FADED GLAMOUR

Listen: Westside Cowboy - 'Can't See' [EP Preview]

2025-12-31T18:40:00.000+00:00

Words: Saam Das

The 2025 hype train was powered by the rise of Geese and their frontperson slash solo artist Cameron Winter into the mainstream - to the unexpected extent of the latter being parodied on American televisual institution 'SNL'. Mancunian five piece Westside Cowboy will be joining Geese on their UK and European tour in 2026 and are whetting the appetite with the rip-roaring 'Can't See'.

Having won the Glastonbury Festival Emerging Talent Competition in the summer of 2025, the band continue to go from strength to strength, with their new EP out on Island Records imprint Adventures Recordings in January. 'Can't See' sees the band opt for a more anthemic approach than their typical "Britainica" (their self-coined take on Americana) and is something of a glorious throwback to the mid-noughties guitar sound that dominated the airwaves of Britain. The Geese of 2026? Can see.

Westside Cowboy · Can't See

The 'So Much Country 'Till We Get There' EP comes out January 16th 2026. For more information, visit westsidecowboy.com.

Listen: East 17 - 'Stay Another Day' (2024 Remaster)

2024-12-31T23:48:00.002+00:00

Words: Saam Das

There are few more iconic Christmas songs in the UK than East 17's unexpectedly beautiful 'Stay Another Day', largely written in reference to the passing of band member Tony Mortimer's brother. Thirty years on from its successful battle against Mariah Carey's seminal 'All I Want For Christmas Is You' for the 1994 Christmas Number One slot in the UK, 'Stay Another Day' has had a polish in the form of a new remaster and re-release.

An "edgy" boyband, the group were hitherto known best for their more dance and hip-hop inspirations, impressively garnering a Mercury Music Prize nomination for their debut album 'Walthamstow'. Take that, Take That. However, it has been 'Stay Another Day' that has endured most from their back catalogue, and arguably understandably so, with its deeply poignant lyrics contrasted with ever uplifting tubular bells.

No matter the quality of the original, it's questionable whether a thirty year re-release was truly necessary but the band and their label London Records have at least put a bit of effort in - releasing the track on ice clear 7" vinyl, as well as an amusing ode to their iconic video in the form of a bauble that features Lego minifigures of the band adorned in parka jackets. Sadly, all sold out now, but for the good cause of raising money for music therapy charity, Nordoff and Robbins.

East 17 - 'Stay Another Day' (2024 Remaster)

East 17 · Stay Another Day (2024 Remaster)

'Stay Another Day' (2024 remaster) is out now via east17.tmstor.es

Exhibition Review: Portrait Of A Top Boy @ Somerset House

2023-09-13T15:47:00.002+01:00

Portrait Of A Top Boy at Somerset House Embankment Galleries // Words and Photos: Saam Das

What a pleasant surprise it was to stumble upon the free pop-up of Portrait Of A Top Boy at Somerset House recently, while wandering around for London's Open House Festival. 'Top Boy' enters its final stretch this month, with the concluding season of the inner city crime drama now on Netflix, and this exhibition has been curated by Ronan Mckenzie to both promote the show as well as a series of emerging black artists.

'Top Boy' made its TV debut on Channel 4 in 2011, created by Irish screenwriter Ronan Bennett, based on their experience of living in Hackney, informed by friendships with local community leaders including Gerry Jackson. The drama has developed close ties within the music world with central characters played by Ashley Walters (So Solid Crew's Asher D), Kane 'Kano' Robinson, Little Simz and Dave, as well as being given its flowers by the likes of global superstars Stormzy and Drake.

The initial section of the exhibition is somewhat ominous, with its blood-red walls, and minimalist slogans such as "THERE CAN BE ONLY ONE". Fans of 'The Highlander' perhaps? The red hue and slogans feature through most of the exhibition but do not overshadow the main showcase area, which displays portraits created by sixteen emerging British black artists.

Notable highlights include Ken Nwadiogbu's Spider-Man-esque portrayal of Stefan, Aaron Bevan-Bailey and Annan Affotey's contrasting takes on Dushane, and Tejumola Butler Adenuga's dot-to-dot pointillism portrait of Stefan. Our favourite aspect however comes toward the end of the exhibition where visitors are invited to contribute to what a 'Top Boy' means to them - often deeply heartfelt messages, but the person who noted that they "stole a Netflix password" to watch amused us greatly.

A final video featuring the behind the scenes creation of the portraits as well as the artists' views on the show has curator Ronan McKenzie congratulate us as "part of the legacy and celebration to bring 'Top Boy' to life." A fitting send off in a fitting location for such a culturally impactful programme.

★★★★

Portrait Of A Top Boy is open between 9-13th September 2023, at Somerset House's Embankment Galleries. Opening times and more info at somersethouse.org. The final season of 'Top Boy' is out now on Netflix.

Surfacing: CHVRCHES Frontwoman Lauren Mayberry Unveils Debut Solo Offering [New Artist]

2023-09-11T23:04:00.001+01:00

Words: Saam Das

You'll probably know Lauren Mayberry best as one third of Scottish trio, CHVRCHES, alongside Iain Cook and Martin Doherty. The synth outfit's debut album 'The Bones Of What You Believe' came out ten years ago, and understandably, Mayberry has been looking into further creative outlets. Her beguiling debut single, 'Are You Awake?', dropped earlier in the month. Listen below.

Working with well-known pop collaborators Tobias Jesso Jr (Sia, Adele) and Matthew Koma (Carly Rae Jepson, Britney Spears), 'Are You Awake?' is perhaps unexpectedly melancholic in relation to the production history of the aforementioned duo, as well as much of Mayberry's previous output. A departure from the typical CHVRCHES sound regardless, and a self-confessed piano ballad.

The contemplative track has a yearning sentiment throughout, with Mayberry's pleading lyrics, reminding us of the underrated 'Still Fighting It' from Ben Folds' 2001 'Rockin' The Suburbs' album. Expect to hear 'Are You Awake?' over the credits of a TV show or film sooner rather than later.

Lauren Mayberry · Are You Awake?

'Are You Awake?' is available on streaming platforms now. Lauren Mayberry is currently on tour across the US. Find more at laurenmayberry.co.uk.

Exhibition Review: Freddie Mercury - A World Of His Own

2023-09-04T23:59:00.004+01:00

Freddie Mercury: A World Of His Own (Sotheby's, London) // Words: Saam Das

On his 2007 UK number one single, Mika "tried a little Freddie", referencing the late and great Freddie Mercury - thanks to the latest exhibition at the world renowned Sotheby's in London, we all now get to 'try a little Freddie' too. Thousands of the former Queen frontman's personal possessions have been put on display, prior to being auctioned, in this incredible smorgasbord of memorabilia.

Born Farrokh Bulsara in Zanzibar, Freddy Mercury's iconic status in British and worldwide music history has long since been secured since his passing at the age of just 45 in 1991. His personal collections, and indeed his Kensington 'Garden Lodge' abode, were entrusted to close friend Mary Austin, who has now opted to auction the items which chart his history from school days all the way through to global superstardom.

The fun starts from even before visitors have entered the galleries at Sotheby's, with its entrance on New Bond Street amusingly embellished by a moustache-esque addition to its door frame. The exhibition is vast - an Ivor Novello here, an MTV Music Video Award there, striking outfits, setlists, scrawled lyrics, Salvador Dali artworks, and so much more. It is truly difficult to convey the sheer scale of this extraordinary collection.

