<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-812157392441850893</atom:id><lastBuildDate>Sun, 27 May 2012 20:19:29 +0000</lastBuildDate><category>John William Polidori</category><category>The Hugo Awards</category><category>eBooks</category><category>Debates</category><category>Richard Matheson</category><category>RPG</category><category>William Faulkner</category><category>tura Gótica</category><category>José Luís Peixoto</category><category>H.G. Wells</category><category>António de Macedo</category><category>Jane Rogers</category><category>Matthew Gregory Lewis</category><category>Luis Sepúlveda</category><category>Fórum Fantástico 2010</category><category>Lewis Carroll</category><category>Vergílio Ferreira</category><category>Notícias</category><category>Cursos</category><category>Chuck Palahniuk</category><category>Italo Calvino</category><category>Carlos Ruiz Zafón</category><category>Fernando Pessoa</category><category>Luís de Camões</category><category>Eventos</category><category>José Rodrigues Miguéis</category><category>Citações</category><category>Alves Redol</category><category>H.P. Lovecraft</category><category>João Tordo</category><category>Bang</category><category>Fiódor Dostoiévski</category><category>Sigmund Freud</category><category>Mia Couto</category><category>Valter Hugo Mãe</category><category>Friedrich Nietzsche</category><category>Curtas-Metragens</category><category>Bram Stoker</category><category>Leituras Digitais</category><category>J. R. R. Tolkien</category><category>David Soares</category><category>Eucleia Editora</category><category>Vitorino Nemésio</category><category>Livrarias e Alfarrabistas</category><category>Stephen King</category><category>Edgar Allan Poe</category><category>Carlos de Oliveira</category><category>Jorge Luis Borges</category><category>Pedro Tamen</category><category>Literatura Gótica</category><category>William Strunk Jr.</category><category>Rádio</category><category>Locais de Leitura</category><category>Adriana Lisboa</category><category>Redes Sociais</category><category>Nanowrimo</category><category>Conversas em torno dos livros</category><category>Liliana Sanches</category><category>F. Scott Fitzgerald</category><category>Clarice Lispector</category><category>Revistas e outras publicações</category><category>Gonzalo Torrente Ballester</category><category>Cristina Carvalho</category><category>Concursos</category><category>Lord Dunsany</category><category>Simon Morden</category><category>Miguel de Cervantes</category><category>Alexandra V. Bach</category><category>Alexandre Herculano</category><category>Vasco Graça Moura</category><category>Maria Teresa Horta</category><category>Ann Radcliffe</category><category>Televisão</category><category>Horace Walpole</category><category>Lev Tolstoi</category><category>Arthur Machen</category><category>William Godwin</category><category>George R. R. Martin</category><category>Charles Dickens</category><category>Fernão Mendes Pinto</category><category>Leilões</category><category>Florbela Espanca</category><category>Colecções</category><category>Anna Marine</category><category>Anne Rice</category><category>Prémios Literários</category><category>Rubem Fonseca</category><category>Mary Shelley</category><category>Projecto Adamastor</category><category>D.H. Lawrence</category><category>Lançamentos</category><category>Entrevistas</category><category>Sophia de Mello Breyner</category><category>Don DeLillo</category><category>Charles Darwin</category><category>José Saramago</category><category>Acordo Ortográfico</category><category>Franz Kafka</category><category>Oscar Wilde</category><category>Agustina Bessa Luís</category><category>Philip K. Dick</category><category>Artes Visuais</category><category>Brian Dettmer</category><category>Joseph Conrad</category><category>Augusto Peixoto</category><category>Gabriel García Márquez</category><category>Agustina Bessa-Luís</category><category>Ernest Hemingway</category><category>Julian Barnes</category><category>Ilustração</category><category>Ana Cruz</category><category>Cinema</category><category>Tim Burton</category><category>João Ricardo Pedro</category><category>Neil Gaiman</category><category>Colecções</category><category>Abigail Larson</category><category>Cesário Verde</category><category>George Orwell</category><category>Connie Willis</category><category>Recursos na web</category><category>José Gil</category><category>Maria Gabriela Llansol</category><category>Shirley Jackson</category><category>Naguib Mahfouz</category><category>Gonçalo M. Tavares</category><category>Mark Twain</category><category>Antologias</category><category>Lídia Jorge</category><category>Fórum Fantástico 2011</category><category>Ray Bradbury</category><category>Manuel da Fonseca</category><category>Stendhal</category><category>Antonio Tabucchi</category><category>Virginia Woolf</category><category>Arte</category><category>Rubens Figueiredo</category><category>James Joyce</category><category>Umberto Eco</category><category>Mervyn Peake</category><category>Steampunk</category><category>Andréa del Fuego</category><category>Thomas Mann</category><category>LOTRO</category><title>Falling into Infinity</title><description /><link>http://www.fallingintoinfinity.com/</link><managingEditor>noreply@blogger.com (Ricardo Lourenço)</managingEditor><generator>Blogger</generator><openSearch:totalResults>549</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/fallingintoinfinityblog" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="fallingintoinfinityblog" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:emailServiceId xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">fallingintoinfinityblog</feedburner:emailServiceId><feedburner:feedburnerHostname xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">http://feedburner.google.com</feedburner:feedburnerHostname><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-3287198628795313676</guid><pubDate>Sun, 27 May 2012 12:26:00 +0000</pubDate><atom:updated>2012-05-27T13:26:43.522+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Leituras Digitais</category><category domain="http://www.blogger.com/atom/ns#">eBooks</category><title>Leituras Digitais (20 a 26 de Maio)</title><description>&lt;br /&gt;
&lt;center&gt;&lt;a href="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s1600/Leituras+Digitais.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s400/Leituras+Digitais.JPG" width="432" /&gt;&lt;/a&gt;&lt;/center&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;Rubrica semanal de notícias e artigos relacionados com a edição de livros digitais.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.guardian.co.uk/books/2012/may/21/amazon-kindle-ebook-instore"&gt;Waterstones deal with Amazon puts Kindle and ebooks instore&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Waterstones has announced a surprise tie-up with Amazon that will enable shoppers to pluck ebooks as well as physical books from its shelves.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;The companies did not reveal the terms of the deal, but Waterstones said it was planning a digital revolution in its stores, with Kindle e-readers on sale for the first time and free Wi-Fi, so customers can choose between buying a physical book or downloading it there and then. It is also opening instore cafes as part of an upgrade of the 30-year old chain.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://arstechnica.com/business/2012/05/future-u-library-3-0-has-more-resources-greater-challenges/"&gt;Future U: Library 3.0 has more resources, greater challenges&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;One popular image of the library of the future comes from the cartoon Futurama. The temporally misplaced character from our own time, Fry, enters &lt;st1:place&gt;&lt;st1:placename&gt;Mars&lt;/st1:placename&gt;  &lt;st1:placetype&gt;University&lt;/st1:placetype&gt;&lt;/st1:place&gt;’s Wong Library with his friends. It contains the largest collection of literature in the universe. Zoom in on two CDs, one labeled “Fiction” and the other “Non-fiction.”&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;In many ways, the library of today looks much the same as the library of yesteryear. The card catalogs may be consigned to a basement storage area and the tables where they used to stand are studded with computers. But otherwise there are carrels and stacks, stairs and information desk, patrons and librarians.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Transition is underway: from a place where you go to get information to a place you go to create; and from a place you go to create to a service you use.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.teleread.com/ebooks/can-e-readers-help-save-reading/"&gt;Can e-readers help save reading?&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;OnlineUniversities.com has a post by Justin Marquis Ph.D. looking at the alarming trend of declining reading rates over the last few decades, and bringing up the recent Pew study showing that e-reader owners read more as a possible harbinger of ways to reduce the trend.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;People who read more, Marquis points out, become more “interesting, engaged, and intellectual”. They have a higher degree of emotional as well as standard literacy, developing empathy through repeatedly putting themselves in the place of the characters they read about. Adolescents who don’t develop good reading habits are at a disadvantage in college where so much of learning is based on reading. And the more people who read individually, the more that greater society as a whole is more intellectually engaged.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.bisg.org/news-5-762-press-releasestudent-response-to-integrated-learning-systems-warms-up-says-new-bisg-research.php"&gt;Tablets are generating interest in e-texts, but price continues as a driver&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Integrated Learning Systems are edging out both print and e-textbooks in popularity with students, says new research from the Book Industry Study Group (BISG)'s ongoing study of Student Attitudes Toward Content in Higher Education. The second installment in Volume Two of the study, which is powered by Bowker Market Research, shows that nearly 48 percent of students feel Integrated Learning Systems help with their studying; compare that with 45 percent for the core physical textbook and just 37 percent for the e-textbook. Further, nearly half of student respondents feel that Integrated Learning Systems help them improve their grade, compared with 40 percent for print texts and 33 percent for e-texts.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://americaneditor.wordpress.com/2012/05/23/on-books-are-indie-authors-doing-the-best-they-can/"&gt;On Books: Are Indie Authors Doing the Best They Can?&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;One of the first lessons that every indie author needs to learn is that they must always be selling their writing. You can’t just write and hope someone else will pick up the sales ball. I know that seems obvious, but it is the scope of what constitutes selling that I think gets missed. Even such simple things as how the ebook is designed is selling. Choosing the right typeface and font size is selling. Providing metadata for running heads for those devices that will display a running head is selling. Participation in forums of readers and constantly mentioning your writing is selling. A well-done cover design is selling.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;For many people, selling themselves is the hardest thing to do in the world. It is why in law firms the “rainmakers” are considered more valuable than any other attorney in the firm; it is the rainmakers who bring in the business by selling themselves and the firm. The indie author has to be his or her own rainmaker.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://culture.wnyc.org/articles/features/2012/may/24/e-readers-unmasked-what-and-how-people-read-devices/"&gt;E-Readers Uncovered: What and Why People Read on Devices&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Our survey found that some people use their e-reader just for work – like the sociology professor reading From Max Weber in &lt;st1:street&gt;Union Square&lt;/st1:street&gt;. Other segregate their reading based on the experience of reading in print versus on a device.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Christopher Robinson works in publishing and was initially hesitant to join the e-reader revolution. But after his uncle gave him a Barnes &amp;amp; Noble Nook for Christmas, he now does most all his reading electronically – except for art books and poetry. He still prefers to read those two categories in print “because it’s just nicer to have it on a page, away from any distraction, with just the white space of the page.”&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.independent.co.uk/arts-entertainment/books/news/publishing-rude-bits-in-disguise-7786191.html"&gt;Publishing: Rude bits in disguise&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;According to new research by discount website MyVoucherCodes.co.uk, people have been buying e-readers to disguise the embarrassing books they're reading. The poll of 1,863 e-reader owners found that 58 per cent had acquired the device partly so as to disguise their taste in erotic and/or children's fiction.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E-book sales have skyrocketed thanks, in large part, to genre fiction: horror, crime, sci-fi and so on. Half of all erotic fiction sold is in e-book format, compared with just 20 per cent of general fiction. Romance publisher Mills &amp;amp; Boon releases around 100 digital titles a month, but just 55 physical titles.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://aaupdigitaldigest.wordpress.com/2012/05/09/book-places-in-the-digital-age/"&gt;Book Places in the Digital Age&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;So maybe publishers should treat indies like showrooms, and send their books to indies on consignment. That means that only if and when a book sells is money paid to the publisher. The books in the store shouldn’t be the focus of the revenue. Instead, the revenue might come from membership fees, book rentals, and referral fees for drop shipped new copies or ebook sales. Members of this store/library then would have a stake in keeping the store/library open, so presumably they would have little motivation to misuse ebook files. Then I as a publisher might have a reason to trust the store and those members with DRM free files. I would offer DRM free files in a store like that, where there is a relationship between the file and the store and the customer/patron. We are all shareholders in that scenario. I think other publishers might consider offering DRM free files in such a scenario too, but perhaps I’m too pie in the sky. If your local bookstore/library depended on the revenue ebook sales and rentals generated, you would have a stake in that revenue. I would hope that that could be an environment where publishers might be willing experiment with trust. But then again, I’ve been known to believe in lost causes before, and have been absolutely wrong.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;New York Times E-Book Best Sellers&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;h2 style="line-height: 13.2pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="apple-style-span"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;blockquote&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;A version of this list appears in the &lt;/span&gt;&lt;st1:date day="3" month="6" year="2012"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;June 3, 2012&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt; issue of The New York Times Book Review. Rankings reflect sales for the week ending &lt;/span&gt;&lt;st1:date day="19" month="5" year="2012"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;May 19, 2012&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="background: white; margin-bottom: .0001pt; margin: 0cm; mso-line-height-alt: 13.2pt;"&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-06-03/e-book-fiction/list.html"&gt;&lt;span style="color: #004276; font-family: nyt-franklin-2; font-size: 11.5pt; text-decoration: none;"&gt;E-Book Fiction&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;1.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES OF GREY,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;2.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES DARKER,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;3.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES FREED,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;4.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;STOLEN PREY,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by John Sandford&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;5.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES TRILOGY,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 14.2pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-06-03/e-book-fiction/list.html"&gt;&lt;span style="color: #004276; text-decoration: none;"&gt;Complete List »&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 style="background: white; margin-bottom: .0001pt; margin: 0cm; mso-line-height-alt: 13.2pt;"&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-06-03/e-book-nonfiction/list.html"&gt;&lt;span style="color: #004276; font-family: nyt-franklin-2; font-size: 11.5pt; text-decoration: none;"&gt;E-Book Nonfiction&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;1.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE AMATEUR,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Edward Klein&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;2.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;I SUCK AT GIRLS,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Justin Halpern&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;3.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE ART OF INTELLIGENCE,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Henry A. Crumpton&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;4.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE VOW,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Kim and Krickitt Carpenter with Dana Wilkerson&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;5.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;UNBROKEN,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Laura Hillenbrand&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 14.2pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-06-03/e-book-nonfiction/list.html"&gt;&lt;span style="color: #004276; text-decoration: none;"&gt;Complete List »&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;Wall Street Journal E-Book Best Sellers (Week Ended May 20)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Nonfiction E-Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; width: 100.0%;"&gt;&lt;tbody&gt;
