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href="http://www.podcastready.com/oneclick_bookmark.php?url=http%3A%2F%2Ffeeds.feedburner.com%2Ffeedcinemanarede" src="http://www.podcastready.com/images/podcastready_button.gif">Subscribe with Podcast Ready</feedburner:feedFlare><feedburner:feedFlare href="http://www.wikio.com/subscribe?url=http%3A%2F%2Ffeeds.feedburner.com%2Ffeedcinemanarede" src="http://www.wikio.com/shared/img/add2wikio.gif">Subscribe with Wikio</feedburner:feedFlare><feedburner:feedFlare href="http://www.dailyrotation.com/index.php?feed=http%3A%2F%2Ffeeds.feedburner.com%2Ffeedcinemanarede" src="http://www.dailyrotation.com/rss-dr2.gif">Subscribe with Daily Rotation</feedburner:feedFlare><feedburner:browserFriendly>Cinema na Rede - Resenhas críticas sobre os principais lançamentos do cinema, antes mesmo das estreias.</feedburner:browserFriendly><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-4466274575434367704</guid><pubDate>Mon, 20 May 2013 23:11:00 +0000</pubDate><atom:updated>2013-05-20T20:11:51.096-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Documentário</category><category domain="http://www.blogger.com/atom/ns#">Nacional</category><category domain="http://www.blogger.com/atom/ns#">Estreia 24/05</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - Walachai</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt; &lt;span class="addthis_separator"&gt;|&lt;/span&gt; &lt;a class="addthis_button_preferred_1" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_2" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_3" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_4" href=""&gt;&lt;/a&gt; &lt;br /&gt;
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&lt;a href="http://3.bp.blogspot.com/-sWG_vvVrGE0/UZqm_BH04FI/AAAAAAAAGtU/g6aN-MVqUbE/s1600/Cena-do-filme-Walachai.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme Walachai" border="0" height="208" src="http://3.bp.blogspot.com/-sWG_vvVrGE0/UZqm_BH04FI/AAAAAAAAGtU/g6aN-MVqUbE/s320/Cena-do-filme-Walachai.jpg" title="Cena do filme Walachai" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;O Brasil
não conhece o Brasil. A frase-clichê serve perfeitamente para falar de&amp;nbsp;&lt;b&gt;&lt;i&gt;Walachai&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;,
documentário escrito e dirigido pela gaúcha&amp;nbsp;&lt;/span&gt;&lt;b&gt;Rejane Zilles&lt;/b&gt;&lt;span style="font-size: small;"&gt;, que
retrata uma pequena comunidade de descendentes de alemães no interior do Rio
Grande do Sul que por muito tempo viveu entre dois mundos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;Os
habitantes de Walachai (pronuncia-se Valarrai) passaram mais de cem anos
falando apenas alemão, até que no período da Segunda Guerra Mundial, o
Presidente Getúlio Vargas baixou um decreto proibindo as colônias estrangeiras
de falar outro idioma que não o português. Como resultado, a comunidade se
fechou ainda mais, com medo de sofrer represálias por falar sua língua materna.
Além disso, todas as crianças passaram a estudar português da noite para o dia,
causando uma enorme dificuldade.&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;Um dado
curioso é que o dialeto que eles usam já não é falado na Alemanha e eles pouco
sabem do país de origem. E, embora se identifiquem como brasileiros até hoje se
ressentem da forma como a proibição afetou a comunidade.&amp;nbsp;O filme fala
ainda dos costumes trazidos do país de origem que a comunidade tenta preservar
e como conviver com o mundo urbano e super-conectado sem perder suas
características. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;h2&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;"&lt;i&gt;Walachai&lt;/i&gt;" significa 'lugar longíquo, perdido no tempo'&lt;/span&gt;&lt;/b&gt;&lt;/h2&gt;
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&lt;b&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-f2OSuE4d0nM/UZqaTzAZPiI/AAAAAAAAGtE/B3ETqdC8QXI/s1600/Poster-do-filme-Walachai.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme Walachai" border="0" src="http://4.bp.blogspot.com/-f2OSuE4d0nM/UZqaTzAZPiI/AAAAAAAAGtE/B3ETqdC8QXI/s1600/Poster-do-filme-Walachai.jpg" title="Poster do filme Walachai" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;Radicada
há mais de duas décadas no Rio de Janeiro, Zilles empreende uma viagem afetiva
de retorno ao seu lugar de origem, já que nasceu e viveu até os nove anos no
pequeno distrito que pertence ao município de Morro Reuter, a apenas 70
quilômetros de Porto Alegre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;Simples
tanto do ponto de vista técnico quando do narrativo, aprsentando depoimentos e
o dia-a-dia dos habitantes,&amp;nbsp;&lt;b&gt;&lt;i&gt;Walachai&amp;nbsp;&lt;/i&gt;&lt;/b&gt;atinge o objetivo
de revelar parte desconhecida da cultura do Brasil. Um destaque é a trilha sonora, que inclui Bach e Vivaldi, além de composições de &lt;b&gt;Felipe Radicetti..&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;O documentário soma-se
assim ao livro escrito à mão pelo&amp;nbsp;&lt;span style="background: white;"&gt;professor
e agricultor Benno Wendling, e ao curta inspirado por esse registro, também
dirigido por Rejane Zilles chamado&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="background: white;"&gt;O
Livro de Walachai,&lt;/span&gt;&amp;nbsp;&lt;/i&gt;&lt;span style="background: white;"&gt;que por sua
vez deu origem ao longa&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;&lt;span style="font-family: inherit;"&gt;Por Gilson Carvalho&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;&lt;span style="font-family: inherit;"&gt;Nota 7&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: PT-BR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;&lt;span style="font-family: inherit;"&gt;Ficha Técnica&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;Walachai &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;– &lt;/span&gt;&lt;/b&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;83 min.&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;Direção: Rejane Zilles&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Estreia 24/05&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;


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&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;&lt;span style="font-family: inherit;"&gt;Roteiro: Rejane Zilles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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</description><link>http://www.cinemanarede.com/2013/05/critica-walachai.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-sWG_vvVrGE0/UZqm_BH04FI/AAAAAAAAGtU/g6aN-MVqUbE/s72-c/Cena-do-filme-Walachai.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-3839760753947359195</guid><pubDate>Sun, 19 May 2013 00:55:00 +0000</pubDate><atom:updated>2013-05-18T21:55:57.788-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 17/05</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Comédia</category><title>Crítica - 2 Mais 2</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt; &lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
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&lt;a href="http://4.bp.blogspot.com/-8eboymMF69U/UZf9kZdRfrI/AAAAAAAAGsk/INGy0Dg0uVw/s1600/Cena-do-filme-Dois-Mais-Dois.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;2 Mais 2&amp;quot;" border="0" height="200" src="http://4.bp.blogspot.com/-8eboymMF69U/UZf9kZdRfrI/AAAAAAAAGsk/INGy0Dg0uVw/s320/Cena-do-filme-Dois-Mais-Dois.jpg" title="Cena do filme &amp;quot;2 Mais 2&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;A&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt; maior bilheteria do cinema argentino em 2012, com mais de um milhão de ingressos vendidos,&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;b&gt;2 Mais 2&lt;/b&gt;&lt;/i&gt;, de&amp;nbsp;&lt;b&gt;Diego Kaplan,&lt;/b&gt;&amp;nbsp;&lt;span style="font-family: inherit;"&gt;aborda de forma leve e divertida um tema tabu: a troca de casais. Trata-se de&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;uma comédia quase familiar, com ótimas&amp;nbsp;interpretações&amp;nbsp;e algumas boas piadas. Falha no entanto, ao ceder ao conservadorismo, (ainda) comum no continente latino-americano.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Diego (&lt;b&gt;Adrian Suar&lt;/b&gt;) e Richard (&lt;b&gt;Juan Minujin&lt;/b&gt;) são cirurgiões cardíacos de sucesso, donos de sua própria clínica. Ambos são bem casados, com Emília (&lt;b&gt;Julieta Diaz&lt;/b&gt;) e Betina (&lt;b&gt;Carla Peterson&lt;/b&gt;) respectivamente. Ricos e belos, &amp;nbsp;levam uma vida perfeita até Betina confessar a Emília que ela e Richard são &lt;i&gt;swingers,&lt;/i&gt; ou seja, praticam a troca de casais, e são muito felizes assim.. Inicialmente chocada,&amp;nbsp;Emília, que tem uma vida sexual morna com seu marido,&amp;nbsp;&amp;nbsp;começa a fantasiar com a&amp;nbsp;possibilidade. Diego, no entanto resiste o quanto pode, e fica mais temeroso ainda quando vai a uma festa de swing com os amigos para observar e aprender como se faz. O tiro sai pela culatra e ele fogei correndo, em uma das mais engraçadas sequências.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;h2&gt;
"&lt;i&gt;2 Mais 2&lt;/i&gt;" mistura comédia e sensualidade &lt;i&gt;soft&lt;/i&gt;, com bons resultados&lt;/h2&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-4FvtJWOegg4/UZgc8Ql9hSI/AAAAAAAAGs0/AceW6peoGTc/s1600/Poster-do-filme-2-Mais-2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;2 Mais 2&amp;quot;" border="0" height="320" src="http://1.bp.blogspot.com/-4FvtJWOegg4/UZgc8Ql9hSI/AAAAAAAAGs0/AceW6peoGTc/s320/Poster-do-filme-2-Mais-2.jpg" title="Poster do filme &amp;quot;2 Mais 2&amp;quot;" width="227" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;Passado o susto, o hesitante Diego resolve dar uma chance à proposta e acaba descobrindo uma nova forma de felicidade. Durante algum tempo, os dois casais desfrutam da recém-descoberta liberdade sexual irrestrita. Porém,&amp;nbsp;&lt;/span&gt;Emília&lt;span style="font-family: inherit;"&gt;&amp;nbsp;e Diego, que tem um filho de 14 anos, Luca (&lt;b&gt;Tomás Wicz&lt;/b&gt;), percebem que talvez não estejam mesmo preparados para aquele estilo de vida, e a relação entra em crise.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;O principal ponto positivo da produção argentina é o quarteto de protagonistas, que além de brilharem individualmente, demonstram uma química perfeita, tornando a história mais instigante. As cenas mais sensuais, ainda que contidas, &amp;nbsp;são bem encenadas e contam com uma trilha sonora mais do que adequada, que incluii&amp;nbsp;&lt;i&gt;Fanky&lt;/i&gt; (&lt;b&gt;Charly Garcia&lt;/b&gt;) e &lt;i&gt;Do You Really&lt;/i&gt;&lt;/span&gt;&lt;span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.727272033691406px; line-height: 15.454545021057129px;"&gt;?&lt;/span&gt;&lt;i style="font-family: inherit;"&gt;,&lt;/i&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;interpretada&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;por &lt;/span&gt;&lt;b style="font-family: inherit;"&gt;Claudio Ledda&lt;/b&gt;&lt;span style="font-family: inherit;"&gt;,&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;composta especialmente pelo diretor Kiego Kaplan para o filme, que dá um "climão" na principal cena de sexo entre os casais..&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;O ponto negativo é o roteiro bastante previsível e com &amp;nbsp;final banal, um verdadeiro anti-clímax. Ainda que de certa forma coerente com o andamento geral da história, não deixa de denunciar a dificuldade de a sociedade argentina em aceitar a prática de forma natural. Para quem busca apenas bom divertimento, porém, no entanto, basta não cair na tentação de fazer análise sociológica e terá quase duas horas bastante agradáveis.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Por Gilson Carvalho&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Nota: 7,5&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/6oVAh7o7Rb0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;&lt;span class="addthis_separator"&gt;Ficha&amp;nbsp;&lt;/span&gt;Técnica&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;2 Mais 2 (Dos Más Dos)&lt;/i&gt;&lt;/b&gt; - 103 min.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Argentina - 2012&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Direção: Diego Kaplan&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Roteiro: Juan Vera, Daniel Cúparo&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Elenco:&amp;nbsp;&lt;span style="background-color: white; line-height: 16px;"&gt;Adrian Suar, Julieta Diaz, Juan Minujin, Carla Peterson, Alfredo Casero, Tomás Wicz, Micaela Cuccaresi, Juana Wein,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Estreia:&lt;/span&gt;&amp;nbsp;17/05&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;table&gt; &lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/05/critica-2-mais-2.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-8eboymMF69U/UZf9kZdRfrI/AAAAAAAAGsk/INGy0Dg0uVw/s72-c/Cena-do-filme-Dois-Mais-Dois.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-953138555232874342</guid><pubDate>Fri, 17 May 2013 00:49:00 +0000</pubDate><atom:updated>2013-05-16T21:49:10.104-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 17/05</category><category domain="http://www.blogger.com/atom/ns#">Drama</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - O Homem Que Ri</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-Z_hXuRMH_WE/UZQwTsjRFuI/AAAAAAAAGsE/j1JW7WliNK4/s1600/Cena-do-filme-O-Homem-que-Ri.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;O Homem Que Ri&amp;quot;" border="0" height="199" src="http://3.bp.blogspot.com/-Z_hXuRMH_WE/UZQwTsjRFuI/AAAAAAAAGsE/j1JW7WliNK4/s320/Cena-do-filme-O-Homem-que-Ri.jpg" title="Cena do filme &amp;quot;O Homem Que Ri&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="text-align: left;"&gt;
&lt;i style="font-family: inherit; font-weight: bold;"&gt;O Homem que Ri, &lt;/i&gt;&lt;span style="font-family: inherit;"&gt;romance escrito por Victor Hugo em 1869, ganha sua terceira adaptação para o cinema - as outras foram em 1928 e 1966, &amp;nbsp;pelas mãos do cineasta francês &lt;/span&gt;&lt;b style="font-family: inherit;"&gt;Jean-Pierre Améris&lt;/b&gt;&lt;span style="font-family: inherit;"&gt;, que se vale do drama clássico para&amp;nbsp;&amp;nbsp;abordar questões muito atuais, como a ditadura da beleza e as diferenças sociais, num filme visualmente caprichado, contando com um dos maiores atores franceses de todos os tempos, &lt;/span&gt;&lt;b style="font-family: inherit;"&gt;Gérard Depardieu&lt;/b&gt;&lt;span style="font-family: inherit;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 115%;"&gt;A história se passa nos anos anteriores à Revolução
Francesa, quando a fome atingia a maior parte da população do país.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;Gwinplaine
(&lt;/span&gt;&lt;b style="font-family: inherit;"&gt;Marc-André Grondin&lt;/b&gt;&lt;span style="font-family: inherit;"&gt;), um menino marcado por uma estranha cicatriz no
rosto que faz com que pareça estar sempre sorrindo, é abandonado numa praia por
seu guardião, que no entanto afirma que voltará para buscá-lo. Sem saber para
onde ir debaixo da neve e do frio intenso, o garoto salva da morte um bebê cuja
mãe congelou &amp;nbsp;no meio do campo. Com a menininha &amp;nbsp;que ele descobre cega no colo, procura ajuda
numa aldeia, mas é rejeitado. O único que os acolhe é Ursus (Depardieu), um
homem estranho que vive de pequenos golpes, vê na deformidade de Gwinplaine o
oportunidade de ganhar algum dinheiro.&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
"&lt;i&gt;O Homem Que Ri"&lt;/i&gt;&amp;nbsp;discute questões &amp;nbsp;como &amp;nbsp;ditadura da beleza e diferenças sociais&lt;br /&gt;&lt;/h2&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;a href="http://3.bp.blogspot.com/-ZoKglylpfjw/UZVuh9ufOhI/AAAAAAAAGsU/qVfO5d__21k/s1600/Poster-do-filme-O-Homem=Que-Ri.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-ZoKglylpfjw/UZVuh9ufOhI/AAAAAAAAGsU/qVfO5d__21k/s1600/Poster-do-filme-O-Homem=Que-Ri.jpg" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;Causando horror e fascínio ao mesmo
tempo, Gwinplaine&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;se torna
atração de uma espécie de circo de horrores que viaja de aldeia em aldeia pelo
interior da França. A única que não o julga pela aparência é Dea, a menina que
ele salvou da morte. Um dia, a duquesa Josiane (&lt;b&gt;Emmanuelle Seigner&lt;/b&gt;)
assiste ao espetáculo e fica obcecada por Gwinplaine. &amp;nbsp;Apaixonado por Dea,
o rapaz resiste o quanto pode, mas tudo muda quando descobre que é filho de um
nobre e herdeiro de uma grande fortuna, o que vai colocar seu amor e lealdade à
prova.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;O diretor Jean-Pierre Améris opta por uma abordagem
barroquizante da obra, com uma atenção toda especial ao visual.&amp;nbsp;Assim, um
dos pontos altos é a direção de arte, com um trabalho minucioso nos cenários e
objetos, além de guarda-roupa espetacular, tudo fotografado em tons de cinza,
quase chegando ao preto-e-branco, numa estética próxima àquela do realizador
norte-americano Tim Burton.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Subordinando sua concepção a esses fatores, Améris deixou de
investir em outros aspectos. Ainda assim, destacam-se os atores, principalmente
Depardieu, que depois de quatro décadas de atuação continua tão bom como
sempre. Os jovens Grondin e Theret também demonstram talento em papéis
difíceis&lt;/span&gt;.&amp;nbsp;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
Por Gilson Carvalho&lt;br /&gt;
&lt;br /&gt;
Nota 8,5&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/AogmtDko8es" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;
&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;


&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;b&gt;&lt;br /&gt;
&lt;i&gt;O Homem Que Ri (L'homme Qui Rit)&lt;/i&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;-
93 min&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
França - 2013&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
Direção: Jean-Pierre Améris&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
Roteiro:&amp;nbsp;Jean-Pierre Améris, baseado em conto de Victor
Hugo&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
Elenco: Gérard Depardieu, Marc-André Grondin, Christa Theret,
Emmanuele Seigner,&amp;nbsp;&lt;span style="background: #F6F6F5;"&gt;Arben Bajraktaraj,
Swann Arlaud&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span style="background: #F6F6F5;"&gt;&lt;br /&gt;
Estreia 17/05&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
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&lt;tr&gt; &lt;td&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/05/critica-o-homem-que-ri.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Z_hXuRMH_WE/UZQwTsjRFuI/AAAAAAAAGsE/j1JW7WliNK4/s72-c/Cena-do-filme-O-Homem-que-Ri.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-4530273827389802189</guid><pubDate>Wed, 15 May 2013 15:39:00 +0000</pubDate><atom:updated>2013-05-15T22:06:15.201-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 17/05</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Comédia</category><title>Crítica - Finalmente 18</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Atingir a maioridade significa, geralmente, ter de
adotar um comportamento mais maduro e responsável. A se julgar por &lt;b&gt;&lt;i&gt;Finalmente
18!&lt;/i&gt;&lt;/b&gt;&lt;i&gt;,&lt;/i&gt;&lt;span style="font-size: small;"&gt; os jovens americanos se
tornam mais infantis e capazes das maiores asneiras ao atingir essa fase da
vida. De qualquer modo, poderia render boas comédias. Não é o caso aqui.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://2.bp.blogspot.com/-2AaaiGUDpgw/UZOqhvFfG_I/AAAAAAAAGr0/Cjx0AdDpFxg/s1600/Cena-do-filme-Finalmente-18!.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="212" src="http://2.bp.blogspot.com/-2AaaiGUDpgw/UZOqhvFfG_I/AAAAAAAAGr0/Cjx0AdDpFxg/s320/Cena-do-filme-Finalmente-18!.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; line-height: 115%;"&gt;No dia do seu 21 aniverisário, Jeff Chang (&lt;/span&gt;&lt;b style="font-family: inherit; line-height: 115%;"&gt;Justin Chon&lt;/b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;) um estudante em Stanford –
uma das mais prestigiosas universidades americanas, recebe a visita de seus
dois melhores amigos, Miller (&lt;/span&gt;&lt;b style="font-family: inherit; line-height: 115%;"&gt;Miller
Teller&lt;/b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;) e Casey (&lt;/span&gt;&lt;b style="font-family: inherit; line-height: 115%;"&gt;Skylar Astin&lt;/b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;)
para celebrar a data em grande estilo, o que significa muito álcool e, se
possível, algumas mulheres. Só que no dia seguinte ele terá uma entrevista que
mudará sua vida profissional, e quem vai conduzi-lo é seu pai, o rígido Dr.
