A leading entertainment and communications agency is seeking an experienced Fashion Publicist to join its team and oversee fashion strategy and opportunities for a roster of high-profile, globally recognized talent.

The ideal candidate has 7+ years of experience in fashion PR and brings established relationships across luxury fashion brands, designers, showrooms, editors, stylists and key industry tastemakers. We are looking for someone who can hit the ground running, thrive in a fast-paced environment and immediately begin creating meaningful opportunities for talent.

Responsibilities & Qualifications

• Minimum 7+ years of relevant fashion PR experience
• Strong, existing relationships with luxury brands, fashion houses, designers, showrooms, editors and stylists
• Secure and manage VIP dressing, Fashion Week invitations, brand opportunities, events, editorial placements and other high-profile fashion moments
• Develop strategic fashion positioning for a roster of established talent
• Manage multiple high-profile clients and priorities simultaneously
• Attend Fashion Weeks, fittings, events and other industry moments as needed
• Proactive, highly organized and comfortable working in a fast-paced, high-pressure environment
• Excellent communication and relationship-management skills
• Ability to work independently while collaborating closely with talent teams, management and the broader agency

Location: Remote, with travel and in-person attendance required for Fashion Weeks, client fittings, events and other key industry moments as needed.

Compensation: Competitive six-figure base salary, commensurate with experience, plus health insurance and additional earning potential through commission on new clients and projects brought to the agency.

Benefits: Health insurance, paid time off (PTO)

APPLY: fashionpublicist2026@gmail.com

Scarlett Johansson’s Skin-Care Line The Outset Is Closing

The Outset, the skin-care line Scarlett Johansson co-founded in 2022, is shutting down, according to a notice on its website Monday. “Online shopping at theoutset.com has now ended, but all existing orders will continue to be processed as usual,” the brand stated on its website. The skin-care brand, sold at Sephora, Goop and Nordstrom, is the latest celebrity-linked beauty label to falter as shoppers turn to ingredient-driven products and cheaper Korean brands. {The Outset; Business of Fashion/paywalled}

Fashion Designer Sues Lego Over ‘Queer Eye’ Figurine’s Jacket

Fashion designer James Concannon has filed a lawsuit in Connecticut accusing Lego of copying a custom leather jacket he made for “Queer Eye” star Antoni Porowski. A miniature jacket marked with a peace sign and a skull appears on a figurine in Lego’s “Queer Eye – The Fab 5 Loft” set, which came out in September 2021. Concannon claims that Lego never asked for his authorization or paid him. He is now seeking damages for willful infringement. {CNN}

Luxury Brands Embrace Youth Culture as Gen Z Spending Slows

Some luxury houses are trading polish for a messier, youth-driven look, with Prada, Diesel and Burberry all leaning into grungy styling this season. This move follows Gen Z shoppers pulling back on luxury spending. Forecasters say the generation could account for 25-30% of U.S. luxury purchases by 2030. Some experts note a one-off subculture reference won’t work, since young consumers spot it quickly and expect brands to build trust first, possibly through cheaper entry products and music tie-ins. {Vogue Business}

M&S Partners With Sephora

Marks & Spencer has partnered with Sephora to sell the beauty retailer’s products in M&S stores and online as part of its push into beauty. Sephora shop-in-shops will open at 100 locations across the U.K., and M&S.com will carry a wider range with home delivery and in-store pickup. M&S holds just 1.3% of the £5.2 billion ($6.9 billion) British beauty market, which grew 1.2% in the year to July 19. The final brand line-up will be announced closer to launch. {Reuters/paywalled}

Unilever Says Wellness and Beauty Are Becoming More Intertwined

At the Groceryshop conference in Las Vegas, Unilever Wellbeing CEO Jostein Solheim said that consumers increasingly view beauty and health as one category, driven by GLP-1 drugs, AI health tools and easier access to scientific information. Alongside that, Gen Z and millennial shoppers are leading demand by focusing on longevity earlier in life. The business group owns seven wellness brands, including Olly, Liquid I.V., Nutrafol and Grüns. {Modern Retail/paywalled}

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When Gap Inc. Creative Director Zac Posen began building Old Navy’s designer collaboration program, one of his top priorities was highlighting American talent. “I thought the American industry needed it, and we have such incredible talent here,” he tells Fashionista.

Anna Sui was the first label to participate in the program, followed by Christopher John Rogers. This fall, Old Navy tapped Altuzarra as its third designer collaborator. “Joseph [Altuzarra] has really built an incredible world, and he has a great sense of care,” Posen says. “He understands the joy and whimsy of our Old Navy customer.” There’s also a high-profile campaign star in the mix: Alexa Chung.

The collaboration came about organically, according to Joseph Altuzarra: “It was a really exciting opportunity to bring the storytelling and world of Altuzarra to the Old Navy customer.” His creative process began the same way he approaches his runway collections: with literature. Specifically, he referenced “Wuthering Heights” (as he did for Fall 2025) and “Pride and Prejudice.”

“I was really inspired by this romantic heroine, these windswept moors and this deep romanticism,” the designer explains. The lineup reflects the romance and mystery of classic fiction through vintage-inspired floral prints, rich jewel tones, Fair Isle sweaters and structured outerwear. However, it blends that literary attitude with Old Navy’s heritage of easy dressing, accessibility and versatile styles.

The limited-edition collection spans outerwear, dresses, tanks, blouses, jeans, trousers and accessories priced from $25 to $140. This is also the first designer collaboration that offers matching styles for girls and toddlers. Standout pieces include a parka with a detachable plaid liner; an embroidered, corduroy-collared jacket; high-waist balloon trousers and scarf dresses. As a cheeky reference to the literary theme, all of the clothing tags double as bookmarks.

“From the very beginning, [this collection] was a dialogue between what we do at Altuzarra — the romanticism, femininity and storytelling of the brand — [and] what Old Navy stands for, which is optimism and ease of American sportswear, and how those two things can come together,” Altuzarra says.

View this post on Instagram

Below, see every item from Altuzarra x Old Navy.

Old Navy x Altuzarra Off-The-Shoulder Maxi Dress, $60

Old Navy x Altuzarra Off-The-Shoulder Maxi Dress, $60

Old Navy x Altuzarra Scarf Midi Dress, $77

Old Navy x Altuzarra Handkerchief Midi Dress, $75

Old Navy x Altuzarra Maxi Dress, $80

Old Navy x Altuzarra Velvet Maxi Dress, $80

Old Navy x Altuzarra Tea Midi Dress, $75

Old Navy x Altuzarra Fitted Blazer, $80

Old Navy x Altuzarra Fair Isle Mock-Neck Sweater, $70

Old Navy x Altuzarra Fair Isle Mock-Neck Sweater, $70

Old Navy x Altuzarra Sherpa Jacket, $80

Old Navy x Altuzarra Embroidered Cardigan, $65

Old Navy x Altuzarra Extra High-Waisted Balloon Trouser Pants, $70

Old Navy x Altuzarra Extra High-Waisted Balloon Trouser Pants, $70

Old Navy x Altuzarra Extra High-Waisted Balloon Trouser Pants, $70

Old Navy x Altuzarra High-Waisted Embellished Baggy Wide-Leg Jeans, $70

Old Navy x Altuzarra High-Waisted Baggy Wide-Leg Jeans, $70

Old Navy x Altuzarra High-Waisted Baggy Wide-Leg Jeans, $70

Old Navy x Altuzarra Tiered Swing Maxi Skirt, $60

Old Navy x Altuzarra Tiered Swing Maxi Skirt, $60

Old Navy x Altuzarra Jersey Off-The-Shoulder Top, $37

Old Navy x Altuzarra Jersey Off-The-Shoulder Top, $37

Old Navy x Altuzarra Scarf Tank Top, $40

Old Navy x Altuzarra Scarf Tank Top, $40

Old Navy x Altuzarra Scarf Tank Top, $40

Old Navy x Altuzarra Long-Sleeve Ribbed Fitted Top, $27

Old Navy x Altuzarra Long-Sleeve Ribbed Fitted Top, $27

Old Navy x Altuzarra Long-Sleeve Button-Down Top, $40

Old Navy x Altuzarra Long-Sleeve Button-Down Top, $40

Old Navy x Altuzarra Satin Lace Cami Top, $30

Old Navy x Altuzarra Satin Lace Cami Top, $30

Old Navy x Altuzarra Wool Overcoat, $120

Old Navy x Altuzarra Satin Scarf, $25

Old Navy x Altuzarra Satin Scarf, $25

Old Navy x Altuzarra Handkerchief Sweater Scarf, $30

Old Navy x Altuzarra Knit Scarf, $25

Old Navy x Altuzarra Vegan Leather Gloves, $30

Old Navy x Altuzarra Vegan Leather Drawstring Baguette Bag, $37

Old Navy x Altuzarra Embellished Skirt for Girls, $40

Old Navy x Altuzarra Ruffled Swing Dress for Toddler Girls, $40

Old Navy x Altuzarra Ruffled Swing Dress for Toddler Girls, $40

Old Navy x Altuzarra Plaid Dress for Girls, $47

Old Navy x Altuzarra Cardigan for Toddler Girls, $40

Old Navy x Altuzarra Mock-Neck Fair Isle
Sweater for Girls, $47

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That unexpectedness especially showed up in a handful of our favorite trends: Standouts include a non-HR-approved skirt style, a triumphant return for Bermuda shorts and the enthusiastic endorsement of plaid as a spring print. Scroll through the galleries below for seven MFW Spring 2027 trends to know.

Pinking of You

The era of Barbie pink may be over, but designers aren't quite ready to move on from the color as a whole. In New York, mauve was the rosy shade of choice. On the Milan runways, soft pinks were the favored hue. Labels like Blumarine and Prada incorporated ballet pinks, while Moschino and Vivetta opted for lighter, paler shades.

Split Decision

Not a fan of bra top dressing? Allow Italian designers to introduce split-front tops into your spring closet. The navel-baring blouse allows you to show some skin while keeping it modest (ish). At The Attico and Blumarine, models walked the runway in tie-front versions, while Ferragamo and Gucci presented it as a styling hack for button downs.

Pencil Me In

Pencil skirts are known for being a Millennial-beloved, office-appropriate garment, but the versions on the Milan Spring 2027 runways got a sexy update. (Consider this the return of the office siren, minus the office.) At Ferragamo and MGSM, models strutted in sheer, knee-length skirts. Meanwhile, Prada and Max Mara favored skirts with a not-so-HR-friendly slit.

Not-So-Short Shorts

From Moschino to MSGM, Bermuda shorts are so back. The longer length shorts came in various versions on the Milan runways, from Giorgio Armani's tailored styles to Diesel's denim jorts to Venerdi Pomeriggio's Bermuda bloomers.

Hip, Hip, Hooray

Season after season, designers' favorite historical garment to modernize is corsetry. For Spring 2027, they shifted their attention to double-sided bustle, unveiling a slew of garments with exaggerated, padded hips. It's refreshing seeing designers introduce one way for women to take up more space, rather than shrink themselves to occupy less of it.

Ruffle Some Feathers

Feathers on the runway are hardly new, but for spring, Italian designers employed them as statement trims. Feathered borders were placed on coats at Blumarine and The Attico, skirts at Yulin Cashmere District and Moschino and as decorative embellishments at Venerdi Pomeriggio.

Well Plaid

Plaid typically leans more fall, but the Milan runways have decreed it a spring print. Less underground-rocker-girl and more modern prep student, the pattern appeared at Gucci, Dhruv Kapoor and Marni on midi skirts, blazers and shift dresses.

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We’re pleased to report that team Fashionista survived another New York Fashion Week filled with busy show days, breaking news and plenty of newfound styling inspiration. Though the Spring 2027 season is far from over (the Paris crowd is just getting started), we’re running back the fashion-forward pieces that carried us through our hectic September schedules.

This month, we celebrated our first glimpses of fall by breaking out our transitional wardrobes, including a colorful barn jacket, a sheer lavender sweater, an asymmetrical long-sleeve top and a pair of wide-leg vintage-inspired jeans. In the spirit of schlepping, handbags were our favorite September accessories. We reached for a spacious pebbled leather tote (with room for a laptop!), a petite suede bucket bag and a cheetah-print pony hair purse.

Ahead, see (and shop!) all of our editors’ favorite fashion finds from September.

J.Crew Women’s 2026 Barn Jacket in Pool Tiles Cotton Canvas, $198, available here: “The barn jacket is a fall staple, but while most of them come in earthy neutrals, the punchy colors of this teal-and-royal-blue version make it so much more fun.” —Steph Saltzman, Beauty & Style Director

Avec Les Filles The Baye Bag, $198, available here: “I’ve been a fan of Avec Les Filles’ on-trend, affordable jackets for years, so I was excited to see what it would come up with for its first handbag line — and it doesn’t disappoint. This cheetah-print pony hair bag looks more expensive than its under-$200 price point, and the innovative lock system makes it perfect for travel.” —Elizabeth Denton, Deputy Content Editor

Nia Aria Top, $78, available here and Eme Skirt, $98, available here: “Meet my most-complimented NYFW outfit. With a boat neckline and a sheer bodice, the top is surprisingly breathable. The skirt’s asymmetrical handkerchief hem also adds plenty of movement to the matching set. I particularly love the reddish plaid pattern, which helps pull out the copper tones in my auburn hair.” —Catie Pusateri, Associate Editor

Nike UO Women’s Air Rift Sneaker, $125, available here: “I have to admit, I was one of those people who always side-eyed camel-toe shoes. I couldn’t imagine they’d be comfortable to wear, and I truly didn’t understand all the hype. Needless to say, I can admit when I’m wrong: I’m in love with these split-toe Nike sneakers. The air-cushioned foam insole makes them easy to walk in, and the camel-toe design genuinely doesn’t bother me in the slightest. It’s such an easy shoe to slip on when I need to edge up my outfit.” —Janelle Sessoms, Associate Editor

Arc’teryx Mantis 16 Backpack, $130, available here: “My favorite hiking season is upon us, and I’ve had to retire my battered-up bag that has seen countless trails. Fortunately, I was formally introduced to Arc’teryx’s quality gear. After taking it on a test run in Cold Spring, NY, a few weeks ago, I can safely say the bag packs more than you’d expect. Thanks to the slim fit and a chest buckle, the weight is evenly distributed; no matter how heavy your pack gets, it feels almost weightless. Plus, the endless zippered pockets mean I’m not worried about accidentally dropping my phone on a trail (speaking from a very embarrassing experience).” —Neia Dizon, Editorial and Multimedia Intern

Reformation Soren Sheer Alpaca Sweater Top, $198, available here: “A total stranger ran up to me in the East Village to ask where I got this sweater. Need I say more?” —Dhani

St. Agni Cotton Jersey Split Back Tee, $200, available here: “My go-to outfit pretty much always involves a basic T-shirt, but this top is perfect for those times when I’d rather not look like I’m headed off to middle school. With its open back and wraparound tie detail, it’s a much more elevated take on the classic tee.” —Steph

The Great The Festal Dress, $395, available here: “I’ve been impatiently waiting for The Great’s fall collection to drop because it’s my favorite yet from design duo Emily Current and Meritt Elliott. It’s full of animal prints, fringe, stripes and plaid, but my favorite print is the pink-and-brown polka dot, which comes in a vintage-inspired dress and blouse. I can’t decide which I like more, but the two-piece mesh dress is especially wearable.” —Elizabeth

Astr The Label Fiona Asymmetric Lace Hem Top, $69, available here: “This asymmetrical, lace-lined top has become one of my go-to pieces for the slightly cooler weather. It’s an elevated take on my beloved fall favorite — a fitted long-sleeve top — thanks to its draped boat neckline, ruched waist and lace detailing. It’s also a versatile styling pull; I’ve worn it everywhere from NYFW to a Phoebe Bridgers concert to running errands.” —Catie

Charles & Keith Faux Shearling Poodle Charm, $49, available here: “Meet the newest addition to my bag charm collection. Anytime I look at it, I come down with a serious case of cuteness aggression.” —Janelle

A.Emery The Wren Bag, $470, available here: “I have a tendency to buy handbags that can barely fit an iPhone Max, if that. I’m also not really a ‘big bag’ person. So, ahead of NYFW, I came across an ideal in-between carryall option: With the bucket shape, it’s easy to see and throw things inside as I accumulate them throughout the day. Plus, it works with about any outfit.” —Dhani

Z Supply The Head Turner High-Rise Wide Denim, $148, available here: “I’ve been living in these wide-leg jeans all September long. I love the vintage-inspired wash, which gives all of my outfits a relaxed, lived-in feel. It delivers a slightly slouchy look when worn with sneakers, and a crisp hemline with boots. Even though low-rise waists are making the rounds on the runways, you can pry these high-rise jeans from my cold, dead hands.” —Catie

Karen Millen Check Tailored Dress, $215 $359, available here: “I’ve been needing a new go-to work event dress for a while now, and I think I’ve finally found a winner. I first wore this plaid number during NYFW and got a ton of compliments. I love how it cinches my waist and how the asymmetric neckline adds a modern touch to an otherwise classic piece.” —Janelle

Rumored Honey Blouse, $168, available here: “I’m a hopeless romantic, all the way down to my wardrobe. This black lace-lined blouse adds a touch of elegance to my usual night-out look with its bubble sleeves, tie-front clasp and flowy peplum silhouette. It’s breezy, it’s flirty and, most importantly, it’s comfortable.” —Catie

Adidas Jennie Superstar SQ Ballet Shoes, $130, available here: “When it comes to ballet sneakers, I thought I had seen it all. But leave it to K-pop superstar Jennie to create the coolest new ones with Adidas. The square toe is both unique and seriously comfortable, the bow detail is extremely cute and the removable wrap-around laces bring a touch of balletcore charm.” —Elizabeth

Alf The Label Teresa Tote, $499, available here: “Since I’m always lugging my laptop around town, I need actually spacious (and stylish) work bags. This pebbled leather tote is up for the task: It features a built-in laptop case, two open compartments and organizational zipped pockets, meaning I can fit my entire life inside this purse. The sophisticated style also includes a luggage pass-through sleeve for my fellow frequent flyers.” —Catie

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Company Description: MP Connect (formerly MP-IMC) is a public relations agency founded in 2016 by veteran publicist Melissa Palmieri, who brings nearly two decades of industry experience. The firm specializes in the beauty, fashion and lifestyle sectors, partnering with brands and experts at every stage, from pre-launch to rebrand. MP Connect is committed to positioning clients as leaders in their categories through tailored, integrated communication strategies. The team focuses on building enduring brand equity rather than short-term buzz, offering strategic guidance and execution that support long-term growth.