The centrepiece for the collection is Mercury's Yamaha Baby Grand Piano, whose caption aptly notes that it was "used to compose some of the greatest songs of the 20th century". It is expected to fetch at least £2,000,000. However, it's the oddities that arguably delight the most, whether it be the door to the Garden Lodge lovingly adorned with fan messages or that Mercury's love for Japan seemed to be only superceded by his obsession with cats, and cat-themed bric-a-brac.

While some eyebrows have been raised by fans regarding the somewhat voyeuristic nature of the auction, in lieu of knowing Freddie Mercury's feelings on such a sale, we are immensely grateful for the opportunity to revisit and celebrate his life and legacy. For free, no less. A truly spellbinding offering, already enjoyed by over 100,000 visitors from across the world.

★★★★★

Freddie Mercury: A World Of His Own runs from 4 August - 5 September 2023. More info on the exhibition, and the subsequent auction can be found at Sotheby's.

Surfacing: Matt And Kim Hit The F5 Button Via New Garage-Punk Project PG14 [New Band]

2023-06-11T23:42:00.002+01:00

Words: Saam Das

It feels kinda wild that we're coming up to twenty years of Matt Johnson and Kim Schifino musical exploits as the riotious synth-led indie of Matt And Kim. I guess this is growing up. The duo have hit the refresh button in 2023 however, with new project PG14, which harks back to the raw beginnings of the band.

Interestingly, for a band well-known for their uplifting spirit and party vibes, PG14 was birthed following a difficult phase in the Matt And Kim journey. As the duo explain in a heartfelt video ("WE'RE STILL ALIVE" visible below), they found releasing and promoting music during the pandemic challenging, not least to their sense of self-worth. In a bid to "scratch their art-school itch", PG14 was born.

The 'Yes Please' EP clocks in at under eight minutes, across four tracks. Short and simple. But almost immediately different from their modus operandi, with Matt Johnson taking on much more prominent bass and guitar duties.

Breezy opener ('GET IT GOT IT!') and facetious closer ('YOU'RE SO SMALL AND I'M SO TALL') feel like the bread to the much meatier filling. 'BORN FREE BUT I'M GETTIN' PRICEY' very much feels like old school Matt And Kim, while the anthemic 'DEAD DEAD DEAD' has a punkier edge led by its squealing central riff.

The new project seems to have done the trick for the duo regardless of success - it seems like simply having this new creative outlet has breathed fresh air into the lives of Matt And Kim, with September and October tour dates planned across the US.

YES PLEASE by PG14 YES PLEASE by PG14

'Yes Please' by PG14 is out now via Bandcamp. Find more info on Matt And Kim, including the upcoming US tour dates, at mattandkim.com.

Exhibition Review: Celebrating Seven Decades Of Status Quo @ Barbican

2023-05-21T14:53:00.000+01:00

Celebrating Seven Decades Of Status Quo at Barbican Centre, London (16 Feb - 22 May 2023) // Words: Saam Das

British rock outfit Status Quo have been "rocking all over the world" (ahem) since the Sixties, with over fifty UK Top 40 charting singles and twenty five UK top ten albums, making them one of the most successful bands of all time. Unsurprisingly, they've built up a considerable fanbase over the years, culminating in a free new exhibition based within the Library of the Barbican Centre in London, Celebrating Seven Decades Of Status Quo.

Lovingly organised by the official Status Quo fanclub (From The Makers Of) alongside collector Andy Campbell, the Celebrating Seven Decades Of Status Quo is a veritable smorgasbord of memorabilia, taking attendees on a time travelling tour through the band's history. There are tour posters aplenty, Gold certified records, handwritten lyrics, ticket stubs and press coverage from over the years, and much, much more.

The comprehensive exhibition explores Status Quo's humbler beginnings, from playing Butlin's shows (where the band's founders met future member Rick Parfitt) and going through a variety of name changes. Early single releases are on display, including the aptly titled 'Almost But Not Quite There'.

The subsequent success of the bandis covered decade by decade, with various collectables ranging from Status Quo-themed beers to amusingly captioned Toby Jugs. The band's incredible longevity is captured well through archive performance footage as well as an entire wall of their album covers, noting each record's UK charting peak. We also get an intriguing look at the collage-led process behind the album artwork for 'If You Can't Stand The Heat', complete with invoices.

For any music fan, Celebrating Seven Decades Of Status Quo is a fascinating glimpse into the history of one of the UK's most iconic bands.

★★★★

Celebrating Seven Decades Of Status Quo runs until 22 May 2023 at London's Barbican Centre, with free entry. Find more info at barbican.org.uk.

Watch: Sam Ryder - 'Mountain' (Live @ Eurovision 2023)

2023-05-15T22:57:00.003+01:00

Words: Saam Das

The 2022 Eurovision Song Contest saw Ukraine's Kalush Orchestra take a well-deserved and understandable victory, but following many fallow years, the UK had an unexpectedly strong showing with Sam Ryder nabbing second place with 'Space Man'. An effervescent performance that truly felt like an artist seizing their moment to shine. No surprise then, that Sam Ryder was back for Eurovision 2023, hosted in the UK, with a little help from one Roger Taylor of Queen fame.

Although primarily a vehicle that perhaps rehabilitated the UK's image (to a small extent) in the eyes of some in the wider world, 'Space Man' itself transcended Eurovision, peaking at #2 in the UK singles chart and was even performed at the 2022 Platinum Jubilee concert, headlined by Diana Ross. The track also racked up some indie bonus points, having been co-written by Max McElligot, once of Wolf Gang.

Sam Ryder · SPACE MAN

Fast forward to 2023, and Mae Muller's 'I Wrote A Song' was alas a regression to the mean in terms of UK success at Eurovision - finishing second last, but at least avoiding the ignominy of "nil points". Yet Sam Ryder once again displayed their wow factor during the show's interval, their powerful vocals on 'Mountain' almost matched by the power of their spangly jumpsuit.

Accompanied by amputee performers, and Roger Taylor on drums, Ryder remained nonetheless very much the centre of attention. Indeed, ignoring the significance of the occasion, it almost felt that the effortlessly charismatic Ryder would have been able to carry this triumphant performance single-handedly. To top it off, Ryder seems like a thoroughly nice chap.

Sam Ryder · Mountain

Find more info about Sam Ryder at samryder.in.

Festival Preview: Ten Must See Acts @ The Great Escape 2023

2023-05-11T13:31:00.005+01:00

The Great Escape, various venues across Brighton (10-13 May 2023) // Words: Saam Das

We’ve been fans of The Great Escape festival since attending its inaugural edition in 2006, and it's become an important part of the UK music festival calendar ever since. Largely eschewing huge artists, Brighton's sprawling multi-venue festival has its eyes firmly on “the next big thing”, and in conjunction with its industry-led events, has attracted comparisons to Austin’s South By South West. The likes of Adele, Bastille and Haim have all played early gigs at the festival, and here we have ten acts that we hope may reach similar heights in future:

Alice Longyu Gao (Friday, 8.15pm, Komedia Basement + Fri, 12.00am, The Hope And Ruin)

We just caught ALG on their first tour date in London as part of their new world tour, and it was quite the experience. Having previously collaborated with Dylan Brady of 100 gecs, ALG is now striding out on their own wild and provocative warpath towards leftfield pop domination from China, by way of New York.

