evren celimli

Is creativity always in a box?

2011-07-07T21:21:00.000-04:00

This is a fascinating talk by David Byrne about how the spaces where music is performed have contributed to the style and form of the music.

An interesting way to think about how music has evolved in particular and how the creative process is affected by the culture in which it is created.

Vienna Symphonic Library

2011-06-22T22:44:00.000-04:00

I've started working with a new Virtual Instrument that sounds phenomenal. I never thought a fake orchestra would ever be able to fool me. But this one does. Not all the time. But a lot of the time. Pretty exciting tool to discover at this point in my composing life.

Now let's see what I'll make with it...

Orchestral music, finally

2011-05-16T16:33:00.000-04:00

Last month I finished my first composition for full orchestra.
A big deal? Yes.
Hard work? Yes, absolutely.
But what a blast I had, working mostly at night for over 6 months, after the kids were in bed.
I spent some time listening and following along to some beautiful music.
Debussy's, "Prelude to the Afternoon of a Faun".
Beethoven's later symphonies, some Brahms.
Stravinsky's "Petrushka", which I have always loved so much and "The Rite of Spring".
I also very much enjoyed Michael Gandolfi's "Garden of Cosmic Speculation" and was thankful that he made the score available on his website.
I even read through the good old "Principles of Orchestration" by Rimsky-Korsakov.

The piece started with a simple melodic idea, the pitch content of which my friend Paul mentioned, is the same as the old song "I've Got Rhythm". Now, I certainly would never claim to have rhythm, but I did the best I could with that pitch material. The inspiration for the melody of the piece comes from the music I made for a short film a number of years ago. The imagery that I found so inspiring was that of a misty Autumn day on Mount Holyoke in western Massachusetts . Here is the original musical idea. a meeting like this by Evren Celimli
So the next step is to get my 15 minute orchestral piece "Colorful Mountains Cry For You" performed. I have sent it off to the Minnesota Orchestra Composer Institute and will hear back from them sometime this summer.

a busy year, music and children

2010-07-14T11:30:00.000-04:00

I've been spending a lot of time being a father to my wonderful girls who are getting big too quickly. My oldest is nearly 5 and her sister has already had her first birthday and her first taste of chocolate cake.

Somehow in the midst of all this growing up, I've been able to make some new music. In December 2009 I released the music for the video game Zaku. It is available for download from iTunes and my own website. An old fashioned plastic disc can be purchased at CDBaby.

In June I completed Movement Mandala 13, 43 minutes of music for the choreographer Murray Spalding. The piece premiered in New York at St. Mark's Church June 24. As always, I am so amazed and baffled by the dancers. They performed beautifully in a very hot and steamy room for 45 minutes without a break! Thank you to all of them for giving the piece form and life.

Commonwealth School Film Festival 2009

2009-11-04T14:59:00.003-05:00

My wonderful high school is hosting a film festival this coming weekend.
The award-winning documentary "Beyond Belief" which features my music will be screening along with many, many films created by my fellow alums.
Here is a link to the film festival's webpage.
Happy Fall to all!

The Death of the Old Guard

2009-09-28T19:38:00.013-04:00

One month ago Joe Maneri passed away. He was one of the lightest, most joyful spirits you might ever come across. His death left me feeling a little lost. I was not so close to Joe. He was never my teacher or mentor, our relationship was much more mundane and so perhaps I take for granted the impact he had on so many. I used to see him when I would go over to his house to hang out with his son Mat. I've known the Maneri family since 1984 when I was 13. As I make my way in music, I always come back to Joe and his music, to Mat and his. Their music is inspiring to me. I know that Joe is bringing his bountiful love on to the other side and the angels are laughing and crying as he plays and I cannot wait until the next time I'll hear Mat play live again. I hope it will be soon.

Now, just as I was beginning to feel the joy and freedom of his music again in my heart I have just read that another great being has passed: Francis Mason.

Francis Mason was a kind, generous and joyful soul. He helped me get my start composing music for dance during my time in New York. He took me to countless shows and rehearsals and introduced me to so many choreographers that I lost count. Two of the choreographers he introduced me to I collaborated with many times, Doug Elkins and Ben Munisteri. Francis used to take me for lunch to the Century Club; one of those old world, quiet, marble, member's only clubs for artists and writers. It was an inspiring place, but not as inspiring as his homes in Manhattan and Rye. Both were quiet and calming, filled with books and plants. I was honored when he asked me to write an article for "Ballet Review Magazine." I learned from him and enjoyed spending time with him. My deepest sympathy goes out to his daughter, his son and especially his grandchildren whom he spoke so warmly and lovingly of every time we were together.

Peace to all who are left behind, striving.