Role Description: The Public Relations Account Executive is a full-time, hybrid role based in New York, NY. The individual in this position will manage and guide junior staff members, day-to-day client communications, develop and implement PR strategies, and coordinate campaigns that support brand objectives in the beauty industry. Responsibilities include drafting press materials, pitching media, maintaining relationships with editors, influencers, and partners, and tracking coverage and performance metrics. The Account Executive will support event planning and activations, coordinate product seeding and sampling, and prepare client-ready reports and presentations. Collaboration with internal team members to align PR initiatives with broader marketing and brand strategies is a key part of this role.

Benefits: 401k, Health Insurance, Hybrid Office Schedule

Qualifications

• 5-7 years of PR experience working with beauty, fashion and/or lifestyle brands.
• Demonstrated skills in media relations, press release writing, and pitching stories to beauty, fashion and lifestyle outlets.
• Experience in campaign planning, PR strategy development, and integrated communication initiatives.
• Strong writing, editing, and proofreading abilities with attention to tone, detail, and brand voice.
• Proficiency in client and internal team management, including status reporting, meeting preparation, and expectation setting.
• Familiarity with social media platforms, influencer partnerships, and digital PR tactics.
• Ability to track results using PR and media monitoring tools and to translate data into actionable insights.
• Excellent organizational, time-management, and multitasking skills in a fast-paced environment. Must be comfortable working across multiple clients.
• Comfort working independently and in a collaborative team setting, with professional communication skills.
• Prior experience in beauty, fashion, or consumer lifestyle PR is strongly preferred.
• Experience with platforms such as Muck Rack, Canva, Google Suite are a plus.
• Bachelor’s degree in Public Relations, Communications, Marketing, Journalism, or a related field, or equivalent practical experience.

Compensation: $70k – $90k, DOE

To Apply: Please send your resume to jennifer@mpconnect.net.

@_mpconnect

For Meryll Rogge’s sophomore collection at Marni, the designer unveiled colorful shift dresses, belted silhouettes and quirky sequin skirts. At Alberta Ferretti, jewel tones exploded on the runway via patterned balloon pants, feather-tipped skirts and romantic lace-lined slips. Jil Sander reimagined its signature minimalist approach with a slightly undone quality, and MSGM embraced coordinating tie-dye sets and psychedelic-looking prints. Meanwhile, Prada embodied the bra-and-skirt trend sweeping the Spring 2027 runways with its 63-look, skirt-centric collection.

Click through the galleries below to see Fashionista’s favorite Spring 2027 collections from Milan Fashion Week.

Alberta Ferretti Spring 2027

Bottega Veneta Spring 2027

Diesel Spring 2027

Ferragamo Spring 2027

Jil Sander Spring 2027

Marni Spring 2027

MM6 Maison Margiela Spring 2027

MSGM Spring 2027

Prada Spring 2027

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Of course, the weather played a part. In New York City, the 80-degree temperatures and high humidity caused a “fuck it, it’s hot” vibe. But still, it was in the high 70s for MFW, so most of the crowd dressed more for style than comfort. Layers were everywhere, with office-inspired looks featuring on-trend twists like visible bras (also big at NYFW), sheer skirts, cropped blazers and tons of mixed prints.

If London Fashion Week’s “Gossip Girl”-esque street style took us back to school, Milan is the sexier, modern “Mad Men” version. Keep scrolling to see the best street style looks from outside the Spring 2027 shows in Milan.

The CFDA’s Board of Directors tapped Karen Harvey Consulting Group to spearhead the search for its new CEO. During this transitional period, Hildy Kuryk will serve as interim CEO. Kuryk is the co-founder of Artemis Strategies, a boutique consultancy specializing in creative brand strategy. She is also a top-ranking Condé Nast alumna, as she previously served as executive director of communications at Vogue and Teen Vogue, working directly with Anna Wintour. She continues to oversee press and communications strategy on behalf of Condé Nast and Vogue for the Met Gala.

Prior to her experience in the fashion media landscape, Kuryk spent 15 years in professional politics, including serving under two U.S. presidents and as the Democratic National Committee’s national finance director. 

“As we begin the search for CFDA’s next CEO, the Board is focused on identifying a leader who can guide the organization into its next chapter,” CFDA Board Chairman Thom Browne said in a statement. “We are grateful to Hildy Kuryk for providing steady interim leadership and a strong connection between the Board and staff during this period.”

According to the CFDA, its CEO search will focus on “identifying a leader who can build on the CFDA’s mission to strengthen American fashion, support designers and advance the organization’s role across the industry.”

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Derek Lam Returns to Derek Lam 10 Crosby as Creative Director

After exiting Derek Lam 10 Crosby three years ago, Founder Derek Lam is returning to the brand as its creative director. The move comes five months after NYC Alliance acquired the label. Lam will present the label’s first collection under NYC Alliance for Fall 2027. “I am looking forward to building on the design philosophy of Derek Lam 10 Crosby while bringing a fresh perspective to the brand’s next chapter,” Lam said in a press statement. {Fashionista inbox}

Chanel Reveals Its Cruise 2027 Show Location

Matthieu Blazy will present his sophomore Chanel Cruise collection in Deauville on April 27. The French coastal town has historic ties to the brand, as it was where founder Gabrielle Chanel opened her first ready-to-wear store in 1912. {WWD/paywalled}

Why Edward Buchanan Started a Nonprofit to Help Black Creatives

Designer Edward Buchanan has opened The Situation, a self-funded nonprofit that supports underrepresented creatives, including people of color, queer and women artists. Based in Italy, The Situation will fund projects and host residency programs that let participants present exhibitions and showroom openings (for free). It will also connect creatives with industry mentors and resources. “I just want to see these creatives be able to exist and have legs within the businesses and practices they want to create while being the exact individual that they are,” Buchanan told Vogue Business. {Vogue Business/paywalled}

Beauty Platform Tresalis Acquires Vyrao

Tresalis, a new beauty platform backed by German investment firm Athos, has acquired British fragrance brand Vyrao. The deal’s financial terms have not been revealed. Vyrao’s founder, Yasmin Sewell, will remain at the brand in the newly created role of chief brand officer. She hopes the acquisition will position Vyrao more in the wellness space. {Business of Fashion/paywalled}

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Related: The 8 Coolest Trends From London Fashion Week Spring 2027

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Related: The Museum at FIT Gets All Dolled Up With New Exhibit Exploring Fashion’s Favorite Plaything

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Homepage photo: Launchmetrics Spotlight

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About Raised on Film
Raised on Film is an independent fashion label built around the shared creative practise of film photography and garment development. We design our own collections and sell through Shopify. We’re hiring a Growth Lead to expand our audience and build the channels that bring people to the brand.

The role
Your first priority is organic growth on Instagram and TikTok, measured through views, engagement and audience growth. Short-form content and creator partnerships lead the work, with email, SMS and paid media supporting what performs.

You’ll work directly with Jem and Dan, our co-founders. This is a hands-on role with no large team to delegate to. You’ll have room to build the function and manage our existing creative partners from day one.

The team and how we work
We’re a hybrid team based in San Diego and Melbourne, serving the US and Australia. We’re flexible about working hours and focus on what you deliver. We shoot in both countries at least twice a year, and you’ll be on the ground for those shoots, working with photographers, models and creative partners.

We want to grow quickly. You’ll need to make decisions, get content out and adjust when the results point somewhere new.

What you’ll own
●  Organic and short-form. Run Instagram and TikTok: plan, make and publish content, test ideas and build on what works. Success means views, engagement and audience growth improving month on month while the content stays true to the brand.
●  Creator partnerships and gifting. Find people, manage outreach, write briefs and organise product seeding. Build a repeatable process that produces useful content and measurable sales.
●  Paid media. Select and own creative and review spend against ROAS and CPA targets. Use successful organic and gifted content to grow paid sales profitably.
●  Email and SMS. Own flows, campaigns, segmentation and the promotional calendar around collection launches.
●  Reporting and attribution. Report weekly on views, engagement and audience growth, followed by ROAS, CPA, conversion and sell-through. Explain what is working and where to spend next.
●  Commercial input. Bring what you learn into launch planning, pricing and promotions.

What we’re looking for
● You work quickly and take responsibility for what needs doing.
● You can point to a channel you built from scratch and explain its results.
● You’re comfortable making content, building a flow and running a test yourself.
● You challenge decisions that do not make business sense, including ours.
● You understand film, fashion, vintage clothing and the culture around the brand. You can tell when content fits, as well as when it performs.

Experience
We value initiative and judgment, backed by the skills to do the work.

● 2 to 5+ years in growth, social or performance marketing at a DTC brand, ideally fashion, beauty or lifestyle.
● Paid media fluency across Meta and TikTok is ideal rather than required. You need enough knowledge to assess ROAS, CPA and attribution, or evidence that you can learn quickly.
● Experience managing creative partners, writing clear briefs and holding them to agreements

Nice to have
●  An existing network of creators, photographers, models and agencies in your city.
●  Experience setting up attribution and analytics dashboards.
●  Experience taking a brand through a repositioning or rebrand.
●  Familiarity with film, colour grading, DaVinci Resolve and the Adobe suite.
●  Comfort with our tools, including Slack, Notion, Gorgias, Claude/ChatGPT, Shopify and   Meta Business Suite.

Details
● Location: Los Angeles or San Diego, CA, or Melbourne, VIC. Hybrid, working online with the team but on the ground for shoots and the scene around the brand.
● Type: Full-time, core team member.
●  Compensation: A$100,000 to A$130,000 base plus super (Melbourne) or US$80,000 to US$110,000 base (LA/San Diego), plus meaningful equity (2 to 3%, four-year vest with a one-year cliff). Ranges reflect local market rates for each location.
● Benefits: Travel expenses for photoshoots and work trips covered. Access to free product and samples.

How to apply
Email jem@raisedonfilm.com with your CV and short answers to these four questions:

1. Tell us about a growth channel you built from the ground up. What did it do, and how do you know?
2. What would you own first at Raised on Film, and why?
3. Having looked at our brand, what’s one thing you’d change or try? We take feedback well, so be direct.
4. What is an achievement you are most proud of? Anything outside of work counts (hobbies, leadership, sport, anything you’re passionate about).

We love it when people go above and beyond, so if you want to send more than we asked for, do. And somewhere in your application, include a 🎞️ emoji so we know you read this far.

McMullen Opens Flagship in San Francisco’s Union Square

Luxury boutique McMullen — founded by Sherri McMullen in 2007 — is opening a new flagship in San Francisco’s Union Square, designed by Gabriella Khalil with statement works by Aisling Camps and Mickalene Thomas. Located at 135 Maiden Lane, the 6,342-square-foot store opens to the public on Sept. 25. Stocked brands include Dries Van Noten, Diotima, Proenza Schouler, Christopher John Rogers, Burc Akyol, Tibi, Kallmeyer and Heirlome, among many others. {Fashionista inbox}

Beckham Brands Deliver Strong Growth Across Ventures

David and Victoria Beckham’s businesses both posted strong results for fiscal 2025. David’s DRJB Holdings saw revenue climb 20% to $110.5 million and net profit rise to $49.8 million, fueled by new deals with McDonald’s, Verizon and PepsiCo’s Lay’s ahead of the 2026 FIFA World Cup. Victoria Beckham Holdings Ltd. turned an operating profit of £7.3 million ($9.8 million) while revenue rose 15% to £129.8 million ($174 million), marking its fifth straight year of double-digit growth. Momentum has continued into 2026, with both brands expanding retail footprints across the U.S. and Europe. {WWD/paywalled}

Chanel Taps Lucia Pieroni To Head Makeup Creative Direction

Chanel has named Lucia Pieroni as its creative makeup director, effective September 2026. Pieroni will report to Simona Cattaneo, president of fragrance and beauty. Pieroni previously served as creative director of makeup at Clé de Peau Beauté from 2006 to 2019 and has worked alongside Matthieu Blazy since his debut Chanel fashion show in October 2025. “Being chosen to join Chanel is a great honor,” Pieroni said, calling it “a particularly exciting juncture in Chanel’s journey.” {Fashionista inbox}

Researchers Question Safety of Natural Fibers

Demand for natural fibers like cotton and wool is climbing as shoppers increasingly turn away from synthetics over chemical and microplastic concerns. But researchers say the fibers need closer study as manufacturers often treat cotton and wool with substances such as PFAS and antimicrobial coatings, and the fabrics shed microfibers that have turned up in oceans and human lungs. Scientists caution the research remains far less developed than work on synthetic pollution, and no clothing has been linked to illness in wearers. {The Wall Street Journal/paywalled}

Gucci’s New Sneakers Depart From Italian-Made Roots

Gucci has started labeling some new footwear “Made in China,” including a $1,000 sneaker from designer Demna, departing from its Italian heritage as it courts price-conscious shoppers. The brand says the move reflects a supplier’s technical expertise, though analysts warn it could lessen Gucci’s luxury positioning, a risk compounded by a 50% sales drop over three years and reported price cuts in key markets like China. {Reuters/paywalled}

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Price Range: $30-$190
Hero Product: Dew Perfector ($67)
Stockists: Neiman Marcus, Amazon
PR Representation: RLJPR
How to get in touch: info@circcell.com

Origin Story

Maya Crothers had plenty of luxurious skin-care options in her arsenal, but nothing worked in the harsh Jackson Hole weather and nothing offered her the “clean” options that she was so passionate about. So, she put her frustration, and her engineering mind, to work. Her goal was to produce skin care with a real dedication to performance and “clean,” loaded with dermatologist-grade performance ingredients and combined with elements of nature: clays, essential oils, herbal extracts and marine-based elements. And it had to work wherever she traveled. The result was Circcell — a hybrid of “Circle,” meaning whole and balanced, and “Cellular,” indicating real change. A performance-based, environmentally-sensitive, unparalleled experience that performs elegantly in any climate, adjusting to your needs.

Circcell is dedicated to transformation — with products that harness potent, “age-defying” ingredients and actives known to deliver results through performance-driven formulations. The resulting collection delivers a sensual experience with the world’s most high-performing experience, and with a nod to the world we live in.

For our Weekly Drop Watch column, Fashionista scours the market to curate the most noteworthy releases from our favorite fashion and beauty brands. Keep scrolling for this week’s highlights.

Fashion Launches

Kate Moss for Hunter’s 170th Anniversary

On Thursday, Hunter unveiled a global campaign celebrating its 170th anniversary starring Kate Moss, “a nod to that legendary festival moment that continues to influence, her effortless off-duty style and both her and Hunter’s status as icons,” according to the brand. Dubbed “Iconic by Nature,” the campaign features Moss wearing reimagined versions of the brand’s boots. Shop the collection at hunterboots.com.

Katseye’s Yoonchae Fronts Aritzia’s New Super Puff Campaign

Aritzia tapped Katseye’s Yoonchae for its new Super Puff campaign (alongside an on-theme fluffy pup). The brand also introduced its latest version of the puffer coat, “optimized for even better cold-weather performance — thanks to responsibly sourced 800+ fill-power premium down,” per a press release. New shades include Mochi Pink and Stormcloud Grey. Shop the collection — priced from $225 to $250 — at aritzia.com.

Margaux x Alison Roman

Footwear brand Margaux partnered with cookbook author Alison Roman for her first fashion collaboration, a four-style lineup of shoes and boots. “Developed in close collaboration with Margaux Founders Alexa Buckley Roussel and Sarah Pierson [and Roman],” per press materials, the collection introduces three entirely new-to-the-brand silhouettes, alongside the existing Salamanca Flat. It includes the Atlantic Clog ($345), Charlie Boot ($595, shown above), the Salamanca Flat ($375) and the Parlor Mule ($375). Shop them at margaux.com.