Anna B Savage (Fri, 3.30pm, Queens Hotel + Sat, 12.15pm, Patterns Upstairs + Sat, 3pm, Komedia Basement)

We’ve been keeping tabs on Anna B Savage since her debut EP dropped way back when in 2015, with its shades of Laura Marling and Wild Beasts. A debut album finally arrived in 2021. Produced by William Doyle of East India Youth game, ‘A Common Turn’ saw Savage receive wide critical acclaim, with a new album dropping earlier this year.

Hak Baker (Friday, 10.30pm, Komedia Basement)

Hak Baker’s East London roots seep through their musical career, as does their grime background, perhaps best displayed on the lilting coming-of-age acoustic piece ‘Conundrum’. We actually came across Baker thanks to Adam Buxton’s BUG video breakdown of ‘Cool Kids’ so hat tip to Buckles!

James Ellis Ford (Saturday, 6.30pm, Chalk)

Not satisfied with being a member of Simian, Simian Mobile Disco, and The Last Shadow Puppets, as well as notably producing Klaxons’ Mercury Prize-winning debut album, James Ellis Ford has now stepped into the solo musical arena. The glimpses of new material we’ve heard have an off-kilter and experimental tinge generally more distinct from Ford’s existing body of work.

Jessica Winter (Friday, 7.43pm, Revenge)

London-based artist Jessica Winter received a well earned signal boost from Metronomy last year with an appearance on their ‘Small World’ Special Edition album. Game recognises game. Winter’s avant-garde pop has the potential to breakthrough in a similar manner to Rina Sawayama.

The Last Dinner Party (Thursday, 8.30, CHALK)

Unsurprisingly, The Great Escape usually features some “buzzy” appearances – we vaguely recall The Spinto Band and Tapes’n’Tapes being the acts du jour at the 2006 edition, for example. Brixton five-piece The Last Dinner Party are the latest band to whip up some hysteria, with debut single ‘Nothing Matters’ produced by the aforementioned James Ellis Ford.

Master Peace (Friday, 9.25pm, Shooshh)

With every release, it feels like we’re taking another step through Master Peace’s ever-evolving musical journey. Following their freestyle rap beginnings, the Londoner has steadily dipped their toes in different directions. Last year saw a collaboration with The Streets, and 2023’s ‘Peace Of Mind’ EP sees influence from the likes of Bloc Party and Arctic Monkeys. Arguably the best thing from Morden since Good Shoes and Saams Function Hall.

The Murder Capital (Friday, 10.15pm, Amazon New Music Stage )

We’ve had the pleasure of witnessing the intense live show of Irish post-punkers The Murder Capital previously, and anticipate more of the same on Brighton’s seafront. Second album ‘Gigi's Recovery’ dropped earlier this year to strong reviews.

Sans Soucis (Thursday, 2.15pm, Patterns Upstairs + Friday, 8.15pm, Komedia Studio )

Sans Soucis · Unchain

It's heartwarming to hear that Congolese-Italian producer Giulia Grispino’s stage name of Sans Soucis, meaning “without worry”, came from her grandmother’s nickname for her as a child. We’re pleased that Grispino’s music carries on the sentiment, with a carefree disregard for musical genre boundaries. Soul, dance, jazz – it’s all to play for here.

YONAKA (Friday, 10.30pm, Chalk)

We’re still patiently waiting for alt anthem ‘Run’ from YONAKA’s debut ‘Heavy’ EP to get the big sync that we know it deserves. In the meantime, the Brighton band signed to a US deal with Fueled By Ramen (Fall Out Boy, Twenty One Pilots etc) and continue to amass millions of streams.

The Great Escape Festival runs across various venues in Brighton between 10-13 May 2023. Stage times subject to change. Find more info at greatescapefestival.com.

Seven Choice Picks For Record Store Day 2023

2023-04-22T09:00:00.203+01:00

Words: Saam Das

Having kicked off way back in 2007, the annual international Record Store Day event has crept up on us yet again. From Ennio Morricone to iconic pro wrestler Macho Man Randy Savage to newer heavyweights like Taylor Swift, Bastille, and The 1975, there are plenty of exclusives, limited editions, and re-releases to tantalise fans of artists new and old. Here are some of our top picks for RSD 2023, in alphabetical order.

Baby Queen - 'Colours Of You'

Baby Queen · Colours Of You

Written for the wonderful Netflix coming-of-age drama 'Heartstopper', Baby Queen slotted effortlessly into the show's dreamy aesthetic. See also: the brilliant 'Love, Simon' for more of the same, and a similar integration of music, with Jack Antonoff's Bleachers propelling the soundtrack.

dodie - 'Hot Mess' EP

We definitely missed the rise of dodie from '6/10' category (their words, not ours!) to 'Hot Mess', by way of a UK #3 charting debut album. We're all for it, of course, with this EP collecting recent singles 'Got Weird' and 'Hot Mess' onto vinyl for the first time.

Frank Carter & The Rattlesnakes - 'The Drugs'/'Parasite'

An incendiary outing from Frank Carter & The Rattlesnakes, with an appearance from Jamie T on 'The Drugs', returning the favour for appearing on the latter's most recent album. The biting 'Parasite' edges this 7" for us however.

Metronomy - 'Small World' Special Edition LP

RSD 2023 features its fair share of remix albums but Metronomy have opted for something of a similar ilk but with a splendid twist - taking their 2022 studio album 'Small World' and re-doing the tracks each with an additional artist. The eclectic mix of talent features such names as Katy J Pearson and Sebastian Tellier.

Sam Smith (feat Kim Petras) - 'Unholy'

SAM SMITH · Sam Smith, Kim Petras - Unholy
Unholy? More like holy moly! A boundary-pushing track from Sam Smith and Kim Petras that feels subversive and yet achieved massive mainstream success, topping charts and winning a Grammy to boot. In her Grammy acceptance speech, Petras also gracefully noted the influence of fellow trans musician, the sadly departed SOPHIE, whose musical style gifted obvious influence on 'Unholy'.

The Week That Was - 'The Week That Was' LP

A relatively short-lived and unsuprisingly off-kilter project from Peter Brewis of Field Music fame, the one and only The Week That Was album gets a welcome re-issue (and a re-mastering from David Brewis) fifteen years following its original release.

White Town - 'Women In Technology' LP

White Town · Your Woman

Jyoti Mishra (aka White Town) is easily best known for their 1997 UK number one single, 'Your Woman', sampled in recent times on 'Love Again' by Dua Lipa. Commercially speaking, it's perhaps fair to say that White Town were very much a one-hit wonder but as Mishra once noted, "better than a no-hit wonder". Explore the album that spawned such an iconic single.

Find a full list of Record Store Day UK releases here.

Exhibition Review: Rock Against Racism - Militant Exhibition Tour @ St Mary In The Castle

2022-10-30T23:59:00.005+00:00

Rock Against Racism: Militant Entertainment Tour exhibition at St Mary In The Castle, Hastings // Words: Saam Das

The Rock Against Racism movement was founded in the UK in 1976 in opposition to comments made by prominent musicians, David Bowie and Eric Clapton, whose actions were symptomatic of a rising (and often violent) sentiment against various minorities at the time. Sadly, this all still strikes a chord over thirty years on. Therefore, this new exhibition in Hastings celebrating the activism of the movement, including their support from bands such as The Clash and The Specials, feels particularly timely.

The Militant Entertainment Tour exhibition has been co-curated by the Rock Against Racism Research N Archive group alongside South Coast Squared, with acclaimed artist Larry Achiampong also contributing. Achiampong’s resonant piece bellows through the exhibition’s unusual crypt setting, as Ghanian author Ama Ata Aidoo searingly reflects on the impact of colonialism.

