FADED GLAMOUR

Film Review: Shame (2011)

2012-02-08T23:42:00.000Z

'Shame' (UK Release: 13 Jan '12) // Words: Saam Das

2008 saw Turner Prize-winning artist Steve McQueen's debut feature film 'Hunger', establishing Michael Fassbender as an actor of considerable note. McQueen, too, received plaudits for his handling of the retelling of the IRA's 1981 hunger strike. The duo have once again come together in 'Shame', McQueen's second feature, a sex addiction melodrama. Unfortunately, much like 'Hunger', this latest effort is emotionally hollow.

Fassbender stars as Brandon, a highly successful New York businessman, whose sexual compulsions haunt him on a daily basis. His world is dominated by his needs, and brought into disarray by the appearance of his dependent sister, Sissy (Carey Mulligan).

Brandon's relationship with Sissy is a frustrating one, not just for the duo but for the audience. Indeed, the whole film simmers along without delivering much of an emotional resonance. This is highlighted particularly in the scene where Sissy sings 'New York, New York' - driving Brandon to tears, and the audience to pained boredom. Complete with awkward close-up.

One of the few talking points of interest is McQueen's use of full frontal nudity - Fassbender happily wanders around his apartment with his (impressive) endowment on offer, and the first time we meet Sissy - she is sans clothes. The latter perhaps has an important storytelling component, showing the closeness between her and Brandon despite their otherwise apparent distance. The "Fassboner" seems less necessary, albeit impressive for other reasons.

The full frontal nudity led to 'Shame' receiving the dreaded NC-17 rating in the US - the equivalent to an 18 in the UK, but with added connotations - only a handful of films are released every year with such a rating. While the film is somewhat forgettable, the lasting legacy of 'Shame' may be to finally re-introduce the NC-17 rating to respectability - allowing directors to fulfil, and not compromise, their visions.

The shining highlight of 'Shame' is undoubtedly Fassbender. His work is supreme considering his role is not dialogue-heavy. Brandon's inner battle is made captivating almost solely through Fassbender's expressions. McQueen does succeed in stressing Brandon's struggles with intimacy but, of course, Fassbender is at the heart of each of these moments. Perhaps third time will be a charm for the duo.

★★½ (out of five)

'Shame' is showing in selected cinemas across the UK now.

Download: Leah Kardos - DFACE (Practice This Video)

2012-02-08T08:23:00.001Z

Words: Saam Das

I'm one of those people that likes to check out support acts when they go to see gigs. And by that, I mean Googling the fuss out of them beforehand. Especially when the name is an unfamiliar one. So when I discovered Leah Kardos was supporting Rumour Cubes at the launch of their debut album, I decided to investigate further. In 'DFACE (Practice This Video)', I found a contemporary classical gem.

Aussie-born Kardos is currently studying for a PhD in music composition, and produced her own David Bowie covers project, My Lithium & Me. She's moved from Brisbane to Bedford, composing experimental classical music for soundtracks, as well as recently releasing her own debut album, 'Feather Hammer'.

'DFACE (Practice This Video)' combines a serene piano melody with a 65daysofstatic-esque fondness for glitches, sparse but effective use of percussion and a compelling sample from a piano tutorial. The consequent arrangement is mesmerising. Download the track below, and listen to a selection of songs from 'Feather Hammer' in the album sampler widget.

Find more info at leahkardos.com. Her London gig with Rumour Cubes is on Feb 18th, with free entry.

Surfacing: Foxes [New Act]

2012-02-07T20:53:00.001Z

Words: Saam Das

Louisa Rose Allen first came into prominence via her Loui Rose persona, which made waves across the blogosphere during 2011. We'd been holding back posting about her but today, in her new guise as Foxes, she's signed a major label record deal with Sony. So I figure now's probably as good a time as any to talk about her synth-pop anthems.

Foxes comprises Loui and guitarist/co-writer Sam Dixon, a set-up akin to the likes of La Roux and Daughter. Indeed, her past demos shared many a similarity to the latter with a heartfelt acoustic sound. No longer though as we see from January's debut Foxes single, which came out on the home of the hits, Neon Gold.

A-side 'Youth' is built around Louisa's strong vocals, emboldened by majestic widescreen pop production, worthy of The Sound Of Arrows. The b-side, 'Home', goes back to the roots of her previous guise albeit with a slow-burning, night pop twist. A contrasting mix but one which suggests that Foxes won't be struggling for top material when the debut album eventually drops.

Find more info at iamfoxes.com.

Preview: Vault Festival 2012

2012-02-07T08:51:00.000Z

VAULT Festival (9-26 Feb '12, The Old Vic Tunnels) // Words: Saam Das

VAULT is a three week long festival, combining performing arts, music and film, set in London's Old Vic Tunnels. "From theatrical gigs of elemental fury to immersive operatic worlds, and from late night themed parties to a horror-exclusive cinema, VAULT will thrill everyone who comes through our Leake Street door." We're delighted to be attending some of the events - read on for some of our highlights of the upcoming festival.

THE FLICKER CLUB PRESENTS HAMMER

Hammer is a legendary name in horror film history, not only in Britain but worldwide. 17 of their films will be shown in the unique setting of the Old Vic tunnels and it's no surprise that the latest Hammer offering, 'The Woman In Black' has already sold out. Each screening has its own special guest and we think that 'The Hound Of The Baskervilles' (Sun 12th) featuring a reading from Mark Gatiss, and the world premiere of a newly restored version of 'Dracula' (Sat 18th) are of particular interest.

SILENT OPERA

Forget silent discos, this is the next level. Transforming 'La Bohéme into an immersive experience, the viewer is able to don their own personal set of headphones provided, juxtaposing newly created high quality recordings of Puccini's orchestral score against the live singers. Revitalising opera for the 21st century.

THE GREAT PUPPET HORN

Performed by Pangolin's Teatime, this show has already garnered several rave reviews from broadsheets across the UK. Unique up-to-the-minute satire. With cardboard puppets. If they can reproduce such skits as the below 'Avatar' parody then rest assured this show will be devilishly amusing.

FABLES - A FILM OPERA

The Streetwise Opera have brought a selection of fables back into the contemporary consciousness via a series of short films, featuring over one hundred performers. The vast majority of these performers are homeless and "if you have ever been curious about the power singing has to change people’s lives, come and see Streetwise Opera’s work in action."

LATES

For the nocturnal among us, VAULT is providing several nights of late night entertainment, from 10pm onwards. Videopia (10th) allows enthusiasts to join in their movie recreations in the midst of a party atmosphere, B-Movie Ball (18th) is perfect for the fancy dress film lover, and Mardi Gras brings the New Orleans spirit to Sarf Lahndan.

For more details and to book tickets, head to thevaultfestival.com.

