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  <channel>
    <title>ArchDaily Global</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Sat, 6 Jun 2026 00:00:00 +0000</lastBuildDate>
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    <item>
      <title>
        <![CDATA[É Um Restaurante / SIA arquitectura + gonçalves perić]]>
      </title>
      <link>https://www.archdaily.com/1041041/e-um-restaurante-sia-arquitectura-plus-goncalves-peric</link>
      <pubDate>Sat, 06 Jun 2026 11:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Restaurants & Bars]]>
      </category>
      <category>
        <![CDATA[Restaurant]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041041/e-um-restaurante-sia-arquitectura-plus-goncalves-peric</guid>
      <description>
        <![CDATA[<p>The project was made in partnership with the association CRESCER, which supports people in social vulnerability, and the Municipality of <a href="https://www.archdaily.com/tag/amadora">Amadora</a>. We sought to make the space inhabited from the very first moment.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041041/e-um-restaurante-sia-arquitectura-plus-goncalves-peric/69f0b74c20d6d80001663deb-e-um-restaurante-sia-arquitectura-plus-goncalves-peric-photo" rel="attachment" title="featured_image">
    <img title="© Charlotte Auger" src="https://images.adsttc.com/media/images/69f0/b74c/20d6/d800/0166/3deb/medium_jpg/Charlotte_Auger_08.jpg?1777383313" alt="© Charlotte Auger"/>
  </a>
  <small>© Charlotte Auger</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.sia-arquitectura.com/'>SIA arquitectura</a></li><li><strong>architects:</strong> <a href='http://www.goncalves-peric.com'>gonçalves perić</a></li><li><strong>Location:</strong> Amadora, Portugal</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Charlotte Auger</li><li><strong>Photographs:</strong> João Lança de Morais</li><li><strong>Area:</strong> 369.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041041/e-um-restaurante-sia-arquitectura-plus-goncalves-peric">Read more »</a></p>]]>
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    <item>
      <title>
        <![CDATA[Renovation in Veillac / Atelier AJO]]>
      </title>
      <link>https://www.archdaily.com/1042087/renovation-in-veillac-atelier-ajo</link>
      <pubDate>Sat, 06 Jun 2026 09:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042087/renovation-in-veillac-atelier-ajo</guid>
      <description>
        <![CDATA[<p>The project consists of the rehabilitation of a former farmhouse, uninhabited and previously used to accommodate agricultural workers, that forms part of a larger ensemble organized around a central courtyard.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042087/renovation-in-veillac-atelier-ajo/6a1e8c2935eb240001f04bf6-renovation-in-veillac-atelier-ajo-photo" rel="attachment" title="featured_image">
    <img title="© Sandrine Iratçabal" src="https://images.adsttc.com/media/images/6a1e/8c29/35eb/2400/01f0/4bf6/medium_jpg/sandrineiratcabal_2026_AAJO_MAISONVEILLAC_PONT_DE_SALARS_HD-2.jpg?1780386944" alt="© Sandrine Iratçabal"/>
  </a>
  <small>© Sandrine Iratçabal</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.atelierajo.com'>Atelier AJO</a></li><li><strong>Location:</strong> Pont-de-Salars, France</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Sandrine Iratçabal</li><li><strong>Area:</strong> 170.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042087/renovation-in-veillac-atelier-ajo">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Designed to Repeat, Forced to Adapt: The Parallel Architecture of Socialist Housing]]>
      </title>
      <link>https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing</link>
      <pubDate>Sat, 06 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing</guid>
      <description>
        <![CDATA[<p>A <a href="https://www.archdaily.com/789828/discover-the-grit-and-glory-of-new-belgrades-communist-architecture">housing block in New Belgrade</a> appears orderly from a distance. <a href="https://www.archdaily.com/981407/concrete-estates-the-legacy-of-soviet-era-housing">Concrete slabs repeat</a> with disciplined consistency, windows align into measured grids, and balconies stack with the confidence of a system certain of itself. However, proximity changes the reading. One <a href="https://www.archdaily.com/940952/a-display-of-informal-architecture-new-documentary-on-the-ukrainian-makeshift-balconies-phenomenon">balcony is enclosed in aluminum glazing</a>, another softened with improvised shading. Insulation thickens part of a façade while laundry frames another edge like an accidental elevation study. The district still reads as planned, though occupation has made its order less uniform. Within that order, <a href="https://www.archdaily.com/1011352/the-paradox-of-symmetry-and-grace-in-the-repetition-of-architectural-elements">repetition has gradually been rewritten</a> through occupation.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing/6a15a869fd529207909d278e-designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing-image" rel="attachment" title="featured_image">
    <img title="Novi Beograd (New Belgrade), a planned city built in 1948. Photo © Piotr Bednarski" src="https://images.adsttc.com/media/images/6a15/a869/fd52/9207/909d/278e/medium_jpg/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing_13.jpg?1779804278" alt="Novi Beograd (New Belgrade), a planned city built in 1948. Photo © Piotr Bednarski"/>
  </a>
  <small>Novi Beograd (New Belgrade), a planned city built in 1948. Photo © Piotr Bednarski</small>
</figure>