The historical and socio-political context is continued throughout the exhibition, especially within striking excerpts from the RAR fanzine ’Temporary Hoarding’ as well as short documentary and voxpop pieces featuring key figures from the period. Colourful gig posters (two-tone aside, of course) and a plethora of photographs capture the excitement and drive of the movement. The only real downside of being tantalised by this comprehensive collection is a lack of being able to listen to much of the music - perhaps understandably there may be licensing issues however.

Seemingly with allusions of touring around the country, if not further, we hope that this fascinating Rock Against Racism exhibition finds the wider audience that it richly deserves. Indeed, with divisions along various lines unfortunately becoming increasingly prominent across the past few years, arguably the Militant Entertainment Tour should be considered as essential viewing.

Sadly, it appears that St Mary In The Castle will be closing shortly, but if that indeed remains the case, they’ve gone out on a high with this historically significant yet still very much culturally relevant exhibition.

★★★★

Rock Against Racism – Militant Exhibition Tour closes on 29th October 2022 at St Mary In The Castle, Hastings.

Surfacing: London x Utrecht Synth Trio Render Ghosts Make Their Mark With Debut Album [New Band]

2022-05-26T15:54:00.000+01:00

Words: Saam Das

It's not often that you see bands come together across various cities, let alone various countries, but synth-pop trio Render Ghosts have really taken working from home to heart. Based across London and Utrecht, Tamara van Esch, Tom Wilson, and Iain Chambers came together in 2020 to form Render Ghosts, releasing their compelling electronic-led self-titled debut album earlier this year.

The three musicians have come from fairly disparate musical backgrounds - Dutch singer-songwriter van Esch also operates solo under their own name, classically-trained Wilson completed a PhD in composition, and sound artist Chambers is a founding member of experimental musical outfit Langham Research Centre. Something of a digital age super-group, one might claim.

Catchy synth-pop debut track 'Eye Rhyme' slipped out of Santa's sack of gifts as a pre-Christmas treat in December 2021, providing a nostalgic throwback to the electro-meets-baroque-pop of the perenially under-rated Theoretical Girl. Having drip-fed a few new songs subsequently, such as 'Albany' and 'Bad Times', Render Ghosts released their debut album at the tail-end of March 2022.

Notes of CHVRCHES, St Vincent, and Everything Everything shine through, as the record traverses dancier efforts (beginning with album opener 'Keeping My Number') alongside more introspective offerings, such as the arresting 'Director'. The band will finally be unveiling their tracks in a live setting with their much-anticipated debut gig at The Finsbury in London on Friday 27th May, around 9pm.

Render Ghosts · Director

Purchase the Render Ghosts self-titled debut album via Bandcamp. Find more info at renderghosts.net.

Year In Review: Rajan Lakhani's Top Albums Of 2021

2022-03-01T23:56:00.002+00:00

Words: Rajan Lakhani

I’m doing things a bit differently this year and writing a general review of the music I listened to in 2021, instead of doing short reviews of my top 10. Rest assured, you can still see my top 10 below, and I’ve curated a best of 2021 playlist that starts with songs from my top albums before moving into my favourite songs from the year.

2021 was a mixed year for music. There were some blockbuster releases (Adele, Ed Sheeran) but many artists held back albums due to vinyl supply chain issues and the backlog of releases from 2020. I don’t think there was a landmark album that I’d go back to regularly from the year but there were still naturally some excellent records released that deserve praise and many outstanding singles.

While it didn’t quite make my favourite albums of 2021, Self Esteem’s album was the closest to capturing the cultural zeitgeist and 'I Do This All The Time' is one such outstanding single that will last the test of time.

Talking of pop, one of my favourite records from 2021 came from the much-hyped Easy Life. After the challenging year that was 2020, it was wonderful to hear a new band releasing a record so full of life, fun and hooks. Successfully blurring the lines between RnB, indie and dance, 'Life’s A Beach' is a truly joyful record.

I love finding new artists like Easy Life, and sometimes I’ll discover them on a soundtrack to a TV show. Lord Huron was one such discovery, hearing the band first on 'Community'. Indie-folk has become such a ubiquitous genre even though there are only a handful of genuinely outstanding bands, such as Fleet Foxes. Yet Lord Huron stood out for me, with their harmonies and slightly off-kilter arrangements. The song 'Love You Like Me Used To' was one of my very favourites from the year.

Other new discoveries included Natalie Bergman and Geese, both of whom releases their debut albums. The former’s 'Mercy' was probably the most powerful album I heard in the whole of 2021, a spiritual, inspiring release that’s made all the more memorable with its excellent vocals and melodies. Geese’s 'Projector' takes inspiration from the art-punk movement of the late 70s and early 80s, fusing it with prog to create a compelling album that shows new guitar music that can still excite.

Natalie Bergman · Talk to the Lord

Goat Girl similarly take inspiration from post-punk and their sophomore release 'On All Fours' finds its brighter sound contrasting with the discomforting, weightier lyrical themes to form a compelling record.

My other favourite albums were from from established artists who arguably released the best of their careers. While the influences on The War On Drugs can be obvious - Bruce Springsteen, Bob Dylan, Grateful Dead - their music is so good that you forget those legendary bands and listen to the record on its own terms. 'I Don’t Live Here Anymore' is a superb, well-crafted record that finds a band on it’s fifth studio album showing no let-up in quality.

Deafheaven has been a group that I can appreciate but struggled to really enjoy given many of their songs are too heavy and dark for me. But 'Shellstar' is a far more welcoming release, bringing their shoegaze influence further to the surface, to create their brightest, most compelling and cohesive album to date. Folk artists Passenger and The Weather Station released sophisticated, fully-fledged records that showed the depth of their musicianship, with the latter successfully drawing on jazz to create at atmosphere that recalls 80s era Fleetwood Mac.

Deafheaven · Shellstar

And that brings me to my favourite record of 2021. Iceage have been a consistently good band, releasing quality, hard-hitting post-punk rock record after record. But on their latest record 'Seek Shelter', they’ve shifted up a gear. Similar to Deafheaven, they’ve let go of some of the darkness and murkiness from their previous records to make something more accessible.

Yet while it might be an easier album to engage with, it’s no less ambitious than the previous output, in fact it’s arguably even more ambitious, covering the big themes of love and life. The sound is correspondingly bigger and bolder, almost verging on stadium-rock at times. There isn’t a single weak track on the album, and its swagger suggests a band at the top of their game who’ll hopefully progress to even greater heights.

Albums Of The Year (2021)

1. Iceage - 'Seek Shelter'

2. Lord Huron - 'Long Lost'

3. Deafheaven - 'Infinite Granite'

4. Easy Life - 'Life’s A Beach'

5. Natalie Bergman - 'Mercy'

6. The War on Drugs - 'I Don’t Live Here Anymore'

7. Passenger - 'Sword From The Stone'

8. The Weather Station - 'Ignorance'

9. Geese - 'Projector'

10. Goat Girl - 'On All Fours'

Listen to Rajan's favourite tracks of 2021 Spotify playlist.

Surfacing: Fear Of Men's Jessica Weiss Ushers In New German Cinema [New Act]

2022-02-28T23:16:00.000+00:00

Words: Saam Das

There are moments when reading the LinkedIn profile for Jessica Weiss where my initial reaction is that Spiderman-pointing-at-Spiderman gif, although the comparisons quickly stop - particularly with regards to their musical repertoire. Having entranced us through their work in Brighton's Fear Of Men, as well as having been a touring member of The Pains Of Being Pure At Heart', Weiss has now unveiled their new solo venture - New German Cinema. Listen to debut single, 'I Become Heavy', below.