Listen: iAm1 - Watching [EP Preview]

2012-02-06T08:14:00.000Z

Words: Saam Das

A few sites have wrote about the debut EP from iAm1, a genre-mashing duo formed of MC Jamie Williams and acoustic songwriter Oli Rose. Unfortunately, the ones I've come across have either copied the press release verbatim or neglected to write anything more than a sole paragraph. That's depressing for everyone involved. Seeing as I went to a bit more effort, hopefully you'll read on and listen to their dulcet folk-hop tunes.

The duo met up at Westminster University back in 2008 and have released a couple of singles under the slightly different I Am One Project moniker. It's only now that they've come up on my radar, and have done so in stunning fashion. 'Watching' is the first track unleashed from their EP of the first name and it juxtaposes their styles magnificently, against a beautifully serene orchestral background.

The track ends on the profound lyric: "You have to be prepared to lose everything, in order to win it all". You have to suspect that both artists have had to overcome abrasion from their peers in joining together - but now it's their chance to make it big. If they continue to make such arresting music then it could well happen. Check out another track by downloading the rousing 'Concrete' below.

'Watching' is released on 19th March. Find more info at iam1music.co.uk.

Small Screen: New Girl, Same Old Tricks?

2012-02-04T21:22:00.001Z

Words: Lauren Johnson-Ginn

Channel 4 has invested a great deal in hyping up its new sitcom, 'New Girl', which – after an initially promising start ratings-wise, has reportedly dipped significantly since the series opener. In spite of viewers apparently jumping ship in their droves, I think it’s worth sticking with – provided you enjoy quirkiness, spontaneous bursts of song and, perhaps most importantly, the comedy stylings of Zooey Deschanel.

Created by Elizabeth Meriwether, writer of last year’s 'No Strings Attached', 'New Girl' doesn’t stray too far from the tried and tested formula that has proven wildly successful for other US sitcoms aired on Channel 4 – I refer here to 'Friends' and 'How I Met Your Mother'. It documents the everyday adventures of a group of wonderfully good looking twenty-somethings who live in a fabulous apartment, have convoluted love lives and hilarious mishaps.

Deschanel plays Jessica ‘Jess’ Day, a kooky schoolteacher who has just emerged from a long-term relationship, after discovering, in a most unceremonious fashion, that her boyfriend is cheating on her. An emotional wreck, Jess is forced to search for a new apartment, and ends up moving in with three single men, all of whom fit the typical sitcom tropes we know and grudgingly accept.

Schmidt (Max Greenfield) is the classic ‘himbo’ – egotistical yet insecure, unintentionally camp, a prolific womaniser, but ultimately a good guy. See: Joey from 'Friends'. Meanwhile, Nick (Jake Johnson) is the sarcastic, neurotic and belligerent but ultimately sweet and sensitive one (See: Chandler from 'Friends') and Winston (Lamorne Morris) is the archetypal Straight Man, the relatively normal one who marvels at the dysfunctional people around him – feel free to suggest suitable 'Friends' equivalent.

All this may seem a slightly damning catalogue of unoriginality, but 'New Girl' isn’t without its flashes of brilliance. The first four episodes have been consistently funny, which is due to the genuine comedy talent of the cast and witty, gag-heavy writing that’s peppered with zinging one-liners.

Deschanel is thoroughly endearing as Jess, the ‘adorkable’ protagonist, and displays great delivery and timing on jokes, as well as a knack for physical comedy – the role has already earned her a BAFTA nomination. However, some may find the saccharine, wacky nature of her character to be something of a put-off.

The series is still in its early days, so it will be interesting to see whether it diverges from the well-trodden C4 sitcom path as it develops – but at the moment it’s shaping up to be the new 'Friends' for the Facebook generation.

'New Girl' airs every Friday on Channel 4. Catch up on 4oD.

Film Review: Martha Marcy May Marlene (2011)

2012-02-03T12:06:00.003Z

'Martha Marcy May Marlene' (UK Release: 3 Feb '12) // Words: Saam Das

The fact that Elizabeth Olsen isn't in the nominations for Best Actress at this year's Academy Awards is a travesty. Indeed, perhaps another year would have seen much greater recognition for the film itself and Sean Durkin, whose directorial efforts here are astonishingly his first in the feature film arena. Intense, haunting, and above all, excellent, 'Martha Marcy May Marlene' deserves better.

Martha (Elizabeth Olsen) has been living in a commune, led by the enigmatic Patrick (John Hawkes), for the past two years. Yet something has gone very wrong as we find her running away from her fellow dwellers and ringing her older sister Lucy (Sarah Paulson), who she hasn't contacted in years. Lucy finds Martha, allowing her sister to stay at her beautiful, overly plush home, along with her fiancé Ted (Hugh Dancy).

The film pieces together Martha's experiences at the commune, drip-feeding dreamy flashbacks of the abuse she has suffered. All the while, Martha struggles to find her place and identity in the outside world, succumbing to paranoia and erratic activity. Olsen's distressed performance is sublime, charting Martha's troubling descent among a slew of other excellent performances, including Paulson's and Hawkes'.

At times, the treatment of the film's "cult" is somewhat on the sensationalist side but few other films have managed to demonstrate quite how and why ordinary people can be taken in by others with dubious intentions. 'Martha Marcy May Marlene' does it with ease, a testament to Durkin's writing and directing ability. The casting of John Hawkes is pivotal as he revels in the contrast of his father-figure role and something much more sinister.

The film's ending questions if Martha can ever escape her haunting paranoia, undoubtedly a similar feeling experienced by the audience upon watching 'Martha Marcy May Marlene'. This is a vivid, unsettling portrayal of an abused young woman consumed by her recent past. 'Martha Marcy May Marlene' combines remarkable performances both in front and behind the camera - a psychological drama of the highest calibre. Already a contender for film of the year.

9.5/10

'Martha Marcy May Marlene' is on wide release throughout UK cinemas now.

Competition: Win 5x Sets Of Stickers From The Muppets

2012-02-03T08:48:00.007Z

The latest feature film extravaganza from our favourite puppets, The Muppets, arrives next week. Before that though, The Muppets are coming to your breakfast table! We've teamed up with the folks at Cravendale who joined forces with The Muppets to provide limited edition stickers that are specially designed to turn a Cravendale milk bottle into some of your favourite characters from The Muppets. Enter below for your chance to win one of FIVE full sets of stickers, with vouchers.

'The Muppets' stars Jason Segal, Amy Adams and Chris Cooper as our intrepid puppet pals have to reunite in the attempt to save their Muppets Theater via a mega telethon. For your chance to win one of the five sticker sets, simply pop your name and UK address (UK entrants only, I'm afraid) in an email to fgcompetition-muppets@yahoo.co.uk by noon on Friday 10th February.

T&Cs apply but we do not use your address for anything other than sending a prize to you, as per our privacy policy. Winners will be contacted by email. Good luck!

Find more info on the Cravendale collaboration with The Muppets at milkmatters.co.uk. 'The Muppets' opens in UK cinemas on Feb 10th.