<p><p>A <a href="https://www.archdaily.com/789828/discover-the-grit-and-glory-of-new-belgrades-communist-architecture">housing block in New Belgrade</a> appears orderly from a distance. <a href="https://www.archdaily.com/981407/concrete-estates-the-legacy-of-soviet-era-housing">Concrete slabs repeat</a> with disciplined consistency, windows align into measured grids, and balconies stack with the confidence of a system certain of itself. However, proximity changes the reading. One <a href="https://www.archdaily.com/940952/a-display-of-informal-architecture-new-documentary-on-the-ukrainian-makeshift-balconies-phenomenon">balcony is enclosed in aluminum glazing</a>, another softened with improvised shading. Insulation thickens part of a façade while laundry frames another edge like an accidental elevation study. The district still reads as planned, though occupation has made its order less uniform. Within that order, <a href="https://www.archdaily.com/1011352/the-paradox-of-symmetry-and-grace-in-the-repetition-of-architectural-elements">repetition has gradually been rewritten</a> through occupation.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[“Gauguin, l’Atelier du Pouldu” Interpretation Centre / Modal Architecture + Quartz Architecture]]>
      </title>
      <link>https://www.archdaily.com/1042088/gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture</link>
      <pubDate>Sat, 06 Jun 2026 06:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042088/gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture</guid>
      <description>
        <![CDATA[<p>The project is inspired by the artistic legacy of Paul Gauguin and the painters who stayed in Le Pouldu at the end of the 19th century. The architecture seeks to preserve the spirit and perception of the former Buvette de la Plage, where Gauguin and his companions lived and worked, while creating a contemporary cultural facility that can welcome a wider audience.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042088/gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture/6a1e8c2e35eb240001f04c2b-gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture-photo" rel="attachment" title="featured_image">
    <img title="© Eric Sueur" src="https://images.adsttc.com/media/images/6a1e/8c2e/35eb/2400/01f0/4c2b/medium_jpg/251119-MODAL_QUARTZ-CLOHARS_CARNOET-248.jpg?1780387175" alt="© Eric Sueur"/>
  </a>
  <small>© Eric Sueur</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.modal-architecture.com'>Modal Architecture</a></li><li><strong>architects:</strong> Quartz Architecture</li><li><strong>Location:</strong> Clohars-Carnoët, France</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Eric Sueur</li><li><strong>Area:</strong> 1000.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042088/gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a1e/8c2e/35eb/2400/01f0/4c2b/medium_jpg/251119-MODAL_QUARTZ-CLOHARS_CARNOET-248.jpg?1780387175"/>
    </item>
    <item>
      <title>
        <![CDATA[Modum Atelier Nanjing Office / Modum Atelier]]>
      </title>
      <link>https://www.archdaily.com/1019505/modum-atelier-nanjing-office-modum-atelier</link>
      <pubDate>Sat, 06 Jun 2026 02:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Offices Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1019505/modum-atelier-nanjing-office-modum-atelier</guid>
      <description>
        <![CDATA[<p>The new office of Modum Atelir is located in the middle part of the rows of bungalows in National Leading Talents Pioneer Park, which used to be the General Bureau of Silver Dollar Minting in Jiangnan during the late Qing Dynasty. It is separated by a stone tunnel and adjacent to the Ming City Wall site. The original floor height of the interior was five meters, and the floor plan was evenly divided into two parts by a structural wall. The height of the floor and the insulation of the wall result in a passive energy-saving disadvantage of the house, and the structural wall in the center also brings difficulties in spatial integration. The townhouse where the studio is located is in a low-lying part of the park. In the summer, when rainfall is abundant, rainwater may back up into the house.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1019505/modum-atelier-nanjing-office-modum-atelier/66a962c2aa9b6b3fc3ce75fb-modum-atelier-nanjing-office-modum-atelier-photo" rel="attachment" title="featured_image">
    <img title="© AYstudio" src="https://images.adsttc.com/media/images/66a9/62c2/aa9b/6b3f/c3ce/75fb/medium_jpg/modum-atelier-nanjing-office-modum-atelier_7.jpg?1722377020" alt="© AYstudio"/>
  </a>
  <small>© AYstudio</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.studiomodum.com'>Modum Atelier</a></li><li><strong>Location:</strong> Nan Jing Shi, China</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> AYstudio</li><li><strong>Area:</strong> 67.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1019505/modum-atelier-nanjing-office-modum-atelier">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[JER café at Tselinny Center of Contemporary Culture  / NAAW]]>
      </title>
      <link>https://www.archdaily.com/1042118/jer-cafe-at-tselinny-center-of-contemporary-culture-naaw</link>
      <pubDate>Fri, 05 Jun 2026 19:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Hospitality Interiors]]>
      </category>
      <category>
        <![CDATA[Coffee Shop Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042118/jer-cafe-at-tselinny-center-of-contemporary-culture-naaw</guid>
      <description>