&lt;tr&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;TITLE&lt;br /&gt;
AUTHOR / PUBLISHER&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THIS WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;LAST&lt;br /&gt;
WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Desperate Passage&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Ethan Rarick/Oxford University   Press&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Amateur&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Edward Klein/Regnery Publishing&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Act Like a Lady, Think Like   a Man&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Steve Harvey/HarperCollins&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Skinny Rules&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Bob Harper with Greg   Critser/Random House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Art of Intelligence&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Henry A. Crumpton/Penguin Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;I Suck at Girls&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Justin Halpern/HarperCollins&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Soulless&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Gail Carriger, Bob Condor/Orbit&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Vow&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Kim Carpenter, Krickitt   Carpenter with Dana Wilkerson/B&amp;amp;H Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Unbroken&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Laura Hillenbrand/Random House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Let's Pretend This Never   Happened&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Jenny Lawson/Penguin Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Fiction E-Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; width: 100.0%;"&gt;&lt;tbody&gt;
&lt;tr&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;TITLE&lt;br /&gt;
AUTHOR / PUBLISHER&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THIS WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;LAST&lt;br /&gt;
WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades of Grey&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Vintage&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades Darker&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Vintage&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades Freed&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Vintage&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Mockingjay&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Stolen Prey&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;John Sandford/Penguin Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Catching Fire&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Hunger Games&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;11th Hour&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;James Patterson, Maxine   Paetro/Little, Brown&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;On the &lt;/b&gt;&lt;st1:place&gt;&lt;b&gt;Island&lt;/b&gt;&lt;/st1:place&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Tracey Garvis Graves/Tracey   Garvis &lt;st1:place&gt;Graves&lt;/st1:place&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Innocent&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;David Baldacci/Grand Central   Publishing&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;Vídeos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;An open platform for social reading&lt;/b&gt;&lt;b&gt;&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/Xa_YJQ0-T0M?rel=0" width="460"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-3287198628795313676?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/leituras-digitais-20-26-de-maio.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s72-c/Leituras+Digitais.JPG" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-1928191952738002280</guid><pubDate>Sat, 26 May 2012 15:59:00 +0000</pubDate><atom:updated>2012-05-26T16:59:36.295+01:00</atom:updated><title>9.ª Sessão do Ciclo "Fernando Pessoa: Filosofia, Religião e Ciências do Psiquismo Humano"</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-gwoAhUkUsy8/Tt5vsPoyl4I/AAAAAAAABPs/9jqPE1VigKw/s1600/pessoa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-gwoAhUkUsy8/Tt5vsPoyl4I/AAAAAAAABPs/9jqPE1VigKw/s1600/pessoa.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="PT"&gt;&lt;a href="http://mundopessoa.blogs.sapo.pt/560657.html" target="_blank"&gt;Ciclo de Conferências – Fernando Pessoa: Filosofia, Religião e Ciências do Psiquismo Humano&lt;/a&gt;&lt;span class="MsoHyperlink"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Organização: &lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;Paulo Borges, Nuno Ribeiro e Cláudia Souza.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Data:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;6 de Junho de 2012, pelas 18h30.&lt;/span&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Local:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;&lt;a href="http://casafernandopessoa.cm-lisboa.pt/index.php?id=2258"&gt;Casa Fernando Pessoa&lt;/a&gt;.&lt;/span&gt;&lt;u&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; Livre.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="PT"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;div style="text-align: justify;"&gt;
A nona sessão do ciclo de conferências Fernando Pessoa: Filosofia, Religião e Ciências do Psiquismo Humano ocorrerá dia 6 de Junho de 2012, na Casa Fernando Pessoa. A sessão tem início às 18h30 e conta com uma palestra de Paulo Borges intitulada &lt;i&gt;D. Sebastião e o Quinto Império em Fernando Pessoa&lt;/i&gt;. &lt;/div&gt;
&lt;/blockquote&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-1928191952738002280?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/9-sessao-do-ciclo-fernando-pessoa.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-gwoAhUkUsy8/Tt5vsPoyl4I/AAAAAAAABPs/9jqPE1VigKw/s72-c/pessoa.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-1477033413912914088</guid><pubDate>Wed, 23 May 2012 16:07:00 +0000</pubDate><atom:updated>2012-05-23T17:07:14.496+01:00</atom:updated><title>Documentário da Universidade Aberta sobre José Saramago</title><description>&lt;br /&gt;
&lt;center&gt;&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/9WB8zZUHwyQ" width="420"&gt;&lt;/iframe&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-1477033413912914088?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/documentario-da-universidade-aberta.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/9WB8zZUHwyQ/default.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-2619883863684322290</guid><pubDate>Wed, 23 May 2012 10:00:00 +0000</pubDate><atom:updated>2012-05-23T11:00:03.771+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eventos</category><title>Debate "Mulheres e Literatura"</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/--pa1xiMs5K4/T7yuTDPorSI/AAAAAAAABrQ/pAC0sX31oWA/s1600/Debate+Mulheres+e+Literatura.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://3.bp.blogspot.com/--pa1xiMs5K4/T7yuTDPorSI/AAAAAAAABrQ/pAC0sX31oWA/s640/Debate+Mulheres+e+Literatura.jpg" width="473" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="ES"&gt;Ciclo de Debates da Ler Devagar: “Mulheres e Literatura”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="ES"&gt;Moderação: &lt;/span&gt;&lt;/b&gt;&lt;span lang="ES"&gt;Joana Miranda.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Convidados: &lt;/b&gt;Sara Évora Ferreira e Isabel Seara.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Data:&lt;/b&gt; 31 de Maio de 2012, pelas 17h.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Local:&lt;/b&gt; &lt;a href="http://www.lerdevagar.com/index.php?option=com_content&amp;amp;view=article&amp;amp;id=6&amp;amp;Itemid=5"&gt;Livraria Ler Devagar&lt;/a&gt;.&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="ES"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES"&gt; Livre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-2619883863684322290?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/debate-mulheres-e-literatura.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/--pa1xiMs5K4/T7yuTDPorSI/AAAAAAAABrQ/pAC0sX31oWA/s72-c/Debate+Mulheres+e+Literatura.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-9148493918888249167</guid><pubDate>Tue, 22 May 2012 09:00:00 +0000</pubDate><atom:updated>2012-05-22T10:00:04.743+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">George R. R. Martin</category><category domain="http://www.blogger.com/atom/ns#">Televisão</category><category domain="http://www.blogger.com/atom/ns#">Recursos na web</category><title>Ler Mais Ler Melhor: A Game of Thrones</title><description>&lt;br /&gt;
&lt;center&gt;&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/uUqMdsPODHo?rel=0" width="460"&gt;&lt;/iframe&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-9148493918888249167?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/ler-mais-ler-melhor-game-of-thrones.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/uUqMdsPODHo/default.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-4809911104247971186</guid><pubDate>Mon, 21 May 2012 13:21:00 +0000</pubDate><atom:updated>2012-05-21T14:27:15.308+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Colecções</category><title>Colecção Júlio Verne com o Correio da Manhã</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-U0hcaf4p0iQ/T7o_mMoZ2BI/AAAAAAAABq0/Ltwn7l24Jgs/s1600/Julio+Verne.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="209" src="http://3.bp.blogspot.com/-U0hcaf4p0iQ/T7o_mMoZ2BI/AAAAAAAABq0/Ltwn7l24Jgs/s320/Julio+Verne.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
&lt;span lang="PT"&gt;A partir do próximo Sábado, 26 Maio, será possível adquirir livros de Júlio Verne juntamente com o Correio da Manhã (1,95€ pelo primeiro volume, 9,95€ pelos restantes, todos em capa dura). Os dez primeiros títulos encontram-se enumerados na imagem acima (clique para aumentar).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-4809911104247971186?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/coleccao-julio-verne-com-o-correio-da.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-U0hcaf4p0iQ/T7o_mMoZ2BI/AAAAAAAABq0/Ltwn7l24Jgs/s72-c/Julio+Verne.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-6119813457719618362</guid><pubDate>Sun, 20 May 2012 14:49:00 +0000</pubDate><atom:updated>2012-05-20T15:49:47.503+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Leituras Digitais</category><category domain="http://www.blogger.com/atom/ns#">eBooks</category><title>Leituras Digitais (13 a 19 de Maio)</title><description>&lt;br /&gt;
&lt;center&gt;&lt;a href="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s1600/Leituras+Digitais.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s400/Leituras+Digitais.JPG" width="432" /&gt;&lt;/a&gt;&lt;/center&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;Rubrica semanal de notícias e artigos relacionados com a edição de livros digitais.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://futurebook.net/content/when-e-books-were-growing"&gt;When e-books were growing&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;In digital publishing no sooner do we reach one milestone than another slaps us in the face. The figures released this week by Hachette &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt; are the first to truly demonstrate the step-change in e-book consumption since the beginning of the year.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Digital sales in the first quarter of 2012 were up 250% on the same period in 2011. E-book sales accounted for 20% of sales of relevant titles and over 30% in the case of certain fiction titles, an average of 25% of adult trade sales.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.guardian.co.uk/books/2012/may/13/libraries-elending-society-of-authors?CMP=twt_gu"&gt;Writers won't lose out if libraries lend ebooks&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Many publishers share this coolness towards e-lending, with only Random House and Bloomsbury still signed up to OverDrive, the library ebook platform. Hachette's CEO, Tim Hely Hutchinson, spoke recently of his worries that library lending could lead to "ebook giveaways for all". The theory goes that if people can borrow ebooks for nothing, they will have no reason to buy them. The same argument was used against libraries until it turned out that library users spent more on books than anyone else.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Accepting that libraries should be able to lend books means accepting that they should be able to lend them in any format. To claim otherwise is illogical and exposes a deep unease both with what "owning" an ebook actually entails, and with the whole concept of public libraries.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.the-digital-reader.com/2012/05/14/next-kindle-to-launch-in-july/"&gt;Next (Front-Lighted) Kindle to Launch in July?&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;It looks like that front-lighted Kindle rumor I reported on last month is going to come true. Reuters is reporting that Amazon plans to launch the new Kindle in July 2012. There aren’t any hard details yet on specs or price, but the original source is quite specific that the new Kindle is going to be released 2 months from now.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.digitalbookworld.com/2012/booksellers-v-libraries-publishers-v-amazon-these-are-the-wrong-battles-to-fight/?et_mid=555875&amp;amp;rid=232964891"&gt;Booksellers v. Libraries? Publishers v. Amazon? These are the wrong battles to fight&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Publishers (both old and new) must step up and provide the platforms (and rights management frameworks) for innovation needed by booksellers (all types of booksellers) and authors to push reading forward. If they don’t, publishers will fall by the wayside as true innovation will be limited to a few (one?) large players investing on their own behalf’s (see Amazon, Barnes &amp;amp; Noble + Microsoft) while authors take their storytelling to completely new platforms that are altogether outside of the bookselling and library frameworks.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.macobserver.com/tmo/article/an_inconvenient_truth_about_e-books/"&gt;An Inconvenient Truth About E-books&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;As we rush headlong into e-books, we’re not considering how our libraries will migrate forward in time, protecting personal and institutional investments. Paper books are readable by anyone who’s literate, but e-books require a reader, and DRM ensures that there will be difficulties in the future. Worse, there are several different file formats and different DRMs used by Apple, Adobe and Amazon.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;While there is some cross compatibility, there is no assurance that due to technical changes, self-serving rules invoked by publishers, and the interests of middlemen like Apple that what we buy today will be usable in the future. Worse, as we buy e-books from different retailers, we fragment our collections. Some are in Kindle, some are in iBooks, and so on. Retailers want us locked in, and we want freedom.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://techcrunch.com/2012/05/15/amazon-killed-the-book-reviewer-star/"&gt;Amazon Killed The Book Reviewer Star&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;The result, implies this new research, is that Amazon has democratized the book reviewing process, with consumer reviewers less beholden to special interests and more representative of the book-reading masses. Perhaps most importantly, it rebuts critics who have claimed that Amazon is nothing more than a cauldron of corrupt and uneducated opinions.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Despite the strict editorial firewall between writers and commercial interests, “reviewers may not always have the incentive to provide objective reviews,” explain Professors Dobrescu, Luca and Motta in a new study of the professional book review industry. Newspapers and magazines are 25% more likely to offer a review of an author who has written for their publication before; unsurprisingly, the reviews are slightly more positive. Moreover, professional reviews suffer from self-congratulatory institutional nepotism: novice authors get slammed more often than established ones, especially if they haven’t won any awards.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.thebookseller.com/news/eu-%C2%A364m-funding-programme-back-open-access.html"&gt;EU £64m funding programme 'to back open access'&lt;o:p&gt;&lt;/o:p&gt;&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;The Times Higher Education Supplement reports today (17th May) that an EC official has revealed that for researchers receiving funding from its Horizon 2020 program between 2014-20, a requirement to adopt open access publishing for their work “will be the norm.” A pilot scheme underway in seven areas of its current funding programme is to be extended across all peer-reviewed research in the new scheme.