Chang (&lt;/span&gt;&lt;b style="font-family: inherit; line-height: 115%;"&gt;François Chau&lt;/b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;). Obviamente
ele concorda em sair e tudo de errado que poderia acontecer, acontece.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;"&lt;i&gt;Finalmente 18&lt;/i&gt;" segue a linha de Se Beber Não Case - com menos graça&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal"&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-LNtSqPlX_js/UZOkY1ikwAI/AAAAAAAAGrk/WQI4EoRMVMg/s1600/Poster-do-filme-Finalmente-18%2521.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Finalmente 18&amp;quot;" border="0" src="http://3.bp.blogspot.com/-LNtSqPlX_js/UZOkY1ikwAI/AAAAAAAAGrk/WQI4EoRMVMg/s1600/Poster-do-filme-Finalmente-18%2521.jpg" title="Poster do filme &amp;quot;Finalmente 18&amp;quot;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Depois de ir de bar em bar e ficar completamente
bêbado, Jeff Chang desmaia. Seus amigos tentas leva-lo para casa, mas
simplesmente não sabem o seu endereço. Entre as muitas tentativas de descobrir,
eles invadem uma fraternidade de garotas, são perseguidos por um búfalo, saltam
de telhados, e claro, vão parar no hospital. Para dar um toque romântico, Casey
conhece uma garota, Nicole (&lt;b&gt;Sarah Wright&lt;/b&gt;),
por quem fica caído. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Escrito e dirigido por&amp;nbsp; &lt;b&gt;Jon
Lucas&lt;/b&gt; e &lt;b&gt;Scott Moore&lt;/b&gt;,&amp;nbsp; integrantes da equipe responsável por &lt;i&gt;Se Beber Não Case&lt;/i&gt;, o longa usa a mesma
estrutura: três amigos com graus variados de retardamento se metem em situações
absurdas, entremeadas por piadas racistas, sexistas e alguma escatologia. Funcionou
razoavelmente por representar uma ruptura no modo de vida para homens nos seus
30 e poucos anos, e também devido ao talento dos atores Zach Galifianakis e
Bradley Cooper, No caso de &lt;b&gt;&lt;i&gt;Finalmente 18&lt;/i&gt;&lt;/b&gt;, não é surpresa que
garotos façam besteira. E olha que nos Estados Unidos a maioridade chega aos
21....&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
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&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Por Gilson Carvalho&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="line-height: 115%;"&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="line-height: 115%;"&gt;
&lt;/span&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Nota 2,5&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;o:p style="line-height: 18px;"&gt;&lt;span style="font-family: Times New Roman, serif;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/Fk4kHggXo-w" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;F&lt;span style="font-size: small;"&gt;icha
Técnica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 115%;"&gt;Finalmente
18&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;(21 &amp;amp; Over)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt; – &amp;nbsp;93 min. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt;
EUA – 2013&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;Direção: Jon Lucas, Scott Moore&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt;Roteiro: Jon Lucas, Scott Moore&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt;Elenco: Miller Teller, Skylar Astin, Justin Chon, Sarah Wright, Jonathan Keltz,
&amp;nbsp;François Chau, Russel Hodgkinson&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;
Estreia: 17/0&lt;/span&gt;&lt;span style="font-size: small;"&gt;5&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/05/critica-finalmente-18.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-2AaaiGUDpgw/UZOqhvFfG_I/AAAAAAAAGr0/Cjx0AdDpFxg/s72-c/Cena-do-filme-Finalmente-18!.jpeg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-2842001254482548075</guid><pubDate>Tue, 14 May 2013 16:42:00 +0000</pubDate><atom:updated>2013-05-14T13:42:12.549-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Suspense</category><category domain="http://www.blogger.com/atom/ns#">Estreia 17/05</category><category domain="http://www.blogger.com/atom/ns#">Drama</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - Terapia de Risco</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
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&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;a href="http://2.bp.blogspot.com/-fE6sivUlGM8/UZJcGXo2U_I/AAAAAAAAGqo/ji3Zm8p1aUY/s1600/Cena-do-filme-Terapia-de-Risco.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Terapia de Risco&amp;quot;" border="0" height="212" src="http://2.bp.blogspot.com/-fE6sivUlGM8/UZJcGXo2U_I/AAAAAAAAGqo/ji3Zm8p1aUY/s320/Cena-do-filme-Terapia-de-Risco.jpg" title="Cena do filme &amp;quot;Terapia de Risco&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Steven
Soderbergh&lt;/b&gt;&amp;nbsp;tem
mostrado ao longo de sua carreira que é capaz de fazer filmes autorais,
geralmente de baixo orçamento, voltados a um público restrito. Ao mesmo tempo,
&amp;nbsp;dirige obras de alto custo, dentro do padrão hollywoodiano, para as
massas. Seu mais recente longa,&amp;nbsp;&lt;b&gt;&lt;i&gt;Terapia de Risco&lt;/i&gt;&lt;/b&gt;, alia as
duas formas mas, embora tenha alguns bons momentos, não satisfaz plenamente a
nenhuma das duas. Não deixa, porém, de ter interesse, como a maioria das produções
dirigidas por ele. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;Emily
Taylor (&lt;b&gt;Rooney Mara&lt;/b&gt;) é uma jovem cujo marido Martin (&lt;b&gt;Channing Tatum&lt;/b&gt;)
está preso.&amp;nbsp;Ao&amp;nbsp;sair da prisão, Martin tenta retomar a vida com Emily,
mas esta dá sinais de depressão. Após uma aparente tentativa de suicídio, a moça começa um tratamento com o psiquiatra (&lt;b&gt;Jude Law&lt;/b&gt;), que lhe prescreve um
novo medicamento, capaz de provocar diversos efeitos colaterais (nome original do
filme), entre eles sonambulismo. E é nesse estado, privada de controle sobre si
mesma, que Emily provoca uma tragédia.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
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&lt;div class="MsoNormal" style="margin-bottom: 13.5pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Por ter prescrito uma droga
potencialmente perigosa, o Dr.Banks se torna alvo de investigação tanto do
Conselho de Medicina quanto da Polícia. Para tentar entender o que se passa com
sua paciente, procura a antigaterapeuta de Emily, Victoria Siebert&amp;nbsp;(&lt;b&gt;Catherina
Zeta-Jones&lt;/b&gt;), o que só o confunde mais. Para piorar a situação, sua mulher começa a suspeitar de seu envolvimento com pacientes.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="font-family: inherit;"&gt;"&lt;i&gt;Terapia de Risco&lt;/i&gt;" padece de mau roteiro e direção ambiciosa demais&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-V8FV0tvdB-c/UZJigN3-jlI/AAAAAAAAGq0/sEfySIDYSh0/s1600/Poster-do-filme-Terapia-de-Risco.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Terapia de Risco&amp;quot;" border="0" src="http://1.bp.blogspot.com/-V8FV0tvdB-c/UZJigN3-jlI/AAAAAAAAGq0/sEfySIDYSh0/s1600/Poster-do-filme-Terapia-de-Risco.jpg" title="Poster do filme &amp;quot;Terapia de Risco&amp;quot;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;A partir
de um mau roteiro, repleto de lacunas, Soderbergh tenta realizar um filme com
uma pegada&amp;nbsp;&lt;i&gt;noir.&amp;nbsp;&lt;/i&gt;Filma Nova York debaixo de pesadas nuvens
negras, em uma fotografia fria e sem brilho.&amp;nbsp;O grande trunfo - e a ponto
fraco, &amp;nbsp;de&amp;nbsp;&lt;b&gt;&lt;i&gt;Terapia de Risco&lt;/i&gt;&lt;/b&gt;&amp;nbsp;é a tentativa de abarcar
diversos gêneros: começa com um drama íntimo relatando as dificuldades de uma
mulher que busca solução para um problema grave e cada vez mais comum nos
grandes centros urbanos; transforma a trama em uma filme de tribunal, colocando
não só um médico mas a indústria farmacêutica como possíveis causadoras dos
males sofridos por ela, e finalmente desemboca num thriller, com o médico
fazendo o papel de detetive e a vítima passando a ser suspeita.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;
Em seu primeiro papel depois da excelente Lisbeth de&amp;nbsp;&lt;i&gt;&lt;span style="color: windowtext;"&gt;&lt;a href="http://www.cinemanarede.com/2012/01/critica-millennium-os-homens-que-nao.html"&gt;Millenium:&amp;nbsp;Os Homens que Não Amavam as Mulheres&lt;/a&gt;&lt;/span&gt;&lt;span id="goog_1552812570"&gt;&lt;/span&gt;&lt;span id="goog_1552812571"&gt;&lt;/span&gt;&lt;a href="http://www.blogger.com/"&gt;&lt;/a&gt;&lt;/i&gt;,
Rooney Mara dá mostras de talento, transmitindo toda a fragilidade que o
personagem exige, ainda que a primeira parte seja longa demais. Jude Law,
sempre correto, imprime a energia solicitada a esse tipo de história, Catherine
Zeta-Jones, bela como sempre, mas com participação reduzida, assim &amp;nbsp;como
Channing Tatum.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;
Por Gilson Carvalho&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;
Nota 7&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;


&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/1_uOt14rqXY" width="640"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;Terapia de Risco (Side Effects)&amp;nbsp;&lt;/i&gt;&lt;/b&gt;- 106 min.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;EUA - 2013&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span lang="EN-US"&gt;&lt;span style="font-family: inherit;"&gt;Diretor: Steven Soderbergh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span lang="EN-US"&gt;&lt;span style="font-family: inherit;"&gt;Roteiro: Scott Z. Burns&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span lang="EN-US"&gt;&lt;span style="font-family: inherit;"&gt;Elenco: Rooney Mara, Channing Tatum, Jude Law, Catherine Zeta-Jones,
Vanessa Shaw, Ann Dowd, Marnie Gummer, Vladimi Versailles.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;Estreia 17/05&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
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</description><link>http://www.cinemanarede.com/2013/05/critica-terapia-de-risco.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-fE6sivUlGM8/UZJcGXo2U_I/AAAAAAAAGqo/ji3Zm8p1aUY/s72-c/Cena-do-filme-Terapia-de-Risco.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-5847513130009428753</guid><pubDate>Mon, 13 May 2013 14:35:00 +0000</pubDate><atom:updated>2013-05-13T11:35:59.310-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 10/05</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Comédia</category><title>Crítica - Uma Ladra Sem Limites </title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt; &lt;span class="addthis_separator"&gt;|&lt;/span&gt; &lt;a class="addthis_button_preferred_1" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_2" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_3" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_4" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;br /&gt;
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&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span class="addthis_separator"&gt;&lt;a href="http://3.bp.blogspot.com/-FciYhxtf0Ko/UZBbDAEf2ZI/AAAAAAAAGpo/LAMD7-zSAMc/s1600/Cena-do-filme-Uma-Ladra-Sem-Limites.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Uma Ladra Sem Limites&amp;quot;" border="0" height="246" src="http://3.bp.blogspot.com/-FciYhxtf0Ko/UZBbDAEf2ZI/AAAAAAAAGpo/LAMD7-zSAMc/s320/Cena-do-filme-Uma-Ladra-Sem-Limites.jpg" title="Cena do filme &amp;quot;Uma Ladra Sem Limites&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;Em &lt;b&gt;&lt;i&gt;Uma
Ladra Sem Limites&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;, comédia dirigida por &lt;/span&gt;&lt;b&gt;Seth Gordon&lt;/b&gt;&lt;span style="font-size: small;"&gt;, um pai de família correto, trabalhador e bem-casado se
torna vítima de uma pilantra que se aproveita do fato de ele ter um nome unissex
para roubar sua identidade e lhe causar um tremendo prejuízo, incluído a perda
do emprego. S&lt;/span&gt;&lt;/span&gt;&lt;span style="background-color: white; font-family: inherit; line-height: 115%;"&gt;andy
Patterson (&lt;/span&gt;&lt;b style="font-family: inherit; line-height: 115%;"&gt;Jason Bateman&lt;/b&gt;&lt;span style="background-color: white; font-family: inherit; line-height: 115%;"&gt;) é um
executivo &amp;nbsp;de Denver, Colorado, frustrado
por não ter seu trabalho reconhecido por seu patrão. Tudo parece melhorar ao ser convidado a integrar uma nova empresa, descobre que seu cartão de crédito foi clonado por
alguém na Flórida. Porém, logo ele é preso por não
comparecer à Corte por ter sido autuado por agressão no outro lado do país.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;A
responsável por todos esses delitos é Diana (&lt;b&gt;Melissa McCarthy&lt;/b&gt;), uma rechonchuda
e abusada estelionatária que, com o cartão de crédito falsificado, compra mil
badulaques, de maquiagem a roupas de griffe, de liquidificadores a Jet ski. Como
a polícia local não pode atuar em outra região, e a de Orlando não sabe do
estelionato, Sandy vai até a Flórida para trazer Diana à força e salvar seu
emprego. Tarefa nada fácil, já que além de resistir, além tem a mesma
identidade que ele. A solução então é empreender uma longa viagem de carro até
o Colorado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2 style="font-family: inherit;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;“&lt;i&gt;Uma
Ladra Sem Limites&lt;/i&gt;” repete velhas fórmulas &lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; font-family: inherit; text-align: center;"&gt;
&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; font-family: inherit; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-zaVLN6T1wkQ/UZBcdsbNJUI/AAAAAAAAGp4/zo4IL3u0Rm0/s1600/Poster+do+filme-Uma+Ladra-Sem-Limites.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img alt="Poster do filme &amp;quot;Uma Ladra Sem Limites&amp;quot;" border="0" height="320" src="http://4.bp.blogspot.com/-zaVLN6T1wkQ/UZBcdsbNJUI/AAAAAAAAGp4/zo4IL3u0Rm0/s320/Poster+do+filme-Uma+Ladra-Sem-Limites.jpg" title="Poster do filme &amp;quot;Uma Ladra Sem Limites&amp;quot;" width="216" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;Do autor
de &lt;i&gt;Se Beber Não Case 2&lt;/i&gt;, &lt;b&gt;Craig Mazin&lt;/b&gt;, o
roteiro segue a mesma linha; não se trata de uma comédia propriamente dita, mas
uma série de situações supostamente engraçadas. Algumas realmente o são, como a
luta entre Sandy e Diana em sua casa, ou a transa de Diana com Big Chuck (Eric Stonestreet), um cowboy que
eles encontram no caminho. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;Fora
isso, há visível esforço dos atores principais para extrair alguma graça do
material. Melissa McCarthy tem carisma e ocupa toda a tela – em parte por seu
porte avantajado, o que é espertamente também usado para fazer piada. &amp;nbsp;Além disso, Diana, seu
personagem, fala e se movimenta o tempo todo, geralmente enquadrada em close-up, o que cansa com o tempo. Quando
ela dá o golpe na garganta pela quinta vez, provoca bocejos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;Bateman,
um bom ator, parece ter caído na armadilha do tipo único, repetindo-o em
diversas produções, como em &lt;i&gt;Quero Matar
Meu Chefe &lt;/i&gt;(2011), do mesmo diretor, &amp;nbsp;e até no série de TV &lt;i&gt;Arrested Development. &lt;/i&gt;A ideia de opor personalidades contrastantes
funciona no início, mas o público acaba simpatizando com a meliante Diana e achando o
bonzinho Sandy um chato. O pior, porém, vem depois; um final melodramático em
que as causas do comportamento, digamos, anti-convencional de Diana é descoberta – ela não tem família. Resta admirar Sandy,
sua compreensiva e amorosa mulher Trish (&lt;b&gt;Amanda Peet&lt;/b&gt;) e
suas três belas filhas serem felizes para sempre. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;Por
Gilson Carvalho&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;Nota 5&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="background-color: white; line-height: 18px;"&gt;&lt;o:p&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/_wjvMWP3L18" width="640"&gt;&lt;/iframe&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="background-color: white; font-family: inherit; line-height: 115%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;b&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;Ficha Técnica &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;b&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: justify;"&gt;
&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;b style="font-family: inherit;"&gt;&lt;i&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;Uma
Ladra Sem Limites (Identity Thief)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="background-color: white; font-family: inherit; line-height: 115%;"&gt; – 111
min.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 115%;"&gt;EUA – 2013&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 115%;"&gt;Direção: Seth Gordon&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 115%;"&gt;Roteiro: &amp;nbsp;Craig &lt;/span&gt;&lt;span lang="EN-US" style="font-family: inherit; line-height: 115%;"&gt;Mazin&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;span lang="EN-US" style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 115%;"&gt;&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 115%;"&gt;Elenco: Jason Bateman, Melissa McCarthy, Amanda Peet, John Cho, Jon Favreau,
Robert Patrick, Morris Chestnut,&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;Eric Stonestreet&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: inherit; text-align: left;"&gt;
&lt;span lang="EN-US" style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 18px;"&gt;Estreia 10/05&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
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</description><link>http://www.cinemanarede.com/2013/05/critica-uma-ladra-sem-limites.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-FciYhxtf0Ko/UZBbDAEf2ZI/AAAAAAAAGpo/LAMD7-zSAMc/s72-c/Cena-do-filme-Uma-Ladra-Sem-Limites.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-5671598314468334240</guid><pubDate>Wed, 08 May 2013 21:25:00 +0000</pubDate><atom:updated>2013-05-08T18:25:43.432-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Documentário</category><category domain="http://www.blogger.com/atom/ns#">Nacional</category><category domain="http://www.blogger.com/atom/ns#">Estreia 10/05</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - Elena</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;a href="http://3.bp.blogspot.com/-o8A3FWth9nY/UYrAuLCW2MI/AAAAAAAAGnY/hI4uwTg0TLc/s1600/Cena-do-filme-Elena.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Elena&amp;quot;" border="0" height="253" src="http://3.bp.blogspot.com/-o8A3FWth9nY/UYrAuLCW2MI/AAAAAAAAGnY/hI4uwTg0TLc/s320/Cena-do-filme-Elena.jpg" title="Cena do filme &amp;quot;Elena&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;E&lt;span style="font-size: small;"&gt;m &lt;i&gt;&lt;b&gt;Elena&lt;/b&gt;&lt;/i&gt;, a diretora &lt;b&gt;Petra Costa&lt;/b&gt; revive um evento traumático em sua vida e no de
sua família, o suicídio de sua irmã mais velha Elena, que tinha apenas vinte
anos de idade e sonhava em se tornar uma grande atriz de cinema. O documentário
é construído a partir de vídeos caseiros, testemunhos de familiares e amigos,
além de gravações e diários pessoais da própria Elena.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;A
diretora, que também é a narradora, parece estar falando diretamente para a
irmã, evocando seu nome sempre que possível, usando os pronomes você, nós,
nosso, simulando uma conversa. Isso acaba por dar ao filme um caráter intimista
e muitas vezes lembra um diário narrado.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;O
filme mostra o fascínio pelo cinema que a família tinha. A mãe de
Petra e de Elena também sonhou em ir para Hollywood durante a adolescência, mas
esse desejo cessou quando ela conheceu seu marido e pai de suas filhas, um
revolucionário. Os dois tiveram Elena durante um longo período de exílio no
interior do Brasil. Mas como narra Petra, Elena queria ser atriz desde os
quatro anos de idade, e nos anos que se seguiram vários vídeos caseiros foram
feitos por ela, alguns estrelados também pelo bebê Petra.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;h2&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;&amp;nbsp;"&lt;i&gt;Elena&lt;/i&gt;" fala de perda e memória, mas também de amor à arte e à vida&lt;/span&gt;&lt;/h2&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;O
desejo de ser atriz prevaleceu e após um tempo em uma com panhia de teatro em
São Paulo, Elena se &lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;&lt;a href="http://1.bp.blogspot.com/-v9Iik8IAA9M/UYrBaOEIpHI/AAAAAAAAGng/1JqKimVFCjs/s1600/Poster-do-filme-elena.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Elena&amp;quot;" border="0" height="320" src="http://1.bp.blogspot.com/-v9Iik8IAA9M/UYrBaOEIpHI/AAAAAAAAGng/1JqKimVFCjs/s320/Poster-do-filme-elena.jpg" title="Poster do filme &amp;quot;Elena&amp;quot;" width="227" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;muda para Nova York com esperança de que terá sucesso. Mas
as decepções são mais freqüentes do que as conquistas, e aos poucos a tristeza
a vai consumindo a ponto de deixá-la cansada de viver. Ela dizia que sem sua
arte ela preferiria morrer.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Petra
Costa consegue criar um documentário sensível, intimista, que busca homenagear
o trabalho da irmã, assim como dar um sentido de conclusão para as pessoas
envolvidas na vida de Elena, que sofreram e ainda sofrem com sua morte tão
precoce. A diretora tinha sete anos quando sua irmã faleceu, e para ela o
evento trouxe conseqüências para sua vida que a levaram a fazer esse filme.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;i&gt;&lt;b&gt;Elena&lt;/b&gt; &lt;/i&gt;&amp;nbsp;foi premiado no 45º Festival de Brasília nas categorias melhor direção, melhor
montagem, melhor direção de arte e melhor filme pelo júri popular, todos na
categoria documentários, além de ter recebido o prêmio de melhor documentário
no Film de Femmes 2013.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Por José Leonardo Tadaiesky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;div style="line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Nota 6,0&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="line-height: 24px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/yc0T-pPwrTk" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="line-height: 24px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;Ficha Técnica&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;Elena – 82 min.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;Brasil – 2012&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;Direção: Petra Costa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;Roteiro: Petra Costa, Carolina Ziskind&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;div style="line-height: 150%;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;Elenco: Elena Andrade, Li An e Petra Costa&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="line-height: 150%;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit; line-height: 24px;"&gt;Estreia 10/05&lt;/span&gt;&lt;br /&gt;
&lt;div style="line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