While Fear Of Men were perhaps best known for the melancholic jangly indie displayed on stunning tracks like 'Island', they had moved in more experimental direction, such as on 2020's 'Into Strangeness'. New German Cinema appears to be a continuation of that latter day path, albeit retaining the sense of melodrama that flavoured Weiss' existing output.

'I Become Heavy' is big on the synths but not in a manner that overwhelms the underlying melancholy and atmosphere that at least somewhat recalls Fear Of Men. Zola Jesus seems an appropriate point of comparison, thanks to the fact that producer Alex DeGroot was also a touring member in that outfit. A lazy comparison too arguably, but certainly a complimentary one.

I Become Heavy by New German Cinema

'I Become Heavy' is available to purchase on Bandcamp.

Remixed: A.G. Cook - '2021' (umru Remix)

2021-10-31T22:51:00.000+00:00

Words: Saam Das

"Everything you do, it's been done, done, done before." PC Music head honcho A.G. Cook nailed some of the core pandemic vibes of apathy and despair with '2021', originally released on their 2020 debut album, '7G'. Not content with releasing a 49(!) track long album, Cook subsequently released another album ('Apple') just weeks later, which was followed in 2021 by a remix album reflecting on the two aforementioned releases, 'Apple vs 7G'. Charli XCX collaborator umru took the reins for the latter's '2021' remix, which you can hear below alongside the original.

umru expands on the relative bare bones of A.G. Cook's brilliantly concise '2021', seemingly turning up every aspect of the original to 11. Amid this hyper-pop assault, the Estonian-American producer harks back to other tracks made by its originator like 'Oracle' and 'Silver', in a sort of easter-eggs-in-the-A.G. Cook-Sonic-Universe kind of way. A much needed jab to the senses.

2021 (umru remix) by A. G. Cook, umru 2021 (umru remix) by A. G. Cook, umru

A.G Cook's '2021' and the umru remix are available to purchase from Bandcamp.

Year In Review: Rajan Lakhani's Top Ten Albums Of 2020

2021-01-31T22:42:00.000+00:00

Words: Rajan Lakhani

It was so tempting given the challenges of 2020 to only listen to music that you know and love, to provide some comfort and reassurance while the pandemic was changing our daily lives. And that’s of course absolutely justified. But my favourite moments listening to music have been discovering something new, the first time hearing a record and how you can’t wait to hear it again. So here are my favourite albums of 2020, and hope you find something that you enjoy that you hadn’t heard before.

There’s also a Spotify playlist which features tracks from my top 20 albums at the start, followed by a mix of my favourite songs from the year that none of us will forget. (NB one of my favourite records - 'Microphones In 2020' by The Microphones - is not on Spotify but is available on Youtube.

10. Kelly Lee Owens - 'Inner Song'

Techno music isn’t really my jam. The monotony, the paucity of melody and the lack of lyrics mean I don’t particularly seek out albums from this genre. Yet Kelly Lee Owens’ record stands out. Perhaps it’s too ‘pop’ a record for techno purists but that’s no problem for me. It’s a healing, absorbing album that unfurls around you with its pretty synths in a way that often feels spiritual.

9. Margo Price - 'That’s How Rumors Get'

This is a brilliant country record from a songwriter whose confidence grows with each release. While that assuredness has led some to say it’s lacks the grit or the sting from her previous output, I like Price’s new sound. It’s evolved to encompass 80s new wave and gospel to deliver a quietly powerful album, packed full of melodies that are somehow both familiar and fresh.

8. Bruce Springsteen - 'Letter To You'

I’m a huge fan of Bruce Springsteen. His albums often fall between two extremes, the bombastic and the intimate. Letter To You is far more in the former camp, which comes as no surprise given the involvement of the E Street Band for the first time on a studio album since 2009. There is an inviting warmth and sense of camaraderie to the album that doesn’t stray into mawkishness, and no one delivers sincere, stirring rock n roll for the soul like Bruce Springsteen. While it doesn’t reach the heights of a 'Born To Run' or a 'Born In The USA' (and not many records by any artist have been as good as those), it’s arguably his best since his imperial phase in the 70s and 80s.

7. Adrianne Lenker - 'songs'

Big Thief’s bandleader Adrianne Lenker made this record while she took herself away to the woods of Massachusetts, isolating herself from the dangers of the pandemic that had taken hold in New York. As a result, songs has a special intimacy - you even hear some of the raindrops falling on the roof of the cabin that she was staying in. The songs are beautiful, as Lenker bares her pain and vulnerability having experienced what she calls ‘heartsick’ to make an affecting, absorbing listen.

6. Boy Pablo - 'Wachito Rico'

I love discovering new artists and Nicolas Muñoz's Boy Pablo was of my favourite finds of 2020. 'Wachico Rico' isn’t particularly innovative, layered or challenging. But its simplicity and directness make it a breezy, fun indie-pop record that’s crammed full of great hooks, transporting you to your carefree early 20s when the biggest choice you had to make was what coloured shirt to wear to the uni indie disco night.

5. Fleet Foxes - 'Shore'

Oh how much we needed in Fleet Foxes album in 2020. This is soothing stuff, a record that radiates light and hope. All the signatures of a Fleet Foxes album are there - the harmonies, the tranquility, the ambitious folk arrangements - but there is an immediacy that makes it a stronger record than ‘Crack Up’. Shore is a return to the brilliance of their first two records, being both graceful and uplifting. The album is an amazing testimony to being in the moment, that as Robin Pecknold himself put it, “celebrates life in the face of death”.

4. Dehd - 'Flower Of Devotion'

As well as Boy Pablo, the other artist i enjoyed discovering most was Dehd. The theme of a broken relationship flows through the album, but rather than focusing overly on anger or discord, it’s far more wistful, drawing on the positive of the experience and suggests forgiveness. Similar to 'Wachico Rico', 'Flower Of Devotion' isn’t necessarily original, drawing as it does on 50s rock n roll and 80s dream pop. But it’s a compelling, polished and lush indie-rock record nevertheless.

Dehd · Loner

3. Phoebe Bridgers – 'Punisher'

'Punisher' is one of the most critically acclaimed records of 2020, and justifiably so. It’s a brutally honest album, underscored by a dry, sardonic humour that ensures that its darker themes don’t overwhelm the listener. And this folk-rock record features some of her catchiest music yet, with ‘Kyoto’ a pop standout. The album closes with 'I Know The End', a truly epic album closer that hints that Phoebe Bridgers’ best is yet to come.

phoebe bridgers · I Know The End

2. Idles - 'Ultra Mono'

Tackling themes such as class struggle, toxic masculinity and racism, Idles are not afraid to take a stand and divide opinion. That’s led some to sneer at the band, accusing them of vacuous sloganeering. Instead of shying away from social issues, they’ve leant into it even more on 'Ultra Mono', using their self-awareness and wit to take their critics head on. Its directness, urgency and raw, punkish energy demands your attention, the album cover of a man being hit in the face with a giant ball a perfect encapsulation of the epic sonic assault that ’Ultra Mono’ delivers. This is a record truly for these times.

1. Deftones - 'Ohms'

My test for shortlisting a record of a year is typically if I can vividly remember when listening to it for the first time, and 'Ohms' is the record that i keep recalling. I don’t think Deftones have ever released a bad album, there’s always been something interesting and engaging about all their output, even among their weaker releases. Lazily labelled as ‘nu-metal’, they’ve been far more ambitious, risk-taking and substantial than that description, with elements of prog-rock, electronica and shoegaze in their sound.