Listen: Anothers Blood - Lonesome Tonight [New Order Cover]

2012-02-02T18:53:00.002Z

Words: Saam Das

Last month's MOJO magazine came with a free New Order tribute CD comprising of covers from the likes of Destroyer, Errors and Walls. Alas, I missed out but I did have the pleasure of listening to a rather splendid cover of 'Lonesome Tonight' by FG faves Anothers Blood. Listen to the ethereal, wide-eyed journey through the clouds below.

If you're wondering why New Order were on the cover of MOJO then it's because they have reformed, minus Peter Hook. And while we're talking New Order, check out Rajan's Buried Treasures piece on their underappreciated 'Technique' album. Compare and contrast the two versions of 'Lonesome Tonight' below. They are both excellent.

Find more on the band at anothersblood.com.

Film Review: The Artist (2011)

2012-02-02T08:45:00.001Z

'The Artist' (UK Release: 6 Jan '12) // Words: Saam Das

'The Artist' is a film almost entirely devoid of dialogue - a throwback to the silent era of cinema. Film critics have fallen over themselves in their praise of the latest offering from French writer-director Michel Hazanavicius. The film has received a dizzying twelve BAFTA nominations and ten Academy Award nominations, as well winning three Golden Globes. But is it quite the triumph that is has been portrayed as? I'm not so certain.

I am quite certain of the idiocy of some cinema-goers - who elected to request refunds upon discovering the film is largely silent. I'm not quite sure how they succeeded with such a request - if I went to a death metal gig and remarkably discovered that I didn't enjoy it, I wouldn't have the audacity to ask for my money back. Indeed, a valid response to their request might have been a ban from the cinema.

The film itself contrasts the careers of aspiring actress Peppy Miller (Bérénice Bejo) and movie star George Valentin (Jean Dujardin) as the talkies emerge in early 1930s Hollywood. The stubborn Valentin struggles to adapt, instead relying on his waning silent film stardom, while Peppy's success ascends as the new era of sound emerges. Among this come delightful cameos from John Goodman, James Cromwell and the winner of the Palm Dog award at the 2011 Cannes Festival, Uggie.

'The Artist' looks stunning and the performances and direction are accomplished, all the more so considering the relative lack of explanatory intertitles, but it is the story which fails to excite me. Shrouded in clichés, albeit mashed up in a palatable manner, it comprises a predictable love story and an unsympathetic rise and fall. The accompanying score is as over-bearing as it is evocative - more of a distraction, and not a pleasant one, like Uggie.

Gimmick or otherwise, the true triumph of 'The Artist' is in celebrating a forgotten strand of cinema. The likes of Charlie Chaplin and Laurel and Hardy are now unrecognisable to many youngsters. Perhaps 'The Artist' can rectify this, encouraging all generations to re-engage with a pivotal era in cinematic history. A loving tribute but one that is vehemently style over substance.

7.0/10

'The Artist' remains on limited release in UK cinemas.

DVD Review: A Separation (2011)

2012-02-01T16:51:00.000Z

'A Separation' (UK Release: 6 Dec '11) // Words: Raman K

Exactly a week has passed since I watched the Golden Globe winning 'A Separation' and I cannot shake it from my thoughts. Tense from the immediate opening divorce court scene, shot from the judge’s perspective, the film masterfully rakes you into its tragedy. Its screenplay compels you to respond throughout as parent, lover, child, citizen and law enforcer. The signature of director Asghar Farhadi’s creation is that every character’s position is both justifiable and yet may equally be objectionable by our gut-feeling of what is inherently correct.

Set in modern day Iran, a wife, Simin (Leila Hatami), files for divorce from her husband, Nader (Peyman Maadi), citing principally the safety of her 11 year old daughter, Termeh (Sarina Farhadi), remaining in the “circumstances” of Iran. Pining to move abroad, Simin requests custody of Termeh. Nader refuses to give up his child or leave his Alzheimer-suffering father, particularly as the condition worsens.

After Simin moves out to stay with her mother, a housekeeper called Razieh (Sareh Bayat) takes a job at the residence with her young daughter, Somayeh (Kimia Hosseini), but quickly finds herself overburdened in caring for Nader’s father. Razieh, forced by her husband, Hodjat’s (Shahab Hosseini) long term unemployment, debt and depression, perseveres only to find herself at the centre of a tragic turn of events.

Western audiences will immediately project oppressive stereotypes of Iranian culture onto Simin’s desire to protect Termeh from political unrest in Iran, but Farhadi subtly skirts this question, focusing instead on the events that it sparks. Termeh emerges as the soul of this film, confronting a series of tribulations and battles in parallel to her father’s, but markedly with the strained maturity of someone far beyond her years. She becomes the director’s punctuation for the most painful injustices. An example is the protracted court battle that exposes the failure of small courts in sensitively accommodating children in the face of often traumatic adult disputes.

'A Separation' bravely and carefully treads the edges of contemporary social issues in Iran’s capital. Since the government crackdown of one of the world’s most flourishing filmmaking communities and the high profile arrest of leading director, Jafar Panahi ('The White Balloon', 'Mirror'), 'A Separation' evenly drives family emotions and dynamics into harsh political questions at stake in Iran: middle class comfort and the vulnerability of the impoverished, Islamic piety and flexible justice, selfishness and love, Tehran and modernisation. Beautifully crafted and never unnaturally orchestrating your empathy, Farhadi has given a welcome gift to world cinema in handling our sympathies without accusation or bias.

Where Marjane Satrapi should have secured an Oscar for 'Persepolis', the delightful animated coming-of-age story, 'A Separation' is a brilliant piece of drama that should be celebrated. Truly accomplished acting, plot twists and emotional gymnastics left nearly the entire theatre audience seated until the last name of the credits had passed, lumps in throats and sobs quickly wiped away as the lights were raised.

9.5/10

'A Separation' is on limited release in US cinemas now. It is available to purchase on DVD/Blu-Ray from Amazon.co.uk.

Surfacing: Fox The Cat [New Band]

2012-02-01T08:54:00.002Z

Words: Saam Das

I don't normally feature new American bands. Mainly because the few that interest me have already been discussed at length on the hundreds of excellent blogs across the pond. But Chicago's Fox The Cat seem rather devoid of such attention. Or any attention really. So here's where I step in and tell you a little more about their compellingly solemn sound.

The five piece have only been going since October 2011, and are giving away their first recordings - a three track demo. The band produce an evocative sound, with hints of Grizzly Bear as well as the newer Bon Iver, best heard on the stunning 'Electric Wires'. "How I wish I could just live a few moments over again." I'm going to assume they mean speciall moments. Special moments like this.

Listen to the demos below, and download at Mediafire. A further track is downloadable at Soundcloud.

Find more info at Fox The Cat.