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&lt;table&gt; &lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/05/critica-elena.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-o8A3FWth9nY/UYrAuLCW2MI/AAAAAAAAGnY/hI4uwTg0TLc/s72-c/Cena-do-filme-Elena.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-3040687276809660284</guid><pubDate>Tue, 07 May 2013 23:14:00 +0000</pubDate><atom:updated>2013-05-07T20:14:04.296-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Nacional</category><category domain="http://www.blogger.com/atom/ns#">Estreia 03/05</category><category domain="http://www.blogger.com/atom/ns#">Drama</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - Somos Tão Jovens</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt; &lt;span class="addthis_separator"&gt;|&lt;/span&gt; &lt;a class="addthis_button_preferred_1" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_2" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_3" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_4" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;br /&gt;
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&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: left;"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;a href="http://4.bp.blogspot.com/-WAOiK4dQ6Z0/UYmGq8bK8vI/AAAAAAAAGnA/kgoO6qz__co/s1600/Cena-do-filme-Somos-T%C3%A3o-Jovens.jpg" imageanchor="1" style="clear: left; float: left; line-height: 18pt; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Somos Tão Jovens&amp;quot;" border="0" src="http://4.bp.blogspot.com/-WAOiK4dQ6Z0/UYmGq8bK8vI/AAAAAAAAGnA/kgoO6qz__co/s1600/Cena-do-filme-Somos-T%C3%A3o-Jovens.jpg" title="Cena do filme &amp;quot;Somos Tão Jovens&amp;quot;" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit; line-height: 18pt;"&gt;&lt;b&gt;&lt;i&gt;Somos Tão
Jovens&lt;/i&gt;&lt;/b&gt;&amp;nbsp;é
um filme de ficção baseado na biografia do cantor e compositor Renato Russo,
interpretado nas telas pelo ator&amp;nbsp;&lt;b&gt;Thiago Mendonça&lt;/b&gt;, que a princípio
parece apresentar uma performance um tanto afetada e artificial (outros atores&lt;/span&gt;&lt;span style="line-height: 24px;"&gt;/&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 18pt;"&gt;personagens
passaram a mesma impressão), porém com o desenrolar da história ela se integra
bem à direção do filme.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 18pt;"&gt;O filme
se compromete a seguir os passos de Renato Russo até a montagem de sua banda,&amp;nbsp;&lt;/span&gt;&lt;i style="font-family: inherit; line-height: 18pt;"&gt;Legião
Urbana&lt;/i&gt;&lt;span style="font-family: inherit; line-height: 18pt;"&gt;. A história começa em 1982, em Brasília, cidade de Renato, um jovem
&amp;nbsp;professor de inglês com um gosto por músicas fora do padrão da época de
ditadura militar, em especial o punk rock, gênero que o leva a montar sua
primeira banda, o&amp;nbsp;&lt;/span&gt;&lt;i style="font-family: inherit; line-height: 18pt;"&gt;Aborto Elétrico&lt;/i&gt;&lt;span style="font-family: inherit; line-height: 18pt;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 18pt; margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;"Somos Tão Jovens"&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&amp;nbsp;mostra a gênese do Legião
Urbana em Brasília&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="http://3.bp.blogspot.com/-Q4WGj5AgDKc/UYlKiBcGNVI/AAAAAAAAGmk/hYpPzL9xj7A/s1600/Poster-do-filme-Somos-T%C3%A3o-Jovens.jpg"&gt;&lt;span style="text-decoration: none;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shapetype
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&lt;/v:shapetype&gt;&lt;v:shape id="Imagem_x0020_1" o:spid="_x0000_i1025" type="#_x0000_t75"
 alt="Poster do filme &amp;quot;Somos Tão Jovens&amp;quot;"
 href="http://3.bp.blogspot.com/-Q4WGj5AgDKc/UYlKiBcGNVI/AAAAAAAAGmk/hYpPzL9xj7A/s1600/Poster-do-filme-Somos-T%C3%A3o-Jovens.jpg"
 style='width:162.75pt;height:240pt;visibility:visible;mso-wrap-style:square'
 o:button="t"&gt;
 &lt;v:imagedata src="file:///C:\Users\Gilson\AppData\Local\Temp\msohtmlclip1\01\clip_image001.jpg"
  o:title="Poster do filme &amp;quot;Somos Tão Jovens&amp;quot;"/&gt;
&lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;As relações
de amizade, os amores secretos, as inspirações para algumas de suas músicas
mais famosas, &lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="http://3.bp.blogspot.com/-jqFPJH7h3jc/UYmHGYwTPMI/AAAAAAAAGnI/zUKAXOxke3w/s1600/Poster-do-filme-Somos-T%C3%A3o-Jovens.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Somos Tão Jovens&amp;quot;" border="0" height="320" src="http://3.bp.blogspot.com/-jqFPJH7h3jc/UYmHGYwTPMI/AAAAAAAAGnI/zUKAXOxke3w/s320/Poster-do-filme-Somos-T%C3%A3o-Jovens.jpg" title="Poster do filme &amp;quot;Somos Tão Jovens&amp;quot;" width="217" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;são todos elementos abordados na produção, que teve direção de&amp;nbsp;&lt;b&gt;Antônio
Carlos da Fontoura&lt;/b&gt;. Porém, o&amp;nbsp;&lt;i&gt;plot&lt;/i&gt;&amp;nbsp;da história é a
juventude de Renato Russo, seus companheiros de banda e amigos. Uma juventude
que correu atrás dos sonhos. Ainda é possível termos um vislumbre da formação
de outra banda famosa, o&amp;nbsp;&lt;i&gt;Capital Inicial&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;


&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 18pt;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 18pt; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;Somos Tão
Jovens&lt;/i&gt;&lt;/b&gt;&amp;nbsp;é
um filme para o público mais jovem e fã do Renato Russo e do Legião Urbana. É
possível ver por certas características como os créditos iniciais coloridos e
cheios de fotos, indicando o caminho que o filme vai seguir. Não é uma comédia,
apesar de obter traços do gênero, nem tampouco uma biografia dramática da vida
e morte de Renato Russo. O título já diz tudo, é uma história sobre viver a
juventude, e todos os altos e baixos que ela provê.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Por José
Leonardo Tadaiesky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Nota 6,0&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/9_pgN0sTmrY" width="640"&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Ficha
Técnica&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;i style="font-weight: bold;"&gt;Somos Tão
Jovens - &lt;/i&gt;104 min.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Brasil –
2013&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Direção:
Antônio Carlos da Fontoura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Roteiro:
Luiz Fernando Borges, Marcos Bernstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;Elenco:
Thiago Mendonça, Laila Zaid, Conrado Godoy, André de Carvalho, Antonio Bento,
Bianca Comparato, Bruno Torres, Daniel Passi, Edu Moraes, Ibsen Perucci,
Nicolau Villa-Lobos, Sergio Dalcin, Sandra Corveloni&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;"&gt;
&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;Estreia 03/05&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</description><link>http://www.cinemanarede.com/2013/05/critica-somos-tao-jovens.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-WAOiK4dQ6Z0/UYmGq8bK8vI/AAAAAAAAGnA/kgoO6qz__co/s72-c/Cena-do-filme-Somos-T%C3%A3o-Jovens.jpg" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-7946118633008329169</guid><pubDate>Fri, 03 May 2013 15:07:00 +0000</pubDate><atom:updated>2013-05-03T12:09:03.743-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Documentário</category><category domain="http://www.blogger.com/atom/ns#">Estreia 03/05</category><category domain="http://www.blogger.com/atom/ns#">Drama</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - O Brasil deu certo. E agora?</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
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&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-eRlpmKAN_cw/UYLhPB8Bf6I/AAAAAAAAGl8/G6odU_UqW_g/s1600/Cena-do-filme-O-Brasil-Deu-Certo.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;O Brasil Deu Certo. E Agora?&amp;quot;" border="0" src="http://1.bp.blogspot.com/-eRlpmKAN_cw/UYLhPB8Bf6I/AAAAAAAAGl8/G6odU_UqW_g/s1600/Cena-do-filme-O-Brasil-Deu-Certo.jpeg" title="Cena do filme &amp;quot;O Brasil Deu Certo. E Agora?&amp;quot;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;i&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;O Brasil deu certo. E agora?&lt;/span&gt;&lt;/i&gt;&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 12pt; line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt; é um documentário idealizado por &lt;b&gt;Maílson da Nóbrega&lt;/b&gt;,
ministro da fazenda (1987-1990) do governo de José Sarney (1985-1990), e
dirigido pela jornalista &lt;b&gt;Louise Sottomaior&lt;/b&gt;, que está estreando no cinema. Através
de entrevistas com três ex-presidentes da República, doze ex-ministros de Estado, sete ex-presidentes
do Banco Central, um professor de história econômica e especialistas em finanças,
a história da economia brasileira é relatada com o intuito de refletir sobre o
presente e o futuro do país, além de discutir o que é dar certo. O
ex-presidente Lula, o ex-ministro Antonio Palocci e o atual ministro Guido
Mantega se recusaram a participar do filme. &lt;/span&gt;&lt;span style="font-family: Times New Roman, serif;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background: white; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 12pt; line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;O ex-ministro
Maílson da Nóbrega é a figura central do documentário que, didaticamente,
começa a contar a história da economia brasileira partindo do Brasil colônia e
chegando aos dias de hoje. Sua linguagem é simples e acessível ao grande
público, fugindo explicitamente do economês. O ex-ministro é o responsável pela
condução da linha narrativa e aparece praticamente durante todo o filme. &lt;/span&gt;&lt;span style="font-family: Times New Roman, serif;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background: white; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="background-color: white; font-family: 'Times New Roman', serif; line-height: 150%;"&gt;"&lt;i&gt;O Brasil deu certo. E agora&lt;/i&gt;&lt;/span&gt;&lt;span style="background-color: white; font-family: 'Times New Roman', serif;"&gt;&lt;i&gt;?&lt;/i&gt;" utiliza uma linguagem didática e acessível&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background: white; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;O
documentário foi montado em cima de entrevistas e artes gráficas. Durante as
falações, surgem gráficos e tabelas no canto do quadro, além de algumas
brincadeiras com os gestos dos entrevistados, que contribuem para esclarecer o
que está sendo dito. Com um corte bastante ágil, a história vai sendo contada aos
pedacinhos através de 25 relatos picotados. O longa exibe uma visão
panorâmica da economia sob o ponto de vista do poder. A maioria dos
entrevistados teve alguma ingerência na escolha dos caminhos percorridos pela
nação brasileira. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;O Brasil deu certo... &lt;/i&gt;&lt;/b&gt;apresenta um mosaico de decisões e planos econômicos objetivando chegar à
conclusão de que o Brasil deu certo.&amp;nbsp; Mas
qual foi o impacto desses atos na vida do povo brasileiro? Será que para o
povo, o Brasil também deu certo? No documentário, o povo não tem voz, permanece
em silêncio. O filme tem um olhar parcial sobre as questões abordadas, exibindo
apenas o discurso do poder e deixando em evidência sua função como peça de propaganda
do neoliberalismo. &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;Por
Lena Mendes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 12pt; line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Nota 6&lt;/span&gt;&lt;span style="font-family: Times New Roman, serif;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background: white; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="background-color: white; line-height: 24px;"&gt;&lt;span style="font-family: Times New Roman, serif;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/awKydD5yHt4" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background: white; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%;"&gt;
&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; line-height: 24px;"&gt;&lt;i&gt;&lt;b&gt;O Brasil deu certo. E agora?&lt;/b&gt;&lt;/i&gt; - 70 min.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; line-height: 24px;"&gt;Brasil - 2013&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; line-height: 24px;"&gt;Direção: Louise Sottomayor&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; line-height: 24px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit; line-height: 24px;"&gt;Estreia 03/05&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</description><link>http://www.cinemanarede.com/2013/05/critica-o-brasil-deu-certo-e-agora.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-eRlpmKAN_cw/UYLhPB8Bf6I/AAAAAAAAGl8/G6odU_UqW_g/s72-c/Cena-do-filme-O-Brasil-Deu-Certo.jpeg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-112830598568644432</guid><pubDate>Fri, 03 May 2013 15:03:00 +0000</pubDate><atom:updated>2013-05-03T12:03:49.270-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Reportagem</category><category domain="http://www.blogger.com/atom/ns#">Notícia</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>17º Cine PE</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt; &lt;span class="addthis_separator"&gt;|&lt;/span&gt; &lt;a class="addthis_button_preferred_1" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_2" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_3" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_4" href=""&gt;&lt;/a&gt; &lt;br /&gt;
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&lt;span class="addthis_separator"&gt;&lt;b&gt;&lt;i&gt;Vendo ou Alugo&lt;/i&gt;&lt;/b&gt;, de &lt;b&gt;Betse de Paula&lt;/b&gt;, foi o grande vencedor do
17º Cine PE, encerrado no dia 2 de maio. Protagonizada por &lt;b&gt;Marieta Severo&lt;/b&gt;, a comédia foi agraciada com&amp;nbsp;12 troféus Calunga,&lt;b&gt;&amp;nbsp;&lt;/b&gt;incluindo
o Prêmio Especial do Júri Oficial para&amp;nbsp;&lt;b&gt;Carmem Verônica&lt;/b&gt;, &lt;b&gt;Daisy
Lúcidi&lt;/b&gt; e &lt;b&gt;Ilka Soares&lt;/b&gt; (que
interpretam o trio de amigas apelidadas de As Tartarugas) e&amp;nbsp;o Prêmio da
Crítica, concedido pela&lt;i&gt;&amp;nbsp;&lt;/i&gt;Associação Brasileira de Críticos de Cinema
(Abraccine)&lt;i&gt;&amp;nbsp;–&amp;nbsp;&lt;/i&gt;que escolheu o filme “pela força do elenco, com
uma síntese irreverente de problemas cariocas, e pela dinâmica da&amp;nbsp;&lt;i&gt;mise-en-scène&lt;/i&gt;”,
segundo defesa dos jurados.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; text-align: justify;"&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
O prêmio de Melho Ator foi para &lt;b&gt;João
Miguel&lt;/b&gt;, por &lt;b&gt;&lt;i&gt;Bonitinha, mas Ordinária&lt;/i&gt;&lt;/b&gt; (de Moacyr Góes), e o filme “&lt;b&gt;&lt;i&gt;Giovanni
Improtta&lt;/i&gt;&lt;/b&gt;” (que marca a estreia de José Wilker na direção) levou Melhor
Fotografia para &lt;b&gt;Lauro Escorel&lt;/b&gt;. &lt;b&gt;Catarina Apolonio&lt;/b&gt;, do longa
pernambucano &lt;b&gt;&lt;i&gt;Rio Doce-CDU&lt;/i&gt;&lt;/b&gt;, venceu na categoria Edição de Som. Entre os
curtas, os premiados foram &amp;nbsp;&lt;b&gt;&lt;i&gt;Linear&lt;/i&gt;&lt;/b&gt;,
de &lt;b&gt;Amir Admoni&lt;/b&gt;, &amp;nbsp;que ganhou o Calunga de Melhor Filme e &lt;b&gt;&lt;i&gt;O Fim
do Filme&lt;/i&gt;&lt;/b&gt;, de &lt;b&gt;André Dib&lt;/b&gt;, foi
premiado em quatro categorias.&amp;nbsp;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2&gt;
"&lt;i&gt;Vendo ou Alugo&lt;/i&gt;" recebeu 12 troféus Caluna no 17º Cine PE&lt;/h2&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div style="background: white; text-align: justify;"&gt;
&lt;a href="http://2.bp.blogspot.com/-SB4u5vGQSwo/UYPKYx11b2I/AAAAAAAAGmU/HrEyTJ4aAQE/s1600/Poster-do-filme-Vendo-ou-Alugo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Vendo ou Alugo&amp;quot;" border="0" src="http://2.bp.blogspot.com/-SB4u5vGQSwo/UYPKYx11b2I/AAAAAAAAGmU/HrEyTJ4aAQE/s1600/Poster-do-filme-Vendo-ou-Alugo.jpg" title="Poster do filme &amp;quot;Vendo ou Alugo&amp;quot;" /&gt;&lt;/a&gt;Além de Marieta Severo, &lt;i&gt;Vendo ou Alugo&lt;/i&gt; tem no elenco Marcos
Palmeira, Nathália Timberg, Silvia Buarque, Beatriz Morgana e André
Mattos.&amp;nbsp;A trama, filmada em planos-sequência, se passa durante a
pacificação de um morro na Zona Sul do Rio&amp;nbsp;e&amp;nbsp;conta a história de uma
família com quatro gerações de mulheres, que já foi riquíssima, mas está
afundada em dívidas. Para escaparem da falência, elas tentam vender o casarão
onde moram, no pé da favela, antes que ele vá a leilão.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background: white; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
O júri oficial do 17º Cine PE foi composto por&amp;nbsp;Beto Souza (produtor e
diretor de teatro e cinema), Cleodon Coelho (jornalista, roteirista e
escritor), José Luiz Villamarim (cineasta e diretor de TV), Marcus Ligocki Jr
(diretor, produtor e roteirista), Paula Burlamaqui (atriz de teatro, cinema e
televisão), Pedro Pablo Lazzarini (diretor de fotografia) e Ruth de Albuquerque
(licenciada em filosofia e professora de cinema).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
O 17º Cine PE exibiu 39 filmes (12 longas e 27 curtas) no Teatro
Guararapes, no Centro de Convenções de Pernambuco, em Olinda. A&amp;nbsp;Mostra
Competitiva de Longas-Metragens apresentou sete filmes inéditos (quatro ficções
e três documentários) e 18 produções de seis estados na Mostra Competitiva de
Curtas-Metragens. O festival homenageou com o troféu “Calunga de Ouro” a atriz
Marieta Severo, o cineasta Silvio Tendler e o Canal 100.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
&lt;b&gt;OS VENCEDORES DO CINE PE 2013&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; text-align: justify;"&gt;
&lt;b&gt;LONGAS-METRAGENS&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;b&gt;Filme: &lt;/b&gt;&lt;i&gt;Vendo ou Alugo&lt;/i&gt;, de Betse de Paula&lt;br /&gt;
&lt;b&gt;Direção:&amp;nbsp;&lt;/b&gt;Betse de Paula (&lt;i&gt;Vendo
ou Alugo&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Ator:&amp;nbsp;&amp;nbsp;&lt;/b&gt;João Miguel (&lt;i&gt;Bonitinha,
mas ordinária&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Atriz:&amp;nbsp;&lt;/b&gt;Marieta Severo (&lt;i&gt;Vendo
ou Alugo&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Ator Coadjuvante:&amp;nbsp;&amp;nbsp;&lt;/b&gt;Pedro Monteiro (&lt;i&gt;Vendo ou Alugo&lt;/i&gt;) &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
&lt;b&gt;Atriz Coadjuvante:&amp;nbsp;&lt;/b&gt;Nathália Timberg (&lt;i&gt;Vendo ou Alugo&lt;/i&gt;)&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
Roteiro:&amp;nbsp;&amp;nbsp;&lt;/b&gt;Beste de Paula, Maria Lucia Dahl, Julia Abreu e Mariza
Leão (&lt;i&gt;Vendo ou Alugo&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Fotografia:&amp;nbsp;&lt;/b&gt;Lauro Escorel (&lt;i&gt;Giovanni
Improtta&lt;/i&gt;)&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;b&gt;Direção de
Arte:&amp;nbsp;&amp;nbsp;&lt;/b&gt;Emily Pirmez (&lt;i&gt;Vendo
ou Alugo&lt;/i&gt;)&amp;nbsp;&lt;br /&gt;
&lt;b&gt;Trilha Sonora:&amp;nbsp;&lt;/b&gt;Bandeira 8 - Fabio Mondego, Fael Mondego, Marco
Tommasi&amp;nbsp;(&lt;i&gt;Vendo ou Alugo&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Edição de Som:&amp;nbsp;&amp;nbsp;&lt;/b&gt;Catarina Apolonio (&lt;i&gt;Rio Doce-CDU&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Montagem:&amp;nbsp;&lt;/b&gt;Marta Luz (&lt;i&gt;Vendo ou
Alugo&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Melhor Filme do Júri Popular:&amp;nbsp;&lt;/b&gt;&lt;i&gt;Vendo
ou Alugo&lt;/i&gt;, de Betse de Paula&lt;br /&gt;
&lt;b&gt;Prêmio da Crítica:&amp;nbsp;&lt;/b&gt;Vendo ou Alugo, de Betse de Paula&lt;br /&gt;
&lt;b&gt;Prêmio Especial do Júri Oficial:&amp;nbsp;&lt;/b&gt;Carmem Verônica, Daisy Lúcidi e
Ilka Soares, As Tartarugas (&lt;i&gt;Vendo ou
Alugo&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;b&gt;Menção Honrosa:&amp;nbsp;&lt;/b&gt;Beto
Martins (direção de fotografia de &lt;i&gt;Rio
Doce-CDU&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 13pt; margin-bottom: 10pt;"&gt;
&lt;b&gt;CURTAS-METRAGENS&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; line-height: 12pt;"&gt;
&lt;b&gt;Filme:&amp;nbsp;&lt;/b&gt;&lt;i&gt;Linear&lt;/i&gt;, de
Amir Admoni&lt;b&gt;&lt;br /&gt;
Direção:&amp;nbsp;&lt;/b&gt;André Dib (&lt;i&gt;O Fim do
Filme&lt;/i&gt;)&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
Ator:&amp;nbsp;&lt;/b&gt;Gabriel Bodstein (&lt;i&gt;O Fim do
Filme&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Atriz:&amp;nbsp;&amp;nbsp;&lt;/b&gt;Gabriela Cerqueira (&lt;i&gt;O Fim do Filme&lt;/i&gt;)&lt;br /&gt;
&lt;b&gt;Roteiro:&amp;nbsp;&lt;/b&gt;José Roberto Torero (&lt;i&gt;Íris&lt;/i&gt;)&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
Fotografia:&amp;nbsp;&lt;/b&gt;Cauê Laratta (&lt;i&gt;A
Galinha que Burlou o Sistema&lt;/i&gt;)&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
Direção de Arte:&amp;nbsp;&lt;/b&gt;Natalia Vaz (&lt;i&gt;A
Guerra dos Gibis&lt;/i&gt;)&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
Trilha Sonora:&amp;nbsp;&amp;nbsp;&lt;/b&gt;Sergio Kafejian (&lt;i&gt;Aluga-se&lt;/i&gt;)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;&lt;br /&gt;
Edição de Som:&amp;nbsp;&lt;/b&gt;Nick Graham-Smith (&lt;i&gt;Linear&lt;/i&gt;)&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
Montagem:&lt;/b&gt;&amp;nbsp;Alison Zago (&lt;i&gt;A Galinha
que Burlou o Sistema&lt;/i&gt;)&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
Melhor Filme do Júri Popular:&amp;nbsp;&lt;/b&gt;&lt;i&gt;O
Fim do Filme&lt;/i&gt;, de André Dib&lt;br /&gt;
&lt;b&gt;Prêmio da Crítica:&amp;nbsp;&lt;/b&gt;&lt;i&gt;Íris&lt;/i&gt;,
de Kiko Mollica&lt;br /&gt;
&lt;b&gt;Menção Honrosa:&amp;nbsp;&lt;/b&gt;&lt;i&gt;Sagatio,
Histórias de Cinema&lt;br /&gt;
&lt;/i&gt;&lt;b&gt;Prêmio Canal Brasil:&amp;nbsp;&lt;/b&gt;&lt;i&gt;O
Filme do Filme&lt;/i&gt;, de André Dib&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;b&gt;MOSTRA PERNAMBUCO&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;b&gt;Melhor Curta-Metragem da
Mostra Pernambuco&lt;/b&gt;:&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;i&gt;Entre
Lua, a Casa é sua&lt;/i&gt;, de Marcos Carvalho e Edineia Campos&lt;br /&gt;
&lt;b&gt;Menção honrosa:&amp;nbsp;&lt;/b&gt;&lt;i&gt;Os
Silenciados não Mudam o Mundo&lt;/i&gt;, de Alexandre Alencar&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;
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</description><link>http://www.cinemanarede.com/2013/05/17-cine-pe.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-SB4u5vGQSwo/UYPKYx11b2I/AAAAAAAAGmU/HrEyTJ4aAQE/s72-c/Poster-do-filme-Vendo-ou-Alugo.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-6412634113983307300</guid><pubDate>Wed, 01 May 2013 19:30:00 +0000</pubDate><atom:updated>2013-05-01T16:30:51.075-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Reportagem</category><category domain="http://www.blogger.com/atom/ns#">Notícia</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Festival Varilux</category><title>Festival Varilux de Cinema Francês 2013</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;&lt;span style="font-family: inherit;"&gt;Começa no dia&amp;nbsp;1º&amp;nbsp;e
termina no dia 16 de maio, em 45 cidades brasileiras, o Festival Varilux de
Cinema Francês 2013. Serão apresentados 16 filmes, representando a produção
mais recente do país.&amp;nbsp;Os destaques da programação são&amp;nbsp;&lt;i&gt;O Homem Que
Ri&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Ferrugem e Osso&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Os Sabores do Palácio&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Camille
Claudel 1915&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Pedalando com Molière&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Renoir&lt;/i&gt;&amp;nbsp;e
a animação&amp;nbsp;&lt;i&gt;O Menino da Floresta&lt;/i&gt;. A&amp;nbsp;novidade este ano é que
o&amp;nbsp;festival acontecerá em duas etapas: de&amp;nbsp;1º&amp;nbsp;a 9 de maio em
algumas cidades, &amp;nbsp;como Rio de Janeiro, São Paulo, Curitiba e Brasília; e
de 10 a 16 de maio em outras, como Belo Horizonte, Belém e Manaus. .&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;O diretor Benoit Jacquot e a