'Ohms' is Deftones’ most focused and accessible record in years, with a perfect balance of intense, gnarly, heavy rock interspersed with moments of genuine beauty. Every track is compelling, with my favourite the title track, showcasing how this is band at the peak of their powers, using their experience spanning four decades to set a standard for rock music. All those reasons and more make 'Ohms' my album of 2020.

Deftones · Ohms

Year In Review: Ten Of The Best Pop Tracks From 2019 That You May Have Missed

2020-12-31T22:05:00.001+00:00

Words: Saam Das

Having already skipped past the whole of 2020 for our recent top tracks list of 2019, we figured we'd compile a bonus list of more pop-led offerings from the same year that you may well have missed. Again, we've tried to mix in some of the more well known acts such as Carly Rae Jepsen and Charli XCX with some lesser known ones, opting for an alphabetical order approach.

AJR – '100 Bad Days'

"100 bad days make 100 good stories, 100 good stories make me interesting at parties." A sentiment that we can get behind, although the party element is very much on hold at the moment. The Met brothers (Adam, Jack, Ryan) twiddled all the knobs for this widescreen pop bop.

Carly Rae Jepsen - 'Too Much'

One of the more understated tracks from the Carly Rae Jepsen back catalogue, particularly compared to the likes of all-time bangers like 'Call Me Maybe' and 'Cut To The Feeling', but nonetheless one of her best. A head-nodding, foot-tapping earworm.

Charli XCX - 'Blame It On Your Love' (feat. Lizzo)

Somewhat confusingly, 'Blame It On Your Love' was the original version of the final track of Charli XCX’s 2017 mixtape 'Pop2', albeit admittedly bearing a notable placeholder title of Track 10 for such a juggernaut. The finalised version of the track toned down the former’s more experimental nature, while adding a 'Boom Clap'-esque singalong chorus and the all-conquering Lizzo as a guest to create one of 2019’s most exciting pop collabs.

Dan Priddy – 'Dopamine'

A producer for such notable acts as BASTILLE, Rag’n’Bone Man, and One Direction’s Louis Tomlinson, it was great to see Dan Priddy return more directly to the musical fold under his own name, having previously having released music under the moniker BRAQUE. A follow up to the suitably giddy 'Dopamine' is long awaited.

Dillon Francis – 'Catchy Song' (feat. T-Pain and That Girl Lay Lay)

It was always going to be an uphill challenge to better 'The LEGO Movie' and its irresistibly infectious Everything Is Awesome but 'The LEGO Movie 2: The Second Part' did an admirable job, in part thanks to its appropriately titled 'Catchy Song'. A double win for T-Pain, whose majestic 2019 autotune-less performances on 'The Masked Singer' in the US quite rightly floored audiences.

Girli – 'Deal With It'

Londoner Milly Toomey’s debut album 'Odd One Out' made our list of best albums of 2019, with a particular standout in the form of the raucous 'Deal With It'. Forget Girl Power, this was an apt demonstration of Girli Power.

Katy Perry - 'Small Talk'

Co-written and co-produced by burgeoning popstar Charlie Puth no less, unfortunately Katy Perry’s 'Small Talk' was unfairly derided due to its limited commercial performance. A perfectly refreshing slice of top pop.

Kieran Shudall + Heather Shudall - 'Everything Is Better'

Part of a star-studded soundtrack for the surprisingly great animation 'A Shaun The Sheep Movie: Farmageddon', which included names like Kylie Minogue, Jorja Smith, and Rat Boy. Circa Waves’ Kieran Shudall and wife Heather combined for the positively delightful happy-go-lucky hook-laden 'Everything Is Better', and hopefully not their last collab.

Sarah Close – 'Almost'

We’re really hoping that Sarah Close might see more mainstream attention in 2021 that her consistently brilliant pop music deserves. We were somewhat surprised to see PRIDES drummer Lewis Gardiner turn up on production for 'Almost', but it was another apt team up for Close, who also counts the likes of Fyfe and Frances as recent collaborators.

Sylva Faye – 'Centrefold'

We can imagine few things better to remove us from the ongoing difficulties of 2020 by looking back to Sylva Faye’s otherworldly 'Centrefold'. A beautiful folk song underpinned by Faye’s elegant vocals.

Find more of our favourite things from 2019 here.

Surfacing: Composer Thom Robson And The Good Natured's Sarah McIntosh Team Up For Wnderland Project [New Band]

2020-12-29T00:00:00.002+00:00

Words: Saam Das

As 2020 passes us by shortly, we've been reflecting on the manner in which the pandemic must have arrested the development of many a new band. Even dab hands like Wnderland, a duo comprised of Sarah McIntosh (the driving force behind such stellar acts as The Good Natured, Lovestarrs, and Sazzie) and experienced composer Thom Robson, likely saw their progress stalled. Catch up on their brooding synth debut tracks, 'Changing' and 'Who Are You' below.

Both 'Who Are You' and 'Changing' offer their own delicate downtempo yet melodic ambience, quietly captivating. Wnderland's marketing approach is similarly understated, with a notable absence of photos of the duo and a bio, so we suspect their 2020 activities may have been something of a 'soft' launch. We're hoping/expecting that Wnderland make a bigger splash in 2021.

Wnderland - 'Changing'

Wnderland - 'Who Are You'

Purchase the tracks at Bandcamp, and find more info on facebook.com/thisiswnderland.

Year In Review: Ten Of The Best Tracks You May Have Missed From 2019

2020-12-26T18:45:00.003+00:00

Words: Saam Das

Fair to say, 2020 has been a weird one so we've decided to look back a bit further pre-everything-going-to-pot, and highlight some of our top tracks from 2019 that you may have missed. We've gone for a bonanza of bigger names (with an unexpected deference to artists beginning with the letter 'B') as well as lesser known acts like Julietta and Sacred Paws. All great songs, we hope you agree.

10) Julietta - 'Stripes + Squares' (Penguin Prison Remix)

Well known knob twiddler Penguin Prison was on hand here to give Julietta's 'Stripes + Squares' a bouncier makeover. Both versions have a hat-tip to Maggie Rogers' fantastic 'Alaska', capturing a similar sort of folky beat-laden magic, albeit with a dancier twist in this remix's case.

9) Biffy Clyro – 'The Modern Leper' (Frightened Rabbit Cover)

Part of a tenth anniversary celebration of Frightened Rabbit's acclaimed 2008 album 'The Midnight Organ Fight', the covers album was understandably put to one side following the death of Scott Hutchison. Released in July 2019, the eventual 'Tiny Changes' album (see also the charity of the same name) featured covers from Daughter and The Twilight Sad, but few of the tracks were as powerful as the opening effort from Biffy Clyro.

8) talker – 'Keep Me Safe'

Carrying much of the same sort of melancholic melodic energy that saw 'Crash Into Me' by Dave Matthews Band re-popularised by Greta Gerwig's delightful 2017 film, 'Lady Bird', talker's majestic 'Keep Me Safe' is due a similar resurgence. Hopefully it won't take as long!

7) Mitski - 'Let's Get Married' (Bleachers Cover)

Coming from the incredibly limited vinyl-only 'Terrible Thrills' cover series by Bleachers, we're incredibly grateful to Jack Antonoff for giving his blessing for kind souls out there to lovingly share the tracks. Feels ridiculous that one of our YouTube videos has over 375,000 views and deservedly so in this instance - Mitski's wondrous cover of 'Let's Get Married' added an additional warmth to the Bleachers' original.