        <![CDATA[<p>As part of the transformation of Almaty's former Soviet-era Tselinny cinema into the Tselinny Center of Contemporary Art, led by Asif Khan Studio, NAAW was commissioned to develop the interior concept and design for the JER café located within the building.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042118/jer-cafe-at-tselinny-center-of-contemporary-culture-naaw/6a1ee9d435eb240001f052b9-jer-cafe-at-tselinny-center-of-contemporary-culture-naaw-photo" rel="attachment" title="featured_image">
    <img title="© Damir Otegen" src="https://images.adsttc.com/media/images/6a1e/e9d4/35eb/2400/01f0/52b9/medium_jpg/Naaw_Tselinniy_5.jpg?1780410911" alt="© Damir Otegen"/>
  </a>
  <small>© Damir Otegen</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.naaw.studio/'>NAAW</a></li><li><strong>Location:</strong> Almaty, Kazakhstan</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Damir Otegen</li><li><strong>Area:</strong> 150.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042118/jer-cafe-at-tselinny-center-of-contemporary-culture-naaw">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a1e/e9d4/35eb/2400/01f0/52b9/medium_jpg/Naaw_Tselinniy_5.jpg?1780410911"/>
    </item>
    <item>
      <title>
        <![CDATA[Herradura Cabin / ALMA de Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/1041481/herradura-cabin-alma-de-arquitectos</link>
      <pubDate>Fri, 05 Jun 2026 15:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Lodging]]>
      </category>
      <category>
        <![CDATA[Cabins & Lodges]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041481/herradura-cabin-alma-de-arquitectos</guid>
      <description>
        <![CDATA[<p>The design of the Herradura Cabin in the Primavera Forest arises from a fundamental premise: architecture must adapt to the environment and not the other way around. The horseshoe shape results from respecting the location of existing trees, allowing the construction to sit in the free spaces of the land without altering the original vegetation.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041481/herradura-cabin-alma-de-arquitectos/69ef28ab2f06ec0001cd06e5-herradura-cabin-alma-de-arquitectos-photo" rel="attachment" title="featured_image">
    <img title="© César Belio" src="https://images.adsttc.com/media/images/69ef/28ab/2f06/ec00/01cd/06e5/medium_jpg/Caban_a_Herradura-foto001.jpg?1777281213" alt="© César Belio"/>
  </a>
  <small>© César Belio</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://almadearquitectos.com/'>ALMA de Arquitectos</a></li><li><strong>Location:</strong> Zapopan, México</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> César Belio</li><li><strong>Area:</strong> 340.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041481/herradura-cabin-alma-de-arquitectos">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69ef/28ab/2f06/ec00/01cd/06e5/medium_jpg/Caban_a_Herradura-foto001.jpg?1777281213"/>
    </item>
    <item>
      <title>
        <![CDATA[Des Cimes Dental Clinic / CARTA. Architecte + Designer]]>
      </title>
      <link>https://www.archdaily.com/1042023/des-cimes-dental-clinic-carta-architecte-plus-designer</link>
      <pubDate>Fri, 05 Jun 2026 12:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Healthcare Architecture]]>
      </category>
      <category>
        <![CDATA[Healthcare]]>
      </category>
      <category>
        <![CDATA[clinic]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042023/des-cimes-dental-clinic-carta-architecte-plus-designer</guid>
      <description>
        <![CDATA[<p>Located in Val-David—a picturesque Laurentian community 80 kilometers north of Montreal—this new dental and implantology clinic sits within a distinctive, sustainable building. The two-story project includes a dedicated commercial space and was designed to reflect the village's renowned artistic spirit and rugged natural beauty.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042023/des-cimes-dental-clinic-carta-architecte-plus-designer/6a19e21135eb240001f04aa9-des-cimes-dental-clinic-carta-architecte-plus-designer-photo" rel="attachment" title="featured_image">
    <img title="© David Boyer" src="https://images.adsttc.com/media/images/6a19/e211/35eb/2400/01f0/4aa9/medium_jpg/__David_Boyer_Photographe_INC._0001.jpg?1780081203" alt="© David Boyer"/>
  </a>
  <small>© David Boyer</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.cartaarchitecte.com/'>CARTA. Architecte + Designer</a></li><li><strong>Location:</strong> Val-David, Canada</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> David Boyer</li><li><strong>Area:</strong> 6363.0 ft2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042023/des-cimes-dental-clinic-carta-architecte-plus-designer">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a19/e211/35eb/2400/01f0/4aa9/medium_jpg/__David_Boyer_Photographe_INC._0001.jpg?1780081203"/>
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    <item>
      <title>
        <![CDATA[House Transformation in Harmonia / Atelier 008]]>
      </title>
      <link>https://www.archdaily.com/1042083/house-transformation-in-harmonia-atelier-008</link>
      <pubDate>Fri, 05 Jun 2026 10:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042083/house-transformation-in-harmonia-atelier-008</guid>
      <description>
        <![CDATA[<p>The house in Harmónia represents a rigorous spatial purification that transforms a fragmented 1960s structure into a meditative retreat by uncovering its load-bearing essence.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042083/house-transformation-in-harmonia-atelier-008/6a1e8b0435eb240001f04ba0-house-transformation-in-harmonia-atelier-008-photo" rel="attachment" title="featured_image">