atriz Léa Seydoux (de&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;Meia-Noite
em Paris)&lt;/i&gt;, virão ao Rio de Janeiro para o lançamento do filme&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;Adeus, minha Rainha.&amp;nbsp;&lt;/i&gt;&amp;nbsp;Também
estarão presentes os diretores Philippe Le Guay (&lt;i&gt;Pedalando com Molière&lt;/i&gt;),
Danièle Thompson (&lt;i&gt;Aconteceu em Saint-Tropez&lt;/i&gt;), Agnès Jaoui (&lt;i&gt;Além do
arco-íris&lt;/i&gt;"), Jean-Pierre Améris ("O Homen que Ri"),
Jean-Paul Lilienfeld (&lt;i&gt;Prenda-me&lt;/i&gt;) e Michel Leclerc (&lt;i&gt;Anos Incríveis&lt;/i&gt;),
e os atores Monica Bellucci (&lt;i&gt;Aconteceu em Saint-Tropez&lt;/i&gt;), Christa Theret
(&lt;i&gt;Renoir&lt;/i&gt;&amp;nbsp;e&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;O Homem
que Ri&lt;/i&gt;) e Arthur Dupont (&lt;i&gt;Além do Arco-íris&lt;/i&gt;&amp;nbsp;e&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;Os Sabores do Palácio&lt;/i&gt;).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;Lista de filmes&lt;br /&gt;
&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt;
&lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;A datilógrafa&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Populaire)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Régis Roinsard, com Romain Duris,
Déborah François, Bérénice Béjot.&lt;br /&gt;
2012 – Comédia - 1h51&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Aconteceu em Saint-Tropez&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Des
gens qui s'embrassent)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Danièle Thompson, com Monica Bellucci,
Kad Merad, Éric Elmosnino&lt;br /&gt;
.2012 – Comédia – 1h40&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Adeus, minha Rainha&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&amp;nbsp;(Les
adieux à la Reine)&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
De Benoît Jacquot, com Léa Seydoux, Diane Kruger, Virginie Ledoyen.&lt;br /&gt;
2011 – Drama – 1h44&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Além do arco-&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;b&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;íris&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Au bout du conte)&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
De Agnès Jaoui, com Agathe Bonitzer, Arthur Dupont, Jean-Pierre Bacri&lt;br /&gt;
2012 – Comédia - 1h52&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Amigos sinceros&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Amitiés
sincères)&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
De Stephan Archinard e François Prévôt-Leygonie, com Gérard Lanvin, Jean-Hugues
Anglade.&lt;br /&gt;
2012 – Comédia dramática - 1h44&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Anos Incríveis&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Télé
Gaucho)&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
De Michel Leclerc, com &amp;nbsp;Félix Moati, Sara Forestier, Eric Elmosnino,
Maiwenn, Emmanuelle Béart.&lt;br /&gt;
2012 – Comédia – 1h52&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Camille Claudel 1915&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Camille
Claudel 1915)&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
De Bruno Dumont, com Juliette Binoche, Jean-Luc Vincent, Robert Leroy&lt;br /&gt;
2012 – Drama – 1h35&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Feito gente grande&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Du
vent dans mes mollets)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Carine Tardieu, com Agnès Jaoui, Denis Podalydès,
Isabelle Carré&lt;br /&gt;
2011 – Comédia – 1h29&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Ferrugem e osso&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(De
rouille et d'os)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Jacques Audiard, com Marion Cotillard,
Matthias Schoenaerts.&lt;br /&gt;
2012 – Drama– 1h55&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;O Homem que ri (&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;L'homme
qui rit&lt;/span&gt;&lt;/em&gt;)&lt;br /&gt;
De Jean-Pierre Améris, com Gérard Depardieu, Emmanuelle Seigner, Marc-André
Grondin.&lt;br /&gt;
2012 – Drama - 1h33&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;O menino da floresta&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;(&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Le jour des corneilles&lt;/span&gt;&lt;/em&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;)&lt;/span&gt;&lt;/strong&gt;De
Jean-Christophe Dessaint&lt;br /&gt;
Com as vocês de Jean Reno, Lorant Deutsch, Isabelle Carré e Claude Chabrol&lt;br /&gt;
2012 – Animação – 1h35&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Pedalando com Molière&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Alceste
à Bicyclette)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Philippe Le Guay, com Fabrice Luchini,
Lambert Wilson.&lt;br /&gt;
2011 – Comédia – 1h44&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Prenda-me&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Arrêtez-moi)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Jean Paul Lillienfeld, com Sophie
Marceau, Miou-Miou, Marc Barbé&lt;br /&gt;
2013 – Thriller – 1h39&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Renoir&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Renoir)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Gilles Bourdos, com Michel Bouquet,
Christa Theret, Vincent Rottiers&lt;br /&gt;
2012 – Drama – 1h41&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Os sabores do Palácio&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Les
saveurs du Palais)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Christian Vincent, com Catherine Frot,
Jean d'Ormesson, Arthur Dupont.&lt;br /&gt;
2012 – Comédia – 1h35&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Uma Dama em Paris&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;em style="font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;(Une
Estonienne à Paris)&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;De Ilmar Raag, com Jeanne Moreau, Laine
Magi, Patrick Pineau&lt;br /&gt;
2012 – Drama – 1h34&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b style="font-variant: inherit; line-height: inherit;"&gt;Serviço&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background: white; line-height: 18.0pt; margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Festival Varilux de Cinema
Francês&lt;/span&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;br /&gt;
&lt;strong&gt;Quando:&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;de 3 a 16 de
maio de 2013&lt;br /&gt;
&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Onde:&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;em mais de 45 cidades do Brasil&lt;br /&gt;
&lt;strong style="font-style: inherit; font-variant: inherit; line-height: inherit;"&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Mais informações:&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;http://variluxcinefrances.com&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
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&lt;table&gt; &lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</description><link>http://www.cinemanarede.com/2013/05/festival-varilux-de-cinema-frances-2013.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-NuGCyOeMWB4/UYFpBcVhrZI/AAAAAAAAGls/LZusNTBKgRo/s72-c/Festival-Varilux-2013.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-7118690504504351798</guid><pubDate>Tue, 30 Apr 2013 18:56:00 +0000</pubDate><atom:updated>2013-04-30T17:14:03.804-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Reportagem</category><category domain="http://www.blogger.com/atom/ns#">Notícia</category><title>10º Prêmio ACIE de Cinema 2013</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;a href="http://4.bp.blogspot.com/-a6V77jFWumI/UYAk3DS0ExI/AAAAAAAAGlI/RMSz5MVxbZI/s1600/Cena-do-filme-Flores-Raras.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Flores Raras&amp;quot;" border="0" height="228" src="http://4.bp.blogspot.com/-a6V77jFWumI/UYAk3DS0ExI/AAAAAAAAGlI/RMSz5MVxbZI/s320/Cena-do-filme-Flores-Raras.jpg" title="Cena do filme &amp;quot;Flores Raras&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;
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&lt;span class="addthis_separator"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;A
décima edição do&lt;/span&gt;&amp;nbsp;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Prêmio ACIE de Cinema,&lt;/span&gt;&lt;/b&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;promovido pela Associação dos
Correspondentes de Imprensa Estrangeira no Brasil, apresenta o melhor da safra
nacional de 2012. &amp;nbsp;Os longas indicados
serão exibidos na&lt;/span&gt;&amp;nbsp;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Mostra ACIE de Cinema&lt;/span&gt;&lt;/b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, no Centro Cultural Banco do Brasil (RJ), entre 30 de abril e 5
de maio. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;
&lt;br /&gt;
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&lt;span class="addthis_separator"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Os
jurados escolherão entre 22 filmes, que concorrerão em nove categorias, além de
melhor filme pelo júri popular, &lt;/span&gt;escolhido pelos espectadores da mostra
no CCBB.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;/span&gt;
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&lt;span class="addthis_separator"&gt;
&lt;div style="background: white; margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: inherit;"&gt;O lançamento do
Prêmio foi realizado no dia 29 de abril, no CCBB, com a exibição do longa &lt;i&gt;Flores
Raras&lt;/i&gt;, de &lt;b&gt;Bruno Barreto&lt;/b&gt;, com &lt;b&gt;Glória Pires&lt;/b&gt; e &lt;b&gt;Miranda Otto&lt;/b&gt; nos papéis principais.
O filme retrata a conturbada relação entre a arquiteta brasileira Lota Macedo
Soares (Pires) e a poeta norte-americana Elizabeth Bishop (Otto). &lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;LISTA DOS INDICADOS:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;MELHOR FILME&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Corações sujos&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Febre do rato&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Gonzaga - de pai pra
filho&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Xingu&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;MELHOR DIRETOR&lt;br /&gt;
&lt;/b&gt;Afonso Poyart por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Dois coelhos&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Beto Brant e Renato Ciasca por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Eu receberia as piores notícias
dos seus lindos lábios&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Breno Silveira por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Gonzaga - de pai pra filho&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Cláudio Assis por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Febre do rato&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;b&gt;&lt;br /&gt;
MELHOR ROTEIRO&lt;br /&gt;
&lt;/b&gt;Adriano Esturilho, Aly Muritiba, Bruno de Oliveira, Diego Florentino e
Fábio Allon por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Circular&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Hilton Lacerda por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Febre do rato&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Marçal Aquino, Beto Brant e Renato Ciasca por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Eu receberia as piores notícias
dos seus lindos lábios&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Mauro Lima por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Reis e ratos&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;MELHOR ATOR&lt;br /&gt;
&lt;/b&gt;Daniel Oliveira por&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Boca&lt;/span&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Irandhyr Santos por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Febre do rato&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;João Miguel por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Xingu&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Rodrigo Santoro por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Heleno&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;MELHOR ATRIZ&lt;br /&gt;
&lt;/b&gt;Camila Pitanga por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Eu receberia as piores notícias dos seus lindos lábios&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Hermila Guedes por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Era uma vez eu, Verônica&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Mariana Lima por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Sudoeste&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Nathália Dill por&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Paraísos artificiais&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;MELHOR FOTOGRAFIA&lt;br /&gt;
&lt;/b&gt;Adrian Tejido por&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Boca&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Adriano Goldman por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Xingu&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Rodrigo Monte por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Corações sujos&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Walter Carvalho por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Heleno&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;MELHOR TRILHA SONORA&lt;br /&gt;
&lt;/b&gt;Aurélio Dias por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Vou rifar meu coração&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Karina Buhr e Tomaz Alves Souza por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Era uma vez eu, Verônica&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Paulo Jobim por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;A música segundo Tom Jobim&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Roberto Carlos por&lt;span class="apple-converted-space"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;À beira do caminho&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;MELHOR DOCUMENTÁRIO&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;/b&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Paralelo 10&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Raul - o início, o
fim e o meio&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Tropicália&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Vou rifar meu coração&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;BLOCKBUSTER BRASIL&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;/b&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;De pernas pro ar 2&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;E aí... Comeu?&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Gonzaga - de pai pra
filho&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Os penetras&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;PROGRAMAÇÃO DA MOSTRA:&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;b style="font-family: inherit;"&gt;TERÇA-FEIRA, DIA 30&lt;/b&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;15h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;De pernas pro ar 2&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(99
min.)&lt;br /&gt;
17h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;E aí... comeu?&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(111
min.)&lt;br /&gt;
19h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Circular&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(94 min.)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;QUARTA-FEIRA, DIA 01&lt;br /&gt;
&lt;/b&gt;15h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Tropicália&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(100
min.)&lt;br /&gt;
17h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Sudoeste&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(128 min.)&lt;br /&gt;
19h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Reis e ratos&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(93
min.)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;QUINTA-FEIRA, DIA 02&lt;br /&gt;
&lt;/b&gt;14h -&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Paralelo&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;10 (87 min.)&lt;br /&gt;
16h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Heleno&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(116
min.)&lt;br /&gt;
18h -&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Boca&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(100 min.)&lt;br /&gt;
20h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Era uma vez eu, Verônica&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(90
min.)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;SEXTA-FEIRA, DIA 03&lt;br /&gt;
&lt;/b&gt;14h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Os penetras&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(88 min.)&lt;br /&gt;
16h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Gonzaga, de pai pra filho&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(120 min.)&lt;br /&gt;
18h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Eu receberia as piores notícias dos seus lindos lábios&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(100 min.)&lt;br /&gt;
20h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;À beira do caminho&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(102 min.)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;SÁBADO, DIA 04&lt;br /&gt;
&lt;/b&gt;14h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;A música segundo Tom Jobim&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(90 min.)&lt;br /&gt;
16h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Xingu&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(116
min.)&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
18h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;2 Coelhos&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(108
min.)&lt;br /&gt;
20h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Paraísos artificiais&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(96
min.)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;DOMINGO, DIA 05&lt;br /&gt;
&lt;/b&gt;14h –&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Raul Seixas: O início, o fim e o meio&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(120 min.)&lt;br /&gt;
16h –&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Corações sujos&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(107 min.)&lt;br /&gt;
18h –&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Febre do rato&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;(105 min.)&lt;br /&gt;
20h -&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Vou rifar meu coração&lt;/span&gt;&lt;/strong&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;(78 min.)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;


&lt;div style="background: white; margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="background: white; line-height: 14.65pt; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;SERVIÇO
MOSTRA ACIE DE CINEMA&lt;/span&gt;&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="background: white; line-height: 14.65pt; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Centro
Cultural Banco do Brasil (CCBB)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="background: white; line-height: 14.65pt; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Rua
Primeiro de Março, 66 – Centro.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="background: white; line-height: 14.65pt; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;span style="font-family: inherit;"&gt;Sala
de Cinema II &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="background: white; line-height: 14.65pt; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;Ingressos
R$ 6 e R$ 3 (Cinepasse da Mostra)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="background: white; line-height: 14.65pt; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="border: 1pt none windowtext; padding: 0cm;"&gt;&lt;span style="font-family: inherit;"&gt;Horário
de funcionamento: de terça a domingo, das 10h às 21h.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: PT-BR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
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&lt;table&gt; &lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/10-premio-acie-de-cinema-2013.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-a6V77jFWumI/UYAk3DS0ExI/AAAAAAAAGlI/RMSz5MVxbZI/s72-c/Cena-do-filme-Flores-Raras.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-4283484067259156114</guid><pubDate>Mon, 29 Apr 2013 17:15:00 +0000</pubDate><atom:updated>2013-04-30T15:00:38.049-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Aventura</category><category domain="http://www.blogger.com/atom/ns#">Estreia 26/04</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Ação</category><category domain="http://www.blogger.com/atom/ns#">Ficção Científica</category><title>Crítica - Homem de Ferro 3</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;a href="http://4.bp.blogspot.com/-xXZiC2_UyG0/UX6bD7TsboI/AAAAAAAAGks/QzU-LLNGRZs/s1600/Cena-do-filme-Homem-de-Ferro-3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Homem de Ferro 3&amp;quot;" border="0" height="213" src="http://4.bp.blogspot.com/-xXZiC2_UyG0/UX6bD7TsboI/AAAAAAAAGks/QzU-LLNGRZs/s320/Cena-do-filme-Homem-de-Ferro-3.jpg" title="Cena do filme &amp;quot;Homem de Ferro 3&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;Um super-herói com crise de identidade já é um
clichê ao longo dos mais de quinze anos da Marvel Studios, e até antes disso,
em &lt;i&gt;Superman&lt;/i&gt;&lt;span style="font-size: small;"&gt; de &lt;/span&gt;&lt;/span&gt;&lt;span lang="PT" style="line-height: 115%;"&gt;Richard Donner&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="line-height: 115%;"&gt;e
&lt;i&gt;Homem-Aranha&lt;/i&gt; de Sam Raimi. Porém uma
crise de identidade de uma nação, que é uma das referências mundiais já é algo
muito maior, mais ambicioso. Em consequência disso a trilogia &lt;b&gt;Homem de Ferro&lt;/b&gt; deixa de ser mero
entretenimento para sutilmente propor certas discussões ao espectador. &amp;nbsp;Assim Tony Stark ainda nos créditos iniciais
afirma: “Com nossos erros, nós criamos nossos próprios demônios".&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;h2&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="font-family: inherit;"&gt;"&lt;i&gt;Homem de Ferro 3&lt;/i&gt;" discute a decadência dos EUA como nação hegemônica&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="font-family: inherit;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;No final da trilogia o diretor e roteirista &lt;/span&gt;&lt;b style="font-family: inherit; line-height: 115%;"&gt;Shame Black&lt;/b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt; traz um Tony Stark (&lt;/span&gt;&lt;b style="font-family: inherit; line-height: 115%;"&gt;Robert Downey Jr&lt;/b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;) com um estresse pós-traumático
após os eventos de Nova York visto em &lt;/span&gt;&lt;i style="font-family: inherit; line-height: 115%;"&gt;Os
Vingadores&lt;/i&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;. Aliás, não só o cabeça de metal, mas o governo americano, já
que este ficou impotente diante de deuses nórdicos, aliens e o Hulk. Além
disso, o passado assombra Stark, contado ao espectador no começo da projeção,
uma vez que o bilionário abandonou mais uma musa e um nerd com potencial de