6) Bombay Bicycle Club – 'Eat Sleep Wake (Nothing But You)'

Speaking of warmth, the return of London outfit Bombay Bicycle Club gave us a warm sense of nostalgia. Having caught them from the very earliest days of them playing in North London pubs well over a decade ago, it was particularly pleasing to see them return with such a brilliant track, in the form of 'Eat Sleep Wake (Nothing But You)'.

5) Benjamin Francis Leftwich – 'Look Ma!'

Perhaps the least heralded track on this list but probably the only one that can claim inspiration from Steven Spielberg's adaptation of JG Ballard's 'Empire Of The Sun'. The wonderfully unique 'Look Ma!' adopted the Welsh lullaby 'Suo Gan' featured in the aforementioned movie, with a sprinkling of percussive magic and BFL's characteristically soothing vocals.

4) Georgia – 'About Work The Dancefloor'

We've been banging on about Georgia Barnes for years and we're super pleased that she's made her big breakthrough, culminated in a Mercury Prize nomination in 2020 for her second album, 'Seeking Thrills'. The spearhead for success could arguably be pinned on this Robyn-esque mega-banger, the somewhat confusingly titled 'About Work The Dancefloor'.

3) Sacred Paws – 'The Conversation'

Initial screeching aside, Glaswegian indie-pop duo Sacred Paws' 'The Conversation' is quite the joy-ride, as reflected in its music video. One of those tracks that mixes uplifting melodies with lyrical angst, but one that has us coming back time and time again.

Run Around The Sun by SACRED//PAWS

2) Blanck Mass - 'House Vs House'

Where do we even begin with this seven minute and 41 second-long opus? A dance-industrial mish-mash of epic proportions, utterly engrossing work from Fuck Buttons co-founder Benjamin John Power. Seven minutes in heaven, perhaps.

1) BASTILLE - 'Million Pieces' (Feat. The Chamber Orchestra Of London)

BASTILLE might well have nailed 2019 on its head with their lyrically-on-point Remainer anthem 'Doom Days' but it was this orchestral version of their otherwise electronic-led 'Million Pieces' that soared well and truly above their other material. The track's video (see below) takes us to the recording of the track at the iconic Abbey Road Studios, allowing us a peek at the sheer joy and accomplishment in creating such a wonderful piece of music. [Insert Heart Emoji]

Find more of our favourite things from 2019 here.

Surfacing: Caro Takes Us A Musical Journey Beyond ‘Colorado’ On New EP [New Artist]

2020-10-03T13:34:00.002+01:00

Words: Saam Das

As Caroline Baker states in the intro of the blink-and-you'll-miss-it brilliance of EP opener 'Colorado', "I don't know where to start". Perhaps the obvious elephant in the room, attributing a new/emerging artist moniker to someone with more than 20 million Spotify streams but in our defence, many a search engine result still primarily leads to Leeds band Caro rather than the Nashville pop-led solo artist. If you haven't heard of this Caro then allow us to introduce her to your ears.

Rising to Spotify-based prominence off the back of her genre-bending debut EP/mixtape 'songs from 3am', Caro has followed up in impeccable fashion. In fact, the end of that 2019 release (the bittersweet 'i don't miss u') fits in neatly as a counterpart to the folk-leaning melodic pop of 'Colorado', the first of five tracks packed into a mere 11 minutes on 'The Longest Year: Part One'.

The new release immediately steps away from the rawness of 'songs from 3am', with The Staves-esque 'Colorado' a prime example of the added immersive depth to Caro's effortlessly heartfelt songwriting. Taylor Swift seems like an undeniable influence, particularly on 'Too Far Gone', and we're excited to see where 'Part Two' takes us.

Caro - 'Colorado'

Caro - 'Too Far Gone'

Caro - 'i don't miss u'

'The Longest Year: Part One' is out now. Find more info about Caro at carobae.com.

Watch: Georgia Produces Fast Track #8 From Scratch In 90 Minutes

2020-09-18T20:44:00.002+01:00

Words: Saam Das

So we've not quite caught up to the Twitch "craze" yet and its rising prominence amongst the gaming community, but they've now partnered with Soundcloud - an off-shoot being their channel on the platform. Their Fast Track series features musicians creating beats in ninety minutes or so, and the latest edition showcases the skills of the recent Mercury Prize-nominated Georgia, somewhat channeling her 2019 smash hit 'About Work The Dancefloor'.

The live stream takes us behind the Georgia's production line, who opts for 120bpm for a "pulsating" feel, building the track up initially with strings and bass. It's an intriguing look at the layered thought process of an artist, and is similar to features by producer/remixer extraordinaire RAC and pop aficiando YouTuber RoomieOfficial. (Madeon's 'Pop Culture' live mash-up may also be of interest.)

Perhaps surprisingly, considering their differences in musical background, there are several elements shared with Roomie's video - the four-on-the-floor beat, a view to verse-chorus-bridge, the arpeggio, and Georgia's "always save!" mantra. With the London artist also mentioning that she tries to finish ideas when she starts them, fingers crossed that we get a full version of the track in future.

Georgia - Fast Track #8 ('Untitled')

Georgia · Fast Track #8 / untitled

RAC - 'Summer Song 101'

RAC · Summer Song 101

Find more info about Georgia at georgiauk.com

Listen: Haiku Hands - 'Car Crash' [Album Preview]

2020-09-12T23:42:00.000+01:00

Words: Saam Das

Having built a formidable reputation through their energetic live shows, 2020 should have seen Haiku Hands absolutely dominate the festival circuit with their blistering girl-power-infused synthy dance-pop. For good reason, that didn't happen this year for the Aussie triumvirate. But through all the bad news, we're pleased to confirm that their self-titled debut album has channelled their performances most excellently.

Our choice pick from 'Haiku Hands' stands apart from their typical hi-octane material (demonstrated masterfully on the likes of 'Onset') - 'Car Crash' slows the tempo, with shades of early noughties outfit The Organ and in more recent times, Overcoats. Far from a car crash, from a musical standpoint at the very least.

Sandwiched between the heavier in-yo-face sounds of 'Eat The Bass' and 'Supervillain' toward the end of the album, the track offers a contrasting low-key vibe, yet still retaining the empowering and anthemic elements on display across much of the rest of the album. The repeated mantra on 'Car Crash is "you're fucking awesome". Right back atcha, Haiku Hands.

Haiku Hands - 'Car Crash'

HAIKU HANDS · Car Crash

'Haiku Hands' is out now through Mad Decent. Find more info about Haiku Hands at haikuhands.com.au.

Listen: Art Brut - 'Modern Art' [Record Store Day 2020]

2020-08-29T23:31:00.001+01:00

Words: Saam Das

Having been moved back already on multiple occasions, Record Store Day UK 2020 finally launched today, August 29th. The "Day" has, in fact, been separated into three dates - with releases also due on 26th September (including 'Say My Name' by Destiny's Child on 12" vinyl) and 24th October (featuring Eminem's 'My Name Is' on 7"). For today's releases, we'd like to highlight Art Brut's special 'Modern Art' project, with three hundred personalised record sleeves, organised and released by Alcopop Records.

'Modern Art' might be a track that you're already familiar with, the anarchic anthem originally released as a single in 2004 on notable indie label Fierce Panda, as well as appearing on Art Brut's 'Bang Bang Rock & Roll' debut album. Having to signed to Alcopop in 2018 and appearing on our list of Record Store Day 2019 picks, the band have spruced things up with a sixteen minute live version of the track, befitting of its core sentiment - "Modern art makes me want to rock out!"