    <img title="© Matej Hakár" src="https://images.adsttc.com/media/images/6a1e/8b04/35eb/2400/01f0/4ba0/medium_jpg/int-11_matejhakar__L3A4407.jpg?1780386645" alt="© Matej Hakár"/>
  </a>
  <small>© Matej Hakár</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.atelier008.sk'>Atelier 008</a></li><li><strong>Location:</strong> Modra, Slovakia</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> <a href='https://www.matejhakar.com/'>Matej Hakár</a></li><li><strong>Area:</strong> 201.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042083/house-transformation-in-harmonia-atelier-008">Read more »</a></p>]]>
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      <title>
        <![CDATA[Brasília and Chandigarh: Two Modernist Utopias an Ocean Apart]]>
      </title>
      <link>https://www.archdaily.com/1041821/brasilia-and-chandigarh-two-modernist-utopias-an-ocean-apart</link>
      <pubDate>Fri, 05 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041821/brasilia-and-chandigarh-two-modernist-utopias-an-ocean-apart</guid>
      <description>
        <![CDATA[<p>Between the 1950s and 1960s, two cities were built that would leave a lasting mark on the history of architecture and urbanism. Born from a <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">shared vision</a> yet separated by more than 14,000 kilometers, <a href="https://www.archdaily.com/tag/brasilia" target="_blank" rel="noopener">Brasília</a> in <a href="https://www.archdaily.com/search/projects/country/brazil" target="_blank" rel="noopener">Brazil</a> and <a href="https://www.archdaily.com/tag/chandigarh" target="_blank" rel="noopener">Chandigarh</a> in <a href="https://www.archdaily.com/country/india" target="_blank" rel="noopener">India</a> were both planned and <a href="https://www.archdaily.com/948273/the-5-points-of-modern-architecture-in-contemporary-projects" target="_blank" rel="noopener">constructed from scratch</a>, deeply shaped by <a href="https://www.archdaily.com/948273/the-5-points-of-modern-architecture-in-contemporary-projects" target="_blank" rel="noopener">modernist principles</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041821/brasilia-and-chandigarh-two-modernist-utopias-an-ocean-apart/6a0f866b093e9201898657dc-brasilia-and-chandigarh-two-modernist-utopias-an-ocean-apart-image" rel="attachment" title="featured_image">
    <img title="Brasília © Joana França" src="https://images.adsttc.com/media/images/6a0f/866b/093e/9201/8986/57dc/medium_jpg/brasilia-e-chandigarh-duas-utopias-modernistas-do-seculo-xx_6.jpg?1779402353" alt="Brasília © Joana França"/>
  </a>
  <small>Brasília © Joana França</small>
</figure>
<p><p>Between the 1950s and 1960s, two cities were built that would leave a lasting mark on the history of architecture and urbanism. Born from a <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">shared vision</a> yet separated by more than 14,000 kilometers, <a href="https://www.archdaily.com/tag/brasilia" target="_blank" rel="noopener">Brasília</a> in <a href="https://www.archdaily.com/search/projects/country/brazil" target="_blank" rel="noopener">Brazil</a> and <a href="https://www.archdaily.com/tag/chandigarh" target="_blank" rel="noopener">Chandigarh</a> in <a href="https://www.archdaily.com/country/india" target="_blank" rel="noopener">India</a> were both planned and <a href="https://www.archdaily.com/948273/the-5-points-of-modern-architecture-in-contemporary-projects" target="_blank" rel="noopener">constructed from scratch</a>, deeply shaped by <a href="https://www.archdaily.com/948273/the-5-points-of-modern-architecture-in-contemporary-projects" target="_blank" rel="noopener">modernist principles</a>.</p></p><p><p>Emerging during a period of profound political and social transformation, when many nations sought to redefine their capitals as symbols of progress, both cities assumed a <a href="https://www.fredericodeholanda.com.br/texts/holanda_&amp;_medeiros_2012_order_&amp;_disorder_brasilia_&amp;_chandigarh_final_version.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">strategic role</a>. Through their architectural language, they reinforced ideological and national narratives closely tied to state power.</p></p><p><p>These were cities conceived in the abstract, guided by a utopian vision. They were intended to be avant-garde urban centers, free from the deficiencies that plagued mid-twentieth-century cities, embodying aesthetic principles aligned with progressive political ideals and embracing new technologies&mdash;most notably the automobile.</p></p><p><p>Yet this promise of the future also <a href="https://www.archdaily.com/875833/jan-gehl-the-modern-movement-put-an-end-to-the-human-scale" target="_blank" rel="noopener">generated significant challenges</a>. While these difficulties undoubtedly reflect the social and economic realities of their respective countries, they were also shaped by a modernist vision that is increasingly being reassessed today.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041821/brasilia-and-chandigarh-two-modernist-utopias-an-ocean-apart">Read more »</a></p>]]>
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      <title>
        <![CDATA[La Vallée Verte / MVRDV]]>
      </title>
      <link>https://www.archdaily.com/1042194/la-vallee-verte-mvrdv</link>
      <pubDate>Fri, 05 Jun 2026 07:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Housing]]>
      </category>
      <category>
        <![CDATA[Apartments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042194/la-vallee-verte-mvrdv</guid>
      <description>