Surfacing: Mercy [New Artist]

2012-01-31T17:48:00.002Z

Words: Saam Das

On Saturday, I ventured along to XFM's annual All Dayer at the Camden Barfly to see numerous bands. One of them was Hatcham Social. Their set was a miserable experience, albeit made somewhat interesting by the appearance of a guest vocalist in a (dubious) onesie for the final song. That was Mercy. Otherwise known as former major label popstar, Amy Studt. Turns out she's doing exciting new things.

It's pretty weird to think that Amy's breakout hit 'Just A Little Girl' came out TEN years ago, especially as she's only in her mid-twenties. After the success of her debut album, she's been rather through the mill - so it's not too much surprise that she's beginning a new project (in collaboration with Toby Kidd, of Hatcham Social). What's pleasing for me, in particular, is that she isn't pulling a WU LYF or an iamamiwhoami. No shroud of mystery here, just a new start.

It's a good start too. Debut single/free download 'Sleepwalker' is an alluring juxtaposition of ethereal rebellion. Pottymouth lyrics aside, 'Sleepwalker' could easily be a top chart single. Of course, Mercy are rather lacking in marketing power so that's not going to happen anytime soon. But this is more than promising. Let's hope Toby and Amy can really kick on.

'Sleepwalker' also happens to be the first single on the digital arm of the returning Cool For Cats record label, which put out singles by FG faves Fight Like Apes and Thomas Tantrum, among others. Check out their website.

"Sleepwalker" by Mercy by Mercy

Download 'Sleepwalker' from the widget above. Find more on Facebook.

Film Review: The Girl With The Dragon Tattoo (2011)

2012-01-31T09:55:00.001Z

'The Girl With The Dragon Tattoo' (UK Release: 26 Dec '11) // Words: Lauren Johnson-Ginn

With a hugely successful novel and a well-received Swedish language adaptation released just a couple of years ago, David Fincher’s re-imagining of 'The Girl With The Dragon Tattoo' had to go quite some distance to avoid straying into pointless Hollywood remake territory – and I believe it has, perhaps even outdoing the original.

Daniel Craig plays Mikael Blomkvist, a beleaguered magazine owner who loses all journalistic credibility after publishing libellous accusations about one of Sweden’s most powerful (and dodgy) businessmen. Vilified, Blomkvist embarks on a self-imposed exile to a remote island estate, at the bidding of industry magnate Henrik Vanger (Christopher Plummer).

Vanger asks Blomkvist to investigate the murder of his niece, Harriet – a murder he believes was perpetrated by a member of his own “detestable”, Nazi-packed family. Blomkvist sets out to solve the mystery, which leads him to cross paths with Lisbeth Salander (Rooney Mara) – a profoundly damaged yet incredibly intelligent investigator and computer hacker with punk/goth sensibilities and the titular dragon tattoo.

In almost every way, Fincher’s version stays true to the spirit of Niels Arden Oplev’s 2009 adaptation. In fact, anyone who has seen the original will probably find themselves experiencing severe déjà vu throughout the film, as some scenes are practically identical. However, Fincher effectively borrows all the best parts of the original and tightens up the action – upping the pace and adding tension, dark humour and a greater sense of emotional investment in the characters.

Both Rooney Mara and Daniel Craig deliver accomplished performances, with Craig oddly believable as a haphazard writer – in spite of his improbably Bond-like physique – and Mara scene-stealingly intense, fiery, steely and vulnerable. The pair bring a chemistry to the screen that was perhaps slightly lacking in the original partnership of Noomi Rapace and Michael Nyqvist (who can be seen in 'Sherlock Holmes 2' and 'Mission: Impossible 4', respectively).

Some may complain of the Swedish-lite accents adopted by most of the English-speaking cast (and admittedly I did find it curious that Daniel Craig was exempt from this), yet Fincher’s reworking of 'The Girl With The Dragon Tattoo' is nevertheless thoroughly slick, stylish, brutal and compelling.

Oh, and the opening credits sequence is nothing short of epic.

'The Girl With The Dragon Tattoo' remains out on wide release throughout UK cinemas. Listen to an extended clip from the film's soundtrack above, composed by Trent Reznor and Atticus Ross.

Album Review: Craig Finn - Clear Heart, Full Eyes

2012-01-30T08:40:00.000Z

Craig Finn – 'Clear Heart, Full Eyes' (UK Release: 23 Jan '12) // Words: Simon Opie

The Hold Steady are a relentlessly old fashioned band and this horribly titled solo album by front man Craig Finn is a similarly old school effort. Most people use solo albums to expand their horizons, but this is an album of demos, designed to show what The Hold Steady might sound like if they were a country rock band.

Opener ‘Apollo Bay’ is probably the best track and is atmospherically related to the opener from the last Hold Steady album, 'The Sweet Part Of The City', which makes it an okay listen. Thereafter the album descends into a mawkish soft country hotchpotch masterminded by producer Mike McCarthy, with the better songs sounding like they’d be a lot better if they’d been played by The Hold Steady (‘Jackson’, 'Honolulu Blues’).

Lyrically there are some nice touches, mostly on religious or drug-taking themes but the immaculate conception of ‘Separation Sunday’ seems a long way away. I wish I liked the album more cos I really did like The Hold Steady back in the day, and I can’t help musing on what went astray. Don’t get me wrong, this is not about fashionable or not – rock music is never going to be in fashion as things stand, but that doesn’t mean it can’t have something to say and explore new areas even on its own terms.

That’s precisely what made The Hold Steady and Craig Finn in particular so uplifting when they broke onto the scene – anarchic live shows, great narratives told with endearing slackness and some neat Anthemic touches. A breath of fresh air – even an old school influenced one – can be very enervating. I think two principles emerge – don’t get discovered by the mainstream and don’t take singing lessons, if your essential appeal is around rough edges and an outsiders view.

4.0/10

'Clear Heart, Full Eyes' is available to purchase from iTunes, Amazon etc.

Surfacing: Swim Deep [New Band]

2012-01-27T08:58:00.001Z

Words: Saam Das

Speak to almost any new music blogger and they'll tell you about the dreaded band backlog. Swim Deep have been just another victim until now. A couple of months after I casually dropped their name, along with fellow Midlands bands Peace and Troumaca, I'm finally on it. Join the trio with their blissed out sounds below.

It's hard not to resist all the water-related puns so basically I'm not going to. Sorry guys. Swim Deep have been making waves in the West Midlands for a while now but it's the appearance of their ode to Warpaint bassist Jenny Lee Lindberg, 'King City', that's particularly attracted the attention of the NME and a handful of blogs.

Produced by Foals and TEETH collaborator DREAMTRAK, 'King City' carries elements of MGMT while showering itself in carefree dream-pop. But it's the older demos that captured my attention originally - dive into the beach vibes of 'Santa Maria' and 'Isla Vista' below.

Find more at Facebook.