Arguably, the biggest attraction is the individual hand-made pieces of "modern art" on each of the Record Store Day release sleeves - including two writers on this very website! (As seen in the video below, you can spot my dog-infused sleeve at 0.56 and Kieran's money-laden collage at 1.04) Oh and the likes of Frank Black and John Cooper Clarke also contributed.

Art Brut - 'Modern Art'

Art Brut · Modern Art

'Modern Art' is available to buy at Record Store Day 2020 participating stores. Find more about Art Brut at artbrut.org.uk and Alcopop Records at ilovealcopop.co.uk.

Listen: Overcoats - 'Keep The Faith' [Album Preview]

2020-07-24T23:09:00.000+01:00

Words: Saam Das

All things considered, March 2020, wasn't all that long ago. But with subsequent lockdowns across the world in order to control the global pandemic, in some respects, it feels a lifetime ago! New York's Overcoats released their second album, 'The Fight', back in March and in case you missed out then, here's a taste of the album with the dulcet melodic tones of 'Keep The Faith'.

We previously wrote about another track from the duo's album, the brilliantly bittersweet 'Leave If You Wanna', and its excellent Ryan Hemsworth remix. The soaring nature of 'Leave If You Wanna' is continued on 'Keep The Faith', while flip-reversing the lyrical angst of the former track - "Darling, take my hand, don't give up on what we have. Forever is all I want, and it's not even long enough." And they've only gone and put out a wonderful strings version of 'Keep The Faith' recently too, emboldening the loving sentiment.

Overcoats - 'Keep The Faith'

Overcoats · Keep The Faith

Overcoats - 'Keep The Faith' (Strings Version)

'The Fight' is out now. Purchase the album and find more info about Overcoats at overcoatsmusic.com.

Surfacing: London Funk Outfit Electric Fire's Newest EP Is Buzzin' By Name, Buzzin' By Nature!

2020-07-11T15:26:00.000+01:00

Words: Saam Das

"Electric Fire, we're going to take you higher!" So say exuberant London four-piece funkers Electric Fire on their appropriately titled 'Club Smash', the opening track to their 2018 debut 'EFX' EP. And they're undoubtedly correct. Their latest 2020 EP continues the infectious and energetic sentiment - truly 'Buzzin'' by name, buzzin' by nature!

Anthemic opener 'Buzzin'' is like an energy drink transformed into a musical format, captured wonderfully by Jack Barraclough's video for the song. Better yet, are the things that Electric Fire are buzzin' about. ("Buzzin' about rice" being a particular favourite of ours.) The excellent 'Everyday', another life-affirming effort quickly follows the title track, with 'Holding On' and 'Egg Funk' rounding off the EP. Fist-pumpingly good stuff from Electric Fire.

'Buzzin'' is out now through Heart n Soul Records, an organisation that supports and empowers people with learning disabilities. Purchase at electricfire.bandcamp.com.

FADED GLAMOUR

Listen: Westside Cowboy - 'Can't See' [EP Preview]

Listen: East 17 - 'Stay Another Day' (2024 Remaster)

Exhibition Review: Portrait Of A Top Boy @ Somerset House

Surfacing: CHVRCHES Frontwoman Lauren Mayberry Unveils Debut Solo Offering [New Artist]

Exhibition Review: Freddie Mercury - A World Of His Own

Surfacing: Matt And Kim Hit The F5 Button Via New Garage-Punk Project PG14 [New Band]

Exhibition Review: Celebrating Seven Decades Of Status Quo @ Barbican

Watch: Sam Ryder - 'Mountain' (Live @ Eurovision 2023)

Festival Preview: Ten Must See Acts @ The Great Escape 2023

Alice Longyu Gao (Friday, 8.15pm, Komedia Basement + Fri, 12.00am, The Hope And Ruin)

Anna B Savage (Fri, 3.30pm, Queens Hotel + Sat, 12.15pm, Patterns Upstairs + Sat, 3pm, Komedia Basement)

Hak Baker (Friday, 10.30pm, Komedia Basement)

James Ellis Ford (Saturday, 6.30pm, Chalk)

Jessica Winter (Friday, 7.43pm, Revenge)

The Last Dinner Party (Thursday, 8.30, CHALK)

Master Peace (Friday, 9.25pm, Shooshh)

The Murder Capital (Friday, 10.15pm, Amazon New Music Stage )

Sans Soucis (Thursday, 2.15pm, Patterns Upstairs + Friday, 8.15pm, Komedia Studio )

YONAKA (Friday, 10.30pm, Chalk)

Seven Choice Picks For Record Store Day 2023

Baby Queen - 'Colours Of You'

dodie - 'Hot Mess' EP

Frank Carter & The Rattlesnakes - 'The Drugs'/'Parasite'

An incendiary outing from Frank Carter & The Rattlesnakes, with an appearance from Jamie T on 'The Drugs', returning the favour for appearing on the latter's most recent album. The biting 'Parasite' edges this 7" for us however.

Metronomy - 'Small World' Special Edition LP

Sam Smith (feat Kim Petras) - 'Unholy'

The Week That Was - 'The Week That Was' LP

White Town - 'Women In Technology' LP

Exhibition Review: Rock Against Racism - Militant Exhibition Tour @ St Mary In The Castle

Surfacing: London x Utrecht Synth Trio Render Ghosts Make Their Mark With Debut Album [New Band]

Year In Review: Rajan Lakhani's Top Albums Of 2021

Albums Of The Year (2021)

Surfacing: Fear Of Men's Jessica Weiss Ushers In New German Cinema [New Act]

Remixed: A.G. Cook - '2021' (umru Remix)

Year In Review: Rajan Lakhani's Top Ten Albums Of 2020

10. Kelly Lee Owens - 'Inner Song'

9. Margo Price - 'That’s How Rumors Get'

8. Bruce Springsteen - 'Letter To You'

7. Adrianne Lenker - 'songs'

6. Boy Pablo - 'Wachito Rico'

5. Fleet Foxes - 'Shore'

4. Dehd - 'Flower Of Devotion'

3. Phoebe Bridgers – 'Punisher'

2. Idles - 'Ultra Mono'

1. Deftones - 'Ohms'

Year In Review: Ten Of The Best Pop Tracks From 2019 That You May Have Missed

Surfacing: Composer Thom Robson And The Good Natured's Sarah McIntosh Team Up For Wnderland Project [New Band]

Year In Review: Ten Of The Best Tracks You May Have Missed From 2019

Surfacing: Caro Takes Us A Musical Journey Beyond ‘Colorado’ On New EP [New Artist]

Caro - 'Colorado'

Caro - 'Too Far Gone'

Caro - 'i don't miss u'

Watch: Georgia Produces Fast Track #8 From Scratch In 90 Minutes

Listen: Haiku Hands - 'Car Crash' [Album Preview]

Haiku Hands - 'Car Crash'

Listen: Art Brut - 'Modern Art' [Record Store Day 2020]

Art Brut - 'Modern Art'

Listen: Overcoats - 'Keep The Faith' [Album Preview]

Overcoats - 'Keep The Faith'

Overcoats - 'Keep The Faith' (Strings Version)

Surfacing: London Funk Outfit Electric Fire's Newest EP Is Buzzin' By Name, Buzzin' By Nature!

Electric Fire - 'Buzzin''

Electric Fire - 'Everyday'

Electric Fire - 'Club Smash'