        <![CDATA[<p>MVRDV has completed construction of La Vallée Verte, a residential project within the Bastide Niel district of <a href="https://www.archdaily.com/tag/bordeaux">Bordeaux</a>. Situated between the shaded streets and former railway tracks of MVRDV's own Bastide Niel masterplan, the project combines the angled forms of the masterplan's "suncuts" with a verdant "crater": a circular internal courtyard with an intense abundance of plants adorning generous terraces. Providing 70 new homes of varying sizes to attract residents in all stages of life, the project's sleek white exterior blends in as part of this brand new, innovative urban district, while the inner courtyard offers a distinctive and secluded park-like space in which residents and visitors can relax.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042194/la-vallee-verte-mvrdv/6a216ceb58b9e00189195275-la-vallee-verte-mvrdv-photo" rel="attachment" title="featured_image">
    <img title="© Paul Lefevre" src="https://images.adsttc.com/media/images/6a21/6ceb/58b9/e001/8919/5275/medium_jpg/la-vallee-verte-mvrdv_1.jpg?1780575495" alt="© Paul Lefevre"/>
  </a>
  <small>© Paul Lefevre</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.mvrdv.com/'>MVRDV</a></li><li><strong>Location:</strong> Bordeaux, France</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Paul Lefevre</li><li><strong>Photographs:</strong> Matthieu Lecouvey</li><li><strong>Area:</strong> 5250.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042194/la-vallee-verte-mvrdv">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[The Death of Dry Powder? Why Ready-Mixed Finishes Are Taking Over]]>
      </title>
      <link>https://www.archdaily.com/1041865/the-death-of-dry-powder-why-ready-mixed-finishes-are-taking-over</link>
      <pubDate>Fri, 05 Jun 2026 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041865/the-death-of-dry-powder-why-ready-mixed-finishes-are-taking-over</guid>
      <description>
        <![CDATA[<p>In an industry defined by engineering tolerances and performance certainty, interior finishing still relies on a process that introduces variability into every project. Even experienced applicators often depend on judgement-based mixing—estimating water ratios and adjusting by feel until the material appears workable. While skill reduces variability, it does not eliminate it. The result is inherent inconsistency that transfers directly onto the finished surface.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041865/the-death-of-dry-powder-why-ready-mixed-finishes-are-taking-over/6a159133093e9201898665ef-the-death-of-dry-powder-why-ready-mixed-finishes-are-taking-over-image" rel="attachment" title="featured_image">
    <img title="Courtesy of Terraco" src="https://images.adsttc.com/media/images/6a15/9133/093e/9201/8986/65ef/medium_jpg/the-death-of-dry-powder-why-ready-mixed-finishes-are-taking-over_1.jpg?1779798331" alt="Courtesy of Terraco"/>
  </a>
  <small>Courtesy of Terraco</small>
</figure>
<p><p>In an industry defined by engineering tolerances and performance certainty, interior finishing still relies on a process that introduces variability into every project. Even experienced applicators often depend on judgement-based mixing—estimating water ratios and adjusting by feel until the material appears workable. While skill reduces variability, it does not eliminate it. The result is inherent inconsistency that transfers directly onto the finished surface.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041865/the-death-of-dry-powder-why-ready-mixed-finishes-are-taking-over">Read more »</a></p>]]>
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      <title>
        <![CDATA[World Environment Day 2026 Coincides with Record Heatwaves, Renewing Focus on Climate Adaptation in Cities]]>
      </title>
      <link>https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities</link>
      <pubDate>Fri, 05 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities</guid>
      <description>
        <![CDATA[<p>As <a href="https://www.archdaily.com/tag/europe">Europe</a> experiences one of its earliest and most intense <a href="https://www.archdaily.com/1019144/coping-with-extreme-heat-how-cities-are-confronting-the-heatwave-in-eastern-and-southern-europe" target="_blank" rel="noopener">heatwaves in recent years</a>, <a href="https://www.worldenvironmentday.global/2026/about/theme-and-host?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">World Environment Day 2026</a> arrives amid renewed discussions about climate adaptation, urban resilience, and the capacity of cities to respond to increasingly extreme temperatures. Across <a href="https://www.archdaily.com/country/portugal/page/1" target="_blank" rel="noopener">Portugal</a>, <a href="https://www.archdaily.com/country/france/page/1" target="_blank" rel="noopener">France</a>, <a href="https://www.archdaily.com/country/italy/page/1" target="_blank" rel="noopener">Italy</a>, <a href="https://www.archdaily.com/country/spain/page/1" target="_blank" rel="noopener">Spain</a>, <a href="https://www.archdaily.com/country/germany/page/1" target="_blank" rel="noopener">Germany</a>, <a href="https://www.archdaily.com/country/switzerland/page/1" target="_blank" rel="noopener">Switzerland</a>, <a href="https://www.archdaily.com/country/ireland/page/1" target="_blank" rel="noopener">Ireland</a>, and the <a href="https://www.archdaily.com/country/united-kingdom/page/1" target="_blank" rel="noopener">United Kingdom</a>, temperatures have surged well above seasonal averages, prompting heat alerts, school closures, emergency planning measures, and growing concerns about the performance of buildings and public infrastructure under prolonged heat stress. The convergence of these highlights a reality that is becoming increasingly worldwide: <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a> is no longer solely an environmental concern but an issue that is fundamentally reshaping the spaces where people live, work, and gather.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities/6a22a7c354defb0189c8f1d9-world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities-photo" rel="attachment" title="featured_image">