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;The EC is set to publish an official policy before the summer after consulting with publishers and presenting ideas at an event in &lt;st1:city&gt;Brussels&lt;/st1:city&gt; on June 20th this year, according to the THES.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.the-digital-reader.com/2012/05/17/createspace-pod-service-expands-into-europe/"&gt;CreateSpace POD Service Expands into Europe&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Amazon‘s own print-on-demand service CreateSpace has just announced a new distribution venue. This sub has been printing and distributing books in the US ever since Amazon bought it in 2005, and as of today it can now supply ebooks to all of Amazon’s European websites, including Amazon.co.uk, Amazon.de, Amazon.fr, Amazon.es, and Amazon.it.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Authors and small publishers now have more options for where they can sell their books. With minimal effort they’ll be able to use their existing CreateSpace account to expand their readership to include dozens of new fans.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.digitalbookworld.com/2012/publication-isnt-preservation/"&gt;In the Digital Era, Publication Isn’t Preservation&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Digital archivists have a lot to say on this matter, as they have been dealing with the instability of digital files (not to mention evolving file formats, software, storage and hardware issues) for years. And they are probably the first to point out something that may seem counter-intuitive: Digitization and cloud storage do not necessarily ensure longevity. Steeped as we may be in the fear that digital files will exist forever — those Friendster/Myspace/Facebook/Twitter images of ourselves as teenagers haunting us all our lives — anyone whose computer has crashed, taking photos and word documents with it, knows this probably won’t be the case.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;In response to the perceived (read: false) assumption that in the digital age we are over-archiving our lives, “anti-archival” seems to be garnering support. In fact, we aren’t keeping copies of e-books themselves or tracking their technical evolution and divergence in an acknowledged systematic way.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;New York Times E-Book Best Sellers&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;h2 style="line-height: 13.2pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="apple-style-span"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;blockquote&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&amp;nbsp;A&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;version of this list appears in the &lt;/span&gt;&lt;st1:date day="27" month="5" year="2012"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;May 27, 2012&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt; issue of The New York Times Book Review. Rankings reflect sales for the week ending &lt;/span&gt;&lt;st1:date day="12" month="5" year="2012"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;May 12,  2012&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="background: white; margin-bottom: .0001pt; margin: 0cm; mso-line-height-alt: 13.2pt;"&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-27/e-book-fiction/list.html"&gt;&lt;span style="color: #004276; font-family: nyt-franklin-2; font-size: 11.5pt; text-decoration: none;"&gt;E-Book Fiction&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;1.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES OF GREY,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;2.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES DARKER,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;3.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES FREED,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;4.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;11TH HOUR,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by James Patterson and Maxine Paetro&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo1; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;5.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES TRILOGY,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 14.2pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-27/e-book-fiction/list.html"&gt;&lt;span style="color: #004276; text-decoration: none;"&gt;Complete List »&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 style="background: white; margin-bottom: .0001pt; margin: 0cm; mso-line-height-alt: 13.2pt;"&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-27/e-book-nonfiction/list.html"&gt;&lt;span style="color: #004276; font-family: nyt-franklin-2; font-size: 11.5pt; text-decoration: none;"&gt;E-Book Nonfiction&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;1.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;MOST TALKATIVE,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Andy Cohen&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;2.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE VOW,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Kim and Krickitt Carpenter with Dana Wilkerson&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;3.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE PASSAGE OF POWER,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Robert A. Caro&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;4.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;UNBROKEN,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Laura Hillenbrand&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo2; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;5.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;LET’S PRETEND THIS NEVER HAPPENED,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Jenny Lawson&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 14.2pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-27/e-book-nonfiction/list.html"&gt;&lt;span style="color: #004276; text-decoration: none;"&gt;Complete List »&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;Wall Street Journal E-Book Best Sellers (Week Ended May 13)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Nonfiction E-Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; width: 100.0%;"&gt;&lt;tbody&gt;
&lt;tr&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;TITLE&lt;br /&gt;
AUTHOR / PUBLISHER&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THIS WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;LAST&lt;br /&gt;
WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Psychopath (Crimescape)&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;--&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Dr. Katherine Ramsland/Dr.   Katherine Ramsland&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Soulless (The Parasol   Protectorate)&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;--&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Gail Carriger and Bob Condor   /Orbit&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;No Buddy Left Behind&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;--&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Terri Crisp and C. J.   Hurn/Lyons Press&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Most Talkative&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Andy Cohen/Henry Holt&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;To Heaven and Back&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;--&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Mary Neal/Circle 6 Publishing&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;7 Money Rules for Life&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;--&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Mary Hunt/Revell&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Passage of Power&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Robert A. Caro/Knopf Doubleday   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Vow: The True Events   That Inspired the Movie&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;--&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Kim and Krickitt Carpenter,   with Dana Wilkerson/B&amp;amp;H Publishing&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Act Like a Lady, Think Like   a Man&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Steve Harvey/HarperCollins&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Unbroken&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Laura Hillenbrand/Random House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Fiction E-Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; width: 100.0%;"&gt;&lt;tbody&gt;
&lt;tr&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;TITLE&lt;br /&gt;
AUTHOR / PUBLISHER&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THIS WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;LAST&lt;br /&gt;
WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades of Grey&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/The Writer's Coffee   Shop Publishing House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades Darker&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Knopf Doubleday   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades Freed&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Knopf Doubleday   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;11th Hour&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;James Patterson, Maxine Paetro   /Little, Brown&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Mockingjay&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Catching Fire&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;City of Lost Souls&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Cassandra Clare/Margaret K.   McElderry Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Hunger Games&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Book Case&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Nelson DeMille/Thomas &amp;amp;   Mercer&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Innocent&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;--&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;David Baldacci/Grand Central   Publishing&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;Vídeos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;Plastic Logic's flexible colour displays&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/SeM7oCVKtbI?rel=0" width="460"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-6119813457719618362?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/leituras-digitais-13-19-de-maio.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s72-c/Leituras+Digitais.JPG" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-7248514972954418091</guid><pubDate>Sun, 20 May 2012 11:54:00 +0000</pubDate><atom:updated>2012-05-20T12:54:10.606+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Prémios Literários</category><title>Vencedores dos Nebula Awards 2011</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.sfwa.org/2012/02/2011-nebula-awards-nominees-announced/"&gt;&lt;img border="0" height="200" src="https://lh4.googleusercontent.com/-30limTS6kDs/TWPVL6Gtp3I/AAAAAAAAAx4/pddl2_c1XYo/w210-h210-n-k/nebula.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;&lt;span lang="PT"&gt;Foram ontem anunciados os vencedores dos Nebula Awards 2011, destacados na seguinte lista que inclui os restantes nomeados para cada categoria:&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Novel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="color: #6fa8dc;"&gt;&lt;u&gt;&lt;b&gt;&lt;i&gt;Among Others&lt;/i&gt;&lt;/b&gt;, Jo Walton (Tor)&lt;/u&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;st1:place&gt;&lt;st1:city&gt;&lt;b&gt;&lt;i&gt;Embassytown&lt;/i&gt;&lt;/b&gt;&lt;/st1:city&gt;,  &lt;st1:country-region&gt;China&lt;/st1:country-region&gt;&lt;/st1:place&gt; Miéville (Macmillan &lt;st1:country-region&gt;&lt;st1:place&gt;UK&lt;/st1:place&gt;&lt;/st1:country-region&gt;; Del Rey; Subterranean Press)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;Firebird&lt;/i&gt;&lt;/b&gt;, Jack McDevitt (Ace Books)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;God’s War&lt;/i&gt;&lt;/b&gt;, Kameron Hurley (Night Shade Books)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;Mechanique: A Tale of the Circus Tresaulti&lt;/i&gt;&lt;/b&gt;, Genevieve Valentine (Prime Books)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;The &lt;/i&gt;&lt;/b&gt;&lt;st1:place&gt;&lt;st1:placetype&gt;&lt;b&gt;&lt;i&gt;Kingdom&lt;/i&gt;&lt;/b&gt;&lt;/st1:placetype&gt;&lt;b&gt;&lt;i&gt; of &lt;/i&gt;&lt;/b&gt;&lt;st1:placename&gt;&lt;b&gt;&lt;i&gt;Gods&lt;/i&gt;&lt;/b&gt;&lt;/st1:placename&gt;&lt;/st1:place&gt;, N.K. Jemisin (Orbit &lt;st1:country-region&gt;&lt;st1:place&gt;US&lt;/st1:place&gt;&lt;/st1:country-region&gt;; Orbit &lt;st1:country-region&gt;&lt;st1:place&gt;UK&lt;/st1:place&gt;&lt;/st1:country-region&gt;)&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Novella&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Kiss Me Twice&lt;/b&gt;,” Mary Robinette Kowal (Asimov’s Science Fiction, June 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Silently and Very Fast&lt;/b&gt;,” Catherynne M. Valente (WFSA Press; Clarkesworld Magazine, October 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;The Ice Owl&lt;/b&gt;,” Carolyn Ives Gilman (The Magazine of Fantasy and Science Fiction, November/December 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="color: #6fa8dc;"&gt;&lt;u&gt;“&lt;b&gt;The Man Who Bridged the Mist&lt;/b&gt;,” Kij Johnson (Asimov’s Science Fiction, October/November 2011)&lt;/u&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;The Man Who Ended History: A Documentary&lt;/b&gt;,” Ken Liu (Panverse Three, Panverse Publishing)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;With Unclean Hands&lt;/b&gt;,” Adam-Troy Castro (Analog Science Fiction and Fact, November 2011)&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Novelette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Fields of Gold&lt;/b&gt;,” Rachel Swirsky (Eclipse 4, Night Shade Books)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Ray of Light&lt;/b&gt;,” Brad R. Torgersen (Analog Science Fiction and Fact, December 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Sauerkraut Station&lt;/b&gt;,” Ferrett Steinmetz (Giganotosaurus, November 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Six Months, Three Days&lt;/b&gt;,” Charlie Jane Anders (Tor.com, June 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;The Migratory Pattern of Dancers&lt;/b&gt;,” Katherine Sparrow (Giganotosaurus, July 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;The Old Equations&lt;/b&gt;,” Jake Kerr (Lightspeed Magazine, July 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="color: #6fa8dc;"&gt;&lt;u&gt;“&lt;b&gt;What We Found&lt;/b&gt;,” Geoff Ryman (The Magazine of Fantasy and Science Fiction, September/October 2011)&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Short Story&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Her Husband’s Hands&lt;/b&gt;,” Adam-Troy Castro (Lightspeed Magazine, October 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Mama, We are Zhenya, Your Son&lt;/b&gt;,” Tom Crosshill (Lightspeed Magazine, April 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Movement&lt;/b&gt;,” Nancy Fulda (Asimov’s Science Fiction, March 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;Shipbirth&lt;/b&gt;,” Aliette de Bodard (Asimov’s Science Fiction, February 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;The Axiom of Choice&lt;/b&gt;,” David W. Goldman (&lt;st1:city&gt;&lt;st1:place&gt;New   Haven&lt;/st1:place&gt;&lt;/st1:city&gt; Review, Winter 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“&lt;b&gt;The Cartographer Wasps and the Anarchist Bees&lt;/b&gt;,” E. Lily Yu (Clarkesworld Magazine, April 2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="color: #6fa8dc;"&gt;&lt;u&gt;“&lt;b&gt;The Paper Menagerie&lt;/b&gt;,” Ken Liu (The Magazine of Fantasy and Science Fiction, March/April 2011)&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-7248514972954418091?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/vencedores-dos-nebula-awards-2011.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-81261868801614917</guid><pubDate>Sat, 19 May 2012 14:18:00 +0000</pubDate><atom:updated>2012-05-19T15:18:31.893+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eventos</category><title>5ª Feira do Livro Anarquista</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-eYtVJ8OU55g/T7eoyyVdLgI/AAAAAAAABqU/_I-B8ihgfk8/s1600/Feira+do+Livro+Anarquista.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-eYtVJ8OU55g/T7eoyyVdLgI/AAAAAAAABqU/_I-B8ihgfk8/s1600/Feira+do+Livro+Anarquista.png" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="PT"&gt;&lt;a href="http://feiradolivroanarquista.blogspot.pt/p/sexta-feira-25-de-maio-14h-abertura-da.html"&gt;5ª Feira do Livro Anarquista&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Data:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;25 a 27 de Maio de 2012.&lt;/span&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Local:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;&lt;a href="http://www.fba.ul.pt/portal/page?_pageid=401,1&amp;amp;_dad=portal&amp;amp;_schema=PORTAL"&gt;Faculdade de Belas-Artes de Lisboa&lt;/a&gt;.&lt;/span&gt;&lt;u&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="ES"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES"&gt; Livre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;&lt;a href="http://feiradolivroanarquista.blogspot.pt/p/sexta-feira-25-de-maio-14h-abertura-da.html"&gt;Programa&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="PT"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;div style="text-align: justify;"&gt;