Avec Les Filles Launches Handbags

Fashion label Avec Les Filles introduced its first handbag collection this week, an eight-style lineup in “rich earth-tone hues and trend-defining silhouettes,” as described in press materials. The leather and suede bags draw inspiration from the ’70s and range in price from $148 (for the Elle, shown above) to $348. Shop them now at aveclesfilles.com.

Jason Bolden Curates Quince’s ‘Modern ’90s Fall Edit’

Quince teamed up with celebrity stylist Jason Bolden to curate its “Modern ’90s Fall Edit,” a capsule collection that “brings together retro-inspired silhouettes, Italian leather, weightless silk and cashmere.” The collection, which features a ’90s-inspired silk dress, shearling outerwear and leather accessories, is available now at quince.com.

Beauty Launches

Merit x Erdem

Merit and Erdem partnered on a limited-edition holiday collection inspired by the fashion label’s “renowned craftsmanship and intricate design approach,” per a press release. The collab includes The Winter Set ($68), a “complete eye and cheek wardrobe,” The Signature Lip Trio ($62), a set of three lip shades curated by Erdem and The Retrospect Soap Trio ($34), three mini hand soaps in Merit’s signature Retrospect scent. Shop the collection at meritbeauty.com.

Dieux x Fishwife

Skin-care brand Dieux and tinned seafood company Fishwife partnered on “the most unexpected beauty drop of the season.” The Meet Good Taste Forever Eye Masks ($25) are a new, limited-edition design of the former brand’s reusable eye patches, created by Fishwife’s in-house illustrator @danbodraws. Shop the collab at dieuskin.com.

Sofie Pavitt Face Introduces ‘Come Clean Facial Cloths’

Esthetician Sofie Pavitt’s eponymous skin-care brand dropped Come Clean Facial Cloths ($12 for a box of 30), disposable natural face cloths that “dry skin gently and hygienically,” per a press release. Developed with acne-prone skin in mind, the cloths are textured on one side for gentle exfoliation. Shop them at sofiepavittface.com.

P.F. Candle Co.’s Celestial Collection

Just in time for spooky season, P.F. Candle Co. dropped its “Celestial Collection,” three of the brand’s existing scents given a cosmic seasonal makeover in smoky gray glass with black-and-silver metallic labels. Priced at $24 each or as a bundle for $61, the scents include Teakwood & Tobacco, Copal and Smoky Cinnamon. (The latter two are also returning from the archive for the first time since 2024.) Poured in Los Angeles and boasting a 40+ burn time, the 100% soy wax candles are available now at pfcandleco.com.

Mary Kay’s New Matte Eye Shadow Sticks

Mary Kay expanded its Eye Shadow Sticks range to include an assortment of five matte shades this week. The cream formula is buildable, long-wearing and crease-resistant. Shop them for $20 each at marykay.com.

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A good heel adds polish and sophistication to a look that flats simply can’t match, but for the average person, comfortable heels are hard to come by. Re-enter wedges: Supportive, sturdy and easier than a stiletto, they’re a simple answer for anyone seeking a little extra height (and, for city dwellers, getting a heel caught in a subway grate becomes one less thing to worry about).

Once seen as clunky and plain (at best), the wedge is making a comeback with sleeker, more stylish iterations. They’ve had a strong presence on runways for a few seasons now; most recently, Sandy Liang put her playful stamp on the style for her Spring 2027 New York Fashion Week show.

According to Cate Khan, CEO of Trendalytics, the trend is part of a larger shift in footwear preferences: “Consumers are gravitating toward low-profile silhouettes, opting for shoes that are sleek but visually interesting. I think that’s where wedges come in,” she says. “We’re seeing more minimal, sculptural and eye-catching iterations, whether in sandals or peep-toe wedge boots.”

Trendalytics reports average weekly searches for wedges are up 14% year over year, with market adoption climbing 28% as they show up in Pre-Fall 2026 collections from designers like Ulla Johnson and Diesel. But it’s street style that’s pushing the trend further, Khan notes. “TikTok views for wedges are growing by eight million per week, fueled by buzzy brands like Naked Wolfe, especially following its NYFW brand activation,” she tells Fashionista.

View the 3 images of this gallery on the original article

The especially polarizing wedge sneaker, popularized by Isabel Marant in the early 2010s, is part of this comeback as well. Anyanna Anako (@fashunadict), who’s built a following online for her trend forecasting videos, noticed this on the resale market. “It was when I first saw the Isabel Marant sneakers come back into popularity. It was very much in the early adopters phase, as I remember being able to find them for as low as €70 ($80) on Vinted,” she says. The sneakers now sell for upwards of $140 on resale apps like Depop and Poshmark, and searches are up 48% year over year, according to Trendalytics.

Anako also points out that bottom (pants, skirts, etc.) and shoe trends are reciprocal; and as we head back into an era of skinny jeans, a slim wedge silhouette is complementary. “People really want that 2010s vintage look with the skinny jeans. The more authentic, the better,” she says.

The shoe style is “projected to continue experiencing accelerated growth over at least the next 18 months,” per Khan, so the verdict is in: The wedge has officially “wedged” itself back into the zeitgeist. Below, see (and shop!) our favorite wedge heels of the moment.

Dolce Vita Birk Wedges, $130, available here

Kinadese Shakira Fringe Heels, $120, available here

Akira Azalea Wang Vincent Plaid Printed Open Toe Boot, $100, available here

Jeffrey Campbell Romee-F, $230, available here

Chelsea Paris Jarvis, $450, available here

Xarea Crush Wedge, $140, available here

Puma Speedcat Wedge, $120, available here

Gimaguas Slip-On Wedge, $313, available here

Amina Abdul Jalil Misa Wedge, $598, available here

Black Suede Studio Alper 70 Mule, $395, available here

Tony Bianco Milan Chocolate Venice, $190, available here

Isabel Marant Bekett Sneaker, $815, available here

Reformation Gabriella Wedge, $298, available here

Aeyde Suzanne Mesh Wedge Sandals, €345 ($393), available here

Fredal Salvador Peyton Heel, $478, available here

Jamie Haller Kit Slide, $695, available here

Kkira Nellie, $1,424, available here

Maile Etsu Pink Orange Feather Wedge, $380, available here

Maryam Nassir Zadeh Ballet Wedge, $580, available here

Le Monde Beryl Victoria Wedge Knotted, $735, available here

Khy Muse Thong Wedge, $390, available here

Maeve Wedge Mules, $158, available here

What’s the opposite of gatekeeping? Welcome to “Payment Processing,” in which we ask stylish, generally cool people who’ve tried it all about their favorite fashion and beauty buys.

In the beauty industry, Hung Vanngo has achieved legend status. The New York-based makeup artist is the mastermind behind Anne Hathaway and Selena Gomez’s luminous complexions. He has painted the faces of nearly every major celebrity, including Jennifer Lawrence, Scarlett Johansson, Cindy Crawford and Halle Berry, among many others. His work has graced magazine covers from Vogue to Harper’s Bazaar, as well as countless advertising campaigns across fashion’s heavy hitters like Prada, Louis Vuitton and Ralph Lauren. In 2025, he launched his namesake makeup line as an ode to his storied career. Put simply, Vanngo has done it all.

Now, Vanngo is one of the experts highlighted in Sephora’s recent MUA founder-focused campaign, starring alongside Mary Phillips, Danessa Myricks, Patrick Ta and others. “We are people who eat and breathe makeup like many people, but we actually have the experience [from] all the years that we work on [clients] and we want to bring amazing products that we learn over the years to the consumer,” Vanngo tells Fashionista, reflecting on how this campaign further solidifies makeup artists-turned-founders’ position as experts in the beauty industry.

As a behind-the-scenes creative, Vanngo’s personal style is consistent and comfortable. He typically adheres to his tried-and-true uniform: a crew-neck T-shirt paired with a coordinating snapback hat. The avid hat collector buys new styles all the time, he says, paying anywhere from $5 to $500 for a cap.

On the beauty front, Vanngo has tried all the latest and greatest launches, but what actually makes the cut for his personal stash? He regularly reaches for Sephora Collection‘s makeup brushes (which range in price from $11 to $36), and he combats hyperpigmentation with Cyspera, a $180 rinse-off cream to reduce the appearance of dark spots.

Ahead, Vanngo shares the luxury beauty treatment he indulges in, the work-from-home accessory he wants to splurge on, his go-to complexion product (although he may be slightly biased) and more.

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What’s a luxury beauty item you’re into right now?

Right now the most luxury thing that I treat myself [to is] really getting [a] massage because I think it’s really good for indulging yourself and it’s a good reward for you when you [are] working hard for everything.

What’s a budget beauty product at Sephora that you’re loving?

I love Sephora Collection brushes because [they’re] great brushes and they’re very affordable.

What’s a beauty staple you love so much you’ve bought multiples?

The product I buy a lot is the product called Cyspera. I have a lot of pigmentation and it does help to lighten up the pigmentation I have. And so I usually buy a lot, especially when they have a special sale, I buy quite a bit of them.

What’s an accessory you’re eyeing right now?

Right now I would love to buy the Equinox bike for my home I work out a lot, but I don’t do enough cardio. So for me, having a bike at home and I can do some work at the same time would be great.

What’s an affordable fashion item on your wishlist?

For me, I’m a hat collector, so I keep buying hats all the time. So it doesn’t matter, it’s like a $5 hat to [an] expensive one. I love collecting hats.

What’s one piece of beauty advice we could all use?

You can find a great foundation that you can use [as] concealer or you can wear it sheer or you can wear [it] full coverage. Complexion is so important that people forget that if your skin looks flawless, you’re going to feel really good.

Is there a complexion product that stands out to you?

Hung Vanngo Beauty Foundation… It’s exactly everything I just said.

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With all the (figurative) hats she wears, Akers has also recently found the time to be in front of the camera: She joins fellow fashion stylists Dani Michelle and Elizabeth Stewart as the faces of U Beauty’s “Styled From Neck to Décolleté” campaign. They each appear in self-styled portraits featuring The Sculpt Neck + Décolleté Concentrate, highlighting “the essential first step” for every look, per press materials.

Ahead, Akers shares her thoughts on celebrity dressing, styling yourself and the upcoming project she’s most excited for (we are, too).

What’s one piece of styling advice you’d give a celebrity client that you find yourself coming back to again and again?

To just not take yourself too seriously. I think Rihanna is a huge success in fashion because it doesn’t look like she takes herself too serious[ly]. Doja Cat even. They’re doing what looks good, what feels good to them. And then everyone else I think has had to evolve in that way…It’s fashion. We are not over here doing rocket science. We are not curing cancer.

What have you learned from working with your celebrity clients that’s changed the way you approach styling?

The way I approach styling is really [about] realizing and acknowledging that it’s a collaborative effort. I’m not here to place a costume on you or just give you a look. It has to be in you as well. Most of the time I’m working with women who are powerful in their own right. I have to acknowledge that process. I often try to give them what they ask for and things that I know that they’re comfortable with, and then also have a rack of things that I know I want to try. That person has to walk out, be confident, feel good.

What’s one piece that everyone should have in their wardrobe this fall?

A beautiful coat. The coat is going to save you. The jacket is the dress.

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What are some of the biggest styling mistakes you see people making when getting dressed for an important event?

I think that often people overdo it. Sometimes the hair has to be simple or the makeup has to be simple. I think when everyone’s trying to have their big moment, they don’t consider the woman that’s wearing the thing and the woman that’s going out on the carpet. Everything needs to have a balance.

For the U Beauty campaign, you’re stepping in front of the camera and styling yourself. How was that different from styling a client?

It’s just easier. I don’t talk back. I know what I like. I know how to dress myself and I know what looks good on me. I went over to my showroom, grabbed a couple of things that I thought would look good and powerful. But recently I’ve been kind of struggling [with] what to wear. I’m not going to lie. I feel like I’ve turned 40 and I’m hitting this curve and I’m somewhere in between feeling younger and feeling more mature and not knowing the balance. Hence the black T-shirt with the feathers that I have on today.

The neck and décolleté can completely change a look. How do you think about that area when you’re styling someone?

I am constantly considering the neck and déc when I’m styling because [when] I’m styling someone like Chaka Khan, who often wears big hair but is a little more petite in size, I need to keep her neck long. We’re going to do long earrings with her long hair. We’re almost never going to do a necklace. We like to keep the neck long and lean, keep the chest kind of open.

Are there any fashion brands or designers you’re particularly excited about right now?

Probably what most excites me at the moment is working on my own collection. My cousin and I are exploring some new designs and to kind of step it back into that space of actually developing product is exciting.

I really love to watch the growth and evolution of my really good friend, Sergio Hudson. I mean, just watching how women really show up for him and really how he makes women feel. And to watch him evolve into a brand with real staying power is really beautiful. I also have always commend[ed] Brandon Blackwood for the way he evolved from the “End Systemic Racism” handbag to just being a known go-to bag for the girls. I love watching his evolution and we actually have a really cool project coming up really soon. I can’t give you too many details, but it’s exciting.

Occasionally, we use affiliate links on our site. This in no way affects our editorial decision-making.

This interview has been edited and condensed for clarity.

Aurora James and the 15 Percent Pledge Sued for Fraud

Aurora James is being sued alongside her organization the 15 Percent Pledge and its fiscal sponsor Philanthropic Ventures Foundation by The Gathery, the Brooklyn creative agency that produced the nonprofit’s 2026 gala. First reported by Carson Griffith’s “Rich People Shit,” the case centers on a complaint regarding an unpaid bill of $777.871.84 in principal, with the lawsuit seeking damages of at least $1,082,965.28 (including interest and legal fees). The Gathery alleges that James continued approving work despite the 15 Percent Pledge not having the money. {Rich People Shit; Business of Fashion/paywalled}

H&M Group Sales Rise by 1% in Q3

H&M Group released its Q3 2026 earnings on Thursday, which showed sales in local currencies increased by 1% and net sales rose to SEK 57.19 billion ($5.77 billion). Its third-quarter sales were affected by disruptions in the global supply chain. Gross profit increased to SEK 30.87 billion ($3.12 billion), corresponding to a gross margin of 54%. The H&M Group’s sales in September 2026 are expected to increase by 1% in local currencies. {H&M Group}

Arnault Family To Simplify LVMH’s Ownership Structure

The Arnault family is planning to simplify the ownership structure of LVMH, placing almost all of its stake in the group in a single listed entity, Agache SCA. This would replace the major LVMH holding company Christian Dior SE. This is the latest move by Bernard Arnault to tighten the family’s control over the company and prepare it for an eventual succession. {Bloomberg/paywalled}

Interparfums, Inc. Lands Worldwide License Agreement With Puma

Interparfums, Inc. signed an exclusive worldwide license agreement with Puma for the creation, development, production and distribution of fragrances under the sports brand’s name. Interparfums plans to introduce this new fragrance in 2027 under a license agreement that runs through Dec. 31, 2037. {Interparfums, Inc.}

How the EU’s New Greenwashing Rules Impact Fashion

Through the Empowering Consumers for the Green Transition Directive (or EmpCo), Europe will require all sustainability claims to be proven by third-party evidence like a certification or government backed label starting Sept. 27. Claims such as carbon offsetting or carbon neutrality are blacklisted. The crackdown could lead to increased “greenhushing,” where brands undercommunicate to legally protect themselves. {Vogue Business/paywalled}

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Occasionally, we use affiliate links on our site. This in no way affects our editorial decision-making.

Fall dressing is all about embracing texture, so why not extend it to your handbag this season? Enter Coach’s Brooklyn collection, a family of slouchy shoulder bags that combines the ease of an everyday carryall with an on-trend silhouette, available in a range of sizes. The relaxed, minimalist shape was designed to develop character the more you wear it, and it makes a great canvas for some bag charms.

So, which Brooklyn is right for you? It mostly comes down to how much you need to carry. The Brooklyn Shoulder Bag 26 is the smallest of the options (and under $200!) with a trendy, elongated look — you’ll want to carry it everywhere.

The Brooklyn 28 is the next size up and surprisingly spacious. It can hold everyday essentials (wallet, keys, phone) plus extras like a tablet or water bottle, making it a natural choice for running errands, grabbing dinner or heading out for the day. It comes in three leather shades, two suede, a straw colorway and even one featuring very cool wooden beads.

The Brooklyn 34 hits the sweet spot for anyone who wants a little more space. Its roomy interior can fit up to a 13-inch laptop, making it a great choice for commuting, working from a coffee shop or transitioning from day to night. The suede version feels particularly suited to fall, with its soft, tactile finish and warm brown color. You can also switch it up and go for the Pillow Brooklyn Shoulder Bag 34, which has a seamless leather construction for a pillowy soft feel against the body.

Need even more space? The Brooklyn 39 is the largest of the original Brooklyn styles and can fit up to a 15-inch laptop and pretty much whatever else you need (even a pair of ballet flats). It comes in classic black and brown leather so it’ll go with everything in your closet.

Whichever size you choose, the Brooklyn makes a strong case for being your go-to fall bag.

