came about, the evolution of celebrity, and why his story remains as resonant today as the day it was first published.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-Frank-Sinatra-Has-a-Cold-by-Gay-Talese.mp3" length="16618853" type="audio/mpeg" />
		<itunes:subtitle>Gay Talese joins host David Brancaccio to discuss how &quot;Frank Sinatra Has a Cold&quot; came about, the evolution of celebrity, and why his story remains as resonant today as the day it was first published.</itunes:subtitle>
		<itunes:summary>Gay Talese joins host David Brancaccio to discuss how &quot;Frank Sinatra Has a Cold&quot; came about, the evolution of celebrity, and why his story remains as resonant today as the day it was first published.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>32:58</itunes:duration>
		</item>
	<item>
		<title>The Crack-Up, by F. Scott Fitzgerald</title>
		<link>http://esquire.prx.org/2015/11/the-crack-up-2/</link>
		<pubDate>Mon, 02 Nov 2015 01:22:50 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=29</guid>
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		<slash:comments>0</slash:comments>
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		<description>F. Scott Fitzgerald&#039;s &quot;The Crack-Up,&quot; a series of essays from 1936 about his alcoholism and mental breakdown, set off a genre of confessional writing that persists and thrives today.</description>
		<content:encoded><![CDATA[<p>In 1936, F. Scott Fitzgerald, then a struggling writer battling depression and alcoholism, published a radical series of essays in <em>Esquire</em> about his mental breakdown. Celebrated poet and memoirist Nick Flynn discusses with host David Brancaccio (public radio&#8217;s <em>Marketplace</em>, PBS&#8217; <em>NOW</em>) Fitzgerald’s mindset at the time, the ridicule he faced from friends like Ernest Hemingway, and how his essays set off a genre of confessional writing that persists and thrives today.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-The-Crack-Up-by-F.-Scott-Fitzgerald-1.mp3" length="18031180" type="audio/mpeg" />
		<itunes:subtitle>F. Scott Fitzgerald&#039;s &quot;The Crack-Up,&quot; a series of essays from 1936 about his alcoholism and mental breakdown, set off a genre of confessional writing that persists and thrives today.</itunes:subtitle>
		<itunes:summary>F. Scott Fitzgerald&#039;s &quot;The Crack-Up,&quot; a series of essays from 1936 about his alcoholism and mental breakdown, set off a genre of confessional writing that persists and thrives today.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:duration>34:17</itunes:duration>
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	<item>
		<title>A Few Words About Breasts, by Nora Ephron</title>
		<link>http://esquire.prx.org/2015/10/a-few-words-about-breasts/</link>
		<pubDate>Mon, 19 Oct 2015 01:57:19 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=37</guid>
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		<description>Jessi Klein, comedian and head writer for &quot;Inside Amy Schumer,&quot; discusses Nora Ephron&#039;s legendary story about breasts.</description>
		<content:encoded><![CDATA[<p>&#8220;A Few Words About Breasts&#8221; is Nora Ephron’s famous comic lament from 1972 about how her late onset of puberty gave her a lifelong obsession with breasts. Jessi Klein, comedian and head writer for “Inside Amy Schumer,” joins David Brancaccio to discuss Ephron’s story and its lasting influence on her and the way women perceive and voice themselves today.</p>
<p>&nbsp;</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_-A-Few-Words-About-Breasts-by-Nora-Ephron.mp3" length="21996122" type="audio/mpeg" />
		<itunes:subtitle>Jessi Klein, comedian and head writer for &quot;Inside Amy Schumer,&quot; discusses Nora Ephron&#039;s legendary story about breasts.</itunes:subtitle>
		<itunes:summary>&quot;A Few Words About Breasts&quot; is Nora Ephron’s famous comic lament from 1972 about how her late onset of puberty gave her a lifelong obsession with breasts. Jessi Klein, head writer for “Inside Amy Schumer,” joins David Brancaccio to discuss Ephron’s story and its lasting influence on her and the way women perceive and voice themselves today.</itunes:summary>
		<itunes:author>PRX and Esquire Magazine</itunes:author>
		<itunes:explicit>yes</itunes:explicit>
		<itunes:duration>44:11</itunes:duration>
		</item>
	<item>
		<title>Falling Man, by Tom Junod</title>
		<link>http://esquire.prx.org/2015/10/falling-man/</link>
		<pubDate>Thu, 01 Oct 2015 22:04:55 +0000</pubDate>
		<guid isPermaLink="false">http://esquire.prx.org/?p=22</guid>
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		<description>“The Falling Man”, Esquire’s most-read story of all time, is discussed by host David Brancaccio and Esquire Writer at Large Tom Junod. The story is about an infamous photograph from 9/11 that was published briefly in the days after the terrorist attacks and then largely disappeared. Junod explains why he felt it was his responsibility to bring it—and the falling man pictured in it—to light.</description>
		<content:encoded><![CDATA[<p>“The Falling Man”, Esquire’s most-read story of all time, is discussed by host David Brancaccio and Esquire Writer at Large Tom Junod. The story is about an infamous photograph from 9/11 that was published briefly in the days after the terrorist attacks and then largely disappeared. Junod explains why he felt it was his responsibility to bring it—and the falling man pictured in it—to light.</p>
]]></content:encoded>
		<enclosure url="https://dts.podtrac.com/redirect.mp3/media.blubrry.com/esquire/cdn-esquire.prx.org/wp-content/uploads/Esquire-Classic_Falling-Man-by-Tom-Junod.mp3" length="17981194" type="audio/mpeg" />
		<itunes:subtitle>“The Falling Man”, Esquire’s most-read story of all time, is discussed by host David Brancaccio and Esquire Writer at Large Tom Junod. The story is about an infamous photograph from 9/11 that was published briefly in the days after the terrorist attack...</itunes:subtitle>
		<itunes:summary>“The Falling Man”, Esquire’s most-read story of all time, is discussed by host David Brancaccio and Esquire Writer at Large Tom Junod. The story is about an infamous photograph from 9/11 that was published briefly in the days after the terrorist attacks and then largely disappeared. Junod explains why he felt it was his responsibility to bring it—and the falling man pictured in it—to light.</itunes:summary>
		<itunes:author>Esquire Magazine</itunes:author>
		<itunes:duration>35:49</itunes:duration>
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