O objectivo é aprofundar e divulgar as ideias anarquistas, enquanto ataque real a esta sociedade exploradora, autoritária e antropocêntrica, incentivando as publicações independentes, criando espaços de discussão e de troca de ideias que possibilitem projectos alternativos e modos autónomos de vida.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="PT"&gt;Partindo de um inconformismo face a todas as formas de dominação, continuamos a promover o pensamento libertário e a rejeitar qualquer mediação política.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="PT"&gt;Acreditamos numa vivência que respeita a singularidade e as diferenças entre cada indivíduo e grupo, numa relação pacífica com a biosfera. Acreditamos que é possível pensar a realidade de uma outra forma e actuar sobre ela.&lt;/span&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-81261868801614917?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/5-feira-do-livro-anarquista.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-eYtVJ8OU55g/T7eoyyVdLgI/AAAAAAAABqU/_I-B8ihgfk8/s72-c/Feira+do+Livro+Anarquista.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-8122308901746185466</guid><pubDate>Thu, 17 May 2012 10:07:00 +0000</pubDate><atom:updated>2012-05-17T11:07:04.729+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">José Saramago</category><category domain="http://www.blogger.com/atom/ns#">Recursos na web</category><title>Tertúlia com José Saramago</title><description>&lt;br /&gt;
&lt;center&gt;&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/zUnRufs07rM?rel=0" width="460"&gt;&lt;/iframe&gt;&lt;/center&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;&lt;span lang="PT"&gt;Podem visualizar mais vídeos relacionados com o autor no &lt;a href="http://www.youtube.com/user/FJSaramago"&gt;canal oficial da Fundação José Saramago no YouTube&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-8122308901746185466?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/tertulia-com-jose-saramago.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/zUnRufs07rM/default.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-4528651243038753944</guid><pubDate>Wed, 16 May 2012 09:50:00 +0000</pubDate><atom:updated>2012-05-16T10:50:51.726+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eventos</category><category domain="http://www.blogger.com/atom/ns#">Recursos na web</category><category domain="http://www.blogger.com/atom/ns#">Literatura Gótica</category><category domain="http://www.blogger.com/atom/ns#">Edgar Allan Poe</category><title>Poe e a Criatividade Gótica</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-a-OyZn6XQC0/T7Kl56trmcI/AAAAAAAABp8/n8hnrw36mlI/s1600/Poe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-a-OyZn6XQC0/T7Kl56trmcI/AAAAAAAABp8/n8hnrw36mlI/s320/Poe.jpg" width="263" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 18.0pt;"&gt;&lt;span lang="PT"&gt;Quando se aproxima a realização do colóquio &lt;i&gt;&lt;a href="http://www.fallingintoinfinity.com/2012/02/coloquio-dracula-and-gothic.html"&gt;Dracula and the Gothic in Literature, Pop Culture and the Arts&lt;/a&gt; &lt;/i&gt;(cujo programa pode ser consultado &lt;a href="https://sites.google.com/site/laipax/programme"&gt;aqui&lt;/a&gt;), aproveito para recordar outro colóquio dedicado à literatura gótica que se realizou no nosso país: &lt;i&gt;Poe e a Criatividade Gótica&lt;/i&gt;. Algumas das comunicações feitas neste último (lista completa abaixo) foram publicadas na revista Anglo Saxónica do Centro de Estudos Anglísticos da Universidade de Lisboa, que pode ser descarregada gratuitamente&amp;nbsp;&lt;a href="http://rdpc.uevora.pt/handle/10174/3955"&gt;aqui&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;INTRODUÇÃO: A ARTE PERVERSA DE EDGAR ALLAN POE&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;Maria Antónia Lima e Margarida Vale de Gato&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;”THE MASQUE OF THE RED DEATH” – &lt;st1:place&gt;&lt;st1:placetype&gt;CASTLE&lt;/st1:placetype&gt;  OF &lt;st1:placename&gt;ALTERITY&lt;/st1:placename&gt;&lt;/st1:place&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Iolanda Brito&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;POE AND LOVECRAFT: INTERIOR AND COSMIC TERROR&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;José Carlos Gil&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;”THE FALL OF THE HOUSE OF USHER”: O DISPOSITIVO CINE-POIÉTICO POE / EPSTEIN&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Fernando Guerreiro&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THE HOUSE OF USHER AND THE HOUSE OF FISHER: TOWARDS AN ARCHITECTURE OF (DIS)COMFORT&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;José Duarte&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;EDGAR ALLAN POE: UM PRECURSOR DA LITERATURA DE VAMPIROS NORTE-AMERICANA&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;Paula Lagarto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;O ESCRITOR E O SEU DUPLO EM EDGAR ALLAN POE E BRET EASTON ELLIS&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;João Luís Nabo&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;EDGAR ALLAN POE’S EXTRAORDINARY TRANSLATIONS: A SURVEY OF NINETEENTH AND EARLY TWENTIETH-CENTURY FRENCH AND RUSSIAN VERSIONS&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;Nadia D’Amelio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;A PARATEXTUALIDADE NA REESCRITA PORTUGUESA DOS CONTOS DE EDGAR ALLAN POE&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;Vivina Figueiredo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;PESSOA, POE E A APRENDIZAGEM DA CONTINGÊNCIA. LEITURAS A PROPÓSITO DE “THE DOOR” E DE ALGUMA POESIA DE ALEXANDER SEARCH&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Francisco Fino&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;“FABULOUS AND FRIVOLOUS TALES”: POE’S “THE PIT AND THE PENDULUM” AND ANTICATHOLIC FICTION IN ANTEBELLUM CULTURE&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Fernando Gonzalez&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;RATIONALES OF VERSE: POE AND OTHER CRITICS&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Fernando Barragão&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;HAPPY BIRTHDAY, MR. POE!&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Maria Antónia Lima&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-4528651243038753944?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/poe-e-criatividade-gotica.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-a-OyZn6XQC0/T7Kl56trmcI/AAAAAAAABp8/n8hnrw36mlI/s72-c/Poe.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-7106741388431256278</guid><pubDate>Tue, 15 May 2012 13:16:00 +0000</pubDate><atom:updated>2012-05-15T14:16:56.046+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eventos</category><category domain="http://www.blogger.com/atom/ns#">Fernando Pessoa</category><title>Estranhar Pessoa com as Materialidades da Literatura</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-DJavC3UUjok/T7JVvlP3NXI/AAAAAAAABpw/Y7Ut_B0SeH8/s1600/Estranhar+Pessoa+com+as+Materialidades+da+Literatura.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-DJavC3UUjok/T7JVvlP3NXI/AAAAAAAABpw/Y7Ut_B0SeH8/s640/Estranhar+Pessoa+com+as+Materialidades+da+Literatura.jpg" width="452" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="PT"&gt;&lt;a href="http://matlit.wordpress.com/2012/05/15/primeiro-coloquio-do-programa-de-doutoramento-em-materialidades-da-literatura/"&gt;Colóquio «Estranhar Pessoa com as Materialidades da Literatura»&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Data:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;25 de Maio de &amp;nbsp;2012.&lt;/span&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Local:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;&lt;a href="http://www.uc.pt/fluc"&gt;Faculdade de Letras da Universidade de Coimbra&lt;/a&gt;.&lt;/span&gt;&lt;u&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="ES"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES"&gt; Livre.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="PT"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;div style="text-align: justify;"&gt;
Terá lugar no próximo dia 25 de Maio, na sala do Centro de Literatura Portuguesa (7º piso) da Faculdade de Letras da Universidade de Coimbra, e chamar-se-á ‘Estranhar Pessoa com as Materialidades da Literatura’. Realizado em colaboração com o ELAB (Laboratório de Estudos Literários Avançados), da FCSH da UNL, o colóquio prolonga uma das linhas de trabalho do ELAB, abordando-a contudo na óptica das materialidades da literatura. Dá-se assim expressão a uma colaboração entre o programa de doutoramento em Materialidades da Literatura e o ELAB, patente, desde o início do funcionamento do curso, na presença de Abel Barros Baptista, fundador e director do ELAB, entre o corpo docente, como professor convidado, ou na presença de Osvaldo Manuel Silvestre entre os colaboradores do ELAB, nomeadamente no projecto ‘O ensino da literatura nas universidades portuguesas: história e nova proposta’. E ainda na colaboração que quer Osvaldo Manuel Silvestre (na 1ª edição), quer Manuel Portela (na 3ª edição, em curso), vêm dando às ‘Aulas da Primavera’. Por fim, o colóquio servirá ainda para dar notícia pública do início dos trabalhos no projecto «Nenhum Problema Tem Solução: Um Arquivo Digital do Livro do Desassossego», apresentado pelo programa em Materialidades da Literatura à FCT e aprovado com «excelente».&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="PT"&gt;O acesso ao colóquio é livre, sendo facultados certificados de presença a quem os solicitar.&lt;/span&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="PT"&gt;Via &lt;i&gt;&lt;a href="http://tantaspaginas.wordpress.com/2012/05/15/estranhar-pessoa-com-as-materialidades-da-literatura-no-proximo-dia-25-na-faculdade-de-letras-da-universidade-de-coimbra/"&gt;Tantas Páginas&lt;/a&gt;&lt;/i&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-7106741388431256278?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/estranhar-pessoa-com-as-materialidades.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-DJavC3UUjok/T7JVvlP3NXI/AAAAAAAABpw/Y7Ut_B0SeH8/s72-c/Estranhar+Pessoa+com+as+Materialidades+da+Literatura.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-4598301045613915873</guid><pubDate>Mon, 14 May 2012 09:50:00 +0000</pubDate><atom:updated>2012-05-14T10:50:05.470+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Recursos na web</category><title>Europeana Newspapers</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.europeana-newspapers.eu/" target="_blank"&gt;&lt;img border="0" height="185" src="http://1.bp.blogspot.com/-n7nWfkyR8Y8/T7DSCTfnBEI/AAAAAAAABpg/Rtuf1Xhjt3U/s400/europeana_newspapers_logo_landscape4501.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 18.0pt;"&gt;
&lt;span lang="PT"&gt;Anunciado em Fevereiro do presente ano, o Europeana Newspapers já dispõe de &lt;a href="http://www.europeana-newspapers.eu/"&gt;website próprio&lt;/a&gt;. O projecto tem como objectivo digitalizar jornais, com especial ênfase para aqueles que foram publicados durante a Primeira Guerra Mundial, disponibilizando-os posteriormente de forma gratuita e sem qualquer tipo de restrições legais através do &lt;a href="http://www.europeana.eu/portal/"&gt;Europeana&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;/div&gt;
&lt;blockquote&gt;
&lt;div style="text-align: justify;"&gt;
A group of 17 European partner institutions have joined forces in the “Europeana Newspapers” project and will, over the next 3 years, provide more than 10 million newspaper pages to the EUROPEANA service.&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The Europeana Newspapers project (funded under EC’s CIP 2007 – 2013) aims at the aggregation and refinement of newspapers for The European Library and Europeana. In addition, the project addresses challenges particularly linked with digitized newspapers:&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;use of refinement methods for OCR, OLR/article segmentation, and named entity recognition (NER), and page class recognition to enhance search and presentation functionalities for Europeana customers,&lt;/li&gt;
&lt;li&gt;quality evaluation for automatic refinement technologies,&lt;/li&gt;
&lt;li&gt;transformation of local metadata to the Europeana Data Model (EDM)&lt;/li&gt;
&lt;li&gt;metadata standardization in close collaboration with stakeholders from the public and private sector.&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-4598301045613915873?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/europeana-newspapers.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-n7nWfkyR8Y8/T7DSCTfnBEI/AAAAAAAABpg/Rtuf1Xhjt3U/s72-c/europeana_newspapers_logo_landscape4501.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-8544897950206927168</guid><pubDate>Sun, 13 May 2012 10:00:00 +0000</pubDate><atom:updated>2012-05-13T11:00:06.614+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Leituras Digitais</category><category domain="http://www.blogger.com/atom/ns#">eBooks</category><title>Leituras Digitais (6 a 12 de Maio)</title><description>&lt;br /&gt;
&lt;center&gt;&lt;a href="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s1600/Leituras+Digitais.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s400/Leituras+Digitais.JPG" width="432" /&gt;&lt;/a&gt;&lt;/center&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;Rubrica semanal de notícias e artigos relacionados com a edição de livros digitais.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.digitalbookworld.com/2012/digital-reading-getting-agile-about-books/"&gt;Digital Reading: Getting Agile About Books&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Agile methodology comes from the world of software development. It was intended to cure some major problems in that field: projects taking too long to complete; projects so complex and expensive that mistakes, only discovered at the far end, amounted to disaster: projects that, upon completion, were found to miss the mark in major and minor ways because communication among stakeholders had fallen down: projects that simply failed to fulfill the user’s requirements.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;What agile development provided was a way to work in short “sprints,” resulting in “iterations”—versions of all or part of the product—for testing and feedback from “stakeholders,” a group that included the end user or the funder. One manager oversees the process, not the product. A series of sprints might or might not lead to a product that was ready for distribution and/or sale.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.publishersweekly.com/pw/by-topic/digital/conferences/article/51831-speculations-on-the-future-of-the-book-at-mit-conference.html?utm_source=Publishers+Weekly's+PW+Daily&amp;amp;utm_campaign=352ca320e8-UA-15906914-1&amp;amp;utm_medium=email"&gt;Speculations on the Future of the Book at MIT Conference&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;At the Unbound: Speculations on the Future of the Book conference held on May 3-4 at MIT there was no handwringing by publishers or booksellers, in this case mostly rare booksellers, over print book sales or discussion of the DoJ lawsuit. Instead the symposium, organized by two postdoctoral fellows in Writing and Humanistic Studies at MIT, Amaranth Borsuk and Gretchen E. Henderson, lingered most on what forms the book might take.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.idealog.com/blog/the-ebook-marketplace-is-a-long-way-from-settled/?utm_source=rss&amp;amp;utm_medium=rss&amp;amp;utm_campaign=the-ebook-marketplace-is-a-long-way-from-settled"&gt;The ebook marketplace is a long way from settled&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;It is important to remember that DRM isn’t Amazon’s only advantage or even their principal advantage. I’m not an Amazon fanboy (have you noticed?) and I read on an iPhone, but I buy most of my ebooks from the Kindle store because they offer the best shopping experience I’ve found.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;However that (the shopping experience) isn’t a permanent advantage. The Kindle format and DRM are, as long as publishers feel DRM is essential.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.digitalbookworld.com/2012/smashwords-ceo-mark-coker-indie-authors-need-to-become-great-publishers/"&gt;Indie Authors Need to Become Great Publishers&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;A decade ago, it would have been unthinkable for an author to self-publish their own work and distribute it to half a dozen of the leading bookstores.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Today, tens of thousands of people are doing it. How things have changed.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;One of the people responsible for this revolution in publishing is Mark Coker, the founder and CEO of Smashwords, a Los Gatos, Calif.-based e-bookseller and distributor for agents, publishers and indie authors (those who self-publish). As of this week, Smashwords is distributing 121,000 e-books by 42,000 authors, agents and small publishers to the Nook, Kobo, Apple, Sony, Diesel and Smashwords e-bookstores as well as through Baker &amp;amp; Taylor, which operates the Blio e-reading app. That’s about as many books as a typical Barnes &amp;amp; Noble location can hold at one time.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.infodocket.com/2012/05/08/research-preprint-are-e-readers-suitable-tools-for-scholarly-work/"&gt;Research Preprint: Are e-Readers Suitable Tools For Scholarly Work?&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;This paper aims to offer insights into the usability, acceptance and limitations of e-readers with regard to the specific requirements of scholarly text work. To fit into the academic workflow non-linear reading, bookmarking, commenting, extracting text or the integration of non-textual elements must be supported. A group of social science students were questioned about their experiences with electronic publications for study purposes. This same group executed several text-related tasks with the digitized material presented to them in two different file formats on four different e-readers. Their performances were subsequently evaluated by means of frequency analyses in detail.