The Mermaid

2008-11-03T22:02:00.005-05:00

I spent my high school years at a small, inspiring and supportive school in Boston called the Commonwealth School. Commonwealth was founded by Charles Merrill in 1958. In celebration of the school's 50th anniversary a gala event was planned. In April of 2008 I was commissioned to compose a choral piece to mark the occasion.

Together with Janetta Stringfellow, the director of development for the school, we decided to ask my friend, poet and journalist Ethan Forman (class of '84) to collaborate with me. My first impulse and thought for the piece was to compose something very joyful and celebratory, like a fanfare.

I had not composed a piece for chorus since my senior year of high school. I was both excited and a little scared that I might not be able to pull it off. To make the process even more difficult, I wanted to compose a joyous and celebratory piece as I said, but Ethan kept writing poetry that was far more reflectively joyful than exuberantly celebratory. I also spent a lot of energy worrying about the complexity of the music, the intellectual rigor of it. The bottom line is, I kept getting in my own way. For me, this is consistently the biggest hurdle in the creative process.

I finally gave in to the reflective nature of Ethan's poetry in August, one month before the finished piece was to be delivered to David Hodgkins, Commonwealth's music director, so rehearsals could begin. Once I let go, I was able to complete the piece quickly. I composed what I thought was a beautiful melody for the soloists to share and supported it with a flowing, tidal accompaniment sung by the chorus. The whole thing worked out pretty well I think. I was actually relieved that the accompaniment did indeed serve as a good support for the melody. It might have obscured the melody since it is a bit busy.

The finished composition was premiered Saturday October 25, 2008 in the Cyclorama at the Boston Center for the Arts in front of a crowd of 750 alumni, parents, friends, faculty and staff of Commonwealth School. What an amazing feeling it was to hear all those voices singing the music I had struggled to create. It was such a beautiful and moving event and I am honored to have played a part in it.

Thank you Charles Merrill for your creation.
Thank you Janetta Stringfellow for asking.
Thank you Ethan Forman for your poetry.
Thank you to all of the Commonwealth School family who make it such an inspiring place to grow.
Happy Birthday!

Commonwealth School Gala, pt. 2-The Mermaid from Commonwealth School on Vimeo.

And here is the text:

Remember the mermaid who swam in from overseas

Born from a city's resistance

She taught you how to wag that tail of yours

And wave a sword of victory

She beat her sword into ploughshares

And hung her long locks on hooks

Despite her tail she dragged her books upstairs

No Pyrrhic victories here

She was just a girl who learned to walk by taking the subway

Back and forth to school

Learning for her was like the tides

Something she'd come back to again and again...

Remember the mermaid who swam in from overseas

Born from a city's resistance

Now each fall a new crop of mermaids come

Eager for sword and ploughshare lessons

Searching for meaning in struggle

Preparing for a life of action

Mermaid don't dwell too long

On all those crushes and first kisses

Don't wait too long

To celebrate and sing about your memories

She was just a girl who learned to walk by taking the subway

Back and forth to school

Learning for her was like the tides

Something she'd come back to again and again and again...

Music for Pictures that don't exist

2008-07-29T21:11:00.004-04:00

Last week I produced a little piece of music for a new TV series.
Alas, I did not get the job, but I am very pleased with my creation and would like to share.
Please visit my listen page to listen. The piece is called... Sex Therapy!

Meditative Movement Mandala Music and Dance Premiere in New York City

2008-06-16T15:58:00.001-04:00

My latest piece of music, a composition for the modern dance company Murray Spalding Movement Arts premiered at St. Mark's Church in NYC last Thursday.

The theater was full and very, very hot. It was like a sauna. Despite the heat, the dancers did an amazing job. I am glad that I could stand in the back and watch as I certainly would have passed out from the heat if I had been dancing for 60 minutes without a break.

Bravo dancers! And thank you!

Each time I see these pieces in performance I am reminded just how energizing and calming they are to watch and listen to. I am quite proud of this work. Please listen to part of the newest mandala on my website.

Over the three days that the show was running the seats were all filled and many expressed interest in the music and a few even put there money down and purchased a copy of my CD Movement Mandala Music which contains music to the first 8 of the meditative Movement Mandala dances.

Here are a few photos from my journey.