Shop our favorite Brooklyn bags:

Coach Brooklyn Shoulder Bag 26 in Natural Grain Leather/Brass/Maple, $195, available here

Coach Brooklyn Shoulder Bag 34 in Natural Grain Leather/Brass/Maple, $395, available here

Coach Brooklyn Shoulder Bag 28 in Natural Grain Leather/Brass/Scarlet, $295, available here

Coach Brooklyn Shoulder Bag 28 in Natural Grain Leather/Brass/Black, $295, available here

Coach Brooklyn Shoulder Bag 28 With Wooden Beading, $495, available here

Coach Brooklyn Shoulder Bag 39 in Brass/Black, $495, available here

Brooklyn Shoulder Bag 26 in Suede/Brass/Dark Chocolate, $195, available here

Pillow Brooklyn Shoulder Bag 34 in Natural Grain Leather/Brass/Black, $495, available here

Coach Pillow Brooklyn Shoulder Bag 34 in Natural Grain Leather/Brass/Saffron, $495, available here

Coach Brooklyn Shoulder Bag 28 in Straw/Brass/Dark Fuchsia, $250, available here

According to the brand’s launch agency, its release campaign generated 58 press placements in four weeks, including 14 standalone features and 253 social mentions across Instagram, TikTok and YouTube, with a reach of more than 27 million users.

Its social-first design was a stark contrast from the minimalist, muted packaging that had been dominating the industry in its millennial optimism days. Brands including Nécessaire, Ouai, Aesop and The Ordinary contributed to cohesive shelfies and quietly luxurious beauty counters. Even in the case of Drunk Elephant, which notably implemented bright color into its packaging in 2013, the pop functioned primarily as a point of differentiation and a playful accent, rather than an all-encompassing brand identity. It didn’t reflect the emotional cue that vibrant packaging represents today.

“We were really at the height of the ‘clean girl’ aesthetic,” 3E Beauty Consulting founder and beauty packaging consultant Allison Kent-Gunn Garibay tells Fashionista of that time. “That extended beyond beauty and fashion, into packaging as well. We saw a lot of minimalism, earth tones, simple typography and very restrained branding. There was almost this belief that in order for a beauty brand to feel elevated or premium, it needed to be visually quiet.”

Fast-forward to 2026, and packaging has gone bold. Recent reporting by Mintel shows that brands are embracing vibrant hues, tactile finishes and retro-inspired aesthetics that elevate the “unboxing” experience on social media. This includes brands targeting younger consumers, such as Evereden, and millennial- and Gen X-focused brands, too. Mintel found that, “More than half of U.S. consumers pay close attention to the look and feel of makeup and fragrance products.”

“The current beauty boom has led to stronger innovations, and the idea that we all need to stand out more,” explains Lena Park, co-founder and director of Los Angeles-based K-beauty brand Mixik. “Attention is fleeting online and overwhelmed in stores, so brands need more ways to capture a consumer’s eye.”

Since launching her brand in 2024, Park has seen a shift in how products are presented online especially. “There’s been a huge rise in colorful packaging and evolving forms,” she says. “Social media and direct-to-consumer-first brands really needed to lead with grabbing attention, and this was probably the most economical way. Lately, there’s been an explosion of rounded, curved and softer forms.”

Marc Jacobs Beauty’s 2026 relaunch deeply reflects the current state of beauty packaging. After discontinuing its previous line in 2021, the brand — once synonymous with glossy black packaging and silver hardware — returned with maximalist, playful colors and three-dimensional designs. It was a hit on social media.

“I know some people will say packaging does not matter, but this brings me so much happiness and joy when I’m doing my makeup,” TikToker Maddie Evans said of the brand’s Joystick Buildable Cream Blush Stick to her 115K followers.

Smashbox also chose to embrace more color in 2026: The brand swapped all of its metallic primer tubes to different colors, modernizing the visual direction overall to “stand out and evoke emotion,” says Jill Tomandl, vice president of global product development and innovation, Estée Lauder Companies, West Coast Brands. “It’s important for packaging to attract the consumer with a visually impactful design and help tell the story across social media, online and in stores.”

In a rare move, Korean beauty packaging is evolving, too. While K-beauty has historically been known for immersive, sensorial formulas and playful marketing, its packaging has traditionally stuck to a “clinical, minimal, similar aesthetic,” says Sora Lee, CEO and co-founder of Jiyu, who adds that “brands often don’t feel empowered to make bold choices, so they go the safe route. Korea leans more conformist, though that’s still evolving.”

“People are tired of products that all blur together,” Lee continues. “They want to grab something, know what it’s for, and actually feel something for the brand. Color is how a brand shows its personality before anyone reads a single ingredient.”

Park notes that this new wave (as evidenced by modern Korean beauty and fragrance brand Keyth, for example), is “supported by quickly evolving manufacturers in Korea and China who’re able to offer a larger variety in types of packaging.”

“It’s interesting that some of the most compelling examples of expressive packaging I’ve seen recently are brands [from] outside the U.S.,” Kent-Gunn Garibay says. She points to the fully aluminum packaging of Mexico City-based Aora Makeup, and also acknowledges Philippines-based Issy Cosmetics and Sunnies Face for their industrial design.

Alongside the need for differentiation in a crowded market, social media has clearly pushed brands to evolve their packaging even more. “Packaging isn’t just sitting on a retail shelf anymore. It’s being photographed, filmed, reviewed and shared across social media,” Kent-Gunn Garibay explains. “For many consumers, the packaging is actually their first impression of a product, so it has become an extension of the brand’s marketing strategy.”

That said, consumer expectations are higher than ever, and aesthetics shouldn’t come at the expense of functionality. “The best packaging solves problems,” the expert continues. “It protects the formula, dispenses consistently, minimizes product waste and creates a memorable experience for the consumer. A package can be beautiful, but it also has to be manufacturable, scalable, compatible with the formula and deliver a great experience from the first use to the last.”

Tolmandl agrees, praising Too Faced for its Peach Perfector Loose Powder, which features a roller ball that looks like a peach pit while dispensing the right amount of product mess-free. She also recognizes the Peach Shadow Palette, designed with a cushiony lid that evokes the softness of a peach and the eye-shadow formulas inside.

Ultimately, the experts agree branding will continue to evolve and cycle in and out of trends. But as Park points out, one thing will hold true moving forward: “Any strong brand leaving a lasting cultural moment must evoke an emotional attachment or resonance with customers.”

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The style’s moniker speaks for itself: Just like a good ol’ Midwestern mullet, the hemline is short in the front (business) and long in the back (party). Depending on your persuasion, it’s a welcome return for nostalgiamaxxers like myself — my very 2017 homecoming look was a black mullet-hem dress — or merely a reminder that everything comes back around in fashion.

View the 2 images of this gallery on the original article

Wherever you fall, designers are breathing new life into the knee-baring silhouette this season. Back in the 2010s, celebrities like Taylor Swift, Miley Cyrus, Lady Gaga and Selena Gomez rocked a rather bulky version of the style, but now, the hemline is noticeably lighter and sleeker. Over in Copenhagen, Almada Label and The Garment introduced sheer, breezy iterations that mirrored the movement of gauzey capes. The Danish designers also played with textures, as seen in By Malene Birger’s feather-detailed mullet tank, Herskind’s fringe-tipped top and OpéraSport’s tactile dresses.

View the 2 images of this gallery on the original article

In New York City, minimalist mullets at Lii and Michael Kors juxtaposed billowing high-low trains at Christian Cowan and Aknvas. Several designers took more of a sideways approach to the mullet hem’s asymmetry: Monse, Simkhai and LaQuan Smith all draped the hemline over one leg, rather than equally baring both knees. Meanwhile, Bibhu Mohapatra presented feather-lined mullet hems, while Conner Ives reimagined the silhouette as a drop-waist mint green slip.

View the 2 images of this gallery on the original article

The London designers had some fun with the asymmetrical hem (the Brits love a mullet, after all) as Erdem unveiled bustle-like skirts, Bora Aksu explored a particularly frilly interpretation and Dreaming Eli embraced high-low lace dresses. For its London Fashion Week return, McQueen debuted bulbous knee-baring gowns that heightened the drama of the 2010s-era red-carpet mainstay. Also intriguing: Keburia applied Grecian-like draping to the mullet-hem silhouette, Lovebirds paired bright-yellow bloomers with an elongated skirt and Aaron Esh’s sheer layered slip dresses revealed colored tights.

With Milan Fashion Week in full swing and Paris on the horizon, we’ll likely see even more of the high-low hemline that once had millennial celebrities in a chokehold. Ahead, see all of the mullet-hem looks from the Spring 2027 runways (so far).

Mullet Hems at Copenhagen Fashion Week

Mullet Hems at New York Fashion Week

Mullet Hems at London Fashion Week

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“A skirt may be abstracted, a fragment of a whole with a mutating rapport with the pieces it juxtaposes: a sweater, a shirt, a bra top, can each suggest alternate readings of a whole,” read the show notes. At Prada, some bras were slightly obscured by a jacket or shirt, but most were worn solo in a powerful co-sign of an outfit formula we’ve been seeing throughout the Spring 2027 shows, from New York to London to Milan.

View the 3 images of this gallery on the original article

Sandy Liang (whose designs often have a certain Prada-ness to them) included a number of bra tops, paired with both skirts and culottes, in her show styled by Dean DiCriscio. She aimed to evoke the joy of being outdoors in the spring by focusing on utilitarian functionality through a princess-y lens. “It’s technical dressing filtered through fantasy, practicality made precious, for the girl who lives in a fairytale, whose home team is Versailles,” read the show notes.

View the 3 images of this gallery on the original article

Also in New York, Altuzarra Spring 2027 featured several skirts styled with bras, mostly peeking through an open shirt or sweater towards the end of the collection. Inspired by Casa Susanna, a retreat in the Catskills where men would gather to dress as women in the 1960s, the designer aimed to capture their spirit with “a wardrobe that explores self-invention, nostalgia and the liberating possibilities of summer,” the show notes read. The clothes became more feminine and expressive as the show progressed; towards the end, “femininity is no longer contained beneath the surface but breaks through it,” per the show notes. “The wardrobe moves from the uniforms of everyday life toward something more expressive, romantic and free.”

View the 2 images of this gallery on the original article

Later on in London, Mowalola showed minimalist bra-and-skirt looks in an effort to “return, laser-focused, to the codes that first defined her brand’s inception: autonomy, sensuality and a radical liberation of self,” according to the show notes. Worn alongside sharp pencil skirts, these looks apparently offer a new approach to office wear. “I’m running my company, and I wouldn’t dress like a ‘CEO’” Mowalola said in a statement. “This is how I show up – and these are the women like me: other women who enjoy, and find power in, their sensuality.”

Whether it’s for your incredibly open-minded office (I dare someone to wear this while holding an iced coffee at their next job interview), a playful way to beat the summer heat or an accidentally chic getting-ready outfit you wear at home before deciding on a real shirt, the bra-and-skirt combo is undeniably appealing.

Ahead, see how this trend is showing up across Spring 2027 runways.

Spring 2027 Runway Trend: Bras With Skirts

Most of our introductions to the world of makeup and skin care involved watching our moms, grandmothers and other maternal figures using their own cosmetics. And for the past 65 years — since Mary Kay Ash first founded her eponymous beauty brand, Mary Kay — many of us associate those early primping memories with its nostalgic pink branding.

But Mary Kay is ready for its next era. On Sept. 1, the brand unveiled “Beauty Is More Beautiful Shared,” its largest-ever global consumer-facing campaign. Through bold imagery and cheekily inclusive slogans (“Beauty is not a solo act”), it welcomes a new generation to Mary Kay’s beauty party.

“If you take a step back and think about it, Mary Kay is the OG girl’s girl beauty brand,” the company’s Chief Brand and Scientific Officer Dr. Lucy Gildea told Fashionista. “I don’t react negatively when people say, ‘Oh, I thought my grandma used to use that,’ or ‘This is for grandma.’ Well, you know what? People may not realize that their grandmother was cool. She had it all figured out.”

During New York Fashion Week, Mary Kay brought the campaign to life with an activation in Manhattan’s Meatpacking district. Featuring the world’s largest beauty table — a sprawling vanity lining 9th Avenue — the event invited fashion week showgoers and New Yorkers of all generations to swipe on the brand’s Shimmer Eye Shadow Sticks, score gifted products, participate in a meaningful give-back effort and, of course, take advantage of content creation opportunities. (Mirrors abounded!)

Fashion designer Cynthia Rowley and her daughter Gigi Powers were also in attendance to underscore both the event’s ties to NYFW and its celebration of intergenerational beauty.

“We’re celebrating what I call the reintroduction of Mary Kay to the world,” Dr. Gildea said at the event. “We’ve always known that beauty is more meaningful when it’s a shared connection.” Underscoring the “girl’s girl” ethos, the event also included a letter-writing station in partnership with Womankind, a New York City-based organization that has supported and empowered survivors of gender-based violence since 1982.

In addition to this initiative, Mary Kay gives back through Pink Changing Lives Program, a philanthropic effort to improve the lives of women and their families. The program has donated $234 million globally through monetary and in-kind donations since 1996. “This is about having everyone see the breadth of what we are as a brand,” Dr. Gildea explained. “At our core, we’re about giving back, we’re about women, we’re about community, we’re about supporting, and we’re an amazing beauty brand with great products.”

“Every time you buy a product at Mary Kay, you’re supporting a woman entrepreneur,” Dr. Gildea added. “This is just the start of this movement for the world to see our relevance and the fact that we can touch lives in so many different ways.”

Many legacy fashion and beauty companies have histories they’d rather shy away from, but it’s the complete opposite for Mary Kay, Dr. Gildea emphasized: “We are a brand that didn’t have to change who we are. We are at the core, the same Mary Kay that we’ve always been and we’re able to showcase those values.”

Long before the girl boss era, “Mary Kay [the person] was just a trailblazer and a transformational founder. She built more than a beauty brand. She built a community and this community was built on helping any person realize their dream, whatever that dream may be.”

Ahead, see (and shop!) some longtime Mary Kay favorites and exciting new releases worth trying (and, of course, sharing).

Mary Kay® Timewise Antioxidant Moisturizer, $34, available here

Mary Kay® Unlimited Lip Gloss in Tawny Nude, $20, available here

Mary Kay® Unlimited Lip Gloss in Nude Blush, $20, available here

Mary Kay® Great Heights Mascara, $18, available here

Mary Kay® Oil-Free Eye Makeup Remover, $22, available here

Mary Kay® Shimmer Eye Shadow Stick in Golden Sunrise, $20, available here

Mary Kay® Matte Eye Shadow Stick in Lunar Rose, $20, available here

Mary Kay® Supreme Hydrating Lipstick in Black Cherry Spice, $22, available here

Mary Kay® Waterproof Lip Liner in Mauve Nude, $16, available here

Mary Kay® Hydrating Cream Mask, $24, available here

Puck Uncovers Previous Steven Kolb Incidents at CFDA

Former CFDA CEO and President Steven Kolb’s conduct prompted the CFDA board to bring in executive coaches for him over the years, Puck reported. In 2014, Kolb got into a public disagreement with a female executive that brought her to tears and he insisted she stay even as she tried to leave, according to four sources with direct knowledge of the incident. She eventually walked out and didn’t return. Puck also reported that a 2019 internal survey at the CFDA found 91% of female employees felt they had been addressed less than professionally. {Puck/paywalled}

Meta To Launch Smart Glasses Without Cameras

Meta is expected to unveil new smart glasses at its Connect conference Wednesday, including a camera-free version, as privacy concerns grow over AI devices that can record people without consent. The company already leads the smart glasses market with more than seven million units sold last year of its EssilorLuxottica-developed line, but faces lawsuits alleging it misled users about privacy protections. {Reuters/paywalled}

H&M Stake Grows for Founding Family Amid Weak Sales

The Persson family, who founded H&M, has been quietly buying more shares this year, pushing its ownership past 68%, up from about 50% in 2021. Analysts think this is a slow move toward taking the company private, with predictions of a full buyout by 2030. Meanwhile, H&M’s stock has lost over half its value since 2015, and the CEO’s turnaround plan still hasn’t boosted sales. {Reuters/paywalled}

Givenchy Strengthens Leadership With Two New Hires

Givenchy has appointed Alistair McCallum as chief marketing officer and Nicky Grays as human resources director, both effective Sept. 30. McCallum joins from Burberry, where he has served as vice president of global communications since 2022, following earlier roles at Alexander McQueen and Fendi. Grays previously worked as HR leader for LVMH Fashion Group in the Americas for three years. {WWD/paywalled}

Nicky Campbell Signs With CAA

Fashion commentator and creator Nicky Campbell, known for his red-carpet series “Gloves Off” and online celebrity style coverage, has signed with CAA for representation. His recent work spans serving as a Netflix’s correspondent for the 2025 SAG Awards, appearing in Season 22 of “Project Runway” and co-hosting NBC’s TikTok livestream at the 78th Emmy Awards. He is also the stylist for Grace Gummer and Mark Ronson. {Deadline}

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Director of Sales & Client Experience
Title:  Director of Sales & Client Experience
Based:  New York
Level:  Director
Date: 4 August, 2026

The role
The Director of Sales & Client Experience anchors Tabayer’s New York showroom and supports the brand’s commercial and wholesale strategies.

This role owns the operational rigor, client experience, and commercial execution behind Tabayer’s showroom and wholesale business, with direct accountability for its outcomes.