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.teleread.com/ebooks/marvel-opens-new-digital-comics-store-continues-to-take-advantage-of-digital-medium/"&gt;Marvel opens new digital comics store, continues to take advantage of digital medium&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Marvel Comics has opened a new on-line comics store on Marvel.com, powered by comiXology. It offers “hundreds of collections” and other titles, and allows access to those titles from anywhere, including via the Marvel Comics iOS and Android devices. It is also cross-compatible with the Marvel Comics on Chrome store, meaning that purchases made through Chrome will show up on Marvel.com.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://arstechnica.com/information-technology/2012/05/exercises-in-democracy-building-a-digital-public-library/"&gt;Exercises in democracy: building a digital public library&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Most neighborhoods in &lt;st1:country-region&gt;America&lt;/st1:country-region&gt; have a public library. Now the biggest neighborhood in &lt;st1:country-region&gt;America&lt;/st1:country-region&gt;, the Internet, wants a library of its own. Last week, Ars attended a conference held by the Digital Public Library of America, a nascent group of intellectuals hoping to put all of &lt;st1:country-region&gt;America&lt;/st1:country-region&gt;'s library holdings online. The DPLA is still in its infancy—there's no official staff, nor is there a finished website where you can access all the books they imagine will be accessible. But if the small handful of volunteers and directors have their way, you'll see all that by April 2013 at the latest.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.guardian.co.uk/books/2012/may/10/pottermore-pupils-enrol-hogwarts"&gt;Pottermore: 3m pupils enrol at Hogwarts&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Hogwarts, the wizarding school at the centre of the Harry Potter books, can now count 3 million virtual pupils among its numbers after fans rushed to sign up to creator JK Rowling's latest venture Pottermore.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;After its initial launch date of last October slipped and slipped, Pottermore eventually went live to all on the morning of 14 April. Over the next two weeks, the site's chief executive Charlie Redmayne said it received 22m visits from 7m unique users, and over a billion page impressions, with the average user staying on the site for 25 minutes, and visiting 47 pages.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.insidehighered.com/news/2012/05/10/university-minnesota-compiles-database-peer-reviewed-open-source-textbooks#ixzz1uTaSC3bu"&gt;Textbook Alternative&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Open-source textbooks, long considered a promising way to cut costs but still not widely used, could become more readily available and easily vetted as a University of Minnesota project expands.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;st1:state&gt;Minnesota&lt;/st1:state&gt; launched an online catalog of open-source books last month and will pay its professors $500 each time they post an evaluation of one of those books. (Faculty members elsewhere are welcome to post their own reviews, but they won’t be compensated.) &lt;st1:state&gt;Minnesota&lt;/st1:state&gt; professors who have already adopted open-source texts will also receive $500, with all of the money coming from donor funds.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://publishingperspectives.com/2012/05/books-have-a-bright-future-just-not-like-you-expect/"&gt;Books Have a Bright Future, Just Not Like You Expect&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;To be fair, there are similarities between the past, present and future of the book. Books have always been one of the purest points of intersection between form and function. The proper form of the time (parchment to paper to pixels) has had limited to no impact on the proper function (reading) throughout its history.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;We’ve seen, time and again, that form follows function.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;However, right now, a debate is raging about form — and the debate is seriously misguided.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.digitalbookworld.com/2012/all-seven-harry-potter-books-coming-to-kindle-owners-lending-library/"&gt;All Seven Harry Potter Books Coming to Kindle Owners’ Lending Library&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;The Kindle Owners’ Lending Library now features over 145,000 books to borrow for free, including over 100 current and former New York Times Best Sellers.&amp;nbsp; With traditional library lending, the library buys a certain number of eBook copies of a particular title. If all of those are checked out, readers have to get on a waiting list. For popular titles like Harry Potter, the wait can sometimes be months. With the Kindle Owners’ Lending Library, there are no due dates, books can be borrowed as frequently as once a month, and there are no limits on how many people can simultaneously borrow the same title—so readers never have to wait in line for the book they want.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;New York Times E-Book Best Sellers&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;h2 style="line-height: 13.2pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="apple-style-span"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;blockquote&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt;A version of this list appears in the &lt;/span&gt;&lt;st1:date day="20" month="5" year="2012"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt;May 20, 2012&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt; issue of The New York Times Book Review. Rankings reflect sales for the week ending &lt;/span&gt;&lt;st1:date day="5" month="5" year="2012"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt;May 5, 2012&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="background: white; margin-bottom: .0001pt; margin: 0cm; mso-line-height-alt: 13.2pt;"&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-20/e-book-fiction/list.html"&gt;&lt;span style="color: #004276; font-family: nyt-franklin-2; font-size: 11.5pt; text-decoration: none;"&gt;E-Book Fiction&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;1.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES OF GREY,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;2.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES DARKER,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;3.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES FREED,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;4.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE LAST BOYFRIEND,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Nora Roberts&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;5.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;DEADLOCKED,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Charlaine Harris&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 14.2pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-20/e-book-fiction/list.html"&gt;&lt;span style="color: #004276; text-decoration: none;"&gt;Complete List »&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 style="background: white; margin-bottom: .0001pt; margin: 0cm; mso-line-height-alt: 13.2pt;"&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-20/e-book-nonfiction/list.html"&gt;&lt;span style="color: #004276; font-family: nyt-franklin-2; font-size: 11.5pt; text-decoration: none;"&gt;E-Book Nonfiction&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;1.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE PASSAGE OF POWER,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Robert A. Caro&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;2.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;HARD MEASURES,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Jose A. Rodriguez Jr. and Bill Harlow&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;3.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;MANHUNT,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Peter L. Bergen&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;4.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE POWER OF HABIT,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Charles Duhigg&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;5.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;_____ MY DAD SAYS,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Justin Halpern&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 14.2pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-20/e-book-nonfiction/list.html"&gt;&lt;span style="color: #004276; text-decoration: none;"&gt;Complete List »&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;Wall Street Journal E-Book Best Sellers (Week Ended May 6)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Nonfiction E-Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; width: 100.0%;"&gt;&lt;tbody&gt;
&lt;tr&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;TITLE&lt;br /&gt;
AUTHOR / PUBLISHER&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THIS WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;LAST&lt;br /&gt;
WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;After &lt;/b&gt;&lt;st1:time hour="0" minute="0"&gt;&lt;b&gt;Midnight&lt;/b&gt;&lt;/st1:time&gt;&lt;b&gt; in the Garden of Good and   Evil&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Marilyn Bardsley/RosettaBooks&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Passage of Power&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Robert A. Caro/Knopf Doubleday   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Hard Measures&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Jose A. Rodriguez Jr. with Bill   Harlow/Threshold Editions&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Manhunt&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Peter L. Bergen/Crown   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Act Like a Lady, Think Like   a Man&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Steve Harvey/HarperCollins&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Power of Habit&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Charles Duhigg/Random House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;S— My Dad Says&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Justin Halpern/HarperCollins&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Unbroken&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Laura Hillenbrand/Random House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Let's Pretend This Never   Happened&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Jenny Lawson/Penguin Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Camera Boy&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Fred Minnick/L&amp;amp;R Publishing&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Fiction E-Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; width: 100.0%;"&gt;&lt;tbody&gt;
&lt;tr&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;TITLE&lt;br /&gt;
AUTHOR / PUBLISHER&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THIS WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;LAST&lt;br /&gt;
WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades of Grey&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/The Writer's Coffee   Shop Publishing House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades Darker&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Knopf Doubleday   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades Freed&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Knopf Doubleday   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Last Boyfriend&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Nora Roberts/Penguin Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Deadlocked&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Charlaine Harris/Penguin Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Mockingjay&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Catching Fire&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Kane Chronicles, Book 3:   The Serpent's Shadow&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Rick Riordan/Disney Book Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Insurgent&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Veronica Roth/HarperCollins&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Hunger Games&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-8544897950206927168?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/leituras-digitais-6-12-de-maio.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s72-c/Leituras+Digitais.JPG" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-5839774075851294173</guid><pubDate>Wed, 09 May 2012 19:58:00 +0000</pubDate><atom:updated>2012-05-09T20:58:56.479+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Andréa del Fuego</category><category domain="http://www.blogger.com/atom/ns#">Televisão</category><title>Ler Mais Ler Melhor: Os Malaquias, de Andréa del Fuego</title><description>&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/AjlNXh8fGF0" width="460"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-5839774075851294173?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/ler-mais-ler-melhor-os-malaquias-de.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/AjlNXh8fGF0/default.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-7195249833423490512</guid><pubDate>Tue, 08 May 2012 14:53:00 +0000</pubDate><atom:updated>2012-05-08T15:53:23.564+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Revistas e outras publicações</category><category domain="http://www.blogger.com/atom/ns#">Recursos na web</category><title>Revista Bang! n.º 12 disponível online</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.saidadeemergencia.com/produto/outros/revista-bang-o-202437/revista-bang-no12-ebook/" target="_blank"&gt;&lt;img border="0" height="640" src="http://3.bp.blogspot.com/-VSOMEGw5tTQ/T2T5HOUSj-I/AAAAAAAABaE/Vq3QHRNE4Uc/s640/Revista+Bang%2521+12.jpg" width="452" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-indent: 14.2pt;"&gt;
&lt;span style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 115%;"&gt;A Saída de Emergência acaba de disponibilizar a &lt;a href="http://www.saidadeemergencia.com/produto/outros/revista-bang-o-202437/revista-bang-no12-ebook/"&gt;versao digital da mais recente edição da revista Bang!&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-7195249833423490512?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/revista-bang-n-12-disponivel-online.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-VSOMEGw5tTQ/T2T5HOUSj-I/AAAAAAAABaE/Vq3QHRNE4Uc/s72-c/Revista+Bang%2521+12.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-5929202848401812654</guid><pubDate>Tue, 08 May 2012 12:22:00 +0000</pubDate><atom:updated>2012-05-08T13:22:08.556+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Redes Sociais</category><title>Falling into Infinity no Scoop.it</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.scoop.it/t/falling-into-infinity/" target="_blank"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-GwF32-wvLw8/T6kM9wZ3h9I/AAAAAAAABow/-SgJKWoR-hM/s1600/Scoopit.png" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
&lt;span lang="PT"&gt;O &lt;i&gt;Falling into Infinity&lt;/i&gt; possui agora uma &lt;a href="http://www.scoop.it/t/falling-into-infinity/" target="_blank"&gt;lista no &lt;i&gt;Scoop.it&lt;/i&gt;&lt;/a&gt;, através da qual partilharei o conteúdo do blog assim como notícias e artigos relacionadas com o mundo dos livros. Aproveitei também para criar uma lista em separado, &lt;a href="http://www.scoop.it/t/gothic-literature/" target="_blank"&gt;exclusivamente dedicada à literatura gótica&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
&lt;span lang="PT"&gt;Caso ainda não conheçam esta plataforma, podem visualizar os vídeos abaixo, que ilustram as suas principais funcionalidades:&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/Bnr6QKKcsII?rel=0" width="460"&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/ityFe8pdD88?rel=0" width="460"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-5929202848401812654?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/falling-into-infinity-no-scoopit.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-GwF32-wvLw8/T6kM9wZ3h9I/AAAAAAAABow/-SgJKWoR-hM/s72-c/Scoopit.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-885589474885541536</guid><pubDate>Sun, 06 May 2012 10:00:00 +0000</pubDate><atom:updated>2012-05-06T11:00:04.364+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Leituras Digitais</category><category domain="http://www.blogger.com/atom/ns#">eBooks</category><title>Leituras Digitais (29 de Abril a 5 de Maio)</title><description>&lt;br /&gt;