cientista.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;/span&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Desta forma Black trabalha a ideia que para toda
ação há uma consequência. Algo semelhante acontece com a nação, já que surge um
vilão terrorista árabe, o Mandarin (&lt;b&gt;Ben Kingsley&lt;/b&gt;) como resposta às políticas desastradas dos americanos no Oriente
Médio. E se observar as sutilezas de Black para fazer referências históricas
aos erros dos EUA. Por exemplo, a arma de Mandarin é uma bomba sintética que
desintegra todos os cidadãos, ou seja, as bombas nucleares de Hiroshima e
Nagaski.&amp;nbsp; Além disso, o presidente dos
EUA é uma referência ao ex-presidente George Bush, dono de gigantes
petroleiras.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;a href="http://2.bp.blogspot.com/-kqHmTaJLwus/UX6bFuTPpKI/AAAAAAAAGk0/NHqpuyKQLkk/s1600/Cena-do-filme-Homem-de-Ferro-3a.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Homem de Ferro 3&amp;quot;" border="0" height="180" src="http://2.bp.blogspot.com/-kqHmTaJLwus/UX6bFuTPpKI/AAAAAAAAGk0/NHqpuyKQLkk/s320/Cena-do-filme-Homem-de-Ferro-3a.jpg" title="Cena do filme &amp;quot;Homem de Ferro 3&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;A nação norte-americana construiu sua imagem como super-potência
através da ideologia do destino manifesto, que consiste na tese que os EUA são
os escolhidos para mostrar um modelo hegemônico de democracia e sociedade. O
tal do &lt;i&gt;American Way of Life&lt;/i&gt;. Com
isso, o cineasta Shame Black começa a mexer com os símbolos americanos e de
Stark. Afinal, todo o patrimônio de Stark vira escombro numa ótima sequência de
ação. Observe por exemplo, qual era a verdadeira profissão do cara por trás das
câmeras e do Mandarin, que anteriormente sequestra um executivo americano
influente, e este é justamente um executivo de Hollywood.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Super-herói fraco mostra erros dos poderosos no terceiro filme da trilogia&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Desta forma Black constrói não só um Homem de Ferro
fraco em relação a sua equipe de super-amigos, mas toda uma nação outrora
poderosa e que com atual crise econômica tornou-se &amp;nbsp;impotente para resolver problemas históricos
como no Iraque, por exemplo; tem sua influência questionada e diminuída.&amp;nbsp; Stark no final chega refletir: “Toda
ideologia empolga no começo, mas em algum momento nós erramos, nós criamos
nossos problemas, nossos próprios demônios”. Claras referências ao apoio e
treinamento à terroristas e ditadores do Oriente Médio durante a Guerra Fria. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;a href="http://4.bp.blogspot.com/-pdr9Mkwrs2U/UX6ZOXH0dUI/AAAAAAAAGkg/i9565BoYxSY/s1600/Poster-do-filme-Homem-de-Ferro-3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Homem de Ferro 3&amp;quot;" border="0" height="320" src="http://4.bp.blogspot.com/-pdr9Mkwrs2U/UX6ZOXH0dUI/AAAAAAAAGkg/i9565BoYxSY/s320/Poster-do-filme-Homem-de-Ferro-3.jpg" title="Poster do filme &amp;quot;Homem de Ferro 3&amp;quot;" width="224" /&gt;&lt;/a&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Em relação ao filme em si, o compositor &lt;b&gt;Brian Tiller&lt;/b&gt; foi feliz construindo uma
trilha épica e heroica; semelhante à bela música de Silvestri para &lt;i&gt;Os Vingadores&lt;/i&gt;. No roteiro, Black apela
ao “cross-over (narração em off)” que desaparece em muitos momentos da
projeção. Contudo, as sequências de ação, sobretudo no terceiro ato, são muito
divertidas e ficarão marcadas na memória do espectador.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Sem sua habitual trilha sonora de AC-DC&lt;b&gt;&lt;i&gt;,
Homem de Ferro 3&lt;/i&gt;&lt;/b&gt; encerra com maestria uma trilogia que por sua
qualidade técnica, de efeitos visuais, de história e de grandes atuações como a
de Robert Downey Jr ajudou a consolidar os “hero movies”. Gênero que no ano
passado deu a Hollywood seu maior lucro da história. Além disso, Homem de Ferro
3 não apenas constrói um universo fascinante sonhado por anos por nerds, mas
mostra que consegue estabelecer uma discussão eficiente com a realidade, &amp;nbsp;útil ao espectador, e chegando em determinados
momentos a brincar com ela.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Por Danilo Zanini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Nota: 8,5&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 18px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/s7MHXDEdjS0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;&lt;b&gt;&lt;i&gt;Homem de Ferro 3 (Iron Man 3)&lt;/i&gt;&lt;/b&gt; – 130 min.&lt;br /&gt;
EUA 2013&lt;br /&gt;
Direção: &lt;span style="background: white;"&gt;Shane Black&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
Roteiro: &lt;span style="background: white;"&gt;Drew Pearce e Shane Black, baseado nos
quadrinhos de Stan Lee, Don Heck, Larry Lieber e Jack Kirby&lt;/span&gt;&lt;br /&gt;
Elenco: &lt;span style="background: white;"&gt;Robert Downey Jr., Gwyneth Paltrow,
Rebecca Hall, Guy Pearce, Ben Kingsley, Paul Bettany, Don Cheadle, Jon Favreau,
William Sadler, James Badge Dale, Stephanie Szostak, Stan Lee&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="background: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="background: white;"&gt;Estreia 26/04&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="background: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;script src="http://s7.addthis.com/js/250/addthis_widget.js#username=xa-4cb78a9a4f692e9b" type="text/javascript"&gt;&lt;/script&gt; &lt;!-- AddThis Button END --&gt; &lt;br /&gt;
&lt;table&gt; &lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</description><link>http://www.cinemanarede.com/2013/04/critica-homem-de-ferro-3.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-xXZiC2_UyG0/UX6bD7TsboI/AAAAAAAAGks/QzU-LLNGRZs/s72-c/Cena-do-filme-Homem-de-Ferro-3.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-1051888174601994359</guid><pubDate>Mon, 29 Apr 2013 14:49:00 +0000</pubDate><atom:updated>2013-04-29T12:54:00.671-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 26/04</category><category domain="http://www.blogger.com/atom/ns#">Comédia Romântica</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - 2 Dias em Nova York</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;a href="http://2.bp.blogspot.com/-cUVutspwAEE/UX6IDRi8enI/AAAAAAAAGkQ/I6tEISetebI/s1600/Cena-do-filme-Dois-Dias-em-Nova-York.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;2 Dias em Nova York&amp;quot;" border="0" src="http://2.bp.blogspot.com/-cUVutspwAEE/UX6IDRi8enI/AAAAAAAAGkQ/I6tEISetebI/s1600/Cena-do-filme-Dois-Dias-em-Nova-York.jpg" title="Cena do filme &amp;quot;2 Dias em Nova York&amp;quot;" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;Nova York
talvez seja a cidade mais cinematográfica do mundo, e quem a retrata melhor é
provavelmente Woody Allen. Com essas duas referência, a atriz&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;Julie Delpy&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;escreveu, dirigiu e atuou em&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;i&gt;2 Dias em Nova York,&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;sequência de seu filme de
estreia como diretora, a comédia romântica&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;Dois
Dias em Paris&lt;/i&gt;. Desta vez, Marion, agora casada com um americano, recebe sua
família francesa para uma visita que vai testar a paciência do casal e provocar
algumas risadas.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Marion (Delpy) vive com o
radialista Mingus (&lt;b&gt;Chris Rock&lt;/b&gt;) e seus dois filhos, Willow (Talen Riley)
e Lulu (&lt;b&gt;Owen Shipman&lt;/b&gt;), de casamentos anteriores. Prestes a inaugurar uma
exposição de fotografias em que pretende vender sua alma a quem pague mais, ela
recebe seu pai Jeanott (&lt;b&gt;Albert Delpy&lt;/b&gt;), sua irmã Rose (&lt;b&gt;Alexia Landeau&lt;/b&gt;)
e o namorado dela, Manu (&lt;b&gt;Alexandre Nahon&lt;/b&gt;).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;/span&gt;
&lt;h2&gt;
&lt;span class="addthis_separator"&gt;
&lt;span style="line-height: 18px;"&gt;"&lt;i&gt;Dois Dias em Nova York"&lt;/i&gt; brinca com estereótipos e choques culturais&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;span class="addthis_separator"&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Embora não traga novidades ao abordar a velha busca
pelo amor e os problemas de relacionamento, &lt;b&gt;&lt;i&gt;2 Dias em Nova York&lt;/i&gt;&lt;/b&gt;
pode agradar aos menos exigentes. Delpy usa estereótipos culturais para fazer
graça. As velhas piadas sobre o pouco apreço dos franceses ao banho, a
naturalidade com que encaram a nudez e a importância que dão à boa comida fazem
parte do cardápio, tudo embalado em diálogos coloquiais, enquadrados por câmera
na mão, dando uma impressão de documental. Algumas vezes funciona, outras não. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-Kex-KqNDjrA/UX3DGhxirkI/AAAAAAAAGj0/gDZIz8MT9MQ/s1600/Poster-do-filme-2-dias-em-nova-york.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;2 Dias em Nova York&amp;quot;" border="0" height="320" src="http://3.bp.blogspot.com/-Kex-KqNDjrA/UX3DGhxirkI/AAAAAAAAGj0/gDZIz8MT9MQ/s320/Poster-do-filme-2-dias-em-nova-york.jpg" title="Poster do filme &amp;quot;2 Dias em Nova York&amp;quot;" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Interpretado pelo próprio pai da atriz, Albert
Delpy, Jeannot é responsável por alguns momentos engraçados, como o modo
efusivo de cumprimentar os americanos, com beijinhos na face ou a falta de
pudor ao se submeter a uma massagem. &amp;nbsp;Alexia Landeau, co-autora do roteiro e Alexandre
Nahon têm boa química juntos, mas certas sequencias onde Rosa briga com Marion
são constrangedoras pela infantilidade. &amp;nbsp;Chris Rock, ator conhecido por comédias,
parece enfadonho. Os momentos em que ele poderia provocar algum riso, quando
fala de suas experiências pessoais em seu programa de rádio, não são muito
explorados. A brincadeira dele conversar com uma foto de Barack Obama também
não ajuda..&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;A grande piada talvez seja mesmo a artista Marion
vender a alma ao diabo por US$ 5 mil, preço baixo devido à crise.. Ou, no caso, ao ator Vincent Gallo, que
interpreta ele mesmo. Só que, apesar de afirmar que não acredita em alma, tenta
resgata-la. Por vias das dúvidas, é melhor mesmo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Por Gilson Carvalho&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Nota 5&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style="line-height: 18px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/KBnUXvNboJQ" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Ficha
Técnica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;Dois Dias em Nova York (2 Days
in New York)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;&lt;span style="font-size: small;"&gt; – 96 min.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;
Fra nça&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 18px;"&gt;/&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;Alemanha&lt;/span&gt;&lt;span style="line-height: 18px;"&gt;/&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;Bélgica - 2013&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-US" style="line-height: 115%;"&gt;&lt;span style="font-size: small;"&gt;
Direção&amp;lt; Julie Delpy&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;
Roteiro: Julie Delpy, Alexia Landeau&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;
Elenco: Chris Rock, Julie Delpy, Albert Delpy, Alexia Landeau, Owen Shipman, Talen
Riley&lt;/span&gt;&lt;span style="background-color: #f6f6f5;"&gt;, &lt;/span&gt;&lt;span style="background-color: white;"&gt;Alexandre
Nahon, Vincent Gallo&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Estreia: 26/04&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-2-dias-em-nova-york.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-cUVutspwAEE/UX6IDRi8enI/AAAAAAAAGkQ/I6tEISetebI/s72-c/Cena-do-filme-Dois-Dias-em-Nova-York.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-7416385577707429467</guid><pubDate>Wed, 24 Apr 2013 14:16:00 +0000</pubDate><atom:updated>2013-04-24T11:28:43.467-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Terror</category><category domain="http://www.blogger.com/atom/ns#">Estreia 19/04</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - A Morte do Demônio</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;a href="http://4.bp.blogspot.com/-7vNM9iCl_YA/UXfml4wpx_I/AAAAAAAAGjU/gt6LGzIrgt0/s1600/Cena-do-filme-A-Morte-do-Demonio.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;A Morte do Demônio&amp;quot;" border="0" height="224" src="http://4.bp.blogspot.com/-7vNM9iCl_YA/UXfml4wpx_I/AAAAAAAAGjU/gt6LGzIrgt0/s320/Cena-do-filme-A-Morte-do-Demonio.jpg" title="Cena do filme &amp;quot;A Morte do Demônio&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="line-height: 115%;"&gt;Jovens americanos perdidos numa cabana no meio do
nada, onde de repente entidades sobrenaturais resolvem brincar com os pobres
mortais sem motivo aparente, apenas pelo sádico motivo de mutilar algumas
vidas. Onde já vimos isso? &amp;nbsp;&lt;span style="font-size: small;"&gt;Provavelmente
em todos os filmes de terror. E é justamente esse o grande mérito de &lt;/span&gt;&lt;b&gt;&lt;i&gt;A
morte do demônio&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;, que resgata a estética dos filmes de terror dos anos
80. Assim o filme do diretor &lt;/span&gt;&lt;b&gt;Fede
Alvarez&lt;/b&gt;&lt;span style="font-size: small;"&gt; não é apenas uma refilmagem do longa de Sam Raimi &lt;/span&gt;&lt;i&gt;Uma noite alucinante&lt;/i&gt;&lt;span style="font-size: small;"&gt; (1981) , mas também
uma homenagem aos filmes de&amp;nbsp; “horror
trash”, com muito sangue e baixo orçamento.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-top: 12.0pt;"&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;Nesta nova versão, &lt;i&gt;A morte do Demônio&lt;/i&gt; conta a história dos
irmãos David (&lt;span class="MsoHyperlink"&gt;&lt;b&gt;Shiloh
Fernandez&lt;/b&gt;&lt;/span&gt;&lt;span class="MsoHyperlink"&gt;)&lt;/span&gt;&amp;nbsp; e Mia (&lt;b&gt;Jane
Levy&lt;/b&gt;), que muito jovens perderam a mãe que sofria de surtos psicóticos
misteriosos. Preocupado com a irmã que tinha visões e era viciada em drogas,
David, juntamente com seus amigos, a arrastam a uma cabana, onde um dos jovens
acha um misterioso livro de magia negra. Assim os jovens libertam entidades
malignas que passam a oferecer “uma noite alucinante” aos jovens.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;
&lt;div class="MsoNormal" style="margin-top: 12.0pt;"&gt;
&lt;/div&gt;
&lt;h2&gt;
&lt;span style="line-height: 27px;"&gt;&lt;span style="font-size: small;"&gt;"&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;A Morte do Demônio&lt;/i&gt;" presta homenagens às produções&amp;nbsp;&lt;i&gt;trash&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-top: 12.0pt;"&gt;
&lt;span style="font-family: inherit; line-height: 115%;"&gt;Mostrando conhecer bem
o gênero e seu público, o diretor Fede Alvarez investe nos clichês que o gênero
construiu ao longo do tempo. Por exemplo, quando uma entidade feminina cobre o
rosto com seus longos cabelos negros, é difícil não lembrar da Samara de &lt;/span&gt;&lt;i style="font-family: inherit; line-height: 115%;"&gt;O Chamado&lt;/i&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;, de Gore Verbinsk. Ou como os
demônios encaram os jovens, o modo de caminhar é muito semelhante ao &lt;/span&gt;&lt;i style="font-family: inherit; line-height: 115%;"&gt;Grito&lt;/i&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;, produzidos por Sam Raimi. Ainda, &lt;/span&gt;&lt;i style="font-family: inherit; line-height: 115%;"&gt;A morte do demônio&lt;/i&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt; resgata a icônica
cena do original na qual uma sequência &lt;/span&gt;&lt;i style="font-family: inherit; line-height: 115%;"&gt;trash&lt;/i&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;
e sexy mostra galhos de uma árvore penetrando por baixo do vestido de Mia.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-top: 12.0pt;"&gt;
&lt;a href="http://4.bp.blogspot.com/-mIwKm4QpwuE/UXfmkRY3tsI/AAAAAAAAGjM/xFBztPGcMHA/s1600/Poster-do-filme-A-Morte-do-Dem%C3%B4nio.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;A Morte do Demônio&amp;quot;" border="0" height="320" src="http://4.bp.blogspot.com/-mIwKm4QpwuE/UXfmkRY3tsI/AAAAAAAAGjM/xFBztPGcMHA/s320/Poster-do-filme-A-Morte-do-Dem%C3%B4nio.jpg" title="Poster do filme &amp;quot;A Morte do Demônio&amp;quot;" width="217" /&gt;&lt;/a&gt;&lt;span style="line-height: 115%;"&gt;Assim como o roteiro, a
direção de Alvarez também apresenta vários clichês, como os planos sequencias
que partem de fora para dentro da casa, simulando o movimento das entidades.
Alvarez é feliz ao tratar a luz em dois momentos, quando a protagonista é vista
pela primeira vez, e quando um dos jovens já quase morto entrega a solução da
maldição para David. A luz vem sempre do céu, como se fosse um bálsamo para os
sofrimentos dos personagens. A trilha sonora também segue os mesmos clichês,
com suas típicas marcações, cantos de fundo; um destaque é a sirene típica de
países de zonas de guerra que surge na sequência final do filme.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-top: 12.0pt;"&gt;
&lt;span style="line-height: 115%;"&gt;O público que se
acostumou com o estilo documental de a &lt;i&gt;Bruxa
de Blair&lt;/i&gt;, &lt;i&gt;Cloverfield&lt;/i&gt;, e &lt;i&gt;Atividade Paranormal&lt;/i&gt; pode agora, com &lt;i&gt;A morte do demônio&lt;/i&gt;, assistir de novo a um
típico filme de terror, como há muito não se via. E mesmo não sendo espetacular
o longa de Fede Alavarez irá arrancar alguns sustos, fazer o espectador torcer
o rosto e se divertir com cenas de muito sangue e gritos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-top: 12.0pt;"&gt;
&lt;span style="line-height: 115%;"&gt;Por Danilo Zanini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-top: 12.0pt;"&gt;
&lt;span style="line-height: 115%;"&gt;Nota 7,5&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-top: 12.0pt;"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/od5DvyqkLFk" width="640"&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b style="font-style: italic;"&gt;A Morte do Demônio (Evil Dead) - &lt;/b&gt;91 min&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;EUA - 2013&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Direção: Fede Alvarez&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Roteiro: Fede Alvarez, Rodo Sayague&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Elenco:&amp;nbsp;&lt;span style="line-height: 18px;"&gt;Shiloh Fernandez,&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 18px;"&gt;Jane Levy, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore, Jim McLarty&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Estreia:19/04&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-morte-do-demonio.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-7vNM9iCl_YA/UXfml4wpx_I/AAAAAAAAGjU/gt6LGzIrgt0/s72-c/Cena-do-filme-A-Morte-do-Demonio.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-7072683269085286230</guid><pubDate>Sun, 21 Apr 2013 21:56:00 +0000</pubDate><atom:updated>2013-04-21T18:56:07.389-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 19/04</category><category domain="http://www.blogger.com/atom/ns#">Drama</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - Ginger &amp; Rosa</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt; &lt;span class="addthis_separator"&gt;|&lt;/span&gt; &lt;a class="addthis_button_preferred_1" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_2" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_3" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_4" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;a href="http://4.bp.blogspot.com/-UORpOPyF0lg/UXRb497vlaI/AAAAAAAAGik/Ot_N8pzluAk/s1600/Cena-do-filme-Ginger&amp;amp;Rosa.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Ginger &amp;amp; Rosa&amp;quot;" border="0" height="240" src="http://4.bp.blogspot.com/-UORpOPyF0lg/UXRb497vlaI/AAAAAAAAGik/Ot_N8pzluAk/s320/Cena-do-filme-Ginger&amp;amp;Rosa.jpg" title="Cena do filme &amp;quot;Ginger &amp;amp; Rosa&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Uma época conturbada, o começo dos anos 60, quando ainda
estavam vivas as lembranças dos bombardeios sobre a Inglaterra durante a II
Guerra Mundial, e o terror de um holocausto nuclear pairava sobre a humanidade,
ao mesmo tempo em que a revolução sexual dava os primeiros passos é o pano de
fundo para &lt;b&gt;&lt;i&gt;Ginger &amp;amp; Rosa&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;, drama dirigido pela inglesa &lt;/span&gt;&lt;b&gt;Sally Potter&lt;/b&gt;&lt;span style="font-size: small;"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt;Ginger (&lt;/span&gt;&lt;b&gt;Elle
Fanning&lt;/b&gt;&lt;span style="font-size: small;"&gt;) e Rosa (&lt;/span&gt;&lt;b&gt;Alice Englert&lt;/b&gt;)
são amigas desde a infância. Nasceram na mesma maternidade, no mesmo dia em 1945,
ano que marcou o fim da II Guerra Mundial. Crescem em um subúrbio de Londres e
aos 17 anos, experimentam o primeiro cigarro, o primeiro beijo, os primeiros
momentos de liberdade. Fazem tudo juntas e até se vestes de modo parecido. Pouco
a pouco, porém, descobrem diferenças; enquanto Ginger começa a tomar
consciência dos problemas do mundo, Rosa vai perdendo o ímpeto e buscando uma
vida mais tranquila. &lt;/span&gt;&lt;span style="font-family: Times New Roman, serif; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit; font-size: large;"&gt;Guerra fria e revolução sexual são temas de "&lt;i&gt;Ginger &amp;amp; Rosa&lt;/i&gt;"&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-vSIa4DfmEms/UXReT_U17BI/AAAAAAAAGis/1NKbCwQnvUo/s1600/Poster-do-filme-Ginger&amp;amp;Rosa.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Ginger &amp;amp; Rosa&amp;quot;" border="0" height="320" src="http://2.bp.blogspot.com/-vSIa4DfmEms/UXReT_U17BI/AAAAAAAAGis/1NKbCwQnvUo/s320/Poster-do-filme-Ginger&amp;amp;Rosa.jpg" title="Poster do filme &amp;quot;Ginger &amp;amp; Rosa&amp;quot;" width="237" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Cada vez mais assustada pela possibilidade de uma
guerra nuclear, Ginger se torna poeta e ativista política, participando de
manifestações públicas e conhecendo pessoas engajadas em protestos e outras
ações contra o &lt;i&gt;establishment&lt;/i&gt;&lt;span style="font-size: small;"&gt;. Rosa,
por sua vez, sonha em encontrar o amor de sua vida, e aproxima-se de Roland (&lt;/span&gt;&lt;b&gt;Alessandro Nivola&lt;/b&gt;&lt;span style="font-size: small;"&gt;), pai de Ginger, um
professor e intelectual que defende a vida sem amarras.. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Tentando afastar-se dos velhos modelos, representados
por sua mãe Nathallie (&lt;b&gt;Christina
Hendricks&lt;/b&gt;) e a mãe de Rosa, Anoushka (&lt;b&gt;Jodhi
May&lt;/b&gt;), Ginger volta-se para Bella (&lt;b&gt;Annete
Bening&lt;/b&gt;), uma norte-americana segura e politizada, que ao lado do casal
homossexual Mark (&lt;b&gt;Timothy Spall&lt;/b&gt;) e
Mark II (&lt;b&gt;Oliver Platt&lt;/b&gt;) garante à
menina estabilidade e coragem para enfrentar seus medos. A separação dos pais,
o pavor pelo &amp;nbsp;fim do mundo e o envolvimento
de sua amiga com seu pai exercem uma enorme pressão sobre Ginger, com consequências
imprevisíveis.&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;A diretora Sally Potter
(de &lt;i&gt;Orlando&lt;/i&gt;) lança um olhar sensível
sobre uma fase difícil – a &amp;nbsp;adolescência
e o início da vida adulta. &amp;nbsp;Para isso,
escalou um elenco excelente, com destaque para Elle Fanning, irmã mais nova da
também talentosa Dakota Fanning, que aos 15 anos representa com garra e vulnerabilidade.