Playlist: Rajan's Top Ten Tracks Of 2011

2012-01-26T09:03:00.000Z

Words: Rajan Lakhani

Following Jack's top ten tracks of 2011 and Simon's top eleven, here are my top ten songs from last year. Listen to them all in the YouTube playlist below, including tracks from Tribes, Glasvegas and Cut Copy.

YOUTUBE PLAYLIST:

TRACKLIST:

10. Katy B - 'Broken Record'

Katy B was one of the few British 'ones to watch' from 2011 that truly delivered on their potential. This single demonstrates why she was dubstep's major breakout star, melding a pop nous to electronic beats which packs an emotional punch with her affecting vocal.

9. Toddla T - 'Watch Me Dance'

Featuring the brilliant MC Roots Manuva, 'Watch Me Dance' is a infectious, fun slice of UK urban dance. No party playlist is complete without it.

8. Nicola Roberts - 'Beat Of My Drum'

Nicola Roberts has by far produced the best solo album by a member of Girls Aloud. This opening salvo from her debut 'Cinderella's Eyes' was as much brilliant as it was surprising, a thrilling pop single with a fantatically bratty chorus. It's a shame therefore it's not received major commercial acclaim -perhaps it's a result of cynicism around whether this is her really her own sound but who should care when the songs are this good?

7. Miles Kane - 'Rearrange'

Often maligned as the junior partner to Alex Turner, Miles Kane's debut 'Colour Of The Trap' was his opportunity to showcase his songwriting abilities. While not a perfect album, it's clear Kane knows his way with a melody and there are many tunes you find yourself humming along to with the retro, 60s feel of 'Rearrange' my favourite.

6. Glasvegas - 'The World Is Yours'

Glasvegas's second album contained too much empty bluster but this track is the exception, where they realise their epic, widescreen ambition. Like all the best songs, 'The World Is Yours' manages to be euphoric and heartbreaking (pun intended) in equal measure, as James Allan sings “If I’m your world/Then the world is yours”.

5. Joan As Police Woman - 'The Magic'

I must admit I hadn't heard of Joan As Police Woman before hearing her latest album 'The Deep Field'. A mature affair, the record is full of soulful insights although on occasion verges too close to MOR. Lead single, the sleek, funky, 'The Magic' avoid this, as Joan searches for the emotional, giddy rush of a relationship.

4. Tribes - 'Sappho'

I'd read a lot about Tribes before hearing this single, mainly about the band reviving the sound of Britpop. As someone who grew up during that period, this peaked my curiosity and 'Sappho' was no disappointment. While, yes it is clear their sound harks back to the likes of Suede and Oasis, there is also a grunginess a la Pixies, Smashing Pumpkins and of course Nirvana which gives their sound a different dimension. What the chorus lacks in subtlety, it more than makes up with its effusive, gaudy singalong refrain.

3. Lady Gaga - 'Judas'

After the letdown of title track 'Born This Way', many of the sceptics were looking to say Lady Gaga was already running out of ideas. It seemed she was taking herself too seriously and the album is muddled but 'Judas' demonstrated what she is best at - disposable, catchy pop songs with melodies that get their slippers off and take up residency in your head. A cousin of the all-conquering 'Bad Romance', the song has a sweet, 80s-pop chorus which is undeniable.

2. The Strokes - 'Under Cover of Darkness'

The Strokes returned with this superb comeback single, their first release in almost five years. It has all the elements which saw the band reinvent indie rock in at the start of the noughties together with a lovely, vulnerable chorus as Julian Casablancas sings “Don't Go That Way/I'll wait for you”. It's a shame the album didn't live up to this track.

1. Cut Copy - 'Need You Now'

I'm a huge fan of Cut Copy and while 'Zonoscope' didn't quite match the overall standard set by 'In Ghost Colours', it has moments which not only equalled but surpassed their earlier record. Opener 'Need You Now' is one of those songs, as its hynoptic beats slowly builds into a stunning peak as Whitford's pleads grow more desperate and aching, recalling Bowie's 'Heroes'. The genius of Cut Copy, like their musical forefathers New Order, is they know exactly when to make a shift in a song or add a new element to keep the listener guessing. Simply put, a brilliant song.

Listen to the playlist in full in the embed above or at YouTube. For other FG playlists, click here.

Album Review: Tribes - Baby

2012-01-25T09:18:00.001Z

Tribes - 'Baby' (UK Release: 16 Jan '12) // Words: Emily Solan

As long ago as it seems, it was this time last year that I was tipping Tribes to be the next big things. It seems that my predictions were wholly accurate, with every man and his dog frothing at the mouth at the release of their debut 'Baby' (count the recent double page spread in The Sun among all this hoo-hah). This collection of faux-grunge, hipster anthems, however, leaves a slightly bitter taste.

There are the obvious stand out tracks, such as the wickedly anthemic 'We Were Children' with its insanely catchy refrain of “These things happen, we were children in the mid-nineties”, latching suitably onto the seasons trend for all things grunge. Another highlight is 'Sappho', almost an ode to lesbian love everyone (“How do you tell a son that his daddy left his mum when she fell in love with a girl like you?”).

Other than that, 'Baby' is a collection of vaguely repetitive and somewhat mediocre tracks. With songs so similar that they flow into one another perfectly, it’s hard to listen to this as an album, the whole thing sounds like the background music to an episode of 'Skins' or some other similarly distressing alternative TV show. This may be doing them a disservice, but the more you listen, the more of a turn-off this entire album is.

This may be doing a slight disservice to Tribes though. What is here is a solid attempt at reviving guitar music (did you hear it’s apparently dead?), and of course that’s the reason that most of the music press are going to scream for this album. While it is fairly repetitive, it’s hard to deny that the band have an ear for a tune. 'Corner Of An English Field' is yet another of those swooning and gently melodic tunes yet it manages to stand out completely from the album.

'Baby' is a valiant attempt for a debut album. Tribes have played the game well with tours set in fans gardens and tabloid rumours, coupled with Topshop’s current range of “grunge chic” and its easy to see them fast becoming a fad. Come festival season they’ll be the band on everyone’s lips, as we’ll all be chanting 'We Were Children' all over again. With a stronger debut though, they could have easily followed The Vaccines atmospheric rise.

6.0/10

'Baby' is available to purchase at Amazon.co.uk, iTunes etc. Find more at tribesband.com.

Playlist: Simon's Top Eleven Tracks Of 2011

2012-01-24T08:50:00.001Z

Words: Simon Opie

Following up Jack's top ten tracks of 2011, here my top eleven songs of last year - featuring the likes of Low, The Dirtbombs, and Esben And The Witch. Along with eight others. YouTube playlist below.

YOUTUBE PLAYLIST:

11) Dan Mangan – 'About As Helpful As You Can Be Without Being Any Help At All'

Apart from having the longest title of any song ever, this opener from 'Oh Fortune' is a genuinely beautiful song from an album that didn’t get the attention it should have done. In the plethora of singer songwriter efforts, it’s one of the very best.