&lt;center&gt;&lt;a href="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s1600/Leituras+Digitais.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s400/Leituras+Digitais.JPG" width="432" /&gt;&lt;/a&gt;&lt;/center&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="PT"&gt;Rubrica semanal de notícias e artigos relacionados com a edição de livros digitais.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.teleread.com/ebooks/the-other-amazon-publisher-disagreement-print-on-demand/"&gt;The other Amazon-publisher disagreement: print on demand&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Everyone is paying attention to the e-book pricing fight against Amazon right now, but Bloomberg Businessweek reports there’s another disagreement going on between Amazon and the publishers behind the scenes that nobody has really noticed: the question of print on demand.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.publishersweekly.com/pw/by-topic/digital/retailing/article/51757-barnes--noble-in-digital-partnership-with-microsoft.html?utm_source=Publishers+Weekly's+PW+Daily&amp;amp;utm_campaign=217857a9a2-UA-15906914-1&amp;amp;utm_medium=email"&gt;Barnes &amp;amp; Noble in Digital Partnership with Microsoft&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Barnes &amp;amp; Noble, which analysts believe needs deeper financial pockets and a global presence to compete in the digital reading space with Amazon and Apple, solved both of those issues Monday morning, creating a new subsidiary in partnership with Microsoft. The new unit, temporarily named Newco, will house B&amp;amp;N’s digital assets, as well as its college stores, and will be backed by a $300 million investment from Microsoft that will give the tech company a 17.8% stake in Newco.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;At least initially Newco will be focused on supporting reading applications for Windows 8 including the development of Nook app for the Windows 8 platform, although both B&amp;amp;N CEO William Lynch and Microsoft president Andy Lees emphasized they see a broad range of possibilities of development new products that will broaden the way content in created, consumed and published. Both men also repeatedly emphasized the global aspect of link with Microsoft with Lynch noting in a conference call that all of the global customers drawn in by Microsoft will be new since, to date B&amp;amp;N’s digital business has had no global presence.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.guardian.co.uk/books/2012/may/02/rise-ebook-sales-decline-print-titles"&gt;Huge rise in ebook sales offsets decline in printed titles&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Consumer ebook sales in the &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt; increased by 366% last year helping to offset a decline in the market for printed books, according to new official figures.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Drawing its data from information provided by 250 publishers, the Publishers Association's Statistics Yearbook put the value of consumer ebook sales – fiction, non-fiction and children's digital titles – at £92m in 2011. This is a 366% increase on the previous year, the Publishers Association said, and consumer ebooks are now equivalent to 6% of consumer physical book sales by value.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://hurstassociates.blogspot.pt/2012/05/thoughts-on-digital-literacy-and.html"&gt;Thoughts on digital literacy and digitization&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;As we continue to digitize...as we continue to adopt ebooks...as we continue to succumb to the allure of technology...let's also look for solutions that will eliminate the digital divide that still exists.&amp;nbsp; That might mean offering more training, installing more public access computing labs, loaning mobile devices, or remembering that paper is need a useful mode of communication.&amp;nbsp; Let's not be techno-snobs who ignore the reality in front of us.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.mediabistro.com/galleycat/paulo-coelho-runs-sells-99-cent-ebooks_b51001"&gt;Paulo Coelho Sells 99-cent eBooks&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Bestselling novelist Paulo Coelho has convinced HarperCollins to sell many of his eBooks for 99-cents in the &lt;st1:country-region&gt;United States&lt;/st1:country-region&gt; and &lt;st1:country-region&gt;Canada&lt;/st1:country-region&gt;. The sale prices are now in effect at Amazon, iTunes and Barnes &amp;amp; Noble.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;The author could not predict how long the sale would last, but hopes to set the industry standard. In a blog post, Coelho explained that he hoped to make his digital books cost as much as a song in iTunes. The author helpfully did the book-buying math for his readers, revealing that purchasing all his discounted books will cost $10.89 versus $74.19 at regular prices.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://gigaom.com/2012/05/03/it-doesnt-matter-what-e-books-cost-to-make/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:+pcorg+(paidContent)&amp;amp;utm_content=Google+Reader"&gt;It doesn’t matter what e-books cost to make&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;But as the author also notes, consumers don’t really care what a publisher’s costs are, nor are they likely to pay more simply because a publisher argues that their content is really valuable. In the same way, movie-goers don’t really care how many millions of dollars a movie studio spent on their latest blockbuster — that has no bearing on whether they want to see it or not. It is the perceived value of the e-book that matters, not the cost — and there are some good reasons why e-book consumers might want to pay less.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.readwriteweb.com/archives/can-barnes-noble-balance-physical-and-online-sales-without-killing-itself.php?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:+readwriteweb+(ReadWriteWeb)&amp;amp;utm_content=Google+Reader"&gt;Can Barnes &amp;amp; Noble Balance Physical and Online Sales Without Killing Itself?&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Getting the right combination of the physical and online sales channel is key to survival. For example, Borders sold e-readers from Sony and Rakuten, maker of the Kobo, and had Amazon run its online store. With no connection to the online customer, Borders didn't have enough to survive. The bookseller went out of business last year.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Barnes &amp;amp; Noble has not made the same mistakes as its one-time rival, and its current strategy actually plays into the habits of book readers. Codex has found that people who own e-readers also buy physical books. "They're not just pure-play e-readers; they are living in the print world, as well," Hildick-Smith said.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.teleread.com/ebooks/e-books-pose-problems-for-presenting-print-reference-material-by-greg-seaton/"&gt;E-books pose problems for presenting print reference material&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;So what’s my point? It seems to me that publishers ought to be doing a much better job with the publication of ebooks, and how they represent and provide access to reference material. Keep in mind that, until I started writing this article, I never realized Mistborn had maps of any sort, because rather then starting me at the cover, ebooks start me at the first page of actual text—a nice feature, but it’s only really highlighting the problem with the serial presentation of information, a style of presentation that, it seems, does not need to exist in ebooks.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;In some ways, I think we’re looking at ebooks all wrong. We keep looking at them as if they’re books but they’re not. Publishers ought to stop thinking as if ebooks are books, and start thinking of them as stories, and considering how the author intended the reference material to be of use to the text. I don’t really buy into the whole notion of ‘interactive’ ebooks or whatever you want to call them, because most of the ideas, of putting some sort of strange multimedia spin on the book format, really isn’t necessary. But It seems to me it’s also not necessary to stay within the confines of a book’s format either.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.thebookseller.com/news/pottermore-e-book-store-sells-%25C2%25A33m-first-month.html"&gt;Pottermore e-book store sells '£3m in first month'&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;The Pottermore e-book store sold £3m-worth of Harry Potter e-books in its first month, the company's chief executive has revealed, while the Pottermore experience, which allows fans to explore the Harry Potter universe online, added five million new users in the two weeks since its own launch on 14th April.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Charlie Redmayne said sales at the online shop, which went live on 27th March, had been driven first by pent-up demand, with the sales value high because of the number of Harry Potter fans buying the e-book bundle, priced at £38.64, a discount of 14% on the cost of buying the seven titles individually.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;a href="http://www.guardian.co.uk/technology/2012/may/03/death-of-drm-good-news"&gt;Why the death of DRM would be good news for readers, writers and publishers&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;In mature gadget markets – like DVD players and MP3 players – formats stop mattering altogether. Especially at the low end of the market, these devices support every format their makers can discover. The cheap-and-cheerful manufacturers at the low end don't have a secondary market they're trying to protect, no app store or crucial vendor relationship with a big distributor or publisher. They just want a product that ticks the box for every possible customer. Since multiformat support is just a matter of getting the software right, what tends to happen is that a standard, commodity firmware emerges for these devices that just works for just about everything, and the formats vanish into the background.&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Now that Tor has dropped DRM – and acquired a valuable halo of virtue among committed ebook readers, who'll celebrate their bravery – it's inevitable that the competition will follow. It seems we have reached the beginning of the end of the ebook format wars, which is good news for readers, writers and publishers.&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;New York Times E-Book Best Sellers&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;h2 style="line-height: 13.2pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="apple-style-span"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;blockquote&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt;A version of this list appears in the &lt;/span&gt;&lt;st1:date day="13" month="5" year="2012"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt;May 13, 2012&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt; issue of The New York Times Book Review. Rankings reflect sales for the week ending &lt;/span&gt;&lt;st1:date day="28" month="4" year="2012"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt;April 28, 2012&lt;/span&gt;&lt;/st1:date&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; color: #333333; font-size: 9pt;"&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="background: white; margin-bottom: .0001pt; margin: 0cm; mso-line-height-alt: 13.2pt;"&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-13/e-book-fiction/list.html"&gt;&lt;span style="color: #004276; font-family: nyt-franklin-2; font-size: 11.5pt; text-decoration: none;"&gt;E-Book Fiction&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;1.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES OF GREY,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;2.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES DARKER,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;3.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;FIFTY SHADES FREED,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by E. L. James&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;4.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE WIND THROUGH THE KEYHOLE,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Stephen King&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l0 level1 lfo1; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;5.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;SUNRISE POINT,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Robyn Carr&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 14.2pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-13/e-book-fiction/list.html"&gt;&lt;span style="color: #004276; text-decoration: none;"&gt;Complete List »&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 style="background: white; margin-bottom: .0001pt; margin: 0cm; mso-line-height-alt: 13.2pt;"&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-13/e-book-nonfiction/list.html"&gt;&lt;span style="color: #004276; font-family: nyt-franklin-2; font-size: 11.5pt; text-decoration: none;"&gt;E-Book Nonfiction&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Georgia; font-size: 14.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;1.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;LIFEBOAT NO. 8,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Elizabeth Kaye&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;2.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;LET’S PRETEND THIS NEVER HAPPENED,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Jenny Lawson&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;3.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;LOTS OF CANDLES, PLENTY OF CAKE,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Anna Quindlen&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;4.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;MRS. KENNEDY AND ME,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Clint Hill with Lisa McCubbin&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 18.0pt; margin-left: 13.5pt; mso-list: l1 level1 lfo2; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-indent: -18.0pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;5.&lt;span style="font-size: 7pt; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: nyt-franklin-2; font-size: 9pt;"&gt;THE POWER OF HABIT,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #333333; font-family: Georgia; font-size: 9pt;"&gt;by Charles Duhigg&lt;/span&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background: white; line-height: 14.2pt;"&gt;&lt;span style="color: #333333; font-size: 9pt;"&gt;&lt;a href="http://www.nytimes.com/best-sellers-books/2012-05-13/e-book-nonfiction/list.html"&gt;&lt;span style="color: #004276; text-decoration: none;"&gt;Complete List »&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;Wall Street Journal E-Book Best Sellers (Week Ended April 29)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Nonfiction E-Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; width: 100.0%;"&gt;&lt;tbody&gt;
&lt;tr&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;TITLE&lt;br /&gt;
AUTHOR / PUBLISHER&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THIS WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;LAST&lt;br /&gt;
WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Act Like a Lady, Think Like   a Man&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Steve Harvey/HarperCollins&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Lifeboat No. 8&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Elizabeth Kaye/Elizabeth Kaye&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Let's Pretend This Never   Happened&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Jenny Lawson/Penguin Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Lots of Candles, Plenty of   Cake&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Anna Quindlen/Random House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Heroes and Monsters&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Josh James Riebock/Baker   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Mrs. Kennedy and Me&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Clint Hill with Lisa   McCubbin/Gallery Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Power of Habit&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Charles Duhigg/Random House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Heaven Is For Real&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Todd Burpo with Lynn   Vincent/Thomas Nelson Publishers&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Steve Jobs&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Walter Isaacson/Simon &amp;amp;   Schuster&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Unbroken&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;—&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Laura Hillenbrand/Random House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Fiction E-Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; width: 100.0%;"&gt;&lt;tbody&gt;
&lt;tr&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;TITLE&lt;br /&gt;
AUTHOR / PUBLISHER&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;THIS WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;LAST&lt;br /&gt;