Showroom leadership

• Own the day-to-day running of the showroom: appointments, client hosting, presentation, collaborations, and the smooth operation of the space.
• Set and uphold the client-experience standard the showroom is known for, consistent with the Tabayer brand.
• Own, grow, and maintain the CRM database, keeping client records accurate and current.
• Support exhibitions, events, and brand collaborations hosted in the showroom.

Wholesale account management
This role manages wholesale accounts from an operational and commercial perspective. Specifically:

• Manage wholesale accounts operationally: sales tracking, sell-through, and open-to-buy.
• Monitor account performance, flagging opportunities and risks and recommending actions.
• Bring commercial rigor and a build-not-sell discipline to the account base, with a focus on long-term growth.

Client experience & selling capability
This role brings deep experience in sales, account management, and client-service excellence, forging meaningful, strategic relationships that accelerate growth. The intent isn’t simply to sell; it is to put the long-term infrastructure in place so that Tabayer can scale with the right partners.

• Raise selling and client-service capability, drawing on extensive luxury-retail and L&D experience to identify growth opportunities.
• Build consistent client-experience and service standards across the business as it scales.

Product & sales training

• Lead product and sales training when new wholesale accounts open and when new products launch.
• Bring product-knowledge and training depth, covering high-value clienteling techniques, appointment standards, protocols, and best practices for presenting high-value pieces.

Operations within scope
This role owns the operational running of the showroom and wholesale, including inventory coordination, reporting accuracy, and day-to-day execution within its scope.

• Own the operational running of the showroom, including the movement and handling of jewelry within the space, and oversight of Tabayer wholesale partners.
• Reconcile to the system of record: ensure both showroom and consigned stock are accurately captured in the inventory system, so that physical and system reality stay aligned.

The role’s primary accountability is the showroom, client experience, and wholesale. Responsibilities beyond those listed here should remain secondary to these core priorities.

Compensation Range: $78,000 – $80,000 annually

To Apply: Please send your resume to sd@tabayer.com.

Price Range: $65-$95
Hero Product: The Glow System ($320)
PR Representation: In-house
How to get in touch: info@beexury.com

Origin Story

Beexury was born from honey. Growing up in Haiti, Founder Daniella Bien Aimé considered honey a household staple: a remedy, a ritual, a gift from nature. When she relocated to New York and began building her next venture, she returned to that origin, this time fusing it with the precision of Korean formulation science.

Crafted in Seoul and rooted in New York, Beexury is luxury skin care built on three pillars: honey, propolis and beeswax, actives clinically known for brightening, barrier repair and deep hydration. The result is The Glow System, four products designed to deliver Honey Glass Skin: that luminous, lit-from-within glow that needs no filter. Beexury is for the woman who demands efficacy and elegance in equal measure, and refuses to choose between the two.

On Wednesday, CEO Caroline Valentini, CBO Lindsay St. Clair and CMO Zee Carlstrom officially introduced LeNose to the world. All former members of Bubble Skincare’s creative and marketing teams, the three industry veterans came together to develop a “fun-forward home fragrance brand delivering luxury-quality scents Gen Z and millennials can realistically afford,” as described in press materials. All of the founders are members of these two generations, and they’ve identified “a growing disconnect between the worlds brands are selling and the realities consumers are living” over the past few years.

“We founded LeNose to answer a simple question: Why can’t we all have nice things?” Carlstrom tells Fashionista over email. “LeNose was created to bring fun and quality to the lackluster big-box soap aisle, democratizing the luxury home fragrance experience with excellent packaging, luxurious formulas…and elite fragrances. As a human being, though, I must also add that LeNose was created because we wanted to make a luxury soap and fragrance brand that didn’t rip people off.”

LeNose debuted with a range of five hand soaps that retail for $10 each: I’m So Fancy, My Soap Smells Like Money (the aforementioned dollar bill scent); Yeehaw I’m A Sandalwood Cowboy (santal, violet, cedar, cardamom and sagebrush); Orange You Glad Life’s Not So Bad (mandarin, rosemary, lavender, cedar); Don’t Call me Boring, I’m Extra Vanilla (vanilla, tonka, amber, orchid, jasmine); and Kiss Me On Coconut Coast (dragonfruit, coconut, tuberose, pineapple, orange blossom).

“Much of Gen Z (and Zillenials) have been priced out of a lot of traditional luxury, yet they still care deeply about quality, design, ingredients, ethical business practices and the way a great brand can make them feel,” Carlstrom notes. “At the same time, most brands are still treating Gen Z like they’re children, but Gen Z is turning 30. They’re making lives and homes, often in rentals or fixer-uppers that don’t measure up to the high level of taste they’ve gained coming of age on the internet.”

They want their homes to feel as beautiful as others they see online, he continues, and “they know they’re getting scammed by overpriced brands that underdeliver on quality.”

So what do these consumers want from their hand soap? For Carlstrom, it’s pretty simple: “ingredients they can feel good about, addictive scents they can’t get enough of, in a bottle they want to display.”

The industry is ready to bet on this proposition, too, it seems: The founders closed an oversubscribed pre-revenue round with strategic backing from Aesop’s early investor Era, as well as Fifth Growth Fund, OpenSky Ventures and others.

When it came to developing LeNose’s inaugural scent family, Valentini says she and her team were “tireless [and] obsessive” with “very exacting” standards. “We had an incredibly clear vision in mind for each product,” she says. “Our three-word fragrance brief, ‘smells like fun,’ means luxury that isn’t boring.”

As marketers with experience in the importance of brand identity, the founders had a clear vision in mind for what LeNose would look like, too. “In addition to our fragrances, the clearest expression of [the brand’s tagline], ‘Ooh la wow!’ is our packaging — rich, sophisticated color palettes with classic, geometric shapes are contrasted with silly illustrations like a cinnamon roll at a disco or a snake in a cowboy hat — each bottle designed to encapsulate the attitude of diva-esque names,” St. Clair shares. She and Zee created every part of the brand themselves (with the exception of photography), meaning they could have maximum control over its visual identity.

The founders’ tastes can be seen in just about every aspect of the brand. “We came up with the name LeNose as a cheeky little joke teasing the snooty world of luxury fragrance, and from there, we built the world around [the idea of] our invented combination of high and low, luxe and silly, pleasurable and playful,” St. Clair says.

At launch, the brand will sell DTC at lenose.com and via TikTok Shop, and on Amazon in October. LeNose also plans to expand with additional retailers in the future, especially as it moves beyond hand soap into other home fragrance categories.

Occasionally, we use affiliate links on our site. This in no way affects our editorial decision-making.

CX is a growing community of artists, performers, musicians, models, photographers and cultural connectors who believe that a great night can spark friendships, collaborations and unexpected ideas. We’re expanding our community and inviting new hosts to become part of what comes next.

Our upcoming event series at Mercer Labs in NYC brings together immersive art, music, performance and nightlife. We’re looking for NYC-based creatives who connect with that world and want to help shape the room.

The opportunity
Join the CX host program and commit to hosting one night of our eight-weekend event series. Bring your personality, perspective and presence to a community that celebrates creative expression.

You don’t need a huge following. We’re interested in your work, your connection to NYC culture and the community around you.

What you receive

• The opportunity to earn revenue through ticket referrals.
• A complimentary one-year membership in the CX community.
• Free event-series tickets for you and five friends.

Who should apply

Actors, performers, DJs, musicians, models, photographers, fashion creatives, writers and content creators who are based in – or can attend in – NYC. We welcome people with engaged online audiences, strong real-world connections, or both.

Interested in becoming part of CX?

Tell us about yourself, share your social or portfolio links, and apply here: https://membership.hello.cx/hosts

The Marketing Assistant shall work under the Company’s strategic and creative direction and will be responsible for organizing marketing activities, maintaining schedules, coordinating external partners, preparing materials, and ensuring that approved initiatives are executed accurately and on time.

The services described below are illustrative and not exhaustive. The Marketing Assistant may also perform other reasonable marketing administration and coordination tasks consistent with the scope of the role. Specialist services requiring expertise beyond the Marketing Assistant’s direct capabilities, including paid advertising and technical development, shall be performed by external specialists as approved by the Company.

MARKETING ADMINISTRATION

• Maintain the Company’s marketing calendar and project timelines
• Schedule meetings, prepare agendas, and circulate follow-up notes
• Maintain task lists and track deliverables, approvals, and deadlines
• Organize marketing documents, reports, imagery, and creative assets
• Coordinate product information, pricing, credits, and supporting materials
• Prepare briefs and gather materials for approved marketing initiatives
• Maintain contact lists for agencies, vendors, retailers, press, and partners
• Coordinate invoices, budgets, estimates, and expense tracking
• Support special projects, events, retail initiatives, and partnerships as directed
• Conduct administrative research and compile information requested by the Company

DIGITAL AND CHANNEL COORDINATION

• Maintain the social media content calendar
• Coordinate the collection, organization, and delivery of social assets
• Prepare captions and content materials for Company review and approval
• Monitor social channels and direct relevant inquiries to the appropriate team member
• Coordinate approved email campaigns, including assets, copy, links, and deployment schedules
• Maintain email lists and assist with routine CRM administration
• Coordinate website and e-commerce updates with the appropriate internal or external teams
• Compile routine digital, e-commerce, email, and social media reports
• Maintain campaign trackers and organize performance information
• Coordinate with agencies, freelancers, photographers, editors, and other vendors
• Track sample requests, product loans, image requests, and associated deadlines
• Prepare and distribute approved retailer marketing materials and training collateral
• Support retailer activations and clienteling initiatives as directed by the Company
• Proofread marketing materials and verify that approved brand information is used consistently
• Upload, organize, and archive final assets across relevant platforms and folders

PERFORMANCE SCHEDULE
The Marketing Assistant shall perform the services according to timelines and priorities established by the Company. The Marketing Assistant shall provide regular status updates, promptly communicate delays or missing information, and maintain organized records of completed and outstanding deliverables.

COMPENSATION
Salary: $55,000-$60,000 annually, commensurate with experience.

TECHNICAL SKILLS & SOFTWARE

• Adobe Creative Suite – Working knowledge of Photoshop, Illustrator, InDesign, and Acrobat for basic edits, asset preparation, and review.
• Figma – Working knowledge for reviewing, organizing, and making basic edits to layouts, presentations, digital assets, and marketing materials.
• PDF / Adobe Acrobat – Proficient in creating, editing, combining, compressing, commenting on, and preparing professional PDF documents.
• Microsoft Office / Google Workspace – Strong proficiency in Excel/Google Sheets, PowerPoint/Google Slides, Word/Google Docs, and shared calendars.

To Apply: Please send your resume to sd@tabayer.com.

https://tabayer.com/

Fittingly, most of the Spring 2027 trends we spotted across London runways are rooted in color play, subversion of conventional garments, using old-school materials in new ways and visible handiwork (a rebellion against AI, perhaps?).

Scroll through the galleries below for the eight coolest Spring 2027 trends we spotted at LFW.

Underwear as Outerwear

Lingerie staples are all over the Spring 2027 runways. Whereas New York designers tended to let bras peek out beneath jackets, the Brits have put them front and center: At Agro Studio, Ashley Williams and Erdem, bras and corsettes were worn on TOP of garments; while others like Knwls, Alexander McQueen and Mowalola did little — or nothing — to cover them.

New World Organza

Designers across the pond are modernizing organza, a sheer textile that dates back 2,000 years and was traditionally associated with wedding gowns and frilly prom dresses. And it's never looked cooler, from the colorful, metallic-looking pieces at McQueen and Mulberry, to the relaxed translucent separates at Mowalola and Lovebirds. Meanwhile, Pauline Dujancourt, Susan Fang and Simone Rocha used innovative techniques to create statement-making textural gowns and scarves out of the material.

Cloudy Skies

Pale, washed-out colors were all over the London runways, but blue was the most ubiquitous: Designers dialed down the intensity of baby blues, sky blues, teals and aquatic shades across outerwear, suiting, dresses and more.

Aprons to 'Serve' In

Fashion's embrace of the humble kitchen apron continues after Miu Miu's apron-forward Spring 2026 collection, via Talia Byer, Bora Aksu, Natasha Zinko and others. Is it giving tradwife? Is it subverting gender norms? Is it just cute? Let's let the wearers decide.

Physical Touch

It's hard to imagine that any major hub of designers could be more resistant to AI design than London's, where creativity and innovation reign supreme. So it's not a surprise that Spring 2027 collections were rife with details and techniques that very clearly reflect the work of physical human hands: Unfinished hems, hand draping, multimedia work, myriad fabrics patchworked together and other feats of manual manipulation were seen everywhere from Ashley Williams to Chopova Lowena to Yuhan Wang and beyond.

Choking Up

We saw a range of neck-encircling accessories across the London runways: Choker necklaces went punk at Chopova Lowena and more glam at Di Petsa, while mini scarves and fabric chokers had a more delicate vibe at Agro Studio and John Richmond.

Shrug it On

The shrugs and boleros that (barely) covered our arms circa the early-to-mid 2000s are very much back. London provided quite a variety: stretchy knit shrugs at Ashley Williams and Agro Studio, sheer options at Bora Aksu and Chopova Lowena and purely decorative (and beautiful) boleros at Annie's and Dreaming Eli.

Neck and Neck

While accessories provided neck coverage at some shows, many had it built in via turtleneck designs that turn out to me more spring-appropriate than you might think. Sleeveless turtlenecks were especially ubiquitous, as seen at Erdem, Edeline Lee, McQueen, Roksanda and more.

Rio Viera-Newton first rose to (beauty world) fame years ago when she circulated a Google doc of her skin-care routine people quickly came to swear by. Since then, she’s further cultivated her complexion expertise, becoming a lauded beauty journalist and licensed esthetician. Known for never gatekeeping her beauty tips or favorite products, Viera-Newton feels like she’s everyone’s beauty bestie — so of course, that makes her a natural fit for “Face It.”

During our Q&A, the skin-care expert shared the least expensive part of her beauty routine (which she also identified as the “most important”), the specific type of manicure to which she’s loyal, her favorite exfoliating ingredient and why she sees aging as a “privilege and a gift.” Plus, she got into the beauty step she’s strict about, social media’s impact on beauty and how to suss out AI content creators.

Watch the video below for all of Viera-Newton’s hottest beauty takes:

View this post on Instagram

“There is a real sense of momentum around this season,” Weir tells Fashionista. “What excites me most is the combination of extraordinary creative talent with a renewed confidence in London as a place where fashion, culture and commerce collide.”

Legacy Brands Return to LFW

The biggest endorsement came in the form of McQueen’s homecoming show. For the brand’s first London Fashion Week show in 10 years, Creative Director Seán McGirr fused the disparate worlds of Neoclassicism with rave culture into what he called “a celebration of London’s ceaselessly stimulating and transcendent power.”

Ahead of its first runway show in eight years on Sunday afternoon, Mulberry reported signs of an accelerating commercial recovery. Revenue rose 4% to £125.5 million in the year leading up to March 2026, with second-half growth accelerating to 11%, providing an auspicious backdrop to Christopher Kane’s debut which subverted the British brand’s heritage with a healthy dose of kink.

Daniel Lee’s Burberry show on Monday night solidified British heritage and its contemporary culture as central to his narrative at the 170-year-old brand. The company’s turnaround strategy is beginning to take shape, too. Adjusted operating profit reached £160 million in the year to March 2026, up from £26 million the previous year. 

London’s New Establishment

The new establishment — Simone Rocha, Erdem and Roksanda — underscored the significance of London as a producer of world class talent. Simone Rocha’s tour-de-force show on Sunday morning demonstrated elegance and maturity as she stripped back the layers to achieve a frisky femininity that struck a chord with its emotional honesty. Erdem’s 1920s romp was a revelation, looser and sexier than ever before, as was Roksanda’s textural play on the rooftop of the National Theatre.

“London is an important market for Neiman Marcus and Saks Fifth Avenue: The market is a thriving compilation of independent talent and legacy brands,” says Chloe King, fashion director, women’s, Neiman Marcus and Saks Fifth Avenue. “The world-building and clear points of view of Erdem and Simone Rocha translate into unique, emotional collections that truly resonate with our customer.”

Meanwhile, London’s beloved indie darlings are growing up: Chopova Lowena and KNWLS both presented shows that felt gutsy, honest and singular. Chopova Lowena’s freewheeling ideas, hodgepodge of deadstock fabrics and alternative cast of characters, juxtaposed with KNWLS’s deconstructed take on femininity, felt progressive.

The city’s younger upstarts are heating up as well: There is a fierce appetite for Johanna Parv, Talia Byre and Steve O Smith. Parv’s outing on Saturday was sporty and pragmatic, full of clean lines and smart techwear; Byre’s crisp all-white show was shot through with neon pink and denim. Meanwhile, Smith’s intimate presentation was modeled on a lecture, to fully encapsulate his artisanal techniques and painterly brushstrokes.

“London remains such a creative hub during fashion week. There are always so many exciting brands to discover, alongside emerging designers who bring the eclecticism, experimentation and sense of individuality that London is known for,” says Brigitte Chartrand, chief merchandising officer at Net-a-Porter, which stocks London labels including Emilia Wickstead, Roksanda and young stars Aaron Esh, Pauline Dujancourt and Liberowe.