10) Battles – 'Ice Cream'

Guest vocalist Matias Aguayo spices up this lead-off single from 'Gloss Drop'. It is certainly the funkiest tune they’ve produced and has a great video to boot. 99’s all round.

9) Beastie Boys – 'Make Some Noise'

The theme tune to the greatest pop video ever made and a welcome return for the Beastie Boys, whose 'Hot Sauce Committee' was maybe their finest ever record.

8) Esben And The Witch – ‘Marching Song’

The highlight of 'Violet Cries' – the debut album from Esben And The Witch. In truth the rest of the album fell some way short of this tune, but this is a great off-kilter anthem full of tension and drama.

7) The Dirtbombs – 'Alleys Of Your Mind'

A terrific groove from an underrated album. The Dirtbombs tribute to Detroit’s Techno roots, 'Party Store', is as bold and challenging a covers album as you’ll ever find and this is pure soul.

6) PS I Love You – 'Meet Me At The Muster Station'

Strangely topical song from one of the very best Black Keys/White Stripes influenced two man bands. Snappy lyrics, crunchy guitars, it’s two minutes of pugnacious punk pop, from the album of the same name.

5) Low – 'Witches'

Marking Alan Sparhawk’s recovery from a pretty serious illness, 'C’mon' has some brilliant moments and this is my favourite. A life affirming song about tackling Witches with a baseball bat – how to cast out your demons you might say. Faintly reminiscent of 'Bittersweet Symphony', which is a very good thing of course.

4) Down I Go – 'Atlas'

Madder than a crazed soothsayer, this chaotic tune from the 'Gods' EP is as glorious a swansong as you could wish for. Motown chorus girls interrupt hardcore metal mythical storytelling that then breaks into Nirvana like festival anthem. Cue the feedback. A band that will be sorely missed.

&lt;p&gt;&amp;lt;a href="http://shelsmusic.bandcamp.com/track/atlas"&amp;gt;Atlas by Down I Go&amp;lt;/a&amp;gt;&lt;/p&gt;

3) Ghostpoet – 'Survive It'

A real talent breaks it with this tremendous single. Gentle despair, with a painfully true to life account of impending middle age. Trust me on that one. Maybe not high on the uplifting stakes, but supremely well done.

2) Richmond Fontaine – 'Lost In The Trees'

Naked drug taking in remote woods to the strains of a Judas Priest mixtape. You just have to be drawn into the sticky web of this bizarre story, a huge part of 'The High Country'’s unique appeal is its concept but the music is pretty good too. “I screamed her name until my voice broke...”

1) CSS – 'City Grrrl'

Music is supposed to be fun after all, so top spot goes to this uplifting pop song from the return to form that was 'La Liberacion'. CSS are sexy, sassy, brilliant live and this should have been the Christmas number one after several unbroken weeks at the top of the charts. But if we all got what we deserve I’d be living in Rio hooked up with their guitarist, and that’s not happening any time soon either.

Listen to the playlist (minus the unavailable Down I Go track) in the embed above or on YouTube.

Surfacing: Stella Le Page [New Artist]

2012-01-23T08:47:00.001Z

Words: Saam Das

25 year old Londoner (hey, me too) Stella Le Page cut her teeth as a member of synth-pop outfit Primary 1's live band as well as recording cello parts for Plan B. After dropping a succession of covers last year, 2012 sees Stella stepping out on her own two feet properly - her sassy debut single, 'Snake', is released digitally today.

Stella recorded eight covers in 2011, taking on a blistering variety of tracks by the likes of The Weeknd, James Blake, Robyn and Nancy Sinatra. Influences on her music? At some level, I guess they all must be. I've included a couple of my favourite of her covers below. Pick up all eight covers for free from her parent label, Anchor Factory.

One influence/contemporary that I feel is particularly valid is Little Boots - both have a synth-pop sensibility while embracing more classical roots. 'Snake' is a perfect example, a fantastically bitter revenge anthem compromising rousing electro-pop juxtaposed with classical piano. Hypnotic demo 'The Morning After' opts for a more magical direction. Both tracks hint at the birth of something truly exciting.

&lt;p&gt;&amp;lt;br /&amp;gt; &lt;/p&gt;

For more info, head to facebook.com/stellamusicuk.

Playlist: Jack's Top Ten Tracks Of 2011

2012-01-20T09:35:00.001Z

Words: Jack Thomson

Most music outlets have already gone and forgotten 2011 but we wanted to share some of our individual favourite tracks of the year after giving it some considered thoughts. Listen to my top ten tracks of 2011 in YouTube playlist below, featuring everything from hot tips for 2012 Zulu Winter and Alt-J to new rap "sensation" Azealia Banks.

YOUTUBE PLAYLIST:

10. Zulu Winter - Let's Move Back To Front
The sounds from this London based band more than make up for the lack of information about them online. ’Let’s Move Back To Front’ begins with jangly guitar chords and pitch-perfect falsetto vocals over a solid beat. As it progresses, it grows and develops into something much darker and moves away from its dreamy opening, ending on a guitar fuelled crescendo, full of reverb and distant vocals. If this track is anything to go by, Zulu Winter are definitely a band to watch out for in 2012.

9. Tyler, The Creator - Yonkers
The music video for ‘Yonkers’ by Odd Future’sTyler The Creator is definitely one of the best promo clips I’ve seen in a long while and is taken from his debut album ‘Goblin’ which came out last year surrounded by a whole world of hype. The album is by no means an easy listen, but with music and accompanying visuals as strong as ‘Yonkers’, all eyes will be on Tyler and his new album which is due to drop in early 2012.

8. SBTRKT - Wildfire (feat. Little Dragon)
South London’s SBTRKT got a lot of attention in the electronic music scene last year with the release of his debut album. As a whole it was an incredibly strong album, but my personal favourite had to be ‘Wildfire’ featuring Yukimi Nagano of Little Dragon. She provides perfectly pitched vocals over the instantly catchy, wobbly bass that made this track one of my top tracks of the year.

7. Arctic Monkeys - Brick By Brick
I have always been a huge fan of Arctic Monkeys and their ability to release consistently brilliant albums that people seem to genuinely care about. The first track to emerge last year from their latest effort was the superb ‘Brick By Brick’. A lot heavier than some of their previous outings, but still instantly recognisable with Turner’s trademark witty lyrics and fuzzy guitar solos.

6. Azealia Banks - 212
Now prepping her debut album, Azealia Banks released the video for ‘212’ last year, a certified club banger that certainly shows what all the buzz is about. Whether her music hits you with seasoned bars or her angelic voice and hooks, Azealia Banks gave everybody a reason to rewind that track with ‘212’. Download it for free below.

5. Breton – The Commission
Breton are by quite a way one of the most exciting sounding projects I’ve come across in a long while. Signed to FatCat Records, the label who discovered Sigur Ros and Animal Collective, ‘The Commission’ is a beautifully atmospheric song on the surface, with an incredibly dense sounding core, giving it an overwhelming sense of inevitable foreboding. The accompanying video encapsulates this perfectly and was directed by BretonLABS and Stuart Sinclair. Definitely an album to look forward to in 2012.