WEEK&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades of Grey&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;1&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/The Writer's Coffee   Shop Publishing House&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades Darker&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Knopf Doubleday   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Fifty Shades Freed&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;E.L. James/Knopf Doubleday   Publishing Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Mockingjay&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Catching Fire&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Hunger Games&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Suzanne Collins/Scholastic&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;Sunrise Point&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Robyn Carr/Mira&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Wind Through the Keyhole&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;New&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Stephen King/Scribner&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Lucky One&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;Nicholas Sparks/Grand Central   Publishing&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;The Innocent&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;   &lt;td style="background: #E7EFF4; padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;tr&gt;   &lt;td colspan="3" style="padding: 2.25pt 0cm 1.5pt 6.0pt;" valign="top"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;David Baldacci/Grand Central   Publishing&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;Infográficos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-y49dLuFHKyU/T6WhiDvwfjI/AAAAAAAABoc/qrlMlqDXFrM/s1600/Ler+na+era+digital.+Dispositivos,+aplica%C3%A7%C3%B5es+e+mercados..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="357" src="http://1.bp.blogspot.com/-y49dLuFHKyU/T6WhiDvwfjI/AAAAAAAABoc/qrlMlqDXFrM/s400/Ler+na+era+digital.+Dispositivos,+aplica%C3%A7%C3%B5es+e+mercados..jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;(Clique para aumentar.)&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;Vídeos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;NOOK Simple Touch with GlowLight&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/BXWXPIXYSwc?rel=0" width="460"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;center&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;Wexler.Flex One Crushtest. First flexible e-ink reader&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: 10.5pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="340" src="http://www.youtube.com/embed/5CUhYBcJz5s?rel=0" width="460"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/b&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-885589474885541536?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/leituras-digitais-29-de-abril-5-de-maio.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_E2HZs6lij0Q/THAiJI22U8I/AAAAAAAAAa8/BQ3zIjlTf3g/s72-c/Leituras+Digitais.JPG" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-1740522404443137895</guid><pubDate>Fri, 04 May 2012 10:00:00 +0000</pubDate><atom:updated>2012-05-04T11:00:11.146+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eventos</category><category domain="http://www.blogger.com/atom/ns#">Rubem Fonseca</category><title>CCB - Dia Rubem Fonseca</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.ccb.pt/sites/ccb/pt-PT/Programacao/Literatura/Pages/DiaRubemFonsecamaio2012.aspx" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"&gt;&lt;img border="0" height="107" src="http://1.bp.blogspot.com/-yE-4u69SlwQ/T6OcAcoXRlI/AAAAAAAABoI/px5h-TPcRfs/s400/Rubem+Fonseca.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="ES"&gt;&lt;a href="http://www.ccb.pt/sites/ccb/pt-PT/Programacao/Literatura/Pages/DiaRubemFonsecamaio2012.aspx"&gt;Dia Rubem Fonseca&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Data:&lt;/b&gt; 6 de Maio de 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Local:&lt;/b&gt; &lt;a href="http://www.ccb.pt/"&gt;Centro Cultural de Belém&lt;/a&gt;.&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="ES"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES"&gt; Livre.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;/div&gt;
&lt;blockquote&gt;
&lt;div style="text-align: justify;"&gt;
Com a obra Bufo &amp;amp; Spallanzani, foi o vencedor do Prémio Casino da Póvoa, atribuído no âmbito do Correntes d’ Escritas (Fev 2012) e distinguido com o Prémio Camões em 2003, Rubem Fonseca é por muitos considerado o maior escritor brasileiro vivo. As suas histórias, de ambiente policial e marcadas por forte violência urbana, são lavradas numa língua literária de alta exigência estilística. De formação jurídica, Rubem move-se com à vontade no universo judiciário, que envolve polícias, juízes e advogados. Desde o seu primeiro romance, O caso Morel, publicado em 1973, que vem construindo uma obra marcada por um humor negro feroz, que convive com o seu universo próprio de (múltiplas) referências literárias, patente em obras como A Grande Arte (1983), Bufo &amp;amp; Spallanzani (1986) e O Seminarista (2009).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;i&gt;Programa&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;15:00&lt;/b&gt; Leituras da obra do Autor:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
João Rodrigues confirmado&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Inês Pedrosa&amp;nbsp; confirmado&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Carlos Mendes de Sousa&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Orlando Silvestre&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
José Carlos Vasconcelos&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Miguel Real&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;17:15&lt;/b&gt; Intervalo&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;17:30&lt;/b&gt; Projecção do Filme Bufo e Spallanzani de Flávio Tambellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
O filme será projectado em formato DVD em ecrã 6 x 4m.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Título no Brasil:&amp;nbsp; Bufo &amp;amp; Spallanzani&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Título Original:&amp;nbsp; Bufo &amp;amp; Spallanzani&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
País de Origem:&amp;nbsp; Brasil&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Género:&amp;nbsp; Drama&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Duração: 96 minutos&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Ano de Lançamento:&amp;nbsp; 2001&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Estúdio/Distrib.:&amp;nbsp; Conspiração Filmes&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Direcção:&amp;nbsp; Flávio R. Tambellini&lt;/div&gt;
&lt;/blockquote&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-1740522404443137895?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/ccb-dia-rubem-fonseca.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-yE-4u69SlwQ/T6OcAcoXRlI/AAAAAAAABoI/px5h-TPcRfs/s72-c/Rubem+Fonseca.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-9117149864131881566</guid><pubDate>Thu, 03 May 2012 12:00:00 +0000</pubDate><atom:updated>2012-05-03T13:00:05.939+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eventos</category><category domain="http://www.blogger.com/atom/ns#">Vergílio Ferreira</category><title>Congresso Internacional Vergílio Ferreira</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-AfPMlTobHQ8/T6JAVum9XFI/AAAAAAAABn8/L3ryUV9C8Lg/s1600/Cartaz-VFerreira.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-AfPMlTobHQ8/T6JAVum9XFI/AAAAAAAABn8/L3ryUV9C8Lg/s1600/Cartaz-VFerreira.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;i&gt;&lt;span lang="ES"&gt;&lt;a href="http://vergilioferreira.blogspot.pt/"&gt;Congresso Internacional “Da Ficção à Filosofia, no Cinquentenário de Estrela Polar e Da Fenomenologia a Sartre”&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;Organização: &lt;/b&gt;Centro de Estudos de Filosofia da Faculdade de Ciências Humanas da Universidade Católica Portuguesa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;Data:&lt;/b&gt; 17, 18, e 19 de Maio de 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;Local:&lt;/b&gt; &lt;a href="http://www.ucp.pt/"&gt;Universidade Católica Portuguesa&lt;/a&gt;, Edifício Antigo, Auditório 2.&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span lang="ES"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES"&gt; &lt;a href="http://vergilioferreira.blogspot.pt/p/ficha-de-inscricao.html"&gt;Por inscrição&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;u&gt;&lt;span style="font-size: 11pt;"&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;b&gt;&lt;u&gt;Programa&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;i&gt;Dia 17 de maio – UCP (Lisboa) - Anfiteatro 2&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;14:00 – Receção dos participantes&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;14:30 – Sessão de Abertura / Autoridades&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Conferência de Abertura:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Manuel Ferreira Patrício – «Vergílio Ferreira: em busca do sentido que faz ou não faz o existente e a vida humana»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;15:15 – 1º Painel — Vergílio Ferreira e o Romance&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Moderador: Américo Pereira&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Lídia Jorge – «Vergílio Ferreira: uma invocação ao seu corpo - o ficcionismo habitado&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
pelo filósofo»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Jorge Maximino - «Linguagem, experiência e tempo na obra narrativa de&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Vergílio Ferreira» &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Vanda de La Salete - «Fusão Vergílio-Escrita»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Celeste Natário - «A luz e a solidão de Estrela Polar» &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
16:45 – Coffee break&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;17:00 – Conferências&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Fernanda Irene Fonseca - «Tempo e narração em Vergílio Ferreira: questionação filosófica e realização ficcional»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Rosa Maria Goulart - «Vergílio Ferreira: o romance do fim»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
18.00 – 2º Painel — Vergílio Ferreira: o corpo e os corpos&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Moderador: Jorge Maximino&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Vitor Ló – «Vergílio Ferreira e a motricidade humana»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Isabel Cristina Rodrigues – «A câmara clara: Vergílio Ferreira e a arte da imagem»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
18:45 – Fim dos trabalhos do 1º dia &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;i&gt;Dia 18 de maio – UCP (Lisboa) - Anfiteatro 2&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;09:30 – Conferência&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Hélder Godinho - «A diferença de uma letra no nome das gémeas de Estrela Polar»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
10:30 – Coffee break&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;10:45 – 3º Painel — Estrela Polar: romance da solidão?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Moderador: Samuel Dimas&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Maria de Lurdes Sigardo Ganho – «O universo existencial da obra Estrela Polar»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Florinda Martins - «Estrela Polar : sementes de o fenómeno erótico»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Eunice Cabral – «O Amor como entidade impossível em Estrela Polar de Vergílio Ferreira»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
12:45 – Almoço&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;14:30 – 4º Painel — A dimensão trágica do protagonista vergiliano&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Moderadora: Maria de Lourdes Sirgado Ganho&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Nuno Júdice - «O esquema mítico em «Aparição» de Vergílio Ferreira» &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Bruno Béu de Carvalho – «A imanifestável decepção do conceito: silêncio e&amp;nbsp; apofatismo&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-GB"&gt;interrogativo em Vergílio Ferreira» &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Américo Pereira – «Solidão e tragédia. A irrelação inter-humana como lugar próprio da tragédia» &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Mariana Cascais – «Da Aparição à Revelação»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
16.00 - Coffe break&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;16:15 – 5º Painel — Da fenomenologia a Sartre&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Moderadora: Vanda de La Salete&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Pedro Cabrera – « Patologia da liberdade:&amp;nbsp; Anders (Stern), Sartre, Vergílio Ferreira»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Cassiano Reimão – «Liberdade e ética em Jean-Paul Sartre»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Manuel Cândido Pimentel – «O enigma da transcendência do eu em Vergílio Ferreira»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
18.00 – Fim dos trabalhos do 2º dia&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;i&gt;Dia 19 de maio – UCP (Lisboa) - Anfiteatro 2&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;09:30 – 6º Painel — Vergílio Ferreira hoje: que lugar para a esperança? &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Moderador: José Antunes de Sousa&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Paula Pina – «”Aí é que sim”: tema e variações»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Samuel Dimas – «A questão de Deus em Vergílio Ferreira»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Isabel Soler – «Assédios à identidade esquiva: ler hoje Vergílio Ferreira»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Gonçalo M. Tavares -&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
11:00 – Coffee break&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;11:15 – Conferência&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
António Braz Teixeira – «A reflexão estética de Vergílio Ferreira»&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;12:15 – Sessão de Encerramento: &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Resumo do Congresso: José Antunes de Sousa&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Alocução final: Manuel Cândido Pimentel&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
13:00 – Fim dos trabalhos do Congresso&lt;/div&gt;
&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-9117149864131881566?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/congresso-internacional-vergilio.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-AfPMlTobHQ8/T6JAVum9XFI/AAAAAAAABn8/L3ryUV9C8Lg/s72-c/Cartaz-VFerreira.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-6597119156249162746</guid><pubDate>Thu, 03 May 2012 07:55:00 +0000</pubDate><atom:updated>2012-05-03T08:55:36.470+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Prémios Literários</category><category domain="http://www.blogger.com/atom/ns#">Jane Rogers</category><title>Arthur C. Clarke Award 2012 para Jane Rogers</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.clarkeaward.com/" target="_blank"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-B9hVGOY-jcs/T6I4AGEWmzI/AAAAAAAABnw/qmtdpC5zcW4/s320/The+Testament+of+Jessie+Lamb.jpg" width="208" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 14.2pt;"&gt;
Jane Rogers vence a edição de 2012 do prémio Arthur C. Clarke com &lt;i&gt;The Testament of Jessie Lamb&lt;/i&gt;. A lista dos finalistas pode ser consultada abaixo:&lt;/div&gt;
&lt;blockquote&gt;
&lt;div style="margin-bottom: 0cm; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;b&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 11pt;"&gt;Best science fiction novel of the year&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0cm; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span lang="EN-US" style="font-size: 13.5pt;"&gt;————–&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0cm;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;Embassytown&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;by China Miéville&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;Hull Zero Three&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;&amp;nbsp;by Greg Bear&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;The End Specialist&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;&amp;nbsp;by Drew Magary&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;span style="color: #6fa8dc;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;The Testament of Jessie Lamb&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;&amp;nbsp;by Jane Rogers&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;
&lt;li&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;Rule 34&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;&amp;nbsp;by Charles Stross&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;The Waters Rising&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10.5pt; line-height: 16px;"&gt;&amp;nbsp;by Sheri S. Tepper&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-6597119156249162746?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/arthur-c-clarke-award-2012-para-jane.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-B9hVGOY-jcs/T6I4AGEWmzI/AAAAAAAABnw/qmtdpC5zcW4/s72-c/The+Testament+of+Jessie+Lamb.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-91780925868710290</guid><pubDate>Wed, 02 May 2012 13:00:00 +0000</pubDate><atom:updated>2012-05-02T14:00:11.487+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Recursos na web</category><title>International Speculative Fiction</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://internationalsf.wordpress.com/"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-0v5jCBH2LG4/T5_EspppxhI/AAAAAAAABnc/kFZv9pgVlMU/s400/dagon-poster.jpg" width="307" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
&lt;span lang="PT"&gt;O &lt;i&gt;&lt;a href="http://internationalsf.wordpress.com/"&gt;International Speculative Fiction&lt;/a&gt;&lt;/i&gt; é o novo projecto de &lt;/span&gt;&lt;a href="http://www.facebook.com/profile.php?id=100000279616719"&gt;&lt;span lang="PT"&gt;Roberto Mendes&lt;/span&gt;&lt;/a&gt;&lt;span lang="PT"&gt;, através do qual se procura trazer maior visibilidade à ficção especulativa não-anglófona. De momento encontra-se disponível um artigo sobre a produção de ficção científica em Portugal, da autoria de Teresa de Sousa Almeida, assim como as &lt;a href="http://internationalsf.wordpress.com/submissions/"&gt;regras de submissão&lt;/a&gt; de textos.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
&lt;/div&gt;
&lt;blockquote&gt;
&lt;b&gt;But what exactly is International Speculative Fiction?&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
International Speculative Fiction (“ISF”) is an e-zine with free online distribution every 3 months featuring Speculative Fiction exclusively of International authors (non-anglophone authors).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
ISF will publish 3 to 4 short stories per number, as well as one article and one interview!&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
Also, ISF will publish in its site a short story and an article every two weeks!&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 9.0pt;"&gt;
We are also aiming to publish a series of articles about the Speculative Fiction scene in various countries. Our first article is called “Science Fiction in &lt;st1:country-region&gt;Portugal&lt;/st1:country-region&gt; – The Drawing up of a Territory” by Teresa Sousa de Almeida.&lt;/div&gt;