Talia Loubaton, founder of Liberowe, hosted her sophomore presentation this season, and said there is no other city that would make sense for her, not least because 80% of the collection is made in London. She says, “being part of the London scene is very important. There is space for newness and experimentation here.”

“It’s been a learning curve,” says Gui Rosa, whose spunky debut at a hotel in Westminster melded the transgression of an Almodovar film with a “Gossip Girl”-inspired debutante ball and her grandmother’s wardrobe. Growing her business, built largely around hand-crochet and knitwear, is as important as exposure, and she understands that it will most likely reach a limited but hopefully devoted audience. “Not everyone will want a cardigan and a pencil skirt. We have to be really clever.”

Distinguishing Between London Fashion Week and London’s Fashion Industry

The question remains whether these nascent talents — which the city prides itself on producing — can translate cultural momentum around the event into viable companies, and whether the city can hold onto them. Names like Victoria Beckham, Stella McCartney and Kiko Kostadinov set an example to others as they join the Paris Fashion Week schedule. Buzzy upstart Conner Ives decamped to New York Fashion Week for the season. Christopher Kane shuttered his namesake label three years ago.

“London Fashion Week’s recovery is real, but so far it’s a recovery of the event, not the ecosystem,” says Christopher Morency, chief brand officer at Dogma, a creative agency. 

“There is a distinction between the health of our creative pipeline and the health of the commercial ecosystem supporting it,” Weir says. Since joining the BFC, she’s waived schedule fees for participating designers, invested heavily in the international visitor program, and raised more than £1.3 million in grants and scholarships. “Designers are dealing with high costs, challenging wholesale conditions, access to finance and an increasingly complex international trading environment.”

To further address this, BFC 2030: Access, Creativity, Growth was launched this year to help sustain the growth of young talents, providing them with the appropriate resources to develop their businesses. The plan involves increasing access to finance and business expertise and building stronger connections between the industry and government.

Indie Designers Making It Work

It’s evident that many young designers on the schedule are beginning to rethink the classic pipeline of fashion school-to-London Fashion Week and wholesale-to-international recognition. They supplement the traditional model with an emphasis on community, social media and direct-to-consumer businesses. 

It’s hard not to be charmed by the focused approaches of brands like Yaku, which has expanded into womenswear, A.V. VATTEV, which presented a compelling short film, or 5000, which debuted its tailoring prowess at a simple-yet-striking presentation focused on suiting. They each bring a unique, sharp and direct proposal that sits comfortably within the traditional system while keeping things nimble and small-scale. 

It’s even sweeter if you can translate artisanal craft into something commercially viable like Pauline Dujancourt did this season, with fresh backing from Dover Street Market Paris. The designer’s Spring 2027 offering will help translate her feminine sensibility into a more commercially tangible proposition. 

London’s young designers are also taking on collaborations and sponsorships — like Aaron Esh with AllSaints or Priya Ahluwalia with Puma — to communicate their message. Or they’re investing in their direct-to-consumer businesses like Talia Byre, or collaborating with each other, like Liberowe with jewelry brand By Pariah.

Where London Fashion Week Goes From Here

“Britain does not have a creativity problem,” Weir declares. “The challenge is making sure extraordinary British creativity can translate into resilient, globally competitive businesses.” Though the BFC is building on its ability to support local talent, perhaps the next phase is to broaden the conception of British fashion itself. 

Morency suggests the British fashion industry is overlooking the brands converting cultural heat into commercially viable businesses. For example, Gymshark reported £646 million in revenue for FY25, Adanola posted £102.6 million in FY26 and Represent reported £93.8m for 2024, up from just under £50m in 2022. Similarly, Corteiz, Tala and UVU are gaining traction outside the industry system.

“Many people don’t see these brands as ‘fashion-worthy,’ and that’s a serious mistake. Almost all of them were built outside London’s bubble and outside its support system,” Morency explains. 

If London Fashion Week is to play a role in rebuilding British fashion, perhaps the event itself must eventually become more than a calendar of designer runway shows. The early signs are there, especially as London Fashion Week embraces retail concepts with Dover Street Market and the high street — H&M, M&S and Topshop & Topman had events billed on the official calendar. 

But this London Fashion Week is just the tip of the iceberg. A greater British fashion redux is the ultimate goal. 

ACCOUNT EXECUTIVE
New York, NY | Hybrid

ABOUT ROOMS
ROOMS is a multi-brand womenswear showroom based in SoHo, New York, representing a curated portfolio of contemporary fashion brands from the U.S. and around the world.

We work with boutiques across the country, connecting buyers with brands we believe have something special to bring to the market.

Built from years of experience as buyers, retailers, and wholesale partners, ROOMS is a relationship-driven business with an ambitious, entrepreneurial team. We love our brands, care about great product, thoughtful distribution, strong relationships, and doing the details well.

We’re looking for an experienced Account Executive to join our team and grow our boutique business.

THE ROLE
You’ll manage and grow an established portfolio of boutique (specialty retailer) accounts while developing new business across the U.S.

This is a role for someone who loves sales and knows the boutique landscape – someone who gets excited about opening a great new account, growing a buyer season after season, and figuring out exactly which collection belongs in which store.

The day-to-day changes with the season. You might be selling appointments in our SoHo showroom, calling buyers, analyzing business, researching new stores, planning a road trip, following up after market, or traveling to a trade show.

You’ll have ownership of your accounts and collections, clear sales goals, and significant opportunity to grow your business – and your commission along with it.

Success in this role is measured by revenue growth, new account acquisition, growth within existing accounts, retention, and sales conversion.

WHAT YOU’LL DO
• Manage and grow an existing portfolio of boutique accounts.
• Develop new business and maintain a strong pipeline of prospective accounts.
• Leverage existing buyer relationships to generate opportunities while continually building new ones.
• Build long-term relationships with boutique buyers and understand their customer, aesthetic, price point, and merchandising needs.
• Grow existing accounts across brands, categories, and seasons.
• Drive repeat business and long-term account retention.
• Develop thoughtful distribution strategies with a focus on the right doors in key cities and regions.
• Maintain brand integrity as you grow distribution.
• Create seasonal and monthly sales plans and analyze brand and account performance.
• Review selling reports to identify opportunities and drive additional business.
• Manage and track buyer outreach, appointments, pipeline, and forecasts.
• Find creative ways to reach new buyers and reactivate past accounts.
• Plan and execute road appointments
• Sell from our SoHo showroom and at markets, trade shows, road appointments, and virtual appointments.
• Share buyer feedback, competitive insights, and market trends with the team.
• Consistently work toward and exceed sales goals.

WHAT WE’RE LOOKING FOR
• 3+ years of wholesale fashion sales experience in the women’s contemporary market.
• Established relationships with boutique buyers throughout the U.S.
• Proven track record of meeting or exceeding sales goals.
• Strong understanding of wholesale buying cycles and seasonal markets.
• Excellent relationship-building, communication, and negotiation skills.
• Organized, detail-oriented, and able to manage multiple brands and priorities at once.
• Entrepreneurial and resourceful—you don’t wait for someone else to find the opportunity.
• Strong eye for product and an understanding of thoughtful brand distribution.
• Comfortable working independently while communicating closely with the larger team.
• Valid driver’s license and ability to travel for road appointments, markets, and trade shows.
• Ability to carry sample suitcases weighing approximately 25–30 lbs.
• Previous multi-brand showroom experience and familiarity with JOOR, NuORDER, and Seladex are a plus.

LIFE AT ROOMS
Our showroom is a loft in the heart of SoHo. We’re a close team, and everyone has the opportunity to make an impact.

The role is hybrid: typically two days per week in the showroom and three days working from home, with more showroom time during market.

Market is fast-paced – buyer appointments, new collections, trade shows, road trips and following up. We work hard, help each other when things get busy, celebrate the wins, and genuinely enjoy the relationships we’ve built in this industry.

COMPENSATION & BENEFITS
• Base + Commission
• Performance-based commission with significant earning potential
• Company healthcare plan with 50% of the premium covered, or equivalent healthcare stipend
• 100% employer-paid dental insurance
• 401(k) eligibility after one year with company match up to 3%
• 15 days paid time off, plus company-observed holidays
• Professional development opportunities, including attendance at industry events

HOW TO APPLY
We’d rather get a sense of who you are than read another generic cover letter.

Please email your resume and a 60–90 second video telling us why you’d be a great fit for ROOMS to jobs@roomsshowroom.com with the subject line “Account Executive Application.”

Only applications that include both will be considered.

We can’t wait to meet you.

@roomsshowroom

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If your hair-care routine involves drying, styling and applying finishing products, Laifen wants to cut down on your steps. The beauty technology brand recently launched its Swift 04 Hair Dryer, a high-speed tool designed to dry and nourish hair at the same time, saving you time and money.

The Swift 04 was part of Laifen’s “Ready to Glow” launch event in New York City on Sept. 17, where the brand introduced its new Hair Beauty Tech Ecosystem. Alongside the dryer, guests tried the AutoCurl Curling Iron and Glowy Vanity Mirror and learned more about Laifen’s vision for a tech-driven beauty routine.

What stands out with this new dryer is what Laifen calls a “One-Step Hair Spa” experience. Its proprietary Nourishing Nozzle diffuses essential oils into a micron-sized mist while you’re drying your hair at a controlled 136 degrees Fahrenheit. And that’s not all: 400 million negative ions and 70 million positive ions also work to neutralize static. The result is smoother, shinier, less-frizzy-looking hair without adding another step to the routine.

It’s also designed to make getting ready faster. The dryer features a 115,000-RPM brushless motor and airflow of up to 23 meters per second. Laifen says it can dry medium-length hair in as little as 1.5 minutes. (Crazy, right?) A smart temperature-control system monitors heat 1,000 times per second, and six temperature modes offer a more customized experience for different hair types and styling needs. Magnetic smooth and diffuser nozzles offer additional styling options for those days you want to switch it up.

For anyone looking to spend less time drying and styling their hair, the Swift 04 makes the case for getting more out of a single step. And it’s 15% off for Fashionista readers! (Discount applied at checkout.) Shop the Swift 04 Hair Dryer at laifentech.com now.

Gap Inc. Debuts ‘Fashiontainment’ Platform With Boy Band JYT

Gap Inc. is launching Fashiontainment, a new platform for building entertainment content and partnerships around its brands, with rising boy band JYT as its first collaboration. The multi-year deal includes a docuseries co-produced by Gap, a national mall tour and a Gap capsule collection the five-member band helped design. Chief Entertainment Officer Pam Kaufman is leading the newly created entertainment division behind the Fashiontainment effort, which aims to deepen Gap’s ties to music and pop culture. {Gap Inc.}

On Plans For Strong Growth Through 2029

On Holding aims to grow constant currency sales at a rate in the high teens through 2029, reaching at least 5.6 billion Swiss francs ($6.8 billion) in net sales while pushing its adjusted EBITDA margin ambition to at least 22%. The Swiss sportswear brand, backed by Roger Federer, is betting on new pushes into golf and soccer, including a 10-year deal with Kylian Mbappé, to challenge Nike and Adidas. Its board also approved a first-ever share buyback of up to $1 billion of Class A Ordinary Shares through 2029. {On; Business of Fashion/paywalled}

Unilever Ventures Leads Series A Funding for Arey

Los Angeles-based hair-care brand Arey, which targets graying hair, has closed a Series A round led by Unilever Ventures, with existing backers Greycroft and Female Founders Fund also participating. The funding will go toward new product development, clinical research, retail expansion and hiring. This news arrives ahead of the brand’s first published clinical trial in November, which found that most participants saw fewer or no new gray hairs. {WWD/paywalled}

Oura Seeks Up to $2.2 Billion in U.S. IPO

Smart ring maker Oura is looking to raise up to $2.2 billion in its U.S. initial public offering (IPO). It plans to sell 50 million shares at $40 to $44 each. That would value the company at up to $14.1 billion, well above the $11 billion valuation after a Series E financing round in 2025. Oura reported a net loss of $924.3 million on $1.21 billion in revenue for the nine months ended June 30, even as its Oura Membership service passed five million paid members. {Bloomberg/paywalled}

How Fashion Brands Could Tap Into ‘Clipping’

Twitch streamer Kai Cenat’s Vivet debut at New York Fashion Week went viral through thousands of fan-made clips shared across TikTok and Instagram, a tactic born in streaming and gaming culture called “clipping.” Clipping agencies pay creators based on views to cut campaign content into short, unpolished videos, and brand interest is growing quickly. Luxury fashion has been slower to adopt the approach, as some brands are wary of losing control over their image. {Vogue Business/paywalled}

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Simone Rocha referenced Caravaggio’s “The Taking of Christ,” as well as the artist’s signature chiaroscuro technique (using stark contrasts between light and dark), through a rich color palette of deep blue, charcoal and ivory. Christopher Kane unveiled his debut Mulberry collection, which was inspired by the actual mulberry plant and incorporated an axe motif throughout. Erdem explored the juxtaposition between masculinity and femininity via tailored trench coats and bejeweled lace slips, while Annie’s Ibiza embraced a vintage-inspired edge through intricately embellished gowns.

Click through the galleries below to see Fashionista’s favorite Spring 2027 collections from London Fashion Week.

Ahluwalia Spring 2027

Annie's Ibiza Spring 2027

Chopova Lowena Spring 2027

Erdem Spring 2027

Lovebirds Spring 2027

Mulberry Spring 2027

Onalaja Spring 2027

Pauline Dujancourt Spring 2027

Roksanda Spring 2027

Simone Rocha Spring 2027

Yuhan Wang Spring 2027

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Nestled in the northern Italian countryside, brushing shoulders with the Alps, are Falconeri‘s two cashmere factories in Biella and Avio. There, the 26-year-old Italian fashion house oversees nearly every stage of its production process. This thorough oversight is intentional, as the time-honored craftsmanship characteristic of Falconeri’s cashmere garments doubles as the antithesis of fast fashion.

“Falconeri believes that modern luxury is defined by authenticity, exceptional craftsmanship, versatility and longevity,” Gianni Forlini, chief business officer of Oniverse U.S., tells Fashionista over email. “From the selection of cashmere in Mongolia to the specialized expertise of the teams in Biella and Avio, every stage reflects the brand’s commitment to the quality of natural materials and the enduring value of Italian textile know-how.”

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Falconeri, which joined Oniverse Group (the parent company of Calzedonia and Intimissimi) in 2009, begins its cashmere journey in Mongolia, where it sources between 600,000 and 700,000 kg of raw cashmere fiber each year. Obtained by combing the soft and delicate “duvet” undercoat of Hircus goats, the raw fibers then arrive in Biella, a historic textile district, where all of Falconeri’s cashmere is produced. There, more than 57 specialized employees oversee multiple production stages spanning quality control, dyeing, mixing, spinning, winding and twisting. Of note, the spinning process used in Falconeri’s Biella factory has remained largely unchanged for more than 80 years.

“Biella is internationally recognized for its centuries-old textile heritage and highly specialized expertise in processing premium natural fibers,” Forlini says. “The knowledge developed and passed down through generations makes it an ideal environment for transforming raw Mongolian cashmere into refined yarn while preserving the fiber’s natural softness, length and strength.”

Each cashmere lot (about 1,000 kg) is tested for consistency, regularity and strength, in addition to being sorted into shades of white, light gray and brown. The fibers are dyed to fit Falconeri’s color palette, then mixed inside temperature-controlled containers with water and a mineral-based oil to help preserve their length and integrity. About a week later, the fibers enter the spinning stage to clean and detangle the raw material. The cashmere can be carded for softer yarns found in Falconeri’s Ultrasoft Cashmere, or combed for finer yarns as seen in its Ultrafine Cashmere.

Finally, the cashmere is ready for winding — using optical sensors to identify and remove imperfections, and then twisting — twirling individual strands together for stronger yarn. The fibers then head to Falconeri’s second factory in Avio, which sits at the foot of the Dolomites.

This is where all of Falconeri’s pieces are assembled; approximately 7,000 garments are finished each day. First, each yarn is evaluated for color consistency, measurement accuracy and pilling performance to ensure cohesion. Shima Seiki knitting machines turn yarn into separate garment sections (a sleeve here, a back there), leaving skilled technicians to assemble each piece by hand. Once assembled, final checks include washing and finishing processes to boost softness. At Avio, it takes more than an hour to complete one Falconeri garment.

“This close integration [between Biella and Avio] allows Falconeri to combine Italian craftsmanship and textile expertise with advanced manufacturing technology, while maintaining consistent standards across every collection,” Forlini says.

Atop the Avio factory sits Falconeri’s style department, where the team designs its womenswear and menswear collections. Pattern making, prototyping, product development and garment construction all happen under the Avio headquarters’ roof, which helps streamline collections. Falconeri’s new Fall 2026 knitwear will “balance timeless elegance with modern relevance,” per the brand. Designs are inspired by the natural world, explored through earthy hues of brown and burgundy as well as rich textures. Looking ahead, Falconeri’s future collections will pivot to more genderless capsules.