Alice Englert não brilha tanto porque seu personagem vai perdendo força ao
longo da narrativa, dando espaço para Ginger se tornar a verdadeira protagonist&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 18px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/fuBs9shGau0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Por Gilson Carvalho&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Nota 7&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Ficha Técnica&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;i&gt;&lt;b&gt;Ginger &amp;amp; Rosa&lt;/b&gt; &lt;/i&gt;– 90 min&lt;br /&gt;
Reino Unido Dinamarca Canadá Croácia&lt;br /&gt;
Direção e roteiro&amp;gt; Sally Potter&lt;br /&gt;
Elenco: Elle Fanning, Alice Englert, Christina Hendricks, Alessandro Nivola,
Annete Bening, Timothey Spall e Oliver Pratt.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 18px;"&gt;&lt;span style="font-family: inherit;"&gt;Estreia 19/04&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-ginger-rosa.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-UORpOPyF0lg/UXRb497vlaI/AAAAAAAAGik/Ot_N8pzluAk/s72-c/Cena-do-filme-Ginger&amp;Rosa.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-2681603355772555203</guid><pubDate>Thu, 18 Apr 2013 15:45:00 +0000</pubDate><atom:updated>2013-04-18T14:35:42.786-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Nacional</category><category domain="http://www.blogger.com/atom/ns#">Estreia 19/04</category><category domain="http://www.blogger.com/atom/ns#">Drama</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - Meu Pé de Laranja Lima</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span class="addthis_separator"&gt;&lt;a href="http://1.bp.blogspot.com/-uFBXOFS-OcA/UXAPmYOnP6I/AAAAAAAAGiA/aR3VrIroILc/s1600/IMG_5010.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Meu Pé de Laranja Lima&amp;quot;" border="0" height="213" src="http://1.bp.blogspot.com/-uFBXOFS-OcA/UXAPmYOnP6I/AAAAAAAAGiA/aR3VrIroILc/s320/IMG_5010.JPG" title="Cena do filme &amp;quot;Meu Pé de Laranja Lima&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="line-height: 150%;"&gt;O filme &lt;i&gt;&lt;b&gt;Meu pé de laranja lim&lt;/b&gt;a&lt;/i&gt;&lt;span style="font-size: small;"&gt; de &lt;/span&gt;&lt;b&gt;Marcos Bernstein&lt;/b&gt;&lt;span style="font-size: small;"&gt; é uma adaptação cinematográfica
do romance homônimo de &lt;/span&gt;&lt;b&gt;José Mauro de
Vasconcelos&lt;/b&gt;&lt;span style="font-size: small;"&gt;, que foi lançado em 1968. O romance já havia sido adaptado
anteriormente para televisão, teatro e história em quadrinhos. É a história de
um menino chamado Zezé (&lt;/span&gt;&lt;b&gt;José Guilherme
Ávila&lt;/b&gt;&lt;span style="font-size: small;"&gt;), que é muito levado e é o quarto dos cinco filhos de uma família
pobre que mora no interior. &amp;nbsp;O filme se passa
durante a primeira infância do menino, quando a mãe sustentava toda a família devido
ao desemprego do pai.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="line-height: 150%;"&gt;Para contar a história
de Zezé, Marcos Bernstein optou por um roteiro circular. O filme começa com
Zezé já adulto recebendo alguns exemplares da edição do seu livro &lt;i&gt;Meu pé de laranja lima&lt;/i&gt;. Ele procura o
manuscrito da obra no armário e com seu carro antigo viaja até um cemitério.
Segurando o manuscrito, procura por um determinado jazigo até encontrá-lo.
Neste momento entramos na história do Zezé criança.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2 style="font-family: inherit;"&gt;
&lt;span style="line-height: 150%;"&gt;"&lt;i&gt;Meu Pé de Laranja Lima&lt;/i&gt;" narra a infância feliz de um menino do interior&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;A narrativa cinematográfica
é construída a partir do ponto de vista desta criança, que é muito criativa. Para
tentar fugir da dureza da sua realidade, muitas vezes insuportável, Zezé cria
um mundo imaginário no qual se refugia. O bambuzal é o jardim zoológico, o pé
de laranja lima é seu confidente. Montando no seu galho fino, Zezé cavalga num
cavalo branco. A amizade com o Manuel Valadares (&lt;b&gt;José de Abreu&lt;/b&gt;), o “portuga” que tinha um carro antigo, é um bálsamo
na vida de ambos. Zezé oferece a Manoel um mundo de fantasias e criatividade
que este nunca imaginou existir. Encantado com a imaginação da criança, o
“portuga” lhe dá de presente uma caneta para um dia o menino escrever suas
histórias.&amp;nbsp;&amp;nbsp; O círculo se fecha com o
retorno à cena do Zezé adulto no cemitério com sua caneta e um carro antigo,
igual ao do “portuga”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;a href="http://1.bp.blogspot.com/-UxX-ucjhEcs/UXAPjaC0dvI/AAAAAAAAGh4/CWrrlNRHQA8/s1600/Poster-do-filme-Meu-P%25C3%25A9-de-Laranja-Lima.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Meu Pé de Laranja Lima&amp;quot;" border="0" height="320" src="http://1.bp.blogspot.com/-UxX-ucjhEcs/UXAPjaC0dvI/AAAAAAAAGh4/CWrrlNRHQA8/s320/Poster-do-filme-Meu-P%25C3%25A9-de-Laranja-Lima.jpg" title="Poster do filme &amp;quot;Meu Pé de Laranja Lima&amp;quot;" width="219" /&gt;&lt;/a&gt;&lt;span style="line-height: 150%;"&gt;A estrutura da
narrativa fílmica se sustenta basicamente no encadeamento das imagens, não há o
recurso da voz over. Isto valoriza o filme na medida em que o distancia do
romance caminhando em direção à construção de outra obra, a cinematográfica. &amp;nbsp;A imagem e o som do filme são manipulados de
maneira a refletir o estado de espírito desta criança que, através da sua
imaginação, tenta sobreviver no meio de tantas adversidades. Os artifícios de
linguagem acompanham a movimentação de Zezé nos seus dois mundos, real e
imaginário.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;Segundo Bernstein: “Assim, o tom mais prateado, mais fechado, que
acompanha Zezé em suas frustrações diárias, vai dando lugar a um tom sutilmente
mais quente, mais carinhoso, nas aventuras de Zezé e em seus encontros com as
pessoas que lhe trazem conforto”.&amp;nbsp; Marcos
Bernstein realizou uma tradução entre linguagens primorosa. Ele captou a
essência da história de Zezé e a transmitiu numa sequência de imagens que nos
comove pela sensibilidade e beleza, além da excelente atuação do menino José
Guilherme Ávila.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;Por Lena Mendes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="line-height: 150%;"&gt;Nota 9&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 24px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/GDePuLpo3Bg" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit; line-height: 150%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style="font-family: inherit; line-height: 115%;"&gt;&lt;i&gt;&lt;b&gt;Meu Pé de Laranja
Lima &lt;/b&gt;&lt;/i&gt;- &amp;nbsp;99 min. &lt;br /&gt;
Brasil – 2012&lt;br /&gt;
Direção: Marcos Bernstein&lt;br /&gt;
Roteiro: Marcos Bernstein, Melanie Dimantas, baseados em romance de José Mauro
de Vasconcelos&lt;br /&gt;
Elenco:&amp;nbsp; José Guilherme Ávila, José de
Abreu, Caco Ciocler, Eduardo Dascar&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;Estreia: 19/04&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="line-height: 115%;"&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-meu-pe-de-laranja-lima.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-uFBXOFS-OcA/UXAPmYOnP6I/AAAAAAAAGiA/aR3VrIroILc/s72-c/IMG_5010.JPG" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-3179180921762629198</guid><pubDate>Wed, 17 Apr 2013 02:22:00 +0000</pubDate><atom:updated>2013-04-16T23:22:53.808-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 19/04</category><category domain="http://www.blogger.com/atom/ns#">Drama</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - Eu e Você</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt; &lt;span class="addthis_separator"&gt;|&lt;/span&gt; &lt;a class="addthis_button_preferred_1" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_2" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_3" href=""&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_4" href=""&gt;&lt;/a&gt; &lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;a href="http://1.bp.blogspot.com/-m1TUU2RErDE/UW4CobM-eGI/AAAAAAAAGho/2fgptCndnSU/s1600/Cena-do-filme-Eu-e-Voce.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Eu e Você&amp;quot;" border="0" height="213" src="http://1.bp.blogspot.com/-m1TUU2RErDE/UW4CobM-eGI/AAAAAAAAGho/2fgptCndnSU/s320/Cena-do-filme-Eu-e-Voce.jpg" title="Cena do filme &amp;quot;Eu e Você&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Um adolescente problemático, avesso ao contato
humano, com características quase de um portador de transtorno
obsessivo-compulsivo. Assim poderia ser descrito Lorenzo, personagem
interpretado por Jacopo Olmo Antinori em &lt;b&gt;&lt;i&gt;Eu e você&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;, mais novo filme do diretor
italiano &lt;/span&gt;&lt;b&gt;Bernardo Bertolucci&lt;/b&gt;&lt;span style="font-size: small;"&gt;,
responsável por obras aclamadas como &lt;/span&gt;&lt;i&gt;Ùltimo
Tango em Paris&lt;/i&gt;&lt;span style="font-size: small;"&gt;, &lt;/span&gt;&lt;i&gt;O Pequeno Buda&lt;/i&gt;&lt;span style="font-size: small;"&gt; e &lt;/span&gt;&lt;i&gt;Beleza Roubada&lt;/i&gt;&lt;span style="font-size: small;"&gt;, entre outras. No entanto,
a descrição acima seria muito superficial. Na verdade, o garoto quer descobrir
quem é e qual seu lugar no mundo. Para isso, conta com a ajuda involuntária de
Olivia (&lt;/span&gt;&lt;b&gt;Tea Falco&lt;/b&gt;&lt;span style="font-size: small;"&gt;), sua meia-irmã,
com tem uma convivência forçada, mas que no final se revela proveitosa.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;h2&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Um adolescente busca seu lugar no mundo em “&lt;i&gt;Eu e Você&lt;/i&gt;”&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Lorenzo diz a seus pais que vai viajar para esquiar
em uma excursão escolar, mas ao invés disso, passa uma semana enfurnado no
porão do prédio onde mora. Introvertido, pensativo, ele só quer se isolar de
todos. A única pessoa com quem se sente bem é a avô, que costuma visitar no
hospital.&amp;nbsp; Fascinado por animais, os
observa e adota alguns de seus comportamentos; como o de um tatu-bola preso em
uma gaiola, que anda de um lado para outro, sem nenhuma razão aparente. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;A inesperada invasão de Olívia, uma jovem viciada em
drogas, o traz de volta à realidade e o faz refletir sobre certos valores. Aos
poucos os dois vão se aproximando e descobrindo pontos em comum, fazendo com que
Lorenzo reavalie e aceite melhor sua própria existência.&lt;/span&gt;&lt;span style="font-family: Times New Roman, serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;


&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;a href="http://1.bp.blogspot.com/-NzSTU1MI3qA/UW4A5u_tNqI/AAAAAAAAGhc/gOKSgb90c1w/s1600/Poster-do-filme-Eu-e-Voce.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Eu e você&amp;quot;" border="0" height="320" src="http://1.bp.blogspot.com/-NzSTU1MI3qA/UW4A5u_tNqI/AAAAAAAAGhc/gOKSgb90c1w/s320/Poster-do-filme-Eu-e-Voce.jpg" title="Poster do filme &amp;quot;Eu e você&amp;quot;" width="217" /&gt;&lt;/a&gt;&lt;span style="line-height: 115%;"&gt;A inesperada invasão de seu universo por Olívia, uma jovem viciada em
drogas, o traz de volta à realidade e o faz refletir sobre certos valores. Aos
poucos os dois vão se aproximando e descobrindo pontos em comum, fazendo com que
Lorenzo reavalie e aceite melhor sua própria existência.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="line-height: 115%;"&gt;Produção modesta e sem grandes ambições, &lt;b&gt;&lt;i&gt;Eu e
Você&lt;/i&gt;&lt;/b&gt; não se parece com outras de Bertolucci, que alterna superproduções
como &lt;i&gt;O Último Imperador&lt;/i&gt;&lt;b&gt; &lt;/b&gt;e &lt;i&gt;O
Céu Que Nos Protege&lt;/i&gt; com filmes que pretendem colocar a sociedade sob uma
lente de aumento, como em &lt;i&gt;La Luna&lt;/i&gt; e o
&lt;i&gt;Os Sonhadores. &lt;/i&gt;Talvez devido às
limitações do próprio roteiro, escrito por &lt;b&gt;Niccoló
Ammanit&lt;/b&gt; a partir de romance de sua própria autoria.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="line-height: 115%;"&gt;&amp;nbsp;No entanto, é bem
realizado, com uma bela fotografia e boas interpretações dos dois
protagonistas. Pouco para uma espera de quase uma década, já que o último longa de ficção do veterano diretor, justamente &lt;i&gt;Os Sonhadores&lt;/i&gt;, foi lançada em 2003&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;o:p&gt;Por Gilson Carvalho&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;o:p&gt;Nota 6,5&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 18px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/E30sSI7wlhc" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Ficha
Técnica&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;Eu e Você
(Io e Te)&amp;nbsp;&lt;/i&gt;&lt;/b&gt;– 103
min.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Itália –
2012&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;
Direção&amp;gt; Bernardo Betolucci&lt;br /&gt;
Roteiro: Niccoló Ammaniti&lt;br /&gt;
Elenco: Jacopo Olmo Antinori, Teo Falco, Sonia Bergamasco, Veronica Lazar,
Tommaso Ragno, Pippo Delbono.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;


&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;Estreia 19/04&lt;/span&gt;&lt;span style="font-family: Times New Roman, serif; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-eu-e-voce.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-m1TUU2RErDE/UW4CobM-eGI/AAAAAAAAGho/2fgptCndnSU/s72-c/Cena-do-filme-Eu-e-Voce.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-5738680391119466639</guid><pubDate>Mon, 15 Apr 2013 01:17:00 +0000</pubDate><atom:updated>2013-04-14T22:17:12.069-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 12/04</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Ação</category><category domain="http://www.blogger.com/atom/ns#">Ficção Científica</category><title>Crítica - Oblivion</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;a href="http://3.bp.blogspot.com/-K8AeA_Sqn6o/UWhkBhd4YnI/AAAAAAAAGgk/j_tVt8vTb4M/s1600/Cena-do-filme-Oblivion.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Oblivion&amp;quot;" border="0" height="219" src="http://3.bp.blogspot.com/-K8AeA_Sqn6o/UWhkBhd4YnI/AAAAAAAAGgk/j_tVt8vTb4M/s320/Cena-do-filme-Oblivion.jpg" title="Cena do filme &amp;quot;Oblivion&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 115%;"&gt;Oblivion&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="line-height: 115%;"&gt;,
ficção científica estrelada por &lt;b&gt;Tom Cruise&lt;/b&gt; e dirigido por Joseph Kosinsky, responsável
também por &lt;i&gt;Tron – O Legado&lt;/i&gt;, tem o
mesmo problema que este último: muita forma e pouco conteúdo. Os cenários são
esplêndidos, os efeitos especiais são de primeira, as cenas de ação bem coreografadas
– e isso é praticamente tudo o que o longa oferece.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;O restante do elenco, &lt;b&gt;Morgan
Freeman&lt;/b&gt; incluído, serve apenas de escada para o protagonista.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;Não é problema do enredo – nada original mas que
funcionaria bem para um filme do gênero. Porém, do jeito como foi desenvolvido, resulta em uma tentativa de mostrar que Tom Cruise ainda tem
carisma suficiente para carregar uma super-produção, além de exibir o domínio
técnico do diretor.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;h2&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;“Oblivion” se passa 60 anos depois do aniquilamento
da Terra por alienígenas&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;a href="http://2.bp.blogspot.com/-L9Iyg3odCYA/UWhjpiZNSKI/AAAAAAAAGgc/5VstNm7z4GE/s1600/Poster-do-filme-Oblivion.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Oblivion&amp;quot;" border="0" height="320" src="http://2.bp.blogspot.com/-L9Iyg3odCYA/UWhjpiZNSKI/AAAAAAAAGgc/5VstNm7z4GE/s320/Poster-do-filme-Oblivion.jpg" title="Poster do filme &amp;quot;Oblivion&amp;quot;" width="218" /&gt;&lt;/a&gt;&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Em 2077, a Terra é um planeta deserto, depois de ter
sido completamente devastada por &amp;nbsp;alienígenas
em uma guerra ocorrida 60 anos antes, forçando os terráqueos sobreviventes a se
mudarem para uma lua de Saturno. Jack Harper (Cruise) é um ex-mariner que permanece
em uma base flutuante com sua companheira Victoria (&lt;b&gt;Andrea Riseborough&lt;/b&gt;) a fim
de garantir o bom funcionamento dos drones responsáveis pela extração de recursos
minerais para a novo lar dos humanos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Perto de terminar seu período de trabalho e ansioso por
se reunir ao restante da humanidade, &amp;nbsp;Jack é surpreendido com a queda de uma nave
que traz vários humanos – entre eles Julia (&lt;/span&gt;&lt;/span&gt;&lt;b&gt;Olga Kurylenko&lt;/b&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;) sua suposta esposa. A partir daí inicia
uma luta para se lembrar do passado e de quem realmente é, e se aquela história
fantástica tem algum fundamento. .&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Tom Cruise parece ter uma predileção por esse tipo
de personagem; &lt;i&gt;Minority Report – A Nova Lei&lt;/i&gt;,
a franquia &lt;i&gt;Missão Impossível&lt;/i&gt; e &lt;i&gt;Jack Reacher&lt;/i&gt; são alguns exemplos. A
questão é que ele tem o mesmo tipo de interpretação em todos eles. Além disso, não demonstra o vigor físico exigido em produções repletas de ação. Também
não exibe habilidade para os raros momentos que requerem certa carga dramática,
Por isso, talvez, &amp;nbsp;tenha vindo ao Rio de
Janeiro.para o lançamento. Quem sabe assim poderá atrair mais público aos cinemas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Por Gilson Carvalho&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;Nota 6&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 18px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/FjBfhsUsBZE" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="line-height: 115%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;&lt;b&gt;&lt;i&gt;Oblivion&lt;/i&gt;&lt;/b&gt; – 126 min.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;
EUA – 2013&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;
Direção: Joseph Kosinsky&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 115%;"&gt;
Roteiro: Joseph Kosinsk, &lt;span class="itemprop"&gt;&lt;span style="background: white;"&gt;Karl
Gajdusek&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;Elenco: Tom Cruise, Morgan Freeman, Olga Kurylenko, Andrea
Riseborough, Melissa Leo, Nicolaj Coster-Waldau&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;


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&lt;tr&gt; &lt;td&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</description><link>http://www.cinemanarede.com/2013/04/critica-oblivion.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-K8AeA_Sqn6o/UWhkBhd4YnI/AAAAAAAAGgk/j_tVt8vTb4M/s72-c/Cena-do-filme-Oblivion.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-1453522262557317516</guid><pubDate>Sat, 13 Apr 2013 18:00:00 +0000</pubDate><atom:updated>2013-04-13T15:00:40.354-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Suspense</category><category domain="http://www.blogger.com/atom/ns#">Estreia 12/04</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Ação</category><title>Crítica - Chamada de Emergência </title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;br /&gt;