&lt;/blockquote&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-91780925868710290?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/international-speculative-fiction.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-0v5jCBH2LG4/T5_EspppxhI/AAAAAAAABnc/kFZv9pgVlMU/s72-c/dagon-poster.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-6016665672964666257</guid><pubDate>Wed, 02 May 2012 09:30:00 +0000</pubDate><atom:updated>2012-05-02T10:30:01.145+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eventos</category><category domain="http://www.blogger.com/atom/ns#">Fernando Pessoa</category><title>8.ª Sessão do Ciclo "Fernando Pessoa: Filosofia, Religião e Ciências do Psiquismo Humano"</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-gwoAhUkUsy8/Tt5vsPoyl4I/AAAAAAAABPs/9jqPE1VigKw/s1600/pessoa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-gwoAhUkUsy8/Tt5vsPoyl4I/AAAAAAAABPs/9jqPE1VigKw/s1600/pessoa.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="PT"&gt;&lt;a href="http://mundopessoa.blogs.sapo.pt/552702.html"&gt;Ciclo de Conferências – Fernando Pessoa: Filosofia, Religião e Ciências do Psiquismo Humano&lt;/a&gt;&lt;span class="MsoHyperlink"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Organização: &lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;Paulo Borges, Nuno Ribeiro e Cláudia Souza.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Data:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;9 de Maio de &amp;nbsp;2012, pelas 18h30.&lt;/span&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Local:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;&lt;a href="http://casafernandopessoa.cm-lisboa.pt/index.php?id=2258"&gt;Casa Fernando Pessoa&lt;/a&gt;.&lt;/span&gt;&lt;u&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; Livre.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="PT"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;div style="text-align: justify;"&gt;
A oitava sessão do ciclo de conferências Fernando Pessoa: Filosofia, Religião e Ciências do Psiquismo Humano ocorrerá dia 09 de Maio de 2012 na Casa Fernando Pessoa. A sessão tem início às 18h30 e inclui a seguinte programação: Luiz Miguel Roza Dias e Maria do Sameiro Barroso, &lt;i&gt;Fernando Pessoa e os paradigmas da normalidade, memória, testemunho e contexto&lt;/i&gt;. Palestra conjunta. Convidamos todos os interessados a estarem presentes nesta sessão.&lt;/div&gt;
&lt;/blockquote&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-6016665672964666257?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/8-sessao-do-ciclo-fernando-pessoa.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-gwoAhUkUsy8/Tt5vsPoyl4I/AAAAAAAABPs/9jqPE1VigKw/s72-c/pessoa.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-5089387684505562820</guid><pubDate>Tue, 01 May 2012 21:21:00 +0000</pubDate><atom:updated>2012-05-01T22:21:57.043+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Prémios Literários</category><title>Finalistas dos Locus Awards 2012</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.lsff.net/" target="_blank"&gt;&lt;img border="0" height="77" src="http://2.bp.blogspot.com/-16hdATXCAmg/TcrlXk_WJfI/AAAAAAAAA7o/ta8e_yTCxEU/s400/Locus.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;/div&gt;
&lt;blockquote&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Science Fiction Novel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Leviathan Wakes&lt;/i&gt;&lt;/b&gt;, James S. A. Corey (Orbit &lt;st1:country-region&gt;US&lt;/st1:country-region&gt;; Orbit &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt;)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;11/22/63&lt;/i&gt;&lt;/b&gt;, Stephen King (Scribner; Hodder &amp;amp; Stoughton as 11.22.63)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="ES"&gt;Embassytown&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang="ES"&gt;, China Miéville (Del Rey; Macmillan)&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Rule 34&lt;/i&gt;&lt;/b&gt;, Charles Stross (Ace; Orbit &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt;)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;The Children of the Sky&lt;/i&gt;&lt;/b&gt;, Vernor Vinge (Tor)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Fantasy Novel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;A Dance with Dragons&lt;/i&gt;&lt;/b&gt;, George R.R. Martin (Bantam; Harper Voyager &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt;)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Snuff&lt;/i&gt;&lt;/b&gt;, Terry Pratchett (Harper; Doubleday &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt;)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;The Wise Man’s Fear&lt;/i&gt;&lt;/b&gt;, Patrick Rothfuss (DAW; Gollancz)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Deathless&lt;/i&gt;&lt;/b&gt;, Catherynne M. Valente (Tor)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Among Others&lt;/i&gt;&lt;/b&gt;, Jo Walton (Tor)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;First Novel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Ready Player One&lt;/i&gt;&lt;/b&gt;, Ernest Cline (Crown; Century)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;God’s War&lt;/i&gt;&lt;/b&gt;, Kameron Hurley (Night Shade)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Soft Apocalypse&lt;/i&gt;&lt;/b&gt;, Will McIntosh (Night Shade)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;The Night Circus&lt;/i&gt;&lt;/b&gt;, Erin Morgenstern (Doubleday)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Mechanique: A Tale of the Circus Tresaulti&lt;/i&gt;&lt;/b&gt;, Genevieve Valentine (Prime)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Young Adult Book&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Planesrunner&lt;/i&gt;&lt;/b&gt;, Ian McDonald (Pyr)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Akata Witch&lt;/i&gt;&lt;/b&gt;, Nnedi Okorafor (Viking)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Miss Peregrine’s Home for Peculiar Children&lt;/i&gt;&lt;/b&gt;, Ransom Riggs (Quirk)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making&lt;/i&gt;&lt;/b&gt;, Catherynne M. Valente (Feiwel and Friends)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Goliath&lt;/i&gt;&lt;/b&gt;, Scott Westerfeld (Simon Pulse; Simon &amp;amp; Schuster &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt;)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Novella&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;The Affair of the Chalk Cliffs&lt;/i&gt;&lt;/b&gt;, James P. Blaylock (Subterranean)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;The Man Who Bridged the Mist&lt;/b&gt;”, Kij Johnson (Asimov’s 10-11/11)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;Kiss Me Twice&lt;/b&gt;”, Mary Robinette Kowal (Asimov’s 6/11)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;The Ants of &lt;/b&gt;&lt;st1:place&gt;&lt;b&gt;Flanders&lt;/b&gt;&lt;/st1:place&gt;”, Robert Reed (F&amp;amp;SF 7-8/11)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Silently and Very Fast&lt;/i&gt;&lt;/b&gt;, Catherynne M. Valente (WSFA)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Novelette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;“&lt;b&gt;Underbridge&lt;/b&gt;”, Peter S. Beagle (Naked City)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;The &lt;/b&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;b&gt;Copenhagen&lt;/b&gt;&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;b&gt; Interpretation&lt;/b&gt;”, Paul Cornell (Asimov’s 7/11)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;The Summer People&lt;/b&gt;”, Kelly Link (Tin House: The Ecstatic/Steampunk!)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;What We Found&lt;/b&gt;”, Geoff Ryman (F&amp;amp;SF 9-10/11)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;White Lines on a Green Field&lt;/b&gt;”, Catherynne M. Valente (Subterranean Fall ’11)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Short Story&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;“&lt;b&gt;The Way It Works Out and All&lt;/b&gt;”, Peter S. Beagle (F&amp;amp;SF 7-8/11)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;The Case of Death and Honey&lt;/b&gt;”, Neil Gaiman (A Study in Sherlock)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;The Paper Menagerie&lt;/b&gt;”, Ken Liu (F&amp;amp;SF 3-4/11)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;The Bread We Eat in Dreams&lt;/b&gt;”, Catherynne M. Valente (Apex 11/11)&lt;/li&gt;
&lt;li&gt;“&lt;b&gt;The Cartographer Wasps and the Anarchist Bees&lt;/b&gt;”, E. Lily Yu (Clarkesworld 4/11)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Magazine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Analog&lt;/li&gt;
&lt;li&gt;Asimov’s&lt;/li&gt;
&lt;li&gt;Clarkesworld&lt;/li&gt;
&lt;li&gt;F&amp;amp;SF&lt;/li&gt;
&lt;li&gt;Tor.com&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Publisher&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Baen&lt;/li&gt;
&lt;li&gt;Night Shade&lt;/li&gt;
&lt;li&gt;Small Beer&lt;/li&gt;
&lt;li&gt;Subterranean&lt;/li&gt;
&lt;li&gt;Tor&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Anthology&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Welcome to Bordertown&lt;/i&gt;&lt;/b&gt;, Holly Black &amp;amp; Ellen Kushner, eds. (Random House)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;The Year’s Best Science Fiction: Twenty-eighth Annual Collection&lt;/i&gt;&lt;/b&gt;, Gardner Dozois, ed. (&lt;st1:place&gt;St.  Martin&lt;/st1:place&gt;’s &lt;st1:city&gt;Griffin&lt;/st1:city&gt;)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Steampunk!&lt;/i&gt;&lt;/b&gt;, Kelly Link &amp;amp; Gavin J. Grant, eds. (Candlewick; &lt;st1:city&gt;Walker&lt;/st1:city&gt; &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt;)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Eclipse Four&lt;/i&gt;&lt;/b&gt;, Jonathan Strahan, ed. (Night Shade)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Engineering Infinity&lt;/i&gt;&lt;/b&gt;, Jonathan Strahan, ed. (Solaris; Solaris &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt;)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Collection&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Sleight of Hand&lt;/i&gt;&lt;/b&gt;, Peter S. Beagle (Tachyon)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;The Collected Stories of Carol Emshwiller&lt;/i&gt;, &lt;i&gt;Volume 1&lt;/i&gt;&lt;/b&gt;,&lt;/li&gt;
&lt;li&gt;Carol Emshwiller (Nonstop)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Two Worlds and In Between&lt;/i&gt;&lt;/b&gt;, Caitlín R. Kiernan (Subterranean)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;After the Apocalypse&lt;/i&gt;&lt;/b&gt;, Maureen F. McHugh (Small Beer)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;The Bible Repairman and Other Stories&lt;/i&gt;&lt;/b&gt;, Tim Powers (Tachyon)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Editor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Ellen Datlow&lt;/li&gt;
&lt;li&gt;&lt;st1:city&gt;Gardner&lt;/st1:city&gt; Dozois&lt;/li&gt;
&lt;li&gt;Jonathan Strahan&lt;/li&gt;
&lt;li&gt;Ann &amp;amp; Jeff VanderMeer&lt;/li&gt;
&lt;li&gt;Gordon Van Gelder&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Artist&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Bob Eggleton&lt;/li&gt;
&lt;li&gt;John Picacio&lt;/li&gt;
&lt;li&gt;Shaun Tan&lt;/li&gt;
&lt;li&gt;Charles Vess&lt;/li&gt;
&lt;li&gt;Michael Whelan&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Non-fiction&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;In Other Worlds: SF and the Human Imagination&lt;/i&gt;&lt;/b&gt;, Margaret Atwood (Talese; Virago; Signal (&lt;st1:country-region&gt;Canada&lt;/st1:country-region&gt;))&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Becoming Ray Bradbury&lt;/i&gt;&lt;/b&gt;, Jonathan R. Eller (&lt;st1:place&gt;&lt;st1:placetype&gt;University&lt;/st1:placetype&gt; of &lt;st1:placename&gt;Illinois&lt;/st1:placename&gt;&lt;/st1:place&gt;)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Musings and Meditations&lt;/i&gt;&lt;/b&gt;, Robert Silverberg (Nonstop)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Evaporating Genres: Essays on Fantastic Literature&lt;/i&gt;&lt;/b&gt;, Gary K. Wolfe (Wesleyan)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Sightings: Reviews 2002-2006&lt;/i&gt;&lt;/b&gt;, Gary K. Wolfe (Beccon)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Art Books&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
————–&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Out of This World: Science Fiction But Not As You Know It&lt;/i&gt;&lt;/b&gt;, Mike Ashley, ed. (British Library)&lt;/li&gt;
&lt;li&gt;Cor Blok&lt;b&gt;&lt;i&gt;, A Tolkien Tapestry: Pictures to Accompany The Lord of the Rings&lt;/i&gt;&lt;/b&gt; (HarperCollins &lt;st1:country-region&gt;UK&lt;/st1:country-region&gt;)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Spectrum 18: The Best in Contemporary Fantastic Art&lt;/i&gt;&lt;/b&gt;, Cathy Fenner &amp;amp; Arnie Fenner (Underwood)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;i&gt;Masters of Science Fiction and Fantasy Art&lt;/i&gt;&lt;/b&gt;, Karen Haber, ed. (Rockport)&lt;/li&gt;
&lt;li&gt;Jeffrey Jones, &lt;b&gt;&lt;i&gt;Jeffrey Jones: A Life in Art&lt;/i&gt;&lt;/b&gt; (IDW)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;/blockquote&gt;
&lt;div class="MsoNormal" style="text-align: justify; text-indent: 18.0pt;"&gt;
&lt;span lang="PT"&gt;Os vencedores serão anunciados na &lt;i&gt;&lt;a href="http://locusmag.com/Magazine/2012LocusAwardsAd.html"&gt;Science Fiction Awards Weekend&lt;/a&gt;&lt;/i&gt;, que se realiza entre 15 e 17 de Junho, em Seattle.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-5089387684505562820?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/05/finalistas-dos-locus-awards-2012.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-16hdATXCAmg/TcrlXk_WJfI/AAAAAAAAA7o/ta8e_yTCxEU/s72-c/Locus.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-812157392441850893.post-5541642038403941233</guid><pubDate>Mon, 30 Apr 2012 13:54:00 +0000</pubDate><atom:updated>2012-04-30T16:42:56.181+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Eventos</category><title>Clubes de Leitura Bertrand do Fantástico - Maio</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://clubedeleiturabertrand.blogspot.pt/p/clube-de-leitura-do-fantastico.html"&gt;&lt;img border="0" height="168" src="http://2.bp.blogspot.com/-X8c3cEDWu0w/T56ZW4DYNHI/AAAAAAAABnA/yHlg0VizWhE/s320/american-gods-hbo-neil-gaiman.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="PT"&gt;Clubes de Leitura do Fantástico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="PT"&gt;Lisboa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Orientação: &lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&lt;a href="http://www.facebook.com/rogerio.ribeiro"&gt;Rogério Ribeiro&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Convidado:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&amp;nbsp;Maria do Rosário Monteiro, que falará sobre o livro &lt;i&gt;A simbólica do espaço em «O senhor dos Anéis» de JRR Tolkien&lt;/i&gt;.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Data:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&amp;nbsp;4 de Maio de 2012, pelas 19h.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Local:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;&lt;a href="http://www.bertrand.pt/livrarias-bertrand"&gt;Bertrand do Chiado&lt;/a&gt;.&lt;/span&gt;&lt;u&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;a href="http://clubedeleiturabertrand.blogspot.pt/p/formulario-de-adesao.html"&gt;Inscrição prévia&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Obra em discussão:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&amp;nbsp;&lt;i&gt;O Feiticeiro e a Sombra&lt;/i&gt;, de Ursula K. Le Guin.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="PT"&gt;Coimbra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Orientação: &lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&lt;a href="http://www.facebook.com/profile.php?id=100003241077244"&gt;Cláudia Pinto&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Data:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&amp;nbsp;31 de Maio de 2012, pelas 21h30.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Local:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;&lt;a href="http://www.bertrand.pt/livrarias-bertrand"&gt;Bertrand do Dolce Vita Coimbra&lt;/a&gt;.&lt;/span&gt;&lt;u&gt;&lt;span lang="PT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;a href="http://clubedeleiturabertrand.blogspot.pt/p/formulario-de-adesao.html"&gt;Inscrição prévia&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Obra em discussão:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&amp;nbsp;&lt;i&gt;Deuses Americanos&lt;/i&gt;, de Neil Gaiman.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;i&gt;&lt;span lang="PT"&gt;Porto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Orientação: &lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&lt;a href="http://belalugosiisdead.blogspot.pt/"&gt;Rui Baptista&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Data:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&amp;nbsp;26 de Maio de 2012, pelas 15h.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Local:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;/span&gt;&lt;span lang="PT"&gt;&lt;a href="http://www.bertrand.pt/livrarias-bertrand"&gt;Bertrand do Porto Gran Plaza&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Entrada:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt; &lt;a href="http://clubedeleiturabertrand.blogspot.pt/p/formulario-de-adesao.html"&gt;Inscrição prévia&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="PT"&gt;Obra em discussão:&lt;/span&gt;&lt;/b&gt;&lt;span lang="PT"&gt;&amp;nbsp;&lt;i&gt;A Conspiração dos Antepassados&lt;/i&gt;, de David Soares.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/812157392441850893-5541642038403941233?l=www.fallingintoinfinity.com' alt='' /&gt;&lt;/div&gt;</description><link>http://www.fallingintoinfinity.com/2012/04/clubes-de-leitura-bertrand-do_30.html</link><author>noreply@blogger.com (Ricardo Lourenço)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-X8c3cEDWu0w/T56ZW4DYNHI/AAAAAAAABnA/yHlg0VizWhE/s72-c/american-gods-hbo-neil-gaiman.jpg" height="72" width="72" /><thr:total>0</thr:total></item></channel></rss>