    <img title="La Rambla pedestrian street in Barcelona city. Image © Noppasin Wongchum via Shutterstock" src="https://images.adsttc.com/media/images/6a22/a7c3/54de/fb01/89c8/f1d9/medium_jpg/world-environment-day-2026-arrives-during-record-heatwaves-renewing-focus-on-climate-adaptation-in-the-built-environment_7.jpg?1780656077" alt="La Rambla pedestrian street in Barcelona city. Image © Noppasin Wongchum via Shutterstock"/>
  </a>
  <small>La Rambla pedestrian street in Barcelona city. Image © Noppasin Wongchum via Shutterstock</small>
</figure>
<p><p>As <a href="https://www.archdaily.com/tag/europe">Europe</a> experiences one of its earliest and most intense <a href="https://www.archdaily.com/1019144/coping-with-extreme-heat-how-cities-are-confronting-the-heatwave-in-eastern-and-southern-europe" target="_blank" rel="noopener">heatwaves in recent years</a>, <a href="https://www.worldenvironmentday.global/2026/about/theme-and-host?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">World Environment Day 2026</a> arrives amid renewed discussions about climate adaptation, urban resilience, and the capacity of cities to respond to increasingly extreme temperatures. Across <a href="https://www.archdaily.com/country/portugal/page/1" target="_blank" rel="noopener">Portugal</a>, <a href="https://www.archdaily.com/country/france/page/1" target="_blank" rel="noopener">France</a>, <a href="https://www.archdaily.com/country/italy/page/1" target="_blank" rel="noopener">Italy</a>, <a href="https://www.archdaily.com/country/spain/page/1" target="_blank" rel="noopener">Spain</a>, <a href="https://www.archdaily.com/country/germany/page/1" target="_blank" rel="noopener">Germany</a>, <a href="https://www.archdaily.com/country/switzerland/page/1" target="_blank" rel="noopener">Switzerland</a>, <a href="https://www.archdaily.com/country/ireland/page/1" target="_blank" rel="noopener">Ireland</a>, and the <a href="https://www.archdaily.com/country/united-kingdom/page/1" target="_blank" rel="noopener">United Kingdom</a>, temperatures have surged well above seasonal averages, prompting heat alerts, school closures, emergency planning measures, and growing concerns about the performance of buildings and public infrastructure under prolonged heat stress. The convergence of these highlights a reality that is becoming increasingly worldwide: <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a> is no longer solely an environmental concern but an issue that is fundamentally reshaping the spaces where people live, work, and gather.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities">Read more »</a></p>]]>
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      <title>
        <![CDATA[Camp Meeker Cabin / Renée del Gaudio Architecture]]>
      </title>
      <link>https://www.archdaily.com/1042199/camp-meeker-cabin-renee-del-gaudio-architecture</link>
      <pubDate>Fri, 05 Jun 2026 06:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Lodging]]>
      </category>
      <category>
        <![CDATA[Cabins & Lodges]]>
      </category>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042199/camp-meeker-cabin-renee-del-gaudio-architecture</guid>
      <description>
        <![CDATA[<p>Built at the base of Mt. Meeker, this zero-carbon cabin brings together multiple generations of a family that has visited the valley for nearly a century. Anchored in both landscape and history, Camp Meeker looks ahead, offering a model for the next century of cabin design in the region.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042199/camp-meeker-cabin-renee-del-gaudio-architecture/6a21fde0d2d36e000102f183-camp-meeker-cabin-renee-del-gaudio-architecture-photo" rel="attachment" title="featured_image">
    <img title="© David Lauer" src="https://images.adsttc.com/media/images/6a21/fde0/d2d3/6e00/0102/f183/medium_jpg/8_CampMeeker-0016.jpg?1780612669" alt="© David Lauer"/>
  </a>
  <small>© David Lauer</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.rdg-architecture.com/'>Renée del Gaudio Architecture</a></li><li><strong>Location:</strong> Allenspark, United States</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> David Lauer</li><li><strong>Area:</strong> 2100.0 ft2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042199/camp-meeker-cabin-renee-del-gaudio-architecture">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a21/fde0/d2d3/6e00/0102/f183/medium_jpg/8_CampMeeker-0016.jpg?1780612669"/>
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      <title>
        <![CDATA[BIG Designs Dual-Volume EVE Music Hall Amid Agricultural Landscape in Čepin, Croatia]]>
      </title>
      <link>https://www.archdaily.com/1042200/big-designs-dual-volume-eve-music-hall-amid-agricultural-landscape-in-cepin-croatia</link>