4. White Russia - O Jerusalem
White Russia's debut LP is a real body of work and album closer 'O Jerusalem' showed this best clocking in at a powerful 9:23. From start to finish the track grows and grows into the most spacious, hypnotic sound, really drawing the listener into their world of distorted bass and beautiful atmospheric vocals.

3. Bon Iver - Holocene
Bon Iver's latest album 'Bon Iver' showed a progression from his debut with the addition of a band. I was cautious at first having been such a big fan of 'For Emma, Forever Ago', but from the word go completely fell in love with it. 'Holocene' is such a beautiful track and summed up for me what the album was about, and also showed what great musicians were involved.

2. Lana Del Rey – Video Games
Lana Del Rey is soon to become a regular household name and her rise to fame has taken just a mere few months. Video Games kicked things off last year and the combination of a quirky home made video and her laid back, seductive vocals was enough to draw me in. It is an instantly catchy song that stuck in my head for days and hopefully shows the beginnings of 2012s next big star.

1.Alt-J - Tessellate
There aren't many bands that excite me from the word go, but Alt-J have made my top track of 2011. With their sublime vocal harmonies, jittery indie beats and intricate guitar parts, Tessellate is an incredibly infectious song and shows why 2012 is set to be a big year for the Leeds band. Download the demo version below for free.

Listen to the playlist in full on YouTube or in the embed above.

Surfacing: Model Railway Exhibition [New Band]

2012-01-19T09:01:00.004Z

Words: Saam Das

Last week saw the debut release for London three-piece Model Railway Exhibition on Verulamium Records, which is the record label offshoot of Just Music That I Like. Not only is that a blog we heartily recommend checking out but we share similar sentiments for this band and their engaging, beat-laden shoegaze.

There's more than a hint of a Creation Records influence here with a scuzzy sound that has seen contemporaries The History Of Apple Pie garner hype over the course of 2011. Perhaps Model Railway Exhibition will receive similar plaudits in the coming months. We certainly hope so as not much has been said about them thus far. Not nearly enough, anyway.

Debut single 'Jennifer's Brother' is out on cassette tape (100 copies only) with 'Future Perfect' on the flip-side. It is the a-side 'Jennifer's Brother' which most appeals, with its hypnotic juxtaposition of heavenly vocals and onslaught of guitars. A Christmas track, 'Always Winter In Grantham', is also available to listen to on their Soundcloud page.

Find out more on the band at modelrailwayexhibition.co.uk. Purchase the single at Bandcamp or from Verulamium Records.

TV Review: Sherlock - The Reichenbach Fall [BBC iPlayer]

2012-01-18T09:04:00.004Z

'Sherlock' Series Two, Episode Three: 'The Reichenbach Fall' // Words: Saam Das

SYNOPSIS: "Contemporary crime drama. Moriarty is back, with the most audacious crime of the century. But is Sherlock Holmes all he claims to be?" (bbc.co.uk)

It is perhaps unfortunate that the recent film sequel 'Sherlock Holmes: A Game Of Shadows' and the finale to the second series of this fantastic television show both opted for the same source material - 'The Final Problem'. Yet both the film and this episode have turned out rather well. For more on the latter, read below - there will be spoilers on the series as a whole but these will be heavily marked.

The episode opens in a solemn fashion as we find our old buddy Dr John Watson (Martin Freeman) attempting to come to terms with the death of Sherlock (Benedict Cumberbatch) before we flashback to months previously to the man in his pomp. Solving cases like no amateur has done before, "boffin" Sherlock Holmes has become the media's darling, with "confirmed bachelor"-cum-PR-assistant Watson also thrust into the limelight.

All is looking well until the return of one Jim Moriarty (Andrew Scott), generally regarded as "the greatest criminal mind the world has ever known". An ominous, if not catchy, slogan. Moriarty has played a rather subdued role in this series considering the manner in which he exploded into Sherlock's world in the previous series finale. But he has clearly been biding his time.

Breaking into The Tower Of London, Bank Of England and Pentonville Prison simultaneously via what appears to be a mobile phone app - there's an app for everything these days - but is apparently a few lines of computer code which can open any door, anywhere. "I can blow up NATO in alphabetical order". Moriarty rather gloriously decorates himself in the crown jewels while awaiting his capture - his object of desire being Sherlock, and not money.

Moriarty finds himself on trial, entering a "not guilty" plea, while presenting no defence. We're already aware that this is a man who is quite possibly batshit insane yet we also know that he is extremely intelligent. This is a man with a plan. A plan to destroy Sherlock. And that plan is already well under way...which is about as much as I'd like to say in terms of plot without entering the realm of spoilers.

'The Reichenbach Fall' was truly excellent, one of the finest pieces of television (British or otherwise) from the past decade. The writing, acting and direction all superb with perhaps the only sour note being the final shot, which was too revelatory for my liking. As well as a slightly dubious assassins sub-plot. Nonetheless, I salute all involved, particularly the terrific writing of Steve Thompson and direction from Toby Haynes. A shame we'll have to wait a long, long time till the third series.

*****SPOILERS FROM HERE ON*****

So before the intermission for spoilers, I was talking about Moriarty being on trial. Obviously he got out of that in a typically malevolent fashion. Which surely brings up an interesting discussion about why good guys (almost) always win when they're so restricted by the "rules"? But that's for another time.

A brew with Moriarty later and we're onto kidnapped children. In similar fashion to 'The Great Game', Sherlock managed to solve the case in spite of severe time pressure but ultimately, this counts against him. When the young girl immediately screams upon meeting Sherlock, Sergeant Donovan grasped upon her long standing grudge against the detective and pinned him as prime suspect. Bloody women.

The dramatic montage (from a taxi, of all places) that followed was unexpectedly brilliant, both cementing Moriarty's status as a maniac and a genius. Of course, having had a run in with one cab driver already - you'd have to ask why Sherlock doesn't at least take a glance at who he's joining inside a moving vehicle. Bloody cabbies.

Two arrests later and Sherlock and Watson made their "imminent and daring escape" from the police - which seemed like something of a plothole for the rest of the episode, it must be said. But that kind of thing is easily overlooked when the twists start coming - first, Moriarty posing as an actor who Sherlock had hired to perpetrate his "fake" crimes. Then, the computer code that never was - even the great Sherlock was dumbfounded that something could have been done so easily.

The biggest twists of course were the final deaths. Moriarty's, in particular. Just as I was warming to Andrew Scott as well. Having so skilfully defeated Sherlock, it was something of a surprise that he would sacrifice his own life simply to ensure a greater probability that Sherlock's friends would die. Especially as they ended up surviving. But really it's all about Sherlock's end. Or rather, his un-end.