Movement Mandalas: minimalist modern dance and music performance in New York City

2008-06-02T15:44:00.001-04:00

Here is information about an upcoming performance of my meditational music for modern dance. If you are in NYC, please join me for this historic performance of Murray Spalding's revolutionary minimalist choreography in:

MANDALAS: PAST AND PRESENT
Danspace Project at St. Mark's Church, NYC
Thursday June 12 through Saturday June 14
8:30 p.m.
Reservations: 212.674.8194 or http://www.danspaceproject.org

of the 2005 Season, Jennifer Dunning of the New York Times said:

"...The variations build so slowly and the patterns sprawl, shift and spread so smoothly that the changes are never startling. The eye is drawn in and mesmerized.
How the women managed to keep to their paths and timing was unfathomable, but no effort was evident in their radiant performing. "

for more information about the company and the work please go to: http://www.murrayspalding.org

MANDALAS: PAST AND PRESENT company:
Shinyun Chou, Lauren Engleman, Ula Gadea, Naomi Luppescu, Kely Narcum, Leslie Roybal and Guest Artist Jeramy Zimmerman

Choreography: Murray Spalding
Assistant Director: Amy Filbin
Managing Director: Leslie Roybal
Composer: Evren Celimli
Costume Design: Susan Soetaert
Light Design: Kathy Kaufman

Indianapolis Grand Jury Prize

2008-05-06T15:43:00.002-04:00

The documentary film Beyond Belief brings another award home. This time it's the Grand Jury Prize from the Indianapolis International Film Festival. The excitement continues... and here's the trailer from youtube:

Good News from Sonoma Valley Film Festival

2008-04-23T15:42:00.001-04:00

The documentary film Beyond Belief features my original soundtrack music. It received awards at a few festivals. Most recently it received the Best Documentary award at the Sonoma Valley Film Festival.

Although I was not able to make it out to California for the ceremony the director of the film, Beth Murphy, was there and posted about it on the Principle Pictures blog.

I am so excited that this wonderful film continues to do well on the festival circuit.

Screening at the United Nations

2008-03-21T15:04:00.001-04:00

The film Beyond Belief is screening at the United Nations in New York on Monday, March 24 2008. To think that this humble yet uplifting film will be seen by the leaders of foreign lands is very exciting to me. Perhaps the next step will be for screenings to take place in a large scale in other countries.

I believe Beyond Belief is a film that can help begin to rebuild the standing of the U.S. throughout the rest of the world. Beyond Belief displays courage, generosity and a global perspective embraced by two regular citizens who reach out to help others.

The U.S. needs this kind of positive image to help redeem us in the eyes of the world.

Please support this film. Rent it from Netflix. Find it at a film festival near you. Blog about it.

Thanks for listening.

Music at the Rhode Island Film Festival 2008

2008-03-19T15:00:00.002-04:00

Today I received exciting news from director Michele Meek.

Her short film Red Sneakers, which I composed the music for, will be screened at the Rhode Island Film Festival this summer.

Here's a little taste of the MUSIC from the score if you're interested.

I composed this piece back in December of 2007. I imagined children skipping and playing on a gentle spring day to inspire the flow and melody of the music.

I am looking forward to Spring here in New England.

Thanks for listening!

Netflix and Film Soundtracks

2008-03-17T14:56:00.001-04:00

Tomorrow Netflix will release the documentary film Beyond Belief.
Put it in your queue!

And then head over to CDBaby.com and purchase the soundtrack album on CD or download it.

Did you know that the downloads from CDBaby are DRM free?

Support independent music by making your purchases from CDBaby.

Club d'Elf, Medeski and 10 years at the Lizard Lounge

2008-03-13T15:05:00.001-04:00

Tonight is going to be exciting. I am excited anyway...

Mike Rivard's wonderful band Club d'Elf is celebrating a 10 year residency at the Lizard Lounge in Cambridge, MA. Tonight they are joined by John Medeski one of the warmest and most exciting keyboard players you will ever hear. The Lizard Lounge is an amazing location to listen to both Club d'Elf and Medeski as it is a very intimate venue. There aren't many clubs where you can stand right next to a musician like Medeski while he is playing. if you dared to, you could reach out and give him a pat on the back in appreciation. He does get pretty sweaty though, so I suggest a little self control.

I had the opportunity to mix the title track of Club d'Elf 's recent studio release "Now I Understand" please check it out on the Club d'Elf merch page.

Thanks for listening!

Beyond Belief Theatrical Release in NYC

2008-03-01T15:06:00.001-05:00

It was an undeniable thrill to see "Beyond Belief" up on the marquee on February 29, 2008 in NYC.
I am infinitely grateful to have played a part in the making of this film.

Beyond Belief in the Boston Globe

2008-02-12T15:34:00.001-05:00

On February 10, 2008 Beyond Belief was profiled in the Boston Sunday Globe.

Theartical premiere of Beyond Belief

2008-01-20T15:30:00.001-05:00

The official theatrical premiere of Beyond Belief is just around the corner! There is a special advance screening Saturday, February 16, 7pm at the Museum of Fine Arts. The screening will be followed by Q&A with director Beth Murphy and a reception with special guests. On February 29, the film opens in New York at Cinema Village (tickets on sale Feb. 20), and regular screenings begin at MFA Boston on March 1.

Beyond Belief at Tribeca Film Festival

2007-04-01T15:36:00.001-04:00

Beyond Belief will have it's world premiere at the Tribeca Film Festival on April 26, 2007!