      <pubDate>Fri, 05 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042200/big-designs-dual-volume-eve-music-hall-amid-agricultural-landscape-in-cepin-croatia</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/bjarke-ingels-group" target="_blank" rel="noopener">BIG – Bjarke Ingels Group</a> is nearing completion of the EVE <a href="https://www.archdaily.com/tag/music-hall">Music Hall</a> in Čepin, eastern <a href="https://www.archdaily.com/country/croatia" target="_blank" rel="noopener">Croatia</a>, designed in collaboration with <a href="https://www.archdaily.com/professional/sirrah-projekt" target="_blank" rel="noopener">SIRRAH projekt</a> and <a href="https://www.archdaily.com/professional/theatre-projects" target="_blank" rel="noopener">Theatre Projects</a>. The 10,000 m² project contains a live music venue, congress facilities, exhibition spaces, a café, and rooftop event spaces. The venue is expected to host concerts, conferences, exhibitions, and cultural activities, accommodating nearly 4,000 guests indoors and up to 25,000 outdoors. The new cultural building marks the office's first project in Croatia and is expected to become its first completed music performance venue in early 2027.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042200/big-designs-dual-volume-eve-music-hall-amid-agricultural-landscape-in-cepin-croatia/6a22370c325f93018750fb5b-big-designs-dual-volume-eve-music-hall-amid-agricultural-landscape-in-cepin-croatia-photo" rel="attachment" title="featured_image">
    <img title="EVE Music Hall project in Čepin, eastern Croatia. Image © BIG / Bjarke Ingels Group" src="https://images.adsttc.com/media/images/6a22/370c/325f/9301/8750/fb5b/medium_jpg/eve-music-hall_1.jpg?1780627257" alt="EVE Music Hall project in Čepin, eastern Croatia. Image © BIG / Bjarke Ingels Group"/>
  </a>
  <small>EVE Music Hall project in Čepin, eastern Croatia. Image © BIG / Bjarke Ingels Group</small>
</figure>
<p><p><a href="https://www.archdaily.com/office/bjarke-ingels-group" target="_blank" rel="noopener">BIG – Bjarke Ingels Group</a> is nearing completion of the EVE <a href="https://www.archdaily.com/tag/music-hall">Music Hall</a> in Čepin, eastern <a href="https://www.archdaily.com/country/croatia" target="_blank" rel="noopener">Croatia</a>, designed in collaboration with <a href="https://www.archdaily.com/professional/sirrah-projekt" target="_blank" rel="noopener">SIRRAH projekt</a> and <a href="https://www.archdaily.com/professional/theatre-projects" target="_blank" rel="noopener">Theatre Projects</a>. The 10,000 m² project contains a live music venue, congress facilities, exhibition spaces, a café, and rooftop event spaces. The venue is expected to host concerts, conferences, exhibitions, and cultural activities, accommodating nearly 4,000 guests indoors and up to 25,000 outdoors. The new cultural building marks the office's first project in Croatia and is expected to become its first completed music performance venue in early 2027.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042200/big-designs-dual-volume-eve-music-hall-amid-agricultural-landscape-in-cepin-croatia">Read more »</a></p>]]>
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      <title>
        <![CDATA[The Nordhavn Case: 10 Projects Transforming Copenhagen’s Harbor into a Model of Urban Regeneration and Sustainability]]>
      </title>
      <link>https://www.archdaily.com/1035510/the-nordhavn-case-10-projects-transforming-copenhagens-harbor-into-a-model-of-urban-regeneration-and-sustainability</link>
      <pubDate>Fri, 05 Jun 2026 05:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035510/the-nordhavn-case-10-projects-transforming-copenhagens-harbor-into-a-model-of-urban-regeneration-and-sustainability</guid>
      <description>
        <![CDATA[<p>What happens when a city’s industrial <a href="https://www.archdaily.com/tag/heritage" target="_blank" rel="noopener">past</a> becomes the raw material for its future? In <a href="https://www.archdaily.com/146702/architecture-city-guide-copenhagen" target="_blank" rel="noopener">Copenhagen</a>, <a href="https://www.archdaily.com/tag/nordhavn" target="_blank" rel="noopener">Nordhavn</a> transforms the <a href="https://www.archdaily.com.br/br/926578/arquitetura-des-industrial-8-projetos-que-ressignificam-o-espaco-da-maquina" target="_blank" rel="noopener">old harbor</a> into a living laboratory of <a href="https://www.archdaily.com.br/br/1004818/urbanismo-sustentavel-de-volta-para-o-futuro" target="_blank" rel="noopener">sustainable urbanism</a>, where <a href="https://www.archdaily.com/category/warehouse" target="_blank" rel="noopener">warehouses</a> and docks give way to independent districts, small islands, and canals that redefine what it means to inhabit the city.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1035510/the-nordhavn-case-10-projects-transforming-copenhagens-harbor-into-a-model-of-urban-regeneration-and-sustainability/68f173b1966241018803f60b-the-nordhavn-case-10-projects-transforming-copenhagens-harbor-into-a-model-of-urban-regeneration-and-sustainability-image" rel="attachment" title="featured_image">
    <img title="Nordhavn © Rasmus Hjortshøj" src="https://images.adsttc.com/media/images/68f1/73b1/9662/4101/8803/f60b/medium_jpg/o-caso-nordhavn-10-projetos-que-transformam-porto-de-copenhague-em-icone-de-regeneracao-urbana-e-sustentabilidade_1.jpg?1760654268" alt="Nordhavn © Rasmus Hjortshøj"/>
  </a>
  <small>Nordhavn © Rasmus Hjortshøj</small>
</figure>