***(WILD SPECULATION ON) THE ENDING***

He clearly jumped off the roof. Was it his bloodied body lying on the pavement? We've seen a similar bait-and-switch in the first episode of this series - speaking of which, it was a shame not to see a returning Irene Adler - whether that has any reflection on the eventual explanation, I'm not sure.

There's a few key elements - Sherlock insisting that John stand in a certain location, followed by the cyclist knocking John over as Sherlock jumps. With difficulty, he stumbles over to see what he believes is Sherlock's body and checks for any pulse - finding none. In his discombobulated state though, what he perceived might not have been true.

Molly (Louise Brealey) seems to be the missing piece of this jigsaw. Her character has been nurtured magnificently over the course of the six episodes and she could well have played her finest hand yet here. Significantly, Sherlock asks for her help in a sincere rather than commanding manner and she appears willing.

It seems most likely that Sherlock jumped onto an adjacent garbage truck, then as Watson was hit by the cyclist, faked substantial injuries with or without the help of a) Molly and/or b) Mycroft and his pals c) Irene Adler d) Lestrade e) Dangermouse etc. Molly would then conduct the resulting autopsy and cover-up the issue. It'd be good for Molly to be the hero, for once.

If the garbage truck had nothing to do with the situation, it pulled away surprisingly quickly considering someone had just committed suicide about 5 yards away. But I suppose Londoners are known for their ability to continue their daily lives in the face of adversity. And the makers can always claim it was an intentional red herring and it was their plan all along. I will stage a small protest/my own fake suicide if they try though.

Other theories are certainly available, and the traumatised child who screamed at the sight of Sherlock could be key - perhaps there was some sort of mask/disguise which could have been placed on another corpse or even more juicy, a (now deceased) Sherlock double. Some people even think Moriarty might have a double, although I would like to think not purely as it would be of tremendous detriment to this episode.

As it stands, 'The Reichenbach Fall' was not a fall but a triumph. Whether the final reveal of an alive Sherlock was needed, I'm not sure - I thought it actually took away some of the emotion of Watson's empassioned plea for him to return. Perhaps simply showing a shadowy figure walking away or some such would have been preferable.

To sum up the series, we found ourselves in a similar pattern to last year - a strong start followed by a middling...middle, which was then topped off with a thriller. Holmes and Watson have stepped up a notch both in acting and in character, while the likes of Lestrade, Mrs Hudson and Molly are pleasingly seeing more game time. Let's keep this up for series three, guys.

PREVIOUS EPISODE (SPOILER-FREE) REVIEWS:
'The Hounds Of Baskerville' (2012)
'A Scandal In Belgravia' (2012)
'The Great Game' (2010)
'The Blind Banker' (2010)
'A Study In Pink' (2010)

Watch 'The Reichenbach Fall' on BBC iPlayer till 21.29, 28 Jan '12. Feel free to leave any comments on this episode, the "death" of Sherlock, and/or the series as a whole below.

Short: Watch Cinematic Mash-Up Of Lionel Ritchie's Hello

2012-01-17T19:36:00.000Z

Words: Saam Das

The iconic video to Lionel Ritchie's 'Hello' featured a teacher (played by Richie) falling in love with a blind student of his. Was that not a no-no back in the eighties? Anyway, Matthijs Vlot has elected to recreate Ritchie's song via a supercut of clips from the history of cinema. Everything from 'Taxi Driver' to 'Inception'. Watch it below, along with the original video.

Hello from ant1mat3rie on Vimeo.

Find more about Matthijs at his website.

Playlist: FG Top 50 Albums Of 2011

2012-01-17T09:16:00.001Z

Words: Saam Das

Due to overwhelming popular demand (not really), I've put together a YouTube and Spotify playlist for our writer compiled "albums of 2011" poll. Find the list in full below along with the aforementioned playlists at the bottom of the page. A mighty fine way to spend a couple of hours, me thinks.

For more details on each album, check out these links: 50-31 // 30-21 // 20-11 // 10-1

50) Youth Lagoon - 'The Year Of Hibernation'
49) The Weeknd - 'House Of Balloons'
48) Braids - 'Native Speaker'
47) Fight Like Apes - 'The Body Of Christ And The Legs Of Tina Turner'
46) Veronica Falls - 'Veronica Falls'
45) Nicolas Jaar - 'Space Is Only Noise'
44) Tune-Yards - 'WHOKILL'
43) Austra - 'Feel It Break'
42) Boris - 'Heavy Rocks'
41) Cults - 'Cults'
40) Touche Amore - 'Parting The Sea Between Brightness And Me'

39) WU LYF - 'Go Tell Fire To The Mountain'
38) TV On The Radio - 'Nine Types Of Light'
37) Cat's Eyes - 'Cat's Eyes'
36) SBTRKT - 'SBTRKT'
35) Friendly Fires - 'Pala'
34) Smith Westerns - 'Dye It Blonde'
33) Brainoil - 'Death Of This Dry Season'
32) Beirut - 'The Rip Tide'
31) Little Comets - 'In Search Of Elusive Little Comets'
30) PJ Harvey - 'Let England Shake'

29) Kurt Vile - 'Smoke Ring For My Halo'
28) Justice - 'Audio, Video, Disco'
27) Nils Frahm - 'Felt'
26) Matthew Herbert - 'One Pig'
25) Tom Vek - 'Leisure Seizure'
24) Hauschka - 'Salon Des Amateurs'
23) Summer Camp - 'Welcome To Condale'
22) WATERS - 'Out In The Light'
21) M83 - 'Hurry Up, We're Dreaming'

20) White Russia - 'O Jerusalem'
19) Will Haven - 'Voir Dire'
18) The Vaccines - 'What Did You Expect From The Vaccines?'
17) Mogwai - 'Hardcore Will Never Die, But You Will'
16) Kate Bush - '50 Words For Snow'
15) EMA - 'Past Life Martyred Saints'
14) Girls - 'Father, Son And The Holy Ghost'
13) Noah & The Whale - 'Last Night On Earth'
12) Big Deal - 'Lights Out'
11) Benjamin Francis Leftwich - 'Last Smoke Before The Snowstorm'

10) Jay Z & Kanye West - 'Watch The Throne'
9) Slow Club - 'Paradise'
8) Drake - 'Take Care'
7) James Blake - 'James Blake'
6) Arctic Monkeys - 'Suck It And See'
5) Ghostpoet - 'Peanut Butter Blues And Melancholy Jam'
4) Fleet Foxes - 'Helplessness Blues'
3) Bon Iver - 'Bon Iver'
2) The Horrors - 'Skying'
1) Wild Beasts - 'Smother'

YOUTUBE PLAYLIST:

FREE DOWNLOAD: Veronica Falls - Bad Feeling by Bella Union

FREE DOWNLOAD: BEAT AND THE PULSE by AUSTRA

Listen to the playlist on Spotify or YouTube.