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&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;a class="addthis_button_preferred_1" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt;&lt;a class="addthis_button_preferred_2" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt;&lt;a class="addthis_button_preferred_3" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt;&lt;a class="addthis_button_preferred_4" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;a href="http://3.bp.blogspot.com/-8mLnrPxYCGY/UWmQ3fLdqHI/AAAAAAAAGg8/7r8un3gmHKc/s1600/Cena-do-filme-Chamada-de-Emergencia.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Chamada de Emergência&amp;quot;" border="0" src="http://3.bp.blogspot.com/-8mLnrPxYCGY/UWmQ3fLdqHI/AAAAAAAAGg8/7r8un3gmHKc/s1600/Cena-do-filme-Chamada-de-Emergencia.jpg" title="Cena do filme &amp;quot;Chamada de Emergência&amp;quot;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b style="line-height: 24px;"&gt;&lt;i&gt;Chamada de Emergência&lt;/i&gt;&lt;/b&gt;&lt;span style="line-height: 24px;"&gt;&amp;nbsp;é o mais novo filme estrelado por&amp;nbsp;&lt;b&gt;Halle Berry&lt;/b&gt;&amp;nbsp;(ganhadora do Oscar por&amp;nbsp;&lt;i&gt;A Última Ceia&lt;/i&gt;), que recentemente foi vista em&amp;nbsp;&lt;i&gt;A Viagem&lt;/i&gt;, dos irmãos Wachowski. O suspense é dirigido por&amp;nbsp;&lt;b&gt;Brad Anderson&lt;/b&gt;&amp;nbsp;(&lt;i&gt;O Operário&lt;/i&gt;) e tem a já crescida&amp;nbsp;&lt;b&gt;Abigail Breslin&lt;/b&gt;&amp;nbsp;(indicada ao Oscar por&amp;nbsp;&lt;i&gt;Pequena Miss Sunshine&lt;/i&gt;) no papel coadjuvante da jovem sequestrada.&lt;/span&gt;&lt;span style="line-height: 24px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 24px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="line-height: 24px;"&gt;Berry interpreta Jordan, uma operadora de ligações da polícia de Los Angeles que teve uma experiência traumatizante quando uma vítima que havia ligado para o serviço foi assassinada, o que a fez se tornar instrutora de novos recrutas. Mas quando uma atendente novata atende uma chamada estranha e não consegue lidar com ela, Jordan assume o seu posto.&lt;/span&gt;&lt;br /&gt;
&lt;span style="line-height: 24px;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;h2&gt;
&lt;span style="line-height: 36px;"&gt;Halle Berry interpreta operadora do 911 em "&lt;i&gt;Chamada de Emergência&lt;/i&gt;"&amp;nbsp;&lt;/span&gt;&lt;/h2&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;a href="http://4.bp.blogspot.com/-kkOH4tFvP2M/UWmXdpyC7rI/AAAAAAAAGhI/BfkSTW0Tvng/s1600/Poster-do-filme-Chmada-de-Emergencia.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Chamada de Emergência&amp;quot;" border="0" height="320" src="http://4.bp.blogspot.com/-kkOH4tFvP2M/UWmXdpyC7rI/AAAAAAAAGhI/BfkSTW0Tvng/s320/Poster-do-filme-Chmada-de-Emergencia.jpg" title="Poster do filme &amp;quot;Chamada de Emergência&amp;quot;" width="228" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit; line-height: 24px;"&gt;A ligação é de uma jovem de dezesseis anos, Casey Welson, que diz ter sido seqüestrada e posta no porta-malas de um carro.. Duas das regras básicas para trabalhar nessa função são não se envolver emocionalmente com a vítima e não fazer promessas. O único trabalho é entender a situação, obter o máximo de informações possível e passá-la aos policiais. Mas ouvindo o desespero de Casey pelo telefone, Jordan sabe que não pode deixar o pânico e as lembranças do passado dominá-la, caso contrário isso pode levar a morte da menina.&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 24px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit; line-height: 24px;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit; line-height: 24px;"&gt;A ún&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 24px;"&gt;ica forma de ela ajudar é acalmando a vítima e tentando obter o máximo de informações possível de Casey, descrições do carro, do sequestrador, impressões do local em que ela estivesse para que as informações pudessem levar a polícia ao sequestrador. O único momento em que os dois personagens femininos se encontram é quase no final do filme, quando Jordan decide procurar a menina por conta própria. Na maior parte da história Berry se encontra no&amp;nbsp;&lt;/span&gt;&lt;i style="font-family: inherit; line-height: 24px;"&gt;call center&lt;/i&gt;&lt;span style="font-family: inherit; line-height: 24px;"&gt;&amp;nbsp;e Abigail no porta-malas do carro.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
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&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;O final do longa-metragem é um tanto abrupto se comparado ao ritmo do filme e ao modo como as duas personagens são retratadas. As atitudes das personagens na última cena não condizem com o que elas passam nas cenas anteriores – medo e desespero - o que torna a mudança e o fim muito repentinos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;Mas ainda assim Halle Berry e Abigail Breslin fazem um bom trabalho dentro dos limites permitidos pelo roteiro, apesar de o filme não estar à altura do talento das duas. É interessante ver Breslin em um papel mais maduro e cheio de emoção, em vez dos papéis infantis; sinal de que a atriz está crescendo para papéis mais desafiadores. Berry, que mudou o cabelo para fugir do estigma que ele lhe dá na vida real, também tem uma performance boa, mas não a sua melhor. Tanto Berry quanto Breslin já tiveram atuações melhores do que essa, vide os prêmios e indicações que ambas já receberam.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 24px;"&gt;&lt;o:p&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 24px;"&gt;Por José Leonardo Tadaiesky&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;Nota 5,0&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;o:p&gt;&lt;span style="line-height: 24px;"&gt;&lt;b&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/UuHEeo7hASA" width="640"&gt;&lt;/iframe&gt;&lt;/b&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;o:p&gt;&lt;span style="line-height: 24px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;o:p&gt;&lt;span style="line-height: 24px;"&gt;&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;o:p&gt;&lt;span style="line-height: 24px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;Chamada de Emergência (Tha Call)&lt;/i&gt;&lt;/b&gt;&amp;nbsp;– 94 min.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;EUA – 2013&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;Direção: Brad Anderson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;Roteiro: Richard D’Ovidio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="line-height: 24px;"&gt;&lt;span style="font-family: inherit;"&gt;Elenco: Halle Berry, Abigail Breslin, Michael Eklund, Morris Chestnut, Michael Imperioli, Ella Era Peck&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-chamada-de-emergencia.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-8mLnrPxYCGY/UWmQ3fLdqHI/AAAAAAAAGg8/7r8un3gmHKc/s72-c/Cena-do-filme-Chamada-de-Emergencia.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-3035810227860607754</guid><pubDate>Fri, 12 Apr 2013 15:13:00 +0000</pubDate><atom:updated>2013-04-12T12:13:50.873-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Reportagem</category><category domain="http://www.blogger.com/atom/ns#">Entrevista</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Entrevista - Halle Berry - Chamada de Emergência</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
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&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;a href="http://1.bp.blogspot.com/-1yImy84QpZA/UWgjTzV9zzI/AAAAAAAAGgM/89hhDZeWD14/s1600/102_1680.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img alt="Halle Berry" border="0" height="275" src="http://1.bp.blogspot.com/-1yImy84QpZA/UWgjTzV9zzI/AAAAAAAAGgM/89hhDZeWD14/s640/102_1680.JPG" title="Halle Berry" width="640" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;Na
quarta feira, dia 10, a atriz &lt;b&gt;Halle Berry&lt;/b&gt; recebeu jornalistas em um hotel no
Rio de Janeiro para promover seu mais novo trabalho, o suspense &lt;i&gt;Chamada de
Emergência&lt;/i&gt;, que estréia no dia 12 de abril. No Brasil pela primeira vez, a atriz
americana falou sobre a produção, novos projetos e sua gravidez.&lt;span style="font-size: small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator" style="font-family: inherit;"&gt;

&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;Logo
de início Halle deu os seus motivos para fazer o projeto. Segundo ela, o
roteiro bem escrito e a presença de dois fortes papéis femininos foram de grande
influência para que ela dissesse sim. Mas não somente isso, o gênero suspense é
um de seus favoritos e muitas atrizes que ela admira, como Sharon Stone e Glenn
Close, uma vez protagonizaram filmes de tal gênero. A atriz disse ainda que em
qualquer trabalho que faça, seja ele grande ou pequeno, sempre se esforça o
máximo pelo personagem.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="line-height: 150%;"&gt;Observação da polícia de L.A. a preparou para "&lt;i&gt;Chamada de Emergência&lt;/i&gt;"&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style="line-height: 150%;"&gt;Para
se preparar para o papel de Jordan, uma atendente do serviço de 911 da polícia
de Los Angeles, Halle afirma que ouviu milhares de ligações gravadas pela
polícia e garante que o &lt;i&gt;call center&lt;/i&gt; mostrado
no filme é uma réplica idêntica do usado pela instituição.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;Além
disso, Berry foi só elogios à colega de elenco Abigail Breslin, As duas atrizes
quase não contracenaram juntas. Sua única ligação por grande parte do filme é
por telefone, e Berry afirma que Breslin tornou seu trabalho muito mais fácil,
uma vez que a jovem de dezesseis anos é uma “atriz maravilhosa” e só com a voz
foi capaz de trazer seus sentimentos à superfície. A atriz americana, que ainda
é possuidora de um Oscar disse que, como mãe, teria feito não o mesmo que sua
personagem, mas algo similar, para proteger uma criança que estivesse em
perigo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="line-height: 150%;"&gt;Grávida de três meses, Halle Berry prepara-se para filmar "X-Men"&lt;/span&gt;&lt;/h2&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;Berry
está grávida de três meses de seu segundo filho e quando questionada se daria
uma pausa na carreira a atriz foi firme em dizer que parará apenas pelo tempo
da gravidez, mas que ano que vem voltará ao trabalho. Logo após ter dado a luz
sua primeira filha Nahla, Berry tirou uma pausa de quatro anos para se dedicar
apenas ao bebê. Dessa vez ela disse que isso não acontecerá. “É melhor que eu
continue trabalhando!” brincou a atriz, afirmando que ela tem contas a pagar e
agora dois filhos para pensar.no futuro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;Entretanto,
ser mãe não significa que a americana fará apenas “Disney movies” de agora em
diante. Segundo ela, isso não interfere em seu lado como artista.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit; line-height: 150%;"&gt;Seu
próximo filme será a continuação de “X-Men: Primeira Classe”, em que ela
voltará a dar vida à mutante Tempestade. “Acho que Tempestade estará grávida. Eu
realmente não tinha pensado no assunto”, riu a atriz. Mas Berry garante que
isso não será integrado ao filme e que hoje existem formas de disfarçar a
barriga. E ela ainda falou mais: “Há vários personagens nesse filme. Vocês
verão muitos X-Men. O elenco é gigante”&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;Halle
espera poder conhecer um pouco do Rio de Janeiro. Disse que sua agenda está lotada
durante sua estadia por aqui, mas que tentaria ir ao Pão de Açúcar e o Cristo
Redentor. Trabalhando tanto, &amp;nbsp;tudo o que
ela havia conseguido ver foi a praia de Copacabana em frente ao hotel em que
está hospedada. E afirmou também que adoraria filmar algo aqui no Brasil. “Se tiver
um roteiro com você, por favor me dê agora” &amp;nbsp;disse a atriz para o jornalista que tinha
feito a pergunta. Mas completou, “Entretanto eu não falo português.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-indent: 35.4pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;Por
José Leonardo Tadaiesky&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;script src="http://s7.addthis.com/js/250/addthis_widget.js#username=xa-4cb78a9a4f692e9b" type="text/javascript"&gt;&lt;/script&gt; &lt;!-- AddThis Button END --&gt; &lt;br /&gt;
&lt;table&gt; &lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/entrevista-halle-berry-chamada-de.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-1yImy84QpZA/UWgjTzV9zzI/AAAAAAAAGgM/89hhDZeWD14/s72-c/102_1680.JPG" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-286490188875278111</guid><pubDate>Fri, 05 Apr 2013 23:38:00 +0000</pubDate><atom:updated>2013-04-05T20:38:41.946-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 05/04</category><category domain="http://www.blogger.com/atom/ns#">Terror</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><title>Crítica - Mama</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt; &lt;span class="addthis_separator"&gt;|&lt;/span&gt; &lt;a class="addthis_button_preferred_1" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_2" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_3" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;a class="addthis_button_preferred_4" href="http://www.blogger.com/blogger.g?blogID=7947351220132843433"&gt;&lt;/a&gt; &lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;a href="http://4.bp.blogspot.com/-8pnZBNXImaQ/UV80SuSWfnI/AAAAAAAAGf0/ysXntlqFYvQ/s1600/Cena-do-filme-Mama.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Mama&amp;quot;" border="0" src="http://4.bp.blogspot.com/-8pnZBNXImaQ/UV80SuSWfnI/AAAAAAAAGf0/ysXntlqFYvQ/s1600/Cena-do-filme-Mama.jpg" title="Cena do filme &amp;quot;Mama&amp;quot;" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;Filmes de terror têm público
certo, ainda que raramente apresentem inovações. &lt;b&gt;&lt;i&gt;Mama&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;, do argentino &lt;b&gt;Andrés
Muschietti&lt;/b&gt;, não foge à regra, embora seja muito bem produzido e traga alguns
sustos, além de excelente elenco. M&lt;/span&gt;&lt;b&gt;&lt;i&gt;ama &lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;é a versão longa do micro (3
min) criado em 2008 pelos irmãos argentinos Andrés e Bárbara Muschietti, descoberto
pelo mexicano &lt;/span&gt;&lt;b&gt;Guillermo Del Toro&lt;/b&gt;&lt;span style="font-size: small;"&gt;,
que produziu o filme. Para tanto, convocou o roteirista Neil Cross, criador de
séries de TV (&lt;/span&gt;&lt;i&gt;Luther&lt;/i&gt;&lt;span style="font-size: small;"&gt;, &lt;/span&gt;&lt;i&gt;Spooks&lt;/i&gt;&lt;span style="font-size: small;"&gt;), que desenvolveu junto com os
autores originais a história de terror. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;O longa começa com o executivo Jeff
(&lt;b&gt;Nicolaj Coster-Waldau&lt;/b&gt;), visivelmente atormentado, chegando em casa e pegando
suas filhas de 1 e 3 anos. &amp;nbsp;Na estrada
coberta de neve e gelo, o carro derrapa e, milagrosamente, eles sobrevivem.
Descobrem uma cabana na floresta onde o pai, ao tentar matar as meninas, é arrebatado
por um ser misterioso. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Por cinco anos, o artista gráfico
Lucas, irmão de Jeff, tenta resolver o mistério do desaparecimento da família,
até que encontra as duas garotas vivendo como bichos na velha choupana. Trazidas
de volta à civilização, mal conseguem se comunicar, mas conseguem desenhar
cenas em que aparece uma misteriosa mulher, que elas chamam de Mama. Caberá a Lucas
e sua namorada Annabel (&lt;b&gt;Jessica Chastain&lt;/b&gt;) desvendar o mistério. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="font-family: inherit; font-size: large;"&gt;Elenco infantil é destaque em “Mama”&lt;/span&gt;&lt;/h2&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-a3W5wfuAOkQ/UV81A9W8FrI/AAAAAAAAGf8/NtlpR_25n2k/s1600/Poster-do-filme-Mama.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Mama&amp;quot;" border="0" height="320" src="http://3.bp.blogspot.com/-a3W5wfuAOkQ/UV81A9W8FrI/AAAAAAAAGf8/NtlpR_25n2k/s320/Poster-do-filme-Mama.jpg" title="Poster do filme &amp;quot;Mama&amp;quot;" width="216" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Nome quente de Hollywood, indicada
ao Oscar 2013 de melhor atriz por &lt;i&gt;A Hora
Mais Escura&lt;/i&gt; (vencido por Jennifer Lawrence por &lt;i&gt;O Lado Bom da Vida&lt;/i&gt;), &lt;b&gt;Jessica
Chastain&lt;/b&gt; &amp;nbsp;começa um pouco fria no
papel de Annabel, uma roqueira cheia de tatuagens, nada interessada em se
tornar a madrasta de duas problemáticas filhas pequenas. Pouco a pouco, porém,
o personagem vai se envolvendo com as meninas e o lado maternal surge. &amp;nbsp;O outro protagonista, o dinamarquês Nicolaj Coster-Waldau,
mais conhecido por sua atuação na série de TV &lt;i&gt;Game of Thrones&lt;/i&gt;, faz os dois irmãos Jeffrey e Lucas, e em ambos é
convincente. O grande destaque do elenco, no entanto, são as duas meninas, &lt;b&gt;Megan
Charpentier&lt;/b&gt; e I&lt;b&gt;sabelle Nélisse&lt;/b&gt;, que conseguem convencer em papéis extremamente
difíceis. A menor, quase não fala e passa suas emoções por olhares, ações e
grunhidos. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Não há nada de errado com &lt;b&gt;&lt;i&gt;Mama&lt;/i&gt;&lt;/b&gt;;
no entanto, algo parece não funcionar muito bem. Além de entregar tudo muito
cedo, a produção extremamente caprichada abusa dos clichês dos filmes de
terror, incluindo a premissa em si e os elementos narrativos que compõem a
história, como a fotografia sombria, a música, os efeitos sonoros, a citação de outros exemplares, como &lt;i&gt;O Chamado, O Grito,&amp;nbsp;&lt;/i&gt;e até a atuação dos protagonistas. A influência de
Del Toro é facilmente perceptível por toda a produção e embora o mexicano seja
considerado um dos inovadores do gênero, &lt;i&gt;&lt;b&gt;Mama&lt;/b&gt;&lt;/i&gt; acaba sendo um filme conservador, previsível.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Por Gilson Carvalho&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Nota 7&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;b&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/7Am7i7uM9r0" width="640"&gt;&lt;/iframe&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;Ficha
Técnica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;Mama&lt;/i&gt;&lt;/b&gt; – 100 min&lt;br /&gt;
Canadá/Espanha - 2013&lt;br /&gt;
Direção: Andrés Muschietti&lt;br /&gt;
Roteiro: Andrés Muschietti, Neil Cross&lt;br /&gt;
Elenco: Jessica Chastain, Nicolaj Coster-Waldau, Megan Charpentier, Isabelle
Nélisse, Daniel Kash, Javier Botet, Jane Moffat&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Estreia 05/04/2013&lt;/span&gt;&lt;/div&gt;
&lt;div align="left" class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;table&gt; &lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-mama.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-8pnZBNXImaQ/UV80SuSWfnI/AAAAAAAAGf0/ysXntlqFYvQ/s72-c/Cena-do-filme-Mama.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-8057235564766485402</guid><pubDate>Thu, 04 Apr 2013 20:17:00 +0000</pubDate><atom:updated>2013-04-04T17:24:41.292-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Aventura</category><category domain="http://www.blogger.com/atom/ns#">Estreia 29/03</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Ação</category><category domain="http://www.blogger.com/atom/ns#">Ficção Científica</category><title>Crítica - G. I. Joe  – Retaliação</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;a href="http://4.bp.blogspot.com/-OPmGFHA2Jvk/UV3bPyh2LqI/AAAAAAAAGfc/fxCv4ERwWuY/s1600/Cena-do-filme-G-I-Joe-2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;G.I.Joe 2 - A Retaliação&amp;quot;" border="0" height="212" src="http://4.bp.blogspot.com/-OPmGFHA2Jvk/UV3bPyh2LqI/AAAAAAAAGfc/fxCv4ERwWuY/s320/Cena-do-filme-G-I-Joe-2.jpg" title="Cena do filme &amp;quot;G.I.Joe 2 - A Retaliação&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit;"&gt;A franquia &lt;i&gt;G. I. Joe&lt;/i&gt;,
assim como &lt;i&gt;Transformer&lt;/i&gt;s, claramente
segue a lógica da produção de brinquedos e de seu marketing. Assim, o interesse
comercial transpassa para o filme, &amp;nbsp;recriando a universal dicotomia “mocinhos vs bandidos”
; ora Deceptions vs Autobots, ora Joes vs Cobras, uma disputa que nunca irá
acabar; sempre trará novos personagens, novos produtos, novos brinquedos. Mas, se
encarado como puro entretenimento, &amp;nbsp;&lt;b&gt;&lt;i&gt;G. I. Joe - &amp;nbsp;Retaliação&lt;/i&gt;&lt;/b&gt;&lt;i&gt;, &lt;/i&gt;&amp;nbsp;com as presenças de &lt;b&gt;Dwayne "The Rock" Johnson&lt;/b&gt; e &lt;b&gt;Bruce Willis&lt;/b&gt;, &amp;nbsp;parece mais
com uma versão divertida e juvenil de &lt;i&gt;Os
Mercenários&lt;/i&gt; de Sylvester Stallone.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;h2&gt;
&lt;span class="addthis_separator"&gt;
&lt;span style="font-family: inherit;"&gt;A eterna disputa bem x mal está no centro de&lt;i style="font-weight: bold;"&gt;&amp;nbsp;"&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;G I Joe &amp;nbsp;– Retaliação"&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;span class="addthis_separator"&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;G I Joe &amp;nbsp;– Retaliação&lt;/i&gt;&lt;/b&gt;&lt;i&gt; &lt;/i&gt;retoma
a inacabável disputa entre o esquadrão de elite norte-americano G I Joe e a
organização criminosa Cobra. E, pasmem!, a organização tem o criativo objetivo