Falconeri is increasingly emphasizing its Ultrafine Cashmere collection, which is made from two single strands of combed and twisted cashmere. Unlike carded cashmere’s softer texture, combing ensures a more durable yarn that resists pilling. The result? A lightweight cashmere (hence its “ultrafine” classification) that is also thermoregulating, meaning it helps maintain a balanced temperature regardless of the season. “This versatility challenges the traditional perception of cashmere as a material reserved exclusively for cold weather,” Forlini adds.

While overseeing nearly every stage of production gives Falconeri a competitive edge in the knitwear market, this rare level of control also poses its own complications. “The challenge lies in the level of coordination and specialized expertise that this model requires,” Forlini says. “Cashmere is an exceptionally delicate natural fiber, and every stage must be carefully managed to preserve its length, softness, strength and consistency.” In practice, Falconeri seeks out skilled employees while continuing to invest in innovative research to ensure its quality standards are met.

Since launching in 2000, Falconeri has taken its signature Italian craftsmanship global. Today, it operates more than 200 boutiques across 22 countries, and aims to manage eight stores in the U.S. by the end of the year. Despite this international growth, Falconeri’s ethos remains unchanged: “refined, versatile and made to be worn and appreciated over time,” per Forlini.

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Disclosure: Falconeri paid for Fashionista’s travel and accommodations to report this story.

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Coined by the Museum at FIT’s Senior Curator Dr. Colleen Hill, the phrase describes clothing, accessories, hair and makeup that draw inspiration from dolls, a concept that dates back centuries. Now, with the institution’s latest exhibit — also titled “Doll Dressing” — this subject is explored in depth for the very first time. 

“I never really wanted to do an exhibition that was solely on fashion dolls, partly because that’s been done and done very well,” Dr. Hill told Fashionista during a preview. “I started thinking about this idea of the living doll, and how that could transcend something vapid to become something agentic.”

Aesthetic-focused subcultures such as the dolly birds of the 1960s or the Japanese Lolita, which emerged in the 1990s, are prime examples of this. Both styles of dress borrow heavily from doll aesthetics and simultaneously allowed women to express themselves in ways they hadn’t before: The ruffles and frills of a Lolita frock subverted expectations of uniformity, while entrepreneurs like Twiggy and Biba’s Barbara Hulanicki flipped the derogatory origins of the term “dolly bird” on its head by building successful brands at a time when women were still expected to become housewives.

Of course, there’s no shortage of actual fashion dolls featured in the exhibition. Britain’s Sindy and Japan’s Jenny are two international examples, and designer collaborations with Barbie, Blythe and Monster High also make appearances. Toys like these also acted as the earliest mannequins for acclaimed couturiers like Martin Margiela, Anna Sui and Jason Wu, who got their start by making clothes for their childhood dolls.

“So many designers begin thinking about clothing by making things in miniature. Dolls are available to them, scraps of fabric are available. It’s a way to start thinking about the body and thinking about design,” Dr. Hill said.

Some designers have even worked dolls into their collections. Long before Labubus became coveted accessories, Paul Poiret popularized the boudoir doll in the early 20th century, dressing them in looks that coordinated with his life-size designs.

“They were like little accessories or mascots,” Dr. Hill explained. “It was a real trend during the 1920s to just go out for the evening with your doll by your side. For the most part, they’re not functional. There are a few bags — I have one in the show that’s shaped like a doll, and its skirt conceals a little purse — but usually, you just carried a doll.”

Dr. Hill was also drawn to the ways in which dolls intersect with pop culture. As a teenager in the ‘90s (before Olivia Rodrigo was even born), she was obsessed with the “kinderwhore” aesthetics of bands like Hole and Babes in Toyland, who incorporated dolls — and babydoll dresses — into their album art and music videos. These appear in the exhibit alongside a Nasty Gal minidress designed in collaboration with Courtney Love.

Given her reputation as the preeminent fashion doll, Barbie — who’s worn approximately one billion outfits in her nearly 70-year history — fills an entire section of the gallery. Jeremy Scott’s longtime obsession with the miniature blonde manifested in his Spring 2015 line for Moschino. The finale look, an iridescent gown plastered with giant paillettes, is displayed beside a blown-up version of Barbie’s fold-out wardrobe. 

Hanging on one rack are pieces from Margiela’s Fall 1994 collection, for which the designer recreated doll clothes and accessories by enlarging them to 5.2 times their original size. Dr. Hill was also adamant about exhibiting Margiela’s G.I. Joe-inspired dog tag necklace — released in 1999 as a nod to his original “doll’s wardrobe” collection. Though it initially proved tricky to track down, she happened to find one thanks to a noteworthy donor, poet Mei-mei Berssenbrugge, wife of artist Richard Tuttle.

“We’d been working with her for a few months, and she’d given us some absolutely incredible things,” Dr. Hill said. “She invited us back for one last look at a trunk full of clothes she found, and there the necklace was.”

There are many more recent and recognizable designers featured throughout the exhibit as well, including Conner Ives (his “Protect the Dolls” tee, of course), Vettese, Fashion Brand Company, Bode and Simone Rocha.

“Doll Dressing” is on view now through Jan. 3, 2027 at the The Museum at the Fashion Institute of Technology.

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Related: NYFW Showgoers Get Casual for the Spring 2027 Shows

But these academia-adjacent looks offered surprising range. Sure, there were plenty of expectedly prim, tailored ensembles typically associated with prep school uniforms. (Headmaster Charleston would approve.) But creative showgoers also got playful by subverting stereotypes and personalizing the back-to-school aesthetic with punk or boho elements. Combat boots, asymmetrical hemlines, wallet chains, Kangol hats, vivid color schemes, baseball caps and black leather came into rotation, lending just enough edge to keep all those Mary Janes and socks from looking overly twee.

Keep scrolling to see all our favorite street style looks from London Fashion Week Spring 2027.

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Cindy Crawford’s Son Dies at 27

On Sunday, Cindy Crawford’s son, Presley Gerber, died at 27. While his cause of death has not been revealed, he passed away in a rehab facility. Gerber started his modeling career at age 16, and walked in runway shows for brands including Bottega Veneta, Tommy Hilfiger, Burberry and Ralph Lauren. {WWD/paywalled}

Asos Appoints Law Roach as Its First-Ever Stylist in Residence

Law Roach has joined Asos as its first-ever stylist in residence, a year-long partnership meant to help shape the brand’s creative direction. To kick off the collaboration, Roach will style six covers for the relaunch of Asos Magazine. Throughout the year, he will also oversee seasonal campaign styling and offer styling advice to customers. {Fashionista inbox}

Donatella Versace Is Launching a New Brand With Revolve

Donatella Versace and Revolve have joined forces to launch a new fashion and beauty business. The independent venture will merge Versace’s unique creative vision with Revolve’s digital-first approach. “This partnership gives me the freedom to speak to that generation in a completely new and personal way, through beauty and fashion…Together, we want to create that connection with a new voice, a new look and a new energy,” Versace said in a press statement. The business name, creative direction and first launch details (beginning in beauty) will be revealed in the coming months. {Fashionista inbox}

Christopher Kane Unveiled His Debut Collection for Mulberry

On Sunday, Christopher Kane presented his debut collection for Mulberry at London Fashion Week. It’s been 10 years since the brand last showed on a runway. Kane spoke to Business of Fashion’s Editor-at-Large, Tim Blanks, about his design process, saying he drew inspiration from the mulberry plant itself and used an axe motif throughout the collection. Kane also introduced a new bag, the Chop, which he hopes will become a new hero item. The designer aimed to restore Mulberry’s cool factor without sacrificing its heritage. {Business of Fashion/paywalled}

Fendi Faces Backlash for Cultural Appropriation Accusations

Fendi is facing backlash after it reissued an embellished Baguette handbag without crediting the South Asian craftspeople behind the embroidered technique. The lack of recognition sparked major debates in India, with many people calling out Western luxury brands for profiting off of different cultures without credit. A Fendi spokesperson commented on the controversy, stating that the brand “remains committed to supporting and recognizing India’s rich craft heritage and its continued transmission to future generations.” However, Fendi declined to comment on whether it will start crediting cultural inspirations in future product descriptions. {Business of Fashion/paywalled}

Why Asics Is Taking Its Walking Shoes Global

For the first time in 43 years, Asics is rolling out its Walking Line — previously sold only in Japan — to the global market. Its latest shoe, the Moon Amble, will launch online in China at the end of September and gradually expand worldwide. The decision capitalizes on the post-pandemic walking boom and consumers’ continued interest in wellness and staying healthy. {Vogue Business/paywalled}

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Rather than throwing in the towel, the British Fashion Council/Vogue Designer Fashion Fund 2026 finalist revisited an unrealized collection she designed in 2020 entitled “Rising From the Ashes.” Perhaps in a stroke of serendipity, Onalaja reworked her original sketches through the lens of a phoenix, drawing upon her experience with the devastating fire and her courage to start from scratch. The particularly poignant collection, which debuted at LFW on Sunday, explores “a new story of a rebirth, moving from the darkness into a new life,” Onalaja tells Fashionista.

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Separated into three stages — The Burn, The Ash and The Rebirth — Onalaja’s Spring 2027 offering begins with textural burnt oranges mirroring crackling embers and molten lava before settling into a smokey gray color palette representing stillness. Just as the dust settles, flashes of color and light emerge from the darkness, symbolizing a brand reborn. Intentionally broken beads embellish evening gowns, while fringe and feathers abound, fusing the label’s signature ’70s “disco glam” aesthetic with phoenix-inspired motifs.

“We’re in an in-between [moment] where we know who we are as a brand, but it’s like a new beginning and it’s a time for us to explore a slightly different path,” she says.

Rewinding to Onalaja’s fashion beginnings, the British-Nigerian designer pursued a master’s degree in fashion design at Istituto Marangoni and later worked as an embroidery consultant. While collaborating with other designers, Onalaja got a first-hand look at the industry’s size-inclusivity issue: She noticed most sizing stopped at a U.K. 12 (U.S. 8), with the largest she saw going up to a U.K. 26 (U.S. 22).

“I wanted to create a brand that fused the size inclusivity aspect, but also it was an expression of my heritage and being able to take things that I’ve learned over time, cultures that we have in Nigeria, and fuse it with my love for textures and embroidery,” Onalaja explains.

Thus, in 2014, Onalaja founded her own luxury label, which she calls a “maximalist dream.” Rooted in craftsmanship and cultural storytelling (the designer hails from the Yoruba and Edo tribes), Onalaja’s vibrant offering explodes with beads, tassels, sequins, feathers, fringe and crystals. The designer’s penchant for intricate embroidery shines throughout the label’s assortment, which already stands apart in the occasionwear space thanks to its extended 2XS to 5XL size range.

“When you walk into a room, people can hear you,” Onalaja said, reflecting on what initially drew her to textural techniques. “It was about creating very statement pieces with the embroidery.”

And statement pieces are exactly what the brand’s customer is searching for. The Onalaja woman is a “global citizen,” filling her social calendar with parties and galas. With the label’s prices ranging from $130 to $6,680, the Onalaja consumer is looking for clothing with a deeper connection. This isn’t an audience merely seeking overpriced elevated basics; Onalaja’s tactile wardrobe, which is built on three-dimensional ornamentation, caters to its community’s appetite for individuality.

Onalaja already counts multiple celebrities among its fans — Chloe Bailey, Jennifer Hudson and Lizzo, to name a few — and it also recently crafted a custom look for Olivia Dean’s “The Art of Loving Live” tour. At her Atlanta concert, Dean donned the label’s Zellie Slip Maxi Dress, an elongated gown with three-dimensional embroidery inspired by the African tradition of body marking. “A lot of the scars and a lot of the bead placements would be exactly where they would be on a body,” Onalaja notes.

But how do these glittering gowns actually come together? For each collection, Onalaja starts by nailing down her fabrics, embroideries and prints. Then, she “work[s] backwards” to incorporate her beloved ’70s references, often turning to Studio 54 or Diana Ross. “I always focus on texture and fabrication first and then infuse the silhouette after so that the embroidery is the standout and then the silhouette complements it,” Onalaja says. The label collaborates with artisans worldwide, but the designer handles all final finishings.

As a demi-couture label, Onalaja operates on a made-to-order business model. Each garment is handcrafted with intention, which helps prevent overproduction. As she continues to gradually scale the business, the designer notes that the label is exploring more capsule collections, along with expanding into footwear and accessories. Currently, Onalaja is stocked at major players like Revolve, Saks Fifth Avenue and Cult Mia, in addition to its global retail presence across the U.S., the U.K., the UAE, Nigeria, Ghana and South Africa.

“We cater to women that luxury forgot, especially with the size inclusivity and every woman being a different body type,” Onalaja said. “So our retailers really respect that and they really champion our larger sizes and our very small sizes as well.”

Looking ahead, retail expansion is on the horizon for Onalaja. With one brick-and-mortar flagship in Lagos under its belt, the designer wants to continue building out the brand’s retailers in different regions, along with hosting more IRL activations with its community. After all, Onalaja’s tactile pieces — dresses dripping with beaded fringe and sparkling with sequins — benefit from in-person discovery.

“We’re at such a crossroads of rebuilding and trying to find out what our new story is,” she says. “Even though we do have some core pillars, for me, it’s an interesting journey because we’re also seeing and learning and seeing where this rebirth will take us.”

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Homepage photo: Gilbert Flores/WWD via Getty Images

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“Glenn Martens’ contribution to Diesel has been extraordinary,” said Rosso in the press release. “Through his vision, talent and commitment, he has transformed the way the brand is perceived, forging a strong connection with younger generations and creating a solid foundation for its future. He brought Diesel back to the centre [sic] of the global fashion conversation while preserving the openness, energy and accessibility that have always distinguished us. We are deeply grateful for everything he has achieved.” 

Martens’ provocative campaigns helped push the brand beyond its denim-focused roots and back into the broader fashion conversation — a sensibility that carried through to the teaser for his final Spring 2027 show, posted on his and the brand’s Instagram, which features a model baring their backside on foggy glass.

Per the press release, Diesel will announce the next chapter of its creative leadership in due course, leaving unanswered the question of who will inherit the momentum Martens has generated over the past six years.

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At Le Café Louis Vuitton, the French fashion house turns snacking into a luxury via truffle eggs and caviar (even down to monogrammed butter). The Beekman, a stunning, historic hotel in Lower Manhattan, served as a relaxing refuge on busy days. As for this season’s standout show locations, Carolina Herrera celebrated its 45th anniversary at the opulent David H. Koch Theater and Emily Dawn Long screened her Spring 2027 short film in Chinatown’s Bridges.

Ahead, see all of our editors’ favorite fashion week haunts from the Spring 2027 season.

The Beekman, a Thompson Hotel

“This was my second time staying at The Beekman for NYFW, but I was no less blown away by how beautiful this landmark property is. From the famous atrium, to the antique furnishings, every detail is aesthetically perfect, but not at the expense of comfort. The accommodations, which are very spacious for NYC, feel more like chic apartments than hotel rooms. It’s just the perfect relaxing atmosphere after a chaotic day of shows — I genuinely never wanted to leave!” —Dhani Mau, Editor-in-Chief

(Disclosure: The hotel provided a complimentary stay as part of an editorial partnership with Fashionista.)

Barlume

“Team Fashionista kicked off NYFW with a dinner at Barlume, where we loved the chic, spacious atmosphere and Mediterranean menu (we all ordered pasta). It was a cozy space for our remote team to get a leisurely proper IRL catch up — espresso martini tower included.” —Steph Saltzman, Beauty & Style Director

(Disclosure: The restaurant provided a complimentary meal for Fashionista editors.)

Le Café Louis Vuitton

“I’ve had my eye on Louis Vuitton’s café since it opened two years ago, but never really had an excuse to try it while visiting. That is, until Dhani and I went to NYC for Fashion Week and got together with Steph for a spread of LV logo-emblazoned French butter, ravioli, waffle with caviar and chocolate cake. Everything is obviously very aesthetically pleasing, but more delicious than I was expecting for a tourist spot. Also: The surprisingly great iced matcha lattes kept our energy up for the week.” —Elizabeth Denton, Deputy Content Editor

(Disclosure: The restaurant provided a complimentary meal for Fashionista editors.)