<p><p>What happens when a city’s industrial <a href="https://www.archdaily.com/tag/heritage" target="_blank" rel="noopener">past</a> becomes the raw material for its future? In <a href="https://www.archdaily.com/146702/architecture-city-guide-copenhagen" target="_blank" rel="noopener">Copenhagen</a>, <a href="https://www.archdaily.com/tag/nordhavn" target="_blank" rel="noopener">Nordhavn</a> transforms the <a href="https://www.archdaily.com.br/br/926578/arquitetura-des-industrial-8-projetos-que-ressignificam-o-espaco-da-maquina" target="_blank" rel="noopener">old harbor</a> into a living laboratory of <a href="https://www.archdaily.com.br/br/1004818/urbanismo-sustentavel-de-volta-para-o-futuro" target="_blank" rel="noopener">sustainable urbanism</a>, where <a href="https://www.archdaily.com/category/warehouse" target="_blank" rel="noopener">warehouses</a> and docks give way to independent districts, small islands, and canals that redefine what it means to inhabit the city.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1035510/the-nordhavn-case-10-projects-transforming-copenhagens-harbor-into-a-model-of-urban-regeneration-and-sustainability">Read more »</a></p>]]>
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      <title>
        <![CDATA[The Metrics We Use Decide the Cities We Build: Urban Indicators and Lived Experience]]>
      </title>
      <link>https://www.archdaily.com/1041719/the-metrics-we-use-decide-the-cities-we-build-urban-indicators-and-lived-experience</link>
      <pubDate>Fri, 05 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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      <description>
        <![CDATA[<p>Modern cities are running on performance indicators. They move millions of people each day, concentrate capital, separate land uses, and <a href="https://www.archdaily.com/1040795/ideology-of-performance-sustainability-and-the-limits-of-efficienc" target="_blank" rel="noopener">sustain complex systems of logistics</a> and consumption. In that sense, the city functions as a system to be continually adjusted and optimized. </p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041719/the-metrics-we-use-decide-the-cities-we-build-urban-indicators-and-lived-experience/6a0e90ae093e92018986544c-the-metrics-we-use-decide-the-cities-we-build-urban-indicators-and-lived-experience-photo" rel="attachment" title="featured_image">
    <img title="Twisted Valley / Grupo Aranea. Image © Jesús Granada" src="https://images.adsttc.com/media/images/6a0e/90ae/093e/9201/8986/544c/medium_jpg/the-metrics-we-use-decide-the-cities-we-build_1.jpg?1779339442" alt="Twisted Valley / Grupo Aranea. Image © Jesús Granada"/>
  </a>
  <small>Twisted Valley / Grupo Aranea. Image © Jesús Granada</small>
</figure>
<p><p>Modern cities are running on performance indicators. They move millions of people each day, concentrate capital, separate land uses, and <a href="https://www.archdaily.com/1040795/ideology-of-performance-sustainability-and-the-limits-of-efficienc" target="_blank" rel="noopener">sustain complex systems of logistics</a> and consumption. In that sense, the city functions as a system to be continually adjusted and optimized. </p></p><p><p>Today's dominant metrics are familiar and widely witnessed: vehicles per hour, average commute times, floor area ratios, parking turnover, housing starts, and tax revenue per parcel of land. These figures describe a city that is legible through efficiency. They are inherited from an industrial logic, where urban space is treated more like a production mechanism than a lived-in environment. In this framing, cities begin to mimic the needs and metrics of a machine.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041719/the-metrics-we-use-decide-the-cities-we-build-urban-indicators-and-lived-experience">Read more »</a></p>]]>
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      <title>
        <![CDATA[205 North Quay / HASSELL + REX + Richards and Spence]]>
      </title>
      <link>https://www.archdaily.com/1042192/205-north-quay-hassell-plus-rex-plus-richards-and-spence</link>
      <pubDate>Fri, 05 Jun 2026 03:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Offices]]>
      </category>
      <category>
        <![CDATA[Office buildings]]>
      </category>
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      <description>
        <![CDATA[<p>205 North Quay asserts its commercial value not by willful form, but by shrink-wrapping a slender, highly efficient structure in an equally resourceful, state-of-the-art enclosure tailored to Brisbane's subtropical climate. To enable the façade's high glazing ratio and VLT, and excellent interior lighting and color rendition, the building's long northwest and southeast faces are veiled by a copper-anodized, rolled-aluminum sunscreen composed of large ovals, geometrically tailored to their orientation.</p>]]>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042192/205-north-quay-hassell-plus-rex-plus-richards-and-spence/6a2155a858b9e001891951a8-205-north-quay-hassell-plus-rex-plus-richards-and-spence-photo" rel="attachment" title="featured_image">
    <img title="© Cieran Murphy" src="https://images.adsttc.com/media/images/6a21/55a8/58b9/e001/8919/51a8/medium_jpg/205-north-quay-hassell-plus-rex-plus-richards-and-spence_10.jpg?1780569540" alt="© Cieran Murphy"/>
  </a>
  <small>© Cieran Murphy</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.rex-ny.com/'>REX</a></li><li><strong>architects:</strong> Richards and Spence</li><li><strong>architects:</strong> <a href='https://www.hassellstudio.com/'>HASSELL</a></li><li><strong>Location:</strong> Brisbane, Australia</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> <a href='https://www.cieranmurphy.com'>Cieran Murphy</a></li><li><strong>Photographs:</strong> <a href='https://www.davidchatfield.studio/'>David Chatfield</a></li><li><strong>Photographs:</strong> Ethan Rohloff</li><li><strong>Area:</strong> 73000.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042192/205-north-quay-hassell-plus-rex-plus-richards-and-spence">Read more »</a></p>]]>
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