de dominar o mundo. Ao contrário da franquia &lt;i&gt;Transformers,&lt;/i&gt; de Michael Bay, G. I. Joe não conseguiu marcar presença
na mente das pessoas. Por isso no começo, o filme faz uma retrospectiva, apresentando
os personagens. Assim &lt;i&gt;G I Joe 2 – A
retaliação&lt;/i&gt; mostra que o filme anterior foi totalmente desnecessário e o
agente Duke, seu principal protagonista, nesta sequência morre para o
personagem de “The Rock” ganhar importância. &lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Contudo, &amp;nbsp;apesar deste
universo que parece ter saído dos vídeos games, os produtores inusitadamente
conversaram com a realidade ao tratar de questões nucleares, novas armas de
destruição em massa e a Coréia do Norte. E talvez a mesma admiração dos
governantes pelos bizarros planos do Cobra na reunião do desarmamento nuclear,
seja a nossa diante dessa iminente guerra nuclear entre EUA e Coréia do Sul e a
Coréia do Norte. &amp;nbsp;Portanto mesmo sendo um
filme de ação sem nenhuma pretensão, por uns momentos &lt;i&gt;G. I. Joe – Retaliação &lt;/i&gt;nos lembra &lt;i&gt;A Soma de Todos os Medos&lt;/i&gt; (filme dirigido por Phil Robinson)&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; font-family: inherit; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-SSK-ncq4MHA/UV3bWlXfYuI/AAAAAAAAGfk/hKa2b5ALgC4/s1600/Poster-do-filme-G-I-Joe-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;span style="color: black;"&gt;&lt;img alt="Poster do filme &amp;quot;G.I.Joe 2 - A Retaliação&amp;quot;" border="0" height="320" src="http://2.bp.blogspot.com/-SSK-ncq4MHA/UV3bWlXfYuI/AAAAAAAAGfk/hKa2b5ALgC4/s320/Poster-do-filme-G-I-Joe-2.jpg" title="Poster do filme &amp;quot;G.I.Joe 2 - A Retaliação&amp;quot;" width="215" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Mas voltando ao entretenimento, o diretor &lt;b&gt;Jon M Chu&lt;/b&gt;&lt;i&gt; &lt;/i&gt;constantemente dialoga com seu público ao trazer a lógica
narrativa das missões dos games de guerra para &lt;i&gt;G I Joe &amp;nbsp;– Retaliação.&lt;/i&gt; Assim o roteiro acompanha o desenvolver
dos personagens através das missões completadas por eles. Isso acaba por criar
personagens unidimensionais , por exemplo “The Rock” e Bruce Willis atuam mais
pelos estereótipos construídos&amp;nbsp; durante
suas carreiras do que como personagens criados para contar essa história. Os
cortes de Chu são semelhantes à linguagem digital, sendo rápidos e remetendo a
outras mídias, como o vídeo game e a televisão. &lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Na trilha, o compositor &lt;b&gt;Henry
Jackman&lt;/b&gt; não foi tão feliz como em &lt;i&gt;X –
Men - &amp;nbsp;Primeira Classe. &lt;/i&gt;&lt;span class="st"&gt;&amp;nbsp;&amp;nbsp;Mas os efeitos especiais, as cenas de ação
criativas, com suas armas &lt;i&gt;high – tech&lt;/i&gt;
deixam &lt;/span&gt;&lt;i&gt;G I Joe &amp;nbsp;– Retaliação &lt;/i&gt;muito
divertido. Portanto, se o espectador está em busca apenas de entreter, sem
questões artístico-sociais, o longa&amp;nbsp;irá cumprir essa função, apesar de seus personagens desvanecerem&amp;nbsp; da memória com o tempo, &amp;nbsp;e com isso a produtora Hasbro provavelmente
terá que relembrá-los novamente.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Por Danilo Zanini&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Nota 6,7&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/X9GnRsDUiPQ" width="640"&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;G.I. Joe - A Retaliação (G. I. Joe: Retaliation) &lt;/i&gt;&lt;/b&gt;- 110 min.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;EUA - 2013&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Direção: Jon M. Chu&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Roteiro:&amp;nbsp;&lt;span style="background-color: white; font-size: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="itemprop" itemprop="name" style="font-size: inherit;"&gt;Rhett Reese&lt;/span&gt;&lt;span style="background-color: white; font-size: 13px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;span class="itemprop" itemprop="name" style="font-size: inherit;"&gt;Paul Wernick&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Elenco: Bruce Willis, Dwayne Johnson, Johnatan Price, &amp;nbsp;Channing Tatum,&amp;nbsp;&lt;span class="itemprop" itemprop="name" style="background-color: #f6f6f5;"&gt;Byung-hun Lee,&amp;nbsp;&lt;/span&gt;Elodie Yung, D.J. Cotrona&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: inherit;"&gt;Estreia: 29/03/13&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-g-i-joe-2-retaliacao.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-OPmGFHA2Jvk/UV3bPyh2LqI/AAAAAAAAGfc/fxCv4ERwWuY/s72-c/Cena-do-filme-G-I-Joe-2.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-2401451705401004013</guid><pubDate>Tue, 02 Apr 2013 20:36:00 +0000</pubDate><atom:updated>2013-04-02T17:36:46.146-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Estreia 22/03</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Animação</category><category domain="http://www.blogger.com/atom/ns#">Comédia</category><title>Crítica - Titeuf - O Filme.</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="addthis_separator"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span class="addthis_separator"&gt;&lt;a href="http://1.bp.blogspot.com/-DutmQurKf1Y/UVs-IKa_zII/AAAAAAAAGfM/mq3R2wUu6dQ/s1600/Cena-do-filme-Titeuf.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-DutmQurKf1Y/UVs-IKa_zII/AAAAAAAAGfM/mq3R2wUu6dQ/s1600/Cena-do-filme-Titeuf.jpg" /&gt;&lt;/a&gt;Com dois anos de atraso, finalmente chega aos
cinemas brasileiros&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;i&gt;Titeuf
- O Filme&lt;/i&gt;&lt;/b&gt;, animação francesa que tem como protagonista um simpático
garoto que reflete sobre a vida de um modo muito peculiar e que, apesar de
todas as dificuldades impostas pelo mundo adulto, busca a felicidade. A
adaptação é do cartunista&amp;nbsp;&lt;b&gt;Zep&lt;/b&gt;, "pai" do personagem nascido há mais de 20 anos
nos quadrinhos.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span class="addthis_separator"&gt;&lt;span style="font-family: inherit;"&gt;Nadia, colega de escola de Titeuf, vai dar uma festa de
aniversário e não convida o garoto. Apaixonado pela menina e decidido a se casar com ela - embora diga que odeia garotas, ele passa a bolar planos para ser convidado, mas só piora a situação a cada tentativa. Enquanto isso, tem que lidar com
a iminente separação dos pais. Os dois problemas - a rejeição e o divórcio, o
fazem imaginar situações para ele bizarras, como a possibilidade de ter uma
madrasta.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="addthis_separator"&gt;

&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style="font-family: inherit;"&gt;
&lt;o:p&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/o:p&gt;&lt;span style="font-family: inherit;"&gt;&lt;i&gt;“Titeuf”&lt;/i&gt; mostra o mundo adulto sob
a ótica das crianças&lt;/span&gt;&lt;/h2&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
Titeuf é um velho conhecido na Europa, onde já saiu em
quadrinhos, desenho animado, video game e produtos diversos para as crianças.
Faltava mesmo o filme, que foi roteirizado e dirigido pelo próprio criador, o
suiço Zep, O engraçado garoto de topete é politicamente incorreto, e fala de
assuntos espinhosos com a maior naturalidade. Na versão cinematográfica,&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Zep criou uma história linear, com
estrutura convencional, para&amp;nbsp;atingir&amp;nbsp;uma faixa maior de espectadores.
Ainda assim, Titeuf está lá, com comentários sobre questões complicadas como
desemprego e sexo.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
O melhor desta animação não é a técnica, &amp;nbsp;nem a história
em si, quase banal, mas o personagem e sua visão de mundo. Os franceses, que
adoram Titeuf, não ficaram muito entusiasmados com a adaptação para a tela
grande. Talvez porque não há novidade em relação às versões já conhecidas, em
quadrinhos e desenho animado. para TV. Para os brasileiros, porém, é uma
novidade, e boa.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
Por Gilson Carvalho&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
Nota 7,5&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/_YOSXSjtRG8" width="640"&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;b&gt;Ficha Técnica&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;b&gt;&lt;i&gt;Titeuf - O Filme (Titeuf - Le Film&lt;/i&gt;&lt;/b&gt;&lt;i&gt;)&lt;/i&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;- 87 min.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
França - 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
Direção: Zep&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
Roteiro: Zep&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
Elenco:&amp;nbsp;&lt;span style="background: white;"&gt;Donald Reignoux,
Mélanie Bernier, Emilie Blon-Metzinger, Jean Rochefort, Michael Lonsdale, Zabou
Breitman, Jean-Luc Couchard, Danielle Hazan, Nathalie Homs, Sam Karmann, Maria
Pacôme (vozes originais).&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: inherit; margin: 0cm 0cm 0.0001pt;"&gt;
Estreia: 29/03&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: inherit;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;br /&gt;
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&lt;tr&gt; &lt;td&gt;&lt;a href="http://twitter.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Twitter"&gt;&lt;img alt="O Cinema está na Rede e também no Twitter" src="https://lh4.googleusercontent.com/-Hq1QQfrpKzY/TWrE-3zGFtI/AAAAAAAABWU/ai4NwBzGxcA/s1600/follow+us+on+twitter.gif" /&gt;&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;a href="http://www.facebook.com/CinemaNaRede" target="_blank" title="O Cinema está na Rede e também no Facebook"&gt;&lt;img alt="O Cinema está na Rede e também no Facebook" src="https://lh4.googleusercontent.com/-7p1N8ltukKg/TmzI-FwWTSI/AAAAAAAACDY/tgKWRMAvOJo/s1600/facebook.jpg " /&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt;
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</description><link>http://www.cinemanarede.com/2013/04/critica-titeuf-o-filme.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-DutmQurKf1Y/UVs-IKa_zII/AAAAAAAAGfM/mq3R2wUu6dQ/s72-c/Cena-do-filme-Titeuf.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-7947351220132843433.post-8993246228818252818</guid><pubDate>Sun, 31 Mar 2013 01:40:00 +0000</pubDate><atom:updated>2013-03-30T22:40:27.570-03:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">3D</category><category domain="http://www.blogger.com/atom/ns#">Aventura</category><category domain="http://www.blogger.com/atom/ns#">Estreia 29/03</category><category domain="http://www.blogger.com/atom/ns#">Cinema</category><category domain="http://www.blogger.com/atom/ns#">Ação</category><title>Crítica - Jack - O Caçador de Gigantes</title><description>&lt;!-- AddThis Button BEGIN --&gt; &lt;br /&gt;
&lt;div class="addthis_toolbox addthis_default_style"&gt;
&lt;a class="addthis_button_compact" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;username=xa-4cb78a9a4f692e9b"&gt;Compartilhe este conteúdo&lt;/a&gt;&amp;nbsp;&lt;span class="addthis_separator"&gt;|&lt;/span&gt;&lt;br /&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-VxulLqZKCoM/UVeJ0EWwpJI/AAAAAAAAGec/Xgj3YCdK2d4/s1600/Cena-do-filme-Jack-O-Matador-de-Gigantes.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Jack - O Caçador de Gigantes&amp;quot;" border="0" height="240" src="http://3.bp.blogspot.com/-VxulLqZKCoM/UVeJ0EWwpJI/AAAAAAAAGec/Xgj3YCdK2d4/s320/Cena-do-filme-Jack-O-Matador-de-Gigantes.jpg" title="Cena do filme &amp;quot;Jack - O Caçador de Gigantes&amp;quot;" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 150%;"&gt;Inspirado
no clássico conto infantil “João e o Pé de Feijão” dos Irmãos Grimm, &lt;/span&gt;&lt;b style="line-height: 150%;"&gt;Jack - O Caçador de Gigantes&lt;/b&gt;&lt;span style="line-height: 150%;"&gt; chega às salas
de cinema cheio de aventura e efeitos visuais visando um público juvenil. A
produção tem direção de &lt;/span&gt;&lt;b style="line-height: 150%;"&gt;Bryan Singer&lt;/b&gt;&lt;span style="line-height: 150%;"&gt;
(&lt;/span&gt;&lt;i style="line-height: 150%;"&gt;X-Men: Primeira Classe&lt;/i&gt;&lt;span style="line-height: 150%;"&gt;) e é
protagonizado pelo astro em ascensão &lt;/span&gt;&lt;b style="line-height: 150%;"&gt;Nicholas
Hoult&lt;/b&gt;&lt;span style="line-height: 150%;"&gt; (&lt;/span&gt;&lt;i style="line-height: 150%;"&gt;X-Men: Primeira Classe ,
Direito de Amar&lt;/i&gt;&lt;span style="line-height: 150%;"&gt;).&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 12pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;Jack
é um jovem camponês que vai até a cidade a mando do tio para vender um cavalo e
uma carroça para que possam concertar a sua pequena casa. Lá ele se encanta por
uma moça e acaba defendendo-a de três mal intencionados, mas quando a Guarda
Real aparece fica claro que a garota é na verdade a princesa herdeira do reino,
Isabelle (&lt;/span&gt;&lt;b style="font-family: inherit; line-height: 150%;"&gt;Eleanor Tomlinson&lt;/b&gt;&lt;span style="font-family: inherit; font-size: small; line-height: 150%;"&gt;).&lt;/span&gt;&lt;br /&gt;
&lt;span class="addthis_separator"&gt;

&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Isabelle
está prometida a Roderick (&lt;b&gt;Stanley Tucci&lt;/b&gt;&lt;span style="font-size: small;"&gt;),
um homem mais ambicioso do que aparenta. O Rei Brahmwell (&lt;/span&gt;&lt;b&gt;Ian McShane&lt;/b&gt;&lt;span style="font-size: small;"&gt;) está convencido de que Roderick será um bom marido
para a filha e protetor do reino quando ele se for. Mas Isabelle anseia por
aventuras e não um casamento.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="line-height: 24px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2&gt;
"&lt;i style="line-height: normal;"&gt;Jack - O Caçador de Gigantes&lt;/i&gt;&lt;span style="line-height: normal;"&gt;" é a adaptação do conto clássico infantil &lt;i&gt;João e o Pé de Feijão&lt;/i&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;br /&gt;


&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;Jack
acaba trocando seu cavalo por um saco de feijões de um monge. Acontece que os
tais feijões haviam desaparecido há muito tempo e haviam sido desenterrados por
Roderick do túmulo do antigo Rei Erik, que segundo a lenda, possuía uma coroa
mágica que controlava gigantes. O monge havia roubado os feijões para que eles
não caíssem em mãos erradas&lt;/span&gt;&lt;span style="font-family: inherit; font-size: small; line-height: 150%;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;a href="http://2.bp.blogspot.com/-sYzJjx0D_1E/UVeKROmoc_I/AAAAAAAAGek/Wfr3-Vc73T8/s1600/Poster-do-filme-Jack-O-Matador-de-Gigantes.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="Poster do filme &amp;quot;Jack - O Caçador de Gigantes&amp;quot;" border="0" height="320" src="http://2.bp.blogspot.com/-sYzJjx0D_1E/UVeKROmoc_I/AAAAAAAAGek/Wfr3-Vc73T8/s320/Poster-do-filme-Jack-O-Matador-de-Gigantes.jpg" title="Poster do filme &amp;quot;Jack - O Caçador de Gigantes&amp;quot;" width="216" /&gt;&lt;/a&gt;&lt;span style="font-size: 12pt; line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Tudo
o que Jack deveria fazer era levar os feijões até o monastério onde ele
receberia o dinheiro pelo cavalo. Porém, mais tarde, já em sua casa, depois de
uma discussão com o tio a respeito da troca, um dos feijões se perde debaixo da
casa de Jack.&amp;nbsp; Eleanor, então aparece
pedindo abrigo para se proteger da chuva, fugida de seu castelo. O feijão é molhado
e dele nasce um enorme pé de feijão que carrega a casa e a princesa junto. Uma
expedição de busca, liderada por Elmont (&lt;b&gt;Ewan
McGregor&lt;/b&gt;&lt;span style="font-size: small;"&gt;), é montada para resgatar Eleanor e averiguar se os gigantes que
todos sempre ouviram falar em histórias e lendas realmente existem. Enquanto
isso, Roderick tem planos próprios para conquistar o reino para si.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Times New Roman, serif; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="font-family: inherit; line-height: 150%;"&gt;O&amp;nbsp; filme é bem infanto-juvenil. É visível no aspecto sempre limpo dos personagens,
e nas mortes nunca expostas. O figurino é assinado pela designer &lt;/span&gt;&lt;b style="font-family: inherit; line-height: 150%;"&gt;Joanna Johnston&lt;/b&gt;&lt;span style="font-family: inherit; font-size: small; line-height: 150%;"&gt;, indicada ao Oscar esse
ano por seu trabalho em &lt;/span&gt;&lt;i style="font-family: inherit; line-height: 150%;"&gt;Lincoln&lt;/i&gt;&lt;span style="font-family: inherit; font-size: small; line-height: 150%;"&gt;, e é
bem feito apesar dos trajes do protagonista (constituído de jaqueta e camisa
com capuz) serem um pouco contemporâneos para a era medieval em que se passa a
história; talvez como uma forma de conectar melhor o público jovem com o
personagem. Entretanto, o filme atrairia uma classe etária maior se fosse mais
sombrio em sua proposta.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2&gt;
&lt;span style="line-height: 150%;"&gt;O filme tem &amp;nbsp;toque contemporâneo no &amp;nbsp;figurino&lt;/span&gt;&lt;/h2&gt;
&lt;div&gt;
&lt;span style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;a href="http://3.bp.blogspot.com/-taBHB1t8LVI/UVeJv8YLzLI/AAAAAAAAGeY/Dj6gr6L2NMs/s1600/Cena-do-filme-Jack-O-Matador-de-Gigantes-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Cena do filme &amp;quot;Jack - O Caçador de Gigantes&amp;quot;" border="0" src="http://3.bp.blogspot.com/-taBHB1t8LVI/UVeJv8YLzLI/AAAAAAAAGeY/Dj6gr6L2NMs/s1600/Cena-do-filme-Jack-O-Matador-de-Gigantes-2.jpg" title="Cena do filme &amp;quot;Jack - O Caçador de Gigantes&amp;quot;" /&gt;&lt;/a&gt;&lt;span style="font-family: inherit; font-size: small; line-height: 150%;"&gt;O
longa recebeu um investimento de US$ 189 milhões para ser produzido, e
registrou a marca de apenas 28 milhões de ingressos vendidos em cinemas
americanos e canadenses em sua semana de estreia. Com o lançamento mundial,
espera-se que &lt;/span&gt;&lt;b style="font-family: inherit; line-height: 150%;"&gt;&lt;i&gt;Jack – O Caçador de Gigantes&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: inherit; line-height: 150%;"&gt; arrecade mais em bilheteria e
supere a abertura ruim.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Os
efeitos visuais, o 3D e a arte dos gigantes são todos fatores que contam pontos
positivos para o filme. Cabe ao público ir assistir e tirar suas próprias
conclusões.&lt;span style="font-size: small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Por
José Leonardo Tadaiesky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;Nota
6,5&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;o:p&gt;&lt;span style="line-height: 24px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/GJ8qMxCXL58" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="font-size: 12pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;b&gt;&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Ficha Técnica&lt;span style="font-size: small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;"&gt;Jack
- O Caçador de Gigantes (Jack – The Giant Slayer) &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="line-height: 150%;"&gt;–
114 min.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;EUA
– 2013&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Direção:
Bryan Singer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Roteiro:
Darren Lemke, Christopher McQuarrie&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;Elenco:
Nicholas Hoult, Eleanor Tomlinson, Ewan McGregor, Ian McShane, Stanley Tucci,
Eddie Marsan, Ewen Bremner, Raph Brown&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;
&lt;span style="line-height: 150%;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="line-height: 150%;"&gt;Estreia 29&lt;/span&gt;&lt;span style="line-height: 24px;"&gt;/&lt;/span&gt;&lt;span style="line-height: 150%;"&gt;03&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt;"&gt;
&lt;span style="font-family: inherit; font-size: 12pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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</description><link>http://www.cinemanarede.com/2013/03/critica-jack-o-cacador-de-gigantes.html</link><author>noreply@blogger.com (Mattheus Rocha)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-VxulLqZKCoM/UVeJ0EWwpJI/AAAAAAAAGec/Xgj3YCdK2d4/s72-c/Cena-do-filme-Jack-O-Matador-de-Gigantes.jpg" height="72" width="72" /><thr:total>0</thr:total></item></channel></rss>