Bridges

“Emily Dawn Long’s debut fashion week event brought me to a bustling part of Chinatown near the Manhattan Bridge, where the beautifully designed and Michelin-rated Bridges typically serves up refined, French-inspired dishes. In this instance, we mingled with lemonade and popcorn and screened Long’s Spring 2027 short film in a back room. It was delightful, but I can’t wait to go back for a meal.” —Dhani

Straker’s

“A Net-a-Porter party brought me and Steph to this narrow bar/restaurant — a London export apparently — in what used to be the beloved restaurant Lucky Strike. I can’t attest to the food as there wasn’t much available, but I did have quite literally the best spicy margarita I’ve ever tasted.” —Dhani

RPZL

“I hate washing and styling my hair when I travel because I don’t have all my products and tools. What did I do before the Dyson Airwrap? I’m useless! Thankfully, RPZL invited me in for its pre-NYFW event, and I got the full wash-blowout-and-curl treatment that lasted for days, even in the heat and humidity. I used to go to the salon’s original location in Flatiron when I was a young beauty editor in 2013, and I’m glad to see it’s still around — and growing.” —Liz

Fanelli Café

“It had been years since I’d been to Fanelli’s, a classic Italian restaurant two blocks from the Fashionista office, and it’s evolved a bit — for the better, with ample outdoor seating and a fun, slightly younger crowd that feels more ‘in-the-know local’ than ‘SoHo tourist.’ Just be very careful with the poured-to-the-brim dirty martinis, which are dangerously good.” —Dhani

Iconic Magazines

“I miss a lot about NYC, but easy access to newspapers and magazines via cute indie sellers is a big one. There aren’t as many spots as there were in the 2010s, but the 13-year-old Iconic Magazines is thankfully still around. I hit up the Lower East Side location near my hotel and stocked up on publications you can’t find just anywhere. I spent too much money, but hey, I’m supporting my industry, right?” —Liz

David H. Koch Theater at Lincoln Center

“This theater at Lincoln Center is considered by many to be among New York City’s most beautiful. The opulent venue — which the Carolina Herrera team filled with thousands of yellow tulips, reminiscent to Park Ave. in the spring — served as a stunning background for Wes Gordon’s beautiful 45th anniversary collection.” —Steph

Studio 54

“Studio 54 — an iconic NYC institution and disco-era time capsule — now doubles as the venue for Broadway’s ‘The Rocky Horror Show,'”‘ which I got the chance to see with beauty brand Ogee for a mid-NYFW runway break. Although I wasn’t brushing shoulders with Diana Ross or Liza Minnelli, the theater’s glamorous energy feels right at home for the raucous cast of otherworldly beings.” —Catie Pusateri, Associate Editor

Sartiano’s

“I’ve been pretty out of the NYC party scene in recent years, so I didn’t know what to expect when going to Sartiano’s, the restaurant below The Mercer Hotel, for Marc Jacobs Beauty’s NYFW party. While I can’t say much about the food — there weren’t many vegetarian passed apps for me to try — I can see why the restaurant has become a bit of a hot spot for brands since it took over the Mercer Kitchen space. The interiors give that moody, sexy, old-world vibe that a party should have — especially with beauty products scattered around. We even found our way downstairs through a wine cellar (a real one? Unsure!) which led to a speakeasy area with a stripper pole. I need to go back and actually eat next time.” —Liz

The Spa at The Hotel Chelsea

“I’ve been fortunate to have experienced many New York City spas, and The Hotel Chelsea‘s is one of my all-time favorites. It’s cozy, charming and quiet, with an outdoor terrace, fireplace and little snacks on offer before you go in for a treatment. It’s luxurious without being stuffy or uptight (like some other fancy spas in the city) and the perfect place to recover from NYFW, when all I feel like doing is sitting in a dark room by myself for a week. (YSL Beauty hosted editors there on Thursday, may the Fashion Week Goddesses bless them.) You can’t go wrong with just about any treatment, but I’m a deep tissue massage girl all the way.” —Steph

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PETA Protesters Crash H&M’s London Fashion Show

H&M’s London runway show was disrupted on Thursday night by three PETA protesters objecting to the use of wool, the latest in a string of demonstrations that hit COS’ New York show the week before. Unlike the protest at COS, security let the protesters exit the runway without physical contact. The show went on to debut H&M’s collaboration with Nick Knight and ShowStudio, featuring AI-generated visuals that turned live photos of models into moving painted backdrops. {WWD/paywalled}

Mbappé Leaves Nike for On as It Expands Into Soccer

On is expanding into soccer, signing Kylian Mbappé away from Nike and hiring former French soccer player Thierry Henry as its director of football. The move marks the Swiss sportswear brand’s push into a new category as growth in its core running business slows and investors question expansion within the category. “Our ambition is to bring On’s approach to the pitch, the pavement and the runway – connecting elite performance with the culture that surrounds the game,” Founder and Co-CEO David Allemann said in a statement. {On; Business of Fashion/paywalled}

LVMH Signed an Agreement To Buy Hermès Heir’s Shares

In a June court filing, LVMH denied trying to buy Hermès shares from heir Nicolas Puech, but legal documents show the company signed a 2002 agreement to purchase Puech’s shares, Reuters reported. Records also show LVMH and its chairman’s family holding company paid Eric Freymond’s wealth management firm (Puech’s late financial adviser) at least $20 million between 2001 and 2009. Puech says his 6% stake in Hermès, worth an estimated $10 billion today, vanished without his knowledge, and he is suing LVMH and Chairman Bernard Arnault, along with companies affiliated ​with Freymond, for €14 billion ($16 billion) in damages. {Reuters}

Half Magic Beauty Raises Series A

Half Magic Beauty, the color cosmetics brand founded by “Euphoria” makeup artist Donni Davy, has raised a Series A round led by Point King Capital, with existing backers A24, Access Industries and ACG also participating. The funding will support the brand’s retail expansion with partners like Ulta, Sephora U.K. and Mecca, plus new product categories and hiring, as it eyes further growth in Australia, New Zealand and Europe. {WWD/paywalled}

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About the Role
This internship offers a behind-the-scenes look at the world of celebrity, red carpet, and editorial styling. The pace is fast and ever-changing, so we’re seeking individuals who are organized, adaptable, and enthusiastic about fashion. Candidates should bring initiative, attention to detail, and a positive, solutions-oriented attitude. Please note that some evenings and weekends may be required.

Responsibilities
● Coordinate sample pulls and returns with showrooms and PR teams
● Steam, prep, and pack garments for set days
● Provide on-set support and assist with fittings
● Manage studio organization and inventory, including logging items in and out
● Run errands to showrooms and PR offices
● Transport wardrobe to and from fittings, shoots, and events
● Support on clothing sourcing

Requirements
● Based in Los Angeles with reliable transportation
● Available 3–5 days per week
● Extremely organized, punctual, and professional
● Strong sense of discretion and trustworthiness
● Comfortable working in a fast-paced environment with shifting priorities
● Flexible, dedicated, and genuinely passionate about fashion and styling

How to Apply
Email your resume and weekly availability to Jenna Biersch: assistant1@chloeandchenelle.com.

chloeandchenelle.com
@chloeandchenelle

For our Weekly Drop Watch column, Fashionista scours the market to curate the most noteworthy releases from our favorite fashion and beauty brands. Keep scrolling for this week’s highlights.

Fashion Launches

Reformation x Olivia Jade

Reformation partnered with Olivia Jade for its new “Good Sport” campaign and collection. “People have been studying Olivia’s outfits for a while, so we figured it was time she gave everyone a lesson in dressing for sport,” read press materials. The lineup includes preppy, academic-themed items (including a particularly cheeky “College” crew sweatshirt, $128, shown on Jade in the above image). Other items include a shoulder bag, belted denim jacket and scoop-neck cashmere sweater. The brand will also be donating 100% of net proceeds from the limited-edition College Crew to YES Scholars, a nonprofit that expands college access and opportunities for promising students from
 under-resourced communities. Shop the collection at thereformation.com.

Ganni x Hunter

Ganni teamed up with Hunter for the first time to create a limited-edition collaboration that “blends Hunter’s British legacy in weather-ready design with Ganni’s joyful Copenhagen spirit,” per a press release. The collaboration includes three waterproof ponchos, coordinating rain hats, a protective poncho cover for the Ganni Bou bag, tall and Chelsea-style Wellington boots and an umbrella adorned with Ganni’s signature leopard print. Prices range from $150 to $440. Shop the collection at ganni.com.

Clarks x Damson Madder

Footwear brand Clarks Originals partnered with Damson Madder on a capsule collection featuring two of the former brand’s signature silhouettes, with a twist from the latter company. The Nomad Mary Jane Mule comes in chocolate brown and retails for $220, while the Wallabee Lace Up Shoe in red retails for $200. The collab also includes a striped rugby sock for $40. Shop them all at damsonmadder.com.

Rixo Fall 2026

Rixo dropped its Fall 2026 collection this week, marking “a significant evolution for the brand, expanding its proposition beyond the printed dress and into a more complete lifestyle wardrobe,” as described in a press release. With the launch of outerwear, knitwear, separates and accessories, Rixo’s latest offering has already been so popular that several of the coats have racked up 1,000 pre-order sign-ups. Rixo Fall 2026 will continue to roll out with further drops following in October and November. Shop the September drop at rixolondon.com.

Leset Fall 2026 Footwear

Leset uneviled its Fall 2026 shoe collection, comprising three styles “designed to serve as the foundation of a wardrobe.” Made in Italy, the footwear lineup includes the Romy Mule in Chocolate Caribbean ($480, shown above), Sonny Slip On in Amaranth Multi Floral ($590) and Rose Mary Jane in Midnight ($480). Shop them at leset.com.

The Rosé by Sami Miró

Designer Sami Miró launched The Róse by Sami Miró in partnership with Pacsun, across the retailer’s 50 brick-and-mortar stores and online. The expansive lineup of separates features basics like bralettes, T-shirts, low-rise jeans, sweatpants and cropped hoodies alongside a host of going out tops and mini skirts. Priced from $30 to $100, all of the pieces are available now at pacsun.com.

Staud’s Maud Bag Collection

Staud introduced its Maude bag collection, a silhouette that’s “designed to move effortlessly through every moment, blending quintessential Staud design details — including our iconic curved handles and concealed phone pocket — with timeless silhouettes.” The bag comes in four styles: Maude Carryall, Maude Tote, Maude Satchel and Maude Shoulder, each available in a variety of sizes and colorways. Priced from $395 to $850, the Maude bag is available now at staud.clothing.

Beauty Launches

New Beauty Brand Carte Blanche

Carte Blanche, a new beauty brand from Saie Beauty veterans Geri Hirsch and Sarah Tallman, launched exclusively with Violet Grey on Thursday. The brand “raises the standard for hybrid beauty by combining clinically proven skin care with high-performance makeup through a narrow-and-deep hero product strategy,” according to a press release. “Rather than launching dozens of SKUs, the brand is introducing products designed to become everyday essentials, delivering immediate cosmetic payoff while actively improving skin over time.” At launch, Carte Blanche introduced only one SKU: Multi-Hyphenate Brightening Skin Tint Mineral SPF 35, a “next-generation complexion product that reimagines what a skin tint can be.” The tinted formula features mineral sunscreen, exosomes, vitamin C and other antioxidants for a multi-targeted treatment/cosmetic hybrid. Shop it in eight shades at violetgrey.com.

Ogee’s New Liquid Eye Shadow

Beauty brand Ogee introduced its new Lid Sculpt Liquid Eye Shadow ($32) this week. A “skin-care-infused liquid-to-powder formula designed to deliver luminous, crease-resistant color while visibly smoothing the look of the eyelids,” the product comes in 10 “mineral-inspired” metallic shades. Shop them all at ogee.com and bluemercury.com.

Neutrogena’s New Bemotrizinol (BMT) Sunscreen

Neutrogena launched its first bemotrizinol (BMT) sunscreen, Bemotrizinol (BMT), Ultra Sheer Daily Face Sunscreen SPF 60 ($17) this week, making it the first U.S. brand to bring a formula to market with the breakthrough sun filter that was recently approved by the FDA. The “weightless, invisible” formula is supposedly “50% lighter on skin than leading sunscreens, non-greasy and doesn’t leave a residue or sticky feeling, layering well under makeup.” Shop it at amazon.com.

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Some trends were difficult to pin down this time, which speaks to how varied (and stacked) the New York schedule has become, and perhaps the increasingly individualized evolution of personal style in general. But there were some clear standouts: Sweaters and scarves moved from our shoulders to our waists; a winner was chosen in the battle of capris vs. culottes; primary and diluted colors all found their place and traditional details like buttons and symmetrical sleeves were rendered irrelevant.

Scroll through the galleries below for nine NYFW trends you should definitely know about.

Low Tied

For too many seasons to count, the practice of artfully tying a clothing item — usually a sweater or a scarf — around models' shoulders was every designer's go-to runway styling trick. The preppy trend has finally loosened its grip and, for Spring 2027, these items — suit jackets at Coach, silk shirts at Cult Gaia, light knits at Tibi and fringe scarves at Heirlome — are instead being styled around models' waists. It feels more down to down-to-earth (literally and figuratively).

Bras Out

New York designers proposed a solution to something showgoers dealt without throughout the week: overheating and sweating under our clothes. The answer: just leave your blouses, jackets and cardigans wide open. (Were buttons, like walkable shoes, in short supply?) But make sure you have a really pretty (or outfit-matching) bra on underneath.

Primary Source

Many designers went back to the literal basics when it came to choosing their Spring 2027 color palettes: Primary colors — red, yellow and blue, in their purest forms — were all over the runways, underscoring the Americana vibes at Tommy Hilfiger and Ralph Lauren, and bringing a playful feel to TWP and Sergio Hudson. "Luminous Blue," the 2027 color of the year, was especially popular.

Sheer-Review

It's official: The naked skirt is the new naked dress. There's something so fun and subversive about pairing an otherwise conservative outfit with a see-through skirt, as seen at Calvin Klein, Eckhaus Latta, Brandon Maxwell and Thom Browne. That said, wearing revealing separates from head to toe is also an option; see: Aknvas, Prabal Gurung and Vettese.

Wearing Thin

The resurgence of long, skinny, purely decorative scarves, largely popularized in the 2000s boho-chic era, continues into Spring 2027. They do put excess fabric to good use, and given their size, they shouldn't cost too much at retail. (Recession indicator?)

Good as Marigold

Spring 2027's most overwhelmingly popular color was marigold: It felt like the floral orange-y yellow was popping up at every runway, from Ashlyn and Emily Dawn Long, to Carolina Herrera and Michael Kors — and it's not even a "color of the year" ...yet.

Right to Bare Arm

One of Spring 2027's least straightforward trends involved deliberate attempts to subvert the traditional two-sleeve (or -strap) concept we've come to expect from clothing. At Collina Strada, Cult Gaia, Rio and 6397, models walked the runway looking liked they'd begun the process of removing their sweater and just decided to stop with one arm out. Carolina Herrera achieved the cardigan equivalent of whatever that was. Elsewhere — Zankov, Ashlyn, Grace Ling and others — garments were designed to keep one arm (or at least part of it) free and bare, while clothing the other. Good luck with hangers!

Modern Mauvel

For whatever reason, it's rare to encounter a pink-free collection these days; this season, several designers seemed unable to decide what shade of pink to go with, so perhaps they mixed them all together to create an assortment of muted, dusty mauves.

Big 'Lottes

Capris and culottes are going neck-and-neck (calf-and-calf?) for the title of fashion's favorite cropped pant silhouette, and judging by the New York collections, culottes may be winning. The elongated shorts came in all shapes in sizes: sleek and tailored at Fforme and Calvin Klein, big and baggy at Area and Collina Strada, and even sequined at Patbo and Advisry.

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After season upon season of teeny bags that barely fit a lip gloss, let alone a laptop, we’re here to report that luxuriously capacious bags are officially making a triumphant return, and we couldn’t be more pleased. Social media and the fashion crowd have fully endorsed the roomy tote, and it’s not difficult to see why everyone has been so obsessed: Bags that are stylish and functional just make sense.

While it’s fair to assume a handbag that fits a laptop, tablet, reusable water bottle, makeup case, notebook and every other busy-girl essential is going to be a bulky, unwieldy outfit-ruiner, Charles & Keith has accessories figured out. So of course, the Singapore-based brand cracked the code on making roomy bags that are actually chic.

A recent viral TikTok video featuring the Charles & Keith’s Calla Tote proved just how possible it is to meld form and function in an elevated accessory that’s perfectly on-trend. It even spurred waitlists for the bag’s next colorway drop. (Stone Grey Suede? Yes, please.)

@ctinefg

Replying to @sofia.zxr ok but the calla tote bag actually fits a lot 🤨 for reference I have a 13 inch MacBook Pro!! @CHARLESKEITHOFFICIAL code COMAMBAU15-RG6DI32K3H to save 15% 💗 #charleskeithcommunity #imwithcharleskeith #corporategirlies #workbag #unibag

♬ original sound – chrissy

The label also recently expanded its oversized bags offering with the introduction of the Aislin Tote, a versatile shoulder bag that can also be slung cross-body for a modern, laid-back look. Despite its sophisticated exterior, three wearable colorways and easy-yet-polished aesthetic, the Aislin isn’t just about looks. It’s also, in fact, a carryall that – like its aforementioned Charles & Keith sister, the Calla — can accommodate, well, all you could possibly want to carry.

Another new addition to the brand’s spacious bag lineup is the Large Ginerva Tote, a softly structured, vintage-y silhouette that’s equal parts “cool girl” and “chic professional.” With a zip closure, short double handles and adjustable, detachable shoulder strap, it’s the perfect bring-with-you-everywhere bag.

View the 2 images of this gallery on the original article

With back to school season and RTO in full swing, Charles & Keith’s accessories are ready to get you through everything fall has in store. See (and shop!) the brand’s most stylish, waitlist-worthy handbag styles below.

Charles & Keith Large Ginerva Tote Bag, $149, available here

Charles & Keith Aislin Hobo Bag in Pecan Brown, $139, available here

Charles & Keith Aislin Hobo Bag in Black, $139, available here

Charles & Keith XL Calla Tote Bag in Stone Grey, $159, available here